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[ "Melissa Gilbert", "Relationships", "Was she ever married?", "actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married", "When did they marry?", "February 22, 1988," ]

[ "Else Hansen (Cathrine Marie Mahs Hansen) also called de Hansen (1720 – 4 September 1784), was the royal mistress of king Frederick V of Denmark. She is his most famous mistress and known in history as Madam Hansen, and was, alongside Charlotte Amalie Winge, one of only two women known to have been long term lovers of the king.\n\nLife\n\nThe background of Else Hansen does not appear to be known. Tradition claims her to be the sister of Frederick's chamber servant Henrik Vilhelm Tillisch, who in 1743 reportedly smuggled in his sister to the king at night, but modern research does not support them to be the same person.\n\nRoyal mistress\nIt is not known exactly when and how Hansen became the lover of the king. Frederick V was known for his debauched life style. According to Dorothea Biehl, the king was known to participate in orgies or 'Bacchus parties', in which he drank alcohol with his male friends while watching female prostitutes stripped naked and danced, after which the king would sometime beat them with his stick and whip them after having been intoxicated by alcohol. These women where economically compensated, but none of them seem to have had any status of a long term mistress, nor did any of the noblewomen and maids-of-honors, which according to rumors where offered to the king by their families in hope of advantages but simply married of as soon as they became pregnant without any potential relationship having been anything but a secret. The relationship between the king and Else Hansen was therefore uncommon.\n\nElse Hansen gave birth to five children with the king between 1746 and 1751, which is why the affair is presumed to have started in 1746 at the latest and ended in 1751 at the earliest. At least her three younger children where all born at the manor Ulriksholm on Funen, a manor owned by Ulrik Frederik von Heinen, brother-in-law of the de facto ruler of Denmark, the kings favorite Adam Gottlob Moltke, who likely arranged the matter. The manor was named after the royal Ulrik Christian Gyldenlove, illegitimate son of a previous king. The king's children with Hansen where baptized in the local parish church near the manor, where they were officially listed as the legitimate children of the wife of a non existent man called \"Frederick Hansen, ship writer from Gothenburg to China\". The frequent trips to Ulriksholm by Hansen as soon as her pregnancies with the king became evident was publicly noted. Neither Else Hansen nor any other of the king's mistresses where ever any official mistress introduced at the royal court, nor did they have any influence upon state affairs whatever, as politics where entrusted by the king to his favorite Moltke.\n\nIn 1752, the relationship between the king and Hansen may have ended – in any case, it was not mentioned more or resulted in any more children. She settled in the property Kejrup near Ulriksholm with her children, officially with the status of \"widow of the late sea captain de Hansen\".\n\nLater life\nAfter the death of Frederick in 1766, she acquired the estate Klarskov on Funen. She sold Klarskov and moved to Odense in 1768. In 1771, however, she bought Klarskov a second time and continued to live there until her death.\n\nHer children were not officially recognized, but unofficially they were taken care of by the royal court: her daughters were given a dowry and married to royal officials and the sons careers where protected, and her grandchildren where also provided with an allowance from the royal house.\n\nAfter Hansen, the king did not have any long term mistress until Charlotte Amalie Winge (1762–66).\n\nLegacy\nAt Frederiksborgmuseet, there are three paintings of Hansen by Jens Thrane the younger from 1764. Hansen is known by Dorothea Biehl's depiction of the decadent court life of Frederick V.\n\nIssue \nHer children were officially listed with the father \"Frederick Hansen, sea captain\".\nFrederikke Margarethe de Hansen (1747–1802)\nFrederikke Catherine de Hansen (1748–1822)\nAnna Marie de Hansen (1749–1812)\nSophie Charlotte de Hansen (1750–1779)\nUlrik Frederik de Hansen (1751–1752)\n\nSources\n Charlotte Dorothea Biehl, Interiører fra Frederik V's Hof, udgivet af Louis Bobé.\n Aage Christens, Slægten de Hansen, 1968.\n\nReferences\n\n1720 births\n1784 deaths\nMistresses of Danish royalty\n18th-century Danish people\n18th-century Danish women landowners\n18th-century Danish landowners", "Maria Komnene (c. 1144 – 1190) was Queen of Hungary and Croatia from 1163 until 1165. Maria's father was Isaac Komnenos (son of John II).\n\nMarriage\nShe married c. 1157 to King Stephen IV of Hungary (c. 1133 – 11 April 1165). They did not have any children.\n\nSources \n Kristó Gyula - Makk Ferenc: Az Árpád-ház uralkodói (IPC Könyvek, 1996)\n Korai Magyar Történeti Lexikon (9-14. század), főszerkesztő: Kristó Gyula, szerkesztők: Engel Pál és Makk Ferenc (Akadémiai Kiadó, Budapest, 1994)\n\nHungarian queens consort\n1140s births\n1190 deaths\nMaria\n12th-century Byzantine women\n12th-century Hungarian women\n12th-century Byzantine people\n12th-century Hungarian people" ]

[ "Melissa Gilbert", "Relationships", "Was she ever married?", "actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married", "When did they marry?", "February 22, 1988,", "Did they have any children?", "she gave birth to son Dakota Paul Brinkman." ]

[ "Blanche del Carretto (1432 – 1458), was Lady of Monaco by marriage to Catalan, Lord of Monaco. She has also been called Marguerite del Carretto.\n\nShe was the daughter of Galeotto I del Carretto, Margrave of Finale. Blanche and Catalan had only one child. Her husband designated their daughter Claudine as ruler of Monaco upon his death. When he died in 1457, he was succeeded by their daughter Claudine, then only a child, but the regency government was assigned to Blanche's mother-in-law Pomellina Fregoso rather than to Blanche. Pomellina was deposed by Claudine's cousin Lambert in 1458, who assumed the Lordship of Monaco himself. Blanche died the same year of the accession of Lambert. \n\n Issue\n\n Claudine, Lady of Monaco (1451-1515)\n\nReferences\n\n Michel-Yves Mourou, Princesses de Monaco, Editions du Rocher, Monaco, 2010. \n\n1458 deaths\n1432 births\nHouse of Grimaldi\n15th-century French people \n15th-century French women", "Walter Simonds Franklin (November 6, 1799 – September 20, 1838) was a lawyer who practiced in Pennsylvania. He served as the seventh Clerk of the United States House of Representatives, from 1833 until his death in 1838.\n\nPersonal life\n\nAncestry\nFranklin's parents were Samuel Rhoades Franklin and Sarah Simonds.\nHis father was the son of Mary Rhoades, a daughter of Samuel Rhoades, who had been a member of the First Continental Congress. His father's brother, Walter Franklin was a prominent Pennsylvania lawyer, later state Attorney General and state judge.\n\nEarly life\nFranklin was born in New York, the only surviving child of his parents. As a teenager, he moved to Lancaster, Pennsylvania to live with his uncle and namesake. Walter attended Litchfield Law School in Connecticut, where he met and, in 1821, married Sarah Buel. They moved to York, Pennsylvania, where Franklin practiced law.\n\nChildren\nThe Franklins had six children.\n\nTheir eldest was William Buel, who was a major general in the Union Army during the American Civil War, and post-bellum was a civil engineer. Their second child was Samuel Rhoads, a rear admiral in the U. S. Navy, before, during, and after the Civil War. Their third child was Thomas, \"apparently the black sheep of the family.\" Their fourth child was Anne, who died, apparently, in childbirth. Their fifth child was Frederick Buel, who died in his twenties. Their sixth child was named the same as his father, Walter Simonds. He attended Harvard, served in the Union Army as a brevet lieutenant colonel, and post-bellum was a civil engineer and businessman.\n\nThe summer before his death, Franklin wrote to Secretary of War Joel Poinsett requesting that his eldest son, then 15, be admitted to West Point the following summer. Poinsett refused. Franklin's sudden death that fall left the family almost penniless. At this point, Senator James Buchanan, a family friend, intervened, and convinced Poinsett to reverse his decision.\n\nCareer\n\nFranklin was named as Clerk for the Twenty-third United States Congress on December 2, 1833, and served for the next two congresses, dying in office of a sudden \"malignant fever\". He was the third Pennsylvanian to hold the post.\n\nReferences\n\nExternal links\noffice of the Clerk of the U.S. House of Representatives\nTombstone\n\nClerks of the United States House of Representatives\nPennsylvania lawyers\nLitchfield Law School alumni\n1799 births\n1838 deaths\nAmerican people of English descent\n19th-century American lawyers\nFranklin military family" ]

[ "Melissa Gilbert", "Relationships", "Was she ever married?", "actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married", "When did they marry?", "February 22, 1988,", "Did they have any children?", "she gave birth to son Dakota Paul Brinkman.", "Was he their only child?", "They divorced in 1992." ]

[ "Anne Louise, Duchess of Noailles (1632–22 May 1697), was a French courtier. She served as dame d'atour to the queen dowager of France, Anne of Austria, from 1657 until 1666.\n\nThe daughter of Antoine Boyer, Lord of Sainte-Geneviève-des-Bois, Louise married Anne de Noailles, who became the first Duke of Noailles in 1646. He predeceased her, dying on 15 February 1678. She did not remarry and died on 22 May 1697.\n\nShe had two notable children:\nAnne Jules de Noailles, 2nd Duke of Noailles (1650–1708) and Marshal of France, married Marie-Françoise de Bournonville.\nLouis Antoine de Noailles, cardinal de Noailles (1651–1729), never married.\n\nNotes\n\nReferences\n\n1632 births\n1697 deaths\n17th-century French women\nFrench duchesses\nDuchesses of Noailles\nHouse of Noailles\nFrench ladies-in-waiting\nCourt of Louis XIV", "Leona Maricle (December 23, 1905 – March 25, 1988) was an American stage and film actress known for \"distinctive characterizations of colorful ladies.\"\n\nMaricle was a graduate of the College of Industrial Arts. Her Broadway debut came in The Trial of Mary Dugan (1927). Her final appearance on Broadway was in Never Too Late (1962).\n\nIn the mid-1930s, she and her husband were active in summer stock theatre in Skowhegan, Maine.\n\nHer husband, Louis Jean Heydt, was a character actor in films from the 1930s through the 1950s. They divorced. She did not remarry but he did. \n\nOn March 25, 1988, Maricle died of an apparent heart attack in her apartment in Manhattan. Her obituary in The New York Times gave her age as 81. She was survived by a cousin, Marijane Maricle of Manhattan, and a niece, Joan Hickman of Lake Charles, Louisiana.\n\nSelected filmography\n O'Shaughnessy's Boy (1935)\n Theodora Goes Wild (1936)\n Women of Glamour (1937)\n Woman Chases Man (1937)\n The Lone Wolf in Paris (1938)\n Curtain Call (1940)\n Under Age (1941)\n My Reputation (1946)\n\nReferences\n\nBibliography\n Blottner, Gene. Columbia Noir: A Complete Filmography, 1940-1962. McFarland, 2015.\n\nExternal links\n\n1905 births\n1988 deaths\nAmerican film actresses\nAmerican stage actresses\nActresses from Texas\nPeople from Wichita Falls, Texas\n20th-century American actresses" ]

[ "Melissa Gilbert", "Relationships", "Was she ever married?", "actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married", "When did they marry?", "February 22, 1988,", "Did they have any children?", "she gave birth to son Dakota Paul Brinkman.", "Was he their only child?", "They divorced in 1992.", "Did she ever remarry?", "they finally married on January 1, 1995," ]

[ "I Told You So is a 1970 Ghanaian movie. The movie portrays Ghanaians and their way of life in a satirical style. It also gives insight into the life of a young lady who did not take the advice of her father when about to marry a man, she did not know anything about the man she was going to marry, but rather took her mother's and uncle's advice because of the wealth and power the man has.\n\nThe young lady later finds out that the man she is supposed to marry was an armed robber. She was unhappy of the whole incident. When her dad ask what had happened, she replied that the man she was supposed to marry is an armed robber; her father ended by saying \"I told you so\".\n\nCast\nBobe Cole\nMargret Quainoo (Araba Stamp)\nKweku Crankson (Osuo Abrobor)\n\nReferences\n\nExternal links\n \n I TOLD YOU SO GHANAIAN MOVIE\n\n1970 films\nGhanaian films", "\"The King Who Wished to Marry His Daughter\" is a Scottish fairy tale collected by John Francis Campbell in Popular Tales of the West Highlands, listing his informant as Ann Darroch from Islay.\n\nIt is Aarne-Thompson type 510B, unnatural love. Others of this type include Cap O' Rushes, Catskin, Little Cat Skin, Allerleirauh, Donkeyskin, The She-Bear, Tattercoats, Mossycoat, The Princess That Wore A Rabbit-Skin Dress, and The Bear.\n\nSynopsis\nA king lost his wife a long time ago, and declared he would not marry anyone who did not fit her clothes. One day, their daughter tried on her dress and found it fit. Her father declared he would marry her. At her foster-mother's advice, she put him off with demands for clothing: a dress of swan's down, a dress of moorland canach, a silk dress that stood on the ground with gold and silver, a gold shoe and a silver shoe, and a chest that could lock inside and out, and travel over land and sea. When she got the chest, she put her clothing in it and got in herself, and asked her father to put it to sea, so she could see how well it worked. It carried her off to another shore.\n\nThere, a herder-boy would have broken it open, but she got him to get his father instead. She stayed with his father for a time, and went into service at the king's house, in the kitchen. She refused to go to the sermon because she had bread to bake, and sneaked off to go dressed in the swan-down dress and the king's son fell in love with her. She went again, in the moorland canach dress, and then in that of gold and silver, with the shoes, but the third time, the king's son had set a guard, and she escaped, but leaving a shoe behind.\n\nWhen the king's son tried it on women, a bird sang that it was not that one but the kitchen maid. Every woman failed, and he fell ill. His mother went to the kitchen to talk, and the princess asked to try it. She persuaded her son, and it fit. They married and lived happily ever after.\n\nVariants\nReverend Sabine Baring-Gould collected an English variant titled The Golden Bull: a princess is forced by her father to wed a prince from a remote country for political reasons. Disagreeing with the marriage, she asks her father for three dresses (the first depicting the night sky \"besprent with stars\"; the second one a sky with clouds and the third \"embroidered all over with birds\") and for a hollowed out metallic golden bull, which she intends to use as a hiding spot.\n\nSee also\nFair, Brown and Trembling\n\nReferences\n\nKing who Wished to Marry His Daughter\nKing who Wished to Marry His Daughter" ]

[ "Melissa Gilbert", "Relationships", "Was she ever married?", "actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married", "When did they marry?", "February 22, 1988,", "Did they have any children?", "she gave birth to son Dakota Paul Brinkman.", "Was he their only child?", "They divorced in 1992.", "Did she ever remarry?", "they finally married on January 1, 1995,", "Who did she marry the second time?", "Bruce Boxleitner's" ]

[ "Else Hansen (Cathrine Marie Mahs Hansen) also called de Hansen (1720 – 4 September 1784), was the royal mistress of king Frederick V of Denmark. She is his most famous mistress and known in history as Madam Hansen, and was, alongside Charlotte Amalie Winge, one of only two women known to have been long term lovers of the king.\n\nLife\n\nThe background of Else Hansen does not appear to be known. Tradition claims her to be the sister of Frederick's chamber servant Henrik Vilhelm Tillisch, who in 1743 reportedly smuggled in his sister to the king at night, but modern research does not support them to be the same person.\n\nRoyal mistress\nIt is not known exactly when and how Hansen became the lover of the king. Frederick V was known for his debauched life style. According to Dorothea Biehl, the king was known to participate in orgies or 'Bacchus parties', in which he drank alcohol with his male friends while watching female prostitutes stripped naked and danced, after which the king would sometime beat them with his stick and whip them after having been intoxicated by alcohol. These women where economically compensated, but none of them seem to have had any status of a long term mistress, nor did any of the noblewomen and maids-of-honors, which according to rumors where offered to the king by their families in hope of advantages but simply married of as soon as they became pregnant without any potential relationship having been anything but a secret. The relationship between the king and Else Hansen was therefore uncommon.\n\nElse Hansen gave birth to five children with the king between 1746 and 1751, which is why the affair is presumed to have started in 1746 at the latest and ended in 1751 at the earliest. At least her three younger children where all born at the manor Ulriksholm on Funen, a manor owned by Ulrik Frederik von Heinen, brother-in-law of the de facto ruler of Denmark, the kings favorite Adam Gottlob Moltke, who likely arranged the matter. The manor was named after the royal Ulrik Christian Gyldenlove, illegitimate son of a previous king. The king's children with Hansen where baptized in the local parish church near the manor, where they were officially listed as the legitimate children of the wife of a non existent man called \"Frederick Hansen, ship writer from Gothenburg to China\". The frequent trips to Ulriksholm by Hansen as soon as her pregnancies with the king became evident was publicly noted. Neither Else Hansen nor any other of the king's mistresses where ever any official mistress introduced at the royal court, nor did they have any influence upon state affairs whatever, as politics where entrusted by the king to his favorite Moltke.\n\nIn 1752, the relationship between the king and Hansen may have ended – in any case, it was not mentioned more or resulted in any more children. She settled in the property Kejrup near Ulriksholm with her children, officially with the status of \"widow of the late sea captain de Hansen\".\n\nLater life\nAfter the death of Frederick in 1766, she acquired the estate Klarskov on Funen. She sold Klarskov and moved to Odense in 1768. In 1771, however, she bought Klarskov a second time and continued to live there until her death.\n\nHer children were not officially recognized, but unofficially they were taken care of by the royal court: her daughters were given a dowry and married to royal officials and the sons careers where protected, and her grandchildren where also provided with an allowance from the royal house.\n\nAfter Hansen, the king did not have any long term mistress until Charlotte Amalie Winge (1762–66).\n\nLegacy\nAt Frederiksborgmuseet, there are three paintings of Hansen by Jens Thrane the younger from 1764. Hansen is known by Dorothea Biehl's depiction of the decadent court life of Frederick V.\n\nIssue \nHer children were officially listed with the father \"Frederick Hansen, sea captain\".\nFrederikke Margarethe de Hansen (1747–1802)\nFrederikke Catherine de Hansen (1748–1822)\nAnna Marie de Hansen (1749–1812)\nSophie Charlotte de Hansen (1750–1779)\nUlrik Frederik de Hansen (1751–1752)\n\nSources\n Charlotte Dorothea Biehl, Interiører fra Frederik V's Hof, udgivet af Louis Bobé.\n Aage Christens, Slægten de Hansen, 1968.\n\nReferences\n\n1720 births\n1784 deaths\nMistresses of Danish royalty\n18th-century Danish people\n18th-century Danish women landowners\n18th-century Danish landowners", "Maria Komnene (c. 1144 – 1190) was Queen of Hungary and Croatia from 1163 until 1165. Maria's father was Isaac Komnenos (son of John II).\n\nMarriage\nShe married c. 1157 to King Stephen IV of Hungary (c. 1133 – 11 April 1165). They did not have any children.\n\nSources \n Kristó Gyula - Makk Ferenc: Az Árpád-ház uralkodói (IPC Könyvek, 1996)\n Korai Magyar Történeti Lexikon (9-14. század), főszerkesztő: Kristó Gyula, szerkesztők: Engel Pál és Makk Ferenc (Akadémiai Kiadó, Budapest, 1994)\n\nHungarian queens consort\n1140s births\n1190 deaths\nMaria\n12th-century Byzantine women\n12th-century Hungarian women\n12th-century Byzantine people\n12th-century Hungarian people" ]

[ "Melissa Gilbert", "Relationships", "Was she ever married?", "actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married", "When did they marry?", "February 22, 1988,", "Did they have any children?", "she gave birth to son Dakota Paul Brinkman.", "Was he their only child?", "They divorced in 1992.", "Did she ever remarry?", "they finally married on January 1, 1995,", "Who did she marry the second time?", "Bruce Boxleitner's", "Did they have any children?", "She gave birth to a son, Michael Garrett Boxleitner," ]

[ "Saba, Lady Holland (; 1802–1866) was the eldest daughter of Sydney Smith and the second wife of Sir Henry Holland, a prominent physician and travel writer, with whom she had two daughters. She made a name for herself as the author of a much-read memoir of her famous father.\n\nSome of Smith's often-quoted sayings were first recorded in Lady Holland's memoir, including:Why, you never expected justice from a company, did you? They have neither a soul to lose, nor a body to kick. and\nThank God for tea! What would the world do without tea? How did it exist? I am glad I was not born before tea. I can drink any quantity when I have not tasted wine.; otherwise I am haunted by blue devils by day, and dragons by night.\n\nHer daughters were Caroline Holland (1834–1909; author of Notebooks of a Spinster Lady, published posthumously in 1919) and Gertrude Holland (1840–1898).\n\nNotes\n\nReferences\n\n1802 births\n1866 deaths\n19th-century British women writers\nBritish memoirists\nBurials at Kensal Green Cemetery\nWives of baronets\nBritish women memoirists\n19th-century memoirists", "Mamani kaPhahlo was a Queen of the Mpondomise in her own right from the 1750s, following after her father King Phahlo. She is also known as Mbingwa. As the eldest among 3 daughters of the Great Wife of King Phahlo, she successfully challenged her half-brothers from the smaller houses for the throne upon the death of her father. Although, she married Ntsibatha, a Mpondo Princess, she passed on without issue. She was succeeded by one of her brothers, Sontlo, who she installed in her position despite challenges from some royal family members\n\nEarly life and family\nMamani (sometimes called Mbingwa) was born to the King of the Mpondomise, Phahlo, and a Xesibe Princess whose name is sadly not known. Mamani's mother was the Great Wife. To her mother, she was the eldest of 3 daughters and did not have any brothers. Her father had sons with his other wives. Her birth and death dates are unknown.\n\nOne of Mamani's sisters, Thandela, married the Xhosa King Phalo and was the mother of Gcaleka. Gcaleka later became the King of the Xhosas. Not much is known about the other sister.\n\nAscending to the throne and reign\nIn the 1750s Mamani's father, Phahlo, passed on. Traditionally her father was meant to be succeeded by a child of the Great Wife. However, custom dictated that the heir needed to be a male heir. If the Great Wife did not have male children, like Mamani's mother, then a male heir would be searched for among the children of the other wives, starting with the wife married to the king for the longest (i.e. most senior wife) followed by the junior wives (according their seniority), until a son is found. If a son is not found then one of the king's brothers (preference given to the oldest brother and his male-descendants, then moving down to the youngest brother) would assume the position. \n\nHowever the Great Wife of Phahlo did not have any male children. Defy tradition and custom, as the eldest of the 3 daughters of Phahlo's Great Wife, Mamani ascended the throne upon the death of her father. This event triggered the saying among historians who write about the Mpondomise \"the woman who became a king\". \n\nWhen dissenters rose against her, she killed them. She mounted armies against those who challenged her authority too. Her reign was felt throughout the lands of the Mpondomise (from uMthatha to Umzimkhulu. She was a strong monarch.\n\nMarriage and issue \nDespite being a woman herself, Mamani married a Princess from the Mpondo kingdom, the daughter of King Nyawuza called Ntsibatha. Instead of consummating the marriage herself, she asked her dearest brother, Sontlo, to do it. Sontlo was the son of Mamani's maternal aunt and Mamani's father, Phahlo.\n\nSuccessor\nGradually she began to hand over monarchal duties to Sontlo, while, she actively influenced the successful transition of power to him. Thus, Sontlo became her successor while she was alive and continued to reign upon her death.\n\nReferences\n\nLegendary rulers\nLegendary progenitors\nAfrican queens" ]

[ "Melissa Gilbert", "Relationships", "Was she ever married?", "actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married", "When did they marry?", "February 22, 1988,", "Did they have any children?", "she gave birth to son Dakota Paul Brinkman.", "Was he their only child?", "They divorced in 1992.", "Did she ever remarry?", "they finally married on January 1, 1995,", "Who did she marry the second time?", "Bruce Boxleitner's", "Did they have any children?", "She gave birth to a son, Michael Garrett Boxleitner,", "Did she have any daughters?", "she gave birth to son" ]

[ "Shreemati Rasasundari (1810–1899) was a 19th-century Bengali writer. She is notable for her autobiography, which provides a rare insight into the life of a 19th-century Bengali housewife.\n\nEarly life\nRasasundari was born in March 1810 in Pabna District, Bengal Presidency, East India Company ruled India. She self-educated herself at home, but only to a limited extent. She married Sitanath Sarkar when she was 12 in 1822. Her husband was a Zamidar in Ramdia, Faridpur District. Her mother-in-law and three widowed sister-in laws lived with them. Her mother-in-law was particularly fond of her.\n\nCareer\nRasasundari was a deeply religious women. She had limited literacy. She got her chance to learn when her husband bought a handwritten copy of the religious text Chaitanya Bhagavata. She tried to read from the Chaitanya Bhagavata and using her limited knowledge taught herself how to read at 25. She learned how to write when she was 50, with the support of one of her sons. Her husband, Sitanath Sarkar, died when she was 59, leaving her a widow. She found herself with free time and started writing her autobiography. In 1886 she published her autobiography Amar Jibon (my life). Her autobiography focused on her and her role in the family. She depicts the role of women in Bengali society and how they were bound by their duties to their families through writing about her own life. She wrote about having to eat after making sure everyone in the household had eaten and despite having servants was expected to do household chores. She added more to a second edition of her autobiography which was published in 1898. The book depicted her attempt to shape her life and the intense societal pressures faced by Bengali women.\n\nDeath\nRasasundari died in 1899.\n\nReferences\n\n1810 births\n1899 deaths\nBangladeshi feminists\nBengali writers\nPeople from Pabna District", "Elizabeth Wilks born Lizzie Bennett (17 July 1861 – 16 November 1956) was a British doctor, suffragist, tax resister and philanthropist. She was married to Mark Wilks who was sent to jail for her refusal to pay tax and his refusal to make his wife tell him how much she earned.\n\nLife\nWilks was born in De Montfort Square in Leicester to John and Sarah Annie Bennett. She attended the university of London and when she left in 1896 she was a qualified doctor and she had a degree in surgery. The same year she married Mark Wilks who was a London teacher.\n\nWilks was a founder member of the Women's Tax Resistance League which was a group who objected particularly to women paying tax to a government over which they had no electoral control. Wilks became the treasurer of the organisation whose motto was \"No Vote No Tax!\".\n\nWilks came to notice when she refused to pay her tax in 1908. Married women were not required to pay taxes per se in Britain at that time. According to the law a married couple's joint income was added together and the husband paid the tax. However Elizabeth, who as a doctor, earned more than her husband, refused to tell her husband how much she earned. This put the authorities into a quandary as Elizabeth was not liable to pay tax and her husband was nominally willing to pay the tax but he said that he had no idea how much to pay. There was no legal requirement for Elizabeth to tell her husband about her income. In 1910 the authorities illegally seized some of her goods in an attempt to levy the tax on her income. The authorities then tried to claim the tax either from them as a couple or by her husband alone. This was legally unsatisfactory as Mark was being asked for tax on her income (of about £600 per annum) that he was nominally unaware of. 3,000 teachers signed a petition when Mark Wilks was placed in Brixton Jail and there was a demonstration in Trafalgar Square to protest at his treatment. He was released after a fortnight to a celebrations at Caxton Hall from the supporters of the Women's Tax Resistance League. His support included the writer George Bernard Shaw. Despite a debate in the House of Lords where it was realised that the law was unfair, British law did not get amended until 1972.\n\nThe Wilks moved to the village of Headley Down in Hampshire where Elizabeth was concerned by the quality of the public housing in 1933. She raised the money to build sixteen new residences which were managed by the newlyformed Headley Public Utility Society.\n\nWilks died in Headley Down in 1956 and she left her home and ten acres of woodland to the Headley Public Utility Society. The residences were given to the local authority but the Headley PUS still maintains the woodlands for public benefit.\n\nReferences \n\n1861 births\n1956 deaths\nPeople from Leicester\nBritish suffragists\nBritish philanthropists\nPeople from East Hampshire District" ]

[ "Melissa Gilbert", "Relationships", "Was she ever married?", "actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married", "When did they marry?", "February 22, 1988,", "Did they have any children?", "she gave birth to son Dakota Paul Brinkman.", "Was he their only child?", "They divorced in 1992.", "Did she ever remarry?", "they finally married on January 1, 1995,", "Who did she marry the second time?", "Bruce Boxleitner's", "Did they have any children?", "She gave birth to a son, Michael Garrett Boxleitner,", "Did she have any daughters?", "she gave birth to son", "How long was she married to her second husband?", "On August 22, 2011, Gilbert filed for divorce from Boxleitner." ]

[ "Colasterion (from the Greek word for \"instrument of punishment\" or \"house of correction\") was published by John Milton with his Tetrachordon on 4 March 1645. The tract is a response to an anonymous pamphlet attacking the first edition of The Doctrine and Discipline of Divorce. Milton makes no new arguments, but harshly takes to task the \"trivial author\".\n\nBackground\n\nMilton married in Spring 1642, and shortly after, his wife Marie Powell, left him and returned to live with her mother. The legal statutes of England did not allow for Milton to apply for a divorce and he resorted to promoting the lawfulness of divorce. Although the laws did not change, he wrote four tracts on the topic of divorce, with The Doctrine and Discipline of Divorce as his first tract. The first tract was created during a time of humiliation, and Milton was motivated towards writing on the topic after reading the work of Martin Bucer on divorce. Although it is impossible to know why exactly Powell separated from Milton, it is possible that Powell's family, a strong royalist family, caused a political difference that was exacerbated by the English Civil War.\n\nDuring the time of composing the tracts, Milton attempted to pursue another woman known only as Miss Davis, but this resulted in failure. He continued to pursue the topic until his wife returned to him and they were to reconcile. This reconciliation could have come in part from the failure of the royalists, including Powell's family, to prevail during the English Civil War and lacking justification to further distance themselves from Milton. According to George Thomason, an early collector of English Civil War tracts, Colasterion was published on 4 March 1645 along with Tetrachordon.\n\nTract\nColasterion is a personal response to the anonymous pamphlet An Answer to a Book, Intituled, The Doctrine and Discipline of Divorce, or, A Pleas for Ladies and Gentlewomen, and all other Married Women against Divorce (1644). The work contains many insults against the anonymous author, including \"wind-egg\", \"Serving-man\", and \"conspicuous gull\". In the tract, Milton promotes an idea of separation, and, in his situation, a separation from his previous wife.\n\nNotes\n\nReferences\n Miller, Leo. John Milton among the Polygamophiles. New York: Loewenthal Press, 1974.\n Milton, John. Complete Prose Works of John Milton Vol II ed. Don Wolfe. New Haven: Yale University Press, 1959.\n Patterson, Annabel. \"Milton, Marriage and Divorce\" in A Companion to Milton. Ed. Thomas Corns. Oxford: Blackwell Publishing, 2003.\n\nWorks by John Milton\n1645 books", "The relationship between religion and divorce is complicated and varied. Different religions have different perceptions of divorce. Some religions accept divorce as a fact of life, while others only believe it is right under certain circumstances like adultery. Also, some religions allow remarriage after divorce, and others believe it is inherently wrong. This article attempts to summarize these viewpoints of major world religions and some important traditions regarding divorce in each faith.\n\nChristianity\n\nThe great majority of Christian denominations affirm that marriage is intended as a lifelong covenant, but vary in their response to its dissolubility through divorce. The Catholic Church treats all consummated sacramental marriages as permanent during the life of the spouses, and therefore does not allow remarriage after a divorce if the other spouse still lives and the marriage has not been annulled. However, divorced Catholics are still welcome to participate fully in the life of the church so long as they have not remarried against church law, and the Catholic Church generally requires civil divorce or annulment procedures to have been completed before it will consider annulment cases. Annulment is not the same as divorce - it is a declaration that the marriage was never valid to begin with. Other Christian denominations, including the Eastern Orthodox Church and many Protestant churches, will allow both divorce and remarriage even with a surviving former spouse, at least under certain conditions. For example, the Allegheny Wesleyan Methodist Connection, in its 2014 Discipline, teaches:\n\nIn societies that practised Puritanism, divorce was allowed if one partner in the marriage was not completely satisfied with the other, and remarriage was also allowed. The Church of England also took an indissolublist line until 2002, when it agreed to allow a divorced person to remarry in church during a former spouse's lifetime under \"exceptional circumstances.\"\n\nBible commentary on divorce comes primarily from the gospels of Matthew, Mark, Luke, and the epistles of Paul. Jesus taught on the subject of divorce in three of the Gospels, and Paul gives a rather extensive treatment of the subject in his First Epistle to the Corinthians chapter 7: \"Let not the wife depart from her husband...let not the husband put away his wife\" (1 Corinthians 7:10-11), but he also includes the Pauline privilege. He again alludes to his position on divorce in his Epistle to the Romans, albeit an allegory, when he states \"For the woman which hath an husband is bound by the law to her husband so long as he liveth. . . . So then if, while her husband liveth, she be married to another man, she shall be called an adulteress\" (Romans 7:2-3).\n\nIn , and , Jesus came into conflict with the Pharisees over divorce concerning their well-known controversy between Hillel and Shammai about —as evidenced in Nashim Gittin 9:10 of the Mishnah. Do Jesus’ answers to the Pharisees also pertain to Christians? Are Christians who adopt these teachings Judaizers? The differences in opinions about these questions usually arise over whether Jesus opposed the Law of Moses or just some of the viewpoints of the Pharisees, and whether Jesus just addressed a Jewish audience or expanded his audience to include Christians, for example \"all nations\" as in the Great Commission.\n\nSince Deuteronomy 24:1-4 did not give Jewish women the right to directly initiate a divorce (See Agunah), did Jesus' answers \"in the house\" to his disciples expand the rights of women or did they merely acknowledge that some Jewish women, such as Herodias who divorced Herod Boethus, were wrongfully taking rights because Jewish women were being assimilated by other cultures? (See , .) In other words, did Jesus confine his remarks to the Pharisaical questions, and did he appeal to his own authority by refuting the oral authority of the Pharisees with the formula \"You have heard...But I say to you\" in ? Expressions used by Jesus such as \"you have heard\", \"it hath been said\", \"it is written\", \"have you never read\", \"keep the commandments\", \"why do you break the commandments with your traditions?\" and \"what did Moses Command you?\" seem to indicate that Jesus generally respected the Hebrew Bible and sometimes opposed Pharisaical Opinions. He was critical of the Pharisees.\n\nBuddhism\nBuddhism has no religious concept of marriage (see Buddhist view of marriage). In Buddhism, marriage is a secular affair, subject to local customs.\n\nIslam\n\nAccording to the Quran, marriage is intended to be unbounded in time, but when marital harmony cannot be attained, the Quran allows the spouses to bring the marriage to an end (2:231). Divorce in Islam can take a variety of forms, some initiated by the husband and some initiated by the wife. The main traditional legal categories are talaq (repudiation), khulʿ (mutual divorce), judicial divorce and oaths. The theory and practice of divorce in the Islamic world have varied according to time and place. Historically, the rules of divorce were governed by sharia, as interpreted by traditional Islamic jurisprudence, and they differed depending on the legal school. Historical practice sometimes diverged from legal theory. In modern times, as personal status (family) laws were codified, they generally remained \"within the orbit of Islamic law\", but control over the norms of divorce shifted from traditional jurists to the state.\n\nJudaism\nJudaism has always accepted divorce as a fact of life, though an unfortunate one. Judaism generally maintains that it is better for a couple to divorce than to remain together in a state of bitterness and strife. It is said that shalom bayit (domestic harmony) is a desirable state.\n\nLegal procedures\nIn general, it is accepted that for a Jewish divorce to be effective the husband must hand to the wife, and not vice versa, a bill of divorce called a get, while witnesses observe. Although the get is mainly used as proof of the divorce, sometimes the wife will tear the get to signal the end of the marriage and to ensure it is not reused. However, from ancient times, the get was considered to be very important to show all those who needed to have proof that the woman was in fact free from the previous marriage and free to remarry. In Jewish law, besides other things, the consequences of a woman remarrying and having a child while still legally married to another is profound: the child would be a mamzer, an \"estranged person\" to be avoided. Also, the woman would be committing adultery should she remarry while still legally married to another. An enactment called Herem de-Rabbenu Gershom (the proscription of Gershom ben Judah, accepted universally throughout European Jewish communities), prohibited a husband from divorcing his wife against her will.\n\nIn halakha (Jewish law), divorce is an act of the parties to the marriage, which is different from the approach adopted by many other legal systems. That is, a Jewish divorce does not require a decree from a court. The function of the court, in the absence of agreement between the parties, is to decide whether the husband should be compelled to give the get or for the wife to accept the get. But, notwithstanding any such ruling, the parties remain married until such time as the husband actually delivers the get.\n\nJewish law, in effect, does not require proof or even an allegation of moral or other fault by either party. If both parties agree to a divorce and follow the prescribed procedure, then the court would not need to establish responsibility for the marriage break-down. In this sense it is a \"no-fault\" approach to divorce.\n\nA woman who has been refused a get is typically referred to as an \"agunah\". Where pre-nuptial agreements are enforceable in civil courts, appropriate provisions may be made to compel the giving of the get by the husband in the event of a civil divorce being obtained. However, this approach has not been accepted universally, particularly by the Orthodox.\n\nA wife can initiate a divorce process on several grounds (including lack of satisfaction in her sexual life). However, this right extends only so far as petitioning a court to force her husband to divorce her.\n\nOne part of the complex process of divorce in Judaism, is the creation of the get itself. The get is crafted with great care and responsibility in order to ensure that no mistakes create consequences in the future. For example, exactly twelve lines are written in permanent ink telling the names of both parties, place, and time of the divorce. Because of the danger of the birth of mamzerim if the process is not performed properly, and because divorce law is extraordinarily complex, the process is generally supervised by experts.\n\nPhilosophical approaches\n\nFrom the philosophical and mystical point of view, divorce is a unique procedure of tremendous importance and complexity, because it nullifies the holiest of connections that can exist in the Universe (similar to a connection between a person and God).\n\nIn some Jewish mythologies, Adam had a wife before Eve named Lilith who left him. The earliest historically documentation of this legend appears in the 8th-10th centuries Alphabet of Ben Sira. Whether this particular tradition is older is not known.\n\nOthers\n\nWicca\nThe Wiccan equivalent of a divorce is described as a handparting. Wiccans traditionally see either a high priest or high priestess to discuss things out before a divorce. However a handfasting (marriage) that falls apart peacefully does not necessarily need a handparting.\n\nUnitarian Universalism\nIn Unitarian Universalism, because they affirm the \"right of conscience\", divorce is allowed and should be a decision by the individual person and is seen as ending a rite of passage. Such divorces have sometimes taken the form of divorce rituals as far back as the 1960s. Divorces are largely seen as a life choice.\n\nHinduism\nIn Hinduism Divorce and Remarriage is allowed. Arthashastra which is one of the sastras in Hinduism says:\n\nA woman, hating\nher husband, can not dissolve her marriage with him against his\nwill. Nor can a man dissolve his marriage with his wife against her\nwill. But from mutual enmity, divorce may be obtained\n(parasparam dveshánmokshah). If a man, apprehending danger\nfrom his wife desires divorce (mokshamichhet), he shall return to\nher whatever she was given (on the occasion of her marriage). If a\nwoman, under the apprehension of danger from her husband,\ndesires divorce, she shall forfeit her claim to her property\n\nReferences \n\nhttp://www.bibleissues.org, https://web.archive.org/web/20091027092358/http://geocities.com/dcheddie/divorce1.html, http://students.eng.fiu.edu/~denver/divorce1.html\n\nFurther reading\n Amato, Paul R. and Alan Booth. A Generation at Risk: Growing Up in an Era of Family Upheaval. Harvard University Press, 1997. and . Reviews and information at \n Gallagher, Maggie. \"The Abolition of Marriage.\" Regnery Publishing, 1996. .\n Lester, David. \"Time-Series Versus Regional Correlates of Rates of Personal Violence.\" Death Studies 1993: 529–534.\n McLanahan, Sara and Gary Sandefur. Growing Up with a Single Parent; What Hurts, What Helps. Cambridge: Harvard University Press, 1994: 82.\n Morowitz, Harold J. \"Hiding in the Hammond Report.\" Hospital Practice August 1975; 39.\n Office for National Statistics (UK). Mortality Statistics: Childhood, Infant and Perinatal, Review of the Registrar General on Deaths in England and Wales, 2000, Series DH3 33, 2002.\n U.S. Bureau of the Census. Marriage and Divorce. General US survey information. \n U.S. Department of Health and Human Services. Survey of Divorce (link obsolete).\n\nDivorce\nDivorce\nDivorce" ]

[ "Melissa Gilbert", "Relationships", "Was she ever married?", "actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married", "When did they marry?", "February 22, 1988,", "Did they have any children?", "she gave birth to son Dakota Paul Brinkman.", "Was he their only child?", "They divorced in 1992.", "Did she ever remarry?", "they finally married on January 1, 1995,", "Who did she marry the second time?", "Bruce Boxleitner's", "Did they have any children?", "She gave birth to a son, Michael Garrett Boxleitner,", "Did she have any daughters?", "she gave birth to son", "How long was she married to her second husband?", "On August 22, 2011, Gilbert filed for divorce from Boxleitner.", "Why did they divorce?", "I don't know." ]

[ "\"Find an Island\" is a song by New Zealand musician Benee. It was released as a single on 11 October 2019 as the lead single from Benee's second extended play Stella & Steve. The song peaked at number 83 on the Australian ARIA Charts, becoming her first charting single in that territory.\n\nAbout the song, Benee told Coup de Main magazine \"The song is about a tiny little argument I had with my guitar player Tia. We had some weird little bicker, and you know when you’re having a petty argument with a friend you don't want to swear at them or put them down or anything, but I was like, 'What would I say?' It'd be like, 'Find an island, go somewhere else'.\"\n\nCritical reception\nHelen Ehrlich from Culture Affinity Magazine said with \"Find an Island\" Benee continues her pattern of dropping poppy and punchy songs\". Ehrlich said \"'Find An Island' is swinging and sultry song about removing negative people from your mind and life.\" Andrew Drever from Sydney Morning Herald called the song a \"tropical slow-burner\". In the EP review, Nathan Gunn from Tone Deaf described the song as \"a cruisy summer track\".\n\nCharts\n\nReferences\n\n2019 singles\n2019 songs\nBenee songs\nRepublic Records singles\nSongs written by Benee\nSongs written by Djeisan Suskov\nSongs written by Josh Fountain\nSong recordings produced by Josh Fountain", "Modern Romance: An Investigation is a research book written by American actor and stand-up comedian Aziz Ansari and American sociologist and New York University professor Eric Klinenberg. The book was published in 2015 and provides research information exploring the change in romantic society that has occurred in the past decade. One of the main concepts in the book concerns the paradox of choice in relationships: having more options may seem better at first glance, though so many options can ultimately make \"settling\" for anyone a lot more difficult.\n\nBackground\nAnsari, who has discussed how romance and technology interact in his standup comedy, wrote on his website that he wanted to explore the subject further. He writes, \"Every one of us engages on a journey to find love and companionship. We meet people, date, get into and out of relationships, all with hope of finding someone with whom we share a deep connection and truly love. This journey seems fairly standard now, but it's wildly different from what people did even just decades ago.... Some of our problems are unique to our time. 'Why did this guy just text me an emoji of a pizza?' 'Should I go out with this girl even though she listed Combos as one of her favorite snack foods? Combos!!?'\"\n\nThe book combines comedy and social science.\n\nResearch\nAnsari and Klinenberg, a professor at New York University, interviewed hundreds of people in various cities around the world, including Wichita, Kansas, Buenos Aires, Paris, and Tokyo, to investigate how the Internet and technology have affected modern love and relationships.\n\nThe pair also set up a forum on reddit, \"Modern Romantics\", soliciting responses to their questions, including:\n\"Do you do online research before a first date? Did their web self line up with their real world self? Has what you found misled you or been an accurate predictor? Did it make you more or less excited?\"\n\"Has anyone started an affair or cheated on someone through social media? If social media didn't exist, would something like this have happened anyway?\"\n\"Have you ever broken up with someone or been broken up with via social media or text?\"\n\nAcademics in the fields of anthropology, psychology, sociology and technology also contributed to their research, including Eli Finkel (Northwestern University), Helen Fisher (Rutgers University), Sheena Iyengar (Columbia Business School), Barry Schwartz (Swarthmore College), Sherry Turkle (MIT), and Robb Willer (Stanford University).\n\nRelease\nThe book was released on June 16, 2015. As part of the promotion, Ansari appeared at the second BookCon convention, which took place May 30–31 in New York City.\nThe book received The Goodreads Choice Award for Non-Fiction in 2015.\n\nReferences\n\nExternal links\nOfficial website\nReddit: Modern Romantics\n\n2015 non-fiction books\nSociology books" ]

[ "Tropic Thunder", "Promotion" ]

[ "The Régie du cinéma was a provincial film classification organization responsible for the motion picture rating system within the Canadian province of Quebec; of which its roles were merged into the Government of Quebec's Ministry of Culture and Communications on 1 April 2017. Its mandate was to classify and approve films for distribution to Quebec's movie theatres and home video outlets. Its purview devolved from the Cinema Act (RSQ, C-18.1). As of 2010, the Agency had a net income of 7 million dollars and has accumulated more than 85 million dollars in cash in their bank account.\n\nRating system\nThe Régie du cinéma rates all films and videos. The same classifications are used for television broadcasts, who make their own determinations as to a program's rating.\n\nThe current ratings are:\n\nEach rating can also include one or a number of complementary indications. The possible combinations are as follows:\n\nG rated films usually can have some swearing in them, as long as the offensive language is not prevalent throughout. Violence can also be permitted, but only in a fantasy context. Sex can be present as long as it is filmed with extreme maintenance. Horror elements can be present, but have to be filmed in a way that would not scare children under 13 years of age. In cases where objectionable material can be found, the Not recommended for young children tag, which indicates that the movie could contain material inappropriate for young children but does not prohibit them from viewing the film, is added to the original rating.\n\n13+ rated films usually have content that likely would not be suitable for young children. Typically, scenes of violence that are darker than what is depicted in traditional fantasy films warrant a 13+ rating. As opposed to G movies, strong horror elements can be present; these are usually accompanied with the Horror tag. Vulgar Language is more prevalent and scenes of sexual acts or nudity can be more explicit.\n\n16+ rated films are usually movies with more explicit violence than what a 13+ movie can afford. Most of these cases, a movie deals with extreme violence. In some cases, it can be for sex and nudity, and that rating usually occurs to soft-core pornography. Horror elements can also be present, although in these cases, they are mostly mixed with violence. In rare cases, a movie is rated 16+ for the language it uses.\n\n18+ rated films are mostly hard-core or soft-core pornography movies, but they can also feature movies of extreme violence and gore. It is rare that a normal movie will get an 18+ rating for the language or horror elements it has. Sometimes, nudity and sex is strong enough to warrant an 18+ rating without going into the edges of pornography, but is usually accompanied by another indication, such as violence.\n\nMovies that have not yet been rated feature the indication En attente de classement (Rating Pending). This is common on print advertising before the release of a movie. The movie must have been rated by the Régie by the time it is released.\n\nWhile not a classification per se, educational or pedagogical movies, sport and physical exercise programs, and promotional materials are exempt from classification.\n\nThe Régie does not cut sequences from movies; they are rated in the format provided by the production company. Nonetheless, the Régie has the authority to deny classification, in which case the movie cannot be distributed in any format in the province of Québec. Such movies usually feature inhumane sexual exploitation.\n\nSee also\n Canadian motion picture rating system\n Canadian Home Video Rating System, the English-speaking equivalent of the Régie's ratings for home video materials\n\nReferences\n\nExternal links\n \n Régie du cinéma ratings database (includes a brief description of each movie and a rationale for the rating)\n\nCanadian motion picture rating systems\nQuebec government departments and agencies\nEntertainment rating organizations\nMotion picture rating systems\nCinema of Quebec", "Jawan of Vellimala (English: The Soldier of Vellimala) is a 2012 Malayalam film written by James Albert and directed by debutant Anoop Kannan. It stars Mammootty, Sreenivasan, Mamta Mohandas and Asif Ali.\n\nCast\n Mammootty as Gopikrishnan,retired soldier,Indian Army\n Asif Ali as Koshi Oommen\n Sreenivasan as Varghese\n Mamta Mohandas as Deepa\n Leona Lishoy as Jenny Varghese\n Ann Sheetal as Jenny's friend\n Baburaj as Chacko\n Joji as dam security guard\n Sunil Sukhadha as Ittichan\n Joju George as Vinu\n Kottayam Nazeer as Rafi\n Niyas Backer as Shibu\n Sadiq\n Ranjith as Dr. Shivaprasad (cameo)\n Devan as Lt Col.Rajagopal (cameo)\n Vineeth Sreenivasan as Narrator(Voice-only)\n\nRelease and reception\n\nSify gave the movie a negative review adding \"Jawan of Vellimala is a messy tale that can surprise you with its hollowness. An amateurish effort at best, this film is unintentionally funny at times and lacks much fizz.\" The noted reviewer of Sify Moviebuzz making it clear that the movie collapsed in all aspects and establishes his arguments with several examples, giving the verdict as \"below average\" and moreover a very amateurish effort at its best.\n\nRediff.com gave the movie a negative rating of 2 out of 5 stars. Rediff.com critic Paresh C. Palicha furnishes the review heading as \"Nothing new in Jawan of Vellimala\" and added \"At the end, Jawan of Vellimala, which held so much promise in the beginning, just fizzles out.\"\n\nThe Times of India gave the movie a negative rating of 2 out of 5 stars stating \"Finally, when it happens, what is intended to be a glorious end, looks plainly dramatic and even a blessed actor like Mammootty fails to shoulder the burden\" and concludes with a note \"Jawan of Vellimala lacks appeal not because it is predictable, but because of the shocking manner in which it ruins what could have been a promising plot.\"\n\nindiaglitz gave the movie a rating of 6/10 adding \"The execution of 'Jawan of Vellimala' certainly ruins the possibilities of a great movie from a promising plot. But the movie will be fine for a onetime watch, if you don't go with bigger expectations.\"\n\nSoundtrack\n\nBox office\nThe film collected around 1710 from 1st weekend from UK box office.\n\nReferences\n\nExternal links \n \n\n2012 films\n2010s Malayalam-language films\nIndian films\n2012 directorial debut films" ]

[ "Tropic Thunder", "Promotion", "What is the rating of the movie?", "The Calgary Herald gave it a rating of 3/5," ]

[ "Best of Nollywood Awards (stylized as BON Awards) is an annual film event presented by Best of Nollywood Magazine honouring outstanding achievement in the Nigerian Movie Industry. The first edition was held on December 6, 2009, in Ikeja, Lagos State. The 2013 ceremony honouring movies of 2013, was held at Dome, Asaba, Delta State on December 5, 2013. Governor Emmanuel Uduaghan as the chief host, and the nomination party was held at the State House in Lagos. The red carpet used for the event was aimed to be one of the longest in history.\n\nCeremonies \n 2009 Best of Nollywood Awards\n 2010 Best of Nollywood Awards\n 2011 Best of Nollywood Awards\n 2012 Best of Nollywood Awards\n 2013 Best of Nollywood Awards\n 2014 Best of Nollywood Awards\n 2015 Best of Nollywood Awards\n 2016 Best of Nollywood Awards\n 2017 Best of Nollywood Awards\n2018 Best of Nollywood Awards\n\nCategories \nAs of 2013, the BON Awards have approximately 35 categories.\n\n Best Lead Actor in an English Movie\n Best Lead Actress in an English Movie\n Best Lead Actor in a Yoruba film\n Best Lead Actress in a Yoruba film\n Best Supporting Actor in an English film\n Best Supporting Actress in an English film\n Best Supporting Actor in a Yoruba film\n Best Supporting Actress in a Yoruba film\n Most Promising Act of the Year (male)\n Most Promising Act of the Year (female)\n Best Child Actor (male)\n Best Child Actor (female)\n Comedy of the Year\n Movie with the Best Social Message\n Best Kiss in a Movie\n Best Makeup in a Movie\n Onga Best Use of Nigerian Food in a Movie\n\n Best Short film of the Year\n Best Use of a Costume in a Movie\n Best Screenplay\n Best Edited Movie\n Best Sound in a Movie\n Best Production Design\n Best Cinematography\n Director of the Year\n Movie of the Year\n Best Special Effects\n Best Actor (Hausa)\n Best Actress (Hausa)\n Best Supporting Actor (Hausa)\n Best Supporting Actress (Hausa)\n Revelation of the Year (Female)\n Revelation of the Year (Male)\n Movie Journalist of the Year\n Marketer of the Year\n\nReferences \n\n \n2009 establishments in Nigeria\nNigerian film awards\nAwards established in 2009\nEntertainment events in Nigeria\nMagazine awards", "South Indian International Movie Awards, also known as the SIIMA Awards, rewards the artistic and technical achievements of the South Indian film industry. SIIMA Awards are presented for numerous categories in each of the four language films(Kannada, Malayalam, Tamil & Telugu). SIIMA award for Best Actor recognizes the performance of an actor in a leading role in South Indian movie. SIIMA award for Best Actor was first given during the year 2012.\n\nSuperlatives\n\nWinners & Nominees\n\nCritics choice\n\nReferences\n\nSouth Indian International Movie Awards" ]

[ "Tropic Thunder", "Promotion", "What is the rating of the movie?", "The Calgary Herald gave it a rating of 3/5,", "Who are the actor in the movie?", "Stiller, Downey, and Black" ]

[ "Dick Figures is an American adult-oriented animated comedy series created and written by Ed Skudder and Zack Keller.\n\nSeries overview\n\nEpisodes\n\nPilot\n\nSeason 1 (2010–11)\n\nSeason 2 (2011)\n\nSeason 3 (2011–2012)\n\nSeason 4 (2012)\n\nSeason 5 (2013–2014)\nSeason 5's release and production was subject to two large hiatuses. Due to the production of the movie, season 5's production was put on hold until after the movie was done so there was a one-year gap between the end of season 4 and the beginning of season 5. A hiatus also occurred between episodes 3 and 4 due to both the weekly release of the movie starting on September 17, 2013 and the crew taking a break from the year-long production of the movie. Regular release of the season resumed in April 2014.\n\nAs well as being released on YouTube for free viewing, the season was also available to buy in advance to the YouTube release.\n\nMovie (2013)\nDick Figures: The Movie was released on September 17, 2013. On the same day, it was split up into 12 different chapters and released weekly on YouTube. The full movie can be seen now for online streaming on Yekra, Amazon.com, Hulu and Netflix and can be purchased for digital download through iTunes, Google Play, Vudu, PlayStation Network, and Xbox.\n\nMessin' With Sasquatch (2015)\n\nReferences\n\nLists of web series episodes\nLists of American adult animated television series episodes", "The New Release was a company that owned and operated DVD rental kiosks. The company was based in Houston and was part of privately held TNR Entertainment Corp. TNR was acquired by NCR in 2009. NCR had in 2008 partnered with Blockbuster to establish a channel for kiosk DVD rentals, and TNR's acquisition furthered this aim. NCR's DVD kiosks were purchased by Redbox in 2012 \n\nTNR was backed by an institutional investor group including Celerity Partners, LP of Los Angeles; Chapton Partners, LP, a Houston family partnership; Laminar Direct Capital, L.P., a member of the D. E. Shaw group of companies and MCG Capital, a leading specialized financial services company and financial advisor.\n\nEach of its interactive kiosks held up to 1,000 DVDs, including new releases and classic titles. To rent a movie, consumers swiped their credit card, make their selection and the machine then dispensed the movie(s). The charge per rental was $1 per day; and keeping a DVD more than 14 days was effectively the same as purchasing the DVD.\n\nThe kiosks were located at grocery stores including Albertson's, Dillon’s, Kroger, Publix and others—and promotions included a “Movie Lover’s Survey,” “Movie For a Year” and a “First Movie Free.”\n\nThe company also operated kiosks under the name \"moviecube,\" a California company which it acquired.\n\nHistory\nFounded in 2002, The New Release focused primarily on the grocery channel. The first kiosks were installed in Houston, HEB locations, with later expansion into Dallas, Kroger locations. Acquired by NCR in 2009, its kiosks eventually became the property of Redbox when Redbox acquired all of NCR's DVD rental kiosks in 2012.\n\nPromotions\nThe New Release periodically created promotions to entice current consumers and attract new ones. The New Release held a “Movie Lover’s Survey,” where they gave away free movies to the first 500 respondents.\n\nThe New Release gave away “Movie For a Year” to 45 customers throughout North America.\n\nIn the past, The New Release produced a “First Movie Free” promotion in many of its locations nationwide.\n\nSee also\nOnline video rental\nVideo store\n\nReferences\n\nVideo rental services\nRetail companies established in 2002\nCompanies based in Houston\nNCR Corporation" ]

[ "Tropic Thunder", "Promotion", "What is the rating of the movie?", "The Calgary Herald gave it a rating of 3/5,", "Who are the actor in the movie?", "Stiller, Downey, and Black", "When was the release of the movie?", "August 2008," ]

[ "Suneel Darshan is an Indian filmmaker, film director, producer and writer who works in the Bollywood industry.\n\nBiography\nDarshan began his career in 1987 as a film producer. He produced the film Inteqam, which starred Sunny Deol and Anil Kapoor. In 1993, he produced the film Lootere, which was directed by his brother Dharmesh Darshan, who made his directional debut with the film. The movie did well at the box office and the brothers went on to collaborate several times after that.\n\nSuneel himself made his directional debut in 1996 with the action movie Ajay. Darshan also produced the film and wrote the dialogue for the film. The movie starred Sunny Deol and Karisma Kapoor, and did well at the box office, despite a theatre strike in Maharashtra in January 1997.\n\nIn 1999, Darshan directed and produced the action drama Jaanwar. The film marked his first collaboration with Akshay Kumar, and the film became a hit. The movie also starred Karisma Kapoor and Shilpa Shetty.\n\nDarshan's next film was Ek Rishtaa (2001), which was written, directed and produced by him. The film starred Amitabh Bachchan, Akshay Kumar, Karisma Kapoor and Juhi Chawla. It was one of the highest grossers of the year. It was well received and critically appreciated.\n\nAfter that he produced Andaaz (2003), which was a big hit, Barsaat and Dosti: Friends Forever (2005) which was one of the year's biggest hits overseas. His most recent film Shakalaka Boom Boom performed poorly at the box office.\n\nAfter a seven year hiatus Darshan launched his son Shiv Darshan in his film Karle Pyaar Karle (2014). The film was declared a disaster at the Indian box office.\n\nTo celebrate Kumar's 50th birthday on September 9, 2017 Zee Cinema hosted the world premiere of Shanivaar Ki Raat Akshay Ke Saath. It showcased four of Kumar's films: Jaanwar, Andaaz, Ek Rishtaa and Dosti: Friends Forever. All were produced and directed by Darshan.\n\nFilmography\n\nReferences\n\nExternal links\n\n20th-century Indian film directors\nHindi-language film directors\nYear of birth missing (living people)\nLiving people\n21st-century Indian film directors\nHindi film producers", "Nellie Bly Baker (September 7, 1893 – October 12, 1984) was an American actress active in the silent film era and early talkies, mostly playing minor roles. She is often confused with the journalist Nellie Bly (1864–1922). Baker's career as an actress took place from 1921–1934 and she performed in 13 films. She was never the star or had the main role in any films, playing minor or supporting characters. Many of these films were made by Associated First National Pictures, First National Pictures and Metro-Goldwyn-Mayer Pictures. Most of the films she performed in were silent films.\n\nThe Red Kimono \n\nBaker had a minor role in 1925 in the silent film The Red Kimono starring Priscilla Bonner, produced by Dorothy Davenport for Mrs. Wallace Reid Productions; however the film itself was not minor. Baker played the neighbor of the main character, Clara. The focus of the film was a real story about prostitution. It was popular enough that a copy of the film became available in DVD format in the early 2000s. It was also notable in that it was one of the few independent films written and produced by women. In the 1920s, the film was banned in the city of Chicago and the United Kingdom.\n\nWorking With Charlie Chaplin \n\nBaker was noticed by Charlie Chaplin when she worked in his First National Studio as a phone secretary. Chaplin cast her in A Woman of Paris (1923), in which Baker gave a notable performance as a masseuse. Baker also played the slum nurse in Chaplin's 1921 The Kid, produced by Associated First National Pictures. Baker's roles in these films were small, but working alongside Chaplin was good publicity for her. A Woman of Paris was the film that kick-started her acting career; her performance as a masseuse impressed other film companies who offered her roles.\n\nSmall Film Roles 1924–1926 \n\nBaker played the minor role of Ellen in Associated First National Pictures' The Goldfish (1924), a love story based around each lover presenting a goldish to the other if they decide to part ways.\n\nIn 1924, Baker played Katinka in How to Educate a Wife. The film was a silent movie produced by Warner Brothers Pictures and is presumed to be lost.\n\nIn 1926, Baker performed in the film produced by Academy Photoplays, The Salvation Hunters, playing the role of The Woman. Filming took place in Chinatown and San Fernando Valley. It was a drama directed by Josef von Sternberg, who was later noticed by Chaplin for this film and invited to work with him in his film studio. The film was the first American independent silent film, and was a success, though produced with very limited funds. The film centered around realism; it was very basic but had a deep message that produced a reaction from the audience.\n\nAlso in 1926, Baker played a beautician in That Model from Paris, a silent film produced by Tiffany Productions Inc.\n\nStarring as a Maid \n\nBaker played the role of a maid in four films, The Snob (1924), Breakfast at Sunrise (1927), Love and the Devil (1929) and The Bishop Murder Case (1930). The Snob, produced by Metro-Goldwyn-Mayer Pictures, is considered a lost film and did not get much press release or popularity. It was about a married couple who part ways when the husband becomes consumed by status and money. Baker's role in this film was again a minor one. In Breakfast at Sunrise, produced by First National Productions, she plays the maid of Madeline, who was one of the main characters. In Love and the Devil, produced by First National Productions, she plays a maid who plots with Barotti, a lead character, against the main characters in the film. In 1930, she played a minor character, the maid Beedle, in The Bishop Murder Case, a black and white drama and detective film about solving a murder by \"the bishop\". The film was produced by Metro-Goldwyn-Mayer Pictures Corp.\n\nThe End of Baker's Film Career \n\nIn 1929 Baker played a character named Sippie in The Painted Angel, a film about a nightclub hostess. It was produced by First National Productions. She performed in a handful of films produced by this company.\n\nBaker performed in her last film role as a laundress in Sadie McKee (1934).\n\nPersonal life \n\nBaker was married to J. H. O'Bryan (sometimes spelled O'Brien). She was the first licensed State of California guide in the mountains and worked in the Lundy, California and Mono Lake area of the Sierra Nevada. She is also known for building the \"upside down\" house on display near Lee Vining, California.\n\nBaker died in Lone Pine, California on October 12, 1984, aged 91.\n\nReferences\n\nExternal links\n\n1893 births\n1984 deaths\nAmerican film actresses\nAmerican silent film actresses\n20th-century American actresses\nPeople from Oklahoma" ]

[ "Tropic Thunder", "Promotion", "What is the rating of the movie?", "The Calgary Herald gave it a rating of 3/5,", "Who are the actor in the movie?", "Stiller, Downey, and Black", "When was the release of the movie?", "August 2008,", "Who produced the film?", "I don't know." ]

[ "The Ukrainian Film Academy () is a Ukrainian association of experts and professionals in the field of cinema and film production. It was founded in 2017 to support and develop modern Ukrainian cinema. Since 2017, the Ukrainian Film Academy has been holding the prestigious \"Golden Dzyga Film Awards\" annual event.\n\nFounders \n\nThe initiator, creator, and manager of the academy and its award was the Odesa International Film Festival. In 2017, during the creation of the Film Academy, all leading positions of the Film Academy were taken by OIFF managers: Anna Machukh, Director of the OIFF Film Market, became the Executive Director of the Ukrainian Film Academy, OIFF PR Director Kateryna Zvezdina became the PR Director, OIFF Viktoriya Tigipko - Chairman of the main governing body of the Film Academy - the supervisory board. Since 2018, the PR director of the film academy is the PR director of the OIFF - Tetyana Vlasova, and since 2019 the coordinator of the film academy - Yaroslava Kiyashko.\n\nHistory \n\n\"It's time for our country to have its own Oscar. The industry is reviving, we want to promote our actors, directors, producers - everyone who works in this complex field. It is important to draw public attention to this event.\" Viktoriya Tigipko, President of the Ukrainian Film Academy and the Odesa International Film Festival\n\nThe Ukrainian Film Academy was established as a non-profit public organization on February 8, 2017, which was announced on February 20 of the same year at a press conference held by the founders, sponsors, and partners of the Film Academy on the occasion of the First National Film Award. The establishment of the Film Academy was initiated by the Odesa International Film Festival with the support of the State Agency of Ukraine for Cinematography and the Joint Stock Company \"TASKOMBANK.\" Anna Machukh has been appointed Executive Director of the Ukrainian Film Academy and the National Film Award. On April 20, the awards ceremony of the First National Film Award \"Golden Dzyga\" was held.\n\nPurpose and activities \n\nThe Ukrainian film academy was created with the aim of popularizing Ukrainian cinema in Ukraine and abroad, and providing comprehensive support for the development of national cinema by:\n\n Organization and holding of events during which experts of the film industry will objectively determine the best achievements and personalities in the National Cinema. One of these events is the annual ceremony of awarding the National Film Award \"Golden Dzyga\" for outstanding achievements in Ukrainian cinema.\n\n Organization of events to familiarize moviegoers with the latest Ukrainian cinematography.\n\n Financial support for educational film programs.\n\nMembership in the film academy \n\nMembership in the film academy, according to its charter, is based on the principle of voluntariness and is individual. The academy can include anyone who meets the requirements of one of three categories:\n\n Representatives of the film industry who, since 1991, have participated as authors (actors, screenwriters, directors, cameramen, production designers, or composers) or producers in the creation of one or more full-length feature films or three or more short documentaries and/or animated films.\n\n Cultural, art, and film industry figures who have made a significant contribution to the development and promotion of Ukrainian cinema (among them distributors, film critics, and heads of International Film Festivals).\n\n Patrons and sponsors of domestic cinema.\n\nApplications for membership in the film academy were accepted from February 20 to March 19, 2017. According to the results, out of 343 applications, 242 Ukrainian filmmakers received the status of a member of the Ukrainian film academy. The second acceptance of applications for membership in the film academy lasted from April 27, 2017, to January 15, 2018.\n\nAs of 2019, the Academy consists of 355 Ukrainian film professionals.\n\nFilm Academy management bodies \n\n The General assembly of members is the highest governing body of the film academy, in which all current members of the film academy have the right to participate.\n\n The Executive director manages the daily work of the organization. He is elected by the supervisory board of the film academy for a three-year term.\n\n The Supervisory Board is the governing body of the film academy, which monitors the work of the executive director of the management company. It consists of five people who cannot be members of the film academy, three of whom are permanent and are elected for a term of 20 years. It is headed by the chairman of the supervisory board, who is elected from among the members of the supervisory board for a term of 20 years. Viktoriya Tigipko was elected the first chairman of the supervisory board of the Ukrainian film academy in early April 2017.\n\nThe advisory body of the film academy is the management board, which consists of 15 members, 12 of whom are elected by the general meeting of the film academy and three are appointed by the supervisory board of the film academy. The board of the Ukrainian National Film Academy is headed by the chairman of the management board, who is elected by the decision of the management board from among the approved members of the management board. The first chairman of the Board of the Ukrainian film academy in early April 2017 was the famous Ukrainian film director and actor Mikhailo Illienko, who held this position until November 2018. Currently, the chairman of the Board of the Ukrainian film academy is Ukrainian film critic Volodymyr Voitenko.\n\nBoard of the Ukrainian film academy \nComposition of the Board of the Ukrainian film academy (from October 2018):\n\n Volodymyr Voitenko, film critic — Chairman of the Board\n Sergey Bordenyuk, cinematographer\n Lyudmila Gordeladze, actress\n Ivanna Dyadyura, film producer\n Denis Ivanov, producer, film demonstrator\n Mikhailo Illienko, film director\n Sergey Lavrenyuk, producer\n Yuri Minzyanov, producer\n Yegor Olesov, producer\n Andriy Rizol, producer\n Vlad Ryashin, producer\n Igor Savichenko, producer\n Akhtem Seitablayev, film director, actor\n Valeria Sochivets, producer\n Marina Stepanska, film director\n\nFilm Academy logo \n\nThe concept of the logo of the Ukrainian Film Academy was developed by the marketing team \"Quadrate 28.\" When developing the logo, it was based on the image of the symbol of the film academy - the \"Golden Dzyga,\" embodied by the famous Ukrainian artist Nazar Bilyk.\n\nSee also \n Cinema of Ukraine\n Golden Dzyga\n\nReferences\n\nSource \n Володимир Войтенко став головою правління Української кіноакадемії. Кінокритика. 14 листопада 2018. Процитовано 14.11.2018.\n\nMaterials \n Положення про Правління Української кіноакадемії на сайті Бюро української кіножурналістики\n Положення про Наглядову раду Української кіноакадемії на сайті Бюро української кіножурналістики\n Українська кіноакадемія оголосила новий склад Правління та Наглядової ради. Детектор медіа. 25 жовтня 2018.\n\nExternal links \n \n \n \n\nCinema of Ukraine\nUkrainian culture\nArts in Ukraine\nEntertainment in Ukraine\nArts organizations established in 2017\nFilm organizations in Ukraine", "Karnataka State Film Award for Best Director is a state film award of the Indian state of Karnataka given during the annual Karnataka State Film Awards. The award honors Kannada language films. This award is presented to the Director of First Best Film award-winning film. This award is named after H. L. N. Simha. The first director of Kannada Cinema who was brought First National Award to Kannada Cinema.\n\nSuperlatives\n\nAward winners\nThe following is a complete list of award winners and the name of the films for which they won.\n\nSee also\n Cinema of Karnataka\n List of Kannada-language films\n\nReferences\n\nKarnataka State Film Awards\nKannada-language films" ]

[ "Tropic Thunder", "Promotion", "What is the rating of the movie?", "The Calgary Herald gave it a rating of 3/5,", "Who are the actor in the movie?", "Stiller, Downey, and Black", "When was the release of the movie?", "August 2008,", "Who produced the film?", "I don't know.", "Who is the director of the film?", "I don't know." ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "The UWF Heavyweight Championship was the premier title in the Universal Wrestling Federation owned by Bill Watts. When Mid-South Wrestling Association changed its name to the UWF, the Mid-South North American Championship was retired and a tournament was held to crown a new UWF Heavyweight Champion. When Jim Crockett Promotions purchased the UWF, the title was defended in Crockett for a while and was then retired. \n\nIt should not be confused with the UWF Heavyweight Championship that was defended in the Universal Wrestling Federation promotion owned by Herb Abrams. That title and promotion began several years after Watts' promotion was sold.\n\nTitle history\n\nReferences\n\nUniversal Wrestling Federation (Bill Watts) championships\nHeavyweight wrestling championships" ]

[ "Tropic Thunder", "Promotion", "What is the rating of the movie?", "The Calgary Herald gave it a rating of 3/5,", "Who are the actor in the movie?", "Stiller, Downey, and Black", "When was the release of the movie?", "August 2008,", "Who produced the film?", "I don't know.", "Who is the director of the film?", "I don't know.", "When was the promotion happened?", "Between April 2008 and the film's commercial release in August 2008, the film had over 250 promotional screenings." ]

[ "Patriot Park is a theme park in Kubinka, Russia that is themed around equipment of the Russian military. The park, which officially opened in 2016, is designed around a military theme, and includes interactive exhibits with military equipment.\n\nThe park incorporates the Aviation Museum of the Kubinka air base and the Kubinka Tank Museum. The location of the exhibits and the restrictions for civilian visitors are changed very often without any notifications. In 2020 the Main Cathedral of the Russian Armed Forces was completed and plans for an Armed Force Museum are in progress.\n\nThe park has hosted International Military-Technical Forum \"Army\" since 2015.\n\nSpecifications \n Total land area — 5,414 hectares (54.14 km2)\n Military base — 3,530 hectares (35.3 km2)\n Civilian part — 1,884 hectares (18.84 km2)\n Maximum planned attendance is 20,000 visitors\n\nThe shooting range inside Patriot Park has an area of over 160 hectares (1.6 km2) and 32 shooting bays:\n One 1400 m long shooting bay\n 21 shooting bays of 300 m length\n 10 shooting bays of 50 m length\n\nThe entire shooting range is more than 2,500 m wide, and each bay has a stand with seats for spectators and participants. There are also firearm storage facilities, changing rooms and a restaurant. The total grandstand capacity is over 2,000 people.\n\nReferences\n\nExternal links\n\n Complete set of photos of Park Patriot collection\n\nMinistry of Defence (Russia)\nAmusement parks in Russia\nOdintsovsky District\nKubinka", "The shooting ratio or \"Bertolo code\" in filmmaking and television production is the ratio between the total duration of its footage created for possible use in a project and that which appears in its final cut.\n\nA film with a shooting ratio of 2:1 would have shot twice the amount of footage than was used in the film. In real terms this means that 120 minutes of footage would have been shot to produce a film of 60 minutes in length.\n\nWhile shooting ratios can vary greatly between productions, a typical shooting ratio for a production using film stock will be between 6:1 and 10:1, whereas a similar production using video is likely to be much higher. This is a direct result of the significant difference in price between video tape stock and film stock and the necessary processing. Although the decisions, styles and preferences of the filmmakers can affect the shooting ratio of a project greatly, the nature of the production (genre, form, single camera, multi-camera, etc.) greatly affects the typical range of the ratios seen – documentary films typically have the highest (often exceeding 100:1 following the rise of video and digital media) and animated films have the lowest (typically as close to 1:1 as possible, since the creation of footage frame by frame makes the time costs of animation extremely high compared to live action). Animated productions will often shoot acting reference (by animators of themselves and or others), location reference, and performance reference (taken of voice actors), but these pieces of reference footage are not regarded as counting towards the shooting ratio, as they were never intended to appear in the projects they were created for. Audition footage, screen tests, and location reference are similarly not counted towards a narrative film's shooting ratio, live action or animated, for the same reason. Since a documentary may potentially use any footage that is shot at any point for any reason, documentary productions do not have similar exceptions. Head slates, tail slates, and outtakes are counted live action shooting ratios because, although the footage is not intended for use in the final picture, it is contained on the same reels and masters as the footage that is intended for final picture. Animated and visual effects projects typically do not include slates as part of the shooting ratio, since they virtually are instantaneous and zero-cost to create in digital formats.\n\nIn modern productions, due to the rise of digital cinema, shooting ratios are less limited by price of stock and storage, since the vast majority of productions are now entirely or partially digital. Shooting ratios instead defined and limited by the expense (in time, labor, and money, and memory) of actually shooting and editing the film, rather than cost of raw media.\n\nReferences\n\nFilm and video terminology\nRatios\nTelevision terminology" ]

[ "The Police", "1979: Reggatta de Blanc" ]

[ "Greatest Hits is a 1988 compilation album by Kenny Rogers.\n\nAll of the tracks on the album were selected from his various recordings for RCA Nashville between 1983–87. There is one track that was not originally a single called \"She's Ready for Someone to Love Her\", which makes fully half of this greatest hits track list identical to the most recent 1987 album I Prefer the Moonlight.\n\nOne single that is notably missing is \"Tomb of the Unknown Love\" from 1985's The Heart of the Matter. The song was a #1 single in both the US and Canada. Also missing is Rogers' 1986 single \"The Pride is Back\" which made #30 on the US Billboard AC chart, it had not yet been released on any album. \"I Don't Call Him Daddy\" was released as a single in support of this album, but with little promotion it peaked at #86 on the country chart.\n\nTrack listing\n\nChart performance\n\n1988 greatest hits albums\nKenny Rogers compilation albums\nRCA Records compilation albums", "The Hollies' Greatest Hits was the first greatest hits collection by British pop group The Hollies. The album was released by Imperial Records in the U.S. in May 1967 and by Capitol Records in Canada, under the title The Hits of the Hollies and with two different tracks, in July 1967. This was released a year before Parlophone issued its own hits album in England and six years before Epic issued another album in North America with this title. When Imperial was dissolved into United Artists Records in 1971, this album went out of print, prompting Epic (the group's then-current label) to issue its own \"Greatest Hits\" album two years later.\n\nThe album was available in both mono and stereo formats. A little over half of the songs on the stereo version were electronically altered (e), meaning that the mono tapes were used. The Canadian version of the album deleted the songs \"Memphis\" and \"Tell Me to My Face\", substituting early Hollies hits \"Stay\" and \"(Ain't That) Just Like Me\".\n\nNeither Capitol Records, which assumed control of the United Artists catalog in 1979, nor Parlophone Records, the current holder of the group's catalog, have issued this album on CD, as the 1973 U.S./Canadian greatest hits album on Epic, also titled The Hollies' Greatest Hits, contains six of these hits (\"Bus Stop\", \"Pay You Back With Interest\", \"Look Through Any Window\", \"Stop Stop Stop\", \"Just One Look\" and \"On a Carousel\").\n\nTrack listing\nAll tracks composed by Graham Nash, Allan Clarke and Tony Hicks, except where indicated.\n\nSide 1\n\"Bus Stop\" § e (Graham Gouldman) – 2:51 (from Bus Stop)\n\"Pay You Back with Interest\" § stereo – 2:39 (from Stop! Stop! Stop!)\n\"Here I Go Again\" e (Clive Westlake, Mort Shuman) – 2:17 (from Here I Go Again)\n\"Tell Me to My Face\" § stereo – 3:02 (from Stop! Stop! Stop!)\n\"I'm Alive\" e (Clint Ballard Jr.) – 2:22 (from Hear! Here!)\n\"Look Through Any Window\" (Gouldman, Charles Silverman) – 2:16 (from Hear! Here!)\n\nSide 2\n\"Stop Stop Stop\" § stereo – 2:52 (from Stop! Stop! Stop!)\n\"Whatcha Gonna Do 'Bout It\" stereo (Doris Payne, Gregory Carroll) – 2:17 (from Bus Stop)\n\"Just One Look\" e (Payne, Carroll) – 2:30 (from Here I Go Again)\n\"Memphis\" e (Chuck Berry) – 2:30 (from Here I Go Again)\n\"I Can't Let Go\" stereo (Chip Taylor-Al Gorgoni) – 2:25 (from Beat Group!)\n\"On a Carousel\" § e – 3:08 (from Imperial single 66231)\n\nCanadian Track Listing \nAll tracks composed by Graham Nash, Allan Clarke and Tony Hicks, except where indicated. Also indicates the original Canadian LP's\n\nSide 1\n\"Stop Stop Stop\" § – 2:52 (from Stop! Stop! Stop!)\n\"Look Through Any Window\" (Graham Gouldman, Charles Silverman) – 2:16 (from I Can't Let Go / Look Through Any Window)\n\"I Can't Let Go\" (Chip Taylor-Al Gorgoni) – 2:25 (from I Can't Let Go / Look Through Any Window)\n\"Stay\" (Maurice Williams) - 2:13 (from Stay with The Hollies)\n\"Pay You Back with Interest\" § – 2:39 (from Stop! Stop! Stop!)\n\"Here I Go Again\" (Clive Westlake, Mort Shuman) – 2:17 (from Stay with The Hollies)\n\nSide 2\n\"Bus Stop\" § (Graham Gouldman) – 2:51 (from Bus Stop)\n\"I'm Alive\" (Clint Ballard Jr.) – 2:22 (from In The Hollies Style)\n\"(Ain't That) Just Like Me\" (Earl Carroll, Billy Guy) - 2:09 (from Stay with The Hollies)\n\"On a Carousel\" § – 3:08 (from Capitol of Canada single 72450)\n\"Whatcha Gonna Do 'Bout It\" (Doris Payne, Gregory Carroll) – 2:17 (non-single LP debut)\n\"Just One Look\" (Payne, Carroll) – 2:30 (from Stay with The Hollies)\n\nPersonnel\nAllan Clarke - vocals, harmonica, guitar\nTony Hicks - lead guitar, vocals\nGraham Nash - rhythm guitar, vocals\nEric Haydock - bass guitar\nBernie Calvert - bass guitar on §\nBobby Elliott - drums\nDon Rathbone - drums on \"(Ain't That) Just Like Me\"\n\nReferences \n\nThe Hollies compilation albums\n1967 greatest hits albums\nImperial Records compilation albums\nAlbums produced by Ron Richards (producer)" ]

[ "The Police", "1979: Reggatta de Blanc", "Was there any hits from this album", "Regatta de Blanc\" won the Grammy Award for Best Rock Instrumental Performance." ]

[ "Alexandre Petrovic (1925 - November 22, 2003) was a scientist who is known for formulating the Cybernetic Theory of Craniofacial Growth in 1977.\n\nLife\nAlex was born in Belgrade, Serbia. His father was a Serbian physician who at that time was doing his post-graduate training in surgery at University of Strasbourg School of Medicine. After birth, Alex's mother and him joined their father in Strasbourg where they lived for about 10 years before returning to Belgrade. Petrovic obtained his Medical degree in 1954, did his speciality in hematology in 1957 and his Doctorate in 1961. He did his Postdoc fellowship at McGill University, Canada in 1962.\n\nHe was a professor of physiology and physiopathology at Louis Pasteur University . He also served as a visiting professor at Department of Orthodontics at Louisiana State University School of Dentistry where he taught craniofacial biology and research methodology.\n\nCareer\nHe was the founder and long time director of Research Laboratory for Craniofacial Cartilage and Bone Growth Center. He also helmed the directorship for French Institute of Health and Medical Research. Dr. Petrovic is known for developing a cybernetic model of growth to help understand how the facial growth takes places through the different control processes. Dr. Petrovic was first introduced to American Orthodontic community at Moyer's Growth Symposium at University of Michigan School of Dentistry.\n\nDr. Petrovic's lab was known to introduce orthodontics to the following ideas \n\n In 1967, he demonstrated that amount and growth rate of the cartilage in condyle can be changed due to the Orthopedic forces\n Growth categorization of the human tissue level growth can be used as a predictor of jaw growth and treatment outcome when coupled with cephalometric analysis.\n\nReferences\n\nOrthodontists\n1925 births\n2003 deaths\n20th-century dentists", "The Church of Daniel's Band is a Wesleyan-Holiness Christian church originally organized in imitation of the early Methodist class meetings at Marine City, Michigan. The church has four congregations in the U.S. state of Michigan.\n\nBackground\n\nThe Church of Daniel's Band was founded in 1893 by former members of the Wesleyan Methodist Church. The main premise of the break was the doctrine of divine healing.\n\nIn the year of its foundation, it had four to five congregations with anywhere between 120 and 217 members and eight ministers.\n\nThe name of the church was chosen based on the title of a sermon delivered by Charles Spurgeon, at the Metropolitan Tabernacle in Newington, London, on August 3, 1890. The sermon, titled \"Daniel's Band,\" related the story of Daniel in the Old Testament. In that sermon, he exhorted his listeners, \"The Lord preserved Daniel, and he will preserve you, dear friend, if you belong to 'Daniel's Band.' The church is also called a \"band\" as a reference to 1800s Wesleyan revival class meetings referred to as \"bands\" and \"societies.\"\n\nIts doctrines and polity are based on Methodism, though it prefers to be a \"non-denominational Christian church.\" It stresses evangelism, perfectionism, fellowship, religious freedom, and asceticism.\n\nIt has historically been a small body, although it did experience a period of growth in the late 1910s and early 1920s. During that time, it grew from four local churches with 129 members to six local churches with 393 members in several states and provinces throughout the U.S. and Canada. Between 1950 and 1951, it again experienced a period of growth, going from 121 members to 200 members. In 2007, reports indicated it had between one and four employees.\n\nAll four of the church's congregations are in the state of Michigan. It is registered in Midland, Michigan, with additional congregations in Beaverton, Linwood, and Gladwin.\n\nThe Church of Daniel's Band's Campground in Beaverton hosts a week of services and fellowship each August.\n\nReferences\n\nExternal links\nChurch of Daniel's Band (official website)\n\nReligious organizations established in 1893\nHoliness denominations\nChristian denominations established in the 19th century\nChristian new religious movements" ]

[ "The Police", "1979: Reggatta de Blanc", "Was there any hits from this album", "Regatta de Blanc\" won the Grammy Award for Best Rock Instrumental Performance.", "Did it help the growth of the band", "The album's singles failed to dent the US top 40, but Reggatta de Blanc still hit No. 25 on the US album charts." ]

[ "\"(If There Was) Any Other Way\" is a song by Canadian singer Celine Dion. It was included on her first English-language album, Unison (1990). \"(If There Was) Any Other Way\" was released by Columbia Records as the album's lead single in Canada on 26 March 1990. The next year, it was issued as the second single in other countries. The song was written by Paul Bliss, while production was handled by Christopher Neil.\n\nAfter its release, \"(If There Was) Any Other Way\" received positive reviews from music critics. The song peaked at number 23 in Canada and number 35 on the US Billboard Hot 100. Additionally, it became a success on the adult contemporary charts, reaching number eight in the United States and number 12 in Canada. Two accompanying music videos for the song were filmed. Dion performed \"(If There Was) Any Other Way\" during her Unison Tour (1990–91).\n\nBackground and release\nIn 1990, Dion was preparing to issue her first English-language album, Unison. After releasing various French-language albums in Canada and France in the '80s, she recorded new English songs in London, Los Angeles and New York. At first, Unison was released in Canada, and \"(If There Was) Any Other Way\" was chosen as its lead single. Written by British musician, Paul Bliss, and produced by British record producer, Christopher Neil, it was issued on 26 March 1990.\n\nOne year later on 18 March 1991, \"(If There Was) Any Other Way\" was released as the second single in the United States after \"Where Does My Heart Beat Now\". For the US market the single was remixed by Walter Afanasieff. This US version features a different audio mix from the Canadian single version and the album version: reverb has been applied throughout (most noticeably to Dion's vocal track), the guitars have been rebalanced so that they are less audible in some places in the song and more prominent in others, the drum track features \"rimshot\" effects during the chorus, additional synthesizer lines have been overdubbed onto the existing keyboard track (most noticeably in the bar before the instrumental break), and the fadeout has been slightly extended in length. It was also used in the American music video of the song that year. Additionally \"(If There Was) Any Other Way\" was remixed by Daniel Abraham, a French record producer living in New York. His dance remixes appeared on a promotional US single.\n\n\"(If There Was) Any Other Way\" was also released as a single in selected European countries, Australia, and Japan in June 1991.\n\nCritical reception\nAllMusic's senior editor Stephen Thomas Erlewine picked the song as an album standout along with \"Where Does My Heart Beat Now\". Larry Flick from Billboard noted that Dion \"continues to soar\" with a \"spirited, up-tempo\" song. He complimented the \"crystalline production and shimmering backup vocal support combined with a passionate lead performance\". Dave Sholin from the Gavin Report wrote about the song: \"Nothing like witnessing the growth and development of a genuine artist. Celine definitely falls into that category, capturing the hearts of Americans the way she's been doing in her native Canada for the past several years. Switching from torch song to snappy rhythm affords listeners an opportunity to hear another side of this wonderful talent\". Music & Media noted that \"talented Canadian chanteuse enters the Whitney Houston racket\" and described it as \"satisfying AC pop.\" Christopher Smith from TalkAboutPopMusic described it as a \"pop-soft rock mid tempo number\".\n\nCommercial performance\nIn Canada \"(If There Was) Any Other Way\" entered the RPM Top Singles chart on 31 March 1990 and peaked at number twenty-three on 9 June 1990. The song also entered the RPM Adult Contemporary chart on 24 March 1990 and reached number twelve there. In the United States \"(If There Was) Any Other Way\" debuted on the Billboard Hot 100 chart, dated 6 April 1991, and peaked at number thirty-five on 1 June 1991. The track also entered Billboards Adult Contemporary chart dated 30 March 1991, reaching number eight.\n\nMusic video\nThere were two music videos made for the song. The first one was directed by Derek Case and released in March 1990 for the Canadian market. The second one was filmed for the US market in Los Angeles, California, and Vancouver, British Columbia, Canada. It was directed by Dominic Orlando and premiered in March 1991. The two videos were included separately on Dion's 1991 home video Unison, depending on the Canadian or US release.\n\nLive performances\nDion performed \"(If There Was) Any Other Way\" on a few Canadian television shows in 1990. She also sang it on the Canadian/US variety show, Super Dave and performed it in Norway in 1991. It was included in her Unison Tour as well.\n\nTrack listings and formatsAustralian 7\", cassette, CD / Canadian 7\" single\"(If There Was) Any Other Way\" – 3:59\n\"(If There Was) Any Other Way\" (Instrumental) – 3:59Canadian cassette / European 3\", 7\" / Japanese 3\" single\"(If There Was) Any Other Way\" – 3:59\n\"I'm Loving Every Moment With You\" – 4:08European 12\", CD single\"(If There Was) Any Other Way\" – 3:59\n\"I'm Loving Every Moment With You\" – 4:08\n\"If We Could Start Over\" – 4:23US 7\" single\"(If There Was) Any Other Way\" – 3:59\n\"Where Does My Heart Beat Now\" – 4:33US cassette single\"(If There Was) Any Other Way\" (Walter Afanasieff Remix) – 4:13\n\"Where Does My Heart Beat Now\" – 4:33US promotional CD single'\n\"(If There Was) Any Other Way\" (Daniel Abraham's 7\" Remix) – 3:54\n\"(If There Was) Any Other Way\" (Daniel Abraham's 12\" Remix) – 5:39\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nCredits and personnel\nRecording\nRecorded at West Side Studios, London\n\nPersonnel\nCeline Dion – lead and backing vocals\nChristopher Neil – producer, backing vocals\nPhil Palmer – guitars\nPaul Bliss – songwriter, drums, keyboard programming, backing vocals\nSimon Hurrell – engineer\nWalter Afanasieff – additional producer, keyboards, percussion (Remix only)\nDaniel Abraham – additional producer (Dance Remix only)\n\nRelease history\n\nReferences\n\nExternal links\n\n1990 singles\n1990 songs\nCeline Dion songs\nColumbia Records singles\nDance-pop songs\nEpic Records singles\nSong recordings produced by Christopher Neil", "Point Blank is the third album by the hard rock band Bonfire. It was released in 1989 on the label BMG International. During the recording sessions of this album, Hans Ziller was fired from the band, but the album features 10 songs written by him as well as 3 that feature him playing. Freddy Curci from Alias, Sheriff and Zion also contributed to additional backing vocals for this album. Originally, the band had recorded 30 songs and settled on 17 tracks for the album.\n\nIt entered the UK album charts on 21 October 1989, and reached number 74; it was only in the chart for 1 week.\n\nTrack listing\n\nRemastered Edition\nIn 2009 Point Blank was remastered by Toni Ubler for the company Yesterrock. This edition of the album now featured 7 additional songs, all live performances by Bonfire from circa 1989 when the album was originally released. The track listing is as follows:\n\nBand members\nClaus Lessmann - lead & backing vocals, acoustic guitar\nAngel Schleifer - guitar, backing vocals\nJoerg Deisinger - bass, backing vocals, mouth drums\nEdgar Patrik - drums, percussion, backing vocals\n\nAdditional musicians\n Hans Ziller - 2nd guitar solo on #01, acoustic slide guitar on #04, lead guitar on #05\n Fred Curci - additional backing vocals\n\nCovers\nIn 1991, Desmond Child covered the song \"The Price of Loving You\" for his Discipline album.\n\nReferences\n\n Billboard's Listing of Point Blank Album\n\nBonfire (band) albums\n1989 albums" ]

[ "The Police", "1979: Reggatta de Blanc", "Was there any hits from this album", "Regatta de Blanc\" won the Grammy Award for Best Rock Instrumental Performance.", "Did it help the growth of the band", "The album's singles failed to dent the US top 40, but Reggatta de Blanc still hit No. 25 on the US album charts.", "Was there any additional members during that album", "I don't know." ]

[ "A soundtrack album is any album that incorporates music directly recorded from the soundtrack of a particular feature film or television show. The first such album to be commercially released was Walt Disney's Snow White and the Seven Dwarfs, the soundtrack to the film of the same name, in 1938. The first soundtrack album of a film's orchestral score was that for Alexander Korda's 1942 film Rudyard Kipling's Jungle Book, composed by Miklós Rózsa.\n\nOverview\nWhen a feature film is released, or during and after a television series airs, an album in the form of a soundtrack is frequently released alongside it.\n\nA soundtrack typically contains instrumentation or alternatively a film score. But it can also feature songs that were sung or performed by characters in a scene (or a cover version of a song in the media, rerecorded by a popular artist), songs that were used as intentional or unintentional background music in important scenes, songs that were heard in the closing credits, or songs for no apparent reason related to the media other than for promotion, that were included in a soundtrack.\n\nSoundtracks are usually released on major record labels (just as if they were released by a musical artist), and the songs and the soundtrack itself can also be on music charts, and win musical awards.\n\nBy convention, a soundtrack record can contain any kind of music including music \"inspired by\" but not actually appearing in the movie; the score contains only music by the original film's composers.\n\nContemporaneously, a soundtrack can go against normality, (most typically used in popular culture franchises) and contains recently released or exclusive never before released original pop music selections, (some of which become high-charting records on their own, which due to being released on another franchises title, peaked because of that) and is simply used for promotional purposes for well known artists, or new or unknown artists. These soundtracks contain music not at all heard in the film/television series, and any artistic or lyrical connection is purely coincidental.\n\nHowever depending on the genre of the media the soundtrack of popular songs would have a set pattern; a lighthearted romance might feature easy listening love songs, whilst a more dark thriller would compose of hard rock or urban music.\n\nIn 1908, Camille Saint-Saëns composed the first music specifically for use in a motion picture (L'assasinat du duc de Guise), and releasing recordings of songs used in films became prevalent in the 1930s. Henry Mancini, who won an Emmy Award and two Grammys for his soundtrack to Peter Gunn, was the first composer to have a widespread hit with a song from a soundtrack.\n\nBefore the 1970s, soundtracks (with a few exceptions), accompanied towards musicals, and was an album that featured vocal and instrumental, (and instrumental versions of vocal songs) musical selections performed by cast members. Or cover versions of songs sung by another artist.\n\nAfter the 1970s, soundtracks started to include more diversity, and music consumers would anticipate a motion picture or television soundtrack. Majority of top charting songs were those featured or released on a film or television soundtrack album.\n\nNowadays, the term \"soundtrack\" sort of subsided. It now mostly commonly refers to instrumental background music used in that media. Popular songs featured in a film or television series are instead highlighted and referenced in the credits, not a part of a \"soundtrack\".\n\nIn advertisements or store listings, soundtrack albums are sometimes confused with original cast albums. These are albums made with the original stage cast of a musical, and are recorded by the cast either in live performance or in a studio, not transferred from a movie soundtrack.\n\nIn some cases, recorded dialogue may be incorporated into the soundtrack album. This comes in two kinds: audio clips from the movie itself (used on the albums for Pulp Fiction and Apollo 13, for example) or radio dramas that involve the characters from the movie involved in other events (example: King of Pirates, from FLCL). The unusual first soundtrack album of the 1939 film The Wizard of Oz, issued in 1956 in conjunction with the film's first telecast, was virtually a condensed version of the film, with enough dialogue on the album for the listener to be able to easily follow the plot, as was the first soundtrack album of the 1968 Romeo and Juliet, and the soundtrack albums of The Taming of the Shrew (1967 version), Cromwell, and Little Big Man. In the case of Patton, the bulk of the album featured the film's musical score, while the opening and final tracks featured George C. Scott's opening and closing speeches from the movie. The highly unusual soundtrack album of the 1972 mystery film Sleuth was designed as a sort of teaser, with Laurence Olivier and Michael Caine's voices heard for the first three minutes, after which the dialogue was abruptly cut off and the musical score of the film took over, forcing listeners to \"see the film if they wished to know what the mystery was all about.\"\n\nIn a few rare instances, the complete soundtrack for a film — dialogue, music, sound effects, etc. — has been released. One notable example was a 3-LP set of the 1977 Rankin-Bass film The Hobbit. Because this particular film was produced for television, it lent itself well to the LP format: built-in commercial insert points were used to end each LP side, thus avoiding any additional editing. Another example was the above-mentioned Zeffirelli Romeo and Juliet - the movie proved so popular that two years after the film's original release, an album set of the complete soundtrack was released. Still another example was the Laurence Olivier Richard III, the soundtrack of which was released as a 3-LP album by RCA Victor in 1955.\n\nExtra tracks\nSometimes tracks not in the movie are included in the album, especially on a CD release of the soundtrack as opposed to an LP. Some of these may be \"outtakes\" (songs or instrumental music recorded for use in the movie but \"cut\" in the final edit as released), or they may have been used in trailers but not in the movie itself. Examples include the South Park: Bigger, Longer & Uncut soundtrack. Two other well-known examples are the soundtrack albums to Rodgers and Hammerstein's Carousel and The King and I both of which include two or more songs not heard in the finished film.\n\nPopularity in cultures\n\nSoundtrack albums account for the bulk of the Indian music industry. Music from the Indian film industry, particularly the music of Bollywood, usually sells more than Indian pop records.\n\nLists\n\nBest-selling soundtrack albums\n\nAlbum streams\n\nSee also\nSoundtrack\nCast recording - for musical theater\nShow tune\nFilm score\n\nReferences\n\nAlbum types", "\"Lapdance\" is a song by American rock/hip hop band N.E.R.D. from their debut studio album, In Search Of.... The nu metal song features rappers Vita and Lee Harvey, and was produced by the Neptunes.\n\nIt was ranked number 93 on VH1's \"100 Greatest Songs of Hip Hop\".\n\nA remix of \"Lapdance\" by Trent Reznor appeared on the compilation album Spin This. Although it is censored, an uncensored version of the remix is available on a rare promo single disc. A remix of \"Lapdance\" by Paul Oakenfold appeared on the soundtrack album Swordfish. The song uses comparison of politicians to strippers giving a lap dance for free due to the use of their excessive propaganda without ever taking action.\n\nCharts\n\nCertifications\n\nUsage in other media\n In 2001, the song was included in the soundtrack of Kiss of the Dragon.\n A brief snippet of the song was used in the Scrubs episode \"My Fifteen Minutes\".\n Featured in the 2002 video game BMX XXX.\n In 2003, the song was featured in the pilot for The WB teen drama, One Tree Hill.\n Featured in the 2003 video game True Crime: Streets of LA.\n Remixed version of \"Lapdance\" was featured in the 2003 superhero film, Daredevil.\n In the 2009 video game, DJ Hero, \"Lapdance\" is mixed with two songs: \"The Big Beat\" by Billy Squier and \"Rockit\" by Herbie Hancock. The latter was mixed by Grandmaster Flash.\n In the 2011 episode of Black Mirror, \"Fifteen Million Merits\", the instrumental for the song was featured in an advertisement for the fictional pornographic show, Wraith Babes.\n In 2011, \"Lapdance\" was released as DLC for the 2010 video game Dance Central\n In 2013, \"Lapdance\" was used in the trailer for the film Identity Thief.\n In 2014, the song was used in the trailer for the film Penguins of Madagascar.\n In 2014, the song was used in the film Step Up: All In.\n In 2015, the song was used in the trailer and TV Spot for the film, Paul Blart: Mall Cop 2 and Daddy's Home.\n In 2019, it featured in the second episode of season 7 of Orange Is the New Black.\n\nReferences\n\n2001 debut singles\nN.E.R.D. songs\nNu metal songs\nSong recordings produced by the Neptunes\nSongs written by Chad Hugo\nSongs written by Pharrell Williams\n2001 songs\nRap rock songs" ]

[ "Víctor Jara", "Artistic work" ]

[ "\"Tell Me What You Want Me to Do\" is the title of a number-one R&B single by singer Tevin Campbell. To date, the single is Campbell's biggest hit peaking at number 6 on the Billboard Hot 100 and spending one week at number-one on the US R&B chart. The hit song is also Tevin's one and only Adult Contemporary hit, where it peaked at number 43. The song showcases Campbell's four-octave vocal range from a low note of E2 to a D#6 during the bridge of the song.\n\nTrack listings\nUS 7\" vinyl\nA \"Tell Me What You Want Me to Do\" (edit) – 4:16\t\nB \"Tell Me What You Want Me to Do\" (instrumental) – 5:00\n\n12\" vinyl\nA \"Tell Me What You Want Me to Do\" (edit) – 4:16\t\nB \"Tell Me What You Want Me to Do\" (album version) – 5:02\n\nUK CD\n \"Tell Me What You Want Me to Do\" – 4:16\n \"Goodbye\" (7\" Remix Edit) – 3:48\n \"Goodbye\" (Sidub and Listen) – 4:58\n \"Goodbye\" (Tevin's Dub Pt 1 & 2) – 6:53\n\nJapan CD\n \"Tell Me What You Want Me to Do\" – 4:10\n \"Tell Me What You Want Me to Do\" (instrumental version) – 4:10\n\nGermany CD\n \"Tell Me What You Want Me to Do\" (edit) – 4:10\n \"Just Ask Me\" (featuring Chubb Rock) – 4:07\n \"Tomorrow\" (A Better You, Better Me) – 4:46\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nSee also\nList of number-one R&B singles of 1992 (U.S.)\n\nReferences\n\nTevin Campbell songs\n1991 singles\n1991 songs\nSongs written by Tevin Campbell\nSongs written by Narada Michael Walden\nSong recordings produced by Narada Michael Walden\nWarner Records singles\nContemporary R&B ballads\nPop ballads\nSoul ballads\n1990s ballads", "\"Tell Me What You Want\" is the fourth single by English R&B band Loose Ends from their first studio album, A Little Spice, and was released in February 1984 by Virgin Records. The single reached number 74 in the UK Singles Chart.\n\nTrack listing\n7” Single: VS658\n \"Tell Me What You Want) 3.35\n \"Tell Me What You Want (Dub Mix)\" 3.34\n\n12” Single: VS658-12\n \"Tell Me What You Want (Extended Version)\" 6.11\n \"Tell Me What You Want (Extended Dub Mix)\" 5.41\n\nU.S. only release - 12” Single: MCA23596 (released 1985)\n \"Tell Me What You Want (U.S. Extended Remix)\" 6.08 *\n \"Tell Me What You Want (U.S. Dub Version)\" 5.18\n\n* The U.S. Extended Remix version was released on CD on the U.S. Version of the 'A Little Spice' album (MCAD27141).\n\nThe Extended Version also featured on Side D of the limited gatefold sleeve version of 'Magic Touch'\n\nChart performance\n\nReferences\n\nExternal links\n Tell Me What You Want at Discogs.\n\n1984 singles\nLoose Ends (band) songs\nSong recordings produced by Nick Martinelli\nSongs written by Carl McIntosh (musician)\nSongs written by Steve Nichol\n1984 songs\nVirgin Records singles" ]

[ "Víctor Jara", "Artistic work", "What can you tell me about Jara's artistic work?", "He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as" ]

[ "Herman van Doorn (born 1963) is a Dutch singer also known as \"Hermanherman\". He is known for singing the Dutch theme songs for the long running animated series Pokémon.\n\nBiography\n\nVan Doorn studied at the Conservatory of Utrecht and Berklee College in Boston, with the emphasis to jazz vocals and improvisation. His styles widely range from improvised music and modern composed music, to pop and musical theatre. His most famous work is performing the Dutch theme songs for the television series Pokémon.\n\nDiscography\n\nAlbums \n 1999: \"For What You Are Is Never Seen\"\n 2001: \"Movin\"\n 2010: \"Fugain\" \n 2017: \"1418\"\n\nSingles \n 2010: \"Le Printemps\" (From the album: \"Fugain\")\n 2010: \"Attention Mesdames Et Messieurs\" (From the album: \"Fugain\")\n 2011: \"Fête Foraine\" \n 2014: \"For The Fallen\" (From the album: \"1418\")\n\nReferences \n\n1963 births\nLiving people\nDutch pop singers\nDutch jazz singers", "\"What's Easy for Two Is Hard for One\" (also known as \"What's Easy for Two Is So Hard for One\") is a song written and produced by Smokey Robinson and released as a single by singer Mary Wells for the Motown label.\n\nSong information\nIn this song, the narrator is longing for a longtime partnership with a suitor and constantly begs the man to \"take her to the preacher man\" in hopes the couple does \"what should be done\" because \"what two can easily do is so hard to be done by one\".\n\nRelease and reaction\nReleased in mid-1963, the song returned Wells to the top 30 where it peaked at number 29 on the Billboard Hot 100 (and #8 R&B). Wells covered the song at least two more times.\n\nCovers\n\"What's Easy for Two Is Hard For One\" is one of the most covered Motown songs within the company.\n The Temptations recorded a version in 1965. Remained unreleased until 1999.\n The Marvelettes recorded a version in 1966. It was released in 1968 (#114 U.S. Pop).\n Connie Haines released a version in 1966.\n Barbara Randolph recorded a version in 1966.\n Lulu recorded a version for Decca Records in 1964.\n The Intruders recorded a version for their 1974 album, Energy of Love.\n\nPersonnel\n\nMary Wells' version\nLead vocals by Mary Wells\nBacking vocals by The Andantes: Jackie Hicks, Marlene Barrow, and Louvain Demps\nInstrumentation by The Funk Brothers\n\nTemptations' version\nLead vocals by Paul Williams\nBacking vocals by Eddie Kendricks, David Ruffin, Otis Williams, and Melvin Franklin\nInstrumentation by The Funk Brothers\n\nConnie Haines' version\nLead vocals by Connie Haines\nBacking vocals by The Andantes\nInstrumentation by The Funk Brothers and the Detroit Symphony Orchestra\n\nMarvelettes' version\nLead vocals by Wanda Young\nBacking vocals by The Andantes\nInstrumentation by The Funk Brothers\n\nReferences\n\n1963 singles\nMary Wells songs\nThe Marvelettes songs\nSongs written by Smokey Robinson\nMotown singles\nSong recordings produced by Smokey Robinson\n1963 songs" ]

[ "Víctor Jara", "Artistic work", "What can you tell me about Jara's artistic work?", "He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as", "What songs is he known for?", "\"Plegaria a un Labrador\" (\"Prayer to a Worker\") and \"Te Recuerdo Amanda\" (\"I Remember You Amanda\")." ]

[ "Galpón Víctor Jara (“Víctor Jara Warehouse”) is a cultural center located in Santiago, Chile, in Barrio Brasil, an area of the city known for its strong artistic and cultural scene. Managed by the Víctor Jara Foundation, the center is named for the Chilean singer-songwriter and activist who was killed by the Chilean army following the Chilean coup of 11 September 1973. The Galpón is a popular live venue for Chilean bands, particularly those of the New Chilean Cumbia, gypsy and cueca musical styles, such as Chico Trujillo, Banda Conmoción and La Mano Ajena.\n\nHistory\n\nFollowing the return to democracy in Chile in 1990, efforts to achieve justice and recognition for Víctor Jara slowly gained momentum. In the early 2000s, the Víctor Jara Foundation campaigned to convert the Víctor Jara Stadium, where Jara was tortured and killed (the stadium, originally called Estadio Chile, was renamed to commemorate Jara in 2004), into a cultural center, but encountered difficulties from local authorities. A solution was found in the space occupied by the Foundation itself, in Plaza Brasil, the heart of Barrio Brasil, a cultural hub in the western part of Santiago. Galpón Víctor Jara opened there in 2003. Joan Jara, the Foundation’s founder and Jara’s widow, said at the time that\n“we want to be a meeting place for all kinds of artists: Chilean, foreign and those alternative artists who don’t fit in anywhere else.”\n\nIn 2009, a large public funeral for Víctor Jara was held at the Galpón, with thousands of mourners gathering to honor the singer. Jara’s remains had been exhumed as part of investigations into his death. The casket was carried on a procession through the streets of Santiago and re-buried in the General Cemetery.\n\nThe Galpón has been forced to close on a number of occasions. In 2010, the then mayor of Santiago, Pablo Zalaquett, closed the center because it did “not comply with the infrastructure required of a venue holding events of such a nature.” It was reopened shortly after, once the application for a new permit was in process. The venue has also been closed on a few occasions due to complaints about loud noise. This occurred most recently in September 2012, just prior to celebrations for the 80th anniversary of Jara’s birth, and calling a halt to the planned Cumbre Internacional de la Cumbia event (“International Cumbia Summit”). The center was reopened a couple of weeks later with a temporary permit, and Joan Jara remarked that “This has been such a long process. At least there exists the possibility that we can continue to develop this work, which I believe is very important for Chilean artists,” in 2013, it was closed because \"it has never obtained a definitive building permit or a final resolution from the municipality of Santiago.\"\n\nSee also\nVíctor Jara\nVíctor Jara Foundation\n\nReferences\n\nExternal links\n[www.fundacionvictorjara.cl Víctor Jara Foundation]. (Spanish).\n\nMusic venues in Chile\nLists of things named after Víctor Jara", "20 Años Después () is a compilation music album of singer-songwriter Victor Jara. It was released in Spain by Fonomusic in 1992. The compilation was re-edited in 1998 with the 13th original track, \"El Aparecido\", omitted from the original compilation.\n\nTrack listing\n\nReferences\n\nExternal links\nVictor Jara Foundation – Spanish Language\n20 Años Después album text/lyrics and cover art\nBiographical Notes: The Victor Jara Story\n\nVíctor Jara compilation albums\n1992 compilation albums\nSpanish-language compilation albums" ]

[ "Víctor Jara", "Artistic work", "What can you tell me about Jara's artistic work?", "He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as", "What songs is he known for?", "\"Plegaria a un Labrador\" (\"Prayer to a Worker\") and \"Te Recuerdo Amanda\" (\"I Remember You Amanda\").", "Did Jara do anything besides music?", "theater" ]

[ "Playwrite is an EPUB-based desktop publishing application developed by Wundr. It runs on Mac OS X 10.8 (Mountain Lion) or later. Playwrite can import HTML and plain text files. Playwrite is the only desktop publishing software which uses EPUB as the native file type.\n\nFeatures\nPlaywrite's has the following main features:\n\n Responsive e-books (design once, work on tablets, smartphones, and other devices)\n WYSIWYG editing\n Automatic table of contents (multi-level)\n Spelling and grammar checker (multi-language)\n Supports drag and drop of video, audio, and images\n Variety of templates in different genres (textbooks, novels, academic journals...)\n Font and color schemes to easily update the look and feel of your content\n Intuitive user-interface\n\nReferences\n\nExternal links\n \n\nEPUB readers\nMacOS text-related software\nTypesetting software\nDesktop publishing software\nSoftware that uses Qt", "2644 Victor Jara, provisional designation , is an asteroid from the inner regions of the asteroid belt, approximately in diameter. It was discovered on 22 September 1973, by Soviet-Russian astronomer Nikolai Chernykh at the Crimean Astrophysical Observatory in Nauchnij, on the Crimean peninsula. It was named after Chilean singer and composer Víctor Jara.\n\nOrbit and classification \n\nVictor Jara is a non-family asteroid of the main belt's background population. It orbits the Sun in the inner main-belt at a distance of 1.8–2.5 AU once every 3 years and 2 months (1,168 days; semi-major axis of 2.17 AU). Its orbit has an eccentricity of 0.17 and an inclination of 3° with respect to the ecliptic.\n\nThe body's observation arc begins with a precovery taken at the Palomar Observatory in April 1954, or nearly 20 years prior to its official discovery observation.\n\nPhysical characteristics\n\nDiameter and albedo \n\nAccording to the survey carried out by the NEOWISE mission of NASA's Wide-field Infrared Survey Explorer, Victor Jara measures 5.914 kilometers in diameter and its surface has an albedo of 0.153.\n\nRotation period \n\nAs of 2018, no rotational lightcurve of Victor Jara has been obtained from photometric observations. The body's rotation period, pole and shape remain unknown.\n\nNaming \n\nThis minor planet was named by the discoverer after Chilean folk singer and activist Víctor Jara, who was assassinated on 16 September 1973, just six days prior to the planet's discovery. The official naming citation was published by the Minor Planet Center on 15 May 1984 ().\n\nVíctor Jara, a prominent communist political activist in Chile, toured the Soviet Union in the 1960s and praised its culture, its scientific achievements and the friendliness of its working people. He was tortured and murdered shortly after the 1973 Chilean coup d'état led by Army Commander-in-Chief Augusto Pinochet, that ended the government of the socialist Salvador Allende.\n\nReferences\n\nExternal links \n Asteroid Lightcurve Database (LCDB), query form (info )\n Dictionary of Minor Planet Names, Google books\n Asteroids and comets rotation curves, CdR – Observatoire de Genève, Raoul Behrend\n Discovery Circumstances: Numbered Minor Planets (1)-(5000) – Minor Planet Center\n \n \n\n002644\nDiscoveries by Nikolai Chernykh\nMinor planets named for people\nNamed minor planets\n19730922\nLists of things named after Víctor Jara" ]

[ "Víctor Jara", "Artistic work", "What can you tell me about Jara's artistic work?", "He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as", "What songs is he known for?", "\"Plegaria a un Labrador\" (\"Prayer to a Worker\") and \"Te Recuerdo Amanda\" (\"I Remember You Amanda\").", "Did Jara do anything besides music?", "theater", "Was Jara an actor or a playwrite?", "He appeared in several of the university's plays," ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "White Lion", "Return of the Pride" ]

[ "The year 2000 is the 4th year in the history of the Pride Fighting Championships, a mixed martial arts promotion based in Japan. 2000 had 6 events beginning with, Pride FC - Grand Prix 2000: Opening Round.\n\nDebut Pride FC fighters\n\nThe following fighters fought their first Pride FC fight in 2000:\n\n Dan Henderson\n Gilbert Yvel\n Hans Nijman\n Heath Herring\n Herman Renting\n Igor Borisov\n Johil de Oliveira\n John Marsh\n\n John Renken\n Kazuyuki Fujita\n Ken Shamrock\n Masaaki Satake\n Mike Bourke\n Osamu Kawahara\n Ricardo Almeida\n Ricco Rodriguez\n\n Royce Gracie\n Ryan Gracie\n Shannon Ritch\n Takayuki Okada\n Tokimitsu Ishizawa\n Tra Telligman\n Willie Peeters\n Yoshiaki Yatsu\n\nEvents list\n\nPride FC: Grand Prix 2000 - Opening Round\n\nPride FC - Grand Prix 2000: Opening Round was an event held on January 30, 2000 at The Tokyo Dome in Tokyo, Japan.\n\nResults\n\nPride 2000 Grand Prix Bracket\n\nPride FC: Grand Prix 2000 - Finals\n\nPride FC - Pride Grand Prix 2000: Finals was an event held on May 1, 2000 at The Tokyo Dome in Tokyo, Japan.\n\nResults\n\nPride 2000 Grand Prix Bracket\n\nPride 9: New Blood\n\nPride 9 - New Blood was an event held on June 4, 2000 at The Nagoya Rainbow Hall in Nagoya, Japan.\n\nResults\n\nPride 10: Return of the Warriors\n\nPride 10 - Return of the Warriors was an event held on August 27, 2000 at The Seibu Dome in Saitama, Japan.\n\nResults\n\nPride 11: Battle of the Rising Sun\n\nPride 11 - Battle of the Rising Sun was an event held on October 31, 2000 at Osaka-jo Hall in Osaka, Japan.\n\nResults\n\nPride 12: Cold Fury\n\nPride 12 - Cold Fury was an event held on December 23, 2000 at The Saitama Super Arena in Saitama, Japan. This event featured the debut of future PRIDE Champion, Dan Henderson.\n\nResults\n\nSee also\n Pride Fighting Championships\n List of Pride Fighting Championships champions\n List of Pride Fighting events\n\nReferences\n\nPride Fighting Championships events\n2000 in mixed martial arts", "Pride Festival of Central PA, alternatively called PrideFest of Central PA, is a non-profit which hosts a three-day annual gay pride event that takes place in Harrisburg, Pennsylvania.\n\nHistory\nThe first pride event in Central Pennsylvania took place in Linglestown, Pennsylvania in the late 1980's. From there it was moved to Ski Roundtop and Harrisburg Area Community College before eventually finding a long term home in Riverfront Park in 1992, when it was also formed as a non-profit. The festival now features musical acts, drag queens, and attracts thousands of attendees. In 2018, it became the first Pride to ever take place on a US State Capitol when it was held at Soldier's Grove, Pennsylvania State Capitol. In 2020 and 2021, the Festival was cancelled due to concerns regarding the COVID-19 pandemic.\n\nCurrently\nOn July 30, 2022, it is anticipated that the Central PA Pride Festival will return. 3 days of events will include:\nVoice United - a pre-Pride concert presented by The Central PA Womyn's Chorus, Harrisburg Gay Men's Chorus, and MCC of the Spirit Choir, on Friday night before Festival.\nPride Festival - held in Harrisburg on the last Saturday in July. Entertainment includes bands, drag shows, Family Zone, vendors, and food. \nSpirits United - Sunday church services celebrating the LGBTQ+ community.\n\nLGBT events in Pennsylvania\nPride parades in the United States\nCulture of Harrisburg, Pennsylvania" ]

[ "White Lion", "Return of the Pride", "When was the return of the pride?", "The new studio album entitled \"Return of the Pride\" was released on March 14, 2008" ]

[ "Merry Legs (1911-1932) was a Tennessee Walking Horse mare who was given foundation registration for her influence as a broodmare. She was also a successful show horse.\n\nLife\nMerry Legs was foaled in April 1911. She was a bay with sabino markings. She was sired by the foundation stallion Black Allan F-1, out of the American Saddlebred mare Nell Dement, registration number F-3, and bred by the early breeder Albert Dement. She was a large mare at maturity, standing high and weighing . Merry Legs was a successful show horse; as a three-year-old, she won the stake class at the Tennessee State Fair. She was also successful as a broodmare, giving birth to 13 foals, among them the well-known Bud Allen, Last Chance, Major Allen, and Merry Boy. For her influence on the breed, she was given the foundation number F-4 when the TWHBEA was formed in 1935. She died in 1932.\n\nReferences\n\nIndividual Tennessee Walking Horses\n1911 animal births\n1932 animal deaths", "The UCI Road World Championships – Men's team time trial was a world championship for road bicycle racing in the discipline of team time trial (TTT). It is organized by the world governing body, the Union Cycliste Internationale (UCI).\n\nNational teams (1962–1994)\nA championship for national teams was introduced in 1962 and held until 1994. It was held annually, except that from 1972 onward, the TTT was not held in Olympic years. There were 4 riders per team on a route around 100 kilometres long. Italy is the most successful nation with seven victories.\n\nMedal winners\n\nMedals by nation\n\nMost successful riders\n\nUCI teams (2012–2018)\nThere was a long break until a championship for trade teams was introduced in 2012. There were 6 riders per team. The championship was held up to 2018.\n\nMedal winners\n\nMost successful teams\n\nMost successful riders\n\nReferences \n \n \n\n \nMen's Team Time Trial\nRecurring sporting events established in 1962\nUCI World Tour races\nMen's road bicycle races\nLists of UCI Road World Championships medalists\nRecurring sporting events disestablished in 2018" ]

[ "White Lion", "Return of the Pride", "When was the return of the pride?", "The new studio album entitled \"Return of the Pride\" was released on March 14, 2008", "was it successful?", "I don't know." ]

[ "Andrew Butterfield (born 7 January 1972) is an English professional golfer who plays on the Challenge Tour.\n\nCareer\nButterfield was born in London, England. He turned professional in 1993 and joined the Challenge Tour in 1996. He played on the Challenge Tour until qualifying for the European Tour through Q-School in 1999. Butterfield did not perform well enough on tour in 2000 to retain his card and had to go back to the Challenge Tour in 2001. He got his European Tour card back through Q-School again in 2001 and played on the European Tour in 2002 but did not find any success on tour. He returned to the Challenge Tour and played there until 2005 when he finished 4th on the Challenge Tour's Order of Merit which earned him his European Tour card for 2006. He did not play well enough in 2006 to retain his tour card but was able to get temporary status on tour for 2007 by finishing 129th on the Order of Merit. He played on the European Tour and the Challenge Tour in 2007 and has played only on the Challenge Tour since 2008. He picked up his first win on the Challenge Tour in Sweden at The Princess in June 2009. He also won an event on the PGA EuroPro Tour in 2004.\n\nProfessional wins (2)\n\nChallenge Tour wins (1)\n\nChallenge Tour playoff record (0–1)\n\nPGA EuroPro Tour wins (1)\n2004 Matchroom Golf Management International at Owston Hall\n\nPlayoff record\nEuropean Tour playoff record (0–1)\n\nResults in major championships\n\nNote: Butterfield only played in The Open Championship.\nCUT = missed the half-way cut\n\nSee also\n2005 Challenge Tour graduates\n2009 Challenge Tour graduates\n\nExternal links\n\nEnglish male golfers\nEuropean Tour golfers\nSportspeople from London\nPeople from the London Borough of Bromley\n1972 births\nLiving people", "The Bob Dylan England Tour 1965 was a concert tour by American singer-songwriter Bob Dylan during late April and early May 1965. The tour was widely documented by filmmaker D. A. Pennebaker, who used the footage of the tour in his documentary Dont Look Back.\n\nTour dates\n\nSet lists \nAs Dylan was still playing exclusively folk music live, much of the material performed during this tour was written pre-1965. Each show was divided into two halves, with seven songs performed during the first, and eight during the second. The set consisted of two songs from The Freewheelin' Bob Dylan, three from The Times They Are a-Changin', three from Another Side of Bob Dylan, a comic-relief concert staple; \"If You Gotta Go, Go Now\", issued as a single in Europe, and six songs off his then-recent album, Bringing It All Back Home, including the second side in its entirety.\n\n First half\n\"The Times They Are a-Changin'\"\n\"To Ramona\"\n\"Gates of Eden\"\n\"If You Gotta Go, Go Now (or Else You Got to Stay All Night)\"\n\"It's Alright, Ma (I'm Only Bleeding)\"\n\"Love Minus Zero/No Limit\"\n\"Mr. Tambourine Man\"\n\nSecond Half\n\"Talkin' World War III Blues\"\n\"Don't Think Twice, It's All Right\"\n\"With God on Our Side\"\n\"She Belongs to Me\"\n\"It Ain't Me Babe\"\n\"The Lonesome Death of Hattie Carroll\"\n\"All I Really Want to Do\"\n\"It's All Over Now, Baby Blue\"\n\nSet list per Olof Bjorner.\n\nAftermath \nJoan Baez accompanied him on the tour, but she was never invited to play with him in concert. In fact, they did not tour together again until 1975. After this tour, Dylan was hailed as a hero of folk music, but two months later, at the 1965 Newport Folk Festival, he would alienate his fans and go electric. Dylan was the only artist apart from the Beatles to sell out the De Montfort Hall in the 1960s. Even the Rolling Stones did not sell out this venue.\n\nReferences \n\nHoward Sounes: Down the Highway. The Life of Bob Dylan.. 2001.\n\nExternal links \n Bjorner's Still on the Road 1965: Tour dates & set lists\n\nBob Dylan concert tours\n1965 concert tours\nConcert tours of the United Kingdom\n1965 in England" ]

[ "White Lion", "Return of the Pride", "When was the return of the pride?", "The new studio album entitled \"Return of the Pride\" was released on March 14, 2008", "was it successful?", "I don't know.", "did they go on tour?", "The band did a world tour to support the album." ]

[ "40 Dayz & 40 Nightz is the second studio album by American rapper Xzibit. It was released on August 25, 1998 by Loud Records and RCA Records.\n\nThe album featured four singles \"What U See Is What U Get\", \"3 Card Molly\", \"Los Angeles Times\" and \"Pussy Pop\". \"What U See Is What U Get\" earned Xzibit some his highest charting placements in his career.\n\nTrack listing\n\nChart positions\n\nSingles\n\nReferences\n\n1998 albums\nHorrorcore albums\nAlbums produced by Bud'da\nAlbums produced by Soopafly\nXzibit albums\nRCA Records albums\nLoud Records albums", "\"If I Were You\" is a 1995 single written by k.d. lang and Ben Mink and performed by k.d. lang. The single was the first single released from lang's third studio album, All You Can Eat (1995), on 18 September 1995.\n\n\"If I Were You\" reached number 24 on the Canadian RPM Top Singles chart and number four on the RPM Adult Contemporary chart. On the US Billboard charts, the single reached number 15 on the Bubbling Under Hot 100 and was lang's second and final number one on the Hot Dance Club Play chart. Overseas, \"If I Were You\" peaked at number 23 in Australia, number 50 in New Zealand, and number 53 in the United Kingdom. Billboard named it lang's sixth-best song.\n\nTrack listings\n\nUS 7-inch and CD single\n \"If I Were You\" – 3:38\n \"Get Some\" – 3:37\n\nEuropean CD single\n \"If I Were You\" – 3:58\n \"Get Some\" – 3:37\n \"What's New Pussycat\" (live) – 2:44\n\nAustralian maxi-single\n \"If I Were You\" (album version)\n \"If I Were You\" (Close to the Groove edit)\n \"If I Were You\" (Smokin' Lounge Mix)\n \"If I Were You\" (Junior's X-Beat Mix)\n \"If I Were You\" (album edit)\n \"What's New Pussycat\" (live)\n\nCharts\n\nWeekly charts\n\nYear-end charts\n\nRelease history\n\nSee also\n List of number-one dance singles of 1996 (U.S.)\n\nReferences\n\n1995 singles\n1995 songs\nK.d. lang songs\nMusic videos directed by Kevin Kerslake\nSongs written by Ben Mink\nSongs written by k.d. lang" ]

[ "White Lion", "Return of the Pride", "When was the return of the pride?", "The new studio album entitled \"Return of the Pride\" was released on March 14, 2008", "was it successful?", "I don't know.", "did they go on tour?", "The band did a world tour to support the album.", "what were some singles?", "The album featured the singles \"Dream\" and \"Live Your Life\"." ]

[ "Coup de Grâce is the fourth album by the rock band Mink DeVille, released in 1981. The album represented a departure for the band, as frontman Willy DeVille dismissed the only other remaining original member of the band, guitarist Louis X. Erlanger, and hired Helen Schneider's backup band (\"The Kick\") to record the album. Moreover, the album was recorded for Atlantic (Mink DeVille had previously recorded with Capitol).\n\nDeVille told The New York Times:\nI had band problems, manager problems, record company problems. And yeah, I had drug problems. Finally, I got a new recording contract, with Atlantic, and a new manager. I cleaned up my act. I figured that since playing music with people I was friends with didn't seem to work out, I would hire some mercenaries, some cats who just wanted to play and get paid. And those guys turned out to be more devoted to the music than any band I ever had. They're professional, precise, but they're full of fire, too.\n\nJack Nitzsche produced the album, his third for Mink DeVille, along with Willy DeVille (the song \"Love Me Like You Did Before\" was produced by Willy DeVille and Thom Panunzio).\n\nReviews \n\nDutch rock magazine OOR named Coup de Grâce the fifth best album of 1981. AllMusic said about Coup de Grâce:\n\nThe band's sound combined with Nitzsche's timeless production style, which combined with that voice to create a purer rock & roll noise than even Bruce Springsteen's in 1981. The evidence is on the anthem \"Maybe Tomorrow,\" the slippery doo-wop feel of \"Love and Emotion,\" and the devastating read of Arthur Alexander's \"You Better Move On,\" that includes in its soulful Spanish stroll mix a pair of marimbas and the ever-lamenting accordion, turning the track into something that is so deadly serious it should have perhaps been in West Side Story. This was Mink DeVille near their zenith as a recording unit.\n\nThe Record said about the album, \"Coup de Grâce recapitulates and resolves the themes of Le Chat Bleu in an intriguing blend of soul-pop and razor-edged rock. Its influences are as distant as The Drifters and as contemporary as Bruce Springsteen.\"\n\nTrack listing \nAll songs written by Willy DeVille, unless otherwise noted.\n\n \"Just Give Me One Good Reason\" – 3:17\n \"Help Me to Make It (Power of a Woman's Love)\" (Eddie Hinton) – 4:09\n \"Maybe Tomorrow\" – 2:56\n \"Teardrops Must Fall\" – 4:12\n \"You Better Move On\" (Arthur Alexander) – 3:00\n \"Love & Emotion\" – 3:40\n \"So in Love Are We\" (DeVille, Roger Rich) – 3:42\n \"Love Me Like You Did Before\" – 3:15\n \"She Was Made in Heaven\" – 2:59\n \"End of the Line\" – 2:49\n\nPersonnel \n Ricky Borgia – guitar\n Louis Cortelezzi – baritone saxophone\n Willy DeVille – guitar, vocals\n Brother Johnny Espinet – percussion\n The Exhilarations – background vocals\n Ray Goodwin\n Alan Morgan\n Andy Deweese\n Joe Mendez\n Al \"Butch\" Floyd\n Jimmy Maelen – percussion\n Kenny Margolis – piano, accordion, vibraphone\n Eve Moon – background vocals\n Thommy Price – drums\n Joey Vasta – bass\n\nProduction \n Jim Ball – engineering\n Bob Defrin – art direction\n Willy DeVille – production\n Jack Nitzsche – arrangement, production\n Thom Panunzio – production, engineering, associate production\n John Pilgreen – cover photography\n Joyce Ravid – photography\n Sandi Young – design\n\nCharts\n\nReferences \n\n1981 albums\nMink DeVille albums\nAlbums produced by Jack Nitzsche\nAtlantic Records albums", "Randy the Band is an album by Swedish punk rock band Randy, released in October 2005 by Ny Våg Records and Epitaph Records/Burning Heart Records. As of July 2020, it is Randy's latest album.\n\nThe album produced one single, \"Razorblade,\" for which the band recorded a music video.\n\nCritical reception \n\nIn their review of the album, AllMusic called Randy \"one of [Sweden]'s most highly touted punk bands\" and positively likened the band to Green Day in saying that both groups are \"ferociously energetic.\" The review also complimented Randy for \"maintaining a knife-edge balance between youthful energy and tightly played rock & roll.\" While AllMusic did not give the album a formal rating or distinguish any tracks as highlights or standouts, the review itself individually praised the tracks \"Punk Rock High,\" \"Rich Boy,\" \"Teenage Tiger,\" \"I Raise My Fist,\" and \"Losing My Mind.\"\n\nPunkNews reviewer William David gave the album 8 out of 10 stars, remarking in their review, \"Anyone who has followed the career of this band knows they have consistently delivered hit album after hit album, and [this album] is no exception.\" He complimented the band's style of \"catchy-as-can-be rock n' roll\" and noted that the band had \"honed in on their melodic side this time around,\" differing from previous heavier and less melodic albums like Welfare Problems. David also compared the band's style in the album to The Clash, also complimenting the band for their guitar work, attention to melody, and socialist lyrical themes. David distinguished \"Razorblade,\" \"Evil,\" \"The Pretender,\" and \"Going Out With the Dead\" as standout tracks.\n\nLike AllMusic, Peter Gaston of Spin did not reward Randy the Band with a formal rating; however, in his review of the album, he praises the band's music for being \"taut and loaded with punchy, fist-pumping choruses.\" He favorably compares the second track on the album, \"Razorblade,\" to Social Distortion; he also favorably compares \"Better than Art\" to Andrew W.K.\n\nLike AllMusic and Spin, Sam Sutherland with Exclaim! did not award Randy the Band with a formal rating. However, he complimented the evolution in sound evident in the album, as well as the band's influence from predecessors in the punk rock and rock n' roll scenes: \"While the band aren't the type to boldly explore any new sonic territory, they still manage to spice up such tracks as 'Going Out with the Dead' with the full-on cheese factor of dueling guitar solos. 'Teenage Tiger' pays homage to Little Richard with its nonsensical lyrical styling, and 'Losing My Mind' calls up the filthy guitar solos of Greg Ginn and Dez Cadena.\" Sutherland compliments lead vocalist Stefan Granberg's performance on the album in particular. He notes that the politics in Randy the Band are more subdued than those in previous albums but still calls the album \"a solid release from a generally consistent band.\"\n\nTrack listing\n\nInformation\n Recorded at Decibel Studios\n Recorded by Estudiomac\n Mixed at Sjöbjörn Studio\n Mastered at Cutting Room Studios\n Mixed and engineered by Pelle Gunnerfeldt\n All tracks produced by Randy\n Artwork by Robert Pettersson\n Design (Cover/Laser/Back/Label), Layout by Hugo Sundkvist\n Published by Warner/Chappell and Picnic Music\n Released by Burning Heart on October 10, 2005\n Distributed by Epitaph Records/Epitaph Europe\n Performed by Randy\n\nCredits \n Fredrik Granberg - drums\n Johan Gustafsson - bass, background vocals\n Stefan Granberg - vocals, guitar\n Johan Brändström - guitar, background vocals, some lead vocals\n Randy - Primary Artist, Producer\n\nReferences\n\n2005 albums\n2005 in Swedish music\nRandy (band) albums\nNew wave albums by Swedish artists\nBurning Heart Records albums" ]

[ "White Lion", "Return of the Pride", "When was the return of the pride?", "The new studio album entitled \"Return of the Pride\" was released on March 14, 2008", "was it successful?", "I don't know.", "did they go on tour?", "The band did a world tour to support the album.", "what were some singles?", "The album featured the singles \"Dream\" and \"Live Your Life\".", "did they have any problems with the album?", "I don't know." ]

[ "Walter Bullock (May 6, 1907 in Shelburn, Indiana –1953 in Los Angeles, California) was an American song lyricist and screenwriter. He recorded with his brother, James Russell Lowell Bullock. On April 22, 1930, they released a record on the Champion label (16004). Side A was I’m Satisfied With My Girl and side B was He Man Chew Tobacco.\n\nAfter graduating from DePauw University, Bullock started writing for Hollywood in 1936 and was to collaborate with many film composers. In 1936, he had two successes with Magnolias in the Moonlight with music by Victor Schertzinger, and When Did You Leave Heaven? with Richard A. Whiting.\n\nHe was nominated for two Academy Awards.\n\nSelected filmography\n The Gang's All Here (1943)\n Repeat Performance (1947)\n Out of the Blue (1947)\n Adventures of Casanova (1948)\n Golden Girl (1951)\n The Farmer Takes a Wife (1953)\n The I Don't Care Girl (1953)\n\nReferences\n\nExternal links\n\n1907 births\n1953 deaths\nAmerican male screenwriters\nPeople from Sullivan County, Indiana\nDePauw University alumni\nWriters from Indiana\n20th-century American composers\n20th-century American male writers\n20th-century American screenwriters", "Paulo Mendonça is a Swedish funk guitarist of Portuguese origin. He has made five studio albums and one live album, the first three in the 1990s He toured with Tina Turner among others. In 2008, he collaborated on Jeff Scott Soto's album, Beautiful mess. In 2013, he released Does anyone wanna funk? which featured the song Birds and the bees, a moderate success in Sweden and Germany \n\nHe was one of the first musicians ever to collaborate with the Swatch Group to provide tunes for its Melody line of wristwatches. His latest collaboration with Swatch is the PAULO MENDONCA-11 PM model, from the Winter 2013 collection.\n\nDiscography\n\nAlbums\n\nSingles\n\nDiscography and certifications as songwriter \nA discography of songs written and/or produced by Paulo Mendonca.\n\nReferences\n\nExternal links \n Official site\n YouTube page\n Facebook page\n Instagram page\n Twitter account\n Last.fm artist page\n Spotify artist page\n Apple Music artist page\n\nYear of birth missing (living people)\nLiving people\nBrazilian guitarists\nBrazilian bass guitarists\nMale bass guitarists" ]

[ "Irving Thalberg", "Early years" ]

[ "William Zeiman was a Democratic member of the Wisconsin State Assembly. Zeiman was a member during the 1877 session from the 1st District of Dodge County, Wisconsin. He was born on March 31, 1846, in what is now North Prairie, Wisconsin in what is now Waukesha County, Wisconsin.\n\nReferences\n\nPeople from North Prairie, Wisconsin\nPeople from Dodge County, Wisconsin\nWisconsin Democrats\nMembers of the Wisconsin State Assembly\n1846 births\nYear of death missing", "John R. Hofstatter was a member of the Assembly during the 1911 session. Additionally, he was a Baraboo, Wisconsin alderman (similar to city councilman). He was a Democrat. Hofstatter was born in what is now Sumpter, Wisconsin in 1858.\n\nReferences\n\nPeople from Baraboo, Wisconsin\nPeople from Sumpter, Wisconsin\nMembers of the Wisconsin State Assembly\nWisconsin city council members\nWisconsin Democrats\n1858 births\nYear of death missing" ]

[ "Irving Thalberg", "Early years", "What year was he born?", "Thalberg was born in Brooklyn, to German Jewish immigrant parents," ]

[ "The Extraordinary Tale of Nicholas Pierce is a 2011 adventure novel written by Alexander DeLuca. It follows the journey of a university teacher Nicholas Pierce, who suffers from obsessive compulsive disorder as he searches for his biological parents, traveling across states in the United States of America. He travels with a friend, who is an eccentric barista in a cafe in upstate New York, named Sergei Tarasov.\n\nPlot\nNicholas Pierce suffers from OCD. He is also missing the memory of the first five years of his life. Raised by adoptive parents, one day he receives a mysterious box from an \"Uncle Nathan\". Curious, he sets off on a journey to find his biological parents with a Russian friend, Sergei Tarasov. On the trip, they meet several people, face money problems and different challenges. They also pick up a hitchhiker, Jessica, who later turns out to be a criminal.\n\nFinally, Nicholas finds his grandparents, who direct him to his biological parents. When he meets them, he finds out that his vaguely registered biological 'parents' were actually neighbors of his real parents who had died in an accident. The mysterious box that he had received is destroyed. He finds out that it contained photographs from his early life.\n\n2011 American novels\nNovels about obsessive–compulsive disorder", "Bomba and the Jungle Girl is a 1952 adventure film directed by Ford Beebe and starring Johnny Sheffield. It is the eighth film (of 12) in the Bomba, the Jungle Boy film series.\n\nPlot\nBomba decides to find out who his parents were. He starts with Cody Casson's diary and follows the trail to a native village. An ancient blind woman tells him his parents, along the village's true ruler, were murdered by the current chieftain and his daughter. With the aid of an inspector and his daughter, Bomba battles the usurpers in the cave where his parents were buried.\n\nCast\nJohnny Sheffield\nKaren Sharpe\nWalter Sande\nSuzette Harbin\nMartin Wilkins\nMorris Buchanan\nLeonard Mudie\nDon Blackman.\n\nReferences\n\nExternal links\n\n1952 films\nAmerican films\nAmerican adventure films\nFilms directed by Ford Beebe\nFilms produced by Walter Mirisch\nMonogram Pictures films\n1952 adventure films\nAmerican black-and-white films" ]

[ "Irving Thalberg", "Early years", "What year was he born?", "Thalberg was born in Brooklyn, to German Jewish immigrant parents,", "Who were his parents?", "Jewish immigrant parents, William and Henrietta (Haymann)." ]

[ "An only child is a person who does not have any siblings, neither biological nor adopted.\n\nOnly Child may also refer to:\n\n Only Child (novel), a novel by Jack Ketchum\n Only Child, a 2020 album by Sasha Sloan", "John August Kusche (1869 – 1934) was a renowned botanist and entomologist, and he discovered many new species of moths and butterflies. The plant of the aster family, Erigeron kuschei is named in his honor.\n\nNotable discoveries \n\nIn 1928, Kusche donated to the Bishop Museum 164 species of Lepidoptera he collected on Kauai between 1919 and 1920. Of those, 55 species had not previously been recorded on Kauai and 6 were new to science, namely Agrotis stenospila, Euxoa charmocrita, Plusia violacea, Nesamiptis senicula, Nesamiptis proterortha and Scotorythra crocorrhoa.\n\nThe Essig Museum of Entomology lists 26 species collected by Kusche from California, Baja California, Arizona, Alaska and on the Solomon Islands.\n\nEarly life \nHis father's name was Johann Karl Wilhelm Kusche, he remarried in 1883 to Johanna Susanna Niesar. He had three siblings from his father (Herman, Ernst and Pauline) and four half siblings from her second marriage (Bertha, Wilhelm, Heinrich and Reinhold. There were two other children from this marriage, which died young and whom were not recorded). His family were farmers, while he lived with them, in Kreuzburg, Germany.\n\nHis siblings quickly accustomed themselves to their new mother, however August, the eldest, did not get on easily with her. He attended a gardening school there in Kreuzburg. He left at a relatively young age after unintentionally setting a forest fire. \"One day on a walk through Kreuzburg forest, he unintentionally caused a huge forest fire. Fearing jail, he fled from home and somehow made it to America.\"\n\nHe wrote letters back to his family, urging them to come to America. His father eventually did, sometime shortly after February 1893. His father started a homestead in Brownsville, Texas. Yellow fever broke out and his father caught it. He managed to survive, while many did not, leaving him a sick old man in his mid-fifties. He wrote to August, who was then living it Prescott, Arizona, asking for money. August wrote back, saying \"Dear father, if you are out of money, see to it that you go back to Germany as soon as possible. Without any money here, you are lost,\" \n\nAugust didn't have any money either, and had been hoping to borrow money from his father. If he had wanted to visit him, then he would have had to make the trip on foot.\n\nWhen August arrived in America, he got a job as a gardener on a Pennsylvania farm. He had an affair with a Swiss woman, which resulted in a child. August denied being the child's father, but married her anyway. He went west, on horseback, and had his horse stolen by Native Americans. He ended up in San Francisco. His family joined him there. By this time he had three sons and a daughter.\n\nAfter his children grew up, he began traveling and collecting moths and butterflies.\n\nLater life \nHe traveled to the South Seas where he collected moths and butterflies. There he caught a terrible fever that very nearly killed him. He was picked up by a government ship in New Guinea, and was unconscious until he awoke in a San Francisco hospital. After that time he had hearing loss and lost all of his teeth. His doctor told him not to take any more trips to Alaska, and this apparently helped his condition.\n\nIn 1924 he lived in San Diego. He had taken a trip to Alaska just before this date. He worked as a gardener in California for nine years (1915–1924) where he died of stomach cancer.\n\nReferences \n\n19th-century German botanists\n1869 births\n1934 deaths\n20th-century American botanists\nGerman emigrants to the United States" ]

[ "Irving Thalberg", "Early years", "What year was he born?", "Thalberg was born in Brooklyn, to German Jewish immigrant parents,", "Who were his parents?", "Jewish immigrant parents, William and Henrietta (Haymann).", "Did he have any siblings?", "Shortly after birth, he was diagnosed with \"blue baby syndrome,\" caused by a congenital disease that limited the oxygen supply to his heart." ]

[ "Rohit Raju is an American professional wrestler best known for his time with Impact Wrestling, where he is a former one-time Impact X Division Champion. Before working for Impact Wrestling, he worked over 10 years on the independent circuit in promotions including Xtreme Intense Championship Wrestling (XICW). He signed a contract with Impact in 2017, where he debuted as part of Desi Hit Squad.\n\nProfessional wrestling career\n\nEarly career \nUnder the ring name Hakim Zane, he debuted between 2008 and 2009. From then on, Zane worked in matches in promotions including for the National Wrestling Alliance and several NWA affiliates.\n\nXtreme Intense Championship Wrestling (2013–2018)\nOn April 14, 2013, Zane held his first title as co-holder of the XICW Tag Team Championship with TD Thomas. They held the tag titles until September 8, 2013 at XICW 167: Jacobs vs. Venom, where they lost the titles to challengers Sonny Scarboni and Vinnie Scarboni. The following year, Zane won his first singles championship on April 27, 2014 at XICW 177: Jacobs vs. Shelley, where he defeated The DBA to win the XICW Midwest Heavyweight Championship. He later lost the title on December 14 at XICW 187 Hardcore with a Heart, to former WWE Cruiserweight Shannon Moore.\n\nThe following year in 2015, Zane won the XICW Light Heavyweight Championship on January 17, 2015 at XICW Best in Detroit VIII, defeating Caleb Stills, Chris Sabin and Owen Travers in a four-way match. Three months later on April 12 at XICW 192, Zane lost the Light Heavyweight title to Owen Travers in a two-out-of-three-falls match. Zane later won the Midwest Heavyweight title for a second time. His second reign began on June 5, 2016 at XICW 210 after defeating Rhino. He went on to defend the Midwest Heavyweight title against challengers including Robbie E and Matt Cross. His final title defense was August 7, 2016 at XICW 213, successfully defeating Cross.\n\nDuring 2017, Zane competed for the XICW Tag Team and Midwest Heavyweight titles on several occasions, however did not succeeding either title for a second time. He returned for one last match during a July 13, 2018 XICW show, challenging Jimmy Jacobs for the Midwest Heavyweight title but did not succeed in winning the championship.\n\nImpact Wrestling\n\nSporadic appearances (2017–2018)\nOn the May 11, 2017 episode of Impact!, Zane teamed with Idris Abraham in a tag match lost against Garza Jr. and Laredo Kid. Six months later, Zane returned and wrestled in his first singles match. During the November 30 episode of Impact!, Zane lost his debut singles match to Taiji Ishimori. He made his final televised appearance of the year on the December 9 episode of Xplosion, losing to Eddie Edwards.\n\nZane returned the following year on the January 11, 2018 episode Impact!, teaming with Caleb Konley and Trevor Lee in a six-man tag match lost to Dezmond Xavier, Garza Jr. and Sonjay Dutt. The following month on the February 8 episode of Impact!, Zane debuted the ring name Rohit Raju, teaming with El Hijo del Fantasma in a tag match lost against Ishimori and Matt Sydal.\n\nDesi Hit Squad (2018–2020)\nOn March 16 (which was taped on March 3) at Impact One Night Only: March Breakdown, Raju debuted with Gursinder Singh as the Desi Hit Squad. During the event, they defeated Sheldon Jean and Stone Rockwell. On the March 22 episode of Impact!, Raju challenged for the X Division Championship but lost to the reigning champion Sydal. For the course of the year, Raju and Gursinder Singh shared the ring as teammates and as opponents. Their final match was a singles competition during the October 11 episode of Impact! in which he defeated Gursinder Singh. By the November 1 episode of Impact!, the Desi Hit Squad was modified with the addition of Raj Singh, replacing Gursinder Singh. During the episode, they defeated The Beach Bums (Freddie IV and TJ Crawford). Raju wrestled his final match of the year on the November 22 episode of Impact!, teaming with Eli Drake, Jake Crist, Katarina and Glenn Gilbertti in the Second Annual Eli Drake Gravy Train Turkey Trot match, losing to Fallah Bahh, Alisha Edwards, Kikutaro, KM and Dezmond Xavier.\n\nThe following year, Raju returned with Raj Singh on the January 3, 2019 episode of Impact! in a tag team match against Bahh and KM, which was observed an \"audition\" by Impact Knockout Scarlett Bordeaux. The match concluded with the Desi Hit Squad losing to Bahh and KM. During the January 25 episode of Impact!, the Desi Hit Squad lost another tag team bout to The Rascalz (Dez and Wentz). During the early months of 2019, Raju competed in tag matches. On March 9 at Impact Wrestling-OVW One Night Only: Clash In The Bluegrass, Raju teamed with oVe (Dave Crist and Jake Crist), Madman Fulton in a tag match against Dustin Jackson, Melvin Maximus, Sam Thompson and Shiloh Jonze.\n\nX Division Champion (2020–2022) \nOn August 18, 2020, during Night 1 of Emergence, Raju defeated Chris Bey to win the X Division Championship in a three-way match that also involved TJP. On the September 15 episode of Impact!, he had Bey, TJP and Trey compete in a three-way match next week to determine who will face him for the title immediately afterwards, which Trey won but Raju quickly defeated him in his first title defense. At Victory Road, he issued the Defeat Rohit Challenge with his X Division Championship on the line, which was answered by Willie Mack but he took the count-out loss to retain the title. On the October 6 episode of Impact!, Raju lost to Jordynne Grace who answered his challenge, but changed the rules so that the title wasn't up for grabs. At Bound for Glory, Raju successfully retained his X Division Championship in a six-way intergender scramble match that involved Bey, Grace, TJP, Mack and Trey, the latter of which he pinned to win the match. On November 14 at Turning Point, Raju retained his title against Cousin Jake. On the November 24 episode of Impact!, he lost to Crazzy Steve disguised as Suicide, but managed to defeat him on the following week to retain his title. At Final Resolution, Raju lost the title to Manik, ending his reign at 120 days.\n\nOn January 16, 2021, at Hard to Kill, he failed to regain the X Division Championship in a three-way match that also involved Bey. On the February 2 episode of Impact!, Raju defeated TJP in a non-title bout, with help from returning Desi Hit Squad ally Mahabali Shera. At No Surrender, he failed to recapture the X Division title and put the blame on Shera during the following week's Impact!, resulting in him getting shoved into Chris Sabin and James Storm, and the latter hitting Raju with a beer bottle on the head. Raju would lose to Storm on the March 2 episode of Before the Impact and team with Shera in a losing effort against him and Sabin on the following week's Impact!, the latter of which saw his alliance with Shera end. This led to a match between the two on the March 16 episode of Impact!, where Raju won after using the ropes. On the March 30 episode of Before the Impact, Raju teamed up with Hernandez to defeat Shera and Fallah Bahh. On April 10, at Hardcore Justice, he realigned himself with Shera after helping him against Hernandez in a Chairly Legal match.\n\nOn the May 13 episode of Impact!, Raju competed in a six-way match to determine the number one contender for the X Division Championship, which was won by New Japan Pro-Wrestling (NJPW) talent El Phantasmo. Two days later, at Under Siege, he teamed with Shera in a four-way tag team match to determine who will get a shot at the Impact World Tag Team Championship, which was won by Ace Austin and Madman Fulton. On June 12, at Against All Odds, Raju competed in a five-way match to determine a number one contender for the X Division title, but it ended in a no contest. At Slammiversary, Raju failed to win the title in an Ultimate X match, which was won by defending champion Josh Alexander. On the August 5 episode of Impact!, he lost a four-way match to determine the number one contender to the X Division title, which was won by Jake Something. Raju went on to feud with Matt Cardona after costing him a match on the following week's Impact!, but failed to beat him in a one-on-one bout at Emergence. On the September 2 episode of Impact!, Raju teamed with Shera to face Cardona and Chelsea Green in a tag team match, with Raju getting the pin after hitting the latter with a knee strike. At Victory Road, he took on Cardona in a no disqualification match, but was defeated by him.\n\nOn the September 23 episode of Impact!, Raju defeated Chelsea Green in an intergender match, after a distraction from returning Desi Hit Squad ally Raj Singh. On the October 14 episode of Impact!, he competed in a three-way semi-final match to determine who will go on to Bound for Glory in another three-way match for the vacant X Division Championship, which was won by El Phantasmo. At Bound for Glory, Raju participated in the Call Your Shot Gauntlet match, where the winner could choose any championship match of their choice, eliminating NJPW talent Rocky Romero and Madman Fulton but was eliminated by Moose and W. Morrissey. He left Impact in January 2022.\n\nChampionships and accomplishments \nAll American Wrestling\nAAW Heritage Championship (2 times)\nBorder City Wrestling\nBCW Can-Am Tag Team Championship (1 time, current) – with Raj Singh\nGlory Pro Wrestling\nMidwest Territory Championship (1 time)\nImpact Wrestling\nImpact X Division Championship (1 time)\nGlobal Forged (2017)\nPro Wrestling Illustrated\n Ranked No. 72 of the top 500 singles wrestlers in the PWI 500 in 2021\nSuperkick'D\nSuperkick'D King of the 6IX Championship (1 time) \nXtreme Intense Championship Wrestling\nXICW Light Heavyweight Champion (1 time)\nXICW Midwest Heavyweight Champion (2 times)\nXICW Xtreme Intense Champion (1 time)\nXICW Tag Team Champion (1 time) – with TD Thomas\n\nReferences\n\nExternal links\n Impact Wrestling profile\n \n \n \n\n1980 births\nLiving people\nAmerican male professional wrestlers\nAmerican people of Indian descent\nProfessional wrestlers from Michigan", "Violent By Design (VBD) is a villainous professional wrestling stable in Impact Wrestling, led by Eric Young and also consisting of Deaner and Joe Doering.\n\nThe stable was formed on November 14, 2020 at the Turning Point event, where Doering debuted as Young's enforcer. The group would later be expanded with the additions of Deaner and Rhino. Rhino was kicked out of the stable in September 2021.\n\nHistory \nAt the Slammiversary event on July 18, 2020, Eric Young made his surprise return to Impact Wrestling as a surprise participant in a match for the vacant Impact World Championship, but he lost the match. He would win the title in September, only to lose it a month later to Rich Swann at Bound for Glory.\n\nShortly after losing the title, Joe Doering debuted as Young's enforcer at Turning Point and attacked The Deaners (Cody Deaner and Cousin Jake). During the following weeks, Young feuded with Deaner and Rhino and this resulted in a match between Deaner and Young on the December 8 episode of Impact!, which Young won, and a match at Final Resolution, between Young and Rhino, which Young won after Deaner turned on his partners and joined Young. \n\nOn the January 5, 2021 episode of Impact!, Deaner appeared in a new look with a bald shaved head, trimmed beard, and the modified name Deaner. At Hard To Kill, the trio was officially named Violent By Design (VBD), as they defeated Dreamer, Rhino, and Jake in an Old School Rules match. On the January 19 episode of Impact!, Young defeated Rhino and proceeded to injure him, taking him out of action. Subsequently, Cousin Jake would change his ring name to Jake Something and defeated Deaner at No Surrender. At Sacrifice, Deaner and Doering defeated Chris Sabin and James Storm in a tag team match after Rhino attacked Sabin, thus joining VBD in the process. At Hardcore Justice, VBD defeated Team Dreamer (Eddie Edwards, Rich Swann, Willie Mack and Trey Miguel) in an eight-man Hardcore War match.\n\nVBD was scheduled to take on Chris Sabin, Eddie Edwards, James Storm and Willie Mack in an eight-man tag team match at Rebellion but Young suffered an injury and was replaced by the debuting W. Morrisey. Morrisey and VBD went on to win the match. On the May 20 episode of Impact!, Rhino invoked his Call Your Shot Gauntlet championship privilege as he and Doering defeated FinJuice (David Finlay and Juice Robinson) to win the World Tag Team Championship. On the June 3 episode of Impact!, Young declared the titles belonged to the group collectively, and as VBD leader, he would decide who defended them, thus he and Deaner would also be given a share of the titles under the Freebird Rule. At Against All Odds, Doering defeated All Japan Pro Wrestling (AJPW) rival Satoshi Kojima, and Deaner and Rhino retained the tag team titles against Decay (Black Taurus and Crazzy Steve). On July 17, at Slammiversary, they lost the titles to The Good Brothers (Doc Gallows and Karl Anderson) in a four-way tag team match that also involved Rich Swann and Willie Mack, and Fallah Bahh and No Way. \n\nOn August 20, at Emergence, they failed to regain the tag titles in a three-way tag team match that also involved Swann and Mack. After that, Young blamed Rhino for failing to recapture the titles and they tortured him to cure him of \"the sickness\". On the September 16 episode of Impact!, after losing to Decay, Rhino was attacked by Young, Deaner, and Doering, thus kicking him out of the VBD. On the September 30 episode of Impact, Rhino's former tag team partner Heath saved Rhino from a potential attack by VBD, and Heath then looked to give Rhino a hug afterwards, but Rhino would walk out of the ring. In the following weeks, Rhino was not sure which side to take, and Heath asks Impact EVP Scott D'Amore to make a match pitting him and anyone else against Violent By Design at Bound for Glory, which was accepted. At Bound for Glory, Rhino appeared as Heath's tag team partner, where they defeated VBD.\n\nChampionships and accomplishments\nImpact Wrestling\nImpact World Tag Team Championship (1 time)\n\nReferences\n\nExternal links \nViolent By Design's Impact Wrestling profile\nViolent By Design's profile at Cagematch.net\n\nImpact Wrestling teams and stables" ]

[ "Irving Thalberg", "Early years", "What year was he born?", "Thalberg was born in Brooklyn, to German Jewish immigrant parents,", "Who were his parents?", "Jewish immigrant parents, William and Henrietta (Haymann).", "Did he have any siblings?", "Shortly after birth, he was diagnosed with \"blue baby syndrome,\" caused by a congenital disease that limited the oxygen supply to his heart.", "Did this impact him at all in life?", "The prognosis from the family's doctor and specialists was that he might live to age twenty, or at most, age thirty." ]

[ "Where Did We Go Wrong may refer to:\n \"Where Did We Go Wrong\" (Dondria song), 2010\n \"Where Did We Go Wrong\" (Toni Braxton and Babyface song), 2013\n \"Where Did We Go Wrong\", a song by Petula Clark from the album My Love\n \"Where Did We Go Wrong\", a song by Diana Ross from the album Ross\n \"Where Did We Go Wrong\", a 1980 song by Frankie Valli", "California Concordia College existed in Oakland, California, United States from 1906 until 1973.\n\nAmong the presidents of California Concordia College was Johann Theodore Gotthold Brohm Jr.\n\nCalifornia Concordia College and the Academy of California College were located at 2365 Camden Street, Oakland, California. Some of the school buildings still exist at this location, but older buildings that housed the earlier classrooms and later the dormitories are gone. The site is now the location of the Spectrum Center Camden Campus, a provider of special education services.\n\nThe \"Academy\" was the official name for the high school. California Concordia was a six-year institution patterned after the German gymnasium. This provided four years of high school, plus two years of junior college. Years in the school took their names from Latin numbers and referred to the years to go before graduation. The classes were named:\n\n Sexta - 6 years to go; high school freshman\n Qunita - 5 years to go; high school sophomore\n Quarta - 4 years to go; high school junior\n Tertia - 3 years to go; high school senior\n Secunda - 2 years to go; college freshman\n Prima - 1 year to go; college sophomore\n\nThose in Sexta were usually hazed in a mild way by upperclassmen. In addition, those in Sexta were required to do a certain amount of clean-up work around the school, such as picking up trash.\n\nMost students, even high school freshmen, lived in dormitories. High school students were supervised by \"proctors\" (selected high school seniors in Tertia). High school students were required to study for two hours each night in their study rooms from 7:00 to 9:00 pm. Students could not leave their rooms for any reason without permission. This requirement came as quite a shock to those in Sexta (freshmen) on their first night, when they were caught and scolded by a proctor when they left their study room to go to the bathroom without permission. Seniors (those in Tertia) were allowed one night off where they did not need to be in their study hall.\n\nFrom 9:00 to 9:30 pm all students gathered for a chapel service. From 9:30 to 10 pm, high school students were free to roam, and sometimes went to the local Lucky Supermarket to purchase snacks. All high school students were required to be in bed with lights out by 10:00 pm. There were generally five students in each dormitory room. The room had two sections: a bedroom area and (across the hallway) another room for studying. Four beds, including at least one bunk bed, were in the bedroom, and four or five desks were in the study room\n\nA few interesting words used by Concordia students were \"fink\" and \"rack.\" To \"fink\" meant to \"sing like a canary\" or \"squeal.\" A student who finked told everything he knew about a misbehavior committed by another student. \"Rack\" was actually an official term used by proctors and administrators who lived on campus in the dormitories with students. When students misbehaved they were racked (punished). Proctors held a meeting once a week and decided which students, if any, deserved to be racked. If a student were racked, he might be forbidden from leaving the campus grounds, even during normal free time School hours were from 7:30 am to 3:30 pm. After 3:30 pm and until 7:00 pm, students could normally explore the local area surrounding the school, for example, to go to a local store to buy a snack. However, if a student were racked for the week, he could not do so.\n\nProctors made their rounds in the morning to make sure beds were made and inspected rooms in the evening to ensure that students were in bed by 10:00 pm. Often after the proctors left a room at night, the room lights would go back on and students enjoyed studying their National Geographic magazines. Student might be racked if they failed to make their beds or did not make them neatly enough.\n\nAlthough California Concordia College no longer exists, it does receive some recognition by Concordia University Irvine. This is also the location of its old academic records.\n\nSources\n\nExternal links \n Photos of old campus\n\nEducational institutions disestablished in 1973\nDefunct private universities and colleges in California\nEducational institutions established in 1906\n1906 establishments in California\n1973 disestablishments in California\nUniversities and colleges affiliated with the Lutheran Church–Missouri Synod" ]

[ "Irving Thalberg", "Early years", "What year was he born?", "Thalberg was born in Brooklyn, to German Jewish immigrant parents,", "Who were his parents?", "Jewish immigrant parents, William and Henrietta (Haymann).", "Did he have any siblings?", "Shortly after birth, he was diagnosed with \"blue baby syndrome,\" caused by a congenital disease that limited the oxygen supply to his heart.", "Did this impact him at all in life?", "The prognosis from the family's doctor and specialists was that he might live to age twenty, or at most, age thirty.", "Where did he go to school?", "During his high school years in Brooklyn, he began having attacks of chest pains, dizziness and fatigue. This affected his ability to study," ]

[ "Sogndal Folk High School () was a folk high school in Sogndal municipality, Norway.\n\nOne of the first of its kind in Norway, it was founded by Jakob Sverdrup, inspired by Grundtvigianism during his studies, in 1871. Sverdrup was initially headmaster, but following illness he first left the post to his brother Hersleb Sverdrup, then to Henrik Mohn Dahl.\n\nReferences \n\nFolk high schools in Norway\nEducation in Vestland\nEducational institutions established in 1871\n1871 establishments in Norway\nSogndal", "Neuraminidase inhibitors (NAIs) are a class of drugs which block the neuraminidase enzyme. They are a commonly used antiviral drug type against influenza. Viral neuraminidases are essential for influenza reproduction, facilitating viral budding from the host cell. Oseltamivir (Tamiflu), zanamivir (Relenza), laninamivir (Inavir), and peramivir belong to this class. Unlike the M2 inhibitors, which work only against the influenza A virus, NAIs act against both influenza A and influenza B.\n\nThe NAIs oseltamivir and zanamivir were approved in the US and Europe for treatment and prevention of influenza A and B. Peramivir acts by strongly binding to the neuraminidase of the influenza viruses and inhibits activation of neuraminidase much longer than oseltamivir or zanamivir. However, laninamivir in the cells is slowly released into the respiratory tract, resulting in long-lasting anti-influenza virus activity. Thus the mechanism of the long-lasting activity of laninamivir is basically different from that of peramivir.\n\nThe efficacy was highly debated in recent years. However, after the pandemic caused by H1N1 in 2009, the effectiveness of early treatment with neuraminidase inhibitors in reducing serious cases and deaths was reported in various countries.\n \nIn countries where influenza-like illness is treated using NAIs on a national level, statistical reports show a low fatality record for symptomatic illness because of the universal implementation of early treatment using this class of drugs. Although oseltamivir is widely used in these countries, there have been no outbreaks caused by oseltamivir-resistant viruses and also no serious illness caused by oseltamivir-resistant viruses has ever been reported. The United States Centers for Disease Control and Prevention continues to recommend the use of oseltamavir treatment for people at high risk for complications and the elderly and those at lower risk who present within 48 hours of first symptoms of infection.\n\nCommon side effects include nausea and vomiting. The abnormal behaviors of children after taking oseltamivir that have been reported may be an extension of delirium or hallucinations caused by influenza. It occurs in the early stages of the illness, such as within 48 hours after onset of the illness. Therefore, children with influenza are advised to be observed by their parents until 48 hours after the onset of the influenza illness, regardless of whether the child is treated with NAIs.\n\nSpecific neuraminidase inhibitors\nLaninamivir\nOseltamivir (Tamiflu)\nPeramivir (Rapivab)\nZanamivir (Relenza)\n\nStructures of the viral neuraminidase inhibitors in use\n\nNatural products\nCyanidin-3-sambubioside (extracted from black elderberry)\nCoptisine\nBerberine\n\nSee also \nDiscovery and development of neuraminidase inhibitors\n\nReferences\n\nExternal links\n\n \nCarbohydrate chemistry" ]

[ "Irving Thalberg", "Early years", "What year was he born?", "Thalberg was born in Brooklyn, to German Jewish immigrant parents,", "Who were his parents?", "Jewish immigrant parents, William and Henrietta (Haymann).", "Did he have any siblings?", "Shortly after birth, he was diagnosed with \"blue baby syndrome,\" caused by a congenital disease that limited the oxygen supply to his heart.", "Did this impact him at all in life?", "The prognosis from the family's doctor and specialists was that he might live to age twenty, or at most, age thirty.", "Where did he go to school?", "During his high school years in Brooklyn, he began having attacks of chest pains, dizziness and fatigue. This affected his ability to study,", "What caused his illness in high school?", "When he was 17, he contracted rheumatic fever, and was confined to bed for a year. His mother, Henrietta, to prevent him falling too far behind other students," ]

[ "This is a list of people associated with the New York University Graduate School of Arts and Science.\n\nNotable faculty\n\nAlumni\n(*did not graduate)\n\nNobel laureates\n\nPulitzer Prize winners\n\nOther\n\n(*did not graduate)\n\nReferences\n\nExternal links\nNew York University\n\nLists of people by university or college in New York City\n\nNew York University-related lists", "This is a list of notable alumni and students, from the University of Coimbra.\n\nAlumni\n\nNoted professors and lecturers\n\nNobel laureates\nEgas Moniz (1874–1955), physician and neurologist; 1949 Nobel Prize in Medicine or Physiology\n\nOthers\nJosé Bonifácio de Andrade e Silva (1763–1838), Brazilian statesman and naturalist\nFélix Avelar Brotero (1744–1828), botanist and professor\nGeorge Buchanan (1506–1582), a Scottish historian and humanist scholar, professor at the Colegio de la Artes\nLuís Wittnich Carrisso (1886-1937), botanist, professor\nAntónio Castanheira Neves (1929), legal philosopher and professor emeritus at the law faculty\nFernão Lopes de Castanheda (1500–1559), historian, bedel and archivist\nAndré de Gouveia (1497–1548), head teacher, humanist and pedagogue\nAlexandre Rodrigues Ferreira (1756–1815), naturalist\nEduardo Lourenço (born 1923), professor, essayist, critic, philosopher, and writer\nPedro Nunes (1502–1578), mathematician\nSidónio Pais (1872–1918), politician; President in 1918; military; professor of mathematics\nCarlos Mota Pinto (1936–1985), Prime Minister\nAntónio de Oliveira Salazar (1889–1970), politician; Prime Minister; Dictator of Portugal, 1932-1968\nFernando Távora (1923–2004), architect and professor\nDomenico Vandelli (1735–1816), Italian naturalist\n\nNoted attendees\nNoted persons who graduated from or otherwise attended the university include:\n\nZeca Afonso (1929–1987), singer, songwriter and poet; left-winger whose music is considered a symbol of the Carnation Revolution\nManuel Alegre (1936), poet; politician; member of the Socialist Party (did not graduate)\nAntónio José de Almeida (1866–1929), politician, President, founder of Lisbon and Porto universities\nNicolau Tolentino de Almeida (1740–1811), foremost Portuguese satirical poet of the 18th century\nJosé de Anchieta (1534–1597), jesuit missionary, apostle of Brazil, writer and poet\nJosé Alberto de Oliveira Anchieta (1832–1897), 19th century explorer and naturalist (did not graduate)\nLeão Ramos Ascensão (1903–1980), integralist politician and writer\nManuela Azevedo (1970), singer\nJoão Botelho (1949), film director (did not graduate)\nLuís de Almeida Braga, (1890–1970), integralist politician and writer\nTeófilo Braga (1843–1924), politician, President, writer and playwright\nLuís Vaz de Camões, (c. 1524–1580), considered Portugal's greatest poet (did not graduate)\nJorge Chaminé (b, 1956), baritone; Human Rights Medal from the UN; Goodwill Ambassador of Music in ME (Music in the Middle East)\nJosé Cid (1942), singer and composer (did not graduate)\nChristopher Clavius (1538–1612), German mathematician and astronomer; main architect of the modern Gregorian calendar\nNarana Coissoró (1933), lawyer and politician\nFausto Correia (1951–2007), politician; member of the Portuguese Parliament and the Government of Portugal; member of the Parliament of the European Union\nJoão de Deus (1830–1896), poet (did not graduate)\nBishop James Warren Doyle (1786–1834), Bishop of Kildare and Leighlin in Ireland, studied for his doctorate in combria\nVergílio Ferreira (1916–1996), writer and teacher\nArmindo Freitas-Magalhães (1966), psychologist and researcher, working on the psychology of the human smile\nAlmeida Garrett (1799–1854), romanticist and writer\nManuel Teixeira Gomes (1860–1941), political figure (did not graduate)\nRuy Luís Gomes (1905–1984), mathematician\nJoão Mário Grilo (1958), film director (did not graduate)\nMiguel Guedes (1972), musician, songwriter and singer\nGregório de Matos e Guerra (1636-1696), poet and lawyer\nBartolomeu de Gusmão (1685–1724), naturalist, recalled for his early work on lighter-than-air ship design\nArtur Jorge (1946), football coach and former football player (did not graduate at this university but at the University of Lisbon)\nGuerra Junqueiro (1850–1923), lawyer, politician, member of the Portuguese House of Representatives, journalist, author and poet\nValentim Loureiro (1938), military major, politician, mayor, former football club chairman (did not graduate)\nFábio Lucindo (1985-), Brazilian voice actor, best-known for his work in anime.\nBernardino Machado (1851–1944), politician, President\nMarquês de Pombal (1699–1782), Prime Minister to King Joseph I of Portugal throughout his reign\nAristides Sousa Mendes (1885–1954), diplomat, known for protecting European Jews as a consul in France during World War II against government orders\nLuís Marques Mendes, (1957), politician; former leader of the Social Democratic Party\nManoel da Nóbrega, (1517–1570), jesuit priest; first Provincial of the Society of Jesus in colonial Brazil; influential in the early history of Brazil; participated in the founding of several cities\nAntónio Nobre (1867–1900), poet (did not graduate)\nAdriano Correia de Oliveira (1942–1982), musician, famous singer and composer of politically engaged folk music in the 1960s-70s (did not graduate)\nCarlos de Oliveira (1921–1981), poet and novelist\nÁlvaro Santos Pereira (1972), economist and professor\nEça de Queiroz (1845–1900), novelist, one of the leading intellectuals of the Generation of 1870\nAntero de Quental (1842–1891), poet, philosopher, political activist\nJosé Hipólito Raposo (1885–1953), integralist politician and writer\nJosé Adriano Pequito Rebelo (1892–1983), integralist politician and writer\nMaria de Belém Roseira (1949), politician (member of the Socialist Party, former minister)\nAntónio de Almeida Santos (1926), politician and minister\nFernando Machado Soares (1930), fado singer, author, judge\nMiguel Torga, pseudonym of Adolfo Correia da Rocha (1907–1995), writer, poet and physician\nJoão Maria Tudela (1929), singer, musician and entertainer (did not graduate)\nSalgado Zenha (1923–1993), left-wing politician and lawyer\n\nReferences\n\nUniversity of Coimbra\n \nCoimbra, University of" ]

[ "Irving Thalberg", "Early years", "What year was he born?", "Thalberg was born in Brooklyn, to German Jewish immigrant parents,", "Who were his parents?", "Jewish immigrant parents, William and Henrietta (Haymann).", "Did he have any siblings?", "Shortly after birth, he was diagnosed with \"blue baby syndrome,\" caused by a congenital disease that limited the oxygen supply to his heart.", "Did this impact him at all in life?", "The prognosis from the family's doctor and specialists was that he might live to age twenty, or at most, age thirty.", "Where did he go to school?", "During his high school years in Brooklyn, he began having attacks of chest pains, dizziness and fatigue. This affected his ability to study,", "What caused his illness in high school?", "When he was 17, he contracted rheumatic fever, and was confined to bed for a year. His mother, Henrietta, to prevent him falling too far behind other students,", "Did he graduate?", "brought him homework from school, books, and tutors to teach him at home. She also hoped that the schoolwork and reading would distract him" ]

[ "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)", "David Quilter (born 11 June 1942) is an English actor who has made numerous appearances in British television plays and series since the mid-1960s.\n\nEarly life\nHe was born in Northwood, London, and attended Bryanston School, Dorset. \"My first inkling that it was possible to be a professional actor was when a boy at school got a scholarship to RADA,\" remembered Quilter. \"I never did any acting at school, which I slightly regret, but seeing him actually go off and train to be an actor, it made me realise that it was what I wanted to do.\"\n\nQuilter trained at Webber Douglas Academy of Dramatic Art in South Kensington and then joined weekly rep at Chesterfield in 1963. \"We did seven plays in eight weeks,\" he recalled. \"I then joined the RSC in 1964 to play very small parts in the complete history cycle.\"\n\nCareer\nHis television appearances include; Softly, Softly: Taskforce (1967), Some Mothers Do 'Ave 'Em (1973), Get Some In! (1975–78),The Bill (1990–97), Grange Hill (2000) as Mr Arnold, Silent Witness (2001–03) and Doctor Who (2008). He also appeared in the film The Battle of Britain (1969) as a pilot, All Creatures Great and Small (1988), Goldeneye (1989), Charles and Diana: Unhappily Ever After (1992) as the Duke of Edinburgh, and Jinnah (1998).\n\nReferences\n\nExternal links\n\n1942 births\nLiving people\nEnglish male film actors\nEnglish male television actors\nPeople from Northwood, London\nPeople educated at Bryanston School\nAlumni of the Webber Douglas Academy of Dramatic Art" ]

[ "Irving Thalberg", "Early years", "What year was he born?", "Thalberg was born in Brooklyn, to German Jewish immigrant parents,", "Who were his parents?", "Jewish immigrant parents, William and Henrietta (Haymann).", "Did he have any siblings?", "Shortly after birth, he was diagnosed with \"blue baby syndrome,\" caused by a congenital disease that limited the oxygen supply to his heart.", "Did this impact him at all in life?", "The prognosis from the family's doctor and specialists was that he might live to age twenty, or at most, age thirty.", "Where did he go to school?", "During his high school years in Brooklyn, he began having attacks of chest pains, dizziness and fatigue. This affected his ability to study,", "What caused his illness in high school?", "When he was 17, he contracted rheumatic fever, and was confined to bed for a year. His mother, Henrietta, to prevent him falling too far behind other students,", "Did he graduate?", "brought him homework from school, books, and tutors to teach him at home. She also hoped that the schoolwork and reading would distract him", "What did he do after school?", "When Thalberg returned to school, he finished high school but lacked the stamina for college, which he felt would have required constant late-night studying and cramming for exams." ]

[ "In ecology, a feeding frenzy occurs when predators are overwhelmed by the amount of prey available. The term is also used as an idiom in the English language.\n\nExamples in nature\nFor example, a large school of fish can cause nearby sharks, such as the lemon shark, to enter into a feeding frenzy. This can cause the sharks to go wild, biting anything that moves, including each other or anything else within biting range. Another functional explanation for feeding frenzy is competition amongst predators. This term is most often used when referring to sharks or piranhas.\n\nEnglish language uses\nIt has also been used as a term within journalism.\n\nThe term is occasionally used to describe a plethora of something. For instance, a 2016 Bloomburg News article is entitled: \"March Madness Is a Fantasy Sports Feeding Frenzy.\"\nIn economics the term can be used to describe the economics of the music industry, as large music companies acquired smaller music companies.\n\nSee also\n Bait ball\n Adage\n Comprehension of Idioms\n Idiom in English language\n Media feeding frenzy\n Phrasal verb\n Metaphor\n\nReferences\n\nEating behaviors\nIdioms\nAdages\n\nfr:Attaque de requin#La frénésie alimentaire", "In New England, a warrant is a document issued by the Board of Selectmen to call a town meeting.\n\nWarrants essentially list an agenda of items to be voted on by those present. In towns with an open town meeting, those present would consist of any and all registered voters in the town. In towns with a representative town meeting, anyone may attend, but only town meeting members (elected representatives) are allowed to vote.\n\nItems on the agenda generally vary significantly, from the annual operating budget of the town to adjustment of by-laws, and anything else that may legally come before the meeting.\n\nIn Massachusetts, residents may place articles on the warrant without approval by the Selectmen by petitioning to insert the same. Petitions to insert an article on the warrant for an Annual Town Meeting require ten signatures. Petitions to insert an article on the warrant for a Special Town Meeting require 100 signatures or the signatures of ten per cent of the registered voters in the town, whichever is less.\n\nNew England\nLocal government in Massachusetts" ]

[ "Irving Thalberg", "Early years", "What year was he born?", "Thalberg was born in Brooklyn, to German Jewish immigrant parents,", "Who were his parents?", "Jewish immigrant parents, William and Henrietta (Haymann).", "Did he have any siblings?", "Shortly after birth, he was diagnosed with \"blue baby syndrome,\" caused by a congenital disease that limited the oxygen supply to his heart.", "Did this impact him at all in life?", "The prognosis from the family's doctor and specialists was that he might live to age twenty, or at most, age thirty.", "Where did he go to school?", "During his high school years in Brooklyn, he began having attacks of chest pains, dizziness and fatigue. This affected his ability to study,", "What caused his illness in high school?", "When he was 17, he contracted rheumatic fever, and was confined to bed for a year. His mother, Henrietta, to prevent him falling too far behind other students,", "Did he graduate?", "brought him homework from school, books, and tutors to teach him at home. She also hoped that the schoolwork and reading would distract him", "What did he do after school?", "When Thalberg returned to school, he finished high school but lacked the stamina for college, which he felt would have required constant late-night studying and cramming for exams.", "anything else in this article?", "Instead, he took part-time jobs as a store clerk, and in the evenings, to gain some job skills, taught himself typing, shorthand and Spanish at a night vocational school." ]

[ "Archibald Livingstone (August 10, 1827 – October 10, 1890) was a merchant and politician in Ontario, Canada. He served as mayor of Kingston in 1871. His surname also appears as Livingston in some sources.\n\nThe son of Duncan Livingstone and Christina McPherson, both natives of Scotland, he was born in Montreal. At the age of 14, he began work as a store clerk in Montreal. In 1846, he moved to Kingston, where he worked as a clerk for John Mowat. Livingstone later bought the store, going into business on his own. He served on Kingston council for about twelve years. He also served as president of the local Board of Trade. In 1854, Livingstone married Selina Scobell.\n\nHe died in Kingston at the age of 63.\n\nReferences \n\n1827 births\n1890 deaths\nMayors of Kingston, Ontario", "The Blonde Around the Corner () is a 1984 Soviet romantic comedy directed by Vladimir Bortko. It tells the story of an astrophysicist who begins to work at a grocery store where he falls in love with a saleswoman. The film became Bortko's breakthrough.\n\nPlot\nFormer astrophysicist Nikolai Gavrilovich (Andrey Mironov) who spent fifteen years in a fruitless search for extraterrestrial life, neither aspiring or succeeding to acquire material wealth in life, by fate gets the post of a porter at a local self-service supermarket, where he falls in love with Nadezhda (Tatyana Dogileva), a cute blonde salesgirl of the gastronomic department, whom as it turned out, he saw every morning at the bus stop. She is also fond of him. It is immediately obvious that the businesslike and living below her means Nadezhda is the antithesis of Nikolai — she is practical, penetrating, knows all the \"right people\" (and she herself is such — due to her access to coveted food products). But at the same time she is a hopeless romantic and listens to Nikolai's stories about his scientific quests.\n\nCharming Nadezhda as a salesperson is a genuine authority on the \"real\" life, to which she seeks to involve Nikolai, and sincerely does not understand his stubborn opposition towards her efforts. But she has decided everything and has all planned out. However, unable to cope with his new status and in such an atmosphere, Nikolai runs away from his own wedding.\n\nAfter receiving a positive confirmation concerning his line of research, he returns to his old job and is leaving for a research trip to the Far North ... Nadezhda promises to get a radio telescope which is required for her beau's work, but is very difficult to obtain, and goes along with him.\n\nCast\n Tatyana Dogileva as Nadezhda, shopgirl\n Andrey Mironov as Nikolay Gavrilovich Poryvaev, scientist-astronomer\n Mark Prudkin as Gavrila Maksimovich, Nikolay's father\n Yevgeniya Khanayeva as Tatyana Vasilyevna, Nikolay's mother\n Yelena Solovey as Regina, Nikolay's former bride\n Anatoly Slivnikov as Gena 'Crocodile', Nadezhda's brother\n Baadur Tsuladze as Rashid Rashidovich, head of meat department store\n Anatoly Ravikovich as store clerk\n Aleksei Zharkov as store clerk (voice by Yevgeny Kindinov)\n Pavel Kadochnikov as Ogurtsov, scientist-astronomer, Nikolay's chief (voice by Igor Efimov)\n\nReferences\n\nExternal links\n\n1984 romantic comedy films\n1984 films\nFilms directed by Vladimir Bortko\nRussian-language films\nSoviet romantic comedy films\nSoviet films\nRussian romantic comedy films\nRussian films" ]

[ "Sakis Rouvas", "Kati Apo Mena, return to prominence and 21os Akatallilos (1998-2000)" ]

[ "The 1964 Lady Wigram Trophy was a motor race held at the Wigram Airfield Circuit on 18 January 1964. It was the thirteenth Lady Wigram Trophy to be held and was won by Bruce McLaren for the second year in succession in the Cooper T70. After having started eighth after a dismal performance in the preliminary heat, McLaren came through the pack to take the win in what he described as his greatest performance. Jack Brabham took second place after a strong performance throughout the weekend whilst Denny Hulme came home third after losing second on the final lap due to engine bearing issues.\n\nClassification\n\nReferences\n\nLady Wigram Trophy\nLady\nJanuary 1964 sports events in New Zealand", "Greatest Hits 1990–1992 is a compilation album by American country music artist Tanya Tucker. It was released by Liberty Records in April 1993, containing most of the singles from Tennessee Woman, What Do I Do with Me and Can't Run from Yourself (the Top 10 hit single \"Tell Me About It\" was omitted). No new material was recorded for the project. The album peaked at number 15 on the Top Country Albums chart and number 65 on the Billboard 200 and was certified Platinum by the RIAA.\n\nTrack listing\n\nChart performance\n\nReferences\n\n1993 greatest hits albums\nTanya Tucker albums\nLiberty Records compilation albums\nAlbums produced by Jerry Crutchfield" ]

[ "Sakis Rouvas", "Kati Apo Mena, return to prominence and 21os Akatallilos (1998-2000)", "What was his last greatest performance", "On 25 October 2000, he began appearing with Antonis Remos and Peggy Zina at Apollonas for the winter season." ]

[ "Florin Ristei (born Traian Florin Ristei; 29 August 1987) is a Romanian singer and television presenter. He was born in the city of Galați, Romania, but he currently lives in Bucharest. He is best known for his debut single, \"Dana\" (together with his former band, Amici) and for winning the third season of the X Factor Romania in 2013.\n\nIn 2012, Universal Pictures chose Ristei to sing the main songs the animated movie The Lorax, alongside Narcisa Suciu, and Nadia Comăneci who provide the Romanian version of the film.\n\nLife and career\n\n1987–2012: Early life, Amici and Marfar\nRistei attended the General School No. 10 from Galați. His teachers say that he excelled as a student; as a child he was very ambitious, but he also worked hard.\nHe was discovered in 1999 by Lucian Pintilie at a karaoke contest in Constanţa, held by Prima TV. Pintilie wanted to make a film together with Ristei, but after a year of trying, the project did not materialize. Ristei later became the lead singer of the band Amici. It was, at that time, the youngest pop-rock band in Romania. In 2000, they released the smash hit \"Dana\", with which they entered the national music charts. Together, they released 2 EPs, an album and appeared on a compilation.\nIn 2005, he joined the band Marfar. The band's biggest hit was \"Baby Marinaru'\" ()\n\n2012–present: FreeStay, X Factor and great national success\nIn 2012, Ristei formed the musical project FreeStay, which meant Ristei's return to the national music market. The project's debut song, \"Ea a fost Dana\" (), reached Romania's radio and TV stations. They participated on Romania's national selection for the Eurovision Song Contest 2013 with the song \"Criminal Mind\", placing 9th in the final.\n\nIn 2013, Ristei auditioned for the third season of the X Factor Romania talent show. His performances were highly appreciated by both the jury and the viewers, subsequently winning the competition.\n\nHe later released the songs \"Altfel de magie\" (), \"Cerșetori de iubire\" () and \"Trebuia să fii tu\" ().\n\nIn 2016, Ristei released the hit \"Las-o...\" () together with the rapper Vescan. The song reached number one on Romanian charts. This was followed by many collaborations with top-charting Romanian artists such as: What's Up for the song \"Facem ce vrem\" (), Andra for the song \"Între noi nu mai e nimic\" () and Smiley, who wrote the music and lyrics for the song \"Îmi place prietena ei\" ().\n\nIn 2017, he won the award for the Best Romanian Male Voice at the Radio Romania Awards gala.\n\nIn 2020, Ristei became a judge on the ninth season of the X Factor Romania, this way becoming the first ever X Factor Romania winner to ever become a judge later in the show.\n\nPersonal life\nFlorin is currently in a relationship with X Factor season 9 contestant Naomi Hedman, raising suspicions about backstage business. He is the first and only X Factor Romania judge to have ever become involved in a relationship with a contestant.\n\nAccolades\n\nDiscography\n\nAs featured artist\n\nWith Amici\n 2000: Dana (EP)\n 2000: Iernatik (Compilation)\n 2001: Fata blondă () (Album)\n 2003: ASL PLS (EP)\n\nReferences\n\nExternal links\n Official website\n\nLiving people\n1987 births\n21st-century Romanian male singers\nPeople from Galați", "Anthony Jasmin sometimes Anthony & Jasmin is a Danish pop duo who on 28 March 2014 won season 7 of the Danish version of X Factor in 2014. After Anthony Lopez and Jasmin Dahl were eliminated as solo artists at bootcamp, the duo was formed and mentored by Thomas Blachman. They reached the final and won against Lucy, mentored by Remee, becoming the first ever duo or group formation to win the Danish title.\n\nTheir debut single \"Do Ya\" topped Tracklisten, the official Danish Singles Chart immediately following their win. They were the first duo or group formation that won the Danish title. In June 2014, the duo released their EP Stick Together through Sony with tracks including the winning song \"Do Ya\" and the new title track single \"Stick Together\".\n\nOne of the duo, Anthony, competed in the Dansk Melodi Grand Prix 2017 with the song \"Smoke In My Eyes,\" but did not advance to the superfinal.\n\nMembers\nAnthony Jasmin is a duo named after the first names of its members. They are:\nAnthony Lopez, from Valby, 19 at time of application, student at CPH West school. Before X Factor, he had appeared with several smaller groups and released materials online through his YouTube channel. \nJasmin Dahl, from Høje Gladsaxe, 15 at time of application, student, mixed Faroe Islands / Sudanese origin\n\nPerformances during X Factor\n\nDiscography\n\nEPs\n2014: Stick Together\n\nSingles\n\nReferences\n\nDanish musical duos\nThe X Factor winners\nX Factor (Danish TV series) contestants\nYear of birth missing (living people)\nLiving people" ]

[ "Sakis Rouvas", "Kati Apo Mena, return to prominence and 21os Akatallilos (1998-2000)", "What was his last greatest performance", "On 25 October 2000, he began appearing with Antonis Remos and Peggy Zina at Apollonas for the winter season.", "Did health ever play a factor in his performances", "During May rehearsals for summer performances Rouvas was hospitalized with abdominal pain, which was diagnosed as peritonitis and required an appendectomy." ]

[ "Cold pasteurization may refer to:\n\nPascalization, a method of preserving and sterilizing food, in which a product is processed under very high pressure\nFood irradiation, exposing foodstuffs to ionizing radiation to preserve food, reduce the risk of food borne illness, prevent the spread of pests, delay or eliminate sprouting or ripening, increase juice yield, or improve re-hydration\nAny of various other non-thermal methods, see Pasteurization Novel pasteurization methods", "Convalescence is the gradual recovery of health and strength after illness or injury. It refers to the later stage of an infectious disease or illness when the patient recovers and returns to previous health, but may continue to be a source of infection to others even if feeling better. In this sense, \"recovery\" can be considered a synonymous term. This also sometimes includes patient care after a major surgery, under which they are required to visit the doctor for regular check-ups.\n\nConvalescent care facilities are sometimes recognized by the acronym TCF (Transitional Convalescent Facilities).\n\nSee also \n Rehabilitation, therapy to control a medical condition such as an addiction\n Recuperation (recovery), a period of physical or mental recovery\n Recuperation (sociology), a sociological concept\n Relapse, reappearance of symptoms\n Remission, absence of symptoms in chronic diseases\n\nReferences\n\nExternal links \n \n\nHealth care\nMedical phenomena" ]

[ "Sakis Rouvas", "Kati Apo Mena, return to prominence and 21os Akatallilos (1998-2000)", "What was his last greatest performance", "On 25 October 2000, he began appearing with Antonis Remos and Peggy Zina at Apollonas for the winter season.", "Did health ever play a factor in his performances", "During May rehearsals for summer performances Rouvas was hospitalized with abdominal pain, which was diagnosed as peritonitis and required an appendectomy.", "Did his recovery or illness delay any prior engagements", "I don't know." ]

[ "\"Flowers of Romance\" is a song by Public Image Ltd. It reached number twenty four on the UK Singles Chart. The 12\" extended version of the song is actually two songs counted as one track: the single version of the song followed by an instrumental version of it.\n\n\"Listening to that again reminded me of coming out of jail [after being arrested for alleged assault in 1980],\" John Lydon told Select in 1990. \"That's when I recorded it. I left Dublin and went straight into the studio for two weeks solid: slept there, did everything myself, practically. No band; couldn't find Keith; more of less had to engineer the bloody thing myself cos the engineer there ran out going, 'That's impossible – you can't do that!' I did it. That particular song, I timed how long it would take me to turn the tape on, run into the studio and turn it all off. I had to rehearse that about 20 bloody times before I got it right!\"\n\nWriting in 2002, writer Garry Mulholland described the song as \"the strangest chart record of the last 25 years, maybe ever.\"\n\nNME ranked it the 41st best single of the year.\n\nTrack listing\n7\" vinyl \n\"Flowers of Romance\" – 2:50\n\"Home Is Where the Heart Is\" – 7:33\n\n12\" vinyl \n\"Flowers of Romance (Extended Version)\" - 5:40\n\"Home Is Where the Heart Is\" – 7:33\n\nChart performance\n\nReferences\n\n1981 singles\nPublic Image Ltd songs\nSongs written by John Lydon\nSong recordings produced by Nick Launay\n1980 songs\nVirgin Records singles\nSongs written by Keith Levene", "\"The Greatest Romance Ever Sold\" is a song recorded by American musician Prince, under his unpronounceable stage name called the \"Love Symbol\". It was released as the only single from his twenty-third studio album Rave Un2 the Joy Fantastic (1999). It was issued on October 5, 1999, in several different formats, including a 12-inch single, CD single, and a maxi single. Prince solely wrote and produced it, while Mike Scott provided guitar strings for the track. Several music critics found the single reminiscent to the works on his previous studio album, Diamonds and Pearls (1991).\n\nThe track is a smooth hip hop and soul ballad, featuring Prince's multi-layered vocals in the chorus. A B-side remix of the single entitled \"Adam and Eve\", featured a guest rap from Eve, while the Neptunes remix featured a guest rap from Q-Tip. The former version was included on Prince's first remix album, Rave In2 the Joy Fantastic (2001). The single became a minor hit, peaking at number 63 on the Billboard Hot 100. An accompanying music video was created shortly after Rave Un2 the Joy Fantastic became available for purchase.\n\nComposition and release \nMusically, \"The Greatest Romance Ever Sold\" is a smooth hip hop and soul ballad, unlike his previous pop music efforts. It was solely written and produced by Prince himself. The singer uses multi-layered vocals, a deep falsetto, and a downtempo melody throughout its chorus. The album version of the single has a duration of five minutes and twenty-nine seconds, while the radio edit lasts for four minutes and thirty seconds.\n\nSeveral different physical releases of the single occurred shortly after its release on October 5, 1999, as it was marketed as Prince's \"comeback\" song. A 12\" included eight different versions of the song, including the radio edit, the album version, the \"Adam & Eve\" remix, plus five additional remixes. The US CD single included the radio edit and Jason Nevins Remix of the track, plus a ten-second \"Call Out Research Hook\". Also, the Spanish CD single only contained the radio edit of the song.\n\nReception\n\nCritical reception \nThe track was generally well received by music critics. Nathan Rabin of The A.V. Club said \"[it] is more Diamonds and Pearls good than Sign O' the Times great.\" Chuck Taylor, a columnist for Billboard, called the single \"entirely satisfying\" and appreciated it for being unlike other songs on the radio. Entertainment Weeklys Chris Willman enjoyed the recording's seductiveness and its overall production. Alexis Petridis from The Guardian wrote in his retrospective review, \"By the end of the 90s, Prince obviously wanted commercial success again. The album Rave Un2 the Joy Fantastic came packed with guest appearances; the smooth hip-hop-soul balladry of The Greatest Romance Ever Sold was a good indication of its musical style. It wasn't a bad song, but the sense Prince was following trends rather than going his own way was hard to avoid.\" Toure from Rolling Stone was mixed in his review, stating that it \"sound[ed] like [a] refugee from Diamonds and Pearls, the least-great of Prince's great records\".\n\nCommercial reception \nAfter its release, \"The Greatest Romance Ever Sold\" was moderately successful. The single peaked at number sixty-three on the Billboard Hot 100, becoming Prince's highest peaking song on the chart since \"I Hate U\" (1995). The song also fared well on the Hot R&B/Hip-Hop Songs component chart, where it peaked at number twenty-three and lasting a total of twenty weeks on the chart. Elsewhere, the track peaked in the lower regions of several charts. In the United Kingdom, it peaked at position sixty-five, during February 2000. It also charted in Germany and the Netherlands, peaking at numbers seventy-nine and seventy-one, respectively.\n\nPromotion \nAn accompanying music video for the song was produced and created in late 1999. The visual features the singer performing in a dark room with several other female dancers; for the final segment of the video, Prince stands in front of a bullseye backdrop and a waterfall. In terms of live performances, the singer sang \"The Greatest Romance Ever Sold\" for his direct to video VHS film Rave Un2 the Year 2000. The aforementioned rendition was recorded live on December 31, 1999 from Paisley Park Studios.\n\nTrack listings and formats \n\nUS CD single\n \"The Greatest Romance Ever Sold\" (Jason Nevins Remix Edit) – 3:36\n \"The Greatest Romance Ever Sold\" (Original Radio Edit) – 4:19\n \"The Greatest Romance Ever Sold\" (Call Out Research Hook) – 0:10\n\nUS vinyl single\nA1 \"The Greatest Romance Ever Sold\" (Album Version) – 5:30\nA2 \"The Greatest Romance Ever Sold\" (Radio Edit) – 4:30\nB1 \"The Greatest Romance Ever Sold\" (Adam & Eve Remix, featuring Eve) – 4:28\nB2 \"The Greatest Romance Ever Sold\" (Radio Edit, featuring Eve) – 4:32\n\nSpanish CD single\n \"The Greatest Romance Ever Sold\" – 4:26\n\nEuropean CD single\n \"The Greatest Romance Ever Sold\" (Radio Edit) – 4:30\n \"The Greatest Romance Ever Sold\" (The Adam & Eve Remix, featuring Eve) – 4:28\n\nUS and European 12\" single\nA1 \"The Greatest Romance Ever Sold\" (Radio Edit) – 4:32\nA2 \"The Greatest Romance Ever Sold\" (Jason Nevins Romance Beats) – 6:03\nB1 \"The Greatest Romance Ever Sold\" (Neptunes Extended Edit, featuring Q-Tip) – 5:08\nB2 \"The Greatest Romance Ever Sold\" (Jason Nevins Remix Edit) – 3:36\nC1 \"The Greatest Romance Ever Sold\" (Adam & Eve Mix, featuring Eve) – 4:30\nC2 \"The Greatest Romance Ever Sold\" (Album Version) – 5:29\nD1 \"The Greatest Romance Ever Sold\" (Jason Nevins Extended Mix) – 6:41\nD2 \"The Greatest Romance Ever Sold\" (Neptunes Remix Edit, featuring Q-Tip) – 3:42\n\nCredits and personnel \nCredits adapted from Rave Un2 the Joy Fantastic liner notes\n Prince – vocals, instruments, lyrics, production\n Eve – guest vocals\n Q-Tip – guest vocals\n Mike Scott – guitar\n\nCharts\n\nReferences \n\nPrince (musician) songs\n1999 singles\n1990s ballads\nSongs written by Prince (musician)\nSoul ballads\nNPG Records singles\nArista Records singles\nSong recordings produced by Prince (musician)\n1999 songs" ]

[ "Sakis Rouvas", "Kati Apo Mena, return to prominence and 21os Akatallilos (1998-2000)", "What was his last greatest performance", "On 25 October 2000, he began appearing with Antonis Remos and Peggy Zina at Apollonas for the winter season.", "Did health ever play a factor in his performances", "During May rehearsals for summer performances Rouvas was hospitalized with abdominal pain, which was diagnosed as peritonitis and required an appendectomy.", "Did his recovery or illness delay any prior engagements", "I don't know.", "Did he ever find romance", "I don't know." ]

[ "The Tour That Didn't Tour Tour...Now On Tour was a comedy tour by British stand-up comedian Peter Kay. Announced in November 2009, Kay said he would be playing four dates at Manchester Arena, which was later extended to 20 nights in April and May 2010, with a tour entitled The Tour That Doesn't Tour Tour. The reason Kay was restricting the tour to Manchester was so he could be close to his family. During an interview with Jonathan Ross, Kay announced that due to high demand for tickets, he would extend and rename it to The Tour That Doesn't Tour Tour...Now On Tour, taking place in November 2010 and April 2011. The tour was staged at the Manchester Arena, The O2 Arena, London, The O2 Arena, Dublin, The Odyssey Arena, Belfast, Cardiff International Arena, SSE Hydro, Glasgow, the Sheffield Arena, the Resorts World Arena, Birmingham, the Utilita Arena Newcastle, and the Liverpool Arena before returning to Manchester.\n\nSinger Rick Astley appeared as a warm-up act in all April and May 2010 dates of the tour, performing various hits including his own.\n\nAll shows completely sold out with over 750,000 tickets sold.\n\nOn 4 November 2010, extra shows were announced for London, Manchester and Birmingham.\n\nIt was announced on 12 November that a sixth show was to be added to the O2 in Dublin, with all proceeds going to the Irish Autism Action.\n\nExtra shows were added for Belfast, Sheffield, Nottingham, Newcastle and London on 24 November.\n\nRecords\nLongest individual run at the Manchester Arena performing 20 nights.\nFirst ever stand-up comedian to play 15 sold out nights at The O2, London.\nThe only British artist to ever play 20 consecutive nights at an arena.\nOver one million tickets sold in arenas across the UK and Ireland, making it the biggest stand-up comedy tour in the world.\n\nNumber of shows\n Manchester – Manchester Arena – 40 Shows – Most consecutive nights at venue with 20. \n London – O2 Arena – 15 Shows – Most show by a comedian at venue. \n Dublin – O2 – 6 Shows – Most show by a comedian, most consecutive show by a single artist at venue.\n Belfast – Odyssey Arena – 8 shows \n Cardiff – International Arena – 5 Shows \n Liverpool – Echo Arena – 5 Shows \n Glasgow – SECC – 5 Shows \n Newcastle – Metro Radio Arena – 8 Shows \n Nottingham – Trent FM Arena – 3 Shows \n Birmingham – LG Arena/NIA – 10 Shows, 5 in LG Arena & 5 in NIA \n Sheffield – Motorpoint Arena – 8 Shows\n\nReferences\n\nExternal links\n Official Website\n Ticketmaster UK\n Ticketmaster Ireland\n\nComedy tours", "With This Ring (originally known as Happily Ever After) was a prime time panel show aired by the DuMont Television Network on Sundays from January 21, 1951, to March 11, 1951.\n\nThe show featured engaged white, opposite-sex couples discussing marriage and marital problems. The show was initially hosted by Bill Slater, but the show quickly changed hosts to Martin Gabel, then left the air. Beatrice Straight appeared on at least one episode.\n\nThis show is not related in any way to a 15-minute syndicated program of the same name that aired weekly (usually on Sundays) on local stations throughout the U.S. for about 25 years beginning in the early 1970s. The latter program was a Roman Catholic-produced show concerning the church's doctrinal and moral positions on marriage and family life, and was produced at WJBK-TV in Detroit.\n\nSee also\nList of programs broadcast by the DuMont Television Network\nList of surviving DuMont Television Network broadcasts\n\nReferences\n\nBibliography\nDavid Weinstein, The Forgotten Network: DuMont and the Birth of American Television (Philadelphia: Temple University Press, 2004) \nAlex McNeil, Total Television, Fourth edition (New York: Penguin Books, 1980) \nTim Brooks and Earle Marsh, The Complete Directory to Prime Time Network TV Shows, Third edition (New York: Ballantine Books, 1964)\n\nExternal links\nWith This Ring at IMDB\nDuMont historical website\n\nDuMont Television Network original programming\n1950s American game shows\n1951 American television series debuts\n1951 American television series endings\nBlack-and-white American television shows\nLost television shows" ]

[ "Jack London", "Socialism" ]

[ "Revolution and Other Essays is a collection of 13 Jack London essays and stories published in 1910 by The Macmillan Company. The collection includes fictional stories and essays. Most, but not all, of its contents concern socialism and injustice.\n\nContents\n\"Revolution\", the first essay in the book, extols Jack London's renunciation of Capitalism in favor of Socialism. Contents include: \"Revolution\", \"The Somnambulists\", \"The Dignity of Dollars\", \"Goliah\", \"The Golden Poppy\", \"The Shrinkage of the Planet\", \"The House Beautiful\", \"The Gold Hunters of the North\", \"Fomá Gordyéeff\", \"These Bones Shall Rise Again\", \"The Other Animals\", \"The Yellow Peril\", and \"What Life Means to Me\". It was reprinted in 1912 as part of the Macmillan Standard Library series.\n\n\"Goliah\" was originally published in 1908 in Red Magazine and was also published by Thorp Springs Press in 1974. It depicts a society transformed.\n\nReviews\nThe book was reviewed overall favorably by the Tampa Times in 1910, though the reviewer was less pleased with the namesake essay.\n\nReferences\n\nEssay anthologies\nShort story collections\nBooks by Jack London", "Third World socialism is a political philosophy and variant of socialism that has been proposed by Michel Aflaq, Salah al-Din al-Bitar, Zulfikar Ali Bhutto, Buddhadasa, Fidel Castro, Muammar Gaddafi, Saddam Hussein, Modibo Keïta, Walter Lini, Gamal Abdel Nasser, Jawaharlal Nehru, Kwame Nkrumah, Julius Nyerere, Sukarno, Ahmed Sékou Touré and other socialist leaders of the Third World who saw socialism as the answer to a strong and developed nation.\n\nThird World socialism is made up of African socialism, Arab socialism, Buddhist socialism, Islamic socialism, Melanesian socialism, Nasserism and Nehruism. Gaddafi's version was more inspired in the ideas of Arab nationalism, direct democracy, strongman politics and national liberation struggle while Bhutto's was more Western-aligned and resembled, allied and inspired itself in the ideas of Western democratic socialism/social democracy and had membership in the Socialist International.\n\nIn the 21st century, the pink tide, with its anti-Americanism, connection with the less developed Eastern Europe, a unity and sense of underdevelopment among developing countries and pro-Arabism, is a new kind of Third World socialism, of which Latin American socialism of the 21st century take part as an ideologically specific form of Third Worldism.\n\nAfrican socialism \nThe leaders of African socialism were Julius Nyerere, first president of Tanzania after the independence, who coined the concept of Ujamaa and collectivized the land; Kwame Nkrumah, first president of Ghana, who was one of the fathers of the Non-Aligned Movement, praised state planning policies like the five-year plans and an agency for the regulation of cocoa exports and in several political speeches and writings developed his theory of \nAfrican socialism; Modibo Keïta, father of Mali; and Ahmed Sékou Touré, father of Guinea.\n\nArab socialism \nThe main figures of Arab socialism are Gamal Abdel Nasser, first president of Egypt, who nationalized the Suez Canal, and the Ba'ath Party, founded in Syria by Michel Aflaq, which gained popularity in the whole Arab world and reached the government in Syria (until present) and Iraq (until 2003).\n\nMiddle Eastern socialism \nIran experienced a short Third World socialism period at the zenith of the Tudeh Party after the abdication of Reza Shah and his replacement by his son, Mohammad Reza Pahlavi (though the party never rose to power). After failing to reach power, this form of third world socialism was replaced by Mosaddegh's populist, non-aligned Iranian nationalism of the National Front party as the main anti-monarchy force in Iran, reaching power (1949–1953), and it remained with that strength even in opposition (after the overthrow of Mossadegh) until the rise of Islamism and the Iranian Revolution. The Tudehs have moved towards basic socialist communism since then.\n\nKemalism can very arguably be added to the list, as it appeared before the notion of Third World was created in post-World War II, it added populism to the equation (something not all Third World socialists did; Nasser and Nkrumah, for example, did) and Turkey is more developed than the typical notion of a Third World country, but as it was used as a model of government after the Turkish War of Independence to rebuild Turkey and recover it from the underdevelopment of the Ottoman Empire, creating a strong nation in face of the prospect of European colonialism, it can be considered as reaching the templates of a Third World socialism movement. From the 1960s onwards, Third World socialist and Third Worldist thought influenced left-Kemalism.\n\nThe Kemalist experiment, Fabian socialism and social democracy in general and the main Third World communist country, the People's Republic of China, were big influences on the movement. Despite being inspired by social democracy, most of these states were affected in one time or the other by strongmen or big man leaders or one-party systems. In any case, most Third World socialist states are followers of social democratic reformism (normally state-guided), preferring it to revolution, although some adopted a kind of permanent revolution stance on the social progress to a socialist society.\n\nLatin American socialism \nMany Latin American thinkers argued that the United States used Latin American countries as \"peripheral economies\" at the expense of Latin American social and economic development, which many saw as an extension of neo-colonialism and neo-imperialism. This shift in thinking led to a surge of dialogue related to how Latin America could assert its social and economic independence from the United States. Many scholars argued that a shift to socialism could help liberate Latin America from this conflict.\n\nThe New Left emerged in Latin America, a group which sought to go beyond existing Marxist–Leninist efforts at achieving economic equality and democracy to include social reform and address issues unique to Latin America such as racial and ethnic equality, indigenous rights and environmental issues. Notable New Left movements in Latin America include the Cuban Revolution of 1959, the victory of the Sandinista revolution in Nicaragua of 1979, the Workers' Party government in Porto Alegre of 1990, among others.\n\nBecause of its close proximity and strong historical connection to the United States, Cuba served an integral role in spreading socialism to the rest of Latin America. Che Guevara described Cuba as \"a guiding light\" to Latin American countries caught in conflict between imperialism and socialism. In Guevara's speech \"On Revolutionary Medicine\", he recounts his travels through Latin America and the misery, hunger and disease he witnessed and explained how a shift to socialism could help alleviate these struggles. As part of the New Left, Fidel Castro and Che Guevara implemented leftist politics in Cuba while incorporating policies aimed at addressing social issues. Cuban officials intended for Cuba to spur similar leftist revolutions in the rest of Latin America, what he saw as a common \"liberation struggle\", in countries like Venezuela, Bolivia and Nicaragua.\n\nIn the case of Juan Perón, elected president of Argentina on three times, the Third World socialist stance was a more radical variation of populism which aligned itself with the Third World and the Non-Aligned Movement (what Perón called \"the third position\"), with a significant state intervention for development such as five-year plans, the nationalization of railways, ports and banks, the creation of an agency to regulate grain exports (the IAPI) and the establishment of a modern welfare state. Despite his progressive policies, Perón did not define himself or his doctrine as \"socialist\" during his first presidencies (1946–1952 and 1952–1955), but he did later during his exile and during his third presidency (1973–1974) when he coined the term \"national socialism\", sort of an Argentine way to socialism, which he described as a social democracy mainly modeled after the \"Swedish model\" and also inspired by other non-aligned, Third World socialist models such as Christian socialism, Nasserism and the corporatist policies of European 1920s, 1930s and 1940s fascism.\n\nSee also \n Maoism (Third Worldism)\n Non-Aligned Movement\n Third Positionism\n Third-Worldism\n Three Worlds Theory\n\nReferences\n\nExternal links \n Economic Reform and Third-World Socialism: A Political Economy of Food Policy in Post-Revolutionary Societies.\n\nNon-Aligned Movement\nPolitical ideologies\nThird-Worldism\nTypes of socialism\nImperialism studies" ]

[ "Jack London", "Socialism", "what part did jack have in socialism?", "London joined the Socialist Labor Party in April 1896." ]

[ "Hermann Nuding (3 July 1902 in Oberurbach – 30 May 1966 in Stuttgart) was a German politician, political party official (KPD) and, after 1945, an opponent of German re-armament.\n\nLife\n\nEarly years\nNuding was born in a small town some 35 km (18 miles) to the east of Stuttgart early on in the twentieth century. His father was a factory worker. An early ambition to become a teacher was thwarted by the outbreak of war when he was twelve. After leaving school in 1916 he started an apprenticeship for work in the leather and tannery industry. In 1918 he joined the German Leather workers' Trades Union and the Spartacus League which shortly thereafter became the German Communist Party (KPD) In 1919 he joined the Young Communists and became a founding member of the regional Communist Party group in Württemberg and chairman of the KPD in his home town, Oberurbach. He joined the Regional leadership of the Württemberg Young Communists in 1920. He toi pursue an active political career in the German communist party, which included an extended period in Moscow during 1927/28 attending the International Lenin School.\n\nExile\nIn January 1933 the NSDAP (Nazi party) took power and lost no time in embarking on the creation of a one party state in Germany. Hermann Nuding was arrested in February 1933 and remained in \"protective custody\" till the start of July 1934 when he emigrated initially to Switzerland, subsequently also spending more time in Moscow. In 1935 he participated, using the pseudonym \"Claus Degeb\" in the party's Brussels conference and then in 1935/36 worked from his base in Zurich with the illegal Communist Party across the German border in Württemberg. During the second part of the 1930s he continued to work for the German Communist Party, based for some of the period in Belgium.\n\nIn 1937 Hermann Nuding and Herbert Wehner were jointly commissioned by the Comintern leadership to compose a diatribe entitled \"Trotskyism and Fascism\". Leon Trotsky had at one time been seen by many as a likely successor of Lenin and was, by the 1930s, exiled from the Soviet Union and being systematically excoriated by the Soviet leadership and its supporters internationally.\n\nLike many exiled German communists, by the time war broke out in 1939 he was based in France, and during 1939/1940 he was interned at Gurs. On his release he settled down to a life as a small farmer in the south of France using, appropriately, the pseudonym \"Jean Bauer\". During the early 1940s he worked illegally with both the French Resistance and the Soviet sponsored National Committee for a Free Germany.\n\nPeace breaks out\nAfter the war ended Nuding returned, in October 1945, to his home region in what remained of Germany. The northern part of Württemberg, including Stuttgart was now in the US occupation zone and formed a part of Württemberg-Baden, a state formed by the occupation forces to accommodate the division of south western German between the US military and the French military. Nuding set about rebuilding the Communist Party in Stuttgart and the surrounding region.\n\nIn 1946 he became a member of the provisional regional parliament for Württemberg-Baden and then for its successor assembly, established by the US Military administration. At this point he represented the newly formed SED (party) which had been set up in the Soviet occupation zone, although he would soon revert to the Communist Party when it became apparent that there was no future role for the SED outside that part of Germany controlled by the Soviet military.\n\nBy 1949 it was becoming apparent that West Germany and East Germany were developing as separate states, and in August 1949 Nuding was one of the fifteen Communist members of the national Bundestag, located provisionally in Bonn. He remained a member till resigning ostensibly on health grounds on 20 April 1951. Until July 1950 he spoke in the chamber on behalf of the Communist party, but by that time his expulsion from the Communist Party had already been proposed back in September 1949 by Walter Ulbricht, the leader of the newly emerging Soviet backed German Democratic Republic.\n\nDisgrace and Expulsion from The Party\nAt the end of April 1945 thirty German communists, grouped in three teams of ten, arrived in what was becoming the Soviet occupation zone in Germany. The men, led by Walter Ulbricht, had spent the war years in Moscow: as matters turned, out they had used their years in exile to formulate a clear nation-building program for what would become the German Democratic Republic. German communists who had spent the war somewhere other in the Soviet Union did not necessarily share the objectives or strategy of the Ulbricht Group and during the later 1940s tensions between the Communist Party's leaders in the Bundestag, based in West Germany, and the men now governing East Germany, became increasingly apparent. In June 1950, at the Communist Party's sixteenth party conference, Nuding was condemned as the party's leading opportunist and the next month, in July 1950 he was stripped of party functions. It was reported in October 1950 that despite being seriously ill he had rejected an \"urgent recommendation\" to relocate to the German Democratic Republic. His resignation from the German Bundestag on health grounds in April 1951 came as the result of an instruction received from the Berlin-based SED (party).\n\nThe underlying differences that led to his resignation were numerous. Issues that triggered his disgrace by the Communist Party included his rejection of the Communist Party's official opposition to the German Trades Union Confederation (founded in Munich in 1949) and his further rejection of the party line that in the event of a war between the Soviet Union and her (former) western allies, the German Communists should actively support the Soviet Union. More generally, while there was unanimity between Nuding and the German Communist Party in opposing German rearmament in respect of West Germany, Nuding also held that rearmament of East Germany was similarly unacceptable: this was at variance with the strategy of the Ulbricht government and their Soviet backers.\n\nDespite his exclusion from his party posts, Hermann Nuding continued to be listed as a party official till May 1955. He was excluded from party membership only on 17 August 1956, although even after this he continued to be consulted by party officials on political and trades union matters.\n\nPersonal\nHermann Nuding was married twice. His first marriage to Paula Kopp lasted from 1923 till 1947. Paula then, in 1947, married Hans Rueß, and so is frequently identified in sources as Paula Rueß. Hermann Nuding's second marriage to Helene took place in 1957. Neither marriage gave rise to surviving children.\n\nHermann Nuding himself spent his final years in poor health as a pensioner in Luginsland (Stuttgart) where he died in December 1966.\n\nReferences\n\nGerman resistance to Nazism\nPeople condemned by Nazi courts\nExiles from Nazi Germany\nMembers of the Landtag of Baden-Württemberg\nCommunist Party of Germany politicians\n1902 births\n1966 deaths", "Karl Grönsfelder (18 January 1882 – 20 February 1964) was a Bavarian political activist and politician (KPD).\n\nWhen the Communist party was briefly banned in 1923/24, his activism earned him a period in \"protective custody\" in June 1924. A longer period of detention followed the Nazi take-over in 1933. After 1945 Grönsfelder returned to political activism, despite being marginalised and expelled (not for the first time) from the Communist Party in 1949.\n\nLife\n\nProvenance and early years\nKarl Grönsfelder was born in Frankfurt am Main. His parents were in service, his father as a coachman and his mother as a cook. He was brought up by his grandparents in Bartenstein, a small town remotely located in the hills between Heidelberg and Nuremberg. He acquired what was in most respects a basic education at the village school, also receiving training as a mechanic. Between 1900 and 1903 he worked as an itinerant mechanic, taking in Frankfurt, Düsseldorf, Siegburg, Krefeld and Cologne. In 1903 Grönsfelder settled in Nuremberg, which is where he would live for the rest of his life.\n\nNuremberg and socialist politics\nNuremberg was a booming industrial city and a bastion of Germany's increasingly assertive labour movement. In 1908 Grönsfelder joined the Social Democratic Party (\"Sozialdemokratische Partei Deutschlands\" / SPD). It was also in 1908 that he joined the Metal Workers' Union. Between 1910 and 1913 he was a member of a political circle of \"young comrades\" who studied socialist literature and backed the charismatic socialist philosopher-activist Rosa Luxemburg. During a period when the political left was buzzing with shifting thought patterns and alliances, he tended as a young man to find himself at the more extreme end of the party spectrum, and critical of what he would have identified as Bernstein revisionism. During the war years, between 1914 and 1918, his mechanical skills were much in demand.\n\nParty splits\nThe decision in 1914 of the SPD leadership to accept what amounted to a political truce for the duration of the war became progressively more contentious within the party because of the industrial scale of the slaughter on the front and the destitution inflicted on the civilian population at home. In 1917 the party split apart, primarily over whether or not to continue to back parliamentary votes to fund the war. Grönsfelder was a member of the breakaway group that became the Independent Social Democratic Party (Unabhängige Sozialdemokratische Partei Deutschlands / USPD). Two years later, as the USPD itself broke up, he was a founder member in Nuremberg of the German Communist Party. Within the party he was an outspoken advocate, notably in respect of trades union matters. In 1920 the membership at Nuremberg's huge MAN truck plant elected him to the works council. Within the party he was a member of the regional leadership (Berzirksleitung), serving as chairman of it between 1921 and 1924. He represented the Nuremberg Communists at party conferences nationally, and, in the case of the Comintern Third World Congress held in Moscow in June 1921, internationally. In 1923, Grönsfelder was appointed to the party's Trades Union Commission and, at the same time, elected a member of the national party executive committee.\n\nParty activism and Landtag membership\nOn 19 December 1923 he succeeded as a communist member in the Bavarian Parliament (Landtag) after Eisenberger took a job in Moscow with the Comintern. Grönsfelder would continue to sit as a member till 1928. However, as economic destitution in the country spilled into violence the Communist Party was banned for several months at the end of 1923, and Grönsfelder, who continued with his party work, was arrested in June 1924 and, despite the parliamentary immunity which membership of the legislature should have conferred, briefly held in \"protective custody\". He was nevertheless released in time to participate in the regional elections of 1924 in which he was re-elected.\n\nIn 1925 he was combining his parliamentary work with work as ab party instructor for the Augsburg sub-district. In 1926 he became regional secretary and, after 1928, secretary for trades union matters in the North Bavaria regional leadership.\n\nParty split\nThe death of Lenin early in 1924 opened the way for a lengthy and wide-ranging power struggle in the Soviet Communist Party. Savage factionalism in Moscow found its direct counterpart in the German Communist Party. By 1929 most party members in Moscow who might have constituted a threat to Stalin's agenda had been removed from positions of power and influence, while the German party was under the increasingly tight control of the hardline Stalinist faction around Ernst Thälmann. Within the party there was growing apprehension at the rise of the National Socialist Workers' (Nazi) Party, and there were those who advocated collaboration with the SPD in order more effectively to resist the Nazi tide. Stalin, his strategic vision honed by the Russian Civil War, was uncompromising in opposing any collaboration with the SPD, and the German party leadership under Thälmann took the same position, rejecting the idea of any compromise with the \"Social Fascists\". In the North Bavaria region Karl Grönsfelder, representing trades union opinion within the party on the issue, was forthright in his criticism of the party line, and in 1930 he was one of a number of leading communists in the Nuremberg leadership to find himself excluded from The Party.\n\nIn 1928 Heinrich Brandler and August Thalheimer, expelled from the Communist Party two years before Grönsfelder, had founded an alternative Communist Party, known as the Communist Party of Germany (Opposition) ( Kommunistische Partei Deutschlands (Opposition) / KPD (Opposition)) Karl Grönsfelder, together with a number of his party comrades in the Franconia / North Bavaria region, now joined the KPD (Opposition). The new alternative Communist Party failed to become the mainstream Communist Party and there was therefore never any chance of a united front against Nazism from the political left, but it nevertheless remained politically vigorous, and in the Nuremberg region Karl Grönsfelder was its leader.\n\nA communist survivor in Nazi Germany\nThe political backdrop changed dramatically in January 1933 when the Nazis took power and converted Germany into a one-party dictatorship. Political activity (except in support of the Nazi party) became illegal. Grönsfelder was arrested by the Gestapo on 12 April 1933 and detained. After his arrest he was briefly held in a temporary prison in Fürth. In May 1933 he was placed for a short time in Stadelheim Prison (Munich) before being transferred to Dachau concentration camp. Grönsfelder later recalled that in the concentration camp internees from the Communist Party and those from the SPD agreed that they should never again \"march alone\", and these discussions were reflected elsewhere in Germany. However, with the party leaderships in exile in Paris and Moscow, and any communist leaders who had failed to escape now locked away, the practical impact of this belated reduction in communist hostility towards the moderate left SPD was not immediately apparent.\n\nHis wife, Emma Grönsfelder (1883–1967), had followed a political trajectory similar to his since 1918, and was arrested at the same time as her husband, and held in \"protective custody\" at the prison in Aichach between April and September 1933.\n\nMany communist leaders arrested by the Gestapo spent the twelve Nazi years locked away. Others died in concentration camps. Karl Grönsfelder was released in 1935, however, after only two years in state custody. There is a suggestion that because of his growing deafness the authorities did not see him as such a major threat as some of his comrades. However, he was unable to register with the labour exchange. He was unemployed between 1935 and 1937, and kept under close state surveillance. After 1937, still closely monitored by the authorities, he was helped by a former Communist comrade identified as \"Ludwig Sch.\" who had subsequently gone over to the Nazis (for what Grönsfelder, writing much later, described as \"legitimate reasons\" - \" aus ehelichen Gründen\") to obtain work as a mechanic in the type-writer department at the Triumph factory (better remembered for manufacturing motor cycles) in Nuremberg.\n\nWar returned in September 1939 and Karl Grönsfelder was arrested again. However, his wife invoked the intervention of the influential former communist who had arranged his job at Triumph, and five days later he was released and sent back to work. Grönsfelder later asserted that if he had stayed in detention just one more day, he would have been transported to Buchenwald concentration camp. Instead, he appears to have spent most of the war years quietly working as a mechanic with Triumph. By 1944, however, aged 62, he was on long-term sick leave: in order to escape the by now constant scourge of the air raids on the cities, he was living in the countryside location to which his daughter and grand daughter had been evacuated.\n\nPost war Bavaria\nThe war ended in May 1945 with Bavaria in the US occupation zone of what had been Germany. Communist Party membership was no longer illegal and Grönsfelder resumed his in 1946. In 1947 he joined the party's regional leadership team (Bezirksleitung) for Bavaria. However, as matters turned out the old tensions within the party had endured. Bavaria filled up with refugees displaced by the red army. Grönsfelder's continued readiness to criticise Stalin grated with members the German party leadership, for many of whom adherence to the Kremlin line was an integral part of being a good antifascist communist. Grönsfelder was denounced as a Titoist and supporter of the hated Brandler. He was expelled from the Communist Party, again, in 1949, although within Bavaria he remained an active and loquacious member of the regional leadership team (Bezirksleitung) till 1953, when he was required to retire on account of his age. By this time, the US occupation zone had been subsumed, in May 1949, into a new US sponsored West German state, and it was here, at Nuremberg, that Karl Grönsfelder died on 20 February 1964.\n\nReferences\n\nPoliticians from Nuremberg\nSocial Democratic Party of Germany politicians\nCommunist Party of Germany politicians\nMembers of the Landtag of Bavaria\nCommunist Party of Germany (Opposition) politicians\nCommunists in the German Resistance\nDachau concentration camp survivors\n1882 births\n1964 deaths" ]

[ "Jack London", "Socialism", "what part did jack have in socialism?", "London joined the Socialist Labor Party in April 1896.", "what was his part in the party?", "London wrote from a socialist viewpoint," ]

[ "Viewpoint is an American political talk show broadcast on Current TV in 2012 and 2013. Formerly known as Viewpoint with Eliot Spitzer, it was hosted by former New York Governor Eliot Spitzer until January 6, 2013. After that, it was hosted by John Fugelsang. Viewpoint began airing on March 30, 2012 as a replacement to Keith Olbermann, who was dismissed from his show in the same time slot. It was the second television talk show to be hosted by Spitzer, with his previous effort (Parker Spitzer, renamed In the Arena) having aired on CNN.\n\nEliot Spitzer announced on January 6, 2013 that he left the show and the network, saying that \"journalism has been more a matter of projecting a particular approach to covering policies, to covering issues. It was a continuation of what I tried to do in government. And that doesn’t fit with their vision of what [Al Jazeera is] going to do.\" However, he did say that \"I view Al Jazeera as a very serious journalistic outfit\". For the remainder of its run, the show was hosted by comedian John Fugelsang. The show aired its final episode on August 15, 2013. Most of the staff moved to the talk show, Consider This, on Al Jazeera America.\n\nBibliography\nPaterson, David \"Black, Blind, & In Charge: A Story of Visionary Leadership and Overcoming Adversity.\"Skyhorse Publishing. New York, New York, 2020\n\nReferences\n\n2012 American television series debuts\n2010s American television news shows\nEliot Spitzer\nCurrent TV original programming\n2013 American television series endings", "Jonsrud Viewpoint is a viewpoint located in the city of Sandy in the U.S. state of Oregon. The viewpoint offers telescopes and expansive views of Mount Hood and the Sandy River Valley, as well as the \"Devil's Backbone,\" a ridge named by pioneers who were traveling on the Barlow Trail. The site has been considered one of the \"best views in Oregon.\"\n\nHistory\nThe viewpoint was named after Phil Jonsrud, a local historian in the city of Sandy. Jonsrud, born in Kelso, was a war veteran who also spent time in New York City, though lived the majority of his life in Sandy. The offramp at the viewpoint was paved by the Jonsrud family.\n\nReferences\n\nClackamas County, Oregon\nObservatories in Oregon\nMountain view points\nMount Hood\nOregon Trail\nScenic viewpoints in the United States" ]

[ "Jack London", "Socialism", "what part did jack have in socialism?", "London joined the Socialist Labor Party in April 1896.", "what was his part in the party?", "London wrote from a socialist viewpoint,", "what was his viewpoint?", "\", his views were influenced by his experience with people at the bottom of the social pit." ]

[ "Experience is a book of memoirs by the British author Martin Amis.\n\nPublication history\nThe book was written primarily in response to the 1995 death of Amis's father, the famed author Kingsley Amis, and was first published in 2000.\n\nSerialization\nUpon publication, Experience was serialized in the UK's The Guardian in four parts.\n\nReception\nCritical response to Amis's memoir was very warm. The critic James Wood wrote in the Guardian, \"Experience is a beautiful, and beautifully strange book, and it is unlike anything one expected. One feared a trough of plaint: either a sad, Gosse-like reckoning with the father; or an angry, journalistic reckoning with those journalists who have hunted Amis from tooth to tooth. But Experience is not quite a memoir, nor is it quite a portrait of his father, nor is it really an autobiography. It is an escape from memoir; indeed, an escape into privacy. In the very book which might, at first glance, seem most exhibitionist, most shamelessly metropolitan, Amis has softly retreated to the provinces of himself. His book often reads like a letter to his family and closest friends. It is sometimes embarrassing to read; the ordinary reader feels voyeuristic, at times almost uninvited, but very moved. What seems at first just gossip and guestlists - sprays of names offered without explanation, diaristic footnotes, a refusal to universalise - soon becomes a kind of tender defiance, as if Amis wanted the book to vibrate with an atmosphere of wounded privacy.\" Terence Baker, in The Sunday Times, called it a \"careful, heartfelt tribute.\" Jackie Wullschlager, wrote in the Financial Times, \"The core here is family, and it is movingly, beautifully, evoked... The raw materials – neurotic, outrageous genius of a father; gorgeous earth-mother Hilly; sophisticated step-mother Elizabeth Jane Howard; stunning girlfriends dropped along the way like a shattering string of pearls; an unknown daughter emerging at 18 – are unbeatable, and Amis makes of them a loving, perceptive, comic portrait.\"\n\nAwards\nExperience was awarded the 2000 James Tait Black Memorial Prize for biography.\n\nSee also\nSally Amis\n\nReferences\n\n2000 non-fiction books\nBooks by Martin Amis\nBritish memoirs", "Susan Skoog (1965- ), American filmmaker, is best known for her low-budget but highly acclaimed debut film Whatever (1998). Asked why she felt the desire to make the film, Skoog explained to IndieWIRE: \"I felt like I hadn’t seen in film what I saw when I was a teenager. And especially from a female perspective. I felt like there hadn’t been a film that really nailed what it was like to be a suburban girl growing up in this country.\" Skoog has expressed repeatedly that the female experience/perspective, particularly that of girls, has historically been underrepresented in the film industry (e.g., \"Boys tend to blame their circumstances and the world outside them, whereas girls tend to blame themselves and quit. Girls quit much quicker and easier, and I think that hadn’t been dealt with in film yet.\"), but she believes that is changing by way of a \"natural progression\" toward sex equality.\n\nSkoog was raised in the town of Red Bank, New Jersey, and graduated from NYU in 1987 with a degree in theatre and film. She has cited Mike Leigh and Eric Rohmer as influences on her work.\n\nReferences\n\n1965 births\nAmerican filmmakers\nTisch School of the Arts alumni\nLiving people" ]

[ "Jack London", "Socialism", "what part did jack have in socialism?", "London joined the Socialist Labor Party in April 1896.", "what was his part in the party?", "London wrote from a socialist viewpoint,", "what was his viewpoint?", "\", his views were influenced by his experience with people at the bottom of the social pit.", "what was his experience with them like?", "His optimism and individualism faded, and he vowed never to do more hard physical work than necessary." ]

[ "For Ukraine! () is a political party in Ukraine, headed by Vyacheslav Kyrylenko. Legally it is the successor of Party of Social Protection.\n\nHistory\n\nParty of Social Security\nThe Party of Social Security was established on October 9, 1999 as the People's Party of Depositors and Social Security and registered with the Ministry of Justice in May of the next year. It only took part in the 2006 Ukrainian parliamentary election where it won 0,05% of the votes and no seats.\n\nFor Ukraine!\nOn December 23, 2008 Vyacheslav Kyrylenko, a former chairman of Our Ukraine and he was the frontrunner of Our Ukraine–People's Self-Defense Bloc during the 2007 Ukrainian parliamentary election, formed the parliamentarian deputy group For Ukraine in the Verkhovna Rada (the Ukrainian parliament). At the constituent congress of the movement Vyacheslav Kyrylenko was elected its leader on February 21, 2009. In November 2009 Kyrylenko started to cooperate with the Party of Social Protection (registered in May 2000), in order to participate in the 2010 Ukrainian local elections. In November 2009 the Party of Social Protection changed its name to For Ukraine!.\n\nIn the 2010 local elections For Ukraine! won representatives in municipalities and 1 seat in the Ivano-Frankivsk Oblast Council and Volyn Oblast Council and 2 seats in the Sumy Oblast Council (regional parliaments of the Ivano-Frankivsk Oblast, Volyn Oblast and Sumy Oblast).\n\nIn February 2011 Kyrylenko stated his \"For Ukraine\" would unify with Front of Changes and Ukraine United to create one single party before the 2012 parliamentary election. In December 2011 Kyrylenko signed an agreement with the head of the party Front of Changes, Arseniy Yatsenyuk, on joint opposition activity and merger of their parties after the election. They competed as a single party under the \"umbrella\" of \"Fatherland\", together with Front of Changes and several other parties, during the October 2012 parliamentary elections. During the election this list won 62 seats (25.55% of the votes) under the proportional party-list system and another 39 by winning 39 simple-majority constituencies; a total of 101 seats in Parliament.\n\nWhen Front of Changes merged into \"Fatherland\" in June 2013 the party did not merge with them as planned but instead kept its independence.\n\nThe party did not participate in the 2014 Ukrainian parliamentary election as Kyrylenko and many members have been active in the newly founded People's Front since 2014.\n\nReferences\n\nExternal links\nFor Ukraine: Informational website\n\nLiberal parties in Ukraine", "The National Democratic Party (NDP) was a Fijian political party formed in the early 1960s through a merger of Apisai Tora's Western Democratic Party with Isikeli Nadalo's Fijian National Party. It drew its support mainly from indigenous Fijians in the Province of Ba and other Western regions, who were uneasy about potential domination by powerful chiefs from Eastern Fiji. It subsequently merged with the Federation Party, which was supported almost entirely by Indo-Fijians, to form the National Federation Party (NFP).\n\nThe NFP was dominated by personnel from the former Federation Party, which was much larger than the NDP. The merger did, however, make it possible for the NFP to appeal to a section of the indigenous Fijian electorate. Although it never received more than 10 percent of the indigenous vote, it did elect some indigenous members to what became the House of Representatives following independence in 1970, owing to cross-voting in the renamed national constituencies (seats allocated by ethnicity but elected by universal suffrage).\n\nThe party is not to be confused with a second National Democratic Party formed to contest the general election of 2006.\n\nDefunct political parties in Fiji" ]

[ "Jack London", "Socialism", "what part did jack have in socialism?", "London joined the Socialist Labor Party in April 1896.", "what was his part in the party?", "London wrote from a socialist viewpoint,", "what was his viewpoint?", "\", his views were influenced by his experience with people at the bottom of the social pit.", "what was his experience with them like?", "His optimism and individualism faded, and he vowed never to do more hard physical work than necessary.", "what changes did he make with the party?", "I don't know." ]

[ "Thomas McPherson Brown (1906–1989) was a rheumatologist who held unorthodox views about the basis of rheumatoid arthritis (RA), and believed it could be cured with antibiotics.\n\nBrown graduated from Swarthmore College then attended Johns Hopkins Medical School. He did his medical residency at the hospital associated with the Rockefeller Institute.At Rockefeller he did research on synovial fluid from people with RA and in 1937 found Mycoplasma in the fluid from some patients, leading him to believe that RA might be an infectious disease. His work was interrupted by service in World War II; after the war he obtained a position at George Washington University and began to experimentally treat some people with RA with antibiotics, which at the time were a new class of drugs. Some of the people he treated were members of Congress or ambassadors, and some of them responded positively. He presented his work at a conference in 1949; at the same conference, the new drug cortisone was presented, and it overshadowed his work and became the leading treatment for RA.\n\nThroughout his career, Brown fought to have his antibiotic treatments recognized by the medical establishment; they were not.\n\nFootnotes\n\n1906 births\n1989 deaths\nAmerican rheumatologists\n20th-century American physicians", "Ben Thigpen (November 16, 1908 – October 5, 1971) was an American jazz drummer. He is the father of drummer Ed Thigpen.\n\nHe was born Benjamin F. Thigpen in Laurel, Mississippi. Ben Thigpen played piano as a child, having been trained by his sister Eva. He played in South Bend, Indiana with Bobby Boswell in the 1920s, and then moved to Chicago to study under Jimmy Bertrand. While there he played with many noted Chicago bandleaders and performers, including Doc Cheatham. He played with Charlie Elgar's Creole Band during 1927-1929 but did not record with them. Following this he spent time in Cleveland with J. Frank Terry, and then became the drummer for Andy Kirk's Clouds of Joy, where he stayed from 1930 to 1947. Much of his work is available on collections highlighting the piano work of Mary Lou Williams, who also played in this ensemble.\n\nAfter his time with Kirk, Thigpen's career is poorly documented. He led his own quintet in St. Louis and recorded with Singleton Palmer in the 1960s.\n\nReferences\n[ Ben Thigpen] at Allmusic\n\nExternal links\n Ben Thigpen recordings at the Discography of American Historical Recordings.\n\nAmerican jazz drummers\n1908 births\n1971 deaths" ]

[ "Jack London", "Socialism", "what part did jack have in socialism?", "London joined the Socialist Labor Party in April 1896.", "what was his part in the party?", "London wrote from a socialist viewpoint,", "what was his viewpoint?", "\", his views were influenced by his experience with people at the bottom of the social pit.", "what was his experience with them like?", "His optimism and individualism faded, and he vowed never to do more hard physical work than necessary.", "what changes did he make with the party?", "I don't know.", "Who did he work with?", "I don't know." ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Jack London", "Socialism", "what part did jack have in socialism?", "London joined the Socialist Labor Party in April 1896.", "what was his part in the party?", "London wrote from a socialist viewpoint,", "what was his viewpoint?", "\", his views were influenced by his experience with people at the bottom of the social pit.", "what was his experience with them like?", "His optimism and individualism faded, and he vowed never to do more hard physical work than necessary.", "what changes did he make with the party?", "I don't know.", "Who did he work with?", "I don't know.", "Are there any other interesting aspects about this article?", "In 1916, he resigned from the Glen Ellen chapter of the Socialist Party," ]

[ "Follow Me! is a series of television programmes produced by Bayerischer Rundfunk and the BBC in the late 1970s to provide a crash course in the English language. It became popular in many overseas countries as a first introduction to English; in 1983, one hundred million people watched the show in China alone, featuring Kathy Flower.\n\nThe British actor Francis Matthews hosted and narrated the series.\n\nThe course consists of sixty lessons. Each lesson lasts from 12 to 15 minutes and covers a specific lexis. The lessons follow a consistent group of actors, with the relationships between their characters developing during the course.\n\nFollow Me! actors\n Francis Matthews\n Raymond Mason\n David Savile\n Ian Bamforth\n Keith Alexander\n Diane Mercer\n Jane Argyle\n Diana King\n Veronica Leigh\n Elaine Wells\n Danielle Cohn\n Lashawnda Bell\n\nEpisodes \n \"What's your name\"\n \"How are you\"\n \"Can you help me\"\n \"Left, right, straight ahead\"\n \"Where are they\"\n \"What's the time\"\n \"What's this What's that\"\n \"I like it very much\"\n \"Have you got any wine\"\n \"What are they doing\"\n \"Can I have your name, please\"\n \"What does she look like\"\n \"No smoking\"\n \"It's on the first floor\"\n \"Where's he gone\"\n \"Going away\"\n \"Buying things\"\n \"Why do you like it\"\n \"What do you need\"\n \"I sometimes work late\"\n \"Welcome to Britain\"\n \"Who's that\"\n \"What would you like to do\"\n \"How can I get there?\"\n \"Where is it\"\n \"What's the date\"\n \"Whose is it\"\n \"I enjoy it\"\n \"How many and how much\"\n \"What have you done\"\n \"Haven't we met before\"\n \"What did you say\"\n \"Please stop\"\n \"How can I get to Brightly\"\n \"Where can I get it\"\n \"There's a concert on Wednesday\"\n \"What's it like\"\n \"What do you think of him\"\n \"I need someone\"\n \"What were you doing\"\n \"What do you do\"\n \"What do you know about him\"\n \"You shouldn't do that\"\n \"I hope you enjoy your holiday\"\n \"Where can I see a football match\"\n \"When will it be ready\"\n \"Where did you go\"\n \"I think it's awful\"\n \"A room with a view\"\n \"You'll be ill\"\n \"I don't believe in strikes\"\n \"They look tired\"\n \"Would you like to\"\n \"Holiday plans\"\n \"The second shelf on the left\"\n \"When you are ready\"\n \"Tell them about Britain\"\n \"I liked everything\"\n \"Classical or modern\"\n \"Finale\"\n\nReferences \n\n BBC article about the series in China\n\nExternal links \n Follow Me – Beginner level \n Follow Me – Elementary level\n Follow Me – Intermediate level\n Follow Me – Advanced level\n\nAdult education television series\nEnglish-language education television programming", "\"What Did I Do to You?\" is a song recorded by British singer Lisa Stansfield for her 1989 album, Affection. It was written by Stansfield, Ian Devaney and Andy Morris, and produced by Devaney and Morris. The song was released as the fourth European single on 30 April 1990. It included three previously unreleased songs written by Stansfield, Devaney and Morris: \"My Apple Heart,\" \"Lay Me Down\" and \"Something's Happenin'.\" \"What Did I Do to You?\" was remixed by Mark Saunders and by the Grammy Award-winning American house music DJ and producer, David Morales. The single became a top forty hit in the European countries reaching number eighteen in Finland, number twenty in Ireland and number twenty-five in the United Kingdom. \"What Did I Do to You?\" was also released in Japan.\n\nIn 2014, the remixes of \"What Did I Do to You?\" were included on the deluxe 2CD + DVD re-release of Affection and on People Hold On ... The Remix Anthology. They were also featured on The Collection 1989–2003 box set (2014), including previously unreleased Red Zone Mix by David Morales.\n\nCritical reception\nThe song received positive reviews from music critics. Matthew Hocter from Albumism viewed it as a \"upbeat offering\". David Giles from Music Week said it is \"beautifully performed\" by Stansfield. A reviewer from Reading Eagle wrote that \"What Did I Do to You?\" \"would be right at home on the \"Saturday Night Fever\" soundtrack.\"\n\nMusic video\nA music video was produced to promote the single, directed by Philip Richardson, who had previously directed the videos for \"All Around the World\" and \"Live Together\". It features Stansfield with her kiss curls, dressed in a white outfit and performing with her band on a stage in front of a jumping audience. The video was later published on Stansfield's official YouTube channel in November 2009. It has amassed more than 1,6 million views as of October 2021.\n\nTrack listings\n\n European/UK 7\" single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"Something's Happenin'\" – 3:59\n\n European/UK/Japanese CD single\n\"What Did I Do to You?\" (Mark Saunders Remix Edit) – 4:20\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n UK 10\" single\n\"What Did I Do to You?\" (Mark Saunders Remix) – 5:52\n\"My Apple Heart\" – 5:19\n\"Lay Me Down\" – 4:17\n\"Something's Happenin'\" – 3:59\n\n European/UK 12\" single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"My Apple Heart\" – 4:22\n\"Lay Me Down\" – 3:19\n\"Something's Happenin'\" – 3:15\n\n UK 12\" promotional single\n\"What Did I Do to You?\" (Morales Mix) – 7:59\n\"What Did I Do to You?\" (Anti Poll Tax Dub) – 6:31\n\n Other remixes\n\"What Did I Do to You?\" (Red Zone Mix) – 7:45\n\nCharts\n\nReferences\n\nLisa Stansfield songs\n1990 singles\nSongs written by Lisa Stansfield\n1989 songs\nArista Records singles\nSongs written by Ian Devaney\nSongs written by Andy Morris (musician)" ]

[ "Stan Kenton", "Career" ]

[ "Rendezvous with Kenton is an album by bandleader and pianist Stan Kenton featuring performances recorded at the Rendezvous Ballroom in 1957 and released on the Capitol label.\n\nReception\n\nThe Allmusic review by Scott Yanow noted \"The music is pleasant but not up to the fiery level one would expect of the Stan Kenton Orchestra\".\n\nTrack listing\n \"With the Wind and the Rain in Your Hair\"(Jack Lawrence, Clara Edwards) - 2:02 \n \"Memories of You\" (Eubie Blake, Andy Razaf) - 2:34 \n \"These Things You Left Me\" (Harold Dickinson, Sidney Lippman) - 2:05 \n \"Two Shades of Autumn\" (Joe Coccia) - 3:53\n \"They Didn't Believe Me\" (Jerome Kern, Herbert Reynolds) - 1:53 \n \"Walkin' by the River\" (Robert Sour, Una Mae Carlisle) - 2:53\n \"High on a Windy Hill\" (Alex Kramer, Joan Whitney) - 2:07 \n \"Love Letters\" (Victor Young, Edward Heyman) - 2:24 \n \"I Get Along Without You Very Well\" (Hoagy Carmichael) - 1:55 \n \"Desiderata\" (Coccia) - 3:09 \n \"This is No Laughing Matter\" (Al Frisch, Buddy Kaye) - 3:29 \n \"I See Your Face Before Me\" (Arthur Schwartz, Howard Dietz) - 2:02 \nRecorded at the Rendezvous Ballroom in Balboa, CA on October 7, 1957 (tracks 2, 3 & 12), October 8, 1957 (tracks 1, 4, 6 & 8-10), October 9, 1957 (tracks 7 & 11) and October 10, 1957 (track 5).\n\nPersonnel\nStan Kenton - piano, conductor\nBilly Catalano, Phil Gilbert, Lee Katzman, Ed Leddy, Sam Noto - trumpet\nJim Amlotte, Kent Larsen, Archie Le Coque, Don Reed, - trombone\nKen Shroyer - bass trombone \nLennie Niehaus, Bill Robinson - alto saxophone \nWayne Dunstan, Bill Perkins - tenor saxophone \nSteve Perlow - baritone saxophone, alto saxophone\nRed Kelly - bass \nJerry McKenzie - drums \nJoe Coccia - arranger\n\nReferences\n\nStan Kenton albums\n1957 albums\nCapitol Records albums\nAlbums conducted by Stan Kenton", "Jerri Winters is an American jazz singer. She worked with Stan Kenton's orchestra from 15 February until 15 June 1952, recording several titles for Capitol Records, including \"Adios,\" \"All Because of You,\" and \"She's a Comely Wench.\" Winters released several solo records, including 1955's Winter's Here on Fraternity Records (the first recording to be released by that label), 1957's Somebody Loves Me on Bethlehem Records, and 1962's Winters Again released on Charlie Parker Records.\n\nDiscography\nWinter's Here (1955, Fraternity)\nSomebody Loves Me (1957, Bethlehem)\nWinters Again (1962, Charlie Parker)\n\nWith Stan Kenton \n\nAdios (arr. Bill Russo) 24 February 1952\nAll About Ronnie (arr. Johnny Richards) 20 March 1952\nAll Because of You (arr. Johnny Richards) 24 February 1952\nCinderella (arr. Johnny Richards) 24 February 1952\nDon't Worry 'Bout Me (arr. Pete Rugolo) 24 February 1952\nShe's A Comely Wench (arr. Johnny Richards) 18 March 1952\nSoftly (arr. Johnny Richards) 19 March 1952\nYes (arr. Johnny Richards) 24 February 1952\n\nReferences\n\nExternal links\n \n Blog Post Discussing Jerri Winters\n\nAmerican jazz singers\nPossibly living people\nYear of birth missing\nBethlehem Records artists" ]

[ "Stan Kenton", "Career", "Tell me about Kenton's career?", "Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937." ]

[ "Gus Arnheim (September 4, 1897 – January 19, 1955) was an American pianist and an early popular band leader. He is noted for writing several songs with his first hit being \"I Cried for You\" from 1923. He was most popular in the 1920s and 1930s. He also had a few small acting roles.\n\nCareer\nArnheim was born in Philadelphia, Pennsylvania, United States.\n\nIn 1919, three men who all would become famous band leaders played together at the Sunset Inn in Santa Monica, California. Arnheim played piano, Abe Lyman played the drums, and Henry Halstead played violin. Arnheim grew up in Chicago and at one point was accompanist to vaudevillian Sophie Tucker. When Lyman organized a full dance orchestra, Arnheim came along as pianist, leaving to start his own group in 1927. Arnheim's orchestra made at least three film short subjects for Warner Brothers' Vitaphone Corporation in 1928–29.\n\nArnheim first recorded for OKeh in 1928–1929, when he signed with Victor in 1929 and stayed through 1933. He signed with Brunswick and recorded through 1937. In 1928–31, Arnheim had an extended engagement at the Cocoanut Grove in Los Angeles. In 1930, when Paul Whiteman finished filming The King of Jazz for Universal, The Rhythm Boys vocal trio, consisting of Bing Crosby, Harry Barris and Al Rinker decided to stay in California and they signed up with Arnheim's band. While the Rhythm Boys only recorded one song with Arnheim, \"Them There Eyes\" (which also happened to be The Rhythm Boys final recording), Arnheim's Orchestra backed Crosby on a number of songs released by Victor Records in 1931. These popular records, coupled with Arnheim's radio broadcasts featuring Crosby's solo vocals, were a key element to the beginning of Crosby's popularity as a crooner.\n\nBetween 1930 and 1933, some notable people worked in or with Arnheim's band: \n Fred MacMurray played clarinet and tenor sax in 1930-31 and sang on one recording (\"All I Want Is Just One\".\n Russ Columbo played violin in 1930 and sang on \"A Peach of a Pair\".\n Future popular bandleader Jimmie Grier was staff arranger during this time. Grier had played lead alto saxophone and clarinet in Arnheim's band from its founding in 1928.\n Eddie Cantor and Joan Crawford each recorded a song for Arnheim on July 23, 1931, although the Crawford side (\"How Long Will It Last?\") was not issued. Cantor's side, \"There's Nothing Too Good for My Baby,\" was issued but without vocalist credit.\n Future popular singer Buddy Clark sang with Arnheim in 1932.\n Shirley Ross sang with Arnheim in 1933\n Stan Kenton played piano with Arnheim starting in 1937.\n\nBetween 1939 and 1941, Mexican American crooner Andy Russell played the drums and sang with Arnheim. Arnheim was the one who suggested that Russell sing bilingually in English and Spanish and change his last name from Rábago to Russell leading to his first million-selling record \"Bésame Mucho\".\n\nGus Arnheim died of a heart attack in Los Angeles on January 19, 1955.\n\nRadio\nIn the early 1930s, Arnheim \"was heard on the Lucky Strike Dance Hour, which was broadcast weekly on NBC.\"\n\nCompositions\nArnheim's musical compositions included \"Sweet and Lovely\".\n\nBibliography\nRust, Brian The American Dance Band Discography 1975, Arlington House Publishers.\n\nReferences\n\nExternal links\n Gus Arnheim recordings at the Discography of American Historical Recordings.\n\nAmerican bandleaders\nBig band bandleaders\n1897 births\n1955 deaths\nBurials at Hollywood Forever Cemetery\n20th-century American conductors (music)\nOkeh Records artists\nVictor Records artists\nBrunswick Records artists", "Arnheim is an unincorporated community in Brown County, in the U.S. state of Ohio.\n\nHistory\nArnheim was laid out in 1837, and named for Jacob Arn, the original owner of the town site (Arnheim meaning \"Arn's home\" in German). A post office was established at Arnheim in 1839, and remained in operation until 1910.\n\nReferences\n\nUnincorporated communities in Brown County, Ohio\n1837 establishments in Ohio\nPopulated places established in 1837\nUnincorporated communities in Ohio" ]

[ "Stan Kenton", "Career", "Tell me about Kenton's career?", "Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937.", "What was Arnheim?", "Gus Arnheim's group," ]

[ "Kenton '76 is one of the last two studio albums by American jazz musician Stan Kenton and his orchestra, released in 1976, by Creative World Records. Recording sessions for the album took place in Chicago on December 3–5, 1975. The album was recorded after the longest hiatus the band would have from the studio due to financial difficulties and Kenton's growing health problems.\n\nBackground\n\nThe take of Decoupage on the album is third try taken Dec 4; 10 takes of this Levy masterpiece are done over 2 days. Though the piece is one of the highlights for the band during that era, the solo by Terry Lane is weak and pointed out in later notes by Bob Curnow, \"Stan did not hire most of the guys, Dick (Shearer) did. With some obvious exceptions, I don't believe the soloists in the 70's bands were the equal of the earlier bands.\" Samba De Haps is the first of several works written by Mark Taylor the Kenton band record for the last two studio albums, he would create a distinctive signature and a name that is well known in the publishing world.\n\nBob Curnow gives great credit to Hank Levy, \"Time For A Change was a fantastic chart, the way it's put together, and the way the band swings within the meter. I don't mean swings necessarily in the traditional sense, but the way they play rhythmically, I think it's a hell of a chart. And if listen to the end of a Pat Metheny pieces called \"Every Summer Night\", it closes literally with the first four measures of 'Decoupage'.\" Curnow also comments on Kenton's health issues during that time, \"Stan conducted the band through Holman's 'Tiburon'...Stan was wasn't so quick to come to grips musically with what was happening. I was in the booth, and he was conducting, and it was a real struggle.\"\n\nReception\n\nTrack listing\n\nSend In The Clowns and My Funny Valentine arranged by Dave Barduhn.\n\nPersonnel\n\nMusicians\npiano and leader: Stan Kenton\nsaxophones and flutes: Alan Yankee, Dan Salmasian, Greg Smith, Roy Reynolds, Terry Layne\ntrumpets: John Harner, Jay Sollenberger, Jim Oatts, Steve Campos, Tim Hagans\ntrombones: Dick Shearer, Dave Keim, Mike Egan, Alan Morrisey (bass trombone), Douglas Purviance (bass trombone, tuba)\nacoustic and electric bass: Dave Stone\ndrum set: Gary Hobbs\npercussion: Ramon Lopez\n\nProduction\nBob Curnow – production\nMurray Allen – recording engineering\nJordana Von Spiro – art direction\nSerge Seymour, Audree Coke, Jurgen Wiechmann – cover art/photography\n\nReferences\n\nBibliography\n\nExternal links\n \n Kenton '76 at Allmusic\n Kenton '76 at All Things Kenton\n\nInstrumental albums\n1976 albums\nStan Kenton albums\nGNP Crescendo Records albums", "Simon Kenton(aka \"Simon Butler\") (April 3, 1755 – April 29, 1836) was a United States frontiersman and soldier in West Virginia, Kentucky and Ohio. He was a friend of Daniel Boone,Simon GirtySpencer Records, Thomas S. Hinde, Thomas Hinde, and Isaac Shelby. He served the United States in the Revolution, the Northwest Indian War and the War of 1812. Surviving the gauntlet and ritual torture, in 1778 he was adopted into the Shawnee people. He married twice and had a total of ten children.\n\nFamily and early life\nSimon Kenton was born at the headwaters of Mill Run in the Bull Run Mountains on April 3, 1755, in Prince William County, Virginia to Mark Kenton, Sr. (an immigrant from Ireland) and Mary Miller Kenton (whose family was Scots-Welsh in ancestry). In 1771, at the age of 16, thinking he had killed William Leachman in a jealous rage (the fight began over the love of a girl named Ellen Cummins), Kenton fled into the wilderness of West Virginia, Kentucky, and Ohio, where for years he went by the name \"Simon Butler.\" After learning that his victim had lived, Kenton took back his original surname.\n\nNoted activities\n\nIn 1774, in a conflict later labeled Dunmore's War, Kenton served as a scout for the European settlers against the Shawnee Indians in what is now West Virginia and Kentucky. In 1777, he saved the life of his friend and fellow frontiersman, Daniel Boone, at Boonesborough, Kentucky.\n\nThe following year, Kenton was rescued from the Shawnee in Ohio by Simon Girty. He had survived many days of running the gauntlet and various other ritual tortures that usually caused death. He was later taken about 50 miles for more torture at Upper Sandusky. There he was saved by Pierre Drouillard, an interpreter for the British Indian department and father of explorer George Drouillard. The Shawnee respected Kenton for his endurance; they named him Cut-ta-ho-tha (the condemned man). He was \"adopted into the tribe by a motherly squaw whose own son had been slain.\"\n\nKenton served as scout on the 1778 George Rogers Clark expedition to capture Fort Sackville during the American Revolution. Independence did not mean an end to warfare; in 1793-94 Kenton fought in the Northwest Indian War with \"Mad\" Anthony Wayne.\n\nKenton started exploring the area of the Mad River Valley of Ohio and making claims as early as 1788. Kenton first saw the area a decade before while he was held as a prisoner with the Shawnee and vowed that if he survived he would return. In April 1799, Kenton and his associate, Colonel William Ward, led a group of families from Mason County, Kentucky to an area between present-day Springfield and Urbana, Ohio.\n\nIn 1810 Kenton moved to Urbana, Ohio, where he achieved the rank of brigadier general of the state militia. He served in the War of 1812 as both a scout and as leader of a militia group in the Battle of the Thames in 1813. This was the battle in which the Indian chief Tecumseh was killed. Kenton was chosen to identify Tecumseh's body but, recognizing both Tecumseh and another fallen warrior named Roundhead, and seeing soldiers gleefully eager to carve up Tecumseh's body into souvenirs, he identified Roundhead as the chief.\n\nA large boulder located on the west side of the Ritter Public Library in Vermilion, Ohio, discovered in 1937 on a farm a few miles to the south, is inscribed \"1784 S. KENTON,\" and tradition has it that it was carved by Kenton himself while in Indian custody. Documentary evidence, however, shows that Kenton was not in Indian custody in 1784, was not near Vermilion in 1784 and did not learn to write until 1785.\n\nMarriage and family\nKenton married Martha Dowden and they had four children together. After she died in a house fire, the widower married Elizabeth Jarboe as his second wife. He had six children with her.\n\nPrevious to his first marriage, Simon's first son (Simon Ruth Kenton) was born to Christina Ruth in 1773.\n\nKenton died in (and was initially buried at) New Jerusalem in Logan County, Ohio. His body was later moved to Urbana.\n\nLater his widow Elizabeth Jarboe Kenton and a number of their children moved to northwestern Indiana, to an area straddling Jasper, White, and Pulaski counties. It was heavily settled by families who migrated from Champaign County, Ohio, where Kenton is buried.\n\nNamesakes\n\nSimon Kenton is the namesake of Kenton, the county seat of northwestern Ohio's Hardin County.\n\nKenton County, Kentucky is named for him, as is Simon Kenton High School in Independence, the county seat. A statue honoring him was erected in Covington, Kentucky's Riverside Drive Historic District, overlooking the Ohio River.\n\nSimon Kenton Elementary Schools were named in Xenia and Springfield, Ohio.\n\nSinger/songwriter Tyler Childers wrote the song Middle Ground in reference to Kenton and his expeditions. \n\nSimon Kenton Post #20 in Elsmere, Kentucky of the Kentucky Department of the American Legion is named in his honor.\n\nSimon Kenton Road is a residential street at the base of Bull Run Mountain in Prince William County, Virginia.\n\nThe Boy Scouts of America have the Simon Kenton Council, a division covering Central Ohio to northern Kentucky.\n\nIn the Frontiersman Camping Fellowship of the Royal Rangers, Indiana is designated the Simon Kenton Chapter.\n\nThe Simon Kenton Memorial Bridge is a suspension bridge built in 1931 that crosses the Ohio River and connects Maysville, Kentucky and Aberdeen, Ohio.\n\nOhio's Simon Kenton Trail is a 32-mile multi-use path that stretches from Springfield to Bellefontaine.\n\nThe Simon Kenton Pub is a small bar located in the Water Wheel Restaurant at The Inn at Gristmill Square in Warm Springs, Virginia. \n\nThe Simon Kenton Inn is an 1828 Historic House with five guest rooms and The Pub restaurant, located near Springfield, Ohio, on land deeded to Simon Kenton by the U.S. Government circa 1800.\n\nReferences\n\nClark, Thomas D. Simon Kenton: Kentucky Scout; Originally published 1943; 1971 paperback reprint edition, Jesse Stuart Foundation; .\n \nCrain, Ray. Simon Kenton: The Great Frontiersman. Available in either hardback or paper back; Published June 1, 1992; \nEckert, Allan W. The Frontiersmen: A Narrative; Originally published 1967; 2001 paperback reprint edition, Jesse Stuart Foundation; . Popular history in narrative form.\nKenton, Edna. Simon Kenton: His Life and Period, 1755-1836. Originally published 1930; reprinted Salem, NH: Ayer, 1993.\n\nExternal links\n\nThe Official Simon Kenton page\nSimon Kenton at Ohio History Central.\n\nReferences\n\n1755 births\n1836 deaths\nAmerican explorers\nAmerican folklore\nAmerican militiamen in the War of 1812\nKentucky pioneers\nIndiana in the American Revolution\nKentucky militiamen in the American Revolution\nAmerican people of the Northwest Indian War\nPeople from Urbana, Ohio" ]

[ "Stan Kenton", "Career", "Tell me about Kenton's career?", "Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937.", "What was Arnheim?", "Gus Arnheim's group,", "What did Kenton do after that?", "Kenton went back to study with private teachers on both the piano and in composition." ]

[ "Albert Salomon (1883–1976) was a Jewish-German surgeon at the Royal Surgical University Clinic in Berlin. He is best known for his study of early mastectomies that is considered the beginning of mammography. He was the father of the artist Charlotte Salomon, who was murdered in Auschwitz concentration camp during the Holocaust.\n\nBreast pathology\nIn 1913, Salomon performed a study on 3,000 mastectomies. In the study, Salomon compared X-rays of the breasts to the actual removed tissue, observing specifically microcalcifications. By doing so, he was able to establish the difference as seen on an X-ray image between cancerous and non-cancerous tumors in the breast. Salomon's mammographs provided substantial information about the spread of tumors and their borders. In the midst of the study, Salomon also discovered that there are multiple types of breast cancer. Salomon was unable to use this technique in practice because he did not work with breast cancer patients, and although he published his findings in 1913, mammography did not become a common practice until years later.\n\nLater life\nSalomon was dismissed from the University of Berlin in 1933 after Adolf Hitler came to power. He was later imprisoned in Sachsenhausen concentration camp. He was released in 1939 and left for the Netherlands. From there he was deported to the Westerbork transit camp in (Drente) Holland, from where he escaped in 1943 and went into hiding in the Netherlands until 1945. After World War II ended, he moved to Amsterdam, where he worked as a professor.\n\nReferences\n\nGerman surgeons\nJewish emigrants from Nazi Germany to the Netherlands\n1883 births\n1976 deaths\n20th-century surgeons", "Emil Karl Alexander Flaminius (1807, Küstrin - 7 October 1893, Berlin) was a Prussian architect and master builder.\n\nHistory\n\nFlaminius grew up in Küstrin during the Napoleonic Wars and the period of reconstruction after the departure of the Napoleonic occupying forces in 1814. For twenty years he worked on the Oder and Warthe dykes in his home town. In 1828 he moved to Berlin to study architecture at the Bauakademie, where he came into contact with Karl Friedrich Schinkel. He frequently collaborated with Schinkel in the following years and even began to implement some of Schinkel's projects whilst still studying. For example, aged only 21, he worked with Schinkel on repairing the Frankfurter Marienkirche after the collapse of its south tower - the project did not replace the south tower, but did produce one of the largest works of Brick Gothic.\n\nFlaminius graduated from the Bauakademie in 1830, after only two years' study. Between 1832 and 1836 he worked to erect a new home for the Bauakademie, using designs by Schinkel.\n\nReferences\n\nExternal links\n \n\n1807 births\n1893 deaths\n19th-century German architects\n19th-century Prussian people\nPeople from Kostrzyn nad Odrą" ]

[ "Stan Kenton", "Career", "Tell me about Kenton's career?", "Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937.", "What was Arnheim?", "Gus Arnheim's group,", "What did Kenton do after that?", "Kenton went back to study with private teachers on both the piano and in composition.", "Where did he study?", "with private teachers" ]

[ "Přírodní park Třebíčsko (before Oblast klidu Třebíčsko) is a natural park near Třebíč in the Czech Republic. There are many interesting plants. The park was founded in 1983.\n\nKobylinec and Ptáčovský kopeček\n\nKobylinec is a natural monument situated ca 0,5 km from the village of Trnava.\nThe area of this monument is 0,44 ha. Pulsatilla grandis can be found here and in the Ptáčovský kopeček park near Ptáčov near Třebíč. Both monuments are very popular for tourists.\n\nPonds\n\nIn the natural park there are some interesting ponds such as Velký Bor, Malý Bor, Buršík near Přeckov and a brook Březinka. Dams on the brook are examples of European beaver activity.\n\nSyenitové skály near Pocoucov\n\nSyenitové skály (rocks of syenit) near Pocoucov is one of famed locations. There are interesting granite boulders. The area of the reservation is 0,77 ha.\n\nExternal links\nParts of this article or all article was translated from Czech. The original article is :cs:Přírodní park Třebíčsko.\n\nReferences\n\nExternal links\nNature near the village Trnava which is there\n\nTřebíč\nParks in the Czech Republic\nTourist attractions in the Vysočina Region", "Damn Interesting is an independent website founded by Alan Bellows in 2005. The website presents true stories from science, history, and psychology, primarily as long-form articles, often illustrated with original artwork. Works are written by various authors, and published at irregular intervals. The website openly rejects advertising, relying on reader and listener donations to cover operating costs.\n\nAs of October 2012, each article is also published as a podcast under the same name. In November 2019, a second podcast was launched under the title Damn Interesting Week, featuring unscripted commentary on an assortment of news articles featured on the website's \"Curated Links\" section that week. In mid-2020, a third podcast called Damn Interesting Curio Cabinet began highlighting the website's periodic short-form articles in the same radioplay format as the original podcast.\n\nIn July 2009, Damn Interesting published the print book Alien Hand Syndrome through Workman Publishing. It contains some favorites from the site and some exclusive content.\n\nAwards and recognition \nIn August 2007, PC Magazine named Damn Interesting one of the \"Top 100 Undiscovered Web Sites\".\nThe article \"The Zero-Armed Bandit\" by Alan Bellows won a 2015 Sidney Award from David Brooks in The New York Times.\nThe article \"Ghoulish Acts and Dastardly Deeds\" by Alan Bellows was cited as \"nonfiction journalism from 2017 that will stand the test of time\" by Conor Friedersdorf in The Atlantic.\nThe article \"Dupes and Duplicity\" by Jennifer Lee Noonan won a 2020 Sidney Award from David Brooks in the New York Times.\n\nAccusing The Dollop of plagiarism \n\nOn July 9, 2015, Bellows posted an open letter accusing The Dollop, a comedy podcast about history, of plagiarism due to their repeated use of verbatim text from Damn Interesting articles without permission or attribution. Dave Anthony, the writer of The Dollop, responded on reddit, admitting to using Damn Interesting content, but claiming that the use was protected by fair use, and that \"historical facts are not copyrightable.\" In an article about the controversy on Plagiarism Today, Jonathan Bailey concluded, \"Any way one looks at it, The Dollop failed its ethical obligations to all of the people, not just those writing for Damn Interesting, who put in the time, energy and expertise into writing the original content upon which their show is based.\"\n\nReferences\n\nExternal links \n Official website\n\n2005 podcast debuts" ]

[ "Robert Owen", "Models for socialism (1817)" ]

[ "Movement for Socialism may refer to:\n\nMovement for Socialism (Argentina)\nMovement for Socialism (Bolivia)\nMovement for Socialism (Britain)\nMovement for Socialism (Honduras)\nMovement for Socialism (Paraguay)\nMovement for Socialism (Venezuela)\n\nSee also\n Movement for a Socialist Future", "Movimiento al Socialismo may refer to:\n\n Movement for Socialism (Argentina)\n Movement for Socialism (Bolivia)\n Movement for Socialism (Venezuela)\n Movement for Socialism (Paraguay)\n Movement for Socialism (Puerto Rico)" ]

[ "Robert Owen", "Models for socialism (1817)", "What were his models for socialism?", "Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2" ]

[ "Adam Morton (1945 – 2020) was a Canadian philosopher. Morton's work focused on how we understand one another's behaviour in everyday life, with an emphasis on the role mutual intelligibility plays in cooperative activity. He also wrote on ethics, decision-making, philosophy of language and epistemology. His later work concerned our vocabulary for evaluating and monitoring our thinking. Morton was Professor of Philosophy from 1980 to 2000 at the University of Bristol in the UK and finished his academic career at the University of British Columbia. He was president of the Aristotelian Society during 1998–1999 and in 2006 was elected a Fellow of the Royal Society of Canada.\n\nWorks\nMorton authored Frames of Mind: Constraints on the Common Sense Conception of the Mental (1980), Disasters and Dilemmas: Strategies for Real-life Decision Making (1990), The Importance of Being Understood: Folk Psychology as Ethics (2002), On Evil (2005), Bounded Thinking: Intellectual Virtues for Limited Agents (2012), Emotion and Imagination (2013), and two textbooks, A Guide Through the Theory of Knowledge (2002) and Philosophy in Practice (2003). Along with Stephen P. Stich, he co-edited Benacerraf and His Critics (1997).\n\nReferences\n\nExternal links\n \n Key Philosophers in Conversation: Adam Morton (1999)\n\n1945 births\n20th-century Canadian philosophers\n21st-century Canadian philosophers\nAcademics of the University of Bristol\nCanadian expatriate academics in the United Kingdom\nCanadian philosophers\nCanadian people of Armenian descent\nEpistemologists\nFellows of the Royal Society of Canada\n2020 deaths\nMcGill University alumni\nPhilosophers of language\nPhilosophers of mathematics\nPhilosophers of mind\nPresidents of the Aristotelian Society\nPrinceton University alumni\nPrinceton University faculty\nUniversity of Alberta faculty\nUniversity of Oklahoma faculty\nUniversity of Ottawa faculty\nPresidents of the Canadian Philosophical Association", "Theodor Lipps (; 28 July 1851 – 17 October 1914) was a German philosopher, famed for his theory regarding aesthetics, creating the framework for the concept of Einfühlung (empathy), defined as, \"projecting oneself onto the object of perception.\" This has then led onto opening up a new branch of interdisciplinary research in the overlap between psychology and philosophy.\n\nBiography\nLipps was one of the most influential German university professors of his time, attracting many students from other countries. Lipps was very concerned with conceptions of art and the aesthetic, focusing much of his philosophy around such issues. Among his fervent admirers was Sigmund Freud. There were at least two theories that made an impact on Freud's works. The first was Lipps' theory of the unconscious mental events. Lipps was then a main supporter of the idea of the Unconscious. The second was Lipps' works on humor.\n\nEinfühlung \nHe adopted Robert Vischer's notions of empathy or esthetic sympathy (Einfühlung, literally translated to \"feeling-into\"). He was responsible for popularizing the term by modifying Vischer's conceptualization. Particularly, Lipps concealed some of the thinker's mysticism, hiding it within the sphere of scientific psychology in his work, Aesthetics of Space and Geometrical Illusions. The term was used to describe the process of contemplating art objects as representation of our feelings. Lipps developed it into an aesthetic theory, which was refined further by other thinkers such as Roger Fry and Vernon Lee. This concept of aesthetic resonance finds parallels throughout aesthetic philosophy. In this concept, empathy is said to begin with both the object and the pleasure drawn together in a single act instead of a separate object with which we have aesthetic enjoyment or with pleasure taken in an object. According to Lipps, empathy incorporates movement or activity, which is bound up with observed object by: 1) being derived from it; and, 2) by being inseparable from it.\n\nPsychologism \nLipps was an important adherent of psychologism early in his career. This philosophy was based on the Neo-Kantianism that became influential in German philosophy during the second half of the nineteenth century. He became a spokesman of this school as evidenced in his early publications. In his work, Logik (1893), he declared his \"unlimited foundational logical psychologism\", which is based on a partial identity of psychology of thinking and the logic of thinking. Here, logic is considered the \"physics of thinking\" rather than an \"ethics of thinking\". According to Lipps, \"logic is a psychological discipline, as certain as the cognition occurs only in the psyche, and the thinking, which completes itself in the cognition, is a psychical event.\"\n\nLate in life, Lipps adopted some ideas from Edmund Husserl as he developed in another direction. Disliking his psychologism, some of his students joined with some of Husserl's to form a new branch of philosophy called phenomenology of essences. Among them there was Moritz Geiger who wrote one of the first phenomenological essays on the essence and meaning of empathy in which the influence of Lipps is relevant. There was also Paul Ferdinand Linke who studied under Lipps at the Ludwig-Maximilians-Universitat and dealt with Husserlian phenomenology in his first publication, Die phaenomenale Sphaere.\n\nIn the so-called aesthetics of \"oughtness\", Lipps attempted to reconcile \"ought\" with \"is\".\n\nSee also \n Otto Selz\n\nReferences\n\nSources \n\n Hatfield, G. Psychology Old and New, Institute for Research in Cognitive Science Technical Report No.IRCS-01-07 (University of Pennsylvania, 2001)\n Lyubimova, T. \"On the Comic\", in: Aesthetics, Art, Life: A Collection of Articles, compiled by T. Lyubimova, M. Ovsyannikov; general editorship by A. Zis; translated from the Russian by Sergei Syrovatkin (Moscow: Raduga Publishers, 1988), pp. 200–211.\n\nExternal links \n\n \n \n Some digitized texts by Lipps in the Virtual Laboratory of the Max Planck Institute for the History of Science\n\n1851 births\n1914 deaths\n19th-century essayists\n19th-century German non-fiction writers\n19th-century German male writers\n19th-century German philosophers\n20th-century essayists\n20th-century German non-fiction writers\n20th-century German philosophers\nContinental philosophers\nGerman male essayists\nGerman male non-fiction writers\nPhenomenologists\nPhilosophers of art\nPhilosophers of culture\nPhilosophers of mind\nPhilosophy academics\nPhilosophy writers" ]

[ "Robert Owen", "Models for socialism (1817)", "What were his models for socialism?", "Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2", "Were there philosophers he based his thinking on?", "I don't know." ]

[ "The socialist-oriented market economy (Vietnamese: Kinh tế thị trường theo định hướng xã hội chủ nghĩa) is the official title given to the current economic system in the Socialist Republic of Vietnam. It is described as a multi-sectoral market economy where the state sector plays the decisive role in directing economic development, with the eventual long-term goal of developing socialism.\n\nThe socialist-oriented market economy is a product of the Đổi Mới economic reforms which led to the replacement of the centrally planned economy with a market-based mixed economy based on the predominance of state-owned industry. These reforms were undertaken to allow Vietnam to integrate with the global market economy. The term \"socialist-oriented\" is used to highlight the fact that Vietnam has not yet achieved socialism and is in the process of building the basis for a future socialist system. The economic model is similar to the socialist market economy employed in the People's Republic of China.\n\nReforms leading to establishment \n\nThe Đổi Mới economic reforms were initiated by the Communist Party of Vietnam in 1986 during the party's 6th National Congress. These reforms introduced a greater role for market forces for the coordination of economic activity between enterprises and government agencies, and allowed for private ownership of small enterprises and the creation of a stock exchange for both state and non-state enterprises.\n\nThe economic reforms aimed to restructure the Vietnamese economy away from Soviet-type central planning and towards a market-based mixed economy intended to be a transitional phase in the development of a socialist economy. The goal of this economic system is to improve the productive forces of the economy, developing a firm technical-material base for the foundation of socialism, and to enable Vietnam to better integrate with the world economy.\n\nIn the early 1990s, Vietnam accepted some World Bank reform advice for market liberalization, but rejected structural adjustment programs and conditional aid funding requiring privatization of state-owned enterprises.\n\nDescription \nThe socialist-oriented market economy is a multi-sectoral commodity economy regulated by the market, consisting of a mixture of private, collective and state ownership of the means of production. However, the state sector and collectively owned enterprises form the backbone of the economy. It is similar to the Chinese socialist market economy in that many forms of ownership, including cooperative/collective enterprises, communal, private and state ownership models co-exist in the economy, but the state sector plays a decisive role.\n\nVietnam is the most pro-capitalist country in a 2014 survey by the Pew Research Center, with 95% of its citizens support free market system.\n\nCompared with the Chinese model \nIn contrast to the Chinese model (dubbed the socialist market economy), the Vietnamese system is more explicitly characterized as an economy in transition to socialism and not as a form of socialism or even market socialism, with the process of building socialism seen as a long-term process. Claiming to be consistent with Marxist theory, socialism is understood to only emerge once Vietnam's productive forces are developed to a point where socialism becomes a technical possibility. As such, it is similar to the Chinese position on the primary stage of socialism.\n\nVietnam's socialist-oriented market economy shares many common characteristics with the Chinese socialist market economy in its institutions and policies, combining fundamentally market-based economies with the predominance of state-owned enterprises, the coexistence of a vibrant private sector, a single-party political system, and the existence of five-year economic plans. This has led development economists to consider both these countries sharing the same basic economic model. \n\nThe differences between these two models includes a higher degree of decentralization and autonomy of local governments in Vietnam (being higher than in other East Asian developmental states), with greater income redistribution between provinces resulting in a lower Gini coefficient. Some authors associate this model with the East Asian model of state capitalism, while others associate it with market socialism. Common to other East Asian developmental states, Vietnam shares mutually supporting institutions and active public authorities with strong capacities to implement long-term economic plans.\n\nTheoretical basis \nThe Communist Party of Vietnam maintains that the socialist-oriented market economy is consistent with the classical Marxist view of economic development and historical materialism, where socialism can only emerge once material conditions have been sufficiently developed to enable socialist relations. The socialist-oriented market model is seen as a key step for achieving the necessary economic growth and modernization while being able to co-exist in the contemporary global market economy and benefit from global trade. The Communist Party of Vietnam has re-affirmed its commitment to the development of a socialist economy with its Đổi Mới reforms.\n\nThis economic model is defended from a Marxist-Leninist perspective, which states that a planned socialist economy can only emerge after first developing the basis for socialism through the establishment of a market economy and commodity-exchange economy and that socialism will only emerge after this stage has exhausted its historical necessity and gradually transforms itself into socialism. Proponents of this model argue that the economic system of the Soviet Union and its satellite states attempted to go from a natural economy to a planned economy by decree without passing through the necessary market economy phase of development.\n\nProponents of socialist market economies distinguish themselves from market socialists with the view of market socialism that markets are a central feature of socialism and that markets are the most feasible mechanism for a socialist economy.\n\nSee also \n\n Developmental state\n Dirigism\n East Asian model of capitalism\n Economy of Vietnam\n List of communist ideologies\n Market economy\n Market socialism\n Primary stage of socialism\n State capitalism\n Socialist market economy\n Socialism with Chinese characteristics\n Transition economy\n\nReferences \n\nSocialism\nMarket socialism\nMixed economies\nEconomic systems\nEconomic ideologies\nEconomy of Vietnam", "Criticism of socialism (also known as anti-socialism) is any critique of socialist models of economic organization and their feasibility as well as the political and social implications of adopting such a system. Some critiques are not directed toward socialism as a system, but rather toward the socialist movement, parties or existing states. Some critics consider socialism to be a purely theoretical concept that should be criticized on theoretical grounds (such as in the economic calculation problem and the socialist calculation debate) while others hold that certain historical examples exist and that they can be criticized on practical grounds. Because there are many models of socialism, most critiques are focused on a specific type of socialism and the experience of Soviet-type economies that may not apply to all forms of socialism as different models of socialism conflict with each other over questions of property ownership, economic coordination and how socialism is to be achieved. Critics of specific models of socialism might be advocates of a different type of socialism.\n\nAccording to the Austrian School economist Ludwig von Mises, an economic system that does not utilize money, financial calculation and market pricing will be unable to effectively value capital goods and coordinate production and therefore socialism is impossible because it lacks the necessary information to perform economic calculation in the first place. Another central argument leveled against socialist systems based on economic planning is based on the use of dispersed knowledge. Socialism is unfeasible in this view because information cannot be aggregated by a central body and effectively used to formulate a plan for an entire economy, because doing so would result in distorted or absent price signals. Other economists criticize models of socialism based on neoclassical economics for their reliance on the faulty and unrealistic assumptions of economic equilibrium and pareto efficiency. Some philosophers have also criticized the aims of socialism, arguing that equality erodes away at individual diversities and that the establishment of an equal society would have to entail strong coercion. \n\nEconomic liberals and right-libertarians view private ownership of the means of production and the market exchange as natural entities or moral rights which are central to their conceptions of freedom and liberty and view the economic dynamics of capitalism as immutable and absolute. As a result, they perceive public ownership of the means of production and economic planning as infringements upon liberty.\n\nCritique of centralized planning\n\nDistorted or absent price signals \nThe economic calculation problem is a criticism of central economic planning which exists in some forms of socialism. It was first proposed in 1854 by the Prussian economist Hermann Heinrich Gossen. It was subsequently expounded in 1902 by the Dutch economist Nicolaas Pierson, in 1920 by Ludwig von Mises and later by Friedrich Hayek. The problem referred to is that of how to distribute resources rationally in an economy. The free market relies on the price mechanism, wherein people individually have the ability to decide how resources should be distributed based on their willingness to give money for specific goods or services. The price conveys embedded information about the abundance of resources as well as their desirability (supply and demand) which in turn allows—on the basis of individual consensual decisions—corrections that prevent shortages and surpluses. Mises and Hayek argued that this is the only possible solution and without the information provided by market prices socialism lacks a method to rationally allocate resources. Those who agree with this criticism argue it is a refutation of socialism and that it shows that a socialist planned economy could never work. The debate raged in the 1920s and 1930s and that specific period of the debate has come to be known by economic historians as \"the Socialist Calculation Debate\".\n\nMises argued in a famous 1920 article \"Economic Calculation in the Socialist Commonwealth\" that the pricing systems in socialist economies were necessarily deficient because if government owned the means of production, then no prices could be obtained for capital goods as they were merely internal transfers of goods in a socialist system and not \"objects of exchange\", unlike final goods, therefore they were unpriced and hence the system would be necessarily inefficient since the central planners would not know how to allocate the available resources efficiently. This led him to declare \"that rational economic activity is impossible in a socialist commonwealth\". Mises developed his critique of socialism more completely in his 1922 book Socialism, An Economic and Sociological Analysis.\n\nMises argued that a socialist system based upon a planned economy would not be able to allocate resources effectively due to the lack of price signals. Because the means of production would be controlled by a single entity, approximating prices for capital goods in a planned economy would be impossible. His argument was that socialism must fail economically because of the economic calculation problem—the impossibility of a socialist government being able to make the economic calculations required to organize a complex economy. Mises projected that without a market economy there would be no functional price system which he held essential for achieving rational and efficient allocation of capital goods to their most productive uses. According to Mises, socialism would fail as demand cannot be known without prices. These arguments were elaborated by subsequent Austrian economists such as Hayek and students such as Hans Sennholz. In 1977, Hayek argued that \"prices are an instrument of communication and guidance which embody more information than we directly have\" and \"the whole idea that you can bring about the same order based on the division of labor by simple direction falls to the ground. [...] [I]f you need prices, including the prices of labor, to direct people to go where they are needed, you cannot have another distribution except the one from the market principle\".\n\nHungarian economist János Kornai has written that \"the attempt to realize market socialism [...] produces an incoherent system, in which there are elements that repel each other: the dominance of public ownership and the operation of the market are not compatible\".\n\nProponents of laissez-faire capitalism argue that although private monopolies do not have any actual competition, there are many potential competitors watching them and if they were delivering inadequate service, or charging an excessive amount for a good or service, investors would start a competing enterprise. The anarcho-capitalist economist Hans-Hermann Hoppe argues that in the absence of prices for the means of production, there is no cost-accounting which would direct labor and resources to the most valuable uses. According to Tibor Machan, \"[w]ithout a market in which allocations can be made in obedience to the law of supply and demand, it is difficult or impossible to funnel resources with respect to actual human preferences and goals\".\n\nAccording to economist Milton Friedman: \"The loss part is just as important as the profit part. What distinguishes the private system from a government socialist system is the loss part. If an entrepreneur's project doesn't work, he closes it down. If it had been a government project, it would have been expanded, because there is not the discipline of the profit and loss element\".\n\nProponents of chaos theory argue that it is impossible to make accurate long-term predictions for highly complex systems such as an economy.\n\nPierre-Joseph Proudhon raises similar calculational issues in his General Idea of the Revolution in the 19th Century, but he also proposes certain voluntary arrangements which would also require economic calculation. Leon Trotsky, a fierce proponent of decentralized economic planning, argued that centralized economic planning would be \"insoluble without the daily experience of millions, without their critical review of their own collective experience, without their expression of their needs and demands and could not be carried out within the confines of the official sanctums\" and \"[e]ven if the Politburo consisted of seven universal geniuses, of seven Marxes, or seven Lenins, it will still be unable, all on its own, with all its creative imagination, to assert command over the economy of 170 million people\". In contrast to the lack of a marketplace, market socialism can be viewed as an alternative to the traditional socialist model. Theoretically, the fundamental difference between a traditional socialist economy and a market socialist economy is the existence of a market for the means of production and capital goods. Socialist market abolitionists reply that whilst advocates of capitalism and the Austrian School in particular recognize equilibrium prices do not exist, they nonetheless claim that these prices can be used as a rational basis when this is not the case, hence markets are not efficient. According to market abolitionists socialists, decentralized planning allows for a spontaneously self-regulating system of stock control (relying solely on calculation in kind) to come about and that in turn decisively overcomes the objections raised by the economic calculation argument that any large scale economy must necessarily resort to a system of market prices.\n\nSuppression of economic democracy and self-management \nCentral planning is also criticized by elements of the radical left. Libertarian socialist economist Robin Hahnel notes that even if central planning overcame its inherent inhibitions of incentives and innovation, it would nevertheless be unable to maximize economic democracy and self-management, which he believes are concepts that are more intellectually coherent, consistent and just than mainstream notions of economic freedom.\n\nAs Hahnel explains: \"Combined with a more democratic political system, and redone to closer approximate a best case version, centrally planned economies no doubt would have performed better. But they could never have delivered economic self-management, they would always have been slow to innovate as apathy and frustration took their inevitable toll, and they would always have been susceptible to growing inequities and inefficiencies as the effects of differential economic power grew. Under central planning neither planners, managers, nor workers had incentives to promote the social economic interest. Nor did impending markets for final goods to the planning system enfranchise consumers in meaningful ways. But central planning would have been incompatible with economic democracy even if it had overcome its information and incentive liabilities. And the truth is that it survived as long as it did only because it was propped up by unprecedented totalitarian political power\".\n\nCritique of public enterprise\n\nSlow or stagnant technological advance \n\nEconomist Milton Friedman argued that socialism, by which he meant state ownership over the means of production (a position traditionally known as state capitalism) impedes technological progress due to competition being stifled. He noted that \"we need only look to the United States to see where socialism fails\" by observing that the \"most technologically backward areas are those where government owns the means of production\".\n\nFriedman claimed that socialism advocated the abolition of a free markets and money- and risk-based reward systems, a claim disputed by some socialists. Friedman argues that without such a money- and risk-based reward system, many capitalist inventors, whom Friedman holds would nonetheless exist within socialism, would not risk time or capital for research. Friedman believed that this was one of the reasons for the United States patent system and copyright law, arguing:\nSocialism has proved no more efficient at home than abroad. What are our most technologically backward areas? The delivery of first class mail, the schools, the judiciary, the legislative system – all mired in outdated technology. No doubt we need socialism for the judicial and legislative systems. We do not for mail or schools, as has been shown by Federal Express and others, and by the ability of many private schools to provide superior education to underprivileged youngsters at half the cost of government schooling. [...]\n\nWe all justly complain about the waste, fraud and inefficiency of the military. Why? Because it is a socialist activity – one that there seems no feasible way to privatize. But why should we be any better at running socialist enterprises than the Russians or Chinese?\n\nBy extending socialism far beyond the area where it is unavoidable, we have ended up performing essential government functions far less well than is not only possible but than was attained earlier. In a poorer and less socialist era, we produced a nationwide network of roads and bridges and subway systems that were the envy of the world. Today we are unable even to maintain them.\n\nReduced incentives \nCritics of socialism have argued that in any society where everyone holds equal wealth (which is what they believe is the result of socialism), there can be no material incentive to work because one does not receive rewards for a work well done. They further argue that incentives increase productivity for all people and that the loss of those effects would lead to stagnation. Some critics of socialism argue that income sharing reduces individual incentives to work and therefore incomes should be individualized as much as possible.\n\nIn The Principles of Political Economy (1848), John Stuart Mill wrote:\n\nMill later altered his views and adopted a socialist perspective, adding chapters to his Principles of Political Economy in defense of a socialist outlook and defending some socialist causes. Within this revised work, he also made the radical proposal that the whole wage system be abolished in favour of a co-operative wage system. Nonetheless, some of his views on the idea of flat taxation remained, albeit in a slightly toned down form.\n\nReduced prosperity \nAustrian school economist Hans-Hermann Hoppe argued that countries where the means of production are nationalized are not as prosperous as those where the means of production are under private control (\"prosperous\" is defined in terms of GDP). However, not all socialists subscribe to the idea of nationalisation, some preferring socialisation instead. \n\nAnother Austrian school economist, Ludwig von Mises, argued that aiming for more equal incomes through state intervention necessarily leads to a reduction in national income and therefore average income. Consequently, he says that the socialist chooses the objective of a more equal distribution of income on the assumption that the marginal utility of income to a poor person is greater than that to a rich person. According to Mises, this mandates a preference for a lower average income over inequality of income at a higher average income. He sees no rational justification for this preference and he also states that there is little evidence that the objective of greater income equality is achieved.\n\nMises also says: \"The only certain fact about Russian affairs under the Soviet regime with regard to which all people agree is: that the standard of living of the Russian masses is much lower than that of the masses in the country which is universally considered as the paragon of capitalism, the United States of America. If we were to regard the Soviet regime as an experiment, we would have to say that the experiment has clearly demonstrated the superiority of capitalism and the inferiority of socialism\".\n\nSocial and political effects \nIn The Road to Serfdom, Friedrich Hayek argued that the more even distribution of wealth through the nationalization of the means of production cannot be achieved without a loss of political, economic and human rights. He argued that to achieve control over means of production and distribution of wealth it is necessary for such socialists to acquire significant powers of coercion. Hayek argued that the road to socialism leads society to totalitarianism and argued that fascism and Nazism were the inevitable outcome of socialist trends in Italy and Germany during the preceding period. Thus, held Hayek, moving leftward from capitalism to socialism is actually moving rightward, from capitalism to fascism. These ideas are encapsulated in the “horseshoe theory”. A similar argument has been made by critics such as Dinesh D'Souza, who hold that because the full German name of the German Nazi Party was Nationalsozialistische Deutsche Arbeiterpartei, and because \"Nationalsozialistische\" translates to \"National Socialism,\" fascism is actually a type of socialism, and so many socialists are Nazis.\n\nPeter Self criticizes the traditional socialist planned economy and argues against pursuing \"extreme equality\" because he believes it requires \"strong coercion\" and does not allow for \"reasonable recognition [for] different individual needs, tastes (for work or leisure) and talents\". Self holds that while a socialist planned economy provides substantially greater freedom than is present in capitalism—under which the vast majority of people are coerced by the threat of starvation to work for the profit of a small capitalist class—adding markets to socialism improves freedom and efficiency. Accordingly, Self recommends market socialism instead of either capitalism or non-market socialism. Philosopher David Schweickart has described similar views.\n\nClaims of leadership corruption \nSome critics of socialism see socialism as a type of political state organization instead of as a type of socioeconomic structure (as is traditional). These thinkers generally criticize what they term \"socialist states\" rather than \"socialism.\" \n\nMilton Friedman argued that the absence of private economic activity would enable political leaders to grant themselves coercive powers, powers that, under a capitalist system, would instead be granted by a capitalist class, which Friedman found preferable. In his campaign against Labour candidate Clement Attlee in the 1945 general election, Winston Churchill claimed that socialism requires totalitarian methods, including a political police, in order to achieve its goals.\n\nMass killings \nMany commenters on the political right point to the mass killings under communist regimes, claiming them as an indictment of socialism. Defenders of socialism state that these killings were aberrations caused by specific authoritarian regimes, and not caused by socialism itself, and point to mass deaths in wars that they claim were caused by capitalism and anti-communism as a counterpoint to those killings.\n\nSee also \n Anti-capitalism\n Anti-communism\n Criticism of capitalism\n Criticism of communist party rule\n Criticism of Marxism\n Criticism of social democracy\n Economic calculation problem\n Economic efficiency\n Economic equilibrium\n The Fatal Conceit\n McCarthyism\n Mixed economy\n Socialist calculation debate\n Soviet-type economic planning\n Tragedy of the commons\n\nReferences\n\nFurther reading \n \n \n\nAnti-communism\nMacroeconomic problems\nSocialism" ]

[ "Robert Owen", "Models for socialism (1817)", "What were his models for socialism?", "Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2", "Were there philosophers he based his thinking on?", "I don't know.", "What is models for socialism?", "began making specific efforts to implement what he described as his \"New View of Society.\"" ]

[ "Real utopian sociology is an emancipatory social science created and practiced by Erik Olin Wright, a utopian studies scholar. The apparent contradiction in its name is intentional: this sociology seeks to find existing utopian projects and evaluate their potential to replace systems of domination, particularly as an anti-capitalism strategy. Simply put, real utopian sociology is the study of feasible utopian models for society and pathways to achieve them.\n\nOverview \nStarting in 1991 Wright, organized a series of workshop conferences known as The Real Utopian Project that model the practice of real utopian sociology. The conferences are sponsored by the A.E. Havens Center for Social Justice at the University of Wisconsin–Madison and structured around \"a provocative manuscript that lays out the basic outlines of a radical institutional proposal.\" This manuscript is then sent to 15–20 scholars, who write essays on the topic. Prior to the conference these essays are circulated to all the conference participants and then each is discussed at the conference. Following the conference, participants have the opportunity to revise their work before it’s collectively published in Verso’s Real Utopias Project series; with the exception of papers from the first 1991 conference, which were not published as a series.\n\nPast conference topics include: Basic Income Grants; Secondary Associations and Democratic Governance; A Model for Market Socialism, which was organized around the book, A Future for Socialism, rather than a manuscript; Efficient Redistribution in Advanced Capitalism; Deepening Democracy; Rethinking Redistribution; Pensions and the Control of Capital Accumulation; Institutions for Gender Egalitarianism: Creating the Conditions for Egalitarian Dual Earner/Dual Caregiver Families; Legislature by Lot; Pathways to a Cooperative Economy; and Democratizing Finance.\n\nSee also\n\nDigital socialism\n\nReferences\n\nMarxist sociology\nUtopian studies\nMarxist theory", "Socialism with a Northern Accent: Radical Traditions for Modern Times is a book by Paul Salveson, at that time a Labour Party and trade union activist, which re-asserts the strength and distinctiveness of the socialism which emerged in the mills, mines and railway yards of the North of England. It also makes the case for the renewal of popular socialism through devolution to the North of England.\n\nThe book was originally published with a foreword by John Prescott, who described it as \"an important account of Labour’s traditional, community-based values with many lessons for today\".\n\nReferences \n\n2011 non-fiction books\nBooks about socialism" ]

[ "Robert Owen", "Models for socialism (1817)", "What were his models for socialism?", "Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2", "Were there philosophers he based his thinking on?", "I don't know.", "What is models for socialism?", "began making specific efforts to implement what he described as his \"New View of Society.\"", "Is Models for socialism a book?", "Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws." ]

[ "William Forster Lloyd FRS (1794 – 2 June 1852) was a British writer on economics. He is best known today for one of his 1833 lectures on population control which have influenced writers in modern economic theory.\n\nLife\nBorn in 1794 at Bradenham, Buckinghamshire, he was the fourth son of Thomas Lloyd, rector of Aston-sub-Edge, and his wife, Elizabeth Ryder; Charles Lloyd was his elder brother. He was educated at Westminster School and Christ Church, Oxford, graduating BA in 1815 and MA in 1818. He was Greek Reader in 1823, Mathematical lecturer and Drummond Professor of Political Economy (1832–1837) at Christ Church, Oxford (successor to Nassau Senior). He was elected a Fellow of the Royal Society in 1834, and died at Prestwood, Missenden, Buckinghamshire in 1852.\n\nInfluential lectures\nLloyd published several of his lectures. In his Two Lectures on the Checks to Population (1833) he introduced the concept of the overuse of a common by its commoners (i.e. those with rights of use and access to it), which was later to be developed by the economist H. Scott Gordon and later still by the ecologist Garrett Hardin and termed by Hardin \"The Tragedy of the Commons\". However, Hardin's use of Lloyd's example has frequently been misunderstood, leading him to later remark that he should have titled his work \"The Tragedy of the Unmanaged Commons\".\n\nThe key passage in Lloyd's work is:\n\n\"If a person puts more cattle into his own field, the amount of the subsistence which they consume is all deducted from that which was at the command, of his original stock; and if, before, there was no more than a sufficiency of pasture, he reaps no benefit from the additional cattle, what is gained in one way being lost in another.\nBut if he puts more cattle on a common, the food which they consume forms a deduction which is shared between all the cattle, as well that of others as his own, in proportion to their number, and only a small part of it is taken from his own cattle. In an inclosed pasture, there is a point of saturation, if I may so call it, (by which, I mean a barrier depending on considerations of interest,) beyond which no prudent man will add to his stock. In a common, also, there is in like manner a point of saturation. But the position of the point in the two cases is obviously different. Were a number of adjoining pastures, already fully stocked, to be at once thrown open, and converted into one vast common, the position of the point of saturation would immediately be changed\".\n\nIn his Lectures on Population, Value, Poor Laws and Rent (1837) he introduced a concise and complete statement of the concept of diminishing marginal utility, and connected demand to value, but he presents neither derivation nor elaboration. Still this contribution places him clearly in the ranks of the Oxford-Dublin school of proto-Marginalists.\n\nMajor works of William F. Lloyd\nLecture on the Notion of Value, as distinguished not only from utility, but also from value in exchange, 1833.\nTwo Lectures on the Checks to Population, 1833.\nFour Lectures on Poor-Laws, 1835\nTwo Lectures on the Justice of the Poor-Laws and One Lecture on Rent, 1837.\nLectures on Population, Value, Poor Laws and Rent, 1837.\n\nReferences\n\nExternal links\n\n Profile of William Forster Lloyd at the History of Economic Thought website\n Two Lectures on the Checks to Population\n\n1794 births\n1852 deaths\nPeople from Buckinghamshire\nBritish economists\nFellows of the Royal Society\nPeople educated at Westminster School, London\nAlumni of Christ Church, Oxford\nDrummond Professors of Political Economy", "John Revans was secretary to the English Poor Law Commission and the Royal Commission on the Poorer Classes in Ireland 1833. In 1836, he was appointed assistant commissioner of the Poor Laws. In the 1840s he conducted an examination of the Chartist land settlements for the Poor Law Commissioners.\n\nHe was described as a \"Benthamite radical\".\n\nSelected publications\nObservations on the timber trade. Richardson, 1831.\nRemarks on the navigation laws. Baldwin, Cradock, and Joy, 1831.\nEvils of the state of Ireland, their causes, and their remedy; a poor law. 1836.\n\nReferences\n\nBritish civil servants\nYear of birth missing\nYear of death missing" ]

[ "Robert Owen", "Models for socialism (1817)", "What were his models for socialism?", "Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2", "Were there philosophers he based his thinking on?", "I don't know.", "What is models for socialism?", "began making specific efforts to implement what he described as his \"New View of Society.\"", "Is Models for socialism a book?", "Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws.", "What was his position on the Poor Laws?", "In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country," ]

[ "A package of constitutional reforms proposed by the Constitutional Council was held in the Marshall Islands in April 1995. In 1994 the Nitijela voted to create a Constitutional Council which would propose a raft of constitutional changes and reforms. The Council submitted thirty-five proposals, each of which had to attain a two-thirds majority of valid votes in order to pass. Turnout was low at 33%, and only a measure establishing the Marshallese language version of the constitution passed. All other proposals failed to reach the two-thirds bar, and thus failed.\n\nReferences\n\n1995 referendums\n1995 in the Marshall Islands\nReferendums in the Marshall Islands", "The American Bankruptcy Institute is an organization of over 13,000 bankruptcy and insolvency professionals, including attorneys, judges, law professors, accountants, investment bankers and turn-around specialists. It bills itself as the \"largest multi-disciplinary, non-partisan organization dedicated to research and education on matters related to insolvency.\"\n\nThe ABI disseminates information by organizing conferences and publishing scholarly journals, including the American Bankruptcy Institute Law Review. It also holds panels bringing together multiple viewpoints on particular issues relating to insolvency. In addition, the ABI has established a commission to study and propose reforms to Chapter 11 law governing bankruptcies.\n\nReferences\n\nExternal links \n\n ABI website\n\nBankruptcy in the United States" ]

[ "Robert Owen", "Models for socialism (1817)", "What were his models for socialism?", "Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2", "Were there philosophers he based his thinking on?", "I don't know.", "What is models for socialism?", "began making specific efforts to implement what he described as his \"New View of Society.\"", "Is Models for socialism a book?", "Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws.", "What was his position on the Poor Laws?", "In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country,", "What reforms did he propose?", "recommended the establishment of self-sufficient communities." ]

[ "Bernard of Valdeiglesias (or \"of Candeleda\") was a Benedictine Cistercian monk at Valdeiglesias, province of Avila, Spain.\n\nLife\nBernard joined the Cistercians in 1177. He was sent with a group of other monks to establish a monastery at Grandassilva in Estremadura, which effort failed when the community was devastated by the plague.\n\nHe is Patron saint of Candeleda, Spain, and is invoked against rabies.\n\nNotes\n\nSpanish Roman Catholic saints\n12th-century Christian saints\n1155 deaths\nSpanish Benedictines\nSpanish Cistercians\nYear of birth unknown", "Pushthrough is a resettled fishing community located on Newfoundland and Labrador's south coast, about 20 km northwest of Hermitage. Permanent settlement at Pushthrough happened in 1814, when George Chambers moved there from Gaultois to establish a fishing room and later a store. The community lost population to Gaultois in the 1950s and to Head of Bay d'Espoir in the 1960s. In 1968, virtually all the families with school aged children moved, effectively leading to the downfall of the community.\n\nSee also\nList of lighthouses in Canada\n\nReferences\n\nExternal links\n Picture of the lighthouse\n Aids to Navigation Canadian Coast Guard\n\nGhost towns in Newfoundland and Labrador\nLighthouses in Newfoundland and Labrador" ]

[ "Robert Owen", "Models for socialism (1817)", "What were his models for socialism?", "Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2", "Were there philosophers he based his thinking on?", "I don't know.", "What is models for socialism?", "began making specific efforts to implement what he described as his \"New View of Society.\"", "Is Models for socialism a book?", "Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws.", "What was his position on the Poor Laws?", "In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country,", "What reforms did he propose?", "recommended the establishment of self-sufficient communities.", "When did he establish a community?", "I don't know." ]

[ "William Frederick McCoy (1886 – 4 December 1976) was an Ulster Unionist member of the Parliament of Northern Ireland for South Tyrone who went on to become an early supporter of Ulster nationalism.\n\nBorn in Fivemiletown, County Tyrone, McCoy was educated at Clones High School and Trinity College Dublin, where he studied law. After serving in the British Army during World War I McCoy became a barrister in 1920 and held a number of leading legal positions in Northern Ireland including Crown Prosecutor for County Fermanagh (from 1926), Resident Magistrate for Belfast (1937–1943) and Senior Crown Prosecutor for Belfast (1949–1967).\n\nInitially elected to the Parliament in a by-election on 12 April 1945 (following the death of Rowley Elliott the previous year), McCoy held the seat for the Ulster Unionists until his retirement in 1965. Whilst at first his political viewpoints were fairly typical of Unionism at the time, McCoy began to doubt how far the Union was safeguarded by the existing status of Northern Ireland as it was entirely determined by the United Kingdom, whom, he felt, could as easily vote it out of existence as retain it. As a result, McCoy called for Northern Ireland to be governed as a Dominion within the Commonwealth, along the lines of Australia and Canada, with the British monarch retained as Head of State, but with the Northern Irish Parliament otherwise free to govern.\n\nMcCoy's ideas were generally rejected by the Unionist establishment, who were generally happy with the way things were, and he was sidelined, although he did serve as Speaker of the House of Commons of Northern Ireland in 1956 during a brief period when the long-term Speaker Sir Norman Stronge was forced to step aside. An office Stronge held was found to disqualify him, but he resigned it and a Bill was rushed through Parliament to indemnify him. McCoy stepped down from the Northern Ireland House of Commons in 1965, when his seat was won by John Taylor. McCoy continued to write in support of his Dominion plans until his death in 1976.\n\nReferences\n David Kerr, The Real McCoy: W.F. McCoy: Prophet of Ulster Nationalism \n\n1886 births\n1976 deaths\nPeople from Fivemiletown\nBritish Army officers\nBritish Army personnel of World War I\nBarristers from Northern Ireland\nMembers of the Bar of Northern Ireland\nMembers of the House of Commons of Northern Ireland 1938–1945\nMembers of the House of Commons of Northern Ireland 1945–1949\nMembers of the House of Commons of Northern Ireland 1949–1953\nMembers of the House of Commons of Northern Ireland 1953–1958\nMembers of the House of Commons of Northern Ireland 1958–1962\nMembers of the House of Commons of Northern Ireland 1962–1965\nUlster nationalists\nUlster Unionist Party members of the House of Commons of Northern Ireland\nSpeakers of the House of Commons of Northern Ireland\nMembers of the House of Commons of Northern Ireland for County Tyrone constituencies\nPoliticians from County Tyrone", "John Henry Collins (3 March 1880 – 12 January 1952) was a nationalist politician and solicitor in Northern Ireland.\n\nBorn in Newry, he was educated at the Christian Brothers School, Newry, and Queen's University Belfast.\n\nAt the 1925 general election, he was elected to the Parliament of Northern Ireland for County Armagh, and then from 1929 to 1933 for South Down. He did not take his seat until 2 November 1927. He did not contest the 1933 election.\n\nReferences\n\n1880 births\n1952 deaths\nMembers of the House of Commons of Northern Ireland 1925–1929\nMembers of the House of Commons of Northern Ireland 1929–1933\nMembers of the House of Commons of Northern Ireland for County Armagh constituencies\nMembers of the House of Commons of Northern Ireland for County Down constituencies\nAlumni of Queen's University Belfast" ]

[ "Kara (South Korean band)", "2009: Rise in popularity in South Korea, Honey and Revolution" ]

[ "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books", "\"What Happened to Us\" is a song by Australian recording artist Jessica Mauboy, featuring English recording artist Jay Sean. It was written by Sean, Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim and Israel Cruz. \"What Happened to Us\" was leaked online in October 2010, and was released on 10 March 2011, as the third single from Mauboy's second studio album, Get 'Em Girls (2010). The song received positive reviews from critics.\n\nA remix of \"What Happened to Us\" made by production team OFM, was released on 11 April 2011. A different version of the song which features Stan Walker, was released on 29 May 2011. \"What Happened to Us\" charted on the ARIA Singles Chart at number 14 and was certified platinum by the Australian Recording Industry Association (ARIA). An accompanying music video was directed by Mark Alston, and reminisces on a former relationship between Mauboy and Sean.\n\nProduction and release\n\n\"What Happened to Us\" was written by Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz and Jay Sean. It was produced by Skaller, Cruz, Rohaim and Bobby Bass. The song uses C, D, and B minor chords in the chorus. \"What Happened to Us\" was sent to contemporary hit radio in Australia on 14 February 2011. The cover art for the song was revealed on 22 February on Mauboy's official Facebook page. A CD release was available for purchase via her official website on 10 March, for one week only. It was released digitally the following day.\n\nReception\nMajhid Heath from ABC Online Indigenous called the song a \"Jordin Sparks-esque duet\", and wrote that it \"has a nice innocence to it that rings true to the experience of losing a first love.\" Chris Urankar from Nine to Five wrote that it as a \"mid-tempo duet ballad\" which signifies Mauboy's strength as a global player. On 21 March 2011, \"What Happened to Us\" debuted at number 30 on the ARIA Singles Chart, and peaked at number 14 the following week. The song was certified platinum by the Australian Recording Industry Association (ARIA), for selling 70,000 copies. \"What Happened to Us\" spent a total of ten weeks in the ARIA top fifty.\n\nMusic video\n\nBackground\nThe music video for the song was shot in the Elizabeth Bay House in Sydney on 26 November 2010. The video was shot during Sean's visit to Australia for the Summerbeatz tour. During an interview with The Daily Telegraph while on the set of the video, Sean said \"the song is sick! ... Jessica's voice is amazing and we're shooting [the video] in this ridiculously beautiful mansion overlooking the harbour.\" The video was directed by Mark Alston, who had previously directed the video for Mauboy's single \"Let Me Be Me\" (2009). It premiered on YouTube on 10 February 2011.\n\nSynopsis and reception\nThe video begins showing Mauboy who appears to be sitting on a yellow antique couch in a mansion, wearing a purple dress. As the video progresses, scenes of memories are displayed of Mauboy and her love interest, played by Sean, spending time there previously. It then cuts to the scenes where Sean appears in the main entrance room of the mansion. The final scene shows Mauboy outdoors in a gold dress, surrounded by green grass and trees. She is later joined by Sean who appears in a black suit and a white shirt, and together they sing the chorus of the song to each other. David Lim of Feed Limmy wrote that the video is \"easily the best thing our R&B princess has committed to film – ever\" and praised the \"mansion and wondrous interior décor\". He also commended Mauboy for choosing Australian talent to direct the video instead of American directors, which she had used for her previous two music videos. Since its release, the video has received over two million views on Vevo.\n\nLive performances\nMauboy performed \"What Happened to Us\" live for the first time during her YouTube Live Sessions program on 4 December 2010. She also appeared on Adam Hills in Gordon Street Tonight on 23 February 2011 for an interview and later performed the song. On 15 March 2011, Mauboy performed \"What Happened to Us\" on Sunrise. She also performed the song with Stan Walker during the Australian leg of Chris Brown's F.A.M.E. Tour in April 2011. Mauboy and Walker later performed \"What Happened to Us\" on Dancing with the Stars Australia on 29 May 2011. From November 2013 to February 2014, \"What Happened to Us\" was part of the set list of the To the End of the Earth Tour, Mauboy's second headlining tour of Australia, with Nathaniel Willemse singing Sean's part.\n\nTrack listing\n\nDigital download\n \"What Happened to Us\" featuring Jay Sean – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (Just Witness Remix) – 3:45\n\nCD single\n \"What Happened to Us\" featuring Jay Sean (Album Version) – 3:19\n \"What Happened to Us\" featuring Jay Sean (Sgt Slick Remix) – 6:33\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:39\n\nDigital download – Remix\n \"What Happened to Us\" featuring Jay Sean (OFM Remix) – 3:38\n\nDigital download\n \"What Happened to Us\" featuring Stan Walker – 3:20\n\nPersonnel\nSongwriting – Josh Alexander, Billy Steinberg, Jeremy Skaller, Rob Larow, Khaled Rohaim, Israel Cruz, Jay Sean\nProduction – Jeremy Skaller, Bobby Bass\nAdditional production – Israel Cruz, Khaled Rohaim\nLead vocals – Jessica Mauboy, Jay Sean\nMixing – Phil Tan\nAdditional mixing – Damien Lewis\nMastering – Tom Coyne \nSource:\n\nCharts\n\nWeekly chart\n\nYear-end chart\n\nCertification\n\nRadio dates and release history\n\nReferences\n\n2010 songs\n2011 singles\nJessica Mauboy songs\nJay Sean songs\nSongs written by Billy Steinberg\nSongs written by Jay Sean\nSongs written by Josh Alexander\nSongs written by Israel Cruz\nVocal duets\nSony Music Australia singles\nSongs written by Khaled Rohaim", "The term \"allohistory\" may refer to:\n\nAlternate history, a form of historical fiction that speculates what would have happened had history gone differently\nCounterfactual history, this speculation used in a real-world setting\nUchronia, a form of historical fantasy that posits a fictional \"what may have happened\" (as in The Lord of the Rings)" ]

[ "Kara (South Korean band)", "2009: Rise in popularity in South Korea, Honey and Revolution", "What happened in 2009?", "At the end of January 2009, DSP announced that it would commence voting on January 28 at the group's official website for the follow-up single to \"Pretty Girl\"," ]

[ "The 1848 Connecticut gubernatorial election was held on April 5, 1848. Incumbent Governor and Whig nominee Clark Bissell was re-elected, defeating former congressman and Democratic nominee George S. Catlin with 50.38% of the vote. \n\nThis was the last such election in which the Whig Party won a majority of the popular vote. Their vote share would steadily decline over each of the next eight elections, ending with their last appearance in the 1856 Connecticut gubernatorial election. The Whigs would only win two more of these eight elections, by the votes of the state legislature. It was also the last appearance of the Liberty Party.\n\nGeneral election\n\nCandidates\nMajor party candidates\n\nClark Bissell, Whig\nGeorge S. Catlin, Democratic\n\nMinor party candidates\n\nFrancis Gillette, Liberty\n\nResults\n\nReferences\n\n1848\nConnecticut\nGubernatorial", "The 1873 United States Senate special election in Massachusetts was held in March 1873 to fill the vacancy left by Senator Henry Wilson, who resigned to become Vice President of the United States. George S. Boutwell won the election.\n\nAt the time, Massachusetts elected United States senators by a majority vote of each separate house of the Massachusetts General Court, the House and the Senate. However, the Senate deadlocked in this race; it was moved that both houses would vote as one, and Boutwell won the combined vote.\n\nBackground\nAt the time, the Massachusetts legislature was dominated the Republican Party. Republicans held all but one of the State Senate seats and 211 of 240 state House seats.\n\nIncumbent Senator Henry Wilson resigned from office upon his election as Vice President of the United States, creating a vacancy for the term ending in 1877.\n\nElection\n\nMarch 11 \nBoth houses of the General Court began balloting on March 11. Boutwell achieved a majority of the House on the second ballot, but the Senate deadlocked.\n\nSenate President George Loring, who was a candidate for the seat, did not vote. One member was absent.\n\nThe third and fourth ballots were identical.\n\nMarch 12 \nFollowing Boutwell's victory in the House, it was widely expected the Senate would ratify their choice the next day. Dawes supporters convened a caucus and decided to continue their support. On the next day, it was moved that both Houses would vote as one to ratify the choice.\n\nReferences\n\n1873\nMassachusetts\nUnited States Senate\nMassachusetts 1873\nMassachusetts\nUnited States Senate 1873", "General elections were held in the Marshall Islands on 18 November 2019. Opponents of President Hilda Heine won a majority of seats.\n\nBackground\nThe 2015 elections saw a significant defeat for the government of incumbent President Christopher Loeak, with five cabinet ministers losing their seats. Following the elections, Casten Nemra was elected as President on 4 January 2016 by a margin of one vote. However, he was removed from office two weeks later by a vote of no confidence ending 21–12 in favour of dismissing him. On 27 January 2016 Hilda Heine was elected the country's first female president. She narrowly survived a vote of no confidence on 12 November 2018; the vote was tied at 16–16 as one member of the Legislature was abroad for medical treatment.\n\nElectoral system\nThe 33 members of the Legislature were elected in 19 single-member constituencies and five multi-member constituencies of between two and five seats in which voters had as many votes as there are seats.\n\nResults\n\nHilda Heine and Kitlang Kabua were the only two women elected, with Kabua becoming the youngest member ever of the legislature at age 28.\n\nReferences\n\n \nMarshall\nGeneral election\nElections in the Marshall Islands\nMarshallese general election\nElection and referendum articles with incomplete results" ]

[ "Kara (South Korean band)", "2009: Rise in popularity in South Korea, Honey and Revolution", "What happened in 2009?", "At the end of January 2009, DSP announced that it would commence voting on January 28 at the group's official website for the follow-up single to \"Pretty Girl\",", "What was the ending vote?", "Honey\" was the clear winner, with 60% of the votes." ]

[ "Honey comes in various types based on the region it is grown and the types of flower that provide the nectar.\n\nEuropean honeys\nThere are several European honey types with PDO/PGI that are protected under EU law with PDO status. Some of the criteria for the production of this honey include that it:\nmust be of high quality\nmay not contain any imported honey\nmay not contain any additives\nmust have a water content of less than 20%\nBulgaria\n Strandzhanski manov med\n\nGreece\n Menalou vanilia fir honey – \"Vanilla\" honey of Mount Mainalo, Arcadia that is made from fir blossom nectar.\n\nSpain\n Miel de Galicia or Mel de Galicia\n Miel de Granada\n Miel de La Alcarria\n\nFrance\n Miel d'Alsace\n Miel de Corse\n Miel de Provence\n Miel de Sapin des Vosges\n\nItaly\n Miele della Lunigiana\n Miele delle Dolomiti bellunesi\n\nLuxembourg\n Miel luxembourgeois de marque nationale\n\nMalta\n Ghasel\n\nPoland\n Miód wrzosowy z Borów Dolnośląskich (heather honey from the Lower Silesian Forest)\n Bartnik Sądecki\n APIS Apiculture Cooperative\n\nPortugal\n Mel da Serra da Lousã\n Mel da Serra de Monchique\n Mel da Terra Quente\n Mel das Terras Altas do Minho\n Mel de Barroso\n Mel do Alentejo\n Mel do Parque de Montezinho\n Mel do Ribatejo Norte\n Mel dos Açores\n\nUkraine\n Sunflower\n Buckwheat\n Acacia\n\nAustralia and Pacific Islands\n\n Eucalyptus honey made in Australia\n Leatherwood Honey, a noted monofloral honey from Tasmania that has been recognised by the international Slow Food movement in its Ark of Taste. \n Manuka honey made in New Zealand\n\nAfrican honeys\nSouth Africa\n Fynbos honey\n\nAmerican honeys\nAmerican honeys include:\nChile\n Miel de Ulmo (\"ulmo honey\") with nectar from Eucryphia cordifolia.\n\nReferences\n\nEuropean Union laws\nHoney\nProducts with protected designation of origin", "Sweet Dreams were an English studio group who scored a hit single in 1974 with a cover of the ABBA song \"Honey Honey\".\n\nCareer\nIn 1974, former Pickettywitch member and session backing vocalist Polly Brown recorded a cover of an ABBA album track, \"Honey Honey\". This was produced by Ron Roker and Gerry Shury, with the former also supplying the male vocal on the track.\n\nTony Jackson was recruited to act as a partner for Brown in their performances for the single. Jackson, born in Barbados 17 March 1944, had moved to London in 1965 and spent five years as a member of reggae outfit the Skatalites who had the No. 36 hit \"Guns of Navarone\" in 1967. Before being recruited by Roker to partner Brown live and on Sweet Dreams' post-\"Honey Honey\" recordings, Jackson had spent some time fronting Gulliver's People, the house band at the Purley nightclub Tiffany's. Jackson and Brown appeared on TOTP performing \"Honey, Honey\" and subsequently recorded tracks to complete a Sweet Dreams album entitled We'll Be Your Music.\n\n\"Honey Honey\" entered the UK Top 50 at No. 46 on the chart dated 20 July 1974. It eventually rose to a No. 10 peak at the end of August. It also reached No. 14 in the Republic of Ireland. Outside the UK, the Sweet Dreams version of \"Honey Honey\" was bested by the single release of the ABBA original, although the Sweet Dreams version did enter the charts in Germany and the US despite ABBA's version being a greater success in both markets. Sweet Dreams' \"Honey Honey\" reached No. 42 in Germany and No. 68 in the US where ABBA's version reached respectively No. 2 and #27.\n\nTo join Brown and Jackson in Sweet Dreams' live performances, Roker and Shury recruited the line-up of Love Lane, the house band at the La Dolce Vita club Birmingham & various \"Tiffanys\" venues, specifically Robert Young (born Robert Parkes (drums/vocals ) Stuart Armstrong,(keyboards/vocals) and Stephen Parkes,(bass/vocals) plus the duo Kim and Kerry (guitar/vocals) who were John Brindley and Marie. Unusually for the time, the band travelled and used a \"Mellotron\" and \"Moog\" synths and could create a full and almost \"as per record\" sound in their live performances. Sweet Dreams made their live debut opening for the Three Degrees at the Southport Theatre. Brown sometimes performed as Sweet Dreams' vocalist in black face and was billed as Sara Leone, a reference to the African country Sierra Leone.\n\nBrown and Jackson had six single releases as Sweet Dreams, the rest of which were overlooked. Sweet Dreams had their highest post-\"Honey Honey\" profile when Brown and Jackson competed in the 1976 A Song for Europe bidding to represent the UK at that year's Eurovision with the song \"Love Kiss and Run\" a Barry Blue/ Stephen Worth composition which placed fourth. Roker and Shury were not associated with this Sweet Dreams project, but did contribute another Song for Europe entrant \"Do You Believe in Love at First Sight\" which was performed by Brown solo (Roker and Shury having produced solo records for Brown concurrently with recording her in Sweet Dreams) – to finish tenth. (That year's Eurovision UK entrant and eventual Eurovision winner was Brotherhood of Man's \"Save Your Kisses for Me\".) Brown' solo recordings were released on the GTO label where Jackson also had a 1975 single: \"As if by Magic\", produced by Roker and Shury.\n\nJackson sang the theme song for the 1976 film The Cassandra Crossing and pursued a session singing career notably on the hits \"Knock on Wood\" by Amii Stewart, \"Every Time You Go Away\" by Paul Young and \"Wishing Well\" by Terence Trent D'Arby. Jackson continued to cut occasional solo tracks including a 1994 disco version of \"(Everything I Do) I Do It for You\" credited to Q(11) featuring Tony Jackson.\n\nSweet Dreams would later be the name of another group, who represented the UK at Eurovision 1983, with \"I'm Never Giving Up\". By an apparent coincidence, the song by this male/female group – a totally different outfit – a trio with two females and one male – was co-written by Ron Roker.\n\nDiscography \nSingles\nJuly 1974 – \"Honey Honey\" (Bradley's) (UK No. 10, IRL No. 14, GER No. 42, CAN #59, US #68, AUS #38)\nJanuary 1975 – \"The Best of Everything\" (Bradley's)\nAugust 1975 – \"Let's Get into Something\" (Bradley's)\nOctober 1975 – \"I'll Be Your Music\" (Bradley's)\nMarch 1976 \"Love Kiss and Run\" (Bradley's)\nFebruary 1977 \"Hollywood (Disco Star)\" (Pye)\nAlbum\n1975 – We'll Be Your Music (Bradley's)\n\nNotes \n Not to be confused with the lead singer of the Searchers.\n Brown's solo hit \"Up in a Puff of Smoke\" was in fact recorded in the same session as Sweet Dreams' \"Honey Honey\".\n\nReferences\n\nEnglish vocal groups\nEnglish pop music groups\nMusical groups established in 1974\nMusical groups disestablished in 1977\n1974 establishments in England\n1977 disestablishments in England", "\"Strobelite Honey\" is a 1991 single by hip-hop duo, Black Sheep. The single was written by William McLean and Dres (rapper), and was the duo's third release from their A Wolf in Sheep's Clothing album. \"Stobelight Honey\" was the duo's second entry on the US R&B chart, where it went peaked at #36 on the R&B sales chart and #80 on the Hot 100. The single did better on the US dance chart, where it spent one week at number one. The single sampled a pair of songs, both released in 1980: \"I Like What You Do To Me\" by Young & Company and \"Take Your Time (Do it Right)\" by the SOS Band.\n\nSee also\n List of number-one dance singles of 1992 (U.S.)\nThis single also sampled \"The Glow of Love\" by Change\n\nReferences\n\n1991 singles\nAmerican hip hop songs\n1991 songs" ]

[ "Kara (South Korean band)", "2009: Rise in popularity in South Korea, Honey and Revolution", "What happened in 2009?", "At the end of January 2009, DSP announced that it would commence voting on January 28 at the group's official website for the follow-up single to \"Pretty Girl\",", "What was the ending vote?", "Honey\" was the clear winner, with 60% of the votes.", "Did Honey do well?", "\"Honey\" became the group's first number one single when it topped Gaon's weekly singles chart." ]

[ "Below is a list of awards received by Twins since they were formed in 2001 as a cantopop girl group. They average to receive about 2-3 awards in each Hong Kong music awards. Their major accomplishment is in 2007 when they received the Asia Pacific Most Popular Female Artist Award from Jade Solid Gold Top 10 Awards.\n\nBecause of the Edison Chen photo scandal in 2008, Gillian took a short leave from the group. And thus the group did not record any songs or receive any awards between March 2008 to 2009.\n\nCommercial Radio Hong Kong Ultimate Song Chart Awards\nThe Ultimate Song Chart Awards Presentation (叱咤樂壇流行榜頒獎典禮) is a cantopop award ceremony from one of the famous channel in Commercial Radio Hong Kong known as Ultimate 903 (FM 90.3). Unlike other cantopop award ceremonies, this one is judged based on the popularity of the song/artist on the actual radio show.\n\nGlobal Chinese Music Awards\n\nIFPI Hong Kong Sales Awards\nIFPI Awards is given to artists base on the sales in Hong Kong at the end of the year.\n\nJade Solid Gold Top 10 Awards\nThe Jade Solid Gold Songs Awards Ceremony(十大勁歌金曲頒獎典禮) is held annually in Hong Kong since 1984. The awards are based on Jade Solid Gold show on TVB.\n\nMetro Radio Mandarin Music Awards\n\nMetro Showbiz Hit Awards\nThe Metro Showbiz Hit Awards (新城勁爆頒獎禮) is held in Hong Kong annually by Metro Showbiz radio station. It focus mostly in cantopop music.\n\nRTHK Top 10 Gold Songs Awards\nThe RTHK Top 10 Gold Songs Awards Ceremony(十大中文金曲頒獎音樂會) is held annually in Hong Kong since 1978. The awards are determined by Radio and Television Hong Kong based on the work of all Asian artists (mostly cantopop) for the previous year.\n\nSprite Music Awards\nThe Sprite Music Awards Ceremony is an annual event given by Sprite China for work artists performed in previous years; awards received on 2008 are actually for the work and accomplishment for 2007.\n\nReferences\n\nTwins\nCantopop", "The Drama-Logue Award was an American theater award established in 1977, given by the publishers of Drama-Logue newspaper, a weekly west-coast theater trade publication. Winners were selected by the publication's theater critics, and would receive a certificate at an annual awards ceremony hosted by Drama-Logue founder Bill Bordy. The awards did not require any voting or agreement among critics; each critic could select as many award winners as they wished. As a result, many awards were issued each year. In some years, the number of winners was larger than the seating capacity of the venue where the ceremony was conducted.\n\nThe award categories included Production, Direction, Musical Direction, Choreography, Writing, Performance, Ensemble Performance, Scenic Design, Sound Design, Lighting Design, Costume Design and Hair & Makeup Design.\n\nAcquisition \nIn May 1998, Backstage West bought the Drama-Logue publication, and the two publications merged. The Drama-Logue Awards were subsequently retired and replaced by the Back Stage West Garland Awards.\n\nReferences\n\nAmerican theater awards\nAwards established in 1977\nAwards disestablished in 1998", "The 9th Academy Awards were held on March 4, 1937, at the Biltmore Hotel in Los Angeles, California. They were hosted by George Jessel; music was provided by the Victor Young Orchestra, which at the time featured Spike Jones on drums. This ceremony marked the introduction of the Best Supporting Actor and Best Supporting Actress categories, and was the first year that the awards for directing and acting were fixed at five nominees per category.\n\nMy Man Godfrey became the first film to receive nominations in all four acting categories, but did not win in any category. It is the only such film to not receive a nomination for Best Picture, and was the only one to lose all of its nominations until Sunset Boulevard at the 23rd Academy Awards. It was also the first of four films to receive four acting nominations without one for Best Picture, followed by I Remember Mama (1948), Othello (1965), and Doubt (2008).\n\nAwards \n\nWinners are listed first and highlighted in boldface.\n\nAcademy Honorary Awards \n\n W. Howard Greene and Harold Rosson \"for the color cinematography of the Selznick International Production, The Garden of Allah\".\n The March of Time \"for its significance to motion pictures and for having revolutionized one of the most important branches of the industry – the newsreel\".\n\nMultiple nominations and awards \n\nThe following twenty films received multiple nominations:\n\n 7 nominations: Anthony Adverse, Dodsworth and The Great Ziegfeld\n 6 nominations: My Man Godfrey and San Francisco \n 5 nominations: Mr. Deeds Goes to Town\n 4 nominations: Romeo and Juliet and The Story of Louis Pasteur\n 3 nominations: The Charge of the Light Brigade, The General Died at Dawn and Three Smart Girls\n 2 nominations: Born to Dance, Come and Get It, The Garden of Allah, The Gorgeous Hussy, Lloyd's of London, Swing Time, A Tale of Two Cities, Theodora Goes Wild and Winterset\n\nThe following three films received multiple awards:\n\n 4 awards: Anthony Adverse\n 3 awards: The Great Ziegfeld and The Story of Louis Pasteur\n\nSee also \n\n 1936 in film\n List of films with all four Academy Award acting nominations\n\nReferences\n\nAcademy Awards ceremonies\n1936 film awards\n1937 in Los Angeles\n1937 in American cinema\nMarch 1937 events" ]

[ "Kara (South Korean band)", "2009: Rise in popularity in South Korea, Honey and Revolution", "What happened in 2009?", "At the end of January 2009, DSP announced that it would commence voting on January 28 at the group's official website for the follow-up single to \"Pretty Girl\",", "What was the ending vote?", "Honey\" was the clear winner, with 60% of the votes.", "Did Honey do well?", "\"Honey\" became the group's first number one single when it topped Gaon's weekly singles chart.", "Did it receive any awards?", "The song also won the Mutizen award on SBS's program Inkigayo and the \"Best Dance Award\" at the 2009 Mnet Asian Music Awards." ]

[ "Active Pensionists (Danish: Aktive Pensionister) was a political party in Denmark.\n\nHistory\nActive Pensionists was established in 1997. The party ran in 2001 in Copenhagen (507 votes), Frederikshavn (212 votes) and Skagen Municipality (19 votes). They did not get any municipal seats.\n\nIn 2005, Active Pensionists ran in Greve Municipality (43 votes), Vejle Municipality (158 votes), Fredericia Municipality (679) and Copenhagen Municipality (232 votes). They did not manage to get any municipal seats.\n\nThe party has not run for municipal elections since 2005, and is assumedly dissolved.\n\nElection results\n\nMunicipal elections\n\nReferences\n\nPolitical parties in Denmark\nPensioners' parties\n1997 establishments in Denmark\nPolitical parties established in 1997\nDefunct political parties in Denmark", "Joel Nicanor Cubillas (born 1958 in Paraguay) is a former football defender. Cubillas played for most of his career in Club Rubio Ñú where he made his debut at the age of 15, in 1973, and had nearly 400 caps before moving to Nacional. He was part of the 1972 Rubio Ñú team that won the 2nd division tournament as a substitute, but did not get any playing time during that campaign due to his young age.\n\nCubillas finished his career in Sportivo Trinidense at the age of 39, accumulating more than 500 caps in Paraguayan football.\n\nTitles\n\nReferences\n\nParaguayan footballers\nClub Nacional footballers\nLiving people\n1958 births\nAssociation football defenders", "Any Gun Can Play () is a 1967 spaghetti Western starring Gilbert Roland, Edd Byrnes and George Hilton. The film is directed by Enzo G. Castellari. The film is about a group of cowboys searching for gold, double-leading to double crosses as they continually change allegiances and get the upper hand only to be thwarted by fellow outlaws, mysterious insurance investigators and each other.\n\nCast\n\nRelease\nAny Gun Can Play was released in Italy in 1967. The film has also been released under the English titles Go Kill and Come Back and Blood River.\n\nReferences\n\nSources\n\nExternal links\n\n1967 films\n1967 Western (genre) films\nSpaghetti Western films\nItalian films\n1960s Italian-language films\nEnglish-language Italian films\n1960s English-language films\nFilms directed by Enzo G. Castellari\nFilms scored by Francesco De Masi\nFilms shot in Almería\nFilms scored by Alessandro Alessandroni\n1960s multilingual films\nItalian multilingual films" ]

[ "Kara (South Korean band)", "2009: Rise in popularity in South Korea, Honey and Revolution", "What happened in 2009?", "At the end of January 2009, DSP announced that it would commence voting on January 28 at the group's official website for the follow-up single to \"Pretty Girl\",", "What was the ending vote?", "Honey\" was the clear winner, with 60% of the votes.", "Did Honey do well?", "\"Honey\" became the group's first number one single when it topped Gaon's weekly singles chart.", "Did it receive any awards?", "The song also won the Mutizen award on SBS's program Inkigayo and the \"Best Dance Award\" at the 2009 Mnet Asian Music Awards.", "Did they get any other titles?", "I don't know." ]

[ "The Rights of Colonies Examined was an influential essay published in 1764 by Founding Father Stephen Hopkins. It received widespread circulation and brought hearty approval throughout the colonies. Historian Thomas Bicknell called it \"the most remarkable document that was issued during the period preceding the War of the Revolution.\" Massachusetts Governor Thomas Hutchinson wrote that \"it was conceived in a higher strain than any that were sent out by other colonies.\" With this paper, Hopkins became to Rhode Island what Samuel Adams was to Massachusetts and what Thomas Jefferson was to Virginia. It was printed widely, and Hopkins became recognized as one of the leaders of public opinion in the colonies.\n\nReferences\n\nDocuments of the American Revolution", "The Nueva Guipúzcoa revolt was a rebellion, part of the Philippine Revolution. It was fought in what is now the Davao Region in the Philippines, mostly centered in the then town of Santa Cruz in 1898, during the waning days of the war. It was led by Ángel Brioso, a local teacher who initially served as provisional Governor of Santa Cruz. The conflict is a largely-forgotten and less-known front of the revolution.\n\nReferences \n\nPhilippine Revolution\nHistory of Davao del Sur", "Histoire complète de la Révolution, depuis 1789 jusqu'en 1814 (Complete History of the Revolution, from 1789 until 1814) is a history book about the French Revolution written in 1838 by French journalist and historian Albert Laponneraye.\n\nOverview\nThe Complete History of the Revolution was the culmination of years of research conducted by Laponneraye, a socialist of the Neo-Babouvist tendency who considered the French Revolution to be a triumph of the people that should serve as a foundation for what he considered a necessary proletarian revolution, as he deemed the original revolution incomplete. Laponneraye's research into the French Revolution produced several important and popular works, of which the Complete History of the Revolution was no exception. It sold very well and was reissued several times during the period of 1838 to 1840.\n\nSee also\nThe French Revolution: A History\nThe Old Regime and the Revolution\n\nReferences\n\n1838 non-fiction books\n19th-century history books\nHistory books about the French Revolution" ]

[ "Elliott Smith", "1991-96: Heatmiser" ]

[ "The Republicans of the Centre and the Independents of Popular Action were the names given to a parliamentary group in the French Chamber of Deputies of the French Third Republic, composed mainly of Catholic regionalists from Alsatian and Lorraine. \n\nIt was mainly a religious conservative but democratic formation, descended from two political parties of the German Empire: the Catholic democratic Zentrum party, and the Alsace-Lorraine Regional Party. \n\nIn ideological terms, it was considered to be more conservative than the social-Catholic Popular Democratic Party, but more moderate than the main French Catholic party, the Republican Federation. During the 1920s its members had largely sat in parliament among the Republican Federation deputies, but found it to have become too right-wing, French-nationalist and centralist for their tastes.\n\n1932 to 1936: the Republicans of the Centre group \nThe Republicans of the Centre (, RDC) existed during the 15th legislature (1932 to 1936). It was set up by the UPR deputy for Colmar, Joseph Rossé. \n\nIt contained between six and ten deputies, and was essentially the parliamentary expression of the Christian democratic deputies from the former German provinces: the Alsatian Popular Republican Union and its Lorrain counterpart, the Lorraine Republican Union. There were also a handful of Alsatian Catholic independents who occasionally sat with the group. \n\nThis Alsatian heritage was reflected in the group's label of 'Centre': although situated firmly on the right rather than the centre, it carried over the label of the German Zentrum party, to which some UPR deputies had previously belonged.\n\n1936 to 1940: the Independents of Popular Action group \nThe Independents of Popular Action (, IAP) was the successor to the Republicans of the Centre in the 16th legislature of the Third Republic (1936 to 1940).\n\nThe group was again predominantly made up of the deputies of the Alsatian Popular Republican Union and Lorrain Republican Union, but they were now joined by other Alsatian regionalists from other ideological traditions, such as the federalist Radical, Camille Dahlet . formed a new group named . a French parliamentary group in the 16th during the French Third Republic between 1936 and 1940. The IAP was a centrist and Christian democratic group composed of the Christian democratic.\n\nAfter the Second World War, the successors of the group merged with the more centrist Popular Democratic Party to form the Fourth Republic's major centre-right party, the Christian-democratic Popular Republican Movement.\n\nSee also \n:Category:Republicans of the Centre politicians\nPopular Democratic Party (France)\nSinistrisme\n\nDefunct political parties in France\nPolitical parties of the French Third Republic\nParliamentary groups in France\nCatholic political parties\nRegionalist parties in France", "Diário Popular was a Portuguese language daily newspaper published in Lisbon, Portugal, between 1942 and 1990.\n\nHistory and profile\nDiário Popular was first published on 22 September 1942. Its headquarters was in Lisbon. The paper was one of two Portuguese newspapers published in Angola during the colonial rule. The other was Jornal de Notícias. In the 1960s Diário Popular was acquired by the Balsemão family.\n\nDiário Popular was the organizer of the first journalism program in Portugal which was held in 1966. In the late 1960s the paper was acquired by the Quina group, a family company. In 1971 it was one of two Portuguese best-selling newspapers.\n\nDiário Popular belonged to the Banco Borges and Irmão, a bank, before the Carnation revolution. The paper was nationalized following the revolution in 1974 along with other private dailies and publications. It was controlled by the communists and adopted a communist stance in October 1975. In May 1978 the paper had a left-wing political stance.\n\nDiário Popular sold 73,000 copies in October 1975 and 66,000 copies in May 1978.\n\nDiário Popular was privatized in 1989 and was acquired by a company, Projectos e Estudos de Imprensa (PEI), which also became the owner of the sports paper Record. The company was headed by Pedro Santana Lopes, a member of the Social Democratic Party. The paper ceased publication in 1990.\n\nSee also\n List of newspapers in Portugal\n\nReferences\n\n1942 establishments in Portugal\n1990 disestablishments in Portugal\nPopular\nNewspapers published in Lisbon\nNewspapers established in 1942\nPopular\nPublications disestablished in 1990" ]

[ "Elliott Smith", "1991-96: Heatmiser", "Was the group popular ?", "The pair were also on unemployment benefits for some time," ]

[ "Drolls is a Russian early music ensemble formed in 1999 and playing its own interpretation of Medieval and Renaissance music, using authentic instruments. The name of the ensemble refers to a droll - a short comical sketch of a type that originated during the Puritan Interregnum in England. Although their main repertoire consists of music and songs from across the Europe, they also sing and play music of skomorokchs. \n\nThe first album simply named \"Drolls\" was released in 2000, and shortly after that, in the beginning of 2001, was released the second album named \"Kalenda Maya\".\n\nIn 2006 Drolls together with the Belarusian ethno-band Guda recorded the album called \"Zara\", in which kupala and harvest songs are mixed with French estampie, Macedonian dances and much more. The result can be described as a world music in a way.\n\nThe same year Drolls were engaged in another project, and tried themselves both as both musicians and actors in the medieval play, which is based on poems of the famous manuscript Carmina Burana. The play is set in a medieval tavern, where its main characters discuss quite serious matters over a pint.\n\nIn 2007 the ensemble members appeared as actors yet again, but this time as medieval Slavic performers - skomorokhs in the historical movie \"Alexander. Nevskaya Bitva\" dedicated to Alexander Nevsky (1221-1263). The short performance musicians made for the film laid the foundation of their new program which was quite different to what they did before. And in the end of 2007 Drolls presented their new concert program called \"Люди Веселы\" (Skomorokhs) in Moscow, which was followed by release of the new album in 2008.\n\nFor musicians playing European music this was a move back to their roots, as main characters here are Slavic street performers, playing music very characteristic for those kind of performers and using more than 20 authentic music instruments of XIV—XVII centuries Russia.\n\nIn 2009 Drolls released their last studio album to the date, called \"Decimus\" (The Tenth).\n\nIn the following years Drolls devoted themselves more to an artistic collaboration. In 2014 together with the Petrozavodsk State University Choir they presented a new program called \"Cantigas\". This was quite a success, so in 2018 Drolls and the University Choir presented their second joint music project called \"Codex Buranus\".\n\nIn the beginning of 2019 appeared another joint project, but this time together with \"Onego\" folk instruments orchestra, in which two ensembles presented new remastered versions of pieces from the Skomorokhs program.\n\nIn the end of 2019, for the ensemble's 20th birthday, Drolls and Petrozavodsk State Glazunov Conservatoire orchestra presented a project called Danza della Morte Nera.\n\nMembers \n Dmitry Cherevko (cornamuse, flutes, jew's harp, vocal)\n Alexey Nikitin (djembe, goblet drum, glockenspiel, vocal)\n Pavel Popov (oboe, English horn, rauschpfeife, vocal)\n Igor Solovyev (mandolin, kantele, vocal)\n Sergei Popov (viola, rebec, jouhikko, vocal)\n\nDiscography \n Drolls, 2000\nKalenda Maya, 2001\n Carminis Vagantibus, 2003\n Via Sacra, 2004\n Quintus, 1999—2004\n Zara (recorded in collaboration with Guda, ethnic band from Belarus), 2006\n DVD Carmina Burana (medieval play based on poems and texts of Carmina Burana), 2007\n Люди Веселы (Skomorokhs), 2008\n Decimus, 2009\nCantigas, 2014 (concert DVD)\nCodex Buranus, 2019 (concert DVD)\n\nExternal links\n Official website\nOfficial YouTube channel\n\nEarly music\nEarly music groups\nMixed early music groups\nMusical groups established in 1999\n1999 establishments in Russia", "Play Music is the second studio album by electronic group Thieves Like Us.\n\nCritical reception \n\nIndieLondon criticized Play Music for the song tempos being too slow for the dance style it aimed for and also panned the lead singer's performance. An extremely negative NME review from Alex Hoban dismissed the album as a set of \"boring songs about drugs\" with \"vaguely voguish words\" and \"empty lyrics,\" wondering if he was \"caught up in some kind of late April Fool\" instead of an actual record. The Line of Best Fit bashed the record for its lack of stylistic and instrumental variety between tracks, describing the experience as \"faceless, soulless, heartless synthetics in its prime as this Parisian trio pursue only what they know, and care nothing for what they don't.\"\n\nExclaim! was one of the few publications to run a favorable review, where Cam Lindsay praised its mixture of styles from different countries with pop music elements and a dark mood: \"Play Music is the complete package, with a resounding desire to keep you locked in with misshapen melodies and distorted emotion. Even two years after its debut, it still sounds freshly squeezed, without any indication of going sour any time soon.\"\n\nReferences \n\n2008 albums" ]

[ "Elliott Smith", "1991-96: Heatmiser", "Was the group popular ?", "The pair were also on unemployment benefits for some time,", "What type of music did they play?", "I don't know." ]

[ "Romy Papadea is a Greek songwriter. Her most famous song is \"Hano esena (Χάνω εσένα)\" by Despina Vandi. Her sister is the famous Greek singer Demy who represented Greece at the Eurovision Song Contest 2017 in Kyiv, Ukraine. Romy has also written many of Demy's songs and two of them are the two of the three candidate songs for the Eurovision Song Contest. One of them is a pop-rock and the other is a dance song in cooperation with the famous songwriter John Ballard. The music of the three candidate songs has written by the famous Greek songwriter/music producer Dimitris Kontopoulos.\n\nReferences\n\nGreek songwriters\nLiving people\nYear of birth missing (living people)", "\"Tiempe belle\" is a Neapolitan song written by Vincenzo Valente in 1916; the words are by Aniello Califano. It is Valente's most famous composition.\n\nReferences \n\n1916 songs\nNeapolitan songs" ]

[ "Elliott Smith", "1991-96: Heatmiser", "Was the group popular ?", "The pair were also on unemployment benefits for some time,", "What type of music did they play?", "I don't know.", "Most famous songs ?", "I don't know." ]

[ "Quite Interesting Limited is a British research company, most notable for providing the research for the British television panel game QI (itself an abbreviation of Quite Interesting) and the Swedish version Intresseklubben, as well as other QI–related programmes and products. The company founder and chairman is John Lloyd, the creator and producer of QI, and host of the radio panel game The Museum of Curiosity, which also uses Quite Interesting Limited for its research. John Mitchinson is the company's director and also works as head of research for QI.\n\nAbout\nLloyd founded Quite Interesting Limited in 1999. It is claimed that the idea of founding the company came on Christmas Eve 1993. According to his profile on QI.com, \"he came to the sudden and alarming realisation that he didn't really know anything. Changing gear again, he started reading books for the first time since he was 17. To his horror, he discovered that he hadn't been paying attention and, with painful slowness, unearthed the closely guarded secret that the universe is astoundingly quite interesting.\"\n\nThe philosophy of the company is that it claims that there are four primal drives: food, sex, shelter and curiosity. Out of these, curiosity is supposedly the most important because, \"unlike the other three drives, it is what makes us uniquely human.\" The company claims that, \"Whatever is interesting we are interested in. Whatever is not interesting, we are even more interested in. Everything is interesting if looked at in the right way.\"\n\nThose who carry out research are known as the \"QI Elves\". Notable elves include Justin Pollard and Vitali Vitaliev. They are also responsible for helping to write the questions used on QI. People wishing to become elves are recommended to start by commenting on the forums of the QI website.\n\nProducts\n\nDVDs\n\nBooks\n\nReferences\n\nQI\nCompanies based in Oxford\nBritish companies established in 1999\nPrivately held companies of the United Kingdom", "DiscoveryBox is a children's magazine by Bayard Presse. It is targeted at children from 9 to 12 years old. Inside there are topics about science, animals, current events, nature, history and the world. It also includes games and quizzes. It is designed for the completely independent reader and is the 3rd and final instalment of the Box series (after StoryBox and AdventureBox).\n\nDiscoveryBox is mostly non fictional and is designed to answer questions and expand the knowledge of its readers in the subjects that it covers each month.\n\nThere is a current shortage in this type of information rich magazine for this age group at the moment and children find the magazine very interesting. It is designed to build on what they have learned in School and it takes many of its subjects from the British Curriculum so reinforces what they have learned as well as adding additional interesting facts that they may not have previously known about.\n\nBecause there is a shortage of information magazines for children this age, both ESL and English speaking students like to read this book as the information is specially presented for them. As it is specifically designed for the ages 9 to 12 the magazine takes subjects that they would find interesting such as The Olympic Games, Space Exploration and Avalanches being just a few of the previous topics covered.\n\nIn July 2009 DiscoveryBox collaborated with the movie Ice Age: Dawn of the Dinosaurs with a behind-the-scenes look at 3D animation.\n\nReferences\n\nExternal links\n DiscoveryBox Website\n DiscoveryBox Information Page\n Bayard English magazine Website\n\nChildren's magazines published in France\nFrench-language magazines\nMonthly magazines published in France\nMagazines established in 1995" ]

[ "Elliott Smith", "1991-96: Heatmiser", "Was the group popular ?", "The pair were also on unemployment benefits for some time,", "What type of music did they play?", "I don't know.", "Most famous songs ?", "I don't know.", "What is interesting or notable about the group?", "Smith had begun his solo career while still in Heatmiser," ]

[ "Do You Know What I'm Going To Do Next Saturday? is a 1963 children's book published by Beginner Books and written by Helen Palmer Geisel, the first wife of Theodor Seuss Geisel (Dr. Seuss). Unlike most of the Beginner Books, Do You Know What I'm Going To Do Next Saturday? did not follow the format of text with inline drawings, being illustrated with black-and-white photographs by Lynn Fayman, featuring a boy named Rawli Davis. It is sometimes misattributed to Dr. Seuss himself. The book's cover features a photograph of a young boy sitting at a breakfast table with a huge pile of pancakes.\n\nActivities mentioned in the book include bowling, water skiing, marching, boxing, and shooting guns with the United States Marines, and eating more spaghetti \"than anyone else has eaten before.\n\nHelen Palmer's photograph-based children's books did not prove to be as popular as the more traditional text-and-illustrations format; however, Do You Know What I'm Going To Do Next Saturday received positive reviews and was listed by The New York Times as one of the best children's books of 1963. The book is currently out of print.\n\nReferences\n\n1963 children's books\nAmerican picture books", "Daniel S. Burt is an American author and literary critic.\n\nCareer\n\nDaniel S. Burt, Ph.D. received his doctorate in English and American Literature with a specialization in Victorian fiction from New York University. He taught undergraduate- and graduate-level courses in writing and literature at New York University, Wesleyan University, Trinity College, Northeastern University, Wentworth Institute of Technology, and Cape Cod Community College. At Wentworth Institute of Technology, he served as a dean for almost a decade. During his time at New York University, he was director of the NYU in London program, wherein he traveled with students to Russia, Spain, Britain and Ireland. \n\nSince 2003, Burt has served as the Academic Director for the Irish Academic Enrichment Workshops, which are held in Ireland every summer.\n\nBibliography\n\nThe Literary 100: A Ranking Of The Most Influential Novelists, Playwrights, And Poets Of All Time. Checkmark Books. October 1, 1999.\nThe Biography Book: A Reader's Guide To Nonfiction, Fictional, And Film Biographies Of More Than 500 Of The Most Fascinating Individuals Of All Time. Oryx Press. February 1, 2001.\nThe Novel 100: A Ranking Of The Greatest Novels Of All Time. Checkmark Books. November 1, 2003.\nThe Chronology of American Literature: America's Literary Achievements from the Colonial Era to Modern Times. Houghton Mifflin Harcourt. February 10, 2004.\nThe Drama 100: A Ranking of the Greatest Plays of All Time. Checkmark Books. December 1, 2007.\nThe Handy Literature Answer Book: An Engaging Guide to Unraveling Symbols, Signs and Meanings in Great Works with Deborah G. Felder. Visible Ink Press. July 1, 2018.\n\nWhat Do I Read Next? Series \n\n What Historical Novel Do I Read Next? Gale Cengage.1997.\nWhat Do I Read Next? 2000, Volume 1 with Neil Barron. Gale Cengage. June 1, 2000.\nWhat Fantastic Fiction Do I Read Next? 2001, Volume 1 with Neil Barron and Tom Barton. Gale Cengage. June 1, 2001. \nWhat Do I Read Next? 2003, Volume 2 with Neil Barron and Tom Barton. Gale Cengage. October 17, 20013.\nWhat Do I Read Next? 2005, Volume 1 with Neil Barron and Tom Barton. Thomson Gale. May 27, 2005.\nWhat Do I Read Next? 2005, Volume 2 with Neil Barron. Gale. October 21, 2005. \nWhat Do I Read Next? 2006, Volume 1 with Neil Barron and Tom Barton. Thomson Gale. May 25, 2006.\n What Do I Read Next? 2007, Volume 1 with Natalie Danford and Don D'Ammassa. Gale Cengage. June 8, 2007.\nWhat Do I Read Next? 2007, Volume 2: A Reader's Guide to Current Genre Fiction with Don D'Ammassa, Natalie Danford, Stefan R. Dziemianowicz, Jim Huang, and Melissa Hudak. Gale Cengage. October 19, 2007. \nWhat Do I Read Next? 2008, Volume 1 with Natalie Danford and Don D'Ammassa. Gale. May 23, 2008. \n What Do I Read Next? 2009. Volume 1 with Michelle Kazensky, Marie Toft, and Hazel Rumney. Gale Cengage. June 12, 2009.\nWhat Do I Read Next? 2010, Volume 1 with Neil Barron. Gale. 2010.\n\nReferences\n\nExternal links \nBibliography on GoodReads\n\nYear of birth missing (living people)\nLiving people\nAmerican male non-fiction writers\nAmerican literary critics\nNew York University alumni\nWesleyan University faculty" ]

[ "Elliott Smith", "1991-96: Heatmiser", "Was the group popular ?", "The pair were also on unemployment benefits for some time,", "What type of music did they play?", "I don't know.", "Most famous songs ?", "I don't know.", "What is interesting or notable about the group?", "Smith had begun his solo career while still in Heatmiser,", "What did he do next?", "Heatmiser disbanded prior to the release of Mic City Sons," ]

[ "What Happened to Jones may refer to:\n What Happened to Jones (1897 play), a play by George Broadhurst\n What Happened to Jones (1915 film), a lost silent film\n What Happened to Jones (1920 film), a lost silent film\n What Happened to Jones (1926 film), a silent film comedy", "Don Juan Manuel's Tales of Count Lucanor, in Spanish Libro de los ejemplos del conde Lucanor y de Patronio (Book of the Examples of Count Lucanor and of Patronio), also commonly known as El Conde Lucanor, Libro de Patronio, or Libro de los ejemplos (original Old Castilian: Libro de los enxiemplos del Conde Lucanor et de Patronio), is one of the earliest works of prose in Castilian Spanish. It was first written in 1335.\n\nThe book is divided into four parts. The first and most well-known part is a series of 51 short stories (some no more than a page or two) drawn from various sources, such as Aesop and other classical writers, and Arabic folktales.\n\nTales of Count Lucanor was first printed in 1575 when it was published at Seville under the auspices of Argote de Molina. It was again printed at Madrid in 1642, after which it lay forgotten for nearly two centuries.\n\nPurpose and structure\n\nA didactic, moralistic purpose, which would color so much of the Spanish literature to follow (see Novela picaresca), is the mark of this book. Count Lucanor engages in conversation with his advisor Patronio, putting to him a problem (\"Some man has made me a proposition...\" or \"I fear that such and such person intends to...\") and asking for advice. Patronio responds always with the greatest humility, claiming not to wish to offer advice to so illustrious a person as the Count, but offering to tell him a story of which the Count's problem reminds him. (Thus, the stories are \"examples\" [ejemplos] of wise action.) At the end he advises the Count to do as the protagonist of his story did.\n\nEach chapter ends in more or less the same way, with slight variations on: \"And this pleased the Count greatly and he did just so, and found it well. And Don Johán (Juan) saw that this example was very good, and had it written in this book, and composed the following verses.\" A rhymed couplet closes, giving the moral of the story.\n\nOrigin of stories and influence on later literature\nMany of the stories written in the book are the first examples written in a modern European language of various stories, which many other writers would use in the proceeding centuries. Many of the stories he included were themselves derived from other stories, coming from western and Arab sources.\n\nShakespeare's The Taming of the Shrew has the basic elements of Tale 35, \"What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\".\n\nTale 32, \"What Happened to the King and the Tricksters Who Made Cloth\" tells the story that Hans Christian Andersen made popular as The Emperor's New Clothes.\n\nStory 7, \"What Happened to a Woman Named Truhana\", a version of Aesop's The Milkmaid and Her Pail, was claimed by Max Müller to originate in the Hindu cycle Panchatantra.\n\nTale 2, \"What happened to a good Man and his Son, leading a beast to market,\" is the familiar fable The miller, his son and the donkey.\n\nIn 2016, Baroque Decay released a game under the name \"The Count Lucanor\". As well as some protagonists' names, certain events from the books inspired past events in the game.\n\nThe stories\n\nThe book opens with a prologue which introduces the characters of the Count and Patronio. The titles in the following list are those given in Keller and Keating's 1977 translation into English. James York's 1868 translation into English gives a significantly different ordering of the stories and omits the fifty-first.\n\n What Happened to a King and His Favorite \n What Happened to a Good Man and His Son \n How King Richard of England Leapt into the Sea against the Moors\n What a Genoese Said to His Soul When He Was about to Die \n What Happened to a Fox and a Crow Who Had a Piece of Cheese in His Beak\n How the Swallow Warned the Other Birds When She Saw Flax Being Sown \n What Happened to a Woman Named Truhana \n What Happened to a Man Whose Liver Had to Be Washed \n What Happened to Two Horses Which Were Thrown to the Lion \n What Happened to a Man Who on Account of Poverty and Lack of Other Food Was Eating Bitter Lentils \n What Happened to a Dean of Santiago de Compostela and Don Yllán, the Grand Master of Toledo\n What Happened to the Fox and the Rooster \n What Happened to a Man Who Was Hunting Partridges \n The Miracle of Saint Dominick When He Preached against the Usurer \n What Happened to Lorenzo Suárez at the Siege of Seville \n The Reply that count Fernán González Gave to His Relative Núño Laynes \n What Happened to a Very Hungry Man Who Was Half-heartedly Invited to Dinner \n What Happened to Pero Meléndez de Valdés When He Broke His Leg \n What Happened to the Crows and the Owls \n What Happened to a King for Whom a Man Promised to Perform Alchemy \n What Happened to a Young King and a Philosopher to Whom his Father Commended Him \n What Happened to the Lion and the Bull \n How the Ants Provide for Themselves \n What Happened to the King Who Wanted to Test His Three Sons \n What Happened to the Count of Provence and How He Was Freed from Prison by the Advice of Saladin\n What Happened to the Tree of Lies \n What Happened to an Emperor and to Don Alvarfáñez Minaya and Their Wives \n What Happened in Granada to Don Lorenzo Suárez Gallinato When He Beheaded the Renegade Chaplain \n What Happened to a Fox Who Lay down in the Street to Play Dead \n What Happened to King Abenabet of Seville and Ramayquía His Wife \n How a Cardinal Judged between the Canons of Paris and the Friars Minor \n What Happened to the King and the Tricksters Who Made Cloth \n What Happened to Don Juan Manuel's Saker Falcon and an Eagle and a Heron \n What Happened to a Blind Man Who Was Leading Another \n What Happened to a Young Man Who Married a Strong and Ill-tempered Woman\n What Happened to a Merchant When He Found His Son and His Wife Sleeping Together \n What Happened to Count Fernán González with His Men after He Had Won the Battle of Hacinas \n What Happened to a Man Who Was Loaded down with Precious Stones and Drowned in the River \n What Happened to a Man and a Swallow and a Sparrow \n Why the Seneschal of Carcassonne Lost His Soul \n What Happened to a King of Córdova Named Al-Haquem \n What Happened to a Woman of Sham Piety \n What Happened to Good and Evil and the Wise Man and the Madman \n What Happened to Don Pero Núñez the Loyal, to Don Ruy González de Zavallos, and to Don Gutier Roiz de Blaguiello with Don Rodrigo the Generous \n What Happened to a Man Who Became the Devil's Friend and Vassal \n What Happened to a Philosopher who by Accident Went down a Street Where Prostitutes Lived \n What Befell a Moor and His Sister Who Pretended That She Was Timid \n What Happened to a Man Who Tested His Friends \n What Happened to the Man Whom They Cast out Naked on an Island When They Took away from Him the Kingdom He Ruled \n What Happened to Saladin and a Lady, the Wife of a Knight Who Was His Vassal \n What Happened to a Christian King Who Was Very Powerful and Haughty\n\nReferences\n\nNotes\n\nBibliography\n\n Sturm, Harlan\n\n Wacks, David\n\nExternal links\n\nThe Internet Archive provides free access to the 1868 translation by James York.\nJSTOR has the to the 1977 translation by Keller and Keating.\nSelections in English and Spanish (pedagogical edition) with introduction, notes, and bibliography in Open Iberia/América (open access teaching anthology)\n\n14th-century books\nSpanish literature\n1335 books" ]

[ "Merzbow", "Current era (2009-present)" ]

[ "2R0I2P0 is the eighth collaborative release by the Japanese experimental band Boris and noise musician Merzbow. It features several rerecorded tracks that first appeared on Boris' album Love & Evol, and a cover of the Melvins song \"Boris\", which the band is named after. It was released in December 2020.\n\nA video was released for the track \"Away from You\" on October 19, 2020.\n\nBackground\nThe title stands for \"2020 rest in peace\", with Boris noting that \"This year was a period of trial for everyone in the world\". At the time of 2R0I2P0'''s release, the last time Boris performed before an audience was with Merzbow in Melbourne, Australia on February 29, 2020. The recording was finished in mid-March and submitted to the label in May. The album was completed before No''.\n\nTrack listing\n\nPersonnel\nAll personnel credits adapted from the album notes.\n\nBoris\nTakeshi – vocals, guitar, bass\nWata – vocals, guitar, echo\nAtsuo – vocals, percussion, electronics\n\nMerzbow\nMasami Akita – computer, percussion, noise electronics\n\nTechnical personnel\nAmak Golden – Boris tracks recording\nFangsanalsatan – Boris tracks recording, total mix, design\nSoichiro Nakamura – basic mix, mastering\n\nReferences\n\nExternal links\n2R0I2P0 at Bandcamp\n\"Away From You\" (Official Music Video) at YouTube\n\"Boris\" (Official Music Video) at YouTube\n\n2020 albums\nCollaborative albums\nBoris (band) albums\nMerzbow albums", "Full of Hell is an American grindcore band from Ocean City, Maryland and Central Pennsylvania, formed in 2009. They are currently signed to Relapse Records. They have released five studio albums – Roots of Earth Are Consuming My Home (2011), Rudiments of Mutilation (2013), Trumpeting Ecstasy (2017), Weeping Choir (2019), and Garden of Burning Apparitions (2021) – as well as three collaborations – Full of Hell & Merzbow (2014) with Japanese noise artist Merzbow and One Day You Will Ache Like I Ache (2016) and Ascending a Mountain of Heavy Light (2017) with sludge metal band The Body – aside from numerous EPs and splits.\n\nHistory\nThe band formed in 2009. Since then, they have signed to A389 Recordings and Profound Lore Records, releasing three full-length albums. Their first album, titled Roots of Earth Are Consuming My Home, was released in 2011. Their second album, titled Rudiments of Mutilation was released in 2013. Their third album, a collaboration with Japanese noise artist Merzbow, was released in 2014.\n\nIn 2015, original bassist Brandon Brown left the band. He was replaced by Sam DiGristine of Jarhead Fertilizer—an associated act that also features Brown, as well as drummer Dave Bland. Dylan Walker and Spencer Hazard follow a straight edge lifestyle, while Bland is the only vegan.\n\nOn January 8, 2016, Full of Hell released a four-song EP titled Amber Mote in the Black Vault through Bad Teeth Recordings. The release featured three original tracks and a cover of Melvins' track \"Oven,\" originally released on their 1989 album Ozma. Describing their reasoning for selecting this track, the band explained: \"We had been wanting to cover a Melvins song for years, and 'Oven' had always been one of our top choices. We've always been very inspired by the Melvins on every level—a totally unique and uncompromising band that has always worked their asses off. They are a band that's undefinable but always recognizable. Totally brilliant. With past covers that we've done, we've always deviated from the source material, but this time we chose to stick close to the original sound and tempo.\"\n\nFull of Hell began plotting to follow up Full of Hell & Merzbow with another collaborative album with avant-garde metal band The Body after a successful 2015 tour together. The two acts expected to head into the studio together to record an album without previously writing any material. Titled One Day You Will Ache Like I Ache, the collaboration album was released on March 25, 2016 through Neurot Recordings—a label founded by members of Neurosis and Tribes of Neurot.\n\nFull of Hell's fifth studio album, Trumpeting Ecstasy was released on May 5, 2017. The album was ranked number 4 on Exclaim!'s Top 10 Metal and Hardcore Albums of 2017.\n\nOn February 13, 2018, the band announced that they had signed to Relapse Records.\n\nMembers\n\nCurrent\n Dylan Walker – lead vocals, electronics, noise (2009–present)\n Spencer Hazard – guitars, noise (2009–present)\n Dave Bland – drums (2009–present)\n Sam DiGristine – bass, backing vocals (2015–present)\n\nFormer\n Brandon Brown – bass, backing vocals (2009–2015)\n\nDiscography\n\nStudio albums\n Roots of Earth Are Consuming My Home (2011)\n Rudiments of Mutilation (2013)\n Trumpeting Ecstasy (2017)\n Weeping Choir (2019)\n Garden of Burning Apparitions (2021)\n\nCollaborative albums \n\nFull of Hell & Merzbow (collaboration with Merzbow) (2014)\nOne Day You Will Ache Like I Ache (collaboration with The Body) (2016)\nAscending a Mountain of Heavy Light (collaboration with The Body) (2017)\n\nEPs\n Savage (2009)\n The Inevitable Fear of Existence (2010)\n F.O.H. Noise (2011)\n F.O.H. Noise: Vol. 2 (2011)\n F.O.H. Noise: Vol. 3 (2012)\n F.O.H. Noise: Vol. 4 (2013)\n Amber Mote in the Black Vault (2015)\n Live at Roadburn (2016)\n\nSplits\n Full of Hell / Goldust (2011)\n Full of Hell / Code Orange Kids (2012)\n Full of Hell / Calm the Fire (2012)\n Full of Hell / The Guilt Of... (2012)\n Full of Hell / Psywarfare (2014)\n Nails / Full of Hell (2016)\n Full of Hell / Intensive Care (2018)\n\nReferences\n\nExternal links\n \n\nMusical groups established in 2009\n2009 establishments in Maryland\n2009 establishments in Pennsylvania\nAmerican grindcore musical groups\nPowerviolence groups\nAmerican sludge metal musical groups\nAmerican doom metal musical groups\nNoise musical groups\nAmerican experimental musical groups\nAmerican experimental rock groups\nHardcore punk groups from Maryland\nHardcore punk groups from Pennsylvania\nHeavy metal musical groups from Maryland\nHeavy metal musical groups from Pennsylvania\nMusical quintets\nProfound Lore Records artists\nRelapse Records artists" ]

[ "Merzbow", "Current era (2009-present)", "Can you name an album that Merzbow released in that period from 2009 to present ?", "Gensho, the seventh collaborative releases with Boris, was released in 2016." ]

[ "is the fourth collaborative studio album and seventh release by the Japanese experimental band Boris and noise musician Merzbow. It is presented in two parts; the first disc features re-recordings of several Boris songs and a cover of the My Bloody Valentine song \"Sometimes\" in drone-based, drumless style, while the second disc consists of new compositions by Merzbow. They are intended to be played at the same time, much like the previous Boris double album Dronevil, or as separate works.\n\nInitial teasers were posted at the start of the year, most prominently a live clip of \"Huge\" from the Fever performance on January 21. Rolling Stone announced YouTube streams of \"Heavy Rain\" and its accompanying section of \"Goloka pt. 1\" on February 5, 2016. Later in February, The Wire debuted a live video of Boris alone playing the song \"More\" from Leave Them All Behind 2015.\n\nBackground\n\nThe album was inspired by their June 2014 Boiler Room set, during which Boris played a drumless set, followed by Merzbow, and then a joint set by Boris with Merzbow. In support of Gensho, they played a one-off show at Fever in Tokyo on November 27, 2015; a recording of the concert called Gensho at Fever 11272015 is included as a bonus with the Japanese release of Gensho by Daymare Recordings. It includes the recorded debut of a new Boris song \"More\", as well as a performance of rare song \"Kilmister,\" created for the web anime series Ninja Slayer, and a cover of the Man song \"Many Are Called, but Few Get Up\". Because the Boris tracks are primarily drone-based, both presented versions of the song \"Akuma no Uta\" are actually more similar to \"Introduction\" from the same album; regardless, the song is credited as \"Akuma no Uta\" on all versions.\n\nThe vinyl version of the album is released as two separate double LPs; one LP with half of the Boris material and one LP with half of the Merzbow material. Thus, no matter which form is purchased, it is possible to play both contributors simultaneously. These are also available bundled together as a single deluxe edition. The deluxe LP was featured as Record of the Week by Pirates Press.\n\nCritical reception\n\nAllMusic critic Thom Jurek wrote: \"When taken together, these records offer ever-varying degrees of light, dark, power, and emotion that wash over the listener. Creatively, Gensho is so rich and expansive, fans of both acts should find it indispensable.\"\n\nTrack listing\n\nGensho\n\nGensho at Fever 11272015\n\nPersonnel\nAll personnel credits adapted from the album notes.\n\nBoris\n\nTakeshi – vocals, guitar, bass\nWata – vocals, guitar, echo\nAtsuo – vocals, percussion, electronics\n\nMerzbow\n\nMasami Akita – electronics\n\nTechnical personnel\n\nShinobu Narita – sound production (Boris)\nFangsanalsatan – recording (Boris), artwork\nSoichiro Nakamura – mixing (Boris), mastering\nTadashi Hamada – A&R\n\nRelease history\n\nReferences\n\nExternal links\nGensho at Relapse Records\nGensho at Bandcamp\n\"Huge\" (Official Live Music Video) at YouTube\n\"Vomitself\" (Official Live Music Video) at YouTube\n現象 -Gensho- Expanded Edition at Disk Union\n\n2016 albums\nCollaborative albums\nBoris (band) albums\nMerzbow albums", "Rainbow is a collaborative album between Japanese rock band Boris and guitarist Michio Kurihara. Wata contributed vocals to the title song, which has a music video made for it by Foodunited.\n\nThe album's initial release was done by Pedal Records, with liner notes in Portuguese. Drag City released this album in the United States on May 15, 2007 with a different 9th track, on CD format only.\n\nIn 2007, the album was also released on vinyl in two forms by Inoxia Records: an unlimited LP which contains the album (same as Pedal CD version), and a double LP box set with a 50-page photo book in a special cover, the album on clear vinyl, a second LP containing two bonus ambient tracks (also on clear vinyl), and a DVD featuring the music video for \"Rainbow\".\n\nThe title track on the 2xLP version features an alternate mix with a different guitar solo, and re-recorded studio takes were used on Boris / Variations + Live in Japan and Gensho. Additionally, live versions of the song are found on Rock Dream, Smile -Live at Wolf Creek-, the Live in Japan DVD included with Variations, and the bonus live album on the deluxe CD pressing of Gensho.\n\nTrack listing\n\nPedal release\n\nDrag City release\n\nInoxia 2-LP release\n\nPersonnel\n Michio Kurihara - guitars\n Takeshi - bass, vocals (tracks 1, 3, 5, 6, 8)\n Wata - keyboards, glockenspiel, vocals (track 2)\n Atsuo - drums, percussion\n\nReleases history\n\nReferences\n\nExternal links\n \n\n2006 albums\nBoris (band) albums\nDrag City (record label) albums\nCollaborative albums" ]

[ "Merzbow", "Current era (2009-present)", "Can you name an album that Merzbow released in that period from 2009 to present ?", "Gensho, the seventh collaborative releases with Boris, was released in 2016.", "How was the album Gensho received by critics ?", "It is a double album, one disc is by Boris and one by Merzbow, that are meant to be played at the same time." ]

[ "English musical duo Wham! released two studio albums, four compilation albums, four video albums, 13 music videos, 12 singles, two remix albums and one documentary video.\n\nAlbums\n\nStudio albums\n\nCompilation albums\n\nRemix albums\n\nVideo albums\n\nSingles\n\n\"Last Christmas\" re-issue and re-entry positions\n\nVideography\n\nMusic videos\n\nFilms\n\nNotes\n \t\nNotes\n A ^ \"Wham Rap! (Enjoy What You Do)\" was originally released in June 1982 in the UK but failed to chart.\n B ^ In the United States and Canada, \"Careless Whisper\" was credited to Wham! featuring George Michael, whereas the single was credited in most other markets to George Michael as a solo artist.\n C ^ \"Everything She Wants\" and \"Last Christmas\" were released as a double A-side in the UK, Ireland and the Netherlands. This record reached number 2 in the UK charts, with the re-issue of \"Last Christmas\" classed as a separate hit by the Official Charts Company, reaching number 1 in 2021.\n D ^ \"The Edge of Heaven\" and \"Where Did Your Heart Go?\" were released as a double A-side in the UK and Ireland.\n\nReferences\n\nDiscographies of British artists\nPop music group discographies", "Truthdare Doubledare is the second album (released in 1986 on MCA Records) by the British dance band Bronski Beat. It is their first album to feature John Foster as lead vocalist, following the departure of Jimmy Somerville who went on to form The Communards. The album was released on CD in 1998.\n\nTrack listing\n \"Hit That Perfect Beat\" - 3:38\n \"Truthdare Doubledare\" - 4:43\n \"C'mon! C'mon!\" - 3:50\n \"Punishment for Love\" - 4:14\n \"We Know How It Feels\" - 4:13\n \"This Heart\" - 4:19\n \"Do It\" - 3:50\n \"Dr. John\" - 4:41\n \"In My Dreams\" - 4: 17\n \"What Are You Going to Do About It\" - 6:15\n \"C'mon C'mon\" (12\" version) - 6:15\n \"Hit That Perfect Beat\" (12\" version) - 6:21\n \"I Gave You Everything\" - 4:00\n\nPersonnel\nBronski Beat\nSteve Bronski - 6- and 12-string guitars, double-speed guitar, accordion, synthesizers, keyboards, programming\nLarry Steinbachek - drums, percussion, drum programming, keyboards, marimba\nJohn Foster - vocals\n\nSingles\n\"Hit That Perfect Beat\"\n\"C'mon! C'mon!\"\n\nCharts\n\nWeekly charts\n\nReferences\n\n1986 albums\nBronski Beat albums\nLondon Records albums" ]

[ "Merzbow", "Current era (2009-present)", "Can you name an album that Merzbow released in that period from 2009 to present ?", "Gensho, the seventh collaborative releases with Boris, was released in 2016.", "How was the album Gensho received by critics ?", "It is a double album, one disc is by Boris and one by Merzbow, that are meant to be played at the same time.", "How did the double albums do in the charts ?", "I don't know." ]

[ "Ruwida El-Hubti (born 16 April 1989) is an Olympic athlete from Libya. At the 2004 Summer Olympics, she competed in the Women's 400 metres. She finished last in her heat with a time of 1:03.57, almost 11 seconds slower than anyone else in the heat, and the slowest of anyone in the competition. However, she did set a national record.\n\nReferences\n\n1989 births\nLiving people\nOlympic athletes of Libya\nAthletes (track and field) at the 2004 Summer Olympics", "ARIA Number 1 Hits in Symphony is the sixth studio album by Australian pop singer Anthony Callea. It features instrumentation by the Melbourne Symphony Orchestra. The album features a selection of tracks that have peaked at number 1 on the ARIA Charts. The album was announced in June 2017 and was released on 1 September 2017.\n\nUpon announcement, Callea said \"[These are] Songs that have not only been part of my musical landscape for the past 30 years but have resonated with so many of us – the ARIA charts don't lie.\"\n\nTour\nCallea will also perform a one-off show alongside the Melbourne Symphony Orchestra at Hamer Hall in Melbourne on 8 September 2017.\nCallea said: \"As a singer who craves the art of live performance, I could not think of anyone else I would want to collaborate with than the Melbourne Symphony Orchestra, not only for their grandiose live concert experience, but also a stunning recorded body of work. With one of the finest orchestras in the world conducted by my dear friend and album producer John Foreman and collaborating also with my own incredible band members, these iconic ARIA Number #1 hits will be presented in a way you have never experienced before.\"\n\nTrack listing\n\nCharts\n\nRelease history\n\nSee also\n List of number-one albums of 2017 (Australia)\n\nReferences\n\n2017 albums\nAnthony Callea albums\nCovers albums\nSony Music Australia albums\nMelbourne Symphony Orchestra albums" ]

[ "Merzbow", "Current era (2009-present)", "Can you name an album that Merzbow released in that period from 2009 to present ?", "Gensho, the seventh collaborative releases with Boris, was released in 2016.", "How was the album Gensho received by critics ?", "It is a double album, one disc is by Boris and one by Merzbow, that are meant to be played at the same time.", "How did the double albums do in the charts ?", "I don't know.", "did he collaborate with anyone else during that period ?", "Merzbow also released several collaborations with industrial/noise musicians he had know since the 1980s: Spiral Right / Spiral Left with Z'EV," ]

[ "Full of Hell & Merzbow is a collaborative studio album between the American grindcore band Full of Hell and the Japanese noise artist Merzbow. The album was released on November 24, 2014 through Profound Lore Records. The CD version of the album was also packaged with a five-song, 35-minute bonus disc titled Sister Fawn that was described as an \"extension\" of Full of Hell & Merzbow; it was later released in a digital format as well.\n\nThe album received mixed reviews from music critics, with many praising the collaboration between the two artists, however some noted that Merzbow's part in the album was minimal, and only apparent and successful on the album's two longer tracks toward the end: \"High Fells\" and \"Ljudet Av Gud\".\n\nBackground and recording\n\nAt a live performance in New York headlined by Phobia, the members of Full of Hell, who were opening at the show, ran into Merzbow's live drummer Balázs Pándi, who was there to see Phobia. After the show, the band kept in contact with Pándi, who would send them albums he thought they should listen to; the relationship evolved into Pándi becoming their indirect contact with Merzbow frontman Akita Masami, which continued throughout the creation of Full of Hell & Merzbow. Full of Hell vocalist Dylan Walker said, \"The communication was definitely minimal with Masami. I don't think he speaks a lot of English, so I think Balázs [Pándi] has been really helpful for him.\" Full of Hell asked Pándi if they could have permission from Masami to release a shirt paying tribute to the cover art of Merzbow's 1996 album Pulse Demon. In Masami's response, he proposed the idea of doing a split album, but later changed his mind and decided he wanted to do a collaboration album instead.\n\nMerzbow sent the members of Full of Hell approximately 45 minutes of material for them to do with what they saw fit, and had very little contact with Masami during the writing and recording process. Knowing that some fans and critics wouldn't like the finished product, Full of Hell focused their attention on making an album Masami and Balázs would be proud of, and ultimately spent over a year working with the material. Walker said he specifically was inspired how Jamie Saft used Merzbow's source material on his 2006 album Merzdub. On Saft's album, Walker said: \"it was so soothing, and it was so cool that he'd be able to warp Merzbow into this new sonic territory; it was a dub album, but like a dub album in space. We hoped that we could achieve something similar by warping Merzbow into our kind of sound. And Masami was really happy with how it turned out so, y'know, naysayers be damned!\"\n\nBecause of the varying frequencies present in the source material that Masami sent Full of Hell, the band decided to \"map out\" how they wanted to use it all. Ultimately, they decided to make two separate releases that put different levels of focus on either of the two contributors to the project. For the first disc, Full of Hell & Merzbow, weighted the focus as: \"70% Full of Hell, and 30% Merzbow record, so much like a regular Full of Hell record with noise.\" Originally only available with the CD release of the album, the band included a \"second CD hidden within the layout\" of the album's packaging titled Sister Fawn, which flipped the approximate weighted ratios, and as a result saw: \"70% Merzbow and 30% Full of Hell. We did a lot writing in the studio for the second CD, it has kind of a Tribes of Neurot feel for the second CD.\"\n\nIn addition to collaborating with Merzbow, Full of Hell & Merzbow also features Kevin Morris on horns, and contains excerpts from William Rounseville Alger's novel The Solitudes of Nature and of Man: Or, The Loneliness of Human Life on the tracks \"Raise Thee, Great Wall, Bloodied and Terrible\" and \"Ljudet Av Gud.\"\n\nReception\n\nFull of Hell & Merzbow was met with mixed reviews from music critics. Writing for Exclaim!, critic Michael Rancic praised the album and scored it with an eight-out-of-ten rating. On the collaboration between the two artists, Rancic said: \"The end result finds Full of Hell's explosive, breakneck powerviolence stitched together by Masami's squalls of squelches. Though Masami's contributions sound more like black holes than any kind of connective tissue, they're the dark matter that connects each song.\" However, critics Joseph Rowan of Drowned in Sound and Andy O'Connor of Pitchfork were less impressed with the album and gave it a five and five-and-a-half (both out of ten) respectively, citing too little of Merzbow's sound an influence as a major factor. Rowan said Merzbow, \"seems barely present on the heavy tracks and only on two-and-a-half songs could I definitely point to what I presumed was his involvement,\" and O'Connor described the collaboration as \"frustrating because it falls short of its goals, in part due to Merzbow's too-reduced role and that Full of Hell don't make up for the missing space.\"\n\nWhile most reviewers were dissatisfied with the lack of Masami's influence on Full of Hell & Merzbow, most critics did praise the album's longer tracks toward the end of the album (\"High Fells\" and \"Ljudet Av Gud\") that more noticeably featured Masami's signature noise. Rancic described these tracks as being \"more abstract territory\" and that ultimately \"it's a good look for the band, one that hopefully becomes an approach they deploy again on future records.\" Rowan compared \"High Fells\" to Sunn O)))'s song \"Alice\" from their 2009 album Monoliths & Dimensions, describing it as \"the best thing on the album,\" and also praised the following track \"Ljudet Av Gud\" as being: \"much more like what I was expecting from the album.\" O'Connor noted praised the doomy \"High Fells\" for \"giving Merzbow more room to cast a wide shadow\" and Full of Hell's restraint on \"Ljudet Av Gud\" for its \"booming floor toms and drifting noise undercurrents.\" O'Connor also praised Full of Hell & Merzbow's bonus CD Sister Fawn, describing it as a \"much more satisfying listen than the actual record.\"\n\nTrack listings\n\nFull of Hell & Merzbow\n\nSister Fawn\n\nPersonnel\nPersonnel adapted from CD liner notes.\n\nFull of Hell\n David Bland – drums\n Brandon Brown – bass, vocals\n Spencer Hazard – guitar, vocals, percussion, electronics\n Dylan Walker – vocals, electronics, percussion\n\nAdditional musicians\n Masami Akita (Merzbow) – electronics\n Kevin Morris – horns\n\nRecording and artwork\n Kevin Bernsten – recording at Developing Nations\n Brad Boatright – mastering at Audio Siege\n Mark McCoy – artwork, layout\n\nSister Fawn personnel\n Masami Akita (Merzbow) – electronics, vocals, percussion, recording\n Spencer Hazard – electronics, vocals, percussion, recording\n Dylan Walker – electronics, vocals, percussion, recording\n\nReferences\n\nExternal links\n Full of Hell & Merzbow on Bandcamp\n Sister Fawn on Bandcamp\n Mark McCoy — official website of the album's cover artist\n\n2014 albums\nMerzbow albums\nProfound Lore Records albums\nFull of Hell (band) albums\nCollaborative albums", "2R0I2P0 is the eighth collaborative release by the Japanese experimental band Boris and noise musician Merzbow. It features several rerecorded tracks that first appeared on Boris' album Love & Evol, and a cover of the Melvins song \"Boris\", which the band is named after. It was released in December 2020.\n\nA video was released for the track \"Away from You\" on October 19, 2020.\n\nBackground\nThe title stands for \"2020 rest in peace\", with Boris noting that \"This year was a period of trial for everyone in the world\". At the time of 2R0I2P0'''s release, the last time Boris performed before an audience was with Merzbow in Melbourne, Australia on February 29, 2020. The recording was finished in mid-March and submitted to the label in May. The album was completed before No''.\n\nTrack listing\n\nPersonnel\nAll personnel credits adapted from the album notes.\n\nBoris\nTakeshi – vocals, guitar, bass\nWata – vocals, guitar, echo\nAtsuo – vocals, percussion, electronics\n\nMerzbow\nMasami Akita – computer, percussion, noise electronics\n\nTechnical personnel\nAmak Golden – Boris tracks recording\nFangsanalsatan – Boris tracks recording, total mix, design\nSoichiro Nakamura – basic mix, mastering\n\nReferences\n\nExternal links\n2R0I2P0 at Bandcamp\n\"Away From You\" (Official Music Video) at YouTube\n\"Boris\" (Official Music Video) at YouTube\n\n2020 albums\nCollaborative albums\nBoris (band) albums\nMerzbow albums" ]

[ "Merzbow", "Current era (2009-present)", "Can you name an album that Merzbow released in that period from 2009 to present ?", "Gensho, the seventh collaborative releases with Boris, was released in 2016.", "How was the album Gensho received by critics ?", "It is a double album, one disc is by Boris and one by Merzbow, that are meant to be played at the same time.", "How did the double albums do in the charts ?", "I don't know.", "did he collaborate with anyone else during that period ?", "Merzbow also released several collaborations with industrial/noise musicians he had know since the 1980s: Spiral Right / Spiral Left with Z'EV,", "What happened for Merzbow in the year 2009 ?", "Akita began collaborating with the Hungarian drummer Balazs Pandi in 2009," ]

[ "LaShell Renee Griffin (born January 14, 1968 as LaShell Renee Thomas) is an American gospel musician. Her first album, Free, was released by Epic Records in 2004. This was a Billboard magazine breakthrough release upon four charts, The Billboard 200, Gospel Albums, R&B Albums, and Heatseekers Albums. She released two more subsequent albums, but they have not placed on any charts.\n\nEarly life\nGriffin was born on January 14, 1968, as LaShell Renee Thomas, to mother Geraldine, whose maiden name was Mundy, and she won Oprah Winfrey's singing competition, Pop Star Challenge. This got her a record deal with Epic Records.\n\nMusic career\nHer music recording career commenced in 2004, with the album, Free, and it was released by Epic Records on May 25, 2004. The album was her breakthrough release upon four Billboard magazine charts, and it placed on The Billboard 200 at No. 166, Gospel Albums at No. 2, R&B Albums at No. 43, and Heatseekers Albums at No. 5. While she has released two more albums, they have failed to gain any commercial traction or achieve any national exposure.\n\nPersonal life\nGriffin and her now deceased former husband, LeVoties Griffin, has five children together, and she still resides with them in Detroit, Michigan.\n\nDiscography\n\nReferences\n\nExternal links\n Cross Rhythms artist profile\n\n1968 births\nLiving people\nAfrican-American songwriters\nAfrican-American Christians\nMusicians from Detroit\nSongwriters from Michigan\nEpic Records artists\n21st-century African-American people\n20th-century African-American people", "Cake and Pie is an album by Lisa Loeb. It was released in 2002 through A&M Records.\n\nPromotion\nThe first single \"The Way It Really Is\" was a moderate hit among college radio. \"We Could Still Belong Together\" was also included on the soundtrack to Legally Blonde. The album's single \"Someone You Should Know\" was released in November 2001, and the song became a hit in Japan. In the US, it received moderate airplay on Triple A, Adult Top 40 and Pop radio formats, though never officially charted.\n\nThe music video for \"Someone You Should Know\" was played heavily on VH1 upon its release in early 2002. \"Underdog\" peaked at #39 on Billboards Adult Top 40 chart in the fall of 2002.\n\nRelease and reception\nThe album was released on A&M, at that time the sister label of Geffen Records, which had released Loeb's previous two records (Tails and Firecracker). Loeb was moved to A&M after Geffen became part of Universal Music Group in 1999. The singer began working on Cake and Pie in 1999. It was originally scheduled to debut in 2000, but the album wasn't released until 2002.\n\nCake and Pie did not receive any major backing or promotion from Loeb's record label which led to the album's commercial failure. A&M and Loeb clashed over the music video concept for \"Underdog\", so the record label did not fund the shooting of the video. Loeb subsequently negotiated a release from A&M and joined Artemis Records.\n\nLoeb bought the rights to the masters of the songs, and the album was reissued and renamed Hello Lisa. The songs \"We Could Still Belong Together\", \"She's Falling Apart\", and \"Too Fast Driving\" were cut from Hello Lisa and replaced with \"Did That\", \"What Am I Supposed to Say\" and \"Take Me Back\".\n\nTrack listing\n\nCharts\n\nReferences\n\nExternal links\n \n \n\n2002 albums\nLisa Loeb albums\nAlbums produced by Peter Collins (record producer)\nA&M Records albums" ]

[ "Gwen Stefani", "Achievements and legacy" ]

[ "Nena Danevic is a film editor who was nominated at the 57th Academy Awards for Best Film Editing. She was nominated for Amadeus. She shared her nomination with Michael Chandler.\n\nShe did win at the 39th British Academy Film Awards for Best Editing. Also for Amadeus with Michael Chandler.\n\nShe also won at the American Cinema Editors awards.\n\nReferences\n\nExternal links\n \n\nBest Editing BAFTA Award winners\nFilm editors\nPossibly living people\nYear of birth missing (living people)", "Sheena Napier is a British costume designer who was nominated at the 65th Academy Awards for her work on the film Enchanted April, for which she was nominated for Best Costumes.\n\nIn addition she did win at the BAFTA Television Awards for the TV film Parade's End, which she was also nominated for an Emmy for.\n\nReferences\n\nExternal links\n\nBritish costume designers\nLiving people\nBAFTA winners (people)\nWomen costume designers\nYear of birth missing (living people)" ]

[ "Gwen Stefani", "Achievements and legacy", "Did she win any awardS?", "one Grammy Award, four MTV Video Music Awards, one American Music Award, one Brit Award, and two Billboard Music Awards." ]

[ "Cho Min (Korean: 조민, born 1991) is the daughter of Cho Kuk. She is currently a medical student at the Busan National University. She is a researcher in genetics and pathology. She became the focal point of a major scandal where it was found that she and her parents falsified academic achievements, including participation in peer-reviewed journals and extra-curricular activities.\n\nEarly years \nCho Min was born in February 1991 in Seoul, South Korea. Her father is Cho Kuk, a prominent politician; her mother is Chung Kyung-sim, a university professor. Her birth date registration was changed to September 1991 on the suggestion of her paternal grandfather in order to send her earlier to the school system. She was born to a wealthy family based in Busan, then the owners of Ungdong Foundation and Korea Construction Company.\n\nResearch in genetics and other academic achievements \nDuring her years in high school, she published Nos Gene Polymorphisms in Perinatal Hypoxic-Ischemic Encephalopathy in The Korean Journal of Pathology as the first author, meaning she did much of the research. She was also a co-author of Identification of Sex-specific genes in Aglaothamnion callophyllidicola (Rhodophyta) using differentially expressed gene analysis and she presented it at the 9th International Phycological Congress. These merits, along with numerous internships at prestigious institutions, helped her advance her career from a foreign language high school to Korea University's Life Sciences department, then to a Masters program at Seoul National University, and finally to the medical school of Busan National University.\n\nCho Kuk scandal and the falsification of academic achievements of Cho Min \nBeginning in late 2019, Cho Min's extraordinary academic achievements have come under scrutiny as her father, Cho Kuk, got involved in a serious scandal involving illegitimate business activities and falsifying Cho Min's academic achievements. On 27 August 2019, it was reported that 20 different locations, including Seoul National University, Busan University, Korea University, Dankook University, Kongju National University, Cho's brother-in-law's home, and other offices of his family businesses were raided by the prosecutor's office. Led by Yoon Suk-yeol, they were in search of evidence related to Cho's daughter's suspicious academic achievements, including a pathology paper, \"eNos Gene Polymorphisms in Perinatal Hypoxic-Ischemic Encephalopathy\". The paper was published in an international medical research journal, listing her as the primary author even though she was only a high school student.\nThe medical paper was later retracted due to violations of ethical guidelines. A senior association of medical experts in South Korea condemned the paper as one of the most serious cases of academic misconduct in South Korean history and compared it to the Hwang Woo-suk scandal.\n\nShe later used this now retracted medical paper and other controversial extra-curricular experiences to enter Korea University and the Busan University medical school via a highly criticized admission path that does not require candidates to submit written college examination results. She is also under suspicion of receiving multiple scholarships normally reserved for financially challenged students. At the medical school, she flunked two semesters for substandard performance.\n\nIn addition, Cho's family members are currently under a travel ban. He and his family are under suspicion of inappropriate business practices, investments, and asset gains.\n\nThe aforementioned all preceded Cho's Minister of Justice nominee hearings, which took place on the 2nd and 3rd of September 2019. These controversies led to candlelight protests against Cho at both Seoul National University and Korea University on 23 August, where demands for his immediate resignation from the institution and his nomination were made. \"Cho Kuk, you are an embarrassment,\" was one of this protest's campaign messages. \"A survey of some 1,800 SNU students conducted by the online student community SNULife and released on 15 August, found that 95% of students said Cho was 'not fit for the justice minister position at all'\". (University World News) On 28 August, a second candlelight protest was held at SNU, in which a total of 700 students participated.\n\nOn 4 September, Cho's wife, Chung Kyung-sim was officially announced as a defendant in allegations of acts of impropriety regarding an academic award claimed to have been awarded to her daughter, Cho Min, from Dongyang University. His wife's offices were put under search and seizure to obtain evidence. In addition, the President of Dongyang University, Choi Sung-hae has come out and denied ever awarding her such. Choi further added that, after leaving the prosecutor's office, as an educator, he cannot out of good conscience lie and, furthermore, the certificate number on the award in question (which appears to come with an official stamp from his office) is not in line with what his office officially utilises. The official award numbers start with \"000\"; the number on the fake certificate started with a \"1\". This indicates that there was fraud involved because the stamp itself seems similar to the official one. Most noteworthy is that this fake certificate, among other questionable awards in Cho's daughter's name, were used by Cho's family to apply for various top universities.\n\nIt was further reported that Cho's wife and other personal and political associates of Cho Kuk, including Rhyu Si-min, former Minister of Health and Welfare under Roh Moo-hyun Cabinet, placed a call to Choi and suggested that he say the certificate was authentic. Rhyu has admitted to the call but claims to have made the call as a YouTube reporter for information clarification.\n\nOn 10 September 2019, shortly after Cho Kuk's nomination hearing, Cho Kuk's wife, Chung Kyung-sim, was officially indicted for forgery of a document by the prosecutor's office. Prior to the charges and during the hearing, when asked what should happen if his wife should face charges, Cho Kuk replied that his wife should be held accountable to the fullest extent of the law. Cho Kuk did not add that he would withdraw or resign from the nomination (Korea Times, 11 Sept. 2019, Chosunilbo, 10 Sept. 2019)\n\nOn 24 October Chung Kyung-sim arrested for embezzlement using forged official documents and other charges.\n\nIn an interview with Kim Eo-jun, Cho Min denied all allegations against her, and showed support and worry for her indicted mother. On the possibility of retraction of all her academic credentials in tertiary education, she expressed that it would be unfair, but she also expressed her determination to become a medical doctor even if it takes her another ten years.\n\nIn an inquiry by the South Korean parliament, it was found that Cho Min's name is engraved in a memorial in KIST for her contribution to the institute. Her contribution, which is known to be her brief internship in the institute, came into question as to whether she properly participated in the internship program. A research director in KIST was sacked for his role in falsifying documents related to Cho Min's internship. KIST announced it will launch a full investigation of all individuals honored in the memorial, and remove any names who did not meet a preset standard. On December 31st, 2019, KIST announced it will remove the names of all workers who quit within a month without pay. Cho Min was contracted to work at KIST as a student researcher for a month and received a work certificate. However, in a subsequent investigation, it was found that she only worked for two days. Based on this criterion, 23 names will be removed from the KIST memorial, including Cho Min.\n\nSee also \nChung Yoo-ra\n\nReferences \n\nPolitical scandals in South Korea\nAcademic scandals\n2019 scandals\n2019 in South Korea", "Pei Fang (born 1 February 1972) is a former Chinese track and field athlete, who specialized in sprinting events.\n\nAffiliated to the Shanghai's track and field team, she took part in the National Games of China, competing in the 100 metres event. She won her heat in 11.16 seconds. In the semi-finals, she finished second and clocked 11.09 seconds, 0.06 s behind Sichuan runner Liu Xiaomei.\n\nIn the final, she finished fourth in 11.10 s in a race won Li Xuemei in 10.79 s. Liu Xiaomei won the silver medal in 10.89 s and twice Olympian Tian Yumei took the bronze, crossing the line in 11.06 s.\n\nPei's career seems to have ended with those National Games, as she did not compete in any competitions after 1997.\n\nAchievements\n\nRecords\n\nReferences\n \n All-Athletics profile\n\n1972 births\nLiving people\nChinese female sprinters\nRunners from Shanghai" ]

[ "Gwen Stefani", "Achievements and legacy", "Did she win any awardS?", "one Grammy Award, four MTV Video Music Awards, one American Music Award, one Brit Award, and two Billboard Music Awards.", "What other achievements did she have?", "Stefani's work has influenced a number of artists and musicians" ]

[ "This is a list of societies that have been described as examples of stateless societies. \n\nThere is no universally accepted definition of what constitutes a state, or to what extent a stateless group must be independent of the de jure or de facto control of states so as to be considered a society by itself.\n\nHistorical societies \nThe following groups have been cited as examples of stateless societies by some commentators.\n\nIndigenous societies\nHuman society predates the existence of states, meaning that the history of almost any ethnic group would include pre-state organisation. The groups listed below have been identified as examples of stateless societies by various commentators, including discussions relating to anarchism.\n\nSee also\n\nList of anarchist communities\nStateless society\nStateless nation\nStatelessness\n\nReferences \n\nStateless societies\nAnthropology\nArchaeological theory\nStatelessness\nSociety", "The Heinz dilemma is a frequently used example in many ethics and morality classes. One well-known version of the dilemma, used in Lawrence Kohlberg's stages of moral development, is stated as follows:\n\nFrom a theoretical point of view, it is not important what the participant thinks that Heinz should do. Kohlberg's theory holds that the justification the participant offers is what is significant, the form of their response. Below are some of many examples of possible arguments that belong to the six stages:\n\nReferences\n\nThought experiments in ethics\nMorality\nMoral psychology\nDilemmas\n1981 introductions" ]

[ "Gwen Stefani", "Achievements and legacy", "Did she win any awardS?", "one Grammy Award, four MTV Video Music Awards, one American Music Award, one Brit Award, and two Billboard Music Awards.", "What other achievements did she have?", "Stefani's work has influenced a number of artists and musicians", "What are some examples?", "Hayley Williams of Paramore, Best Coast, Katy Perry, Kesha, Marina and the Diamonds, Stefy, Rita Ora, Sky Ferreira, and Cover Drive." ]

[ "What the World Needs Now is...Jackie DeShannon is a compilation CD by Jackie DeShannon, released by Capitol Records as catalog number 829786 in 1994. It serves as a great introduction to the legacy of recordings by one of the most remarkable forces in the female singer/songwriter genre. These tracks are culled from the vaults of her tenure at Liberty Records.\n\nTrack listing\n\nJackie DeShannon albums\n1994 compilation albums\nCapitol Records compilation albums", "Legacy is a South African television drama telenovela series created by executive producers Phatutshedzo Makwarela and Gwidyon Benyon. It is an M-Net original production for premium subscription television channel M-Net produced by Tshedza Pictures. The series focuses on the Price family and the struggle for power over the Price empire after the death of the family's patriarch Sebastian Price. This is the channel's very first telenovela.\n\nOn 22 May 2021/15th Annual SAFTA, it won its first award for Best Telenovela category.\n\nPlot \nSebastian Price, the patriarch of the family is expected to retire from his position as CEO of Legacy Investments, an investment company he has built and operated for thirty years. He is also expected to announce his successor to the position he held. However, tragedy strikes which leads to his death. This leads to a power struggle within the family, as Sebastian bitter ex wife Angelique and his ruthless daughter Felicity do whatever it takes to make sure that Sebastian's second wife Dineo doesn't push her playboy son SJ into the ceo position at legacy investment.\n\nCast and Characters \n Dineo Price (Kgomotso Christopher) Sebastian's current wife. She is a kind-hearted woman caught up in the ensuing drama. She is initially disinterested in her husband's wealth and CEO succession, but has a change of heart later in the series.\nFelicity Price (Mary-Ann Barlow) Sebastian and Angèlique's first born daughter. She is the main antagonist in the series who plots with her mother to get the CEO position at Legacy Investments.\nSebastian Price (Deon Lotz)\n\nThe patriarch of the family and well established businessman. He is the founder and CEO of Legacy Investments.\n\n Angélique Price (Michelle Botes)\n\nSebastian's ex-wife and lawyer. She is determined to get Sebastian's wealth. She plots and schemes with her daughter Felicity.\n\n SJ Price (Anton David Jefta)\n\nSebastian and Dineo's handsome and charming son. Petra Potgieter’s love interest.\n\n Petra Potgieter (Trix Vivier) \n\nFirst jobless when we meet her, Petra Potgieter finds a job and love interest at Legacy Investments due to her brother Stefan's personal ties to one of the Price sisters\n\n Msizi Zulu (Siyabonga Thwala) \n\nA power-hungry, cunning man who would do anything to become the CEO of legacy investments and be seen as the man on top.\n\n Stefan Potgieter (Sean-Marco Vorster)\n\nPetra’s older brother who works as a driver for the Price family . Dangerous and ambitious, he is Felicity's lover and right-hand man.\n\n Williem Potgieter (Dawid Minnaar)\n\nStefan and Petra’s dad who is a recovering alcoholic. He tries to protect his children from the powerful Price family.\n\nReferences \n\nSouth African television series" ]

[ "Gwen Stefani", "Achievements and legacy", "Did she win any awardS?", "one Grammy Award, four MTV Video Music Awards, one American Music Award, one Brit Award, and two Billboard Music Awards.", "What other achievements did she have?", "Stefani's work has influenced a number of artists and musicians", "What are some examples?", "Hayley Williams of Paramore, Best Coast, Katy Perry, Kesha, Marina and the Diamonds, Stefy, Rita Ora, Sky Ferreira, and Cover Drive.", "What is her legacy?", "Stefani has been referred to as a \"Pop Princess\" by several contemporary music critics." ]

[ "Margarita Esther Henríquez Rodríguez (born April 17, 1991) is the winner of the third season of Latin American Idol, which she won on October 9, 2008.\n\nBiography\nHenríquez became the youngest contestant to win and the third one since Carlos Peña. Henríquez beat the runner up María José Castillo for the title. She released her first album under the Sony BMG label on December 1, 2008. It has been very successful in Panama. It contains six songs that she performed during the TV Show. Her song \"Vuela\" has been successful on the Panamenian radio stations.\n\nReferences\n\nExternal links\n\n1991 births\nLiving people\nIdols (TV series) winners\nLatin American Idol participants\n21st-century Panamanian women singers\n21st-century Panamanian singers\nPlace of birth missing (living people)", "Sandra Hansson (born 2 April 1980) is a Swedish cross-country skier. In 2008 and 2009, she won the women's main Vasaloppet event. She has also been successful in roller skiing.\n\nReferences \n\n1980 births\nSwedish female cross-country skiers\nVasaloppet winners\nLiving people" ]

[ "Gwen Stefani", "Achievements and legacy", "Did she win any awardS?", "one Grammy Award, four MTV Video Music Awards, one American Music Award, one Brit Award, and two Billboard Music Awards.", "What other achievements did she have?", "Stefani's work has influenced a number of artists and musicians", "What are some examples?", "Hayley Williams of Paramore, Best Coast, Katy Perry, Kesha, Marina and the Diamonds, Stefy, Rita Ora, Sky Ferreira, and Cover Drive.", "What is her legacy?", "Stefani has been referred to as a \"Pop Princess\" by several contemporary music critics.", "Has she been successful?", "The lead single from Love. Angel. Music. Baby., \"What You Waiting For?\", was considered by Pitchfork to be one of the best singles by Stefani," ]

[ "Now That's What I Call Party Hits! is a compilation album released on November 13, 2007. The album was certified Gold by the RIAA in March 2008.\n\nTrack listing\n\nSee also\n Now That's What I Call Club Hits\n\nReferences\n Allmusic - Now That's What I Call Party Hits\n Robert Christgau - Consumer Guide Album\n\n2007 compilation albums\nParty Hits", "This is a list of available actual & physical albums (vinyl, CDs) and DVDs belonging to the Now That's What I Call Music! series. They are categorised by series (country), then ordered by date.\n\nUnited Kingdom and Ireland \nThe first Now That's What I Call Music! UK edition to be released on compact disc was Now That's What I Call Music! 4 in abridged single-CD format, with full double-disc CD releases starting with Now That's What I Call Music! 10. Phonograph record production ended on the numbered series with Now That's What I Call Music! 35, with special vinyl editions of spin-offs like Now That’s What I Call Punk & New Wave (on a double neon pink vinyl set) issued as limited editions in the 21st century. Audio cassettes ended with Now That's What I Call Music! 64. Part of the series was also released on the MiniDisc format, beginning with Now That's What I Call Music! 43 and ending with Now That's What I Call Music! 48.\nVolumes 1 to 18 and Now That's What I Call Music! 20 were released on individual VHS tapes, with the first two albums also issued on LaserDiscs. Every video tape had a typical running time of roughly one hour. From 2001 to 2007, the videos were published on DVD with a frequency of one per year. The DVDs are numbered by year and not linked to album numbers. Now 2006 was released on UMD as well as DVD.\n\nThe series release dates below represent the date of release in the United Kingdom. Through the release of Now That's What I Call Music! 90 on 30 March 2015, the release date in Ireland was three days before the UK release. Beginning with the release of Now That's What I Call Music! 91 on 24 July 2015, the release dates in the UK and Ireland have been the same following the announcement of the Global Release Day campaign by IFPI, which became effective on 10 July 2015.\n\nNow re-issues of the original numbered series (2018 – present) \nMost of these releases have been re-issued on 2CD sets but many are not straight re-issues of the original 80s series, with alternative mixes and missing tracks.\n Now That’s What I Call Music (20 July 2018) re-issued on 2CD, audio cassette, and a 2LP vinyl release\n Now That’s What I Call Music 2 (12 April 2019) re-issued on 2CD and a 2LP vinyl release\n Now That’s What I Call Music 3 (19 July 2019) re-issued on 2CD 28 tracks with Bob Marley & The Wailers and Gary Glitter missing.\n Now That’s What I Call Music 4 (8 November 2019) originally a 15 track CD in 1984, now with all 32 tracks.\n Now That’s What I Call Music 5 (8 May 2020) David Bowie & the Pat Metheney Group is the only track that is missing\n Now That’s What I Call Music 6 (24 July 2020) re-issued on 2CD Bryan Adams & Tina Turner is the only track that is missing.\n Now That’s What I Call Music 7 (27 November 2020) David Bowie, Patti Labelle & Michael McDonald and the Real Roxanne are the tracks that are missing.\n Now That’s What I Call Music 8 (26 March 2021) originally a 17 track CD in 1986, now with all 32 tracks.\n Now That’s What I Call Music 9 (23 July 2021) originally a 15 track CD in 1987, now with all 30 tracks.\n Now That’s What I Call Music 10 (19 November 2021) 28 tracks with Heart and Whitesnake missing.\n\nNow Dance series (1985 – 2016) \n\nThe original Now Dance series began in 1985 and has been released in a variety of titles, formats, and release frequency. Originally, the series captured extended 12\" mixes of dance hits of the time, but from 1991 onwards, all Now Dance compilations featured 7\" edits with only occasional extended versions or mixes included. The first two volumes were not released on compact disc, and all subsequent releases were either single, double, or triple disc sets. Unlike the main series, Now Dance were originally titled and numbered by their year of release (i.e. Now Dance '89). The frequency in which they were released also varied from year to year; initially, and most frequently across the series, there would be one Now Dance volume per year, but in 1994 for example, there were five volumes released, and in 1996, there weren't any Now Dance compilations released. Towards the end of the series, 3-CD sets were issued and often under The Very Best of Now Dance title, but by the 2010's, the long-running title had been retired, and all future dance-themed Now collections have been issued under the Special editions series.\n\n Now Dance – Extended Dance Versions of 20 Smash Hits (The 12\" Mixes) (20 May 1985)\n Now Dance 86 – 20 Smash Dance Hits of the Year (The 12\" Mixes) (27 October 1986)\n Now Dance 89 – 20 Smash Dance Hits (The 12\" Mixes) (3 July 1989)\n Now Dance 901 – 20 Smash Dance Hits (The 12\" Mixes) (6 February 1990)\n Now Dance 902 (The 12\" Mixes) (16 July 1990)\n Now Dance 903 (The 12\" Mixes) (29 October 1990)\n Now Dance 91 – 20 Blissful Grooves (23 September 1991)\n Now Dance 92 (2 November 1992)\n Now Dance 93 – 20 Buzzin' Beats (14 June 1993)\n Now Dance – The Best of 93 (18 October 1993)\n Now Dance 94 (17 January 1994)\n Now Dance 94 – Volume 2 (7 March 1994)\n Now Dance Summer 94 (16 June 1994)\n Now Dance 95 – 40 Ultimate Dance Hits (27 October 1994)\n Now Dance – The Best of 94 (3 November 1994)\n Now Dance Summer 95 (27 July 1995)\n Now Dance 97 (20 October 1997)\n Now Dance 98 (2 November 1998)\n Now Dance 2000 (18 October 1999)\n Now Dance 2001 (23 October 2000)\n Now Dance 2001 – Part Two (19 March 2001)\n Now Dance 2002 (22 October 2001)\n Now Dance 2002 – Part Two (4 March 2002)\n Now Dance 2003 (14 October 2002)\n Now Dance 2003 – Part Two (31 March 2003)\n Now Dance 2004 (27 October 2003)\n Now Dance – 41 Brand New Dance Hits (22 March 2004)\n Now Dance – 42 Brand New Dance Hits (18 October 2004)\n The Very Best of Now Dance (26 September 2005)\n Now Dance 2007 (16 October 2006)\n Now Dance 2008 (15 October 2007)\n Now Dance Anthems (21 September 2009)\n The Very Best of Now Dance 2010 (18 October 2010)\n The Very Best of Now Dance (8 December 2014)\n\nChristmas series (1985 – present) \n Now – The Christmas Album/Tape/Compact Disc (11 November 1985)\n Now! – The Christmas Album (27 November 2000)\n Now Xmas – Massive Christmas Hits (14 November 2005)\n Now That's What I Call Xmas (16 November 2009)\n Now That's What I Call Xmas (2011) (7 November 2011)\n Now That's What I Call Christmas (5 November 2012)\n Now That's What I Call Christmas (2013) (4 November 2013)\n Now That's What I Call Christmas (2015) (6 November 2015)\n Now – The Christmas Album (2016) (25 November 2016, vinyl only)\n Now That's What I Call Christmas (2021) (29 October 2021)\n\nSpecial Editions (1986 – present) \n\nThe Special Editions series includes a wide range of Now anniversary collections, different music genres, eras, and decades, as well as commercial tie-ins with Smash Hits, Disney and HMV. They all vary from one to five disc compilations, starting in 1986 and continuing to the present day. The series peaked in 2017, with fifteen different compilations being issued. Some of the Special Editions have identical names, although a few of these titles are followed by their year of release. In November 2018, the Now team took over the \"100 Hits\" brand from Demon Music Group, and in 2019 and 2020, the Special Editions series was effectively rested while 24 different Now 100 Hits compilations were issued in very quick succession, until the end of November 2020. From January 2021, the Special Editions series resumed, albeit with reduced output due to the introduction of two new series, Now Yearbook and the 4-CD series, which were both launched in 2021, and these three release variations continue to the present day (February 2022).\n\n Now That's What I Call Music – The Summer Album (6 July 1986) Double-LP/MC only\n Now That's What I Call Music '86 (27 October 1986) Single-CD only\n Now That's What I Call Music, Smash Hits (August 1987) 2-CD/MC/LP\n Now That's What I Call Love (5 February 1994) 2-CD/MC\n Now That's What I Call Music! Decades – The Deluxe Edition (29 September 2003) 3-CD\n Now That's What I Call Music! Years (27 September 2004) 3-CD\n Now That's What I Call No. 1's (30 October 2006) 3-CD\n Now That's What I Call the 80s (29 October 2007) 3-CD\n Now That's What I Call Music! 25 Years (27 October 2008) 3-CD\n Now That's What I Call the 90s (26 October 2009) 3-CD\n Now That's What I Call the 00s (15 February 2010) 3-CD\n Now That's What I Call a Wedding! (18 April 2011) 2-CD\n Now That's What I Call R&B (26 September 2011) 2-CD\n Now That's What I Call Disney (21 November 2011) 2-CD\n Now That's What I Call Classical (28 November 2011) 2-CD\n Now That's What I Call Love (30 January 2012) 2-CD\n Now That's What I Call Running (5 March 2012) 3-CD\n Now That's What I Call Britain (21 May 2012) 3-CD\n Now That's What I Call Reggae (25 June 2012) 3-CD\n Now That's What I Call a No.1 (9 July 2012) 3-CD\n Now That's What I Call Chill (20 August 2012) 2-CD\n Now That's What I Call 90s Dance (29 October 2012) 3-CD\n Now That's What I Call Disney (2012 with bonus CD) (November 2012)\n Now That's What I Call Musicals (26 November 2012) 2-CD\n Now That's What I Call 30 Years (27 May 2013) 3-CD\n Now That's What I Call Disco (26 August 2013) 3-CD\n Now That's What I Call 80s Dance (14 October 2013) 3-CD\n Now That's What I Call Music! USA (21 October 2013) 3-CD\n Now That's What I Call Disney Princess (28 October 2013) 2-CD\n Now That's What I Call Movies (11 November 2013) 3-CD\n Now That's What I Call Relaxing Classical (25 November 2013) 2-CD\n Now That's What I Call Club Hits (9 December 2013) 3-CD\n Now That's What I Call Running 2014 (10 March 2014) 3-CD\n Now That's What I Call Feel Good (17 March 2014) 3-CD\n Now That's What I Call 21st Century (21 April 2014) 3-CD\n Now That's What I Call Rock (2 June 2014)\n Now That's What I Call Summer (23 June 2014) 3-CD\n Now That's What I Call Chilled (18 August 2014) 3-CD\n Now That's What I Call Club Hits 2014 (8 September 2014) 3-CD\n Now That's What I Call Drive (15 September 2014) 3-CD\n Now That's What I Call a Million 2014 (27 October 2014) 3-CD\n Now That's What I Call Disney 2014 (10 November 2014) 2-CD\n Now That's What I Call the 90s 2014 (17 November 2014) 3-CD\n Now That's What I Call Legends (24 November 2014) 2-CD\n Now That's What I Call Musicals (24 November 2014) 3-CD\n Now That's What I Call a Party 2015 (1 December 2014) 3-CD\n Now That's What I Call Power Ballads (26 January 2015) 3-CD\n Now That's What I Call a Song (13 April 2015) 3-CD\n Now That's What I Call Running 2015 (20 April 2015) 3-CD\n Now That's What I Call Classic Rock (1 June 2015) 3-CD\n Now That's What I Call a Summer Party (22 June 2015) 3-CD\n Now That's What I Call House (21 August 2015) 3-CD\n Now That's What I Call Pop (25 September 2015) 3-CD\n Now That's What I Call a Singer (23 October 2015) 3-CD\n Now That's What I Call the 80s (6 November 2015) 3-CD\n Now That's What I Call Party Anthems (27 November 2015) 3-CD\n Now That's What I Call Classical (27 November 2015) 3-CD\n Now That's What I Call Brit Hits (25 March 2016) 3-CD\n Now That's What I Call Fitness (22 April 2016) 3-CD\n Now That's What I Call Rock Ballads (3 June 2016) 3-CD\n Now That's What I Call Reggae Party (24 June 2016) 3-CD\n Now That's What I Call Summer Hits (1 July 2016) 3-CD\n Now That's What I Call Dance Hits (19 August 2016) 3-CD\n Now That's What I Call Drivetime (16 September 2016) 3-CD\n Now That's What I Call 20th Century (21 October 2016) 3-CD\n Now That's What I Call No.1 Hits (11 November 2016) 3-CD\n Now That's What I Call Love 2016 (18 November 2016) 3-CD\n Now That's What I Call Disney Princess (25 November 2016) 3-CD\n Now That's What I Call 70s (25 November 2016) 3-CD\n Now That's What I Call Party Hits (2 December 2016) 3-CD\n Now That's What I Call R&B (10 February 2017) 3-CD\n Now That's What I Call Mum (3 March 2017)\n Now That's What I Call Running 2017 (24 March 2017) 3-CD\n Now That's What I Call Classic Soul (26 May 2017) 3-CD\n Now That's What I Call Driving Rock (2 June 2017) 3-CD\n Now That's What I Call a Summer Party 2017 (23 June 2017) 3-CD\n Now That's What I Call Old Skool (4 August 2017) 3-CD\n Now That's What I Call Sing (22 September 2017) 3-CD\n Now That's What I Call a Million 2017 (13 October 2017)\n Now That's What I Call Disney 2017 (3 November 2017) 3-CD\n Now That's What I Call the 00s (10 November 2017) 3-CD\n Now That's What I Call the 60s (17 November 2017) 3-CD\n Now That's What I Call an 80s Party (24 November 2017) 3-CD\n Now That's What I Call Country 2017 (24 November 2017) 3-CD\n Now That's What I Call a Party 2018 (1 December 2017) 3-CD\n Now That's What I Call Remix (23 February 2018) 3-CD\n Now That's What I Call Running 2018 (16 March 2018) 3-CD\n Now That's What I Call Footie Anthems (25 May 2018) 3-CD\n Now That's What I Call Dad Rock (1 June 2018) 3-CD\n Now That's What I Call Jazz (1 June 2018) 3-CD\n Now That's What I Call a Summer Party 2018 (22 June 2018) 3-CD\n Now That's What I Call Ibiza (3 August 2018) 3-CD\n Now That's What I Call Disney Bedtime (9 November 2018) 3-CD\n Now That's What I Call Rock 'n' Roll (9 November 2018) 3-CD\n Now That's What I Call Easy (16 November 2018) 3-CD\n Now That's What I Call Love Songs (23 November 2018) 3-CD\n Now That's What I Call a Party 2019 (30 November 2018) 3-CD\n Now That's What I Call a Summer Party 2019 (28 June 2019) 3-CD\n Now That's What I Call Eurovision Song Contest (30 April 2021) 3-CD\n Now That's What I Call Footie!: Back of the Net (7 May 2021) 2-CD\n Now That's What I Call HMV (24 September 2021) 3-CD\n\nNow 100 Hits series (2018 – 2020)\n\n4-CD series (2021 – present) \n Now Decades of Love (22 January 2021)\n Now 70s Glam Pop (29 January 2021)\n Now That's What I Call Country 2021 (20 February 2021)\n Now The 60s Girls: Then He Kissed Me (5 March 2021)\n Now That's What I Call 12\" 80s (16 April 2021)\n Now Live Forever: The Anthems (28 May 2021)\n Now That's What I Call Summer (25 June 2021)\n Now That's What I Call Gold (16 July 2021)\n Now Decades of Soul (13 August 2021)\n Now That's What I Call 12\" 80s: Extended (27 August 2021)\n Now Boogie Nights: Disco Classics (17 September 2021)\n Now That's What I Call Disney 2021 (1 October 2021)\n Now That's What I Call Rock 2021 (5 November 2021)\n Now That's What I Call a Massive Party (19 November 2021)\n Now That's What I Call Electronic (7 January 2022)\n Now That's What I Call Punk and New Wave (21 January 2022)\n Now That's What I Call 12\"/80s: Remixed (26 February 2022)\n\nNow Yearbook series (2021 – present) \n Now Yearbook '83 (25 June 2021) 4-CD and 3-LP vinyl selection\n Now Yearbook '84 (29 October 2021) 4-CD and 3-LP vinyl selection\n Now Yearbook '83 Extra (10 December 2021) 3-CD selection\n Now Yearbook '84 Extra (14 January 2022) 3-CD selection\n Now Yearbook '82 (4 February 2022) 4-CD and 3-LP vinyl selection\n\n10th Anniversary Series (1993 – 1995) \nTo commemorate ten years since the release of the first Now That's What I Call Music! album, from June to August in 1993, a series of eleven, 40-track yearly collections were released on CD/Cassette, with an additional volume added in both 1994 and 1995 also released on CD/cassette, 1993 and 1994 were also released on Vinyl.\n\n Now That's What I Call Music! 1983 – 10th Anniversary Series (20 June 1993)\n Now That's What I Call Music! 1984 – 10th Anniversary Series (27 June 1993)\n Now That's What I Call Music! 1985 – 10th Anniversary Series (4 July 1993)\n Now That's What I Call Music! 1986 – 10th Anniversary Series (11 July 1993)\n Now That's What I Call Music! 1987 – 10th Anniversary Series (18 July 1993)\n Now That's What I Call Music! 1988 – 10th Anniversary Series (25 July 1993)\n Now That's What I Call Music! 1989 – 10th Anniversary Series (1 August 1993)\n Now That's What I Call Music! 1990 – 10th Anniversary Series (8 August 1993)\n Now That's What I Call Music! 1991 – 10th Anniversary Series (15 August 1993)\n Now That's What I Call Music! 1992 – 10th Anniversary Series (22 August 1993)\n Now That's What I Call Music! 1993 – 10th Anniversary Series (29 August 1993)\n Now That's What I Call Music! 1994 – 10th Anniversary Series (13 September 1994)\n Now That's What I Call Music! 1995 – 10th Anniversary Series (4 September 1995)\n\nThe Millennium Series (1999) \nTo commemorate the turn of the millennium, another series of Now That's What I Call Music collections were released in 1999 which all contained 36 tracks, and covered hits from the years 1980 through to 1999.\n Now That's What I Call Music! 1980 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1981 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1982 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1983 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1984 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1985 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1986 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1987 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1988 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1989 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1990 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1991 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1992 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1993 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1994 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1995 – The Millennium Series (21 June 1999)\n Now That's What I Call Music! 1996 – The Millennium Series (4 October 1999)\n Now That's What I Call Music! 1997 – The Millennium Series (4 October 1999)\n Now That's What I Call Music! 1998 – The Millennium Series (4 October 1999)\n Now That's What I Call Music! 1999 – The Millennium Series (4 October 1999)\n\nDVD series (2001 – 2011) \n Now That's What I Call Music! 2001 The DVD (10 December 2001)\n Now That's What I Call Music! 2003 The DVD (2 December 2002)\n Now That's What I Call Music! 2004 The DVD (1 December 2003)\n Now That's What I Call Music! 2005 The DVD (22 November 2004)\n Now That's What I Call Karaoke (21 November 2005)\n Now Quiz – Now That's What I Call A Music Quiz [Interactive DVD] (5 December 2005)\n Now That's What I Call Music! 2006 The DVD (3 April 2006)\n Now That's What I Call A Music Quiz 2 – Interactive DVD Game [Interactive DVD] (4 December 2006)\n Now That's What I Call Music! 2008 The DVD (3 December 2007)\n Now That's What I Call A Music Quiz – The 80s [Interactive DVD] (3 December 2007)\n Now That's What I Call a Family Quiz [DVD] (1 December 2008)\n Now That's What I Call Comedy (2 March 2009)\n Now That's What I Call Fitness (26 December 2011)\n\nUnited States\n\nSpecial editions \nNow Presents: Off the Hook (21 May 2002)\nNow That's What I Call Music! #1's (24 January 2006)\nNow That's What I Call Party Hits! (13 November 2007)\nNow That's What I Call the 80s (11 March 2008)\nNow That's What I Call Classic Rock (3 June 2008)\nThe Best of Now That's What I Call Music! 10th Anniversary (11 November 2008)\nNow That's What I Call Motown (13 January 2009)\nNow That's What I Call Power Ballads (24 March 2009)\nNow That's What I Call the 80s 2 (30 June 2009)\nNow That's What I Call Club Hits (22 September 2009)\nNow That's What I Call Dance Classics (3 November 2009)\nNow That's What I Call Love (26 January 2010)\nNow That's What I Call Faith (23 March 2010)\nNow That's What I Call Club Hits 2 (12 October 2010)\nNow That's What I Call the 1990s (9 November 2010)\nNow That's What I Call R&B (1 February 2011)\nNow That's What I Call the Modern Songbook (8 February 2011)\nNow That's What I Call the 80s Hits (3 May 2011)\nNow That's What I Call I Wanna Rock (17 June 2011)\nNow That's What I Call Classic Rock Hits (1 May 2012)\nNow That's What I Call British (17 July 2012)\nNow That's What I Call Party Anthems (7 August 2012)\nNow That's What I Call Disney (6 November 2012)\nNow That's What I Call Love Songs (22 January 2013)\nNow That's What I Call Soundcheck (2 July 2013)\nNow That's What I Call Disney 2 (11 November 2013)\nNow That's What I Call Slow Jams (4 February 2014)\nNow That's What I Call Party Anthems 2 (5 August 2014)\nNow That's What I Call Disney 3 (27 October 2014)\nNow That's What I Call Movies (3 February 2015)\nNow That's What I Call #1's (4 May 2015)\nNow That's What I Call Funk (4 May 2015)\nNow That's What I Call New Wave 80s (7 August 2015)\nNow That's What I Call Halloween (11 September 2015)\nNow That's What I Call Disney Princess (30 October 2015)\nNow That's What I Call Rock (22 January 2016)\nNow That's What I Call Power Ballads Hits (5 February 2016)\nNow That's What I Call Broadway (29 April 2016)\nNow That's What I Call Party Anthems 3 (5 August 2016)\nNow That's What I Call 90's Pop (27 January 2017)\nNow That's What I Call a Workout 2017: Hits & Remixes (5 May 2017)\nNow That's What I Call Tailgate Anthems (4 August 2017)\nNow That's What I Call the 00's (3 November 2017)\nNow That's What I Call Disney Junior Music (16 March 2018)\nNow That's What I Call Hits & Remixes 2018 (4 May 2018)\nNow That's What I Call Party Anthems 4 (3 August 2018)\nNow That's What I Call Music! 20th Anniversary: Volume 1 (26 October 2018)\nNow That's What I Call Music! 20th Anniversary: Volume 2 (1 February 2019)\nNow That's What I Call Hits and Remixes 2019 (3 May 2019)\nNow That's What I Call Yacht Rock (2 August 2019)\nNow That's What I Call 80s Hits & Remixes (25 October 2019)\nNow That's What I Call Yacht Rock Volume 2 (1 May 2020)\nNow That’s What I Call a Decade 2010s (7 August 2020)\nNow That's What I Call a Decade 1990s (30 April 2021)\nNow That's What I Call a Decade 1980s (18 June 2021)\nNow That's What I Call 2000's Hip Hop (28 January 2022)\n\nChristmas series \nNow That's What I Call Christmas! (23 October 2001)\nNow That's What I Call Christmas! 2: The Signature Collection (30 September 2003)\nNow That's What I Call Christmas! 3 (10 October 2006)\nThe Essential Now That's What I Call Christmas (23 September 2008)\nNow That's What I Call Christmas! 4 (12 October 2010)\nNow That's What I Call Today's Christmas (25 September 2012)\nNow Christmas (8 October 2013)\nNow That's What I Call Merry Christmas (7 October 2016)\nNow That's What I Call Merry Christmas (6 October 2017)\nNow That's What I Call Merry Christmas (5 October 2018)\nNow That's What I Call Music! R&B Christmas (2 October 2020)\nNow That's What I Call Christmas Classics (10 September 2021)\n\nCountry series \nNow That's What I Call Country (26 August 2008)\nNow That's What I Call Country Volume 2 (25 August 2009)\nNow That's What I Call a Country Christmas (6 October 2009)\nNow That's What I Call the USA: The Patriotic Country Collection (15 June 2010)\nNow That's What I Call Country Volume 3 (14 September 2010)\nNow That's What I Call Country Volume 4 (14 June 2011)\nNow That's What I Call Country Ballads (24 January 2012)\nNow That's What I Call Country Volume 5 (12 June 2012)\nNow That's What I Call a Country Party (7 May 2013)\nNow That's What I Call Country Volume 6 (11 June 2013)\nNow That's What I Call Country Ballads 2 (21 January 2014)\n Now That's What I Call Country Volume 7 (3 June 2014)\n Now That's What I Call ACM Awards 50 Years (31 March 2015)\n Now That's What I Call Country Volume 8 (9 June 2015)\n Now That's What I Call Country Christmas (23 October 2015)\n Now That's What I Call Southern Rock (29 April 2016)\n Now That's What I Call Country Volume 9 (10 June 2016)\n Now That's What I Call Country #1's (4 November 2016)\n Now That's What I Call Country Volume 10 (9 June 2017)\n Now That's What I Call Country: Songs Of Inspiration (16 March 2018)\n Now That's What I Call Country Volume 11 (8 June 2018)\n Now That's What I Call Country Volume 12 (29 March 2019)\n Now That's What I Call a Country Christmas (4 October 2019)\n Now That's What I Call Country: Songs of Inspiration: Volume 2 (27 March 2020)\n Now That's What I Call Country Classics '90s (5 June 2020)\n Now That's What I Call Country Volume 13 (5 June 2020)\n Now That's What I Call Music! Outlaw Country (19 March 2021)\n Now That's What I Call Country Volume 14 (18 June 2021)\n Now That's What I Call Country Classics 00s (18 June 2021)\n\nDVD series \nNow That's What I Call Music! DVD: The Best Videos of 2003 (4 November 2003)\nNow That's What I Call Music! DVD 2 (2 November 2004)\n\nLatino series \nNow Esto Es Musica! Latino (21 March 2006)\nNow Esto Es Musica! Latino 2 (21 November 2006)\nNow Esto Es Musica! Latino 3 (9 October 2007)\nNow Esto Es Musica! Latino 4 (24 March 2009)\n\nAsian region \n Now That's What I Call Music! (1995)\n Now That's What I Call Music! 2 (1996)\n Now That's What I Call Music! 3 (1997)\n Now That's What I Call Music! 4 (1998)\n Now That's What I Call Music! 5 (1999)\n Now That's What I Call Music! 6 (2000)\n Now That's What I Call Music! 7 (2001)\n Now That's What I Call Music! 8 (2002)\n Now That's What I Call Music! 9 (2006)\n Now That's What I Call Music! 10 (2008)\n\nChinese Best series \n Now Chinese Best (1999)\n Now Chinese Best 2 (2000)\n\nLove series \n Now That's What I Call Love (1998)\n Now That's What I Call Love 2 (1999)\n Now That's What I Call Love 3 (2000)\n Now That's What I Call Love 4 (2001)\n Now That's What I Call Love (2010)\n Now That's What I Call Love Vol. 2 (2011)\n Now That's What I Call Love (2014)\n\nPlus Series \n Now+ (2004)\n Now+ Vol.2 (2005)\n\nSpecial editions \n Now That's What I Call Jazz (2002)\n Now The Essential Collection (2003)\n Now That's What I Call Jazz (2007)\n Now That's What I Call Arabia 2011 (2011)\n\nAustralia\n\nFirst series\n Now That's What I Call Music 1 (1987) (Vinyl)\n\nSecond series\n Now 01 (2002)\n Now 02 (2002)\n Now 03 (2003)\n Now 04 (2003)\n Now 05 (2004)\n Now 06 (2004)\n Now 07 (2004)\n Now 08 (2005)\n\nThird series\n Now Winter 2005 (2005)\n Now Spring 2005 (2005)\n Now Summer 2006 (2005)\n Now Autumn 2006 (2006)\n Now Winter 2006 (2006)\n Now Spring 2006 (2006)\n Now Summer 2007 (2006) (double CD)\n Now Autumn 2007 (2007)\n Now Winter 2007 (2007)\n Now Spring 2007 (2007)\n Now Summer 2008 (2007) (double CD)\n Now Autumn 2008 (2008)\n Now: The Hits of Winter 2008 (2008)\n Now: The Hits of Spring 2008 (2008)\n Now: The Hits of Summer 2009 (2008)\n Now: The Hits of Autumn 2009 (2009)\n Now: The Hits of Winter 2009 (2009)\n Now: The Hits of Spring 2009 (2009)\n Now: The Hits of Summer 2010 (2009)\n Now: The Hits of Autumn 2010 (2010)\n Now: The Hits of Winter 2010 (2010)\n Now: The Hits of Spring 2010 (2010)\n Now: The Hits of Summer 2011 (2010)\n Now: The Hits of Autumn 2011 (2011)\n Now: The Hits of Winter 2011 (2011)\n Now: The Hits of Spring 2011 (2011)\n Now: The Hits of Summer 2012 (2011)\n Now: The Hits of Autumn 2012 (2012)\n Now: The Hits of Winter 2012 (2012)\n Now: The Hits of Spring 2012 (2012)\n Now: The Hits of Summer 2013 (2012)\n Now: The Hits of Autumn 2013 (2013)\n Now: The Hits of Spring 2013 (2013)\n Now: The Hits of Summer 2014 (2013)\n\nFourth series\n NOW: Volume 1, 2014 (2014)\n NOW: Volume 2, 2014 (2014)\n NOW: Volume 3, 2014 (2014)\n NOW: Volume 1, 2015 (2015)\n NOW: Volume 2, 2015 (2015)\n NOW: Volume 1, 2016 (2016)\n NOW: Volume 2, 2016 (2016)\n NOW: Volume 1, 2017 (2017)\n NOW: Volume 1, 2018 (2018)\n NOW: Volume 1, 2019 (2019)\n\n100% series \n Now… That's What I Call Music! 100% Dance (1994)\n Now… That's What I Call Music! 100% Ballads (1994)\n Now… That's What I Call Music! 100% Rap (1994)\n Now… That's What I Call Music! 100% Alternate (1994)\n Now… That's What I Call Music! 100% Pop (1994)\n\nVision series \n Now Vision 2004 (DVD) (2004)\n Now Vision 2005 (DVD) (2005)\n Now Vision 2006 (DVD) (2006)\n Now Summer 2007 (DVD) (2006)\n\nSpecial editions \n Now Xmas (2008)\n Now Xmas (2009)\n Now Xmas (2011)\n Now Dance – Mixed By Denzal Park (2011)\n Now Dance – Mixed By Emily Scott (2011)\n Now: 10 Years Of Hits (2012)\n Now R&B Volume 1 (2014)\n NOW Fitness 2014 (2014)\n NOW Xmas 2015 (2015)\n NOW Fitness 2016 (2016)\n NOW Xmas 2016 (2016)\n NOW Fitness 2017 (2017)\n NOW Xmas 2017 (2017)\n NOW Xmas 2018 (2018)\n\nBenelux \n Now, This Is CD Music (1985)\n A co-release by EMI Bovema, Ariola Benelux and Virgin Records.\n\nCanada\n\nOriginal series \n Now That's What I Call Music (1988)\n\nCurrent series \n Now! (1996)\n Now! 2 (1997)\n Now! 3 (1998)\n Now! 4 (1999)\n Now! 5 (2000)\n Now! 6 (2001)\n Now! 7 (2002)\n Now! 8 (2003)\n Now! 9 (2004)\n Now! 10 (2005)\n Now! 11 (2006)\n Now! 12 (2007)\n Now! 13 (2008)\n Now! 14 (2009)\n Now! 15 (2010)\n Now! 16 (2010)\n Now! 17 (2011)\n Now! 18 (2011)\n Now! 19 (2012)\n Now! 20 (2012)\n Now! 21 (7 February 2013)\n Now! 22 (3 September 2013)\n Now! 23 (3 June 2014)\n Now! 24 (3 March 2015)\n Now! 25 (28 August 2015)\n Now! 26 (15 April 2016)\n Now! 27 (23 September 2016)\n Now! 28 (28 July 2017)\n\nThen series \n Then (1999)\n Then 2 (2000)\n\nCountry series \n Now Country (2006)\n Now Country 2 (2007)\n Now Country Classics (2007)\n Now Country 3 (2009)\n Now Country 4 (2010)\n Now Country 5 (2011)\n Now Country 6 (2012)\n Now Country 7 (2013)\n Now Country 8 (2013)\n Now Country 9 (2014)\n Now Country 10 (2015)\n\nSpecial editions \n Now That's What I Call Rock & Roll (1988)\n Now Blues (2005)\n Now Real Country (2005)\n Now Classic Rock (2005)\n Now Love (2005)\n Now Soul (2005)\n Now New Wave (2005)\n Now Rock N Roll (2005)\n Now Women Who Rock (2005)\n Now Bell Bottom Rock (2005)\n Best of Now (2005)\n Now 1970s (2010)\n Now 1980s (2010)\n Now 1990s (2010)\n Now 2000s (2010)\n Now Classical (2011)\n\nDance editions \n Now Dance (2010)\n Now Dance 2 (2011)\n Now Dance 3 (2012)\n Now Dance 4 (2013)\n Now Dance 5 (2014)\n\nDenmark \n Now That's What I Call Music! 1 (2002)\n Now That's What I Call Music! 2 (2002)\n Now That's What I Call Music! 3 (2003)\n Now That's What I Call Music! 4 (2003)\n Now That's What I Call Music! 5 (2003)\n Now That's What I Call Music! 6 (2003)\n Now That's What I Call Music! 7 (2004)\n Now That's What I Call Music! 8 (2004)\n Now That's What I Call Music! 9 (2004)\n Now That's What I Call Music! 10 (2004)\n Now That's What I Call Music! 11 (2005)\n Now That's What I Call Music! 12 (2005)\n Now That's What I Call Music! 13 (2005)\n Now That's What I Call Music! 14 (2005)\n Now That's What I Call Music! 15 (2006)\n Now That's What I Call Music! 16 (2006)\n Now That's What I Call Music! 17 (2006)\n Now That's What I Call Music! 18 (2006)\n Now That's What I Call Music! 19 (2007)\n\nBig Hits series \n Now Big Hits 1999 (1999)\n Now Big Hits 2000 (2000)\n Now Big Hits 2001 (2001)\n Now Big Hits 2002 (2002)\n Now Big Hits 2003 (2003)\n Now Big Hits 2004 (2004)\n Now Big Hits 2005 (2005)\n Now Big Hits 2006 (2006)\n Now Big Hits 2007 (2007)\n Now Big Hits 2008 (2008)\n Now Big Hits 2009 (2009)\n Now Big Hits 2010 (2010)\n Now Big Hits 2011 (2011)\n Now Big Hits 2012 (2012)\n Now Big Hits 2013 (2013)\n Now Big Hits 2014 (2014)\n Now Big Hits 2015 (2015)\n Now Big Hits 2016 (2016)\n Now Big Hits 2017 (2017)\n Now Big Hits 2018 (2018)\n Now Big Hits 2019 (2019)\n Now Big Hits 2020 (2020)\n Now Big Hits 2021 (2021)\n Now Big Hits 2022 (2022)\n\nSpecial editions \n Now Hip Hop Vol. 1 (2003)\n Now Hip Hop Vol. 2 (2019)\n\nFinland \nNow That's What I Call Music 1 (2003)\nNow That's What I Call Music 2 (2003)\nNow That's What I Call Music 3 (2004)\nNow That's What I Call Music 4 (2004)\nNow That's What I Call Music 5 (2005)\nNow That's What I Call Music 6 (2005)\nNow That's What I Call Music 7 (2006)\nNow That's What I Call Music 8 (2007)\n\nSpecial editions \n Now That's What I Call Dance (2003)\n Now That's What I Call Music Pop Hits (2003)\n Now Christmas 2012 (2012)\nNow Hits 2013 (2013)\n\nFrance \nNow! Hits Référence (25 February 2002)\nNow! Hits Référence Vol. 2 (17 May 2002)\nNow! Hits Référence Vol. 3 (20 August 2002)\nNow! Hits Référence Vol. 4 (4 November 2002)\nNow! Hits Référence Vol. 5 (25 March 2003)\nNow! Hits Référence Vol. 6 (24 June 2003)\nNow! Hits Référence Vol. 7 (26 August 2003)\nNow! Hits Référence 2005 (29 August 2005)\nNow! Hits Référence 2006 (3 July 2006)\nNow! Hits Référence 2007 (1 December 2006)\n\nGreece \n Now No. 1:Αυτά Είναι Τα Hits Σήμερα! (2002)\n Now No. 2:Αυτά Είναι Τα Hits Σήμερα! (2003)\n Now No. 3:Αυτά Είναι Τα Hits Σήμερα! (2003)\n Now No. 4:Αυτά Είναι Τα Hits Σήμερα! (2003)\n Now No. 5:Αυτά Είναι Τα Hits Σήμερα! (2004)\n Now No. 6:Αυτά Είναι Τα Hits Σήμερα!\n Now No. 7:Αυτά Είναι Τα Hits Σήμερα! (2005)\n Now No. 8:Αυτά Είναι Τα Hits Σήμερα!\n Now No. 9:Αυτά Είναι Τα Hits Σήμερα! (2006)\n Now 2010 Αυτά Είναι Τα Hits Σήμερα (2010)\n Now That's What I Call Music 2016 (2015)\n\nHungary\n\nOriginal series \n Now That's What I Call Music (2003)\n Now That's What I Call Music II (2003)\n Now That's What I Call Music 3 (2003)\n Now That's What I Call Music 4 (2003)\n Now That's What I Call Music 5 (2004)\n Now That's What I Call Music 6 (2004)\n Now That's What I Call Music 7 (2005)\n Now That's What I Call Music 8 (2005)\n\nCurrent series \n Now.hu 1\n Now.hu 2 (16 February 2004)\n Now.hu 3\n Now.hu 4 (17 February 2005)\n Now.hu 5 (20 July 2005)\n Now.hu 6 (15 February 2006)\n Now.hu 7 (15 September 2006)\n Now.hu 8\n Now.hu 9 (10 July 2007)\n Now.hu 10\n Now.hu 11 (25 June 2008)\n Now.hu 12 (22 April 2009)\n Now.hu 13 (25 November 2009)\n\nIsrael \n Now That's What I Call Music! (1999)\n Now That's What I Call Music! 2 (2000)\n Now That's What I Call Music! 3 (2000)\n Now That's What I Call Music! 4 (2001)\n Now That's What I Call Music! 5 (2001)\n Now That's What I Call Music! 6 (2002)\n Now That's What I Call Music! 7 (2002)\n Now That's What I Call Music! 8 (2002)\n Now That's What I Call Music! 9 (2003)\n Now That's What I Call Music! 10 (2004)\n Now That's What I Call Music! 11 (2006)\n Now That's What I Call Music! 12 (2007)\n Now That's What I Call Music! 13 (2007)\n Now That's What I Call Music! 14 (2008)\n Now That's What I Call Music! 15 (2009)\n Now That's What I Call Music! 16 (2010)\n Now That's What I Call Music! 17 (2011)\n Now That's What I Call Music! 18 (2012)\n Now That's What I Call Music! 19 (2013)\n Now That's What I Call Music! 20 (2014)\n Now That's What I Call Music! 21 (2016)\n Now That's What I Call Music! 22 (2016)\n Now That's What I Call Music! 23 (2018)\n Now That's What I Call Music! 24 (2019)\n\nDance series \n Now Dance 2003 (2003)\n Now That's What I Call Music! Dance 2004 (2004)\n Now That's What I Call Music! Dance 2006 (2006)\n Now That's What I Call Music! Dance 2007 (2007)\n Now Dance 2011 (2011)\n Now Dance 2012 (2012)\n\nHip hop series \n Now That's What I Call Music! Hip Hop (2004)\n Now That's What I Call Music! Hip Hop 2 (2005)\n Now That's What I Call Music! Hip Hop 3 (2007)\n\nSpecial editions \n Now That's What I Call Music!: Best of 2000–2009 (2010)\n Now That's What I Call Running 2015 (2015)\n\nItaly\n\nOriginal series \nNow – All the Hits Primavera 2000 (2000)\nNow – All the Hits Estate 2000 (2000)\nNow – All the Hits 2001 (2001)\nNow – All the Hits Primavera 2001 (2001)\nNow – All the Hits Inverno 2001 (2001)\nNow – All the Hits Estate 2001 (2001)\nNow – All the Hits Primavera 2002 (2002)\nNow – All the Hits Autunno 2002 (2002)\nNow – All the Hits Estate 2002 (2002)\nNow – All the Hits Inverno 2003 (2003)\nNow – All the Hits Estate 2003 (2003)\nNow – All the Hits 1 (2004)\nNow – All the Hits 2 (2004)\nNow – All the Hits 3 (2004)\nNow – All the Hits 2006 (2006)\nNow – All the Hits 2007 (2007)\nNow – All the Hits 2008 (2008)\nNow – All the Hits 2009 (2009)\nNow – All the Hits 2010 (2010)\nNow – All the Hits 2011 (2011)\nNow – All the Hits 2012 (2012)\n\nCurrent series \nNow! Spring 2007 (2007)\nNow! Summer 2007 (2007)\nNow! Winter 2007 (2007)\nNow! Spring 2008 (2008)\nNow! Winter 2009 (2009)\nNow! Spring 2010 (2010)\nNow! Summer 2010 (2010)\nNow Summer Hits 2011 (2011)\nNow Superhits – Autumn 2011 (2011)\nNow! Spring 2012 (2012)\nNow! Summer 2012 (2012)\nNow! Autumn 2012 (2012)\nNow! Winter 2012 (2012)\nNow! Spring 2013 (2013)\n\nAll the Hits Italia series \nNow – All The Hits Italia 2001 (2001)\nNow – All The Hits Italia 2002 (2002)\nNow – All The Hits Italia 2005 (2005)\nNow – All The Hits Italia (2005)\nNow – All The Hits Italia 2006 (2005)\nNow Hits Of The Year (2008)\nNow Hits 2010! (2010)\nNow Hits 2011! (2011)\nNow Hits 2012! (2012)\nNow Hits 2013! (2013)\n\nStory series \nNow! Story '80/'81 (2007)\nNow! Story '82/'83 (2007)\nNow! Story '84/'85 (2007)\nNow! Story '86/'87 (2007)\nNow! Story '88/'89 (2007)\nNow! Story '90/'91 (2007)\nNow! Story '92/'93 (2008)\nNow! Story '94/'95 (2008)\nNow! Story '96/'97 (2008)\nNow! Story '98/'99 (2008)\n\nJapan\n\nOriginal series \nNow!! 1 (1988)\nNow!! 2 (1988)\nNow!! 3 (1989)\n\nSecond series \n Now That's What I Call Music! 1 (8 December 1993)\n Now That's What I Call Music! 2 (9 November 1994)\n Now That's What I Call Music! 3 (8 November 1995)\n Now That's What I Call Music! 4 (19 June 1996)\n Now That's What I Call Music! 5 (7 November 1996)\n Now That's What I Call Music! 6 (11 June 1997)\n Now That's What I Call Music! 7 (7 November 1997)\n Now That's What I Call Music! 8 (24 June 1998)\n Now That's What I Call Music! 9 (2 December 1998)\n Now That's What I Call Music! 10 (1999)\n Now That's What I Call Music! 11 (6 December 2000)\n\nThird series \n Now That's What I Call Music! 2001 (27 September 2001)\n\nBest series \n Now That's What I Call Music! Best (9 April 1999)\n Now That's What I Call Music! Best Returns (28 August 2002)\n Now That's What I Call Music! 90's Best (24 June 2009)\n Now That's What I Call Music! Love Best (30 June 2010)\n Now That's What I Call Music! 00's Best (25 May 2011)\n Now That's What I Call Music! 80's Best (26 May 2011)\n\nJazz series \n Now Jazz X'mas\n Now Jazz X'mas millennium\n Now Jazz\n Now Jazz 2\n Now Jazz 3\n Now Jazz 4\n Now Jazz Best millennium\n Now Jazz Vocal\n Now Jazz Ballad\n Now That's What I Call Music! Jazz Hits\n\nClassics series \n Now Classics\n Now Classics 2\n Now Classics 3\n Now Classics: Cinema & TV\n Now That's What I Call Music! Classic Hits (24 June 2009)\n\nReggae series \n Now Reggae\n Now Reggae 1997\n Now That's What I Call Music! Reggae Classics (2011)\n\nJapan series \n Now Japan\n Now Japan Best\n Now Japan Best 1\n\nChristmas series \n Now That's What I Call Christmas (2011)\n\nSpecial editions \n Now EX\n Now The Party!\n Now Dance\n Now Pianissimo\n Now J-Pop 2001\n Now That's What I Call Music Yo-Gaku Hits (18 November 2009)\n Now That's What I Call Music! Summer 80's & 90's Memories (2011)\n Now That's What I Call Music! 80's Deluxe (2 October 2013)\n Now That's What I Call Music! 90's Deluxe (2 October 2013)\n Now That's What I Call Music! 70's Deluxe (4 February 2014)\n Now That's What I Call Music! 00's Deluxe (4 February 2014)\n\nSouth Korea \n Now That's What I Call K-Pop, Best of 2008 – 2016 (2017)\n\nMexico \n Now That's What I Call Music! (1995)\n Now That's What I Call Music! 2 (1996)\n Now That's What I Call Music! 3 (1996)\n Now That's What I Call Music! 4 (1997)\n Now That's What I Call Music! 5 (1997)\n Now That's What I Call Music! 6 (1998)\n Now That's What I Call Music! 7 (2000)\n Now That's What I Call Music! 8 (2001)\n Now That's What I Call Music! 9 (2002)\n Now That's What I Call Music! 10 (2004)\n\nArgentina \n Now That's What I Call Music! (1995)\n Now That's What I Call Music! 2 (1996)\n Now That's What I Call Music! 3 (1996)\n Now That's What I Call Music! 4 (1997)\n Now That's What I Call Music! 5 (1997)\n Now That's What I Call Music! 6 (1998)\n Now That's What I Call Music! 7 (2000)\n Now That's What I Call Music! 8 (2001)\n Now That's What I Call Music! 9 (2002)\n\nNetherlands\n\nOriginal series \n Now This Is Music (1984)\nNow This Is Music 2 (1985)\nNow This Is Music 3 (1985)\nNow This Is Music 4 (1986)\nNow This Is Music 5 (1986)\nNow This Is Music 6 (1987)\nNow This Is Music 7 (1987)\nNow This Is Music 8 (1988)\nNow This Is Music 9 (1988)\nNow This Is Music 10 (1989)\nNow This Is Music 11 (1989)\n\nSecond series \nNow This Is Music 1 (1997)\nNow This Is Music 2 (1997)\n\nSpecial editions \nNow This Is Music: The Sound of the 80's, Vol. 1 (1992)\nNow Dance Hits 95 – Jaaroverzicht\nNow Dance Hits 96 – Jaaroverzicht\nNow Dance Hits 97 – Jaaroverzicht\nNow This Is X-Mas (1997)\n\nNew Zealand\n\nOriginal series \nNow That's What I Call Music (1984) (Vinyl)\n\nSecond series \nNow That's What I Call Music Volume 1 (1992)\nNow That's What I Call Music Volume 2 (1993)\nNow That's What I Call Music Volume 3 (1993)\n\nCurrent series \nNow That's What I Call Music (1997)\nNow That's What I Call Music 2 (1998)\nNow That's What I Call Music 3 (1998)\nNow That's What I Call Music 4 (1999)\nNow That's What I Call Music 5 (1999)\nNow That's What I Call Music 6 (2000)\nNow That's What I Call Music 7 (2000)\nNow That's What I Call Music 8 (2001)\nNow That's What I Call Music 9 (2001)\nNow That's What I Call Music 10 (2002)\nNow That's What I Call Music 11 (2002)\nNow That's What I Call Music 12 (2003)\nNow That's What I Call Music 13 (2003)\nNow That's What I Call Music 14 (2004)\nNow That's What I Call Music 15 (2004)\nNow That's What I Call Music 16 (2004)\nNow That's What I Call Music 17 (2005)\nNow That's What I Call Music 18 (2005)\nNow That's What I Call Music 19 (2005)\nNow That's What I Call Music 20 (2006)\nNow That's What I Call Music 21 (2006)\nNow That's What I Call Music 22 (2006)\nNow That's What I Call Music 23 (2007)\nNow That's What I Call Music 24 (2007)\nNow That's What I Call Music 25 (2007)\nNow That's What I Call Music 26 (2008)\nNow That's What I Call Music 27 (2008)\nNow That's What I Call Music 28 (2008)\nNow That's What I Call Music 29 (2009)\nNow That's What I Call Music 30 (2009)\nNow That's What I Call Music 31 (2009)\nNow That's What I Call Music 32 (2010)\nNow That's What I Call Music 33 (2010)\nNow That's What I Call Music 34 (2010)\nNow That's What I Call Music 35 (2011)\nNow That's What I Call Music 36 (2011)\nNow That's What I Call Music 37 (2011)\nNow That's What I Call Music 38 (2012)\nNow That's What I Call Music 39 (2012)\nNow That's What I Call Music 40 (2012)\nNow That's What I Call Music 41 (2013)\nNow That's What I Call Music 42 (2013)\nNow That's What I Call Music 43 (2013)\nNow That's What I Call Music 44 (2014)\nNow That's What I Call Music 45 (2014)\nNow That's What I Call Music 46 (2014)\nNow That's What I Call Music 47 (2015)\nNow That's What I Call Music 48 (2015)\nNow That's What I Call Music 49 (2015)\nNow That's What I Call Music 50 (2016)\nNow That's What I Call Music 51 (2016)\nNow That's What I Call Music 52 (2016)\nNow That's What I Call Music 53 (2017)\nNow That's What I Call Music 54 (2017)\nNow That's What I Call Music! 55 (2017)\nNow That's What I Call Music! 56 (2018)\nNow That's What I Call Music! 57 (2018)\nNow That's What I Call Music! 58 (2018)\nNow That's What I Call Music! 59 (2019)\nNow That's What I Call Music! 60 (2019)\nNow That's What I Call Music! 61 (2020)\n\nSpecial editions \nNow That's What I Call Xmas (2010)\n\"Now That's What I Call Christmas\" (2014)\n\nNorway\n\nOriginal series \n Now That's What I Call Music! 1 (2009)\n Now That's What I Call Music! 2 (2010)\n Now That's What I Call Music! 3 (2010)\n Now That's What I Call Music! 4 (2010)\n Now That's What I Call Music! 5 (2011)\n Now That's What I Call Music! 6 (2011)\n Now That's What I Call Music! 7 (2011)\n Now That's What I Call Music! 8 (2012)\n Now That's What I Call Music! 9 Dance Edition (2012)\n Now That's What I Call Music! 10 (2012)\n Now That's What I Call Music! 11 Dance Edition (2013)\n\nSpecial editions \n Now That's What I Call Music! Hits 2009 (2009)\n Now That's What I Call Music! Dance 1 (2009)\n Now That's What I Call Music! Dance 2 (2010)\n NOW – That's What I Call Music! White Christmas (2010)\n Now That's What I Call Music! Hits 2010 (2010)\n Now That's What I Call Music! Hits 2011 (2011)\n God Jul – Now That's What I Call Music (2011)\n Now That's What I Call Music! Woman (2011)\n Now That's What I Call Music! Hits 2012 (2012)\n\nPoland\n\nOriginal series \nNow To Jest Twoja Muzyka! 01\nNow To Jest Twoja Muzyka! 02\nNow To Jest Twoja Muzyka! 03\nNow To Jest Twoja Muzyka! 04\nNow To Jest Twoja Muzyka! 05 (1998)\nNow To Jest Twoja Muzyka! 06 (1999)\nNow To Jest Twoja Muzyka! 07\nNow To Jest Twoja Muzyka! 08 (2000)\n\nSeason series \nNow Spring & Summer 2008! (2008)\n\nCurrent series \nNow That's What I Call Music! 01 (2010)\nNow That's What I Call Music! 02 (2011)\n\nPortugal\n\nOriginal series \nNow 99 (6 December 1999)\nNow 2 (17 July 2000)\nNow 3 (4 December 2000)\nNow 4 (6 June 2001)\nNow 5 (28 November 2001)\nNow 6 (6 June 2002)\nNow 7 (28 November 2002)\nNow 8 (6 June 2003)\nNow 9 (24 November 2003)\nNow 10 (6 June 2004)\nNow 11 (26 November 2004)\nNow 12 (6 June 2005)\nNow 13 (21 November 2005)\nNow 14 (6 June 2006)\nNow 15 (20 November 2006)\nNow 16 (2 July 2007)\nNow 17 (2 December 2007)\nNow 18 (23 June 2008)\nNow 19 (24 November 2008)\nNow 20 (29 June 2009)\nNow 21 (16 November 2009)\nNow 22 (21 June 2010)\nNow 23 (22 November 2010)\nNow 24 (20 June 2011)\nNow 25 (14 November 2011)\nNow 26 (10 June 2012)\nNow 27 (19 November 2012)\nNow 28 (5 December 2013)\nNow 29 (2014)\nNow 30 (2015)\nNow 31 (2016)\nNow 32 (2017)\nNow 33 (2018)\nNow 34 (2019)\nNow 35 (2020)\nNow 36 (2021)\n\nDance series \n Now Dance (18 September 2001)\n Now Dance 2 (7 October 2002)\n Now Dance 2004 (3 May 2004)\n Now Dance 2005 (2 May 2005)\n Now Dance 2007 (19 February 2007)\n Now Dance 2008 (5 May 2008)\n\nMix series \n Now Mix 2010 (26 April 2010)\n Now Mix 2 (3 October 2010)\n Now Mix 3 – Mixed by Wise Guys (18 April 2011)\n\nSpecial editions \n Now DVD (24 February 2003)\n Now 10 Anos – Os Maiores Êxitos Da Última Década (30 November 2009)\n\nSaudi Arabia\n Now That's What I Call Arabia (2000)\n Now That's What I Call Arabia 2 (2001)\n Now That's What I Call Arabia 3 (2001)\n Now That's What I Call Arabia 4 (2002)\n Now That's What I Call Arabia 5 (2003)\n Now That's What I Call Arabia 6 (2004)\n Now That's What I Call Arabia 7 (2004)\n Now That's What I Call Arabia 8 (2005)\n Now That's What I Call Arabia 9 (2006)\n Now That's What I Call Arabia 10 (2007)\n Now That's What I Call Arabia 11 (2008)\n Now That's What I Call Arabia 12 (2010)\n Now That's What I Call Arabia 13 (2011)\n\nSouth Africa \n Now That's What I Call Music! (1984)\n Now That's What I Call Music! II (1984)\n Now That's What I Call Music! 3 (1985)\n Now That's What I Call Music! 4 (1986)\n Now That's What I Call Music! 5 (1986)\n Now That's What I Call Music! 6 (1987)\n Now That's What I Call Music! 7 (1987)\n Now That's What I Call Music! 8 (1988)\n Now That's What I Call Music! 9 (1988)\n Now That's What I Call Music! 10 (1989)\n Now That's What I Call Music! 11 (1989)\n Now That's What I Call Music! 12 (1990)\n Now That's What I Call Music! 13 (1990)\n Now That's What I Call Music! 14 (1991)\n Now That's What I Call Music! 15 (1991)\n Now That's What I Call Music! 16 (1992)\n Now That's What I Call Music! 17 (1992)\n Now That's What I Call Music! 18 (1993)\n Now That's What I Call Music! 19 (1993)\n Now That's What I Call Music! 20 (1995)\n Now That's What I Call Music! 21 (1995)\n Now That's What I Call Music! 22 (1996)\n Now That's What I Call Music! 23 The Superhit Collection (1997)\n Now That's What I Call Music! 24 (1998)\n Now That's What I Call Music! 25 (1999)\n Now That's What I Call Music! 26 (1999)\n Now That's What I Call Music! 27 (2000)\n Now That's What I Call Music! 28 (2000)\n Now That's What I Call Music! 29 (2001)\n Now That's What I Call Music! 30 (2001)\n Now That's What I Call Music! 31 (2001)\n Now That's What I Call Music! 32 (2002)\n Now That's What I Call Music! 33 (2002)\n Now That's What I Call Music! 34 (2003)\n Now That's What I Call Music! 35 (2003)\n Now That's What I Call Music! 36 (2004)\n Now That's What I Call Music! 37 (2004)\n Now That's What I Call Music! 38 (2004)\n Now That's What I Call Music! 39 (2005)\n Now That's What I Call Music! 40 (2005)\n Now That's What I Call Music! 41 (2005)\n Now That's What I Call Music! 42 (2006)\n Now That's What I Call Music! 43 (2006)\n Now That's What I Call Music! 44 (2006)\n Now That's What I Call Music! 45 (2007)\n Now That's What I Call Music! 46 (2007)\n Now That's What I Call Music! 47 (2007)\n Now That's What I Call Music! 48 (2008)\n Now That's What I Call Music! 49 (2008)\n Now That's What I Call Music! 50 (2008)\n Now That's What I Call Music! 51 (2009)\n Now That's What I Call Music! 52 (2009)\n Now That's What I Call Music! 53 (2009)\n Now That's What I Call Music! 54 (2010)\n Now That's What I Call Music! 55 (2010)\n Now That's What I Call Music! 56 (2010)\n Now That's What I Call Music! 57 (2011)\n Now That's What I Call Music! 58 (2011)\n Now That's What I Call Music! 59 (2011)\n Now That's What I Call Music! 60 (2012)\n Now That's What I Call Music! 61 (2012)\n Now That's What I Call Music! 62 (2012)\n Now That's What I Call Music! 63 (2013)\n Now That's What I Call Music! 64 (2013)\n Now That's What I Call Music! 65 (2013)\n Now That's What I Call Music! 66 (2014)\n Now That's What I Call Music! 67 (2014)\n Now That's What I Call Music! 68 (2014)\n Now That's What I Call Music! 69 (2015)\n Now That's What I Call Music! 70 (2015)\n Now That's What I Call Music! 71 (2015)\n Now That's What I Call Music! 72 (2016)\n Now That's What I Call Music! 73 (2016)\n Now That's What I Call Music! 74 (2016)\n Now That's What I Call Music! 75 (2017)\n Now That's What I Call Music! 76 (2017)\n Now That's What I Call Music! 77 (2017)\n Now That's What I Call Music! 78 (2018)\n Now That's What I Call Music! 79 (2018)\n Now That's What I Call Music! 80 (2018)\n Now That's What I Call Music! 81 (2019)\n Now That's What I Call Music! 82 (2019)\n Now That's What I Call Music! 83 (2020)\n\nBest Of series (1995-2019) \n Now That's What I Call Music! The Best of '95 (1995)\n Now That's What I Call Music! The Best of '96 (1996)\n Now That's What I Call Music! 1997 (1997)\n Now That's What I Call Music! The Best of 10 Years (1995)\n Now That's What I Call Music! Years: The Best of 1995–2005 (2005)\n Now That's What I Call Noughties: The Best of Now 2000–2007 (2008)\n Now That's What I Call a No 1 (the greatest no. 1 hits from 1984–2014) (2014)\n Now That's What I Call 21st Century (2015)\n Now That's What I Call 20th Century (2018)\n Now That's What I Call a Decade 2010 - 2019 (2019)\n Now That's What I Call a Decade 2000 - 2009 (2020)\n\nNow and Then series \n Now That's What I Call Music! And Then (2004)\n Now That's What I Call Music! And Then Volume 2 (2004)\n\nSpecial editions \n Now That's What I Call Classical (2011)\n Now That's What I Call Country (2012)\n Now That's What I Call Dance (2012)\n Now That's What I Call Xmas (2012)\n Now That's What I Call Dance 2 (2013)\n Now That's What I Call R&B (2013)\n Now That's What I Call Dance 3 (2013)\n Now That's What I Call a Power Ballad (2013)\n Now That's What I Call Movies (2014)\n Now That's What I Call Country 2 (2014)\n Now That's What I Call Dance 4 (2014)\n Now That's What I Call The 80's (2014)\n Now That's What I Call Dance 5 (2014)\n Now That's What I Call Dance 6 (2015)\n Now That's What I Call The 90's (2015)\n Now That's What I Call Dance 7 (2015)\n Now That's What I Call Legends (2015)\n Now That's What I Call a Song (2016)\n Now That's What I Call Dance 8 (2016)\n Now That's What I Call a Summer Party (2016)\n Now That's What I Call Dance 9 (2016)\n Now That's What I Call a Rock Ballad (2017)\n Now That's What I Call Dance 10 (2017)\n Now That's What I Call a RoadTrip (2017)\n Now That's What I Call Dance 11 (2017)\n Now That's What I Call a Singer (2018)\n Now That's What I Call a Summer Holiday (2018)\n Now That's What I Call Dance 12 (2018)\n Now That's What I Call 80s Pop (2019)\n Now That's What I Call Dance 13 (2019)\n Now That's What I Call a Decade: 2010-2019 (2019)\nNow That's What I Call a Decade: 2000-2009 (2020)\n\nDVD series \n Now That's What I Call Music! The DVD (2005)\n Now That's What I Call Music! The DVD Vol.2 (2005)\n Now That's What I Call Music! The DVD Vol.3 (2006)\n Now That's What I Call Music! The DVD Vol.4 (2006)\n Now That's What I Call Music! The DVD Vol.5 (2006)\n Now That's What I Call Music! The DVD Vol.6 (2007)\n Now That's What I Call Music! The DVD Vol.7 (2007)\n Now That's What I Call Music! The DVD Vol.8 (2007)\n Now That's What I Call Music! The DVD Vol.9 (2008)\n Now That's What I Call Music! The DVD Vol.10 (2008)\n Now That's What I Call Music! The DVD Vol.11 (2008)\n Now That's What I Call Music! The DVD Vol.12 (2009)\n Now That's What I Call Music! The DVD Vol.13 (2009)\n Now That's What I Call Music! The DVD Vol.14 (2009)\n Now That's What I Call Music! The DVD Vol.15 (2010)\n Now That's What I Call Music! The DVD Vol.16 (2010)\n Now That's What I Call Music! The DVD Vol.17 (2010)\n Now That's What I Call Music! The DVD Vol.18 (2011)\n Now That's What I Call Music! The DVD Vol.19 (2011)\n Now That's What I Call Music! The DVD Vol.20 (2011)\n Now That's What I Call Music! The DVD Vol.21 (2012)\n Now That's What I Call Music! The DVD Vol.22 (2012)\n Now That's What I Call Music! The DVD Vol.23 (2012)\n Now That's What I Call Music! The DVD Vol.24 (2013)\n Now That's What I Call Music! The DVD Vol.25 (2013)\n Now That's What I Call Music! The DVD Vol.26 (2013)\n Now That's What I Call Music! The DVD Vol.27 (2014)\n Now That's What I Call Music! The DVD Vol.28 (2014)\n Now That's What I Call Music! The DVD Vol.29 (2014)\n Now That's What I Call Music! The DVD Vol.30 (2015)\n Now That's What I Call Music! The DVD 2015 (2015)\n Now That's What I Call Music! The DVD 2016 (2016)\n\nSpain\n\nOriginal series \n Now Esto si es música I\n Now Esto si es música 2\n Now Esto si es música 3\n Now Esto si es música 4\n Now Esto si es música 5\n Now Esto si es música 6\n Now Esto si es musica 7\n Now Esto si es musica 8\n Now Esto si es musica 9\n Now Esto si es musica 10\n\nSecond series \n Now Esto es música 1\n Now Esto es música 2003\n Now Esto es musica 2004\n Now Esto es musica 2005\n Now Esto es musica 2006\n Now Los Éxitos Del Año 2014\n\nTurkey\n\nOriginal series \n Now That's What I Call Music! 1\n Now That's What I Call Music! 2\n Now That's What I Call Music! 3\n Now That's What I Call Music! 4\n Now That's What I Call Music! 5\n Now That's What I Call Music! 6\n\nSecond series \n Now That's What I Call Music! 2000\n\nThe DVD series \n Now That's What I Call Arabia The DVD\n Now That's What I Call Arabia The DVD 2\n Now That's What I Call Arabia The DVD 3\n Now That's What I Call Arabia The DVD 4\n Now That's What I Call Arabia The DVD 5\n\nDance series \n Now Dance Arabia\n Now Dance Arabia 2004\n Now Dance Arabia 2005\n Now Dance Arabia 2006\n Now Dance Arabia 2007\n Now Dance Arabia 2008\n Now Dance Arabia 2009\n Now Dance Arabia 2010\n Now Dance Arabia 2011\n Now Dance Arabia 2012\n\nLove series \n Now Love Arabia\n Now Love Arabia 2\n Now That's What I Call Love Arabia 2006\n Now That's What I Call Love Arabia 2007\n Now That's What I Call Love Arabia 2008\n Now That's What I Call Love Arabia 2009\n Now That's What I Call Love Arabia 2010\n Now That's What I Call Love Arabia 2011\n The Best Of Now That's What I Call Love Arabia\n\nLove DVD series\n Now That's What I Call Love Arabia The DVD (2008)\n\nSpecial editions \n Now That's What I Call Arabia 2000\n Now That's What I Call Arabia 2001\n Now That's What I Call Arabia 2002\n Now That's What I Call Arabia 2003\n Now That's What I Call Arabia 2004\n Now That's What I Call Arabia 2005\n Now That's What I Call Arabia 2005 Vol. 2\n Now That's What I Call Arabia 2006\n Now That's What I Call Arabia 2007\n Now That's What I Call Arabia 2008\n Now That's What I Call Arabia 2009\n Now That's What I Call Arabia 2010\n Now That's What I Call Arabia 2011\n Now That's What I Call Arabia Decades 1990–2000\n Now That's What I Call Arabia Decades 2000–2010\n Now That's What I Call Arabia Decades 2000–2010 Volume Two\n\nReferences \n\n Discography\nPop music discographies" ]

[ "Billy Gunn", "The New Age Outlaws and D-Generation X (1997-1998)" ]

[ "An outlaw is a person living outside the law.\n\nOutlaws or The Outlaws may also refer to:\n\nArts, entertainment, and media\n\nLiterature\n The Outlaws, characters in the Just William series of children's books by Richmal Crompton\n The Outlaws, a novel in The Bikers series by Richard Gordon\n The Outlaws, a novel in The Presidential Agent series by W. E. B. Griffin\n The Outlaws (comics), a team of super-villains in Marvel Comics\n The Outlaws (novel), a 1930 novel by Ernst von Salomon\n\nMusic \n Wanted! The Outlaws, a 1976 compilation album of recordings by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser\n \"Outlaws\", a song by Green Day from the 2016 album Revolution Radio\n Outlaws (band), an American southern rock band\n Outlaws (Outlaws album), the band's 1975 debut album\n The Outlaws (band), a 1960s English instrumental band\n Outlaws (Luke Doucet album), 2004\n Outlaws (Jeremy Steig and Eddie Gómez album), 1977\n Outlawz, an American rap group\n\nTelevision and film\n The Outlaws (1950 film), a 1950 Italian crime film\n Outlaws (1960 TV series), an American Western television series\n Outlaws (1985 film), a 1985 French film\n Outlaws (1986 TV series), an American action-adventure series\n Outlaws (film), a 1986 science fiction film involving time travel\n Outlaws (2004 TV series), a UK drama\n \"Outlaws\" (Lost), a 2005 episode\n The Out-Laws, the UK title of the 2012 Flemish Clan TV series\n The Outlaws (2017 film), a 2017 South Korean film\n The Outlaws (2021 TV series), a UK comedy crime series\n Outlaws (2021 film), a Spanish film\n\nVideo games\n Outlaws (1985 video game), a shooter game for the Commodore 64\n Outlaws (1997 video game), a first-person shooter for the PC\n Houston Outlaws, an American professional eSports team in the Overwatch League\n\nSports\n\nBosnia and Herzegovina \n\n Outlaws, a subgroup of the organized Ultras group Horde Zla\n\nIreland\n Tallaght Outlaws, an Irish American Football League team\n\nUnited Kingdom\n Nottingham Outlaws (rugby league team), a National Division team\n Nottinghamshire County Cricket Club, known as Nottinghamshire Outlaws in limited overs competition\n\nUnited States\n Arizona Outlaws, a United States Football League team, also known as the Oklahoma Outlaws\n Austin Outlaws, a National Women's Football Association team\n Billings Outlaws, a National Indoor Football League team\n Chico Outlaws, a Golden Baseball League team\n Denver Outlaws, a Major League Lacrosse team\n Houston Outlaws (RFL team), a professional football team in 1999\n Kansas City Outlaws, a United Hockey League team\n Las Vegas Outlaws (XFL), a former professional football team from the XFL\n Las Vegas Outlaws (arena football), an Arena Football League team\n Nashville Outlaws, a wooden bat summer collegiate baseball team\n Osceola Ghostriders, previously the Osceola Outlaws, a National Indoor Football League team\n Ventura Outlaws, a rugby team in the Southern California Rugby Football Union Blue Division\n\nTag-team wrestling\n The New Age Outlaws, a professional wrestling tag-team\n The Texas Outlaws (original version), a former professional tag-team consisting of Dusty Rhodes and Dick Murdoch\n The Texas Outlaws, former tag-team champions in the United States Wrestling Association\n\nOther uses\n Outlaws Motorcycle Club\n\nSee also\n Outlaw (disambiguation)\n The Outlaws of Sherwood", "The Williamsport Outlaws were a professional ice hockey team in the Federal Hockey League. The team played the 2011-2012 season in Wayne, New Jersey as the New Jersey Outlaws. Following winning the FHL championship in 2012, the Outlaws announced they would move to Williamsport, Pennsylvania and play all of their games outdoors at Bowman Field while awaiting the completion of an arena in Williamsport.\n\nThe Outlaws were the FHL affiliate of the ECHL's Elmira Jackals.\n\nThe Outlaws ceased operations on January 21, 2013 after the team owner refused to play the remaining road games. The team was later rebranded as the Pennsylvania Blues on February 8, 2013 after the FHL took over control of the team and used the Blues as a traveling team to fill the schedule for the remainder of the season.\n\nSeason-by-season record\n\nReferences\n\nExternal links\nWilliamsport Outlaws website\nFederal Hockey League website\n\nFederal Prospects Hockey League teams\nIce hockey teams in Pennsylvania\nIce hockey clubs established in 2011\nSports in Williamsport, Pennsylvania\n2011 establishments in Pennsylvania\n2013 disestablishments in Pennsylvania\nIce hockey clubs disestablished in 2013" ]

[ "Billy Gunn", "The New Age Outlaws and D-Generation X (1997-1998)", "What were The New Age Outlaws?", "James and Rockabilly were quickly rebranded as \"Road Dogg\" Jesse James and \"Badd Ass\" Billy Gunn, respectively, and their tag team formed was soon dubbed the New Age Outlaws." ]

[ "The Chevrolet Step-Van, and its badge-engineered counterpart the GMC Value-Van, is a multi-stop truck made by General Motors from 1941 to 1999.\n\nHistory\nThe Chevrolet Step-Van was a parcel van that was based on the chassis of a Chevrolet truck until 1973. From 1973, they were built on a unibody chassis instead of a truck-based one.\n\nFirst Generation\nThe first generation was a parcel van version of the AK Series truck built from 1941 to 1949, it was a tougher version than the normal pickup truck it was based on and could haul more things than its pickup counterpart. \n\nDespite the Chevrolet Advance Design being released in 1947/1948, the AK Series parcel van continued production until 1949. The parcel vans can be confused with the Cab-Over Chevrolet trucks and vans. The reason the parcel vans continued production until 1949 is because of their popularity as it could haul more things than the normal pickup truck counterpart it was based on.\n\nSecond Generation\nFrom 1950 to 1953 Chevrolet started continuing the parcel vans versions of their pickup trucks billed as stronger and more capable versions of their pickup trucks, the parcel van was usually made in the chassis of a 3800 version of the Advance-Design.\n\nChevrolet didn't make many versions of the Advance-Design parcel van. as the parcel van body was very tall and caused aerodynamic failures. The parcel van used the same engine as its pickup truck counterpart, unlike the AK Series parcel van.\n\nThird Generation\nThe third generation was made in the chassis of the Volkswagen Type 1 van with the grille and body that was reminiscent of the Chevrolet Task Force series, the back doors were almost the same as the previous but the aerodynamic issues were fixed. \nThe third generation improved the sales of the Chevrolet Step-Van. It was somewhat shorter than the previous generations but had more cargo space in its back than the AK Series and Advance Design parcel vans. This generation introduced a cab-over style to the parcel van style.\n\nFourth Generation\nThe fourth-generation was almost just a facelifted version of the third generation with some upgraded components and this time it was made in a unibody chassis than a previous used one, that generation was not as long as the previous ones but was taller. \n\nIt also featured a somewhat redesigned style and grille, the back doors remained the same for the most part, the headlights remained the same. It was not a cab-over truck and featured a somewhat longer bonnet than the previous generation.\n\nFifth Generation\nThat was the last generation Chevrolet Step-Van made in a unibody chassis like the previous generation, that generation was also made in some European countries, unlike the previous generations.\n\nExternal links\n Chevrolet » Step-Van King '68\n I just bought this former USPS Chevy P30 step van, planning to convert it to a short term camper. What do you think?\n Chevy Forward Control Chassis\n Chevrolet Walk-In Vans And Trucks\n GMC P10 Van\n\nCommercial vehicles\nChevrolet trucks", "The Generation 3 refers to the generation of stock cars used in NASCAR from 1981 to 1991, and it was used in the Busch Series until 1993. In this generation, NASCAR downsized the cars to better resemble cars on the showroom floor (with wheelbase at 110 inches), and body panels were still purchased through the manufacturers.\n\nHistory \nThe Generation 3 era began in 1981 and featured bigger spoilers, and streamlined designs that barely resembled their showroom counterparts. The wheelbase was reduced to 110 inches in response to the demand of the production car market that the time, making the cars smaller than the previous 2 generations.\n\nThese were the cars that necessitated restrictor plates at Daytona and Talladega. In 1987 at Talladega, Bill Elliott set what remains the NASCAR qualifying record of . But soon into the race, Bobby Allison's car went airborne and nearly went into the main grandstands, and that was the last unrestricted race on either of the two giant tracks. NASCAR mandated smaller carburetors for the rest of that season, and in 1988 required the restrictor plates.\n\nThe Generation 3 cars were used until 1991. It was the last generation without roof flaps (mandated in 1994). It was succeeded by the Generation 4 cars in 1992. In that same year, the Gen 3 car was still used in the Busch Series, until the series adopted their Generation 4 car in 1994.\n\nModels\n\nGeneral Motors \n\n Buick Regal: 1981–1985, 1988–1991\n Buick LeSabre: 1986–1987\n Chevrolet Lumina: 1989–1991\n Chevrolet Monte Carlo: 1981–1989\n Oldsmobile Cutlass: 1981–1991\n Oldsmobile Delta 88: 1986–1987\n Pontiac Grand Prix: 1981-1991\n Pontiac LeMans: 1982-1983\n\nFord Motor Company \n Ford Thunderbird: 1981–1991\n\nChrysler Corporation \n Imperial coupe (sixth generation): 1981-1986\n Chrysler Cordoba: 1980-?\n Dodge Mirada: 1981-1986\n\nSee also \n Cup Series cars\n\nReferences\n\nExternal links \n\nNASCAR Cup Series\n1980s in NASCAR" ]

[ "Billy Gunn", "The New Age Outlaws and D-Generation X (1997-1998)", "What were The New Age Outlaws?", "James and Rockabilly were quickly rebranded as \"Road Dogg\" Jesse James and \"Badd Ass\" Billy Gunn, respectively, and their tag team formed was soon dubbed the New Age Outlaws.", "What was the D generation X?", "They also defeated the LOD in a rematch at In Your House: D-Generation X." ]

[ "Sweet Temptation is a 1996 made-for-television drama film written by Joyce Eliason, directed by Ron Lagomarsino, and starring Beverly D'Angelo, Jenny Lewis, and Rob Estes.\n\nPlot\nDivorcée Jesse Larson lives in Los Angeles, California with her sixteen-year-old daughter Jade. She owns and operates an Italian catering company entitled Boccone Dolce (Sweet Mouthful). Jade makes the daily runs to local cafés in the area, one of which belongs to her mother's live-in boyfriend Billy Stone. Later that evening, Jade and Billy roughhouse with each other in Jesse's bed. Jesse enters the room and dismisses Jade back to her own room, disapproving of Jade's sleepwear. Jesse is further peeved when she finds out Billy was naked the entire time Jade sat next to him in bed. Billy proposes marriage to Jesse though she declines favoring her sense of freedom and waiting for the situation to be right for Jade.\n\nThe following night, when Jesse is preparing for a dinner date with Billy, Jade asks if she can tag along. Jesse allows her to do so and the trio dine at an upscale restaurant where their Italian waiter Mario recognizes Jesse from formally working at Boccone Dolce. Jesse promptly flirts with him, causing Billy to become jealous and argue with her. When they return home, Jade, obviously displeased from the night's turn of events, heads straight to bed. But not before an intoxicated Jesse stumbles into her bedroom informing her that it's fun to be in love and advises Jade that she should meet more people in order to experience having a boyfriend of her own.\n\nThe next evening, when Jesse is assisting Jade in straightening her bedroom, she uncovers a pack of cigarettes. When Jade lies about the cigarettes, Jesse threatens her if she doesn't adjust her apparent attitude problem. Jade suddenly experiences a flashback from when she was in the midst of her parents' divorce. Instead of wanting custody, she forced Jade to choose who she wanted to live with. Jade realizes her mother never cared about her. Jade uses this as an excuse to run off to her best friend Horizon's home where Billy tackles her onto Horizon's front lawn. Jade insults Billy who slaps her prompting Horizon to run inside. Billy kisses a stunned Jade who seems to reciprocate. Horizon informs Billy her mother phoned the police for hitting Jade. Billy claims that won't be necessary and leads a compliant Jade back to his car.\n\nJesse is initially upset with Billy for disciplining her daughter but later forgives him (she isn't aware Billy kissed Jade). After a long day spent at the beach, an exhausted Jesse falls asleep when she returns home. Jesse later wakes up to find Billy and Jade watching a film and orders Jade to remove her sheepdog Otis from her bed and continue the movie downstairs. Billy attempts to have sexual intercourse with Jesse but when she rejects him, he goes downstairs to have sex with Jade, unbeknownst to Jesse.\n\nThe next morning, Billy reminds a regretful Jade not to tell Jesse in fear she may never forgive them. After Jade quits her job, Billy allows her to work in the stockroom of his café where he apologizes for taking advantage of her and offers a cash bribe if it means not telling her mother. Jesse arrives, surprises Billy and questions Jade about why she isn't at work. Jade tells her she quit before leaving the café. When Jesse confronts her, Jade is about to tell her the truth when Billy intimidates her into silence. Jade evades her mother and a panicked Billy issues Jesse an ultimatum. Either she weds him or he will walk out of her life. Jesse accepts which provokes jealousy in Jade.\n\nThe following morning, Jade visits her father Les and informs him of the sexual encounter with Billy though she doesn't disclose his identity or what his relation is to her. Jade emphasizes that she refuses to press charges due to the fact he has two children (from his previous marriage) whom he cares for. When Jessie is notified, she manages to extract the truth from the hysterical and emotionally confused Jade; it was Billy. Jesse slaps her and says Jade is lying because she's jealous of Jesse. The pressure of the situation prompts Jade to suffer from an asthma attack and she is taken to the emergency room. Jade is later sent to live with Les and his wife Denise. When Jade decides to permanently reside with her father, Jesse breaks down crying and comes to the belief she is a horrible mother. Jesse informs Billy of what had transpired and threatens him to stay out of their lives. The engagement is over, and if he ever goes near her or Jade; she will kill him.\n\nSeveral months later, Jade continues to live with Les and Denise in the San Fernando Valley. She took her mother's advice and opened up her 'friendship circle' and has made more friends at her new school than the previous one she attended. Jesse regularly visits her daughter and they walk the beach together. One afternoon, Jade suggests for Jesse to resume her relationship with Billy now that she is no longer around. But Jesse promises Jade there will be no chance of reconciling. The two discuss Denise's belief in reincarnation before Les arrives to pick up Jade. As Jade races to the vehicle she turns around and tells her mother that if there is such an idea of reincarnation she would still like to be her daughter. This brings tears to Jesse's eyes and she announces her love and sacrifice for her daughter. Jesse continues to walk along the shore of the beach with Otis before she turns to stare at the blue expanse hoping for a brighter future and a new beginning.\n\nCast\n Beverly D'Angelo as Jesse Larson\n Jenny Lewis as Jade Larson\n Meadow Sisto as Horizon\n Rob Estes as Billy Stone\n Ted Shackelford as Les Larson\n Judyann Elder as Teak\n Brian Donovan as Shand\n Pamela Kosh as Dowager\n John LaMotta as Gino\n Francia Dimase as Caroline\n Wendy Lawless as Denise\n Natasha Dorfhuber as Molly Stone\n David Quittman as Robbie Stone\n\nReception\n\nReferences\n\nExternal links\n \n\n1996 films\n1996 television films\n1995 drama films\n1995 films\nAmerican films\nCBS network films\nFilms scored by Mark Snow\nFilms about families\nFilms about infidelity\nFilms set in Los Angeles\n1996 drama films\nFilms directed by Ron Lagomarsino", "Return of the Living Dead Part II is a 1988 American zombie comedy horror film written and directed by Ken Wiederhorn, and starring Michael Kenworthy, Marsha Dietlein, Dana Ashbrook, Thom Mathews, James Karen, and Phil Bruns. It is the first of four sequels to The Return of the Living Dead.\n\nThe film was released by Lorimar Motion Pictures on January 8, 1988, and was a minor box office success, making over $9 million at the box office in the United States against its $6.2 million budget.\n\nPlot\nDuring the zombie outbreak in Louisville, a military truck is transporting barrels of Trioxin, when one breaks loose and falls into a river without the driver noticing. The next morning, pre-teens Johnny and Billy take a reluctant Jesse Wilson to a cemetery mausoleum for a group initiation with a group of pre-teen bullies. Frightened, Jesse flees into a nearby storm drain, where he and the others stumble across the rogue barrel. Upon opening it, they find a corpse inside and running away screaming as the toxic gas contained within begins to leak out. When Jesse says he's going to call the Army from a number on the barrel, the bullies trap him in the derelict mausoleum and leave him.\n\nBilly and Johnny return to the barrel and open it, releasing the Trioxin gas that begins to permeate the whole cemetery. A trio of grave robbers; Ed, Joey, and Brenda, arrive via van. Brenda is creeped out by cemeteries and stays behind in the van. Ed and Joey go into the cemetery where they start to loot the tombs in the mausoleum where Jesse is. When they enter it, Jesse is able to break free and run home. Meanwhile, acid rainfall causes the Trioxin to begin seeping into the ground and resuscitating the corpses.\n\nReturning home, Jesse is ordered to do his homework by his older sister, Lucy, but sneaks out of the house when a cable repairman, Tom, distracts her. He goes to Billy's house to see him, but he has suddenly fallen ill, so he makes up an excuse and Billy's mother allows him in for a brief visit. Suffering from the effects of Trioxin, Billy warns Jesse not to tell anyone what they've found. Against his friend's wishes, Jesse returns to the sewer to further examine the barrel. Upon seeing a tar-covered zombie, he flees to the cemetery, where the newly resurrected bodies begin to dig their way out of the ground. Meanwhile, Brenda goes to check on her companions and encounters a zombie, but is able to get away. Ed and Joey are still inside the mausoleum when a corpse comes to life. Joey smashes its head with a crowbar, and they flee the building. They are running through a mob of zombies when they run into a hysterical Brenda.\n\nJesse gets home and tries to tell Lucy about the zombie uprising, but she dismisses him and locks him in his room. Elsewhere, Ed, Joey, and Brenda show up at Billy's house to get help but they run away when Billy's dad pulls a shotgun on them. Meanwhile, Jesse starts a fire outside his door to set off the smoke alarms, to distract Lucy so he can escape. Jesse calls the Army and gets through to Colonel Glover, who had helped put down the Louisville outbreak days earlier, but the call gets disconnected. Ed, Joey, and Brenda steal Tom's van but are unable to get through the zombie horde, so they barge into Jesse's house. Joey begins to fall ill from Trioxin exposure. As the zombies close in on the house, the graverobbers attempt to find a getaway car. They manage to break into a doctor's house, where they convince him to let them use his car, and they drive to a hospital emergency room that appears to be deserted.\n\nAt Billy's house, his condition worsens and his father leaves to get a doctor, but Billy's mother sees him being attacked and eaten by a group of zombies. Fully turned, Billy proceeds to attacks his mother. Elsewhere, Tom, Lucy, and Jesse escape a group of zombies and take the car to look around town. They make it to Lucy and Jesse's grandfather's house and break into his gun safe to get weapons and ammo. They go back to the hospital where Ed and Joey are experiencing symptoms of rigor mortis. Jesse is attacked by a zombie that both he and Tom shot multiple times. Brenda is upset about the diagnosis for Joey, and they try to leave in the car, but Ed follows them and gets in the car. They are stopped at gunpoint by National Guardsman under Glover's command. A fully zombified Ed attacks and kills one of the soldiers, causing his squadmates to flee. Brenda drives away with Joey, leaving Ed behind. Brenda is attacked by a zombified Joey, and unable to kill her former lover she willfully lets him cannibalize her.\n\nFleeing in a stolen ambulance, the survivors come to a roadblock, and the National Guard mistakenly opens fire on them, thinking they are zombies. Realizing that the whole town had been evacuated, Tom thinks of a new strategy to give the zombies what they want, drives them to a meat packing plant. They take a truck and distribute brains out of the back as they drive to a power plant intending to electrocute them all. Billy opens the gate and zombies corner them into the truck. Jesse is attacked by Billy and stabs him with a screwdriver, and then activates the power, killing all of the zombies. Billy walks in, holding the screwdriver, and Jesse pushes his tormenter into a large transformer that falls through the roof. Glover and his men arrive to contain the scene and lead the others away.\n\nCast\n Michael Kenworthy as Jesse Wilson\n Marsha Dietlein as Lucy Wilson\n Dana Ashbrook as Tom Essex\n James Karen as Ed Mathews\n Thom Mathews as Joey Hazel\n Suzanne Snyder as Brenda Herzog \n Phil Bruns as \"Doc\" Mandel\n Thor Van Lingen as Billy Crowley\n Jason Hogan as Johnny\n Mitch Pileggi as Sarge\n Jonathan Terry as Colonel Glover\n Sally Smythe as Mildred Crowley\n Don Maxwell as George Crowley\n Forrest J Ackerman as Harvey Kramer\n Allan Trautman as Tarman Zombie \n Douglas Benson as High-Pitched Voice Zombie\n\nSoundtrack\nReleased on Island Records in 1988.\n\n\"Space Hopper\" by Julian Cope\n\"High Priest of Love\" by Zodiac Mindwarp and the Love Reaction\n\"I'm the Man (Def Uncensored version)\" by Anthrax\n\"Big Band B-Boy\" by Mantronix\n\"Monster Mash\" by The Big O\n\"Alone in the Night\" by Leatherwolf\n\"A.D.I./Horror of It All\" by Anthrax\n\"Flesh to Flesh\" by Joe Lamont\n\"The Dead Return\" by J. Peter Robinson\n\nAlthough not included on the soundtrack, \"Bad Case of Loving You\" by Robert Palmer is also featured in the movie.\n\nReception\nOn Rotten Tomatoes, the film holds a 0% rating from 20 reviews. On Metacritic it has a rating of 45 based on 6 critic reviews indicating \"mixed or average reviews\".\n\nHome video\nThe film was released on DVD in 2004, containing a heavily altered soundtrack.\n\nActress Marsha Dietlein was asked in an August 2012 interview if the film would receive a newer and perhaps \"special\" DVD release, as was recently done for the first installment in the franchise. \"I wish they would do a retrospective, but I haven't heard anything about it,\" she said.\n\nThe film was given a Blu-ray release in 2018 by Shout! Factory. It contains a new 2K scan of the interpositive, plus a bunch of new special features that were not on the DVD. Along with that, it also restores the original theatrical soundtrack that was omitted on the DVD release.\n\nReferences\n\nExternal links\n\n1988 films\n1988 horror films\n1980s comedy horror films\n1980s science fiction horror films\nAmerican films\nAmerican comedy horror films\nAmerican satirical films\nAmerican science fiction horror films\nAmerican sequel films\nAmerican zombie comedy films\nFilms directed by Ken Wiederhorn\nReturn of the Living Dead (film series)\nFilms scored by J. Peter Robinson\n1988 comedy films" ]

[ "Billy Gunn", "The New Age Outlaws and D-Generation X (1997-1998)", "What were The New Age Outlaws?", "James and Rockabilly were quickly rebranded as \"Road Dogg\" Jesse James and \"Badd Ass\" Billy Gunn, respectively, and their tag team formed was soon dubbed the New Age Outlaws.", "What was the D generation X?", "They also defeated the LOD in a rematch at In Your House: D-Generation X.", "How strong were Jesse and Billy?", "This new team was in the spirit of the new Attitude Era: brash, vulgar, egotistical, and loud-mouthed. They quickly rose to the top of the tag team ranks" ]

[ "Bury Me Alive is the third studio album by American metalcore band Inhale Exhale.\n\nTrack listing\n \"Rooms\" - 3:23 \n \"Did You Ever Have A Touch To Lose?\" - 3:12\n \"Condemned\" - 3:50\n \"Over And Out\" - 3:52 \n \"A Dark Place For Your Mind To Be\" - 4:12\n \"Intentions\" - 3:52\n \"Explosions\" - 3:56 \n \"Fiction\" - 3:54\n \"Better Her Than Me\" - 3:31\n \"Thin Black Lines\" - 2:02 \n \"An Era\" - 3:08\n\nPersonnel \n Ryland Raus - Lead Vocals\n John LaRussa - Lead Guitar \n Chris Carroll - Drums, Percussion \n Greg Smith - Bass\n\nReferences\n\n2009 albums\nInhale Exhale albums\nSolid State Records albums\nAlbums produced by Travis Wyrick", "FC Zhashtyk-Ak-Altyn Kara-Suu is a Kyrgyz football club based in Kara-Suu, Kyrgyzstan. They are the only club in football history to appear in six straight cup finals and lose all of them. They are also one of two clubs in the world to lose all 7 national cup finals that they attended without winning a cup ever.\nTheir name means white-gold youth of Kara-Suu, Kara-Suu meaning black water.\n\nHistory \n1993: Founded as FC Aka-Atyn Kara-Suu.\n1994: Renamed FC Ak-Altyn Kara-Suu.\n1998: Renamed to FC Zhashtyk-Ak-Altyn Kara-Suu after merger with FC Zhashtyk Osh.\n\nCurrent squad\n\nAchievements\nKyrgyzstan League\nWinners: 2003\nKyrgyzstan Cup\nRunners-up (7): 2001, 2002, 2003, 2004, 2005, 2006, 2008\nFC Zhastyk hold the world record for the most consecutive losing appearances in a national football cup final. The first five of these losses were all by 0–1 (the sixth by 0–4); the first three against SKA-PVO Bishkek and the last three against Dordoi-Dinamo Naryn. Prior to their 'feat', this record was shared by USM Alger, who appeared in five consecutive Algerian cup finals from 1969 to 1973 and lost all of them, and Al-Ramtha, who did the same in Jordan from 1993 to 1997.\n\nPerformance in AFC competitions\nAFC Champions League: 1 appearance\n2002–03: Qualifying West – 2nd Round\n\nReferences\n\nExternal links \nCareer stats by KLISF\n\nFootball clubs in Kyrgyzstan\n1993 establishments in Kyrgyzstan" ]

[ "Billy Gunn", "The New Age Outlaws and D-Generation X (1997-1998)", "What were The New Age Outlaws?", "James and Rockabilly were quickly rebranded as \"Road Dogg\" Jesse James and \"Badd Ass\" Billy Gunn, respectively, and their tag team formed was soon dubbed the New Age Outlaws.", "What was the D generation X?", "They also defeated the LOD in a rematch at In Your House: D-Generation X.", "How strong were Jesse and Billy?", "This new team was in the spirit of the new Attitude Era: brash, vulgar, egotistical, and loud-mouthed. They quickly rose to the top of the tag team ranks", "Did they ever lose?", "teamed up with Triple H and Savio Vega (who replaced the injured Shawn Michaels) to face Chainsaw Charlie, Cactus Jack, Owen Hart, and Steve Austin. They were, however, defeated." ]

[ "Under U.S. Federal income tax law, a net operating loss (NOL) occurs when certain tax-deductible expenses exceed taxable revenues for a taxable year. If a taxpayer is taxed during profitable periods without receiving any tax relief (e.g. a refund) during periods of NOLs, an unbalanced tax burden results. Consequently, in some situations, Congress allows taxpayers to use the losses in one year to offset the profits of other years.\n\nCalculating the NOL amount\n\nThe NOL amount is the amount of the loss from the current year that can be carried back to prior tax years or carried forward to future years.\n\nIndividuals\nThe NOL amount is the business loss incurred by a taxpayer. The following items are excluded when calculating the NOL amount:\n any deduction for personal exemptions\n net capital loss (capital losses in excess of capital gains); net capital gains are included\n nonbusiness deductions in excess of nonbusiness income; net nonbusiness income is included\n\nIn addition, the NOL amount excludes other adjustments such as:\n section 1202 exclusion of the gain from the sale or exchange of qualified small business stock (QSBS)\n net operating loss deduction from other tax years\n domestic production activities deduction\n\nCorporations\nFor corporations, an NOL is the excess of the deductions allowed over gross income with the following adjustments.\n no NOL deduction\n no section 199 domestic production activities deduction\n the dividends-received deductions for dividends received are computed without regard to section 246(b) limit\n the dividends-paid deduction is computed without regard to the limitation under section 247(a)(1)(B).\n\nLoss carry back and carry forward mechanisms\n\nGenerally the NOL must be carried back to the two tax years before the NOL year. For example, the tax loss from 2015 must be carried back to 2013 or 2014. Any remaining amount can be carried forward for up to 20 years. The taxpayer can elect to waive the carry back and therefore carry all of the loss to future years. Once the 20-year carry forward period expires, the taxpayer cannot deduct any part of the remaining NOL.\n\nFor tax years prior to 2018, the carry back period for certain NOLs is greater than 2 years:\n\n3 year carry back period\nlosses from casualty or theft\nfarm or small business losses related to a federally declared disaster\n qualified small business losses\n\n5 year carry back period\n farm losses\n qualifying disaster losses (corporations only)\n\n10 year carry back period\n losses related to product liability claims\n decommissioning of a nuclear power plant - (corporations only)\n losses related to reclamation of land and dismantling of drilling platforms\n losses related to environmental contamination and workers compensation act payments \n Qualified Gulf Opportunity Zone (GO Zone) losses - (corporations only)\n\nIf the corporation has a corporate equity reduction transaction, a different carry forward period may apply.\n \nSection 1211 of the American Recovery and Reinvestment Act of 2009 increased the carry back period for small businesses. For net operating losses incurred in 2008, the carry back period was increased to 5 years.\n\nThe Tax Cuts and Jobs Act of 2017 eliminated the net operating loss carryback, and restricted carryforwards. The provision was cut in order to finance the tax cuts in the act, and was one of the largest offsets in the law.\n\nFinancial statement reporting\nUnder US GAAP, the amount of net operating losses available for future years is reported in the notes to the financial statements. For example, Kinross Gold reported $US 893 million of NOL carry forwards were available as at December 31, 2014 related to its subsidiaries in Barbados.\n\nSee also\n\nNotes\n\nTaxation in the United States\nInternal Revenue Code", "1231 Property is a category of property defined in section 1231 of the U.S. Internal Revenue Code. 1231 property includes depreciable property and real property (e.g. buildings and equipment) used in a trade or business and held for more than one year. Some types of livestock, coal, timber and domestic iron ore are also included. It does not include: inventory; property held for sale in the ordinary course of business; artistic creations held by their creator; or, government publications.\n\nHistory\nThe 1954 version of the Internal Revenue Code included section 1231 covering certain property held by a business. The original section covering this matter - namely, section 117(j) of the Internal Revenue Code of 1939 - was enacted in 1942. The law was originally conceived as a way to help the shipping industry during World War II.\n\nThe present version of the Internal Revenue Code has retained section 1231, with the provision now applying to both property lost in an involuntary conversion, and to the sale or exchange of certain kinds of business-use property.\n\nApplication\nA taxpayer can calculate net 1231 gains and losses, often referred to as the hotchpot, as capital gains, with the caveat that if the gain is less than any “non-recaptured losses” from the preceding five years, it is re-characterized as ordinary income and is reported with Form 4797.\n\n“Non-recaptured loss” is covered by 1231(c). This provision refers to a situation when a taxpayer claims a 1231 loss in year one, but seeks a 1231 gain in any of subsequent years two through six. Any gain which is less than or equal to the loss in year one will be characterized as ordinary income rather than long-term capital gain (which has preferred tax rates).\n\nGains and losses under 1231 due to casualty or theft are set aside in what is often referred to as the fire-pot (tax). These gains and losses do not enter the hotchpot unless the gains exceed the losses. If the result is a gain, both the gain and loss enter the hotchpot and are calculated with any other 1231 gains and losses. If there are more casualty loss(es) than gains, the excess is treated as an ordinary loss.\n\nImpact\n\nSection 1231 treatment allows taxpayers to enjoy tax-favored treatment for 1231 property gains that are greater than 1231 property losses. This means that if the asset can be sold for a value greater than its basis, it can be taxed at a capital gains rate, which is lower than an ordinary income rate. However, if the 1231 property results in a loss then the taxpayer can treat it as an ordinary loss and such a loss may reduce the taxpayer's taxable income.\n\nThis provision is said to give a taxpayer the \"best of both worlds\" as it allows the favorable capital gains tax rate on section 1231 property while avoiding the negative implications of capital loss treatment. Ordinary losses are 100% deductible, while capital losses are subject to an annual deduction limitation of $3,000 against ordinary income. Within this framework, if capital losses exceed capital gains by more than $3,000 in any given tax year, the portion of the deduction that may be used to offset ordinary income is limited to $3,000; the excess loss over $3,000 must be carried over to the following year.\n\nC Corporations are not allowed to deduct capital losses against ordinary income, and must instead deduct capital losses only against capital gains. If capital losses exceed capital gains in any given tax year, the excess loss may be carried back three years and carried forward five years where it is offset against capital gains of those years. When carrying a C corporation's capital loss back or forward, the loss does not retain its character as short-term or long-term. In other words, the loss is treated as a short-term capital loss even if it was originally a long-term capital loss.\n\nSection 1231 does not reclassify property as a capital asset. Instead, it allows the taxpayer to treat net gains on 1231 property as capital gains, but to treat net losses on such property as ordinary losses.\n\nCongress has decided not to let this \"best of both worlds\" treatment give taxpayers undesired benefits beyond its purpose. This treatment would compel a taxpayer to sell a Section 1231 loss asset at the end of a year to get an ordinary loss and hold a Section 1231 gain until the next taxable year to receive capital gains treatment. To limit the impact of this undesired result, Congress included 1231(c). This is a controversial topic in U.S. taxation. \n\nUnder 1231(c), the 1231 gain that was deferred until the second year in the example above will be recharacterized as ordinary income. This is done because the taxpayer has already received the benefit of having the loss in year one treated as an ordinary loss. Thus, if the 1231 gain is disposed of after year one, but before what becomes the seventh year under 1231(c)(2)(A), it will receive ordinary income treatment. If held onto and disposed of after the seventh year, it may be treated as a capital gain.\n\nSee also\nTax deduction\nDepreciation recapture\n\nReferences\nhttps://www.law.cornell.edu/uscode/text/26/1231-\n\nExternal links\nIRS website\n\n0179" ]

[ "Billy Gunn", "The New Age Outlaws and D-Generation X (1997-1998)", "What were The New Age Outlaws?", "James and Rockabilly were quickly rebranded as \"Road Dogg\" Jesse James and \"Badd Ass\" Billy Gunn, respectively, and their tag team formed was soon dubbed the New Age Outlaws.", "What was the D generation X?", "They also defeated the LOD in a rematch at In Your House: D-Generation X.", "How strong were Jesse and Billy?", "This new team was in the spirit of the new Attitude Era: brash, vulgar, egotistical, and loud-mouthed. They quickly rose to the top of the tag team ranks", "Did they ever lose?", "teamed up with Triple H and Savio Vega (who replaced the injured Shawn Michaels) to face Chainsaw Charlie, Cactus Jack, Owen Hart, and Steve Austin. They were, however, defeated.", "Any other losses?", "During this time, the Outlaws began a feud with Kane and Mankind. Although Kane and Mankind won the Tag Team Championship, they could not get along." ]

[ "The NXT Women's Tag Team Championship is a professional wrestling women's tag team championship created and promoted by the American promotion WWE, defended on their NXT brand division. The current champions are Toxic Attraction (Gigi Dolin and Jacy Jayne), who are in their first reign.\n\nThe championship was established on the March 10, 2021, episode of NXT. The team of Dakota Kai and Raquel González were crowned the inaugural champions due to winning the first-ever Women's Dusty Rhodes Tag Team Classic, after the WWE Women's Tag Team Championship match they had originally received for their win ended in a controversial finish. At the time the title was introduced, NXT was regarded as WWE's \"third brand\"; however, in September that same year, NXT was rebranded and reverted to its original function as WWE's developmental territory.\n\nHistory\nIn December 2018, the WWE Women's Tag Team Championship was established as the sole women's tag team championship for WWE, shared across the Raw, SmackDown, and NXT brands. On the March 3, 2021 episode of NXT, Dakota Kai and Raquel González, who had earned a title opportunity for winning the first-ever Women's Dusty Rhodes Tag Team Classic, faced WWE Women's Tag Team Champions Nia Jax and Shayna Baszler (whose home brand was Raw). After the referee had been knocked out during the match, WWE official Adam Pearce, who officiates for Raw and SmackDown, sent down a second referee to declare Kai had submitted to Baszler, although Kai was not the legal woman. This led to a backstage argument between Pearce and NXT General Manager William Regal.\n\nThe following week on the March 10 episode, Regal introduced the NXT Women's Tag Team Championship to not have to deal with Raw and SmackDown's politics any longer. Kai and González have named the inaugural champions due to their Women's Dusty Classic win. Their reign would not last long, however, as that same night, they defended the titles against the runner ups of the tournament, Ember Moon and Shotzi Blackheart, who defeated Kai and González to win the championship.\n\nBelt design\nThe belt design of the NXT Women's Tag Team Championship is nearly identical to the men's NXT Tag Team Championship, with a few exceptions. The straps are smaller for the women and they are white instead of black. Above the vertical NXT logo on the center plate says \"Women's Tag Team\" instead of just \"Tag Team.\" For the customizable side plates, the default side plates have the vertical NXT logo instead of the WWE logo, which makes it only one of two NXT championships to have the NXT logo instead of the WWE logo for the default side plates, the other being the NXT North American Championship. The WWE logo is also missing from the very center of the NXT logo on the center plate.\n\nReigns\n\nAs of , , there have been five reigns between five teams composed of 10 individual champions. The inaugural championship team was Dakota Kai and Raquel González. Toxic Attraction (Gigi Dolin and Jacy Jayne) have the longest reign at + days, while the team of Kai and González have the shortest reign at 56 minutes (being named as first champions then losing the title later the same night). Candice LeRae is the oldest champion at 35 years old, while Gigi Dolin is the youngest, winning the title at 24.\n\nThe current champions are Toxic Attraction (Gigi Dolin and Jacy Jayne), who are in their first reign, both as a team and individually. They defeated previous champions Io Shirai and Zoey Stark and the team of Indi Hartwell and Persia Pirotta in a Three-way Scareway to Hell Ladder match at the special Halloween Havoc episode of NXT 2.0 on October 26, 2021, in Orlando, Florida\n\nSee also\n Tag team championships in WWE\n Women's championships in WWE\n\nReferences\n\nExternal links\n Official NXT Women's Tag Team Championship Title History\n\nWWE NXT championships\nWWE women's championships\nWomen's professional wrestling tag team championships", "The NWA World Tag Team Championship is a professional wrestling World Tag Team championship contested in various National Wrestling Alliance (NWA) affiliates. The NWA did not officially recognize any tag team champions until 1992 while various affiliates had previously had their own Tag Team championships.\n\nTitle history\n\nCombined reigns\nAs of , . \n\nKey\n\nBy team\n\nBy wrestler\n\nSee also\nNWA World Tag Team Championship\nNational Wrestling Alliance (NWA)\nJim Crockett Promotions\nImpact Wrestling\n\nReferences\n\nExternal links\nOfficial NWA World Tag Team Title History\nWrestling-Titles.com - NWA World Tag Team Title History\n\nNational Wrestling Alliance championships\nProfessional wrestling tag team champion lists\nImpact Wrestling champions lists" ]

[ "Billy Gunn", "The New Age Outlaws and D-Generation X (1997-1998)", "What were The New Age Outlaws?", "James and Rockabilly were quickly rebranded as \"Road Dogg\" Jesse James and \"Badd Ass\" Billy Gunn, respectively, and their tag team formed was soon dubbed the New Age Outlaws.", "What was the D generation X?", "They also defeated the LOD in a rematch at In Your House: D-Generation X.", "How strong were Jesse and Billy?", "This new team was in the spirit of the new Attitude Era: brash, vulgar, egotistical, and loud-mouthed. They quickly rose to the top of the tag team ranks", "Did they ever lose?", "teamed up with Triple H and Savio Vega (who replaced the injured Shawn Michaels) to face Chainsaw Charlie, Cactus Jack, Owen Hart, and Steve Austin. They were, however, defeated.", "Any other losses?", "During this time, the Outlaws began a feud with Kane and Mankind. Although Kane and Mankind won the Tag Team Championship, they could not get along.", "Did they ever win any tag team championships?", "After joining DX, the Outlaws successfully defended their Tag Team Title against the Legion of Doom 2000 at Unforgiven." ]

[ "Nothing to Lose or Nothin' to Lose may refer to:\n\nFilm and television\nNothing to Lose (1995 film), or Ten Benny, an American film directed by Eric Bross \nNothing to Lose (1997 film), an American comedy directed by Steve Oedekerk\nNothing to Lose (2002 film), a Thai crime film directed by Danny Pang\nNothing to Lose (TV series) or Judge vs. Judge, a 2017–2018 South Korean series\n\"Nothing to Lose\" (CSI: Miami), a television episode\n\nLiterature\nNothing to Lose (novel), a 2008 Jack Reacher novel by Lee Child\nNothing to Lose, a 2004 young-adult novel by Alex Flinn\nNothing to Lose, a 2007 young-adult novel by Norah McClintock\n\nMusic\n\nAlbums \n Nothing to Lose (Daniel Schuhmacher album), 2010\n Nothing to Lose (Eddie Money album), 1988\n Nothing to Lose (Emblem3 album) or the title song, 2013\n Nothing to Lose (Forty Deuce album) or the title song, 2005\n Nothing to Lose (Michael Learns to Rock album) or the title song, 1997\n Nothing to Lose (Sanctus Real album) or the title song, 2001\n Nothing to Lose (soundtrack) or the Naughty by Nature title song, \"Nothin' to Lose\", from the 1997 film\n Nothing to Lose, by Carpathian, 2006\n Nothing to Lose, by Rebecca, 1984\n\nSongs\n\"Nothing to Lose\" (Billy Talent song), 2004\n\"Nothing to Lose\" (Bret Michaels song), 2010\n\"Nothing to Lose\" (Operator song), 2008\n\"Nothing to Lose\" (Vassy song), 2016\n\"Nothin' to Lose\" (Josh Gracin song), 2004\n\"Nothin' to Lose\" (Kiss song), 1974\n\"Nothing to Lose\", by 2Pac from R U Still Down? (Remember Me), 1997\n\"Nothing to Lose\", by Dragon from Dreams of Ordinary Men, 1986\n\"Nothing to Lose\", by Jackson Yee, 2017\n\"Nothing to Lose\", by Kylie Minogue from Enjoy Yourself, 1989\n\"Nothing to Lose\", by S'Express from Intercourse, 1991\n\nSee also\nNothing Left to Lose (disambiguation)", "Nothing Left to Lose may refer to:\n\nLiterature\n Nothing Left to Lose (novel), a 2017 novel by Dan Wells\n Nothing Left to Lose, a 2012 novel by Allan G. Johnson\n Nothing Left to Lose: An Impolite Report On the State of Freedom in Canada, a 2020 book by Philip Slayton\n \"Nothing Left to Lose\", a short story by Diana Pharaoh Francis\n\nMusic\n\nAlbums\n Nothing Left to Lose (Gary U.S. Bonds album) or the title song, 1996\n Nothing Left to Lose (Mat Kearney album) or the title song (see below), 2006\n\nSongs\n \"Nothing Left to Lose\" (song), by Mat Kearney, 2006\n \"Nothing Left to Lose\", by the Alan Parsons Project from The Turn of a Friendly Card, 1980\n \"Nothing Left to Lose\", by American Hi-Fi from The Art of Losing, 2003\n \"Nothing Left to Lose\", by Buck-O-Nine from Sustain, 2007\n \"Nothing Left to Lose\", by Deepfield, 2011\n \"Nothing Left to Lose\", by Emma Paki from Oxygen of Love, 1996\n \"Nothing Left to Lose\", by Faron Young, 1965\n \"Nothing Left to Lose\", by Heaven's Basement from Filthy Empire, 2013\n \"Nothing Left to Lose\", by Needtobreathe from The Heat, 2007\n \"Nothing Left to Lose\", by Nick Carter from I'm Taking Off, 2011\n \"Nothing Left to Lose\", by the Pretty Reckless from Light Me Up, 2010\n \"Nothing Left to Lose\", by Puddle of Mudd from Life on Display, 2003\n \"Nothing Left to Lose\", by Sad Café from Facades, 1979\n \"Nothing Left to Lose\", by Social Code from Rock 'n' Roll, 2009\n \"Nothing Left to Lose\", by Spencer Albee from Relentlessly Yours, 2017\n \"Nothing Left to Lose\", by Taxi Violence\n \"Nothing Left to Lose\", by Transit from Joyride, 2014\n \"Nothing Left to Lose\", by Wipers from Land of the Lost, 1986\n \"Nothing Left to Lose\", by Woe, Is Me from Genesis, 2012\n\nTelevision episodes\n \"Nothing Left to Lose\" (30 Rock)\n \"Nothing Left to Lose\" (Police Woman)\n \"Nothing Left to Lose\" (Side Order of Life)\n\nSee also\n Nothing to Lose (disambiguation)" ]

[ "Billy Gunn", "The New Age Outlaws and D-Generation X (1997-1998)", "What were The New Age Outlaws?", "James and Rockabilly were quickly rebranded as \"Road Dogg\" Jesse James and \"Badd Ass\" Billy Gunn, respectively, and their tag team formed was soon dubbed the New Age Outlaws.", "What was the D generation X?", "They also defeated the LOD in a rematch at In Your House: D-Generation X.", "How strong were Jesse and Billy?", "This new team was in the spirit of the new Attitude Era: brash, vulgar, egotistical, and loud-mouthed. They quickly rose to the top of the tag team ranks", "Did they ever lose?", "teamed up with Triple H and Savio Vega (who replaced the injured Shawn Michaels) to face Chainsaw Charlie, Cactus Jack, Owen Hart, and Steve Austin. They were, however, defeated.", "Any other losses?", "During this time, the Outlaws began a feud with Kane and Mankind. Although Kane and Mankind won the Tag Team Championship, they could not get along.", "Did they ever win any tag team championships?", "After joining DX, the Outlaws successfully defended their Tag Team Title against the Legion of Doom 2000 at Unforgiven.", "Who did they lose the title to?", "At Over The Edge, the Outlaws and Triple H were defeated by Nation members Owen, Kama Mustafa, and D'Lo Brown in a Six Man Tag Match." ]

[ "\"If Ever I See You Again\" is the title of a 1978 hit single by Roberta Flack. The song was composed by Joseph \"Joe\" Brooks and served as the title song for the 1978 film If Ever I See You Again, which Brooks directed and also starred in with Shelley Hack as his leading lady. Male vocalist Jamie Carr sang the theme song on the film's soundtrack.\n\nBrooks' directorial debut, You Light Up My Life, had become successful largely on the strength of its title song, which as recorded by Debby Boone had spent ten weeks at #1 on the Billboard Hot 100 in 1977. With Brooks producing, Debby Boone had subsequently recorded the If Ever I See You Again title song plus four other songs heard in the film: \"California\", \"Come Share My Love\", \"It Was Such a Good Day\" and \"When It's Over\", at the Hollywood recording studio the Record Plant in January 1978, with the track \"California\" being issued as Boone's follow-up single to \"You Light Up My Life\" in February 1978 to reach #50 on the Hot 100. Boone's version of the If Ever I See You Again title song, plus the four other songs from the film that she'd recorded, would be included on her July 1978 album release Midstream.\n\nDespite Boone's success with the theme song from You Light Up My Life, Brooks was hoping to place the If Ever I See You Again theme song plus other songs from the film with an established artist. According to his partner Robert K. Lifton, Brooks offered the If Ever I See You Again numbers to Arista Records president Clive Davis for Barry Manilow to record only to renege after hearing the existing tracks intended for Manilow's upcoming album, which Brooks felt were sub-par and would sink his own compositions (in fact Manilow's 1978 album release Even Now would be a triple platinum seller).\n\nBrooks then approached Atlantic Records president Jerry Greenberg with the intent of having the If Ever I See You Again theme song and other songs from the film recorded by Roberta Flack (Flack has stated that she had been offered \"You Light Up My Life\" prior to the Debby Boone recording: (Roberta Flack quote:)\"Some people whose opinions I respect very much suggested I should do it...but the song reminded me of too many other things that I had heard or sung and I just didn't like it [although] I think [for] Debby Boone ['You Light Up My Life'] was perfect\". Flack would eventually describe \"If Ever I See You Again\" as \"a song I couldn't stand\" that Greenberg insisted she record: (Roberta Flack quote:) \"I had a very clever lawyer who made a huge money deal for [my recording] that song\": Flack recorded \"If Ever I See You Again\" at A&R Recording Studios in New York City in a session produced by Brooks which also yielded Flack's versions of \"Come Share My Love\" and \"When It's Over\". With a track from Flack's 1977 Blue Lights in the Basement album: \"I'd Like To Be Baby To You\", as B-side, \"If Ever I See You Again\" was released as a single on 21 April 1978 - a month before the film's premiere - to debut the Billboard Hot 100 dated 20 May 1978 at #87 (the same chart ranked the Blue Lights in the Basement single: the Donny Hathaway duet \"The Closer I Get to You\" at its #2 peak for a second and final week).\n\nWith the film If Ever I See You Again quickly proving a massive flop, Flack's single was left to fare on its own merit, and did in July 1978 spend three weeks at No. 1 on the Easy Listening chart with an eventual ranking as the #8 Easy Listening hit for the year: however, while reaching the Top 40 on both the Pop-oriented Hot 100 and the R&B chart, \"If Ever I See You Again\" was not on either chart afforded the impact which had previously been customary for Flack's lead singles, the Hot 100 peak for \"If Ever I See You Again\" being #24 with its R&B peak being #37. On the pop-oriented singles charts published in both Cashbox and Record World, \"If Ever I See You Again\" peaked at #38, with the single's peak on the respective magazines' R&B charts being #37 (Cashbox) and #58 (Record World)).\n\n\"If Ever I See You Again\" was included on the August 1978 album release Roberta Flack - the planned album title of If Ever I See You Again being dropped due to the single's underperformance - , that album also including the two other tracks cut with Joe Brooks at A&R Studios: \"Come Share My Love\" and \"When It's Over\", the two latter tracks being issued on a single in October 1978 with the A-side \"When It's Over\" reaching #82 on the R&B chart.\n\nFrom 1979 Flack would tend to rank on the R&B chart as opposed to the Hot 100, her only solo Hot 100 entry subsequent to \"If Ever I See You Again\" being another movie theme song: \"Making Love\", which peaked at #13 in 1982. However Flack did reach the Top 20 of the Hot 100 with two duets: \"Tonight, I Celebrate My Love\" with Peabo Bryson (#16/ 1983) and \"Set the Night to Music\" with Maxi Priest (#6/ 1991).\n\nSee also\nList of number-one adult contemporary singles of 1978 (U.S.)\n\nReferences\n\nSongs about parting\n1978 singles\nRoberta Flack songs\nAtlantic Records singles\nFilm theme songs\nSongs written for films\nRhythm and blues ballads\nSoul ballads\n1978 songs\nSongs written by Joseph Brooks (songwriter)", "Whenever We Wanted is American singer-songwriter and musician John Mellencamp's 11th album, and the first to be credited simply to Mellencamp's given name (i.e., without the \"Cougar\" name).\n\nThe album reached the top 20 and went platinum. It includes the hits \"Get A Leg Up\" (#1 for three weeks on the Album Rock Tracks chart), \"Now More Than Ever\" (#3 on the Album Rock Tracks chart), \"Last Chance\" (#12 on the Album Rock Tracks chart), and \"Again Tonight\" (#1 for two weeks on the Album Rock Tracks chart). \"Get A Leg Up\" (#14) and \"Again Tonight\" (#36) also cracked the Billboard Hot 100.\n\nEntertainment Weekly gave the album a positive review, stating: \"To Mellencamp's credit, even though 'Whenever We Wanted' delivers his signature rock & roll punch, he doesn't try to. That Mellencamp still has the courage to make depressing assessments in a pop context is a victory that outweighs the record's other shortcomings.\"\n\nMellencamp later said the album was an attempt to \"write American Fool with better lyrics\" after a fan mentioned the previous two albums \"had nothing about sex on them.\" This inspired him to write less about problems in the heartland and \"get back to the basics.\"\n\nAlbum notes\nThe woman featured on the cover with Mellencamp is Elaine Irwin. The cover photo was taken during the shoot for the video for the hit single \"Get a Leg Up.\" The video was shot in July 1991; Mellencamp and Irwin did not see each other again until January 1992 when the Whenever We Wanted Tour pulled into New York City. They become a couple a short time later and were married in September 1992. They separated in September 2010 and were divorced in 2011.\n\nAfter his previous two albums, The Lonesome Jubilee and Big Daddy, featured such non-traditional rock instruments as the accordion and violin, Mellencamp said that on Whenever We Wanted he wanted to put those instruments \"back in their cases\" and return to a harder-edged sound. Mellencamp further elaborated on the album, saying: \"It's very rock 'n' roll. I just wanted to get back to the basics.\"\n\nTrack listing\nAll songs written by John Mellencamp, except where noted.\n \"Love and Happiness\" – 3:53\n \"Now More Than Ever\" – 3:43\n \"I Ain't Ever Satisfied\" – 3:36\n \"Get a Leg Up\" – 3:47\n \"Crazy Ones\" (Mellencamp, Randy Handley) – 4:01\n \"Last Chance\" – 3:39\n \"They're So Tough\" – 4:17\n \"Melting Pot\" – 4:47\n \"Whenever We Wanted\" – 3:42\n \"Again Tonight\" – 3:17\n \"Love and Happiness (London Club Mix)\" (2005 re-issue bonus track) – 6:33\n\nPersonnel\n John Mellencamp – vocals, guitar, hand percussion\n Kenny Aronoff – drums, percussion, vibes\n Mike Wanchic – guitar, background vocals\n Toby Myers – bass guitar, background vocals\n David Grissom – guitars\n John Cascella – Hammond B-3, accordion, penny whistle, Farfisa Organ\n Pharez Whitted – trumpet on \"Love And Happiness\" and \"Whenever We Wanted\"\nJay Healy – engineer, mixing\n\nCharts\n\nCertifications\n\nReferences\n\nJohn Mellencamp albums\n1991 albums\nMercury Records albums" ]

[ "Billy Gunn", "The New Age Outlaws and D-Generation X (1997-1998)", "What were The New Age Outlaws?", "James and Rockabilly were quickly rebranded as \"Road Dogg\" Jesse James and \"Badd Ass\" Billy Gunn, respectively, and their tag team formed was soon dubbed the New Age Outlaws.", "What was the D generation X?", "They also defeated the LOD in a rematch at In Your House: D-Generation X.", "How strong were Jesse and Billy?", "This new team was in the spirit of the new Attitude Era: brash, vulgar, egotistical, and loud-mouthed. They quickly rose to the top of the tag team ranks", "Did they ever lose?", "teamed up with Triple H and Savio Vega (who replaced the injured Shawn Michaels) to face Chainsaw Charlie, Cactus Jack, Owen Hart, and Steve Austin. They were, however, defeated.", "Any other losses?", "During this time, the Outlaws began a feud with Kane and Mankind. Although Kane and Mankind won the Tag Team Championship, they could not get along.", "Did they ever win any tag team championships?", "After joining DX, the Outlaws successfully defended their Tag Team Title against the Legion of Doom 2000 at Unforgiven.", "Who did they lose the title to?", "At Over The Edge, the Outlaws and Triple H were defeated by Nation members Owen, Kama Mustafa, and D'Lo Brown in a Six Man Tag Match.", "Did they ever get the title again?", "The Outlaws defeated Mankind to win the titles for the third time." ]

[ "Heidi Noelle Guenther (January 11, 1975 – June 30, 1997) was an American ballerina from 1981 to her death in 1997. Guenther died from cardiac arrest which was believed to be caused by her eating disorder.\n\nBiography \nGuenther was born in San Francisco. She was raised in Los Osos, and trained at School of the American Ballet and Houston Ballet School during the summer. Guenther earned a full scholarship to the San Francisco Ballet School when she was twelve. She performed throughout high school and in 1994, performed in \"Symphony in C\" at the Kennedy Center.\n\nShe was first told to lose weight by the San Francisco Ballet School. In 1994 and in 1995, Artistic director Anna-Marie Holmes encouraged Guenther to lose weight, eventually going to 110 pounds. The weight loss did not stop here. Gunther continued to drop weight at an alarmingly quick rate. Guenther was soon promoted to the Boston Ballet in 1994 as an apprentice dancer. A colleague, Kyra Strasberg, called Guenther, \"a very, very talented dancer with a gorgeous light jump.\"\n\nGuenther broke her foot in the first season, as an apprentice. She did not seek medical attention, because she was afraid she would lose her contract. Instead she rested her foot when she wasn't dancing, causing her to gain five pounds. The Boston Ballet did urge her to not lose any more weight in an evaluation given in January 1997. At the time, the company was worried that she may have an eating disorder. Though the company noticed her weight loss they did not follow up with her about it. Boston Ballet did not address the issue that was an eating disorder. She was considered \"dangerously thin\" by the ballet's records. Holmes, however, told Guenther before she left for summer vacation starting in June 1995, that if she didn't lose the five pounds she gained, she would not gain a contract. Guenther wrote a note to herself for that summer vacation, renewing her commitment to lose weight, \"They always pick people for parts who are skinny.\" While the Boston Ballet did counsel her to gain weight, Guenther's mother noticed that the thinner her daughter was, the more dancing roles she was given. This added to the pressure already placed on Heidi to lose weight.\n\nDuring a family trip to Disneyland, Guenther died on June 30, 1997 of cardiac arrest at the age of 22. There was not an event that led up to her death. Heidi was sitting in the back seat of a vehicle when all of a sudden she was no longer breathing. Her death was speculated to be caused by her immense amount of weight loss.\n\nIn a later search, a stash of laxatives and herbal diet-aid pills were found in her possession. Along with the use of medication to lose weight, many of Heidi's friends stated that she had an unhealthy relationship with purging, as well as skipping meals. An autopsy showed no heart deformities and no abnormal substances in her blood. However, her heart wall was found to be abnormally thin. A week before her death, she told her family that her heart was \"racing\" and \"pounding,\" but she would not seek medical attention.\n\nHer family filed a wrongful death suit in 2000, against the Boston Ballet, for putting excessive pressure on Guenther to lose weight. Holmes was also named as a defendant in the suit, which was filed just before the statute of limitations expired. The suit was later rejected by the courts.\n\nLegacy \nGuenther's death \"was a wake-up call for everyone,\" causing ballet companies to treat eating disorders as a \"top priority.\" Immediately after her death, some American ballet companies said they would change their policies or offer extra information about eating disorders. Her death caused the Boston Ballet to begin nutrition counseling, onsite therapists, wellness seminars and help with weight control. Her family is attempting to start a foundation to help young athletes and dancers in honor of Guenther.\n\nReferences \n\nAmerican ballerinas\n1975 births\n1997 deaths\nDeaths from anorexia nervosa\nNeurological disease deaths in California\nPeople from San Francisco\nBoston Ballet dancers\nPeople from Los Osos, California\n20th-century American ballet dancers", "The 1977 Vanderbilt Commodores football team represented Vanderbilt University in the 1977 NCAA Division I football season. The Commodores were led by head coach Fred Pancoast in his third year. Vanderbilt had its second year with only two win both being non-conference games (2–9 overall, 0–6 in the SEC).\n\nThis was Vanderbilt's football program's 88th season. From 1890 to 1941 Vanderbilt won 304 games and lost 111, with 10 ties. It took the then successful program only 19 years to reach the 100 win mark, another 16 to meet the 200 mark, and 17 more to make it to 300 wins. It took Vanderbilt 50 years to lose 100 games, and 23 more to reach the 200 loss margin. Vanderbilt only needs 15 more years to make it to 300 losses. From 1940 to 1962 Vanderbilt would win and lose 100 more games. However, from 1962 to 1977 it only took 13 years to lose 100 more games. By the 1977 season Vanderbilt, a once respectable program, was now year after year the worst team in the SEC. The program would not get better any time soon. Vanderbilt's lost its 400th game in only 13 more years. In SEC play, from 1960 to 2011 Vanderbilt only had two above .500 win seasons, winning only 52 games, 16 of which they did not win a single game.\n\nSchedule\n\nReferences\n\nVanderbilt\nVanderbilt Commodores football seasons\nVanderbilt Commodores football" ]