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was he given any award

was Verplank given any awards?

Phil Mickelson

Mickelson attended Arizona State University in Tempe on a golf scholarship and became the face of amateur golf in the United States, capturing three NCAA individual championships and three Haskins Awards (1990, 1991, 1992) as the outstanding collegiate golfer. With three individual NCAA championships, he shares the record for most individual NCAA championships alongside Ben Crenshaw. Mickelson also led the Sun Devils to the NCAA team title in 1990. Over the course of his collegiate career, he won 16 tournaments. Mickelson was the second collegiate golfer to earn first-team All-American honors all four years. In 1990, he also became the first with a left-handed swing to win the U.S. Amateur title. Mickelson secured perhaps his greatest achievement as an amateur in January 1991, winning his first PGA Tour event, the Northern Telecom Open, in Tucson. At age 20, he was only the sixth amateur to win a tour event and the first in over five years after Scott Verplank at the Western Open in August 1985. Other players to accomplish this feat include Doug Sanders (1956 Canadian Open) and Gene Littler (1954 San Diego Open). With five holes remaining, Mickelson led by a stroke, but made a triple-bogey and was then three behind. The leaders ahead of him then stumbled, and he birdied 16 and 18 to win by a stroke. To date, it is the most recent win by an amateur at a PGA Tour event. That April, Mickelson was the low amateur at the Masters Tournament in Augusta, Georgia. With his two-year PGA Tour exemption from the Tucson win, he played in several tour events in 1992 while an amateur but failed to make a cut. CANNOTANSWER

first-team All-American honors

Philip Alfred Mickelson (born June 16, 1970), nicknamed Phil the Thrill, is an American professional golfer. He has won 45 events on the PGA Tour, including six major championships: three Masters titles (2004, 2006, 2010), two PGA Championships (2005, 2021), and one Open Championship (2013). With his win at the 2021 PGA Championship, Mickelson became the oldest major championship winner in history at the age of 50 years, 11 months and 7 days old. Mickelson is one of 17 players in the history of golf to win at least three of the four majors. He has won every major except the U.S. Open, in which he has finished runner-up a record six times. Mickelson has spent more than 25 consecutive years in the top 50 of the Official World Golf Ranking. He has spent over 700 weeks in the top 10, has reached a career-high world ranking of No. 2 several times and is a life member of the PGA Tour. Although naturally right-handed, he is known for his left-handed swing, having learned it by mirroring his right-handed father's swing. He was inducted into the World Golf Hall of Fame in 2012. Early life and family Philip Alfred Mickelson was born on June 16, 1970, in San Diego, California, to parents Philip Mickelson, an airline pilot and former naval aviator, and Mary Santos. He was raised there and in Scottsdale, Arizona. Mickelson has Portuguese, Swedish, and Sicilian ancestry. His maternal grandfather, Alfred Santos (also Mickelson's middle name) was a caddie at Pebble Beach Golf Links and took Phil to play golf as a child. Although otherwise right-handed, he played golf left-handed since he learned by watching his right-handed father swing, mirroring his style. Mickelson began golf under his father's instruction before starting school. Phil Sr.'s work schedule as a commercial pilot allowed them to play together several times a week and young Phil honed his creative short game on an extensive practice area in their San Diego backyard. Mickelson graduated from the University of San Diego High School in 1988. College golf Mickelson attended Arizona State University in Tempe on a golf scholarship and became the face of amateur golf in the United States, capturing three NCAA individual championships and three Haskins Awards (1990, 1991, 1992) as the outstanding collegiate golfer. With three individual NCAA championships, he shares the record for most individual NCAA championships alongside Ben Crenshaw. Mickelson also led the Sun Devils to the NCAA team title in 1990. Over the course of his collegiate career, he won 16 tournaments. Mickelson was the second collegiate golfer to earn first-team All-American honors all four years. In 1990, he also became the first with a left-handed swing to win the U.S. Amateur title, defeating high school teammate Manny Zerman 5 and 4 in the 36-hole final at Cherry Hills, south of Denver. Mickelson secured perhaps his greatest achievement as an amateur in January 1991, winning his first PGA Tour event, the Northern Telecom Open, in Tucson, making him one of the few golfers to win a PGA Tour event as an amateur in the history of the PGA Tour. At age 20, he was only the sixth amateur to win a tour event and the first in over five years after Scott Verplank at the Western Open in August 1985. Other players to accomplish this feat include Doug Sanders (1956 Canadian Open) and Gene Littler (1954 San Diego Open). With five holes remaining, Mickelson led by a stroke, but made a triple-bogey and was then three behind. The leaders ahead of him then stumbled, and he birdied 16 and 18 to win by a stroke. To date, it is the most recent win by an amateur at a PGA Tour event. That April, Mickelson was the low amateur at the Masters Tournament in Augusta, Georgia. With his two-year PGA Tour exemption from the Tucson win, he played in several tour events in 1992 while an amateur but failed to make a cut. Professional career 1992–2003: Trying for first major win Mickelson graduated from ASU in June 1992 and quickly turned professional. He bypassed the tour's qualifying process (Q-School) because of his 1991 win in Tucson, which earned him a two-year exemption. In 1992, Mickelson hired Jim "Bones" Mackay as his caddy. He won many PGA Tour tournaments during this period, including the Byron Nelson Golf Classic and the World Series of Golf in 1996, the AT&T Pebble Beach National Pro-Am in 1998, the Colonial National Invitation in 2000 and the Greater Hartford Open in 2001 and again in 2002. He appeared as himself in a non-speaking role in the 1996 film Tin Cup, starring Kevin Costner. His 2000 Buick Invitational win ended Tiger Woods's streak of six consecutive victories on the PGA Tour. After the win, Mickelson said, "I didn't want to be the bad guy. I wasn't trying to end the streak per se. I was just trying to win the golf tournament." Although he had performed very well in the majors up to the end of the 2003 season (17 top-ten finishes, and six second- or third-place finishes between 1999 and 2003), Mickelson's inability to win any of them led to him frequently being described as the "best player never to win a major". 2004–2006: First three major wins Mickelson's first major championship win came in his thirteenth year on the PGA Tour in 2004, when he secured victory in the Masters with an birdie putt on the final hole. Ernie Els was the runner-up at a stroke back; the two played in different pairs in the final round and had traded birdies and eagles on the back nine. In addition to getting the "majors monkey" off his back, Mickelson was now only the third golfer with a left-handed swing to win a major, the others being New Zealander Sir Bob Charles, who won The Open Championship in 1963, and Canadian Mike Weir, who won The Masters in 2003. (Like Mickelson, Weir is a right-hander who plays left-handed.) A fourth left-handed winner is natural southpaw Bubba Watson, the Masters champion in 2012 and 2014. Prior to the Ryder Cup in 2004, Mickelson was dropped from his long-standing contract with Titleist/Acushnet Golf, after an incident when he left a voicemail message for a Callaway Golf executive. In it, he praised their driver and golf ball, and thanked them for their help in getting some equipment for his brother. This memo was played to all of their salesmen, and eventually found its way back to Titleist. He was then let out of his multi-year deal with Titleist 16 months early, and signed on with Callaway Golf, his current equipment sponsor. He endured a great deal of ridicule and scrutiny from the press and fellow Ryder Cup members for his equipment change so close to the Ryder Cup matches. He faltered at the 2004 Ryder Cup with a record, but refused to blame the sudden change in equipment or his practice methods for his performance. In November 2004, Mickelson tallied his career-low for an 18-hole round: a 59 at the PGA Grand Slam of Golf at Poipu Bay Golf Course in Hawaii. The following year, Mickelson captured his second major at the PGA Championship at Baltusrol, in a Monday final-round conclusion that had been forced by inclement weather the previous day. On the 18th hole, Mickelson hit one of his trademark soft pitches from deep greenside rough to within of the cup, and made his birdie to finish at a 4-under-par total of 276, one shot ahead of Steve Elkington and Thomas Bjørn. Mickelson captured his third major title the following spring at the Masters. He won his second green jacket after shooting a 3-under-par final round, winning by two strokes over runner-up Tim Clark. This win propelled him to 2nd place in the Official World Golf Ranking (his career best), behind Woods, and ahead of Vijay Singh and Retief Goosen. 2006: Collapse on final hole at the U.S. Open After winning two majors in a row heading into the U.S. Open at Winged Foot, Mickelson was bidding to join Ben Hogan and Tiger Woods as the only players to win three consecutive majors (not necessarily in the same calendar year). Mickelson was the joint leader going into the final round, but he was part of a wild finish to the tournament, in which he made major mistakes on the final hole and ended up in a tie for second place at +6 (286), one shot behind Geoff Ogilvy. Mickelson bogeyed the 16th hole. On the 17th hole, with the lead at +4, he missed the fairway to the left, and his drive finished inside a garbage can, from which he was granted a free drop; he parred the hole. He had a one-shot lead and was in the last group going into the final hole. Needing a par on the 18th hole for a one-shot victory, Mickelson continued with his aggressive style of play and chose to hit a driver off the tee; he hit his shot well left of the fairway (he had hit only two of thirteen fairways previously in the round). The ball bounced off a corporate hospitality tent and settled in an area of trampled-down grass that was enclosed with trees. He decided to go for the green with his second shot, rather than play it safe and pitch out into the fairway. His ball then hit a tree, and did not advance more than . His next shot plugged into the left greenside bunker. He was unable to get up and down from there, resulting in a double bogey, and costing him a chance of winning the championship outright or getting into an 18-hole playoff with Ogilvy. After his disappointing finish, Mickelson said: "I'm still in shock. I still can't believe I did that. This one hurts more than any tournament because I had it won. Congratulations to Geoff Ogilvy on some great play. I want to thank all the people that supported me. The only thing I can say is I'm sorry." He was even more candid when he said: "I just can't believe I did that. I'm such an idiot." 2006–2008 During the third round of the 2006 Ford Championship at Doral, Mickelson gave a spectator $200 after his wayward tee shot at the par-5 10th broke the man's watch. Mickelson also has shown other signs of appreciation. In 2007 after hearing the story of retired NFL player, Conrad Dobler, and his family on ESPN explaining their struggles to pay medical bills, Mickelson volunteered to pay tuition for Holli Dobler, Conrad Dobler's daughter, at Miami University in Oxford, Ohio. Frustrated with his driving accuracy, Mickelson made the decision in April 2007 to leave longtime swing coach, Rick Smith. He then began working with Butch Harmon, a former coach of Tiger Woods and Greg Norman. On May 13, Mickelson came from a stroke back on the final round to shoot a three-under 69 to win The Players Championship with an 11-under-par 277. In the U.S. Open at Oakmont in June, Mickelson missed the cut (by a stroke) for the first time in 31 majors after shooting 11 over par for 36 holes. He had been hampered by a wrist injury that was incurred while practicing in the thick rough at Oakmont a few weeks before the tournament. On September 3, 2007, Mickelson won the Deutsche Bank Championship, which is the second FedEx Cup playoff event. On the final day, he was paired with Tiger Woods, who ended up finishing two strokes behind Mickelson in a tie for second. It was the first time that Mickelson was able to beat Woods while the two stars were paired together on the final day of a tournament. The next day Mickelson announced that he would not be competing in the third FedEx Cup playoff event. The day before his withdrawal, Mickelson said during a television interview that PGA Tour Commissioner, Tim Finchem, had not responded to advice he had given him on undisclosed issues. In 2008, Mickelson won the Crowne Plaza Invitational at Colonial with a −14, one shot ahead of Tim Clark and Rod Pampling. Mickelson shot a first-round 65 to start off the tournament at −5. He ended the day tied with Brett Wetterich, two shots behind leader, Johnson Wagner. Mickelson shot a second-round 68, and the third round 65, overall, being −12 for the first three rounds. On the final hole, after an absolutely horrendous tee shot, he was in thick rough with trees in his way. Many players would have punched out, and taken their chances at making par from the fairway with a good wedge shot. Instead, he pulled out a high-lofted wedge and hit his approach shot over a tree, landing on the green where he one-putted for the win. In a Men's Vogue article, Mickelson recounted his effort to lose with the help of trainer Sean Cochran. "Once the younger players started to come on tour, he realized that he had to start working out to maintain longevity in his career," Cochran said. Mickelson's regimen consisted of increasing flexibility and power, eating five smaller meals a day, aerobic training, and carrying his own golf bag. Mickelson was inducted into the National Italian American Sports Hall of Fame in 2008. 2009 Mickelson won his first 2009 tour event when he defended his title at the Northern Trust Open at Riviera, one stroke ahead of Steve Stricker. The victory was Mickelson's 35th on tour; he surpassed Vijay Singh for second place on the current PGA Tour wins list. A month later, he won his 36th, and his first World Golf Championship, at the WGC-CA Championship with a one-stroke win over Nick Watney. On May 20, it was announced that his wife Amy was diagnosed with breast cancer, and Mickelson announced that he would suspend his PGA Tour schedule indefinitely. She would begin treatment with major surgery as early as the following two weeks. Mickelson was scheduled to play the HP Byron Nelson Championship May 21–24, and to defend his title May 28–31 at the Crowne Plaza Invitational at Colonial, but withdrew from both events. During the final round of the 2009 BMW PGA Championship, fellow golfer and family friend John Daly wore bright pink trousers in support of Mickelson's wife. Also, the next Saturday, at the Crowne Plaza Invitational at Colonial, a "Pink Out" event was hosted, and the PGA Tour players all wore pink that day, to support the Mickelson family. On May 31, Mickelson announced that he would return to play on the PGA Tour in June at the St. Jude Classic and the U.S. Open, since he had heard from the doctors treating his wife that her cancer had been detected in an early stage. Mickelson shot a final round 70 at the 2009 U.S. Open and recorded his fifth runner-up finish at the U.S. Open. He shared the lead after an eagle at the 13th hole, but fell back with bogeys on 15 and 17; Lucas Glover captured the championship. On July 6, it was announced that his mother Mary was diagnosed with breast cancer and would have surgery at the same hospital where his wife was treated. After hearing the news that his mother had been diagnosed with breast cancer, Mickelson took another leave of absence from the tour, missing The Open Championship at Turnberry. On July 28, Mickelson announced he would return in August at the WGC-Bridgestone Invitational, the week before the PGA Championship at Hazeltine National Golf Club in Chaska, Minnesota. In September, Mickelson won The Tour Championship for the second time in his career. He entered the final round four strokes off the lead, but shot a final round 65 to win the event by three strokes over Tiger Woods. With the win, Mickelson finished the season second behind Woods in the 2009 FedEx Cup standings. On November 8, Mickelson won the WGC-HSBC Champions by one shot over Ernie Els in Shanghai. 2010: Third Masters win In 2010, Mickelson won the Masters Tournament on April 11 with a 16-under-par performance, giving him a three-stroke win over Lee Westwood. The win marked the third Masters victory for Mickelson and his fourth major championship overall. Critical to Mickelson's win was a dramatic run in the third round on Saturday in which Mickelson, trailing leader Westwood by five strokes as he prepared his approach shot to the 13th green, proceeded to make eagle, then to hole-out for eagle from 141 yards at the next hole, the par 4 14th, then on the next, the par 5 15th, to miss eagle from 81 yards by mere inches. After tapping in for birdie at 15, Mickelson, at −12, led Westwood, at −11, who had bogeyed hole 12 and failed to capitalize on the par 5 13th, settling for par. Westwood recaptured a one-stroke lead by the end of the round, but the momentum carried forward for Mickelson into round 4, where he posted a bogey-free 67 to Westwood's 71. No other pursuer was able to keep pace to the end, though K. J. Choi and Anthony Kim made notable charges. For good measure, Mickelson birdied the final hole and memorably greeted his waiting wife, Amy, with a prolonged hug and kiss. For many fans, Mickelson's finish in the tournament was especially poignant, given that Amy had been suffering from breast cancer during the preceding year. Mary Mickelson, Phil's mother, was also dealing with cancer. CBS Sports announcer Jim Nantz's call of the final birdie putt, "That's a win for the family," was seen by many as capturing the moment well. Tiger Woods had a dramatic return to competitive play after a scandal-ridden 20-week absence; he was in close contention throughout for the lead and finished tied with Choi for 4th at −11. Mickelson and others showed exciting play over the weekend, and the 2010 Masters had strong television ratings in the United States, ranking third all-time to Woods's historic wins in 1997 and 2001. Mickelson's win left him second only to Woods in major championships among his competitive contemporaries, moving him ahead of Ernie Els, Vijay Singh and Pádraig Harrington, with three major championships each and each, like Mickelson, with dozens of worldwide wins. Remainder of 2010 Mickelson, one of the favorites for the U.S. Open at Pebble Beach, shot 75 and 66 on Thursday and Friday to sit two shots off the lead. However, two weekend scores of 73 gave him a T4 finish. During the remainder of the 2010 season, Mickelson had multiple opportunities to become the number one player in the world rankings following the travails of Tiger Woods. However, a string of disappointing finishes by Mickelson saw the number one spot eventually go to Englishman Lee Westwood. In the days leading up to the PGA Championship at Whistling Straits (near Kohler, Wisconsin), Mickelson announced he had been diagnosed with psoriatic arthritis. He added that he had started medical treatment, and had become a vegetarian in hopes of aiding his recovery. He maintains that both his short- and long-term prognosis are good, that the condition should have no long-term effect on his golfing career, and that he currently feels well. He also stated that the arthritis may go into permanent remission after one year of medical treatment. He went on to finish the championship T12, five shots behind winner Martin Kaymer. 2011 Mickelson started his 2011 season at the Farmers Insurance Open at Torrey Pines Golf Course. He shot and was tied for the 54 hole lead with Bill Haas. Mickelson needed to hole out on the 18th hole for eagle from 74 yards to force a playoff with Bubba Watson. He hit it to 4 feet and Watson won the tournament. On April 3, Mickelson won the Shell Houston Open with a 20-under-par, three-stroke win over Scott Verplank. Mickelson rose to No. 3 in the world ranking, while Tiger Woods fell to No. 7. Mickelson had not been ranked above Woods since the week prior to the 1997 Masters Tournament. At The Open Championship, Mickelson recorded just his second top-ten finish in 18 tournaments by tying for second with Dustin Johnson. His front nine 30 put him briefly in a tie for the lead with eventual champion Darren Clarke. However, some putting problems caused him to fade from contention toward the end, to finish in a tie for second place. 2012: 40th career PGA Tour win Mickelson made his 2012 debut at the Humana Challenge and finished tied for 49th. He missed the cut at the Farmers Insurance Open after shooting rounds of 77 and 68. In the final round of the AT&T Pebble Beach National Pro-Am, Mickelson rallied from six shots back, winning the tournament by two strokes with a final-round score of 8-under 64 and a four-round total of 269. The win marked his 40th career victory on the PGA Tour. The following week at Riviera Country Club, Mickelson lost the Northern Trust Open in a three-way playoff. He had held the lead or a share of it from day one until the back nine on Sunday when Bill Haas posted the clubhouse lead at seven under par. Mickelson holed a 27-foot birdie putt on the final regulation hole to force a playoff alongside Haas and Keegan Bradley. Haas however won the playoff with a 40-foot birdie putt on the second playoff hole. The second-place finish moved Mickelson back into the world's top 10. Mickelson finished tied for third at the Masters. After opening the tournament with a two-over-par 74, he shot 68–66 in the next two rounds and ended up one stroke behind leader Peter Hanson by Saturday night. Mickelson had a poor start to his fourth round, scoring a triple-bogey when he hit his ball far to the left of the green on the par-3 4th hole, hitting the stand and landing in a bamboo plant. This ended up being Mickelson's only score over par in the whole round, and he ended with a score of eight-under overall. Earlier in the tournament he had received widespread praise for being present to watch Jack Nicklaus, Arnold Palmer, and Gary Player hit the ceremonial opening tee-shots, nearly seven hours before Mickelson's own tee time. Mickelson made a charge during the final round at the HP Byron Nelson Championship, but bogeyed the 17th and 18th, finishing T-7th. He then withdrew from the Memorial Tournament, citing mental fatigue, after a first-round 79. He was to be paired with Tiger Woods and Bubba Watson at the U.S. Open. He fought to make the cut in the U.S. Open, and finished T-65th. After taking a couple of weeks off, he played in the Greenbrier Classic. Putting problems meant a second straight missed cut at the Greenbrier and a third missed cut at 2012 Open Championship, shooting 73-78 (11 over par). He finished T-43rd at the WGC-Bridgestone Invitational. He then finished T-36th at the PGA Championship. To start the 2012 FedEx Cup Playoffs, Mickelson finished T38 at The Barclays, +1 for the tournament. He tied with Tiger Woods, Zach Johnson, and five other players. In this tournament, he started using the claw putting grip on the greens. At the next event, the Deutsche Bank Championship, he finished the tournament with a −14, tied for 4th with Dustin Johnson. At the BMW Championship, Mickelson posted a −16 for the first three rounds, one of those rounds being a −8, 64. On the final day, Mickelson shot a −2, 70, to finish tied for 2nd, with Lee Westwood, two shots behind leader, and back-to-back winner, Rory McIlroy. At the Tour Championship, he ended up finishing tied for 15th. He went on to have a 3–1 record at the Ryder Cup; however, the USA team lost the event. 2013 Mickelson began the 2013 season in January by playing in the Humana Challenge, where he finished T37 at −17. His next event was the following week in his home event near San Diego at the Farmers Insurance Open. Mickelson endured a disappointing tournament, finishing T51, shooting all four rounds in the 70s. In the first round of the Waste Management Phoenix Open, Mickelson tied his career-low round of 60. He made seven birdies in his first nine holes and needed a birdie on the 18th hole to equal the PGA Tour record of 59. However, his 25-foot birdie putt on the final hole lipped out, resulting in him missing out by a single shot on making only the sixth round of 59 in PGA Tour history. Mickelson led the tournament wire-to-wire and completed a four-shot win over Brandt Snedeker for his 41st PGA Tour victory and 3rd Phoenix Open title. Mickelson's score of 28-under-par tied Mark Calcavecchia's tournament scoring record. He also moved back inside the world's top 10 after falling down as far as number 22. Sixth runner-up finish at the U.S. Open At the U.S. Open at Merion, Mickelson entered the final round leading by one stroke after rounds of over the first three days, but he started the final round by three-putting the 3rd and 5th holes for double-bogeys to fall out of the lead. He regained the lead at the par-four 10th, when he holed his second shot from the rough for an eagle. However, a misjudgment at the short par three 13th saw him fly the green and make a bogey to slip one behind leader Justin Rose. Another bogey followed at the 15th, before narrowly missing a birdie putt on the 16th that would have tied Rose. Mickelson could not make a birdie at the 17th and after a blocked drive on the 18th, he could not hole his pitch from short of the green, which led to a final bogey. Mickelson ended up finishing tied for second with Jason Day, two strokes behind Justin Rose. It was the sixth runner-up finish of Mickelson's career at the U.S. Open, an event record and only behind Jack Nicklaus's seven runner-up finishes at The Open Championship. After the event, Mickelson called the loss heartbreaking and said "this is tough to swallow after coming so close ... I felt like this was as good an opportunity I could ask for and to not get it ... it hurts." It was also Father's Day, which happened to be his birthday. Fifth major title at the Open Championship The week before The Open Championship, Mickelson warmed up for the event by winning his first tournament on British soil at the Scottish Open on July 14, after a sudden-death playoff against Branden Grace. After this victory, Mickelson spoke of his confidence ahead of his participation in the following week's major championship. Mickelson said: "I've never felt more excited going into The Open. I don't think there's a better way to get ready for a major than playing well the week before and getting into contention. Coming out on top just gives me more confidence." The following week, Mickelson won his fifth major title on July 21 at the Open Championship (often referred to as the British Open) Muirfield Golf Links in Scotland; the Open Championship is the oldest of the four major tournaments in professional golf. This was the first time in history that anyone had won both the Scottish Open and The Open Championship in the same year. Mickelson birdied four of the last six holes in a brilliant final round of 66 to win the title by three strokes. He shed tears on the 18th green after completing his round. Mickelson later said: "I played arguably the best round of my career, and shot the round of my life. The range of emotions I feel are as far apart as possible after losing the U.S. Open. But you have to be resilient in this game." In an interview before the 2015 Open, Mickelson said, "Two years removed from that win, I still can't believe how much it means to me." 2014 and 2015: Inconsistent form and close calls in majors Mickelson missed the cut at the Masters for the first time since 1997. He failed to contend at the U.S. Open at Pinehurst in his first bid to complete the career grand slam. Mickelson's lone top-10 of the PGA Tour season came at the year's final major, the PGA Championship at Valhalla. Mickelson shot rounds of 69-67-67-66 to finish solo second, one shot behind world number one Rory McIlroy. Prior to the 2015 Masters, Mickelson's best finish in 2015 was a tie for 17th. At the Masters, Mickelson shot rounds of to finish tied for second with Justin Rose, four shots behind champion Jordan Spieth. The second-place finish was Mickelson's tenth such finish in a major, placing him second all-time only to Jack Nicklaus in that regard. At The Open Championship, Mickelson shot rounds of and was eight shots behind, outside the top forty. In the final round, Mickelson birdied the 15th hole to move to 10 under and within two of the lead. After a missed birdie putt on 16, Mickelson hit his drive on the infamous Road Hole (17th) at the famed Old Course at St Andrews onto a second-floor balcony of the Old Course Hotel. The out-of-bounds drive lead to a triple-bogey 7 that sent Mickelson tumbling out of contention. Later in the year, it was announced that Mickelson would leave longtime swing coach Butch Harmon, feeling as though he needed to hear a new perspective on things. 2016: New swing coach After leaving Butch Harmon, Mickelson hired Andrew Getson of Grayhawk Golf Club in Scottsdale, Arizona, to serve as his new swing coach. The two worked together heavily in the 2015 offseason to get Mickelson's swing back. Under Getson's guidance, Mickelson made his 2016 debut at the CareerBuilder Challenge. He shot rounds of to finish in a tie for third place at 21-under-par. It was only Mickelson's fifth top-five finish since his win at the 2013 Open Championship. The third-place finish was Mickelson's highest finish in his first worldwide start of a calendar year since he won the same event to begin the 2004 season. At the AT&T Pebble Beach Pro-Am, Mickelson shot rounds of to finish in solo second place, a shot behind Vaughn Taylor. Mickelson lipped out a five-foot birdie putt to force a playoff on the 72nd hole. He entered the final round with a two-stroke lead, his first 54-hole lead since the 2013 U.S. Open and was seeking to end a winless drought dating back 52 worldwide events to the 2013 Open Championship. Mickelson shot a 63 in the opening round of The Open Championship at Royal Troon. The round set a new course record and matched the previous major championship record for lowest round. Mickelson had a birdie putt that narrowly missed on the final hole to set a new major championship scoring record of 62. He followed this up with a 69 in the second round for a 10 under par total and a one-shot lead over Henrik Stenson going into the weekend. In the third round, Mickelson shot a one-under 70 for a total of 11 under par to enter the final round one shot back of Stenson. Despite Mickelson's bogey-free 65 in the final round, Stenson shot 63 to win by three shots. Mickelson finished 11 strokes clear of 3rd place, a major championship record for a runner-up. Mickelson's 267 total set a record score for a runner-up in the British Open, and only trails Mickelson's 266 at the 2001 PGA Championship as the lowest total by a runner-up in major championship history. 2017: Recovery from surgeries In the fall of 2016, Mickelson had two sports hernia surgeries. Those in the golf community expected him to miss much time recovering, however his unexpected return at the CareerBuilder Challenge was a triumphant one, leading to a T-21 finish. The next week, in San Diego, he narrowly missed an eagle putt on the 18th hole on Sunday that would've got him to 8-under par instead posting −7 to finish T14 at the Farmers Insurance Open. The following week, at the Waste Management Phoenix Open, which he has won three times, he surged into contention following a Saturday 65. He played his first nine holes in 4-under 32 and sending his name to the top of the leaderboard. However, his charge faltered with bogeys at 11, 12, 14, 15, and a double bogey at the driveable 17th hole. He stumbled with a final round 71, still earning a T-16 finish, for his sixth straight top-25 finish on tour. Mickelson came close to winning again at the FedEx St. Jude Classic where he had finished in second place the previous year to Daniel Berger. He started the final round four strokes behind leaders but he quickly played himself into contention. Following a birdie at the 10th hole he vaulted to the top of leaderboard but found trouble on the 12th hole. His tee shot carried out of bounds and his fourth shot hit the water so he had to make a long putt to salvage triple-bogey. He managed to get one shot back but he finished three shots behind winner Berger, in ninth place, for the second straight year. Two weeks later he withdrew from the U.S. Open to attend his daughter's high school graduation. A week later his longtime caddie Jim (Bones) Mackay left Mickelson in a mutual agreement. Mickelson then missed the cut at both The Open Championship and the PGA Championship. On September 6, days after posting his best finish of the season of T6 at the Dell Technologies Championship, Mickelson was named as a captain's pick for the Presidents Cup. This maintained a streak of 23 consecutive USA teams in the Presidents Cup and Ryder Cup, dating back to 1994. 2018–2019: Winless streak ends On March 4, 2018, Mickelson ended a winless drought that dated back to 2013, by capturing his third WGC championship at the WGC-Mexico Championship, with a final-round score of 66 and a total score of −16. Mickelson birdied two of his last four holes and had a lengthy putt to win outright on the 72nd hole, but tied with Justin Thomas. He defeated Thomas on the first extra hole of a sudden-death playoff with a par. After Thomas had flown the green, Mickelson had a birdie to win the playoff which lipped out. Thomas however could not get up and down for par, meaning Mickelson claimed the championship. The win was Mickelson's 43rd on the PGA Tour and his first since winning the 2013 Open Championship. He also became the oldest winner of a WGC event, at age 47. In the third round of the 2018 U.S. Open, Mickelson incurred a two-stroke penalty in a controversial incident on the 13th hole when he hit his ball with intent while it was still moving. He ended up shooting 81 (+11). His former coach Butch Harmon thought Mickelson should have been disqualified. Mickelson was a captain's pick for Team USA at the 2018 Ryder Cup, held in Paris between September 28 and 30. Paired with Bryson DeChambeau in the Friday afternoon foursomes, they lost 5 and 4 to Europe's Sergio García and Alex Norén. In the Sunday singles match, Mickelson lost 4 and 2 to Francesco Molinari, as Team USA slumped to a 17.5 to 10.5 defeat. On November 23, 2018, Mickelson won the pay-per-view event, Capital One's The Match. This was a $9,000,000 winner-takes-all match against Tiger Woods at Shadow Creek Golf Course in Las Vegas. Mickelson needed four extra holes to beat Woods, which he did by holing a four-foot putt after Woods missed a seven-foot putt on the 22nd hole. In his third start of the 2019 calendar year, Mickelson won the AT&T Pebble Beach Pro-Am, shooting a bogey-free final round 65 to defeat Paul Casey by three strokes. The win was Mickelson's 44th career title on the PGA Tour, and his fifth at Pebble Beach, tying Mark O'Meara for most victories in the event. At 48 years of age, he also became the oldest winner of that event. 2020: PGA Tour season and PGA Tour Champions debut In December 2019, Mickelson announced via Twitter that "after turning down opportunities to go to the Middle East for many years" he would play in the 2020 Saudi International tournament on the European Tour and would miss Waste Management Phoenix Open for the first time since 1989. However, his decision to visit and play in Saudi Arabia was criticized for getting lured by millions of dollars and ignoring the continuous human rights abuses in the nation. Mickelson went on to finish the February 2020 event tied for third. Mickelson finished 3rd at the 2020 AT&T Pebble Beach Pro-Am and tied for 2nd in the WGC-FedEx St. Jude Invitational. Mickelson was the first player over 50 to finish in the top five of a World Golf Championship event. He was ultimately eliminated from the FedEx Cup Playoffs following The Northern Trust at TPC Boston in August 2020. One week later, Mickelson made his debut on the PGA Tour Champions. He won the Charles Schwab Series at Ozarks National in his first tournament after becoming eligible for PGA Tour Champions on his 50th birthday on June 16, 2020. He was the 20th player to win their debut tournament on tour. Mickelson's 191 stroke total tied the PGA Tour Champions all-time record for a three-day event. In October 2020, Mickelson won the Dominion Energy Charity Classic in Virginia. It was his second win in as many starts on the PGA Tour Champions. 2021: The oldest major champion In February 2021, Mickelson was attempting to become the first player in PGA Tour Champions history to win his first three tournaments on tour. However, he fell short in the Cologuard Classic, finishing in a T-20 position with a score of 4 under par. In May 2021, Mickelson held the 54-hole lead at the PGA Championship at the Kiawah Island Golf Resort in South Carolina, leading Brooks Koepka by one shot with one day to play. He shot a final-round 73 to capture the tournament, defeating Koepka and Louis Oosthuizen by two strokes, becoming the oldest major champion; at 50. As Mickelson walked down the fairway following an excellent second shot from the left rough on the 18th hole, thousands of fans engulfed him, with him walking towards the hole constantly tipping his hat and giving the thumbs up to the crowd as they cheered. However, the massive tumult of people meant playing partner Brooks Koepka was stranded in the sea of people, and with difficulties, he managed to reach the green to finish the hole. Mickelson eventually emerged from the crowd and two-putted for par, finishing the tournament at 6-under, besting the field by two strokes. In October 2021, Mickelson won for the third time in four career starts on the PGA Tour Champions. Mickelson shot a final round 4-under-par 68 to win the inaugural Constellation Furyk & Friends over Miguel Ángel Jiménez in Jacksonville, Florida. In November 2021, Mickelson won the season-ending Charles Schwab Cup Championship in Phoenix, Arizona, with a final round six-under par 65. This victory was Mickelson's fourth win in six career starts on PGA Tour Champions. 2022: Saudi Arabia controversy Mickelson admitted in an interview to overlooking Saudi Arabian human rights violations, including the murder of journalist Jamal Khashoggi and execution of LGBTQ+ individuals, to support the Saudi-backed Super Golf League because it offered an opportunity to reshape the PGA Tour. In response to these comments, Mickelson lost multiple longtime sponsors including Callaway Golf and KPMG. Mickelson announced he would be stepping away from golf to spend time with his family. Playing style As a competitor, Mickelson's playing style is described by many as "aggressive" and highly social. His strategy toward difficult shots (bad lies, obstructions) would tend to be considered risky. Mickelson has also been characterized by his powerful and sometimes inaccurate driver, but his excellent short game draws the most positive reviews, most of all his daring "Phil flop" shot in which a big swing with a high-lofted wedge against a tight lie flies a ball high into the air for a short distance. Mickelson is usually in the top 10 in scoring, and he led the PGA Tour in birdie average as recently as 2013. Earnings and endorsements Although ranked second on the PGA Tour's all-time money list of tournament prize money won, Mickelson earns far more from endorsements than from prize money. According to one estimate of 2011 earnings (comprising salary, winnings, bonuses, endorsements and appearances) Mickelson was then the second-highest paid athlete in the United States, earning an income of over $62 million, $53 million of which came from endorsements. Major companies which Mickelson currently endorses are ExxonMobil (Mickelson and wife Amy started a teacher sponsorship fund with the company), Rolex and Mizzen+Main. He has been previously sponsored by Titleist, Bearing Point, Barclays, and Ford. After being diagnosed with psoriatic arthritis in 2010, Mickelson was treated with Enbrel and began endorsing the drug. In 2015, Forbes estimated Mickelson's annual income was $51 million. In 2022, Mickelson lost a significant number of sponsors including Callaway Golf, KPMG, Amstel Light and Workday after comments he made about the Saudi-backed golf league, Super Golf League. In an interview, he stated that Saudis are "scary motherfuckers to get involved with... We know they killed [Washington Post reporter and U.S. resident Jamal] Khashoggi and have a horrible record on human rights. They execute people over there for being gay. Knowing all of this, why would I even consider it? Because this is a once-in-a-lifetime opportunity to reshape how the PGA Tour operates." Insider trading settlement On May 30, 2014, The Wall Street Journal reported that the FBI and U.S. Securities and Exchange Commission (SEC) were investigating Mickelson and associates of his for insider trading in Clorox stock. Mickelson denied any wrongdoing, and the investigation found "no evidence" and concluded without any charges. On May 19, 2016, Mickelson was named as a relief defendant in another SEC complaint alleging insider trading but completely avoided criminal charges in a parallel case brought in the Federal District Court for the Southern District of New York. The action stems for trades in Dean Foods in 2012 in conjunction with confidential information provided by Thomas Davis, a former director of Dean Foods Company, who tipped his friend and "professional sports bettor" Billy Walters. The SEC did not allege that Walters actually told Mickelson of any material, nonpublic information about Dean Foods, and the SEC disgorged Mickelson of the $931,000 profit he had made from trading Dean Foods stock and had him pay prejudgment interest of $105,000. In 2017, Walters was convicted of making $40 million on Davis's private information from 2008 to 2014 by a federal jury. At that time, it was also noted that Mickelson had "once owed nearly $2 million in gambling debts to" Walters. Walters's lawyer said his client would appeal the 2017 verdict. Amateur wins 1980 Junior World Golf Championships (Boys 9–10) 1989 NCAA Division I Championship 1990 Pac-10 Championship, NCAA Division I Championship, U.S. Amateur, Porter Cup 1991 Western Amateur 1992 NCAA Division I Championship Professional wins (57) PGA Tour wins (45) *Note: Tournament shortened to 54 holes due to weather. PGA Tour playoff record (8–4) European Tour wins (11) 1Co-sanctioned by the Asian Tour, Sunshine Tour and PGA Tour of Australasia European Tour playoff record (3–1) Challenge Tour wins (1) Other wins (4) Other playoff record (1–1) PGA Tour Champions wins (4) Major championships Wins (6) Results timeline Results not in chronological order in 2020. LA = Low amateur CUT = missed the half-way cut "T" = tied NT = No tournament due to COVID-19 pandemic Summary Most consecutive cuts made – 30 (1999 PGA – 2007 Masters) Longest streak of top-10s – 5 (2004 Masters – 2005 Masters) The Players Championship Wins (1) Results timeline CUT = missed the halfway cut "T" indicates a tie for a place C = Canceled after the first round due to the COVID-19 pandemic World Golf Championships Wins (3) Results timeline Results not in chronological order prior to 2015. 1Cancelled due to 9/11 2Cancelled due to COVID-19 pandemic QF, R16, R32, R64 = Round in which player lost in match play "T" = tied NT = No Tournament Note that the HSBC Champions did not become a WGC event until 2009. PGA Tour career summary * As of 2021 season. † Mickelson won as an amateur in 1991 and therefore did not receive any prize money. U.S. national team appearances Amateur Walker Cup: 1989, 1991 (winners) Eisenhower Trophy: 1990 Professional Presidents Cup: 1994 (winners), 1996 (winners), 1998, 2000 (winners), 2003 (tie), 2005 (winners), 2007 (winners), 2009 (winners), 2011 (winners), 2013 (winners), 2015 (winners), 2017 (winners) Ryder Cup: 1995, 1997, 1999 (winners), 2002, 2004, 2006, 2008 (winners), 2010, 2012, 2014, 2016 (winners), 2018 Alfred Dunhill Cup: 1996 (winners) Wendy's 3-Tour Challenge (representing PGA Tour): 1997 (winners), 2000 (winners) World Cup: 2002 See also List of golfers with most European Tour wins List of golfers with most PGA Tour wins List of men's major championships winning golfers Monday Night Golf References External links On Course With Phil American male golfers PGA Tour golfers PGA Tour Champions golfers Ryder Cup competitors for the United States Sports controversies Winners of men's major golf championships Arizona State Sun Devils men's golfers Left-handed golfers World Golf Hall of Fame inductees Golfers from Scottsdale, Arizona Golfers from San Diego American people of Italian descent American people of Portuguese descent American people of Swedish descent 1970 births Living people

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which country did he play golf for

which country did Verplank play golf for?

Phil Mickelson

Mickelson attended Arizona State University in Tempe on a golf scholarship and became the face of amateur golf in the United States, capturing three NCAA individual championships and three Haskins Awards (1990, 1991, 1992) as the outstanding collegiate golfer. With three individual NCAA championships, he shares the record for most individual NCAA championships alongside Ben Crenshaw. Mickelson also led the Sun Devils to the NCAA team title in 1990. Over the course of his collegiate career, he won 16 tournaments. Mickelson was the second collegiate golfer to earn first-team All-American honors all four years. In 1990, he also became the first with a left-handed swing to win the U.S. Amateur title. Mickelson secured perhaps his greatest achievement as an amateur in January 1991, winning his first PGA Tour event, the Northern Telecom Open, in Tucson. At age 20, he was only the sixth amateur to win a tour event and the first in over five years after Scott Verplank at the Western Open in August 1985. Other players to accomplish this feat include Doug Sanders (1956 Canadian Open) and Gene Littler (1954 San Diego Open). With five holes remaining, Mickelson led by a stroke, but made a triple-bogey and was then three behind. The leaders ahead of him then stumbled, and he birdied 16 and 18 to win by a stroke. To date, it is the most recent win by an amateur at a PGA Tour event. That April, Mickelson was the low amateur at the Masters Tournament in Augusta, Georgia. With his two-year PGA Tour exemption from the Tucson win, he played in several tour events in 1992 while an amateur but failed to make a cut. CANNOTANSWER

American

Philip Alfred Mickelson (born June 16, 1970), nicknamed Phil the Thrill, is an American professional golfer. He has won 45 events on the PGA Tour, including six major championships: three Masters titles (2004, 2006, 2010), two PGA Championships (2005, 2021), and one Open Championship (2013). With his win at the 2021 PGA Championship, Mickelson became the oldest major championship winner in history at the age of 50 years, 11 months and 7 days old. Mickelson is one of 17 players in the history of golf to win at least three of the four majors. He has won every major except the U.S. Open, in which he has finished runner-up a record six times. Mickelson has spent more than 25 consecutive years in the top 50 of the Official World Golf Ranking. He has spent over 700 weeks in the top 10, has reached a career-high world ranking of No. 2 several times and is a life member of the PGA Tour. Although naturally right-handed, he is known for his left-handed swing, having learned it by mirroring his right-handed father's swing. He was inducted into the World Golf Hall of Fame in 2012. Early life and family Philip Alfred Mickelson was born on June 16, 1970, in San Diego, California, to parents Philip Mickelson, an airline pilot and former naval aviator, and Mary Santos. He was raised there and in Scottsdale, Arizona. Mickelson has Portuguese, Swedish, and Sicilian ancestry. His maternal grandfather, Alfred Santos (also Mickelson's middle name) was a caddie at Pebble Beach Golf Links and took Phil to play golf as a child. Although otherwise right-handed, he played golf left-handed since he learned by watching his right-handed father swing, mirroring his style. Mickelson began golf under his father's instruction before starting school. Phil Sr.'s work schedule as a commercial pilot allowed them to play together several times a week and young Phil honed his creative short game on an extensive practice area in their San Diego backyard. Mickelson graduated from the University of San Diego High School in 1988. College golf Mickelson attended Arizona State University in Tempe on a golf scholarship and became the face of amateur golf in the United States, capturing three NCAA individual championships and three Haskins Awards (1990, 1991, 1992) as the outstanding collegiate golfer. With three individual NCAA championships, he shares the record for most individual NCAA championships alongside Ben Crenshaw. Mickelson also led the Sun Devils to the NCAA team title in 1990. Over the course of his collegiate career, he won 16 tournaments. Mickelson was the second collegiate golfer to earn first-team All-American honors all four years. In 1990, he also became the first with a left-handed swing to win the U.S. Amateur title, defeating high school teammate Manny Zerman 5 and 4 in the 36-hole final at Cherry Hills, south of Denver. Mickelson secured perhaps his greatest achievement as an amateur in January 1991, winning his first PGA Tour event, the Northern Telecom Open, in Tucson, making him one of the few golfers to win a PGA Tour event as an amateur in the history of the PGA Tour. At age 20, he was only the sixth amateur to win a tour event and the first in over five years after Scott Verplank at the Western Open in August 1985. Other players to accomplish this feat include Doug Sanders (1956 Canadian Open) and Gene Littler (1954 San Diego Open). With five holes remaining, Mickelson led by a stroke, but made a triple-bogey and was then three behind. The leaders ahead of him then stumbled, and he birdied 16 and 18 to win by a stroke. To date, it is the most recent win by an amateur at a PGA Tour event. That April, Mickelson was the low amateur at the Masters Tournament in Augusta, Georgia. With his two-year PGA Tour exemption from the Tucson win, he played in several tour events in 1992 while an amateur but failed to make a cut. Professional career 1992–2003: Trying for first major win Mickelson graduated from ASU in June 1992 and quickly turned professional. He bypassed the tour's qualifying process (Q-School) because of his 1991 win in Tucson, which earned him a two-year exemption. In 1992, Mickelson hired Jim "Bones" Mackay as his caddy. He won many PGA Tour tournaments during this period, including the Byron Nelson Golf Classic and the World Series of Golf in 1996, the AT&T Pebble Beach National Pro-Am in 1998, the Colonial National Invitation in 2000 and the Greater Hartford Open in 2001 and again in 2002. He appeared as himself in a non-speaking role in the 1996 film Tin Cup, starring Kevin Costner. His 2000 Buick Invitational win ended Tiger Woods's streak of six consecutive victories on the PGA Tour. After the win, Mickelson said, "I didn't want to be the bad guy. I wasn't trying to end the streak per se. I was just trying to win the golf tournament." Although he had performed very well in the majors up to the end of the 2003 season (17 top-ten finishes, and six second- or third-place finishes between 1999 and 2003), Mickelson's inability to win any of them led to him frequently being described as the "best player never to win a major". 2004–2006: First three major wins Mickelson's first major championship win came in his thirteenth year on the PGA Tour in 2004, when he secured victory in the Masters with an birdie putt on the final hole. Ernie Els was the runner-up at a stroke back; the two played in different pairs in the final round and had traded birdies and eagles on the back nine. In addition to getting the "majors monkey" off his back, Mickelson was now only the third golfer with a left-handed swing to win a major, the others being New Zealander Sir Bob Charles, who won The Open Championship in 1963, and Canadian Mike Weir, who won The Masters in 2003. (Like Mickelson, Weir is a right-hander who plays left-handed.) A fourth left-handed winner is natural southpaw Bubba Watson, the Masters champion in 2012 and 2014. Prior to the Ryder Cup in 2004, Mickelson was dropped from his long-standing contract with Titleist/Acushnet Golf, after an incident when he left a voicemail message for a Callaway Golf executive. In it, he praised their driver and golf ball, and thanked them for their help in getting some equipment for his brother. This memo was played to all of their salesmen, and eventually found its way back to Titleist. He was then let out of his multi-year deal with Titleist 16 months early, and signed on with Callaway Golf, his current equipment sponsor. He endured a great deal of ridicule and scrutiny from the press and fellow Ryder Cup members for his equipment change so close to the Ryder Cup matches. He faltered at the 2004 Ryder Cup with a record, but refused to blame the sudden change in equipment or his practice methods for his performance. In November 2004, Mickelson tallied his career-low for an 18-hole round: a 59 at the PGA Grand Slam of Golf at Poipu Bay Golf Course in Hawaii. The following year, Mickelson captured his second major at the PGA Championship at Baltusrol, in a Monday final-round conclusion that had been forced by inclement weather the previous day. On the 18th hole, Mickelson hit one of his trademark soft pitches from deep greenside rough to within of the cup, and made his birdie to finish at a 4-under-par total of 276, one shot ahead of Steve Elkington and Thomas Bjørn. Mickelson captured his third major title the following spring at the Masters. He won his second green jacket after shooting a 3-under-par final round, winning by two strokes over runner-up Tim Clark. This win propelled him to 2nd place in the Official World Golf Ranking (his career best), behind Woods, and ahead of Vijay Singh and Retief Goosen. 2006: Collapse on final hole at the U.S. Open After winning two majors in a row heading into the U.S. Open at Winged Foot, Mickelson was bidding to join Ben Hogan and Tiger Woods as the only players to win three consecutive majors (not necessarily in the same calendar year). Mickelson was the joint leader going into the final round, but he was part of a wild finish to the tournament, in which he made major mistakes on the final hole and ended up in a tie for second place at +6 (286), one shot behind Geoff Ogilvy. Mickelson bogeyed the 16th hole. On the 17th hole, with the lead at +4, he missed the fairway to the left, and his drive finished inside a garbage can, from which he was granted a free drop; he parred the hole. He had a one-shot lead and was in the last group going into the final hole. Needing a par on the 18th hole for a one-shot victory, Mickelson continued with his aggressive style of play and chose to hit a driver off the tee; he hit his shot well left of the fairway (he had hit only two of thirteen fairways previously in the round). The ball bounced off a corporate hospitality tent and settled in an area of trampled-down grass that was enclosed with trees. He decided to go for the green with his second shot, rather than play it safe and pitch out into the fairway. His ball then hit a tree, and did not advance more than . His next shot plugged into the left greenside bunker. He was unable to get up and down from there, resulting in a double bogey, and costing him a chance of winning the championship outright or getting into an 18-hole playoff with Ogilvy. After his disappointing finish, Mickelson said: "I'm still in shock. I still can't believe I did that. This one hurts more than any tournament because I had it won. Congratulations to Geoff Ogilvy on some great play. I want to thank all the people that supported me. The only thing I can say is I'm sorry." He was even more candid when he said: "I just can't believe I did that. I'm such an idiot." 2006–2008 During the third round of the 2006 Ford Championship at Doral, Mickelson gave a spectator $200 after his wayward tee shot at the par-5 10th broke the man's watch. Mickelson also has shown other signs of appreciation. In 2007 after hearing the story of retired NFL player, Conrad Dobler, and his family on ESPN explaining their struggles to pay medical bills, Mickelson volunteered to pay tuition for Holli Dobler, Conrad Dobler's daughter, at Miami University in Oxford, Ohio. Frustrated with his driving accuracy, Mickelson made the decision in April 2007 to leave longtime swing coach, Rick Smith. He then began working with Butch Harmon, a former coach of Tiger Woods and Greg Norman. On May 13, Mickelson came from a stroke back on the final round to shoot a three-under 69 to win The Players Championship with an 11-under-par 277. In the U.S. Open at Oakmont in June, Mickelson missed the cut (by a stroke) for the first time in 31 majors after shooting 11 over par for 36 holes. He had been hampered by a wrist injury that was incurred while practicing in the thick rough at Oakmont a few weeks before the tournament. On September 3, 2007, Mickelson won the Deutsche Bank Championship, which is the second FedEx Cup playoff event. On the final day, he was paired with Tiger Woods, who ended up finishing two strokes behind Mickelson in a tie for second. It was the first time that Mickelson was able to beat Woods while the two stars were paired together on the final day of a tournament. The next day Mickelson announced that he would not be competing in the third FedEx Cup playoff event. The day before his withdrawal, Mickelson said during a television interview that PGA Tour Commissioner, Tim Finchem, had not responded to advice he had given him on undisclosed issues. In 2008, Mickelson won the Crowne Plaza Invitational at Colonial with a −14, one shot ahead of Tim Clark and Rod Pampling. Mickelson shot a first-round 65 to start off the tournament at −5. He ended the day tied with Brett Wetterich, two shots behind leader, Johnson Wagner. Mickelson shot a second-round 68, and the third round 65, overall, being −12 for the first three rounds. On the final hole, after an absolutely horrendous tee shot, he was in thick rough with trees in his way. Many players would have punched out, and taken their chances at making par from the fairway with a good wedge shot. Instead, he pulled out a high-lofted wedge and hit his approach shot over a tree, landing on the green where he one-putted for the win. In a Men's Vogue article, Mickelson recounted his effort to lose with the help of trainer Sean Cochran. "Once the younger players started to come on tour, he realized that he had to start working out to maintain longevity in his career," Cochran said. Mickelson's regimen consisted of increasing flexibility and power, eating five smaller meals a day, aerobic training, and carrying his own golf bag. Mickelson was inducted into the National Italian American Sports Hall of Fame in 2008. 2009 Mickelson won his first 2009 tour event when he defended his title at the Northern Trust Open at Riviera, one stroke ahead of Steve Stricker. The victory was Mickelson's 35th on tour; he surpassed Vijay Singh for second place on the current PGA Tour wins list. A month later, he won his 36th, and his first World Golf Championship, at the WGC-CA Championship with a one-stroke win over Nick Watney. On May 20, it was announced that his wife Amy was diagnosed with breast cancer, and Mickelson announced that he would suspend his PGA Tour schedule indefinitely. She would begin treatment with major surgery as early as the following two weeks. Mickelson was scheduled to play the HP Byron Nelson Championship May 21–24, and to defend his title May 28–31 at the Crowne Plaza Invitational at Colonial, but withdrew from both events. During the final round of the 2009 BMW PGA Championship, fellow golfer and family friend John Daly wore bright pink trousers in support of Mickelson's wife. Also, the next Saturday, at the Crowne Plaza Invitational at Colonial, a "Pink Out" event was hosted, and the PGA Tour players all wore pink that day, to support the Mickelson family. On May 31, Mickelson announced that he would return to play on the PGA Tour in June at the St. Jude Classic and the U.S. Open, since he had heard from the doctors treating his wife that her cancer had been detected in an early stage. Mickelson shot a final round 70 at the 2009 U.S. Open and recorded his fifth runner-up finish at the U.S. Open. He shared the lead after an eagle at the 13th hole, but fell back with bogeys on 15 and 17; Lucas Glover captured the championship. On July 6, it was announced that his mother Mary was diagnosed with breast cancer and would have surgery at the same hospital where his wife was treated. After hearing the news that his mother had been diagnosed with breast cancer, Mickelson took another leave of absence from the tour, missing The Open Championship at Turnberry. On July 28, Mickelson announced he would return in August at the WGC-Bridgestone Invitational, the week before the PGA Championship at Hazeltine National Golf Club in Chaska, Minnesota. In September, Mickelson won The Tour Championship for the second time in his career. He entered the final round four strokes off the lead, but shot a final round 65 to win the event by three strokes over Tiger Woods. With the win, Mickelson finished the season second behind Woods in the 2009 FedEx Cup standings. On November 8, Mickelson won the WGC-HSBC Champions by one shot over Ernie Els in Shanghai. 2010: Third Masters win In 2010, Mickelson won the Masters Tournament on April 11 with a 16-under-par performance, giving him a three-stroke win over Lee Westwood. The win marked the third Masters victory for Mickelson and his fourth major championship overall. Critical to Mickelson's win was a dramatic run in the third round on Saturday in which Mickelson, trailing leader Westwood by five strokes as he prepared his approach shot to the 13th green, proceeded to make eagle, then to hole-out for eagle from 141 yards at the next hole, the par 4 14th, then on the next, the par 5 15th, to miss eagle from 81 yards by mere inches. After tapping in for birdie at 15, Mickelson, at −12, led Westwood, at −11, who had bogeyed hole 12 and failed to capitalize on the par 5 13th, settling for par. Westwood recaptured a one-stroke lead by the end of the round, but the momentum carried forward for Mickelson into round 4, where he posted a bogey-free 67 to Westwood's 71. No other pursuer was able to keep pace to the end, though K. J. Choi and Anthony Kim made notable charges. For good measure, Mickelson birdied the final hole and memorably greeted his waiting wife, Amy, with a prolonged hug and kiss. For many fans, Mickelson's finish in the tournament was especially poignant, given that Amy had been suffering from breast cancer during the preceding year. Mary Mickelson, Phil's mother, was also dealing with cancer. CBS Sports announcer Jim Nantz's call of the final birdie putt, "That's a win for the family," was seen by many as capturing the moment well. Tiger Woods had a dramatic return to competitive play after a scandal-ridden 20-week absence; he was in close contention throughout for the lead and finished tied with Choi for 4th at −11. Mickelson and others showed exciting play over the weekend, and the 2010 Masters had strong television ratings in the United States, ranking third all-time to Woods's historic wins in 1997 and 2001. Mickelson's win left him second only to Woods in major championships among his competitive contemporaries, moving him ahead of Ernie Els, Vijay Singh and Pádraig Harrington, with three major championships each and each, like Mickelson, with dozens of worldwide wins. Remainder of 2010 Mickelson, one of the favorites for the U.S. Open at Pebble Beach, shot 75 and 66 on Thursday and Friday to sit two shots off the lead. However, two weekend scores of 73 gave him a T4 finish. During the remainder of the 2010 season, Mickelson had multiple opportunities to become the number one player in the world rankings following the travails of Tiger Woods. However, a string of disappointing finishes by Mickelson saw the number one spot eventually go to Englishman Lee Westwood. In the days leading up to the PGA Championship at Whistling Straits (near Kohler, Wisconsin), Mickelson announced he had been diagnosed with psoriatic arthritis. He added that he had started medical treatment, and had become a vegetarian in hopes of aiding his recovery. He maintains that both his short- and long-term prognosis are good, that the condition should have no long-term effect on his golfing career, and that he currently feels well. He also stated that the arthritis may go into permanent remission after one year of medical treatment. He went on to finish the championship T12, five shots behind winner Martin Kaymer. 2011 Mickelson started his 2011 season at the Farmers Insurance Open at Torrey Pines Golf Course. He shot and was tied for the 54 hole lead with Bill Haas. Mickelson needed to hole out on the 18th hole for eagle from 74 yards to force a playoff with Bubba Watson. He hit it to 4 feet and Watson won the tournament. On April 3, Mickelson won the Shell Houston Open with a 20-under-par, three-stroke win over Scott Verplank. Mickelson rose to No. 3 in the world ranking, while Tiger Woods fell to No. 7. Mickelson had not been ranked above Woods since the week prior to the 1997 Masters Tournament. At The Open Championship, Mickelson recorded just his second top-ten finish in 18 tournaments by tying for second with Dustin Johnson. His front nine 30 put him briefly in a tie for the lead with eventual champion Darren Clarke. However, some putting problems caused him to fade from contention toward the end, to finish in a tie for second place. 2012: 40th career PGA Tour win Mickelson made his 2012 debut at the Humana Challenge and finished tied for 49th. He missed the cut at the Farmers Insurance Open after shooting rounds of 77 and 68. In the final round of the AT&T Pebble Beach National Pro-Am, Mickelson rallied from six shots back, winning the tournament by two strokes with a final-round score of 8-under 64 and a four-round total of 269. The win marked his 40th career victory on the PGA Tour. The following week at Riviera Country Club, Mickelson lost the Northern Trust Open in a three-way playoff. He had held the lead or a share of it from day one until the back nine on Sunday when Bill Haas posted the clubhouse lead at seven under par. Mickelson holed a 27-foot birdie putt on the final regulation hole to force a playoff alongside Haas and Keegan Bradley. Haas however won the playoff with a 40-foot birdie putt on the second playoff hole. The second-place finish moved Mickelson back into the world's top 10. Mickelson finished tied for third at the Masters. After opening the tournament with a two-over-par 74, he shot 68–66 in the next two rounds and ended up one stroke behind leader Peter Hanson by Saturday night. Mickelson had a poor start to his fourth round, scoring a triple-bogey when he hit his ball far to the left of the green on the par-3 4th hole, hitting the stand and landing in a bamboo plant. This ended up being Mickelson's only score over par in the whole round, and he ended with a score of eight-under overall. Earlier in the tournament he had received widespread praise for being present to watch Jack Nicklaus, Arnold Palmer, and Gary Player hit the ceremonial opening tee-shots, nearly seven hours before Mickelson's own tee time. Mickelson made a charge during the final round at the HP Byron Nelson Championship, but bogeyed the 17th and 18th, finishing T-7th. He then withdrew from the Memorial Tournament, citing mental fatigue, after a first-round 79. He was to be paired with Tiger Woods and Bubba Watson at the U.S. Open. He fought to make the cut in the U.S. Open, and finished T-65th. After taking a couple of weeks off, he played in the Greenbrier Classic. Putting problems meant a second straight missed cut at the Greenbrier and a third missed cut at 2012 Open Championship, shooting 73-78 (11 over par). He finished T-43rd at the WGC-Bridgestone Invitational. He then finished T-36th at the PGA Championship. To start the 2012 FedEx Cup Playoffs, Mickelson finished T38 at The Barclays, +1 for the tournament. He tied with Tiger Woods, Zach Johnson, and five other players. In this tournament, he started using the claw putting grip on the greens. At the next event, the Deutsche Bank Championship, he finished the tournament with a −14, tied for 4th with Dustin Johnson. At the BMW Championship, Mickelson posted a −16 for the first three rounds, one of those rounds being a −8, 64. On the final day, Mickelson shot a −2, 70, to finish tied for 2nd, with Lee Westwood, two shots behind leader, and back-to-back winner, Rory McIlroy. At the Tour Championship, he ended up finishing tied for 15th. He went on to have a 3–1 record at the Ryder Cup; however, the USA team lost the event. 2013 Mickelson began the 2013 season in January by playing in the Humana Challenge, where he finished T37 at −17. His next event was the following week in his home event near San Diego at the Farmers Insurance Open. Mickelson endured a disappointing tournament, finishing T51, shooting all four rounds in the 70s. In the first round of the Waste Management Phoenix Open, Mickelson tied his career-low round of 60. He made seven birdies in his first nine holes and needed a birdie on the 18th hole to equal the PGA Tour record of 59. However, his 25-foot birdie putt on the final hole lipped out, resulting in him missing out by a single shot on making only the sixth round of 59 in PGA Tour history. Mickelson led the tournament wire-to-wire and completed a four-shot win over Brandt Snedeker for his 41st PGA Tour victory and 3rd Phoenix Open title. Mickelson's score of 28-under-par tied Mark Calcavecchia's tournament scoring record. He also moved back inside the world's top 10 after falling down as far as number 22. Sixth runner-up finish at the U.S. Open At the U.S. Open at Merion, Mickelson entered the final round leading by one stroke after rounds of over the first three days, but he started the final round by three-putting the 3rd and 5th holes for double-bogeys to fall out of the lead. He regained the lead at the par-four 10th, when he holed his second shot from the rough for an eagle. However, a misjudgment at the short par three 13th saw him fly the green and make a bogey to slip one behind leader Justin Rose. Another bogey followed at the 15th, before narrowly missing a birdie putt on the 16th that would have tied Rose. Mickelson could not make a birdie at the 17th and after a blocked drive on the 18th, he could not hole his pitch from short of the green, which led to a final bogey. Mickelson ended up finishing tied for second with Jason Day, two strokes behind Justin Rose. It was the sixth runner-up finish of Mickelson's career at the U.S. Open, an event record and only behind Jack Nicklaus's seven runner-up finishes at The Open Championship. After the event, Mickelson called the loss heartbreaking and said "this is tough to swallow after coming so close ... I felt like this was as good an opportunity I could ask for and to not get it ... it hurts." It was also Father's Day, which happened to be his birthday. Fifth major title at the Open Championship The week before The Open Championship, Mickelson warmed up for the event by winning his first tournament on British soil at the Scottish Open on July 14, after a sudden-death playoff against Branden Grace. After this victory, Mickelson spoke of his confidence ahead of his participation in the following week's major championship. Mickelson said: "I've never felt more excited going into The Open. I don't think there's a better way to get ready for a major than playing well the week before and getting into contention. Coming out on top just gives me more confidence." The following week, Mickelson won his fifth major title on July 21 at the Open Championship (often referred to as the British Open) Muirfield Golf Links in Scotland; the Open Championship is the oldest of the four major tournaments in professional golf. This was the first time in history that anyone had won both the Scottish Open and The Open Championship in the same year. Mickelson birdied four of the last six holes in a brilliant final round of 66 to win the title by three strokes. He shed tears on the 18th green after completing his round. Mickelson later said: "I played arguably the best round of my career, and shot the round of my life. The range of emotions I feel are as far apart as possible after losing the U.S. Open. But you have to be resilient in this game." In an interview before the 2015 Open, Mickelson said, "Two years removed from that win, I still can't believe how much it means to me." 2014 and 2015: Inconsistent form and close calls in majors Mickelson missed the cut at the Masters for the first time since 1997. He failed to contend at the U.S. Open at Pinehurst in his first bid to complete the career grand slam. Mickelson's lone top-10 of the PGA Tour season came at the year's final major, the PGA Championship at Valhalla. Mickelson shot rounds of 69-67-67-66 to finish solo second, one shot behind world number one Rory McIlroy. Prior to the 2015 Masters, Mickelson's best finish in 2015 was a tie for 17th. At the Masters, Mickelson shot rounds of to finish tied for second with Justin Rose, four shots behind champion Jordan Spieth. The second-place finish was Mickelson's tenth such finish in a major, placing him second all-time only to Jack Nicklaus in that regard. At The Open Championship, Mickelson shot rounds of and was eight shots behind, outside the top forty. In the final round, Mickelson birdied the 15th hole to move to 10 under and within two of the lead. After a missed birdie putt on 16, Mickelson hit his drive on the infamous Road Hole (17th) at the famed Old Course at St Andrews onto a second-floor balcony of the Old Course Hotel. The out-of-bounds drive lead to a triple-bogey 7 that sent Mickelson tumbling out of contention. Later in the year, it was announced that Mickelson would leave longtime swing coach Butch Harmon, feeling as though he needed to hear a new perspective on things. 2016: New swing coach After leaving Butch Harmon, Mickelson hired Andrew Getson of Grayhawk Golf Club in Scottsdale, Arizona, to serve as his new swing coach. The two worked together heavily in the 2015 offseason to get Mickelson's swing back. Under Getson's guidance, Mickelson made his 2016 debut at the CareerBuilder Challenge. He shot rounds of to finish in a tie for third place at 21-under-par. It was only Mickelson's fifth top-five finish since his win at the 2013 Open Championship. The third-place finish was Mickelson's highest finish in his first worldwide start of a calendar year since he won the same event to begin the 2004 season. At the AT&T Pebble Beach Pro-Am, Mickelson shot rounds of to finish in solo second place, a shot behind Vaughn Taylor. Mickelson lipped out a five-foot birdie putt to force a playoff on the 72nd hole. He entered the final round with a two-stroke lead, his first 54-hole lead since the 2013 U.S. Open and was seeking to end a winless drought dating back 52 worldwide events to the 2013 Open Championship. Mickelson shot a 63 in the opening round of The Open Championship at Royal Troon. The round set a new course record and matched the previous major championship record for lowest round. Mickelson had a birdie putt that narrowly missed on the final hole to set a new major championship scoring record of 62. He followed this up with a 69 in the second round for a 10 under par total and a one-shot lead over Henrik Stenson going into the weekend. In the third round, Mickelson shot a one-under 70 for a total of 11 under par to enter the final round one shot back of Stenson. Despite Mickelson's bogey-free 65 in the final round, Stenson shot 63 to win by three shots. Mickelson finished 11 strokes clear of 3rd place, a major championship record for a runner-up. Mickelson's 267 total set a record score for a runner-up in the British Open, and only trails Mickelson's 266 at the 2001 PGA Championship as the lowest total by a runner-up in major championship history. 2017: Recovery from surgeries In the fall of 2016, Mickelson had two sports hernia surgeries. Those in the golf community expected him to miss much time recovering, however his unexpected return at the CareerBuilder Challenge was a triumphant one, leading to a T-21 finish. The next week, in San Diego, he narrowly missed an eagle putt on the 18th hole on Sunday that would've got him to 8-under par instead posting −7 to finish T14 at the Farmers Insurance Open. The following week, at the Waste Management Phoenix Open, which he has won three times, he surged into contention following a Saturday 65. He played his first nine holes in 4-under 32 and sending his name to the top of the leaderboard. However, his charge faltered with bogeys at 11, 12, 14, 15, and a double bogey at the driveable 17th hole. He stumbled with a final round 71, still earning a T-16 finish, for his sixth straight top-25 finish on tour. Mickelson came close to winning again at the FedEx St. Jude Classic where he had finished in second place the previous year to Daniel Berger. He started the final round four strokes behind leaders but he quickly played himself into contention. Following a birdie at the 10th hole he vaulted to the top of leaderboard but found trouble on the 12th hole. His tee shot carried out of bounds and his fourth shot hit the water so he had to make a long putt to salvage triple-bogey. He managed to get one shot back but he finished three shots behind winner Berger, in ninth place, for the second straight year. Two weeks later he withdrew from the U.S. Open to attend his daughter's high school graduation. A week later his longtime caddie Jim (Bones) Mackay left Mickelson in a mutual agreement. Mickelson then missed the cut at both The Open Championship and the PGA Championship. On September 6, days after posting his best finish of the season of T6 at the Dell Technologies Championship, Mickelson was named as a captain's pick for the Presidents Cup. This maintained a streak of 23 consecutive USA teams in the Presidents Cup and Ryder Cup, dating back to 1994. 2018–2019: Winless streak ends On March 4, 2018, Mickelson ended a winless drought that dated back to 2013, by capturing his third WGC championship at the WGC-Mexico Championship, with a final-round score of 66 and a total score of −16. Mickelson birdied two of his last four holes and had a lengthy putt to win outright on the 72nd hole, but tied with Justin Thomas. He defeated Thomas on the first extra hole of a sudden-death playoff with a par. After Thomas had flown the green, Mickelson had a birdie to win the playoff which lipped out. Thomas however could not get up and down for par, meaning Mickelson claimed the championship. The win was Mickelson's 43rd on the PGA Tour and his first since winning the 2013 Open Championship. He also became the oldest winner of a WGC event, at age 47. In the third round of the 2018 U.S. Open, Mickelson incurred a two-stroke penalty in a controversial incident on the 13th hole when he hit his ball with intent while it was still moving. He ended up shooting 81 (+11). His former coach Butch Harmon thought Mickelson should have been disqualified. Mickelson was a captain's pick for Team USA at the 2018 Ryder Cup, held in Paris between September 28 and 30. Paired with Bryson DeChambeau in the Friday afternoon foursomes, they lost 5 and 4 to Europe's Sergio García and Alex Norén. In the Sunday singles match, Mickelson lost 4 and 2 to Francesco Molinari, as Team USA slumped to a 17.5 to 10.5 defeat. On November 23, 2018, Mickelson won the pay-per-view event, Capital One's The Match. This was a $9,000,000 winner-takes-all match against Tiger Woods at Shadow Creek Golf Course in Las Vegas. Mickelson needed four extra holes to beat Woods, which he did by holing a four-foot putt after Woods missed a seven-foot putt on the 22nd hole. In his third start of the 2019 calendar year, Mickelson won the AT&T Pebble Beach Pro-Am, shooting a bogey-free final round 65 to defeat Paul Casey by three strokes. The win was Mickelson's 44th career title on the PGA Tour, and his fifth at Pebble Beach, tying Mark O'Meara for most victories in the event. At 48 years of age, he also became the oldest winner of that event. 2020: PGA Tour season and PGA Tour Champions debut In December 2019, Mickelson announced via Twitter that "after turning down opportunities to go to the Middle East for many years" he would play in the 2020 Saudi International tournament on the European Tour and would miss Waste Management Phoenix Open for the first time since 1989. However, his decision to visit and play in Saudi Arabia was criticized for getting lured by millions of dollars and ignoring the continuous human rights abuses in the nation. Mickelson went on to finish the February 2020 event tied for third. Mickelson finished 3rd at the 2020 AT&T Pebble Beach Pro-Am and tied for 2nd in the WGC-FedEx St. Jude Invitational. Mickelson was the first player over 50 to finish in the top five of a World Golf Championship event. He was ultimately eliminated from the FedEx Cup Playoffs following The Northern Trust at TPC Boston in August 2020. One week later, Mickelson made his debut on the PGA Tour Champions. He won the Charles Schwab Series at Ozarks National in his first tournament after becoming eligible for PGA Tour Champions on his 50th birthday on June 16, 2020. He was the 20th player to win their debut tournament on tour. Mickelson's 191 stroke total tied the PGA Tour Champions all-time record for a three-day event. In October 2020, Mickelson won the Dominion Energy Charity Classic in Virginia. It was his second win in as many starts on the PGA Tour Champions. 2021: The oldest major champion In February 2021, Mickelson was attempting to become the first player in PGA Tour Champions history to win his first three tournaments on tour. However, he fell short in the Cologuard Classic, finishing in a T-20 position with a score of 4 under par. In May 2021, Mickelson held the 54-hole lead at the PGA Championship at the Kiawah Island Golf Resort in South Carolina, leading Brooks Koepka by one shot with one day to play. He shot a final-round 73 to capture the tournament, defeating Koepka and Louis Oosthuizen by two strokes, becoming the oldest major champion; at 50. As Mickelson walked down the fairway following an excellent second shot from the left rough on the 18th hole, thousands of fans engulfed him, with him walking towards the hole constantly tipping his hat and giving the thumbs up to the crowd as they cheered. However, the massive tumult of people meant playing partner Brooks Koepka was stranded in the sea of people, and with difficulties, he managed to reach the green to finish the hole. Mickelson eventually emerged from the crowd and two-putted for par, finishing the tournament at 6-under, besting the field by two strokes. In October 2021, Mickelson won for the third time in four career starts on the PGA Tour Champions. Mickelson shot a final round 4-under-par 68 to win the inaugural Constellation Furyk & Friends over Miguel Ángel Jiménez in Jacksonville, Florida. In November 2021, Mickelson won the season-ending Charles Schwab Cup Championship in Phoenix, Arizona, with a final round six-under par 65. This victory was Mickelson's fourth win in six career starts on PGA Tour Champions. 2022: Saudi Arabia controversy Mickelson admitted in an interview to overlooking Saudi Arabian human rights violations, including the murder of journalist Jamal Khashoggi and execution of LGBTQ+ individuals, to support the Saudi-backed Super Golf League because it offered an opportunity to reshape the PGA Tour. In response to these comments, Mickelson lost multiple longtime sponsors including Callaway Golf and KPMG. Mickelson announced he would be stepping away from golf to spend time with his family. Playing style As a competitor, Mickelson's playing style is described by many as "aggressive" and highly social. His strategy toward difficult shots (bad lies, obstructions) would tend to be considered risky. Mickelson has also been characterized by his powerful and sometimes inaccurate driver, but his excellent short game draws the most positive reviews, most of all his daring "Phil flop" shot in which a big swing with a high-lofted wedge against a tight lie flies a ball high into the air for a short distance. Mickelson is usually in the top 10 in scoring, and he led the PGA Tour in birdie average as recently as 2013. Earnings and endorsements Although ranked second on the PGA Tour's all-time money list of tournament prize money won, Mickelson earns far more from endorsements than from prize money. According to one estimate of 2011 earnings (comprising salary, winnings, bonuses, endorsements and appearances) Mickelson was then the second-highest paid athlete in the United States, earning an income of over $62 million, $53 million of which came from endorsements. Major companies which Mickelson currently endorses are ExxonMobil (Mickelson and wife Amy started a teacher sponsorship fund with the company), Rolex and Mizzen+Main. He has been previously sponsored by Titleist, Bearing Point, Barclays, and Ford. After being diagnosed with psoriatic arthritis in 2010, Mickelson was treated with Enbrel and began endorsing the drug. In 2015, Forbes estimated Mickelson's annual income was $51 million. In 2022, Mickelson lost a significant number of sponsors including Callaway Golf, KPMG, Amstel Light and Workday after comments he made about the Saudi-backed golf league, Super Golf League. In an interview, he stated that Saudis are "scary motherfuckers to get involved with... We know they killed [Washington Post reporter and U.S. resident Jamal] Khashoggi and have a horrible record on human rights. They execute people over there for being gay. Knowing all of this, why would I even consider it? Because this is a once-in-a-lifetime opportunity to reshape how the PGA Tour operates." Insider trading settlement On May 30, 2014, The Wall Street Journal reported that the FBI and U.S. Securities and Exchange Commission (SEC) were investigating Mickelson and associates of his for insider trading in Clorox stock. Mickelson denied any wrongdoing, and the investigation found "no evidence" and concluded without any charges. On May 19, 2016, Mickelson was named as a relief defendant in another SEC complaint alleging insider trading but completely avoided criminal charges in a parallel case brought in the Federal District Court for the Southern District of New York. The action stems for trades in Dean Foods in 2012 in conjunction with confidential information provided by Thomas Davis, a former director of Dean Foods Company, who tipped his friend and "professional sports bettor" Billy Walters. The SEC did not allege that Walters actually told Mickelson of any material, nonpublic information about Dean Foods, and the SEC disgorged Mickelson of the $931,000 profit he had made from trading Dean Foods stock and had him pay prejudgment interest of $105,000. In 2017, Walters was convicted of making $40 million on Davis's private information from 2008 to 2014 by a federal jury. At that time, it was also noted that Mickelson had "once owed nearly $2 million in gambling debts to" Walters. Walters's lawyer said his client would appeal the 2017 verdict. Amateur wins 1980 Junior World Golf Championships (Boys 9–10) 1989 NCAA Division I Championship 1990 Pac-10 Championship, NCAA Division I Championship, U.S. Amateur, Porter Cup 1991 Western Amateur 1992 NCAA Division I Championship Professional wins (57) PGA Tour wins (45) *Note: Tournament shortened to 54 holes due to weather. PGA Tour playoff record (8–4) European Tour wins (11) 1Co-sanctioned by the Asian Tour, Sunshine Tour and PGA Tour of Australasia European Tour playoff record (3–1) Challenge Tour wins (1) Other wins (4) Other playoff record (1–1) PGA Tour Champions wins (4) Major championships Wins (6) Results timeline Results not in chronological order in 2020. LA = Low amateur CUT = missed the half-way cut "T" = tied NT = No tournament due to COVID-19 pandemic Summary Most consecutive cuts made – 30 (1999 PGA – 2007 Masters) Longest streak of top-10s – 5 (2004 Masters – 2005 Masters) The Players Championship Wins (1) Results timeline CUT = missed the halfway cut "T" indicates a tie for a place C = Canceled after the first round due to the COVID-19 pandemic World Golf Championships Wins (3) Results timeline Results not in chronological order prior to 2015. 1Cancelled due to 9/11 2Cancelled due to COVID-19 pandemic QF, R16, R32, R64 = Round in which player lost in match play "T" = tied NT = No Tournament Note that the HSBC Champions did not become a WGC event until 2009. PGA Tour career summary * As of 2021 season. † Mickelson won as an amateur in 1991 and therefore did not receive any prize money. U.S. national team appearances Amateur Walker Cup: 1989, 1991 (winners) Eisenhower Trophy: 1990 Professional Presidents Cup: 1994 (winners), 1996 (winners), 1998, 2000 (winners), 2003 (tie), 2005 (winners), 2007 (winners), 2009 (winners), 2011 (winners), 2013 (winners), 2015 (winners), 2017 (winners) Ryder Cup: 1995, 1997, 1999 (winners), 2002, 2004, 2006, 2008 (winners), 2010, 2012, 2014, 2016 (winners), 2018 Alfred Dunhill Cup: 1996 (winners) Wendy's 3-Tour Challenge (representing PGA Tour): 1997 (winners), 2000 (winners) World Cup: 2002 See also List of golfers with most European Tour wins List of golfers with most PGA Tour wins List of men's major championships winning golfers Monday Night Golf References External links On Course With Phil American male golfers PGA Tour golfers PGA Tour Champions golfers Ryder Cup competitors for the United States Sports controversies Winners of men's major golf championships Arizona State Sun Devils men's golfers Left-handed golfers World Golf Hall of Fame inductees Golfers from Scottsdale, Arizona Golfers from San Diego American people of Italian descent American people of Portuguese descent American people of Swedish descent 1970 births Living people

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does he has any cometitor

does Verplank has any cometitor?

Phil Mickelson

Mickelson attended Arizona State University in Tempe on a golf scholarship and became the face of amateur golf in the United States, capturing three NCAA individual championships and three Haskins Awards (1990, 1991, 1992) as the outstanding collegiate golfer. With three individual NCAA championships, he shares the record for most individual NCAA championships alongside Ben Crenshaw. Mickelson also led the Sun Devils to the NCAA team title in 1990. Over the course of his collegiate career, he won 16 tournaments. Mickelson was the second collegiate golfer to earn first-team All-American honors all four years. In 1990, he also became the first with a left-handed swing to win the U.S. Amateur title. Mickelson secured perhaps his greatest achievement as an amateur in January 1991, winning his first PGA Tour event, the Northern Telecom Open, in Tucson. At age 20, he was only the sixth amateur to win a tour event and the first in over five years after Scott Verplank at the Western Open in August 1985. Other players to accomplish this feat include Doug Sanders (1956 Canadian Open) and Gene Littler (1954 San Diego Open). With five holes remaining, Mickelson led by a stroke, but made a triple-bogey and was then three behind. The leaders ahead of him then stumbled, and he birdied 16 and 18 to win by a stroke. To date, it is the most recent win by an amateur at a PGA Tour event. That April, Mickelson was the low amateur at the Masters Tournament in Augusta, Georgia. With his two-year PGA Tour exemption from the Tucson win, he played in several tour events in 1992 while an amateur but failed to make a cut. CANNOTANSWER

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Philip Alfred Mickelson (born June 16, 1970), nicknamed Phil the Thrill, is an American professional golfer. He has won 45 events on the PGA Tour, including six major championships: three Masters titles (2004, 2006, 2010), two PGA Championships (2005, 2021), and one Open Championship (2013). With his win at the 2021 PGA Championship, Mickelson became the oldest major championship winner in history at the age of 50 years, 11 months and 7 days old. Mickelson is one of 17 players in the history of golf to win at least three of the four majors. He has won every major except the U.S. Open, in which he has finished runner-up a record six times. Mickelson has spent more than 25 consecutive years in the top 50 of the Official World Golf Ranking. He has spent over 700 weeks in the top 10, has reached a career-high world ranking of No. 2 several times and is a life member of the PGA Tour. Although naturally right-handed, he is known for his left-handed swing, having learned it by mirroring his right-handed father's swing. He was inducted into the World Golf Hall of Fame in 2012. Early life and family Philip Alfred Mickelson was born on June 16, 1970, in San Diego, California, to parents Philip Mickelson, an airline pilot and former naval aviator, and Mary Santos. He was raised there and in Scottsdale, Arizona. Mickelson has Portuguese, Swedish, and Sicilian ancestry. His maternal grandfather, Alfred Santos (also Mickelson's middle name) was a caddie at Pebble Beach Golf Links and took Phil to play golf as a child. Although otherwise right-handed, he played golf left-handed since he learned by watching his right-handed father swing, mirroring his style. Mickelson began golf under his father's instruction before starting school. Phil Sr.'s work schedule as a commercial pilot allowed them to play together several times a week and young Phil honed his creative short game on an extensive practice area in their San Diego backyard. Mickelson graduated from the University of San Diego High School in 1988. College golf Mickelson attended Arizona State University in Tempe on a golf scholarship and became the face of amateur golf in the United States, capturing three NCAA individual championships and three Haskins Awards (1990, 1991, 1992) as the outstanding collegiate golfer. With three individual NCAA championships, he shares the record for most individual NCAA championships alongside Ben Crenshaw. Mickelson also led the Sun Devils to the NCAA team title in 1990. Over the course of his collegiate career, he won 16 tournaments. Mickelson was the second collegiate golfer to earn first-team All-American honors all four years. In 1990, he also became the first with a left-handed swing to win the U.S. Amateur title, defeating high school teammate Manny Zerman 5 and 4 in the 36-hole final at Cherry Hills, south of Denver. Mickelson secured perhaps his greatest achievement as an amateur in January 1991, winning his first PGA Tour event, the Northern Telecom Open, in Tucson, making him one of the few golfers to win a PGA Tour event as an amateur in the history of the PGA Tour. At age 20, he was only the sixth amateur to win a tour event and the first in over five years after Scott Verplank at the Western Open in August 1985. Other players to accomplish this feat include Doug Sanders (1956 Canadian Open) and Gene Littler (1954 San Diego Open). With five holes remaining, Mickelson led by a stroke, but made a triple-bogey and was then three behind. The leaders ahead of him then stumbled, and he birdied 16 and 18 to win by a stroke. To date, it is the most recent win by an amateur at a PGA Tour event. That April, Mickelson was the low amateur at the Masters Tournament in Augusta, Georgia. With his two-year PGA Tour exemption from the Tucson win, he played in several tour events in 1992 while an amateur but failed to make a cut. Professional career 1992–2003: Trying for first major win Mickelson graduated from ASU in June 1992 and quickly turned professional. He bypassed the tour's qualifying process (Q-School) because of his 1991 win in Tucson, which earned him a two-year exemption. In 1992, Mickelson hired Jim "Bones" Mackay as his caddy. He won many PGA Tour tournaments during this period, including the Byron Nelson Golf Classic and the World Series of Golf in 1996, the AT&T Pebble Beach National Pro-Am in 1998, the Colonial National Invitation in 2000 and the Greater Hartford Open in 2001 and again in 2002. He appeared as himself in a non-speaking role in the 1996 film Tin Cup, starring Kevin Costner. His 2000 Buick Invitational win ended Tiger Woods's streak of six consecutive victories on the PGA Tour. After the win, Mickelson said, "I didn't want to be the bad guy. I wasn't trying to end the streak per se. I was just trying to win the golf tournament." Although he had performed very well in the majors up to the end of the 2003 season (17 top-ten finishes, and six second- or third-place finishes between 1999 and 2003), Mickelson's inability to win any of them led to him frequently being described as the "best player never to win a major". 2004–2006: First three major wins Mickelson's first major championship win came in his thirteenth year on the PGA Tour in 2004, when he secured victory in the Masters with an birdie putt on the final hole. Ernie Els was the runner-up at a stroke back; the two played in different pairs in the final round and had traded birdies and eagles on the back nine. In addition to getting the "majors monkey" off his back, Mickelson was now only the third golfer with a left-handed swing to win a major, the others being New Zealander Sir Bob Charles, who won The Open Championship in 1963, and Canadian Mike Weir, who won The Masters in 2003. (Like Mickelson, Weir is a right-hander who plays left-handed.) A fourth left-handed winner is natural southpaw Bubba Watson, the Masters champion in 2012 and 2014. Prior to the Ryder Cup in 2004, Mickelson was dropped from his long-standing contract with Titleist/Acushnet Golf, after an incident when he left a voicemail message for a Callaway Golf executive. In it, he praised their driver and golf ball, and thanked them for their help in getting some equipment for his brother. This memo was played to all of their salesmen, and eventually found its way back to Titleist. He was then let out of his multi-year deal with Titleist 16 months early, and signed on with Callaway Golf, his current equipment sponsor. He endured a great deal of ridicule and scrutiny from the press and fellow Ryder Cup members for his equipment change so close to the Ryder Cup matches. He faltered at the 2004 Ryder Cup with a record, but refused to blame the sudden change in equipment or his practice methods for his performance. In November 2004, Mickelson tallied his career-low for an 18-hole round: a 59 at the PGA Grand Slam of Golf at Poipu Bay Golf Course in Hawaii. The following year, Mickelson captured his second major at the PGA Championship at Baltusrol, in a Monday final-round conclusion that had been forced by inclement weather the previous day. On the 18th hole, Mickelson hit one of his trademark soft pitches from deep greenside rough to within of the cup, and made his birdie to finish at a 4-under-par total of 276, one shot ahead of Steve Elkington and Thomas Bjørn. Mickelson captured his third major title the following spring at the Masters. He won his second green jacket after shooting a 3-under-par final round, winning by two strokes over runner-up Tim Clark. This win propelled him to 2nd place in the Official World Golf Ranking (his career best), behind Woods, and ahead of Vijay Singh and Retief Goosen. 2006: Collapse on final hole at the U.S. Open After winning two majors in a row heading into the U.S. Open at Winged Foot, Mickelson was bidding to join Ben Hogan and Tiger Woods as the only players to win three consecutive majors (not necessarily in the same calendar year). Mickelson was the joint leader going into the final round, but he was part of a wild finish to the tournament, in which he made major mistakes on the final hole and ended up in a tie for second place at +6 (286), one shot behind Geoff Ogilvy. Mickelson bogeyed the 16th hole. On the 17th hole, with the lead at +4, he missed the fairway to the left, and his drive finished inside a garbage can, from which he was granted a free drop; he parred the hole. He had a one-shot lead and was in the last group going into the final hole. Needing a par on the 18th hole for a one-shot victory, Mickelson continued with his aggressive style of play and chose to hit a driver off the tee; he hit his shot well left of the fairway (he had hit only two of thirteen fairways previously in the round). The ball bounced off a corporate hospitality tent and settled in an area of trampled-down grass that was enclosed with trees. He decided to go for the green with his second shot, rather than play it safe and pitch out into the fairway. His ball then hit a tree, and did not advance more than . His next shot plugged into the left greenside bunker. He was unable to get up and down from there, resulting in a double bogey, and costing him a chance of winning the championship outright or getting into an 18-hole playoff with Ogilvy. After his disappointing finish, Mickelson said: "I'm still in shock. I still can't believe I did that. This one hurts more than any tournament because I had it won. Congratulations to Geoff Ogilvy on some great play. I want to thank all the people that supported me. The only thing I can say is I'm sorry." He was even more candid when he said: "I just can't believe I did that. I'm such an idiot." 2006–2008 During the third round of the 2006 Ford Championship at Doral, Mickelson gave a spectator $200 after his wayward tee shot at the par-5 10th broke the man's watch. Mickelson also has shown other signs of appreciation. In 2007 after hearing the story of retired NFL player, Conrad Dobler, and his family on ESPN explaining their struggles to pay medical bills, Mickelson volunteered to pay tuition for Holli Dobler, Conrad Dobler's daughter, at Miami University in Oxford, Ohio. Frustrated with his driving accuracy, Mickelson made the decision in April 2007 to leave longtime swing coach, Rick Smith. He then began working with Butch Harmon, a former coach of Tiger Woods and Greg Norman. On May 13, Mickelson came from a stroke back on the final round to shoot a three-under 69 to win The Players Championship with an 11-under-par 277. In the U.S. Open at Oakmont in June, Mickelson missed the cut (by a stroke) for the first time in 31 majors after shooting 11 over par for 36 holes. He had been hampered by a wrist injury that was incurred while practicing in the thick rough at Oakmont a few weeks before the tournament. On September 3, 2007, Mickelson won the Deutsche Bank Championship, which is the second FedEx Cup playoff event. On the final day, he was paired with Tiger Woods, who ended up finishing two strokes behind Mickelson in a tie for second. It was the first time that Mickelson was able to beat Woods while the two stars were paired together on the final day of a tournament. The next day Mickelson announced that he would not be competing in the third FedEx Cup playoff event. The day before his withdrawal, Mickelson said during a television interview that PGA Tour Commissioner, Tim Finchem, had not responded to advice he had given him on undisclosed issues. In 2008, Mickelson won the Crowne Plaza Invitational at Colonial with a −14, one shot ahead of Tim Clark and Rod Pampling. Mickelson shot a first-round 65 to start off the tournament at −5. He ended the day tied with Brett Wetterich, two shots behind leader, Johnson Wagner. Mickelson shot a second-round 68, and the third round 65, overall, being −12 for the first three rounds. On the final hole, after an absolutely horrendous tee shot, he was in thick rough with trees in his way. Many players would have punched out, and taken their chances at making par from the fairway with a good wedge shot. Instead, he pulled out a high-lofted wedge and hit his approach shot over a tree, landing on the green where he one-putted for the win. In a Men's Vogue article, Mickelson recounted his effort to lose with the help of trainer Sean Cochran. "Once the younger players started to come on tour, he realized that he had to start working out to maintain longevity in his career," Cochran said. Mickelson's regimen consisted of increasing flexibility and power, eating five smaller meals a day, aerobic training, and carrying his own golf bag. Mickelson was inducted into the National Italian American Sports Hall of Fame in 2008. 2009 Mickelson won his first 2009 tour event when he defended his title at the Northern Trust Open at Riviera, one stroke ahead of Steve Stricker. The victory was Mickelson's 35th on tour; he surpassed Vijay Singh for second place on the current PGA Tour wins list. A month later, he won his 36th, and his first World Golf Championship, at the WGC-CA Championship with a one-stroke win over Nick Watney. On May 20, it was announced that his wife Amy was diagnosed with breast cancer, and Mickelson announced that he would suspend his PGA Tour schedule indefinitely. She would begin treatment with major surgery as early as the following two weeks. Mickelson was scheduled to play the HP Byron Nelson Championship May 21–24, and to defend his title May 28–31 at the Crowne Plaza Invitational at Colonial, but withdrew from both events. During the final round of the 2009 BMW PGA Championship, fellow golfer and family friend John Daly wore bright pink trousers in support of Mickelson's wife. Also, the next Saturday, at the Crowne Plaza Invitational at Colonial, a "Pink Out" event was hosted, and the PGA Tour players all wore pink that day, to support the Mickelson family. On May 31, Mickelson announced that he would return to play on the PGA Tour in June at the St. Jude Classic and the U.S. Open, since he had heard from the doctors treating his wife that her cancer had been detected in an early stage. Mickelson shot a final round 70 at the 2009 U.S. Open and recorded his fifth runner-up finish at the U.S. Open. He shared the lead after an eagle at the 13th hole, but fell back with bogeys on 15 and 17; Lucas Glover captured the championship. On July 6, it was announced that his mother Mary was diagnosed with breast cancer and would have surgery at the same hospital where his wife was treated. After hearing the news that his mother had been diagnosed with breast cancer, Mickelson took another leave of absence from the tour, missing The Open Championship at Turnberry. On July 28, Mickelson announced he would return in August at the WGC-Bridgestone Invitational, the week before the PGA Championship at Hazeltine National Golf Club in Chaska, Minnesota. In September, Mickelson won The Tour Championship for the second time in his career. He entered the final round four strokes off the lead, but shot a final round 65 to win the event by three strokes over Tiger Woods. With the win, Mickelson finished the season second behind Woods in the 2009 FedEx Cup standings. On November 8, Mickelson won the WGC-HSBC Champions by one shot over Ernie Els in Shanghai. 2010: Third Masters win In 2010, Mickelson won the Masters Tournament on April 11 with a 16-under-par performance, giving him a three-stroke win over Lee Westwood. The win marked the third Masters victory for Mickelson and his fourth major championship overall. Critical to Mickelson's win was a dramatic run in the third round on Saturday in which Mickelson, trailing leader Westwood by five strokes as he prepared his approach shot to the 13th green, proceeded to make eagle, then to hole-out for eagle from 141 yards at the next hole, the par 4 14th, then on the next, the par 5 15th, to miss eagle from 81 yards by mere inches. After tapping in for birdie at 15, Mickelson, at −12, led Westwood, at −11, who had bogeyed hole 12 and failed to capitalize on the par 5 13th, settling for par. Westwood recaptured a one-stroke lead by the end of the round, but the momentum carried forward for Mickelson into round 4, where he posted a bogey-free 67 to Westwood's 71. No other pursuer was able to keep pace to the end, though K. J. Choi and Anthony Kim made notable charges. For good measure, Mickelson birdied the final hole and memorably greeted his waiting wife, Amy, with a prolonged hug and kiss. For many fans, Mickelson's finish in the tournament was especially poignant, given that Amy had been suffering from breast cancer during the preceding year. Mary Mickelson, Phil's mother, was also dealing with cancer. CBS Sports announcer Jim Nantz's call of the final birdie putt, "That's a win for the family," was seen by many as capturing the moment well. Tiger Woods had a dramatic return to competitive play after a scandal-ridden 20-week absence; he was in close contention throughout for the lead and finished tied with Choi for 4th at −11. Mickelson and others showed exciting play over the weekend, and the 2010 Masters had strong television ratings in the United States, ranking third all-time to Woods's historic wins in 1997 and 2001. Mickelson's win left him second only to Woods in major championships among his competitive contemporaries, moving him ahead of Ernie Els, Vijay Singh and Pádraig Harrington, with three major championships each and each, like Mickelson, with dozens of worldwide wins. Remainder of 2010 Mickelson, one of the favorites for the U.S. Open at Pebble Beach, shot 75 and 66 on Thursday and Friday to sit two shots off the lead. However, two weekend scores of 73 gave him a T4 finish. During the remainder of the 2010 season, Mickelson had multiple opportunities to become the number one player in the world rankings following the travails of Tiger Woods. However, a string of disappointing finishes by Mickelson saw the number one spot eventually go to Englishman Lee Westwood. In the days leading up to the PGA Championship at Whistling Straits (near Kohler, Wisconsin), Mickelson announced he had been diagnosed with psoriatic arthritis. He added that he had started medical treatment, and had become a vegetarian in hopes of aiding his recovery. He maintains that both his short- and long-term prognosis are good, that the condition should have no long-term effect on his golfing career, and that he currently feels well. He also stated that the arthritis may go into permanent remission after one year of medical treatment. He went on to finish the championship T12, five shots behind winner Martin Kaymer. 2011 Mickelson started his 2011 season at the Farmers Insurance Open at Torrey Pines Golf Course. He shot and was tied for the 54 hole lead with Bill Haas. Mickelson needed to hole out on the 18th hole for eagle from 74 yards to force a playoff with Bubba Watson. He hit it to 4 feet and Watson won the tournament. On April 3, Mickelson won the Shell Houston Open with a 20-under-par, three-stroke win over Scott Verplank. Mickelson rose to No. 3 in the world ranking, while Tiger Woods fell to No. 7. Mickelson had not been ranked above Woods since the week prior to the 1997 Masters Tournament. At The Open Championship, Mickelson recorded just his second top-ten finish in 18 tournaments by tying for second with Dustin Johnson. His front nine 30 put him briefly in a tie for the lead with eventual champion Darren Clarke. However, some putting problems caused him to fade from contention toward the end, to finish in a tie for second place. 2012: 40th career PGA Tour win Mickelson made his 2012 debut at the Humana Challenge and finished tied for 49th. He missed the cut at the Farmers Insurance Open after shooting rounds of 77 and 68. In the final round of the AT&T Pebble Beach National Pro-Am, Mickelson rallied from six shots back, winning the tournament by two strokes with a final-round score of 8-under 64 and a four-round total of 269. The win marked his 40th career victory on the PGA Tour. The following week at Riviera Country Club, Mickelson lost the Northern Trust Open in a three-way playoff. He had held the lead or a share of it from day one until the back nine on Sunday when Bill Haas posted the clubhouse lead at seven under par. Mickelson holed a 27-foot birdie putt on the final regulation hole to force a playoff alongside Haas and Keegan Bradley. Haas however won the playoff with a 40-foot birdie putt on the second playoff hole. The second-place finish moved Mickelson back into the world's top 10. Mickelson finished tied for third at the Masters. After opening the tournament with a two-over-par 74, he shot 68–66 in the next two rounds and ended up one stroke behind leader Peter Hanson by Saturday night. Mickelson had a poor start to his fourth round, scoring a triple-bogey when he hit his ball far to the left of the green on the par-3 4th hole, hitting the stand and landing in a bamboo plant. This ended up being Mickelson's only score over par in the whole round, and he ended with a score of eight-under overall. Earlier in the tournament he had received widespread praise for being present to watch Jack Nicklaus, Arnold Palmer, and Gary Player hit the ceremonial opening tee-shots, nearly seven hours before Mickelson's own tee time. Mickelson made a charge during the final round at the HP Byron Nelson Championship, but bogeyed the 17th and 18th, finishing T-7th. He then withdrew from the Memorial Tournament, citing mental fatigue, after a first-round 79. He was to be paired with Tiger Woods and Bubba Watson at the U.S. Open. He fought to make the cut in the U.S. Open, and finished T-65th. After taking a couple of weeks off, he played in the Greenbrier Classic. Putting problems meant a second straight missed cut at the Greenbrier and a third missed cut at 2012 Open Championship, shooting 73-78 (11 over par). He finished T-43rd at the WGC-Bridgestone Invitational. He then finished T-36th at the PGA Championship. To start the 2012 FedEx Cup Playoffs, Mickelson finished T38 at The Barclays, +1 for the tournament. He tied with Tiger Woods, Zach Johnson, and five other players. In this tournament, he started using the claw putting grip on the greens. At the next event, the Deutsche Bank Championship, he finished the tournament with a −14, tied for 4th with Dustin Johnson. At the BMW Championship, Mickelson posted a −16 for the first three rounds, one of those rounds being a −8, 64. On the final day, Mickelson shot a −2, 70, to finish tied for 2nd, with Lee Westwood, two shots behind leader, and back-to-back winner, Rory McIlroy. At the Tour Championship, he ended up finishing tied for 15th. He went on to have a 3–1 record at the Ryder Cup; however, the USA team lost the event. 2013 Mickelson began the 2013 season in January by playing in the Humana Challenge, where he finished T37 at −17. His next event was the following week in his home event near San Diego at the Farmers Insurance Open. Mickelson endured a disappointing tournament, finishing T51, shooting all four rounds in the 70s. In the first round of the Waste Management Phoenix Open, Mickelson tied his career-low round of 60. He made seven birdies in his first nine holes and needed a birdie on the 18th hole to equal the PGA Tour record of 59. However, his 25-foot birdie putt on the final hole lipped out, resulting in him missing out by a single shot on making only the sixth round of 59 in PGA Tour history. Mickelson led the tournament wire-to-wire and completed a four-shot win over Brandt Snedeker for his 41st PGA Tour victory and 3rd Phoenix Open title. Mickelson's score of 28-under-par tied Mark Calcavecchia's tournament scoring record. He also moved back inside the world's top 10 after falling down as far as number 22. Sixth runner-up finish at the U.S. Open At the U.S. Open at Merion, Mickelson entered the final round leading by one stroke after rounds of over the first three days, but he started the final round by three-putting the 3rd and 5th holes for double-bogeys to fall out of the lead. He regained the lead at the par-four 10th, when he holed his second shot from the rough for an eagle. However, a misjudgment at the short par three 13th saw him fly the green and make a bogey to slip one behind leader Justin Rose. Another bogey followed at the 15th, before narrowly missing a birdie putt on the 16th that would have tied Rose. Mickelson could not make a birdie at the 17th and after a blocked drive on the 18th, he could not hole his pitch from short of the green, which led to a final bogey. Mickelson ended up finishing tied for second with Jason Day, two strokes behind Justin Rose. It was the sixth runner-up finish of Mickelson's career at the U.S. Open, an event record and only behind Jack Nicklaus's seven runner-up finishes at The Open Championship. After the event, Mickelson called the loss heartbreaking and said "this is tough to swallow after coming so close ... I felt like this was as good an opportunity I could ask for and to not get it ... it hurts." It was also Father's Day, which happened to be his birthday. Fifth major title at the Open Championship The week before The Open Championship, Mickelson warmed up for the event by winning his first tournament on British soil at the Scottish Open on July 14, after a sudden-death playoff against Branden Grace. After this victory, Mickelson spoke of his confidence ahead of his participation in the following week's major championship. Mickelson said: "I've never felt more excited going into The Open. I don't think there's a better way to get ready for a major than playing well the week before and getting into contention. Coming out on top just gives me more confidence." The following week, Mickelson won his fifth major title on July 21 at the Open Championship (often referred to as the British Open) Muirfield Golf Links in Scotland; the Open Championship is the oldest of the four major tournaments in professional golf. This was the first time in history that anyone had won both the Scottish Open and The Open Championship in the same year. Mickelson birdied four of the last six holes in a brilliant final round of 66 to win the title by three strokes. He shed tears on the 18th green after completing his round. Mickelson later said: "I played arguably the best round of my career, and shot the round of my life. The range of emotions I feel are as far apart as possible after losing the U.S. Open. But you have to be resilient in this game." In an interview before the 2015 Open, Mickelson said, "Two years removed from that win, I still can't believe how much it means to me." 2014 and 2015: Inconsistent form and close calls in majors Mickelson missed the cut at the Masters for the first time since 1997. He failed to contend at the U.S. Open at Pinehurst in his first bid to complete the career grand slam. Mickelson's lone top-10 of the PGA Tour season came at the year's final major, the PGA Championship at Valhalla. Mickelson shot rounds of 69-67-67-66 to finish solo second, one shot behind world number one Rory McIlroy. Prior to the 2015 Masters, Mickelson's best finish in 2015 was a tie for 17th. At the Masters, Mickelson shot rounds of to finish tied for second with Justin Rose, four shots behind champion Jordan Spieth. The second-place finish was Mickelson's tenth such finish in a major, placing him second all-time only to Jack Nicklaus in that regard. At The Open Championship, Mickelson shot rounds of and was eight shots behind, outside the top forty. In the final round, Mickelson birdied the 15th hole to move to 10 under and within two of the lead. After a missed birdie putt on 16, Mickelson hit his drive on the infamous Road Hole (17th) at the famed Old Course at St Andrews onto a second-floor balcony of the Old Course Hotel. The out-of-bounds drive lead to a triple-bogey 7 that sent Mickelson tumbling out of contention. Later in the year, it was announced that Mickelson would leave longtime swing coach Butch Harmon, feeling as though he needed to hear a new perspective on things. 2016: New swing coach After leaving Butch Harmon, Mickelson hired Andrew Getson of Grayhawk Golf Club in Scottsdale, Arizona, to serve as his new swing coach. The two worked together heavily in the 2015 offseason to get Mickelson's swing back. Under Getson's guidance, Mickelson made his 2016 debut at the CareerBuilder Challenge. He shot rounds of to finish in a tie for third place at 21-under-par. It was only Mickelson's fifth top-five finish since his win at the 2013 Open Championship. The third-place finish was Mickelson's highest finish in his first worldwide start of a calendar year since he won the same event to begin the 2004 season. At the AT&T Pebble Beach Pro-Am, Mickelson shot rounds of to finish in solo second place, a shot behind Vaughn Taylor. Mickelson lipped out a five-foot birdie putt to force a playoff on the 72nd hole. He entered the final round with a two-stroke lead, his first 54-hole lead since the 2013 U.S. Open and was seeking to end a winless drought dating back 52 worldwide events to the 2013 Open Championship. Mickelson shot a 63 in the opening round of The Open Championship at Royal Troon. The round set a new course record and matched the previous major championship record for lowest round. Mickelson had a birdie putt that narrowly missed on the final hole to set a new major championship scoring record of 62. He followed this up with a 69 in the second round for a 10 under par total and a one-shot lead over Henrik Stenson going into the weekend. In the third round, Mickelson shot a one-under 70 for a total of 11 under par to enter the final round one shot back of Stenson. Despite Mickelson's bogey-free 65 in the final round, Stenson shot 63 to win by three shots. Mickelson finished 11 strokes clear of 3rd place, a major championship record for a runner-up. Mickelson's 267 total set a record score for a runner-up in the British Open, and only trails Mickelson's 266 at the 2001 PGA Championship as the lowest total by a runner-up in major championship history. 2017: Recovery from surgeries In the fall of 2016, Mickelson had two sports hernia surgeries. Those in the golf community expected him to miss much time recovering, however his unexpected return at the CareerBuilder Challenge was a triumphant one, leading to a T-21 finish. The next week, in San Diego, he narrowly missed an eagle putt on the 18th hole on Sunday that would've got him to 8-under par instead posting −7 to finish T14 at the Farmers Insurance Open. The following week, at the Waste Management Phoenix Open, which he has won three times, he surged into contention following a Saturday 65. He played his first nine holes in 4-under 32 and sending his name to the top of the leaderboard. However, his charge faltered with bogeys at 11, 12, 14, 15, and a double bogey at the driveable 17th hole. He stumbled with a final round 71, still earning a T-16 finish, for his sixth straight top-25 finish on tour. Mickelson came close to winning again at the FedEx St. Jude Classic where he had finished in second place the previous year to Daniel Berger. He started the final round four strokes behind leaders but he quickly played himself into contention. Following a birdie at the 10th hole he vaulted to the top of leaderboard but found trouble on the 12th hole. His tee shot carried out of bounds and his fourth shot hit the water so he had to make a long putt to salvage triple-bogey. He managed to get one shot back but he finished three shots behind winner Berger, in ninth place, for the second straight year. Two weeks later he withdrew from the U.S. Open to attend his daughter's high school graduation. A week later his longtime caddie Jim (Bones) Mackay left Mickelson in a mutual agreement. Mickelson then missed the cut at both The Open Championship and the PGA Championship. On September 6, days after posting his best finish of the season of T6 at the Dell Technologies Championship, Mickelson was named as a captain's pick for the Presidents Cup. This maintained a streak of 23 consecutive USA teams in the Presidents Cup and Ryder Cup, dating back to 1994. 2018–2019: Winless streak ends On March 4, 2018, Mickelson ended a winless drought that dated back to 2013, by capturing his third WGC championship at the WGC-Mexico Championship, with a final-round score of 66 and a total score of −16. Mickelson birdied two of his last four holes and had a lengthy putt to win outright on the 72nd hole, but tied with Justin Thomas. He defeated Thomas on the first extra hole of a sudden-death playoff with a par. After Thomas had flown the green, Mickelson had a birdie to win the playoff which lipped out. Thomas however could not get up and down for par, meaning Mickelson claimed the championship. The win was Mickelson's 43rd on the PGA Tour and his first since winning the 2013 Open Championship. He also became the oldest winner of a WGC event, at age 47. In the third round of the 2018 U.S. Open, Mickelson incurred a two-stroke penalty in a controversial incident on the 13th hole when he hit his ball with intent while it was still moving. He ended up shooting 81 (+11). His former coach Butch Harmon thought Mickelson should have been disqualified. Mickelson was a captain's pick for Team USA at the 2018 Ryder Cup, held in Paris between September 28 and 30. Paired with Bryson DeChambeau in the Friday afternoon foursomes, they lost 5 and 4 to Europe's Sergio García and Alex Norén. In the Sunday singles match, Mickelson lost 4 and 2 to Francesco Molinari, as Team USA slumped to a 17.5 to 10.5 defeat. On November 23, 2018, Mickelson won the pay-per-view event, Capital One's The Match. This was a $9,000,000 winner-takes-all match against Tiger Woods at Shadow Creek Golf Course in Las Vegas. Mickelson needed four extra holes to beat Woods, which he did by holing a four-foot putt after Woods missed a seven-foot putt on the 22nd hole. In his third start of the 2019 calendar year, Mickelson won the AT&T Pebble Beach Pro-Am, shooting a bogey-free final round 65 to defeat Paul Casey by three strokes. The win was Mickelson's 44th career title on the PGA Tour, and his fifth at Pebble Beach, tying Mark O'Meara for most victories in the event. At 48 years of age, he also became the oldest winner of that event. 2020: PGA Tour season and PGA Tour Champions debut In December 2019, Mickelson announced via Twitter that "after turning down opportunities to go to the Middle East for many years" he would play in the 2020 Saudi International tournament on the European Tour and would miss Waste Management Phoenix Open for the first time since 1989. However, his decision to visit and play in Saudi Arabia was criticized for getting lured by millions of dollars and ignoring the continuous human rights abuses in the nation. Mickelson went on to finish the February 2020 event tied for third. Mickelson finished 3rd at the 2020 AT&T Pebble Beach Pro-Am and tied for 2nd in the WGC-FedEx St. Jude Invitational. Mickelson was the first player over 50 to finish in the top five of a World Golf Championship event. He was ultimately eliminated from the FedEx Cup Playoffs following The Northern Trust at TPC Boston in August 2020. One week later, Mickelson made his debut on the PGA Tour Champions. He won the Charles Schwab Series at Ozarks National in his first tournament after becoming eligible for PGA Tour Champions on his 50th birthday on June 16, 2020. He was the 20th player to win their debut tournament on tour. Mickelson's 191 stroke total tied the PGA Tour Champions all-time record for a three-day event. In October 2020, Mickelson won the Dominion Energy Charity Classic in Virginia. It was his second win in as many starts on the PGA Tour Champions. 2021: The oldest major champion In February 2021, Mickelson was attempting to become the first player in PGA Tour Champions history to win his first three tournaments on tour. However, he fell short in the Cologuard Classic, finishing in a T-20 position with a score of 4 under par. In May 2021, Mickelson held the 54-hole lead at the PGA Championship at the Kiawah Island Golf Resort in South Carolina, leading Brooks Koepka by one shot with one day to play. He shot a final-round 73 to capture the tournament, defeating Koepka and Louis Oosthuizen by two strokes, becoming the oldest major champion; at 50. As Mickelson walked down the fairway following an excellent second shot from the left rough on the 18th hole, thousands of fans engulfed him, with him walking towards the hole constantly tipping his hat and giving the thumbs up to the crowd as they cheered. However, the massive tumult of people meant playing partner Brooks Koepka was stranded in the sea of people, and with difficulties, he managed to reach the green to finish the hole. Mickelson eventually emerged from the crowd and two-putted for par, finishing the tournament at 6-under, besting the field by two strokes. In October 2021, Mickelson won for the third time in four career starts on the PGA Tour Champions. Mickelson shot a final round 4-under-par 68 to win the inaugural Constellation Furyk & Friends over Miguel Ángel Jiménez in Jacksonville, Florida. In November 2021, Mickelson won the season-ending Charles Schwab Cup Championship in Phoenix, Arizona, with a final round six-under par 65. This victory was Mickelson's fourth win in six career starts on PGA Tour Champions. 2022: Saudi Arabia controversy Mickelson admitted in an interview to overlooking Saudi Arabian human rights violations, including the murder of journalist Jamal Khashoggi and execution of LGBTQ+ individuals, to support the Saudi-backed Super Golf League because it offered an opportunity to reshape the PGA Tour. In response to these comments, Mickelson lost multiple longtime sponsors including Callaway Golf and KPMG. Mickelson announced he would be stepping away from golf to spend time with his family. Playing style As a competitor, Mickelson's playing style is described by many as "aggressive" and highly social. His strategy toward difficult shots (bad lies, obstructions) would tend to be considered risky. Mickelson has also been characterized by his powerful and sometimes inaccurate driver, but his excellent short game draws the most positive reviews, most of all his daring "Phil flop" shot in which a big swing with a high-lofted wedge against a tight lie flies a ball high into the air for a short distance. Mickelson is usually in the top 10 in scoring, and he led the PGA Tour in birdie average as recently as 2013. Earnings and endorsements Although ranked second on the PGA Tour's all-time money list of tournament prize money won, Mickelson earns far more from endorsements than from prize money. According to one estimate of 2011 earnings (comprising salary, winnings, bonuses, endorsements and appearances) Mickelson was then the second-highest paid athlete in the United States, earning an income of over $62 million, $53 million of which came from endorsements. Major companies which Mickelson currently endorses are ExxonMobil (Mickelson and wife Amy started a teacher sponsorship fund with the company), Rolex and Mizzen+Main. He has been previously sponsored by Titleist, Bearing Point, Barclays, and Ford. After being diagnosed with psoriatic arthritis in 2010, Mickelson was treated with Enbrel and began endorsing the drug. In 2015, Forbes estimated Mickelson's annual income was $51 million. In 2022, Mickelson lost a significant number of sponsors including Callaway Golf, KPMG, Amstel Light and Workday after comments he made about the Saudi-backed golf league, Super Golf League. In an interview, he stated that Saudis are "scary motherfuckers to get involved with... We know they killed [Washington Post reporter and U.S. resident Jamal] Khashoggi and have a horrible record on human rights. They execute people over there for being gay. Knowing all of this, why would I even consider it? Because this is a once-in-a-lifetime opportunity to reshape how the PGA Tour operates." Insider trading settlement On May 30, 2014, The Wall Street Journal reported that the FBI and U.S. Securities and Exchange Commission (SEC) were investigating Mickelson and associates of his for insider trading in Clorox stock. Mickelson denied any wrongdoing, and the investigation found "no evidence" and concluded without any charges. On May 19, 2016, Mickelson was named as a relief defendant in another SEC complaint alleging insider trading but completely avoided criminal charges in a parallel case brought in the Federal District Court for the Southern District of New York. The action stems for trades in Dean Foods in 2012 in conjunction with confidential information provided by Thomas Davis, a former director of Dean Foods Company, who tipped his friend and "professional sports bettor" Billy Walters. The SEC did not allege that Walters actually told Mickelson of any material, nonpublic information about Dean Foods, and the SEC disgorged Mickelson of the $931,000 profit he had made from trading Dean Foods stock and had him pay prejudgment interest of $105,000. In 2017, Walters was convicted of making $40 million on Davis's private information from 2008 to 2014 by a federal jury. At that time, it was also noted that Mickelson had "once owed nearly $2 million in gambling debts to" Walters. Walters's lawyer said his client would appeal the 2017 verdict. Amateur wins 1980 Junior World Golf Championships (Boys 9–10) 1989 NCAA Division I Championship 1990 Pac-10 Championship, NCAA Division I Championship, U.S. Amateur, Porter Cup 1991 Western Amateur 1992 NCAA Division I Championship Professional wins (57) PGA Tour wins (45) *Note: Tournament shortened to 54 holes due to weather. PGA Tour playoff record (8–4) European Tour wins (11) 1Co-sanctioned by the Asian Tour, Sunshine Tour and PGA Tour of Australasia European Tour playoff record (3–1) Challenge Tour wins (1) Other wins (4) Other playoff record (1–1) PGA Tour Champions wins (4) Major championships Wins (6) Results timeline Results not in chronological order in 2020. LA = Low amateur CUT = missed the half-way cut "T" = tied NT = No tournament due to COVID-19 pandemic Summary Most consecutive cuts made – 30 (1999 PGA – 2007 Masters) Longest streak of top-10s – 5 (2004 Masters – 2005 Masters) The Players Championship Wins (1) Results timeline CUT = missed the halfway cut "T" indicates a tie for a place C = Canceled after the first round due to the COVID-19 pandemic World Golf Championships Wins (3) Results timeline Results not in chronological order prior to 2015. 1Cancelled due to 9/11 2Cancelled due to COVID-19 pandemic QF, R16, R32, R64 = Round in which player lost in match play "T" = tied NT = No Tournament Note that the HSBC Champions did not become a WGC event until 2009. PGA Tour career summary * As of 2021 season. † Mickelson won as an amateur in 1991 and therefore did not receive any prize money. U.S. national team appearances Amateur Walker Cup: 1989, 1991 (winners) Eisenhower Trophy: 1990 Professional Presidents Cup: 1994 (winners), 1996 (winners), 1998, 2000 (winners), 2003 (tie), 2005 (winners), 2007 (winners), 2009 (winners), 2011 (winners), 2013 (winners), 2015 (winners), 2017 (winners) Ryder Cup: 1995, 1997, 1999 (winners), 2002, 2004, 2006, 2008 (winners), 2010, 2012, 2014, 2016 (winners), 2018 Alfred Dunhill Cup: 1996 (winners) Wendy's 3-Tour Challenge (representing PGA Tour): 1997 (winners), 2000 (winners) World Cup: 2002 See also List of golfers with most European Tour wins List of golfers with most PGA Tour wins List of men's major championships winning golfers Monday Night Golf References External links On Course With Phil American male golfers PGA Tour golfers PGA Tour Champions golfers Ryder Cup competitors for the United States Sports controversies Winners of men's major golf championships Arizona State Sun Devils men's golfers Left-handed golfers World Golf Hall of Fame inductees Golfers from Scottsdale, Arizona Golfers from San Diego American people of Italian descent American people of Portuguese descent American people of Swedish descent 1970 births Living people

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any important thing i should know

any important thing i should know other than verplank and Michelson information?

Phil Mickelson

Mickelson attended Arizona State University in Tempe on a golf scholarship and became the face of amateur golf in the United States, capturing three NCAA individual championships and three Haskins Awards (1990, 1991, 1992) as the outstanding collegiate golfer. With three individual NCAA championships, he shares the record for most individual NCAA championships alongside Ben Crenshaw. Mickelson also led the Sun Devils to the NCAA team title in 1990. Over the course of his collegiate career, he won 16 tournaments. Mickelson was the second collegiate golfer to earn first-team All-American honors all four years. In 1990, he also became the first with a left-handed swing to win the U.S. Amateur title. Mickelson secured perhaps his greatest achievement as an amateur in January 1991, winning his first PGA Tour event, the Northern Telecom Open, in Tucson. At age 20, he was only the sixth amateur to win a tour event and the first in over five years after Scott Verplank at the Western Open in August 1985. Other players to accomplish this feat include Doug Sanders (1956 Canadian Open) and Gene Littler (1954 San Diego Open). With five holes remaining, Mickelson led by a stroke, but made a triple-bogey and was then three behind. The leaders ahead of him then stumbled, and he birdied 16 and 18 to win by a stroke. To date, it is the most recent win by an amateur at a PGA Tour event. That April, Mickelson was the low amateur at the Masters Tournament in Augusta, Georgia. With his two-year PGA Tour exemption from the Tucson win, he played in several tour events in 1992 while an amateur but failed to make a cut. CANNOTANSWER

he played in several tour events in 1992 while an amateur but failed to make a cut.

Philip Alfred Mickelson (born June 16, 1970), nicknamed Phil the Thrill, is an American professional golfer. He has won 45 events on the PGA Tour, including six major championships: three Masters titles (2004, 2006, 2010), two PGA Championships (2005, 2021), and one Open Championship (2013). With his win at the 2021 PGA Championship, Mickelson became the oldest major championship winner in history at the age of 50 years, 11 months and 7 days old. Mickelson is one of 17 players in the history of golf to win at least three of the four majors. He has won every major except the U.S. Open, in which he has finished runner-up a record six times. Mickelson has spent more than 25 consecutive years in the top 50 of the Official World Golf Ranking. He has spent over 700 weeks in the top 10, has reached a career-high world ranking of No. 2 several times and is a life member of the PGA Tour. Although naturally right-handed, he is known for his left-handed swing, having learned it by mirroring his right-handed father's swing. He was inducted into the World Golf Hall of Fame in 2012. Early life and family Philip Alfred Mickelson was born on June 16, 1970, in San Diego, California, to parents Philip Mickelson, an airline pilot and former naval aviator, and Mary Santos. He was raised there and in Scottsdale, Arizona. Mickelson has Portuguese, Swedish, and Sicilian ancestry. His maternal grandfather, Alfred Santos (also Mickelson's middle name) was a caddie at Pebble Beach Golf Links and took Phil to play golf as a child. Although otherwise right-handed, he played golf left-handed since he learned by watching his right-handed father swing, mirroring his style. Mickelson began golf under his father's instruction before starting school. Phil Sr.'s work schedule as a commercial pilot allowed them to play together several times a week and young Phil honed his creative short game on an extensive practice area in their San Diego backyard. Mickelson graduated from the University of San Diego High School in 1988. College golf Mickelson attended Arizona State University in Tempe on a golf scholarship and became the face of amateur golf in the United States, capturing three NCAA individual championships and three Haskins Awards (1990, 1991, 1992) as the outstanding collegiate golfer. With three individual NCAA championships, he shares the record for most individual NCAA championships alongside Ben Crenshaw. Mickelson also led the Sun Devils to the NCAA team title in 1990. Over the course of his collegiate career, he won 16 tournaments. Mickelson was the second collegiate golfer to earn first-team All-American honors all four years. In 1990, he also became the first with a left-handed swing to win the U.S. Amateur title, defeating high school teammate Manny Zerman 5 and 4 in the 36-hole final at Cherry Hills, south of Denver. Mickelson secured perhaps his greatest achievement as an amateur in January 1991, winning his first PGA Tour event, the Northern Telecom Open, in Tucson, making him one of the few golfers to win a PGA Tour event as an amateur in the history of the PGA Tour. At age 20, he was only the sixth amateur to win a tour event and the first in over five years after Scott Verplank at the Western Open in August 1985. Other players to accomplish this feat include Doug Sanders (1956 Canadian Open) and Gene Littler (1954 San Diego Open). With five holes remaining, Mickelson led by a stroke, but made a triple-bogey and was then three behind. The leaders ahead of him then stumbled, and he birdied 16 and 18 to win by a stroke. To date, it is the most recent win by an amateur at a PGA Tour event. That April, Mickelson was the low amateur at the Masters Tournament in Augusta, Georgia. With his two-year PGA Tour exemption from the Tucson win, he played in several tour events in 1992 while an amateur but failed to make a cut. Professional career 1992–2003: Trying for first major win Mickelson graduated from ASU in June 1992 and quickly turned professional. He bypassed the tour's qualifying process (Q-School) because of his 1991 win in Tucson, which earned him a two-year exemption. In 1992, Mickelson hired Jim "Bones" Mackay as his caddy. He won many PGA Tour tournaments during this period, including the Byron Nelson Golf Classic and the World Series of Golf in 1996, the AT&T Pebble Beach National Pro-Am in 1998, the Colonial National Invitation in 2000 and the Greater Hartford Open in 2001 and again in 2002. He appeared as himself in a non-speaking role in the 1996 film Tin Cup, starring Kevin Costner. His 2000 Buick Invitational win ended Tiger Woods's streak of six consecutive victories on the PGA Tour. After the win, Mickelson said, "I didn't want to be the bad guy. I wasn't trying to end the streak per se. I was just trying to win the golf tournament." Although he had performed very well in the majors up to the end of the 2003 season (17 top-ten finishes, and six second- or third-place finishes between 1999 and 2003), Mickelson's inability to win any of them led to him frequently being described as the "best player never to win a major". 2004–2006: First three major wins Mickelson's first major championship win came in his thirteenth year on the PGA Tour in 2004, when he secured victory in the Masters with an birdie putt on the final hole. Ernie Els was the runner-up at a stroke back; the two played in different pairs in the final round and had traded birdies and eagles on the back nine. In addition to getting the "majors monkey" off his back, Mickelson was now only the third golfer with a left-handed swing to win a major, the others being New Zealander Sir Bob Charles, who won The Open Championship in 1963, and Canadian Mike Weir, who won The Masters in 2003. (Like Mickelson, Weir is a right-hander who plays left-handed.) A fourth left-handed winner is natural southpaw Bubba Watson, the Masters champion in 2012 and 2014. Prior to the Ryder Cup in 2004, Mickelson was dropped from his long-standing contract with Titleist/Acushnet Golf, after an incident when he left a voicemail message for a Callaway Golf executive. In it, he praised their driver and golf ball, and thanked them for their help in getting some equipment for his brother. This memo was played to all of their salesmen, and eventually found its way back to Titleist. He was then let out of his multi-year deal with Titleist 16 months early, and signed on with Callaway Golf, his current equipment sponsor. He endured a great deal of ridicule and scrutiny from the press and fellow Ryder Cup members for his equipment change so close to the Ryder Cup matches. He faltered at the 2004 Ryder Cup with a record, but refused to blame the sudden change in equipment or his practice methods for his performance. In November 2004, Mickelson tallied his career-low for an 18-hole round: a 59 at the PGA Grand Slam of Golf at Poipu Bay Golf Course in Hawaii. The following year, Mickelson captured his second major at the PGA Championship at Baltusrol, in a Monday final-round conclusion that had been forced by inclement weather the previous day. On the 18th hole, Mickelson hit one of his trademark soft pitches from deep greenside rough to within of the cup, and made his birdie to finish at a 4-under-par total of 276, one shot ahead of Steve Elkington and Thomas Bjørn. Mickelson captured his third major title the following spring at the Masters. He won his second green jacket after shooting a 3-under-par final round, winning by two strokes over runner-up Tim Clark. This win propelled him to 2nd place in the Official World Golf Ranking (his career best), behind Woods, and ahead of Vijay Singh and Retief Goosen. 2006: Collapse on final hole at the U.S. Open After winning two majors in a row heading into the U.S. Open at Winged Foot, Mickelson was bidding to join Ben Hogan and Tiger Woods as the only players to win three consecutive majors (not necessarily in the same calendar year). Mickelson was the joint leader going into the final round, but he was part of a wild finish to the tournament, in which he made major mistakes on the final hole and ended up in a tie for second place at +6 (286), one shot behind Geoff Ogilvy. Mickelson bogeyed the 16th hole. On the 17th hole, with the lead at +4, he missed the fairway to the left, and his drive finished inside a garbage can, from which he was granted a free drop; he parred the hole. He had a one-shot lead and was in the last group going into the final hole. Needing a par on the 18th hole for a one-shot victory, Mickelson continued with his aggressive style of play and chose to hit a driver off the tee; he hit his shot well left of the fairway (he had hit only two of thirteen fairways previously in the round). The ball bounced off a corporate hospitality tent and settled in an area of trampled-down grass that was enclosed with trees. He decided to go for the green with his second shot, rather than play it safe and pitch out into the fairway. His ball then hit a tree, and did not advance more than . His next shot plugged into the left greenside bunker. He was unable to get up and down from there, resulting in a double bogey, and costing him a chance of winning the championship outright or getting into an 18-hole playoff with Ogilvy. After his disappointing finish, Mickelson said: "I'm still in shock. I still can't believe I did that. This one hurts more than any tournament because I had it won. Congratulations to Geoff Ogilvy on some great play. I want to thank all the people that supported me. The only thing I can say is I'm sorry." He was even more candid when he said: "I just can't believe I did that. I'm such an idiot." 2006–2008 During the third round of the 2006 Ford Championship at Doral, Mickelson gave a spectator $200 after his wayward tee shot at the par-5 10th broke the man's watch. Mickelson also has shown other signs of appreciation. In 2007 after hearing the story of retired NFL player, Conrad Dobler, and his family on ESPN explaining their struggles to pay medical bills, Mickelson volunteered to pay tuition for Holli Dobler, Conrad Dobler's daughter, at Miami University in Oxford, Ohio. Frustrated with his driving accuracy, Mickelson made the decision in April 2007 to leave longtime swing coach, Rick Smith. He then began working with Butch Harmon, a former coach of Tiger Woods and Greg Norman. On May 13, Mickelson came from a stroke back on the final round to shoot a three-under 69 to win The Players Championship with an 11-under-par 277. In the U.S. Open at Oakmont in June, Mickelson missed the cut (by a stroke) for the first time in 31 majors after shooting 11 over par for 36 holes. He had been hampered by a wrist injury that was incurred while practicing in the thick rough at Oakmont a few weeks before the tournament. On September 3, 2007, Mickelson won the Deutsche Bank Championship, which is the second FedEx Cup playoff event. On the final day, he was paired with Tiger Woods, who ended up finishing two strokes behind Mickelson in a tie for second. It was the first time that Mickelson was able to beat Woods while the two stars were paired together on the final day of a tournament. The next day Mickelson announced that he would not be competing in the third FedEx Cup playoff event. The day before his withdrawal, Mickelson said during a television interview that PGA Tour Commissioner, Tim Finchem, had not responded to advice he had given him on undisclosed issues. In 2008, Mickelson won the Crowne Plaza Invitational at Colonial with a −14, one shot ahead of Tim Clark and Rod Pampling. Mickelson shot a first-round 65 to start off the tournament at −5. He ended the day tied with Brett Wetterich, two shots behind leader, Johnson Wagner. Mickelson shot a second-round 68, and the third round 65, overall, being −12 for the first three rounds. On the final hole, after an absolutely horrendous tee shot, he was in thick rough with trees in his way. Many players would have punched out, and taken their chances at making par from the fairway with a good wedge shot. Instead, he pulled out a high-lofted wedge and hit his approach shot over a tree, landing on the green where he one-putted for the win. In a Men's Vogue article, Mickelson recounted his effort to lose with the help of trainer Sean Cochran. "Once the younger players started to come on tour, he realized that he had to start working out to maintain longevity in his career," Cochran said. Mickelson's regimen consisted of increasing flexibility and power, eating five smaller meals a day, aerobic training, and carrying his own golf bag. Mickelson was inducted into the National Italian American Sports Hall of Fame in 2008. 2009 Mickelson won his first 2009 tour event when he defended his title at the Northern Trust Open at Riviera, one stroke ahead of Steve Stricker. The victory was Mickelson's 35th on tour; he surpassed Vijay Singh for second place on the current PGA Tour wins list. A month later, he won his 36th, and his first World Golf Championship, at the WGC-CA Championship with a one-stroke win over Nick Watney. On May 20, it was announced that his wife Amy was diagnosed with breast cancer, and Mickelson announced that he would suspend his PGA Tour schedule indefinitely. She would begin treatment with major surgery as early as the following two weeks. Mickelson was scheduled to play the HP Byron Nelson Championship May 21–24, and to defend his title May 28–31 at the Crowne Plaza Invitational at Colonial, but withdrew from both events. During the final round of the 2009 BMW PGA Championship, fellow golfer and family friend John Daly wore bright pink trousers in support of Mickelson's wife. Also, the next Saturday, at the Crowne Plaza Invitational at Colonial, a "Pink Out" event was hosted, and the PGA Tour players all wore pink that day, to support the Mickelson family. On May 31, Mickelson announced that he would return to play on the PGA Tour in June at the St. Jude Classic and the U.S. Open, since he had heard from the doctors treating his wife that her cancer had been detected in an early stage. Mickelson shot a final round 70 at the 2009 U.S. Open and recorded his fifth runner-up finish at the U.S. Open. He shared the lead after an eagle at the 13th hole, but fell back with bogeys on 15 and 17; Lucas Glover captured the championship. On July 6, it was announced that his mother Mary was diagnosed with breast cancer and would have surgery at the same hospital where his wife was treated. After hearing the news that his mother had been diagnosed with breast cancer, Mickelson took another leave of absence from the tour, missing The Open Championship at Turnberry. On July 28, Mickelson announced he would return in August at the WGC-Bridgestone Invitational, the week before the PGA Championship at Hazeltine National Golf Club in Chaska, Minnesota. In September, Mickelson won The Tour Championship for the second time in his career. He entered the final round four strokes off the lead, but shot a final round 65 to win the event by three strokes over Tiger Woods. With the win, Mickelson finished the season second behind Woods in the 2009 FedEx Cup standings. On November 8, Mickelson won the WGC-HSBC Champions by one shot over Ernie Els in Shanghai. 2010: Third Masters win In 2010, Mickelson won the Masters Tournament on April 11 with a 16-under-par performance, giving him a three-stroke win over Lee Westwood. The win marked the third Masters victory for Mickelson and his fourth major championship overall. Critical to Mickelson's win was a dramatic run in the third round on Saturday in which Mickelson, trailing leader Westwood by five strokes as he prepared his approach shot to the 13th green, proceeded to make eagle, then to hole-out for eagle from 141 yards at the next hole, the par 4 14th, then on the next, the par 5 15th, to miss eagle from 81 yards by mere inches. After tapping in for birdie at 15, Mickelson, at −12, led Westwood, at −11, who had bogeyed hole 12 and failed to capitalize on the par 5 13th, settling for par. Westwood recaptured a one-stroke lead by the end of the round, but the momentum carried forward for Mickelson into round 4, where he posted a bogey-free 67 to Westwood's 71. No other pursuer was able to keep pace to the end, though K. J. Choi and Anthony Kim made notable charges. For good measure, Mickelson birdied the final hole and memorably greeted his waiting wife, Amy, with a prolonged hug and kiss. For many fans, Mickelson's finish in the tournament was especially poignant, given that Amy had been suffering from breast cancer during the preceding year. Mary Mickelson, Phil's mother, was also dealing with cancer. CBS Sports announcer Jim Nantz's call of the final birdie putt, "That's a win for the family," was seen by many as capturing the moment well. Tiger Woods had a dramatic return to competitive play after a scandal-ridden 20-week absence; he was in close contention throughout for the lead and finished tied with Choi for 4th at −11. Mickelson and others showed exciting play over the weekend, and the 2010 Masters had strong television ratings in the United States, ranking third all-time to Woods's historic wins in 1997 and 2001. Mickelson's win left him second only to Woods in major championships among his competitive contemporaries, moving him ahead of Ernie Els, Vijay Singh and Pádraig Harrington, with three major championships each and each, like Mickelson, with dozens of worldwide wins. Remainder of 2010 Mickelson, one of the favorites for the U.S. Open at Pebble Beach, shot 75 and 66 on Thursday and Friday to sit two shots off the lead. However, two weekend scores of 73 gave him a T4 finish. During the remainder of the 2010 season, Mickelson had multiple opportunities to become the number one player in the world rankings following the travails of Tiger Woods. However, a string of disappointing finishes by Mickelson saw the number one spot eventually go to Englishman Lee Westwood. In the days leading up to the PGA Championship at Whistling Straits (near Kohler, Wisconsin), Mickelson announced he had been diagnosed with psoriatic arthritis. He added that he had started medical treatment, and had become a vegetarian in hopes of aiding his recovery. He maintains that both his short- and long-term prognosis are good, that the condition should have no long-term effect on his golfing career, and that he currently feels well. He also stated that the arthritis may go into permanent remission after one year of medical treatment. He went on to finish the championship T12, five shots behind winner Martin Kaymer. 2011 Mickelson started his 2011 season at the Farmers Insurance Open at Torrey Pines Golf Course. He shot and was tied for the 54 hole lead with Bill Haas. Mickelson needed to hole out on the 18th hole for eagle from 74 yards to force a playoff with Bubba Watson. He hit it to 4 feet and Watson won the tournament. On April 3, Mickelson won the Shell Houston Open with a 20-under-par, three-stroke win over Scott Verplank. Mickelson rose to No. 3 in the world ranking, while Tiger Woods fell to No. 7. Mickelson had not been ranked above Woods since the week prior to the 1997 Masters Tournament. At The Open Championship, Mickelson recorded just his second top-ten finish in 18 tournaments by tying for second with Dustin Johnson. His front nine 30 put him briefly in a tie for the lead with eventual champion Darren Clarke. However, some putting problems caused him to fade from contention toward the end, to finish in a tie for second place. 2012: 40th career PGA Tour win Mickelson made his 2012 debut at the Humana Challenge and finished tied for 49th. He missed the cut at the Farmers Insurance Open after shooting rounds of 77 and 68. In the final round of the AT&T Pebble Beach National Pro-Am, Mickelson rallied from six shots back, winning the tournament by two strokes with a final-round score of 8-under 64 and a four-round total of 269. The win marked his 40th career victory on the PGA Tour. The following week at Riviera Country Club, Mickelson lost the Northern Trust Open in a three-way playoff. He had held the lead or a share of it from day one until the back nine on Sunday when Bill Haas posted the clubhouse lead at seven under par. Mickelson holed a 27-foot birdie putt on the final regulation hole to force a playoff alongside Haas and Keegan Bradley. Haas however won the playoff with a 40-foot birdie putt on the second playoff hole. The second-place finish moved Mickelson back into the world's top 10. Mickelson finished tied for third at the Masters. After opening the tournament with a two-over-par 74, he shot 68–66 in the next two rounds and ended up one stroke behind leader Peter Hanson by Saturday night. Mickelson had a poor start to his fourth round, scoring a triple-bogey when he hit his ball far to the left of the green on the par-3 4th hole, hitting the stand and landing in a bamboo plant. This ended up being Mickelson's only score over par in the whole round, and he ended with a score of eight-under overall. Earlier in the tournament he had received widespread praise for being present to watch Jack Nicklaus, Arnold Palmer, and Gary Player hit the ceremonial opening tee-shots, nearly seven hours before Mickelson's own tee time. Mickelson made a charge during the final round at the HP Byron Nelson Championship, but bogeyed the 17th and 18th, finishing T-7th. He then withdrew from the Memorial Tournament, citing mental fatigue, after a first-round 79. He was to be paired with Tiger Woods and Bubba Watson at the U.S. Open. He fought to make the cut in the U.S. Open, and finished T-65th. After taking a couple of weeks off, he played in the Greenbrier Classic. Putting problems meant a second straight missed cut at the Greenbrier and a third missed cut at 2012 Open Championship, shooting 73-78 (11 over par). He finished T-43rd at the WGC-Bridgestone Invitational. He then finished T-36th at the PGA Championship. To start the 2012 FedEx Cup Playoffs, Mickelson finished T38 at The Barclays, +1 for the tournament. He tied with Tiger Woods, Zach Johnson, and five other players. In this tournament, he started using the claw putting grip on the greens. At the next event, the Deutsche Bank Championship, he finished the tournament with a −14, tied for 4th with Dustin Johnson. At the BMW Championship, Mickelson posted a −16 for the first three rounds, one of those rounds being a −8, 64. On the final day, Mickelson shot a −2, 70, to finish tied for 2nd, with Lee Westwood, two shots behind leader, and back-to-back winner, Rory McIlroy. At the Tour Championship, he ended up finishing tied for 15th. He went on to have a 3–1 record at the Ryder Cup; however, the USA team lost the event. 2013 Mickelson began the 2013 season in January by playing in the Humana Challenge, where he finished T37 at −17. His next event was the following week in his home event near San Diego at the Farmers Insurance Open. Mickelson endured a disappointing tournament, finishing T51, shooting all four rounds in the 70s. In the first round of the Waste Management Phoenix Open, Mickelson tied his career-low round of 60. He made seven birdies in his first nine holes and needed a birdie on the 18th hole to equal the PGA Tour record of 59. However, his 25-foot birdie putt on the final hole lipped out, resulting in him missing out by a single shot on making only the sixth round of 59 in PGA Tour history. Mickelson led the tournament wire-to-wire and completed a four-shot win over Brandt Snedeker for his 41st PGA Tour victory and 3rd Phoenix Open title. Mickelson's score of 28-under-par tied Mark Calcavecchia's tournament scoring record. He also moved back inside the world's top 10 after falling down as far as number 22. Sixth runner-up finish at the U.S. Open At the U.S. Open at Merion, Mickelson entered the final round leading by one stroke after rounds of over the first three days, but he started the final round by three-putting the 3rd and 5th holes for double-bogeys to fall out of the lead. He regained the lead at the par-four 10th, when he holed his second shot from the rough for an eagle. However, a misjudgment at the short par three 13th saw him fly the green and make a bogey to slip one behind leader Justin Rose. Another bogey followed at the 15th, before narrowly missing a birdie putt on the 16th that would have tied Rose. Mickelson could not make a birdie at the 17th and after a blocked drive on the 18th, he could not hole his pitch from short of the green, which led to a final bogey. Mickelson ended up finishing tied for second with Jason Day, two strokes behind Justin Rose. It was the sixth runner-up finish of Mickelson's career at the U.S. Open, an event record and only behind Jack Nicklaus's seven runner-up finishes at The Open Championship. After the event, Mickelson called the loss heartbreaking and said "this is tough to swallow after coming so close ... I felt like this was as good an opportunity I could ask for and to not get it ... it hurts." It was also Father's Day, which happened to be his birthday. Fifth major title at the Open Championship The week before The Open Championship, Mickelson warmed up for the event by winning his first tournament on British soil at the Scottish Open on July 14, after a sudden-death playoff against Branden Grace. After this victory, Mickelson spoke of his confidence ahead of his participation in the following week's major championship. Mickelson said: "I've never felt more excited going into The Open. I don't think there's a better way to get ready for a major than playing well the week before and getting into contention. Coming out on top just gives me more confidence." The following week, Mickelson won his fifth major title on July 21 at the Open Championship (often referred to as the British Open) Muirfield Golf Links in Scotland; the Open Championship is the oldest of the four major tournaments in professional golf. This was the first time in history that anyone had won both the Scottish Open and The Open Championship in the same year. Mickelson birdied four of the last six holes in a brilliant final round of 66 to win the title by three strokes. He shed tears on the 18th green after completing his round. Mickelson later said: "I played arguably the best round of my career, and shot the round of my life. The range of emotions I feel are as far apart as possible after losing the U.S. Open. But you have to be resilient in this game." In an interview before the 2015 Open, Mickelson said, "Two years removed from that win, I still can't believe how much it means to me." 2014 and 2015: Inconsistent form and close calls in majors Mickelson missed the cut at the Masters for the first time since 1997. He failed to contend at the U.S. Open at Pinehurst in his first bid to complete the career grand slam. Mickelson's lone top-10 of the PGA Tour season came at the year's final major, the PGA Championship at Valhalla. Mickelson shot rounds of 69-67-67-66 to finish solo second, one shot behind world number one Rory McIlroy. Prior to the 2015 Masters, Mickelson's best finish in 2015 was a tie for 17th. At the Masters, Mickelson shot rounds of to finish tied for second with Justin Rose, four shots behind champion Jordan Spieth. The second-place finish was Mickelson's tenth such finish in a major, placing him second all-time only to Jack Nicklaus in that regard. At The Open Championship, Mickelson shot rounds of and was eight shots behind, outside the top forty. In the final round, Mickelson birdied the 15th hole to move to 10 under and within two of the lead. After a missed birdie putt on 16, Mickelson hit his drive on the infamous Road Hole (17th) at the famed Old Course at St Andrews onto a second-floor balcony of the Old Course Hotel. The out-of-bounds drive lead to a triple-bogey 7 that sent Mickelson tumbling out of contention. Later in the year, it was announced that Mickelson would leave longtime swing coach Butch Harmon, feeling as though he needed to hear a new perspective on things. 2016: New swing coach After leaving Butch Harmon, Mickelson hired Andrew Getson of Grayhawk Golf Club in Scottsdale, Arizona, to serve as his new swing coach. The two worked together heavily in the 2015 offseason to get Mickelson's swing back. Under Getson's guidance, Mickelson made his 2016 debut at the CareerBuilder Challenge. He shot rounds of to finish in a tie for third place at 21-under-par. It was only Mickelson's fifth top-five finish since his win at the 2013 Open Championship. The third-place finish was Mickelson's highest finish in his first worldwide start of a calendar year since he won the same event to begin the 2004 season. At the AT&T Pebble Beach Pro-Am, Mickelson shot rounds of to finish in solo second place, a shot behind Vaughn Taylor. Mickelson lipped out a five-foot birdie putt to force a playoff on the 72nd hole. He entered the final round with a two-stroke lead, his first 54-hole lead since the 2013 U.S. Open and was seeking to end a winless drought dating back 52 worldwide events to the 2013 Open Championship. Mickelson shot a 63 in the opening round of The Open Championship at Royal Troon. The round set a new course record and matched the previous major championship record for lowest round. Mickelson had a birdie putt that narrowly missed on the final hole to set a new major championship scoring record of 62. He followed this up with a 69 in the second round for a 10 under par total and a one-shot lead over Henrik Stenson going into the weekend. In the third round, Mickelson shot a one-under 70 for a total of 11 under par to enter the final round one shot back of Stenson. Despite Mickelson's bogey-free 65 in the final round, Stenson shot 63 to win by three shots. Mickelson finished 11 strokes clear of 3rd place, a major championship record for a runner-up. Mickelson's 267 total set a record score for a runner-up in the British Open, and only trails Mickelson's 266 at the 2001 PGA Championship as the lowest total by a runner-up in major championship history. 2017: Recovery from surgeries In the fall of 2016, Mickelson had two sports hernia surgeries. Those in the golf community expected him to miss much time recovering, however his unexpected return at the CareerBuilder Challenge was a triumphant one, leading to a T-21 finish. The next week, in San Diego, he narrowly missed an eagle putt on the 18th hole on Sunday that would've got him to 8-under par instead posting −7 to finish T14 at the Farmers Insurance Open. The following week, at the Waste Management Phoenix Open, which he has won three times, he surged into contention following a Saturday 65. He played his first nine holes in 4-under 32 and sending his name to the top of the leaderboard. However, his charge faltered with bogeys at 11, 12, 14, 15, and a double bogey at the driveable 17th hole. He stumbled with a final round 71, still earning a T-16 finish, for his sixth straight top-25 finish on tour. Mickelson came close to winning again at the FedEx St. Jude Classic where he had finished in second place the previous year to Daniel Berger. He started the final round four strokes behind leaders but he quickly played himself into contention. Following a birdie at the 10th hole he vaulted to the top of leaderboard but found trouble on the 12th hole. His tee shot carried out of bounds and his fourth shot hit the water so he had to make a long putt to salvage triple-bogey. He managed to get one shot back but he finished three shots behind winner Berger, in ninth place, for the second straight year. Two weeks later he withdrew from the U.S. Open to attend his daughter's high school graduation. A week later his longtime caddie Jim (Bones) Mackay left Mickelson in a mutual agreement. Mickelson then missed the cut at both The Open Championship and the PGA Championship. On September 6, days after posting his best finish of the season of T6 at the Dell Technologies Championship, Mickelson was named as a captain's pick for the Presidents Cup. This maintained a streak of 23 consecutive USA teams in the Presidents Cup and Ryder Cup, dating back to 1994. 2018–2019: Winless streak ends On March 4, 2018, Mickelson ended a winless drought that dated back to 2013, by capturing his third WGC championship at the WGC-Mexico Championship, with a final-round score of 66 and a total score of −16. Mickelson birdied two of his last four holes and had a lengthy putt to win outright on the 72nd hole, but tied with Justin Thomas. He defeated Thomas on the first extra hole of a sudden-death playoff with a par. After Thomas had flown the green, Mickelson had a birdie to win the playoff which lipped out. Thomas however could not get up and down for par, meaning Mickelson claimed the championship. The win was Mickelson's 43rd on the PGA Tour and his first since winning the 2013 Open Championship. He also became the oldest winner of a WGC event, at age 47. In the third round of the 2018 U.S. Open, Mickelson incurred a two-stroke penalty in a controversial incident on the 13th hole when he hit his ball with intent while it was still moving. He ended up shooting 81 (+11). His former coach Butch Harmon thought Mickelson should have been disqualified. Mickelson was a captain's pick for Team USA at the 2018 Ryder Cup, held in Paris between September 28 and 30. Paired with Bryson DeChambeau in the Friday afternoon foursomes, they lost 5 and 4 to Europe's Sergio García and Alex Norén. In the Sunday singles match, Mickelson lost 4 and 2 to Francesco Molinari, as Team USA slumped to a 17.5 to 10.5 defeat. On November 23, 2018, Mickelson won the pay-per-view event, Capital One's The Match. This was a $9,000,000 winner-takes-all match against Tiger Woods at Shadow Creek Golf Course in Las Vegas. Mickelson needed four extra holes to beat Woods, which he did by holing a four-foot putt after Woods missed a seven-foot putt on the 22nd hole. In his third start of the 2019 calendar year, Mickelson won the AT&T Pebble Beach Pro-Am, shooting a bogey-free final round 65 to defeat Paul Casey by three strokes. The win was Mickelson's 44th career title on the PGA Tour, and his fifth at Pebble Beach, tying Mark O'Meara for most victories in the event. At 48 years of age, he also became the oldest winner of that event. 2020: PGA Tour season and PGA Tour Champions debut In December 2019, Mickelson announced via Twitter that "after turning down opportunities to go to the Middle East for many years" he would play in the 2020 Saudi International tournament on the European Tour and would miss Waste Management Phoenix Open for the first time since 1989. However, his decision to visit and play in Saudi Arabia was criticized for getting lured by millions of dollars and ignoring the continuous human rights abuses in the nation. Mickelson went on to finish the February 2020 event tied for third. Mickelson finished 3rd at the 2020 AT&T Pebble Beach Pro-Am and tied for 2nd in the WGC-FedEx St. Jude Invitational. Mickelson was the first player over 50 to finish in the top five of a World Golf Championship event. He was ultimately eliminated from the FedEx Cup Playoffs following The Northern Trust at TPC Boston in August 2020. One week later, Mickelson made his debut on the PGA Tour Champions. He won the Charles Schwab Series at Ozarks National in his first tournament after becoming eligible for PGA Tour Champions on his 50th birthday on June 16, 2020. He was the 20th player to win their debut tournament on tour. Mickelson's 191 stroke total tied the PGA Tour Champions all-time record for a three-day event. In October 2020, Mickelson won the Dominion Energy Charity Classic in Virginia. It was his second win in as many starts on the PGA Tour Champions. 2021: The oldest major champion In February 2021, Mickelson was attempting to become the first player in PGA Tour Champions history to win his first three tournaments on tour. However, he fell short in the Cologuard Classic, finishing in a T-20 position with a score of 4 under par. In May 2021, Mickelson held the 54-hole lead at the PGA Championship at the Kiawah Island Golf Resort in South Carolina, leading Brooks Koepka by one shot with one day to play. He shot a final-round 73 to capture the tournament, defeating Koepka and Louis Oosthuizen by two strokes, becoming the oldest major champion; at 50. As Mickelson walked down the fairway following an excellent second shot from the left rough on the 18th hole, thousands of fans engulfed him, with him walking towards the hole constantly tipping his hat and giving the thumbs up to the crowd as they cheered. However, the massive tumult of people meant playing partner Brooks Koepka was stranded in the sea of people, and with difficulties, he managed to reach the green to finish the hole. Mickelson eventually emerged from the crowd and two-putted for par, finishing the tournament at 6-under, besting the field by two strokes. In October 2021, Mickelson won for the third time in four career starts on the PGA Tour Champions. Mickelson shot a final round 4-under-par 68 to win the inaugural Constellation Furyk & Friends over Miguel Ángel Jiménez in Jacksonville, Florida. In November 2021, Mickelson won the season-ending Charles Schwab Cup Championship in Phoenix, Arizona, with a final round six-under par 65. This victory was Mickelson's fourth win in six career starts on PGA Tour Champions. 2022: Saudi Arabia controversy Mickelson admitted in an interview to overlooking Saudi Arabian human rights violations, including the murder of journalist Jamal Khashoggi and execution of LGBTQ+ individuals, to support the Saudi-backed Super Golf League because it offered an opportunity to reshape the PGA Tour. In response to these comments, Mickelson lost multiple longtime sponsors including Callaway Golf and KPMG. Mickelson announced he would be stepping away from golf to spend time with his family. Playing style As a competitor, Mickelson's playing style is described by many as "aggressive" and highly social. His strategy toward difficult shots (bad lies, obstructions) would tend to be considered risky. Mickelson has also been characterized by his powerful and sometimes inaccurate driver, but his excellent short game draws the most positive reviews, most of all his daring "Phil flop" shot in which a big swing with a high-lofted wedge against a tight lie flies a ball high into the air for a short distance. Mickelson is usually in the top 10 in scoring, and he led the PGA Tour in birdie average as recently as 2013. Earnings and endorsements Although ranked second on the PGA Tour's all-time money list of tournament prize money won, Mickelson earns far more from endorsements than from prize money. According to one estimate of 2011 earnings (comprising salary, winnings, bonuses, endorsements and appearances) Mickelson was then the second-highest paid athlete in the United States, earning an income of over $62 million, $53 million of which came from endorsements. Major companies which Mickelson currently endorses are ExxonMobil (Mickelson and wife Amy started a teacher sponsorship fund with the company), Rolex and Mizzen+Main. He has been previously sponsored by Titleist, Bearing Point, Barclays, and Ford. After being diagnosed with psoriatic arthritis in 2010, Mickelson was treated with Enbrel and began endorsing the drug. In 2015, Forbes estimated Mickelson's annual income was $51 million. In 2022, Mickelson lost a significant number of sponsors including Callaway Golf, KPMG, Amstel Light and Workday after comments he made about the Saudi-backed golf league, Super Golf League. In an interview, he stated that Saudis are "scary motherfuckers to get involved with... We know they killed [Washington Post reporter and U.S. resident Jamal] Khashoggi and have a horrible record on human rights. They execute people over there for being gay. Knowing all of this, why would I even consider it? Because this is a once-in-a-lifetime opportunity to reshape how the PGA Tour operates." Insider trading settlement On May 30, 2014, The Wall Street Journal reported that the FBI and U.S. Securities and Exchange Commission (SEC) were investigating Mickelson and associates of his for insider trading in Clorox stock. Mickelson denied any wrongdoing, and the investigation found "no evidence" and concluded without any charges. On May 19, 2016, Mickelson was named as a relief defendant in another SEC complaint alleging insider trading but completely avoided criminal charges in a parallel case brought in the Federal District Court for the Southern District of New York. The action stems for trades in Dean Foods in 2012 in conjunction with confidential information provided by Thomas Davis, a former director of Dean Foods Company, who tipped his friend and "professional sports bettor" Billy Walters. The SEC did not allege that Walters actually told Mickelson of any material, nonpublic information about Dean Foods, and the SEC disgorged Mickelson of the $931,000 profit he had made from trading Dean Foods stock and had him pay prejudgment interest of $105,000. In 2017, Walters was convicted of making $40 million on Davis's private information from 2008 to 2014 by a federal jury. At that time, it was also noted that Mickelson had "once owed nearly $2 million in gambling debts to" Walters. Walters's lawyer said his client would appeal the 2017 verdict. Amateur wins 1980 Junior World Golf Championships (Boys 9–10) 1989 NCAA Division I Championship 1990 Pac-10 Championship, NCAA Division I Championship, U.S. Amateur, Porter Cup 1991 Western Amateur 1992 NCAA Division I Championship Professional wins (57) PGA Tour wins (45) *Note: Tournament shortened to 54 holes due to weather. PGA Tour playoff record (8–4) European Tour wins (11) 1Co-sanctioned by the Asian Tour, Sunshine Tour and PGA Tour of Australasia European Tour playoff record (3–1) Challenge Tour wins (1) Other wins (4) Other playoff record (1–1) PGA Tour Champions wins (4) Major championships Wins (6) Results timeline Results not in chronological order in 2020. LA = Low amateur CUT = missed the half-way cut "T" = tied NT = No tournament due to COVID-19 pandemic Summary Most consecutive cuts made – 30 (1999 PGA – 2007 Masters) Longest streak of top-10s – 5 (2004 Masters – 2005 Masters) The Players Championship Wins (1) Results timeline CUT = missed the halfway cut "T" indicates a tie for a place C = Canceled after the first round due to the COVID-19 pandemic World Golf Championships Wins (3) Results timeline Results not in chronological order prior to 2015. 1Cancelled due to 9/11 2Cancelled due to COVID-19 pandemic QF, R16, R32, R64 = Round in which player lost in match play "T" = tied NT = No Tournament Note that the HSBC Champions did not become a WGC event until 2009. PGA Tour career summary * As of 2021 season. † Mickelson won as an amateur in 1991 and therefore did not receive any prize money. U.S. national team appearances Amateur Walker Cup: 1989, 1991 (winners) Eisenhower Trophy: 1990 Professional Presidents Cup: 1994 (winners), 1996 (winners), 1998, 2000 (winners), 2003 (tie), 2005 (winners), 2007 (winners), 2009 (winners), 2011 (winners), 2013 (winners), 2015 (winners), 2017 (winners) Ryder Cup: 1995, 1997, 1999 (winners), 2002, 2004, 2006, 2008 (winners), 2010, 2012, 2014, 2016 (winners), 2018 Alfred Dunhill Cup: 1996 (winners) Wendy's 3-Tour Challenge (representing PGA Tour): 1997 (winners), 2000 (winners) World Cup: 2002 See also List of golfers with most European Tour wins List of golfers with most PGA Tour wins List of men's major championships winning golfers Monday Night Golf References External links On Course With Phil American male golfers PGA Tour golfers PGA Tour Champions golfers Ryder Cup competitors for the United States Sports controversies Winners of men's major golf championships Arizona State Sun Devils men's golfers Left-handed golfers World Golf Hall of Fame inductees Golfers from Scottsdale, Arizona Golfers from San Diego American people of Italian descent American people of Portuguese descent American people of Swedish descent 1970 births Living people

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What was Sam's role in the texas revolution

What was Sam Houston's role in the Texas Revolution?

Sam Houston

Houston's political reputation suffered further due to the publicity related to the trial for his assault of Stanbery. He left for Texas in December 1832 and was immediately swept up in the politics of what was still a part of the Mexican state of Coahuila, attending the Convention of 1833 as representative for Nacogdoches. Houston emerged as a supporter of William Harris Wharton and his brother, who promoted independence from Mexico. This was the more radical position of the American settlers and Tejanos in Texas. He also attended the Consultation of 1835, and the Texas Army commissioned him as Major General in November 1835. He negotiated a peace settlement with the Cherokee of East Texas in February 1836 to allay their fears about independence. Houston was selected as Commander-in-Chief at the convention to declare Texan independence in March 1836, and he signed the Texas Declaration of Independence on March 2, 1836, his 43rd birthday. Mexican soldiers killed almost all of those at the Alamo Mission at the end of a 13-day siege on March 6. On March 11, Houston joined what constituted his army at Gonzales: 374 poorly equipped, poorly trained, and poorly supplied recruits. Word of the defeat at the Alamo reached him and, while he waited for confirmation, he organized the recruits as the 1st Regiment Volunteer Army of Texas. On March 13, Houston retreated before the superior forces of Mexican General Antonio Lopez de Santa Anna, as he was short on rations. Heavy rain fell nearly every day, causing severe morale problems among the exposed troops struggling through the mud. He received additional troops near present-day La Grange, after four days' march, and continued east two days later with 600 men. At Goliad, Santa Anna ordered the execution of more than 400 volunteer Texas militia led by James Fannin, who had surrendered his forces on March 20. Houston's forces were joined by 130 more men on March 26 near present-day Columbus, and the next day he learned of the Fannin disaster. Houston continued his retreat eastward toward the Gulf coast, drawing criticism for his perceived lack of willingness to fight, and two companies refused to retreat further on March 29 while they were camped along the Brazos River. Houston decided to use the opportunity for rudimentary training and discipline of his force. On April 2, he organized the 2nd Regiment and received a battalion of regulars, and he ordered all troops along the Brazos to join the main army on April 11, approximately 1,500 men in all. He began crossing the Brazos on April 12. Santa Anna finally caught up with the Texans, but he had split his own army into three separate forces in an attempt to encircle Houston's forces. Houston surprised Santa Anna's forces during their afternoon siesta at the Battle of San Jacinto on April 21, 1836. The Texans won a decisive victory in less than 18 minutes, suffering few casualties, although Houston's ankle was shattered by a stray bullet. Santa Anna was badly beaten and forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed on briefly for negotiations, then returned to the United States for treatment of his ankle wound. CANNOTANSWER

Houston was selected as Commander-in-Chief at the convention to declare Texan independence in March 1836,

Samuel Houston (, ; March 2, 1793 – July 26, 1863) was an American general and statesman who played an important role in the Texas Revolution. He served as the first and third president of the Republic of Texas and was one of the first two individuals to represent Texas in the United States Senate. He also served as the sixth governor of Tennessee and the seventh governor of Texas, the only individual to be elected governor of two different states in the United States. Born in Rockbridge County, Virginia, Houston and his family migrated to Maryville, Tennessee, when Houston was a teenager. Houston later ran away from home and spent about three years living with the Cherokee, becoming known as Raven. He served under General Andrew Jackson in the War of 1812, and after the war, he presided over the removal of many Cherokee from Tennessee. With the support of Jackson and others, Houston won election to the United States House of Representatives in 1823. He strongly supported Jackson's presidential candidacies, and in 1827, Houston was elected as the governor of Tennessee. In 1829, after divorcing his first wife, Houston resigned from office, and moved to Arkansas Territory. Houston settled in Texas in 1832. After the Battle of Gonzales, he helped organize Texas's provisional government and was selected as the top-ranking official in the Texian Army. He led the Texan Army to victory at the Battle of San Jacinto, the decisive battle in Texas's war for independence against Mexico. After the war, Houston won election in the 1836 Texas presidential election. He left office due to term limits in 1838 but won election to another term in the 1841 Texas presidential election. Houston played a key role in the annexation of Texas by the United States in 1845, and in 1846, he was elected to represent Texas in the United States Senate. He joined the Democratic Party and supported President James K. Polk's prosecution of the Mexican–American War. His Senate record was marked by his unionism and opposition to extremists from both the North and South. He voted for the Compromise of 1850, which settled many of the territorial issues left over from the Mexican–American War and the annexation of Texas. He later voted against the Kansas–Nebraska Act because he believed it would lead to increased sectional tensions over slavery, and his opposition to that act led him to leave the Democratic Party. He was an unsuccessful candidate for the presidential nomination of the American Party in the 1856 presidential election and the Constitutional Union Party in the 1860 presidential election. In 1859, Houston won election as the governor of Texas. In this role, he opposed secession and unsuccessfully sought to keep Texas out of the Confederate States of America. He was forced out of office in 1861 and died in 1863. Houston's name has been honored in numerous ways, and he is the eponym of the city of Houston, the fourth most populous city in the United States. Early life Samuel Houston was born in Rockbridge County, Virginia, on March 2, 1793, to Samuel Houston and Elizabeth Paxton. Both of Houston's parents were descended from Scottish and Irish immigrants who had settled in Colonial America in the 1730s, including his great grandfather John Houston. Houston's father was descended from Ulster Scots people. Samuel inherited the Timber Ridge plantation and mansion in Rockbridge County, Virginia that was worked by enslaved African Americans. During the American Revolutionary War, Captain Houston served in Morgan's Rifle Brigade as a paymaster. He served in the Virginia militia, which required him to pay his own expenses and to be away from his family for long periods of time. The plantation and the family's finances suffered as a result. He had five brothers and three sisters: Paxton, Robert, James who married Patience Bills, John, William who married Mary Ball, Isabella, Mary who married Matthew Wallace and then his nephew Williams Wallace, and Eliza who married Samuel Moore. His father, Samuel, planned to sell Timber Ridge and move west to Tennessee, where land was less expensive, but he died in 1806. Elizabeth, his mother, followed through on those plans and settled the family near Maryville, the seat of Blount County, Tennessee. At this time, Tennessee was on the American frontier, and even larger towns like Nashville were vigilant against Native American raids. He had dozens of cousins who lived in the surrounding area of east-central Tennessee. When they arrived, Elizabeth cleared the land, built a house, and planted crops. Her oldest children, Paxton, Isabella, and Robert died within a few years after they arrived in Tennessee. Elizabeth relied on James and John to run the store in Maryville, operate the farm, and watch over the younger children. He had a care-free disposition, however, and liked to escape to explore the frontier. He was at odds with concepts of hell and damnation of his mother's religion, Presbyterianism, and he was not interested schooling. He did take an interest in his father's library, reading works by classical authors like Virgil as well as more recent works by authors such as Jedidiah Morse. Not interested in farming and working in the family store, at the age of 16, he left his family to live with a Cherokee tribe led by Chief John Jolly (Cherokee name: Ahuludegi, also spelled Oolooteka) on Hiwassee Island. Houston formed a close relationship with Jolly and learned the Cherokee language, becoming known as Raven. According to James L. Haley, he appreciated the "free and unsophisticated spiritual expression of the Native Americans". He left the tribe to return to Maryville in 1812, and he was hired at age 19 for a term as the schoolmaster of a one-room schoolhouse. He attended Porter Academy, where he was taught by Rev. Isaac L. Anderson (founder of Maryville College). According to biographer John Hoyt Williams, Houston was not close with his siblings or his parents, and he rarely spoke of them in his later life. Haley states that he was interested in his younger brother's and his sisters' welfare when he lived on Hiwassee Island. He felt used by the rest of the family. War of 1812 and aftermath In 1812, Houston enlisted in the United States Army, which then was engaged in the War of 1812 against Britain and Britain's Native American allies. He quickly impressed the commander of the 39th Infantry Regiment, Thomas Hart Benton, and by the end of 1813, Houston had risen to the rank of the third lieutenant. In early 1814, the 39th Infantry Regiment became a part of the force commanded by General Andrew Jackson, who was charged with putting an end to raids by a faction of the Muscogee (or "Creek") tribe in the Old Southwest. Houston was wounded badly in the Battle of Horseshoe Bend, the decisive battle in the Creek War. Although army doctors expected him to die of his wounds, Houston survived and convalesced in Maryville and other locations. While many other officers lost their positions after the end of the War of 1812 due to military cutbacks, Houston retained his commission with the help of Congressman John Rhea. During that time he was promoted to the rank of second lieutenant. Sometime in early 1817, Sam Houston was assigned to a clerical position in Nashville, serving under the adjutant general for the army's Southern Division. Later in the year, Jackson appointed Houston as a sub-agent to handle the removal of Cherokee from East Tennessee. In February 1818, he received a strong reprimand from Secretary of War John C. Calhoun after he wore Native American dress to a meeting between Calhoun and Cherokee leaders, beginning an enmity that lasted until Calhoun's death in 1850.{{sfn|Haley|2002|pp=24–25</ref> Angry over the incident with Calhoun and an investigation into his activities, Houston resigned from the army in 1818. He continued to act as a government liaison with the Cherokee, and in 1818, he helped some of the Cherokee resettle in Arkansas Territory. Early political career After leaving government service, Houston began an apprenticeship with Judge James Trimble in Nashville. He quickly won admission to the state bar and opened a legal practice in Lebanon, Tennessee. With the aid of Governor Joseph McMinn, Houston won election as the district attorney for Nashville in 1819. He was also appointed as a major general of the Tennessee militia. Like his mentors, Houston was a member of the Democratic-Republican Party, which dominated state and national politics in the decade following the War of 1812. Tennessee gained three seats in the United States House of Representatives after the 1820 United States Census, and, with the support of Jackson and McMinn, Houston ran unopposed in the 1823 election for Tennessee's 9th congressional district. In his first major speech in Congress, Houston advocated for the recognition of Greece, which was fighting a war of independence against the Ottoman Empire. Houston strongly supported Jackson's candidacy in the 1824 presidential election, which saw four major candidates, all from the Democratic-Republican Party, run for president. As no candidate won a majority of the vote, the House of Representatives held a contingent election, which was won by John Quincy Adams. Supporters of Jackson eventually coalesced into the Democratic Party, and those who favored Adams became known as National Republicans. With Jackson's backing, Houston won election as governor of Tennessee in 1827. Governor Houston advocated the construction of internal improvements such as canals, and sought to lower the price of land for homesteaders living on public domain. He also aided Jackson's successful campaign in the 1828 presidential election. In January 1829, Houston married Eliza Allen, the daughter of wealthy plantation owner John Allen of Gallatin, Tennessee. The marriage quickly fell apart possibly because Eliza loved another man. In April 1829, following the collapse of his marriage, Houston resigned as governor of Tennessee. Shortly after leaving office, he traveled to Arkansas Territory to rejoin the Cherokee. Political exile and controversy Houston was reunited with Ahuludegi's group of Cherokee in mid-1829. Because of Houston's experience in government and his connections with President Jackson, several local Native American tribes asked Houston to mediate disputes and communicate their needs to the Jackson administration. In late 1829, the Cherokee accorded Houston tribal membership and dispatched him to Washington to negotiate several issues. In anticipation of the removal of the remaining Cherokee east of the Mississippi River, Houston made an unsuccessful bid to supply rations to the Native Americans during their journey. When Houston returned to Washington in 1832, Congressman William Stanbery alleged that Houston had placed a fraudulent bid in 1830 in collusion with the Jackson administration. On April 13, 1832, after Stanbery refused to answer Houston's letters regarding the incident, Houston beat Stanbery with a cane. After the beating, the House of Representatives brought Houston to trial. By a vote of 106 to 89, the House convicted Houston, and Speaker of the House Andrew Stevenson formally reprimanded Houston. A federal court also required Houston to pay $500 in damages. Texas Revolution In mid-1832, Houston's friends William H. Wharton and John Austin Wharton wrote to convince him to travel to the Mexican possession of Texas, where unrest among the American settlers was growing. The Mexican government had invited Americans to settle the sparsely populated region of Texas, but many of the settlers, including the Whartons, disliked Mexican rule. Houston crossed into Texas in December 1832, and shortly thereafter, he was granted land in Texas. Houston was elected to represent Nacogdoches, Texas at the Convention of 1833, which was called to petition Mexico for statehood (at the time, Texas was part of the state of Coahuila y Tejas). Houston strongly supported statehood, and he chaired a committee that drew a proposed state constitution. After the convention, Texan leader Stephen F. Austin petitioned the Mexican government for statehood, but he was unable to come to an agreement with President Valentín Gómez Farías. In 1834, Antonio López de Santa Anna assumed the presidency, took on new powers, and arrested Austin. In October 1835, the Texas Revolution broke out with the Battle of Gonzales, a skirmish between Texan forces and the Mexican Army. Shortly after the battle, Houston was elected to the Consultation, a congregation of Texas leaders. Along with Austin and others, Houston helped organize the Consultation into a provisional government for Texas. In November, Houston joined with most other delegates in voting for a measure that demanded Texas statehood and the restoration of the 1824 Constitution of Mexico. The Consultation appointed Houston as a major general and the highest-ranking officer of the Texian Army, though the appointment did not give him effective control of the militia units that constituted the Texian Army. Houston helped organize the Convention of 1836, where the Republic of Texas declared independence from Mexico, and appointed him as Commander-in-Chief of the Texas Army. Shortly after the declaration, the convention received a plea for assistance from William B. Travis, who commanded Texan forces under siege by Santa Anna at the Alamo. The convention confirmed Houston's command of the Texian Army and dispatched him to lead a relief of Travis's force, but the Alamo fell before Houston could organize his forces at Gonzales, Texas. Seeking to intimidate Texan forces into surrender, the Mexican army killed every defender at the Alamo; news of the defeat outraged many Texans and caused desertions in Houston's ranks. Commanding a force of about 350 men that numerically was inferior to that of Santa Anna, Houston retreated east across the Colorado River. Though the provisional government, as well as many of his own subordinates, urged him to attack the Mexican army, Houston continued the retreat east, informing his soldiers that they constituted "the only army in Texas now present ... There are but a few of us, and if we are beaten, the fate of Texas is sealed." Santa Anna divided his forces and finally caught up to Houston in mid-April 1836. Santa Anna's force of about 1,350 soldiers trapped Houston's force of 783 men in a marsh; rather than pressing the attack, Santa Anna ordered his soldiers to make camp. On April 21, Houston ordered an attack on the Mexican army, beginning the Battle of San Jacinto. The Texans quickly routed Santa Anna's force, though Houston's horse was shot out under him and his ankle was shattered by a stray bullet. In the aftermath of the Battle of San Jacinto, a detachment of Texans captured Santa Anna. Santa Anna was forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed briefly for negotiations, then returned to the United States for treatment of his ankle wound. President of Texas Victory in the Battle of San Jacinto made Houston a hero to many Texans, and he won the 1836 Texas presidential election, defeating Stephen F. Austin, another former governor who would also receive the honor of having the city of Austin named after him, and Henry Smith. Houston took office on October 22, 1836, after interim president David G. Burnet resigned. During the presidential election, the voters of Texas overwhelmingly indicated their desire for Texas to be annexed by the United States. Houston, meanwhile, faced the challenge of assembling a new government, putting the country's finances in order, and handling relations with Mexico. He selected Thomas Jefferson Rusk as secretary of war, Smith as secretary of the treasury, Samuel Rhoads Fisher as secretary of the navy, James Collinsworth as attorney general, and Austin as secretary of state. Houston sought normalized relations with Mexico, and despite some resistance from the legislature, arranged the release of Santa Anna. Concerned about upsetting the balance between slave states and free states, U.S. President Andrew Jackson refused to push for the annexation of Texas, but in his last official act in office he granted Texas diplomatic recognition. With the United States unwilling to annex Texas, Houston began courting British support; as part of this effort, he urged the end of the importation of slaves into Texas. In early 1837, the government moved to a new capital, the city of Houston, named for the country's first president. In 1838, Houston frequently clashed with Congress over issues such as a treaty with the Cherokee and a land-office act and was forced to put down the Córdova Rebellion, a plot to allow Mexico to reclaim Texas with aid from the Kickapoo Indians. The Texas constitution barred presidents from seeking a second term, so Houston did not stand for re-election in the 1838 election and left office in late 1838. He was succeeded by Mirabeau B. Lamar, who, along with Burnet, led a faction of Texas politicians opposed to Houston. The Lamar administration removed many of Houston's appointees, launched a war against the Cherokee, and established a new capital at Austin, Texas. Meanwhile, Houston opened a legal practice and co-founded a land company with the intent of developing the town of Sabine City. In 1839, he was elected to represent San Augustine County in the Texas House of Representatives.</ref> Houston defeated Burnet in the 1841 Texas presidential election, winning a large majority of the vote. Houston appointed Anson Jones as secretary of state, Asa Brigham as secretary of the treasury, George Washington Hockley as secretary of war, and George Whitfield Terrell as attorney general. The republic faced a difficult financial situation; at one point, Houston commandeered an American brig used to transport Texas soldiers because the government could not afford to pay the brig's captain. The Santa Fe Expedition and other initiatives pursued by Lamar had stirred tensions with Mexico, and rumors frequently raised fears that Santa Anna would launch an invasion of Texas. Houston continued to curry favor with Britain and France, partly in the hope that British and French influence in Texas would encourage the United States to annex Texas. The Tyler administration made the annexation of Texas its chief foreign policy priority, and in April 1844, Texas and the United States signed an annexation treaty. Annexation did not have sufficient support in Congress, and the United States Senate rejected the treaty in June. Henry Clay and Martin Van Buren, the respective front-runners for the Whig and Democratic nominations in the 1844 presidential election, both opposed the annexation of Texas. However, Van Buren's opposition to annexation damaged his candidacy, and he was defeated by James K. Polk, an acolyte of Jackson and an old friend of Houston, at the 1844 Democratic National Convention. Polk defeated Clay in the general election, giving backers of annexation an electoral mandate. Meanwhile, Houston's term ended in December 1844, and he was succeeded by Anson Jones, his secretary of state. In the waning days of his own presidency, Tyler used Polk's victory to convince Congress to approve of the annexation of Texas. Seeking Texas's immediate acceptance of annexation, Tyler made Texas a generous offer that allowed the state to retain control of its public lands, though it would be required to keep its public debt. A Texas convention approved of the offer of annexation in July 1845, and Texas officially became the 28th U.S. state on December 29, 1845. U.S. Senator Mexican–American War and aftermath (1846–1853) In February 1846, the Texas legislature elected Houston and Thomas Jefferson Rusk as Texas's two inaugural U.S. senators. Houston chose to align with the Democratic Party, which contained many of his old political allies, including President Polk. As a former president of Texas, Houston is the only former foreign head of state to have served in the U.S. Congress. He was the first person to serve as the governor of a state and then be elected to the U.S. Senate by another state. In 2018, Mitt Romney became the second. William W. Bibb accomplished the same feat in reverse order. Breaking with the Senate tradition that held that freshman senators were not to address the Senate, Houston strongly advocated in early 1846 for the annexation of Oregon Country. In the Oregon Treaty, reached later in 1846, Britain and the United States agreed to split Oregon Country. Meanwhile, Polk ordered General Zachary Taylor to lead a U.S. army to the Rio Grande, which had been set as the Texas-Mexico border under the Treaty of Velasco; Mexico claimed the Nueces River constituted the true border. After a skirmish between Taylor's unit and the Mexican army, the Mexican–American War broke out in April 1846. Houston initially supported Polk's prosecution of the war, but differences between the two men emerged in 1847. After two years of fighting, the United States defeated Mexico and, through the Treaty of Guadalupe Hidalgo, acquired the Mexican Cession. Mexico also agreed to recognize the Rio Grande as the border between Mexico and Texas. After the war, disputes over the extension of slavery into the territories raised sectional tensions. Unlike most of his Southern colleagues, Houston voted for the Oregon Bill of 1848, which organized Oregon Territory as a free territory. Defending his vote to create a territory that excluded slavery, Houston stated "I would be the last man to wish to do anything injurious to the South, but I do not think that on all occasions we are justified in agitating [slavery]." He criticized both Northern abolitionists and Democratic followers of Calhoun as extremists who sought to undermine the union. He supported the Compromise of 1850, a sectional compromise on slavery on the territories. Under the compromise, California was admitted as a free state, the slave trade was prohibited in the District of Columbia, a more stringent fugitive slave law was passed, and Utah Territory and New Mexico Territory were established. Texas gave up some of its claims on New Mexico, but it retained El Paso, Texas, and the United States assumed Texas's large public debt. Houston sought the Democratic nomination in the 1852 presidential election, but he was unable to consolidate support outside of his home state. The 1852 Democratic National Convention ultimately nominated Franklin Pierce, a compromise nominee, who went on to win the election. Pierce and Buchanan administrations (1853–1859) In 1854, Senator Stephen A. Douglas led the passage of the Kansas–Nebraska Act, which organized Kansas Territory and Nebraska Territory. The act also repealed the Missouri Compromise, an act that had banned slavery in territories north of parallel 36°30′ north. Houston voted against the act, in part because he believed that Native Americans would lose much of their land as a result of the act. He also perceived that it would lead to increased sectional tensions over slavery. Houston's opposition to the Kansas–Nebraska Act led to his departure from the Democratic Party. In 1855, Houston began to be associated publicly with the American Party, the political wing of the nativist and unionist Know Nothing movement. The Whig Party had collapsed after the passage of the Kansas–Nebraska Act, and the Know Nothings and the anti-slavery Republican Party had both emerged as major political movements. Houston's affiliation with the party stemmed in part from his fear of the growing influence of Catholic voters; though he opposed barring Catholics from holding office, he wanted to extend the naturalization period for immigrants to 21 years. He was attracted to the Know Nothing's support for a Native American state as well the party's unionist stance. Houston sought the presidential nomination at the Know Nothing party's 1856 national convention, but the party nominated former President Millard Fillmore. Houston was disappointed by Fillmore's selection as well as the party platform, which did not rebuke the Kansas–Nebraska Act, but he eventually decided to support Fillmore's candidacy. Despite Houston's renewed support, the American Party split over slavery, and Democrat James Buchanan won the 1856 presidential election. The American Party collapsed after the election, and Houston did not affiliate with a national political party for the remainder of his tenure in the senate. In the 1857 Texas gubernatorial election, Texas Democrats nominated Hardin Richard Runnels, who supported the Kansas–Nebraska Act and attacked Houston's record. In response, Houston announced his own candidacy for governor, but Runnels defeated him by a decisive margin. It was the only electoral defeat of his career. After the gubernatorial election, the Texas legislature denied Houston re-election in the senate; Houston rejected calls to resign immediately and served until the end of his term in early 1859. Governor of Texas Houston ran against Runnels in the 1859 gubernatorial election. Capitalizing on Runnels's unpopularity over state issues such as Native American raids, Houston won the election and took office in December 1859. In the 1860 presidential election, Houston and John Bell were the two major contenders for the presidential nomination of the newly formed Constitutional Union Party, which consisted largely of Southern unionists. Houston narrowly trailed Bell on the first ballot of the 1860 Constitutional Union Convention, but Bell clinched the nomination on the second ballot. Nonetheless, some of Houston's Texan supporters nominated him for president in April 1860. Other backers attempted to launch a nationwide campaign, but in August 1860, Houston announced that he would not be a candidate for president. He refused to endorse any of the remaining presidential candidates. In late 1860, Houston campaigned across his home state, calling on Texans to resist those who advocated for secession if Republican nominee Abraham Lincoln won the 1860 election. After Lincoln won the November 1860 presidential election, several Southern states seceded from the United States and formed the Confederate States of America. A Texas political convention voted to secede from the United States on February 1, 1861, and Houston proclaimed that Texas was once again an independent republic, but he refused to recognize that same convention's authority to join Texas to the Confederacy. After Houston refused to swear an oath of loyalty to the Confederacy, the legislature declared the governorship vacant. Houston did not recognize the validity of his removal, but he did not attempt to use force to remain in office, and he refused aid from the federal government to prevent his removal. His successor, Edward Clark, was sworn in on March 18. In an undelivered speech, Houston wrote: On April 19, 1861, he told a crowd: According to historian Randolph Campbell: Houston did everything possible to prevent secession and war, but his first loyalty was to Texas—and the South. Houston refused offers of troops from the United States to keep Texas in the Union and announced on May 10, 1861 that he would stand with the Confederacy in its war effort. Retirement and death After leaving office, Houston returned to his home in Galveston. He later settled in Huntsville, Texas, where he lived in a structure known as the Steamboat House. In the midst of the Civil War, Houston was shunned by many Texas leaders, though he continued to correspond with Confederate officer Ashbel Smith and Texas governor Francis Lubbock. His son, Sam Houston, Jr., served in the Confederate army during the Civil War, but returned home after being wounded at the Battle of Shiloh. Houston's health suffered a precipitous decline in April 1863, and he died on July 26, 1863, at 70 years of age. The inscription on Houston's tomb reads: A Brave Soldier. A Fearless Statesman. A Great Orator—A Pure Patriot. A Faithful Friend, A Loyal Citizen. A Devoted Husband and Father. A Consistent Christian—An Honest Man. Personal life In January 1829 Houston, then Governor of Tennessee, married 19-year-old Eliza Allen. The marriage lasted 11 weeks. Neither Houston nor Eliza ever gave a reason for their separation, but Eliza refused to sanction divorce. Subsequently, he resigned his governorship and went to live with his Cherokee family for three years. In the summer of 1830, Houston married Tiana Rogers (sometimes called Diana), daughter of Chief John "Hellfire" Rogers (1740–1833), a Scots-Irish trader, and Jennie Due (1764–1806), a sister of Chief John Jolly, in a Cherokee ceremony. The ceremony was modest since it was Tiana's second marriage; she was widowed with two children from her previous marriage: Gabriel, born 1819, and Joanna, born 1822. She and Houston first met when she was ten years old, and he was stunned to see how beautiful she was when he returned to her village years later. The two lived together for several years. Tennessee society disapproved of the marriage because under civil law, he was still legally married to Eliza Allen Houston. After declining to accompany Houston to Texas in 1832, Tiana later remarried. She died in 1838 of pneumonia. Will Rogers was her nephew, three generations removed. In 1837, after becoming President of the Republic of Texas, he was able to acquire, from a district court judge, a divorce from Eliza Allen. In 1839, he purchased a horse which became one of the foundation sires of the American Quarter Horse breed named Copperbottom. He owned the horse until its death in 1860. On May 9, 1840, Houston, aged 47, married for a third time. His bride was 21-year-old Margaret Moffette Lea of Marion, Alabama, the daughter of planters. They had eight children. Margaret acted as a tempering influence on her much older husband and convinced him to stop drinking. Although the Houstons had numerous houses, they kept only one continuously: Cedar Point (1840–1863) on Trinity Bay. In 1833, Houston was baptized into the Catholic faith in order to qualify under the existing Mexican law for property ownership in Coahuila y Tejas. The sacrament was held in the living room of the Adolphus Sterne House in Nacogdoches, Texas. By 1854, Margaret had spent 14 years trying to convert Houston to the Baptist church. With the assistance of George Washington Baines, she convinced Houston to convert, and he agreed to adult baptism. Spectators from neighboring communities came to Independence, Texas, to witness the event. On November 19, 1854, Houston was baptized by Rev. Rufus C. Burleson, president of Baylor University, by immersion in Little Rocky Creek, two miles southeast of Independence. Legacy Houston, the largest city in Texas and the American South, is named in his honor. Several other things and places are named for Houston, including Sam Houston State University; Houston County, Minnesota; Houston County, Tennessee; Houston County, Texas. Other monuments and memorials include Sam Houston National Forest, Sam Houston Regional Library and Research Center, U.S. Army post Fort Sam Houston in San Antonio, the USS Sam Houston (SSBN-609), and a sculpture of Houston in the city of Houston's Hermann Park. In addition, a 67-foot-tall statue of Houston, created by sculptor David Adickes, named A Tribute to Courage (and colloquially called "Big Sam") stands next to I-45, between Dallas and Houston, in Huntsville, Texas. Along with Stephen F. Austin, Houston is one of two Texans with a statue in the National Statuary Hall. Houston has been portrayed in works such as Man of Conquest, Gone to Texas, Texas Rising, and The Alamo. In 1960, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum. There is a question about whether Houston made a pejorative comment about Mexicans in an 1835 speech to the Texas volunteer army at Refugio. One second hand source makes this claim; however, subsequent research casts doubt on the source and concludes that the disparaging comment is unlikely to have occurred. See also Joshua Houston History of slavery in Texas List of duels#United States Nathaniel Hale Pryor Notes References Bibliography Works cited Campbell, Randolph B. "Houston, Sam" American National Biography (2000) online Further reading Brinkley, William. The Texas Revolution Texas A&M Press: . Sword of San Jacinto, DeBruhl, Marshall; Random House: . Hitsman, J. Mackay. "The Texas War Of 1835-1836." History Today (Feb 1960) 10#2 pp 116–123. . The Eagle and the Raven; Michener, James A.; State House Press: . External links Sam Houston papers (Woodson Research Center, Fondren Library, Rice University, Houston, Texas) Life of General Houston, 1793–1863 published 1891, hosted by the Portal to Texas History. Sam Houston Memorial Museum in Huntsville, Texas Sam Houston Historic Schoolhouse in Maryville, Tennessee Documentary film Sam Houston: American Statesman, Soldier, and Pioneer. 2009, The Sam Houston Project. Tennessee Encyclopedia of History and Culture entry Tennessee State Library & Archives, Papers of Governor Sam Houston, 1827–1829 Sam Houston Rode a Gray Horse Houston Family Papers, 1836–1869 and undated, in the Southwest Collection/Special Collections Library at Texas Tech University Life and select literary remains of Sam Houston of Texas published 1884 1793 births 1863 deaths 19th-century American politicians American emigrants to Mexico American people of Scottish descent American people of Scotch-Irish descent United States Army personnel of the War of 1812 American prosecutors Army of the Republic of Texas generals Confederate state governors Democratic Party United States senators Democratic-Republican Party members of the United States House of Representatives Democratic-Republican Party state governors of the United States Governors of Tennessee Governors of Texas Independent state governors of the United States Jacksonian members of the United States House of Representatives Know-Nothing United States senators Members of the United States House of Representatives from Tennessee People from Maryville, Tennessee People from Rockbridge County, Virginia People of Texas in the American Civil War People of the Creek War People of the Texas Revolution Presidents of the Republic of Texas Southern Unionists in the American Civil War Tennessee Democratic-Republicans Tennessee Jacksonians Tennessee lawyers Baptists from Texas Texas Consultation delegates Texas Democrats Texas Independents Texas Know Nothings United States Army officers Candidates in the 1860 United States presidential election United States senators from Texas People from Huntsville, Texas People from San Augustine, Texas Signers of the Texas Declaration of Independence Baptists from Tennessee Baptists from Virginia Converts to Baptist denominations from Roman Catholicism American slave owners Houston Houston County, Minnesota Houston County, Tennessee Houston County, Texas

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What else did he do ?

Aside from being selected as Commander-in-Chief at the convention to declare Texan independence, what else did Sam Houston do?

Sam Houston

Houston's political reputation suffered further due to the publicity related to the trial for his assault of Stanbery. He left for Texas in December 1832 and was immediately swept up in the politics of what was still a part of the Mexican state of Coahuila, attending the Convention of 1833 as representative for Nacogdoches. Houston emerged as a supporter of William Harris Wharton and his brother, who promoted independence from Mexico. This was the more radical position of the American settlers and Tejanos in Texas. He also attended the Consultation of 1835, and the Texas Army commissioned him as Major General in November 1835. He negotiated a peace settlement with the Cherokee of East Texas in February 1836 to allay their fears about independence. Houston was selected as Commander-in-Chief at the convention to declare Texan independence in March 1836, and he signed the Texas Declaration of Independence on March 2, 1836, his 43rd birthday. Mexican soldiers killed almost all of those at the Alamo Mission at the end of a 13-day siege on March 6. On March 11, Houston joined what constituted his army at Gonzales: 374 poorly equipped, poorly trained, and poorly supplied recruits. Word of the defeat at the Alamo reached him and, while he waited for confirmation, he organized the recruits as the 1st Regiment Volunteer Army of Texas. On March 13, Houston retreated before the superior forces of Mexican General Antonio Lopez de Santa Anna, as he was short on rations. Heavy rain fell nearly every day, causing severe morale problems among the exposed troops struggling through the mud. He received additional troops near present-day La Grange, after four days' march, and continued east two days later with 600 men. At Goliad, Santa Anna ordered the execution of more than 400 volunteer Texas militia led by James Fannin, who had surrendered his forces on March 20. Houston's forces were joined by 130 more men on March 26 near present-day Columbus, and the next day he learned of the Fannin disaster. Houston continued his retreat eastward toward the Gulf coast, drawing criticism for his perceived lack of willingness to fight, and two companies refused to retreat further on March 29 while they were camped along the Brazos River. Houston decided to use the opportunity for rudimentary training and discipline of his force. On April 2, he organized the 2nd Regiment and received a battalion of regulars, and he ordered all troops along the Brazos to join the main army on April 11, approximately 1,500 men in all. He began crossing the Brazos on April 12. Santa Anna finally caught up with the Texans, but he had split his own army into three separate forces in an attempt to encircle Houston's forces. Houston surprised Santa Anna's forces during their afternoon siesta at the Battle of San Jacinto on April 21, 1836. The Texans won a decisive victory in less than 18 minutes, suffering few casualties, although Houston's ankle was shattered by a stray bullet. Santa Anna was badly beaten and forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed on briefly for negotiations, then returned to the United States for treatment of his ankle wound. CANNOTANSWER

Houston surprised Santa Anna's forces during their afternoon siesta at the Battle of San Jacinto on April 21, 1836.

Samuel Houston (, ; March 2, 1793 – July 26, 1863) was an American general and statesman who played an important role in the Texas Revolution. He served as the first and third president of the Republic of Texas and was one of the first two individuals to represent Texas in the United States Senate. He also served as the sixth governor of Tennessee and the seventh governor of Texas, the only individual to be elected governor of two different states in the United States. Born in Rockbridge County, Virginia, Houston and his family migrated to Maryville, Tennessee, when Houston was a teenager. Houston later ran away from home and spent about three years living with the Cherokee, becoming known as Raven. He served under General Andrew Jackson in the War of 1812, and after the war, he presided over the removal of many Cherokee from Tennessee. With the support of Jackson and others, Houston won election to the United States House of Representatives in 1823. He strongly supported Jackson's presidential candidacies, and in 1827, Houston was elected as the governor of Tennessee. In 1829, after divorcing his first wife, Houston resigned from office, and moved to Arkansas Territory. Houston settled in Texas in 1832. After the Battle of Gonzales, he helped organize Texas's provisional government and was selected as the top-ranking official in the Texian Army. He led the Texan Army to victory at the Battle of San Jacinto, the decisive battle in Texas's war for independence against Mexico. After the war, Houston won election in the 1836 Texas presidential election. He left office due to term limits in 1838 but won election to another term in the 1841 Texas presidential election. Houston played a key role in the annexation of Texas by the United States in 1845, and in 1846, he was elected to represent Texas in the United States Senate. He joined the Democratic Party and supported President James K. Polk's prosecution of the Mexican–American War. His Senate record was marked by his unionism and opposition to extremists from both the North and South. He voted for the Compromise of 1850, which settled many of the territorial issues left over from the Mexican–American War and the annexation of Texas. He later voted against the Kansas–Nebraska Act because he believed it would lead to increased sectional tensions over slavery, and his opposition to that act led him to leave the Democratic Party. He was an unsuccessful candidate for the presidential nomination of the American Party in the 1856 presidential election and the Constitutional Union Party in the 1860 presidential election. In 1859, Houston won election as the governor of Texas. In this role, he opposed secession and unsuccessfully sought to keep Texas out of the Confederate States of America. He was forced out of office in 1861 and died in 1863. Houston's name has been honored in numerous ways, and he is the eponym of the city of Houston, the fourth most populous city in the United States. Early life Samuel Houston was born in Rockbridge County, Virginia, on March 2, 1793, to Samuel Houston and Elizabeth Paxton. Both of Houston's parents were descended from Scottish and Irish immigrants who had settled in Colonial America in the 1730s, including his great grandfather John Houston. Houston's father was descended from Ulster Scots people. Samuel inherited the Timber Ridge plantation and mansion in Rockbridge County, Virginia that was worked by enslaved African Americans. During the American Revolutionary War, Captain Houston served in Morgan's Rifle Brigade as a paymaster. He served in the Virginia militia, which required him to pay his own expenses and to be away from his family for long periods of time. The plantation and the family's finances suffered as a result. He had five brothers and three sisters: Paxton, Robert, James who married Patience Bills, John, William who married Mary Ball, Isabella, Mary who married Matthew Wallace and then his nephew Williams Wallace, and Eliza who married Samuel Moore. His father, Samuel, planned to sell Timber Ridge and move west to Tennessee, where land was less expensive, but he died in 1806. Elizabeth, his mother, followed through on those plans and settled the family near Maryville, the seat of Blount County, Tennessee. At this time, Tennessee was on the American frontier, and even larger towns like Nashville were vigilant against Native American raids. He had dozens of cousins who lived in the surrounding area of east-central Tennessee. When they arrived, Elizabeth cleared the land, built a house, and planted crops. Her oldest children, Paxton, Isabella, and Robert died within a few years after they arrived in Tennessee. Elizabeth relied on James and John to run the store in Maryville, operate the farm, and watch over the younger children. He had a care-free disposition, however, and liked to escape to explore the frontier. He was at odds with concepts of hell and damnation of his mother's religion, Presbyterianism, and he was not interested schooling. He did take an interest in his father's library, reading works by classical authors like Virgil as well as more recent works by authors such as Jedidiah Morse. Not interested in farming and working in the family store, at the age of 16, he left his family to live with a Cherokee tribe led by Chief John Jolly (Cherokee name: Ahuludegi, also spelled Oolooteka) on Hiwassee Island. Houston formed a close relationship with Jolly and learned the Cherokee language, becoming known as Raven. According to James L. Haley, he appreciated the "free and unsophisticated spiritual expression of the Native Americans". He left the tribe to return to Maryville in 1812, and he was hired at age 19 for a term as the schoolmaster of a one-room schoolhouse. He attended Porter Academy, where he was taught by Rev. Isaac L. Anderson (founder of Maryville College). According to biographer John Hoyt Williams, Houston was not close with his siblings or his parents, and he rarely spoke of them in his later life. Haley states that he was interested in his younger brother's and his sisters' welfare when he lived on Hiwassee Island. He felt used by the rest of the family. War of 1812 and aftermath In 1812, Houston enlisted in the United States Army, which then was engaged in the War of 1812 against Britain and Britain's Native American allies. He quickly impressed the commander of the 39th Infantry Regiment, Thomas Hart Benton, and by the end of 1813, Houston had risen to the rank of the third lieutenant. In early 1814, the 39th Infantry Regiment became a part of the force commanded by General Andrew Jackson, who was charged with putting an end to raids by a faction of the Muscogee (or "Creek") tribe in the Old Southwest. Houston was wounded badly in the Battle of Horseshoe Bend, the decisive battle in the Creek War. Although army doctors expected him to die of his wounds, Houston survived and convalesced in Maryville and other locations. While many other officers lost their positions after the end of the War of 1812 due to military cutbacks, Houston retained his commission with the help of Congressman John Rhea. During that time he was promoted to the rank of second lieutenant. Sometime in early 1817, Sam Houston was assigned to a clerical position in Nashville, serving under the adjutant general for the army's Southern Division. Later in the year, Jackson appointed Houston as a sub-agent to handle the removal of Cherokee from East Tennessee. In February 1818, he received a strong reprimand from Secretary of War John C. Calhoun after he wore Native American dress to a meeting between Calhoun and Cherokee leaders, beginning an enmity that lasted until Calhoun's death in 1850.{{sfn|Haley|2002|pp=24–25</ref> Angry over the incident with Calhoun and an investigation into his activities, Houston resigned from the army in 1818. He continued to act as a government liaison with the Cherokee, and in 1818, he helped some of the Cherokee resettle in Arkansas Territory. Early political career After leaving government service, Houston began an apprenticeship with Judge James Trimble in Nashville. He quickly won admission to the state bar and opened a legal practice in Lebanon, Tennessee. With the aid of Governor Joseph McMinn, Houston won election as the district attorney for Nashville in 1819. He was also appointed as a major general of the Tennessee militia. Like his mentors, Houston was a member of the Democratic-Republican Party, which dominated state and national politics in the decade following the War of 1812. Tennessee gained three seats in the United States House of Representatives after the 1820 United States Census, and, with the support of Jackson and McMinn, Houston ran unopposed in the 1823 election for Tennessee's 9th congressional district. In his first major speech in Congress, Houston advocated for the recognition of Greece, which was fighting a war of independence against the Ottoman Empire. Houston strongly supported Jackson's candidacy in the 1824 presidential election, which saw four major candidates, all from the Democratic-Republican Party, run for president. As no candidate won a majority of the vote, the House of Representatives held a contingent election, which was won by John Quincy Adams. Supporters of Jackson eventually coalesced into the Democratic Party, and those who favored Adams became known as National Republicans. With Jackson's backing, Houston won election as governor of Tennessee in 1827. Governor Houston advocated the construction of internal improvements such as canals, and sought to lower the price of land for homesteaders living on public domain. He also aided Jackson's successful campaign in the 1828 presidential election. In January 1829, Houston married Eliza Allen, the daughter of wealthy plantation owner John Allen of Gallatin, Tennessee. The marriage quickly fell apart possibly because Eliza loved another man. In April 1829, following the collapse of his marriage, Houston resigned as governor of Tennessee. Shortly after leaving office, he traveled to Arkansas Territory to rejoin the Cherokee. Political exile and controversy Houston was reunited with Ahuludegi's group of Cherokee in mid-1829. Because of Houston's experience in government and his connections with President Jackson, several local Native American tribes asked Houston to mediate disputes and communicate their needs to the Jackson administration. In late 1829, the Cherokee accorded Houston tribal membership and dispatched him to Washington to negotiate several issues. In anticipation of the removal of the remaining Cherokee east of the Mississippi River, Houston made an unsuccessful bid to supply rations to the Native Americans during their journey. When Houston returned to Washington in 1832, Congressman William Stanbery alleged that Houston had placed a fraudulent bid in 1830 in collusion with the Jackson administration. On April 13, 1832, after Stanbery refused to answer Houston's letters regarding the incident, Houston beat Stanbery with a cane. After the beating, the House of Representatives brought Houston to trial. By a vote of 106 to 89, the House convicted Houston, and Speaker of the House Andrew Stevenson formally reprimanded Houston. A federal court also required Houston to pay $500 in damages. Texas Revolution In mid-1832, Houston's friends William H. Wharton and John Austin Wharton wrote to convince him to travel to the Mexican possession of Texas, where unrest among the American settlers was growing. The Mexican government had invited Americans to settle the sparsely populated region of Texas, but many of the settlers, including the Whartons, disliked Mexican rule. Houston crossed into Texas in December 1832, and shortly thereafter, he was granted land in Texas. Houston was elected to represent Nacogdoches, Texas at the Convention of 1833, which was called to petition Mexico for statehood (at the time, Texas was part of the state of Coahuila y Tejas). Houston strongly supported statehood, and he chaired a committee that drew a proposed state constitution. After the convention, Texan leader Stephen F. Austin petitioned the Mexican government for statehood, but he was unable to come to an agreement with President Valentín Gómez Farías. In 1834, Antonio López de Santa Anna assumed the presidency, took on new powers, and arrested Austin. In October 1835, the Texas Revolution broke out with the Battle of Gonzales, a skirmish between Texan forces and the Mexican Army. Shortly after the battle, Houston was elected to the Consultation, a congregation of Texas leaders. Along with Austin and others, Houston helped organize the Consultation into a provisional government for Texas. In November, Houston joined with most other delegates in voting for a measure that demanded Texas statehood and the restoration of the 1824 Constitution of Mexico. The Consultation appointed Houston as a major general and the highest-ranking officer of the Texian Army, though the appointment did not give him effective control of the militia units that constituted the Texian Army. Houston helped organize the Convention of 1836, where the Republic of Texas declared independence from Mexico, and appointed him as Commander-in-Chief of the Texas Army. Shortly after the declaration, the convention received a plea for assistance from William B. Travis, who commanded Texan forces under siege by Santa Anna at the Alamo. The convention confirmed Houston's command of the Texian Army and dispatched him to lead a relief of Travis's force, but the Alamo fell before Houston could organize his forces at Gonzales, Texas. Seeking to intimidate Texan forces into surrender, the Mexican army killed every defender at the Alamo; news of the defeat outraged many Texans and caused desertions in Houston's ranks. Commanding a force of about 350 men that numerically was inferior to that of Santa Anna, Houston retreated east across the Colorado River. Though the provisional government, as well as many of his own subordinates, urged him to attack the Mexican army, Houston continued the retreat east, informing his soldiers that they constituted "the only army in Texas now present ... There are but a few of us, and if we are beaten, the fate of Texas is sealed." Santa Anna divided his forces and finally caught up to Houston in mid-April 1836. Santa Anna's force of about 1,350 soldiers trapped Houston's force of 783 men in a marsh; rather than pressing the attack, Santa Anna ordered his soldiers to make camp. On April 21, Houston ordered an attack on the Mexican army, beginning the Battle of San Jacinto. The Texans quickly routed Santa Anna's force, though Houston's horse was shot out under him and his ankle was shattered by a stray bullet. In the aftermath of the Battle of San Jacinto, a detachment of Texans captured Santa Anna. Santa Anna was forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed briefly for negotiations, then returned to the United States for treatment of his ankle wound. President of Texas Victory in the Battle of San Jacinto made Houston a hero to many Texans, and he won the 1836 Texas presidential election, defeating Stephen F. Austin, another former governor who would also receive the honor of having the city of Austin named after him, and Henry Smith. Houston took office on October 22, 1836, after interim president David G. Burnet resigned. During the presidential election, the voters of Texas overwhelmingly indicated their desire for Texas to be annexed by the United States. Houston, meanwhile, faced the challenge of assembling a new government, putting the country's finances in order, and handling relations with Mexico. He selected Thomas Jefferson Rusk as secretary of war, Smith as secretary of the treasury, Samuel Rhoads Fisher as secretary of the navy, James Collinsworth as attorney general, and Austin as secretary of state. Houston sought normalized relations with Mexico, and despite some resistance from the legislature, arranged the release of Santa Anna. Concerned about upsetting the balance between slave states and free states, U.S. President Andrew Jackson refused to push for the annexation of Texas, but in his last official act in office he granted Texas diplomatic recognition. With the United States unwilling to annex Texas, Houston began courting British support; as part of this effort, he urged the end of the importation of slaves into Texas. In early 1837, the government moved to a new capital, the city of Houston, named for the country's first president. In 1838, Houston frequently clashed with Congress over issues such as a treaty with the Cherokee and a land-office act and was forced to put down the Córdova Rebellion, a plot to allow Mexico to reclaim Texas with aid from the Kickapoo Indians. The Texas constitution barred presidents from seeking a second term, so Houston did not stand for re-election in the 1838 election and left office in late 1838. He was succeeded by Mirabeau B. Lamar, who, along with Burnet, led a faction of Texas politicians opposed to Houston. The Lamar administration removed many of Houston's appointees, launched a war against the Cherokee, and established a new capital at Austin, Texas. Meanwhile, Houston opened a legal practice and co-founded a land company with the intent of developing the town of Sabine City. In 1839, he was elected to represent San Augustine County in the Texas House of Representatives.</ref> Houston defeated Burnet in the 1841 Texas presidential election, winning a large majority of the vote. Houston appointed Anson Jones as secretary of state, Asa Brigham as secretary of the treasury, George Washington Hockley as secretary of war, and George Whitfield Terrell as attorney general. The republic faced a difficult financial situation; at one point, Houston commandeered an American brig used to transport Texas soldiers because the government could not afford to pay the brig's captain. The Santa Fe Expedition and other initiatives pursued by Lamar had stirred tensions with Mexico, and rumors frequently raised fears that Santa Anna would launch an invasion of Texas. Houston continued to curry favor with Britain and France, partly in the hope that British and French influence in Texas would encourage the United States to annex Texas. The Tyler administration made the annexation of Texas its chief foreign policy priority, and in April 1844, Texas and the United States signed an annexation treaty. Annexation did not have sufficient support in Congress, and the United States Senate rejected the treaty in June. Henry Clay and Martin Van Buren, the respective front-runners for the Whig and Democratic nominations in the 1844 presidential election, both opposed the annexation of Texas. However, Van Buren's opposition to annexation damaged his candidacy, and he was defeated by James K. Polk, an acolyte of Jackson and an old friend of Houston, at the 1844 Democratic National Convention. Polk defeated Clay in the general election, giving backers of annexation an electoral mandate. Meanwhile, Houston's term ended in December 1844, and he was succeeded by Anson Jones, his secretary of state. In the waning days of his own presidency, Tyler used Polk's victory to convince Congress to approve of the annexation of Texas. Seeking Texas's immediate acceptance of annexation, Tyler made Texas a generous offer that allowed the state to retain control of its public lands, though it would be required to keep its public debt. A Texas convention approved of the offer of annexation in July 1845, and Texas officially became the 28th U.S. state on December 29, 1845. U.S. Senator Mexican–American War and aftermath (1846–1853) In February 1846, the Texas legislature elected Houston and Thomas Jefferson Rusk as Texas's two inaugural U.S. senators. Houston chose to align with the Democratic Party, which contained many of his old political allies, including President Polk. As a former president of Texas, Houston is the only former foreign head of state to have served in the U.S. Congress. He was the first person to serve as the governor of a state and then be elected to the U.S. Senate by another state. In 2018, Mitt Romney became the second. William W. Bibb accomplished the same feat in reverse order. Breaking with the Senate tradition that held that freshman senators were not to address the Senate, Houston strongly advocated in early 1846 for the annexation of Oregon Country. In the Oregon Treaty, reached later in 1846, Britain and the United States agreed to split Oregon Country. Meanwhile, Polk ordered General Zachary Taylor to lead a U.S. army to the Rio Grande, which had been set as the Texas-Mexico border under the Treaty of Velasco; Mexico claimed the Nueces River constituted the true border. After a skirmish between Taylor's unit and the Mexican army, the Mexican–American War broke out in April 1846. Houston initially supported Polk's prosecution of the war, but differences between the two men emerged in 1847. After two years of fighting, the United States defeated Mexico and, through the Treaty of Guadalupe Hidalgo, acquired the Mexican Cession. Mexico also agreed to recognize the Rio Grande as the border between Mexico and Texas. After the war, disputes over the extension of slavery into the territories raised sectional tensions. Unlike most of his Southern colleagues, Houston voted for the Oregon Bill of 1848, which organized Oregon Territory as a free territory. Defending his vote to create a territory that excluded slavery, Houston stated "I would be the last man to wish to do anything injurious to the South, but I do not think that on all occasions we are justified in agitating [slavery]." He criticized both Northern abolitionists and Democratic followers of Calhoun as extremists who sought to undermine the union. He supported the Compromise of 1850, a sectional compromise on slavery on the territories. Under the compromise, California was admitted as a free state, the slave trade was prohibited in the District of Columbia, a more stringent fugitive slave law was passed, and Utah Territory and New Mexico Territory were established. Texas gave up some of its claims on New Mexico, but it retained El Paso, Texas, and the United States assumed Texas's large public debt. Houston sought the Democratic nomination in the 1852 presidential election, but he was unable to consolidate support outside of his home state. The 1852 Democratic National Convention ultimately nominated Franklin Pierce, a compromise nominee, who went on to win the election. Pierce and Buchanan administrations (1853–1859) In 1854, Senator Stephen A. Douglas led the passage of the Kansas–Nebraska Act, which organized Kansas Territory and Nebraska Territory. The act also repealed the Missouri Compromise, an act that had banned slavery in territories north of parallel 36°30′ north. Houston voted against the act, in part because he believed that Native Americans would lose much of their land as a result of the act. He also perceived that it would lead to increased sectional tensions over slavery. Houston's opposition to the Kansas–Nebraska Act led to his departure from the Democratic Party. In 1855, Houston began to be associated publicly with the American Party, the political wing of the nativist and unionist Know Nothing movement. The Whig Party had collapsed after the passage of the Kansas–Nebraska Act, and the Know Nothings and the anti-slavery Republican Party had both emerged as major political movements. Houston's affiliation with the party stemmed in part from his fear of the growing influence of Catholic voters; though he opposed barring Catholics from holding office, he wanted to extend the naturalization period for immigrants to 21 years. He was attracted to the Know Nothing's support for a Native American state as well the party's unionist stance. Houston sought the presidential nomination at the Know Nothing party's 1856 national convention, but the party nominated former President Millard Fillmore. Houston was disappointed by Fillmore's selection as well as the party platform, which did not rebuke the Kansas–Nebraska Act, but he eventually decided to support Fillmore's candidacy. Despite Houston's renewed support, the American Party split over slavery, and Democrat James Buchanan won the 1856 presidential election. The American Party collapsed after the election, and Houston did not affiliate with a national political party for the remainder of his tenure in the senate. In the 1857 Texas gubernatorial election, Texas Democrats nominated Hardin Richard Runnels, who supported the Kansas–Nebraska Act and attacked Houston's record. In response, Houston announced his own candidacy for governor, but Runnels defeated him by a decisive margin. It was the only electoral defeat of his career. After the gubernatorial election, the Texas legislature denied Houston re-election in the senate; Houston rejected calls to resign immediately and served until the end of his term in early 1859. Governor of Texas Houston ran against Runnels in the 1859 gubernatorial election. Capitalizing on Runnels's unpopularity over state issues such as Native American raids, Houston won the election and took office in December 1859. In the 1860 presidential election, Houston and John Bell were the two major contenders for the presidential nomination of the newly formed Constitutional Union Party, which consisted largely of Southern unionists. Houston narrowly trailed Bell on the first ballot of the 1860 Constitutional Union Convention, but Bell clinched the nomination on the second ballot. Nonetheless, some of Houston's Texan supporters nominated him for president in April 1860. Other backers attempted to launch a nationwide campaign, but in August 1860, Houston announced that he would not be a candidate for president. He refused to endorse any of the remaining presidential candidates. In late 1860, Houston campaigned across his home state, calling on Texans to resist those who advocated for secession if Republican nominee Abraham Lincoln won the 1860 election. After Lincoln won the November 1860 presidential election, several Southern states seceded from the United States and formed the Confederate States of America. A Texas political convention voted to secede from the United States on February 1, 1861, and Houston proclaimed that Texas was once again an independent republic, but he refused to recognize that same convention's authority to join Texas to the Confederacy. After Houston refused to swear an oath of loyalty to the Confederacy, the legislature declared the governorship vacant. Houston did not recognize the validity of his removal, but he did not attempt to use force to remain in office, and he refused aid from the federal government to prevent his removal. His successor, Edward Clark, was sworn in on March 18. In an undelivered speech, Houston wrote: On April 19, 1861, he told a crowd: According to historian Randolph Campbell: Houston did everything possible to prevent secession and war, but his first loyalty was to Texas—and the South. Houston refused offers of troops from the United States to keep Texas in the Union and announced on May 10, 1861 that he would stand with the Confederacy in its war effort. Retirement and death After leaving office, Houston returned to his home in Galveston. He later settled in Huntsville, Texas, where he lived in a structure known as the Steamboat House. In the midst of the Civil War, Houston was shunned by many Texas leaders, though he continued to correspond with Confederate officer Ashbel Smith and Texas governor Francis Lubbock. His son, Sam Houston, Jr., served in the Confederate army during the Civil War, but returned home after being wounded at the Battle of Shiloh. Houston's health suffered a precipitous decline in April 1863, and he died on July 26, 1863, at 70 years of age. The inscription on Houston's tomb reads: A Brave Soldier. A Fearless Statesman. A Great Orator—A Pure Patriot. A Faithful Friend, A Loyal Citizen. A Devoted Husband and Father. A Consistent Christian—An Honest Man. Personal life In January 1829 Houston, then Governor of Tennessee, married 19-year-old Eliza Allen. The marriage lasted 11 weeks. Neither Houston nor Eliza ever gave a reason for their separation, but Eliza refused to sanction divorce. Subsequently, he resigned his governorship and went to live with his Cherokee family for three years. In the summer of 1830, Houston married Tiana Rogers (sometimes called Diana), daughter of Chief John "Hellfire" Rogers (1740–1833), a Scots-Irish trader, and Jennie Due (1764–1806), a sister of Chief John Jolly, in a Cherokee ceremony. The ceremony was modest since it was Tiana's second marriage; she was widowed with two children from her previous marriage: Gabriel, born 1819, and Joanna, born 1822. She and Houston first met when she was ten years old, and he was stunned to see how beautiful she was when he returned to her village years later. The two lived together for several years. Tennessee society disapproved of the marriage because under civil law, he was still legally married to Eliza Allen Houston. After declining to accompany Houston to Texas in 1832, Tiana later remarried. She died in 1838 of pneumonia. Will Rogers was her nephew, three generations removed. In 1837, after becoming President of the Republic of Texas, he was able to acquire, from a district court judge, a divorce from Eliza Allen. In 1839, he purchased a horse which became one of the foundation sires of the American Quarter Horse breed named Copperbottom. He owned the horse until its death in 1860. On May 9, 1840, Houston, aged 47, married for a third time. His bride was 21-year-old Margaret Moffette Lea of Marion, Alabama, the daughter of planters. They had eight children. Margaret acted as a tempering influence on her much older husband and convinced him to stop drinking. Although the Houstons had numerous houses, they kept only one continuously: Cedar Point (1840–1863) on Trinity Bay. In 1833, Houston was baptized into the Catholic faith in order to qualify under the existing Mexican law for property ownership in Coahuila y Tejas. The sacrament was held in the living room of the Adolphus Sterne House in Nacogdoches, Texas. By 1854, Margaret had spent 14 years trying to convert Houston to the Baptist church. With the assistance of George Washington Baines, she convinced Houston to convert, and he agreed to adult baptism. Spectators from neighboring communities came to Independence, Texas, to witness the event. On November 19, 1854, Houston was baptized by Rev. Rufus C. Burleson, president of Baylor University, by immersion in Little Rocky Creek, two miles southeast of Independence. Legacy Houston, the largest city in Texas and the American South, is named in his honor. Several other things and places are named for Houston, including Sam Houston State University; Houston County, Minnesota; Houston County, Tennessee; Houston County, Texas. Other monuments and memorials include Sam Houston National Forest, Sam Houston Regional Library and Research Center, U.S. Army post Fort Sam Houston in San Antonio, the USS Sam Houston (SSBN-609), and a sculpture of Houston in the city of Houston's Hermann Park. In addition, a 67-foot-tall statue of Houston, created by sculptor David Adickes, named A Tribute to Courage (and colloquially called "Big Sam") stands next to I-45, between Dallas and Houston, in Huntsville, Texas. Along with Stephen F. Austin, Houston is one of two Texans with a statue in the National Statuary Hall. Houston has been portrayed in works such as Man of Conquest, Gone to Texas, Texas Rising, and The Alamo. In 1960, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum. There is a question about whether Houston made a pejorative comment about Mexicans in an 1835 speech to the Texas volunteer army at Refugio. One second hand source makes this claim; however, subsequent research casts doubt on the source and concludes that the disparaging comment is unlikely to have occurred. See also Joshua Houston History of slavery in Texas List of duels#United States Nathaniel Hale Pryor Notes References Bibliography Works cited Campbell, Randolph B. "Houston, Sam" American National Biography (2000) online Further reading Brinkley, William. The Texas Revolution Texas A&M Press: . Sword of San Jacinto, DeBruhl, Marshall; Random House: . Hitsman, J. Mackay. "The Texas War Of 1835-1836." History Today (Feb 1960) 10#2 pp 116–123. . The Eagle and the Raven; Michener, James A.; State House Press: . External links Sam Houston papers (Woodson Research Center, Fondren Library, Rice University, Houston, Texas) Life of General Houston, 1793–1863 published 1891, hosted by the Portal to Texas History. Sam Houston Memorial Museum in Huntsville, Texas Sam Houston Historic Schoolhouse in Maryville, Tennessee Documentary film Sam Houston: American Statesman, Soldier, and Pioneer. 2009, The Sam Houston Project. Tennessee Encyclopedia of History and Culture entry Tennessee State Library & Archives, Papers of Governor Sam Houston, 1827–1829 Sam Houston Rode a Gray Horse Houston Family Papers, 1836–1869 and undated, in the Southwest Collection/Special Collections Library at Texas Tech University Life and select literary remains of Sam Houston of Texas published 1884 1793 births 1863 deaths 19th-century American politicians American emigrants to Mexico American people of Scottish descent American people of Scotch-Irish descent United States Army personnel of the War of 1812 American prosecutors Army of the Republic of Texas generals Confederate state governors Democratic Party United States senators Democratic-Republican Party members of the United States House of Representatives Democratic-Republican Party state governors of the United States Governors of Tennessee Governors of Texas Independent state governors of the United States Jacksonian members of the United States House of Representatives Know-Nothing United States senators Members of the United States House of Representatives from Tennessee People from Maryville, Tennessee People from Rockbridge County, Virginia People of Texas in the American Civil War People of the Creek War People of the Texas Revolution Presidents of the Republic of Texas Southern Unionists in the American Civil War Tennessee Democratic-Republicans Tennessee Jacksonians Tennessee lawyers Baptists from Texas Texas Consultation delegates Texas Democrats Texas Independents Texas Know Nothings United States Army officers Candidates in the 1860 United States presidential election United States senators from Texas People from Huntsville, Texas People from San Augustine, Texas Signers of the Texas Declaration of Independence Baptists from Tennessee Baptists from Virginia Converts to Baptist denominations from Roman Catholicism American slave owners Houston Houston County, Minnesota Houston County, Tennessee Houston County, Texas

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What else did he during the war

Besides surprising Santa Anna's forces at the Battle of San Jacinto, what else did Sam Houston do during the Texas Revolution?

Sam Houston

Houston's political reputation suffered further due to the publicity related to the trial for his assault of Stanbery. He left for Texas in December 1832 and was immediately swept up in the politics of what was still a part of the Mexican state of Coahuila, attending the Convention of 1833 as representative for Nacogdoches. Houston emerged as a supporter of William Harris Wharton and his brother, who promoted independence from Mexico. This was the more radical position of the American settlers and Tejanos in Texas. He also attended the Consultation of 1835, and the Texas Army commissioned him as Major General in November 1835. He negotiated a peace settlement with the Cherokee of East Texas in February 1836 to allay their fears about independence. Houston was selected as Commander-in-Chief at the convention to declare Texan independence in March 1836, and he signed the Texas Declaration of Independence on March 2, 1836, his 43rd birthday. Mexican soldiers killed almost all of those at the Alamo Mission at the end of a 13-day siege on March 6. On March 11, Houston joined what constituted his army at Gonzales: 374 poorly equipped, poorly trained, and poorly supplied recruits. Word of the defeat at the Alamo reached him and, while he waited for confirmation, he organized the recruits as the 1st Regiment Volunteer Army of Texas. On March 13, Houston retreated before the superior forces of Mexican General Antonio Lopez de Santa Anna, as he was short on rations. Heavy rain fell nearly every day, causing severe morale problems among the exposed troops struggling through the mud. He received additional troops near present-day La Grange, after four days' march, and continued east two days later with 600 men. At Goliad, Santa Anna ordered the execution of more than 400 volunteer Texas militia led by James Fannin, who had surrendered his forces on March 20. Houston's forces were joined by 130 more men on March 26 near present-day Columbus, and the next day he learned of the Fannin disaster. Houston continued his retreat eastward toward the Gulf coast, drawing criticism for his perceived lack of willingness to fight, and two companies refused to retreat further on March 29 while they were camped along the Brazos River. Houston decided to use the opportunity for rudimentary training and discipline of his force. On April 2, he organized the 2nd Regiment and received a battalion of regulars, and he ordered all troops along the Brazos to join the main army on April 11, approximately 1,500 men in all. He began crossing the Brazos on April 12. Santa Anna finally caught up with the Texans, but he had split his own army into three separate forces in an attempt to encircle Houston's forces. Houston surprised Santa Anna's forces during their afternoon siesta at the Battle of San Jacinto on April 21, 1836. The Texans won a decisive victory in less than 18 minutes, suffering few casualties, although Houston's ankle was shattered by a stray bullet. Santa Anna was badly beaten and forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed on briefly for negotiations, then returned to the United States for treatment of his ankle wound. CANNOTANSWER

declare Texan independence in March 1836, and he signed the Texas Declaration of Independence on March 2, 1836,

Samuel Houston (, ; March 2, 1793 – July 26, 1863) was an American general and statesman who played an important role in the Texas Revolution. He served as the first and third president of the Republic of Texas and was one of the first two individuals to represent Texas in the United States Senate. He also served as the sixth governor of Tennessee and the seventh governor of Texas, the only individual to be elected governor of two different states in the United States. Born in Rockbridge County, Virginia, Houston and his family migrated to Maryville, Tennessee, when Houston was a teenager. Houston later ran away from home and spent about three years living with the Cherokee, becoming known as Raven. He served under General Andrew Jackson in the War of 1812, and after the war, he presided over the removal of many Cherokee from Tennessee. With the support of Jackson and others, Houston won election to the United States House of Representatives in 1823. He strongly supported Jackson's presidential candidacies, and in 1827, Houston was elected as the governor of Tennessee. In 1829, after divorcing his first wife, Houston resigned from office, and moved to Arkansas Territory. Houston settled in Texas in 1832. After the Battle of Gonzales, he helped organize Texas's provisional government and was selected as the top-ranking official in the Texian Army. He led the Texan Army to victory at the Battle of San Jacinto, the decisive battle in Texas's war for independence against Mexico. After the war, Houston won election in the 1836 Texas presidential election. He left office due to term limits in 1838 but won election to another term in the 1841 Texas presidential election. Houston played a key role in the annexation of Texas by the United States in 1845, and in 1846, he was elected to represent Texas in the United States Senate. He joined the Democratic Party and supported President James K. Polk's prosecution of the Mexican–American War. His Senate record was marked by his unionism and opposition to extremists from both the North and South. He voted for the Compromise of 1850, which settled many of the territorial issues left over from the Mexican–American War and the annexation of Texas. He later voted against the Kansas–Nebraska Act because he believed it would lead to increased sectional tensions over slavery, and his opposition to that act led him to leave the Democratic Party. He was an unsuccessful candidate for the presidential nomination of the American Party in the 1856 presidential election and the Constitutional Union Party in the 1860 presidential election. In 1859, Houston won election as the governor of Texas. In this role, he opposed secession and unsuccessfully sought to keep Texas out of the Confederate States of America. He was forced out of office in 1861 and died in 1863. Houston's name has been honored in numerous ways, and he is the eponym of the city of Houston, the fourth most populous city in the United States. Early life Samuel Houston was born in Rockbridge County, Virginia, on March 2, 1793, to Samuel Houston and Elizabeth Paxton. Both of Houston's parents were descended from Scottish and Irish immigrants who had settled in Colonial America in the 1730s, including his great grandfather John Houston. Houston's father was descended from Ulster Scots people. Samuel inherited the Timber Ridge plantation and mansion in Rockbridge County, Virginia that was worked by enslaved African Americans. During the American Revolutionary War, Captain Houston served in Morgan's Rifle Brigade as a paymaster. He served in the Virginia militia, which required him to pay his own expenses and to be away from his family for long periods of time. The plantation and the family's finances suffered as a result. He had five brothers and three sisters: Paxton, Robert, James who married Patience Bills, John, William who married Mary Ball, Isabella, Mary who married Matthew Wallace and then his nephew Williams Wallace, and Eliza who married Samuel Moore. His father, Samuel, planned to sell Timber Ridge and move west to Tennessee, where land was less expensive, but he died in 1806. Elizabeth, his mother, followed through on those plans and settled the family near Maryville, the seat of Blount County, Tennessee. At this time, Tennessee was on the American frontier, and even larger towns like Nashville were vigilant against Native American raids. He had dozens of cousins who lived in the surrounding area of east-central Tennessee. When they arrived, Elizabeth cleared the land, built a house, and planted crops. Her oldest children, Paxton, Isabella, and Robert died within a few years after they arrived in Tennessee. Elizabeth relied on James and John to run the store in Maryville, operate the farm, and watch over the younger children. He had a care-free disposition, however, and liked to escape to explore the frontier. He was at odds with concepts of hell and damnation of his mother's religion, Presbyterianism, and he was not interested schooling. He did take an interest in his father's library, reading works by classical authors like Virgil as well as more recent works by authors such as Jedidiah Morse. Not interested in farming and working in the family store, at the age of 16, he left his family to live with a Cherokee tribe led by Chief John Jolly (Cherokee name: Ahuludegi, also spelled Oolooteka) on Hiwassee Island. Houston formed a close relationship with Jolly and learned the Cherokee language, becoming known as Raven. According to James L. Haley, he appreciated the "free and unsophisticated spiritual expression of the Native Americans". He left the tribe to return to Maryville in 1812, and he was hired at age 19 for a term as the schoolmaster of a one-room schoolhouse. He attended Porter Academy, where he was taught by Rev. Isaac L. Anderson (founder of Maryville College). According to biographer John Hoyt Williams, Houston was not close with his siblings or his parents, and he rarely spoke of them in his later life. Haley states that he was interested in his younger brother's and his sisters' welfare when he lived on Hiwassee Island. He felt used by the rest of the family. War of 1812 and aftermath In 1812, Houston enlisted in the United States Army, which then was engaged in the War of 1812 against Britain and Britain's Native American allies. He quickly impressed the commander of the 39th Infantry Regiment, Thomas Hart Benton, and by the end of 1813, Houston had risen to the rank of the third lieutenant. In early 1814, the 39th Infantry Regiment became a part of the force commanded by General Andrew Jackson, who was charged with putting an end to raids by a faction of the Muscogee (or "Creek") tribe in the Old Southwest. Houston was wounded badly in the Battle of Horseshoe Bend, the decisive battle in the Creek War. Although army doctors expected him to die of his wounds, Houston survived and convalesced in Maryville and other locations. While many other officers lost their positions after the end of the War of 1812 due to military cutbacks, Houston retained his commission with the help of Congressman John Rhea. During that time he was promoted to the rank of second lieutenant. Sometime in early 1817, Sam Houston was assigned to a clerical position in Nashville, serving under the adjutant general for the army's Southern Division. Later in the year, Jackson appointed Houston as a sub-agent to handle the removal of Cherokee from East Tennessee. In February 1818, he received a strong reprimand from Secretary of War John C. Calhoun after he wore Native American dress to a meeting between Calhoun and Cherokee leaders, beginning an enmity that lasted until Calhoun's death in 1850.{{sfn|Haley|2002|pp=24–25</ref> Angry over the incident with Calhoun and an investigation into his activities, Houston resigned from the army in 1818. He continued to act as a government liaison with the Cherokee, and in 1818, he helped some of the Cherokee resettle in Arkansas Territory. Early political career After leaving government service, Houston began an apprenticeship with Judge James Trimble in Nashville. He quickly won admission to the state bar and opened a legal practice in Lebanon, Tennessee. With the aid of Governor Joseph McMinn, Houston won election as the district attorney for Nashville in 1819. He was also appointed as a major general of the Tennessee militia. Like his mentors, Houston was a member of the Democratic-Republican Party, which dominated state and national politics in the decade following the War of 1812. Tennessee gained three seats in the United States House of Representatives after the 1820 United States Census, and, with the support of Jackson and McMinn, Houston ran unopposed in the 1823 election for Tennessee's 9th congressional district. In his first major speech in Congress, Houston advocated for the recognition of Greece, which was fighting a war of independence against the Ottoman Empire. Houston strongly supported Jackson's candidacy in the 1824 presidential election, which saw four major candidates, all from the Democratic-Republican Party, run for president. As no candidate won a majority of the vote, the House of Representatives held a contingent election, which was won by John Quincy Adams. Supporters of Jackson eventually coalesced into the Democratic Party, and those who favored Adams became known as National Republicans. With Jackson's backing, Houston won election as governor of Tennessee in 1827. Governor Houston advocated the construction of internal improvements such as canals, and sought to lower the price of land for homesteaders living on public domain. He also aided Jackson's successful campaign in the 1828 presidential election. In January 1829, Houston married Eliza Allen, the daughter of wealthy plantation owner John Allen of Gallatin, Tennessee. The marriage quickly fell apart possibly because Eliza loved another man. In April 1829, following the collapse of his marriage, Houston resigned as governor of Tennessee. Shortly after leaving office, he traveled to Arkansas Territory to rejoin the Cherokee. Political exile and controversy Houston was reunited with Ahuludegi's group of Cherokee in mid-1829. Because of Houston's experience in government and his connections with President Jackson, several local Native American tribes asked Houston to mediate disputes and communicate their needs to the Jackson administration. In late 1829, the Cherokee accorded Houston tribal membership and dispatched him to Washington to negotiate several issues. In anticipation of the removal of the remaining Cherokee east of the Mississippi River, Houston made an unsuccessful bid to supply rations to the Native Americans during their journey. When Houston returned to Washington in 1832, Congressman William Stanbery alleged that Houston had placed a fraudulent bid in 1830 in collusion with the Jackson administration. On April 13, 1832, after Stanbery refused to answer Houston's letters regarding the incident, Houston beat Stanbery with a cane. After the beating, the House of Representatives brought Houston to trial. By a vote of 106 to 89, the House convicted Houston, and Speaker of the House Andrew Stevenson formally reprimanded Houston. A federal court also required Houston to pay $500 in damages. Texas Revolution In mid-1832, Houston's friends William H. Wharton and John Austin Wharton wrote to convince him to travel to the Mexican possession of Texas, where unrest among the American settlers was growing. The Mexican government had invited Americans to settle the sparsely populated region of Texas, but many of the settlers, including the Whartons, disliked Mexican rule. Houston crossed into Texas in December 1832, and shortly thereafter, he was granted land in Texas. Houston was elected to represent Nacogdoches, Texas at the Convention of 1833, which was called to petition Mexico for statehood (at the time, Texas was part of the state of Coahuila y Tejas). Houston strongly supported statehood, and he chaired a committee that drew a proposed state constitution. After the convention, Texan leader Stephen F. Austin petitioned the Mexican government for statehood, but he was unable to come to an agreement with President Valentín Gómez Farías. In 1834, Antonio López de Santa Anna assumed the presidency, took on new powers, and arrested Austin. In October 1835, the Texas Revolution broke out with the Battle of Gonzales, a skirmish between Texan forces and the Mexican Army. Shortly after the battle, Houston was elected to the Consultation, a congregation of Texas leaders. Along with Austin and others, Houston helped organize the Consultation into a provisional government for Texas. In November, Houston joined with most other delegates in voting for a measure that demanded Texas statehood and the restoration of the 1824 Constitution of Mexico. The Consultation appointed Houston as a major general and the highest-ranking officer of the Texian Army, though the appointment did not give him effective control of the militia units that constituted the Texian Army. Houston helped organize the Convention of 1836, where the Republic of Texas declared independence from Mexico, and appointed him as Commander-in-Chief of the Texas Army. Shortly after the declaration, the convention received a plea for assistance from William B. Travis, who commanded Texan forces under siege by Santa Anna at the Alamo. The convention confirmed Houston's command of the Texian Army and dispatched him to lead a relief of Travis's force, but the Alamo fell before Houston could organize his forces at Gonzales, Texas. Seeking to intimidate Texan forces into surrender, the Mexican army killed every defender at the Alamo; news of the defeat outraged many Texans and caused desertions in Houston's ranks. Commanding a force of about 350 men that numerically was inferior to that of Santa Anna, Houston retreated east across the Colorado River. Though the provisional government, as well as many of his own subordinates, urged him to attack the Mexican army, Houston continued the retreat east, informing his soldiers that they constituted "the only army in Texas now present ... There are but a few of us, and if we are beaten, the fate of Texas is sealed." Santa Anna divided his forces and finally caught up to Houston in mid-April 1836. Santa Anna's force of about 1,350 soldiers trapped Houston's force of 783 men in a marsh; rather than pressing the attack, Santa Anna ordered his soldiers to make camp. On April 21, Houston ordered an attack on the Mexican army, beginning the Battle of San Jacinto. The Texans quickly routed Santa Anna's force, though Houston's horse was shot out under him and his ankle was shattered by a stray bullet. In the aftermath of the Battle of San Jacinto, a detachment of Texans captured Santa Anna. Santa Anna was forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed briefly for negotiations, then returned to the United States for treatment of his ankle wound. President of Texas Victory in the Battle of San Jacinto made Houston a hero to many Texans, and he won the 1836 Texas presidential election, defeating Stephen F. Austin, another former governor who would also receive the honor of having the city of Austin named after him, and Henry Smith. Houston took office on October 22, 1836, after interim president David G. Burnet resigned. During the presidential election, the voters of Texas overwhelmingly indicated their desire for Texas to be annexed by the United States. Houston, meanwhile, faced the challenge of assembling a new government, putting the country's finances in order, and handling relations with Mexico. He selected Thomas Jefferson Rusk as secretary of war, Smith as secretary of the treasury, Samuel Rhoads Fisher as secretary of the navy, James Collinsworth as attorney general, and Austin as secretary of state. Houston sought normalized relations with Mexico, and despite some resistance from the legislature, arranged the release of Santa Anna. Concerned about upsetting the balance between slave states and free states, U.S. President Andrew Jackson refused to push for the annexation of Texas, but in his last official act in office he granted Texas diplomatic recognition. With the United States unwilling to annex Texas, Houston began courting British support; as part of this effort, he urged the end of the importation of slaves into Texas. In early 1837, the government moved to a new capital, the city of Houston, named for the country's first president. In 1838, Houston frequently clashed with Congress over issues such as a treaty with the Cherokee and a land-office act and was forced to put down the Córdova Rebellion, a plot to allow Mexico to reclaim Texas with aid from the Kickapoo Indians. The Texas constitution barred presidents from seeking a second term, so Houston did not stand for re-election in the 1838 election and left office in late 1838. He was succeeded by Mirabeau B. Lamar, who, along with Burnet, led a faction of Texas politicians opposed to Houston. The Lamar administration removed many of Houston's appointees, launched a war against the Cherokee, and established a new capital at Austin, Texas. Meanwhile, Houston opened a legal practice and co-founded a land company with the intent of developing the town of Sabine City. In 1839, he was elected to represent San Augustine County in the Texas House of Representatives.</ref> Houston defeated Burnet in the 1841 Texas presidential election, winning a large majority of the vote. Houston appointed Anson Jones as secretary of state, Asa Brigham as secretary of the treasury, George Washington Hockley as secretary of war, and George Whitfield Terrell as attorney general. The republic faced a difficult financial situation; at one point, Houston commandeered an American brig used to transport Texas soldiers because the government could not afford to pay the brig's captain. The Santa Fe Expedition and other initiatives pursued by Lamar had stirred tensions with Mexico, and rumors frequently raised fears that Santa Anna would launch an invasion of Texas. Houston continued to curry favor with Britain and France, partly in the hope that British and French influence in Texas would encourage the United States to annex Texas. The Tyler administration made the annexation of Texas its chief foreign policy priority, and in April 1844, Texas and the United States signed an annexation treaty. Annexation did not have sufficient support in Congress, and the United States Senate rejected the treaty in June. Henry Clay and Martin Van Buren, the respective front-runners for the Whig and Democratic nominations in the 1844 presidential election, both opposed the annexation of Texas. However, Van Buren's opposition to annexation damaged his candidacy, and he was defeated by James K. Polk, an acolyte of Jackson and an old friend of Houston, at the 1844 Democratic National Convention. Polk defeated Clay in the general election, giving backers of annexation an electoral mandate. Meanwhile, Houston's term ended in December 1844, and he was succeeded by Anson Jones, his secretary of state. In the waning days of his own presidency, Tyler used Polk's victory to convince Congress to approve of the annexation of Texas. Seeking Texas's immediate acceptance of annexation, Tyler made Texas a generous offer that allowed the state to retain control of its public lands, though it would be required to keep its public debt. A Texas convention approved of the offer of annexation in July 1845, and Texas officially became the 28th U.S. state on December 29, 1845. U.S. Senator Mexican–American War and aftermath (1846–1853) In February 1846, the Texas legislature elected Houston and Thomas Jefferson Rusk as Texas's two inaugural U.S. senators. Houston chose to align with the Democratic Party, which contained many of his old political allies, including President Polk. As a former president of Texas, Houston is the only former foreign head of state to have served in the U.S. Congress. He was the first person to serve as the governor of a state and then be elected to the U.S. Senate by another state. In 2018, Mitt Romney became the second. William W. Bibb accomplished the same feat in reverse order. Breaking with the Senate tradition that held that freshman senators were not to address the Senate, Houston strongly advocated in early 1846 for the annexation of Oregon Country. In the Oregon Treaty, reached later in 1846, Britain and the United States agreed to split Oregon Country. Meanwhile, Polk ordered General Zachary Taylor to lead a U.S. army to the Rio Grande, which had been set as the Texas-Mexico border under the Treaty of Velasco; Mexico claimed the Nueces River constituted the true border. After a skirmish between Taylor's unit and the Mexican army, the Mexican–American War broke out in April 1846. Houston initially supported Polk's prosecution of the war, but differences between the two men emerged in 1847. After two years of fighting, the United States defeated Mexico and, through the Treaty of Guadalupe Hidalgo, acquired the Mexican Cession. Mexico also agreed to recognize the Rio Grande as the border between Mexico and Texas. After the war, disputes over the extension of slavery into the territories raised sectional tensions. Unlike most of his Southern colleagues, Houston voted for the Oregon Bill of 1848, which organized Oregon Territory as a free territory. Defending his vote to create a territory that excluded slavery, Houston stated "I would be the last man to wish to do anything injurious to the South, but I do not think that on all occasions we are justified in agitating [slavery]." He criticized both Northern abolitionists and Democratic followers of Calhoun as extremists who sought to undermine the union. He supported the Compromise of 1850, a sectional compromise on slavery on the territories. Under the compromise, California was admitted as a free state, the slave trade was prohibited in the District of Columbia, a more stringent fugitive slave law was passed, and Utah Territory and New Mexico Territory were established. Texas gave up some of its claims on New Mexico, but it retained El Paso, Texas, and the United States assumed Texas's large public debt. Houston sought the Democratic nomination in the 1852 presidential election, but he was unable to consolidate support outside of his home state. The 1852 Democratic National Convention ultimately nominated Franklin Pierce, a compromise nominee, who went on to win the election. Pierce and Buchanan administrations (1853–1859) In 1854, Senator Stephen A. Douglas led the passage of the Kansas–Nebraska Act, which organized Kansas Territory and Nebraska Territory. The act also repealed the Missouri Compromise, an act that had banned slavery in territories north of parallel 36°30′ north. Houston voted against the act, in part because he believed that Native Americans would lose much of their land as a result of the act. He also perceived that it would lead to increased sectional tensions over slavery. Houston's opposition to the Kansas–Nebraska Act led to his departure from the Democratic Party. In 1855, Houston began to be associated publicly with the American Party, the political wing of the nativist and unionist Know Nothing movement. The Whig Party had collapsed after the passage of the Kansas–Nebraska Act, and the Know Nothings and the anti-slavery Republican Party had both emerged as major political movements. Houston's affiliation with the party stemmed in part from his fear of the growing influence of Catholic voters; though he opposed barring Catholics from holding office, he wanted to extend the naturalization period for immigrants to 21 years. He was attracted to the Know Nothing's support for a Native American state as well the party's unionist stance. Houston sought the presidential nomination at the Know Nothing party's 1856 national convention, but the party nominated former President Millard Fillmore. Houston was disappointed by Fillmore's selection as well as the party platform, which did not rebuke the Kansas–Nebraska Act, but he eventually decided to support Fillmore's candidacy. Despite Houston's renewed support, the American Party split over slavery, and Democrat James Buchanan won the 1856 presidential election. The American Party collapsed after the election, and Houston did not affiliate with a national political party for the remainder of his tenure in the senate. In the 1857 Texas gubernatorial election, Texas Democrats nominated Hardin Richard Runnels, who supported the Kansas–Nebraska Act and attacked Houston's record. In response, Houston announced his own candidacy for governor, but Runnels defeated him by a decisive margin. It was the only electoral defeat of his career. After the gubernatorial election, the Texas legislature denied Houston re-election in the senate; Houston rejected calls to resign immediately and served until the end of his term in early 1859. Governor of Texas Houston ran against Runnels in the 1859 gubernatorial election. Capitalizing on Runnels's unpopularity over state issues such as Native American raids, Houston won the election and took office in December 1859. In the 1860 presidential election, Houston and John Bell were the two major contenders for the presidential nomination of the newly formed Constitutional Union Party, which consisted largely of Southern unionists. Houston narrowly trailed Bell on the first ballot of the 1860 Constitutional Union Convention, but Bell clinched the nomination on the second ballot. Nonetheless, some of Houston's Texan supporters nominated him for president in April 1860. Other backers attempted to launch a nationwide campaign, but in August 1860, Houston announced that he would not be a candidate for president. He refused to endorse any of the remaining presidential candidates. In late 1860, Houston campaigned across his home state, calling on Texans to resist those who advocated for secession if Republican nominee Abraham Lincoln won the 1860 election. After Lincoln won the November 1860 presidential election, several Southern states seceded from the United States and formed the Confederate States of America. A Texas political convention voted to secede from the United States on February 1, 1861, and Houston proclaimed that Texas was once again an independent republic, but he refused to recognize that same convention's authority to join Texas to the Confederacy. After Houston refused to swear an oath of loyalty to the Confederacy, the legislature declared the governorship vacant. Houston did not recognize the validity of his removal, but he did not attempt to use force to remain in office, and he refused aid from the federal government to prevent his removal. His successor, Edward Clark, was sworn in on March 18. In an undelivered speech, Houston wrote: On April 19, 1861, he told a crowd: According to historian Randolph Campbell: Houston did everything possible to prevent secession and war, but his first loyalty was to Texas—and the South. Houston refused offers of troops from the United States to keep Texas in the Union and announced on May 10, 1861 that he would stand with the Confederacy in its war effort. Retirement and death After leaving office, Houston returned to his home in Galveston. He later settled in Huntsville, Texas, where he lived in a structure known as the Steamboat House. In the midst of the Civil War, Houston was shunned by many Texas leaders, though he continued to correspond with Confederate officer Ashbel Smith and Texas governor Francis Lubbock. His son, Sam Houston, Jr., served in the Confederate army during the Civil War, but returned home after being wounded at the Battle of Shiloh. Houston's health suffered a precipitous decline in April 1863, and he died on July 26, 1863, at 70 years of age. The inscription on Houston's tomb reads: A Brave Soldier. A Fearless Statesman. A Great Orator—A Pure Patriot. A Faithful Friend, A Loyal Citizen. A Devoted Husband and Father. A Consistent Christian—An Honest Man. Personal life In January 1829 Houston, then Governor of Tennessee, married 19-year-old Eliza Allen. The marriage lasted 11 weeks. Neither Houston nor Eliza ever gave a reason for their separation, but Eliza refused to sanction divorce. Subsequently, he resigned his governorship and went to live with his Cherokee family for three years. In the summer of 1830, Houston married Tiana Rogers (sometimes called Diana), daughter of Chief John "Hellfire" Rogers (1740–1833), a Scots-Irish trader, and Jennie Due (1764–1806), a sister of Chief John Jolly, in a Cherokee ceremony. The ceremony was modest since it was Tiana's second marriage; she was widowed with two children from her previous marriage: Gabriel, born 1819, and Joanna, born 1822. She and Houston first met when she was ten years old, and he was stunned to see how beautiful she was when he returned to her village years later. The two lived together for several years. Tennessee society disapproved of the marriage because under civil law, he was still legally married to Eliza Allen Houston. After declining to accompany Houston to Texas in 1832, Tiana later remarried. She died in 1838 of pneumonia. Will Rogers was her nephew, three generations removed. In 1837, after becoming President of the Republic of Texas, he was able to acquire, from a district court judge, a divorce from Eliza Allen. In 1839, he purchased a horse which became one of the foundation sires of the American Quarter Horse breed named Copperbottom. He owned the horse until its death in 1860. On May 9, 1840, Houston, aged 47, married for a third time. His bride was 21-year-old Margaret Moffette Lea of Marion, Alabama, the daughter of planters. They had eight children. Margaret acted as a tempering influence on her much older husband and convinced him to stop drinking. Although the Houstons had numerous houses, they kept only one continuously: Cedar Point (1840–1863) on Trinity Bay. In 1833, Houston was baptized into the Catholic faith in order to qualify under the existing Mexican law for property ownership in Coahuila y Tejas. The sacrament was held in the living room of the Adolphus Sterne House in Nacogdoches, Texas. By 1854, Margaret had spent 14 years trying to convert Houston to the Baptist church. With the assistance of George Washington Baines, she convinced Houston to convert, and he agreed to adult baptism. Spectators from neighboring communities came to Independence, Texas, to witness the event. On November 19, 1854, Houston was baptized by Rev. Rufus C. Burleson, president of Baylor University, by immersion in Little Rocky Creek, two miles southeast of Independence. Legacy Houston, the largest city in Texas and the American South, is named in his honor. Several other things and places are named for Houston, including Sam Houston State University; Houston County, Minnesota; Houston County, Tennessee; Houston County, Texas. Other monuments and memorials include Sam Houston National Forest, Sam Houston Regional Library and Research Center, U.S. Army post Fort Sam Houston in San Antonio, the USS Sam Houston (SSBN-609), and a sculpture of Houston in the city of Houston's Hermann Park. In addition, a 67-foot-tall statue of Houston, created by sculptor David Adickes, named A Tribute to Courage (and colloquially called "Big Sam") stands next to I-45, between Dallas and Houston, in Huntsville, Texas. Along with Stephen F. Austin, Houston is one of two Texans with a statue in the National Statuary Hall. Houston has been portrayed in works such as Man of Conquest, Gone to Texas, Texas Rising, and The Alamo. In 1960, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum. There is a question about whether Houston made a pejorative comment about Mexicans in an 1835 speech to the Texas volunteer army at Refugio. One second hand source makes this claim; however, subsequent research casts doubt on the source and concludes that the disparaging comment is unlikely to have occurred. See also Joshua Houston History of slavery in Texas List of duels#United States Nathaniel Hale Pryor Notes References Bibliography Works cited Campbell, Randolph B. "Houston, Sam" American National Biography (2000) online Further reading Brinkley, William. The Texas Revolution Texas A&M Press: . Sword of San Jacinto, DeBruhl, Marshall; Random House: . Hitsman, J. Mackay. "The Texas War Of 1835-1836." History Today (Feb 1960) 10#2 pp 116–123. . The Eagle and the Raven; Michener, James A.; State House Press: . External links Sam Houston papers (Woodson Research Center, Fondren Library, Rice University, Houston, Texas) Life of General Houston, 1793–1863 published 1891, hosted by the Portal to Texas History. Sam Houston Memorial Museum in Huntsville, Texas Sam Houston Historic Schoolhouse in Maryville, Tennessee Documentary film Sam Houston: American Statesman, Soldier, and Pioneer. 2009, The Sam Houston Project. Tennessee Encyclopedia of History and Culture entry Tennessee State Library & Archives, Papers of Governor Sam Houston, 1827–1829 Sam Houston Rode a Gray Horse Houston Family Papers, 1836–1869 and undated, in the Southwest Collection/Special Collections Library at Texas Tech University Life and select literary remains of Sam Houston of Texas published 1884 1793 births 1863 deaths 19th-century American politicians American emigrants to Mexico American people of Scottish descent American people of Scotch-Irish descent United States Army personnel of the War of 1812 American prosecutors Army of the Republic of Texas generals Confederate state governors Democratic Party United States senators Democratic-Republican Party members of the United States House of Representatives Democratic-Republican Party state governors of the United States Governors of Tennessee Governors of Texas Independent state governors of the United States Jacksonian members of the United States House of Representatives Know-Nothing United States senators Members of the United States House of Representatives from Tennessee People from Maryville, Tennessee People from Rockbridge County, Virginia People of Texas in the American Civil War People of the Creek War People of the Texas Revolution Presidents of the Republic of Texas Southern Unionists in the American Civil War Tennessee Democratic-Republicans Tennessee Jacksonians Tennessee lawyers Baptists from Texas Texas Consultation delegates Texas Democrats Texas Independents Texas Know Nothings United States Army officers Candidates in the 1860 United States presidential election United States senators from Texas People from Huntsville, Texas People from San Augustine, Texas Signers of the Texas Declaration of Independence Baptists from Tennessee Baptists from Virginia Converts to Baptist denominations from Roman Catholicism American slave owners Houston Houston County, Minnesota Houston County, Tennessee Houston County, Texas

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Was he a leader in Texas afterwards?

Was Sam Houston a leader in Texas following the Texas Revolution?

Sam Houston

Houston's political reputation suffered further due to the publicity related to the trial for his assault of Stanbery. He left for Texas in December 1832 and was immediately swept up in the politics of what was still a part of the Mexican state of Coahuila, attending the Convention of 1833 as representative for Nacogdoches. Houston emerged as a supporter of William Harris Wharton and his brother, who promoted independence from Mexico. This was the more radical position of the American settlers and Tejanos in Texas. He also attended the Consultation of 1835, and the Texas Army commissioned him as Major General in November 1835. He negotiated a peace settlement with the Cherokee of East Texas in February 1836 to allay their fears about independence. Houston was selected as Commander-in-Chief at the convention to declare Texan independence in March 1836, and he signed the Texas Declaration of Independence on March 2, 1836, his 43rd birthday. Mexican soldiers killed almost all of those at the Alamo Mission at the end of a 13-day siege on March 6. On March 11, Houston joined what constituted his army at Gonzales: 374 poorly equipped, poorly trained, and poorly supplied recruits. Word of the defeat at the Alamo reached him and, while he waited for confirmation, he organized the recruits as the 1st Regiment Volunteer Army of Texas. On March 13, Houston retreated before the superior forces of Mexican General Antonio Lopez de Santa Anna, as he was short on rations. Heavy rain fell nearly every day, causing severe morale problems among the exposed troops struggling through the mud. He received additional troops near present-day La Grange, after four days' march, and continued east two days later with 600 men. At Goliad, Santa Anna ordered the execution of more than 400 volunteer Texas militia led by James Fannin, who had surrendered his forces on March 20. Houston's forces were joined by 130 more men on March 26 near present-day Columbus, and the next day he learned of the Fannin disaster. Houston continued his retreat eastward toward the Gulf coast, drawing criticism for his perceived lack of willingness to fight, and two companies refused to retreat further on March 29 while they were camped along the Brazos River. Houston decided to use the opportunity for rudimentary training and discipline of his force. On April 2, he organized the 2nd Regiment and received a battalion of regulars, and he ordered all troops along the Brazos to join the main army on April 11, approximately 1,500 men in all. He began crossing the Brazos on April 12. Santa Anna finally caught up with the Texans, but he had split his own army into three separate forces in an attempt to encircle Houston's forces. Houston surprised Santa Anna's forces during their afternoon siesta at the Battle of San Jacinto on April 21, 1836. The Texans won a decisive victory in less than 18 minutes, suffering few casualties, although Houston's ankle was shattered by a stray bullet. Santa Anna was badly beaten and forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed on briefly for negotiations, then returned to the United States for treatment of his ankle wound. CANNOTANSWER

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Samuel Houston (, ; March 2, 1793 – July 26, 1863) was an American general and statesman who played an important role in the Texas Revolution. He served as the first and third president of the Republic of Texas and was one of the first two individuals to represent Texas in the United States Senate. He also served as the sixth governor of Tennessee and the seventh governor of Texas, the only individual to be elected governor of two different states in the United States. Born in Rockbridge County, Virginia, Houston and his family migrated to Maryville, Tennessee, when Houston was a teenager. Houston later ran away from home and spent about three years living with the Cherokee, becoming known as Raven. He served under General Andrew Jackson in the War of 1812, and after the war, he presided over the removal of many Cherokee from Tennessee. With the support of Jackson and others, Houston won election to the United States House of Representatives in 1823. He strongly supported Jackson's presidential candidacies, and in 1827, Houston was elected as the governor of Tennessee. In 1829, after divorcing his first wife, Houston resigned from office, and moved to Arkansas Territory. Houston settled in Texas in 1832. After the Battle of Gonzales, he helped organize Texas's provisional government and was selected as the top-ranking official in the Texian Army. He led the Texan Army to victory at the Battle of San Jacinto, the decisive battle in Texas's war for independence against Mexico. After the war, Houston won election in the 1836 Texas presidential election. He left office due to term limits in 1838 but won election to another term in the 1841 Texas presidential election. Houston played a key role in the annexation of Texas by the United States in 1845, and in 1846, he was elected to represent Texas in the United States Senate. He joined the Democratic Party and supported President James K. Polk's prosecution of the Mexican–American War. His Senate record was marked by his unionism and opposition to extremists from both the North and South. He voted for the Compromise of 1850, which settled many of the territorial issues left over from the Mexican–American War and the annexation of Texas. He later voted against the Kansas–Nebraska Act because he believed it would lead to increased sectional tensions over slavery, and his opposition to that act led him to leave the Democratic Party. He was an unsuccessful candidate for the presidential nomination of the American Party in the 1856 presidential election and the Constitutional Union Party in the 1860 presidential election. In 1859, Houston won election as the governor of Texas. In this role, he opposed secession and unsuccessfully sought to keep Texas out of the Confederate States of America. He was forced out of office in 1861 and died in 1863. Houston's name has been honored in numerous ways, and he is the eponym of the city of Houston, the fourth most populous city in the United States. Early life Samuel Houston was born in Rockbridge County, Virginia, on March 2, 1793, to Samuel Houston and Elizabeth Paxton. Both of Houston's parents were descended from Scottish and Irish immigrants who had settled in Colonial America in the 1730s, including his great grandfather John Houston. Houston's father was descended from Ulster Scots people. Samuel inherited the Timber Ridge plantation and mansion in Rockbridge County, Virginia that was worked by enslaved African Americans. During the American Revolutionary War, Captain Houston served in Morgan's Rifle Brigade as a paymaster. He served in the Virginia militia, which required him to pay his own expenses and to be away from his family for long periods of time. The plantation and the family's finances suffered as a result. He had five brothers and three sisters: Paxton, Robert, James who married Patience Bills, John, William who married Mary Ball, Isabella, Mary who married Matthew Wallace and then his nephew Williams Wallace, and Eliza who married Samuel Moore. His father, Samuel, planned to sell Timber Ridge and move west to Tennessee, where land was less expensive, but he died in 1806. Elizabeth, his mother, followed through on those plans and settled the family near Maryville, the seat of Blount County, Tennessee. At this time, Tennessee was on the American frontier, and even larger towns like Nashville were vigilant against Native American raids. He had dozens of cousins who lived in the surrounding area of east-central Tennessee. When they arrived, Elizabeth cleared the land, built a house, and planted crops. Her oldest children, Paxton, Isabella, and Robert died within a few years after they arrived in Tennessee. Elizabeth relied on James and John to run the store in Maryville, operate the farm, and watch over the younger children. He had a care-free disposition, however, and liked to escape to explore the frontier. He was at odds with concepts of hell and damnation of his mother's religion, Presbyterianism, and he was not interested schooling. He did take an interest in his father's library, reading works by classical authors like Virgil as well as more recent works by authors such as Jedidiah Morse. Not interested in farming and working in the family store, at the age of 16, he left his family to live with a Cherokee tribe led by Chief John Jolly (Cherokee name: Ahuludegi, also spelled Oolooteka) on Hiwassee Island. Houston formed a close relationship with Jolly and learned the Cherokee language, becoming known as Raven. According to James L. Haley, he appreciated the "free and unsophisticated spiritual expression of the Native Americans". He left the tribe to return to Maryville in 1812, and he was hired at age 19 for a term as the schoolmaster of a one-room schoolhouse. He attended Porter Academy, where he was taught by Rev. Isaac L. Anderson (founder of Maryville College). According to biographer John Hoyt Williams, Houston was not close with his siblings or his parents, and he rarely spoke of them in his later life. Haley states that he was interested in his younger brother's and his sisters' welfare when he lived on Hiwassee Island. He felt used by the rest of the family. War of 1812 and aftermath In 1812, Houston enlisted in the United States Army, which then was engaged in the War of 1812 against Britain and Britain's Native American allies. He quickly impressed the commander of the 39th Infantry Regiment, Thomas Hart Benton, and by the end of 1813, Houston had risen to the rank of the third lieutenant. In early 1814, the 39th Infantry Regiment became a part of the force commanded by General Andrew Jackson, who was charged with putting an end to raids by a faction of the Muscogee (or "Creek") tribe in the Old Southwest. Houston was wounded badly in the Battle of Horseshoe Bend, the decisive battle in the Creek War. Although army doctors expected him to die of his wounds, Houston survived and convalesced in Maryville and other locations. While many other officers lost their positions after the end of the War of 1812 due to military cutbacks, Houston retained his commission with the help of Congressman John Rhea. During that time he was promoted to the rank of second lieutenant. Sometime in early 1817, Sam Houston was assigned to a clerical position in Nashville, serving under the adjutant general for the army's Southern Division. Later in the year, Jackson appointed Houston as a sub-agent to handle the removal of Cherokee from East Tennessee. In February 1818, he received a strong reprimand from Secretary of War John C. Calhoun after he wore Native American dress to a meeting between Calhoun and Cherokee leaders, beginning an enmity that lasted until Calhoun's death in 1850.{{sfn|Haley|2002|pp=24–25</ref> Angry over the incident with Calhoun and an investigation into his activities, Houston resigned from the army in 1818. He continued to act as a government liaison with the Cherokee, and in 1818, he helped some of the Cherokee resettle in Arkansas Territory. Early political career After leaving government service, Houston began an apprenticeship with Judge James Trimble in Nashville. He quickly won admission to the state bar and opened a legal practice in Lebanon, Tennessee. With the aid of Governor Joseph McMinn, Houston won election as the district attorney for Nashville in 1819. He was also appointed as a major general of the Tennessee militia. Like his mentors, Houston was a member of the Democratic-Republican Party, which dominated state and national politics in the decade following the War of 1812. Tennessee gained three seats in the United States House of Representatives after the 1820 United States Census, and, with the support of Jackson and McMinn, Houston ran unopposed in the 1823 election for Tennessee's 9th congressional district. In his first major speech in Congress, Houston advocated for the recognition of Greece, which was fighting a war of independence against the Ottoman Empire. Houston strongly supported Jackson's candidacy in the 1824 presidential election, which saw four major candidates, all from the Democratic-Republican Party, run for president. As no candidate won a majority of the vote, the House of Representatives held a contingent election, which was won by John Quincy Adams. Supporters of Jackson eventually coalesced into the Democratic Party, and those who favored Adams became known as National Republicans. With Jackson's backing, Houston won election as governor of Tennessee in 1827. Governor Houston advocated the construction of internal improvements such as canals, and sought to lower the price of land for homesteaders living on public domain. He also aided Jackson's successful campaign in the 1828 presidential election. In January 1829, Houston married Eliza Allen, the daughter of wealthy plantation owner John Allen of Gallatin, Tennessee. The marriage quickly fell apart possibly because Eliza loved another man. In April 1829, following the collapse of his marriage, Houston resigned as governor of Tennessee. Shortly after leaving office, he traveled to Arkansas Territory to rejoin the Cherokee. Political exile and controversy Houston was reunited with Ahuludegi's group of Cherokee in mid-1829. Because of Houston's experience in government and his connections with President Jackson, several local Native American tribes asked Houston to mediate disputes and communicate their needs to the Jackson administration. In late 1829, the Cherokee accorded Houston tribal membership and dispatched him to Washington to negotiate several issues. In anticipation of the removal of the remaining Cherokee east of the Mississippi River, Houston made an unsuccessful bid to supply rations to the Native Americans during their journey. When Houston returned to Washington in 1832, Congressman William Stanbery alleged that Houston had placed a fraudulent bid in 1830 in collusion with the Jackson administration. On April 13, 1832, after Stanbery refused to answer Houston's letters regarding the incident, Houston beat Stanbery with a cane. After the beating, the House of Representatives brought Houston to trial. By a vote of 106 to 89, the House convicted Houston, and Speaker of the House Andrew Stevenson formally reprimanded Houston. A federal court also required Houston to pay $500 in damages. Texas Revolution In mid-1832, Houston's friends William H. Wharton and John Austin Wharton wrote to convince him to travel to the Mexican possession of Texas, where unrest among the American settlers was growing. The Mexican government had invited Americans to settle the sparsely populated region of Texas, but many of the settlers, including the Whartons, disliked Mexican rule. Houston crossed into Texas in December 1832, and shortly thereafter, he was granted land in Texas. Houston was elected to represent Nacogdoches, Texas at the Convention of 1833, which was called to petition Mexico for statehood (at the time, Texas was part of the state of Coahuila y Tejas). Houston strongly supported statehood, and he chaired a committee that drew a proposed state constitution. After the convention, Texan leader Stephen F. Austin petitioned the Mexican government for statehood, but he was unable to come to an agreement with President Valentín Gómez Farías. In 1834, Antonio López de Santa Anna assumed the presidency, took on new powers, and arrested Austin. In October 1835, the Texas Revolution broke out with the Battle of Gonzales, a skirmish between Texan forces and the Mexican Army. Shortly after the battle, Houston was elected to the Consultation, a congregation of Texas leaders. Along with Austin and others, Houston helped organize the Consultation into a provisional government for Texas. In November, Houston joined with most other delegates in voting for a measure that demanded Texas statehood and the restoration of the 1824 Constitution of Mexico. The Consultation appointed Houston as a major general and the highest-ranking officer of the Texian Army, though the appointment did not give him effective control of the militia units that constituted the Texian Army. Houston helped organize the Convention of 1836, where the Republic of Texas declared independence from Mexico, and appointed him as Commander-in-Chief of the Texas Army. Shortly after the declaration, the convention received a plea for assistance from William B. Travis, who commanded Texan forces under siege by Santa Anna at the Alamo. The convention confirmed Houston's command of the Texian Army and dispatched him to lead a relief of Travis's force, but the Alamo fell before Houston could organize his forces at Gonzales, Texas. Seeking to intimidate Texan forces into surrender, the Mexican army killed every defender at the Alamo; news of the defeat outraged many Texans and caused desertions in Houston's ranks. Commanding a force of about 350 men that numerically was inferior to that of Santa Anna, Houston retreated east across the Colorado River. Though the provisional government, as well as many of his own subordinates, urged him to attack the Mexican army, Houston continued the retreat east, informing his soldiers that they constituted "the only army in Texas now present ... There are but a few of us, and if we are beaten, the fate of Texas is sealed." Santa Anna divided his forces and finally caught up to Houston in mid-April 1836. Santa Anna's force of about 1,350 soldiers trapped Houston's force of 783 men in a marsh; rather than pressing the attack, Santa Anna ordered his soldiers to make camp. On April 21, Houston ordered an attack on the Mexican army, beginning the Battle of San Jacinto. The Texans quickly routed Santa Anna's force, though Houston's horse was shot out under him and his ankle was shattered by a stray bullet. In the aftermath of the Battle of San Jacinto, a detachment of Texans captured Santa Anna. Santa Anna was forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed briefly for negotiations, then returned to the United States for treatment of his ankle wound. President of Texas Victory in the Battle of San Jacinto made Houston a hero to many Texans, and he won the 1836 Texas presidential election, defeating Stephen F. Austin, another former governor who would also receive the honor of having the city of Austin named after him, and Henry Smith. Houston took office on October 22, 1836, after interim president David G. Burnet resigned. During the presidential election, the voters of Texas overwhelmingly indicated their desire for Texas to be annexed by the United States. Houston, meanwhile, faced the challenge of assembling a new government, putting the country's finances in order, and handling relations with Mexico. He selected Thomas Jefferson Rusk as secretary of war, Smith as secretary of the treasury, Samuel Rhoads Fisher as secretary of the navy, James Collinsworth as attorney general, and Austin as secretary of state. Houston sought normalized relations with Mexico, and despite some resistance from the legislature, arranged the release of Santa Anna. Concerned about upsetting the balance between slave states and free states, U.S. President Andrew Jackson refused to push for the annexation of Texas, but in his last official act in office he granted Texas diplomatic recognition. With the United States unwilling to annex Texas, Houston began courting British support; as part of this effort, he urged the end of the importation of slaves into Texas. In early 1837, the government moved to a new capital, the city of Houston, named for the country's first president. In 1838, Houston frequently clashed with Congress over issues such as a treaty with the Cherokee and a land-office act and was forced to put down the Córdova Rebellion, a plot to allow Mexico to reclaim Texas with aid from the Kickapoo Indians. The Texas constitution barred presidents from seeking a second term, so Houston did not stand for re-election in the 1838 election and left office in late 1838. He was succeeded by Mirabeau B. Lamar, who, along with Burnet, led a faction of Texas politicians opposed to Houston. The Lamar administration removed many of Houston's appointees, launched a war against the Cherokee, and established a new capital at Austin, Texas. Meanwhile, Houston opened a legal practice and co-founded a land company with the intent of developing the town of Sabine City. In 1839, he was elected to represent San Augustine County in the Texas House of Representatives.</ref> Houston defeated Burnet in the 1841 Texas presidential election, winning a large majority of the vote. Houston appointed Anson Jones as secretary of state, Asa Brigham as secretary of the treasury, George Washington Hockley as secretary of war, and George Whitfield Terrell as attorney general. The republic faced a difficult financial situation; at one point, Houston commandeered an American brig used to transport Texas soldiers because the government could not afford to pay the brig's captain. The Santa Fe Expedition and other initiatives pursued by Lamar had stirred tensions with Mexico, and rumors frequently raised fears that Santa Anna would launch an invasion of Texas. Houston continued to curry favor with Britain and France, partly in the hope that British and French influence in Texas would encourage the United States to annex Texas. The Tyler administration made the annexation of Texas its chief foreign policy priority, and in April 1844, Texas and the United States signed an annexation treaty. Annexation did not have sufficient support in Congress, and the United States Senate rejected the treaty in June. Henry Clay and Martin Van Buren, the respective front-runners for the Whig and Democratic nominations in the 1844 presidential election, both opposed the annexation of Texas. However, Van Buren's opposition to annexation damaged his candidacy, and he was defeated by James K. Polk, an acolyte of Jackson and an old friend of Houston, at the 1844 Democratic National Convention. Polk defeated Clay in the general election, giving backers of annexation an electoral mandate. Meanwhile, Houston's term ended in December 1844, and he was succeeded by Anson Jones, his secretary of state. In the waning days of his own presidency, Tyler used Polk's victory to convince Congress to approve of the annexation of Texas. Seeking Texas's immediate acceptance of annexation, Tyler made Texas a generous offer that allowed the state to retain control of its public lands, though it would be required to keep its public debt. A Texas convention approved of the offer of annexation in July 1845, and Texas officially became the 28th U.S. state on December 29, 1845. U.S. Senator Mexican–American War and aftermath (1846–1853) In February 1846, the Texas legislature elected Houston and Thomas Jefferson Rusk as Texas's two inaugural U.S. senators. Houston chose to align with the Democratic Party, which contained many of his old political allies, including President Polk. As a former president of Texas, Houston is the only former foreign head of state to have served in the U.S. Congress. He was the first person to serve as the governor of a state and then be elected to the U.S. Senate by another state. In 2018, Mitt Romney became the second. William W. Bibb accomplished the same feat in reverse order. Breaking with the Senate tradition that held that freshman senators were not to address the Senate, Houston strongly advocated in early 1846 for the annexation of Oregon Country. In the Oregon Treaty, reached later in 1846, Britain and the United States agreed to split Oregon Country. Meanwhile, Polk ordered General Zachary Taylor to lead a U.S. army to the Rio Grande, which had been set as the Texas-Mexico border under the Treaty of Velasco; Mexico claimed the Nueces River constituted the true border. After a skirmish between Taylor's unit and the Mexican army, the Mexican–American War broke out in April 1846. Houston initially supported Polk's prosecution of the war, but differences between the two men emerged in 1847. After two years of fighting, the United States defeated Mexico and, through the Treaty of Guadalupe Hidalgo, acquired the Mexican Cession. Mexico also agreed to recognize the Rio Grande as the border between Mexico and Texas. After the war, disputes over the extension of slavery into the territories raised sectional tensions. Unlike most of his Southern colleagues, Houston voted for the Oregon Bill of 1848, which organized Oregon Territory as a free territory. Defending his vote to create a territory that excluded slavery, Houston stated "I would be the last man to wish to do anything injurious to the South, but I do not think that on all occasions we are justified in agitating [slavery]." He criticized both Northern abolitionists and Democratic followers of Calhoun as extremists who sought to undermine the union. He supported the Compromise of 1850, a sectional compromise on slavery on the territories. Under the compromise, California was admitted as a free state, the slave trade was prohibited in the District of Columbia, a more stringent fugitive slave law was passed, and Utah Territory and New Mexico Territory were established. Texas gave up some of its claims on New Mexico, but it retained El Paso, Texas, and the United States assumed Texas's large public debt. Houston sought the Democratic nomination in the 1852 presidential election, but he was unable to consolidate support outside of his home state. The 1852 Democratic National Convention ultimately nominated Franklin Pierce, a compromise nominee, who went on to win the election. Pierce and Buchanan administrations (1853–1859) In 1854, Senator Stephen A. Douglas led the passage of the Kansas–Nebraska Act, which organized Kansas Territory and Nebraska Territory. The act also repealed the Missouri Compromise, an act that had banned slavery in territories north of parallel 36°30′ north. Houston voted against the act, in part because he believed that Native Americans would lose much of their land as a result of the act. He also perceived that it would lead to increased sectional tensions over slavery. Houston's opposition to the Kansas–Nebraska Act led to his departure from the Democratic Party. In 1855, Houston began to be associated publicly with the American Party, the political wing of the nativist and unionist Know Nothing movement. The Whig Party had collapsed after the passage of the Kansas–Nebraska Act, and the Know Nothings and the anti-slavery Republican Party had both emerged as major political movements. Houston's affiliation with the party stemmed in part from his fear of the growing influence of Catholic voters; though he opposed barring Catholics from holding office, he wanted to extend the naturalization period for immigrants to 21 years. He was attracted to the Know Nothing's support for a Native American state as well the party's unionist stance. Houston sought the presidential nomination at the Know Nothing party's 1856 national convention, but the party nominated former President Millard Fillmore. Houston was disappointed by Fillmore's selection as well as the party platform, which did not rebuke the Kansas–Nebraska Act, but he eventually decided to support Fillmore's candidacy. Despite Houston's renewed support, the American Party split over slavery, and Democrat James Buchanan won the 1856 presidential election. The American Party collapsed after the election, and Houston did not affiliate with a national political party for the remainder of his tenure in the senate. In the 1857 Texas gubernatorial election, Texas Democrats nominated Hardin Richard Runnels, who supported the Kansas–Nebraska Act and attacked Houston's record. In response, Houston announced his own candidacy for governor, but Runnels defeated him by a decisive margin. It was the only electoral defeat of his career. After the gubernatorial election, the Texas legislature denied Houston re-election in the senate; Houston rejected calls to resign immediately and served until the end of his term in early 1859. Governor of Texas Houston ran against Runnels in the 1859 gubernatorial election. Capitalizing on Runnels's unpopularity over state issues such as Native American raids, Houston won the election and took office in December 1859. In the 1860 presidential election, Houston and John Bell were the two major contenders for the presidential nomination of the newly formed Constitutional Union Party, which consisted largely of Southern unionists. Houston narrowly trailed Bell on the first ballot of the 1860 Constitutional Union Convention, but Bell clinched the nomination on the second ballot. Nonetheless, some of Houston's Texan supporters nominated him for president in April 1860. Other backers attempted to launch a nationwide campaign, but in August 1860, Houston announced that he would not be a candidate for president. He refused to endorse any of the remaining presidential candidates. In late 1860, Houston campaigned across his home state, calling on Texans to resist those who advocated for secession if Republican nominee Abraham Lincoln won the 1860 election. After Lincoln won the November 1860 presidential election, several Southern states seceded from the United States and formed the Confederate States of America. A Texas political convention voted to secede from the United States on February 1, 1861, and Houston proclaimed that Texas was once again an independent republic, but he refused to recognize that same convention's authority to join Texas to the Confederacy. After Houston refused to swear an oath of loyalty to the Confederacy, the legislature declared the governorship vacant. Houston did not recognize the validity of his removal, but he did not attempt to use force to remain in office, and he refused aid from the federal government to prevent his removal. His successor, Edward Clark, was sworn in on March 18. In an undelivered speech, Houston wrote: On April 19, 1861, he told a crowd: According to historian Randolph Campbell: Houston did everything possible to prevent secession and war, but his first loyalty was to Texas—and the South. Houston refused offers of troops from the United States to keep Texas in the Union and announced on May 10, 1861 that he would stand with the Confederacy in its war effort. Retirement and death After leaving office, Houston returned to his home in Galveston. He later settled in Huntsville, Texas, where he lived in a structure known as the Steamboat House. In the midst of the Civil War, Houston was shunned by many Texas leaders, though he continued to correspond with Confederate officer Ashbel Smith and Texas governor Francis Lubbock. His son, Sam Houston, Jr., served in the Confederate army during the Civil War, but returned home after being wounded at the Battle of Shiloh. Houston's health suffered a precipitous decline in April 1863, and he died on July 26, 1863, at 70 years of age. The inscription on Houston's tomb reads: A Brave Soldier. A Fearless Statesman. A Great Orator—A Pure Patriot. A Faithful Friend, A Loyal Citizen. A Devoted Husband and Father. A Consistent Christian—An Honest Man. Personal life In January 1829 Houston, then Governor of Tennessee, married 19-year-old Eliza Allen. The marriage lasted 11 weeks. Neither Houston nor Eliza ever gave a reason for their separation, but Eliza refused to sanction divorce. Subsequently, he resigned his governorship and went to live with his Cherokee family for three years. In the summer of 1830, Houston married Tiana Rogers (sometimes called Diana), daughter of Chief John "Hellfire" Rogers (1740–1833), a Scots-Irish trader, and Jennie Due (1764–1806), a sister of Chief John Jolly, in a Cherokee ceremony. The ceremony was modest since it was Tiana's second marriage; she was widowed with two children from her previous marriage: Gabriel, born 1819, and Joanna, born 1822. She and Houston first met when she was ten years old, and he was stunned to see how beautiful she was when he returned to her village years later. The two lived together for several years. Tennessee society disapproved of the marriage because under civil law, he was still legally married to Eliza Allen Houston. After declining to accompany Houston to Texas in 1832, Tiana later remarried. She died in 1838 of pneumonia. Will Rogers was her nephew, three generations removed. In 1837, after becoming President of the Republic of Texas, he was able to acquire, from a district court judge, a divorce from Eliza Allen. In 1839, he purchased a horse which became one of the foundation sires of the American Quarter Horse breed named Copperbottom. He owned the horse until its death in 1860. On May 9, 1840, Houston, aged 47, married for a third time. His bride was 21-year-old Margaret Moffette Lea of Marion, Alabama, the daughter of planters. They had eight children. Margaret acted as a tempering influence on her much older husband and convinced him to stop drinking. Although the Houstons had numerous houses, they kept only one continuously: Cedar Point (1840–1863) on Trinity Bay. In 1833, Houston was baptized into the Catholic faith in order to qualify under the existing Mexican law for property ownership in Coahuila y Tejas. The sacrament was held in the living room of the Adolphus Sterne House in Nacogdoches, Texas. By 1854, Margaret had spent 14 years trying to convert Houston to the Baptist church. With the assistance of George Washington Baines, she convinced Houston to convert, and he agreed to adult baptism. Spectators from neighboring communities came to Independence, Texas, to witness the event. On November 19, 1854, Houston was baptized by Rev. Rufus C. Burleson, president of Baylor University, by immersion in Little Rocky Creek, two miles southeast of Independence. Legacy Houston, the largest city in Texas and the American South, is named in his honor. Several other things and places are named for Houston, including Sam Houston State University; Houston County, Minnesota; Houston County, Tennessee; Houston County, Texas. Other monuments and memorials include Sam Houston National Forest, Sam Houston Regional Library and Research Center, U.S. Army post Fort Sam Houston in San Antonio, the USS Sam Houston (SSBN-609), and a sculpture of Houston in the city of Houston's Hermann Park. In addition, a 67-foot-tall statue of Houston, created by sculptor David Adickes, named A Tribute to Courage (and colloquially called "Big Sam") stands next to I-45, between Dallas and Houston, in Huntsville, Texas. Along with Stephen F. Austin, Houston is one of two Texans with a statue in the National Statuary Hall. Houston has been portrayed in works such as Man of Conquest, Gone to Texas, Texas Rising, and The Alamo. In 1960, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum. There is a question about whether Houston made a pejorative comment about Mexicans in an 1835 speech to the Texas volunteer army at Refugio. One second hand source makes this claim; however, subsequent research casts doubt on the source and concludes that the disparaging comment is unlikely to have occurred. See also Joshua Houston History of slavery in Texas List of duels#United States Nathaniel Hale Pryor Notes References Bibliography Works cited Campbell, Randolph B. "Houston, Sam" American National Biography (2000) online Further reading Brinkley, William. The Texas Revolution Texas A&M Press: . Sword of San Jacinto, DeBruhl, Marshall; Random House: . Hitsman, J. Mackay. "The Texas War Of 1835-1836." History Today (Feb 1960) 10#2 pp 116–123. . The Eagle and the Raven; Michener, James A.; State House Press: . External links Sam Houston papers (Woodson Research Center, Fondren Library, Rice University, Houston, Texas) Life of General Houston, 1793–1863 published 1891, hosted by the Portal to Texas History. Sam Houston Memorial Museum in Huntsville, Texas Sam Houston Historic Schoolhouse in Maryville, Tennessee Documentary film Sam Houston: American Statesman, Soldier, and Pioneer. 2009, The Sam Houston Project. Tennessee Encyclopedia of History and Culture entry Tennessee State Library & Archives, Papers of Governor Sam Houston, 1827–1829 Sam Houston Rode a Gray Horse Houston Family Papers, 1836–1869 and undated, in the Southwest Collection/Special Collections Library at Texas Tech University Life and select literary remains of Sam Houston of Texas published 1884 1793 births 1863 deaths 19th-century American politicians American emigrants to Mexico American people of Scottish descent American people of Scotch-Irish descent United States Army personnel of the War of 1812 American prosecutors Army of the Republic of Texas generals Confederate state governors Democratic Party United States senators Democratic-Republican Party members of the United States House of Representatives Democratic-Republican Party state governors of the United States Governors of Tennessee Governors of Texas Independent state governors of the United States Jacksonian members of the United States House of Representatives Know-Nothing United States senators Members of the United States House of Representatives from Tennessee People from Maryville, Tennessee People from Rockbridge County, Virginia People of Texas in the American Civil War People of the Creek War People of the Texas Revolution Presidents of the Republic of Texas Southern Unionists in the American Civil War Tennessee Democratic-Republicans Tennessee Jacksonians Tennessee lawyers Baptists from Texas Texas Consultation delegates Texas Democrats Texas Independents Texas Know Nothings United States Army officers Candidates in the 1860 United States presidential election United States senators from Texas People from Huntsville, Texas People from San Augustine, Texas Signers of the Texas Declaration of Independence Baptists from Tennessee Baptists from Virginia Converts to Baptist denominations from Roman Catholicism American slave owners Houston Houston County, Minnesota Houston County, Tennessee Houston County, Texas

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did he do anything else during the war?

Besides being Commander-in-Chief, surprising Santa Anna's forces at the Battle of San Jacinto and declaring Texan independence, did Sam Houston do anything else during the war?

Sam Houston

Houston's political reputation suffered further due to the publicity related to the trial for his assault of Stanbery. He left for Texas in December 1832 and was immediately swept up in the politics of what was still a part of the Mexican state of Coahuila, attending the Convention of 1833 as representative for Nacogdoches. Houston emerged as a supporter of William Harris Wharton and his brother, who promoted independence from Mexico. This was the more radical position of the American settlers and Tejanos in Texas. He also attended the Consultation of 1835, and the Texas Army commissioned him as Major General in November 1835. He negotiated a peace settlement with the Cherokee of East Texas in February 1836 to allay their fears about independence. Houston was selected as Commander-in-Chief at the convention to declare Texan independence in March 1836, and he signed the Texas Declaration of Independence on March 2, 1836, his 43rd birthday. Mexican soldiers killed almost all of those at the Alamo Mission at the end of a 13-day siege on March 6. On March 11, Houston joined what constituted his army at Gonzales: 374 poorly equipped, poorly trained, and poorly supplied recruits. Word of the defeat at the Alamo reached him and, while he waited for confirmation, he organized the recruits as the 1st Regiment Volunteer Army of Texas. On March 13, Houston retreated before the superior forces of Mexican General Antonio Lopez de Santa Anna, as he was short on rations. Heavy rain fell nearly every day, causing severe morale problems among the exposed troops struggling through the mud. He received additional troops near present-day La Grange, after four days' march, and continued east two days later with 600 men. At Goliad, Santa Anna ordered the execution of more than 400 volunteer Texas militia led by James Fannin, who had surrendered his forces on March 20. Houston's forces were joined by 130 more men on March 26 near present-day Columbus, and the next day he learned of the Fannin disaster. Houston continued his retreat eastward toward the Gulf coast, drawing criticism for his perceived lack of willingness to fight, and two companies refused to retreat further on March 29 while they were camped along the Brazos River. Houston decided to use the opportunity for rudimentary training and discipline of his force. On April 2, he organized the 2nd Regiment and received a battalion of regulars, and he ordered all troops along the Brazos to join the main army on April 11, approximately 1,500 men in all. He began crossing the Brazos on April 12. Santa Anna finally caught up with the Texans, but he had split his own army into three separate forces in an attempt to encircle Houston's forces. Houston surprised Santa Anna's forces during their afternoon siesta at the Battle of San Jacinto on April 21, 1836. The Texans won a decisive victory in less than 18 minutes, suffering few casualties, although Houston's ankle was shattered by a stray bullet. Santa Anna was badly beaten and forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed on briefly for negotiations, then returned to the United States for treatment of his ankle wound. CANNOTANSWER

The Texans won a decisive victory in less than 18 minutes, suffering few casualties, although Houston's ankle was shattered by a stray bullet.

Samuel Houston (, ; March 2, 1793 – July 26, 1863) was an American general and statesman who played an important role in the Texas Revolution. He served as the first and third president of the Republic of Texas and was one of the first two individuals to represent Texas in the United States Senate. He also served as the sixth governor of Tennessee and the seventh governor of Texas, the only individual to be elected governor of two different states in the United States. Born in Rockbridge County, Virginia, Houston and his family migrated to Maryville, Tennessee, when Houston was a teenager. Houston later ran away from home and spent about three years living with the Cherokee, becoming known as Raven. He served under General Andrew Jackson in the War of 1812, and after the war, he presided over the removal of many Cherokee from Tennessee. With the support of Jackson and others, Houston won election to the United States House of Representatives in 1823. He strongly supported Jackson's presidential candidacies, and in 1827, Houston was elected as the governor of Tennessee. In 1829, after divorcing his first wife, Houston resigned from office, and moved to Arkansas Territory. Houston settled in Texas in 1832. After the Battle of Gonzales, he helped organize Texas's provisional government and was selected as the top-ranking official in the Texian Army. He led the Texan Army to victory at the Battle of San Jacinto, the decisive battle in Texas's war for independence against Mexico. After the war, Houston won election in the 1836 Texas presidential election. He left office due to term limits in 1838 but won election to another term in the 1841 Texas presidential election. Houston played a key role in the annexation of Texas by the United States in 1845, and in 1846, he was elected to represent Texas in the United States Senate. He joined the Democratic Party and supported President James K. Polk's prosecution of the Mexican–American War. His Senate record was marked by his unionism and opposition to extremists from both the North and South. He voted for the Compromise of 1850, which settled many of the territorial issues left over from the Mexican–American War and the annexation of Texas. He later voted against the Kansas–Nebraska Act because he believed it would lead to increased sectional tensions over slavery, and his opposition to that act led him to leave the Democratic Party. He was an unsuccessful candidate for the presidential nomination of the American Party in the 1856 presidential election and the Constitutional Union Party in the 1860 presidential election. In 1859, Houston won election as the governor of Texas. In this role, he opposed secession and unsuccessfully sought to keep Texas out of the Confederate States of America. He was forced out of office in 1861 and died in 1863. Houston's name has been honored in numerous ways, and he is the eponym of the city of Houston, the fourth most populous city in the United States. Early life Samuel Houston was born in Rockbridge County, Virginia, on March 2, 1793, to Samuel Houston and Elizabeth Paxton. Both of Houston's parents were descended from Scottish and Irish immigrants who had settled in Colonial America in the 1730s, including his great grandfather John Houston. Houston's father was descended from Ulster Scots people. Samuel inherited the Timber Ridge plantation and mansion in Rockbridge County, Virginia that was worked by enslaved African Americans. During the American Revolutionary War, Captain Houston served in Morgan's Rifle Brigade as a paymaster. He served in the Virginia militia, which required him to pay his own expenses and to be away from his family for long periods of time. The plantation and the family's finances suffered as a result. He had five brothers and three sisters: Paxton, Robert, James who married Patience Bills, John, William who married Mary Ball, Isabella, Mary who married Matthew Wallace and then his nephew Williams Wallace, and Eliza who married Samuel Moore. His father, Samuel, planned to sell Timber Ridge and move west to Tennessee, where land was less expensive, but he died in 1806. Elizabeth, his mother, followed through on those plans and settled the family near Maryville, the seat of Blount County, Tennessee. At this time, Tennessee was on the American frontier, and even larger towns like Nashville were vigilant against Native American raids. He had dozens of cousins who lived in the surrounding area of east-central Tennessee. When they arrived, Elizabeth cleared the land, built a house, and planted crops. Her oldest children, Paxton, Isabella, and Robert died within a few years after they arrived in Tennessee. Elizabeth relied on James and John to run the store in Maryville, operate the farm, and watch over the younger children. He had a care-free disposition, however, and liked to escape to explore the frontier. He was at odds with concepts of hell and damnation of his mother's religion, Presbyterianism, and he was not interested schooling. He did take an interest in his father's library, reading works by classical authors like Virgil as well as more recent works by authors such as Jedidiah Morse. Not interested in farming and working in the family store, at the age of 16, he left his family to live with a Cherokee tribe led by Chief John Jolly (Cherokee name: Ahuludegi, also spelled Oolooteka) on Hiwassee Island. Houston formed a close relationship with Jolly and learned the Cherokee language, becoming known as Raven. According to James L. Haley, he appreciated the "free and unsophisticated spiritual expression of the Native Americans". He left the tribe to return to Maryville in 1812, and he was hired at age 19 for a term as the schoolmaster of a one-room schoolhouse. He attended Porter Academy, where he was taught by Rev. Isaac L. Anderson (founder of Maryville College). According to biographer John Hoyt Williams, Houston was not close with his siblings or his parents, and he rarely spoke of them in his later life. Haley states that he was interested in his younger brother's and his sisters' welfare when he lived on Hiwassee Island. He felt used by the rest of the family. War of 1812 and aftermath In 1812, Houston enlisted in the United States Army, which then was engaged in the War of 1812 against Britain and Britain's Native American allies. He quickly impressed the commander of the 39th Infantry Regiment, Thomas Hart Benton, and by the end of 1813, Houston had risen to the rank of the third lieutenant. In early 1814, the 39th Infantry Regiment became a part of the force commanded by General Andrew Jackson, who was charged with putting an end to raids by a faction of the Muscogee (or "Creek") tribe in the Old Southwest. Houston was wounded badly in the Battle of Horseshoe Bend, the decisive battle in the Creek War. Although army doctors expected him to die of his wounds, Houston survived and convalesced in Maryville and other locations. While many other officers lost their positions after the end of the War of 1812 due to military cutbacks, Houston retained his commission with the help of Congressman John Rhea. During that time he was promoted to the rank of second lieutenant. Sometime in early 1817, Sam Houston was assigned to a clerical position in Nashville, serving under the adjutant general for the army's Southern Division. Later in the year, Jackson appointed Houston as a sub-agent to handle the removal of Cherokee from East Tennessee. In February 1818, he received a strong reprimand from Secretary of War John C. Calhoun after he wore Native American dress to a meeting between Calhoun and Cherokee leaders, beginning an enmity that lasted until Calhoun's death in 1850.{{sfn|Haley|2002|pp=24–25</ref> Angry over the incident with Calhoun and an investigation into his activities, Houston resigned from the army in 1818. He continued to act as a government liaison with the Cherokee, and in 1818, he helped some of the Cherokee resettle in Arkansas Territory. Early political career After leaving government service, Houston began an apprenticeship with Judge James Trimble in Nashville. He quickly won admission to the state bar and opened a legal practice in Lebanon, Tennessee. With the aid of Governor Joseph McMinn, Houston won election as the district attorney for Nashville in 1819. He was also appointed as a major general of the Tennessee militia. Like his mentors, Houston was a member of the Democratic-Republican Party, which dominated state and national politics in the decade following the War of 1812. Tennessee gained three seats in the United States House of Representatives after the 1820 United States Census, and, with the support of Jackson and McMinn, Houston ran unopposed in the 1823 election for Tennessee's 9th congressional district. In his first major speech in Congress, Houston advocated for the recognition of Greece, which was fighting a war of independence against the Ottoman Empire. Houston strongly supported Jackson's candidacy in the 1824 presidential election, which saw four major candidates, all from the Democratic-Republican Party, run for president. As no candidate won a majority of the vote, the House of Representatives held a contingent election, which was won by John Quincy Adams. Supporters of Jackson eventually coalesced into the Democratic Party, and those who favored Adams became known as National Republicans. With Jackson's backing, Houston won election as governor of Tennessee in 1827. Governor Houston advocated the construction of internal improvements such as canals, and sought to lower the price of land for homesteaders living on public domain. He also aided Jackson's successful campaign in the 1828 presidential election. In January 1829, Houston married Eliza Allen, the daughter of wealthy plantation owner John Allen of Gallatin, Tennessee. The marriage quickly fell apart possibly because Eliza loved another man. In April 1829, following the collapse of his marriage, Houston resigned as governor of Tennessee. Shortly after leaving office, he traveled to Arkansas Territory to rejoin the Cherokee. Political exile and controversy Houston was reunited with Ahuludegi's group of Cherokee in mid-1829. Because of Houston's experience in government and his connections with President Jackson, several local Native American tribes asked Houston to mediate disputes and communicate their needs to the Jackson administration. In late 1829, the Cherokee accorded Houston tribal membership and dispatched him to Washington to negotiate several issues. In anticipation of the removal of the remaining Cherokee east of the Mississippi River, Houston made an unsuccessful bid to supply rations to the Native Americans during their journey. When Houston returned to Washington in 1832, Congressman William Stanbery alleged that Houston had placed a fraudulent bid in 1830 in collusion with the Jackson administration. On April 13, 1832, after Stanbery refused to answer Houston's letters regarding the incident, Houston beat Stanbery with a cane. After the beating, the House of Representatives brought Houston to trial. By a vote of 106 to 89, the House convicted Houston, and Speaker of the House Andrew Stevenson formally reprimanded Houston. A federal court also required Houston to pay $500 in damages. Texas Revolution In mid-1832, Houston's friends William H. Wharton and John Austin Wharton wrote to convince him to travel to the Mexican possession of Texas, where unrest among the American settlers was growing. The Mexican government had invited Americans to settle the sparsely populated region of Texas, but many of the settlers, including the Whartons, disliked Mexican rule. Houston crossed into Texas in December 1832, and shortly thereafter, he was granted land in Texas. Houston was elected to represent Nacogdoches, Texas at the Convention of 1833, which was called to petition Mexico for statehood (at the time, Texas was part of the state of Coahuila y Tejas). Houston strongly supported statehood, and he chaired a committee that drew a proposed state constitution. After the convention, Texan leader Stephen F. Austin petitioned the Mexican government for statehood, but he was unable to come to an agreement with President Valentín Gómez Farías. In 1834, Antonio López de Santa Anna assumed the presidency, took on new powers, and arrested Austin. In October 1835, the Texas Revolution broke out with the Battle of Gonzales, a skirmish between Texan forces and the Mexican Army. Shortly after the battle, Houston was elected to the Consultation, a congregation of Texas leaders. Along with Austin and others, Houston helped organize the Consultation into a provisional government for Texas. In November, Houston joined with most other delegates in voting for a measure that demanded Texas statehood and the restoration of the 1824 Constitution of Mexico. The Consultation appointed Houston as a major general and the highest-ranking officer of the Texian Army, though the appointment did not give him effective control of the militia units that constituted the Texian Army. Houston helped organize the Convention of 1836, where the Republic of Texas declared independence from Mexico, and appointed him as Commander-in-Chief of the Texas Army. Shortly after the declaration, the convention received a plea for assistance from William B. Travis, who commanded Texan forces under siege by Santa Anna at the Alamo. The convention confirmed Houston's command of the Texian Army and dispatched him to lead a relief of Travis's force, but the Alamo fell before Houston could organize his forces at Gonzales, Texas. Seeking to intimidate Texan forces into surrender, the Mexican army killed every defender at the Alamo; news of the defeat outraged many Texans and caused desertions in Houston's ranks. Commanding a force of about 350 men that numerically was inferior to that of Santa Anna, Houston retreated east across the Colorado River. Though the provisional government, as well as many of his own subordinates, urged him to attack the Mexican army, Houston continued the retreat east, informing his soldiers that they constituted "the only army in Texas now present ... There are but a few of us, and if we are beaten, the fate of Texas is sealed." Santa Anna divided his forces and finally caught up to Houston in mid-April 1836. Santa Anna's force of about 1,350 soldiers trapped Houston's force of 783 men in a marsh; rather than pressing the attack, Santa Anna ordered his soldiers to make camp. On April 21, Houston ordered an attack on the Mexican army, beginning the Battle of San Jacinto. The Texans quickly routed Santa Anna's force, though Houston's horse was shot out under him and his ankle was shattered by a stray bullet. In the aftermath of the Battle of San Jacinto, a detachment of Texans captured Santa Anna. Santa Anna was forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed briefly for negotiations, then returned to the United States for treatment of his ankle wound. President of Texas Victory in the Battle of San Jacinto made Houston a hero to many Texans, and he won the 1836 Texas presidential election, defeating Stephen F. Austin, another former governor who would also receive the honor of having the city of Austin named after him, and Henry Smith. Houston took office on October 22, 1836, after interim president David G. Burnet resigned. During the presidential election, the voters of Texas overwhelmingly indicated their desire for Texas to be annexed by the United States. Houston, meanwhile, faced the challenge of assembling a new government, putting the country's finances in order, and handling relations with Mexico. He selected Thomas Jefferson Rusk as secretary of war, Smith as secretary of the treasury, Samuel Rhoads Fisher as secretary of the navy, James Collinsworth as attorney general, and Austin as secretary of state. Houston sought normalized relations with Mexico, and despite some resistance from the legislature, arranged the release of Santa Anna. Concerned about upsetting the balance between slave states and free states, U.S. President Andrew Jackson refused to push for the annexation of Texas, but in his last official act in office he granted Texas diplomatic recognition. With the United States unwilling to annex Texas, Houston began courting British support; as part of this effort, he urged the end of the importation of slaves into Texas. In early 1837, the government moved to a new capital, the city of Houston, named for the country's first president. In 1838, Houston frequently clashed with Congress over issues such as a treaty with the Cherokee and a land-office act and was forced to put down the Córdova Rebellion, a plot to allow Mexico to reclaim Texas with aid from the Kickapoo Indians. The Texas constitution barred presidents from seeking a second term, so Houston did not stand for re-election in the 1838 election and left office in late 1838. He was succeeded by Mirabeau B. Lamar, who, along with Burnet, led a faction of Texas politicians opposed to Houston. The Lamar administration removed many of Houston's appointees, launched a war against the Cherokee, and established a new capital at Austin, Texas. Meanwhile, Houston opened a legal practice and co-founded a land company with the intent of developing the town of Sabine City. In 1839, he was elected to represent San Augustine County in the Texas House of Representatives.</ref> Houston defeated Burnet in the 1841 Texas presidential election, winning a large majority of the vote. Houston appointed Anson Jones as secretary of state, Asa Brigham as secretary of the treasury, George Washington Hockley as secretary of war, and George Whitfield Terrell as attorney general. The republic faced a difficult financial situation; at one point, Houston commandeered an American brig used to transport Texas soldiers because the government could not afford to pay the brig's captain. The Santa Fe Expedition and other initiatives pursued by Lamar had stirred tensions with Mexico, and rumors frequently raised fears that Santa Anna would launch an invasion of Texas. Houston continued to curry favor with Britain and France, partly in the hope that British and French influence in Texas would encourage the United States to annex Texas. The Tyler administration made the annexation of Texas its chief foreign policy priority, and in April 1844, Texas and the United States signed an annexation treaty. Annexation did not have sufficient support in Congress, and the United States Senate rejected the treaty in June. Henry Clay and Martin Van Buren, the respective front-runners for the Whig and Democratic nominations in the 1844 presidential election, both opposed the annexation of Texas. However, Van Buren's opposition to annexation damaged his candidacy, and he was defeated by James K. Polk, an acolyte of Jackson and an old friend of Houston, at the 1844 Democratic National Convention. Polk defeated Clay in the general election, giving backers of annexation an electoral mandate. Meanwhile, Houston's term ended in December 1844, and he was succeeded by Anson Jones, his secretary of state. In the waning days of his own presidency, Tyler used Polk's victory to convince Congress to approve of the annexation of Texas. Seeking Texas's immediate acceptance of annexation, Tyler made Texas a generous offer that allowed the state to retain control of its public lands, though it would be required to keep its public debt. A Texas convention approved of the offer of annexation in July 1845, and Texas officially became the 28th U.S. state on December 29, 1845. U.S. Senator Mexican–American War and aftermath (1846–1853) In February 1846, the Texas legislature elected Houston and Thomas Jefferson Rusk as Texas's two inaugural U.S. senators. Houston chose to align with the Democratic Party, which contained many of his old political allies, including President Polk. As a former president of Texas, Houston is the only former foreign head of state to have served in the U.S. Congress. He was the first person to serve as the governor of a state and then be elected to the U.S. Senate by another state. In 2018, Mitt Romney became the second. William W. Bibb accomplished the same feat in reverse order. Breaking with the Senate tradition that held that freshman senators were not to address the Senate, Houston strongly advocated in early 1846 for the annexation of Oregon Country. In the Oregon Treaty, reached later in 1846, Britain and the United States agreed to split Oregon Country. Meanwhile, Polk ordered General Zachary Taylor to lead a U.S. army to the Rio Grande, which had been set as the Texas-Mexico border under the Treaty of Velasco; Mexico claimed the Nueces River constituted the true border. After a skirmish between Taylor's unit and the Mexican army, the Mexican–American War broke out in April 1846. Houston initially supported Polk's prosecution of the war, but differences between the two men emerged in 1847. After two years of fighting, the United States defeated Mexico and, through the Treaty of Guadalupe Hidalgo, acquired the Mexican Cession. Mexico also agreed to recognize the Rio Grande as the border between Mexico and Texas. After the war, disputes over the extension of slavery into the territories raised sectional tensions. Unlike most of his Southern colleagues, Houston voted for the Oregon Bill of 1848, which organized Oregon Territory as a free territory. Defending his vote to create a territory that excluded slavery, Houston stated "I would be the last man to wish to do anything injurious to the South, but I do not think that on all occasions we are justified in agitating [slavery]." He criticized both Northern abolitionists and Democratic followers of Calhoun as extremists who sought to undermine the union. He supported the Compromise of 1850, a sectional compromise on slavery on the territories. Under the compromise, California was admitted as a free state, the slave trade was prohibited in the District of Columbia, a more stringent fugitive slave law was passed, and Utah Territory and New Mexico Territory were established. Texas gave up some of its claims on New Mexico, but it retained El Paso, Texas, and the United States assumed Texas's large public debt. Houston sought the Democratic nomination in the 1852 presidential election, but he was unable to consolidate support outside of his home state. The 1852 Democratic National Convention ultimately nominated Franklin Pierce, a compromise nominee, who went on to win the election. Pierce and Buchanan administrations (1853–1859) In 1854, Senator Stephen A. Douglas led the passage of the Kansas–Nebraska Act, which organized Kansas Territory and Nebraska Territory. The act also repealed the Missouri Compromise, an act that had banned slavery in territories north of parallel 36°30′ north. Houston voted against the act, in part because he believed that Native Americans would lose much of their land as a result of the act. He also perceived that it would lead to increased sectional tensions over slavery. Houston's opposition to the Kansas–Nebraska Act led to his departure from the Democratic Party. In 1855, Houston began to be associated publicly with the American Party, the political wing of the nativist and unionist Know Nothing movement. The Whig Party had collapsed after the passage of the Kansas–Nebraska Act, and the Know Nothings and the anti-slavery Republican Party had both emerged as major political movements. Houston's affiliation with the party stemmed in part from his fear of the growing influence of Catholic voters; though he opposed barring Catholics from holding office, he wanted to extend the naturalization period for immigrants to 21 years. He was attracted to the Know Nothing's support for a Native American state as well the party's unionist stance. Houston sought the presidential nomination at the Know Nothing party's 1856 national convention, but the party nominated former President Millard Fillmore. Houston was disappointed by Fillmore's selection as well as the party platform, which did not rebuke the Kansas–Nebraska Act, but he eventually decided to support Fillmore's candidacy. Despite Houston's renewed support, the American Party split over slavery, and Democrat James Buchanan won the 1856 presidential election. The American Party collapsed after the election, and Houston did not affiliate with a national political party for the remainder of his tenure in the senate. In the 1857 Texas gubernatorial election, Texas Democrats nominated Hardin Richard Runnels, who supported the Kansas–Nebraska Act and attacked Houston's record. In response, Houston announced his own candidacy for governor, but Runnels defeated him by a decisive margin. It was the only electoral defeat of his career. After the gubernatorial election, the Texas legislature denied Houston re-election in the senate; Houston rejected calls to resign immediately and served until the end of his term in early 1859. Governor of Texas Houston ran against Runnels in the 1859 gubernatorial election. Capitalizing on Runnels's unpopularity over state issues such as Native American raids, Houston won the election and took office in December 1859. In the 1860 presidential election, Houston and John Bell were the two major contenders for the presidential nomination of the newly formed Constitutional Union Party, which consisted largely of Southern unionists. Houston narrowly trailed Bell on the first ballot of the 1860 Constitutional Union Convention, but Bell clinched the nomination on the second ballot. Nonetheless, some of Houston's Texan supporters nominated him for president in April 1860. Other backers attempted to launch a nationwide campaign, but in August 1860, Houston announced that he would not be a candidate for president. He refused to endorse any of the remaining presidential candidates. In late 1860, Houston campaigned across his home state, calling on Texans to resist those who advocated for secession if Republican nominee Abraham Lincoln won the 1860 election. After Lincoln won the November 1860 presidential election, several Southern states seceded from the United States and formed the Confederate States of America. A Texas political convention voted to secede from the United States on February 1, 1861, and Houston proclaimed that Texas was once again an independent republic, but he refused to recognize that same convention's authority to join Texas to the Confederacy. After Houston refused to swear an oath of loyalty to the Confederacy, the legislature declared the governorship vacant. Houston did not recognize the validity of his removal, but he did not attempt to use force to remain in office, and he refused aid from the federal government to prevent his removal. His successor, Edward Clark, was sworn in on March 18. In an undelivered speech, Houston wrote: On April 19, 1861, he told a crowd: According to historian Randolph Campbell: Houston did everything possible to prevent secession and war, but his first loyalty was to Texas—and the South. Houston refused offers of troops from the United States to keep Texas in the Union and announced on May 10, 1861 that he would stand with the Confederacy in its war effort. Retirement and death After leaving office, Houston returned to his home in Galveston. He later settled in Huntsville, Texas, where he lived in a structure known as the Steamboat House. In the midst of the Civil War, Houston was shunned by many Texas leaders, though he continued to correspond with Confederate officer Ashbel Smith and Texas governor Francis Lubbock. His son, Sam Houston, Jr., served in the Confederate army during the Civil War, but returned home after being wounded at the Battle of Shiloh. Houston's health suffered a precipitous decline in April 1863, and he died on July 26, 1863, at 70 years of age. The inscription on Houston's tomb reads: A Brave Soldier. A Fearless Statesman. A Great Orator—A Pure Patriot. A Faithful Friend, A Loyal Citizen. A Devoted Husband and Father. A Consistent Christian—An Honest Man. Personal life In January 1829 Houston, then Governor of Tennessee, married 19-year-old Eliza Allen. The marriage lasted 11 weeks. Neither Houston nor Eliza ever gave a reason for their separation, but Eliza refused to sanction divorce. Subsequently, he resigned his governorship and went to live with his Cherokee family for three years. In the summer of 1830, Houston married Tiana Rogers (sometimes called Diana), daughter of Chief John "Hellfire" Rogers (1740–1833), a Scots-Irish trader, and Jennie Due (1764–1806), a sister of Chief John Jolly, in a Cherokee ceremony. The ceremony was modest since it was Tiana's second marriage; she was widowed with two children from her previous marriage: Gabriel, born 1819, and Joanna, born 1822. She and Houston first met when she was ten years old, and he was stunned to see how beautiful she was when he returned to her village years later. The two lived together for several years. Tennessee society disapproved of the marriage because under civil law, he was still legally married to Eliza Allen Houston. After declining to accompany Houston to Texas in 1832, Tiana later remarried. She died in 1838 of pneumonia. Will Rogers was her nephew, three generations removed. In 1837, after becoming President of the Republic of Texas, he was able to acquire, from a district court judge, a divorce from Eliza Allen. In 1839, he purchased a horse which became one of the foundation sires of the American Quarter Horse breed named Copperbottom. He owned the horse until its death in 1860. On May 9, 1840, Houston, aged 47, married for a third time. His bride was 21-year-old Margaret Moffette Lea of Marion, Alabama, the daughter of planters. They had eight children. Margaret acted as a tempering influence on her much older husband and convinced him to stop drinking. Although the Houstons had numerous houses, they kept only one continuously: Cedar Point (1840–1863) on Trinity Bay. In 1833, Houston was baptized into the Catholic faith in order to qualify under the existing Mexican law for property ownership in Coahuila y Tejas. The sacrament was held in the living room of the Adolphus Sterne House in Nacogdoches, Texas. By 1854, Margaret had spent 14 years trying to convert Houston to the Baptist church. With the assistance of George Washington Baines, she convinced Houston to convert, and he agreed to adult baptism. Spectators from neighboring communities came to Independence, Texas, to witness the event. On November 19, 1854, Houston was baptized by Rev. Rufus C. Burleson, president of Baylor University, by immersion in Little Rocky Creek, two miles southeast of Independence. Legacy Houston, the largest city in Texas and the American South, is named in his honor. Several other things and places are named for Houston, including Sam Houston State University; Houston County, Minnesota; Houston County, Tennessee; Houston County, Texas. Other monuments and memorials include Sam Houston National Forest, Sam Houston Regional Library and Research Center, U.S. Army post Fort Sam Houston in San Antonio, the USS Sam Houston (SSBN-609), and a sculpture of Houston in the city of Houston's Hermann Park. In addition, a 67-foot-tall statue of Houston, created by sculptor David Adickes, named A Tribute to Courage (and colloquially called "Big Sam") stands next to I-45, between Dallas and Houston, in Huntsville, Texas. Along with Stephen F. Austin, Houston is one of two Texans with a statue in the National Statuary Hall. Houston has been portrayed in works such as Man of Conquest, Gone to Texas, Texas Rising, and The Alamo. In 1960, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum. There is a question about whether Houston made a pejorative comment about Mexicans in an 1835 speech to the Texas volunteer army at Refugio. One second hand source makes this claim; however, subsequent research casts doubt on the source and concludes that the disparaging comment is unlikely to have occurred. See also Joshua Houston History of slavery in Texas List of duels#United States Nathaniel Hale Pryor Notes References Bibliography Works cited Campbell, Randolph B. "Houston, Sam" American National Biography (2000) online Further reading Brinkley, William. The Texas Revolution Texas A&M Press: . Sword of San Jacinto, DeBruhl, Marshall; Random House: . Hitsman, J. Mackay. "The Texas War Of 1835-1836." History Today (Feb 1960) 10#2 pp 116–123. . The Eagle and the Raven; Michener, James A.; State House Press: . External links Sam Houston papers (Woodson Research Center, Fondren Library, Rice University, Houston, Texas) Life of General Houston, 1793–1863 published 1891, hosted by the Portal to Texas History. Sam Houston Memorial Museum in Huntsville, Texas Sam Houston Historic Schoolhouse in Maryville, Tennessee Documentary film Sam Houston: American Statesman, Soldier, and Pioneer. 2009, The Sam Houston Project. Tennessee Encyclopedia of History and Culture entry Tennessee State Library & Archives, Papers of Governor Sam Houston, 1827–1829 Sam Houston Rode a Gray Horse Houston Family Papers, 1836–1869 and undated, in the Southwest Collection/Special Collections Library at Texas Tech University Life and select literary remains of Sam Houston of Texas published 1884 1793 births 1863 deaths 19th-century American politicians American emigrants to Mexico American people of Scottish descent American people of Scotch-Irish descent United States Army personnel of the War of 1812 American prosecutors Army of the Republic of Texas generals Confederate state governors Democratic Party United States senators Democratic-Republican Party members of the United States House of Representatives Democratic-Republican Party state governors of the United States Governors of Tennessee Governors of Texas Independent state governors of the United States Jacksonian members of the United States House of Representatives Know-Nothing United States senators Members of the United States House of Representatives from Tennessee People from Maryville, Tennessee People from Rockbridge County, Virginia People of Texas in the American Civil War People of the Creek War People of the Texas Revolution Presidents of the Republic of Texas Southern Unionists in the American Civil War Tennessee Democratic-Republicans Tennessee Jacksonians Tennessee lawyers Baptists from Texas Texas Consultation delegates Texas Democrats Texas Independents Texas Know Nothings United States Army officers Candidates in the 1860 United States presidential election United States senators from Texas People from Huntsville, Texas People from San Augustine, Texas Signers of the Texas Declaration of Independence Baptists from Tennessee Baptists from Virginia Converts to Baptist denominations from Roman Catholicism American slave owners Houston Houston County, Minnesota Houston County, Tennessee Houston County, Texas

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was he revered as a war hero

Was Sam Houston revered as a war hero?

Sam Houston

Houston's political reputation suffered further due to the publicity related to the trial for his assault of Stanbery. He left for Texas in December 1832 and was immediately swept up in the politics of what was still a part of the Mexican state of Coahuila, attending the Convention of 1833 as representative for Nacogdoches. Houston emerged as a supporter of William Harris Wharton and his brother, who promoted independence from Mexico. This was the more radical position of the American settlers and Tejanos in Texas. He also attended the Consultation of 1835, and the Texas Army commissioned him as Major General in November 1835. He negotiated a peace settlement with the Cherokee of East Texas in February 1836 to allay their fears about independence. Houston was selected as Commander-in-Chief at the convention to declare Texan independence in March 1836, and he signed the Texas Declaration of Independence on March 2, 1836, his 43rd birthday. Mexican soldiers killed almost all of those at the Alamo Mission at the end of a 13-day siege on March 6. On March 11, Houston joined what constituted his army at Gonzales: 374 poorly equipped, poorly trained, and poorly supplied recruits. Word of the defeat at the Alamo reached him and, while he waited for confirmation, he organized the recruits as the 1st Regiment Volunteer Army of Texas. On March 13, Houston retreated before the superior forces of Mexican General Antonio Lopez de Santa Anna, as he was short on rations. Heavy rain fell nearly every day, causing severe morale problems among the exposed troops struggling through the mud. He received additional troops near present-day La Grange, after four days' march, and continued east two days later with 600 men. At Goliad, Santa Anna ordered the execution of more than 400 volunteer Texas militia led by James Fannin, who had surrendered his forces on March 20. Houston's forces were joined by 130 more men on March 26 near present-day Columbus, and the next day he learned of the Fannin disaster. Houston continued his retreat eastward toward the Gulf coast, drawing criticism for his perceived lack of willingness to fight, and two companies refused to retreat further on March 29 while they were camped along the Brazos River. Houston decided to use the opportunity for rudimentary training and discipline of his force. On April 2, he organized the 2nd Regiment and received a battalion of regulars, and he ordered all troops along the Brazos to join the main army on April 11, approximately 1,500 men in all. He began crossing the Brazos on April 12. Santa Anna finally caught up with the Texans, but he had split his own army into three separate forces in an attempt to encircle Houston's forces. Houston surprised Santa Anna's forces during their afternoon siesta at the Battle of San Jacinto on April 21, 1836. The Texans won a decisive victory in less than 18 minutes, suffering few casualties, although Houston's ankle was shattered by a stray bullet. Santa Anna was badly beaten and forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed on briefly for negotiations, then returned to the United States for treatment of his ankle wound. CANNOTANSWER

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Samuel Houston (, ; March 2, 1793 – July 26, 1863) was an American general and statesman who played an important role in the Texas Revolution. He served as the first and third president of the Republic of Texas and was one of the first two individuals to represent Texas in the United States Senate. He also served as the sixth governor of Tennessee and the seventh governor of Texas, the only individual to be elected governor of two different states in the United States. Born in Rockbridge County, Virginia, Houston and his family migrated to Maryville, Tennessee, when Houston was a teenager. Houston later ran away from home and spent about three years living with the Cherokee, becoming known as Raven. He served under General Andrew Jackson in the War of 1812, and after the war, he presided over the removal of many Cherokee from Tennessee. With the support of Jackson and others, Houston won election to the United States House of Representatives in 1823. He strongly supported Jackson's presidential candidacies, and in 1827, Houston was elected as the governor of Tennessee. In 1829, after divorcing his first wife, Houston resigned from office, and moved to Arkansas Territory. Houston settled in Texas in 1832. After the Battle of Gonzales, he helped organize Texas's provisional government and was selected as the top-ranking official in the Texian Army. He led the Texan Army to victory at the Battle of San Jacinto, the decisive battle in Texas's war for independence against Mexico. After the war, Houston won election in the 1836 Texas presidential election. He left office due to term limits in 1838 but won election to another term in the 1841 Texas presidential election. Houston played a key role in the annexation of Texas by the United States in 1845, and in 1846, he was elected to represent Texas in the United States Senate. He joined the Democratic Party and supported President James K. Polk's prosecution of the Mexican–American War. His Senate record was marked by his unionism and opposition to extremists from both the North and South. He voted for the Compromise of 1850, which settled many of the territorial issues left over from the Mexican–American War and the annexation of Texas. He later voted against the Kansas–Nebraska Act because he believed it would lead to increased sectional tensions over slavery, and his opposition to that act led him to leave the Democratic Party. He was an unsuccessful candidate for the presidential nomination of the American Party in the 1856 presidential election and the Constitutional Union Party in the 1860 presidential election. In 1859, Houston won election as the governor of Texas. In this role, he opposed secession and unsuccessfully sought to keep Texas out of the Confederate States of America. He was forced out of office in 1861 and died in 1863. Houston's name has been honored in numerous ways, and he is the eponym of the city of Houston, the fourth most populous city in the United States. Early life Samuel Houston was born in Rockbridge County, Virginia, on March 2, 1793, to Samuel Houston and Elizabeth Paxton. Both of Houston's parents were descended from Scottish and Irish immigrants who had settled in Colonial America in the 1730s, including his great grandfather John Houston. Houston's father was descended from Ulster Scots people. Samuel inherited the Timber Ridge plantation and mansion in Rockbridge County, Virginia that was worked by enslaved African Americans. During the American Revolutionary War, Captain Houston served in Morgan's Rifle Brigade as a paymaster. He served in the Virginia militia, which required him to pay his own expenses and to be away from his family for long periods of time. The plantation and the family's finances suffered as a result. He had five brothers and three sisters: Paxton, Robert, James who married Patience Bills, John, William who married Mary Ball, Isabella, Mary who married Matthew Wallace and then his nephew Williams Wallace, and Eliza who married Samuel Moore. His father, Samuel, planned to sell Timber Ridge and move west to Tennessee, where land was less expensive, but he died in 1806. Elizabeth, his mother, followed through on those plans and settled the family near Maryville, the seat of Blount County, Tennessee. At this time, Tennessee was on the American frontier, and even larger towns like Nashville were vigilant against Native American raids. He had dozens of cousins who lived in the surrounding area of east-central Tennessee. When they arrived, Elizabeth cleared the land, built a house, and planted crops. Her oldest children, Paxton, Isabella, and Robert died within a few years after they arrived in Tennessee. Elizabeth relied on James and John to run the store in Maryville, operate the farm, and watch over the younger children. He had a care-free disposition, however, and liked to escape to explore the frontier. He was at odds with concepts of hell and damnation of his mother's religion, Presbyterianism, and he was not interested schooling. He did take an interest in his father's library, reading works by classical authors like Virgil as well as more recent works by authors such as Jedidiah Morse. Not interested in farming and working in the family store, at the age of 16, he left his family to live with a Cherokee tribe led by Chief John Jolly (Cherokee name: Ahuludegi, also spelled Oolooteka) on Hiwassee Island. Houston formed a close relationship with Jolly and learned the Cherokee language, becoming known as Raven. According to James L. Haley, he appreciated the "free and unsophisticated spiritual expression of the Native Americans". He left the tribe to return to Maryville in 1812, and he was hired at age 19 for a term as the schoolmaster of a one-room schoolhouse. He attended Porter Academy, where he was taught by Rev. Isaac L. Anderson (founder of Maryville College). According to biographer John Hoyt Williams, Houston was not close with his siblings or his parents, and he rarely spoke of them in his later life. Haley states that he was interested in his younger brother's and his sisters' welfare when he lived on Hiwassee Island. He felt used by the rest of the family. War of 1812 and aftermath In 1812, Houston enlisted in the United States Army, which then was engaged in the War of 1812 against Britain and Britain's Native American allies. He quickly impressed the commander of the 39th Infantry Regiment, Thomas Hart Benton, and by the end of 1813, Houston had risen to the rank of the third lieutenant. In early 1814, the 39th Infantry Regiment became a part of the force commanded by General Andrew Jackson, who was charged with putting an end to raids by a faction of the Muscogee (or "Creek") tribe in the Old Southwest. Houston was wounded badly in the Battle of Horseshoe Bend, the decisive battle in the Creek War. Although army doctors expected him to die of his wounds, Houston survived and convalesced in Maryville and other locations. While many other officers lost their positions after the end of the War of 1812 due to military cutbacks, Houston retained his commission with the help of Congressman John Rhea. During that time he was promoted to the rank of second lieutenant. Sometime in early 1817, Sam Houston was assigned to a clerical position in Nashville, serving under the adjutant general for the army's Southern Division. Later in the year, Jackson appointed Houston as a sub-agent to handle the removal of Cherokee from East Tennessee. In February 1818, he received a strong reprimand from Secretary of War John C. Calhoun after he wore Native American dress to a meeting between Calhoun and Cherokee leaders, beginning an enmity that lasted until Calhoun's death in 1850.{{sfn|Haley|2002|pp=24–25</ref> Angry over the incident with Calhoun and an investigation into his activities, Houston resigned from the army in 1818. He continued to act as a government liaison with the Cherokee, and in 1818, he helped some of the Cherokee resettle in Arkansas Territory. Early political career After leaving government service, Houston began an apprenticeship with Judge James Trimble in Nashville. He quickly won admission to the state bar and opened a legal practice in Lebanon, Tennessee. With the aid of Governor Joseph McMinn, Houston won election as the district attorney for Nashville in 1819. He was also appointed as a major general of the Tennessee militia. Like his mentors, Houston was a member of the Democratic-Republican Party, which dominated state and national politics in the decade following the War of 1812. Tennessee gained three seats in the United States House of Representatives after the 1820 United States Census, and, with the support of Jackson and McMinn, Houston ran unopposed in the 1823 election for Tennessee's 9th congressional district. In his first major speech in Congress, Houston advocated for the recognition of Greece, which was fighting a war of independence against the Ottoman Empire. Houston strongly supported Jackson's candidacy in the 1824 presidential election, which saw four major candidates, all from the Democratic-Republican Party, run for president. As no candidate won a majority of the vote, the House of Representatives held a contingent election, which was won by John Quincy Adams. Supporters of Jackson eventually coalesced into the Democratic Party, and those who favored Adams became known as National Republicans. With Jackson's backing, Houston won election as governor of Tennessee in 1827. Governor Houston advocated the construction of internal improvements such as canals, and sought to lower the price of land for homesteaders living on public domain. He also aided Jackson's successful campaign in the 1828 presidential election. In January 1829, Houston married Eliza Allen, the daughter of wealthy plantation owner John Allen of Gallatin, Tennessee. The marriage quickly fell apart possibly because Eliza loved another man. In April 1829, following the collapse of his marriage, Houston resigned as governor of Tennessee. Shortly after leaving office, he traveled to Arkansas Territory to rejoin the Cherokee. Political exile and controversy Houston was reunited with Ahuludegi's group of Cherokee in mid-1829. Because of Houston's experience in government and his connections with President Jackson, several local Native American tribes asked Houston to mediate disputes and communicate their needs to the Jackson administration. In late 1829, the Cherokee accorded Houston tribal membership and dispatched him to Washington to negotiate several issues. In anticipation of the removal of the remaining Cherokee east of the Mississippi River, Houston made an unsuccessful bid to supply rations to the Native Americans during their journey. When Houston returned to Washington in 1832, Congressman William Stanbery alleged that Houston had placed a fraudulent bid in 1830 in collusion with the Jackson administration. On April 13, 1832, after Stanbery refused to answer Houston's letters regarding the incident, Houston beat Stanbery with a cane. After the beating, the House of Representatives brought Houston to trial. By a vote of 106 to 89, the House convicted Houston, and Speaker of the House Andrew Stevenson formally reprimanded Houston. A federal court also required Houston to pay $500 in damages. Texas Revolution In mid-1832, Houston's friends William H. Wharton and John Austin Wharton wrote to convince him to travel to the Mexican possession of Texas, where unrest among the American settlers was growing. The Mexican government had invited Americans to settle the sparsely populated region of Texas, but many of the settlers, including the Whartons, disliked Mexican rule. Houston crossed into Texas in December 1832, and shortly thereafter, he was granted land in Texas. Houston was elected to represent Nacogdoches, Texas at the Convention of 1833, which was called to petition Mexico for statehood (at the time, Texas was part of the state of Coahuila y Tejas). Houston strongly supported statehood, and he chaired a committee that drew a proposed state constitution. After the convention, Texan leader Stephen F. Austin petitioned the Mexican government for statehood, but he was unable to come to an agreement with President Valentín Gómez Farías. In 1834, Antonio López de Santa Anna assumed the presidency, took on new powers, and arrested Austin. In October 1835, the Texas Revolution broke out with the Battle of Gonzales, a skirmish between Texan forces and the Mexican Army. Shortly after the battle, Houston was elected to the Consultation, a congregation of Texas leaders. Along with Austin and others, Houston helped organize the Consultation into a provisional government for Texas. In November, Houston joined with most other delegates in voting for a measure that demanded Texas statehood and the restoration of the 1824 Constitution of Mexico. The Consultation appointed Houston as a major general and the highest-ranking officer of the Texian Army, though the appointment did not give him effective control of the militia units that constituted the Texian Army. Houston helped organize the Convention of 1836, where the Republic of Texas declared independence from Mexico, and appointed him as Commander-in-Chief of the Texas Army. Shortly after the declaration, the convention received a plea for assistance from William B. Travis, who commanded Texan forces under siege by Santa Anna at the Alamo. The convention confirmed Houston's command of the Texian Army and dispatched him to lead a relief of Travis's force, but the Alamo fell before Houston could organize his forces at Gonzales, Texas. Seeking to intimidate Texan forces into surrender, the Mexican army killed every defender at the Alamo; news of the defeat outraged many Texans and caused desertions in Houston's ranks. Commanding a force of about 350 men that numerically was inferior to that of Santa Anna, Houston retreated east across the Colorado River. Though the provisional government, as well as many of his own subordinates, urged him to attack the Mexican army, Houston continued the retreat east, informing his soldiers that they constituted "the only army in Texas now present ... There are but a few of us, and if we are beaten, the fate of Texas is sealed." Santa Anna divided his forces and finally caught up to Houston in mid-April 1836. Santa Anna's force of about 1,350 soldiers trapped Houston's force of 783 men in a marsh; rather than pressing the attack, Santa Anna ordered his soldiers to make camp. On April 21, Houston ordered an attack on the Mexican army, beginning the Battle of San Jacinto. The Texans quickly routed Santa Anna's force, though Houston's horse was shot out under him and his ankle was shattered by a stray bullet. In the aftermath of the Battle of San Jacinto, a detachment of Texans captured Santa Anna. Santa Anna was forced to sign the Treaty of Velasco, granting Texas its independence. Houston stayed briefly for negotiations, then returned to the United States for treatment of his ankle wound. President of Texas Victory in the Battle of San Jacinto made Houston a hero to many Texans, and he won the 1836 Texas presidential election, defeating Stephen F. Austin, another former governor who would also receive the honor of having the city of Austin named after him, and Henry Smith. Houston took office on October 22, 1836, after interim president David G. Burnet resigned. During the presidential election, the voters of Texas overwhelmingly indicated their desire for Texas to be annexed by the United States. Houston, meanwhile, faced the challenge of assembling a new government, putting the country's finances in order, and handling relations with Mexico. He selected Thomas Jefferson Rusk as secretary of war, Smith as secretary of the treasury, Samuel Rhoads Fisher as secretary of the navy, James Collinsworth as attorney general, and Austin as secretary of state. Houston sought normalized relations with Mexico, and despite some resistance from the legislature, arranged the release of Santa Anna. Concerned about upsetting the balance between slave states and free states, U.S. President Andrew Jackson refused to push for the annexation of Texas, but in his last official act in office he granted Texas diplomatic recognition. With the United States unwilling to annex Texas, Houston began courting British support; as part of this effort, he urged the end of the importation of slaves into Texas. In early 1837, the government moved to a new capital, the city of Houston, named for the country's first president. In 1838, Houston frequently clashed with Congress over issues such as a treaty with the Cherokee and a land-office act and was forced to put down the Córdova Rebellion, a plot to allow Mexico to reclaim Texas with aid from the Kickapoo Indians. The Texas constitution barred presidents from seeking a second term, so Houston did not stand for re-election in the 1838 election and left office in late 1838. He was succeeded by Mirabeau B. Lamar, who, along with Burnet, led a faction of Texas politicians opposed to Houston. The Lamar administration removed many of Houston's appointees, launched a war against the Cherokee, and established a new capital at Austin, Texas. Meanwhile, Houston opened a legal practice and co-founded a land company with the intent of developing the town of Sabine City. In 1839, he was elected to represent San Augustine County in the Texas House of Representatives.</ref> Houston defeated Burnet in the 1841 Texas presidential election, winning a large majority of the vote. Houston appointed Anson Jones as secretary of state, Asa Brigham as secretary of the treasury, George Washington Hockley as secretary of war, and George Whitfield Terrell as attorney general. The republic faced a difficult financial situation; at one point, Houston commandeered an American brig used to transport Texas soldiers because the government could not afford to pay the brig's captain. The Santa Fe Expedition and other initiatives pursued by Lamar had stirred tensions with Mexico, and rumors frequently raised fears that Santa Anna would launch an invasion of Texas. Houston continued to curry favor with Britain and France, partly in the hope that British and French influence in Texas would encourage the United States to annex Texas. The Tyler administration made the annexation of Texas its chief foreign policy priority, and in April 1844, Texas and the United States signed an annexation treaty. Annexation did not have sufficient support in Congress, and the United States Senate rejected the treaty in June. Henry Clay and Martin Van Buren, the respective front-runners for the Whig and Democratic nominations in the 1844 presidential election, both opposed the annexation of Texas. However, Van Buren's opposition to annexation damaged his candidacy, and he was defeated by James K. Polk, an acolyte of Jackson and an old friend of Houston, at the 1844 Democratic National Convention. Polk defeated Clay in the general election, giving backers of annexation an electoral mandate. Meanwhile, Houston's term ended in December 1844, and he was succeeded by Anson Jones, his secretary of state. In the waning days of his own presidency, Tyler used Polk's victory to convince Congress to approve of the annexation of Texas. Seeking Texas's immediate acceptance of annexation, Tyler made Texas a generous offer that allowed the state to retain control of its public lands, though it would be required to keep its public debt. A Texas convention approved of the offer of annexation in July 1845, and Texas officially became the 28th U.S. state on December 29, 1845. U.S. Senator Mexican–American War and aftermath (1846–1853) In February 1846, the Texas legislature elected Houston and Thomas Jefferson Rusk as Texas's two inaugural U.S. senators. Houston chose to align with the Democratic Party, which contained many of his old political allies, including President Polk. As a former president of Texas, Houston is the only former foreign head of state to have served in the U.S. Congress. He was the first person to serve as the governor of a state and then be elected to the U.S. Senate by another state. In 2018, Mitt Romney became the second. William W. Bibb accomplished the same feat in reverse order. Breaking with the Senate tradition that held that freshman senators were not to address the Senate, Houston strongly advocated in early 1846 for the annexation of Oregon Country. In the Oregon Treaty, reached later in 1846, Britain and the United States agreed to split Oregon Country. Meanwhile, Polk ordered General Zachary Taylor to lead a U.S. army to the Rio Grande, which had been set as the Texas-Mexico border under the Treaty of Velasco; Mexico claimed the Nueces River constituted the true border. After a skirmish between Taylor's unit and the Mexican army, the Mexican–American War broke out in April 1846. Houston initially supported Polk's prosecution of the war, but differences between the two men emerged in 1847. After two years of fighting, the United States defeated Mexico and, through the Treaty of Guadalupe Hidalgo, acquired the Mexican Cession. Mexico also agreed to recognize the Rio Grande as the border between Mexico and Texas. After the war, disputes over the extension of slavery into the territories raised sectional tensions. Unlike most of his Southern colleagues, Houston voted for the Oregon Bill of 1848, which organized Oregon Territory as a free territory. Defending his vote to create a territory that excluded slavery, Houston stated "I would be the last man to wish to do anything injurious to the South, but I do not think that on all occasions we are justified in agitating [slavery]." He criticized both Northern abolitionists and Democratic followers of Calhoun as extremists who sought to undermine the union. He supported the Compromise of 1850, a sectional compromise on slavery on the territories. Under the compromise, California was admitted as a free state, the slave trade was prohibited in the District of Columbia, a more stringent fugitive slave law was passed, and Utah Territory and New Mexico Territory were established. Texas gave up some of its claims on New Mexico, but it retained El Paso, Texas, and the United States assumed Texas's large public debt. Houston sought the Democratic nomination in the 1852 presidential election, but he was unable to consolidate support outside of his home state. The 1852 Democratic National Convention ultimately nominated Franklin Pierce, a compromise nominee, who went on to win the election. Pierce and Buchanan administrations (1853–1859) In 1854, Senator Stephen A. Douglas led the passage of the Kansas–Nebraska Act, which organized Kansas Territory and Nebraska Territory. The act also repealed the Missouri Compromise, an act that had banned slavery in territories north of parallel 36°30′ north. Houston voted against the act, in part because he believed that Native Americans would lose much of their land as a result of the act. He also perceived that it would lead to increased sectional tensions over slavery. Houston's opposition to the Kansas–Nebraska Act led to his departure from the Democratic Party. In 1855, Houston began to be associated publicly with the American Party, the political wing of the nativist and unionist Know Nothing movement. The Whig Party had collapsed after the passage of the Kansas–Nebraska Act, and the Know Nothings and the anti-slavery Republican Party had both emerged as major political movements. Houston's affiliation with the party stemmed in part from his fear of the growing influence of Catholic voters; though he opposed barring Catholics from holding office, he wanted to extend the naturalization period for immigrants to 21 years. He was attracted to the Know Nothing's support for a Native American state as well the party's unionist stance. Houston sought the presidential nomination at the Know Nothing party's 1856 national convention, but the party nominated former President Millard Fillmore. Houston was disappointed by Fillmore's selection as well as the party platform, which did not rebuke the Kansas–Nebraska Act, but he eventually decided to support Fillmore's candidacy. Despite Houston's renewed support, the American Party split over slavery, and Democrat James Buchanan won the 1856 presidential election. The American Party collapsed after the election, and Houston did not affiliate with a national political party for the remainder of his tenure in the senate. In the 1857 Texas gubernatorial election, Texas Democrats nominated Hardin Richard Runnels, who supported the Kansas–Nebraska Act and attacked Houston's record. In response, Houston announced his own candidacy for governor, but Runnels defeated him by a decisive margin. It was the only electoral defeat of his career. After the gubernatorial election, the Texas legislature denied Houston re-election in the senate; Houston rejected calls to resign immediately and served until the end of his term in early 1859. Governor of Texas Houston ran against Runnels in the 1859 gubernatorial election. Capitalizing on Runnels's unpopularity over state issues such as Native American raids, Houston won the election and took office in December 1859. In the 1860 presidential election, Houston and John Bell were the two major contenders for the presidential nomination of the newly formed Constitutional Union Party, which consisted largely of Southern unionists. Houston narrowly trailed Bell on the first ballot of the 1860 Constitutional Union Convention, but Bell clinched the nomination on the second ballot. Nonetheless, some of Houston's Texan supporters nominated him for president in April 1860. Other backers attempted to launch a nationwide campaign, but in August 1860, Houston announced that he would not be a candidate for president. He refused to endorse any of the remaining presidential candidates. In late 1860, Houston campaigned across his home state, calling on Texans to resist those who advocated for secession if Republican nominee Abraham Lincoln won the 1860 election. After Lincoln won the November 1860 presidential election, several Southern states seceded from the United States and formed the Confederate States of America. A Texas political convention voted to secede from the United States on February 1, 1861, and Houston proclaimed that Texas was once again an independent republic, but he refused to recognize that same convention's authority to join Texas to the Confederacy. After Houston refused to swear an oath of loyalty to the Confederacy, the legislature declared the governorship vacant. Houston did not recognize the validity of his removal, but he did not attempt to use force to remain in office, and he refused aid from the federal government to prevent his removal. His successor, Edward Clark, was sworn in on March 18. In an undelivered speech, Houston wrote: On April 19, 1861, he told a crowd: According to historian Randolph Campbell: Houston did everything possible to prevent secession and war, but his first loyalty was to Texas—and the South. Houston refused offers of troops from the United States to keep Texas in the Union and announced on May 10, 1861 that he would stand with the Confederacy in its war effort. Retirement and death After leaving office, Houston returned to his home in Galveston. He later settled in Huntsville, Texas, where he lived in a structure known as the Steamboat House. In the midst of the Civil War, Houston was shunned by many Texas leaders, though he continued to correspond with Confederate officer Ashbel Smith and Texas governor Francis Lubbock. His son, Sam Houston, Jr., served in the Confederate army during the Civil War, but returned home after being wounded at the Battle of Shiloh. Houston's health suffered a precipitous decline in April 1863, and he died on July 26, 1863, at 70 years of age. The inscription on Houston's tomb reads: A Brave Soldier. A Fearless Statesman. A Great Orator—A Pure Patriot. A Faithful Friend, A Loyal Citizen. A Devoted Husband and Father. A Consistent Christian—An Honest Man. Personal life In January 1829 Houston, then Governor of Tennessee, married 19-year-old Eliza Allen. The marriage lasted 11 weeks. Neither Houston nor Eliza ever gave a reason for their separation, but Eliza refused to sanction divorce. Subsequently, he resigned his governorship and went to live with his Cherokee family for three years. In the summer of 1830, Houston married Tiana Rogers (sometimes called Diana), daughter of Chief John "Hellfire" Rogers (1740–1833), a Scots-Irish trader, and Jennie Due (1764–1806), a sister of Chief John Jolly, in a Cherokee ceremony. The ceremony was modest since it was Tiana's second marriage; she was widowed with two children from her previous marriage: Gabriel, born 1819, and Joanna, born 1822. She and Houston first met when she was ten years old, and he was stunned to see how beautiful she was when he returned to her village years later. The two lived together for several years. Tennessee society disapproved of the marriage because under civil law, he was still legally married to Eliza Allen Houston. After declining to accompany Houston to Texas in 1832, Tiana later remarried. She died in 1838 of pneumonia. Will Rogers was her nephew, three generations removed. In 1837, after becoming President of the Republic of Texas, he was able to acquire, from a district court judge, a divorce from Eliza Allen. In 1839, he purchased a horse which became one of the foundation sires of the American Quarter Horse breed named Copperbottom. He owned the horse until its death in 1860. On May 9, 1840, Houston, aged 47, married for a third time. His bride was 21-year-old Margaret Moffette Lea of Marion, Alabama, the daughter of planters. They had eight children. Margaret acted as a tempering influence on her much older husband and convinced him to stop drinking. Although the Houstons had numerous houses, they kept only one continuously: Cedar Point (1840–1863) on Trinity Bay. In 1833, Houston was baptized into the Catholic faith in order to qualify under the existing Mexican law for property ownership in Coahuila y Tejas. The sacrament was held in the living room of the Adolphus Sterne House in Nacogdoches, Texas. By 1854, Margaret had spent 14 years trying to convert Houston to the Baptist church. With the assistance of George Washington Baines, she convinced Houston to convert, and he agreed to adult baptism. Spectators from neighboring communities came to Independence, Texas, to witness the event. On November 19, 1854, Houston was baptized by Rev. Rufus C. Burleson, president of Baylor University, by immersion in Little Rocky Creek, two miles southeast of Independence. Legacy Houston, the largest city in Texas and the American South, is named in his honor. Several other things and places are named for Houston, including Sam Houston State University; Houston County, Minnesota; Houston County, Tennessee; Houston County, Texas. Other monuments and memorials include Sam Houston National Forest, Sam Houston Regional Library and Research Center, U.S. Army post Fort Sam Houston in San Antonio, the USS Sam Houston (SSBN-609), and a sculpture of Houston in the city of Houston's Hermann Park. In addition, a 67-foot-tall statue of Houston, created by sculptor David Adickes, named A Tribute to Courage (and colloquially called "Big Sam") stands next to I-45, between Dallas and Houston, in Huntsville, Texas. Along with Stephen F. Austin, Houston is one of two Texans with a statue in the National Statuary Hall. Houston has been portrayed in works such as Man of Conquest, Gone to Texas, Texas Rising, and The Alamo. In 1960, he was inducted into the Hall of Great Westerners of the National Cowboy & Western Heritage Museum. There is a question about whether Houston made a pejorative comment about Mexicans in an 1835 speech to the Texas volunteer army at Refugio. One second hand source makes this claim; however, subsequent research casts doubt on the source and concludes that the disparaging comment is unlikely to have occurred. See also Joshua Houston History of slavery in Texas List of duels#United States Nathaniel Hale Pryor Notes References Bibliography Works cited Campbell, Randolph B. "Houston, Sam" American National Biography (2000) online Further reading Brinkley, William. The Texas Revolution Texas A&M Press: . Sword of San Jacinto, DeBruhl, Marshall; Random House: . Hitsman, J. Mackay. "The Texas War Of 1835-1836." History Today (Feb 1960) 10#2 pp 116–123. . The Eagle and the Raven; Michener, James A.; State House Press: . External links Sam Houston papers (Woodson Research Center, Fondren Library, Rice University, Houston, Texas) Life of General Houston, 1793–1863 published 1891, hosted by the Portal to Texas History. Sam Houston Memorial Museum in Huntsville, Texas Sam Houston Historic Schoolhouse in Maryville, Tennessee Documentary film Sam Houston: American Statesman, Soldier, and Pioneer. 2009, The Sam Houston Project. Tennessee Encyclopedia of History and Culture entry Tennessee State Library & Archives, Papers of Governor Sam Houston, 1827–1829 Sam Houston Rode a Gray Horse Houston Family Papers, 1836–1869 and undated, in the Southwest Collection/Special Collections Library at Texas Tech University Life and select literary remains of Sam Houston of Texas published 1884 1793 births 1863 deaths 19th-century American politicians American emigrants to Mexico American people of Scottish descent American people of Scotch-Irish descent United States Army personnel of the War of 1812 American prosecutors Army of the Republic of Texas generals Confederate state governors Democratic Party United States senators Democratic-Republican Party members of the United States House of Representatives Democratic-Republican Party state governors of the United States Governors of Tennessee Governors of Texas Independent state governors of the United States Jacksonian members of the United States House of Representatives Know-Nothing United States senators Members of the United States House of Representatives from Tennessee People from Maryville, Tennessee People from Rockbridge County, Virginia People of Texas in the American Civil War People of the Creek War People of the Texas Revolution Presidents of the Republic of Texas Southern Unionists in the American Civil War Tennessee Democratic-Republicans Tennessee Jacksonians Tennessee lawyers Baptists from Texas Texas Consultation delegates Texas Democrats Texas Independents Texas Know Nothings United States Army officers Candidates in the 1860 United States presidential election United States senators from Texas People from Huntsville, Texas People from San Augustine, Texas Signers of the Texas Declaration of Independence Baptists from Tennessee Baptists from Virginia Converts to Baptist denominations from Roman Catholicism American slave owners Houston Houston County, Minnesota Houston County, Tennessee Houston County, Texas

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When did Lyman begin playing for the Chicago Bears?

When did Link Lyman begin playing for the Chicago Bears?

Link Lyman

In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12-1-3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9-4-1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10-2-1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13-0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." CANNOTANSWER

In December 1925, Lyman joined the Chicago Bears

William Roy "Link" Lyman (November 30, 1898 – December 28, 1972), also sometimes known as Roy Lyman, was an American football player and coach. Lyman was born in Nebraska and raised in Kansas. He played college football for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. He played professional football as a tackle in the National Football League (NFL) for the Canton/Cleveland Bulldogs (1922–1925), the Frankford Yellow Jackets (1925), and the Chicago Bears (1926–1928, 1930–1932, and 1933–1934). He won four NFL championships (1922, 1923, and 1924 with the Bulldogs and 1933 with the Bears) and was selected five times as a first-team All-Pro player (1923, 1924, 1925, 1930, and 1934). Lyman was an assistant football coach at Nebraska from 1935 to 1941 and at Creighton University in 1942. He later had a career in the insurance business. He was inducted into the Pro Football Hall of Fame in 1964. He died in an automobile crash in 1972 while driving to Las Vegas. Early years Lyman was born in 1898 in Table Rock, Nebraska. As an infant, his family moved to Rawlins County, Kansas, where his father, Edwin Lyman, was a farmer, raised stock and engaged in the real estate business. Lyman had four younger brothers (Edwin, Richard, Albert, and Louis) and three younger sisters (Anna, Margret, and Mildred). Lyman attended high school in McDonald, Kansas, but he did not play football as there was no team with only "six or seven boys in the whole school". Nebraska Lyman enrolled at the University of Nebraska in 1917 where he was a member of the Sigma Alpha Epsilon fraternity. After playing freshman football in 1917, he played at the tackle position for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. Lyman was married shortly after the end of the 1919 football season and did not return to the university in the fall of 1920. He returned in February 1921 to establish his eligibility to play in the fall of 1921. Lyman later recalled: "From the first day, I just loved the game, and we had some pretty good teams, too." The 1921 Nebraska team compiled a 7–1 record, lost a close game against Knute Rockne's Notre Dame team, outscored opponents by a combined total of 283 to 17, and won the Missouri Valley Conference championship. The 1922 Nebraska yearbook noted the following about Lyman: "Lyman was, without doubt, our fastest lineman. Roy is a big man, weighing 200 pounds, and could get down under punts almost as quickly as the ends. Roy proved to be a ground gainer on tackle-around plays before the season was over." Professional football Canton/Cleveland Bulldogs In September 1922, Lyman left Lincoln, Nebraska, to play professional football for the Canton Bulldogs. The Bulldogs were coached by Guy Chamberlin, an All-American out of Nebraska, who invited Lyman to join the team. With Lyman and Pete Henry as its star tackles, the 1922 Canton Bulldogs compiled a 10–0–2 record, shut out nine of twelve opponents, outscored all opponents 184 to 15, and won the NFL championship. Lyman returned to the Bulldogs the following year. The 1923 team had another undefeated season (11-0-1), shut out eight of twelve opponents, outscored all opponents by a combined total of 246 to 19, and won its second consecutive NFL championship. After the season, Lyman was selected as a first-team All-Pro player by the Canton Daily News and a second-team All-Pro by Collyer's Eye magazine. In August 1924, Cleveland jeweler Samuel Deutsch bought the Canton Bulldogs and moved the team to Cleveland where they became the Cleveland Bulldogs during the 1924 NFL season. The Bulldogs compiled a 7–1–1 record, outscored opponents by a total of 229 to 60, and won their third consecutive NFL championship. After the 1924 season, Lyman was selected as a first-team All-Pro by Collyer's Eye and a second-team All-Pro by the Green Bay Press-Gazette. In July 1925, Lyman and four of his teammates (Pete Henry, Rudy Comstock, Ben Jones, and Harry Robb) bought the team for $3,500 and moved it back to Canton. Lyman played seven games for the 1925 Bulldogs and then finished the season playing four games for the Frankford Yellow Jackets. Lyman was reunited with Guy Chamberlain who was then Frankford's head coach. After the 1925 season, Lyman was selected as a first-team All-Pro on the team selected by NFL Commissioner Joseph Carr; he was also selected as a second-team All-Pro by Collyer's Eye. Chicago Bears In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12–1–3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9–4–1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10–2–1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13–0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." Shifting on defense Lyman was a pioneer in the use of shifting maneuvers to disrupt the blocking assignments of offensive linemen. According to his biography at the Pro Football Hall of Fame, "the constant shifting by defensive players before each play in modern professional football can be traced back to Lyman, who regularly resorted to similar ploys. His sliding, shifting style of defensive line play confused his opponents and made him one of the most respected players of his time. Lyman explained that the idea of shifting was an instinctive move to fool a blocker. He had a unique ability to diagnose a play and many times he would make his move just as the ball was snapped." Steve Owen, who played with Lyman in 1925 and later served as coach of the Giants, recalled: "Link was the first lineman I ever saw who moved from the assigned defensive position before the ball was snapped. It was difficult to play against him because he would vary his moves and no matter how you reacted, you could be wrong." Career accomplishments and honors Lyman received many honors for his contributions to the game, including being inducted into the Helms Foundation major league football Hall of Fame (January 1961) and the Nebraska Sports Hall of Fame and receiving the University of Nebraska's Distinguished Alumni Award in June 1961. His greatest honor came in February 1964 when he was elected to the Pro Football Hall of Fame as part of the second class of inductees. During his 11 years in the NFL, Lyman won four NFL championships and never had a losing season. (In 1929, following Lyman's first retirement, the Bears posted a 4–9–2 record.) He was selected five times as a first-team All-Pro and appeared in 133 official NFL games. He was known as one of the true "iron men" of iron man era. Counting unofficial games, he appeared in a total of 286 professional games and played 211-1/2 hours in those games. At the time of his retirement and for many years thereafter, he held the NFL records for games and playing time logged. Coaching career In December 1934, Lyman was hired as an assistant football coach under Dana X. Bible with the Nebraska Cornhuskers. He was the line coach at Nebraska from 1935 to 1941 under coaches Bible and Biff Jones. During his seven years as line coach at Nebraska, he was the position coach for All-American linemen Bernie Scherer, Fred Shirey, Elmer Dohmann, Ted Doyle, Charley Brock, Forrest Behm and Warren Alfson. In December 1941, the Nebraska Athletic Board voted not to renew Lyman as the football team's line coach. In 1942, he served as the line coach for the Creighton Bluejays football. Family and later years Lyman was married in June 1920 to Grace "Dolly" Godwin (1901–1967). They had two daughters, Joanne and Ardis Mary. In 1942, Lyman accepted a job with the Equitable Life Assurance Society. He became an agency manager for the company in San Antonio, Texas, in 1948. Through the 1950s and 1960s, he worked as an insurance executive in Los Angeles. His wife died in 1967 at a hospital in Pasadena, California. After his wife's death, Lyman lived with his daughter in San Gabriel, California. Lyman died in 1972 at age 74 in an automobile crash. He was driving to Las Vegas on I-15 when his automobile crashed into the back of a semi-trailer truck 12 miles south of Baker. He was dead upon arrival at the Barstow Community Hospital. Baker was buried at the Rose Hills Memorial Park in Whittier, California. References External links Link Lyman at the Pro Football Hall of Fame 1898 births 1972 deaths American football tackles Canton Bulldogs players Chicago Bears players Cleveland Bulldogs players Creighton Bluejays football coaches Frankford Yellow Jackets players Nebraska Cornhuskers football coaches Nebraska Cornhuskers football players Pro Football Hall of Fame inductees People from Pawnee County, Nebraska People from Rawlins County, Kansas Players of American football from Nebraska Burials at Rose Hills Memorial Park Road incident deaths in California

C_46a3dfc2986042a5bb919d2879e2dfb2_0

Was he successful playing with the Bears?

Was Link Lyman successful playing with the Bears?

Link Lyman

In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12-1-3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9-4-1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10-2-1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13-0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." CANNOTANSWER

The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman,

William Roy "Link" Lyman (November 30, 1898 – December 28, 1972), also sometimes known as Roy Lyman, was an American football player and coach. Lyman was born in Nebraska and raised in Kansas. He played college football for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. He played professional football as a tackle in the National Football League (NFL) for the Canton/Cleveland Bulldogs (1922–1925), the Frankford Yellow Jackets (1925), and the Chicago Bears (1926–1928, 1930–1932, and 1933–1934). He won four NFL championships (1922, 1923, and 1924 with the Bulldogs and 1933 with the Bears) and was selected five times as a first-team All-Pro player (1923, 1924, 1925, 1930, and 1934). Lyman was an assistant football coach at Nebraska from 1935 to 1941 and at Creighton University in 1942. He later had a career in the insurance business. He was inducted into the Pro Football Hall of Fame in 1964. He died in an automobile crash in 1972 while driving to Las Vegas. Early years Lyman was born in 1898 in Table Rock, Nebraska. As an infant, his family moved to Rawlins County, Kansas, where his father, Edwin Lyman, was a farmer, raised stock and engaged in the real estate business. Lyman had four younger brothers (Edwin, Richard, Albert, and Louis) and three younger sisters (Anna, Margret, and Mildred). Lyman attended high school in McDonald, Kansas, but he did not play football as there was no team with only "six or seven boys in the whole school". Nebraska Lyman enrolled at the University of Nebraska in 1917 where he was a member of the Sigma Alpha Epsilon fraternity. After playing freshman football in 1917, he played at the tackle position for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. Lyman was married shortly after the end of the 1919 football season and did not return to the university in the fall of 1920. He returned in February 1921 to establish his eligibility to play in the fall of 1921. Lyman later recalled: "From the first day, I just loved the game, and we had some pretty good teams, too." The 1921 Nebraska team compiled a 7–1 record, lost a close game against Knute Rockne's Notre Dame team, outscored opponents by a combined total of 283 to 17, and won the Missouri Valley Conference championship. The 1922 Nebraska yearbook noted the following about Lyman: "Lyman was, without doubt, our fastest lineman. Roy is a big man, weighing 200 pounds, and could get down under punts almost as quickly as the ends. Roy proved to be a ground gainer on tackle-around plays before the season was over." Professional football Canton/Cleveland Bulldogs In September 1922, Lyman left Lincoln, Nebraska, to play professional football for the Canton Bulldogs. The Bulldogs were coached by Guy Chamberlin, an All-American out of Nebraska, who invited Lyman to join the team. With Lyman and Pete Henry as its star tackles, the 1922 Canton Bulldogs compiled a 10–0–2 record, shut out nine of twelve opponents, outscored all opponents 184 to 15, and won the NFL championship. Lyman returned to the Bulldogs the following year. The 1923 team had another undefeated season (11-0-1), shut out eight of twelve opponents, outscored all opponents by a combined total of 246 to 19, and won its second consecutive NFL championship. After the season, Lyman was selected as a first-team All-Pro player by the Canton Daily News and a second-team All-Pro by Collyer's Eye magazine. In August 1924, Cleveland jeweler Samuel Deutsch bought the Canton Bulldogs and moved the team to Cleveland where they became the Cleveland Bulldogs during the 1924 NFL season. The Bulldogs compiled a 7–1–1 record, outscored opponents by a total of 229 to 60, and won their third consecutive NFL championship. After the 1924 season, Lyman was selected as a first-team All-Pro by Collyer's Eye and a second-team All-Pro by the Green Bay Press-Gazette. In July 1925, Lyman and four of his teammates (Pete Henry, Rudy Comstock, Ben Jones, and Harry Robb) bought the team for $3,500 and moved it back to Canton. Lyman played seven games for the 1925 Bulldogs and then finished the season playing four games for the Frankford Yellow Jackets. Lyman was reunited with Guy Chamberlain who was then Frankford's head coach. After the 1925 season, Lyman was selected as a first-team All-Pro on the team selected by NFL Commissioner Joseph Carr; he was also selected as a second-team All-Pro by Collyer's Eye. Chicago Bears In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12–1–3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9–4–1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10–2–1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13–0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." Shifting on defense Lyman was a pioneer in the use of shifting maneuvers to disrupt the blocking assignments of offensive linemen. According to his biography at the Pro Football Hall of Fame, "the constant shifting by defensive players before each play in modern professional football can be traced back to Lyman, who regularly resorted to similar ploys. His sliding, shifting style of defensive line play confused his opponents and made him one of the most respected players of his time. Lyman explained that the idea of shifting was an instinctive move to fool a blocker. He had a unique ability to diagnose a play and many times he would make his move just as the ball was snapped." Steve Owen, who played with Lyman in 1925 and later served as coach of the Giants, recalled: "Link was the first lineman I ever saw who moved from the assigned defensive position before the ball was snapped. It was difficult to play against him because he would vary his moves and no matter how you reacted, you could be wrong." Career accomplishments and honors Lyman received many honors for his contributions to the game, including being inducted into the Helms Foundation major league football Hall of Fame (January 1961) and the Nebraska Sports Hall of Fame and receiving the University of Nebraska's Distinguished Alumni Award in June 1961. His greatest honor came in February 1964 when he was elected to the Pro Football Hall of Fame as part of the second class of inductees. During his 11 years in the NFL, Lyman won four NFL championships and never had a losing season. (In 1929, following Lyman's first retirement, the Bears posted a 4–9–2 record.) He was selected five times as a first-team All-Pro and appeared in 133 official NFL games. He was known as one of the true "iron men" of iron man era. Counting unofficial games, he appeared in a total of 286 professional games and played 211-1/2 hours in those games. At the time of his retirement and for many years thereafter, he held the NFL records for games and playing time logged. Coaching career In December 1934, Lyman was hired as an assistant football coach under Dana X. Bible with the Nebraska Cornhuskers. He was the line coach at Nebraska from 1935 to 1941 under coaches Bible and Biff Jones. During his seven years as line coach at Nebraska, he was the position coach for All-American linemen Bernie Scherer, Fred Shirey, Elmer Dohmann, Ted Doyle, Charley Brock, Forrest Behm and Warren Alfson. In December 1941, the Nebraska Athletic Board voted not to renew Lyman as the football team's line coach. In 1942, he served as the line coach for the Creighton Bluejays football. Family and later years Lyman was married in June 1920 to Grace "Dolly" Godwin (1901–1967). They had two daughters, Joanne and Ardis Mary. In 1942, Lyman accepted a job with the Equitable Life Assurance Society. He became an agency manager for the company in San Antonio, Texas, in 1948. Through the 1950s and 1960s, he worked as an insurance executive in Los Angeles. His wife died in 1967 at a hospital in Pasadena, California. After his wife's death, Lyman lived with his daughter in San Gabriel, California. Lyman died in 1972 at age 74 in an automobile crash. He was driving to Las Vegas on I-15 when his automobile crashed into the back of a semi-trailer truck 12 miles south of Baker. He was dead upon arrival at the Barstow Community Hospital. Baker was buried at the Rose Hills Memorial Park in Whittier, California. References External links Link Lyman at the Pro Football Hall of Fame 1898 births 1972 deaths American football tackles Canton Bulldogs players Chicago Bears players Cleveland Bulldogs players Creighton Bluejays football coaches Frankford Yellow Jackets players Nebraska Cornhuskers football coaches Nebraska Cornhuskers football players Pro Football Hall of Fame inductees People from Pawnee County, Nebraska People from Rawlins County, Kansas Players of American football from Nebraska Burials at Rose Hills Memorial Park Road incident deaths in California

C_46a3dfc2986042a5bb919d2879e2dfb2_0

How long did he play for the Bears?

How long did Link Lyman play for the Bears?

Link Lyman

In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12-1-3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9-4-1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10-2-1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13-0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." CANNOTANSWER

Lyman played his final year of professional football as a member of the 1934 Bears team

William Roy "Link" Lyman (November 30, 1898 – December 28, 1972), also sometimes known as Roy Lyman, was an American football player and coach. Lyman was born in Nebraska and raised in Kansas. He played college football for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. He played professional football as a tackle in the National Football League (NFL) for the Canton/Cleveland Bulldogs (1922–1925), the Frankford Yellow Jackets (1925), and the Chicago Bears (1926–1928, 1930–1932, and 1933–1934). He won four NFL championships (1922, 1923, and 1924 with the Bulldogs and 1933 with the Bears) and was selected five times as a first-team All-Pro player (1923, 1924, 1925, 1930, and 1934). Lyman was an assistant football coach at Nebraska from 1935 to 1941 and at Creighton University in 1942. He later had a career in the insurance business. He was inducted into the Pro Football Hall of Fame in 1964. He died in an automobile crash in 1972 while driving to Las Vegas. Early years Lyman was born in 1898 in Table Rock, Nebraska. As an infant, his family moved to Rawlins County, Kansas, where his father, Edwin Lyman, was a farmer, raised stock and engaged in the real estate business. Lyman had four younger brothers (Edwin, Richard, Albert, and Louis) and three younger sisters (Anna, Margret, and Mildred). Lyman attended high school in McDonald, Kansas, but he did not play football as there was no team with only "six or seven boys in the whole school". Nebraska Lyman enrolled at the University of Nebraska in 1917 where he was a member of the Sigma Alpha Epsilon fraternity. After playing freshman football in 1917, he played at the tackle position for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. Lyman was married shortly after the end of the 1919 football season and did not return to the university in the fall of 1920. He returned in February 1921 to establish his eligibility to play in the fall of 1921. Lyman later recalled: "From the first day, I just loved the game, and we had some pretty good teams, too." The 1921 Nebraska team compiled a 7–1 record, lost a close game against Knute Rockne's Notre Dame team, outscored opponents by a combined total of 283 to 17, and won the Missouri Valley Conference championship. The 1922 Nebraska yearbook noted the following about Lyman: "Lyman was, without doubt, our fastest lineman. Roy is a big man, weighing 200 pounds, and could get down under punts almost as quickly as the ends. Roy proved to be a ground gainer on tackle-around plays before the season was over." Professional football Canton/Cleveland Bulldogs In September 1922, Lyman left Lincoln, Nebraska, to play professional football for the Canton Bulldogs. The Bulldogs were coached by Guy Chamberlin, an All-American out of Nebraska, who invited Lyman to join the team. With Lyman and Pete Henry as its star tackles, the 1922 Canton Bulldogs compiled a 10–0–2 record, shut out nine of twelve opponents, outscored all opponents 184 to 15, and won the NFL championship. Lyman returned to the Bulldogs the following year. The 1923 team had another undefeated season (11-0-1), shut out eight of twelve opponents, outscored all opponents by a combined total of 246 to 19, and won its second consecutive NFL championship. After the season, Lyman was selected as a first-team All-Pro player by the Canton Daily News and a second-team All-Pro by Collyer's Eye magazine. In August 1924, Cleveland jeweler Samuel Deutsch bought the Canton Bulldogs and moved the team to Cleveland where they became the Cleveland Bulldogs during the 1924 NFL season. The Bulldogs compiled a 7–1–1 record, outscored opponents by a total of 229 to 60, and won their third consecutive NFL championship. After the 1924 season, Lyman was selected as a first-team All-Pro by Collyer's Eye and a second-team All-Pro by the Green Bay Press-Gazette. In July 1925, Lyman and four of his teammates (Pete Henry, Rudy Comstock, Ben Jones, and Harry Robb) bought the team for $3,500 and moved it back to Canton. Lyman played seven games for the 1925 Bulldogs and then finished the season playing four games for the Frankford Yellow Jackets. Lyman was reunited with Guy Chamberlain who was then Frankford's head coach. After the 1925 season, Lyman was selected as a first-team All-Pro on the team selected by NFL Commissioner Joseph Carr; he was also selected as a second-team All-Pro by Collyer's Eye. Chicago Bears In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12–1–3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9–4–1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10–2–1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13–0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." Shifting on defense Lyman was a pioneer in the use of shifting maneuvers to disrupt the blocking assignments of offensive linemen. According to his biography at the Pro Football Hall of Fame, "the constant shifting by defensive players before each play in modern professional football can be traced back to Lyman, who regularly resorted to similar ploys. His sliding, shifting style of defensive line play confused his opponents and made him one of the most respected players of his time. Lyman explained that the idea of shifting was an instinctive move to fool a blocker. He had a unique ability to diagnose a play and many times he would make his move just as the ball was snapped." Steve Owen, who played with Lyman in 1925 and later served as coach of the Giants, recalled: "Link was the first lineman I ever saw who moved from the assigned defensive position before the ball was snapped. It was difficult to play against him because he would vary his moves and no matter how you reacted, you could be wrong." Career accomplishments and honors Lyman received many honors for his contributions to the game, including being inducted into the Helms Foundation major league football Hall of Fame (January 1961) and the Nebraska Sports Hall of Fame and receiving the University of Nebraska's Distinguished Alumni Award in June 1961. His greatest honor came in February 1964 when he was elected to the Pro Football Hall of Fame as part of the second class of inductees. During his 11 years in the NFL, Lyman won four NFL championships and never had a losing season. (In 1929, following Lyman's first retirement, the Bears posted a 4–9–2 record.) He was selected five times as a first-team All-Pro and appeared in 133 official NFL games. He was known as one of the true "iron men" of iron man era. Counting unofficial games, he appeared in a total of 286 professional games and played 211-1/2 hours in those games. At the time of his retirement and for many years thereafter, he held the NFL records for games and playing time logged. Coaching career In December 1934, Lyman was hired as an assistant football coach under Dana X. Bible with the Nebraska Cornhuskers. He was the line coach at Nebraska from 1935 to 1941 under coaches Bible and Biff Jones. During his seven years as line coach at Nebraska, he was the position coach for All-American linemen Bernie Scherer, Fred Shirey, Elmer Dohmann, Ted Doyle, Charley Brock, Forrest Behm and Warren Alfson. In December 1941, the Nebraska Athletic Board voted not to renew Lyman as the football team's line coach. In 1942, he served as the line coach for the Creighton Bluejays football. Family and later years Lyman was married in June 1920 to Grace "Dolly" Godwin (1901–1967). They had two daughters, Joanne and Ardis Mary. In 1942, Lyman accepted a job with the Equitable Life Assurance Society. He became an agency manager for the company in San Antonio, Texas, in 1948. Through the 1950s and 1960s, he worked as an insurance executive in Los Angeles. His wife died in 1967 at a hospital in Pasadena, California. After his wife's death, Lyman lived with his daughter in San Gabriel, California. Lyman died in 1972 at age 74 in an automobile crash. He was driving to Las Vegas on I-15 when his automobile crashed into the back of a semi-trailer truck 12 miles south of Baker. He was dead upon arrival at the Barstow Community Hospital. Baker was buried at the Rose Hills Memorial Park in Whittier, California. References External links Link Lyman at the Pro Football Hall of Fame 1898 births 1972 deaths American football tackles Canton Bulldogs players Chicago Bears players Cleveland Bulldogs players Creighton Bluejays football coaches Frankford Yellow Jackets players Nebraska Cornhuskers football coaches Nebraska Cornhuskers football players Pro Football Hall of Fame inductees People from Pawnee County, Nebraska People from Rawlins County, Kansas Players of American football from Nebraska Burials at Rose Hills Memorial Park Road incident deaths in California

C_46a3dfc2986042a5bb919d2879e2dfb2_0

What did he do after he retired from professional football?

What did Link Lyman do after he retired from professional football?

Link Lyman

In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12-1-3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9-4-1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10-2-1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13-0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." CANNOTANSWER

CANNOTANSWER

William Roy "Link" Lyman (November 30, 1898 – December 28, 1972), also sometimes known as Roy Lyman, was an American football player and coach. Lyman was born in Nebraska and raised in Kansas. He played college football for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. He played professional football as a tackle in the National Football League (NFL) for the Canton/Cleveland Bulldogs (1922–1925), the Frankford Yellow Jackets (1925), and the Chicago Bears (1926–1928, 1930–1932, and 1933–1934). He won four NFL championships (1922, 1923, and 1924 with the Bulldogs and 1933 with the Bears) and was selected five times as a first-team All-Pro player (1923, 1924, 1925, 1930, and 1934). Lyman was an assistant football coach at Nebraska from 1935 to 1941 and at Creighton University in 1942. He later had a career in the insurance business. He was inducted into the Pro Football Hall of Fame in 1964. He died in an automobile crash in 1972 while driving to Las Vegas. Early years Lyman was born in 1898 in Table Rock, Nebraska. As an infant, his family moved to Rawlins County, Kansas, where his father, Edwin Lyman, was a farmer, raised stock and engaged in the real estate business. Lyman had four younger brothers (Edwin, Richard, Albert, and Louis) and three younger sisters (Anna, Margret, and Mildred). Lyman attended high school in McDonald, Kansas, but he did not play football as there was no team with only "six or seven boys in the whole school". Nebraska Lyman enrolled at the University of Nebraska in 1917 where he was a member of the Sigma Alpha Epsilon fraternity. After playing freshman football in 1917, he played at the tackle position for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. Lyman was married shortly after the end of the 1919 football season and did not return to the university in the fall of 1920. He returned in February 1921 to establish his eligibility to play in the fall of 1921. Lyman later recalled: "From the first day, I just loved the game, and we had some pretty good teams, too." The 1921 Nebraska team compiled a 7–1 record, lost a close game against Knute Rockne's Notre Dame team, outscored opponents by a combined total of 283 to 17, and won the Missouri Valley Conference championship. The 1922 Nebraska yearbook noted the following about Lyman: "Lyman was, without doubt, our fastest lineman. Roy is a big man, weighing 200 pounds, and could get down under punts almost as quickly as the ends. Roy proved to be a ground gainer on tackle-around plays before the season was over." Professional football Canton/Cleveland Bulldogs In September 1922, Lyman left Lincoln, Nebraska, to play professional football for the Canton Bulldogs. The Bulldogs were coached by Guy Chamberlin, an All-American out of Nebraska, who invited Lyman to join the team. With Lyman and Pete Henry as its star tackles, the 1922 Canton Bulldogs compiled a 10–0–2 record, shut out nine of twelve opponents, outscored all opponents 184 to 15, and won the NFL championship. Lyman returned to the Bulldogs the following year. The 1923 team had another undefeated season (11-0-1), shut out eight of twelve opponents, outscored all opponents by a combined total of 246 to 19, and won its second consecutive NFL championship. After the season, Lyman was selected as a first-team All-Pro player by the Canton Daily News and a second-team All-Pro by Collyer's Eye magazine. In August 1924, Cleveland jeweler Samuel Deutsch bought the Canton Bulldogs and moved the team to Cleveland where they became the Cleveland Bulldogs during the 1924 NFL season. The Bulldogs compiled a 7–1–1 record, outscored opponents by a total of 229 to 60, and won their third consecutive NFL championship. After the 1924 season, Lyman was selected as a first-team All-Pro by Collyer's Eye and a second-team All-Pro by the Green Bay Press-Gazette. In July 1925, Lyman and four of his teammates (Pete Henry, Rudy Comstock, Ben Jones, and Harry Robb) bought the team for $3,500 and moved it back to Canton. Lyman played seven games for the 1925 Bulldogs and then finished the season playing four games for the Frankford Yellow Jackets. Lyman was reunited with Guy Chamberlain who was then Frankford's head coach. After the 1925 season, Lyman was selected as a first-team All-Pro on the team selected by NFL Commissioner Joseph Carr; he was also selected as a second-team All-Pro by Collyer's Eye. Chicago Bears In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12–1–3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9–4–1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10–2–1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13–0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." Shifting on defense Lyman was a pioneer in the use of shifting maneuvers to disrupt the blocking assignments of offensive linemen. According to his biography at the Pro Football Hall of Fame, "the constant shifting by defensive players before each play in modern professional football can be traced back to Lyman, who regularly resorted to similar ploys. His sliding, shifting style of defensive line play confused his opponents and made him one of the most respected players of his time. Lyman explained that the idea of shifting was an instinctive move to fool a blocker. He had a unique ability to diagnose a play and many times he would make his move just as the ball was snapped." Steve Owen, who played with Lyman in 1925 and later served as coach of the Giants, recalled: "Link was the first lineman I ever saw who moved from the assigned defensive position before the ball was snapped. It was difficult to play against him because he would vary his moves and no matter how you reacted, you could be wrong." Career accomplishments and honors Lyman received many honors for his contributions to the game, including being inducted into the Helms Foundation major league football Hall of Fame (January 1961) and the Nebraska Sports Hall of Fame and receiving the University of Nebraska's Distinguished Alumni Award in June 1961. His greatest honor came in February 1964 when he was elected to the Pro Football Hall of Fame as part of the second class of inductees. During his 11 years in the NFL, Lyman won four NFL championships and never had a losing season. (In 1929, following Lyman's first retirement, the Bears posted a 4–9–2 record.) He was selected five times as a first-team All-Pro and appeared in 133 official NFL games. He was known as one of the true "iron men" of iron man era. Counting unofficial games, he appeared in a total of 286 professional games and played 211-1/2 hours in those games. At the time of his retirement and for many years thereafter, he held the NFL records for games and playing time logged. Coaching career In December 1934, Lyman was hired as an assistant football coach under Dana X. Bible with the Nebraska Cornhuskers. He was the line coach at Nebraska from 1935 to 1941 under coaches Bible and Biff Jones. During his seven years as line coach at Nebraska, he was the position coach for All-American linemen Bernie Scherer, Fred Shirey, Elmer Dohmann, Ted Doyle, Charley Brock, Forrest Behm and Warren Alfson. In December 1941, the Nebraska Athletic Board voted not to renew Lyman as the football team's line coach. In 1942, he served as the line coach for the Creighton Bluejays football. Family and later years Lyman was married in June 1920 to Grace "Dolly" Godwin (1901–1967). They had two daughters, Joanne and Ardis Mary. In 1942, Lyman accepted a job with the Equitable Life Assurance Society. He became an agency manager for the company in San Antonio, Texas, in 1948. Through the 1950s and 1960s, he worked as an insurance executive in Los Angeles. His wife died in 1967 at a hospital in Pasadena, California. After his wife's death, Lyman lived with his daughter in San Gabriel, California. Lyman died in 1972 at age 74 in an automobile crash. He was driving to Las Vegas on I-15 when his automobile crashed into the back of a semi-trailer truck 12 miles south of Baker. He was dead upon arrival at the Barstow Community Hospital. Baker was buried at the Rose Hills Memorial Park in Whittier, California. References External links Link Lyman at the Pro Football Hall of Fame 1898 births 1972 deaths American football tackles Canton Bulldogs players Chicago Bears players Cleveland Bulldogs players Creighton Bluejays football coaches Frankford Yellow Jackets players Nebraska Cornhuskers football coaches Nebraska Cornhuskers football players Pro Football Hall of Fame inductees People from Pawnee County, Nebraska People from Rawlins County, Kansas Players of American football from Nebraska Burials at Rose Hills Memorial Park Road incident deaths in California

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Are there any other interesting aspects about this article?

Are there any other interesting aspects about this article besides Link Lyman's induction into the Pro Football Hall of Fame?

Link Lyman

In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12-1-3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9-4-1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10-2-1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13-0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." CANNOTANSWER

The 1930 Bears compiled a 9-4-1 and finished third in the NFL.

William Roy "Link" Lyman (November 30, 1898 – December 28, 1972), also sometimes known as Roy Lyman, was an American football player and coach. Lyman was born in Nebraska and raised in Kansas. He played college football for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. He played professional football as a tackle in the National Football League (NFL) for the Canton/Cleveland Bulldogs (1922–1925), the Frankford Yellow Jackets (1925), and the Chicago Bears (1926–1928, 1930–1932, and 1933–1934). He won four NFL championships (1922, 1923, and 1924 with the Bulldogs and 1933 with the Bears) and was selected five times as a first-team All-Pro player (1923, 1924, 1925, 1930, and 1934). Lyman was an assistant football coach at Nebraska from 1935 to 1941 and at Creighton University in 1942. He later had a career in the insurance business. He was inducted into the Pro Football Hall of Fame in 1964. He died in an automobile crash in 1972 while driving to Las Vegas. Early years Lyman was born in 1898 in Table Rock, Nebraska. As an infant, his family moved to Rawlins County, Kansas, where his father, Edwin Lyman, was a farmer, raised stock and engaged in the real estate business. Lyman had four younger brothers (Edwin, Richard, Albert, and Louis) and three younger sisters (Anna, Margret, and Mildred). Lyman attended high school in McDonald, Kansas, but he did not play football as there was no team with only "six or seven boys in the whole school". Nebraska Lyman enrolled at the University of Nebraska in 1917 where he was a member of the Sigma Alpha Epsilon fraternity. After playing freshman football in 1917, he played at the tackle position for the Nebraska Cornhuskers football team in 1918, 1919, and 1921. Lyman was married shortly after the end of the 1919 football season and did not return to the university in the fall of 1920. He returned in February 1921 to establish his eligibility to play in the fall of 1921. Lyman later recalled: "From the first day, I just loved the game, and we had some pretty good teams, too." The 1921 Nebraska team compiled a 7–1 record, lost a close game against Knute Rockne's Notre Dame team, outscored opponents by a combined total of 283 to 17, and won the Missouri Valley Conference championship. The 1922 Nebraska yearbook noted the following about Lyman: "Lyman was, without doubt, our fastest lineman. Roy is a big man, weighing 200 pounds, and could get down under punts almost as quickly as the ends. Roy proved to be a ground gainer on tackle-around plays before the season was over." Professional football Canton/Cleveland Bulldogs In September 1922, Lyman left Lincoln, Nebraska, to play professional football for the Canton Bulldogs. The Bulldogs were coached by Guy Chamberlin, an All-American out of Nebraska, who invited Lyman to join the team. With Lyman and Pete Henry as its star tackles, the 1922 Canton Bulldogs compiled a 10–0–2 record, shut out nine of twelve opponents, outscored all opponents 184 to 15, and won the NFL championship. Lyman returned to the Bulldogs the following year. The 1923 team had another undefeated season (11-0-1), shut out eight of twelve opponents, outscored all opponents by a combined total of 246 to 19, and won its second consecutive NFL championship. After the season, Lyman was selected as a first-team All-Pro player by the Canton Daily News and a second-team All-Pro by Collyer's Eye magazine. In August 1924, Cleveland jeweler Samuel Deutsch bought the Canton Bulldogs and moved the team to Cleveland where they became the Cleveland Bulldogs during the 1924 NFL season. The Bulldogs compiled a 7–1–1 record, outscored opponents by a total of 229 to 60, and won their third consecutive NFL championship. After the 1924 season, Lyman was selected as a first-team All-Pro by Collyer's Eye and a second-team All-Pro by the Green Bay Press-Gazette. In July 1925, Lyman and four of his teammates (Pete Henry, Rudy Comstock, Ben Jones, and Harry Robb) bought the team for $3,500 and moved it back to Canton. Lyman played seven games for the 1925 Bulldogs and then finished the season playing four games for the Frankford Yellow Jackets. Lyman was reunited with Guy Chamberlain who was then Frankford's head coach. After the 1925 season, Lyman was selected as a first-team All-Pro on the team selected by NFL Commissioner Joseph Carr; he was also selected as a second-team All-Pro by Collyer's Eye. Chicago Bears In December 1925, Lyman joined the Chicago Bears and took part in a winter barnstorming tour that featured football player Red Grange. He joined the Bears again in the fall of 1926. The 1926 Bears team featured five players who were later inducted into the Pro Football Hall of Fame (Lyman, Paddy Driscoll, George Halas, Ed Healey, and George Trafton), posted a 12–1–3 record, and finished second in the NFL. Lyman remained with the Bears for the 1927 and 1928 seasons. He retired after the 1928 season but returned to the Bears in the fall of 1930. The 1930 Bears compiled a 9–4–1 and finished third in the NFL. Lyman was selected as a first-team All-Pro by Collyer's Eye magazine and the Green Bay Press-Gazette. Lyman again retired from playing football after the 1931 season. During his two retirements from the Bears, Lyman played semipro ball in Texas and worked in the ranching business. Lyman returned to the Bears in 1933. The 1933 Bears featured six future Pro Football Hall of Fame players (Lyman, Bronko Nagurski, Red Grange, George Musso, and George Trafton), posted a 10–2–1 record, and defeated the Giants in the 1933 NFL Championship Game. Lyman played his final year of professional football as a member of the 1934 Bears team that compiled a perfect 13–0 record in the regular season and won the NFL Western Division championship, but lost to the Giants in the 1934 NFL Championship Game. After the 1934 season, Lyman was selected as a first-team All-Pro by the United Press, Green Bay Press-Gazette, and Collyer's Eye. Bears' coach George Halas later observed that Lyman was "stronger and tougher during his last two seasons than when he first joined the team eight years earlier." Shifting on defense Lyman was a pioneer in the use of shifting maneuvers to disrupt the blocking assignments of offensive linemen. According to his biography at the Pro Football Hall of Fame, "the constant shifting by defensive players before each play in modern professional football can be traced back to Lyman, who regularly resorted to similar ploys. His sliding, shifting style of defensive line play confused his opponents and made him one of the most respected players of his time. Lyman explained that the idea of shifting was an instinctive move to fool a blocker. He had a unique ability to diagnose a play and many times he would make his move just as the ball was snapped." Steve Owen, who played with Lyman in 1925 and later served as coach of the Giants, recalled: "Link was the first lineman I ever saw who moved from the assigned defensive position before the ball was snapped. It was difficult to play against him because he would vary his moves and no matter how you reacted, you could be wrong." Career accomplishments and honors Lyman received many honors for his contributions to the game, including being inducted into the Helms Foundation major league football Hall of Fame (January 1961) and the Nebraska Sports Hall of Fame and receiving the University of Nebraska's Distinguished Alumni Award in June 1961. His greatest honor came in February 1964 when he was elected to the Pro Football Hall of Fame as part of the second class of inductees. During his 11 years in the NFL, Lyman won four NFL championships and never had a losing season. (In 1929, following Lyman's first retirement, the Bears posted a 4–9–2 record.) He was selected five times as a first-team All-Pro and appeared in 133 official NFL games. He was known as one of the true "iron men" of iron man era. Counting unofficial games, he appeared in a total of 286 professional games and played 211-1/2 hours in those games. At the time of his retirement and for many years thereafter, he held the NFL records for games and playing time logged. Coaching career In December 1934, Lyman was hired as an assistant football coach under Dana X. Bible with the Nebraska Cornhuskers. He was the line coach at Nebraska from 1935 to 1941 under coaches Bible and Biff Jones. During his seven years as line coach at Nebraska, he was the position coach for All-American linemen Bernie Scherer, Fred Shirey, Elmer Dohmann, Ted Doyle, Charley Brock, Forrest Behm and Warren Alfson. In December 1941, the Nebraska Athletic Board voted not to renew Lyman as the football team's line coach. In 1942, he served as the line coach for the Creighton Bluejays football. Family and later years Lyman was married in June 1920 to Grace "Dolly" Godwin (1901–1967). They had two daughters, Joanne and Ardis Mary. In 1942, Lyman accepted a job with the Equitable Life Assurance Society. He became an agency manager for the company in San Antonio, Texas, in 1948. Through the 1950s and 1960s, he worked as an insurance executive in Los Angeles. His wife died in 1967 at a hospital in Pasadena, California. After his wife's death, Lyman lived with his daughter in San Gabriel, California. Lyman died in 1972 at age 74 in an automobile crash. He was driving to Las Vegas on I-15 when his automobile crashed into the back of a semi-trailer truck 12 miles south of Baker. He was dead upon arrival at the Barstow Community Hospital. Baker was buried at the Rose Hills Memorial Park in Whittier, California. References External links Link Lyman at the Pro Football Hall of Fame 1898 births 1972 deaths American football tackles Canton Bulldogs players Chicago Bears players Cleveland Bulldogs players Creighton Bluejays football coaches Frankford Yellow Jackets players Nebraska Cornhuskers football coaches Nebraska Cornhuskers football players Pro Football Hall of Fame inductees People from Pawnee County, Nebraska People from Rawlins County, Kansas Players of American football from Nebraska Burials at Rose Hills Memorial Park Road incident deaths in California

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What happened in 2013?

What happened to Cute in 2013?

Cute (Japanese idol group)

On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. In addition,they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. On January 26, 2014 at a release event, ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions. On February 24, it was announced that ute would be collaborating with Reebok to promote their product Your Reebok, where one could personally customize their Reebok, for March 2014. Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ute." On March 5, it was announced that -ute's "Love take it all" would be the inauguration CM song for 2014 BS-TBS' Idol Campaign. They would also have a 6-episode TV show called ute no Challenge TV, every last Thursday of the month on BS-TBS. On April 15 it was announced that Berryz Kobo and ute were invited to attend the 15th Japan Expo in Paris as Guests of Honor. On May 3, it was announced by Yajima Maimi, during the last MC corner of ute Concert Tour 2014 Haru ~Cute no Honne~, that Cute will be performing at Budokan on September 10, "-ute no Hi". On July 16, ute released their 25th single The Power / Kanashiki Heaven (Single Version). On August 23 it was announced the ute had set two world records (the longest passing of an egg in a relay (1 hour and 30 minutes) and the most snacks eaten in a relay (1 hour). The records were achieved at a public recording of their TV-show with respectively 259 and 346 of their fans at Asakasa Blitz On September 27, ute performed at the 2014 Aomori SHOCK ON open-air music festival alongside Berryz Kobo and other artists. On November 19, ute released their 26th single I miss you / THE FUTURE. On November 20, ute performed alongside other artists at Tower Records' 35th anniversary event CANNOTANSWER

On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France.

, was a Japanese girl group associated with Hello! Project and produced by Tsunku. Cute consisted of Maimi Yajima, Saki Nakajima, Airi Suzuki, Chisato Okai, and Mai Hagiwara, who were all members of Hello! Project Kids prior to the group's formation. The original member line-up also consisted of fellow Hello! Project Kids members Megumi Murakami and Erika Umeda, as well as Hello! Project trainee Kanna Arihara, prior to their departure. After releasing a string of independent hits, Cute made its major debut in 2007 with "Sakura Chirari" and that year won the Japan Record Award for Best New Artist. In 2008, the group was nominated for the main Japan Record Award, the Grand Prix, its song being named one of the year's best songs. All of the group's major-label singles debuted in the top 10 of the Oricon Weekly Singles Chart. Members Maimi Yajima - leader Saki Nakajima Airi Suzuki Chisato Okai Mai Hagiwara Former members Erika Umeda (left on October 25, 2009) Kanna Arihara (left in July 2009) Megumi Murakami (left on November 1, 2006) History 2002–2004: Hello! Project Kids The group's members were initially selected during the audition for Hello! Project Kids in 2002. They made appearances on Morning Musume's variety show, Hello! Morning, Mini-Moni's variety show, Hello Kids, and acted as back-up dancers in several Hello! Project acts. Later that year, Airi Suzuki and Mai Hagiwara appeared in Mini-Moni the Movie: Okashi na Daibōken!, while the rest of the members appeared in the film Koinu Dan no Monogatari. In 2003, some Hello! Project Kids were placed in subgroups led by Morning Musume members: Suzuki was selected to be in Aa!, while Erika Umeda, Maimi Yajima, and Megumi Murakami were in the group called ZYX. Both units were short-lived, and their activity virtually came to a stall with the creation of Berryz Kobo in January 2004. When introducing Berryz Kobo at Nakano Sun Plaza on January 14, Tsunku intended to rotate all Hello! Project Kids through it, thus allowing them more time for school activities. Meanwhile, they continued to make appearances in television and theatre projects, such as Little Hospital, Promise Land: Clover no Daibōken, and Here's Love. 2005–2006: Formation Instead of rotating the members in Berryz Kobo as Tsunku originally had intended, the remaining Hello! Project Kids who were not selected for Berryz Kobo became a new group altogether in 2005. Tsunku found it difficult to call the girls who were not part of Berryz Kobo collectively because they did not have a consistent group name, so he decided to name them. He chose "Cute" because its English meaning fit the image for the group. Wanting to somehow express the girls' overflowing fervor (enthusiasm), he substituted for "C". The creation of Cute was officially announced on June 11, 2005, though its formation had been rumored for several months prior. On January 2, 2006, at the first performance of the Hello! Project Winter 2006: Wonderful Hearts Concert Tour, Kanna Arihara, a Hello! Pro Egg member, was added to Cute. On May 6, 2006, Cute released their debut single, "Massara Blue Jeans." From May 2006 to July 2006, they released four indie singles, "Oki na Ai de Motenashite", "Soku Dakishimete", and "Wakkyanai (Z)", all of which received limited distribution and were mostly sold at concerts. Despite this, their songs were featured in mainstream media, as "Oki na Ai de Motenashite" was used as the second ending theme to the anime Kirarin Revolution. On October 31, 2006, Megumi Murakami left the group to concentrate on her studies. 2007–2008: Major-label debut, 58th Kohaku Uta Gassen & the Japan Record Awards On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10. On December 30, 2007, Cute received the Japan Record Award for Best New Artist. Tsunku accepted the award for them due to the members' age and child labor laws, as the ceremony was broadcast late at night. At the end of the year, Cute performed at the 58th NHK Kōhaku Uta Gassen with Morning Musume and Berryz Kobo. At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", but lost to Exile, instead earning the Gold Award, which is given to all main prize nominees. The song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and had wanted Cute to sing it as "a modern fairytale." For Cute, the song was rearranged from enka into boogie and the lyrics were slightly modified. Cute released the song on July 30, 2008. 2009: Departure of Arihara and Umeda On February 26, 2009, Hello! Project announced that Kanna Arihara was having difficulty performing on stage due to hallux valgus, or bunion deformity, and would not be able to attend Hello! Project 10th Anniversary fan club event that week. She would also be absent from Hello! Project's activities, including activities in Cute, while receiving treatment. Finally, in July 2009, Hello! Project informed that Arihara had decided to retire from the entertainment industry. On the other hand, Excite.co.jp linked Arihara's sudden departure to being caught on a date with Johnny's Jr. member Ryosuke Hashimoto in September 2008, which affected her image. On August 1, 2009, Hello! Project posted Erika Umeda's official announcement that at the end of the upcoming Cute's 2009 fall concert tour she would be graduating from Cute and Hello! Project to begin a modeling career. Her graduation was held on October 25 in Osaka, at the last concert of the tour. The last single to feature her, "Everyday Zekkōchō!!" released on September 19, 2009, topped at number 1 in the Oricon daily singles chart and at number 2 in Oricon Weekly to become Cute's highest-ranking single to date. After her departure, the official group member colors were changed in November 2009. 2010-2012: Expansion to iTunes and YouTube On February 23, Cute released their 15th single, "Kiss Me Aishiteru". Cute's 16th single, "Momoiro Sparkling", debuted in 4th place of the Oricon daily singles chart for May 24. It spent two consecutive weeks in the Top 30 of the Oricon Weekly, ranking 6th and 17th. On June 18, 2011, the concert from Cute Concert Tour 2011 Haru: Chō! Chō Wonderful Tour was broadcast live on the group's YouTube channel. The live stream attracted a large audience from all over the world. As it was reported in Cute's official blog by group leader Maimi Yajima and confirmed by the Up-Front Agency management on Twitter, the broadcast had been watched by a total of 93,144 viewers. On February 8, the group's 7th album, titled Dai Nana Shō 'Utsukushikutte Gomen ne', came out. On April 8, Cute performed at the idol festival Idol Yokochō Matsuri, giving the first non-Hello! Project joint concert in their entire career. The music news provider BARKS praised the "power performance" that was "overwhelming from beginning to end" and demonstrated the "number one" group's unity out of the whole Hello! Project. Cute's 18th single "Kimi wa Jitensha Watashi wa Densha de Kitaku" ("You ride your bicycle, while I catch the train home") was released on April 18. The music video for the song was uploaded on Cute's official YouTube channel on March 12. With more than 40,000 copies sold within the first week and reaching number 3 of the Oricon weekly singles chart, the single became their highest-selling single to date, breaking the record of their 3rd major single "Tokaikko Junjō". On June 20, Cute released its second collaboration CD single with the fellow Hello! Project Kids group Berryz Kobo, named "Chō Happy Song" ("Superhappy Song.") The title tune is a mix of two previously published songs, Berryz Kobo's "Because Happiness" and Cute's "Shiawase no Tochū" ("On the Road to Happiness") from their 2012 albums. Both tracks were intentionally composed and produced by Tsunku to form a new song when played simultaneously. The trick was originally scheduled to be announced at a summer Hello! Project concert, but was uncovered by fans in mid-April. The song became a hot topic on the Internet, and a set of the three tracks, "Because Happiness," "Shiawase no Tochū," and "Chō Happy Song," was hastily released as a digital download single on April 28. Also in June, it was announced that Cute's concert at the Yokosuka Arts Theater on June 30 would be broadcast live on YouTube. On September 5, Cute released their 19th single, titled "Aitai Aitai Aitai na". The song premiered at the first concert of the Hello! Project 15th Anniversary Live 2012 Summer tour, on July 21 at the Onyx Theater in Osaka. 2013-2015: Overseas events, Budokan concert, 10th anniversary On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. In addition, they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. On January 26, 2014 at a release event, ℃ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions. On February 24, it was announced that ℃ute would be collaborating with Reebok to promote their product Your Reebok, where one could personally customize their Reebok, for March 2014. Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ℃ute." On March 5, it was announced that ℃-ute's "Love take it all" would be the inauguration CM song for 2014 BS-TBS' Idol Campaign. They would also have a 6-episode TV show called ℃ute no Challenge TV, every last Thursday of the month on BS-TBS. On April 15 it was announced that Berryz Kobo and ℃ute were invited to attend the 15th Japan Expo in Paris as Guests of Honor. On May 3, it was announced by Yajima Maimi, during the last MC corner of ℃ute Concert Tour 2014 Haru ~Cute no Honne~, that Cute will be performing at Budokan on September 10, "℃-ute no Hi". On July 16, ℃ute released their 25th single The Power / Kanashiki Heaven (Single Version). On August 23 it was announced the ℃ute had set two world records (the longest passing of an egg in a relay (1 hour and 30 minutes) and the most snacks eaten in a relay (1 hour). The records were achieved at a public recording of their TV-show with respectively 259 and 346 of their fans at Asakasa Blitz On September 27, ℃ute performed at the 2014 Aomori SHOCK ON open-air music festival alongside Berryz Kobo and other artists. On November 19, ℃ute released their 26th single I miss you / THE FUTURE. On November 20, ℃ute performed alongside other artists at Tower Records' 35th anniversary event On April 1, 2015 Cute released their 27th single triple-A side single "The Middle Management ~Josei Chuukan Kanrishoku~ / Gamusha LIFE / Tsugi no Kado wo Magare" as part of their 10th anniversary commemoration. On June 11, ℃ute performed their 10th anniversary concert at Yokohama Arena as part of their The Future Departure tour. 2016-2017: Final years and disbandment In 2014, prompted by Berryz Kobo's announcement to go on hiatus, discussions about Cute's future began privately among the members. In February 2016, the members of Cute discussed this again with their management, citing interest in other career paths. All members had the option of continuing as Cute outside of the Hello! Project name or to stay as Cute but suspend group activities. In the end, they ultimately decided to disband. Cute's disbandment plans for 2017 were made public on August 19, 2016 on their official Facebook account. On November 2, Cute released their 30th single, "Mugen Climax / Ai wa Maru de Seidenki / Singing (Ano Koro no Yō ni)." They held their final concert on June 12, 2017 at Saitama Super Arena. Former members Megumi Murakami, Kanna Arihara, and Erika Umeda attended the concert, as well as other celebrities including Berryz Kobo (excluding Risako Sugaya), former Berryz Kobo member Maiha Ishimura, Momoiro Clover Z, Rino Sashihara, Yuki Kashiwagi, and Nicole Fujita. The concert was broadcast on multiple channels and also in Hong Kong and Taiwan. Artistry Musical style and themes Almost all the group's works are written and composed by Tsunku, the group's producer. As of 2012, the group's image was considered bright and energetic. Cute's 16th and 17th singles (2011) were happy songs in a major key, but the 18th single "Kimi wa Jitensha Watashi wa Densha de Kitaku" (April 2012) was quite unusual. It was a rock ballad about saying goodbye (it is time to go home; the song's young female protagonist must part with the boy she loves). Since then, the group's songs have generally been more mature. Public image BARKS praised Cute's "power performance" at the festival Idol Yokochō Matsuri on April 8, 2012 as being "overwhelming from beginning to end" and having demonstrated the "number one unity" out of all Hello! Project acts. Kawaii Girl Japan states that Cute has not only been acclaimed as "the best performer in the Hello! Project," but is also recognized as "the best live performer" or simply "the best performer" by fans of other idol groups. Reviewing the group's performance at the Nico Nico Chōkaigi festival, held on April 28–29, 2012, the website is impressed by how Cute covered the entire stage, being both dynamic and delicate, and how the group kept the audience intrigued and captivated. Depending on the song, Cute members changed their facial expressions from happiness to sadness, easily commanding the audience's mood. Cute's fans are known as "Team Cute." Controversies The December 4, 2008 episode of the TV Tokyo variety show Yorosen!, featuring Cute, included a part on Adolf Hitler in a segment called "Great Men of the World." In it, a Cute member, acting as a "teacher" giving a comic history class to other members, called the dictator "Uncle Hitler," presented a drawing of him, impersonated him, and said that Hitler's speeches had a "soothing effect." The broadcast brought about heavy criticism on Internet message boards, protesting against Hitler being referred to as a "great man" and the contents of the comic lecture. TV Tokyo and the show's production company subsequently issued apologies. "The program's content was based on a mistaken interpretation of history and was inappropriate," TV Tokyo stated on its website. In popular culture A likeness of Okai, Hagiwara, and Suzuki appeared in episode 36 of Gintama. The logo for Cute's bandname also appeared in the same episode. All eight members of Cute appeared in episode 93 of Gintama. Discography Singles Indie singles "Massara Blue Jeans" "Soku Dakishimete" "Ōki na Ai de Motenashite" "Wakkyanai (Z)" Major singles "Sakura Chirari" "Meguru Koi no Kisetsu" "Tokaikko Junjō" "Lalala Shiawase no Uta" "Namida no Iro" "Edo no Temari Uta II" "Forever Love" "Bye Bye Bye!" "Shochū Omimai Mōshiagemasu" "Everyday Zekkōchō!!" "Shock!" "Campus Life (Umarete Kite Yokatta)" "Dance de Bakōn!" "Aitai Lonely Christmas" "Kiss Me Aishiteru" "Momoiro Sparkling" "Sekaiichi Happy na Onna no Ko" "Kimi wa Jitensha Watashi wa Densha de Kitaku" "Aitai Aitai Aitai na" "Kono Machi" "Crazy Kanzen na Otona" "Kanashiki Amefuri / Adam to Eve no Dilemma" "Tokai no Hitorigurashi / Aitte Motto Zanshin" "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All" "The Power / Kanashiki Heaven (Single Version)" "I Miss You / The Future" "The Middle Management (Josei Chūkan Kanrishoku) / Gamusha Life / Tsugi no Kado o Magare" "Arigatō (Mugen no Yell) / Arashi o Okosunda Exciting Fight!" "Naze Hito wa Arasou n' Darō? / Summer Wind / Jinsei wa Step!" "Mugen Climax / Ai wa Maru de Seidenki / Singing (Ano Koro no Yō ni)" "To Tomorrow / Final Squall / The Curtain Rises" Albums Studio albums Cutie Queen Vol. 1 2 Mini: Ikiru to Iu Chikara 3rd: Love Escalation! 4 Akogare My Star Shocking 5 Chō Wonderful! 6 Dai Nana Shō 'Utsukushikutte Gomen ne' 8 Queen of J-pop °Cmaj9 Compilation albums Cute Nan Desu! Zen Single Atsumechaimashita! 1 2 Cute Shinseinaru Best Album Complete Single Collection Awards See also Hello! Project Kids Berryz Kobo References External links Cute's official blog Cute's official page on the Hello! Project website Musical groups established in 2005 Musical groups disestablished in 2017 Sony Music Entertainment Japan artists Japanese pop music groups Japanese girl groups Japanese idol groups Hello! Project groups Musical groups from Tokyo Child musical groups Musical quintets

C_f2711065fb1e4d9cbc9071907be6d849_0

Where else did they perform?

Where else did Cute perform, other than Paris?

Cute (Japanese idol group)

On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. In addition,they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. On January 26, 2014 at a release event, ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions. On February 24, it was announced that ute would be collaborating with Reebok to promote their product Your Reebok, where one could personally customize their Reebok, for March 2014. Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ute." On March 5, it was announced that -ute's "Love take it all" would be the inauguration CM song for 2014 BS-TBS' Idol Campaign. They would also have a 6-episode TV show called ute no Challenge TV, every last Thursday of the month on BS-TBS. On April 15 it was announced that Berryz Kobo and ute were invited to attend the 15th Japan Expo in Paris as Guests of Honor. On May 3, it was announced by Yajima Maimi, during the last MC corner of ute Concert Tour 2014 Haru ~Cute no Honne~, that Cute will be performing at Budokan on September 10, "-ute no Hi". On July 16, ute released their 25th single The Power / Kanashiki Heaven (Single Version). On August 23 it was announced the ute had set two world records (the longest passing of an egg in a relay (1 hour and 30 minutes) and the most snacks eaten in a relay (1 hour). The records were achieved at a public recording of their TV-show with respectively 259 and 346 of their fans at Asakasa Blitz On September 27, ute performed at the 2014 Aomori SHOCK ON open-air music festival alongside Berryz Kobo and other artists. On November 19, ute released their 26th single I miss you / THE FUTURE. On November 20, ute performed alongside other artists at Tower Records' 35th anniversary event CANNOTANSWER

In addition,they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance.

, was a Japanese girl group associated with Hello! Project and produced by Tsunku. Cute consisted of Maimi Yajima, Saki Nakajima, Airi Suzuki, Chisato Okai, and Mai Hagiwara, who were all members of Hello! Project Kids prior to the group's formation. The original member line-up also consisted of fellow Hello! Project Kids members Megumi Murakami and Erika Umeda, as well as Hello! Project trainee Kanna Arihara, prior to their departure. After releasing a string of independent hits, Cute made its major debut in 2007 with "Sakura Chirari" and that year won the Japan Record Award for Best New Artist. In 2008, the group was nominated for the main Japan Record Award, the Grand Prix, its song being named one of the year's best songs. All of the group's major-label singles debuted in the top 10 of the Oricon Weekly Singles Chart. Members Maimi Yajima - leader Saki Nakajima Airi Suzuki Chisato Okai Mai Hagiwara Former members Erika Umeda (left on October 25, 2009) Kanna Arihara (left in July 2009) Megumi Murakami (left on November 1, 2006) History 2002–2004: Hello! Project Kids The group's members were initially selected during the audition for Hello! Project Kids in 2002. They made appearances on Morning Musume's variety show, Hello! Morning, Mini-Moni's variety show, Hello Kids, and acted as back-up dancers in several Hello! Project acts. Later that year, Airi Suzuki and Mai Hagiwara appeared in Mini-Moni the Movie: Okashi na Daibōken!, while the rest of the members appeared in the film Koinu Dan no Monogatari. In 2003, some Hello! Project Kids were placed in subgroups led by Morning Musume members: Suzuki was selected to be in Aa!, while Erika Umeda, Maimi Yajima, and Megumi Murakami were in the group called ZYX. Both units were short-lived, and their activity virtually came to a stall with the creation of Berryz Kobo in January 2004. When introducing Berryz Kobo at Nakano Sun Plaza on January 14, Tsunku intended to rotate all Hello! Project Kids through it, thus allowing them more time for school activities. Meanwhile, they continued to make appearances in television and theatre projects, such as Little Hospital, Promise Land: Clover no Daibōken, and Here's Love. 2005–2006: Formation Instead of rotating the members in Berryz Kobo as Tsunku originally had intended, the remaining Hello! Project Kids who were not selected for Berryz Kobo became a new group altogether in 2005. Tsunku found it difficult to call the girls who were not part of Berryz Kobo collectively because they did not have a consistent group name, so he decided to name them. He chose "Cute" because its English meaning fit the image for the group. Wanting to somehow express the girls' overflowing fervor (enthusiasm), he substituted for "C". The creation of Cute was officially announced on June 11, 2005, though its formation had been rumored for several months prior. On January 2, 2006, at the first performance of the Hello! Project Winter 2006: Wonderful Hearts Concert Tour, Kanna Arihara, a Hello! Pro Egg member, was added to Cute. On May 6, 2006, Cute released their debut single, "Massara Blue Jeans." From May 2006 to July 2006, they released four indie singles, "Oki na Ai de Motenashite", "Soku Dakishimete", and "Wakkyanai (Z)", all of which received limited distribution and were mostly sold at concerts. Despite this, their songs were featured in mainstream media, as "Oki na Ai de Motenashite" was used as the second ending theme to the anime Kirarin Revolution. On October 31, 2006, Megumi Murakami left the group to concentrate on her studies. 2007–2008: Major-label debut, 58th Kohaku Uta Gassen & the Japan Record Awards On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10. On December 30, 2007, Cute received the Japan Record Award for Best New Artist. Tsunku accepted the award for them due to the members' age and child labor laws, as the ceremony was broadcast late at night. At the end of the year, Cute performed at the 58th NHK Kōhaku Uta Gassen with Morning Musume and Berryz Kobo. At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", but lost to Exile, instead earning the Gold Award, which is given to all main prize nominees. The song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and had wanted Cute to sing it as "a modern fairytale." For Cute, the song was rearranged from enka into boogie and the lyrics were slightly modified. Cute released the song on July 30, 2008. 2009: Departure of Arihara and Umeda On February 26, 2009, Hello! Project announced that Kanna Arihara was having difficulty performing on stage due to hallux valgus, or bunion deformity, and would not be able to attend Hello! Project 10th Anniversary fan club event that week. She would also be absent from Hello! Project's activities, including activities in Cute, while receiving treatment. Finally, in July 2009, Hello! Project informed that Arihara had decided to retire from the entertainment industry. On the other hand, Excite.co.jp linked Arihara's sudden departure to being caught on a date with Johnny's Jr. member Ryosuke Hashimoto in September 2008, which affected her image. On August 1, 2009, Hello! Project posted Erika Umeda's official announcement that at the end of the upcoming Cute's 2009 fall concert tour she would be graduating from Cute and Hello! Project to begin a modeling career. Her graduation was held on October 25 in Osaka, at the last concert of the tour. The last single to feature her, "Everyday Zekkōchō!!" released on September 19, 2009, topped at number 1 in the Oricon daily singles chart and at number 2 in Oricon Weekly to become Cute's highest-ranking single to date. After her departure, the official group member colors were changed in November 2009. 2010-2012: Expansion to iTunes and YouTube On February 23, Cute released their 15th single, "Kiss Me Aishiteru". Cute's 16th single, "Momoiro Sparkling", debuted in 4th place of the Oricon daily singles chart for May 24. It spent two consecutive weeks in the Top 30 of the Oricon Weekly, ranking 6th and 17th. On June 18, 2011, the concert from Cute Concert Tour 2011 Haru: Chō! Chō Wonderful Tour was broadcast live on the group's YouTube channel. The live stream attracted a large audience from all over the world. As it was reported in Cute's official blog by group leader Maimi Yajima and confirmed by the Up-Front Agency management on Twitter, the broadcast had been watched by a total of 93,144 viewers. On February 8, the group's 7th album, titled Dai Nana Shō 'Utsukushikutte Gomen ne', came out. On April 8, Cute performed at the idol festival Idol Yokochō Matsuri, giving the first non-Hello! Project joint concert in their entire career. The music news provider BARKS praised the "power performance" that was "overwhelming from beginning to end" and demonstrated the "number one" group's unity out of the whole Hello! Project. Cute's 18th single "Kimi wa Jitensha Watashi wa Densha de Kitaku" ("You ride your bicycle, while I catch the train home") was released on April 18. The music video for the song was uploaded on Cute's official YouTube channel on March 12. With more than 40,000 copies sold within the first week and reaching number 3 of the Oricon weekly singles chart, the single became their highest-selling single to date, breaking the record of their 3rd major single "Tokaikko Junjō". On June 20, Cute released its second collaboration CD single with the fellow Hello! Project Kids group Berryz Kobo, named "Chō Happy Song" ("Superhappy Song.") The title tune is a mix of two previously published songs, Berryz Kobo's "Because Happiness" and Cute's "Shiawase no Tochū" ("On the Road to Happiness") from their 2012 albums. Both tracks were intentionally composed and produced by Tsunku to form a new song when played simultaneously. The trick was originally scheduled to be announced at a summer Hello! Project concert, but was uncovered by fans in mid-April. The song became a hot topic on the Internet, and a set of the three tracks, "Because Happiness," "Shiawase no Tochū," and "Chō Happy Song," was hastily released as a digital download single on April 28. Also in June, it was announced that Cute's concert at the Yokosuka Arts Theater on June 30 would be broadcast live on YouTube. On September 5, Cute released their 19th single, titled "Aitai Aitai Aitai na". The song premiered at the first concert of the Hello! Project 15th Anniversary Live 2012 Summer tour, on July 21 at the Onyx Theater in Osaka. 2013-2015: Overseas events, Budokan concert, 10th anniversary On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. In addition, they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. On January 26, 2014 at a release event, ℃ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions. On February 24, it was announced that ℃ute would be collaborating with Reebok to promote their product Your Reebok, where one could personally customize their Reebok, for March 2014. Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ℃ute." On March 5, it was announced that ℃-ute's "Love take it all" would be the inauguration CM song for 2014 BS-TBS' Idol Campaign. They would also have a 6-episode TV show called ℃ute no Challenge TV, every last Thursday of the month on BS-TBS. On April 15 it was announced that Berryz Kobo and ℃ute were invited to attend the 15th Japan Expo in Paris as Guests of Honor. On May 3, it was announced by Yajima Maimi, during the last MC corner of ℃ute Concert Tour 2014 Haru ~Cute no Honne~, that Cute will be performing at Budokan on September 10, "℃-ute no Hi". On July 16, ℃ute released their 25th single The Power / Kanashiki Heaven (Single Version). On August 23 it was announced the ℃ute had set two world records (the longest passing of an egg in a relay (1 hour and 30 minutes) and the most snacks eaten in a relay (1 hour). The records were achieved at a public recording of their TV-show with respectively 259 and 346 of their fans at Asakasa Blitz On September 27, ℃ute performed at the 2014 Aomori SHOCK ON open-air music festival alongside Berryz Kobo and other artists. On November 19, ℃ute released their 26th single I miss you / THE FUTURE. On November 20, ℃ute performed alongside other artists at Tower Records' 35th anniversary event On April 1, 2015 Cute released their 27th single triple-A side single "The Middle Management ~Josei Chuukan Kanrishoku~ / Gamusha LIFE / Tsugi no Kado wo Magare" as part of their 10th anniversary commemoration. On June 11, ℃ute performed their 10th anniversary concert at Yokohama Arena as part of their The Future Departure tour. 2016-2017: Final years and disbandment In 2014, prompted by Berryz Kobo's announcement to go on hiatus, discussions about Cute's future began privately among the members. In February 2016, the members of Cute discussed this again with their management, citing interest in other career paths. All members had the option of continuing as Cute outside of the Hello! Project name or to stay as Cute but suspend group activities. In the end, they ultimately decided to disband. Cute's disbandment plans for 2017 were made public on August 19, 2016 on their official Facebook account. On November 2, Cute released their 30th single, "Mugen Climax / Ai wa Maru de Seidenki / Singing (Ano Koro no Yō ni)." They held their final concert on June 12, 2017 at Saitama Super Arena. Former members Megumi Murakami, Kanna Arihara, and Erika Umeda attended the concert, as well as other celebrities including Berryz Kobo (excluding Risako Sugaya), former Berryz Kobo member Maiha Ishimura, Momoiro Clover Z, Rino Sashihara, Yuki Kashiwagi, and Nicole Fujita. The concert was broadcast on multiple channels and also in Hong Kong and Taiwan. Artistry Musical style and themes Almost all the group's works are written and composed by Tsunku, the group's producer. As of 2012, the group's image was considered bright and energetic. Cute's 16th and 17th singles (2011) were happy songs in a major key, but the 18th single "Kimi wa Jitensha Watashi wa Densha de Kitaku" (April 2012) was quite unusual. It was a rock ballad about saying goodbye (it is time to go home; the song's young female protagonist must part with the boy she loves). Since then, the group's songs have generally been more mature. Public image BARKS praised Cute's "power performance" at the festival Idol Yokochō Matsuri on April 8, 2012 as being "overwhelming from beginning to end" and having demonstrated the "number one unity" out of all Hello! Project acts. Kawaii Girl Japan states that Cute has not only been acclaimed as "the best performer in the Hello! Project," but is also recognized as "the best live performer" or simply "the best performer" by fans of other idol groups. Reviewing the group's performance at the Nico Nico Chōkaigi festival, held on April 28–29, 2012, the website is impressed by how Cute covered the entire stage, being both dynamic and delicate, and how the group kept the audience intrigued and captivated. Depending on the song, Cute members changed their facial expressions from happiness to sadness, easily commanding the audience's mood. Cute's fans are known as "Team Cute." Controversies The December 4, 2008 episode of the TV Tokyo variety show Yorosen!, featuring Cute, included a part on Adolf Hitler in a segment called "Great Men of the World." In it, a Cute member, acting as a "teacher" giving a comic history class to other members, called the dictator "Uncle Hitler," presented a drawing of him, impersonated him, and said that Hitler's speeches had a "soothing effect." The broadcast brought about heavy criticism on Internet message boards, protesting against Hitler being referred to as a "great man" and the contents of the comic lecture. TV Tokyo and the show's production company subsequently issued apologies. "The program's content was based on a mistaken interpretation of history and was inappropriate," TV Tokyo stated on its website. In popular culture A likeness of Okai, Hagiwara, and Suzuki appeared in episode 36 of Gintama. The logo for Cute's bandname also appeared in the same episode. All eight members of Cute appeared in episode 93 of Gintama. Discography Singles Indie singles "Massara Blue Jeans" "Soku Dakishimete" "Ōki na Ai de Motenashite" "Wakkyanai (Z)" Major singles "Sakura Chirari" "Meguru Koi no Kisetsu" "Tokaikko Junjō" "Lalala Shiawase no Uta" "Namida no Iro" "Edo no Temari Uta II" "Forever Love" "Bye Bye Bye!" "Shochū Omimai Mōshiagemasu" "Everyday Zekkōchō!!" "Shock!" "Campus Life (Umarete Kite Yokatta)" "Dance de Bakōn!" "Aitai Lonely Christmas" "Kiss Me Aishiteru" "Momoiro Sparkling" "Sekaiichi Happy na Onna no Ko" "Kimi wa Jitensha Watashi wa Densha de Kitaku" "Aitai Aitai Aitai na" "Kono Machi" "Crazy Kanzen na Otona" "Kanashiki Amefuri / Adam to Eve no Dilemma" "Tokai no Hitorigurashi / Aitte Motto Zanshin" "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All" "The Power / Kanashiki Heaven (Single Version)" "I Miss You / The Future" "The Middle Management (Josei Chūkan Kanrishoku) / Gamusha Life / Tsugi no Kado o Magare" "Arigatō (Mugen no Yell) / Arashi o Okosunda Exciting Fight!" "Naze Hito wa Arasou n' Darō? / Summer Wind / Jinsei wa Step!" "Mugen Climax / Ai wa Maru de Seidenki / Singing (Ano Koro no Yō ni)" "To Tomorrow / Final Squall / The Curtain Rises" Albums Studio albums Cutie Queen Vol. 1 2 Mini: Ikiru to Iu Chikara 3rd: Love Escalation! 4 Akogare My Star Shocking 5 Chō Wonderful! 6 Dai Nana Shō 'Utsukushikutte Gomen ne' 8 Queen of J-pop °Cmaj9 Compilation albums Cute Nan Desu! Zen Single Atsumechaimashita! 1 2 Cute Shinseinaru Best Album Complete Single Collection Awards See also Hello! Project Kids Berryz Kobo References External links Cute's official blog Cute's official page on the Hello! Project website Musical groups established in 2005 Musical groups disestablished in 2017 Sony Music Entertainment Japan artists Japanese pop music groups Japanese girl groups Japanese idol groups Hello! Project groups Musical groups from Tokyo Child musical groups Musical quintets

C_f2711065fb1e4d9cbc9071907be6d849_0

What songs did they release?

What songs did Cute release?

Cute (Japanese idol group)

On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. In addition,they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. On January 26, 2014 at a release event, ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions. On February 24, it was announced that ute would be collaborating with Reebok to promote their product Your Reebok, where one could personally customize their Reebok, for March 2014. Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ute." On March 5, it was announced that -ute's "Love take it all" would be the inauguration CM song for 2014 BS-TBS' Idol Campaign. They would also have a 6-episode TV show called ute no Challenge TV, every last Thursday of the month on BS-TBS. On April 15 it was announced that Berryz Kobo and ute were invited to attend the 15th Japan Expo in Paris as Guests of Honor. On May 3, it was announced by Yajima Maimi, during the last MC corner of ute Concert Tour 2014 Haru ~Cute no Honne~, that Cute will be performing at Budokan on September 10, "-ute no Hi". On July 16, ute released their 25th single The Power / Kanashiki Heaven (Single Version). On August 23 it was announced the ute had set two world records (the longest passing of an egg in a relay (1 hour and 30 minutes) and the most snacks eaten in a relay (1 hour). The records were achieved at a public recording of their TV-show with respectively 259 and 346 of their fans at Asakasa Blitz On September 27, ute performed at the 2014 Aomori SHOCK ON open-air music festival alongside Berryz Kobo and other artists. On November 19, ute released their 26th single I miss you / THE FUTURE. On November 20, ute performed alongside other artists at Tower Records' 35th anniversary event CANNOTANSWER

ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions.

, was a Japanese girl group associated with Hello! Project and produced by Tsunku. Cute consisted of Maimi Yajima, Saki Nakajima, Airi Suzuki, Chisato Okai, and Mai Hagiwara, who were all members of Hello! Project Kids prior to the group's formation. The original member line-up also consisted of fellow Hello! Project Kids members Megumi Murakami and Erika Umeda, as well as Hello! Project trainee Kanna Arihara, prior to their departure. After releasing a string of independent hits, Cute made its major debut in 2007 with "Sakura Chirari" and that year won the Japan Record Award for Best New Artist. In 2008, the group was nominated for the main Japan Record Award, the Grand Prix, its song being named one of the year's best songs. All of the group's major-label singles debuted in the top 10 of the Oricon Weekly Singles Chart. Members Maimi Yajima - leader Saki Nakajima Airi Suzuki Chisato Okai Mai Hagiwara Former members Erika Umeda (left on October 25, 2009) Kanna Arihara (left in July 2009) Megumi Murakami (left on November 1, 2006) History 2002–2004: Hello! Project Kids The group's members were initially selected during the audition for Hello! Project Kids in 2002. They made appearances on Morning Musume's variety show, Hello! Morning, Mini-Moni's variety show, Hello Kids, and acted as back-up dancers in several Hello! Project acts. Later that year, Airi Suzuki and Mai Hagiwara appeared in Mini-Moni the Movie: Okashi na Daibōken!, while the rest of the members appeared in the film Koinu Dan no Monogatari. In 2003, some Hello! Project Kids were placed in subgroups led by Morning Musume members: Suzuki was selected to be in Aa!, while Erika Umeda, Maimi Yajima, and Megumi Murakami were in the group called ZYX. Both units were short-lived, and their activity virtually came to a stall with the creation of Berryz Kobo in January 2004. When introducing Berryz Kobo at Nakano Sun Plaza on January 14, Tsunku intended to rotate all Hello! Project Kids through it, thus allowing them more time for school activities. Meanwhile, they continued to make appearances in television and theatre projects, such as Little Hospital, Promise Land: Clover no Daibōken, and Here's Love. 2005–2006: Formation Instead of rotating the members in Berryz Kobo as Tsunku originally had intended, the remaining Hello! Project Kids who were not selected for Berryz Kobo became a new group altogether in 2005. Tsunku found it difficult to call the girls who were not part of Berryz Kobo collectively because they did not have a consistent group name, so he decided to name them. He chose "Cute" because its English meaning fit the image for the group. Wanting to somehow express the girls' overflowing fervor (enthusiasm), he substituted for "C". The creation of Cute was officially announced on June 11, 2005, though its formation had been rumored for several months prior. On January 2, 2006, at the first performance of the Hello! Project Winter 2006: Wonderful Hearts Concert Tour, Kanna Arihara, a Hello! Pro Egg member, was added to Cute. On May 6, 2006, Cute released their debut single, "Massara Blue Jeans." From May 2006 to July 2006, they released four indie singles, "Oki na Ai de Motenashite", "Soku Dakishimete", and "Wakkyanai (Z)", all of which received limited distribution and were mostly sold at concerts. Despite this, their songs were featured in mainstream media, as "Oki na Ai de Motenashite" was used as the second ending theme to the anime Kirarin Revolution. On October 31, 2006, Megumi Murakami left the group to concentrate on her studies. 2007–2008: Major-label debut, 58th Kohaku Uta Gassen & the Japan Record Awards On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10. On December 30, 2007, Cute received the Japan Record Award for Best New Artist. Tsunku accepted the award for them due to the members' age and child labor laws, as the ceremony was broadcast late at night. At the end of the year, Cute performed at the 58th NHK Kōhaku Uta Gassen with Morning Musume and Berryz Kobo. At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", but lost to Exile, instead earning the Gold Award, which is given to all main prize nominees. The song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and had wanted Cute to sing it as "a modern fairytale." For Cute, the song was rearranged from enka into boogie and the lyrics were slightly modified. Cute released the song on July 30, 2008. 2009: Departure of Arihara and Umeda On February 26, 2009, Hello! Project announced that Kanna Arihara was having difficulty performing on stage due to hallux valgus, or bunion deformity, and would not be able to attend Hello! Project 10th Anniversary fan club event that week. She would also be absent from Hello! Project's activities, including activities in Cute, while receiving treatment. Finally, in July 2009, Hello! Project informed that Arihara had decided to retire from the entertainment industry. On the other hand, Excite.co.jp linked Arihara's sudden departure to being caught on a date with Johnny's Jr. member Ryosuke Hashimoto in September 2008, which affected her image. On August 1, 2009, Hello! Project posted Erika Umeda's official announcement that at the end of the upcoming Cute's 2009 fall concert tour she would be graduating from Cute and Hello! Project to begin a modeling career. Her graduation was held on October 25 in Osaka, at the last concert of the tour. The last single to feature her, "Everyday Zekkōchō!!" released on September 19, 2009, topped at number 1 in the Oricon daily singles chart and at number 2 in Oricon Weekly to become Cute's highest-ranking single to date. After her departure, the official group member colors were changed in November 2009. 2010-2012: Expansion to iTunes and YouTube On February 23, Cute released their 15th single, "Kiss Me Aishiteru". Cute's 16th single, "Momoiro Sparkling", debuted in 4th place of the Oricon daily singles chart for May 24. It spent two consecutive weeks in the Top 30 of the Oricon Weekly, ranking 6th and 17th. On June 18, 2011, the concert from Cute Concert Tour 2011 Haru: Chō! Chō Wonderful Tour was broadcast live on the group's YouTube channel. The live stream attracted a large audience from all over the world. As it was reported in Cute's official blog by group leader Maimi Yajima and confirmed by the Up-Front Agency management on Twitter, the broadcast had been watched by a total of 93,144 viewers. On February 8, the group's 7th album, titled Dai Nana Shō 'Utsukushikutte Gomen ne', came out. On April 8, Cute performed at the idol festival Idol Yokochō Matsuri, giving the first non-Hello! Project joint concert in their entire career. The music news provider BARKS praised the "power performance" that was "overwhelming from beginning to end" and demonstrated the "number one" group's unity out of the whole Hello! Project. Cute's 18th single "Kimi wa Jitensha Watashi wa Densha de Kitaku" ("You ride your bicycle, while I catch the train home") was released on April 18. The music video for the song was uploaded on Cute's official YouTube channel on March 12. With more than 40,000 copies sold within the first week and reaching number 3 of the Oricon weekly singles chart, the single became their highest-selling single to date, breaking the record of their 3rd major single "Tokaikko Junjō". On June 20, Cute released its second collaboration CD single with the fellow Hello! Project Kids group Berryz Kobo, named "Chō Happy Song" ("Superhappy Song.") The title tune is a mix of two previously published songs, Berryz Kobo's "Because Happiness" and Cute's "Shiawase no Tochū" ("On the Road to Happiness") from their 2012 albums. Both tracks were intentionally composed and produced by Tsunku to form a new song when played simultaneously. The trick was originally scheduled to be announced at a summer Hello! Project concert, but was uncovered by fans in mid-April. The song became a hot topic on the Internet, and a set of the three tracks, "Because Happiness," "Shiawase no Tochū," and "Chō Happy Song," was hastily released as a digital download single on April 28. Also in June, it was announced that Cute's concert at the Yokosuka Arts Theater on June 30 would be broadcast live on YouTube. On September 5, Cute released their 19th single, titled "Aitai Aitai Aitai na". The song premiered at the first concert of the Hello! Project 15th Anniversary Live 2012 Summer tour, on July 21 at the Onyx Theater in Osaka. 2013-2015: Overseas events, Budokan concert, 10th anniversary On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. In addition, they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. On January 26, 2014 at a release event, ℃ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions. On February 24, it was announced that ℃ute would be collaborating with Reebok to promote their product Your Reebok, where one could personally customize their Reebok, for March 2014. Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ℃ute." On March 5, it was announced that ℃-ute's "Love take it all" would be the inauguration CM song for 2014 BS-TBS' Idol Campaign. They would also have a 6-episode TV show called ℃ute no Challenge TV, every last Thursday of the month on BS-TBS. On April 15 it was announced that Berryz Kobo and ℃ute were invited to attend the 15th Japan Expo in Paris as Guests of Honor. On May 3, it was announced by Yajima Maimi, during the last MC corner of ℃ute Concert Tour 2014 Haru ~Cute no Honne~, that Cute will be performing at Budokan on September 10, "℃-ute no Hi". On July 16, ℃ute released their 25th single The Power / Kanashiki Heaven (Single Version). On August 23 it was announced the ℃ute had set two world records (the longest passing of an egg in a relay (1 hour and 30 minutes) and the most snacks eaten in a relay (1 hour). The records were achieved at a public recording of their TV-show with respectively 259 and 346 of their fans at Asakasa Blitz On September 27, ℃ute performed at the 2014 Aomori SHOCK ON open-air music festival alongside Berryz Kobo and other artists. On November 19, ℃ute released their 26th single I miss you / THE FUTURE. On November 20, ℃ute performed alongside other artists at Tower Records' 35th anniversary event On April 1, 2015 Cute released their 27th single triple-A side single "The Middle Management ~Josei Chuukan Kanrishoku~ / Gamusha LIFE / Tsugi no Kado wo Magare" as part of their 10th anniversary commemoration. On June 11, ℃ute performed their 10th anniversary concert at Yokohama Arena as part of their The Future Departure tour. 2016-2017: Final years and disbandment In 2014, prompted by Berryz Kobo's announcement to go on hiatus, discussions about Cute's future began privately among the members. In February 2016, the members of Cute discussed this again with their management, citing interest in other career paths. All members had the option of continuing as Cute outside of the Hello! Project name or to stay as Cute but suspend group activities. In the end, they ultimately decided to disband. Cute's disbandment plans for 2017 were made public on August 19, 2016 on their official Facebook account. On November 2, Cute released their 30th single, "Mugen Climax / Ai wa Maru de Seidenki / Singing (Ano Koro no Yō ni)." They held their final concert on June 12, 2017 at Saitama Super Arena. Former members Megumi Murakami, Kanna Arihara, and Erika Umeda attended the concert, as well as other celebrities including Berryz Kobo (excluding Risako Sugaya), former Berryz Kobo member Maiha Ishimura, Momoiro Clover Z, Rino Sashihara, Yuki Kashiwagi, and Nicole Fujita. The concert was broadcast on multiple channels and also in Hong Kong and Taiwan. Artistry Musical style and themes Almost all the group's works are written and composed by Tsunku, the group's producer. As of 2012, the group's image was considered bright and energetic. Cute's 16th and 17th singles (2011) were happy songs in a major key, but the 18th single "Kimi wa Jitensha Watashi wa Densha de Kitaku" (April 2012) was quite unusual. It was a rock ballad about saying goodbye (it is time to go home; the song's young female protagonist must part with the boy she loves). Since then, the group's songs have generally been more mature. Public image BARKS praised Cute's "power performance" at the festival Idol Yokochō Matsuri on April 8, 2012 as being "overwhelming from beginning to end" and having demonstrated the "number one unity" out of all Hello! Project acts. Kawaii Girl Japan states that Cute has not only been acclaimed as "the best performer in the Hello! Project," but is also recognized as "the best live performer" or simply "the best performer" by fans of other idol groups. Reviewing the group's performance at the Nico Nico Chōkaigi festival, held on April 28–29, 2012, the website is impressed by how Cute covered the entire stage, being both dynamic and delicate, and how the group kept the audience intrigued and captivated. Depending on the song, Cute members changed their facial expressions from happiness to sadness, easily commanding the audience's mood. Cute's fans are known as "Team Cute." Controversies The December 4, 2008 episode of the TV Tokyo variety show Yorosen!, featuring Cute, included a part on Adolf Hitler in a segment called "Great Men of the World." In it, a Cute member, acting as a "teacher" giving a comic history class to other members, called the dictator "Uncle Hitler," presented a drawing of him, impersonated him, and said that Hitler's speeches had a "soothing effect." The broadcast brought about heavy criticism on Internet message boards, protesting against Hitler being referred to as a "great man" and the contents of the comic lecture. TV Tokyo and the show's production company subsequently issued apologies. "The program's content was based on a mistaken interpretation of history and was inappropriate," TV Tokyo stated on its website. In popular culture A likeness of Okai, Hagiwara, and Suzuki appeared in episode 36 of Gintama. The logo for Cute's bandname also appeared in the same episode. All eight members of Cute appeared in episode 93 of Gintama. Discography Singles Indie singles "Massara Blue Jeans" "Soku Dakishimete" "Ōki na Ai de Motenashite" "Wakkyanai (Z)" Major singles "Sakura Chirari" "Meguru Koi no Kisetsu" "Tokaikko Junjō" "Lalala Shiawase no Uta" "Namida no Iro" "Edo no Temari Uta II" "Forever Love" "Bye Bye Bye!" "Shochū Omimai Mōshiagemasu" "Everyday Zekkōchō!!" "Shock!" "Campus Life (Umarete Kite Yokatta)" "Dance de Bakōn!" "Aitai Lonely Christmas" "Kiss Me Aishiteru" "Momoiro Sparkling" "Sekaiichi Happy na Onna no Ko" "Kimi wa Jitensha Watashi wa Densha de Kitaku" "Aitai Aitai Aitai na" "Kono Machi" "Crazy Kanzen na Otona" "Kanashiki Amefuri / Adam to Eve no Dilemma" "Tokai no Hitorigurashi / Aitte Motto Zanshin" "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All" "The Power / Kanashiki Heaven (Single Version)" "I Miss You / The Future" "The Middle Management (Josei Chūkan Kanrishoku) / Gamusha Life / Tsugi no Kado o Magare" "Arigatō (Mugen no Yell) / Arashi o Okosunda Exciting Fight!" "Naze Hito wa Arasou n' Darō? / Summer Wind / Jinsei wa Step!" "Mugen Climax / Ai wa Maru de Seidenki / Singing (Ano Koro no Yō ni)" "To Tomorrow / Final Squall / The Curtain Rises" Albums Studio albums Cutie Queen Vol. 1 2 Mini: Ikiru to Iu Chikara 3rd: Love Escalation! 4 Akogare My Star Shocking 5 Chō Wonderful! 6 Dai Nana Shō 'Utsukushikutte Gomen ne' 8 Queen of J-pop °Cmaj9 Compilation albums Cute Nan Desu! Zen Single Atsumechaimashita! 1 2 Cute Shinseinaru Best Album Complete Single Collection Awards See also Hello! Project Kids Berryz Kobo References External links Cute's official blog Cute's official page on the Hello! Project website Musical groups established in 2005 Musical groups disestablished in 2017 Sony Music Entertainment Japan artists Japanese pop music groups Japanese girl groups Japanese idol groups Hello! Project groups Musical groups from Tokyo Child musical groups Musical quintets

C_f2711065fb1e4d9cbc9071907be6d849_0

What happened with this song?

What happened with Cute's song?

Cute (Japanese idol group)

On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. In addition,they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. On January 26, 2014 at a release event, ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions. On February 24, it was announced that ute would be collaborating with Reebok to promote their product Your Reebok, where one could personally customize their Reebok, for March 2014. Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ute." On March 5, it was announced that -ute's "Love take it all" would be the inauguration CM song for 2014 BS-TBS' Idol Campaign. They would also have a 6-episode TV show called ute no Challenge TV, every last Thursday of the month on BS-TBS. On April 15 it was announced that Berryz Kobo and ute were invited to attend the 15th Japan Expo in Paris as Guests of Honor. On May 3, it was announced by Yajima Maimi, during the last MC corner of ute Concert Tour 2014 Haru ~Cute no Honne~, that Cute will be performing at Budokan on September 10, "-ute no Hi". On July 16, ute released their 25th single The Power / Kanashiki Heaven (Single Version). On August 23 it was announced the ute had set two world records (the longest passing of an egg in a relay (1 hour and 30 minutes) and the most snacks eaten in a relay (1 hour). The records were achieved at a public recording of their TV-show with respectively 259 and 346 of their fans at Asakasa Blitz On September 27, ute performed at the 2014 Aomori SHOCK ON open-air music festival alongside Berryz Kobo and other artists. On November 19, ute released their 26th single I miss you / THE FUTURE. On November 20, ute performed alongside other artists at Tower Records' 35th anniversary event CANNOTANSWER

Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ute."

, was a Japanese girl group associated with Hello! Project and produced by Tsunku. Cute consisted of Maimi Yajima, Saki Nakajima, Airi Suzuki, Chisato Okai, and Mai Hagiwara, who were all members of Hello! Project Kids prior to the group's formation. The original member line-up also consisted of fellow Hello! Project Kids members Megumi Murakami and Erika Umeda, as well as Hello! Project trainee Kanna Arihara, prior to their departure. After releasing a string of independent hits, Cute made its major debut in 2007 with "Sakura Chirari" and that year won the Japan Record Award for Best New Artist. In 2008, the group was nominated for the main Japan Record Award, the Grand Prix, its song being named one of the year's best songs. All of the group's major-label singles debuted in the top 10 of the Oricon Weekly Singles Chart. Members Maimi Yajima - leader Saki Nakajima Airi Suzuki Chisato Okai Mai Hagiwara Former members Erika Umeda (left on October 25, 2009) Kanna Arihara (left in July 2009) Megumi Murakami (left on November 1, 2006) History 2002–2004: Hello! Project Kids The group's members were initially selected during the audition for Hello! Project Kids in 2002. They made appearances on Morning Musume's variety show, Hello! Morning, Mini-Moni's variety show, Hello Kids, and acted as back-up dancers in several Hello! Project acts. Later that year, Airi Suzuki and Mai Hagiwara appeared in Mini-Moni the Movie: Okashi na Daibōken!, while the rest of the members appeared in the film Koinu Dan no Monogatari. In 2003, some Hello! Project Kids were placed in subgroups led by Morning Musume members: Suzuki was selected to be in Aa!, while Erika Umeda, Maimi Yajima, and Megumi Murakami were in the group called ZYX. Both units were short-lived, and their activity virtually came to a stall with the creation of Berryz Kobo in January 2004. When introducing Berryz Kobo at Nakano Sun Plaza on January 14, Tsunku intended to rotate all Hello! Project Kids through it, thus allowing them more time for school activities. Meanwhile, they continued to make appearances in television and theatre projects, such as Little Hospital, Promise Land: Clover no Daibōken, and Here's Love. 2005–2006: Formation Instead of rotating the members in Berryz Kobo as Tsunku originally had intended, the remaining Hello! Project Kids who were not selected for Berryz Kobo became a new group altogether in 2005. Tsunku found it difficult to call the girls who were not part of Berryz Kobo collectively because they did not have a consistent group name, so he decided to name them. He chose "Cute" because its English meaning fit the image for the group. Wanting to somehow express the girls' overflowing fervor (enthusiasm), he substituted for "C". The creation of Cute was officially announced on June 11, 2005, though its formation had been rumored for several months prior. On January 2, 2006, at the first performance of the Hello! Project Winter 2006: Wonderful Hearts Concert Tour, Kanna Arihara, a Hello! Pro Egg member, was added to Cute. On May 6, 2006, Cute released their debut single, "Massara Blue Jeans." From May 2006 to July 2006, they released four indie singles, "Oki na Ai de Motenashite", "Soku Dakishimete", and "Wakkyanai (Z)", all of which received limited distribution and were mostly sold at concerts. Despite this, their songs were featured in mainstream media, as "Oki na Ai de Motenashite" was used as the second ending theme to the anime Kirarin Revolution. On October 31, 2006, Megumi Murakami left the group to concentrate on her studies. 2007–2008: Major-label debut, 58th Kohaku Uta Gassen & the Japan Record Awards On February 21, 2007, Cute's first official single "Sakura Chirari" was released. On the first day it ranked 3rd in the Oricon Daily Singles Chart. With their debut single, they became the youngest group (with the average age of 13) to rank in the top 10. On December 30, 2007, Cute received the Japan Record Award for Best New Artist. Tsunku accepted the award for them due to the members' age and child labor laws, as the ceremony was broadcast late at night. At the end of the year, Cute performed at the 58th NHK Kōhaku Uta Gassen with Morning Musume and Berryz Kobo. At the end of 2008, Cute was nominated for the main Japan Record Award, the Grand Prix, for the song "Edo no Temari Uta II", but lost to Exile, instead earning the Gold Award, which is given to all main prize nominees. The song was originally written for veteran enka singer Hiroshi Itsuki, who was planning to release it on his end-of-2008 album. Tsunku, however, heard the song, and had wanted Cute to sing it as "a modern fairytale." For Cute, the song was rearranged from enka into boogie and the lyrics were slightly modified. Cute released the song on July 30, 2008. 2009: Departure of Arihara and Umeda On February 26, 2009, Hello! Project announced that Kanna Arihara was having difficulty performing on stage due to hallux valgus, or bunion deformity, and would not be able to attend Hello! Project 10th Anniversary fan club event that week. She would also be absent from Hello! Project's activities, including activities in Cute, while receiving treatment. Finally, in July 2009, Hello! Project informed that Arihara had decided to retire from the entertainment industry. On the other hand, Excite.co.jp linked Arihara's sudden departure to being caught on a date with Johnny's Jr. member Ryosuke Hashimoto in September 2008, which affected her image. On August 1, 2009, Hello! Project posted Erika Umeda's official announcement that at the end of the upcoming Cute's 2009 fall concert tour she would be graduating from Cute and Hello! Project to begin a modeling career. Her graduation was held on October 25 in Osaka, at the last concert of the tour. The last single to feature her, "Everyday Zekkōchō!!" released on September 19, 2009, topped at number 1 in the Oricon daily singles chart and at number 2 in Oricon Weekly to become Cute's highest-ranking single to date. After her departure, the official group member colors were changed in November 2009. 2010-2012: Expansion to iTunes and YouTube On February 23, Cute released their 15th single, "Kiss Me Aishiteru". Cute's 16th single, "Momoiro Sparkling", debuted in 4th place of the Oricon daily singles chart for May 24. It spent two consecutive weeks in the Top 30 of the Oricon Weekly, ranking 6th and 17th. On June 18, 2011, the concert from Cute Concert Tour 2011 Haru: Chō! Chō Wonderful Tour was broadcast live on the group's YouTube channel. The live stream attracted a large audience from all over the world. As it was reported in Cute's official blog by group leader Maimi Yajima and confirmed by the Up-Front Agency management on Twitter, the broadcast had been watched by a total of 93,144 viewers. On February 8, the group's 7th album, titled Dai Nana Shō 'Utsukushikutte Gomen ne', came out. On April 8, Cute performed at the idol festival Idol Yokochō Matsuri, giving the first non-Hello! Project joint concert in their entire career. The music news provider BARKS praised the "power performance" that was "overwhelming from beginning to end" and demonstrated the "number one" group's unity out of the whole Hello! Project. Cute's 18th single "Kimi wa Jitensha Watashi wa Densha de Kitaku" ("You ride your bicycle, while I catch the train home") was released on April 18. The music video for the song was uploaded on Cute's official YouTube channel on March 12. With more than 40,000 copies sold within the first week and reaching number 3 of the Oricon weekly singles chart, the single became their highest-selling single to date, breaking the record of their 3rd major single "Tokaikko Junjō". On June 20, Cute released its second collaboration CD single with the fellow Hello! Project Kids group Berryz Kobo, named "Chō Happy Song" ("Superhappy Song.") The title tune is a mix of two previously published songs, Berryz Kobo's "Because Happiness" and Cute's "Shiawase no Tochū" ("On the Road to Happiness") from their 2012 albums. Both tracks were intentionally composed and produced by Tsunku to form a new song when played simultaneously. The trick was originally scheduled to be announced at a summer Hello! Project concert, but was uncovered by fans in mid-April. The song became a hot topic on the Internet, and a set of the three tracks, "Because Happiness," "Shiawase no Tochū," and "Chō Happy Song," was hastily released as a digital download single on April 28. Also in June, it was announced that Cute's concert at the Yokosuka Arts Theater on June 30 would be broadcast live on YouTube. On September 5, Cute released their 19th single, titled "Aitai Aitai Aitai na". The song premiered at the first concert of the Hello! Project 15th Anniversary Live 2012 Summer tour, on July 21 at the Onyx Theater in Osaka. 2013-2015: Overseas events, Budokan concert, 10th anniversary On April 3, it was announced that Cute would have their first solo overseas event, "Cutie Circuit ~Voyage a Paris~" on July 5 in Paris, France. In addition, they performed at Nippon Budokan for the first time on September 9 and 10 (Cute's day) to commemorate their 200th performance. On January 26, 2014 at a release event, ℃ute's 24th single titled "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All", was announced to be released on March 5, in 5 editions. On February 24, it was announced that ℃ute would be collaborating with Reebok to promote their product Your Reebok, where one could personally customize their Reebok, for March 2014. Both "Kokoro no Sakebi wo Uta ni Shitemita" and "Love take it all" were used for their collaboration "Your Reebok x ℃ute." On March 5, it was announced that ℃-ute's "Love take it all" would be the inauguration CM song for 2014 BS-TBS' Idol Campaign. They would also have a 6-episode TV show called ℃ute no Challenge TV, every last Thursday of the month on BS-TBS. On April 15 it was announced that Berryz Kobo and ℃ute were invited to attend the 15th Japan Expo in Paris as Guests of Honor. On May 3, it was announced by Yajima Maimi, during the last MC corner of ℃ute Concert Tour 2014 Haru ~Cute no Honne~, that Cute will be performing at Budokan on September 10, "℃-ute no Hi". On July 16, ℃ute released their 25th single The Power / Kanashiki Heaven (Single Version). On August 23 it was announced the ℃ute had set two world records (the longest passing of an egg in a relay (1 hour and 30 minutes) and the most snacks eaten in a relay (1 hour). The records were achieved at a public recording of their TV-show with respectively 259 and 346 of their fans at Asakasa Blitz On September 27, ℃ute performed at the 2014 Aomori SHOCK ON open-air music festival alongside Berryz Kobo and other artists. On November 19, ℃ute released their 26th single I miss you / THE FUTURE. On November 20, ℃ute performed alongside other artists at Tower Records' 35th anniversary event On April 1, 2015 Cute released their 27th single triple-A side single "The Middle Management ~Josei Chuukan Kanrishoku~ / Gamusha LIFE / Tsugi no Kado wo Magare" as part of their 10th anniversary commemoration. On June 11, ℃ute performed their 10th anniversary concert at Yokohama Arena as part of their The Future Departure tour. 2016-2017: Final years and disbandment In 2014, prompted by Berryz Kobo's announcement to go on hiatus, discussions about Cute's future began privately among the members. In February 2016, the members of Cute discussed this again with their management, citing interest in other career paths. All members had the option of continuing as Cute outside of the Hello! Project name or to stay as Cute but suspend group activities. In the end, they ultimately decided to disband. Cute's disbandment plans for 2017 were made public on August 19, 2016 on their official Facebook account. On November 2, Cute released their 30th single, "Mugen Climax / Ai wa Maru de Seidenki / Singing (Ano Koro no Yō ni)." They held their final concert on June 12, 2017 at Saitama Super Arena. Former members Megumi Murakami, Kanna Arihara, and Erika Umeda attended the concert, as well as other celebrities including Berryz Kobo (excluding Risako Sugaya), former Berryz Kobo member Maiha Ishimura, Momoiro Clover Z, Rino Sashihara, Yuki Kashiwagi, and Nicole Fujita. The concert was broadcast on multiple channels and also in Hong Kong and Taiwan. Artistry Musical style and themes Almost all the group's works are written and composed by Tsunku, the group's producer. As of 2012, the group's image was considered bright and energetic. Cute's 16th and 17th singles (2011) were happy songs in a major key, but the 18th single "Kimi wa Jitensha Watashi wa Densha de Kitaku" (April 2012) was quite unusual. It was a rock ballad about saying goodbye (it is time to go home; the song's young female protagonist must part with the boy she loves). Since then, the group's songs have generally been more mature. Public image BARKS praised Cute's "power performance" at the festival Idol Yokochō Matsuri on April 8, 2012 as being "overwhelming from beginning to end" and having demonstrated the "number one unity" out of all Hello! Project acts. Kawaii Girl Japan states that Cute has not only been acclaimed as "the best performer in the Hello! Project," but is also recognized as "the best live performer" or simply "the best performer" by fans of other idol groups. Reviewing the group's performance at the Nico Nico Chōkaigi festival, held on April 28–29, 2012, the website is impressed by how Cute covered the entire stage, being both dynamic and delicate, and how the group kept the audience intrigued and captivated. Depending on the song, Cute members changed their facial expressions from happiness to sadness, easily commanding the audience's mood. Cute's fans are known as "Team Cute." Controversies The December 4, 2008 episode of the TV Tokyo variety show Yorosen!, featuring Cute, included a part on Adolf Hitler in a segment called "Great Men of the World." In it, a Cute member, acting as a "teacher" giving a comic history class to other members, called the dictator "Uncle Hitler," presented a drawing of him, impersonated him, and said that Hitler's speeches had a "soothing effect." The broadcast brought about heavy criticism on Internet message boards, protesting against Hitler being referred to as a "great man" and the contents of the comic lecture. TV Tokyo and the show's production company subsequently issued apologies. "The program's content was based on a mistaken interpretation of history and was inappropriate," TV Tokyo stated on its website. In popular culture A likeness of Okai, Hagiwara, and Suzuki appeared in episode 36 of Gintama. The logo for Cute's bandname also appeared in the same episode. All eight members of Cute appeared in episode 93 of Gintama. Discography Singles Indie singles "Massara Blue Jeans" "Soku Dakishimete" "Ōki na Ai de Motenashite" "Wakkyanai (Z)" Major singles "Sakura Chirari" "Meguru Koi no Kisetsu" "Tokaikko Junjō" "Lalala Shiawase no Uta" "Namida no Iro" "Edo no Temari Uta II" "Forever Love" "Bye Bye Bye!" "Shochū Omimai Mōshiagemasu" "Everyday Zekkōchō!!" "Shock!" "Campus Life (Umarete Kite Yokatta)" "Dance de Bakōn!" "Aitai Lonely Christmas" "Kiss Me Aishiteru" "Momoiro Sparkling" "Sekaiichi Happy na Onna no Ko" "Kimi wa Jitensha Watashi wa Densha de Kitaku" "Aitai Aitai Aitai na" "Kono Machi" "Crazy Kanzen na Otona" "Kanashiki Amefuri / Adam to Eve no Dilemma" "Tokai no Hitorigurashi / Aitte Motto Zanshin" "Kokoro no Sakebi o Uta ni Shitemita / Love Take It All" "The Power / Kanashiki Heaven (Single Version)" "I Miss You / The Future" "The Middle Management (Josei Chūkan Kanrishoku) / Gamusha Life / Tsugi no Kado o Magare" "Arigatō (Mugen no Yell) / Arashi o Okosunda Exciting Fight!" "Naze Hito wa Arasou n' Darō? / Summer Wind / Jinsei wa Step!" "Mugen Climax / Ai wa Maru de Seidenki / Singing (Ano Koro no Yō ni)" "To Tomorrow / Final Squall / The Curtain Rises" Albums Studio albums Cutie Queen Vol. 1 2 Mini: Ikiru to Iu Chikara 3rd: Love Escalation! 4 Akogare My Star Shocking 5 Chō Wonderful! 6 Dai Nana Shō 'Utsukushikutte Gomen ne' 8 Queen of J-pop °Cmaj9 Compilation albums Cute Nan Desu! Zen Single Atsumechaimashita! 1 2 Cute Shinseinaru Best Album Complete Single Collection Awards See also Hello! Project Kids Berryz Kobo References External links Cute's official blog Cute's official page on the Hello! Project website Musical groups established in 2005 Musical groups disestablished in 2017 Sony Music Entertainment Japan artists Japanese pop music groups Japanese girl groups Japanese idol groups Hello! Project groups Musical groups from Tokyo Child musical groups Musical quintets

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what is Buffalo Springfield?

what is Buffalo Springfield?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield.

Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

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was it an album?

was Buffalo an album?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around,

Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

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were the albums hits?

were the albums Buffalo hits?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

and enjoy only one hit single,

Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

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what did he do with Crosby?

what did Stephen Stills do with Crosby?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

Stills played on the Super Session album with Al Kooper and joined up with David Crosby,

Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

C_e37a5cb05430443baf43069f333a3266_1

did they release other albums together?

did Stephen Stills release other albums together besides the Super Session album with Al Kooper?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash.

Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

C_e37a5cb05430443baf43069f333a3266_1

was crosby playing for anybody else before he joined stills?

was crosby playing for anybody else besides stills?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

David Crosby, who had recently been ejected from the Byrds

Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

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did Stills know Nash before he worked with him?

did Stills know Nash before join together?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

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Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

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Did they go on tour?

Did Stills and Nash go on tour?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour

Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

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Which tour was this?

Which was the tour of Stills and Nash?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

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Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

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did he sing with anybody else?

did Stills sing with anybody else besides Nash?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

Al Kooper

Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

C_e37a5cb05430443baf43069f333a3266_1

is there anything else interesting?

is there anything else interesting besides the collaboration with Nash?

Stephen Stills

Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse on the streets of LA and flagged him down, a meeting described in a recent solo track "Round the Bend." The band would release three albums: Buffalo Springfield, Buffalo Springfield Again, and Last Time Around, and enjoy only one hit single, the Stills-penned "For What It's Worth" before disbanding. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. During the disintegration of Buffalo Springfield, Stills played on the Super Session album with Al Kooper and joined up with David Crosby, who had recently been ejected from the Byrds in the autumn of 1967. At a party in Laurel Canyon, Crosby was introduced to Graham Nash by a mutual friend, Cass Elliot (formerly of the Mamas and the Papas), and Nash found himself soon joining in singing with Crosby and Stills. Renditions of the latter's "You Don't Have to Cry," led to the formation of Crosby, Stills & Nash. Several of Stills's songs, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins. In a 1971 interview in Rolling Stone the interviewer noted, "so many of your songs seem to be about Judy Collins." Stills replied, "Well, there are three things men can do with women: love them, suffer for them, or turn them into literature. I've had my share of success and failure at all three." The cover photo pictured on the debut was taken on the back porch of a house in West Hollywood, which was torn down the next day. Wanting to be able to tour and needing additional musicians, the band invited Neil Young to join them for their subsequent tour and second album to make the group the quartet Crosby Stills Nash & Young. Having played at the Monterey Pop Festival with Buffalo Springfield, and both Woodstock and Altamont with CSNY, Stills performed at all three of the iconic U.S. rock festivals of the 1960s. CANNOTANSWER

"Suite: Judy Blue Eyes" and "You Don't Have To Cry" on the debut album were inspired by his on-again-off-again relationship with singer Judy Collins.

Stephen Arthur Stills (born January 3, 1945) is an American singer, songwriter, and multi-instrumentalist best known for his work with Buffalo Springfield and Crosby, Stills, Nash & Young. As both a solo act and member of two successful bands, Stills has combined record sales of over 35 million albums. He was ranked number 28 in Rolling Stones 2003 list of "The 100 Greatest Guitarists of All Time" and number 47 in the 2011 list. Stills became the first person to be inducted twice on the same night into the Rock and Roll Hall of Fame. According to Neil Young, "Stephen is a genius." Beginning his professional career with Buffalo Springfield, he composed "For What It's Worth", which became one of the most recognizable songs of the 1960s. Other notable songs he contributed to the band were "Sit Down, I Think I Love You", "Bluebird", and "Rock & Roll Woman". According to bandmate Richie Furay, he was "the heart and soul of Buffalo Springfield". After Buffalo Springfield disbanded, Stills began working with David Crosby and Graham Nash as a trio called Crosby, Stills & Nash (CSN). In addition to writing many of the band's songs, Stills played bass, guitar, and keyboards on their debut album. The album sold over four million copies and at that point had outsold anything from the three members' prior bands: the Byrds, Buffalo Springfield, and the Hollies. The album won the trio a Grammy Award for Best New Artist. Stills's first solo album, Stephen Stills, earned a gold record and is the only album to feature both Jimi Hendrix and Eric Clapton. Its hit single "Love the One You're With" became his biggest solo hit, peaking at number 14 on the Billboard Hot 100. Stills followed this with a string of solo albums, as well as starting a band with Chris Hillman called Manassas in 1972. In the summer 1974, Young reunited with CSN after a four-year hiatus for a concert tour that was recorded and released in 2014 as CSNY 1974. It was one of the first stadium tours and the largest tour the band has done to date. CSN reunited in 1977 for their album CSN, which became the trio's best-selling record. CSN and CSNY continued to have platinum albums through the 1980s. Early years Stills was born in Dallas, the son of Talitha Quintilla Collard (1919–1996) and William Arthur Stills (1915–1986). Raised in a military family, he moved around as a child and developed an interest in blues and folk music. He was also influenced by Latin music after spending his youth in Gainesville and Tampa, Florida, as well as Covington, Louisiana, Costa Rica, the Panama Canal Zone, and El Salvador. Stills attended Admiral Farragut Academy in St. Petersburg, Florida and Saint Leo College Preparatory School in Saint Leo, Florida, before graduating from Lincoln High School in Costa Rica. When he was nine years old, he was diagnosed with a partial hearing loss in one ear. The hearing loss increased as he got older. Stills dropped out of Louisiana State University in the early 1960s. He played in a series of bands, including the Continentals, which then featured future Eagles guitarist Don Felder. Stills also sang as a solo artist at Gerde's Folk City, a well-known coffeehouse in Greenwich Village. Stills eventually ended up in a nine-member vocal harmony group, the house act at the famous Cafe au Go Go in New York City, called the Au Go Go Singers, which included his future Buffalo Springfield bandmate Richie Furay. This group did some touring in the Catskills and in the South, released one album in 1964, and then broke up in 1965. Afterwards, Stills formed a folk-rock group called the Company with four other former members of the Au Go Go Singers. The Company embarked on a six-week tour of Canada, where Stills met guitarist Neil Young. On the VH1 CSNY Legends special, Stills said that Young was doing what he always wanted to do, "play folk music in a rock band." The Company broke up in New York within four months; Stills did session work and went to various auditions. In 1966 he convinced a reluctant Furay, then living in Massachusetts, to move with him to California. Life and career Buffalo Springfield and Super Session (1966–1968) Stills, Furay, and Young reunited in Los Angeles and formed the core of Buffalo Springfield. Legend has it that Stills and Furay recognized Young's converted hearse and flagged him down, a meeting described in a recent solo track "Round the Bend". Buffalo Springfield performed a mixture of folk, country, psychedelia, and rock. Its sound was lent a hard edge by the twin lead guitars of Stills and Young, and that combination helped make Buffalo Springfield a critical success. The band's first record Buffalo Springfield (1966) sold well after Stills's topical song "For What It's Worth" became a top ten hit, reaching number 7 on the US charts. According to Rolling Stone, the Rock and Roll Hall of Fame and other sources, Buffalo Springfield helped create the genres of folk rock and country rock. Distrust of their management along with the arrest and deportation of bassist Bruce Palmer worsened the already strained relations among the group members and led to Buffalo Springfield's demise. A second album, Buffalo Springfield Again, was released in late 1967 and featured Stills songs "Bluebird" and "Rock And Roll Woman". In May 1968, the band split up for good, but contractual obligations required the recording and release of a final studio album, Last Time Around. The album was primarily composed of tracks laid down earlier that year. A Stills song from their debut album, "Sit Down, I Think I Love You," was a minor hit for the Mojo Men in 1967. After the disintegration of Buffalo Springfield, Stills played on half of the Super Session album with Al Kooper in 1968, including a cover of Donovan's "Season Of The Witch" that received heavy radio play on progressive FM radio formats. Mike Bloomfield was due to play on all of the album but failed to turn up for the second day of recording. The album sold well and charted at number 12 on the US charts while being certified Gold in December 1970. Crosby, Stills, Nash & Young (1969–1970) In late 1968 Stills joined David Crosby from the Byrds and Graham Nash from The Hollies to form Crosby, Stills & Nash. Several of Stills's songs on the group's debut album, including "Suite: Judy Blue Eyes" and "You Don't Have To Cry", were inspired by his on-again off-again relationship with singer Judy Collins. The album reached number 6 on the US charts and was certified quadruple platinum. Stills dominated the recording of the album. Crosby and Nash played guitar on their own songs respectively, while drummer Dallas Taylor played on four tracks and drummer Jim Gordon on a fifth. Stills played all the bass, organ, and lead guitar parts, as well as acoustic guitar on his own songs. "The other guys won't be offended when I say that one was my baby, and I kind of had the tracks in my head," Stills said. Wanting to be able to tour and needing additional musicians to strengthen the sound, the band invited Neil Young to join them for their first tour and second album to make the group the quartet Crosby, Stills, Nash & Young, (initialized as CSNY). The first tour started in August 1969 and finished in January 1970. They recorded their album Déjà Vu at this time and released it in March 1970. During the recording the musicians frequently argued, particularly Young and Stills, who both fought for control. Stills brought to the album the songs "Carry On" and "4+20" and wrote "Everybody I Love You" with Neil Young. He also brought his version of Joni Mitchell's song "Woodstock" for the band to cover. The album hit number 1 on the US charts and was certified 7 times platinum there, selling over 8 million copies. In May 1970 CSNY recorded Young's "Ohio" following the Kent State massacre on May 4. The single's B side was Stills's "Find The Cost Of Freedom". The record was immediately released as a single by Atlantic Records, even though the group's "Teach Your Children" was still climbing the singles charts. After an extended second tour finishing in July 1970, the band split up, and Stills then moved to England and started recording his debut solo album. In April 1971, CSNY released 4 Way Street, a double live album recorded in 1970. The album reached number 1 in 1971 on the US charts and was certified quadruple platinum in the US. Having played at the Monterey Pop Festival with Buffalo Springfield and both Woodstock and Altamont with CSNY, Stills (along with Crosby) performed at three of the most iconic U.S. rock festivals of the 1960s. Peak solo years (1970–1971) In the wake of CSNY's success, all four members recorded high-profile solo albums. In 1970, Stills released his eponymous solo debut album which featured guests Eric Clapton, Jimi Hendrix, Cass Elliot, Booker T. Jones and Ringo Starr (credited only as "Richie") as well as David Crosby, Graham Nash, Rita Coolidge and CSNY drummers Dallas Taylor and Johnny Barbata. It provided Stills with the U.S. No. 14 hit single "Love the One You're With.", and another US top 40 hit "Sit Yourself Down", peaking at 37. The album peaked at no 3 on the US charts, a solo career peak. At the time of release Stills's solo album was the highest selling solo album out of the four. It was recorded in the UK, where Stills bought Ringo Starr's old mansion in Surrey, England. He appeared on the BBC TV show Disco 2 in January 1971. Stills followed this album with Stephen Stills 2 only 6 months later, recorded in Miami, which featured "Change Partners" and "Marianne". Both these singles narrowly missed the US top 40, hitting 43 and 42 respectively, while the album reached number 8 on the charts. This album was certified US Gold only a month after release. Even though "Change Partners" was written before CSN formed, Nash saw it as a metaphor for the many relationships in CSNY. Stills recorded 23 songs for the album and originally wanted to release a double album but Atlantic wouldn't let him. In support of this album Stills went on his first solo tour with an 8 piece band including the Memphis Horns, playing major arenas across the USA. It was during this tour he sold out Madison Square Garden, The Philadelphia Spectrum, LA Forum and the Boston Garden, arguably at his solo commercial peak. He sold out MSG the day before George Harrison organised the Concert For Bangladesh, and Stills donated his stage, sound, lighting system and production manager but was upset when Harrison "neglected to invite him to perform, mention his name, or say thank you". Stills then spent the show drunk in Ringo Starr's dressing room, "barking at everyone". Stills's Madison Square Garden show was professionally recorded and filmed but has never been released, although a filmed recording of "Go Back Home" was played in early 1972 on the Old Grey Whistle Test, and two acoustic tracks were released on Stills 2013 box set Carry On. In 1971, Billboard magazine ranked him at number 34 top singles artist, number 44 top album artist, number 14 top singles male vocalist, number 12 top new singles vocalist, number 17 top album male vocalists, number 14 top new album artist, number 73 top producers, and ranked his debut album number 70 in the year end album charts. Cashbox magazine, ranked Stephen Stills 2 as the number 51 album of 1971, and his debut as number 52, they ranked Stills as the number 3 best new vocalist, and the number 2 new male of 1971. Also in 1971, Stills played guitar for the Bill Withers album, Just as I Am, including the Grammy-winning song, "Ain't No Sunshine". Manassas (1971–1973) In late 1971, Stills teamed up with ex-Byrd Chris Hillman to form the band Manassas. Their self-titled double album was a mixture of rock, country, blues, bluegrass and Latin music divided into different sections and peaked at number 4 in the US. It was certified US Gold a month after release but did not yield any more top 40 hits, only "It Doesn't Matter" reached 61 on the US charts. Stills spent the majority of 1972 playing live with Manassas on a world tour, which included headlining festivals in Australia, playing more arenas in the US including the Nassau Coliseum, and the Boston Garden. His concert at The Rainbow Theatre, London was recorded for BBC TV Special titled Stephen Stills Manassas: In Concert. He moved to Boulder, Colorado after this world tour finished and in March 1973 married French singer-songwriter Veronique Sanson in London England, after having met while at a Manassas gig in France, 1972. In early 1972, Stills appeared in a UK documentary about himself called Sounding Out. Cashbox magazine ranked Stills as the number 52 top male vocalist of 1972. Billboard ranked Manassas as the number 53 album of 1972, and Stills as the number 75 album artist. All of Stills's albums after Buffalo Springfield had gone either gold or platinum; the Manassas follow-up album the next year Down the Road was his first LP that did not, but still managed to reach 26 in the US charts. It was recorded less than a year after the debut double album, and encountered some issues with recording and not having enough Stills songs on the album. Also Atlantic were pushing for a far more commercially viable CSNY reunion. Which in June and July 1973, between the two 1973 Manassas tours at the start and end of the year, happened in Maui. As CSNY attempted to record an album tentatively called Human Highway. This album was never finished due to infighting. But after one final 1973 Manassas tour, during which CSN and CSNY reunited during the acoustic sections both at Winterland Arena concerts, a reunion was in the cards, and Manassas was over. Stills then sold his Surrey home and relocated to Colorado. The last date of the first 1973 Manassas tour was recorded for ABC In Concert. Cashbox magazine ranked Manassas as the number 58 group of 1973. Billboard ranked Down The Road as the number 36 of new album artists. In 1972/73, Stephen left the services of David Geffen and set up his own publishing company with Ken Weiss, called Gold Hill Publishing, named after his home in Boulder, Colorado. Solo and CSNY tours (1974) Stills spent early 1974 on a sold out East coast tour where he played well respected theatres, including Carnegie Hall. The 1975 live album Stephen Stills Live was made up of recordings from this tour. It was also during this tour that Stills announced the 1974 CSNY reunion concert tour. The CSNY reunion tour sold out shows through July and August in both the US and the UK, with an average concert attendance of 80,000. Due to poor management, the tour made little money for the group, but album sales saw a boost: the CSNY compilation album So Far reached number 1 in the US and sold 6 million copies. After another aborted attempt at recording another CSNY album after the tour, Stills signed with Columbia Records in late 1974. In 1973–1974, Stills was recording another solo album called As I Come Of Age, which was put aside for the CSNY reunion tour. Many songs were used for the 1975 Stills album. In 1974, Stills played bass, and help mix his wife, Veronique Sanson's, record Le Maudit. He also played bass for her at two of her concerts in Paris in October 1974. On 29 October, Stills played two short acoustic shows at Chances Are, a nightclub in Ann Arbor, Michigan, as a benefit for Democrat John Reuther's campaign. The next night, 30 October, Stills played two shows for Democratic congressional candidate Bob Carr at the Stables, East Lansing, Michigan, then another unannounced acoustic slot at a Michigan University frat party. Signing to Columbia Records and The Stills Young Band (1975–1976) Stills signed to Columbia Records for three albums: Stills in 1975, Illegal Stills in 1976; and Thoroughfare Gap in 1978. Stills released in June 1975, was the highest charting release of the three at number 22 on the US charts, and also the most critically successful of the three. Stills then spent the rest of year touring the US, doing a summer and winter tour playing to 10,000 seat arenas, including the LA Forum, and Red Rocks Amphitheatre. Stills played an acoustic set at the Bob Dylan-organised Night of the Hurricane Benefit at the Houston Astrodome in January 1976. He next released Illegal Stills in May 1976, which reached number 31 on the US charts, but was not critically well received, nor produced any charting singles. Around this time Stills played percussion on the Bee Gees' song "You Should Be Dancing" and wrote an unreleased song with Barry Gibb. In retrospect Stills has commented on his mid-70s solo period saying he "short-circuited for a while, things were moving too fast. I got a little crazed. Too much drinking, too many drugs. What can I say." Cashbox magazine ranked Stills as the number 29 top male vocalist of 1975. In 1976 after the release of Illegal Stills, Stills attempted a reunion with Neil Young. At one point, Long May You Run was slated to be a CSNY record, but when Crosby and Nash left to fulfill recording and touring obligations, they returned to find the other pair had wiped their vocals from the recordings, as Stills and Young decided to go on without them as the Stills-Young Band. However, Young would leave midway through the resulting tour due to an apparent throat infection. Stills was contractually bound to finish the tour, which he did for three dates before it was cancelled with Chris Hillman helping him, but upon returning home, his wife, French singer-songwriter Véronique Sanson, announced she wanted a divorce and wished to move back to France, although they temporarily reunited. Stills went out on tour, in November 1976, as a three piece, Stills on guitar, vocals, piano, George Perry on Bass, and Joe Vitale on drums. It was around this time Stills reunited with Crosby and Nash shortly afterwards, thanks to the efforts of Nash's future wife Susan, who got Nash to forgive Stills for wiping the Crosby and Nash vocals from Long May You Run. Not before Atlantic records released a compilation album from Stills first two solo albums, and the two Manassas albums in December 1976 called Still Stills: The Best Of Stephen Stills. Cashbox magazine ranked Stills at number 27 for the top male vocalist of 1976, and Stills and Young as the number 6 duo, number 3 new duo, and number 20 best new artist of 1976. Stills, as Gold Hill publishing was having hits publishing for the band Firefall and Joey Stec, during this time, so much so that Billboard ranked him as the number 97 publisher of 1976. CSN reunion and solo years (1977–1979) Stills's performances with Crosby and Nash in late 1976 and early 1977 led to the permanent reunion of Crosby, Stills, and Nash. They released the CSN album in 1977 and unsuccessfully attempted another album in 1978. The band toured major arenas including Madison Square Garden and the LA Forum in 1977 and 1978, and during the 1977 tour they visited President Jimmy Carter in the White House. Stills released his final album on Columbia Records entitled Thoroughfare Gap in October 1978. It was comparatively unsuccessful and reached number 84 on the US charts. In 1977 and 1978, Stills played only one solo engagement, at the Bread and Roses Festival in 1978. After a four-day residency at the Roxy in January 1979 with original CSN bandmate Dallas Taylor on drums, Stills spent most of 1979 on tour in the US playing with his California Blues Band. One of these dates in early 1979 included a trip to Cuba to participate in the Havana Jam festival that took place between March 2 and 4, alongside Weather Report, the Trio of Doom, Fania All-Stars, Billy Swan, Bonnie Bramlett, Mike Finnigan, Kris Kristofferson, Rita Coolidge and Billy Joel, as well as an array of Cuban artists such as Irakere, with whom he toured the US after the Havana concerts. His performance is captured on Ernesto Juan Castellanos's documentary Havana Jam '79. In 1979, Stills recorded one of the first entirely digital albums; however, it remains unreleased, as the record company did not feel it was commercial enough. The songs recorded for this album include "Spanish Suite" and "Cuba al Fin" and the 1982 CSN hit "Southern Cross". The album was produced by Barry Beckett and was slated for release in 1979 or 1980. CSN played only two dates in 1979, both at Madison Square Garden for Musicians United for Safe Energy. Their performance was released on The Muse Concerts for a Non-Nuclear Future. In 1979, Stills's wife, Veronique Sanson, filed for divorce, which was finalized on July 12, 1980. 1980s After playing some European dates in 1980, and with Graham Nash joining him for the German dates supporting Angelo Branduardi, Stills and Nash decided to record a duo album together. The record company refused to release this album without David Crosby, so they added him and CSN's Daylight Again was released in 1982, reaching number 8 in the US and was certified Platinum. The album featured the Stills-written top twenty hit "Southern Cross". In 1983, the CSN live album Allies, was released featuring Stills's number 45 hit song "War Games". CSN toured yearly from 1982–1989, except during 1986, due to David Crosby's prison sentence. In 1984, Stills released his first solo album in 6 years, Right by You on Atlantic Records. This would be the final Stills album to make the Billboard 200 album chart and featured Jimmy Page on guitar. It was his last solo release on a major label. In 1985 CSN and CSNY played Live Aid. In 1988, CSNY reunited for the album American Dream, which reached number 12 on the US charts and was certified platinum in the US. However no tour was taken in support of the album. In 1988, he married Thai model Pamela Anne Jordan, with whom he had a daughter, Eleanor. 1990s In 1990, CSN released the album Live It Up, their first not to be certified in the US since their debut. Stills toured with CSN, in 1990, 1994, 1996, 1997 and 1999. Having spent most of 1990 playing acoustic with CSN and solo he released the solo album Stills Alone in 1991, with the aim of releasing a solo electric album in 1992. However this solo electric album was never released. In 1994, CSN released the album After The Storm. From 1993 to 1995 part owned a restaurant in New Orleans, called Toucan Du. He married his third wife, Kristen Hathaway, on May 27, 1996. In 1997, Stills became the first person to be inducted into the Rock and Roll Hall of Fame twice on the same night for his work with CSN and Buffalo Springfield. Fender Guitars Custom Shop crafted a guitar and presented it to Stills to commemorate the occasion, a Telecaster 1953 reissue guitar serial R2674 bearing an inscription on the neck plate; "Stephen Stills R & R Hall of Fame May 6, 1997 " In 1999, CSNY reunited to release the album Looking Forward, it reached number 26 on the US charts. 2000s This CSNY reunion resulted in CSNY reunion tours 2000 CSNY2K, 2002 and 2006 reunion tours, their first since 1974. The CSNY2K tour of the United States and Canada with the reformed super quartet earned US$42.1 million, making it the eighth largest grossing tour of 2000. The 2006 CSNY tour was the Freedom Of Speech tour, which was released on the album Deja Vu Live.. Stills also toured with CSN in 2003, 2005, 2007, 2008 and 2009. The 2005 tour supported their Gold certified album Greatest Hits, their 2009 tour supported the CSN demos album Demos. 2005 saw Stills release Man Alive!, his first solo offering in 14 years. Man Alive! was released on the small English independent folk rock label Talking Elephant, and was not widely reviewed. The record did not chart on either side of the Atlantic, and was received lukewarmly by the few critics who did review it. It featured songs dating from the 70s to the present, including "Spanish Suite", originally recorded in the late 70s with Herbie Hancock. Throughout 2006 and 2007, Stills toured regularly as a solo artist with "the Quartet", which consisted of drummer Joe Vitale, either Mike Finnigan or session player Todd Caldwell on keyboards, and either Kevin McCormick or Kenny Passarelli on bass. On May 28, 2007, Stills sang the national anthem for Game 1 of the 2007 Stanley Cup Finals between the Anaheim Ducks and Ottawa Senators in Anaheim, California. On December 17, 2007, Graham Nash revealed on Larry King Live that Stills had been diagnosed with early stage prostate cancer and that his operation would take place on January 3, 2008, which is Stills's birthday. Stills said later in January 2008 that he had come through the operation with "flying colors." In 2007 he released Just Roll Tape, a recently found tape of Stills singing demos of his unreleased songs in 1968 after the breakup of the Buffalo Springfield, during the last hour of a Judy Collins session. Stills toured Europe as a solo artist for the first time during October 2008, resulted in the release of the 2009 live album and video Live At Shepherds Bush, recorded in London, England. Also in 2009, he released his second archival release Pieces by Manassas, a selection of alternate takes and unreleased songs of Stills band recorded between 1971–1973. This was supposed to be the start in a series of archival releases, however none have appeared since. 2010s Stills toured with CSN in 2010, 2012, 2014, 2015. The 2012 tour resulted in the release CSN 2012. In 2011, Stills contributed a song, "Low Barefoot Tolerance," to the soundtrack of a documentary produced by J. Ralph, Wretches & Jabberers. Also in 2010, Stills reunited with Neil Young and Richie Furay to reform Buffalo Springfield with Young for the Bridge School Benefit 2010. This was supposed to be followed by a full tour in 2012 but this never materialised. On August 27, 2013, Stills released the album, Can't Get Enough with Kenny Wayne Shepherd and Barry Goldberg as the blues band the Rides. The band toured to support this release in 2013. They released a follow up album called Pierced Arrow in 2016, this was followed by another tour to support this release in 2016 -2017. On August 12, 2014, Watsky released the album All You Can Do, featuring a song with Stills, "Cannonball." In 2016, CSN split up after over 30 years together, and in December 2016 Stills independently released a song called "Look Each Other in the Eye" on Soundcloud. On September 22, 2017 Stills and Judy Collins released an album Everybody Knows which entered the "Billboard 200" chart at number 195 and peaked at 45, it was their first joint album and was followed by a tour supporting the album. Personal life Stills was involved with musician Judy Collins from 1968 to 1969 and wrote the song "Suite: Judy Blue Eyes" for her. He dated actress and singer-songwriter Nancy Priddy, who was the inspiration for the Buffalo Springfield song "Pretty Girl Why". Stills also had a short-term relationship with Rita Coolidge, as had Graham Nash, which apparently led to the initial breakup of CSNY, in 1970. During a Manassas tour in France, Stills met his first wife, the singer-songwriter Véronique Sanson. They were married on March 14, 1973. Their son Christopher was born in 1974. They divorced in 1979. In 1976, Stills told Rolling Stone, "My hearing has gotten to be a terrible problem. If I keep playing and touring the way I have been, I'll go deaf." In 1988, he married Thai model Pamela Ann Jordan, with whom he had a daughter, Eleanor. His third wife is Kristen Hathaway, whom he married on May 27, 1996. Stills's son, Justin Stills, was born in 1972 to Harriet Tunis. Justin was critically injured while snowboarding on Mt. Charleston, just outside Las Vegas, in 1997. An episode of Discovery Health's documentary series Trauma: Life in the ER featured his treatment and recovery. Another son, Henry, has been diagnosed with Asperger syndrome and is profiled in the 2007 documentary Autism: The Musical. Stills's daughter Eleanor is a photographer and graduate of Art Center College of Design in Pasadena. Since Eleanor's graduation, she has been responsible for all recent Crosby, Stills & Nash photography. Stills has another daughter, Alex, who attends Emerson College in Boston and currently plays in the rock band Stilljill. His son Chris and daughter Jennifer are both recording artists. His youngest son, Oliver Ragland, was born in 2004 and named in honor of Neil Young, whose maternal family name is Ragland. Stills has long been involved in liberal causes and politics. In 2000, he served as a member of the Democratic Party credentials committee from Florida during the Democratic National Convention, and was a delegate in previous years. In December 2018, Stills received an Honorary Doctorate in Music from the University of Florida, Gainesville, where he was a speaker at the commencement ceremony. Stills performed with Billy Porter during the 2020 Democratic National Convention. Style, musicianship, and sound Stills is a guitarist whose music draws from myriad genres that include rock and roll, blues, gospel, country and folk music. In addition, Latin music has played a key role in both his approach to percussion and guitar and he is also a multi-instrumentalist, capable of playing keyboards, bass, percussion, congas, clavinet, electric piano, piano, organ, banjo and drums. Stills experimented with the guitar itself, including soaking strings in barbecue sauce or flipping pickups to mimic Hendrix playing a right-handed guitar left-handed. He is also known for using alternate guitar tunings, particularly when performing acoustically. Often a long acoustic solo section of the show would showcase agile fingerstyle playing in standard and altered tunings. His primary alternate tuning is usually D A D F♯ A D, or "Palmer modal tuning which is 'E E E E B E' ", which can be heard in "Suite: Judy Blue Eyes," "Carry On," and "4 + 20." For the CSN debut album in 1969, Graham Nash commented that "Stephen had a vision, and David and I let him run with it." Stills played every instrumental part on Crosby, Stills and Nash with the exception of some guitar by Crosby and Nash, and drums by Dallas Taylor. Discography See also discographies for The Au Go Go Singers, Buffalo Springfield, Crosby Stills Nash & Young. Albums Singles Other appearances Guest appearances Filmography and TV appearances Tours Memphis Horns Tour 1971 Manassas World Tour 1972 Manassas North American Tour 1973 1974 Theater Tour 1975 Tour The Stills-Young Band Tour 1976 Tour 1979 California Blues Band Tour References External links Official Site CSN Official Site CSNY Official Site Five audio interview clips with Stephen Stills The Rides American male singers American folk rock musicians American folk guitarists American folk singers American country guitarists American blues guitarists American country rock singers American rock keyboardists American rock drummers American rock percussionists American multi-instrumentalists American rock pianists American male pianists American organists American male organists American rock guitarists American male guitarists 1945 births Living people Lead guitarists Buffalo Springfield members Crosby, Stills, Nash & Young members Atlantic Records artists Columbia Records artists Reprise Records artists Musicians from Dallas Singer-songwriters from Texas Musicians from Tampa, Florida Musicians from Los Angeles County, California Zonians Admiral Farragut Academy alumni Gainesville High School (Florida) alumni Henry B. Plant High School alumni Saint Leo College Preparatory School alumni Singer-songwriters from Florida University of Florida alumni People from Topanga, California Guitarists from California Guitarists from Florida Guitarists from Texas 20th-century American drummers American male drummers 20th-century American guitarists 20th-century American pianists 21st-century American keyboardists 21st-century organists The Rides members Singer-songwriters from California

C_ad1994922c8b47258dcb61cce9136b8c_0

What was his first job

What was Isaac Asimov's first job?

Isaac Asimov

Asimov attended New York City public schools from age 5, including Boys High School in Brooklyn. Graduating at 15, he went on to Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then the institution's primary undergraduate school for men with quotas on the number of admissions from those ethnic groups. Originally a zoology major, Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1938, Asimov finished his BS degree at University Extension (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov in 1939 applied to the graduate program in chemistry at Columbia; initially rejected and then accepted only on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in biochemistry in 1948. In between earning these two degrees, he spent three years during World War II working as a civilian at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949 with a $5,000 (equivalent to $51,427 in 2017) salary, with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university. The difference grew, and in 1958 Asimov stopped teaching to become a full-time writer. Being tenured, he retained the title of associate professor (which he had held since 1955), and in 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. CANNOTANSWER

Philadelphia Navy Yard's Naval Air Experimental Station,

Isaac Asimov (; 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as much nonfiction. Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories. He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism. He was president of the American Humanist Association. Several entities have been named in his honor, including the asteroid (5020) Asimov, a crater on the planet Mars, a Brooklyn elementary school, Honda's humanoid robot, ASIMO, and four literary awards. Surname Asimov's family name derives from the first part of ozímyj khleb (озимый хлеб), meaning the winter grain (specifically rye) in which his great-great-great-grandfather dealt, with the Russian patronymic ending -ov added. Azimov is spelled in the Cyrillic alphabet. When the family arrived in the United States in 1923 and their name had to be spelled in the Latin alphabet, Asimov's father spelled it with an S, believing this letter to be pronounced like Z (as in German), and so it became Asimov. This later inspired one of Asimov's short stories, "Spell My Name with an S". Asimov refused early suggestions of using a more common name as a pseudonym, and believed that its recognizability helped his career. After becoming famous, he often met readers who believed that "Isaac Asimov" was a distinctive pseudonym created by an author with a common name. Biography Early life Asimov was born in Petrovichi, Russian SFSR, on an unknown date between October 4, 1919, and January 2, 1920, inclusive. Asimov celebrated his birthday on January 2. Asimov's parents were Anna Rachel (née Berman) and Judah Asimov, a family of Russian-Jewish millers. He was named Isaac after his mother's father, Isaac Berman. Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me". In 1921, Asimov and 16 other children in Petrovichi developed double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya; June 17, 1922 – April 2, 2011), and a brother, Stanley (July 25, 1929 – August 16, 1995), who was vice-president of the Long Island Newsday. Asimov's family travelled to the United States via Liverpool on the RMS Baltic, arriving on February 3, 1923 when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in both. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five (and later taught his sister to read as well, enabling her to enter school in the second grade). His mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2. He became a naturalized U.S. citizen in 1928 at the age of eight. After becoming established in the U.S., his parents owned a succession of candy stores in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material (including pulp science fiction magazines) as a child that he could not have otherwise afforded. Asimov began reading science fiction at age nine, at the time when the genre was becoming more science-centered. Education and career Asimov attended New York City public schools from age five, including Boys High School in Brooklyn. Graduating at 15, he attended the City College of New York for several days before accepting a scholarship at Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then, the institution's primary undergraduate school for men. Jewish and Italian-American students, even of outstanding academic caliber, were often deliberately barred from Columbia College proper because of the then-popular practice of imposing unwritten ethnic admission quotas. Originally a zoology major, Asimov switched to chemistry after his first semester because he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1936, Asimov finished his Bachelor of Science degree at Morningside Heights campus (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov applied to the graduate program in chemistry at Columbia in 1939; initially he was rejected and then only accepted on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948. During his chemistry studies, he also learned French and German. In between earning these two degrees, Asimov spent three years during World War II working as a civilian chemist at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected while at school, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949, teaching biochemistry with a $5,000 salary (), with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university, and he eventually stopped doing research, confining his university role to lecturing students. In 1955, he was promoted to associate professor, which gave him tenure. In December 1957, Asimov was dismissed from his teaching post, with effect from June 30, 1958, because he had stopped doing research. After a struggle which lasted for two years, he kept his title, he gave the opening lecture each year for a biochemistry class, and on October 18, 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. Personal life Asimov met his first wife, Gertrude Blugerman (1917, Toronto, Canada – 1990, Boston, U.S.), on a blind date on February 14, 1942, and married her on July 26 the same year. The couple lived in an apartment in West Philadelphia while Asimov was employed at the Philadelphia Navy Yard (where two of his co-workers were L. Sprague de Camp and Robert A. Heinlein). Gertrude returned to Brooklyn while he was in the army, and they both lived there from July 1946 before moving to Stuyvesant Town, Manhattan, in July 1948. They moved to Boston in May 1949, then to nearby suburbs Somerville in July 1949, Waltham in May 1951, and, finally, West Newton in 1956. They had two children, David (born 1951) and Robyn Joan (born 1955). In 1970, they separated and Asimov moved back to New York, this time to the Upper West Side of Manhattan where he lived for the rest of his life. He immediately began seeing Janet O. Jeppson, a psychiatrist and science-fiction writer, and married her on November 30, 1973, two weeks after his divorce from Gertrude. Asimov was a claustrophile: he enjoyed small, enclosed spaces. In the third volume of his autobiography, he recalls a childhood desire to own a magazine stand in a New York City Subway station, within which he could enclose himself and listen to the rumble of passing trains while reading. Asimov was afraid of flying, doing so only twice: once in the course of his work at the Naval Air Experimental Station and once returning home from Oahu in 1946. Consequently, he seldom traveled great distances. This phobia influenced several of his fiction works, such as the Wendell Urth mystery stories and the Robot novels featuring Elijah Baley. In his later years, Asimov found enjoyment traveling on cruise ships, beginning in 1972 when he viewed the Apollo 17 launch from a cruise ship. On several cruises, he was part of the entertainment program, giving science-themed talks aboard ships such as the Queen Elizabeth 2. He sailed to England in June 1974 on the SS France for a trip mostly devoted to events in London and Birmingham, though he also found time to visit Stonehenge. Asimov was an able public speaker and was regularly paid to give talks about science. He was a frequent fixture at science fiction conventions, where he was friendly and approachable. He patiently answered tens of thousands of questions and other mail with postcards and was pleased to give autographs. He was of medium height (), stocky, with—in his later years—"mutton-chop" sideburns, and a distinct New York accent. He took to wearing bolo ties after his wife Janet objected to his clip-on bow ties. His physical dexterity was very poor. He never learned to swim or ride a bicycle; however, he did learn to drive a car after he moved to Boston. In his humor book Asimov Laughs Again, he describes Boston driving as "anarchy on wheels". Asimov's wide interests included his participation in his later years in organizations devoted to the comic operas of Gilbert and Sullivan and in The Wolfe Pack, a group of devotees of the Nero Wolfe mysteries written by Rex Stout. Many of his short stories mention or quote Gilbert and Sullivan. He was a prominent member of The Baker Street Irregulars, the leading Sherlock Holmes society, for whom he wrote an essay arguing that Professor Moriarty's work "The Dynamics of An Asteroid" involved the willful destruction of an ancient, civilized planet. He was also a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his fictional group of mystery solvers, the Black Widowers. He later used his essay on Moriarty's work as the basis for a Black Widowers story, "The Ultimate Crime", which appeared in More Tales of the Black Widowers. In 1984, the American Humanist Association (AHA) named him the Humanist of the Year. He was one of the signers of the Humanist Manifesto. From 1985 until his death in 1992, he served as president of the AHA, an honorary appointment. His successor was his friend and fellow writer Kurt Vonnegut. He was also a close friend of Star Trek creator Gene Roddenberry, and earned a screen credit as "special science consultant" on Star Trek: The Motion Picture for advice he gave during production. Asimov was a founding member of the Committee for the Scientific Investigation of Claims of the Paranormal, CSICOP (now the Committee for Skeptical Inquiry) and is listed in its Pantheon of Skeptics. In a discussion with James Randi at CSICon 2016 regarding the founding of CSICOP, Kendrick Frazier said that Asimov was "a key figure in the Skeptical movement who is less well known and appreciated today, but was very much in the public eye back then." He said that Asimov being associated with CSICOP "gave it immense status and authority" in his eyes. Asimov described Carl Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky. Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". After his father died in 1969, Asimov annually contributed to a Judah Asimov Scholarship Fund at Brandeis University. Illness and death In 1977, Asimov suffered a heart attack. In December 1983, he had triple bypass surgery at NYU Medical Center, during which he contracted HIV from a blood transfusion. His HIV status was kept secret out of concern that the anti-AIDS prejudice might extend to his family members. He died in Manhattan on April 6, 1992, and was cremated. The cause of death was reported as heart and kidney failure. Ten years following Asimov's death, Janet and Robyn Asimov agreed that the HIV story should be made public; Janet revealed it in her edition of his autobiography, It's Been a Good Life. Writings Overview Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories. Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image". Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series. Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream". Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology. Although Asimov did write several essays about psychology, and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982), which were classified in the 100s category, none of his own books were classified in that category. According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author. Science fiction Asimov became a science fiction fan in 1929, when he began reading the pulp magazines sold in his family's candy store. At first his father forbade reading pulps as he considered them to be trash, until Asimov persuaded him that because the science fiction magazines had "Science" in the title, they must be educational. At age 18 he joined the Futurians science fiction fan club, where he made friends who went on to become science fiction writers or editors. Asimov began writing at the age of 11, imitating The Rover Boys with eight chapters of The Greenville Chums at College. His father bought Asimov a used typewriter at age 16. His first published work was a humorous item on the birth of his brother for Boys High School's literary journal in 1934. In May 1937 he first thought of writing professionally, and began writing his first science fiction story, "Cosmic Corkscrew" (now lost), that year. On May 17, 1938, puzzled by a change in the schedule of Astounding Science Fiction, Asimov visited its publisher Street & Smith Publications. Inspired by the visit, he finished the story on June 19, 1938, and personally submitted it to Astounding editor John W. Campbell two days later. Campbell met with Asimov for more than an hour and promised to read the story himself. Two days later he received a rejection letter explaining why in detail. This was the first of what became almost weekly meetings with the editor while Asimov lived in New York, until moving to Boston in 1949; Campbell had a strong formative influence on Asimov and became a personal friend. By the end of the month, Asimov completed a second story, "Stowaway". Campbell rejected it on July 22 but—in "the nicest possible letter you could imagine"—encouraged him to continue writing, promising that Asimov might sell his work after another year and a dozen stories of practice. On October 21, 1938, he sold the third story he finished, "Marooned Off Vesta", to Amazing Stories, edited by Raymond A. Palmer, and it appeared in the March 1939 issue. Asimov was paid $64 (), or one cent a word. Two more stories appeared that year, "The Weapon Too Dreadful to Use" in the May Amazing and "Trends" in the July Astounding, the issue fans later selected as the start of the Golden Age of Science Fiction. For 1940, ISFDB catalogs seven stories in four different pulp magazines, including one in Astounding. His earnings became enough to pay for his education, but not yet enough for him to become a full-time writer. Asimov later said that unlike other top Golden Age writers Robert Heinlein and A. E. van Vogt—also first published in 1939, and whose talent and stardom were immediately obvious—he "(this is not false modesty) came up only gradually". Through July 29, 1940, Asimov wrote 22 stories in 25 months, of which 13 were published; he wrote in 1972 that from that date he never wrote a science fiction story that was not published (except for two "special cases"). He was famous enough that Donald Wollheim told Asimov that he purchased "The Secret Sense" for a new magazine only because of his name, and the December 1940 issue of Astonishing—featuring Asimov's name in bold—was the first magazine to base cover art on his work, but Asimov later said that neither he himself nor anyone else—except perhaps Campbell—considered him better than an often published "third rater". Based on a conversation with Campbell, Asimov wrote "Nightfall", his 32nd story, in March and April 1941, and Astounding published it in September 1941. In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written. In Nightfall and Other Stories Asimov wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'." "Nightfall" is an archetypal example of social science fiction, a term he created to describe a new trend in the 1940s, led by authors including him and Heinlein, away from gadgets and space opera and toward speculation about the human condition. After writing "Victory Unintentional" in January and February 1942, Asimov did not write another story for a year. Asimov expected to make chemistry his career, and was paid $2,600 annually at the Philadelphia Navy Yard, enough to marry his girlfriend; he did not expect to make much more from writing than the $1,788.50 he had earned from 28 stories sold over four years. Asimov left science fiction fandom and no longer read new magazines, and might have left the industry had not Heinlein and de Camp been coworkers and previously sold stories continued to appear. In 1942, Asimov published the first of his Foundation stories—later collected in the Foundation trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953). The books recount the fall of a vast interstellar empire and the establishment of its eventual successor. They also feature his fictional science of psychohistory, in which the future course of the history of large populations can be predicted. The trilogy and Robot series are his most famous science fiction. In 1966 they won the Hugo Award for the all-time best series of science fiction and fantasy novels. Campbell raised his rate per word, Orson Welles purchased rights to "Evidence", and anthologies reprinted his stories. By the end of the war Asimov was earning as a writer an amount equal to half of his Navy Yard salary, even after a raise, but Asimov still did not believe that writing could support him, his wife, and future children. His "positronic" robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in his introduction to the short story collection The Complete Robot (1982) that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creators. The robot series has led to film adaptations. With Asimov's collaboration, in about 1977, Harlan Ellison wrote a screenplay of I, Robot that Asimov hoped would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay has never been filmed and was eventually published in book form in 1994. The 2004 movie I, Robot, starring Will Smith, was based on an unrelated script by Jeff Vintar titled Hardwired, with Asimov's ideas incorporated later after the rights to Asimov's title were acquired. (The title was not original to Asimov but had previously been used for a story by Eando Binder.) Also, one of Asimov's robot short stories, "The Bicentennial Man", was expanded into a novel The Positronic Man by Asimov and Robert Silverberg, and this was adapted into the 1999 movie Bicentennial Man, starring Robin Williams. Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford, David Brin, and Donald Kingsbury. At least some of these appear to have been done with the blessing of, or at the request of, Asimov's widow, Janet Asimov. In 1948, he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name. Asimov grew concerned at the scrutiny he would receive at his oral examination, in case the examiners thought he wasn't taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old with Me" (40,000 words), but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. Doubleday published five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw Gnome Press publish one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation trilogy. More positronic robot stories were republished in book form as The Rest of the Robots. Books and the magazines Galaxy, and Fantasy & Science Fiction ended Asimov's dependence on Astounding. He later described the era as his "'mature' period". Asimov's "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy, was his personal favorite story. In 1972, his novel The Gods Themselves (which was not part of a series) was published to general acclaim, and it won the Hugo Award for Best Novel, the Nebula Award for Best Novel, and the Locus Award for Best Novel. In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue. McCartney rejected the story. The treatment now exists only in the Boston University archives. Asimov said in 1969 that he had "the happiest of all my associations with science fiction magazines" with Fantasy & Science Fiction; "I have no complaints about Astounding, Galaxy, or any of the rest, heaven knows, but F&SF has become something special to me". Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazines and Alfred Hitchcock's Mystery Magazines "anthologies"). Due to pressure by fans on Asimov to write another book in his Foundation series, he did so with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992), his last novel. Popular science Asimov and two colleagues published a textbook in 1949, with two more editions by 1969. During the late 1950s and 1960s, Asimov substantially decreased his fiction output (he published only four adult novels between 1957's The Naked Sun and 1982's Foundation's Edge, two of which were mysteries). He greatly increased his nonfiction production, writing mostly on science topics; the launch of Sputnik in 1957 engendered public concern over a "science gap". Asimov explained in The Rest of the Robots that he had been unable to write substantial fiction since the summer of 1958, and observers understood him as saying that his fiction career had ended, or was permanently interrupted. Asimov recalled in 1969 that "the United States went into a kind of tizzy, and so did I. I was overcome by the ardent desire to write popular science for an America that might be in great danger through its neglect of science, and a number of publishers got an equally ardent desire to publish popular science for the same reason". Fantasy and Science Fiction invited Asimov to continue his regular nonfiction column, begun in the now-folded bimonthly companion magazine Venture Science Fiction Magazine. The first of 399 monthly F&SF columns appeared in November 1958 and they continued until his terminal illness. These columns, periodically collected into books by Doubleday, gave Asimov a reputation as a "Great Explainer" of science; he described them as his only popular science writing in which he never had to assume complete ignorance of the subjects on the part of his readers. The column was ostensibly dedicated to popular science but Asimov had complete editorial freedom, and wrote about contemporary social issues in essays such as "Thinking About Thinking" and "Knock Plastic!". In 1975 he wrote of these essays: "I get more pleasure out of them than out of any other writing assignment." Asimov's first wide-ranging reference work, The Intelligent Man's Guide to Science (1960), was nominated for a National Book Award, and in 1963 he won a Hugo Award—his first—for his essays for F&SF. The popularity of his science books and the income he derived from them allowed him to give up most academic responsibilities and become a full-time freelance writer. He encouraged other science fiction writers to write popular science, stating in 1967 that "the knowledgeable, skillful science writer is worth his weight in contracts", with "twice as much work as he can possibly handle". The great variety of information covered in Asimov's writings prompted Kurt Vonnegut to ask, "How does it feel to know everything?" Asimov replied that he only knew how it felt to have the 'reputation' of omniscience: "Uneasy". Floyd C. Gale said that "Asimov has a rare talent. He can make your mental mouth water over dry facts", and "science fiction's loss has been science popularization's gain". Asimov said that "Of all the writing I do, fiction, non-fiction, adult, or juvenile, these F & SF articles are by far the most fun". He regretted, however, that he had less time for fiction—causing dissatisfied readers to send him letters of complaint—stating in 1969 that "In the last ten years, I've done a couple of novels, some collections, a dozen or so stories, but that's nothing". In his essay "To Tell a Chemist" (1965), Asimov proposed a simple shibboleth for distinguishing chemists from non-chemists: ask the person to read the word "unionized". Chemists, he noted, will read the word "unionized" as un-ion-ized (pronounced "un-EYE-en-ized"), meaning "(a chemical species) being in an electrically neutral state, as opposed to being an ion", while non-chemists will read the word as union-ized (pronounced "YOU-nien-ized"), meaning "(a worker or organization) belonging to or possessing a trade union". Coined terms Asimov coined the term "robotics" in his 1941 story "Liar!", though he later remarked that he believed then that he was merely using an existing word, as he stated in Gold ("The Robot Chronicles"). While acknowledging the Oxford Dictionary reference, he incorrectly states that the word was first printed about one third of the way down the first column of page 100, Astounding Science Fiction, March 1942 printing of his short story "Runaround". In the same story, Asimov also coined the term "positronic" (the counterpart to "electronic" for positrons). Asimov coined the term "psychohistory" in his Foundation stories to name a fictional branch of science which combines history, sociology, and mathematical statistics to make general predictions about the future behavior of very large groups of people, such as the Galactic Empire. Asimov said later that he should have called it psychosociology. It was first introduced in the five short stories (1942–1944) which would later be collected as the 1951 fix-up novel Foundation. Somewhat later, the term "psychohistory" was applied by others to research of the effects of psychology on history. Other writings In addition to his interest in science, Asimov was interested in history. Starting in the 1960s, he wrote 14 popular history books, including The Greeks: A Great Adventure (1965), The Roman Republic (1966), The Roman Empire (1967), The Egyptians (1967) The Near East: 10,000 Years of History (1968), and Asimov's Chronology of the World (1991). He published Asimov's Guide to the Bible in two volumes—covering the Old Testament in 1967 and the New Testament in 1969—and then combined them into one 1,300-page volume in 1981. Complete with maps and tables, the guide goes through the books of the Bible in order, explaining the history of each one and the political influences that affected it, as well as biographical information about the important characters. His interest in literature manifested itself in several annotations of literary works, including Asimov's Guide to Shakespeare (1970), Asimov's Annotated Don Juan (1972), Asimov's Annotated Paradise Lost (1974), and The Annotated Gulliver's Travels (1980). Asimov was also a noted mystery author and a frequent contributor to Ellery Queen's Mystery Magazine. He began by writing science fiction mysteries such as his Wendell Urth stories, but soon moved on to writing "pure" mysteries. He published two full-length mystery novels, and wrote 66 stories about the Black Widowers, a group of men who met monthly for dinner, conversation, and a puzzle. He got the idea for the Widowers from his own association in a stag group called the Trap Door Spiders, and all of the main characters (with the exception of the waiter, Henry, who he admitted resembled Wodehouse's Jeeves) were modeled after his closest friends. A parody of the Black Widowers, "An Evening with the White Divorcés," was written by author, critic, and librarian Jon L. Breen. Asimov joked, "all I can do ... is to wait until I catch him in a dark alley, someday." Toward the end of his life, Asimov published a series of collections of limericks, mostly written by himself, starting with Lecherous Limericks, which appeared in 1975. Limericks: Too Gross, whose title displays Asimov's love of puns, contains 144 limericks by Asimov and an equal number by John Ciardi. He even created a slim volume of Sherlockian limericks. Asimov featured Yiddish humor in Azazel, The Two Centimeter Demon. The two main characters, both Jewish, talk over dinner, or lunch, or breakfast, about anecdotes of "George" and his friend Azazel. Asimov's Treasury of Humor is both a working joke book and a treatise propounding his views on humor theory. According to Asimov, the most essential element of humor is an abrupt change in point of view, one that suddenly shifts focus from the important to the trivial, or from the sublime to the ridiculous. Particularly in his later years, Asimov to some extent cultivated an image of himself as an amiable lecher. In 1971, as a response to the popularity of sexual guidebooks such as The Sensuous Woman (by "J") and The Sensuous Man (by "M"), Asimov published The Sensuous Dirty Old Man under the byline "Dr. 'A (although his full name was printed on the paperback edition, first published 1972). However, by 2016, some of Asimov's behavior towards women was described as sexual harassment and cited as an example of historically problematic behavior by men in science fiction communities. Asimov published three volumes of autobiography. In Memory Yet Green (1979) and In Joy Still Felt (1980) cover his life up to 1978. The third volume, I. Asimov: A Memoir (1994), covered his whole life (rather than following on from where the second volume left off). The epilogue was written by his widow Janet Asimov after his death. The book won a Hugo Award in 1995. Janet Asimov edited It's Been a Good Life (2002), a condensed version of his three autobiographies. He also published three volumes of retrospectives of his writing, Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984). In 1987, the Asimovs co-wrote How to Enjoy Writing: A Book of Aid and Comfort. In it they offer advice on how to maintain a positive attitude and stay productive when dealing with discouragement, distractions, rejection, and thick-headed editors. The book includes many quotations, essays, anecdotes, and husband-wife dialogues about the ups and downs of being an author. Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Treks initial launch in the late 1960s. Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects. In 1973, Asimov published a proposal for calendar reform, called the World Season Calendar. It divides the year into four seasons (named A–D) of 13 weeks (91 days) each. This allows days to be named, e.g., "D-73" instead of December 1 (due to December 1 being the 73rd day of the 4th quarter). An extra 'year day' is added for a total of 365 days. Awards and recognition Asimov won more than a dozen annual awards for particular works of science fiction and a half-dozen lifetime awards. He also received 14 honorary doctorate degrees from universities. 1955 – Guest of Honor at the 13th World Science Fiction Convention 1957 – Thomas Alva Edison Foundation Award for best science book for youth, for Building Blocks of the Universe 1960 – Howard W. Blakeslee Award from the American Heart Association for The Living River 1962 – Boston University's Publication Merit Award 1963 – A special Hugo Award for "adding science to science fiction," for essays published in The Magazine of Fantasy and Science Fiction 1963 – Fellow of the American Academy of Arts and Sciences 1964 – The Science Fiction Writers of America voted "Nightfall" (1941) the all-time best science fiction short story 1965 – James T. Grady Award of the American Chemical Society (now called the James T. Grady-James H. Stack Award for Interpreting Chemistry) 1966 – Best All-time Novel Series Hugo Award for the Foundation trilogy 1967 – Edward E. Smith Memorial Award 1967 – AAAS-Westinghouse Science Writing Award for Magazine Writing, for essay "Over the Edge of the Universe" (in the March 1967 Harper's Magazine) 1972 – Nebula Award for Best Novel for The Gods Themselves 1973 – Hugo Award for Best Novel for The Gods Themselves 1973 – Locus Award for Best Novel for The Gods Themselves 1975 – Golden Plate Award of the American Academy of Achievement 1975 – Klumpke-Roberts Award "for outstanding contributions to the public understanding and appreciation of astronomy" 1975 – Locus Award for Best Reprint Anthology for Before the Golden Age 1977 – Hugo Award for Best Novelette for The Bicentennial Man 1977 – Nebula Award for Best Novelette for The Bicentennial Man 1977 – Locus Award for Best Novelette for The Bicentennial Man 1981 – An asteroid, 5020 Asimov, was named in his honor 1981 – Locus Award for Best Non-Fiction Book for In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 1983 – Hugo Award for Best Novel for Foundation's Edge 1983 – Locus Award for Best Science Fiction Novel for Foundation's Edge 1984 – Humanist of the Year 1986 – The Science Fiction and Fantasy Writers of America named him its 8th SFWA Grand Master (presented in 1987). 1987 – Locus Award for Best Short Story for "Robot Dreams" 1992 – Hugo Award for Best Novelette for "Gold" 1995 – Hugo Award for Best Non-Fiction Book for I. Asimov: A Memoir 1995 – Locus Award for Best Non-Fiction Book for I. Asimov: A Memoir 1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon for "The Mule", the 7th Foundation story, published in Astounding Science Fiction 1997 – The Science Fiction and Fantasy Hall of Fame inducted Asimov in its second class of two deceased and two living persons, along with H. G. Wells. 2000 – Asimov was featured on a stamp in Israel 2001 – The Isaac Asimov Memorial Debates at the Hayden Planetarium in New York were inaugurated 2009 – A crater on the planet Mars, Asimov, was named in his honor 2010 – In the US Congress bill about the designation of the National Robotics Week as an annual event, a tribute to Isaac Asimov is as follows: "Whereas the second week in April each year is designated as 'National Robotics Week', recognizing the accomplishments of Isaac Asimov, who immigrated to America, taught science, wrote science books for children and adults, first used the term robotics, developed the Three Laws of Robotics, and died in April 1992: Now, therefore, be it resolved ..." 2015 – Selected as a member of the New York State Writers Hall of Fame. 2016 – A 1941 Retro-Hugo for Best Short Story of 1940 was given at the 2016 WorldCon for Robbie, his first positronic robot story, published in Super Science Stories, September 1940 2018 – A 1943 Retro-Hugo for Best Short Story of 1942 was given at the 2018 WorldCon for Foundation, published in Astounding Science-Fiction, May 1942 Writing style Asimov was his own secretary, typist, indexer, proofreader, and literary agent. He wrote a typed first draft composed at the keyboard at 90 words per minute; he imagined an ending first, then a beginning, then "let everything in-between work itself out as I come to it". (Asimov only used an outline once, later describing it as "like trying to play the piano from inside a straitjacket".) After correcting a draft by hand, he retyped the document as the final copy and only made one revision with minor editor-requested changes; a word processor did not save him much time, Asimov said, because 95% of the first draft was unchanged. After disliking making multiple revisions of "Black Friar of the Flame", Asimov refused to make major, second, or non-editorial revisions ("like chewing used gum"), stating that "too large a revision, or too many revisions, indicate that the piece of writing is a failure. In the time it would take to salvage such a failure, I could write a new piece altogether and have infinitely more fun in the process". He submitted "failures" to another editor. One of the most common impressions of Asimov's fiction work is that his writing style is extremely unornamented. In 1980, science fiction scholar James Gunn wrote of I, Robot: Asimov addressed such criticism in 1989 at the beginning of Nemesis: Gunn cited examples of a more complex style, such as the climax of "Liar!". Sharply drawn characters occur at key junctures of his storylines: Susan Calvin in "Liar!" and "Evidence", Arkady Darell in Second Foundation, Elijah Baley in The Caves of Steel, and Hari Seldon in the Foundation prequels. Other than books by Gunn and Joseph Patrouch, a relative dearth of "literary" criticism exists on Asimov (particularly when compared to the sheer volume of his output). Cowart and Wymer's Dictionary of Literary Biography (1981) gives a possible reason: Gunn's and Patrouch's respective studies of Asimov both state that a clear, direct prose style is still a style. Gunn's 1982 book comments in detail on each of Asimov's novels. He does not praise all of Asimov's fiction (nor does Patrouch), but calls some passages in The Caves of Steel "reminiscent of Proust". When discussing how that novel depicts night falling over futuristic New York City, Gunn says that Asimov's prose "need not be ashamed anywhere in literary society". Although he prided himself on his unornamented prose style (for which he credited Clifford D. Simak as an early influence), and said in 1973 that his style had not changed, Asimov also enjoyed giving his longer stories complicated narrative structures, often by arranging chapters in nonchronological ways. Some readers have been put off by this, complaining that the nonlinearity is not worth the trouble and adversely affects the clarity of the story. For example, the first third of The Gods Themselves begins with Chapter 6, then backtracks to fill in earlier material. (John Campbell advised Asimov to begin his stories as late in the plot as possible. This advice helped Asimov create "Reason", one of the early Robot stories). Patrouch found that the interwoven and nested flashbacks of The Currents of Space did serious harm to that novel, to such an extent that only a "dyed-in-the-kyrt Asimov fan" could enjoy it. In his later novel Nemesis one group of characters lives in the "present" and another group starts in the "past", beginning 15 years earlier and gradually moving toward the time period of the first group. Alien life Asimov once explained that his reluctance to write about aliens came from an incident early in his career when Astoundings editor John Campbell rejected one of his science fiction stories because the alien characters were portrayed as superior to the humans. The nature of the rejection led him to believe that Campbell may have based his bias towards humans in stories on a real-world racial bias. Unwilling to write only weak alien races, and concerned that a confrontation would jeopardize his and Campbell's friendship, he decided he would not write about aliens at all. Nevertheless, in response to these criticisms, he wrote The Gods Themselves, which contains aliens and alien sex. The book won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973. Asimov said that of all his writings, he was most proud of the middle section of The Gods Themselves, the part that deals with those themes. In the Hugo Award-winning novelette "Gold", Asimov describes an author, clearly based on himself, who has one of his books (The Gods Themselves) adapted into a "compu-drama", essentially photo-realistic computer animation. The director criticizes the fictionalized Asimov ("Gregory Laborian") for having an extremely nonvisual style, making it difficult to adapt his work, and the author explains that he relies on ideas and dialogue rather than description to get his points across. Romance and women In the early days of science fiction some authors and critics felt that the romantic elements were inappropriate in science fiction stories, which were supposedly to be focused on science and technology. Isaac Asimov was a prominent supporter of this point of view, expressed in his 1938-1939 letters to Astounding, where he described such elements as "mush" and "slop". However, to his dismay, these letters were met with a strong opposition. Asimov attributed the lack of romance and sex in his fiction to the "early imprinting" from starting his writing career when he had never been on a date and "didn't know anything about girls". He was sometimes criticized for the general absence of sex (and of extraterrestrial life) in his science fiction. He claimed he wrote The Gods Themselves to respond to these criticisms, which often came from New Wave science fiction (and often British) writers. The second part (of three) of the novel is set on an alien world with three sexes, and the sexual behavior of these creatures is extensively depicted. Asimov was also criticized for a lack of strong female characters in his early work. However, some of his robot stories, including the earliest ones, featured the character Susan Calvin, a forceful and intelligent woman who regularly out-performed her male colleagues. In his autobiographical writings, such as Gold ("Women and Science Fiction"), he acknowledges this complaint has merit and responds by pointing to inexperience. His later novels, written with more female characters but in essentially the same prose style as his early science-fiction stories, brought this matter to a wider audience. The Washington Post's "Book World" section reports of Robots and Empire opined "In 1940, Asimov's humans were stripped-down masculine portraits of Americans from 1940, and they still are." Views Religion Asimov was an atheist, a humanist, and a rationalist. He did not oppose religious conviction in others, but he frequently railed against superstitious and pseudoscientific beliefs that tried to pass themselves off as genuine science. During his childhood, his father and mother observed the traditions of Orthodox Judaism, though not as stringently as they had in Petrovichi; they did not, however, force their beliefs upon young Isaac. Thus, he grew up without strong religious influences, coming to believe that the Torah represented Hebrew mythology in the same way that the Iliad recorded Greek mythology. When he was 13, he chose not to have a bar mitzvah. As his books Treasury of Humor and Asimov Laughs Again record, Asimov was willing to tell jokes involving God, Satan, the Garden of Eden, Jerusalem, and other religious topics, expressing the viewpoint that a good joke can do more to provoke thought than hours of philosophical discussion. For a brief while, his father worked in the local synagogue to enjoy the familiar surroundings and, as Isaac put it, "shine as a learned scholar" versed in the sacred writings. This scholarship was a seed for his later authorship and publication of Asimov's Guide to the Bible, an analysis of the historic foundations for both the Old and New Testaments. For many years, Asimov called himself an atheist; however, he considered the term somewhat inadequate, as it described what he did not believe rather than what he did. Eventually, he described himself as a "humanist" and considered that term more practical. Asimov did, however, continue to identify himself as a secular Jew, as stated in his introduction to Jack Dann's anthology of Jewish science fiction, Wandering Stars: "I attend no services and follow no ritual and have never undergone that curious puberty rite, the Bar Mitzvah. It doesn't matter. I am Jewish." When asked in an interview in 1982 if he was an atheist, Asimov replied, Likewise, he said about religious education: "I would not be satisfied to have my kids choose to be religious without trying to argue them out of it, just as I would not be satisfied to have them decide to smoke regularly or engage in any other practice I consider detrimental to mind or body." In his last volume of autobiography, Asimov wrote, The same memoir states his belief that Hell is "the drooling dream of a sadist" crudely affixed to an all-merciful God; if even human governments were willing to curtail cruel and unusual punishments, wondered Asimov, why would punishment in the afterlife not be restricted to a limited term? Asimov rejected the idea that a human belief or action could merit infinite punishment. If an afterlife existed, he claimed, the longest and most severe punishment would be reserved for those who "slandered God by inventing Hell". Asimov said about using religious motifs in his writing: Politics Asimov became a staunch supporter of the Democratic Party during the New Deal, and thereafter remained a political liberal. He was a vocal opponent of the Vietnam War in the 1960s and in a television interview during the early 1970s he publicly endorsed George McGovern. He was unhappy about what he considered an "irrationalist" viewpoint taken by many radical political activists from the late 1960s and onwards. In his second volume of autobiography, In Joy Still Felt, Asimov recalled meeting the counterculture figure Abbie Hoffman. Asimov's impression was that the 1960s' counterculture heroes had ridden an emotional wave which, in the end, left them stranded in a "no-man's land of the spirit" from which he wondered if they would ever return. Asimov vehemently opposed Richard Nixon, considering him "a crook and a liar". He closely followed Watergate, and was pleased when the president was forced to resign. Asimov was dismayed over the pardon extended to Nixon by his successor: "I was not impressed by the argument that it has spared the nation an ordeal. To my way of thinking, the ordeal was necessary to make certain it would never happen again." After Asimov's name appeared in the mid-1960s on a list of people the Communist Party USA "considered amenable" to its goals, the FBI investigated him. Because of his academic background, the bureau briefly considered Asimov as a possible candidate for known Soviet spy ROBPROF, but found nothing suspicious in his life or background. Asimov appeared to hold an equivocal attitude towards Israel. In his first autobiography, he indicates his support for the safety of Israel, though insisting that he was not a Zionist. In his third autobiography, Asimov stated his opposition to the creation of a Jewish state, on the grounds that he was opposed to having nation-states in general, and supported the notion of a single humanity. Asimov especially worried about the safety of Israel given that it had been created among hostile Muslim neighbors, and said that Jews had merely created for themselves another "Jewish ghetto". Social issues Asimov believed that "science fiction ... serve[s] the good of humanity". He considered himself a feminist even before women's liberation became a widespread movement; he argued that the issue of women's rights was closely connected to that of population control. Furthermore, he believed that homosexuality must be considered a "moral right" on population grounds, as must all consenting adult sexual activity that does not lead to reproduction. He issued many appeals for population control, reflecting a perspective articulated by people from Thomas Malthus through Paul R. Ehrlich. In a 1988 interview by Bill Moyers, Asimov proposed computer-aided learning, where people would use computers to find information on subjects in which they were interested. He thought this would make learning more interesting, since people would have the freedom to choose what to learn, and would help spread knowledge around the world. Also, the one-to-one model would let students learn at their own pace. Asimov thought that people would live in space by the year 2019. In 1983 Asimov wrote: He continues on education: Sexual harassment Asimov would often fondle, kiss and pinch women at conventions and elsewhere without regard for their consent. According to Alec Nevala-Lee, author of an Asimov biography and writer on the history of science fiction, he often defended himself by saying that far from showing objections, these women cooperated. In the 1971 satirical piece, The Sensuous Dirty Old Man, he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." According to Nevala-Lee, however, "many of these encounters were clearly nonconsensual." He wrote that Asimov's behaviour, as a leading science-fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community. In support of this, he quoted some of Asimov's contemporary fellow-authors such as Judith Merril, Harlan Ellison and Frederik Pohl, as well as editors such as Timothy Seldes. Specific incidents were reported by other people including Edward L. Ferman, long-time editor of The Magazine of Fantasy & Science Fiction who wrote "... instead of shaking my date's hand, he shook her left breast". Environment and population Asimov's defense of civil applications of nuclear power even after the Three Mile Island nuclear power plant incident damaged his relations with some of his fellow liberals. In a letter reprinted in Yours, Isaac Asimov, he states that although he would prefer living in "no danger whatsoever" than near a nuclear reactor, he would still prefer a home near a nuclear power plant than in a slum on Love Canal or near "a Union Carbide plant producing methyl isocyanate", the latter being a reference to the Bhopal disaster. In the closing years of his life, Asimov blamed the deterioration of the quality of life that he perceived in New York City on the shrinking tax base caused by the middle-class flight to the suburbs, though he continued to support high taxes on the middle class to pay for social programs. His last nonfiction book, Our Angry Earth (1991, co-written with his long-time friend, science fiction author Frederik Pohl), deals with elements of the environmental crisis such as overpopulation, oil dependence, war, global warming, and the destruction of the ozone layer. In response to being presented by Bill Moyers with the question "What do you see happening to the idea of dignity to human species if this population growth continues at its present rate?", Asimov responded: Other authors Asimov enjoyed the writings of J. R. R. Tolkien, and in fact even used The Lord of the Rings as a plot point in a Black Widowers story, titled Nothing like Murder. In the essay All or Nothing (for The Magazine of Fantasy and Science Fiction, Jan 1981), Asimov revealed that he admires Tolkien and that he had read The Lord of the Rings five times. (The feelings were mutual, with Tolkien himself revealing that he had enjoyed Asimov's science fiction. This would make Asimov an exception to Tolkien's earlier claim that he rarely found "any modern books" that were interesting to him.) He acknowledged other writers as superior to himself in talent, saying of Harlan Ellison, "He is (in my opinion) one of the best writers in the world, far more skilled at the art than I am." Asimov disapproved of the New Wave's growing influence, however, stating in 1967 "I want science fiction. I think science fiction isn't really science fiction if it lacks science. And I think the better and truer the science, the better and truer the science fiction". The feelings of friendship and respect between Asimov and Arthur C. Clarke were demonstrated by the so-called "Clarke-Asimov Treaty of Park Avenue", negotiated as they shared a cab in New York. This stated that Asimov was required to insist that Clarke was the best science fiction writer in the world (reserving second-best for himself), while Clarke was required to insist that Asimov was the best science writer in the world (reserving second-best for himself). Thus, the dedication in Clarke's book Report on Planet Three (1972) reads: "In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer." Asimov became a fan of mystery stories at the same time as science fiction. He preferred to read the former to latter because "I read every [science fiction] story keenly aware that it might be worse than mine, in which case I had no patience with it, or that it might be better, in which case I felt miserable". Asimov wrote "I make no secret of the fact that in my mysteries I use Agatha Christie as my model. In my opinion, her mysteries are the best ever written, far better than the Sherlock Holmes stories, and Hercule Poirot is the best detective fiction has seen. Why should I not use as my model what I consider the best?" He enjoyed Sherlock Holmes, but considered Arthur Conan Doyle to be "a slapdash and sloppy writer." Asimov also enjoyed humorous stories, particularly those of P. G. Wodehouse. In non-fiction writing, Asimov particularly admired the writing style of Martin Gardner, and tried to emulate it in his own science books. On meeting Gardner for the first time in 1965, Asimov told him this, to which Gardner answered that he had based his own style on Asimov's. Influence Paul Krugman, holder of a Nobel Prize in Economics, stated Asimov's concept of psychohistory has inspired him to become an economist. John Jenkins, who has reviewed the vast majority of Asimov's written output, once observed, "It has been pointed out that most science fiction writers since the 1950s have been affected by Asimov, either modeling their style on his or deliberately avoiding anything like his style." Along with such figures as Bertrand Russell and Karl Popper, Asimov left his mark as one of the most distinguished interdisciplinarians of the 20th century. "Few individuals", writes James L. Christian, "understood better than Isaac Asimov what synoptic thinking is all about. His almost 500 books—which he wrote as a specialist, a knowledgeable authority, or just an excited layman—range over almost all conceivable subjects: the sciences, history, literature, religion, and of course, science fiction." Bibliography Depending on the counting convention used, and including all titles, charts, and edited collections, there may be currently over 500 books in Asimov's bibliography—as well as his individual short stories, individual essays, and criticism. For his 100th, 200th, and 300th books (based on his personal count), Asimov published Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984), celebrating his writing. An extensive bibliography of Isaac Asimov's works has been compiled by Ed Seiler. He published enough that his book writing rate could be analysed, showing that the writing became faster as he wrote more. An online exhibit in West Virginia University Libraries' virtually complete Asimov Collection displays features, visuals, and descriptions of some of his over 600 books, games, audio recordings, videos, and wall charts. Many first, rare, and autographed editions are in the Libraries' Rare Book Room. Book jackets and autographs are presented online along with descriptions and images of children's books, science fiction art, multimedia, and other materials in the collection. Science fiction "Greater Foundation" series The Robot series was originally separate from the Foundation series. The Galactic Empire novels were published as independent stories, set earlier in the same future as Foundation. Later in life, Asimov synthesized the Robot series into a single coherent "history" that appeared in the extension of the Foundation series. All of these books were published by Doubleday & Co, except the original Foundation trilogy which was originally published by Gnome Books before being bought and republished by Doubleday. The Robot series: (first Elijah Baley SF-crime novel) (second Elijah Baley SF-crime novel) (third Elijah Baley SF-crime novel) (sequel to the Elijah Baley trilogy) Galactic Empire novels: (early Galactic Empire) (long before the Empire) (Republic of Trantor still expanding) Foundation prequels: Original Foundation trilogy: (also published with the title 'The Man Who Upset the Universe' as a 35¢ Ace paperback, D-125, in about 1952) Extended Foundation series: Lucky Starr series (as Paul French) All published by Doubleday & Co David Starr, Space Ranger (1952) Lucky Starr and the Pirates of the Asteroids (1953) Lucky Starr and the Oceans of Venus (1954) Lucky Starr and the Big Sun of Mercury (1956) Lucky Starr and the Moons of Jupiter (1957) Lucky Starr and the Rings of Saturn (1958) Norby Chronicles (with Janet Asimov) All published by Walker & Company Norby, the Mixed-Up Robot (1983) Norby's Other Secret (1984) Norby and the Lost Princess (1985) Norby and the Invaders (1985) Norby and the Queen's Necklace (1986) Norby Finds a Villain (1987) Norby Down to Earth (1988) Norby and Yobo's Great Adventure (1989) Norby and the Oldest Dragon (1990) Norby and the Court Jester (1991) Novels not part of a series Novels marked with an asterisk (*) have minor connections to Foundation universe. The End of Eternity (1955), Doubleday (*) Fantastic Voyage (1966), Bantam Books (paperback) and Houghton Mifflin (hardback) (a novelization of the movie) The Gods Themselves (1972), Doubleday Fantastic Voyage II: Destination Brain (1987), Doubleday (not a sequel to Fantastic Voyage, but a similar, independent story) Nemesis (1989), Bantam Doubleday Dell (*) Nightfall (1990), Doubleday, with Robert Silverberg (based on "Nightfall", a 1941 short story written by Asimov) Child of Time (1992), Bantam Doubleday Dell, with Robert Silverberg (based on "The Ugly Little Boy", a 1958 short story written by Asimov) The Positronic Man (1993), Bantam Doubleday Dell, with Robert Silverberg (*) (based on The Bicentennial Man, a 1976 novella written by Asimov) Short-story collections Mysteries Novels The Death Dealers (1958), Avon Books, republished as A Whiff of Death by Walker & Company Murder at the ABA (1976), Doubleday, also published as Authorized Murder Short-story collections Black Widowers series Tales of the Black Widowers (1974), Doubleday More Tales of the Black Widowers (1976), Doubleday Casebook of the Black Widowers (1980), Doubleday Banquets of the Black Widowers (1984), Doubleday Puzzles of the Black Widowers (1990), Doubleday The Return of the Black Widowers (2003), Carroll & Graf Other mysteries Asimov's Mysteries (1968), Doubleday The Key Word and Other Mysteries (1977), Walker The Union Club Mysteries (1983), Doubleday The Disappearing Man and Other Mysteries (1985), Walker The Best Mysteries of Isaac Asimov (1986), Doubleday Nonfiction Popular science Collections of Asimov's essays for F&SF The following books collected essays which were originally published as monthly columns in The Magazine of Fantasy and Science Fiction and collected by Doubleday & Co Fact and Fancy (1962) View from a Height (1963) Adding a Dimension (1964) Of Time and Space and Other Things (1965) From Earth to Heaven (1966) Science, Numbers, and I (1968) The Solar System and Back (1970) The Stars in Their Courses (1971) The Left Hand of the Electron (1972) The Tragedy of the Moon (1973) Asimov On Astronomy (updated version of essays in previous collections) (1974) Asimov On Chemistry (updated version of essays in previous collections) (1974) Of Matters Great and Small (1975) Asimov On Physics (updated version of essays in previous collections) (1976) The Planet That Wasn't (1976) Asimov On Numbers (updated version of essays in previous collections) (1976) Quasar, Quasar, Burning Bright (1977) The Road to Infinity (1979) The Sun Shines Bright (1981) Counting the Eons (1983) X Stands for Unknown (1984) The Subatomic Monster (1985) Far as Human Eye Could See (1987) The Relativity of Wrong (1988) Asimov on Science: A 30 Year Retrospective 1959–1989 (1989) (features the first essay in the introduction) Out of the Everywhere (1990) The Secret of the Universe (1991) Other general science essay collections Only a Trillion (1957), Abelard-Schuman, Is Anyone There? (1967), Doubleday, (which includes the article in which he coined the term "spome") Today and Tomorrow and— (1973), Doubleday Science Past, Science Future (1975), Doubleday, Please Explain (1975), Houghton Mifflin, Life and Time (1978), Doubleday The Roving Mind (1983), Prometheus Books, new edition 1997, The Dangers of Intelligence (1986), Houghton Mifflin Past, Present and Future (1987), Prometheus Books, The Tyrannosaurus Prescription (1989), Prometheus Books Frontiers (1990), Dutton Frontiers II (1993), Dutton Other science books by Asimov The Chemicals of Life (1954), Abelard-Schuman Inside the Atom (1956), Abelard-Schuman, Building Blocks of the Universe (1957; revised 1974), Abelard-Schuman, The World of Carbon (1958), Abelard-Schuman, The World of Nitrogen (1958), Abelard-Schuman, Words of Science and the History Behind Them (1959), Houghton Mifflin The Clock We Live On (1959), Abelard-Schuman, Breakthroughs in Science (1959), Houghton Mifflin, Realm of Numbers (1959), Houghton Mifflin, Realm of Measure (1960), Houghton Mifflin The Wellsprings of Life (1960), Abelard-Schuman, Life and Energy (1962), Doubleday, The Genetic Code (1962), The Orion Press The Human Body: Its Structure and Operation (1963), Houghton Mifflin, , (revised) The Human Brain: Its Capacities and Functions (1963), Houghton Mifflin, Planets for Man (with Stephen H. Dole) (1964), Random House, reprinted by RAND in 2007 An Easy Introduction to the Slide Rule (1965), Houghton Mifflin, The Intelligent Man's Guide to Science (1965), Basic Books The title varied with each of the four editions, the last being Asimov's New Guide to Science (1984) The Universe: From Flat Earth to Quasar (1966), Walker, The Neutrino (1966), Doubleday, ASIN B002JK525W Understanding Physics Vol. I, Motion, Sound, and Heat (1966), Walker, Understanding Physics Vol. II, Light, Magnetism, and Electricity (1966), Walker, Understanding Physics Vol. III, The Electron, Proton, and Neutron (1966), Walker, Photosynthesis (1969), Basic Books, Our World in Space (1974), New York Graphic, Eyes on the Universe: A History of the Telescope (1976), Andre Deutsch Limited, The Collapsing Universe (1977), Walker, Extraterrestrial Civilizations (1979), Crown, Visions of the Universe with illustrations by Kazuaki Iwasaki (1981), Cosmos Store, Exploring the Earth and the Cosmos (1982), Crown, The Measure of the Universe (1983), Harper & Row Think About Space: Where Have We Been and Where Are We Going? with co-author Frank White (1989), Walker Asimov's Chronology of Science and Discovery (1989), Harper & Row, second edition adds content thru 1993, Beginnings: The Story of Origins (1989), Walker Isaac Asimov's Guide to Earth and Space (1991), Random House, Atom: Journey Across the Subatomic Cosmos (1991), Dutton, Mysteries of Deep Space: Quasars, Pulsars and Black Holes (1994) Earth's Moon (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Sun (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Earth (1988), Gareth Stevens, revised in 2004 by Richard Hantula Jupiter (1989), Gareth Stevens, revised in 2004 by Richard Hantula Venus (1990), Gareth Stevens, revised in 2004 by Richard Hantula Literary works All published by Doubleday Asimov's Guide to Shakespeare, vols I and II (1970), Asimov's Annotated "Don Juan" (1972) Asimov's Annotated "Paradise Lost" (1974) Familiar Poems, Annotated (1976) Asimov's The Annotated "Gulliver's Travels" (1980) Asimov's Annotated "Gilbert and Sullivan" (1988) The Bible Words from Genesis (1962), Houghton Mifflin Words from the Exodus (1963), Houghton Mifflin Asimov's Guide to the Bible, vols I and II (1967 and 1969, one-volume ed. 1981), Doubleday, The Story of Ruth (1972), Doubleday, In the Beginning (1981), Crown Autobiography In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954 (1979, Doubleday) In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 (1980, Doubleday) I. Asimov: A Memoir (1994, Doubleday) It's Been a Good Life (2002, Prometheus Books), condensation of Asimov's three volumes of autobiography, edited by his widow, Janet Jeppson Asimov History All published by Houghton Mifflin except where otherwise stated The Kite That Won the Revolution (1963), The Greeks (1965) The Roman Republic (1966) The Roman Empire (1967) The Egyptians (1967) The Near East (1968) The Dark Ages (1968) Words from History (1968) The Shaping of England (1969) Constantinople: The Forgotten Empire (1970) The Land of Canaan (1971) The Shaping of France (1972) The Shaping of North America: From Earliest Times to 1763 (1973) The Birth of the United States: 1763–1816 (1974) Our Federal Union: The United States from 1816 to 1865 (1975), The Golden Door: The United States from 1865 to 1918 (1977) Asimov's Chronology of the World (1991), HarperCollins, The March of the Millennia (1991), with co-author Frank White, Walker & Company, Humor The Sensuous Dirty Old Man (1971) (As Dr. A), Walker & Company, Isaac Asimov's Treasury of Humor (1971), Houghton Mifflin Lecherous Limericks (1975), Walker, More Lecherous Limericks (1976), Walker, Still More Lecherous Limericks (1977), Walker, Limericks, Two Gross, with John Ciardi (1978), Norton, A Grossery of Limericks, with John Ciardi (1981), Norton, Limericks for Children (1984), Caedmon Asimov Laughs Again (1992), HarperCollins On writing science fiction Asimov on Science Fiction (1981), Doubleday Asimov's Galaxy (1989), Doubleday Other nonfiction Opus 100 (1969), Houghton Mifflin, Asimov's Biographical Encyclopedia of Science and Technology (1964), Doubleday (revised edition 1972, ) Opus 200 (1979), Houghton Mifflin, Isaac Asimov's Book of Facts (1979), Grosset & Dunlap, Opus 300 (1984), Houghton Mifflin, Our Angry Earth: A Ticking Ecological Bomb (1991), with co-author Frederik Pohl, Tor, . Television, music, and film appearances I Robot, a concept album by the Alan Parsons Project that examined some of Asimov's work The Last Word (1959) The Dick Cavett Show, four appearances 1968–71 The Nature of Things (1969) ABC News coverage of Apollo 11, 1969, with Fred Pohl, interviewed by Rod Serling David Frost interview program, August 1969. Frost asked Asimov if he had ever tried to find God and, after some initial evasion, Asimov answered, "God is much more intelligent than I am—let him try to find me." BBC Horizon "It's About Time" (1979), show hosted by Dudley Moore Target ... Earth? (1980) The David Letterman Show (1980) NBC TV Speaking Freely, interviewed by Edwin Newman (1982) ARTS Network talk show hosted by Studs Terkel and Calvin Trillin, approximately (1982) Oltre New York (1986) Voyage to the Outer Planets and Beyond (1986) Gandahar (1987), a French animated science-fiction film by René Laloux. Asimov wrote the English translation for the film. Bill Moyers interview (1988) Stranieri in America (1988) Adaptations El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!" A halhatatlanság halála (1977), TV movie directed by András Rajnai, based on novel The End of Eternity The Ugly Little Boy (1977), short film directed by Barry Morse and Donald W. Thompson, based on novelette The Ugly Little Boy All the Troubles of the World (1978), short film directed by Dianne Haak-Edson, based on short story "All the Troubles of the World" The End of Eternity (1987), film directed by Andrei Yermash, based on novel The End of Eternity Nightfall (1988), film directed by Paul Mayersberg, based on novelette "Nightfall" Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series Feeling 109 (1988), short film directed by Richard Kletter, based on a story of Asimov Teach 109 (1989), TV movie directed by Richard Kletter, based on a story of Asimov (the same as The Android Affair) The Android Affair (1995), TV movie directed by Richard Kletter, based on a story of Asimov (the same as Teach 109) Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man Nightfall (2000), film directed by Gwyneth Gibby, based on novelette "Nightfall" I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series Formula of Death (2012), TV movie directed by Behdad Avand Amini, based on novel The Death Dealers Spell My Name with an S (2014), short film directed by Samuel Ali, based on short story "Spell My Name with an S" Foundation (2021), series created by David S. Goyer and Josh Friedman, based on the Foundation series Novelizations Novel Fantastic Voyage, novelization of film Fantastic Voyage (1966) References Footnotes Notes Sources Asimov, Isaac. In Memory Yet Green (1979), New York: Avon, . In Joy Still Felt (1980), New York: Avon . I. Asimov: A Memoir (1994), (hc), (pb). Yours, Isaac Asimov (1996), edited by Stanley Asimov. New York: Doubleday . It's Been a Good Life (2002), edited by Janet Asimov. . Goldman, Stephen H., "Isaac Asimov", in Dictionary of Literary Biography, Vol. 8, Cowart and Wymer eds. (Gale Research, 1981), pp. 15–29. Gunn, James. "On Variations on a Robot", IASFM, July 1980, pp. 56–81. Isaac Asimov: The Foundations of Science Fiction (1982). . The Science of Science-Fiction Writing (2000). . Further reading External links Asimov Online, a vast repository of information about Asimov, maintained by Asimov enthusiast Edward Seiler Jenkins' Spoiler-Laden Guide to Isaac Asimov, reviews of all of Asimov's books 20th-century births 1992 deaths 20th-century American novelists 20th-century American male writers AIDS-related deaths in New York (state) American alternate history writers Jewish American atheists American biochemists American essayists American humanists American humorists American male novelists 20th-century American memoirists United States Army non-commissioned officers American mystery writers American people of Russian-Jewish descent American science fiction writers American science writers American skeptics American writers of Russian descent Asimov's Science Fiction people Bible commentators Boston University faculty Columbia University School of General Studies alumni Critics of religions Date of birth unknown Fellows of the American Academy of Arts and Sciences Futurians Historians of astronomy American historians of science Hugo Award-winning writers Humor researchers Jewish American novelists Jewish American short story writers Jewish feminists Jewish skeptics American male essayists Male feminists American male short story writers American short story writers Mensans Nebula Award winners New York (state) Democrats People from Shumyachsky District Naturalized citizens of the United States United States Navy civilians Science fiction fans Science Fiction Hall of Fame inductees SFWA Grand Masters Soviet emigrants to the United States Writers from Brooklyn Yiddish-speaking people Boys High School (Brooklyn) alumni Novelists from Massachusetts Novelists from New York (state) Scientists from New York City 20th-century essayists 20th-century atheists People from the Upper West Side Pulp fiction writers Writers about religion and science Atheist feminists Columbia Graduate School of Arts and Sciences alumni

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What was his age of starting school

What was Isaac Asimov's age of starting school?

Isaac Asimov

Asimov attended New York City public schools from age 5, including Boys High School in Brooklyn. Graduating at 15, he went on to Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then the institution's primary undergraduate school for men with quotas on the number of admissions from those ethnic groups. Originally a zoology major, Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1938, Asimov finished his BS degree at University Extension (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov in 1939 applied to the graduate program in chemistry at Columbia; initially rejected and then accepted only on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in biochemistry in 1948. In between earning these two degrees, he spent three years during World War II working as a civilian at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949 with a $5,000 (equivalent to $51,427 in 2017) salary, with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university. The difference grew, and in 1958 Asimov stopped teaching to become a full-time writer. Being tenured, he retained the title of associate professor (which he had held since 1955), and in 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. CANNOTANSWER

New York City public schools from age 5,

Isaac Asimov (; 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as much nonfiction. Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories. He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism. He was president of the American Humanist Association. Several entities have been named in his honor, including the asteroid (5020) Asimov, a crater on the planet Mars, a Brooklyn elementary school, Honda's humanoid robot, ASIMO, and four literary awards. Surname Asimov's family name derives from the first part of ozímyj khleb (озимый хлеб), meaning the winter grain (specifically rye) in which his great-great-great-grandfather dealt, with the Russian patronymic ending -ov added. Azimov is spelled in the Cyrillic alphabet. When the family arrived in the United States in 1923 and their name had to be spelled in the Latin alphabet, Asimov's father spelled it with an S, believing this letter to be pronounced like Z (as in German), and so it became Asimov. This later inspired one of Asimov's short stories, "Spell My Name with an S". Asimov refused early suggestions of using a more common name as a pseudonym, and believed that its recognizability helped his career. After becoming famous, he often met readers who believed that "Isaac Asimov" was a distinctive pseudonym created by an author with a common name. Biography Early life Asimov was born in Petrovichi, Russian SFSR, on an unknown date between October 4, 1919, and January 2, 1920, inclusive. Asimov celebrated his birthday on January 2. Asimov's parents were Anna Rachel (née Berman) and Judah Asimov, a family of Russian-Jewish millers. He was named Isaac after his mother's father, Isaac Berman. Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me". In 1921, Asimov and 16 other children in Petrovichi developed double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya; June 17, 1922 – April 2, 2011), and a brother, Stanley (July 25, 1929 – August 16, 1995), who was vice-president of the Long Island Newsday. Asimov's family travelled to the United States via Liverpool on the RMS Baltic, arriving on February 3, 1923 when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in both. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five (and later taught his sister to read as well, enabling her to enter school in the second grade). His mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2. He became a naturalized U.S. citizen in 1928 at the age of eight. After becoming established in the U.S., his parents owned a succession of candy stores in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material (including pulp science fiction magazines) as a child that he could not have otherwise afforded. Asimov began reading science fiction at age nine, at the time when the genre was becoming more science-centered. Education and career Asimov attended New York City public schools from age five, including Boys High School in Brooklyn. Graduating at 15, he attended the City College of New York for several days before accepting a scholarship at Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then, the institution's primary undergraduate school for men. Jewish and Italian-American students, even of outstanding academic caliber, were often deliberately barred from Columbia College proper because of the then-popular practice of imposing unwritten ethnic admission quotas. Originally a zoology major, Asimov switched to chemistry after his first semester because he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1936, Asimov finished his Bachelor of Science degree at Morningside Heights campus (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov applied to the graduate program in chemistry at Columbia in 1939; initially he was rejected and then only accepted on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948. During his chemistry studies, he also learned French and German. In between earning these two degrees, Asimov spent three years during World War II working as a civilian chemist at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected while at school, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949, teaching biochemistry with a $5,000 salary (), with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university, and he eventually stopped doing research, confining his university role to lecturing students. In 1955, he was promoted to associate professor, which gave him tenure. In December 1957, Asimov was dismissed from his teaching post, with effect from June 30, 1958, because he had stopped doing research. After a struggle which lasted for two years, he kept his title, he gave the opening lecture each year for a biochemistry class, and on October 18, 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. Personal life Asimov met his first wife, Gertrude Blugerman (1917, Toronto, Canada – 1990, Boston, U.S.), on a blind date on February 14, 1942, and married her on July 26 the same year. The couple lived in an apartment in West Philadelphia while Asimov was employed at the Philadelphia Navy Yard (where two of his co-workers were L. Sprague de Camp and Robert A. Heinlein). Gertrude returned to Brooklyn while he was in the army, and they both lived there from July 1946 before moving to Stuyvesant Town, Manhattan, in July 1948. They moved to Boston in May 1949, then to nearby suburbs Somerville in July 1949, Waltham in May 1951, and, finally, West Newton in 1956. They had two children, David (born 1951) and Robyn Joan (born 1955). In 1970, they separated and Asimov moved back to New York, this time to the Upper West Side of Manhattan where he lived for the rest of his life. He immediately began seeing Janet O. Jeppson, a psychiatrist and science-fiction writer, and married her on November 30, 1973, two weeks after his divorce from Gertrude. Asimov was a claustrophile: he enjoyed small, enclosed spaces. In the third volume of his autobiography, he recalls a childhood desire to own a magazine stand in a New York City Subway station, within which he could enclose himself and listen to the rumble of passing trains while reading. Asimov was afraid of flying, doing so only twice: once in the course of his work at the Naval Air Experimental Station and once returning home from Oahu in 1946. Consequently, he seldom traveled great distances. This phobia influenced several of his fiction works, such as the Wendell Urth mystery stories and the Robot novels featuring Elijah Baley. In his later years, Asimov found enjoyment traveling on cruise ships, beginning in 1972 when he viewed the Apollo 17 launch from a cruise ship. On several cruises, he was part of the entertainment program, giving science-themed talks aboard ships such as the Queen Elizabeth 2. He sailed to England in June 1974 on the SS France for a trip mostly devoted to events in London and Birmingham, though he also found time to visit Stonehenge. Asimov was an able public speaker and was regularly paid to give talks about science. He was a frequent fixture at science fiction conventions, where he was friendly and approachable. He patiently answered tens of thousands of questions and other mail with postcards and was pleased to give autographs. He was of medium height (), stocky, with—in his later years—"mutton-chop" sideburns, and a distinct New York accent. He took to wearing bolo ties after his wife Janet objected to his clip-on bow ties. His physical dexterity was very poor. He never learned to swim or ride a bicycle; however, he did learn to drive a car after he moved to Boston. In his humor book Asimov Laughs Again, he describes Boston driving as "anarchy on wheels". Asimov's wide interests included his participation in his later years in organizations devoted to the comic operas of Gilbert and Sullivan and in The Wolfe Pack, a group of devotees of the Nero Wolfe mysteries written by Rex Stout. Many of his short stories mention or quote Gilbert and Sullivan. He was a prominent member of The Baker Street Irregulars, the leading Sherlock Holmes society, for whom he wrote an essay arguing that Professor Moriarty's work "The Dynamics of An Asteroid" involved the willful destruction of an ancient, civilized planet. He was also a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his fictional group of mystery solvers, the Black Widowers. He later used his essay on Moriarty's work as the basis for a Black Widowers story, "The Ultimate Crime", which appeared in More Tales of the Black Widowers. In 1984, the American Humanist Association (AHA) named him the Humanist of the Year. He was one of the signers of the Humanist Manifesto. From 1985 until his death in 1992, he served as president of the AHA, an honorary appointment. His successor was his friend and fellow writer Kurt Vonnegut. He was also a close friend of Star Trek creator Gene Roddenberry, and earned a screen credit as "special science consultant" on Star Trek: The Motion Picture for advice he gave during production. Asimov was a founding member of the Committee for the Scientific Investigation of Claims of the Paranormal, CSICOP (now the Committee for Skeptical Inquiry) and is listed in its Pantheon of Skeptics. In a discussion with James Randi at CSICon 2016 regarding the founding of CSICOP, Kendrick Frazier said that Asimov was "a key figure in the Skeptical movement who is less well known and appreciated today, but was very much in the public eye back then." He said that Asimov being associated with CSICOP "gave it immense status and authority" in his eyes. Asimov described Carl Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky. Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". After his father died in 1969, Asimov annually contributed to a Judah Asimov Scholarship Fund at Brandeis University. Illness and death In 1977, Asimov suffered a heart attack. In December 1983, he had triple bypass surgery at NYU Medical Center, during which he contracted HIV from a blood transfusion. His HIV status was kept secret out of concern that the anti-AIDS prejudice might extend to his family members. He died in Manhattan on April 6, 1992, and was cremated. The cause of death was reported as heart and kidney failure. Ten years following Asimov's death, Janet and Robyn Asimov agreed that the HIV story should be made public; Janet revealed it in her edition of his autobiography, It's Been a Good Life. Writings Overview Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories. Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image". Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series. Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream". Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology. Although Asimov did write several essays about psychology, and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982), which were classified in the 100s category, none of his own books were classified in that category. According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author. Science fiction Asimov became a science fiction fan in 1929, when he began reading the pulp magazines sold in his family's candy store. At first his father forbade reading pulps as he considered them to be trash, until Asimov persuaded him that because the science fiction magazines had "Science" in the title, they must be educational. At age 18 he joined the Futurians science fiction fan club, where he made friends who went on to become science fiction writers or editors. Asimov began writing at the age of 11, imitating The Rover Boys with eight chapters of The Greenville Chums at College. His father bought Asimov a used typewriter at age 16. His first published work was a humorous item on the birth of his brother for Boys High School's literary journal in 1934. In May 1937 he first thought of writing professionally, and began writing his first science fiction story, "Cosmic Corkscrew" (now lost), that year. On May 17, 1938, puzzled by a change in the schedule of Astounding Science Fiction, Asimov visited its publisher Street & Smith Publications. Inspired by the visit, he finished the story on June 19, 1938, and personally submitted it to Astounding editor John W. Campbell two days later. Campbell met with Asimov for more than an hour and promised to read the story himself. Two days later he received a rejection letter explaining why in detail. This was the first of what became almost weekly meetings with the editor while Asimov lived in New York, until moving to Boston in 1949; Campbell had a strong formative influence on Asimov and became a personal friend. By the end of the month, Asimov completed a second story, "Stowaway". Campbell rejected it on July 22 but—in "the nicest possible letter you could imagine"—encouraged him to continue writing, promising that Asimov might sell his work after another year and a dozen stories of practice. On October 21, 1938, he sold the third story he finished, "Marooned Off Vesta", to Amazing Stories, edited by Raymond A. Palmer, and it appeared in the March 1939 issue. Asimov was paid $64 (), or one cent a word. Two more stories appeared that year, "The Weapon Too Dreadful to Use" in the May Amazing and "Trends" in the July Astounding, the issue fans later selected as the start of the Golden Age of Science Fiction. For 1940, ISFDB catalogs seven stories in four different pulp magazines, including one in Astounding. His earnings became enough to pay for his education, but not yet enough for him to become a full-time writer. Asimov later said that unlike other top Golden Age writers Robert Heinlein and A. E. van Vogt—also first published in 1939, and whose talent and stardom were immediately obvious—he "(this is not false modesty) came up only gradually". Through July 29, 1940, Asimov wrote 22 stories in 25 months, of which 13 were published; he wrote in 1972 that from that date he never wrote a science fiction story that was not published (except for two "special cases"). He was famous enough that Donald Wollheim told Asimov that he purchased "The Secret Sense" for a new magazine only because of his name, and the December 1940 issue of Astonishing—featuring Asimov's name in bold—was the first magazine to base cover art on his work, but Asimov later said that neither he himself nor anyone else—except perhaps Campbell—considered him better than an often published "third rater". Based on a conversation with Campbell, Asimov wrote "Nightfall", his 32nd story, in March and April 1941, and Astounding published it in September 1941. In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written. In Nightfall and Other Stories Asimov wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'." "Nightfall" is an archetypal example of social science fiction, a term he created to describe a new trend in the 1940s, led by authors including him and Heinlein, away from gadgets and space opera and toward speculation about the human condition. After writing "Victory Unintentional" in January and February 1942, Asimov did not write another story for a year. Asimov expected to make chemistry his career, and was paid $2,600 annually at the Philadelphia Navy Yard, enough to marry his girlfriend; he did not expect to make much more from writing than the $1,788.50 he had earned from 28 stories sold over four years. Asimov left science fiction fandom and no longer read new magazines, and might have left the industry had not Heinlein and de Camp been coworkers and previously sold stories continued to appear. In 1942, Asimov published the first of his Foundation stories—later collected in the Foundation trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953). The books recount the fall of a vast interstellar empire and the establishment of its eventual successor. They also feature his fictional science of psychohistory, in which the future course of the history of large populations can be predicted. The trilogy and Robot series are his most famous science fiction. In 1966 they won the Hugo Award for the all-time best series of science fiction and fantasy novels. Campbell raised his rate per word, Orson Welles purchased rights to "Evidence", and anthologies reprinted his stories. By the end of the war Asimov was earning as a writer an amount equal to half of his Navy Yard salary, even after a raise, but Asimov still did not believe that writing could support him, his wife, and future children. His "positronic" robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in his introduction to the short story collection The Complete Robot (1982) that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creators. The robot series has led to film adaptations. With Asimov's collaboration, in about 1977, Harlan Ellison wrote a screenplay of I, Robot that Asimov hoped would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay has never been filmed and was eventually published in book form in 1994. The 2004 movie I, Robot, starring Will Smith, was based on an unrelated script by Jeff Vintar titled Hardwired, with Asimov's ideas incorporated later after the rights to Asimov's title were acquired. (The title was not original to Asimov but had previously been used for a story by Eando Binder.) Also, one of Asimov's robot short stories, "The Bicentennial Man", was expanded into a novel The Positronic Man by Asimov and Robert Silverberg, and this was adapted into the 1999 movie Bicentennial Man, starring Robin Williams. Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford, David Brin, and Donald Kingsbury. At least some of these appear to have been done with the blessing of, or at the request of, Asimov's widow, Janet Asimov. In 1948, he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name. Asimov grew concerned at the scrutiny he would receive at his oral examination, in case the examiners thought he wasn't taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old with Me" (40,000 words), but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. Doubleday published five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw Gnome Press publish one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation trilogy. More positronic robot stories were republished in book form as The Rest of the Robots. Books and the magazines Galaxy, and Fantasy & Science Fiction ended Asimov's dependence on Astounding. He later described the era as his "'mature' period". Asimov's "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy, was his personal favorite story. In 1972, his novel The Gods Themselves (which was not part of a series) was published to general acclaim, and it won the Hugo Award for Best Novel, the Nebula Award for Best Novel, and the Locus Award for Best Novel. In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue. McCartney rejected the story. The treatment now exists only in the Boston University archives. Asimov said in 1969 that he had "the happiest of all my associations with science fiction magazines" with Fantasy & Science Fiction; "I have no complaints about Astounding, Galaxy, or any of the rest, heaven knows, but F&SF has become something special to me". Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazines and Alfred Hitchcock's Mystery Magazines "anthologies"). Due to pressure by fans on Asimov to write another book in his Foundation series, he did so with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992), his last novel. Popular science Asimov and two colleagues published a textbook in 1949, with two more editions by 1969. During the late 1950s and 1960s, Asimov substantially decreased his fiction output (he published only four adult novels between 1957's The Naked Sun and 1982's Foundation's Edge, two of which were mysteries). He greatly increased his nonfiction production, writing mostly on science topics; the launch of Sputnik in 1957 engendered public concern over a "science gap". Asimov explained in The Rest of the Robots that he had been unable to write substantial fiction since the summer of 1958, and observers understood him as saying that his fiction career had ended, or was permanently interrupted. Asimov recalled in 1969 that "the United States went into a kind of tizzy, and so did I. I was overcome by the ardent desire to write popular science for an America that might be in great danger through its neglect of science, and a number of publishers got an equally ardent desire to publish popular science for the same reason". Fantasy and Science Fiction invited Asimov to continue his regular nonfiction column, begun in the now-folded bimonthly companion magazine Venture Science Fiction Magazine. The first of 399 monthly F&SF columns appeared in November 1958 and they continued until his terminal illness. These columns, periodically collected into books by Doubleday, gave Asimov a reputation as a "Great Explainer" of science; he described them as his only popular science writing in which he never had to assume complete ignorance of the subjects on the part of his readers. The column was ostensibly dedicated to popular science but Asimov had complete editorial freedom, and wrote about contemporary social issues in essays such as "Thinking About Thinking" and "Knock Plastic!". In 1975 he wrote of these essays: "I get more pleasure out of them than out of any other writing assignment." Asimov's first wide-ranging reference work, The Intelligent Man's Guide to Science (1960), was nominated for a National Book Award, and in 1963 he won a Hugo Award—his first—for his essays for F&SF. The popularity of his science books and the income he derived from them allowed him to give up most academic responsibilities and become a full-time freelance writer. He encouraged other science fiction writers to write popular science, stating in 1967 that "the knowledgeable, skillful science writer is worth his weight in contracts", with "twice as much work as he can possibly handle". The great variety of information covered in Asimov's writings prompted Kurt Vonnegut to ask, "How does it feel to know everything?" Asimov replied that he only knew how it felt to have the 'reputation' of omniscience: "Uneasy". Floyd C. Gale said that "Asimov has a rare talent. He can make your mental mouth water over dry facts", and "science fiction's loss has been science popularization's gain". Asimov said that "Of all the writing I do, fiction, non-fiction, adult, or juvenile, these F & SF articles are by far the most fun". He regretted, however, that he had less time for fiction—causing dissatisfied readers to send him letters of complaint—stating in 1969 that "In the last ten years, I've done a couple of novels, some collections, a dozen or so stories, but that's nothing". In his essay "To Tell a Chemist" (1965), Asimov proposed a simple shibboleth for distinguishing chemists from non-chemists: ask the person to read the word "unionized". Chemists, he noted, will read the word "unionized" as un-ion-ized (pronounced "un-EYE-en-ized"), meaning "(a chemical species) being in an electrically neutral state, as opposed to being an ion", while non-chemists will read the word as union-ized (pronounced "YOU-nien-ized"), meaning "(a worker or organization) belonging to or possessing a trade union". Coined terms Asimov coined the term "robotics" in his 1941 story "Liar!", though he later remarked that he believed then that he was merely using an existing word, as he stated in Gold ("The Robot Chronicles"). While acknowledging the Oxford Dictionary reference, he incorrectly states that the word was first printed about one third of the way down the first column of page 100, Astounding Science Fiction, March 1942 printing of his short story "Runaround". In the same story, Asimov also coined the term "positronic" (the counterpart to "electronic" for positrons). Asimov coined the term "psychohistory" in his Foundation stories to name a fictional branch of science which combines history, sociology, and mathematical statistics to make general predictions about the future behavior of very large groups of people, such as the Galactic Empire. Asimov said later that he should have called it psychosociology. It was first introduced in the five short stories (1942–1944) which would later be collected as the 1951 fix-up novel Foundation. Somewhat later, the term "psychohistory" was applied by others to research of the effects of psychology on history. Other writings In addition to his interest in science, Asimov was interested in history. Starting in the 1960s, he wrote 14 popular history books, including The Greeks: A Great Adventure (1965), The Roman Republic (1966), The Roman Empire (1967), The Egyptians (1967) The Near East: 10,000 Years of History (1968), and Asimov's Chronology of the World (1991). He published Asimov's Guide to the Bible in two volumes—covering the Old Testament in 1967 and the New Testament in 1969—and then combined them into one 1,300-page volume in 1981. Complete with maps and tables, the guide goes through the books of the Bible in order, explaining the history of each one and the political influences that affected it, as well as biographical information about the important characters. His interest in literature manifested itself in several annotations of literary works, including Asimov's Guide to Shakespeare (1970), Asimov's Annotated Don Juan (1972), Asimov's Annotated Paradise Lost (1974), and The Annotated Gulliver's Travels (1980). Asimov was also a noted mystery author and a frequent contributor to Ellery Queen's Mystery Magazine. He began by writing science fiction mysteries such as his Wendell Urth stories, but soon moved on to writing "pure" mysteries. He published two full-length mystery novels, and wrote 66 stories about the Black Widowers, a group of men who met monthly for dinner, conversation, and a puzzle. He got the idea for the Widowers from his own association in a stag group called the Trap Door Spiders, and all of the main characters (with the exception of the waiter, Henry, who he admitted resembled Wodehouse's Jeeves) were modeled after his closest friends. A parody of the Black Widowers, "An Evening with the White Divorcés," was written by author, critic, and librarian Jon L. Breen. Asimov joked, "all I can do ... is to wait until I catch him in a dark alley, someday." Toward the end of his life, Asimov published a series of collections of limericks, mostly written by himself, starting with Lecherous Limericks, which appeared in 1975. Limericks: Too Gross, whose title displays Asimov's love of puns, contains 144 limericks by Asimov and an equal number by John Ciardi. He even created a slim volume of Sherlockian limericks. Asimov featured Yiddish humor in Azazel, The Two Centimeter Demon. The two main characters, both Jewish, talk over dinner, or lunch, or breakfast, about anecdotes of "George" and his friend Azazel. Asimov's Treasury of Humor is both a working joke book and a treatise propounding his views on humor theory. According to Asimov, the most essential element of humor is an abrupt change in point of view, one that suddenly shifts focus from the important to the trivial, or from the sublime to the ridiculous. Particularly in his later years, Asimov to some extent cultivated an image of himself as an amiable lecher. In 1971, as a response to the popularity of sexual guidebooks such as The Sensuous Woman (by "J") and The Sensuous Man (by "M"), Asimov published The Sensuous Dirty Old Man under the byline "Dr. 'A (although his full name was printed on the paperback edition, first published 1972). However, by 2016, some of Asimov's behavior towards women was described as sexual harassment and cited as an example of historically problematic behavior by men in science fiction communities. Asimov published three volumes of autobiography. In Memory Yet Green (1979) and In Joy Still Felt (1980) cover his life up to 1978. The third volume, I. Asimov: A Memoir (1994), covered his whole life (rather than following on from where the second volume left off). The epilogue was written by his widow Janet Asimov after his death. The book won a Hugo Award in 1995. Janet Asimov edited It's Been a Good Life (2002), a condensed version of his three autobiographies. He also published three volumes of retrospectives of his writing, Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984). In 1987, the Asimovs co-wrote How to Enjoy Writing: A Book of Aid and Comfort. In it they offer advice on how to maintain a positive attitude and stay productive when dealing with discouragement, distractions, rejection, and thick-headed editors. The book includes many quotations, essays, anecdotes, and husband-wife dialogues about the ups and downs of being an author. Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Treks initial launch in the late 1960s. Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects. In 1973, Asimov published a proposal for calendar reform, called the World Season Calendar. It divides the year into four seasons (named A–D) of 13 weeks (91 days) each. This allows days to be named, e.g., "D-73" instead of December 1 (due to December 1 being the 73rd day of the 4th quarter). An extra 'year day' is added for a total of 365 days. Awards and recognition Asimov won more than a dozen annual awards for particular works of science fiction and a half-dozen lifetime awards. He also received 14 honorary doctorate degrees from universities. 1955 – Guest of Honor at the 13th World Science Fiction Convention 1957 – Thomas Alva Edison Foundation Award for best science book for youth, for Building Blocks of the Universe 1960 – Howard W. Blakeslee Award from the American Heart Association for The Living River 1962 – Boston University's Publication Merit Award 1963 – A special Hugo Award for "adding science to science fiction," for essays published in The Magazine of Fantasy and Science Fiction 1963 – Fellow of the American Academy of Arts and Sciences 1964 – The Science Fiction Writers of America voted "Nightfall" (1941) the all-time best science fiction short story 1965 – James T. Grady Award of the American Chemical Society (now called the James T. Grady-James H. Stack Award for Interpreting Chemistry) 1966 – Best All-time Novel Series Hugo Award for the Foundation trilogy 1967 – Edward E. Smith Memorial Award 1967 – AAAS-Westinghouse Science Writing Award for Magazine Writing, for essay "Over the Edge of the Universe" (in the March 1967 Harper's Magazine) 1972 – Nebula Award for Best Novel for The Gods Themselves 1973 – Hugo Award for Best Novel for The Gods Themselves 1973 – Locus Award for Best Novel for The Gods Themselves 1975 – Golden Plate Award of the American Academy of Achievement 1975 – Klumpke-Roberts Award "for outstanding contributions to the public understanding and appreciation of astronomy" 1975 – Locus Award for Best Reprint Anthology for Before the Golden Age 1977 – Hugo Award for Best Novelette for The Bicentennial Man 1977 – Nebula Award for Best Novelette for The Bicentennial Man 1977 – Locus Award for Best Novelette for The Bicentennial Man 1981 – An asteroid, 5020 Asimov, was named in his honor 1981 – Locus Award for Best Non-Fiction Book for In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 1983 – Hugo Award for Best Novel for Foundation's Edge 1983 – Locus Award for Best Science Fiction Novel for Foundation's Edge 1984 – Humanist of the Year 1986 – The Science Fiction and Fantasy Writers of America named him its 8th SFWA Grand Master (presented in 1987). 1987 – Locus Award for Best Short Story for "Robot Dreams" 1992 – Hugo Award for Best Novelette for "Gold" 1995 – Hugo Award for Best Non-Fiction Book for I. Asimov: A Memoir 1995 – Locus Award for Best Non-Fiction Book for I. Asimov: A Memoir 1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon for "The Mule", the 7th Foundation story, published in Astounding Science Fiction 1997 – The Science Fiction and Fantasy Hall of Fame inducted Asimov in its second class of two deceased and two living persons, along with H. G. Wells. 2000 – Asimov was featured on a stamp in Israel 2001 – The Isaac Asimov Memorial Debates at the Hayden Planetarium in New York were inaugurated 2009 – A crater on the planet Mars, Asimov, was named in his honor 2010 – In the US Congress bill about the designation of the National Robotics Week as an annual event, a tribute to Isaac Asimov is as follows: "Whereas the second week in April each year is designated as 'National Robotics Week', recognizing the accomplishments of Isaac Asimov, who immigrated to America, taught science, wrote science books for children and adults, first used the term robotics, developed the Three Laws of Robotics, and died in April 1992: Now, therefore, be it resolved ..." 2015 – Selected as a member of the New York State Writers Hall of Fame. 2016 – A 1941 Retro-Hugo for Best Short Story of 1940 was given at the 2016 WorldCon for Robbie, his first positronic robot story, published in Super Science Stories, September 1940 2018 – A 1943 Retro-Hugo for Best Short Story of 1942 was given at the 2018 WorldCon for Foundation, published in Astounding Science-Fiction, May 1942 Writing style Asimov was his own secretary, typist, indexer, proofreader, and literary agent. He wrote a typed first draft composed at the keyboard at 90 words per minute; he imagined an ending first, then a beginning, then "let everything in-between work itself out as I come to it". (Asimov only used an outline once, later describing it as "like trying to play the piano from inside a straitjacket".) After correcting a draft by hand, he retyped the document as the final copy and only made one revision with minor editor-requested changes; a word processor did not save him much time, Asimov said, because 95% of the first draft was unchanged. After disliking making multiple revisions of "Black Friar of the Flame", Asimov refused to make major, second, or non-editorial revisions ("like chewing used gum"), stating that "too large a revision, or too many revisions, indicate that the piece of writing is a failure. In the time it would take to salvage such a failure, I could write a new piece altogether and have infinitely more fun in the process". He submitted "failures" to another editor. One of the most common impressions of Asimov's fiction work is that his writing style is extremely unornamented. In 1980, science fiction scholar James Gunn wrote of I, Robot: Asimov addressed such criticism in 1989 at the beginning of Nemesis: Gunn cited examples of a more complex style, such as the climax of "Liar!". Sharply drawn characters occur at key junctures of his storylines: Susan Calvin in "Liar!" and "Evidence", Arkady Darell in Second Foundation, Elijah Baley in The Caves of Steel, and Hari Seldon in the Foundation prequels. Other than books by Gunn and Joseph Patrouch, a relative dearth of "literary" criticism exists on Asimov (particularly when compared to the sheer volume of his output). Cowart and Wymer's Dictionary of Literary Biography (1981) gives a possible reason: Gunn's and Patrouch's respective studies of Asimov both state that a clear, direct prose style is still a style. Gunn's 1982 book comments in detail on each of Asimov's novels. He does not praise all of Asimov's fiction (nor does Patrouch), but calls some passages in The Caves of Steel "reminiscent of Proust". When discussing how that novel depicts night falling over futuristic New York City, Gunn says that Asimov's prose "need not be ashamed anywhere in literary society". Although he prided himself on his unornamented prose style (for which he credited Clifford D. Simak as an early influence), and said in 1973 that his style had not changed, Asimov also enjoyed giving his longer stories complicated narrative structures, often by arranging chapters in nonchronological ways. Some readers have been put off by this, complaining that the nonlinearity is not worth the trouble and adversely affects the clarity of the story. For example, the first third of The Gods Themselves begins with Chapter 6, then backtracks to fill in earlier material. (John Campbell advised Asimov to begin his stories as late in the plot as possible. This advice helped Asimov create "Reason", one of the early Robot stories). Patrouch found that the interwoven and nested flashbacks of The Currents of Space did serious harm to that novel, to such an extent that only a "dyed-in-the-kyrt Asimov fan" could enjoy it. In his later novel Nemesis one group of characters lives in the "present" and another group starts in the "past", beginning 15 years earlier and gradually moving toward the time period of the first group. Alien life Asimov once explained that his reluctance to write about aliens came from an incident early in his career when Astoundings editor John Campbell rejected one of his science fiction stories because the alien characters were portrayed as superior to the humans. The nature of the rejection led him to believe that Campbell may have based his bias towards humans in stories on a real-world racial bias. Unwilling to write only weak alien races, and concerned that a confrontation would jeopardize his and Campbell's friendship, he decided he would not write about aliens at all. Nevertheless, in response to these criticisms, he wrote The Gods Themselves, which contains aliens and alien sex. The book won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973. Asimov said that of all his writings, he was most proud of the middle section of The Gods Themselves, the part that deals with those themes. In the Hugo Award-winning novelette "Gold", Asimov describes an author, clearly based on himself, who has one of his books (The Gods Themselves) adapted into a "compu-drama", essentially photo-realistic computer animation. The director criticizes the fictionalized Asimov ("Gregory Laborian") for having an extremely nonvisual style, making it difficult to adapt his work, and the author explains that he relies on ideas and dialogue rather than description to get his points across. Romance and women In the early days of science fiction some authors and critics felt that the romantic elements were inappropriate in science fiction stories, which were supposedly to be focused on science and technology. Isaac Asimov was a prominent supporter of this point of view, expressed in his 1938-1939 letters to Astounding, where he described such elements as "mush" and "slop". However, to his dismay, these letters were met with a strong opposition. Asimov attributed the lack of romance and sex in his fiction to the "early imprinting" from starting his writing career when he had never been on a date and "didn't know anything about girls". He was sometimes criticized for the general absence of sex (and of extraterrestrial life) in his science fiction. He claimed he wrote The Gods Themselves to respond to these criticisms, which often came from New Wave science fiction (and often British) writers. The second part (of three) of the novel is set on an alien world with three sexes, and the sexual behavior of these creatures is extensively depicted. Asimov was also criticized for a lack of strong female characters in his early work. However, some of his robot stories, including the earliest ones, featured the character Susan Calvin, a forceful and intelligent woman who regularly out-performed her male colleagues. In his autobiographical writings, such as Gold ("Women and Science Fiction"), he acknowledges this complaint has merit and responds by pointing to inexperience. His later novels, written with more female characters but in essentially the same prose style as his early science-fiction stories, brought this matter to a wider audience. The Washington Post's "Book World" section reports of Robots and Empire opined "In 1940, Asimov's humans were stripped-down masculine portraits of Americans from 1940, and they still are." Views Religion Asimov was an atheist, a humanist, and a rationalist. He did not oppose religious conviction in others, but he frequently railed against superstitious and pseudoscientific beliefs that tried to pass themselves off as genuine science. During his childhood, his father and mother observed the traditions of Orthodox Judaism, though not as stringently as they had in Petrovichi; they did not, however, force their beliefs upon young Isaac. Thus, he grew up without strong religious influences, coming to believe that the Torah represented Hebrew mythology in the same way that the Iliad recorded Greek mythology. When he was 13, he chose not to have a bar mitzvah. As his books Treasury of Humor and Asimov Laughs Again record, Asimov was willing to tell jokes involving God, Satan, the Garden of Eden, Jerusalem, and other religious topics, expressing the viewpoint that a good joke can do more to provoke thought than hours of philosophical discussion. For a brief while, his father worked in the local synagogue to enjoy the familiar surroundings and, as Isaac put it, "shine as a learned scholar" versed in the sacred writings. This scholarship was a seed for his later authorship and publication of Asimov's Guide to the Bible, an analysis of the historic foundations for both the Old and New Testaments. For many years, Asimov called himself an atheist; however, he considered the term somewhat inadequate, as it described what he did not believe rather than what he did. Eventually, he described himself as a "humanist" and considered that term more practical. Asimov did, however, continue to identify himself as a secular Jew, as stated in his introduction to Jack Dann's anthology of Jewish science fiction, Wandering Stars: "I attend no services and follow no ritual and have never undergone that curious puberty rite, the Bar Mitzvah. It doesn't matter. I am Jewish." When asked in an interview in 1982 if he was an atheist, Asimov replied, Likewise, he said about religious education: "I would not be satisfied to have my kids choose to be religious without trying to argue them out of it, just as I would not be satisfied to have them decide to smoke regularly or engage in any other practice I consider detrimental to mind or body." In his last volume of autobiography, Asimov wrote, The same memoir states his belief that Hell is "the drooling dream of a sadist" crudely affixed to an all-merciful God; if even human governments were willing to curtail cruel and unusual punishments, wondered Asimov, why would punishment in the afterlife not be restricted to a limited term? Asimov rejected the idea that a human belief or action could merit infinite punishment. If an afterlife existed, he claimed, the longest and most severe punishment would be reserved for those who "slandered God by inventing Hell". Asimov said about using religious motifs in his writing: Politics Asimov became a staunch supporter of the Democratic Party during the New Deal, and thereafter remained a political liberal. He was a vocal opponent of the Vietnam War in the 1960s and in a television interview during the early 1970s he publicly endorsed George McGovern. He was unhappy about what he considered an "irrationalist" viewpoint taken by many radical political activists from the late 1960s and onwards. In his second volume of autobiography, In Joy Still Felt, Asimov recalled meeting the counterculture figure Abbie Hoffman. Asimov's impression was that the 1960s' counterculture heroes had ridden an emotional wave which, in the end, left them stranded in a "no-man's land of the spirit" from which he wondered if they would ever return. Asimov vehemently opposed Richard Nixon, considering him "a crook and a liar". He closely followed Watergate, and was pleased when the president was forced to resign. Asimov was dismayed over the pardon extended to Nixon by his successor: "I was not impressed by the argument that it has spared the nation an ordeal. To my way of thinking, the ordeal was necessary to make certain it would never happen again." After Asimov's name appeared in the mid-1960s on a list of people the Communist Party USA "considered amenable" to its goals, the FBI investigated him. Because of his academic background, the bureau briefly considered Asimov as a possible candidate for known Soviet spy ROBPROF, but found nothing suspicious in his life or background. Asimov appeared to hold an equivocal attitude towards Israel. In his first autobiography, he indicates his support for the safety of Israel, though insisting that he was not a Zionist. In his third autobiography, Asimov stated his opposition to the creation of a Jewish state, on the grounds that he was opposed to having nation-states in general, and supported the notion of a single humanity. Asimov especially worried about the safety of Israel given that it had been created among hostile Muslim neighbors, and said that Jews had merely created for themselves another "Jewish ghetto". Social issues Asimov believed that "science fiction ... serve[s] the good of humanity". He considered himself a feminist even before women's liberation became a widespread movement; he argued that the issue of women's rights was closely connected to that of population control. Furthermore, he believed that homosexuality must be considered a "moral right" on population grounds, as must all consenting adult sexual activity that does not lead to reproduction. He issued many appeals for population control, reflecting a perspective articulated by people from Thomas Malthus through Paul R. Ehrlich. In a 1988 interview by Bill Moyers, Asimov proposed computer-aided learning, where people would use computers to find information on subjects in which they were interested. He thought this would make learning more interesting, since people would have the freedom to choose what to learn, and would help spread knowledge around the world. Also, the one-to-one model would let students learn at their own pace. Asimov thought that people would live in space by the year 2019. In 1983 Asimov wrote: He continues on education: Sexual harassment Asimov would often fondle, kiss and pinch women at conventions and elsewhere without regard for their consent. According to Alec Nevala-Lee, author of an Asimov biography and writer on the history of science fiction, he often defended himself by saying that far from showing objections, these women cooperated. In the 1971 satirical piece, The Sensuous Dirty Old Man, he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." According to Nevala-Lee, however, "many of these encounters were clearly nonconsensual." He wrote that Asimov's behaviour, as a leading science-fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community. In support of this, he quoted some of Asimov's contemporary fellow-authors such as Judith Merril, Harlan Ellison and Frederik Pohl, as well as editors such as Timothy Seldes. Specific incidents were reported by other people including Edward L. Ferman, long-time editor of The Magazine of Fantasy & Science Fiction who wrote "... instead of shaking my date's hand, he shook her left breast". Environment and population Asimov's defense of civil applications of nuclear power even after the Three Mile Island nuclear power plant incident damaged his relations with some of his fellow liberals. In a letter reprinted in Yours, Isaac Asimov, he states that although he would prefer living in "no danger whatsoever" than near a nuclear reactor, he would still prefer a home near a nuclear power plant than in a slum on Love Canal or near "a Union Carbide plant producing methyl isocyanate", the latter being a reference to the Bhopal disaster. In the closing years of his life, Asimov blamed the deterioration of the quality of life that he perceived in New York City on the shrinking tax base caused by the middle-class flight to the suburbs, though he continued to support high taxes on the middle class to pay for social programs. His last nonfiction book, Our Angry Earth (1991, co-written with his long-time friend, science fiction author Frederik Pohl), deals with elements of the environmental crisis such as overpopulation, oil dependence, war, global warming, and the destruction of the ozone layer. In response to being presented by Bill Moyers with the question "What do you see happening to the idea of dignity to human species if this population growth continues at its present rate?", Asimov responded: Other authors Asimov enjoyed the writings of J. R. R. Tolkien, and in fact even used The Lord of the Rings as a plot point in a Black Widowers story, titled Nothing like Murder. In the essay All or Nothing (for The Magazine of Fantasy and Science Fiction, Jan 1981), Asimov revealed that he admires Tolkien and that he had read The Lord of the Rings five times. (The feelings were mutual, with Tolkien himself revealing that he had enjoyed Asimov's science fiction. This would make Asimov an exception to Tolkien's earlier claim that he rarely found "any modern books" that were interesting to him.) He acknowledged other writers as superior to himself in talent, saying of Harlan Ellison, "He is (in my opinion) one of the best writers in the world, far more skilled at the art than I am." Asimov disapproved of the New Wave's growing influence, however, stating in 1967 "I want science fiction. I think science fiction isn't really science fiction if it lacks science. And I think the better and truer the science, the better and truer the science fiction". The feelings of friendship and respect between Asimov and Arthur C. Clarke were demonstrated by the so-called "Clarke-Asimov Treaty of Park Avenue", negotiated as they shared a cab in New York. This stated that Asimov was required to insist that Clarke was the best science fiction writer in the world (reserving second-best for himself), while Clarke was required to insist that Asimov was the best science writer in the world (reserving second-best for himself). Thus, the dedication in Clarke's book Report on Planet Three (1972) reads: "In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer." Asimov became a fan of mystery stories at the same time as science fiction. He preferred to read the former to latter because "I read every [science fiction] story keenly aware that it might be worse than mine, in which case I had no patience with it, or that it might be better, in which case I felt miserable". Asimov wrote "I make no secret of the fact that in my mysteries I use Agatha Christie as my model. In my opinion, her mysteries are the best ever written, far better than the Sherlock Holmes stories, and Hercule Poirot is the best detective fiction has seen. Why should I not use as my model what I consider the best?" He enjoyed Sherlock Holmes, but considered Arthur Conan Doyle to be "a slapdash and sloppy writer." Asimov also enjoyed humorous stories, particularly those of P. G. Wodehouse. In non-fiction writing, Asimov particularly admired the writing style of Martin Gardner, and tried to emulate it in his own science books. On meeting Gardner for the first time in 1965, Asimov told him this, to which Gardner answered that he had based his own style on Asimov's. Influence Paul Krugman, holder of a Nobel Prize in Economics, stated Asimov's concept of psychohistory has inspired him to become an economist. John Jenkins, who has reviewed the vast majority of Asimov's written output, once observed, "It has been pointed out that most science fiction writers since the 1950s have been affected by Asimov, either modeling their style on his or deliberately avoiding anything like his style." Along with such figures as Bertrand Russell and Karl Popper, Asimov left his mark as one of the most distinguished interdisciplinarians of the 20th century. "Few individuals", writes James L. Christian, "understood better than Isaac Asimov what synoptic thinking is all about. His almost 500 books—which he wrote as a specialist, a knowledgeable authority, or just an excited layman—range over almost all conceivable subjects: the sciences, history, literature, religion, and of course, science fiction." Bibliography Depending on the counting convention used, and including all titles, charts, and edited collections, there may be currently over 500 books in Asimov's bibliography—as well as his individual short stories, individual essays, and criticism. For his 100th, 200th, and 300th books (based on his personal count), Asimov published Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984), celebrating his writing. An extensive bibliography of Isaac Asimov's works has been compiled by Ed Seiler. He published enough that his book writing rate could be analysed, showing that the writing became faster as he wrote more. An online exhibit in West Virginia University Libraries' virtually complete Asimov Collection displays features, visuals, and descriptions of some of his over 600 books, games, audio recordings, videos, and wall charts. Many first, rare, and autographed editions are in the Libraries' Rare Book Room. Book jackets and autographs are presented online along with descriptions and images of children's books, science fiction art, multimedia, and other materials in the collection. Science fiction "Greater Foundation" series The Robot series was originally separate from the Foundation series. The Galactic Empire novels were published as independent stories, set earlier in the same future as Foundation. Later in life, Asimov synthesized the Robot series into a single coherent "history" that appeared in the extension of the Foundation series. All of these books were published by Doubleday & Co, except the original Foundation trilogy which was originally published by Gnome Books before being bought and republished by Doubleday. The Robot series: (first Elijah Baley SF-crime novel) (second Elijah Baley SF-crime novel) (third Elijah Baley SF-crime novel) (sequel to the Elijah Baley trilogy) Galactic Empire novels: (early Galactic Empire) (long before the Empire) (Republic of Trantor still expanding) Foundation prequels: Original Foundation trilogy: (also published with the title 'The Man Who Upset the Universe' as a 35¢ Ace paperback, D-125, in about 1952) Extended Foundation series: Lucky Starr series (as Paul French) All published by Doubleday & Co David Starr, Space Ranger (1952) Lucky Starr and the Pirates of the Asteroids (1953) Lucky Starr and the Oceans of Venus (1954) Lucky Starr and the Big Sun of Mercury (1956) Lucky Starr and the Moons of Jupiter (1957) Lucky Starr and the Rings of Saturn (1958) Norby Chronicles (with Janet Asimov) All published by Walker & Company Norby, the Mixed-Up Robot (1983) Norby's Other Secret (1984) Norby and the Lost Princess (1985) Norby and the Invaders (1985) Norby and the Queen's Necklace (1986) Norby Finds a Villain (1987) Norby Down to Earth (1988) Norby and Yobo's Great Adventure (1989) Norby and the Oldest Dragon (1990) Norby and the Court Jester (1991) Novels not part of a series Novels marked with an asterisk (*) have minor connections to Foundation universe. The End of Eternity (1955), Doubleday (*) Fantastic Voyage (1966), Bantam Books (paperback) and Houghton Mifflin (hardback) (a novelization of the movie) The Gods Themselves (1972), Doubleday Fantastic Voyage II: Destination Brain (1987), Doubleday (not a sequel to Fantastic Voyage, but a similar, independent story) Nemesis (1989), Bantam Doubleday Dell (*) Nightfall (1990), Doubleday, with Robert Silverberg (based on "Nightfall", a 1941 short story written by Asimov) Child of Time (1992), Bantam Doubleday Dell, with Robert Silverberg (based on "The Ugly Little Boy", a 1958 short story written by Asimov) The Positronic Man (1993), Bantam Doubleday Dell, with Robert Silverberg (*) (based on The Bicentennial Man, a 1976 novella written by Asimov) Short-story collections Mysteries Novels The Death Dealers (1958), Avon Books, republished as A Whiff of Death by Walker & Company Murder at the ABA (1976), Doubleday, also published as Authorized Murder Short-story collections Black Widowers series Tales of the Black Widowers (1974), Doubleday More Tales of the Black Widowers (1976), Doubleday Casebook of the Black Widowers (1980), Doubleday Banquets of the Black Widowers (1984), Doubleday Puzzles of the Black Widowers (1990), Doubleday The Return of the Black Widowers (2003), Carroll & Graf Other mysteries Asimov's Mysteries (1968), Doubleday The Key Word and Other Mysteries (1977), Walker The Union Club Mysteries (1983), Doubleday The Disappearing Man and Other Mysteries (1985), Walker The Best Mysteries of Isaac Asimov (1986), Doubleday Nonfiction Popular science Collections of Asimov's essays for F&SF The following books collected essays which were originally published as monthly columns in The Magazine of Fantasy and Science Fiction and collected by Doubleday & Co Fact and Fancy (1962) View from a Height (1963) Adding a Dimension (1964) Of Time and Space and Other Things (1965) From Earth to Heaven (1966) Science, Numbers, and I (1968) The Solar System and Back (1970) The Stars in Their Courses (1971) The Left Hand of the Electron (1972) The Tragedy of the Moon (1973) Asimov On Astronomy (updated version of essays in previous collections) (1974) Asimov On Chemistry (updated version of essays in previous collections) (1974) Of Matters Great and Small (1975) Asimov On Physics (updated version of essays in previous collections) (1976) The Planet That Wasn't (1976) Asimov On Numbers (updated version of essays in previous collections) (1976) Quasar, Quasar, Burning Bright (1977) The Road to Infinity (1979) The Sun Shines Bright (1981) Counting the Eons (1983) X Stands for Unknown (1984) The Subatomic Monster (1985) Far as Human Eye Could See (1987) The Relativity of Wrong (1988) Asimov on Science: A 30 Year Retrospective 1959–1989 (1989) (features the first essay in the introduction) Out of the Everywhere (1990) The Secret of the Universe (1991) Other general science essay collections Only a Trillion (1957), Abelard-Schuman, Is Anyone There? (1967), Doubleday, (which includes the article in which he coined the term "spome") Today and Tomorrow and— (1973), Doubleday Science Past, Science Future (1975), Doubleday, Please Explain (1975), Houghton Mifflin, Life and Time (1978), Doubleday The Roving Mind (1983), Prometheus Books, new edition 1997, The Dangers of Intelligence (1986), Houghton Mifflin Past, Present and Future (1987), Prometheus Books, The Tyrannosaurus Prescription (1989), Prometheus Books Frontiers (1990), Dutton Frontiers II (1993), Dutton Other science books by Asimov The Chemicals of Life (1954), Abelard-Schuman Inside the Atom (1956), Abelard-Schuman, Building Blocks of the Universe (1957; revised 1974), Abelard-Schuman, The World of Carbon (1958), Abelard-Schuman, The World of Nitrogen (1958), Abelard-Schuman, Words of Science and the History Behind Them (1959), Houghton Mifflin The Clock We Live On (1959), Abelard-Schuman, Breakthroughs in Science (1959), Houghton Mifflin, Realm of Numbers (1959), Houghton Mifflin, Realm of Measure (1960), Houghton Mifflin The Wellsprings of Life (1960), Abelard-Schuman, Life and Energy (1962), Doubleday, The Genetic Code (1962), The Orion Press The Human Body: Its Structure and Operation (1963), Houghton Mifflin, , (revised) The Human Brain: Its Capacities and Functions (1963), Houghton Mifflin, Planets for Man (with Stephen H. Dole) (1964), Random House, reprinted by RAND in 2007 An Easy Introduction to the Slide Rule (1965), Houghton Mifflin, The Intelligent Man's Guide to Science (1965), Basic Books The title varied with each of the four editions, the last being Asimov's New Guide to Science (1984) The Universe: From Flat Earth to Quasar (1966), Walker, The Neutrino (1966), Doubleday, ASIN B002JK525W Understanding Physics Vol. I, Motion, Sound, and Heat (1966), Walker, Understanding Physics Vol. II, Light, Magnetism, and Electricity (1966), Walker, Understanding Physics Vol. III, The Electron, Proton, and Neutron (1966), Walker, Photosynthesis (1969), Basic Books, Our World in Space (1974), New York Graphic, Eyes on the Universe: A History of the Telescope (1976), Andre Deutsch Limited, The Collapsing Universe (1977), Walker, Extraterrestrial Civilizations (1979), Crown, Visions of the Universe with illustrations by Kazuaki Iwasaki (1981), Cosmos Store, Exploring the Earth and the Cosmos (1982), Crown, The Measure of the Universe (1983), Harper & Row Think About Space: Where Have We Been and Where Are We Going? with co-author Frank White (1989), Walker Asimov's Chronology of Science and Discovery (1989), Harper & Row, second edition adds content thru 1993, Beginnings: The Story of Origins (1989), Walker Isaac Asimov's Guide to Earth and Space (1991), Random House, Atom: Journey Across the Subatomic Cosmos (1991), Dutton, Mysteries of Deep Space: Quasars, Pulsars and Black Holes (1994) Earth's Moon (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Sun (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Earth (1988), Gareth Stevens, revised in 2004 by Richard Hantula Jupiter (1989), Gareth Stevens, revised in 2004 by Richard Hantula Venus (1990), Gareth Stevens, revised in 2004 by Richard Hantula Literary works All published by Doubleday Asimov's Guide to Shakespeare, vols I and II (1970), Asimov's Annotated "Don Juan" (1972) Asimov's Annotated "Paradise Lost" (1974) Familiar Poems, Annotated (1976) Asimov's The Annotated "Gulliver's Travels" (1980) Asimov's Annotated "Gilbert and Sullivan" (1988) The Bible Words from Genesis (1962), Houghton Mifflin Words from the Exodus (1963), Houghton Mifflin Asimov's Guide to the Bible, vols I and II (1967 and 1969, one-volume ed. 1981), Doubleday, The Story of Ruth (1972), Doubleday, In the Beginning (1981), Crown Autobiography In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954 (1979, Doubleday) In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 (1980, Doubleday) I. Asimov: A Memoir (1994, Doubleday) It's Been a Good Life (2002, Prometheus Books), condensation of Asimov's three volumes of autobiography, edited by his widow, Janet Jeppson Asimov History All published by Houghton Mifflin except where otherwise stated The Kite That Won the Revolution (1963), The Greeks (1965) The Roman Republic (1966) The Roman Empire (1967) The Egyptians (1967) The Near East (1968) The Dark Ages (1968) Words from History (1968) The Shaping of England (1969) Constantinople: The Forgotten Empire (1970) The Land of Canaan (1971) The Shaping of France (1972) The Shaping of North America: From Earliest Times to 1763 (1973) The Birth of the United States: 1763–1816 (1974) Our Federal Union: The United States from 1816 to 1865 (1975), The Golden Door: The United States from 1865 to 1918 (1977) Asimov's Chronology of the World (1991), HarperCollins, The March of the Millennia (1991), with co-author Frank White, Walker & Company, Humor The Sensuous Dirty Old Man (1971) (As Dr. A), Walker & Company, Isaac Asimov's Treasury of Humor (1971), Houghton Mifflin Lecherous Limericks (1975), Walker, More Lecherous Limericks (1976), Walker, Still More Lecherous Limericks (1977), Walker, Limericks, Two Gross, with John Ciardi (1978), Norton, A Grossery of Limericks, with John Ciardi (1981), Norton, Limericks for Children (1984), Caedmon Asimov Laughs Again (1992), HarperCollins On writing science fiction Asimov on Science Fiction (1981), Doubleday Asimov's Galaxy (1989), Doubleday Other nonfiction Opus 100 (1969), Houghton Mifflin, Asimov's Biographical Encyclopedia of Science and Technology (1964), Doubleday (revised edition 1972, ) Opus 200 (1979), Houghton Mifflin, Isaac Asimov's Book of Facts (1979), Grosset & Dunlap, Opus 300 (1984), Houghton Mifflin, Our Angry Earth: A Ticking Ecological Bomb (1991), with co-author Frederik Pohl, Tor, . Television, music, and film appearances I Robot, a concept album by the Alan Parsons Project that examined some of Asimov's work The Last Word (1959) The Dick Cavett Show, four appearances 1968–71 The Nature of Things (1969) ABC News coverage of Apollo 11, 1969, with Fred Pohl, interviewed by Rod Serling David Frost interview program, August 1969. Frost asked Asimov if he had ever tried to find God and, after some initial evasion, Asimov answered, "God is much more intelligent than I am—let him try to find me." BBC Horizon "It's About Time" (1979), show hosted by Dudley Moore Target ... Earth? (1980) The David Letterman Show (1980) NBC TV Speaking Freely, interviewed by Edwin Newman (1982) ARTS Network talk show hosted by Studs Terkel and Calvin Trillin, approximately (1982) Oltre New York (1986) Voyage to the Outer Planets and Beyond (1986) Gandahar (1987), a French animated science-fiction film by René Laloux. Asimov wrote the English translation for the film. Bill Moyers interview (1988) Stranieri in America (1988) Adaptations El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!" A halhatatlanság halála (1977), TV movie directed by András Rajnai, based on novel The End of Eternity The Ugly Little Boy (1977), short film directed by Barry Morse and Donald W. Thompson, based on novelette The Ugly Little Boy All the Troubles of the World (1978), short film directed by Dianne Haak-Edson, based on short story "All the Troubles of the World" The End of Eternity (1987), film directed by Andrei Yermash, based on novel The End of Eternity Nightfall (1988), film directed by Paul Mayersberg, based on novelette "Nightfall" Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series Feeling 109 (1988), short film directed by Richard Kletter, based on a story of Asimov Teach 109 (1989), TV movie directed by Richard Kletter, based on a story of Asimov (the same as The Android Affair) The Android Affair (1995), TV movie directed by Richard Kletter, based on a story of Asimov (the same as Teach 109) Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man Nightfall (2000), film directed by Gwyneth Gibby, based on novelette "Nightfall" I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series Formula of Death (2012), TV movie directed by Behdad Avand Amini, based on novel The Death Dealers Spell My Name with an S (2014), short film directed by Samuel Ali, based on short story "Spell My Name with an S" Foundation (2021), series created by David S. Goyer and Josh Friedman, based on the Foundation series Novelizations Novel Fantastic Voyage, novelization of film Fantastic Voyage (1966) References Footnotes Notes Sources Asimov, Isaac. In Memory Yet Green (1979), New York: Avon, . In Joy Still Felt (1980), New York: Avon . I. Asimov: A Memoir (1994), (hc), (pb). Yours, Isaac Asimov (1996), edited by Stanley Asimov. New York: Doubleday . It's Been a Good Life (2002), edited by Janet Asimov. . Goldman, Stephen H., "Isaac Asimov", in Dictionary of Literary Biography, Vol. 8, Cowart and Wymer eds. (Gale Research, 1981), pp. 15–29. Gunn, James. "On Variations on a Robot", IASFM, July 1980, pp. 56–81. Isaac Asimov: The Foundations of Science Fiction (1982). . The Science of Science-Fiction Writing (2000). . Further reading External links Asimov Online, a vast repository of information about Asimov, maintained by Asimov enthusiast Edward Seiler Jenkins' Spoiler-Laden Guide to Isaac Asimov, reviews of all of Asimov's books 20th-century births 1992 deaths 20th-century American novelists 20th-century American male writers AIDS-related deaths in New York (state) American alternate history writers Jewish American atheists American biochemists American essayists American humanists American humorists American male novelists 20th-century American memoirists United States Army non-commissioned officers American mystery writers American people of Russian-Jewish descent American science fiction writers American science writers American skeptics American writers of Russian descent Asimov's Science Fiction people Bible commentators Boston University faculty Columbia University School of General Studies alumni Critics of religions Date of birth unknown Fellows of the American Academy of Arts and Sciences Futurians Historians of astronomy American historians of science Hugo Award-winning writers Humor researchers Jewish American novelists Jewish American short story writers Jewish feminists Jewish skeptics American male essayists Male feminists American male short story writers American short story writers Mensans Nebula Award winners New York (state) Democrats People from Shumyachsky District Naturalized citizens of the United States United States Navy civilians Science fiction fans Science Fiction Hall of Fame inductees SFWA Grand Masters Soviet emigrants to the United States Writers from Brooklyn Yiddish-speaking people Boys High School (Brooklyn) alumni Novelists from Massachusetts Novelists from New York (state) Scientists from New York City 20th-century essayists 20th-century atheists People from the Upper West Side Pulp fiction writers Writers about religion and science Atheist feminists Columbia Graduate School of Arts and Sciences alumni

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What school did he attend

What school did Isaac Asimov attend?

Isaac Asimov

Asimov attended New York City public schools from age 5, including Boys High School in Brooklyn. Graduating at 15, he went on to Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then the institution's primary undergraduate school for men with quotas on the number of admissions from those ethnic groups. Originally a zoology major, Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1938, Asimov finished his BS degree at University Extension (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov in 1939 applied to the graduate program in chemistry at Columbia; initially rejected and then accepted only on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in biochemistry in 1948. In between earning these two degrees, he spent three years during World War II working as a civilian at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949 with a $5,000 (equivalent to $51,427 in 2017) salary, with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university. The difference grew, and in 1958 Asimov stopped teaching to become a full-time writer. Being tenured, he retained the title of associate professor (which he had held since 1955), and in 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. CANNOTANSWER

Boys High School in Brooklyn.

Isaac Asimov (; 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as much nonfiction. Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories. He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism. He was president of the American Humanist Association. Several entities have been named in his honor, including the asteroid (5020) Asimov, a crater on the planet Mars, a Brooklyn elementary school, Honda's humanoid robot, ASIMO, and four literary awards. Surname Asimov's family name derives from the first part of ozímyj khleb (озимый хлеб), meaning the winter grain (specifically rye) in which his great-great-great-grandfather dealt, with the Russian patronymic ending -ov added. Azimov is spelled in the Cyrillic alphabet. When the family arrived in the United States in 1923 and their name had to be spelled in the Latin alphabet, Asimov's father spelled it with an S, believing this letter to be pronounced like Z (as in German), and so it became Asimov. This later inspired one of Asimov's short stories, "Spell My Name with an S". Asimov refused early suggestions of using a more common name as a pseudonym, and believed that its recognizability helped his career. After becoming famous, he often met readers who believed that "Isaac Asimov" was a distinctive pseudonym created by an author with a common name. Biography Early life Asimov was born in Petrovichi, Russian SFSR, on an unknown date between October 4, 1919, and January 2, 1920, inclusive. Asimov celebrated his birthday on January 2. Asimov's parents were Anna Rachel (née Berman) and Judah Asimov, a family of Russian-Jewish millers. He was named Isaac after his mother's father, Isaac Berman. Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me". In 1921, Asimov and 16 other children in Petrovichi developed double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya; June 17, 1922 – April 2, 2011), and a brother, Stanley (July 25, 1929 – August 16, 1995), who was vice-president of the Long Island Newsday. Asimov's family travelled to the United States via Liverpool on the RMS Baltic, arriving on February 3, 1923 when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in both. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five (and later taught his sister to read as well, enabling her to enter school in the second grade). His mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2. He became a naturalized U.S. citizen in 1928 at the age of eight. After becoming established in the U.S., his parents owned a succession of candy stores in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material (including pulp science fiction magazines) as a child that he could not have otherwise afforded. Asimov began reading science fiction at age nine, at the time when the genre was becoming more science-centered. Education and career Asimov attended New York City public schools from age five, including Boys High School in Brooklyn. Graduating at 15, he attended the City College of New York for several days before accepting a scholarship at Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then, the institution's primary undergraduate school for men. Jewish and Italian-American students, even of outstanding academic caliber, were often deliberately barred from Columbia College proper because of the then-popular practice of imposing unwritten ethnic admission quotas. Originally a zoology major, Asimov switched to chemistry after his first semester because he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1936, Asimov finished his Bachelor of Science degree at Morningside Heights campus (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov applied to the graduate program in chemistry at Columbia in 1939; initially he was rejected and then only accepted on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948. During his chemistry studies, he also learned French and German. In between earning these two degrees, Asimov spent three years during World War II working as a civilian chemist at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected while at school, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949, teaching biochemistry with a $5,000 salary (), with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university, and he eventually stopped doing research, confining his university role to lecturing students. In 1955, he was promoted to associate professor, which gave him tenure. In December 1957, Asimov was dismissed from his teaching post, with effect from June 30, 1958, because he had stopped doing research. After a struggle which lasted for two years, he kept his title, he gave the opening lecture each year for a biochemistry class, and on October 18, 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. Personal life Asimov met his first wife, Gertrude Blugerman (1917, Toronto, Canada – 1990, Boston, U.S.), on a blind date on February 14, 1942, and married her on July 26 the same year. The couple lived in an apartment in West Philadelphia while Asimov was employed at the Philadelphia Navy Yard (where two of his co-workers were L. Sprague de Camp and Robert A. Heinlein). Gertrude returned to Brooklyn while he was in the army, and they both lived there from July 1946 before moving to Stuyvesant Town, Manhattan, in July 1948. They moved to Boston in May 1949, then to nearby suburbs Somerville in July 1949, Waltham in May 1951, and, finally, West Newton in 1956. They had two children, David (born 1951) and Robyn Joan (born 1955). In 1970, they separated and Asimov moved back to New York, this time to the Upper West Side of Manhattan where he lived for the rest of his life. He immediately began seeing Janet O. Jeppson, a psychiatrist and science-fiction writer, and married her on November 30, 1973, two weeks after his divorce from Gertrude. Asimov was a claustrophile: he enjoyed small, enclosed spaces. In the third volume of his autobiography, he recalls a childhood desire to own a magazine stand in a New York City Subway station, within which he could enclose himself and listen to the rumble of passing trains while reading. Asimov was afraid of flying, doing so only twice: once in the course of his work at the Naval Air Experimental Station and once returning home from Oahu in 1946. Consequently, he seldom traveled great distances. This phobia influenced several of his fiction works, such as the Wendell Urth mystery stories and the Robot novels featuring Elijah Baley. In his later years, Asimov found enjoyment traveling on cruise ships, beginning in 1972 when he viewed the Apollo 17 launch from a cruise ship. On several cruises, he was part of the entertainment program, giving science-themed talks aboard ships such as the Queen Elizabeth 2. He sailed to England in June 1974 on the SS France for a trip mostly devoted to events in London and Birmingham, though he also found time to visit Stonehenge. Asimov was an able public speaker and was regularly paid to give talks about science. He was a frequent fixture at science fiction conventions, where he was friendly and approachable. He patiently answered tens of thousands of questions and other mail with postcards and was pleased to give autographs. He was of medium height (), stocky, with—in his later years—"mutton-chop" sideburns, and a distinct New York accent. He took to wearing bolo ties after his wife Janet objected to his clip-on bow ties. His physical dexterity was very poor. He never learned to swim or ride a bicycle; however, he did learn to drive a car after he moved to Boston. In his humor book Asimov Laughs Again, he describes Boston driving as "anarchy on wheels". Asimov's wide interests included his participation in his later years in organizations devoted to the comic operas of Gilbert and Sullivan and in The Wolfe Pack, a group of devotees of the Nero Wolfe mysteries written by Rex Stout. Many of his short stories mention or quote Gilbert and Sullivan. He was a prominent member of The Baker Street Irregulars, the leading Sherlock Holmes society, for whom he wrote an essay arguing that Professor Moriarty's work "The Dynamics of An Asteroid" involved the willful destruction of an ancient, civilized planet. He was also a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his fictional group of mystery solvers, the Black Widowers. He later used his essay on Moriarty's work as the basis for a Black Widowers story, "The Ultimate Crime", which appeared in More Tales of the Black Widowers. In 1984, the American Humanist Association (AHA) named him the Humanist of the Year. He was one of the signers of the Humanist Manifesto. From 1985 until his death in 1992, he served as president of the AHA, an honorary appointment. His successor was his friend and fellow writer Kurt Vonnegut. He was also a close friend of Star Trek creator Gene Roddenberry, and earned a screen credit as "special science consultant" on Star Trek: The Motion Picture for advice he gave during production. Asimov was a founding member of the Committee for the Scientific Investigation of Claims of the Paranormal, CSICOP (now the Committee for Skeptical Inquiry) and is listed in its Pantheon of Skeptics. In a discussion with James Randi at CSICon 2016 regarding the founding of CSICOP, Kendrick Frazier said that Asimov was "a key figure in the Skeptical movement who is less well known and appreciated today, but was very much in the public eye back then." He said that Asimov being associated with CSICOP "gave it immense status and authority" in his eyes. Asimov described Carl Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky. Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". After his father died in 1969, Asimov annually contributed to a Judah Asimov Scholarship Fund at Brandeis University. Illness and death In 1977, Asimov suffered a heart attack. In December 1983, he had triple bypass surgery at NYU Medical Center, during which he contracted HIV from a blood transfusion. His HIV status was kept secret out of concern that the anti-AIDS prejudice might extend to his family members. He died in Manhattan on April 6, 1992, and was cremated. The cause of death was reported as heart and kidney failure. Ten years following Asimov's death, Janet and Robyn Asimov agreed that the HIV story should be made public; Janet revealed it in her edition of his autobiography, It's Been a Good Life. Writings Overview Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories. Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image". Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series. Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream". Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology. Although Asimov did write several essays about psychology, and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982), which were classified in the 100s category, none of his own books were classified in that category. According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author. Science fiction Asimov became a science fiction fan in 1929, when he began reading the pulp magazines sold in his family's candy store. At first his father forbade reading pulps as he considered them to be trash, until Asimov persuaded him that because the science fiction magazines had "Science" in the title, they must be educational. At age 18 he joined the Futurians science fiction fan club, where he made friends who went on to become science fiction writers or editors. Asimov began writing at the age of 11, imitating The Rover Boys with eight chapters of The Greenville Chums at College. His father bought Asimov a used typewriter at age 16. His first published work was a humorous item on the birth of his brother for Boys High School's literary journal in 1934. In May 1937 he first thought of writing professionally, and began writing his first science fiction story, "Cosmic Corkscrew" (now lost), that year. On May 17, 1938, puzzled by a change in the schedule of Astounding Science Fiction, Asimov visited its publisher Street & Smith Publications. Inspired by the visit, he finished the story on June 19, 1938, and personally submitted it to Astounding editor John W. Campbell two days later. Campbell met with Asimov for more than an hour and promised to read the story himself. Two days later he received a rejection letter explaining why in detail. This was the first of what became almost weekly meetings with the editor while Asimov lived in New York, until moving to Boston in 1949; Campbell had a strong formative influence on Asimov and became a personal friend. By the end of the month, Asimov completed a second story, "Stowaway". Campbell rejected it on July 22 but—in "the nicest possible letter you could imagine"—encouraged him to continue writing, promising that Asimov might sell his work after another year and a dozen stories of practice. On October 21, 1938, he sold the third story he finished, "Marooned Off Vesta", to Amazing Stories, edited by Raymond A. Palmer, and it appeared in the March 1939 issue. Asimov was paid $64 (), or one cent a word. Two more stories appeared that year, "The Weapon Too Dreadful to Use" in the May Amazing and "Trends" in the July Astounding, the issue fans later selected as the start of the Golden Age of Science Fiction. For 1940, ISFDB catalogs seven stories in four different pulp magazines, including one in Astounding. His earnings became enough to pay for his education, but not yet enough for him to become a full-time writer. Asimov later said that unlike other top Golden Age writers Robert Heinlein and A. E. van Vogt—also first published in 1939, and whose talent and stardom were immediately obvious—he "(this is not false modesty) came up only gradually". Through July 29, 1940, Asimov wrote 22 stories in 25 months, of which 13 were published; he wrote in 1972 that from that date he never wrote a science fiction story that was not published (except for two "special cases"). He was famous enough that Donald Wollheim told Asimov that he purchased "The Secret Sense" for a new magazine only because of his name, and the December 1940 issue of Astonishing—featuring Asimov's name in bold—was the first magazine to base cover art on his work, but Asimov later said that neither he himself nor anyone else—except perhaps Campbell—considered him better than an often published "third rater". Based on a conversation with Campbell, Asimov wrote "Nightfall", his 32nd story, in March and April 1941, and Astounding published it in September 1941. In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written. In Nightfall and Other Stories Asimov wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'." "Nightfall" is an archetypal example of social science fiction, a term he created to describe a new trend in the 1940s, led by authors including him and Heinlein, away from gadgets and space opera and toward speculation about the human condition. After writing "Victory Unintentional" in January and February 1942, Asimov did not write another story for a year. Asimov expected to make chemistry his career, and was paid $2,600 annually at the Philadelphia Navy Yard, enough to marry his girlfriend; he did not expect to make much more from writing than the $1,788.50 he had earned from 28 stories sold over four years. Asimov left science fiction fandom and no longer read new magazines, and might have left the industry had not Heinlein and de Camp been coworkers and previously sold stories continued to appear. In 1942, Asimov published the first of his Foundation stories—later collected in the Foundation trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953). The books recount the fall of a vast interstellar empire and the establishment of its eventual successor. They also feature his fictional science of psychohistory, in which the future course of the history of large populations can be predicted. The trilogy and Robot series are his most famous science fiction. In 1966 they won the Hugo Award for the all-time best series of science fiction and fantasy novels. Campbell raised his rate per word, Orson Welles purchased rights to "Evidence", and anthologies reprinted his stories. By the end of the war Asimov was earning as a writer an amount equal to half of his Navy Yard salary, even after a raise, but Asimov still did not believe that writing could support him, his wife, and future children. His "positronic" robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in his introduction to the short story collection The Complete Robot (1982) that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creators. The robot series has led to film adaptations. With Asimov's collaboration, in about 1977, Harlan Ellison wrote a screenplay of I, Robot that Asimov hoped would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay has never been filmed and was eventually published in book form in 1994. The 2004 movie I, Robot, starring Will Smith, was based on an unrelated script by Jeff Vintar titled Hardwired, with Asimov's ideas incorporated later after the rights to Asimov's title were acquired. (The title was not original to Asimov but had previously been used for a story by Eando Binder.) Also, one of Asimov's robot short stories, "The Bicentennial Man", was expanded into a novel The Positronic Man by Asimov and Robert Silverberg, and this was adapted into the 1999 movie Bicentennial Man, starring Robin Williams. Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford, David Brin, and Donald Kingsbury. At least some of these appear to have been done with the blessing of, or at the request of, Asimov's widow, Janet Asimov. In 1948, he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name. Asimov grew concerned at the scrutiny he would receive at his oral examination, in case the examiners thought he wasn't taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old with Me" (40,000 words), but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. Doubleday published five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw Gnome Press publish one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation trilogy. More positronic robot stories were republished in book form as The Rest of the Robots. Books and the magazines Galaxy, and Fantasy & Science Fiction ended Asimov's dependence on Astounding. He later described the era as his "'mature' period". Asimov's "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy, was his personal favorite story. In 1972, his novel The Gods Themselves (which was not part of a series) was published to general acclaim, and it won the Hugo Award for Best Novel, the Nebula Award for Best Novel, and the Locus Award for Best Novel. In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue. McCartney rejected the story. The treatment now exists only in the Boston University archives. Asimov said in 1969 that he had "the happiest of all my associations with science fiction magazines" with Fantasy & Science Fiction; "I have no complaints about Astounding, Galaxy, or any of the rest, heaven knows, but F&SF has become something special to me". Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazines and Alfred Hitchcock's Mystery Magazines "anthologies"). Due to pressure by fans on Asimov to write another book in his Foundation series, he did so with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992), his last novel. Popular science Asimov and two colleagues published a textbook in 1949, with two more editions by 1969. During the late 1950s and 1960s, Asimov substantially decreased his fiction output (he published only four adult novels between 1957's The Naked Sun and 1982's Foundation's Edge, two of which were mysteries). He greatly increased his nonfiction production, writing mostly on science topics; the launch of Sputnik in 1957 engendered public concern over a "science gap". Asimov explained in The Rest of the Robots that he had been unable to write substantial fiction since the summer of 1958, and observers understood him as saying that his fiction career had ended, or was permanently interrupted. Asimov recalled in 1969 that "the United States went into a kind of tizzy, and so did I. I was overcome by the ardent desire to write popular science for an America that might be in great danger through its neglect of science, and a number of publishers got an equally ardent desire to publish popular science for the same reason". Fantasy and Science Fiction invited Asimov to continue his regular nonfiction column, begun in the now-folded bimonthly companion magazine Venture Science Fiction Magazine. The first of 399 monthly F&SF columns appeared in November 1958 and they continued until his terminal illness. These columns, periodically collected into books by Doubleday, gave Asimov a reputation as a "Great Explainer" of science; he described them as his only popular science writing in which he never had to assume complete ignorance of the subjects on the part of his readers. The column was ostensibly dedicated to popular science but Asimov had complete editorial freedom, and wrote about contemporary social issues in essays such as "Thinking About Thinking" and "Knock Plastic!". In 1975 he wrote of these essays: "I get more pleasure out of them than out of any other writing assignment." Asimov's first wide-ranging reference work, The Intelligent Man's Guide to Science (1960), was nominated for a National Book Award, and in 1963 he won a Hugo Award—his first—for his essays for F&SF. The popularity of his science books and the income he derived from them allowed him to give up most academic responsibilities and become a full-time freelance writer. He encouraged other science fiction writers to write popular science, stating in 1967 that "the knowledgeable, skillful science writer is worth his weight in contracts", with "twice as much work as he can possibly handle". The great variety of information covered in Asimov's writings prompted Kurt Vonnegut to ask, "How does it feel to know everything?" Asimov replied that he only knew how it felt to have the 'reputation' of omniscience: "Uneasy". Floyd C. Gale said that "Asimov has a rare talent. He can make your mental mouth water over dry facts", and "science fiction's loss has been science popularization's gain". Asimov said that "Of all the writing I do, fiction, non-fiction, adult, or juvenile, these F & SF articles are by far the most fun". He regretted, however, that he had less time for fiction—causing dissatisfied readers to send him letters of complaint—stating in 1969 that "In the last ten years, I've done a couple of novels, some collections, a dozen or so stories, but that's nothing". In his essay "To Tell a Chemist" (1965), Asimov proposed a simple shibboleth for distinguishing chemists from non-chemists: ask the person to read the word "unionized". Chemists, he noted, will read the word "unionized" as un-ion-ized (pronounced "un-EYE-en-ized"), meaning "(a chemical species) being in an electrically neutral state, as opposed to being an ion", while non-chemists will read the word as union-ized (pronounced "YOU-nien-ized"), meaning "(a worker or organization) belonging to or possessing a trade union". Coined terms Asimov coined the term "robotics" in his 1941 story "Liar!", though he later remarked that he believed then that he was merely using an existing word, as he stated in Gold ("The Robot Chronicles"). While acknowledging the Oxford Dictionary reference, he incorrectly states that the word was first printed about one third of the way down the first column of page 100, Astounding Science Fiction, March 1942 printing of his short story "Runaround". In the same story, Asimov also coined the term "positronic" (the counterpart to "electronic" for positrons). Asimov coined the term "psychohistory" in his Foundation stories to name a fictional branch of science which combines history, sociology, and mathematical statistics to make general predictions about the future behavior of very large groups of people, such as the Galactic Empire. Asimov said later that he should have called it psychosociology. It was first introduced in the five short stories (1942–1944) which would later be collected as the 1951 fix-up novel Foundation. Somewhat later, the term "psychohistory" was applied by others to research of the effects of psychology on history. Other writings In addition to his interest in science, Asimov was interested in history. Starting in the 1960s, he wrote 14 popular history books, including The Greeks: A Great Adventure (1965), The Roman Republic (1966), The Roman Empire (1967), The Egyptians (1967) The Near East: 10,000 Years of History (1968), and Asimov's Chronology of the World (1991). He published Asimov's Guide to the Bible in two volumes—covering the Old Testament in 1967 and the New Testament in 1969—and then combined them into one 1,300-page volume in 1981. Complete with maps and tables, the guide goes through the books of the Bible in order, explaining the history of each one and the political influences that affected it, as well as biographical information about the important characters. His interest in literature manifested itself in several annotations of literary works, including Asimov's Guide to Shakespeare (1970), Asimov's Annotated Don Juan (1972), Asimov's Annotated Paradise Lost (1974), and The Annotated Gulliver's Travels (1980). Asimov was also a noted mystery author and a frequent contributor to Ellery Queen's Mystery Magazine. He began by writing science fiction mysteries such as his Wendell Urth stories, but soon moved on to writing "pure" mysteries. He published two full-length mystery novels, and wrote 66 stories about the Black Widowers, a group of men who met monthly for dinner, conversation, and a puzzle. He got the idea for the Widowers from his own association in a stag group called the Trap Door Spiders, and all of the main characters (with the exception of the waiter, Henry, who he admitted resembled Wodehouse's Jeeves) were modeled after his closest friends. A parody of the Black Widowers, "An Evening with the White Divorcés," was written by author, critic, and librarian Jon L. Breen. Asimov joked, "all I can do ... is to wait until I catch him in a dark alley, someday." Toward the end of his life, Asimov published a series of collections of limericks, mostly written by himself, starting with Lecherous Limericks, which appeared in 1975. Limericks: Too Gross, whose title displays Asimov's love of puns, contains 144 limericks by Asimov and an equal number by John Ciardi. He even created a slim volume of Sherlockian limericks. Asimov featured Yiddish humor in Azazel, The Two Centimeter Demon. The two main characters, both Jewish, talk over dinner, or lunch, or breakfast, about anecdotes of "George" and his friend Azazel. Asimov's Treasury of Humor is both a working joke book and a treatise propounding his views on humor theory. According to Asimov, the most essential element of humor is an abrupt change in point of view, one that suddenly shifts focus from the important to the trivial, or from the sublime to the ridiculous. Particularly in his later years, Asimov to some extent cultivated an image of himself as an amiable lecher. In 1971, as a response to the popularity of sexual guidebooks such as The Sensuous Woman (by "J") and The Sensuous Man (by "M"), Asimov published The Sensuous Dirty Old Man under the byline "Dr. 'A (although his full name was printed on the paperback edition, first published 1972). However, by 2016, some of Asimov's behavior towards women was described as sexual harassment and cited as an example of historically problematic behavior by men in science fiction communities. Asimov published three volumes of autobiography. In Memory Yet Green (1979) and In Joy Still Felt (1980) cover his life up to 1978. The third volume, I. Asimov: A Memoir (1994), covered his whole life (rather than following on from where the second volume left off). The epilogue was written by his widow Janet Asimov after his death. The book won a Hugo Award in 1995. Janet Asimov edited It's Been a Good Life (2002), a condensed version of his three autobiographies. He also published three volumes of retrospectives of his writing, Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984). In 1987, the Asimovs co-wrote How to Enjoy Writing: A Book of Aid and Comfort. In it they offer advice on how to maintain a positive attitude and stay productive when dealing with discouragement, distractions, rejection, and thick-headed editors. The book includes many quotations, essays, anecdotes, and husband-wife dialogues about the ups and downs of being an author. Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Treks initial launch in the late 1960s. Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects. In 1973, Asimov published a proposal for calendar reform, called the World Season Calendar. It divides the year into four seasons (named A–D) of 13 weeks (91 days) each. This allows days to be named, e.g., "D-73" instead of December 1 (due to December 1 being the 73rd day of the 4th quarter). An extra 'year day' is added for a total of 365 days. Awards and recognition Asimov won more than a dozen annual awards for particular works of science fiction and a half-dozen lifetime awards. He also received 14 honorary doctorate degrees from universities. 1955 – Guest of Honor at the 13th World Science Fiction Convention 1957 – Thomas Alva Edison Foundation Award for best science book for youth, for Building Blocks of the Universe 1960 – Howard W. Blakeslee Award from the American Heart Association for The Living River 1962 – Boston University's Publication Merit Award 1963 – A special Hugo Award for "adding science to science fiction," for essays published in The Magazine of Fantasy and Science Fiction 1963 – Fellow of the American Academy of Arts and Sciences 1964 – The Science Fiction Writers of America voted "Nightfall" (1941) the all-time best science fiction short story 1965 – James T. Grady Award of the American Chemical Society (now called the James T. Grady-James H. Stack Award for Interpreting Chemistry) 1966 – Best All-time Novel Series Hugo Award for the Foundation trilogy 1967 – Edward E. Smith Memorial Award 1967 – AAAS-Westinghouse Science Writing Award for Magazine Writing, for essay "Over the Edge of the Universe" (in the March 1967 Harper's Magazine) 1972 – Nebula Award for Best Novel for The Gods Themselves 1973 – Hugo Award for Best Novel for The Gods Themselves 1973 – Locus Award for Best Novel for The Gods Themselves 1975 – Golden Plate Award of the American Academy of Achievement 1975 – Klumpke-Roberts Award "for outstanding contributions to the public understanding and appreciation of astronomy" 1975 – Locus Award for Best Reprint Anthology for Before the Golden Age 1977 – Hugo Award for Best Novelette for The Bicentennial Man 1977 – Nebula Award for Best Novelette for The Bicentennial Man 1977 – Locus Award for Best Novelette for The Bicentennial Man 1981 – An asteroid, 5020 Asimov, was named in his honor 1981 – Locus Award for Best Non-Fiction Book for In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 1983 – Hugo Award for Best Novel for Foundation's Edge 1983 – Locus Award for Best Science Fiction Novel for Foundation's Edge 1984 – Humanist of the Year 1986 – The Science Fiction and Fantasy Writers of America named him its 8th SFWA Grand Master (presented in 1987). 1987 – Locus Award for Best Short Story for "Robot Dreams" 1992 – Hugo Award for Best Novelette for "Gold" 1995 – Hugo Award for Best Non-Fiction Book for I. Asimov: A Memoir 1995 – Locus Award for Best Non-Fiction Book for I. Asimov: A Memoir 1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon for "The Mule", the 7th Foundation story, published in Astounding Science Fiction 1997 – The Science Fiction and Fantasy Hall of Fame inducted Asimov in its second class of two deceased and two living persons, along with H. G. Wells. 2000 – Asimov was featured on a stamp in Israel 2001 – The Isaac Asimov Memorial Debates at the Hayden Planetarium in New York were inaugurated 2009 – A crater on the planet Mars, Asimov, was named in his honor 2010 – In the US Congress bill about the designation of the National Robotics Week as an annual event, a tribute to Isaac Asimov is as follows: "Whereas the second week in April each year is designated as 'National Robotics Week', recognizing the accomplishments of Isaac Asimov, who immigrated to America, taught science, wrote science books for children and adults, first used the term robotics, developed the Three Laws of Robotics, and died in April 1992: Now, therefore, be it resolved ..." 2015 – Selected as a member of the New York State Writers Hall of Fame. 2016 – A 1941 Retro-Hugo for Best Short Story of 1940 was given at the 2016 WorldCon for Robbie, his first positronic robot story, published in Super Science Stories, September 1940 2018 – A 1943 Retro-Hugo for Best Short Story of 1942 was given at the 2018 WorldCon for Foundation, published in Astounding Science-Fiction, May 1942 Writing style Asimov was his own secretary, typist, indexer, proofreader, and literary agent. He wrote a typed first draft composed at the keyboard at 90 words per minute; he imagined an ending first, then a beginning, then "let everything in-between work itself out as I come to it". (Asimov only used an outline once, later describing it as "like trying to play the piano from inside a straitjacket".) After correcting a draft by hand, he retyped the document as the final copy and only made one revision with minor editor-requested changes; a word processor did not save him much time, Asimov said, because 95% of the first draft was unchanged. After disliking making multiple revisions of "Black Friar of the Flame", Asimov refused to make major, second, or non-editorial revisions ("like chewing used gum"), stating that "too large a revision, or too many revisions, indicate that the piece of writing is a failure. In the time it would take to salvage such a failure, I could write a new piece altogether and have infinitely more fun in the process". He submitted "failures" to another editor. One of the most common impressions of Asimov's fiction work is that his writing style is extremely unornamented. In 1980, science fiction scholar James Gunn wrote of I, Robot: Asimov addressed such criticism in 1989 at the beginning of Nemesis: Gunn cited examples of a more complex style, such as the climax of "Liar!". Sharply drawn characters occur at key junctures of his storylines: Susan Calvin in "Liar!" and "Evidence", Arkady Darell in Second Foundation, Elijah Baley in The Caves of Steel, and Hari Seldon in the Foundation prequels. Other than books by Gunn and Joseph Patrouch, a relative dearth of "literary" criticism exists on Asimov (particularly when compared to the sheer volume of his output). Cowart and Wymer's Dictionary of Literary Biography (1981) gives a possible reason: Gunn's and Patrouch's respective studies of Asimov both state that a clear, direct prose style is still a style. Gunn's 1982 book comments in detail on each of Asimov's novels. He does not praise all of Asimov's fiction (nor does Patrouch), but calls some passages in The Caves of Steel "reminiscent of Proust". When discussing how that novel depicts night falling over futuristic New York City, Gunn says that Asimov's prose "need not be ashamed anywhere in literary society". Although he prided himself on his unornamented prose style (for which he credited Clifford D. Simak as an early influence), and said in 1973 that his style had not changed, Asimov also enjoyed giving his longer stories complicated narrative structures, often by arranging chapters in nonchronological ways. Some readers have been put off by this, complaining that the nonlinearity is not worth the trouble and adversely affects the clarity of the story. For example, the first third of The Gods Themselves begins with Chapter 6, then backtracks to fill in earlier material. (John Campbell advised Asimov to begin his stories as late in the plot as possible. This advice helped Asimov create "Reason", one of the early Robot stories). Patrouch found that the interwoven and nested flashbacks of The Currents of Space did serious harm to that novel, to such an extent that only a "dyed-in-the-kyrt Asimov fan" could enjoy it. In his later novel Nemesis one group of characters lives in the "present" and another group starts in the "past", beginning 15 years earlier and gradually moving toward the time period of the first group. Alien life Asimov once explained that his reluctance to write about aliens came from an incident early in his career when Astoundings editor John Campbell rejected one of his science fiction stories because the alien characters were portrayed as superior to the humans. The nature of the rejection led him to believe that Campbell may have based his bias towards humans in stories on a real-world racial bias. Unwilling to write only weak alien races, and concerned that a confrontation would jeopardize his and Campbell's friendship, he decided he would not write about aliens at all. Nevertheless, in response to these criticisms, he wrote The Gods Themselves, which contains aliens and alien sex. The book won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973. Asimov said that of all his writings, he was most proud of the middle section of The Gods Themselves, the part that deals with those themes. In the Hugo Award-winning novelette "Gold", Asimov describes an author, clearly based on himself, who has one of his books (The Gods Themselves) adapted into a "compu-drama", essentially photo-realistic computer animation. The director criticizes the fictionalized Asimov ("Gregory Laborian") for having an extremely nonvisual style, making it difficult to adapt his work, and the author explains that he relies on ideas and dialogue rather than description to get his points across. Romance and women In the early days of science fiction some authors and critics felt that the romantic elements were inappropriate in science fiction stories, which were supposedly to be focused on science and technology. Isaac Asimov was a prominent supporter of this point of view, expressed in his 1938-1939 letters to Astounding, where he described such elements as "mush" and "slop". However, to his dismay, these letters were met with a strong opposition. Asimov attributed the lack of romance and sex in his fiction to the "early imprinting" from starting his writing career when he had never been on a date and "didn't know anything about girls". He was sometimes criticized for the general absence of sex (and of extraterrestrial life) in his science fiction. He claimed he wrote The Gods Themselves to respond to these criticisms, which often came from New Wave science fiction (and often British) writers. The second part (of three) of the novel is set on an alien world with three sexes, and the sexual behavior of these creatures is extensively depicted. Asimov was also criticized for a lack of strong female characters in his early work. However, some of his robot stories, including the earliest ones, featured the character Susan Calvin, a forceful and intelligent woman who regularly out-performed her male colleagues. In his autobiographical writings, such as Gold ("Women and Science Fiction"), he acknowledges this complaint has merit and responds by pointing to inexperience. His later novels, written with more female characters but in essentially the same prose style as his early science-fiction stories, brought this matter to a wider audience. The Washington Post's "Book World" section reports of Robots and Empire opined "In 1940, Asimov's humans were stripped-down masculine portraits of Americans from 1940, and they still are." Views Religion Asimov was an atheist, a humanist, and a rationalist. He did not oppose religious conviction in others, but he frequently railed against superstitious and pseudoscientific beliefs that tried to pass themselves off as genuine science. During his childhood, his father and mother observed the traditions of Orthodox Judaism, though not as stringently as they had in Petrovichi; they did not, however, force their beliefs upon young Isaac. Thus, he grew up without strong religious influences, coming to believe that the Torah represented Hebrew mythology in the same way that the Iliad recorded Greek mythology. When he was 13, he chose not to have a bar mitzvah. As his books Treasury of Humor and Asimov Laughs Again record, Asimov was willing to tell jokes involving God, Satan, the Garden of Eden, Jerusalem, and other religious topics, expressing the viewpoint that a good joke can do more to provoke thought than hours of philosophical discussion. For a brief while, his father worked in the local synagogue to enjoy the familiar surroundings and, as Isaac put it, "shine as a learned scholar" versed in the sacred writings. This scholarship was a seed for his later authorship and publication of Asimov's Guide to the Bible, an analysis of the historic foundations for both the Old and New Testaments. For many years, Asimov called himself an atheist; however, he considered the term somewhat inadequate, as it described what he did not believe rather than what he did. Eventually, he described himself as a "humanist" and considered that term more practical. Asimov did, however, continue to identify himself as a secular Jew, as stated in his introduction to Jack Dann's anthology of Jewish science fiction, Wandering Stars: "I attend no services and follow no ritual and have never undergone that curious puberty rite, the Bar Mitzvah. It doesn't matter. I am Jewish." When asked in an interview in 1982 if he was an atheist, Asimov replied, Likewise, he said about religious education: "I would not be satisfied to have my kids choose to be religious without trying to argue them out of it, just as I would not be satisfied to have them decide to smoke regularly or engage in any other practice I consider detrimental to mind or body." In his last volume of autobiography, Asimov wrote, The same memoir states his belief that Hell is "the drooling dream of a sadist" crudely affixed to an all-merciful God; if even human governments were willing to curtail cruel and unusual punishments, wondered Asimov, why would punishment in the afterlife not be restricted to a limited term? Asimov rejected the idea that a human belief or action could merit infinite punishment. If an afterlife existed, he claimed, the longest and most severe punishment would be reserved for those who "slandered God by inventing Hell". Asimov said about using religious motifs in his writing: Politics Asimov became a staunch supporter of the Democratic Party during the New Deal, and thereafter remained a political liberal. He was a vocal opponent of the Vietnam War in the 1960s and in a television interview during the early 1970s he publicly endorsed George McGovern. He was unhappy about what he considered an "irrationalist" viewpoint taken by many radical political activists from the late 1960s and onwards. In his second volume of autobiography, In Joy Still Felt, Asimov recalled meeting the counterculture figure Abbie Hoffman. Asimov's impression was that the 1960s' counterculture heroes had ridden an emotional wave which, in the end, left them stranded in a "no-man's land of the spirit" from which he wondered if they would ever return. Asimov vehemently opposed Richard Nixon, considering him "a crook and a liar". He closely followed Watergate, and was pleased when the president was forced to resign. Asimov was dismayed over the pardon extended to Nixon by his successor: "I was not impressed by the argument that it has spared the nation an ordeal. To my way of thinking, the ordeal was necessary to make certain it would never happen again." After Asimov's name appeared in the mid-1960s on a list of people the Communist Party USA "considered amenable" to its goals, the FBI investigated him. Because of his academic background, the bureau briefly considered Asimov as a possible candidate for known Soviet spy ROBPROF, but found nothing suspicious in his life or background. Asimov appeared to hold an equivocal attitude towards Israel. In his first autobiography, he indicates his support for the safety of Israel, though insisting that he was not a Zionist. In his third autobiography, Asimov stated his opposition to the creation of a Jewish state, on the grounds that he was opposed to having nation-states in general, and supported the notion of a single humanity. Asimov especially worried about the safety of Israel given that it had been created among hostile Muslim neighbors, and said that Jews had merely created for themselves another "Jewish ghetto". Social issues Asimov believed that "science fiction ... serve[s] the good of humanity". He considered himself a feminist even before women's liberation became a widespread movement; he argued that the issue of women's rights was closely connected to that of population control. Furthermore, he believed that homosexuality must be considered a "moral right" on population grounds, as must all consenting adult sexual activity that does not lead to reproduction. He issued many appeals for population control, reflecting a perspective articulated by people from Thomas Malthus through Paul R. Ehrlich. In a 1988 interview by Bill Moyers, Asimov proposed computer-aided learning, where people would use computers to find information on subjects in which they were interested. He thought this would make learning more interesting, since people would have the freedom to choose what to learn, and would help spread knowledge around the world. Also, the one-to-one model would let students learn at their own pace. Asimov thought that people would live in space by the year 2019. In 1983 Asimov wrote: He continues on education: Sexual harassment Asimov would often fondle, kiss and pinch women at conventions and elsewhere without regard for their consent. According to Alec Nevala-Lee, author of an Asimov biography and writer on the history of science fiction, he often defended himself by saying that far from showing objections, these women cooperated. In the 1971 satirical piece, The Sensuous Dirty Old Man, he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." According to Nevala-Lee, however, "many of these encounters were clearly nonconsensual." He wrote that Asimov's behaviour, as a leading science-fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community. In support of this, he quoted some of Asimov's contemporary fellow-authors such as Judith Merril, Harlan Ellison and Frederik Pohl, as well as editors such as Timothy Seldes. Specific incidents were reported by other people including Edward L. Ferman, long-time editor of The Magazine of Fantasy & Science Fiction who wrote "... instead of shaking my date's hand, he shook her left breast". Environment and population Asimov's defense of civil applications of nuclear power even after the Three Mile Island nuclear power plant incident damaged his relations with some of his fellow liberals. In a letter reprinted in Yours, Isaac Asimov, he states that although he would prefer living in "no danger whatsoever" than near a nuclear reactor, he would still prefer a home near a nuclear power plant than in a slum on Love Canal or near "a Union Carbide plant producing methyl isocyanate", the latter being a reference to the Bhopal disaster. In the closing years of his life, Asimov blamed the deterioration of the quality of life that he perceived in New York City on the shrinking tax base caused by the middle-class flight to the suburbs, though he continued to support high taxes on the middle class to pay for social programs. His last nonfiction book, Our Angry Earth (1991, co-written with his long-time friend, science fiction author Frederik Pohl), deals with elements of the environmental crisis such as overpopulation, oil dependence, war, global warming, and the destruction of the ozone layer. In response to being presented by Bill Moyers with the question "What do you see happening to the idea of dignity to human species if this population growth continues at its present rate?", Asimov responded: Other authors Asimov enjoyed the writings of J. R. R. Tolkien, and in fact even used The Lord of the Rings as a plot point in a Black Widowers story, titled Nothing like Murder. In the essay All or Nothing (for The Magazine of Fantasy and Science Fiction, Jan 1981), Asimov revealed that he admires Tolkien and that he had read The Lord of the Rings five times. (The feelings were mutual, with Tolkien himself revealing that he had enjoyed Asimov's science fiction. This would make Asimov an exception to Tolkien's earlier claim that he rarely found "any modern books" that were interesting to him.) He acknowledged other writers as superior to himself in talent, saying of Harlan Ellison, "He is (in my opinion) one of the best writers in the world, far more skilled at the art than I am." Asimov disapproved of the New Wave's growing influence, however, stating in 1967 "I want science fiction. I think science fiction isn't really science fiction if it lacks science. And I think the better and truer the science, the better and truer the science fiction". The feelings of friendship and respect between Asimov and Arthur C. Clarke were demonstrated by the so-called "Clarke-Asimov Treaty of Park Avenue", negotiated as they shared a cab in New York. This stated that Asimov was required to insist that Clarke was the best science fiction writer in the world (reserving second-best for himself), while Clarke was required to insist that Asimov was the best science writer in the world (reserving second-best for himself). Thus, the dedication in Clarke's book Report on Planet Three (1972) reads: "In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer." Asimov became a fan of mystery stories at the same time as science fiction. He preferred to read the former to latter because "I read every [science fiction] story keenly aware that it might be worse than mine, in which case I had no patience with it, or that it might be better, in which case I felt miserable". Asimov wrote "I make no secret of the fact that in my mysteries I use Agatha Christie as my model. In my opinion, her mysteries are the best ever written, far better than the Sherlock Holmes stories, and Hercule Poirot is the best detective fiction has seen. Why should I not use as my model what I consider the best?" He enjoyed Sherlock Holmes, but considered Arthur Conan Doyle to be "a slapdash and sloppy writer." Asimov also enjoyed humorous stories, particularly those of P. G. Wodehouse. In non-fiction writing, Asimov particularly admired the writing style of Martin Gardner, and tried to emulate it in his own science books. On meeting Gardner for the first time in 1965, Asimov told him this, to which Gardner answered that he had based his own style on Asimov's. Influence Paul Krugman, holder of a Nobel Prize in Economics, stated Asimov's concept of psychohistory has inspired him to become an economist. John Jenkins, who has reviewed the vast majority of Asimov's written output, once observed, "It has been pointed out that most science fiction writers since the 1950s have been affected by Asimov, either modeling their style on his or deliberately avoiding anything like his style." Along with such figures as Bertrand Russell and Karl Popper, Asimov left his mark as one of the most distinguished interdisciplinarians of the 20th century. "Few individuals", writes James L. Christian, "understood better than Isaac Asimov what synoptic thinking is all about. His almost 500 books—which he wrote as a specialist, a knowledgeable authority, or just an excited layman—range over almost all conceivable subjects: the sciences, history, literature, religion, and of course, science fiction." Bibliography Depending on the counting convention used, and including all titles, charts, and edited collections, there may be currently over 500 books in Asimov's bibliography—as well as his individual short stories, individual essays, and criticism. For his 100th, 200th, and 300th books (based on his personal count), Asimov published Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984), celebrating his writing. An extensive bibliography of Isaac Asimov's works has been compiled by Ed Seiler. He published enough that his book writing rate could be analysed, showing that the writing became faster as he wrote more. An online exhibit in West Virginia University Libraries' virtually complete Asimov Collection displays features, visuals, and descriptions of some of his over 600 books, games, audio recordings, videos, and wall charts. Many first, rare, and autographed editions are in the Libraries' Rare Book Room. Book jackets and autographs are presented online along with descriptions and images of children's books, science fiction art, multimedia, and other materials in the collection. Science fiction "Greater Foundation" series The Robot series was originally separate from the Foundation series. The Galactic Empire novels were published as independent stories, set earlier in the same future as Foundation. Later in life, Asimov synthesized the Robot series into a single coherent "history" that appeared in the extension of the Foundation series. All of these books were published by Doubleday & Co, except the original Foundation trilogy which was originally published by Gnome Books before being bought and republished by Doubleday. The Robot series: (first Elijah Baley SF-crime novel) (second Elijah Baley SF-crime novel) (third Elijah Baley SF-crime novel) (sequel to the Elijah Baley trilogy) Galactic Empire novels: (early Galactic Empire) (long before the Empire) (Republic of Trantor still expanding) Foundation prequels: Original Foundation trilogy: (also published with the title 'The Man Who Upset the Universe' as a 35¢ Ace paperback, D-125, in about 1952) Extended Foundation series: Lucky Starr series (as Paul French) All published by Doubleday & Co David Starr, Space Ranger (1952) Lucky Starr and the Pirates of the Asteroids (1953) Lucky Starr and the Oceans of Venus (1954) Lucky Starr and the Big Sun of Mercury (1956) Lucky Starr and the Moons of Jupiter (1957) Lucky Starr and the Rings of Saturn (1958) Norby Chronicles (with Janet Asimov) All published by Walker & Company Norby, the Mixed-Up Robot (1983) Norby's Other Secret (1984) Norby and the Lost Princess (1985) Norby and the Invaders (1985) Norby and the Queen's Necklace (1986) Norby Finds a Villain (1987) Norby Down to Earth (1988) Norby and Yobo's Great Adventure (1989) Norby and the Oldest Dragon (1990) Norby and the Court Jester (1991) Novels not part of a series Novels marked with an asterisk (*) have minor connections to Foundation universe. The End of Eternity (1955), Doubleday (*) Fantastic Voyage (1966), Bantam Books (paperback) and Houghton Mifflin (hardback) (a novelization of the movie) The Gods Themselves (1972), Doubleday Fantastic Voyage II: Destination Brain (1987), Doubleday (not a sequel to Fantastic Voyage, but a similar, independent story) Nemesis (1989), Bantam Doubleday Dell (*) Nightfall (1990), Doubleday, with Robert Silverberg (based on "Nightfall", a 1941 short story written by Asimov) Child of Time (1992), Bantam Doubleday Dell, with Robert Silverberg (based on "The Ugly Little Boy", a 1958 short story written by Asimov) The Positronic Man (1993), Bantam Doubleday Dell, with Robert Silverberg (*) (based on The Bicentennial Man, a 1976 novella written by Asimov) Short-story collections Mysteries Novels The Death Dealers (1958), Avon Books, republished as A Whiff of Death by Walker & Company Murder at the ABA (1976), Doubleday, also published as Authorized Murder Short-story collections Black Widowers series Tales of the Black Widowers (1974), Doubleday More Tales of the Black Widowers (1976), Doubleday Casebook of the Black Widowers (1980), Doubleday Banquets of the Black Widowers (1984), Doubleday Puzzles of the Black Widowers (1990), Doubleday The Return of the Black Widowers (2003), Carroll & Graf Other mysteries Asimov's Mysteries (1968), Doubleday The Key Word and Other Mysteries (1977), Walker The Union Club Mysteries (1983), Doubleday The Disappearing Man and Other Mysteries (1985), Walker The Best Mysteries of Isaac Asimov (1986), Doubleday Nonfiction Popular science Collections of Asimov's essays for F&SF The following books collected essays which were originally published as monthly columns in The Magazine of Fantasy and Science Fiction and collected by Doubleday & Co Fact and Fancy (1962) View from a Height (1963) Adding a Dimension (1964) Of Time and Space and Other Things (1965) From Earth to Heaven (1966) Science, Numbers, and I (1968) The Solar System and Back (1970) The Stars in Their Courses (1971) The Left Hand of the Electron (1972) The Tragedy of the Moon (1973) Asimov On Astronomy (updated version of essays in previous collections) (1974) Asimov On Chemistry (updated version of essays in previous collections) (1974) Of Matters Great and Small (1975) Asimov On Physics (updated version of essays in previous collections) (1976) The Planet That Wasn't (1976) Asimov On Numbers (updated version of essays in previous collections) (1976) Quasar, Quasar, Burning Bright (1977) The Road to Infinity (1979) The Sun Shines Bright (1981) Counting the Eons (1983) X Stands for Unknown (1984) The Subatomic Monster (1985) Far as Human Eye Could See (1987) The Relativity of Wrong (1988) Asimov on Science: A 30 Year Retrospective 1959–1989 (1989) (features the first essay in the introduction) Out of the Everywhere (1990) The Secret of the Universe (1991) Other general science essay collections Only a Trillion (1957), Abelard-Schuman, Is Anyone There? (1967), Doubleday, (which includes the article in which he coined the term "spome") Today and Tomorrow and— (1973), Doubleday Science Past, Science Future (1975), Doubleday, Please Explain (1975), Houghton Mifflin, Life and Time (1978), Doubleday The Roving Mind (1983), Prometheus Books, new edition 1997, The Dangers of Intelligence (1986), Houghton Mifflin Past, Present and Future (1987), Prometheus Books, The Tyrannosaurus Prescription (1989), Prometheus Books Frontiers (1990), Dutton Frontiers II (1993), Dutton Other science books by Asimov The Chemicals of Life (1954), Abelard-Schuman Inside the Atom (1956), Abelard-Schuman, Building Blocks of the Universe (1957; revised 1974), Abelard-Schuman, The World of Carbon (1958), Abelard-Schuman, The World of Nitrogen (1958), Abelard-Schuman, Words of Science and the History Behind Them (1959), Houghton Mifflin The Clock We Live On (1959), Abelard-Schuman, Breakthroughs in Science (1959), Houghton Mifflin, Realm of Numbers (1959), Houghton Mifflin, Realm of Measure (1960), Houghton Mifflin The Wellsprings of Life (1960), Abelard-Schuman, Life and Energy (1962), Doubleday, The Genetic Code (1962), The Orion Press The Human Body: Its Structure and Operation (1963), Houghton Mifflin, , (revised) The Human Brain: Its Capacities and Functions (1963), Houghton Mifflin, Planets for Man (with Stephen H. Dole) (1964), Random House, reprinted by RAND in 2007 An Easy Introduction to the Slide Rule (1965), Houghton Mifflin, The Intelligent Man's Guide to Science (1965), Basic Books The title varied with each of the four editions, the last being Asimov's New Guide to Science (1984) The Universe: From Flat Earth to Quasar (1966), Walker, The Neutrino (1966), Doubleday, ASIN B002JK525W Understanding Physics Vol. I, Motion, Sound, and Heat (1966), Walker, Understanding Physics Vol. II, Light, Magnetism, and Electricity (1966), Walker, Understanding Physics Vol. III, The Electron, Proton, and Neutron (1966), Walker, Photosynthesis (1969), Basic Books, Our World in Space (1974), New York Graphic, Eyes on the Universe: A History of the Telescope (1976), Andre Deutsch Limited, The Collapsing Universe (1977), Walker, Extraterrestrial Civilizations (1979), Crown, Visions of the Universe with illustrations by Kazuaki Iwasaki (1981), Cosmos Store, Exploring the Earth and the Cosmos (1982), Crown, The Measure of the Universe (1983), Harper & Row Think About Space: Where Have We Been and Where Are We Going? with co-author Frank White (1989), Walker Asimov's Chronology of Science and Discovery (1989), Harper & Row, second edition adds content thru 1993, Beginnings: The Story of Origins (1989), Walker Isaac Asimov's Guide to Earth and Space (1991), Random House, Atom: Journey Across the Subatomic Cosmos (1991), Dutton, Mysteries of Deep Space: Quasars, Pulsars and Black Holes (1994) Earth's Moon (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Sun (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Earth (1988), Gareth Stevens, revised in 2004 by Richard Hantula Jupiter (1989), Gareth Stevens, revised in 2004 by Richard Hantula Venus (1990), Gareth Stevens, revised in 2004 by Richard Hantula Literary works All published by Doubleday Asimov's Guide to Shakespeare, vols I and II (1970), Asimov's Annotated "Don Juan" (1972) Asimov's Annotated "Paradise Lost" (1974) Familiar Poems, Annotated (1976) Asimov's The Annotated "Gulliver's Travels" (1980) Asimov's Annotated "Gilbert and Sullivan" (1988) The Bible Words from Genesis (1962), Houghton Mifflin Words from the Exodus (1963), Houghton Mifflin Asimov's Guide to the Bible, vols I and II (1967 and 1969, one-volume ed. 1981), Doubleday, The Story of Ruth (1972), Doubleday, In the Beginning (1981), Crown Autobiography In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954 (1979, Doubleday) In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 (1980, Doubleday) I. Asimov: A Memoir (1994, Doubleday) It's Been a Good Life (2002, Prometheus Books), condensation of Asimov's three volumes of autobiography, edited by his widow, Janet Jeppson Asimov History All published by Houghton Mifflin except where otherwise stated The Kite That Won the Revolution (1963), The Greeks (1965) The Roman Republic (1966) The Roman Empire (1967) The Egyptians (1967) The Near East (1968) The Dark Ages (1968) Words from History (1968) The Shaping of England (1969) Constantinople: The Forgotten Empire (1970) The Land of Canaan (1971) The Shaping of France (1972) The Shaping of North America: From Earliest Times to 1763 (1973) The Birth of the United States: 1763–1816 (1974) Our Federal Union: The United States from 1816 to 1865 (1975), The Golden Door: The United States from 1865 to 1918 (1977) Asimov's Chronology of the World (1991), HarperCollins, The March of the Millennia (1991), with co-author Frank White, Walker & Company, Humor The Sensuous Dirty Old Man (1971) (As Dr. A), Walker & Company, Isaac Asimov's Treasury of Humor (1971), Houghton Mifflin Lecherous Limericks (1975), Walker, More Lecherous Limericks (1976), Walker, Still More Lecherous Limericks (1977), Walker, Limericks, Two Gross, with John Ciardi (1978), Norton, A Grossery of Limericks, with John Ciardi (1981), Norton, Limericks for Children (1984), Caedmon Asimov Laughs Again (1992), HarperCollins On writing science fiction Asimov on Science Fiction (1981), Doubleday Asimov's Galaxy (1989), Doubleday Other nonfiction Opus 100 (1969), Houghton Mifflin, Asimov's Biographical Encyclopedia of Science and Technology (1964), Doubleday (revised edition 1972, ) Opus 200 (1979), Houghton Mifflin, Isaac Asimov's Book of Facts (1979), Grosset & Dunlap, Opus 300 (1984), Houghton Mifflin, Our Angry Earth: A Ticking Ecological Bomb (1991), with co-author Frederik Pohl, Tor, . Television, music, and film appearances I Robot, a concept album by the Alan Parsons Project that examined some of Asimov's work The Last Word (1959) The Dick Cavett Show, four appearances 1968–71 The Nature of Things (1969) ABC News coverage of Apollo 11, 1969, with Fred Pohl, interviewed by Rod Serling David Frost interview program, August 1969. Frost asked Asimov if he had ever tried to find God and, after some initial evasion, Asimov answered, "God is much more intelligent than I am—let him try to find me." BBC Horizon "It's About Time" (1979), show hosted by Dudley Moore Target ... Earth? (1980) The David Letterman Show (1980) NBC TV Speaking Freely, interviewed by Edwin Newman (1982) ARTS Network talk show hosted by Studs Terkel and Calvin Trillin, approximately (1982) Oltre New York (1986) Voyage to the Outer Planets and Beyond (1986) Gandahar (1987), a French animated science-fiction film by René Laloux. Asimov wrote the English translation for the film. Bill Moyers interview (1988) Stranieri in America (1988) Adaptations El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!" A halhatatlanság halála (1977), TV movie directed by András Rajnai, based on novel The End of Eternity The Ugly Little Boy (1977), short film directed by Barry Morse and Donald W. Thompson, based on novelette The Ugly Little Boy All the Troubles of the World (1978), short film directed by Dianne Haak-Edson, based on short story "All the Troubles of the World" The End of Eternity (1987), film directed by Andrei Yermash, based on novel The End of Eternity Nightfall (1988), film directed by Paul Mayersberg, based on novelette "Nightfall" Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series Feeling 109 (1988), short film directed by Richard Kletter, based on a story of Asimov Teach 109 (1989), TV movie directed by Richard Kletter, based on a story of Asimov (the same as The Android Affair) The Android Affair (1995), TV movie directed by Richard Kletter, based on a story of Asimov (the same as Teach 109) Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man Nightfall (2000), film directed by Gwyneth Gibby, based on novelette "Nightfall" I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series Formula of Death (2012), TV movie directed by Behdad Avand Amini, based on novel The Death Dealers Spell My Name with an S (2014), short film directed by Samuel Ali, based on short story "Spell My Name with an S" Foundation (2021), series created by David S. Goyer and Josh Friedman, based on the Foundation series Novelizations Novel Fantastic Voyage, novelization of film Fantastic Voyage (1966) References Footnotes Notes Sources Asimov, Isaac. In Memory Yet Green (1979), New York: Avon, . In Joy Still Felt (1980), New York: Avon . I. Asimov: A Memoir (1994), (hc), (pb). Yours, Isaac Asimov (1996), edited by Stanley Asimov. New York: Doubleday . It's Been a Good Life (2002), edited by Janet Asimov. . Goldman, Stephen H., "Isaac Asimov", in Dictionary of Literary Biography, Vol. 8, Cowart and Wymer eds. (Gale Research, 1981), pp. 15–29. Gunn, James. "On Variations on a Robot", IASFM, July 1980, pp. 56–81. Isaac Asimov: The Foundations of Science Fiction (1982). . The Science of Science-Fiction Writing (2000). . Further reading External links Asimov Online, a vast repository of information about Asimov, maintained by Asimov enthusiast Edward Seiler Jenkins' Spoiler-Laden Guide to Isaac Asimov, reviews of all of Asimov's books 20th-century births 1992 deaths 20th-century American novelists 20th-century American male writers AIDS-related deaths in New York (state) American alternate history writers Jewish American atheists American biochemists American essayists American humanists American humorists American male novelists 20th-century American memoirists United States Army non-commissioned officers American mystery writers American people of Russian-Jewish descent American science fiction writers American science writers American skeptics American writers of Russian descent Asimov's Science Fiction people Bible commentators Boston University faculty Columbia University School of General Studies alumni Critics of religions Date of birth unknown Fellows of the American Academy of Arts and Sciences Futurians Historians of astronomy American historians of science Hugo Award-winning writers Humor researchers Jewish American novelists Jewish American short story writers Jewish feminists Jewish skeptics American male essayists Male feminists American male short story writers American short story writers Mensans Nebula Award winners New York (state) Democrats People from Shumyachsky District Naturalized citizens of the United States United States Navy civilians Science fiction fans Science Fiction Hall of Fame inductees SFWA Grand Masters Soviet emigrants to the United States Writers from Brooklyn Yiddish-speaking people Boys High School (Brooklyn) alumni Novelists from Massachusetts Novelists from New York (state) Scientists from New York City 20th-century essayists 20th-century atheists People from the Upper West Side Pulp fiction writers Writers about religion and science Atheist feminists Columbia Graduate School of Arts and Sciences alumni

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What age did he graduate

What age did Isaac Asimov graduate from Boys High School in Brooklyn?

Isaac Asimov

Asimov attended New York City public schools from age 5, including Boys High School in Brooklyn. Graduating at 15, he went on to Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then the institution's primary undergraduate school for men with quotas on the number of admissions from those ethnic groups. Originally a zoology major, Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1938, Asimov finished his BS degree at University Extension (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov in 1939 applied to the graduate program in chemistry at Columbia; initially rejected and then accepted only on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in biochemistry in 1948. In between earning these two degrees, he spent three years during World War II working as a civilian at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949 with a $5,000 (equivalent to $51,427 in 2017) salary, with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university. The difference grew, and in 1958 Asimov stopped teaching to become a full-time writer. Being tenured, he retained the title of associate professor (which he had held since 1955), and in 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. CANNOTANSWER

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Isaac Asimov (; 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as much nonfiction. Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories. He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism. He was president of the American Humanist Association. Several entities have been named in his honor, including the asteroid (5020) Asimov, a crater on the planet Mars, a Brooklyn elementary school, Honda's humanoid robot, ASIMO, and four literary awards. Surname Asimov's family name derives from the first part of ozímyj khleb (озимый хлеб), meaning the winter grain (specifically rye) in which his great-great-great-grandfather dealt, with the Russian patronymic ending -ov added. Azimov is spelled in the Cyrillic alphabet. When the family arrived in the United States in 1923 and their name had to be spelled in the Latin alphabet, Asimov's father spelled it with an S, believing this letter to be pronounced like Z (as in German), and so it became Asimov. This later inspired one of Asimov's short stories, "Spell My Name with an S". Asimov refused early suggestions of using a more common name as a pseudonym, and believed that its recognizability helped his career. After becoming famous, he often met readers who believed that "Isaac Asimov" was a distinctive pseudonym created by an author with a common name. Biography Early life Asimov was born in Petrovichi, Russian SFSR, on an unknown date between October 4, 1919, and January 2, 1920, inclusive. Asimov celebrated his birthday on January 2. Asimov's parents were Anna Rachel (née Berman) and Judah Asimov, a family of Russian-Jewish millers. He was named Isaac after his mother's father, Isaac Berman. Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me". In 1921, Asimov and 16 other children in Petrovichi developed double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya; June 17, 1922 – April 2, 2011), and a brother, Stanley (July 25, 1929 – August 16, 1995), who was vice-president of the Long Island Newsday. Asimov's family travelled to the United States via Liverpool on the RMS Baltic, arriving on February 3, 1923 when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in both. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five (and later taught his sister to read as well, enabling her to enter school in the second grade). His mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2. He became a naturalized U.S. citizen in 1928 at the age of eight. After becoming established in the U.S., his parents owned a succession of candy stores in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material (including pulp science fiction magazines) as a child that he could not have otherwise afforded. Asimov began reading science fiction at age nine, at the time when the genre was becoming more science-centered. Education and career Asimov attended New York City public schools from age five, including Boys High School in Brooklyn. Graduating at 15, he attended the City College of New York for several days before accepting a scholarship at Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then, the institution's primary undergraduate school for men. Jewish and Italian-American students, even of outstanding academic caliber, were often deliberately barred from Columbia College proper because of the then-popular practice of imposing unwritten ethnic admission quotas. Originally a zoology major, Asimov switched to chemistry after his first semester because he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1936, Asimov finished his Bachelor of Science degree at Morningside Heights campus (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov applied to the graduate program in chemistry at Columbia in 1939; initially he was rejected and then only accepted on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948. During his chemistry studies, he also learned French and German. In between earning these two degrees, Asimov spent three years during World War II working as a civilian chemist at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected while at school, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949, teaching biochemistry with a $5,000 salary (), with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university, and he eventually stopped doing research, confining his university role to lecturing students. In 1955, he was promoted to associate professor, which gave him tenure. In December 1957, Asimov was dismissed from his teaching post, with effect from June 30, 1958, because he had stopped doing research. After a struggle which lasted for two years, he kept his title, he gave the opening lecture each year for a biochemistry class, and on October 18, 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. Personal life Asimov met his first wife, Gertrude Blugerman (1917, Toronto, Canada – 1990, Boston, U.S.), on a blind date on February 14, 1942, and married her on July 26 the same year. The couple lived in an apartment in West Philadelphia while Asimov was employed at the Philadelphia Navy Yard (where two of his co-workers were L. Sprague de Camp and Robert A. Heinlein). Gertrude returned to Brooklyn while he was in the army, and they both lived there from July 1946 before moving to Stuyvesant Town, Manhattan, in July 1948. They moved to Boston in May 1949, then to nearby suburbs Somerville in July 1949, Waltham in May 1951, and, finally, West Newton in 1956. They had two children, David (born 1951) and Robyn Joan (born 1955). In 1970, they separated and Asimov moved back to New York, this time to the Upper West Side of Manhattan where he lived for the rest of his life. He immediately began seeing Janet O. Jeppson, a psychiatrist and science-fiction writer, and married her on November 30, 1973, two weeks after his divorce from Gertrude. Asimov was a claustrophile: he enjoyed small, enclosed spaces. In the third volume of his autobiography, he recalls a childhood desire to own a magazine stand in a New York City Subway station, within which he could enclose himself and listen to the rumble of passing trains while reading. Asimov was afraid of flying, doing so only twice: once in the course of his work at the Naval Air Experimental Station and once returning home from Oahu in 1946. Consequently, he seldom traveled great distances. This phobia influenced several of his fiction works, such as the Wendell Urth mystery stories and the Robot novels featuring Elijah Baley. In his later years, Asimov found enjoyment traveling on cruise ships, beginning in 1972 when he viewed the Apollo 17 launch from a cruise ship. On several cruises, he was part of the entertainment program, giving science-themed talks aboard ships such as the Queen Elizabeth 2. He sailed to England in June 1974 on the SS France for a trip mostly devoted to events in London and Birmingham, though he also found time to visit Stonehenge. Asimov was an able public speaker and was regularly paid to give talks about science. He was a frequent fixture at science fiction conventions, where he was friendly and approachable. He patiently answered tens of thousands of questions and other mail with postcards and was pleased to give autographs. He was of medium height (), stocky, with—in his later years—"mutton-chop" sideburns, and a distinct New York accent. He took to wearing bolo ties after his wife Janet objected to his clip-on bow ties. His physical dexterity was very poor. He never learned to swim or ride a bicycle; however, he did learn to drive a car after he moved to Boston. In his humor book Asimov Laughs Again, he describes Boston driving as "anarchy on wheels". Asimov's wide interests included his participation in his later years in organizations devoted to the comic operas of Gilbert and Sullivan and in The Wolfe Pack, a group of devotees of the Nero Wolfe mysteries written by Rex Stout. Many of his short stories mention or quote Gilbert and Sullivan. He was a prominent member of The Baker Street Irregulars, the leading Sherlock Holmes society, for whom he wrote an essay arguing that Professor Moriarty's work "The Dynamics of An Asteroid" involved the willful destruction of an ancient, civilized planet. He was also a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his fictional group of mystery solvers, the Black Widowers. He later used his essay on Moriarty's work as the basis for a Black Widowers story, "The Ultimate Crime", which appeared in More Tales of the Black Widowers. In 1984, the American Humanist Association (AHA) named him the Humanist of the Year. He was one of the signers of the Humanist Manifesto. From 1985 until his death in 1992, he served as president of the AHA, an honorary appointment. His successor was his friend and fellow writer Kurt Vonnegut. He was also a close friend of Star Trek creator Gene Roddenberry, and earned a screen credit as "special science consultant" on Star Trek: The Motion Picture for advice he gave during production. Asimov was a founding member of the Committee for the Scientific Investigation of Claims of the Paranormal, CSICOP (now the Committee for Skeptical Inquiry) and is listed in its Pantheon of Skeptics. In a discussion with James Randi at CSICon 2016 regarding the founding of CSICOP, Kendrick Frazier said that Asimov was "a key figure in the Skeptical movement who is less well known and appreciated today, but was very much in the public eye back then." He said that Asimov being associated with CSICOP "gave it immense status and authority" in his eyes. Asimov described Carl Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky. Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". After his father died in 1969, Asimov annually contributed to a Judah Asimov Scholarship Fund at Brandeis University. Illness and death In 1977, Asimov suffered a heart attack. In December 1983, he had triple bypass surgery at NYU Medical Center, during which he contracted HIV from a blood transfusion. His HIV status was kept secret out of concern that the anti-AIDS prejudice might extend to his family members. He died in Manhattan on April 6, 1992, and was cremated. The cause of death was reported as heart and kidney failure. Ten years following Asimov's death, Janet and Robyn Asimov agreed that the HIV story should be made public; Janet revealed it in her edition of his autobiography, It's Been a Good Life. Writings Overview Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories. Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image". Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series. Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream". Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology. Although Asimov did write several essays about psychology, and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982), which were classified in the 100s category, none of his own books were classified in that category. According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author. Science fiction Asimov became a science fiction fan in 1929, when he began reading the pulp magazines sold in his family's candy store. At first his father forbade reading pulps as he considered them to be trash, until Asimov persuaded him that because the science fiction magazines had "Science" in the title, they must be educational. At age 18 he joined the Futurians science fiction fan club, where he made friends who went on to become science fiction writers or editors. Asimov began writing at the age of 11, imitating The Rover Boys with eight chapters of The Greenville Chums at College. His father bought Asimov a used typewriter at age 16. His first published work was a humorous item on the birth of his brother for Boys High School's literary journal in 1934. In May 1937 he first thought of writing professionally, and began writing his first science fiction story, "Cosmic Corkscrew" (now lost), that year. On May 17, 1938, puzzled by a change in the schedule of Astounding Science Fiction, Asimov visited its publisher Street & Smith Publications. Inspired by the visit, he finished the story on June 19, 1938, and personally submitted it to Astounding editor John W. Campbell two days later. Campbell met with Asimov for more than an hour and promised to read the story himself. Two days later he received a rejection letter explaining why in detail. This was the first of what became almost weekly meetings with the editor while Asimov lived in New York, until moving to Boston in 1949; Campbell had a strong formative influence on Asimov and became a personal friend. By the end of the month, Asimov completed a second story, "Stowaway". Campbell rejected it on July 22 but—in "the nicest possible letter you could imagine"—encouraged him to continue writing, promising that Asimov might sell his work after another year and a dozen stories of practice. On October 21, 1938, he sold the third story he finished, "Marooned Off Vesta", to Amazing Stories, edited by Raymond A. Palmer, and it appeared in the March 1939 issue. Asimov was paid $64 (), or one cent a word. Two more stories appeared that year, "The Weapon Too Dreadful to Use" in the May Amazing and "Trends" in the July Astounding, the issue fans later selected as the start of the Golden Age of Science Fiction. For 1940, ISFDB catalogs seven stories in four different pulp magazines, including one in Astounding. His earnings became enough to pay for his education, but not yet enough for him to become a full-time writer. Asimov later said that unlike other top Golden Age writers Robert Heinlein and A. E. van Vogt—also first published in 1939, and whose talent and stardom were immediately obvious—he "(this is not false modesty) came up only gradually". Through July 29, 1940, Asimov wrote 22 stories in 25 months, of which 13 were published; he wrote in 1972 that from that date he never wrote a science fiction story that was not published (except for two "special cases"). He was famous enough that Donald Wollheim told Asimov that he purchased "The Secret Sense" for a new magazine only because of his name, and the December 1940 issue of Astonishing—featuring Asimov's name in bold—was the first magazine to base cover art on his work, but Asimov later said that neither he himself nor anyone else—except perhaps Campbell—considered him better than an often published "third rater". Based on a conversation with Campbell, Asimov wrote "Nightfall", his 32nd story, in March and April 1941, and Astounding published it in September 1941. In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written. In Nightfall and Other Stories Asimov wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'." "Nightfall" is an archetypal example of social science fiction, a term he created to describe a new trend in the 1940s, led by authors including him and Heinlein, away from gadgets and space opera and toward speculation about the human condition. After writing "Victory Unintentional" in January and February 1942, Asimov did not write another story for a year. Asimov expected to make chemistry his career, and was paid $2,600 annually at the Philadelphia Navy Yard, enough to marry his girlfriend; he did not expect to make much more from writing than the $1,788.50 he had earned from 28 stories sold over four years. Asimov left science fiction fandom and no longer read new magazines, and might have left the industry had not Heinlein and de Camp been coworkers and previously sold stories continued to appear. In 1942, Asimov published the first of his Foundation stories—later collected in the Foundation trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953). The books recount the fall of a vast interstellar empire and the establishment of its eventual successor. They also feature his fictional science of psychohistory, in which the future course of the history of large populations can be predicted. The trilogy and Robot series are his most famous science fiction. In 1966 they won the Hugo Award for the all-time best series of science fiction and fantasy novels. Campbell raised his rate per word, Orson Welles purchased rights to "Evidence", and anthologies reprinted his stories. By the end of the war Asimov was earning as a writer an amount equal to half of his Navy Yard salary, even after a raise, but Asimov still did not believe that writing could support him, his wife, and future children. His "positronic" robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in his introduction to the short story collection The Complete Robot (1982) that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creators. The robot series has led to film adaptations. With Asimov's collaboration, in about 1977, Harlan Ellison wrote a screenplay of I, Robot that Asimov hoped would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay has never been filmed and was eventually published in book form in 1994. The 2004 movie I, Robot, starring Will Smith, was based on an unrelated script by Jeff Vintar titled Hardwired, with Asimov's ideas incorporated later after the rights to Asimov's title were acquired. (The title was not original to Asimov but had previously been used for a story by Eando Binder.) Also, one of Asimov's robot short stories, "The Bicentennial Man", was expanded into a novel The Positronic Man by Asimov and Robert Silverberg, and this was adapted into the 1999 movie Bicentennial Man, starring Robin Williams. Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford, David Brin, and Donald Kingsbury. At least some of these appear to have been done with the blessing of, or at the request of, Asimov's widow, Janet Asimov. In 1948, he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name. Asimov grew concerned at the scrutiny he would receive at his oral examination, in case the examiners thought he wasn't taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old with Me" (40,000 words), but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. Doubleday published five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw Gnome Press publish one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation trilogy. More positronic robot stories were republished in book form as The Rest of the Robots. Books and the magazines Galaxy, and Fantasy & Science Fiction ended Asimov's dependence on Astounding. He later described the era as his "'mature' period". Asimov's "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy, was his personal favorite story. In 1972, his novel The Gods Themselves (which was not part of a series) was published to general acclaim, and it won the Hugo Award for Best Novel, the Nebula Award for Best Novel, and the Locus Award for Best Novel. In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue. McCartney rejected the story. The treatment now exists only in the Boston University archives. Asimov said in 1969 that he had "the happiest of all my associations with science fiction magazines" with Fantasy & Science Fiction; "I have no complaints about Astounding, Galaxy, or any of the rest, heaven knows, but F&SF has become something special to me". Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazines and Alfred Hitchcock's Mystery Magazines "anthologies"). Due to pressure by fans on Asimov to write another book in his Foundation series, he did so with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992), his last novel. Popular science Asimov and two colleagues published a textbook in 1949, with two more editions by 1969. During the late 1950s and 1960s, Asimov substantially decreased his fiction output (he published only four adult novels between 1957's The Naked Sun and 1982's Foundation's Edge, two of which were mysteries). He greatly increased his nonfiction production, writing mostly on science topics; the launch of Sputnik in 1957 engendered public concern over a "science gap". Asimov explained in The Rest of the Robots that he had been unable to write substantial fiction since the summer of 1958, and observers understood him as saying that his fiction career had ended, or was permanently interrupted. Asimov recalled in 1969 that "the United States went into a kind of tizzy, and so did I. I was overcome by the ardent desire to write popular science for an America that might be in great danger through its neglect of science, and a number of publishers got an equally ardent desire to publish popular science for the same reason". Fantasy and Science Fiction invited Asimov to continue his regular nonfiction column, begun in the now-folded bimonthly companion magazine Venture Science Fiction Magazine. The first of 399 monthly F&SF columns appeared in November 1958 and they continued until his terminal illness. These columns, periodically collected into books by Doubleday, gave Asimov a reputation as a "Great Explainer" of science; he described them as his only popular science writing in which he never had to assume complete ignorance of the subjects on the part of his readers. The column was ostensibly dedicated to popular science but Asimov had complete editorial freedom, and wrote about contemporary social issues in essays such as "Thinking About Thinking" and "Knock Plastic!". In 1975 he wrote of these essays: "I get more pleasure out of them than out of any other writing assignment." Asimov's first wide-ranging reference work, The Intelligent Man's Guide to Science (1960), was nominated for a National Book Award, and in 1963 he won a Hugo Award—his first—for his essays for F&SF. The popularity of his science books and the income he derived from them allowed him to give up most academic responsibilities and become a full-time freelance writer. He encouraged other science fiction writers to write popular science, stating in 1967 that "the knowledgeable, skillful science writer is worth his weight in contracts", with "twice as much work as he can possibly handle". The great variety of information covered in Asimov's writings prompted Kurt Vonnegut to ask, "How does it feel to know everything?" Asimov replied that he only knew how it felt to have the 'reputation' of omniscience: "Uneasy". Floyd C. Gale said that "Asimov has a rare talent. He can make your mental mouth water over dry facts", and "science fiction's loss has been science popularization's gain". Asimov said that "Of all the writing I do, fiction, non-fiction, adult, or juvenile, these F & SF articles are by far the most fun". He regretted, however, that he had less time for fiction—causing dissatisfied readers to send him letters of complaint—stating in 1969 that "In the last ten years, I've done a couple of novels, some collections, a dozen or so stories, but that's nothing". In his essay "To Tell a Chemist" (1965), Asimov proposed a simple shibboleth for distinguishing chemists from non-chemists: ask the person to read the word "unionized". Chemists, he noted, will read the word "unionized" as un-ion-ized (pronounced "un-EYE-en-ized"), meaning "(a chemical species) being in an electrically neutral state, as opposed to being an ion", while non-chemists will read the word as union-ized (pronounced "YOU-nien-ized"), meaning "(a worker or organization) belonging to or possessing a trade union". Coined terms Asimov coined the term "robotics" in his 1941 story "Liar!", though he later remarked that he believed then that he was merely using an existing word, as he stated in Gold ("The Robot Chronicles"). While acknowledging the Oxford Dictionary reference, he incorrectly states that the word was first printed about one third of the way down the first column of page 100, Astounding Science Fiction, March 1942 printing of his short story "Runaround". In the same story, Asimov also coined the term "positronic" (the counterpart to "electronic" for positrons). Asimov coined the term "psychohistory" in his Foundation stories to name a fictional branch of science which combines history, sociology, and mathematical statistics to make general predictions about the future behavior of very large groups of people, such as the Galactic Empire. Asimov said later that he should have called it psychosociology. It was first introduced in the five short stories (1942–1944) which would later be collected as the 1951 fix-up novel Foundation. Somewhat later, the term "psychohistory" was applied by others to research of the effects of psychology on history. Other writings In addition to his interest in science, Asimov was interested in history. Starting in the 1960s, he wrote 14 popular history books, including The Greeks: A Great Adventure (1965), The Roman Republic (1966), The Roman Empire (1967), The Egyptians (1967) The Near East: 10,000 Years of History (1968), and Asimov's Chronology of the World (1991). He published Asimov's Guide to the Bible in two volumes—covering the Old Testament in 1967 and the New Testament in 1969—and then combined them into one 1,300-page volume in 1981. Complete with maps and tables, the guide goes through the books of the Bible in order, explaining the history of each one and the political influences that affected it, as well as biographical information about the important characters. His interest in literature manifested itself in several annotations of literary works, including Asimov's Guide to Shakespeare (1970), Asimov's Annotated Don Juan (1972), Asimov's Annotated Paradise Lost (1974), and The Annotated Gulliver's Travels (1980). Asimov was also a noted mystery author and a frequent contributor to Ellery Queen's Mystery Magazine. He began by writing science fiction mysteries such as his Wendell Urth stories, but soon moved on to writing "pure" mysteries. He published two full-length mystery novels, and wrote 66 stories about the Black Widowers, a group of men who met monthly for dinner, conversation, and a puzzle. He got the idea for the Widowers from his own association in a stag group called the Trap Door Spiders, and all of the main characters (with the exception of the waiter, Henry, who he admitted resembled Wodehouse's Jeeves) were modeled after his closest friends. A parody of the Black Widowers, "An Evening with the White Divorcés," was written by author, critic, and librarian Jon L. Breen. Asimov joked, "all I can do ... is to wait until I catch him in a dark alley, someday." Toward the end of his life, Asimov published a series of collections of limericks, mostly written by himself, starting with Lecherous Limericks, which appeared in 1975. Limericks: Too Gross, whose title displays Asimov's love of puns, contains 144 limericks by Asimov and an equal number by John Ciardi. He even created a slim volume of Sherlockian limericks. Asimov featured Yiddish humor in Azazel, The Two Centimeter Demon. The two main characters, both Jewish, talk over dinner, or lunch, or breakfast, about anecdotes of "George" and his friend Azazel. Asimov's Treasury of Humor is both a working joke book and a treatise propounding his views on humor theory. According to Asimov, the most essential element of humor is an abrupt change in point of view, one that suddenly shifts focus from the important to the trivial, or from the sublime to the ridiculous. Particularly in his later years, Asimov to some extent cultivated an image of himself as an amiable lecher. In 1971, as a response to the popularity of sexual guidebooks such as The Sensuous Woman (by "J") and The Sensuous Man (by "M"), Asimov published The Sensuous Dirty Old Man under the byline "Dr. 'A (although his full name was printed on the paperback edition, first published 1972). However, by 2016, some of Asimov's behavior towards women was described as sexual harassment and cited as an example of historically problematic behavior by men in science fiction communities. Asimov published three volumes of autobiography. In Memory Yet Green (1979) and In Joy Still Felt (1980) cover his life up to 1978. The third volume, I. Asimov: A Memoir (1994), covered his whole life (rather than following on from where the second volume left off). The epilogue was written by his widow Janet Asimov after his death. The book won a Hugo Award in 1995. Janet Asimov edited It's Been a Good Life (2002), a condensed version of his three autobiographies. He also published three volumes of retrospectives of his writing, Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984). In 1987, the Asimovs co-wrote How to Enjoy Writing: A Book of Aid and Comfort. In it they offer advice on how to maintain a positive attitude and stay productive when dealing with discouragement, distractions, rejection, and thick-headed editors. The book includes many quotations, essays, anecdotes, and husband-wife dialogues about the ups and downs of being an author. Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Treks initial launch in the late 1960s. Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects. In 1973, Asimov published a proposal for calendar reform, called the World Season Calendar. It divides the year into four seasons (named A–D) of 13 weeks (91 days) each. This allows days to be named, e.g., "D-73" instead of December 1 (due to December 1 being the 73rd day of the 4th quarter). An extra 'year day' is added for a total of 365 days. Awards and recognition Asimov won more than a dozen annual awards for particular works of science fiction and a half-dozen lifetime awards. He also received 14 honorary doctorate degrees from universities. 1955 – Guest of Honor at the 13th World Science Fiction Convention 1957 – Thomas Alva Edison Foundation Award for best science book for youth, for Building Blocks of the Universe 1960 – Howard W. Blakeslee Award from the American Heart Association for The Living River 1962 – Boston University's Publication Merit Award 1963 – A special Hugo Award for "adding science to science fiction," for essays published in The Magazine of Fantasy and Science Fiction 1963 – Fellow of the American Academy of Arts and Sciences 1964 – The Science Fiction Writers of America voted "Nightfall" (1941) the all-time best science fiction short story 1965 – James T. Grady Award of the American Chemical Society (now called the James T. Grady-James H. Stack Award for Interpreting Chemistry) 1966 – Best All-time Novel Series Hugo Award for the Foundation trilogy 1967 – Edward E. Smith Memorial Award 1967 – AAAS-Westinghouse Science Writing Award for Magazine Writing, for essay "Over the Edge of the Universe" (in the March 1967 Harper's Magazine) 1972 – Nebula Award for Best Novel for The Gods Themselves 1973 – Hugo Award for Best Novel for The Gods Themselves 1973 – Locus Award for Best Novel for The Gods Themselves 1975 – Golden Plate Award of the American Academy of Achievement 1975 – Klumpke-Roberts Award "for outstanding contributions to the public understanding and appreciation of astronomy" 1975 – Locus Award for Best Reprint Anthology for Before the Golden Age 1977 – Hugo Award for Best Novelette for The Bicentennial Man 1977 – Nebula Award for Best Novelette for The Bicentennial Man 1977 – Locus Award for Best Novelette for The Bicentennial Man 1981 – An asteroid, 5020 Asimov, was named in his honor 1981 – Locus Award for Best Non-Fiction Book for In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 1983 – Hugo Award for Best Novel for Foundation's Edge 1983 – Locus Award for Best Science Fiction Novel for Foundation's Edge 1984 – Humanist of the Year 1986 – The Science Fiction and Fantasy Writers of America named him its 8th SFWA Grand Master (presented in 1987). 1987 – Locus Award for Best Short Story for "Robot Dreams" 1992 – Hugo Award for Best Novelette for "Gold" 1995 – Hugo Award for Best Non-Fiction Book for I. Asimov: A Memoir 1995 – Locus Award for Best Non-Fiction Book for I. Asimov: A Memoir 1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon for "The Mule", the 7th Foundation story, published in Astounding Science Fiction 1997 – The Science Fiction and Fantasy Hall of Fame inducted Asimov in its second class of two deceased and two living persons, along with H. G. Wells. 2000 – Asimov was featured on a stamp in Israel 2001 – The Isaac Asimov Memorial Debates at the Hayden Planetarium in New York were inaugurated 2009 – A crater on the planet Mars, Asimov, was named in his honor 2010 – In the US Congress bill about the designation of the National Robotics Week as an annual event, a tribute to Isaac Asimov is as follows: "Whereas the second week in April each year is designated as 'National Robotics Week', recognizing the accomplishments of Isaac Asimov, who immigrated to America, taught science, wrote science books for children and adults, first used the term robotics, developed the Three Laws of Robotics, and died in April 1992: Now, therefore, be it resolved ..." 2015 – Selected as a member of the New York State Writers Hall of Fame. 2016 – A 1941 Retro-Hugo for Best Short Story of 1940 was given at the 2016 WorldCon for Robbie, his first positronic robot story, published in Super Science Stories, September 1940 2018 – A 1943 Retro-Hugo for Best Short Story of 1942 was given at the 2018 WorldCon for Foundation, published in Astounding Science-Fiction, May 1942 Writing style Asimov was his own secretary, typist, indexer, proofreader, and literary agent. He wrote a typed first draft composed at the keyboard at 90 words per minute; he imagined an ending first, then a beginning, then "let everything in-between work itself out as I come to it". (Asimov only used an outline once, later describing it as "like trying to play the piano from inside a straitjacket".) After correcting a draft by hand, he retyped the document as the final copy and only made one revision with minor editor-requested changes; a word processor did not save him much time, Asimov said, because 95% of the first draft was unchanged. After disliking making multiple revisions of "Black Friar of the Flame", Asimov refused to make major, second, or non-editorial revisions ("like chewing used gum"), stating that "too large a revision, or too many revisions, indicate that the piece of writing is a failure. In the time it would take to salvage such a failure, I could write a new piece altogether and have infinitely more fun in the process". He submitted "failures" to another editor. One of the most common impressions of Asimov's fiction work is that his writing style is extremely unornamented. In 1980, science fiction scholar James Gunn wrote of I, Robot: Asimov addressed such criticism in 1989 at the beginning of Nemesis: Gunn cited examples of a more complex style, such as the climax of "Liar!". Sharply drawn characters occur at key junctures of his storylines: Susan Calvin in "Liar!" and "Evidence", Arkady Darell in Second Foundation, Elijah Baley in The Caves of Steel, and Hari Seldon in the Foundation prequels. Other than books by Gunn and Joseph Patrouch, a relative dearth of "literary" criticism exists on Asimov (particularly when compared to the sheer volume of his output). Cowart and Wymer's Dictionary of Literary Biography (1981) gives a possible reason: Gunn's and Patrouch's respective studies of Asimov both state that a clear, direct prose style is still a style. Gunn's 1982 book comments in detail on each of Asimov's novels. He does not praise all of Asimov's fiction (nor does Patrouch), but calls some passages in The Caves of Steel "reminiscent of Proust". When discussing how that novel depicts night falling over futuristic New York City, Gunn says that Asimov's prose "need not be ashamed anywhere in literary society". Although he prided himself on his unornamented prose style (for which he credited Clifford D. Simak as an early influence), and said in 1973 that his style had not changed, Asimov also enjoyed giving his longer stories complicated narrative structures, often by arranging chapters in nonchronological ways. Some readers have been put off by this, complaining that the nonlinearity is not worth the trouble and adversely affects the clarity of the story. For example, the first third of The Gods Themselves begins with Chapter 6, then backtracks to fill in earlier material. (John Campbell advised Asimov to begin his stories as late in the plot as possible. This advice helped Asimov create "Reason", one of the early Robot stories). Patrouch found that the interwoven and nested flashbacks of The Currents of Space did serious harm to that novel, to such an extent that only a "dyed-in-the-kyrt Asimov fan" could enjoy it. In his later novel Nemesis one group of characters lives in the "present" and another group starts in the "past", beginning 15 years earlier and gradually moving toward the time period of the first group. Alien life Asimov once explained that his reluctance to write about aliens came from an incident early in his career when Astoundings editor John Campbell rejected one of his science fiction stories because the alien characters were portrayed as superior to the humans. The nature of the rejection led him to believe that Campbell may have based his bias towards humans in stories on a real-world racial bias. Unwilling to write only weak alien races, and concerned that a confrontation would jeopardize his and Campbell's friendship, he decided he would not write about aliens at all. Nevertheless, in response to these criticisms, he wrote The Gods Themselves, which contains aliens and alien sex. The book won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973. Asimov said that of all his writings, he was most proud of the middle section of The Gods Themselves, the part that deals with those themes. In the Hugo Award-winning novelette "Gold", Asimov describes an author, clearly based on himself, who has one of his books (The Gods Themselves) adapted into a "compu-drama", essentially photo-realistic computer animation. The director criticizes the fictionalized Asimov ("Gregory Laborian") for having an extremely nonvisual style, making it difficult to adapt his work, and the author explains that he relies on ideas and dialogue rather than description to get his points across. Romance and women In the early days of science fiction some authors and critics felt that the romantic elements were inappropriate in science fiction stories, which were supposedly to be focused on science and technology. Isaac Asimov was a prominent supporter of this point of view, expressed in his 1938-1939 letters to Astounding, where he described such elements as "mush" and "slop". However, to his dismay, these letters were met with a strong opposition. Asimov attributed the lack of romance and sex in his fiction to the "early imprinting" from starting his writing career when he had never been on a date and "didn't know anything about girls". He was sometimes criticized for the general absence of sex (and of extraterrestrial life) in his science fiction. He claimed he wrote The Gods Themselves to respond to these criticisms, which often came from New Wave science fiction (and often British) writers. The second part (of three) of the novel is set on an alien world with three sexes, and the sexual behavior of these creatures is extensively depicted. Asimov was also criticized for a lack of strong female characters in his early work. However, some of his robot stories, including the earliest ones, featured the character Susan Calvin, a forceful and intelligent woman who regularly out-performed her male colleagues. In his autobiographical writings, such as Gold ("Women and Science Fiction"), he acknowledges this complaint has merit and responds by pointing to inexperience. His later novels, written with more female characters but in essentially the same prose style as his early science-fiction stories, brought this matter to a wider audience. The Washington Post's "Book World" section reports of Robots and Empire opined "In 1940, Asimov's humans were stripped-down masculine portraits of Americans from 1940, and they still are." Views Religion Asimov was an atheist, a humanist, and a rationalist. He did not oppose religious conviction in others, but he frequently railed against superstitious and pseudoscientific beliefs that tried to pass themselves off as genuine science. During his childhood, his father and mother observed the traditions of Orthodox Judaism, though not as stringently as they had in Petrovichi; they did not, however, force their beliefs upon young Isaac. Thus, he grew up without strong religious influences, coming to believe that the Torah represented Hebrew mythology in the same way that the Iliad recorded Greek mythology. When he was 13, he chose not to have a bar mitzvah. As his books Treasury of Humor and Asimov Laughs Again record, Asimov was willing to tell jokes involving God, Satan, the Garden of Eden, Jerusalem, and other religious topics, expressing the viewpoint that a good joke can do more to provoke thought than hours of philosophical discussion. For a brief while, his father worked in the local synagogue to enjoy the familiar surroundings and, as Isaac put it, "shine as a learned scholar" versed in the sacred writings. This scholarship was a seed for his later authorship and publication of Asimov's Guide to the Bible, an analysis of the historic foundations for both the Old and New Testaments. For many years, Asimov called himself an atheist; however, he considered the term somewhat inadequate, as it described what he did not believe rather than what he did. Eventually, he described himself as a "humanist" and considered that term more practical. Asimov did, however, continue to identify himself as a secular Jew, as stated in his introduction to Jack Dann's anthology of Jewish science fiction, Wandering Stars: "I attend no services and follow no ritual and have never undergone that curious puberty rite, the Bar Mitzvah. It doesn't matter. I am Jewish." When asked in an interview in 1982 if he was an atheist, Asimov replied, Likewise, he said about religious education: "I would not be satisfied to have my kids choose to be religious without trying to argue them out of it, just as I would not be satisfied to have them decide to smoke regularly or engage in any other practice I consider detrimental to mind or body." In his last volume of autobiography, Asimov wrote, The same memoir states his belief that Hell is "the drooling dream of a sadist" crudely affixed to an all-merciful God; if even human governments were willing to curtail cruel and unusual punishments, wondered Asimov, why would punishment in the afterlife not be restricted to a limited term? Asimov rejected the idea that a human belief or action could merit infinite punishment. If an afterlife existed, he claimed, the longest and most severe punishment would be reserved for those who "slandered God by inventing Hell". Asimov said about using religious motifs in his writing: Politics Asimov became a staunch supporter of the Democratic Party during the New Deal, and thereafter remained a political liberal. He was a vocal opponent of the Vietnam War in the 1960s and in a television interview during the early 1970s he publicly endorsed George McGovern. He was unhappy about what he considered an "irrationalist" viewpoint taken by many radical political activists from the late 1960s and onwards. In his second volume of autobiography, In Joy Still Felt, Asimov recalled meeting the counterculture figure Abbie Hoffman. Asimov's impression was that the 1960s' counterculture heroes had ridden an emotional wave which, in the end, left them stranded in a "no-man's land of the spirit" from which he wondered if they would ever return. Asimov vehemently opposed Richard Nixon, considering him "a crook and a liar". He closely followed Watergate, and was pleased when the president was forced to resign. Asimov was dismayed over the pardon extended to Nixon by his successor: "I was not impressed by the argument that it has spared the nation an ordeal. To my way of thinking, the ordeal was necessary to make certain it would never happen again." After Asimov's name appeared in the mid-1960s on a list of people the Communist Party USA "considered amenable" to its goals, the FBI investigated him. Because of his academic background, the bureau briefly considered Asimov as a possible candidate for known Soviet spy ROBPROF, but found nothing suspicious in his life or background. Asimov appeared to hold an equivocal attitude towards Israel. In his first autobiography, he indicates his support for the safety of Israel, though insisting that he was not a Zionist. In his third autobiography, Asimov stated his opposition to the creation of a Jewish state, on the grounds that he was opposed to having nation-states in general, and supported the notion of a single humanity. Asimov especially worried about the safety of Israel given that it had been created among hostile Muslim neighbors, and said that Jews had merely created for themselves another "Jewish ghetto". Social issues Asimov believed that "science fiction ... serve[s] the good of humanity". He considered himself a feminist even before women's liberation became a widespread movement; he argued that the issue of women's rights was closely connected to that of population control. Furthermore, he believed that homosexuality must be considered a "moral right" on population grounds, as must all consenting adult sexual activity that does not lead to reproduction. He issued many appeals for population control, reflecting a perspective articulated by people from Thomas Malthus through Paul R. Ehrlich. In a 1988 interview by Bill Moyers, Asimov proposed computer-aided learning, where people would use computers to find information on subjects in which they were interested. He thought this would make learning more interesting, since people would have the freedom to choose what to learn, and would help spread knowledge around the world. Also, the one-to-one model would let students learn at their own pace. Asimov thought that people would live in space by the year 2019. In 1983 Asimov wrote: He continues on education: Sexual harassment Asimov would often fondle, kiss and pinch women at conventions and elsewhere without regard for their consent. According to Alec Nevala-Lee, author of an Asimov biography and writer on the history of science fiction, he often defended himself by saying that far from showing objections, these women cooperated. In the 1971 satirical piece, The Sensuous Dirty Old Man, he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." According to Nevala-Lee, however, "many of these encounters were clearly nonconsensual." He wrote that Asimov's behaviour, as a leading science-fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community. In support of this, he quoted some of Asimov's contemporary fellow-authors such as Judith Merril, Harlan Ellison and Frederik Pohl, as well as editors such as Timothy Seldes. Specific incidents were reported by other people including Edward L. Ferman, long-time editor of The Magazine of Fantasy & Science Fiction who wrote "... instead of shaking my date's hand, he shook her left breast". Environment and population Asimov's defense of civil applications of nuclear power even after the Three Mile Island nuclear power plant incident damaged his relations with some of his fellow liberals. In a letter reprinted in Yours, Isaac Asimov, he states that although he would prefer living in "no danger whatsoever" than near a nuclear reactor, he would still prefer a home near a nuclear power plant than in a slum on Love Canal or near "a Union Carbide plant producing methyl isocyanate", the latter being a reference to the Bhopal disaster. In the closing years of his life, Asimov blamed the deterioration of the quality of life that he perceived in New York City on the shrinking tax base caused by the middle-class flight to the suburbs, though he continued to support high taxes on the middle class to pay for social programs. His last nonfiction book, Our Angry Earth (1991, co-written with his long-time friend, science fiction author Frederik Pohl), deals with elements of the environmental crisis such as overpopulation, oil dependence, war, global warming, and the destruction of the ozone layer. In response to being presented by Bill Moyers with the question "What do you see happening to the idea of dignity to human species if this population growth continues at its present rate?", Asimov responded: Other authors Asimov enjoyed the writings of J. R. R. Tolkien, and in fact even used The Lord of the Rings as a plot point in a Black Widowers story, titled Nothing like Murder. In the essay All or Nothing (for The Magazine of Fantasy and Science Fiction, Jan 1981), Asimov revealed that he admires Tolkien and that he had read The Lord of the Rings five times. (The feelings were mutual, with Tolkien himself revealing that he had enjoyed Asimov's science fiction. This would make Asimov an exception to Tolkien's earlier claim that he rarely found "any modern books" that were interesting to him.) He acknowledged other writers as superior to himself in talent, saying of Harlan Ellison, "He is (in my opinion) one of the best writers in the world, far more skilled at the art than I am." Asimov disapproved of the New Wave's growing influence, however, stating in 1967 "I want science fiction. I think science fiction isn't really science fiction if it lacks science. And I think the better and truer the science, the better and truer the science fiction". The feelings of friendship and respect between Asimov and Arthur C. Clarke were demonstrated by the so-called "Clarke-Asimov Treaty of Park Avenue", negotiated as they shared a cab in New York. This stated that Asimov was required to insist that Clarke was the best science fiction writer in the world (reserving second-best for himself), while Clarke was required to insist that Asimov was the best science writer in the world (reserving second-best for himself). Thus, the dedication in Clarke's book Report on Planet Three (1972) reads: "In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer." Asimov became a fan of mystery stories at the same time as science fiction. He preferred to read the former to latter because "I read every [science fiction] story keenly aware that it might be worse than mine, in which case I had no patience with it, or that it might be better, in which case I felt miserable". Asimov wrote "I make no secret of the fact that in my mysteries I use Agatha Christie as my model. In my opinion, her mysteries are the best ever written, far better than the Sherlock Holmes stories, and Hercule Poirot is the best detective fiction has seen. Why should I not use as my model what I consider the best?" He enjoyed Sherlock Holmes, but considered Arthur Conan Doyle to be "a slapdash and sloppy writer." Asimov also enjoyed humorous stories, particularly those of P. G. Wodehouse. In non-fiction writing, Asimov particularly admired the writing style of Martin Gardner, and tried to emulate it in his own science books. On meeting Gardner for the first time in 1965, Asimov told him this, to which Gardner answered that he had based his own style on Asimov's. Influence Paul Krugman, holder of a Nobel Prize in Economics, stated Asimov's concept of psychohistory has inspired him to become an economist. John Jenkins, who has reviewed the vast majority of Asimov's written output, once observed, "It has been pointed out that most science fiction writers since the 1950s have been affected by Asimov, either modeling their style on his or deliberately avoiding anything like his style." Along with such figures as Bertrand Russell and Karl Popper, Asimov left his mark as one of the most distinguished interdisciplinarians of the 20th century. "Few individuals", writes James L. Christian, "understood better than Isaac Asimov what synoptic thinking is all about. His almost 500 books—which he wrote as a specialist, a knowledgeable authority, or just an excited layman—range over almost all conceivable subjects: the sciences, history, literature, religion, and of course, science fiction." Bibliography Depending on the counting convention used, and including all titles, charts, and edited collections, there may be currently over 500 books in Asimov's bibliography—as well as his individual short stories, individual essays, and criticism. For his 100th, 200th, and 300th books (based on his personal count), Asimov published Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984), celebrating his writing. An extensive bibliography of Isaac Asimov's works has been compiled by Ed Seiler. He published enough that his book writing rate could be analysed, showing that the writing became faster as he wrote more. An online exhibit in West Virginia University Libraries' virtually complete Asimov Collection displays features, visuals, and descriptions of some of his over 600 books, games, audio recordings, videos, and wall charts. Many first, rare, and autographed editions are in the Libraries' Rare Book Room. Book jackets and autographs are presented online along with descriptions and images of children's books, science fiction art, multimedia, and other materials in the collection. Science fiction "Greater Foundation" series The Robot series was originally separate from the Foundation series. The Galactic Empire novels were published as independent stories, set earlier in the same future as Foundation. Later in life, Asimov synthesized the Robot series into a single coherent "history" that appeared in the extension of the Foundation series. All of these books were published by Doubleday & Co, except the original Foundation trilogy which was originally published by Gnome Books before being bought and republished by Doubleday. The Robot series: (first Elijah Baley SF-crime novel) (second Elijah Baley SF-crime novel) (third Elijah Baley SF-crime novel) (sequel to the Elijah Baley trilogy) Galactic Empire novels: (early Galactic Empire) (long before the Empire) (Republic of Trantor still expanding) Foundation prequels: Original Foundation trilogy: (also published with the title 'The Man Who Upset the Universe' as a 35¢ Ace paperback, D-125, in about 1952) Extended Foundation series: Lucky Starr series (as Paul French) All published by Doubleday & Co David Starr, Space Ranger (1952) Lucky Starr and the Pirates of the Asteroids (1953) Lucky Starr and the Oceans of Venus (1954) Lucky Starr and the Big Sun of Mercury (1956) Lucky Starr and the Moons of Jupiter (1957) Lucky Starr and the Rings of Saturn (1958) Norby Chronicles (with Janet Asimov) All published by Walker & Company Norby, the Mixed-Up Robot (1983) Norby's Other Secret (1984) Norby and the Lost Princess (1985) Norby and the Invaders (1985) Norby and the Queen's Necklace (1986) Norby Finds a Villain (1987) Norby Down to Earth (1988) Norby and Yobo's Great Adventure (1989) Norby and the Oldest Dragon (1990) Norby and the Court Jester (1991) Novels not part of a series Novels marked with an asterisk (*) have minor connections to Foundation universe. The End of Eternity (1955), Doubleday (*) Fantastic Voyage (1966), Bantam Books (paperback) and Houghton Mifflin (hardback) (a novelization of the movie) The Gods Themselves (1972), Doubleday Fantastic Voyage II: Destination Brain (1987), Doubleday (not a sequel to Fantastic Voyage, but a similar, independent story) Nemesis (1989), Bantam Doubleday Dell (*) Nightfall (1990), Doubleday, with Robert Silverberg (based on "Nightfall", a 1941 short story written by Asimov) Child of Time (1992), Bantam Doubleday Dell, with Robert Silverberg (based on "The Ugly Little Boy", a 1958 short story written by Asimov) The Positronic Man (1993), Bantam Doubleday Dell, with Robert Silverberg (*) (based on The Bicentennial Man, a 1976 novella written by Asimov) Short-story collections Mysteries Novels The Death Dealers (1958), Avon Books, republished as A Whiff of Death by Walker & Company Murder at the ABA (1976), Doubleday, also published as Authorized Murder Short-story collections Black Widowers series Tales of the Black Widowers (1974), Doubleday More Tales of the Black Widowers (1976), Doubleday Casebook of the Black Widowers (1980), Doubleday Banquets of the Black Widowers (1984), Doubleday Puzzles of the Black Widowers (1990), Doubleday The Return of the Black Widowers (2003), Carroll & Graf Other mysteries Asimov's Mysteries (1968), Doubleday The Key Word and Other Mysteries (1977), Walker The Union Club Mysteries (1983), Doubleday The Disappearing Man and Other Mysteries (1985), Walker The Best Mysteries of Isaac Asimov (1986), Doubleday Nonfiction Popular science Collections of Asimov's essays for F&SF The following books collected essays which were originally published as monthly columns in The Magazine of Fantasy and Science Fiction and collected by Doubleday & Co Fact and Fancy (1962) View from a Height (1963) Adding a Dimension (1964) Of Time and Space and Other Things (1965) From Earth to Heaven (1966) Science, Numbers, and I (1968) The Solar System and Back (1970) The Stars in Their Courses (1971) The Left Hand of the Electron (1972) The Tragedy of the Moon (1973) Asimov On Astronomy (updated version of essays in previous collections) (1974) Asimov On Chemistry (updated version of essays in previous collections) (1974) Of Matters Great and Small (1975) Asimov On Physics (updated version of essays in previous collections) (1976) The Planet That Wasn't (1976) Asimov On Numbers (updated version of essays in previous collections) (1976) Quasar, Quasar, Burning Bright (1977) The Road to Infinity (1979) The Sun Shines Bright (1981) Counting the Eons (1983) X Stands for Unknown (1984) The Subatomic Monster (1985) Far as Human Eye Could See (1987) The Relativity of Wrong (1988) Asimov on Science: A 30 Year Retrospective 1959–1989 (1989) (features the first essay in the introduction) Out of the Everywhere (1990) The Secret of the Universe (1991) Other general science essay collections Only a Trillion (1957), Abelard-Schuman, Is Anyone There? (1967), Doubleday, (which includes the article in which he coined the term "spome") Today and Tomorrow and— (1973), Doubleday Science Past, Science Future (1975), Doubleday, Please Explain (1975), Houghton Mifflin, Life and Time (1978), Doubleday The Roving Mind (1983), Prometheus Books, new edition 1997, The Dangers of Intelligence (1986), Houghton Mifflin Past, Present and Future (1987), Prometheus Books, The Tyrannosaurus Prescription (1989), Prometheus Books Frontiers (1990), Dutton Frontiers II (1993), Dutton Other science books by Asimov The Chemicals of Life (1954), Abelard-Schuman Inside the Atom (1956), Abelard-Schuman, Building Blocks of the Universe (1957; revised 1974), Abelard-Schuman, The World of Carbon (1958), Abelard-Schuman, The World of Nitrogen (1958), Abelard-Schuman, Words of Science and the History Behind Them (1959), Houghton Mifflin The Clock We Live On (1959), Abelard-Schuman, Breakthroughs in Science (1959), Houghton Mifflin, Realm of Numbers (1959), Houghton Mifflin, Realm of Measure (1960), Houghton Mifflin The Wellsprings of Life (1960), Abelard-Schuman, Life and Energy (1962), Doubleday, The Genetic Code (1962), The Orion Press The Human Body: Its Structure and Operation (1963), Houghton Mifflin, , (revised) The Human Brain: Its Capacities and Functions (1963), Houghton Mifflin, Planets for Man (with Stephen H. Dole) (1964), Random House, reprinted by RAND in 2007 An Easy Introduction to the Slide Rule (1965), Houghton Mifflin, The Intelligent Man's Guide to Science (1965), Basic Books The title varied with each of the four editions, the last being Asimov's New Guide to Science (1984) The Universe: From Flat Earth to Quasar (1966), Walker, The Neutrino (1966), Doubleday, ASIN B002JK525W Understanding Physics Vol. I, Motion, Sound, and Heat (1966), Walker, Understanding Physics Vol. II, Light, Magnetism, and Electricity (1966), Walker, Understanding Physics Vol. III, The Electron, Proton, and Neutron (1966), Walker, Photosynthesis (1969), Basic Books, Our World in Space (1974), New York Graphic, Eyes on the Universe: A History of the Telescope (1976), Andre Deutsch Limited, The Collapsing Universe (1977), Walker, Extraterrestrial Civilizations (1979), Crown, Visions of the Universe with illustrations by Kazuaki Iwasaki (1981), Cosmos Store, Exploring the Earth and the Cosmos (1982), Crown, The Measure of the Universe (1983), Harper & Row Think About Space: Where Have We Been and Where Are We Going? with co-author Frank White (1989), Walker Asimov's Chronology of Science and Discovery (1989), Harper & Row, second edition adds content thru 1993, Beginnings: The Story of Origins (1989), Walker Isaac Asimov's Guide to Earth and Space (1991), Random House, Atom: Journey Across the Subatomic Cosmos (1991), Dutton, Mysteries of Deep Space: Quasars, Pulsars and Black Holes (1994) Earth's Moon (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Sun (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Earth (1988), Gareth Stevens, revised in 2004 by Richard Hantula Jupiter (1989), Gareth Stevens, revised in 2004 by Richard Hantula Venus (1990), Gareth Stevens, revised in 2004 by Richard Hantula Literary works All published by Doubleday Asimov's Guide to Shakespeare, vols I and II (1970), Asimov's Annotated "Don Juan" (1972) Asimov's Annotated "Paradise Lost" (1974) Familiar Poems, Annotated (1976) Asimov's The Annotated "Gulliver's Travels" (1980) Asimov's Annotated "Gilbert and Sullivan" (1988) The Bible Words from Genesis (1962), Houghton Mifflin Words from the Exodus (1963), Houghton Mifflin Asimov's Guide to the Bible, vols I and II (1967 and 1969, one-volume ed. 1981), Doubleday, The Story of Ruth (1972), Doubleday, In the Beginning (1981), Crown Autobiography In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954 (1979, Doubleday) In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 (1980, Doubleday) I. Asimov: A Memoir (1994, Doubleday) It's Been a Good Life (2002, Prometheus Books), condensation of Asimov's three volumes of autobiography, edited by his widow, Janet Jeppson Asimov History All published by Houghton Mifflin except where otherwise stated The Kite That Won the Revolution (1963), The Greeks (1965) The Roman Republic (1966) The Roman Empire (1967) The Egyptians (1967) The Near East (1968) The Dark Ages (1968) Words from History (1968) The Shaping of England (1969) Constantinople: The Forgotten Empire (1970) The Land of Canaan (1971) The Shaping of France (1972) The Shaping of North America: From Earliest Times to 1763 (1973) The Birth of the United States: 1763–1816 (1974) Our Federal Union: The United States from 1816 to 1865 (1975), The Golden Door: The United States from 1865 to 1918 (1977) Asimov's Chronology of the World (1991), HarperCollins, The March of the Millennia (1991), with co-author Frank White, Walker & Company, Humor The Sensuous Dirty Old Man (1971) (As Dr. A), Walker & Company, Isaac Asimov's Treasury of Humor (1971), Houghton Mifflin Lecherous Limericks (1975), Walker, More Lecherous Limericks (1976), Walker, Still More Lecherous Limericks (1977), Walker, Limericks, Two Gross, with John Ciardi (1978), Norton, A Grossery of Limericks, with John Ciardi (1981), Norton, Limericks for Children (1984), Caedmon Asimov Laughs Again (1992), HarperCollins On writing science fiction Asimov on Science Fiction (1981), Doubleday Asimov's Galaxy (1989), Doubleday Other nonfiction Opus 100 (1969), Houghton Mifflin, Asimov's Biographical Encyclopedia of Science and Technology (1964), Doubleday (revised edition 1972, ) Opus 200 (1979), Houghton Mifflin, Isaac Asimov's Book of Facts (1979), Grosset & Dunlap, Opus 300 (1984), Houghton Mifflin, Our Angry Earth: A Ticking Ecological Bomb (1991), with co-author Frederik Pohl, Tor, . Television, music, and film appearances I Robot, a concept album by the Alan Parsons Project that examined some of Asimov's work The Last Word (1959) The Dick Cavett Show, four appearances 1968–71 The Nature of Things (1969) ABC News coverage of Apollo 11, 1969, with Fred Pohl, interviewed by Rod Serling David Frost interview program, August 1969. Frost asked Asimov if he had ever tried to find God and, after some initial evasion, Asimov answered, "God is much more intelligent than I am—let him try to find me." BBC Horizon "It's About Time" (1979), show hosted by Dudley Moore Target ... Earth? (1980) The David Letterman Show (1980) NBC TV Speaking Freely, interviewed by Edwin Newman (1982) ARTS Network talk show hosted by Studs Terkel and Calvin Trillin, approximately (1982) Oltre New York (1986) Voyage to the Outer Planets and Beyond (1986) Gandahar (1987), a French animated science-fiction film by René Laloux. Asimov wrote the English translation for the film. Bill Moyers interview (1988) Stranieri in America (1988) Adaptations El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!" A halhatatlanság halála (1977), TV movie directed by András Rajnai, based on novel The End of Eternity The Ugly Little Boy (1977), short film directed by Barry Morse and Donald W. Thompson, based on novelette The Ugly Little Boy All the Troubles of the World (1978), short film directed by Dianne Haak-Edson, based on short story "All the Troubles of the World" The End of Eternity (1987), film directed by Andrei Yermash, based on novel The End of Eternity Nightfall (1988), film directed by Paul Mayersberg, based on novelette "Nightfall" Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series Feeling 109 (1988), short film directed by Richard Kletter, based on a story of Asimov Teach 109 (1989), TV movie directed by Richard Kletter, based on a story of Asimov (the same as The Android Affair) The Android Affair (1995), TV movie directed by Richard Kletter, based on a story of Asimov (the same as Teach 109) Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man Nightfall (2000), film directed by Gwyneth Gibby, based on novelette "Nightfall" I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series Formula of Death (2012), TV movie directed by Behdad Avand Amini, based on novel The Death Dealers Spell My Name with an S (2014), short film directed by Samuel Ali, based on short story "Spell My Name with an S" Foundation (2021), series created by David S. Goyer and Josh Friedman, based on the Foundation series Novelizations Novel Fantastic Voyage, novelization of film Fantastic Voyage (1966) References Footnotes Notes Sources Asimov, Isaac. In Memory Yet Green (1979), New York: Avon, . In Joy Still Felt (1980), New York: Avon . I. Asimov: A Memoir (1994), (hc), (pb). Yours, Isaac Asimov (1996), edited by Stanley Asimov. New York: Doubleday . It's Been a Good Life (2002), edited by Janet Asimov. . Goldman, Stephen H., "Isaac Asimov", in Dictionary of Literary Biography, Vol. 8, Cowart and Wymer eds. (Gale Research, 1981), pp. 15–29. Gunn, James. "On Variations on a Robot", IASFM, July 1980, pp. 56–81. Isaac Asimov: The Foundations of Science Fiction (1982). . The Science of Science-Fiction Writing (2000). . Further reading External links Asimov Online, a vast repository of information about Asimov, maintained by Asimov enthusiast Edward Seiler Jenkins' Spoiler-Laden Guide to Isaac Asimov, reviews of all of Asimov's books 20th-century births 1992 deaths 20th-century American novelists 20th-century American male writers AIDS-related deaths in New York (state) American alternate history writers Jewish American atheists American biochemists American essayists American humanists American humorists American male novelists 20th-century American memoirists United States Army non-commissioned officers American mystery writers American people of Russian-Jewish descent American science fiction writers American science writers American skeptics American writers of Russian descent Asimov's Science Fiction people Bible commentators Boston University faculty Columbia University School of General Studies alumni Critics of religions Date of birth unknown Fellows of the American Academy of Arts and Sciences Futurians Historians of astronomy American historians of science Hugo Award-winning writers Humor researchers Jewish American novelists Jewish American short story writers Jewish feminists Jewish skeptics American male essayists Male feminists American male short story writers American short story writers Mensans Nebula Award winners New York (state) Democrats People from Shumyachsky District Naturalized citizens of the United States United States Navy civilians Science fiction fans Science Fiction Hall of Fame inductees SFWA Grand Masters Soviet emigrants to the United States Writers from Brooklyn Yiddish-speaking people Boys High School (Brooklyn) alumni Novelists from Massachusetts Novelists from New York (state) Scientists from New York City 20th-century essayists 20th-century atheists People from the Upper West Side Pulp fiction writers Writers about religion and science Atheist feminists Columbia Graduate School of Arts and Sciences alumni

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What college did he attend

What college did Isaac Asimov attend?

Isaac Asimov

Asimov attended New York City public schools from age 5, including Boys High School in Brooklyn. Graduating at 15, he went on to Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then the institution's primary undergraduate school for men with quotas on the number of admissions from those ethnic groups. Originally a zoology major, Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1938, Asimov finished his BS degree at University Extension (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov in 1939 applied to the graduate program in chemistry at Columbia; initially rejected and then accepted only on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in biochemistry in 1948. In between earning these two degrees, he spent three years during World War II working as a civilian at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949 with a $5,000 (equivalent to $51,427 in 2017) salary, with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university. The difference grew, and in 1958 Asimov stopped teaching to become a full-time writer. Being tenured, he retained the title of associate professor (which he had held since 1955), and in 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. CANNOTANSWER

Seth Low Junior College,

Isaac Asimov (; 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as much nonfiction. Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories. He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism. He was president of the American Humanist Association. Several entities have been named in his honor, including the asteroid (5020) Asimov, a crater on the planet Mars, a Brooklyn elementary school, Honda's humanoid robot, ASIMO, and four literary awards. Surname Asimov's family name derives from the first part of ozímyj khleb (озимый хлеб), meaning the winter grain (specifically rye) in which his great-great-great-grandfather dealt, with the Russian patronymic ending -ov added. Azimov is spelled in the Cyrillic alphabet. When the family arrived in the United States in 1923 and their name had to be spelled in the Latin alphabet, Asimov's father spelled it with an S, believing this letter to be pronounced like Z (as in German), and so it became Asimov. This later inspired one of Asimov's short stories, "Spell My Name with an S". Asimov refused early suggestions of using a more common name as a pseudonym, and believed that its recognizability helped his career. After becoming famous, he often met readers who believed that "Isaac Asimov" was a distinctive pseudonym created by an author with a common name. Biography Early life Asimov was born in Petrovichi, Russian SFSR, on an unknown date between October 4, 1919, and January 2, 1920, inclusive. Asimov celebrated his birthday on January 2. Asimov's parents were Anna Rachel (née Berman) and Judah Asimov, a family of Russian-Jewish millers. He was named Isaac after his mother's father, Isaac Berman. Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me". In 1921, Asimov and 16 other children in Petrovichi developed double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya; June 17, 1922 – April 2, 2011), and a brother, Stanley (July 25, 1929 – August 16, 1995), who was vice-president of the Long Island Newsday. Asimov's family travelled to the United States via Liverpool on the RMS Baltic, arriving on February 3, 1923 when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in both. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five (and later taught his sister to read as well, enabling her to enter school in the second grade). His mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2. He became a naturalized U.S. citizen in 1928 at the age of eight. After becoming established in the U.S., his parents owned a succession of candy stores in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material (including pulp science fiction magazines) as a child that he could not have otherwise afforded. Asimov began reading science fiction at age nine, at the time when the genre was becoming more science-centered. Education and career Asimov attended New York City public schools from age five, including Boys High School in Brooklyn. Graduating at 15, he attended the City College of New York for several days before accepting a scholarship at Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then, the institution's primary undergraduate school for men. Jewish and Italian-American students, even of outstanding academic caliber, were often deliberately barred from Columbia College proper because of the then-popular practice of imposing unwritten ethnic admission quotas. Originally a zoology major, Asimov switched to chemistry after his first semester because he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1936, Asimov finished his Bachelor of Science degree at Morningside Heights campus (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov applied to the graduate program in chemistry at Columbia in 1939; initially he was rejected and then only accepted on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948. During his chemistry studies, he also learned French and German. In between earning these two degrees, Asimov spent three years during World War II working as a civilian chemist at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected while at school, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949, teaching biochemistry with a $5,000 salary (), with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university, and he eventually stopped doing research, confining his university role to lecturing students. In 1955, he was promoted to associate professor, which gave him tenure. In December 1957, Asimov was dismissed from his teaching post, with effect from June 30, 1958, because he had stopped doing research. After a struggle which lasted for two years, he kept his title, he gave the opening lecture each year for a biochemistry class, and on October 18, 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. Personal life Asimov met his first wife, Gertrude Blugerman (1917, Toronto, Canada – 1990, Boston, U.S.), on a blind date on February 14, 1942, and married her on July 26 the same year. The couple lived in an apartment in West Philadelphia while Asimov was employed at the Philadelphia Navy Yard (where two of his co-workers were L. Sprague de Camp and Robert A. Heinlein). Gertrude returned to Brooklyn while he was in the army, and they both lived there from July 1946 before moving to Stuyvesant Town, Manhattan, in July 1948. They moved to Boston in May 1949, then to nearby suburbs Somerville in July 1949, Waltham in May 1951, and, finally, West Newton in 1956. They had two children, David (born 1951) and Robyn Joan (born 1955). In 1970, they separated and Asimov moved back to New York, this time to the Upper West Side of Manhattan where he lived for the rest of his life. He immediately began seeing Janet O. Jeppson, a psychiatrist and science-fiction writer, and married her on November 30, 1973, two weeks after his divorce from Gertrude. Asimov was a claustrophile: he enjoyed small, enclosed spaces. In the third volume of his autobiography, he recalls a childhood desire to own a magazine stand in a New York City Subway station, within which he could enclose himself and listen to the rumble of passing trains while reading. Asimov was afraid of flying, doing so only twice: once in the course of his work at the Naval Air Experimental Station and once returning home from Oahu in 1946. Consequently, he seldom traveled great distances. This phobia influenced several of his fiction works, such as the Wendell Urth mystery stories and the Robot novels featuring Elijah Baley. In his later years, Asimov found enjoyment traveling on cruise ships, beginning in 1972 when he viewed the Apollo 17 launch from a cruise ship. On several cruises, he was part of the entertainment program, giving science-themed talks aboard ships such as the Queen Elizabeth 2. He sailed to England in June 1974 on the SS France for a trip mostly devoted to events in London and Birmingham, though he also found time to visit Stonehenge. Asimov was an able public speaker and was regularly paid to give talks about science. He was a frequent fixture at science fiction conventions, where he was friendly and approachable. He patiently answered tens of thousands of questions and other mail with postcards and was pleased to give autographs. He was of medium height (), stocky, with—in his later years—"mutton-chop" sideburns, and a distinct New York accent. He took to wearing bolo ties after his wife Janet objected to his clip-on bow ties. His physical dexterity was very poor. He never learned to swim or ride a bicycle; however, he did learn to drive a car after he moved to Boston. In his humor book Asimov Laughs Again, he describes Boston driving as "anarchy on wheels". Asimov's wide interests included his participation in his later years in organizations devoted to the comic operas of Gilbert and Sullivan and in The Wolfe Pack, a group of devotees of the Nero Wolfe mysteries written by Rex Stout. Many of his short stories mention or quote Gilbert and Sullivan. He was a prominent member of The Baker Street Irregulars, the leading Sherlock Holmes society, for whom he wrote an essay arguing that Professor Moriarty's work "The Dynamics of An Asteroid" involved the willful destruction of an ancient, civilized planet. He was also a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his fictional group of mystery solvers, the Black Widowers. He later used his essay on Moriarty's work as the basis for a Black Widowers story, "The Ultimate Crime", which appeared in More Tales of the Black Widowers. In 1984, the American Humanist Association (AHA) named him the Humanist of the Year. He was one of the signers of the Humanist Manifesto. From 1985 until his death in 1992, he served as president of the AHA, an honorary appointment. His successor was his friend and fellow writer Kurt Vonnegut. He was also a close friend of Star Trek creator Gene Roddenberry, and earned a screen credit as "special science consultant" on Star Trek: The Motion Picture for advice he gave during production. Asimov was a founding member of the Committee for the Scientific Investigation of Claims of the Paranormal, CSICOP (now the Committee for Skeptical Inquiry) and is listed in its Pantheon of Skeptics. In a discussion with James Randi at CSICon 2016 regarding the founding of CSICOP, Kendrick Frazier said that Asimov was "a key figure in the Skeptical movement who is less well known and appreciated today, but was very much in the public eye back then." He said that Asimov being associated with CSICOP "gave it immense status and authority" in his eyes. Asimov described Carl Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky. Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". After his father died in 1969, Asimov annually contributed to a Judah Asimov Scholarship Fund at Brandeis University. Illness and death In 1977, Asimov suffered a heart attack. In December 1983, he had triple bypass surgery at NYU Medical Center, during which he contracted HIV from a blood transfusion. His HIV status was kept secret out of concern that the anti-AIDS prejudice might extend to his family members. He died in Manhattan on April 6, 1992, and was cremated. The cause of death was reported as heart and kidney failure. Ten years following Asimov's death, Janet and Robyn Asimov agreed that the HIV story should be made public; Janet revealed it in her edition of his autobiography, It's Been a Good Life. Writings Overview Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories. Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image". Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series. Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream". Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology. Although Asimov did write several essays about psychology, and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982), which were classified in the 100s category, none of his own books were classified in that category. According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author. Science fiction Asimov became a science fiction fan in 1929, when he began reading the pulp magazines sold in his family's candy store. At first his father forbade reading pulps as he considered them to be trash, until Asimov persuaded him that because the science fiction magazines had "Science" in the title, they must be educational. At age 18 he joined the Futurians science fiction fan club, where he made friends who went on to become science fiction writers or editors. Asimov began writing at the age of 11, imitating The Rover Boys with eight chapters of The Greenville Chums at College. His father bought Asimov a used typewriter at age 16. His first published work was a humorous item on the birth of his brother for Boys High School's literary journal in 1934. In May 1937 he first thought of writing professionally, and began writing his first science fiction story, "Cosmic Corkscrew" (now lost), that year. On May 17, 1938, puzzled by a change in the schedule of Astounding Science Fiction, Asimov visited its publisher Street & Smith Publications. Inspired by the visit, he finished the story on June 19, 1938, and personally submitted it to Astounding editor John W. Campbell two days later. Campbell met with Asimov for more than an hour and promised to read the story himself. Two days later he received a rejection letter explaining why in detail. This was the first of what became almost weekly meetings with the editor while Asimov lived in New York, until moving to Boston in 1949; Campbell had a strong formative influence on Asimov and became a personal friend. By the end of the month, Asimov completed a second story, "Stowaway". Campbell rejected it on July 22 but—in "the nicest possible letter you could imagine"—encouraged him to continue writing, promising that Asimov might sell his work after another year and a dozen stories of practice. On October 21, 1938, he sold the third story he finished, "Marooned Off Vesta", to Amazing Stories, edited by Raymond A. Palmer, and it appeared in the March 1939 issue. Asimov was paid $64 (), or one cent a word. Two more stories appeared that year, "The Weapon Too Dreadful to Use" in the May Amazing and "Trends" in the July Astounding, the issue fans later selected as the start of the Golden Age of Science Fiction. For 1940, ISFDB catalogs seven stories in four different pulp magazines, including one in Astounding. His earnings became enough to pay for his education, but not yet enough for him to become a full-time writer. Asimov later said that unlike other top Golden Age writers Robert Heinlein and A. E. van Vogt—also first published in 1939, and whose talent and stardom were immediately obvious—he "(this is not false modesty) came up only gradually". Through July 29, 1940, Asimov wrote 22 stories in 25 months, of which 13 were published; he wrote in 1972 that from that date he never wrote a science fiction story that was not published (except for two "special cases"). He was famous enough that Donald Wollheim told Asimov that he purchased "The Secret Sense" for a new magazine only because of his name, and the December 1940 issue of Astonishing—featuring Asimov's name in bold—was the first magazine to base cover art on his work, but Asimov later said that neither he himself nor anyone else—except perhaps Campbell—considered him better than an often published "third rater". Based on a conversation with Campbell, Asimov wrote "Nightfall", his 32nd story, in March and April 1941, and Astounding published it in September 1941. In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written. In Nightfall and Other Stories Asimov wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'." "Nightfall" is an archetypal example of social science fiction, a term he created to describe a new trend in the 1940s, led by authors including him and Heinlein, away from gadgets and space opera and toward speculation about the human condition. After writing "Victory Unintentional" in January and February 1942, Asimov did not write another story for a year. Asimov expected to make chemistry his career, and was paid $2,600 annually at the Philadelphia Navy Yard, enough to marry his girlfriend; he did not expect to make much more from writing than the $1,788.50 he had earned from 28 stories sold over four years. Asimov left science fiction fandom and no longer read new magazines, and might have left the industry had not Heinlein and de Camp been coworkers and previously sold stories continued to appear. In 1942, Asimov published the first of his Foundation stories—later collected in the Foundation trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953). The books recount the fall of a vast interstellar empire and the establishment of its eventual successor. They also feature his fictional science of psychohistory, in which the future course of the history of large populations can be predicted. The trilogy and Robot series are his most famous science fiction. In 1966 they won the Hugo Award for the all-time best series of science fiction and fantasy novels. Campbell raised his rate per word, Orson Welles purchased rights to "Evidence", and anthologies reprinted his stories. By the end of the war Asimov was earning as a writer an amount equal to half of his Navy Yard salary, even after a raise, but Asimov still did not believe that writing could support him, his wife, and future children. His "positronic" robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in his introduction to the short story collection The Complete Robot (1982) that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creators. The robot series has led to film adaptations. With Asimov's collaboration, in about 1977, Harlan Ellison wrote a screenplay of I, Robot that Asimov hoped would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay has never been filmed and was eventually published in book form in 1994. The 2004 movie I, Robot, starring Will Smith, was based on an unrelated script by Jeff Vintar titled Hardwired, with Asimov's ideas incorporated later after the rights to Asimov's title were acquired. (The title was not original to Asimov but had previously been used for a story by Eando Binder.) Also, one of Asimov's robot short stories, "The Bicentennial Man", was expanded into a novel The Positronic Man by Asimov and Robert Silverberg, and this was adapted into the 1999 movie Bicentennial Man, starring Robin Williams. Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford, David Brin, and Donald Kingsbury. At least some of these appear to have been done with the blessing of, or at the request of, Asimov's widow, Janet Asimov. In 1948, he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name. Asimov grew concerned at the scrutiny he would receive at his oral examination, in case the examiners thought he wasn't taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old with Me" (40,000 words), but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. Doubleday published five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw Gnome Press publish one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation trilogy. More positronic robot stories were republished in book form as The Rest of the Robots. Books and the magazines Galaxy, and Fantasy & Science Fiction ended Asimov's dependence on Astounding. He later described the era as his "'mature' period". Asimov's "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy, was his personal favorite story. In 1972, his novel The Gods Themselves (which was not part of a series) was published to general acclaim, and it won the Hugo Award for Best Novel, the Nebula Award for Best Novel, and the Locus Award for Best Novel. In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue. McCartney rejected the story. The treatment now exists only in the Boston University archives. Asimov said in 1969 that he had "the happiest of all my associations with science fiction magazines" with Fantasy & Science Fiction; "I have no complaints about Astounding, Galaxy, or any of the rest, heaven knows, but F&SF has become something special to me". Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazines and Alfred Hitchcock's Mystery Magazines "anthologies"). Due to pressure by fans on Asimov to write another book in his Foundation series, he did so with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992), his last novel. Popular science Asimov and two colleagues published a textbook in 1949, with two more editions by 1969. During the late 1950s and 1960s, Asimov substantially decreased his fiction output (he published only four adult novels between 1957's The Naked Sun and 1982's Foundation's Edge, two of which were mysteries). He greatly increased his nonfiction production, writing mostly on science topics; the launch of Sputnik in 1957 engendered public concern over a "science gap". Asimov explained in The Rest of the Robots that he had been unable to write substantial fiction since the summer of 1958, and observers understood him as saying that his fiction career had ended, or was permanently interrupted. Asimov recalled in 1969 that "the United States went into a kind of tizzy, and so did I. I was overcome by the ardent desire to write popular science for an America that might be in great danger through its neglect of science, and a number of publishers got an equally ardent desire to publish popular science for the same reason". Fantasy and Science Fiction invited Asimov to continue his regular nonfiction column, begun in the now-folded bimonthly companion magazine Venture Science Fiction Magazine. The first of 399 monthly F&SF columns appeared in November 1958 and they continued until his terminal illness. These columns, periodically collected into books by Doubleday, gave Asimov a reputation as a "Great Explainer" of science; he described them as his only popular science writing in which he never had to assume complete ignorance of the subjects on the part of his readers. The column was ostensibly dedicated to popular science but Asimov had complete editorial freedom, and wrote about contemporary social issues in essays such as "Thinking About Thinking" and "Knock Plastic!". In 1975 he wrote of these essays: "I get more pleasure out of them than out of any other writing assignment." Asimov's first wide-ranging reference work, The Intelligent Man's Guide to Science (1960), was nominated for a National Book Award, and in 1963 he won a Hugo Award—his first—for his essays for F&SF. The popularity of his science books and the income he derived from them allowed him to give up most academic responsibilities and become a full-time freelance writer. He encouraged other science fiction writers to write popular science, stating in 1967 that "the knowledgeable, skillful science writer is worth his weight in contracts", with "twice as much work as he can possibly handle". The great variety of information covered in Asimov's writings prompted Kurt Vonnegut to ask, "How does it feel to know everything?" Asimov replied that he only knew how it felt to have the 'reputation' of omniscience: "Uneasy". Floyd C. Gale said that "Asimov has a rare talent. He can make your mental mouth water over dry facts", and "science fiction's loss has been science popularization's gain". Asimov said that "Of all the writing I do, fiction, non-fiction, adult, or juvenile, these F & SF articles are by far the most fun". He regretted, however, that he had less time for fiction—causing dissatisfied readers to send him letters of complaint—stating in 1969 that "In the last ten years, I've done a couple of novels, some collections, a dozen or so stories, but that's nothing". In his essay "To Tell a Chemist" (1965), Asimov proposed a simple shibboleth for distinguishing chemists from non-chemists: ask the person to read the word "unionized". Chemists, he noted, will read the word "unionized" as un-ion-ized (pronounced "un-EYE-en-ized"), meaning "(a chemical species) being in an electrically neutral state, as opposed to being an ion", while non-chemists will read the word as union-ized (pronounced "YOU-nien-ized"), meaning "(a worker or organization) belonging to or possessing a trade union". Coined terms Asimov coined the term "robotics" in his 1941 story "Liar!", though he later remarked that he believed then that he was merely using an existing word, as he stated in Gold ("The Robot Chronicles"). While acknowledging the Oxford Dictionary reference, he incorrectly states that the word was first printed about one third of the way down the first column of page 100, Astounding Science Fiction, March 1942 printing of his short story "Runaround". In the same story, Asimov also coined the term "positronic" (the counterpart to "electronic" for positrons). Asimov coined the term "psychohistory" in his Foundation stories to name a fictional branch of science which combines history, sociology, and mathematical statistics to make general predictions about the future behavior of very large groups of people, such as the Galactic Empire. Asimov said later that he should have called it psychosociology. It was first introduced in the five short stories (1942–1944) which would later be collected as the 1951 fix-up novel Foundation. Somewhat later, the term "psychohistory" was applied by others to research of the effects of psychology on history. Other writings In addition to his interest in science, Asimov was interested in history. Starting in the 1960s, he wrote 14 popular history books, including The Greeks: A Great Adventure (1965), The Roman Republic (1966), The Roman Empire (1967), The Egyptians (1967) The Near East: 10,000 Years of History (1968), and Asimov's Chronology of the World (1991). He published Asimov's Guide to the Bible in two volumes—covering the Old Testament in 1967 and the New Testament in 1969—and then combined them into one 1,300-page volume in 1981. Complete with maps and tables, the guide goes through the books of the Bible in order, explaining the history of each one and the political influences that affected it, as well as biographical information about the important characters. His interest in literature manifested itself in several annotations of literary works, including Asimov's Guide to Shakespeare (1970), Asimov's Annotated Don Juan (1972), Asimov's Annotated Paradise Lost (1974), and The Annotated Gulliver's Travels (1980). Asimov was also a noted mystery author and a frequent contributor to Ellery Queen's Mystery Magazine. He began by writing science fiction mysteries such as his Wendell Urth stories, but soon moved on to writing "pure" mysteries. He published two full-length mystery novels, and wrote 66 stories about the Black Widowers, a group of men who met monthly for dinner, conversation, and a puzzle. He got the idea for the Widowers from his own association in a stag group called the Trap Door Spiders, and all of the main characters (with the exception of the waiter, Henry, who he admitted resembled Wodehouse's Jeeves) were modeled after his closest friends. A parody of the Black Widowers, "An Evening with the White Divorcés," was written by author, critic, and librarian Jon L. Breen. Asimov joked, "all I can do ... is to wait until I catch him in a dark alley, someday." Toward the end of his life, Asimov published a series of collections of limericks, mostly written by himself, starting with Lecherous Limericks, which appeared in 1975. Limericks: Too Gross, whose title displays Asimov's love of puns, contains 144 limericks by Asimov and an equal number by John Ciardi. He even created a slim volume of Sherlockian limericks. Asimov featured Yiddish humor in Azazel, The Two Centimeter Demon. The two main characters, both Jewish, talk over dinner, or lunch, or breakfast, about anecdotes of "George" and his friend Azazel. Asimov's Treasury of Humor is both a working joke book and a treatise propounding his views on humor theory. According to Asimov, the most essential element of humor is an abrupt change in point of view, one that suddenly shifts focus from the important to the trivial, or from the sublime to the ridiculous. Particularly in his later years, Asimov to some extent cultivated an image of himself as an amiable lecher. In 1971, as a response to the popularity of sexual guidebooks such as The Sensuous Woman (by "J") and The Sensuous Man (by "M"), Asimov published The Sensuous Dirty Old Man under the byline "Dr. 'A (although his full name was printed on the paperback edition, first published 1972). However, by 2016, some of Asimov's behavior towards women was described as sexual harassment and cited as an example of historically problematic behavior by men in science fiction communities. Asimov published three volumes of autobiography. In Memory Yet Green (1979) and In Joy Still Felt (1980) cover his life up to 1978. The third volume, I. Asimov: A Memoir (1994), covered his whole life (rather than following on from where the second volume left off). The epilogue was written by his widow Janet Asimov after his death. The book won a Hugo Award in 1995. Janet Asimov edited It's Been a Good Life (2002), a condensed version of his three autobiographies. He also published three volumes of retrospectives of his writing, Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984). In 1987, the Asimovs co-wrote How to Enjoy Writing: A Book of Aid and Comfort. In it they offer advice on how to maintain a positive attitude and stay productive when dealing with discouragement, distractions, rejection, and thick-headed editors. The book includes many quotations, essays, anecdotes, and husband-wife dialogues about the ups and downs of being an author. Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Treks initial launch in the late 1960s. Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects. In 1973, Asimov published a proposal for calendar reform, called the World Season Calendar. It divides the year into four seasons (named A–D) of 13 weeks (91 days) each. This allows days to be named, e.g., "D-73" instead of December 1 (due to December 1 being the 73rd day of the 4th quarter). An extra 'year day' is added for a total of 365 days. Awards and recognition Asimov won more than a dozen annual awards for particular works of science fiction and a half-dozen lifetime awards. He also received 14 honorary doctorate degrees from universities. 1955 – Guest of Honor at the 13th World Science Fiction Convention 1957 – Thomas Alva Edison Foundation Award for best science book for youth, for Building Blocks of the Universe 1960 – Howard W. Blakeslee Award from the American Heart Association for The Living River 1962 – Boston University's Publication Merit Award 1963 – A special Hugo Award for "adding science to science fiction," for essays published in The Magazine of Fantasy and Science Fiction 1963 – Fellow of the American Academy of Arts and Sciences 1964 – The Science Fiction Writers of America voted "Nightfall" (1941) the all-time best science fiction short story 1965 – James T. Grady Award of the American Chemical Society (now called the James T. Grady-James H. Stack Award for Interpreting Chemistry) 1966 – Best All-time Novel Series Hugo Award for the Foundation trilogy 1967 – Edward E. Smith Memorial Award 1967 – AAAS-Westinghouse Science Writing Award for Magazine Writing, for essay "Over the Edge of the Universe" (in the March 1967 Harper's Magazine) 1972 – Nebula Award for Best Novel for The Gods Themselves 1973 – Hugo Award for Best Novel for The Gods Themselves 1973 – Locus Award for Best Novel for The Gods Themselves 1975 – Golden Plate Award of the American Academy of Achievement 1975 – Klumpke-Roberts Award "for outstanding contributions to the public understanding and appreciation of astronomy" 1975 – Locus Award for Best Reprint Anthology for Before the Golden Age 1977 – Hugo Award for Best Novelette for The Bicentennial Man 1977 – Nebula Award for Best Novelette for The Bicentennial Man 1977 – Locus Award for Best Novelette for The Bicentennial Man 1981 – An asteroid, 5020 Asimov, was named in his honor 1981 – Locus Award for Best Non-Fiction Book for In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 1983 – Hugo Award for Best Novel for Foundation's Edge 1983 – Locus Award for Best Science Fiction Novel for Foundation's Edge 1984 – Humanist of the Year 1986 – The Science Fiction and Fantasy Writers of America named him its 8th SFWA Grand Master (presented in 1987). 1987 – Locus Award for Best Short Story for "Robot Dreams" 1992 – Hugo Award for Best Novelette for "Gold" 1995 – Hugo Award for Best Non-Fiction Book for I. Asimov: A Memoir 1995 – Locus Award for Best Non-Fiction Book for I. Asimov: A Memoir 1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon for "The Mule", the 7th Foundation story, published in Astounding Science Fiction 1997 – The Science Fiction and Fantasy Hall of Fame inducted Asimov in its second class of two deceased and two living persons, along with H. G. Wells. 2000 – Asimov was featured on a stamp in Israel 2001 – The Isaac Asimov Memorial Debates at the Hayden Planetarium in New York were inaugurated 2009 – A crater on the planet Mars, Asimov, was named in his honor 2010 – In the US Congress bill about the designation of the National Robotics Week as an annual event, a tribute to Isaac Asimov is as follows: "Whereas the second week in April each year is designated as 'National Robotics Week', recognizing the accomplishments of Isaac Asimov, who immigrated to America, taught science, wrote science books for children and adults, first used the term robotics, developed the Three Laws of Robotics, and died in April 1992: Now, therefore, be it resolved ..." 2015 – Selected as a member of the New York State Writers Hall of Fame. 2016 – A 1941 Retro-Hugo for Best Short Story of 1940 was given at the 2016 WorldCon for Robbie, his first positronic robot story, published in Super Science Stories, September 1940 2018 – A 1943 Retro-Hugo for Best Short Story of 1942 was given at the 2018 WorldCon for Foundation, published in Astounding Science-Fiction, May 1942 Writing style Asimov was his own secretary, typist, indexer, proofreader, and literary agent. He wrote a typed first draft composed at the keyboard at 90 words per minute; he imagined an ending first, then a beginning, then "let everything in-between work itself out as I come to it". (Asimov only used an outline once, later describing it as "like trying to play the piano from inside a straitjacket".) After correcting a draft by hand, he retyped the document as the final copy and only made one revision with minor editor-requested changes; a word processor did not save him much time, Asimov said, because 95% of the first draft was unchanged. After disliking making multiple revisions of "Black Friar of the Flame", Asimov refused to make major, second, or non-editorial revisions ("like chewing used gum"), stating that "too large a revision, or too many revisions, indicate that the piece of writing is a failure. In the time it would take to salvage such a failure, I could write a new piece altogether and have infinitely more fun in the process". He submitted "failures" to another editor. One of the most common impressions of Asimov's fiction work is that his writing style is extremely unornamented. In 1980, science fiction scholar James Gunn wrote of I, Robot: Asimov addressed such criticism in 1989 at the beginning of Nemesis: Gunn cited examples of a more complex style, such as the climax of "Liar!". Sharply drawn characters occur at key junctures of his storylines: Susan Calvin in "Liar!" and "Evidence", Arkady Darell in Second Foundation, Elijah Baley in The Caves of Steel, and Hari Seldon in the Foundation prequels. Other than books by Gunn and Joseph Patrouch, a relative dearth of "literary" criticism exists on Asimov (particularly when compared to the sheer volume of his output). Cowart and Wymer's Dictionary of Literary Biography (1981) gives a possible reason: Gunn's and Patrouch's respective studies of Asimov both state that a clear, direct prose style is still a style. Gunn's 1982 book comments in detail on each of Asimov's novels. He does not praise all of Asimov's fiction (nor does Patrouch), but calls some passages in The Caves of Steel "reminiscent of Proust". When discussing how that novel depicts night falling over futuristic New York City, Gunn says that Asimov's prose "need not be ashamed anywhere in literary society". Although he prided himself on his unornamented prose style (for which he credited Clifford D. Simak as an early influence), and said in 1973 that his style had not changed, Asimov also enjoyed giving his longer stories complicated narrative structures, often by arranging chapters in nonchronological ways. Some readers have been put off by this, complaining that the nonlinearity is not worth the trouble and adversely affects the clarity of the story. For example, the first third of The Gods Themselves begins with Chapter 6, then backtracks to fill in earlier material. (John Campbell advised Asimov to begin his stories as late in the plot as possible. This advice helped Asimov create "Reason", one of the early Robot stories). Patrouch found that the interwoven and nested flashbacks of The Currents of Space did serious harm to that novel, to such an extent that only a "dyed-in-the-kyrt Asimov fan" could enjoy it. In his later novel Nemesis one group of characters lives in the "present" and another group starts in the "past", beginning 15 years earlier and gradually moving toward the time period of the first group. Alien life Asimov once explained that his reluctance to write about aliens came from an incident early in his career when Astoundings editor John Campbell rejected one of his science fiction stories because the alien characters were portrayed as superior to the humans. The nature of the rejection led him to believe that Campbell may have based his bias towards humans in stories on a real-world racial bias. Unwilling to write only weak alien races, and concerned that a confrontation would jeopardize his and Campbell's friendship, he decided he would not write about aliens at all. Nevertheless, in response to these criticisms, he wrote The Gods Themselves, which contains aliens and alien sex. The book won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973. Asimov said that of all his writings, he was most proud of the middle section of The Gods Themselves, the part that deals with those themes. In the Hugo Award-winning novelette "Gold", Asimov describes an author, clearly based on himself, who has one of his books (The Gods Themselves) adapted into a "compu-drama", essentially photo-realistic computer animation. The director criticizes the fictionalized Asimov ("Gregory Laborian") for having an extremely nonvisual style, making it difficult to adapt his work, and the author explains that he relies on ideas and dialogue rather than description to get his points across. Romance and women In the early days of science fiction some authors and critics felt that the romantic elements were inappropriate in science fiction stories, which were supposedly to be focused on science and technology. Isaac Asimov was a prominent supporter of this point of view, expressed in his 1938-1939 letters to Astounding, where he described such elements as "mush" and "slop". However, to his dismay, these letters were met with a strong opposition. Asimov attributed the lack of romance and sex in his fiction to the "early imprinting" from starting his writing career when he had never been on a date and "didn't know anything about girls". He was sometimes criticized for the general absence of sex (and of extraterrestrial life) in his science fiction. He claimed he wrote The Gods Themselves to respond to these criticisms, which often came from New Wave science fiction (and often British) writers. The second part (of three) of the novel is set on an alien world with three sexes, and the sexual behavior of these creatures is extensively depicted. Asimov was also criticized for a lack of strong female characters in his early work. However, some of his robot stories, including the earliest ones, featured the character Susan Calvin, a forceful and intelligent woman who regularly out-performed her male colleagues. In his autobiographical writings, such as Gold ("Women and Science Fiction"), he acknowledges this complaint has merit and responds by pointing to inexperience. His later novels, written with more female characters but in essentially the same prose style as his early science-fiction stories, brought this matter to a wider audience. The Washington Post's "Book World" section reports of Robots and Empire opined "In 1940, Asimov's humans were stripped-down masculine portraits of Americans from 1940, and they still are." Views Religion Asimov was an atheist, a humanist, and a rationalist. He did not oppose religious conviction in others, but he frequently railed against superstitious and pseudoscientific beliefs that tried to pass themselves off as genuine science. During his childhood, his father and mother observed the traditions of Orthodox Judaism, though not as stringently as they had in Petrovichi; they did not, however, force their beliefs upon young Isaac. Thus, he grew up without strong religious influences, coming to believe that the Torah represented Hebrew mythology in the same way that the Iliad recorded Greek mythology. When he was 13, he chose not to have a bar mitzvah. As his books Treasury of Humor and Asimov Laughs Again record, Asimov was willing to tell jokes involving God, Satan, the Garden of Eden, Jerusalem, and other religious topics, expressing the viewpoint that a good joke can do more to provoke thought than hours of philosophical discussion. For a brief while, his father worked in the local synagogue to enjoy the familiar surroundings and, as Isaac put it, "shine as a learned scholar" versed in the sacred writings. This scholarship was a seed for his later authorship and publication of Asimov's Guide to the Bible, an analysis of the historic foundations for both the Old and New Testaments. For many years, Asimov called himself an atheist; however, he considered the term somewhat inadequate, as it described what he did not believe rather than what he did. Eventually, he described himself as a "humanist" and considered that term more practical. Asimov did, however, continue to identify himself as a secular Jew, as stated in his introduction to Jack Dann's anthology of Jewish science fiction, Wandering Stars: "I attend no services and follow no ritual and have never undergone that curious puberty rite, the Bar Mitzvah. It doesn't matter. I am Jewish." When asked in an interview in 1982 if he was an atheist, Asimov replied, Likewise, he said about religious education: "I would not be satisfied to have my kids choose to be religious without trying to argue them out of it, just as I would not be satisfied to have them decide to smoke regularly or engage in any other practice I consider detrimental to mind or body." In his last volume of autobiography, Asimov wrote, The same memoir states his belief that Hell is "the drooling dream of a sadist" crudely affixed to an all-merciful God; if even human governments were willing to curtail cruel and unusual punishments, wondered Asimov, why would punishment in the afterlife not be restricted to a limited term? Asimov rejected the idea that a human belief or action could merit infinite punishment. If an afterlife existed, he claimed, the longest and most severe punishment would be reserved for those who "slandered God by inventing Hell". Asimov said about using religious motifs in his writing: Politics Asimov became a staunch supporter of the Democratic Party during the New Deal, and thereafter remained a political liberal. He was a vocal opponent of the Vietnam War in the 1960s and in a television interview during the early 1970s he publicly endorsed George McGovern. He was unhappy about what he considered an "irrationalist" viewpoint taken by many radical political activists from the late 1960s and onwards. In his second volume of autobiography, In Joy Still Felt, Asimov recalled meeting the counterculture figure Abbie Hoffman. Asimov's impression was that the 1960s' counterculture heroes had ridden an emotional wave which, in the end, left them stranded in a "no-man's land of the spirit" from which he wondered if they would ever return. Asimov vehemently opposed Richard Nixon, considering him "a crook and a liar". He closely followed Watergate, and was pleased when the president was forced to resign. Asimov was dismayed over the pardon extended to Nixon by his successor: "I was not impressed by the argument that it has spared the nation an ordeal. To my way of thinking, the ordeal was necessary to make certain it would never happen again." After Asimov's name appeared in the mid-1960s on a list of people the Communist Party USA "considered amenable" to its goals, the FBI investigated him. Because of his academic background, the bureau briefly considered Asimov as a possible candidate for known Soviet spy ROBPROF, but found nothing suspicious in his life or background. Asimov appeared to hold an equivocal attitude towards Israel. In his first autobiography, he indicates his support for the safety of Israel, though insisting that he was not a Zionist. In his third autobiography, Asimov stated his opposition to the creation of a Jewish state, on the grounds that he was opposed to having nation-states in general, and supported the notion of a single humanity. Asimov especially worried about the safety of Israel given that it had been created among hostile Muslim neighbors, and said that Jews had merely created for themselves another "Jewish ghetto". Social issues Asimov believed that "science fiction ... serve[s] the good of humanity". He considered himself a feminist even before women's liberation became a widespread movement; he argued that the issue of women's rights was closely connected to that of population control. Furthermore, he believed that homosexuality must be considered a "moral right" on population grounds, as must all consenting adult sexual activity that does not lead to reproduction. He issued many appeals for population control, reflecting a perspective articulated by people from Thomas Malthus through Paul R. Ehrlich. In a 1988 interview by Bill Moyers, Asimov proposed computer-aided learning, where people would use computers to find information on subjects in which they were interested. He thought this would make learning more interesting, since people would have the freedom to choose what to learn, and would help spread knowledge around the world. Also, the one-to-one model would let students learn at their own pace. Asimov thought that people would live in space by the year 2019. In 1983 Asimov wrote: He continues on education: Sexual harassment Asimov would often fondle, kiss and pinch women at conventions and elsewhere without regard for their consent. According to Alec Nevala-Lee, author of an Asimov biography and writer on the history of science fiction, he often defended himself by saying that far from showing objections, these women cooperated. In the 1971 satirical piece, The Sensuous Dirty Old Man, he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." According to Nevala-Lee, however, "many of these encounters were clearly nonconsensual." He wrote that Asimov's behaviour, as a leading science-fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community. In support of this, he quoted some of Asimov's contemporary fellow-authors such as Judith Merril, Harlan Ellison and Frederik Pohl, as well as editors such as Timothy Seldes. Specific incidents were reported by other people including Edward L. Ferman, long-time editor of The Magazine of Fantasy & Science Fiction who wrote "... instead of shaking my date's hand, he shook her left breast". Environment and population Asimov's defense of civil applications of nuclear power even after the Three Mile Island nuclear power plant incident damaged his relations with some of his fellow liberals. In a letter reprinted in Yours, Isaac Asimov, he states that although he would prefer living in "no danger whatsoever" than near a nuclear reactor, he would still prefer a home near a nuclear power plant than in a slum on Love Canal or near "a Union Carbide plant producing methyl isocyanate", the latter being a reference to the Bhopal disaster. In the closing years of his life, Asimov blamed the deterioration of the quality of life that he perceived in New York City on the shrinking tax base caused by the middle-class flight to the suburbs, though he continued to support high taxes on the middle class to pay for social programs. His last nonfiction book, Our Angry Earth (1991, co-written with his long-time friend, science fiction author Frederik Pohl), deals with elements of the environmental crisis such as overpopulation, oil dependence, war, global warming, and the destruction of the ozone layer. In response to being presented by Bill Moyers with the question "What do you see happening to the idea of dignity to human species if this population growth continues at its present rate?", Asimov responded: Other authors Asimov enjoyed the writings of J. R. R. Tolkien, and in fact even used The Lord of the Rings as a plot point in a Black Widowers story, titled Nothing like Murder. In the essay All or Nothing (for The Magazine of Fantasy and Science Fiction, Jan 1981), Asimov revealed that he admires Tolkien and that he had read The Lord of the Rings five times. (The feelings were mutual, with Tolkien himself revealing that he had enjoyed Asimov's science fiction. This would make Asimov an exception to Tolkien's earlier claim that he rarely found "any modern books" that were interesting to him.) He acknowledged other writers as superior to himself in talent, saying of Harlan Ellison, "He is (in my opinion) one of the best writers in the world, far more skilled at the art than I am." Asimov disapproved of the New Wave's growing influence, however, stating in 1967 "I want science fiction. I think science fiction isn't really science fiction if it lacks science. And I think the better and truer the science, the better and truer the science fiction". The feelings of friendship and respect between Asimov and Arthur C. Clarke were demonstrated by the so-called "Clarke-Asimov Treaty of Park Avenue", negotiated as they shared a cab in New York. This stated that Asimov was required to insist that Clarke was the best science fiction writer in the world (reserving second-best for himself), while Clarke was required to insist that Asimov was the best science writer in the world (reserving second-best for himself). Thus, the dedication in Clarke's book Report on Planet Three (1972) reads: "In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer." Asimov became a fan of mystery stories at the same time as science fiction. He preferred to read the former to latter because "I read every [science fiction] story keenly aware that it might be worse than mine, in which case I had no patience with it, or that it might be better, in which case I felt miserable". Asimov wrote "I make no secret of the fact that in my mysteries I use Agatha Christie as my model. In my opinion, her mysteries are the best ever written, far better than the Sherlock Holmes stories, and Hercule Poirot is the best detective fiction has seen. Why should I not use as my model what I consider the best?" He enjoyed Sherlock Holmes, but considered Arthur Conan Doyle to be "a slapdash and sloppy writer." Asimov also enjoyed humorous stories, particularly those of P. G. Wodehouse. In non-fiction writing, Asimov particularly admired the writing style of Martin Gardner, and tried to emulate it in his own science books. On meeting Gardner for the first time in 1965, Asimov told him this, to which Gardner answered that he had based his own style on Asimov's. Influence Paul Krugman, holder of a Nobel Prize in Economics, stated Asimov's concept of psychohistory has inspired him to become an economist. John Jenkins, who has reviewed the vast majority of Asimov's written output, once observed, "It has been pointed out that most science fiction writers since the 1950s have been affected by Asimov, either modeling their style on his or deliberately avoiding anything like his style." Along with such figures as Bertrand Russell and Karl Popper, Asimov left his mark as one of the most distinguished interdisciplinarians of the 20th century. "Few individuals", writes James L. Christian, "understood better than Isaac Asimov what synoptic thinking is all about. His almost 500 books—which he wrote as a specialist, a knowledgeable authority, or just an excited layman—range over almost all conceivable subjects: the sciences, history, literature, religion, and of course, science fiction." Bibliography Depending on the counting convention used, and including all titles, charts, and edited collections, there may be currently over 500 books in Asimov's bibliography—as well as his individual short stories, individual essays, and criticism. For his 100th, 200th, and 300th books (based on his personal count), Asimov published Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984), celebrating his writing. An extensive bibliography of Isaac Asimov's works has been compiled by Ed Seiler. He published enough that his book writing rate could be analysed, showing that the writing became faster as he wrote more. An online exhibit in West Virginia University Libraries' virtually complete Asimov Collection displays features, visuals, and descriptions of some of his over 600 books, games, audio recordings, videos, and wall charts. Many first, rare, and autographed editions are in the Libraries' Rare Book Room. Book jackets and autographs are presented online along with descriptions and images of children's books, science fiction art, multimedia, and other materials in the collection. Science fiction "Greater Foundation" series The Robot series was originally separate from the Foundation series. The Galactic Empire novels were published as independent stories, set earlier in the same future as Foundation. Later in life, Asimov synthesized the Robot series into a single coherent "history" that appeared in the extension of the Foundation series. All of these books were published by Doubleday & Co, except the original Foundation trilogy which was originally published by Gnome Books before being bought and republished by Doubleday. The Robot series: (first Elijah Baley SF-crime novel) (second Elijah Baley SF-crime novel) (third Elijah Baley SF-crime novel) (sequel to the Elijah Baley trilogy) Galactic Empire novels: (early Galactic Empire) (long before the Empire) (Republic of Trantor still expanding) Foundation prequels: Original Foundation trilogy: (also published with the title 'The Man Who Upset the Universe' as a 35¢ Ace paperback, D-125, in about 1952) Extended Foundation series: Lucky Starr series (as Paul French) All published by Doubleday & Co David Starr, Space Ranger (1952) Lucky Starr and the Pirates of the Asteroids (1953) Lucky Starr and the Oceans of Venus (1954) Lucky Starr and the Big Sun of Mercury (1956) Lucky Starr and the Moons of Jupiter (1957) Lucky Starr and the Rings of Saturn (1958) Norby Chronicles (with Janet Asimov) All published by Walker & Company Norby, the Mixed-Up Robot (1983) Norby's Other Secret (1984) Norby and the Lost Princess (1985) Norby and the Invaders (1985) Norby and the Queen's Necklace (1986) Norby Finds a Villain (1987) Norby Down to Earth (1988) Norby and Yobo's Great Adventure (1989) Norby and the Oldest Dragon (1990) Norby and the Court Jester (1991) Novels not part of a series Novels marked with an asterisk (*) have minor connections to Foundation universe. The End of Eternity (1955), Doubleday (*) Fantastic Voyage (1966), Bantam Books (paperback) and Houghton Mifflin (hardback) (a novelization of the movie) The Gods Themselves (1972), Doubleday Fantastic Voyage II: Destination Brain (1987), Doubleday (not a sequel to Fantastic Voyage, but a similar, independent story) Nemesis (1989), Bantam Doubleday Dell (*) Nightfall (1990), Doubleday, with Robert Silverberg (based on "Nightfall", a 1941 short story written by Asimov) Child of Time (1992), Bantam Doubleday Dell, with Robert Silverberg (based on "The Ugly Little Boy", a 1958 short story written by Asimov) The Positronic Man (1993), Bantam Doubleday Dell, with Robert Silverberg (*) (based on The Bicentennial Man, a 1976 novella written by Asimov) Short-story collections Mysteries Novels The Death Dealers (1958), Avon Books, republished as A Whiff of Death by Walker & Company Murder at the ABA (1976), Doubleday, also published as Authorized Murder Short-story collections Black Widowers series Tales of the Black Widowers (1974), Doubleday More Tales of the Black Widowers (1976), Doubleday Casebook of the Black Widowers (1980), Doubleday Banquets of the Black Widowers (1984), Doubleday Puzzles of the Black Widowers (1990), Doubleday The Return of the Black Widowers (2003), Carroll & Graf Other mysteries Asimov's Mysteries (1968), Doubleday The Key Word and Other Mysteries (1977), Walker The Union Club Mysteries (1983), Doubleday The Disappearing Man and Other Mysteries (1985), Walker The Best Mysteries of Isaac Asimov (1986), Doubleday Nonfiction Popular science Collections of Asimov's essays for F&SF The following books collected essays which were originally published as monthly columns in The Magazine of Fantasy and Science Fiction and collected by Doubleday & Co Fact and Fancy (1962) View from a Height (1963) Adding a Dimension (1964) Of Time and Space and Other Things (1965) From Earth to Heaven (1966) Science, Numbers, and I (1968) The Solar System and Back (1970) The Stars in Their Courses (1971) The Left Hand of the Electron (1972) The Tragedy of the Moon (1973) Asimov On Astronomy (updated version of essays in previous collections) (1974) Asimov On Chemistry (updated version of essays in previous collections) (1974) Of Matters Great and Small (1975) Asimov On Physics (updated version of essays in previous collections) (1976) The Planet That Wasn't (1976) Asimov On Numbers (updated version of essays in previous collections) (1976) Quasar, Quasar, Burning Bright (1977) The Road to Infinity (1979) The Sun Shines Bright (1981) Counting the Eons (1983) X Stands for Unknown (1984) The Subatomic Monster (1985) Far as Human Eye Could See (1987) The Relativity of Wrong (1988) Asimov on Science: A 30 Year Retrospective 1959–1989 (1989) (features the first essay in the introduction) Out of the Everywhere (1990) The Secret of the Universe (1991) Other general science essay collections Only a Trillion (1957), Abelard-Schuman, Is Anyone There? (1967), Doubleday, (which includes the article in which he coined the term "spome") Today and Tomorrow and— (1973), Doubleday Science Past, Science Future (1975), Doubleday, Please Explain (1975), Houghton Mifflin, Life and Time (1978), Doubleday The Roving Mind (1983), Prometheus Books, new edition 1997, The Dangers of Intelligence (1986), Houghton Mifflin Past, Present and Future (1987), Prometheus Books, The Tyrannosaurus Prescription (1989), Prometheus Books Frontiers (1990), Dutton Frontiers II (1993), Dutton Other science books by Asimov The Chemicals of Life (1954), Abelard-Schuman Inside the Atom (1956), Abelard-Schuman, Building Blocks of the Universe (1957; revised 1974), Abelard-Schuman, The World of Carbon (1958), Abelard-Schuman, The World of Nitrogen (1958), Abelard-Schuman, Words of Science and the History Behind Them (1959), Houghton Mifflin The Clock We Live On (1959), Abelard-Schuman, Breakthroughs in Science (1959), Houghton Mifflin, Realm of Numbers (1959), Houghton Mifflin, Realm of Measure (1960), Houghton Mifflin The Wellsprings of Life (1960), Abelard-Schuman, Life and Energy (1962), Doubleday, The Genetic Code (1962), The Orion Press The Human Body: Its Structure and Operation (1963), Houghton Mifflin, , (revised) The Human Brain: Its Capacities and Functions (1963), Houghton Mifflin, Planets for Man (with Stephen H. Dole) (1964), Random House, reprinted by RAND in 2007 An Easy Introduction to the Slide Rule (1965), Houghton Mifflin, The Intelligent Man's Guide to Science (1965), Basic Books The title varied with each of the four editions, the last being Asimov's New Guide to Science (1984) The Universe: From Flat Earth to Quasar (1966), Walker, The Neutrino (1966), Doubleday, ASIN B002JK525W Understanding Physics Vol. I, Motion, Sound, and Heat (1966), Walker, Understanding Physics Vol. II, Light, Magnetism, and Electricity (1966), Walker, Understanding Physics Vol. III, The Electron, Proton, and Neutron (1966), Walker, Photosynthesis (1969), Basic Books, Our World in Space (1974), New York Graphic, Eyes on the Universe: A History of the Telescope (1976), Andre Deutsch Limited, The Collapsing Universe (1977), Walker, Extraterrestrial Civilizations (1979), Crown, Visions of the Universe with illustrations by Kazuaki Iwasaki (1981), Cosmos Store, Exploring the Earth and the Cosmos (1982), Crown, The Measure of the Universe (1983), Harper & Row Think About Space: Where Have We Been and Where Are We Going? with co-author Frank White (1989), Walker Asimov's Chronology of Science and Discovery (1989), Harper & Row, second edition adds content thru 1993, Beginnings: The Story of Origins (1989), Walker Isaac Asimov's Guide to Earth and Space (1991), Random House, Atom: Journey Across the Subatomic Cosmos (1991), Dutton, Mysteries of Deep Space: Quasars, Pulsars and Black Holes (1994) Earth's Moon (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Sun (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Earth (1988), Gareth Stevens, revised in 2004 by Richard Hantula Jupiter (1989), Gareth Stevens, revised in 2004 by Richard Hantula Venus (1990), Gareth Stevens, revised in 2004 by Richard Hantula Literary works All published by Doubleday Asimov's Guide to Shakespeare, vols I and II (1970), Asimov's Annotated "Don Juan" (1972) Asimov's Annotated "Paradise Lost" (1974) Familiar Poems, Annotated (1976) Asimov's The Annotated "Gulliver's Travels" (1980) Asimov's Annotated "Gilbert and Sullivan" (1988) The Bible Words from Genesis (1962), Houghton Mifflin Words from the Exodus (1963), Houghton Mifflin Asimov's Guide to the Bible, vols I and II (1967 and 1969, one-volume ed. 1981), Doubleday, The Story of Ruth (1972), Doubleday, In the Beginning (1981), Crown Autobiography In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954 (1979, Doubleday) In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 (1980, Doubleday) I. Asimov: A Memoir (1994, Doubleday) It's Been a Good Life (2002, Prometheus Books), condensation of Asimov's three volumes of autobiography, edited by his widow, Janet Jeppson Asimov History All published by Houghton Mifflin except where otherwise stated The Kite That Won the Revolution (1963), The Greeks (1965) The Roman Republic (1966) The Roman Empire (1967) The Egyptians (1967) The Near East (1968) The Dark Ages (1968) Words from History (1968) The Shaping of England (1969) Constantinople: The Forgotten Empire (1970) The Land of Canaan (1971) The Shaping of France (1972) The Shaping of North America: From Earliest Times to 1763 (1973) The Birth of the United States: 1763–1816 (1974) Our Federal Union: The United States from 1816 to 1865 (1975), The Golden Door: The United States from 1865 to 1918 (1977) Asimov's Chronology of the World (1991), HarperCollins, The March of the Millennia (1991), with co-author Frank White, Walker & Company, Humor The Sensuous Dirty Old Man (1971) (As Dr. A), Walker & Company, Isaac Asimov's Treasury of Humor (1971), Houghton Mifflin Lecherous Limericks (1975), Walker, More Lecherous Limericks (1976), Walker, Still More Lecherous Limericks (1977), Walker, Limericks, Two Gross, with John Ciardi (1978), Norton, A Grossery of Limericks, with John Ciardi (1981), Norton, Limericks for Children (1984), Caedmon Asimov Laughs Again (1992), HarperCollins On writing science fiction Asimov on Science Fiction (1981), Doubleday Asimov's Galaxy (1989), Doubleday Other nonfiction Opus 100 (1969), Houghton Mifflin, Asimov's Biographical Encyclopedia of Science and Technology (1964), Doubleday (revised edition 1972, ) Opus 200 (1979), Houghton Mifflin, Isaac Asimov's Book of Facts (1979), Grosset & Dunlap, Opus 300 (1984), Houghton Mifflin, Our Angry Earth: A Ticking Ecological Bomb (1991), with co-author Frederik Pohl, Tor, . Television, music, and film appearances I Robot, a concept album by the Alan Parsons Project that examined some of Asimov's work The Last Word (1959) The Dick Cavett Show, four appearances 1968–71 The Nature of Things (1969) ABC News coverage of Apollo 11, 1969, with Fred Pohl, interviewed by Rod Serling David Frost interview program, August 1969. Frost asked Asimov if he had ever tried to find God and, after some initial evasion, Asimov answered, "God is much more intelligent than I am—let him try to find me." BBC Horizon "It's About Time" (1979), show hosted by Dudley Moore Target ... Earth? (1980) The David Letterman Show (1980) NBC TV Speaking Freely, interviewed by Edwin Newman (1982) ARTS Network talk show hosted by Studs Terkel and Calvin Trillin, approximately (1982) Oltre New York (1986) Voyage to the Outer Planets and Beyond (1986) Gandahar (1987), a French animated science-fiction film by René Laloux. Asimov wrote the English translation for the film. Bill Moyers interview (1988) Stranieri in America (1988) Adaptations El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!" A halhatatlanság halála (1977), TV movie directed by András Rajnai, based on novel The End of Eternity The Ugly Little Boy (1977), short film directed by Barry Morse and Donald W. Thompson, based on novelette The Ugly Little Boy All the Troubles of the World (1978), short film directed by Dianne Haak-Edson, based on short story "All the Troubles of the World" The End of Eternity (1987), film directed by Andrei Yermash, based on novel The End of Eternity Nightfall (1988), film directed by Paul Mayersberg, based on novelette "Nightfall" Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series Feeling 109 (1988), short film directed by Richard Kletter, based on a story of Asimov Teach 109 (1989), TV movie directed by Richard Kletter, based on a story of Asimov (the same as The Android Affair) The Android Affair (1995), TV movie directed by Richard Kletter, based on a story of Asimov (the same as Teach 109) Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man Nightfall (2000), film directed by Gwyneth Gibby, based on novelette "Nightfall" I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series Formula of Death (2012), TV movie directed by Behdad Avand Amini, based on novel The Death Dealers Spell My Name with an S (2014), short film directed by Samuel Ali, based on short story "Spell My Name with an S" Foundation (2021), series created by David S. Goyer and Josh Friedman, based on the Foundation series Novelizations Novel Fantastic Voyage, novelization of film Fantastic Voyage (1966) References Footnotes Notes Sources Asimov, Isaac. In Memory Yet Green (1979), New York: Avon, . In Joy Still Felt (1980), New York: Avon . I. Asimov: A Memoir (1994), (hc), (pb). Yours, Isaac Asimov (1996), edited by Stanley Asimov. New York: Doubleday . It's Been a Good Life (2002), edited by Janet Asimov. . Goldman, Stephen H., "Isaac Asimov", in Dictionary of Literary Biography, Vol. 8, Cowart and Wymer eds. (Gale Research, 1981), pp. 15–29. Gunn, James. "On Variations on a Robot", IASFM, July 1980, pp. 56–81. Isaac Asimov: The Foundations of Science Fiction (1982). . The Science of Science-Fiction Writing (2000). . Further reading External links Asimov Online, a vast repository of information about Asimov, maintained by Asimov enthusiast Edward Seiler Jenkins' Spoiler-Laden Guide to Isaac Asimov, reviews of all of Asimov's books 20th-century births 1992 deaths 20th-century American novelists 20th-century American male writers AIDS-related deaths in New York (state) American alternate history writers Jewish American atheists American biochemists American essayists American humanists American humorists American male novelists 20th-century American memoirists United States Army non-commissioned officers American mystery writers American people of Russian-Jewish descent American science fiction writers American science writers American skeptics American writers of Russian descent Asimov's Science Fiction people Bible commentators Boston University faculty Columbia University School of General Studies alumni Critics of religions Date of birth unknown Fellows of the American Academy of Arts and Sciences Futurians Historians of astronomy American historians of science Hugo Award-winning writers Humor researchers Jewish American novelists Jewish American short story writers Jewish feminists Jewish skeptics American male essayists Male feminists American male short story writers American short story writers Mensans Nebula Award winners New York (state) Democrats People from Shumyachsky District Naturalized citizens of the United States United States Navy civilians Science fiction fans Science Fiction Hall of Fame inductees SFWA Grand Masters Soviet emigrants to the United States Writers from Brooklyn Yiddish-speaking people Boys High School (Brooklyn) alumni Novelists from Massachusetts Novelists from New York (state) Scientists from New York City 20th-century essayists 20th-century atheists People from the Upper West Side Pulp fiction writers Writers about religion and science Atheist feminists Columbia Graduate School of Arts and Sciences alumni

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What is that apart of

What is Seth Low's Junior College a part of?

Isaac Asimov

Asimov attended New York City public schools from age 5, including Boys High School in Brooklyn. Graduating at 15, he went on to Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then the institution's primary undergraduate school for men with quotas on the number of admissions from those ethnic groups. Originally a zoology major, Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1938, Asimov finished his BS degree at University Extension (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov in 1939 applied to the graduate program in chemistry at Columbia; initially rejected and then accepted only on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in biochemistry in 1948. In between earning these two degrees, he spent three years during World War II working as a civilian at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949 with a $5,000 (equivalent to $51,427 in 2017) salary, with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university. The difference grew, and in 1958 Asimov stopped teaching to become a full-time writer. Being tenured, he retained the title of associate professor (which he had held since 1955), and in 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. CANNOTANSWER

Columbia University

Isaac Asimov (; 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as much nonfiction. Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories. He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism. He was president of the American Humanist Association. Several entities have been named in his honor, including the asteroid (5020) Asimov, a crater on the planet Mars, a Brooklyn elementary school, Honda's humanoid robot, ASIMO, and four literary awards. Surname Asimov's family name derives from the first part of ozímyj khleb (озимый хлеб), meaning the winter grain (specifically rye) in which his great-great-great-grandfather dealt, with the Russian patronymic ending -ov added. Azimov is spelled in the Cyrillic alphabet. When the family arrived in the United States in 1923 and their name had to be spelled in the Latin alphabet, Asimov's father spelled it with an S, believing this letter to be pronounced like Z (as in German), and so it became Asimov. This later inspired one of Asimov's short stories, "Spell My Name with an S". Asimov refused early suggestions of using a more common name as a pseudonym, and believed that its recognizability helped his career. After becoming famous, he often met readers who believed that "Isaac Asimov" was a distinctive pseudonym created by an author with a common name. Biography Early life Asimov was born in Petrovichi, Russian SFSR, on an unknown date between October 4, 1919, and January 2, 1920, inclusive. Asimov celebrated his birthday on January 2. Asimov's parents were Anna Rachel (née Berman) and Judah Asimov, a family of Russian-Jewish millers. He was named Isaac after his mother's father, Isaac Berman. Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me". In 1921, Asimov and 16 other children in Petrovichi developed double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya; June 17, 1922 – April 2, 2011), and a brother, Stanley (July 25, 1929 – August 16, 1995), who was vice-president of the Long Island Newsday. Asimov's family travelled to the United States via Liverpool on the RMS Baltic, arriving on February 3, 1923 when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in both. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five (and later taught his sister to read as well, enabling her to enter school in the second grade). His mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2. He became a naturalized U.S. citizen in 1928 at the age of eight. After becoming established in the U.S., his parents owned a succession of candy stores in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material (including pulp science fiction magazines) as a child that he could not have otherwise afforded. Asimov began reading science fiction at age nine, at the time when the genre was becoming more science-centered. Education and career Asimov attended New York City public schools from age five, including Boys High School in Brooklyn. Graduating at 15, he attended the City College of New York for several days before accepting a scholarship at Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then, the institution's primary undergraduate school for men. Jewish and Italian-American students, even of outstanding academic caliber, were often deliberately barred from Columbia College proper because of the then-popular practice of imposing unwritten ethnic admission quotas. Originally a zoology major, Asimov switched to chemistry after his first semester because he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1936, Asimov finished his Bachelor of Science degree at Morningside Heights campus (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov applied to the graduate program in chemistry at Columbia in 1939; initially he was rejected and then only accepted on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948. During his chemistry studies, he also learned French and German. In between earning these two degrees, Asimov spent three years during World War II working as a civilian chemist at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected while at school, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949, teaching biochemistry with a $5,000 salary (), with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university, and he eventually stopped doing research, confining his university role to lecturing students. In 1955, he was promoted to associate professor, which gave him tenure. In December 1957, Asimov was dismissed from his teaching post, with effect from June 30, 1958, because he had stopped doing research. After a struggle which lasted for two years, he kept his title, he gave the opening lecture each year for a biochemistry class, and on October 18, 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. Personal life Asimov met his first wife, Gertrude Blugerman (1917, Toronto, Canada – 1990, Boston, U.S.), on a blind date on February 14, 1942, and married her on July 26 the same year. The couple lived in an apartment in West Philadelphia while Asimov was employed at the Philadelphia Navy Yard (where two of his co-workers were L. Sprague de Camp and Robert A. Heinlein). Gertrude returned to Brooklyn while he was in the army, and they both lived there from July 1946 before moving to Stuyvesant Town, Manhattan, in July 1948. They moved to Boston in May 1949, then to nearby suburbs Somerville in July 1949, Waltham in May 1951, and, finally, West Newton in 1956. They had two children, David (born 1951) and Robyn Joan (born 1955). In 1970, they separated and Asimov moved back to New York, this time to the Upper West Side of Manhattan where he lived for the rest of his life. He immediately began seeing Janet O. Jeppson, a psychiatrist and science-fiction writer, and married her on November 30, 1973, two weeks after his divorce from Gertrude. Asimov was a claustrophile: he enjoyed small, enclosed spaces. In the third volume of his autobiography, he recalls a childhood desire to own a magazine stand in a New York City Subway station, within which he could enclose himself and listen to the rumble of passing trains while reading. Asimov was afraid of flying, doing so only twice: once in the course of his work at the Naval Air Experimental Station and once returning home from Oahu in 1946. Consequently, he seldom traveled great distances. This phobia influenced several of his fiction works, such as the Wendell Urth mystery stories and the Robot novels featuring Elijah Baley. In his later years, Asimov found enjoyment traveling on cruise ships, beginning in 1972 when he viewed the Apollo 17 launch from a cruise ship. On several cruises, he was part of the entertainment program, giving science-themed talks aboard ships such as the Queen Elizabeth 2. He sailed to England in June 1974 on the SS France for a trip mostly devoted to events in London and Birmingham, though he also found time to visit Stonehenge. Asimov was an able public speaker and was regularly paid to give talks about science. He was a frequent fixture at science fiction conventions, where he was friendly and approachable. He patiently answered tens of thousands of questions and other mail with postcards and was pleased to give autographs. He was of medium height (), stocky, with—in his later years—"mutton-chop" sideburns, and a distinct New York accent. He took to wearing bolo ties after his wife Janet objected to his clip-on bow ties. His physical dexterity was very poor. He never learned to swim or ride a bicycle; however, he did learn to drive a car after he moved to Boston. In his humor book Asimov Laughs Again, he describes Boston driving as "anarchy on wheels". Asimov's wide interests included his participation in his later years in organizations devoted to the comic operas of Gilbert and Sullivan and in The Wolfe Pack, a group of devotees of the Nero Wolfe mysteries written by Rex Stout. Many of his short stories mention or quote Gilbert and Sullivan. He was a prominent member of The Baker Street Irregulars, the leading Sherlock Holmes society, for whom he wrote an essay arguing that Professor Moriarty's work "The Dynamics of An Asteroid" involved the willful destruction of an ancient, civilized planet. He was also a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his fictional group of mystery solvers, the Black Widowers. He later used his essay on Moriarty's work as the basis for a Black Widowers story, "The Ultimate Crime", which appeared in More Tales of the Black Widowers. In 1984, the American Humanist Association (AHA) named him the Humanist of the Year. He was one of the signers of the Humanist Manifesto. From 1985 until his death in 1992, he served as president of the AHA, an honorary appointment. His successor was his friend and fellow writer Kurt Vonnegut. He was also a close friend of Star Trek creator Gene Roddenberry, and earned a screen credit as "special science consultant" on Star Trek: The Motion Picture for advice he gave during production. Asimov was a founding member of the Committee for the Scientific Investigation of Claims of the Paranormal, CSICOP (now the Committee for Skeptical Inquiry) and is listed in its Pantheon of Skeptics. In a discussion with James Randi at CSICon 2016 regarding the founding of CSICOP, Kendrick Frazier said that Asimov was "a key figure in the Skeptical movement who is less well known and appreciated today, but was very much in the public eye back then." He said that Asimov being associated with CSICOP "gave it immense status and authority" in his eyes. Asimov described Carl Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky. Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". After his father died in 1969, Asimov annually contributed to a Judah Asimov Scholarship Fund at Brandeis University. Illness and death In 1977, Asimov suffered a heart attack. In December 1983, he had triple bypass surgery at NYU Medical Center, during which he contracted HIV from a blood transfusion. His HIV status was kept secret out of concern that the anti-AIDS prejudice might extend to his family members. He died in Manhattan on April 6, 1992, and was cremated. The cause of death was reported as heart and kidney failure. Ten years following Asimov's death, Janet and Robyn Asimov agreed that the HIV story should be made public; Janet revealed it in her edition of his autobiography, It's Been a Good Life. Writings Overview Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories. Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image". Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series. Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream". Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology. Although Asimov did write several essays about psychology, and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982), which were classified in the 100s category, none of his own books were classified in that category. According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author. Science fiction Asimov became a science fiction fan in 1929, when he began reading the pulp magazines sold in his family's candy store. At first his father forbade reading pulps as he considered them to be trash, until Asimov persuaded him that because the science fiction magazines had "Science" in the title, they must be educational. At age 18 he joined the Futurians science fiction fan club, where he made friends who went on to become science fiction writers or editors. Asimov began writing at the age of 11, imitating The Rover Boys with eight chapters of The Greenville Chums at College. His father bought Asimov a used typewriter at age 16. His first published work was a humorous item on the birth of his brother for Boys High School's literary journal in 1934. In May 1937 he first thought of writing professionally, and began writing his first science fiction story, "Cosmic Corkscrew" (now lost), that year. On May 17, 1938, puzzled by a change in the schedule of Astounding Science Fiction, Asimov visited its publisher Street & Smith Publications. Inspired by the visit, he finished the story on June 19, 1938, and personally submitted it to Astounding editor John W. Campbell two days later. Campbell met with Asimov for more than an hour and promised to read the story himself. Two days later he received a rejection letter explaining why in detail. This was the first of what became almost weekly meetings with the editor while Asimov lived in New York, until moving to Boston in 1949; Campbell had a strong formative influence on Asimov and became a personal friend. By the end of the month, Asimov completed a second story, "Stowaway". Campbell rejected it on July 22 but—in "the nicest possible letter you could imagine"—encouraged him to continue writing, promising that Asimov might sell his work after another year and a dozen stories of practice. On October 21, 1938, he sold the third story he finished, "Marooned Off Vesta", to Amazing Stories, edited by Raymond A. Palmer, and it appeared in the March 1939 issue. Asimov was paid $64 (), or one cent a word. Two more stories appeared that year, "The Weapon Too Dreadful to Use" in the May Amazing and "Trends" in the July Astounding, the issue fans later selected as the start of the Golden Age of Science Fiction. For 1940, ISFDB catalogs seven stories in four different pulp magazines, including one in Astounding. His earnings became enough to pay for his education, but not yet enough for him to become a full-time writer. Asimov later said that unlike other top Golden Age writers Robert Heinlein and A. E. van Vogt—also first published in 1939, and whose talent and stardom were immediately obvious—he "(this is not false modesty) came up only gradually". Through July 29, 1940, Asimov wrote 22 stories in 25 months, of which 13 were published; he wrote in 1972 that from that date he never wrote a science fiction story that was not published (except for two "special cases"). He was famous enough that Donald Wollheim told Asimov that he purchased "The Secret Sense" for a new magazine only because of his name, and the December 1940 issue of Astonishing—featuring Asimov's name in bold—was the first magazine to base cover art on his work, but Asimov later said that neither he himself nor anyone else—except perhaps Campbell—considered him better than an often published "third rater". Based on a conversation with Campbell, Asimov wrote "Nightfall", his 32nd story, in March and April 1941, and Astounding published it in September 1941. In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written. In Nightfall and Other Stories Asimov wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'." "Nightfall" is an archetypal example of social science fiction, a term he created to describe a new trend in the 1940s, led by authors including him and Heinlein, away from gadgets and space opera and toward speculation about the human condition. After writing "Victory Unintentional" in January and February 1942, Asimov did not write another story for a year. Asimov expected to make chemistry his career, and was paid $2,600 annually at the Philadelphia Navy Yard, enough to marry his girlfriend; he did not expect to make much more from writing than the $1,788.50 he had earned from 28 stories sold over four years. Asimov left science fiction fandom and no longer read new magazines, and might have left the industry had not Heinlein and de Camp been coworkers and previously sold stories continued to appear. In 1942, Asimov published the first of his Foundation stories—later collected in the Foundation trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953). The books recount the fall of a vast interstellar empire and the establishment of its eventual successor. They also feature his fictional science of psychohistory, in which the future course of the history of large populations can be predicted. The trilogy and Robot series are his most famous science fiction. In 1966 they won the Hugo Award for the all-time best series of science fiction and fantasy novels. Campbell raised his rate per word, Orson Welles purchased rights to "Evidence", and anthologies reprinted his stories. By the end of the war Asimov was earning as a writer an amount equal to half of his Navy Yard salary, even after a raise, but Asimov still did not believe that writing could support him, his wife, and future children. His "positronic" robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in his introduction to the short story collection The Complete Robot (1982) that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creators. The robot series has led to film adaptations. With Asimov's collaboration, in about 1977, Harlan Ellison wrote a screenplay of I, Robot that Asimov hoped would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay has never been filmed and was eventually published in book form in 1994. The 2004 movie I, Robot, starring Will Smith, was based on an unrelated script by Jeff Vintar titled Hardwired, with Asimov's ideas incorporated later after the rights to Asimov's title were acquired. (The title was not original to Asimov but had previously been used for a story by Eando Binder.) Also, one of Asimov's robot short stories, "The Bicentennial Man", was expanded into a novel The Positronic Man by Asimov and Robert Silverberg, and this was adapted into the 1999 movie Bicentennial Man, starring Robin Williams. Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford, David Brin, and Donald Kingsbury. At least some of these appear to have been done with the blessing of, or at the request of, Asimov's widow, Janet Asimov. In 1948, he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name. Asimov grew concerned at the scrutiny he would receive at his oral examination, in case the examiners thought he wasn't taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old with Me" (40,000 words), but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. Doubleday published five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw Gnome Press publish one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation trilogy. More positronic robot stories were republished in book form as The Rest of the Robots. Books and the magazines Galaxy, and Fantasy & Science Fiction ended Asimov's dependence on Astounding. He later described the era as his "'mature' period". Asimov's "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy, was his personal favorite story. In 1972, his novel The Gods Themselves (which was not part of a series) was published to general acclaim, and it won the Hugo Award for Best Novel, the Nebula Award for Best Novel, and the Locus Award for Best Novel. In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue. McCartney rejected the story. The treatment now exists only in the Boston University archives. Asimov said in 1969 that he had "the happiest of all my associations with science fiction magazines" with Fantasy & Science Fiction; "I have no complaints about Astounding, Galaxy, or any of the rest, heaven knows, but F&SF has become something special to me". Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazines and Alfred Hitchcock's Mystery Magazines "anthologies"). Due to pressure by fans on Asimov to write another book in his Foundation series, he did so with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992), his last novel. Popular science Asimov and two colleagues published a textbook in 1949, with two more editions by 1969. During the late 1950s and 1960s, Asimov substantially decreased his fiction output (he published only four adult novels between 1957's The Naked Sun and 1982's Foundation's Edge, two of which were mysteries). He greatly increased his nonfiction production, writing mostly on science topics; the launch of Sputnik in 1957 engendered public concern over a "science gap". Asimov explained in The Rest of the Robots that he had been unable to write substantial fiction since the summer of 1958, and observers understood him as saying that his fiction career had ended, or was permanently interrupted. Asimov recalled in 1969 that "the United States went into a kind of tizzy, and so did I. I was overcome by the ardent desire to write popular science for an America that might be in great danger through its neglect of science, and a number of publishers got an equally ardent desire to publish popular science for the same reason". Fantasy and Science Fiction invited Asimov to continue his regular nonfiction column, begun in the now-folded bimonthly companion magazine Venture Science Fiction Magazine. The first of 399 monthly F&SF columns appeared in November 1958 and they continued until his terminal illness. These columns, periodically collected into books by Doubleday, gave Asimov a reputation as a "Great Explainer" of science; he described them as his only popular science writing in which he never had to assume complete ignorance of the subjects on the part of his readers. The column was ostensibly dedicated to popular science but Asimov had complete editorial freedom, and wrote about contemporary social issues in essays such as "Thinking About Thinking" and "Knock Plastic!". In 1975 he wrote of these essays: "I get more pleasure out of them than out of any other writing assignment." Asimov's first wide-ranging reference work, The Intelligent Man's Guide to Science (1960), was nominated for a National Book Award, and in 1963 he won a Hugo Award—his first—for his essays for F&SF. The popularity of his science books and the income he derived from them allowed him to give up most academic responsibilities and become a full-time freelance writer. He encouraged other science fiction writers to write popular science, stating in 1967 that "the knowledgeable, skillful science writer is worth his weight in contracts", with "twice as much work as he can possibly handle". The great variety of information covered in Asimov's writings prompted Kurt Vonnegut to ask, "How does it feel to know everything?" Asimov replied that he only knew how it felt to have the 'reputation' of omniscience: "Uneasy". Floyd C. Gale said that "Asimov has a rare talent. He can make your mental mouth water over dry facts", and "science fiction's loss has been science popularization's gain". Asimov said that "Of all the writing I do, fiction, non-fiction, adult, or juvenile, these F & SF articles are by far the most fun". He regretted, however, that he had less time for fiction—causing dissatisfied readers to send him letters of complaint—stating in 1969 that "In the last ten years, I've done a couple of novels, some collections, a dozen or so stories, but that's nothing". In his essay "To Tell a Chemist" (1965), Asimov proposed a simple shibboleth for distinguishing chemists from non-chemists: ask the person to read the word "unionized". Chemists, he noted, will read the word "unionized" as un-ion-ized (pronounced "un-EYE-en-ized"), meaning "(a chemical species) being in an electrically neutral state, as opposed to being an ion", while non-chemists will read the word as union-ized (pronounced "YOU-nien-ized"), meaning "(a worker or organization) belonging to or possessing a trade union". Coined terms Asimov coined the term "robotics" in his 1941 story "Liar!", though he later remarked that he believed then that he was merely using an existing word, as he stated in Gold ("The Robot Chronicles"). While acknowledging the Oxford Dictionary reference, he incorrectly states that the word was first printed about one third of the way down the first column of page 100, Astounding Science Fiction, March 1942 printing of his short story "Runaround". In the same story, Asimov also coined the term "positronic" (the counterpart to "electronic" for positrons). Asimov coined the term "psychohistory" in his Foundation stories to name a fictional branch of science which combines history, sociology, and mathematical statistics to make general predictions about the future behavior of very large groups of people, such as the Galactic Empire. Asimov said later that he should have called it psychosociology. It was first introduced in the five short stories (1942–1944) which would later be collected as the 1951 fix-up novel Foundation. Somewhat later, the term "psychohistory" was applied by others to research of the effects of psychology on history. Other writings In addition to his interest in science, Asimov was interested in history. Starting in the 1960s, he wrote 14 popular history books, including The Greeks: A Great Adventure (1965), The Roman Republic (1966), The Roman Empire (1967), The Egyptians (1967) The Near East: 10,000 Years of History (1968), and Asimov's Chronology of the World (1991). He published Asimov's Guide to the Bible in two volumes—covering the Old Testament in 1967 and the New Testament in 1969—and then combined them into one 1,300-page volume in 1981. Complete with maps and tables, the guide goes through the books of the Bible in order, explaining the history of each one and the political influences that affected it, as well as biographical information about the important characters. His interest in literature manifested itself in several annotations of literary works, including Asimov's Guide to Shakespeare (1970), Asimov's Annotated Don Juan (1972), Asimov's Annotated Paradise Lost (1974), and The Annotated Gulliver's Travels (1980). Asimov was also a noted mystery author and a frequent contributor to Ellery Queen's Mystery Magazine. He began by writing science fiction mysteries such as his Wendell Urth stories, but soon moved on to writing "pure" mysteries. He published two full-length mystery novels, and wrote 66 stories about the Black Widowers, a group of men who met monthly for dinner, conversation, and a puzzle. He got the idea for the Widowers from his own association in a stag group called the Trap Door Spiders, and all of the main characters (with the exception of the waiter, Henry, who he admitted resembled Wodehouse's Jeeves) were modeled after his closest friends. A parody of the Black Widowers, "An Evening with the White Divorcés," was written by author, critic, and librarian Jon L. Breen. Asimov joked, "all I can do ... is to wait until I catch him in a dark alley, someday." Toward the end of his life, Asimov published a series of collections of limericks, mostly written by himself, starting with Lecherous Limericks, which appeared in 1975. Limericks: Too Gross, whose title displays Asimov's love of puns, contains 144 limericks by Asimov and an equal number by John Ciardi. He even created a slim volume of Sherlockian limericks. Asimov featured Yiddish humor in Azazel, The Two Centimeter Demon. The two main characters, both Jewish, talk over dinner, or lunch, or breakfast, about anecdotes of "George" and his friend Azazel. Asimov's Treasury of Humor is both a working joke book and a treatise propounding his views on humor theory. According to Asimov, the most essential element of humor is an abrupt change in point of view, one that suddenly shifts focus from the important to the trivial, or from the sublime to the ridiculous. Particularly in his later years, Asimov to some extent cultivated an image of himself as an amiable lecher. In 1971, as a response to the popularity of sexual guidebooks such as The Sensuous Woman (by "J") and The Sensuous Man (by "M"), Asimov published The Sensuous Dirty Old Man under the byline "Dr. 'A (although his full name was printed on the paperback edition, first published 1972). However, by 2016, some of Asimov's behavior towards women was described as sexual harassment and cited as an example of historically problematic behavior by men in science fiction communities. Asimov published three volumes of autobiography. In Memory Yet Green (1979) and In Joy Still Felt (1980) cover his life up to 1978. The third volume, I. Asimov: A Memoir (1994), covered his whole life (rather than following on from where the second volume left off). The epilogue was written by his widow Janet Asimov after his death. The book won a Hugo Award in 1995. Janet Asimov edited It's Been a Good Life (2002), a condensed version of his three autobiographies. He also published three volumes of retrospectives of his writing, Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984). In 1987, the Asimovs co-wrote How to Enjoy Writing: A Book of Aid and Comfort. In it they offer advice on how to maintain a positive attitude and stay productive when dealing with discouragement, distractions, rejection, and thick-headed editors. The book includes many quotations, essays, anecdotes, and husband-wife dialogues about the ups and downs of being an author. Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Treks initial launch in the late 1960s. Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects. In 1973, Asimov published a proposal for calendar reform, called the World Season Calendar. It divides the year into four seasons (named A–D) of 13 weeks (91 days) each. This allows days to be named, e.g., "D-73" instead of December 1 (due to December 1 being the 73rd day of the 4th quarter). An extra 'year day' is added for a total of 365 days. Awards and recognition Asimov won more than a dozen annual awards for particular works of science fiction and a half-dozen lifetime awards. He also received 14 honorary doctorate degrees from universities. 1955 – Guest of Honor at the 13th World Science Fiction Convention 1957 – Thomas Alva Edison Foundation Award for best science book for youth, for Building Blocks of the Universe 1960 – Howard W. Blakeslee Award from the American Heart Association for The Living River 1962 – Boston University's Publication Merit Award 1963 – A special Hugo Award for "adding science to science fiction," for essays published in The Magazine of Fantasy and Science Fiction 1963 – Fellow of the American Academy of Arts and Sciences 1964 – The Science Fiction Writers of America voted "Nightfall" (1941) the all-time best science fiction short story 1965 – James T. Grady Award of the American Chemical Society (now called the James T. Grady-James H. Stack Award for Interpreting Chemistry) 1966 – Best All-time Novel Series Hugo Award for the Foundation trilogy 1967 – Edward E. Smith Memorial Award 1967 – AAAS-Westinghouse Science Writing Award for Magazine Writing, for essay "Over the Edge of the Universe" (in the March 1967 Harper's Magazine) 1972 – Nebula Award for Best Novel for The Gods Themselves 1973 – Hugo Award for Best Novel for The Gods Themselves 1973 – Locus Award for Best Novel for The Gods Themselves 1975 – Golden Plate Award of the American Academy of Achievement 1975 – Klumpke-Roberts Award "for outstanding contributions to the public understanding and appreciation of astronomy" 1975 – Locus Award for Best Reprint Anthology for Before the Golden Age 1977 – Hugo Award for Best Novelette for The Bicentennial Man 1977 – Nebula Award for Best Novelette for The Bicentennial Man 1977 – Locus Award for Best Novelette for The Bicentennial Man 1981 – An asteroid, 5020 Asimov, was named in his honor 1981 – Locus Award for Best Non-Fiction Book for In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 1983 – Hugo Award for Best Novel for Foundation's Edge 1983 – Locus Award for Best Science Fiction Novel for Foundation's Edge 1984 – Humanist of the Year 1986 – The Science Fiction and Fantasy Writers of America named him its 8th SFWA Grand Master (presented in 1987). 1987 – Locus Award for Best Short Story for "Robot Dreams" 1992 – Hugo Award for Best Novelette for "Gold" 1995 – Hugo Award for Best Non-Fiction Book for I. Asimov: A Memoir 1995 – Locus Award for Best Non-Fiction Book for I. Asimov: A Memoir 1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon for "The Mule", the 7th Foundation story, published in Astounding Science Fiction 1997 – The Science Fiction and Fantasy Hall of Fame inducted Asimov in its second class of two deceased and two living persons, along with H. G. Wells. 2000 – Asimov was featured on a stamp in Israel 2001 – The Isaac Asimov Memorial Debates at the Hayden Planetarium in New York were inaugurated 2009 – A crater on the planet Mars, Asimov, was named in his honor 2010 – In the US Congress bill about the designation of the National Robotics Week as an annual event, a tribute to Isaac Asimov is as follows: "Whereas the second week in April each year is designated as 'National Robotics Week', recognizing the accomplishments of Isaac Asimov, who immigrated to America, taught science, wrote science books for children and adults, first used the term robotics, developed the Three Laws of Robotics, and died in April 1992: Now, therefore, be it resolved ..." 2015 – Selected as a member of the New York State Writers Hall of Fame. 2016 – A 1941 Retro-Hugo for Best Short Story of 1940 was given at the 2016 WorldCon for Robbie, his first positronic robot story, published in Super Science Stories, September 1940 2018 – A 1943 Retro-Hugo for Best Short Story of 1942 was given at the 2018 WorldCon for Foundation, published in Astounding Science-Fiction, May 1942 Writing style Asimov was his own secretary, typist, indexer, proofreader, and literary agent. He wrote a typed first draft composed at the keyboard at 90 words per minute; he imagined an ending first, then a beginning, then "let everything in-between work itself out as I come to it". (Asimov only used an outline once, later describing it as "like trying to play the piano from inside a straitjacket".) After correcting a draft by hand, he retyped the document as the final copy and only made one revision with minor editor-requested changes; a word processor did not save him much time, Asimov said, because 95% of the first draft was unchanged. After disliking making multiple revisions of "Black Friar of the Flame", Asimov refused to make major, second, or non-editorial revisions ("like chewing used gum"), stating that "too large a revision, or too many revisions, indicate that the piece of writing is a failure. In the time it would take to salvage such a failure, I could write a new piece altogether and have infinitely more fun in the process". He submitted "failures" to another editor. One of the most common impressions of Asimov's fiction work is that his writing style is extremely unornamented. In 1980, science fiction scholar James Gunn wrote of I, Robot: Asimov addressed such criticism in 1989 at the beginning of Nemesis: Gunn cited examples of a more complex style, such as the climax of "Liar!". Sharply drawn characters occur at key junctures of his storylines: Susan Calvin in "Liar!" and "Evidence", Arkady Darell in Second Foundation, Elijah Baley in The Caves of Steel, and Hari Seldon in the Foundation prequels. Other than books by Gunn and Joseph Patrouch, a relative dearth of "literary" criticism exists on Asimov (particularly when compared to the sheer volume of his output). Cowart and Wymer's Dictionary of Literary Biography (1981) gives a possible reason: Gunn's and Patrouch's respective studies of Asimov both state that a clear, direct prose style is still a style. Gunn's 1982 book comments in detail on each of Asimov's novels. He does not praise all of Asimov's fiction (nor does Patrouch), but calls some passages in The Caves of Steel "reminiscent of Proust". When discussing how that novel depicts night falling over futuristic New York City, Gunn says that Asimov's prose "need not be ashamed anywhere in literary society". Although he prided himself on his unornamented prose style (for which he credited Clifford D. Simak as an early influence), and said in 1973 that his style had not changed, Asimov also enjoyed giving his longer stories complicated narrative structures, often by arranging chapters in nonchronological ways. Some readers have been put off by this, complaining that the nonlinearity is not worth the trouble and adversely affects the clarity of the story. For example, the first third of The Gods Themselves begins with Chapter 6, then backtracks to fill in earlier material. (John Campbell advised Asimov to begin his stories as late in the plot as possible. This advice helped Asimov create "Reason", one of the early Robot stories). Patrouch found that the interwoven and nested flashbacks of The Currents of Space did serious harm to that novel, to such an extent that only a "dyed-in-the-kyrt Asimov fan" could enjoy it. In his later novel Nemesis one group of characters lives in the "present" and another group starts in the "past", beginning 15 years earlier and gradually moving toward the time period of the first group. Alien life Asimov once explained that his reluctance to write about aliens came from an incident early in his career when Astoundings editor John Campbell rejected one of his science fiction stories because the alien characters were portrayed as superior to the humans. The nature of the rejection led him to believe that Campbell may have based his bias towards humans in stories on a real-world racial bias. Unwilling to write only weak alien races, and concerned that a confrontation would jeopardize his and Campbell's friendship, he decided he would not write about aliens at all. Nevertheless, in response to these criticisms, he wrote The Gods Themselves, which contains aliens and alien sex. The book won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973. Asimov said that of all his writings, he was most proud of the middle section of The Gods Themselves, the part that deals with those themes. In the Hugo Award-winning novelette "Gold", Asimov describes an author, clearly based on himself, who has one of his books (The Gods Themselves) adapted into a "compu-drama", essentially photo-realistic computer animation. The director criticizes the fictionalized Asimov ("Gregory Laborian") for having an extremely nonvisual style, making it difficult to adapt his work, and the author explains that he relies on ideas and dialogue rather than description to get his points across. Romance and women In the early days of science fiction some authors and critics felt that the romantic elements were inappropriate in science fiction stories, which were supposedly to be focused on science and technology. Isaac Asimov was a prominent supporter of this point of view, expressed in his 1938-1939 letters to Astounding, where he described such elements as "mush" and "slop". However, to his dismay, these letters were met with a strong opposition. Asimov attributed the lack of romance and sex in his fiction to the "early imprinting" from starting his writing career when he had never been on a date and "didn't know anything about girls". He was sometimes criticized for the general absence of sex (and of extraterrestrial life) in his science fiction. He claimed he wrote The Gods Themselves to respond to these criticisms, which often came from New Wave science fiction (and often British) writers. The second part (of three) of the novel is set on an alien world with three sexes, and the sexual behavior of these creatures is extensively depicted. Asimov was also criticized for a lack of strong female characters in his early work. However, some of his robot stories, including the earliest ones, featured the character Susan Calvin, a forceful and intelligent woman who regularly out-performed her male colleagues. In his autobiographical writings, such as Gold ("Women and Science Fiction"), he acknowledges this complaint has merit and responds by pointing to inexperience. His later novels, written with more female characters but in essentially the same prose style as his early science-fiction stories, brought this matter to a wider audience. The Washington Post's "Book World" section reports of Robots and Empire opined "In 1940, Asimov's humans were stripped-down masculine portraits of Americans from 1940, and they still are." Views Religion Asimov was an atheist, a humanist, and a rationalist. He did not oppose religious conviction in others, but he frequently railed against superstitious and pseudoscientific beliefs that tried to pass themselves off as genuine science. During his childhood, his father and mother observed the traditions of Orthodox Judaism, though not as stringently as they had in Petrovichi; they did not, however, force their beliefs upon young Isaac. Thus, he grew up without strong religious influences, coming to believe that the Torah represented Hebrew mythology in the same way that the Iliad recorded Greek mythology. When he was 13, he chose not to have a bar mitzvah. As his books Treasury of Humor and Asimov Laughs Again record, Asimov was willing to tell jokes involving God, Satan, the Garden of Eden, Jerusalem, and other religious topics, expressing the viewpoint that a good joke can do more to provoke thought than hours of philosophical discussion. For a brief while, his father worked in the local synagogue to enjoy the familiar surroundings and, as Isaac put it, "shine as a learned scholar" versed in the sacred writings. This scholarship was a seed for his later authorship and publication of Asimov's Guide to the Bible, an analysis of the historic foundations for both the Old and New Testaments. For many years, Asimov called himself an atheist; however, he considered the term somewhat inadequate, as it described what he did not believe rather than what he did. Eventually, he described himself as a "humanist" and considered that term more practical. Asimov did, however, continue to identify himself as a secular Jew, as stated in his introduction to Jack Dann's anthology of Jewish science fiction, Wandering Stars: "I attend no services and follow no ritual and have never undergone that curious puberty rite, the Bar Mitzvah. It doesn't matter. I am Jewish." When asked in an interview in 1982 if he was an atheist, Asimov replied, Likewise, he said about religious education: "I would not be satisfied to have my kids choose to be religious without trying to argue them out of it, just as I would not be satisfied to have them decide to smoke regularly or engage in any other practice I consider detrimental to mind or body." In his last volume of autobiography, Asimov wrote, The same memoir states his belief that Hell is "the drooling dream of a sadist" crudely affixed to an all-merciful God; if even human governments were willing to curtail cruel and unusual punishments, wondered Asimov, why would punishment in the afterlife not be restricted to a limited term? Asimov rejected the idea that a human belief or action could merit infinite punishment. If an afterlife existed, he claimed, the longest and most severe punishment would be reserved for those who "slandered God by inventing Hell". Asimov said about using religious motifs in his writing: Politics Asimov became a staunch supporter of the Democratic Party during the New Deal, and thereafter remained a political liberal. He was a vocal opponent of the Vietnam War in the 1960s and in a television interview during the early 1970s he publicly endorsed George McGovern. He was unhappy about what he considered an "irrationalist" viewpoint taken by many radical political activists from the late 1960s and onwards. In his second volume of autobiography, In Joy Still Felt, Asimov recalled meeting the counterculture figure Abbie Hoffman. Asimov's impression was that the 1960s' counterculture heroes had ridden an emotional wave which, in the end, left them stranded in a "no-man's land of the spirit" from which he wondered if they would ever return. Asimov vehemently opposed Richard Nixon, considering him "a crook and a liar". He closely followed Watergate, and was pleased when the president was forced to resign. Asimov was dismayed over the pardon extended to Nixon by his successor: "I was not impressed by the argument that it has spared the nation an ordeal. To my way of thinking, the ordeal was necessary to make certain it would never happen again." After Asimov's name appeared in the mid-1960s on a list of people the Communist Party USA "considered amenable" to its goals, the FBI investigated him. Because of his academic background, the bureau briefly considered Asimov as a possible candidate for known Soviet spy ROBPROF, but found nothing suspicious in his life or background. Asimov appeared to hold an equivocal attitude towards Israel. In his first autobiography, he indicates his support for the safety of Israel, though insisting that he was not a Zionist. In his third autobiography, Asimov stated his opposition to the creation of a Jewish state, on the grounds that he was opposed to having nation-states in general, and supported the notion of a single humanity. Asimov especially worried about the safety of Israel given that it had been created among hostile Muslim neighbors, and said that Jews had merely created for themselves another "Jewish ghetto". Social issues Asimov believed that "science fiction ... serve[s] the good of humanity". He considered himself a feminist even before women's liberation became a widespread movement; he argued that the issue of women's rights was closely connected to that of population control. Furthermore, he believed that homosexuality must be considered a "moral right" on population grounds, as must all consenting adult sexual activity that does not lead to reproduction. He issued many appeals for population control, reflecting a perspective articulated by people from Thomas Malthus through Paul R. Ehrlich. In a 1988 interview by Bill Moyers, Asimov proposed computer-aided learning, where people would use computers to find information on subjects in which they were interested. He thought this would make learning more interesting, since people would have the freedom to choose what to learn, and would help spread knowledge around the world. Also, the one-to-one model would let students learn at their own pace. Asimov thought that people would live in space by the year 2019. In 1983 Asimov wrote: He continues on education: Sexual harassment Asimov would often fondle, kiss and pinch women at conventions and elsewhere without regard for their consent. According to Alec Nevala-Lee, author of an Asimov biography and writer on the history of science fiction, he often defended himself by saying that far from showing objections, these women cooperated. In the 1971 satirical piece, The Sensuous Dirty Old Man, he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." According to Nevala-Lee, however, "many of these encounters were clearly nonconsensual." He wrote that Asimov's behaviour, as a leading science-fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community. In support of this, he quoted some of Asimov's contemporary fellow-authors such as Judith Merril, Harlan Ellison and Frederik Pohl, as well as editors such as Timothy Seldes. Specific incidents were reported by other people including Edward L. Ferman, long-time editor of The Magazine of Fantasy & Science Fiction who wrote "... instead of shaking my date's hand, he shook her left breast". Environment and population Asimov's defense of civil applications of nuclear power even after the Three Mile Island nuclear power plant incident damaged his relations with some of his fellow liberals. In a letter reprinted in Yours, Isaac Asimov, he states that although he would prefer living in "no danger whatsoever" than near a nuclear reactor, he would still prefer a home near a nuclear power plant than in a slum on Love Canal or near "a Union Carbide plant producing methyl isocyanate", the latter being a reference to the Bhopal disaster. In the closing years of his life, Asimov blamed the deterioration of the quality of life that he perceived in New York City on the shrinking tax base caused by the middle-class flight to the suburbs, though he continued to support high taxes on the middle class to pay for social programs. His last nonfiction book, Our Angry Earth (1991, co-written with his long-time friend, science fiction author Frederik Pohl), deals with elements of the environmental crisis such as overpopulation, oil dependence, war, global warming, and the destruction of the ozone layer. In response to being presented by Bill Moyers with the question "What do you see happening to the idea of dignity to human species if this population growth continues at its present rate?", Asimov responded: Other authors Asimov enjoyed the writings of J. R. R. Tolkien, and in fact even used The Lord of the Rings as a plot point in a Black Widowers story, titled Nothing like Murder. In the essay All or Nothing (for The Magazine of Fantasy and Science Fiction, Jan 1981), Asimov revealed that he admires Tolkien and that he had read The Lord of the Rings five times. (The feelings were mutual, with Tolkien himself revealing that he had enjoyed Asimov's science fiction. This would make Asimov an exception to Tolkien's earlier claim that he rarely found "any modern books" that were interesting to him.) He acknowledged other writers as superior to himself in talent, saying of Harlan Ellison, "He is (in my opinion) one of the best writers in the world, far more skilled at the art than I am." Asimov disapproved of the New Wave's growing influence, however, stating in 1967 "I want science fiction. I think science fiction isn't really science fiction if it lacks science. And I think the better and truer the science, the better and truer the science fiction". The feelings of friendship and respect between Asimov and Arthur C. Clarke were demonstrated by the so-called "Clarke-Asimov Treaty of Park Avenue", negotiated as they shared a cab in New York. This stated that Asimov was required to insist that Clarke was the best science fiction writer in the world (reserving second-best for himself), while Clarke was required to insist that Asimov was the best science writer in the world (reserving second-best for himself). Thus, the dedication in Clarke's book Report on Planet Three (1972) reads: "In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer." Asimov became a fan of mystery stories at the same time as science fiction. He preferred to read the former to latter because "I read every [science fiction] story keenly aware that it might be worse than mine, in which case I had no patience with it, or that it might be better, in which case I felt miserable". Asimov wrote "I make no secret of the fact that in my mysteries I use Agatha Christie as my model. In my opinion, her mysteries are the best ever written, far better than the Sherlock Holmes stories, and Hercule Poirot is the best detective fiction has seen. Why should I not use as my model what I consider the best?" He enjoyed Sherlock Holmes, but considered Arthur Conan Doyle to be "a slapdash and sloppy writer." Asimov also enjoyed humorous stories, particularly those of P. G. Wodehouse. In non-fiction writing, Asimov particularly admired the writing style of Martin Gardner, and tried to emulate it in his own science books. On meeting Gardner for the first time in 1965, Asimov told him this, to which Gardner answered that he had based his own style on Asimov's. Influence Paul Krugman, holder of a Nobel Prize in Economics, stated Asimov's concept of psychohistory has inspired him to become an economist. John Jenkins, who has reviewed the vast majority of Asimov's written output, once observed, "It has been pointed out that most science fiction writers since the 1950s have been affected by Asimov, either modeling their style on his or deliberately avoiding anything like his style." Along with such figures as Bertrand Russell and Karl Popper, Asimov left his mark as one of the most distinguished interdisciplinarians of the 20th century. "Few individuals", writes James L. Christian, "understood better than Isaac Asimov what synoptic thinking is all about. His almost 500 books—which he wrote as a specialist, a knowledgeable authority, or just an excited layman—range over almost all conceivable subjects: the sciences, history, literature, religion, and of course, science fiction." Bibliography Depending on the counting convention used, and including all titles, charts, and edited collections, there may be currently over 500 books in Asimov's bibliography—as well as his individual short stories, individual essays, and criticism. For his 100th, 200th, and 300th books (based on his personal count), Asimov published Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984), celebrating his writing. An extensive bibliography of Isaac Asimov's works has been compiled by Ed Seiler. He published enough that his book writing rate could be analysed, showing that the writing became faster as he wrote more. An online exhibit in West Virginia University Libraries' virtually complete Asimov Collection displays features, visuals, and descriptions of some of his over 600 books, games, audio recordings, videos, and wall charts. Many first, rare, and autographed editions are in the Libraries' Rare Book Room. Book jackets and autographs are presented online along with descriptions and images of children's books, science fiction art, multimedia, and other materials in the collection. Science fiction "Greater Foundation" series The Robot series was originally separate from the Foundation series. The Galactic Empire novels were published as independent stories, set earlier in the same future as Foundation. Later in life, Asimov synthesized the Robot series into a single coherent "history" that appeared in the extension of the Foundation series. All of these books were published by Doubleday & Co, except the original Foundation trilogy which was originally published by Gnome Books before being bought and republished by Doubleday. The Robot series: (first Elijah Baley SF-crime novel) (second Elijah Baley SF-crime novel) (third Elijah Baley SF-crime novel) (sequel to the Elijah Baley trilogy) Galactic Empire novels: (early Galactic Empire) (long before the Empire) (Republic of Trantor still expanding) Foundation prequels: Original Foundation trilogy: (also published with the title 'The Man Who Upset the Universe' as a 35¢ Ace paperback, D-125, in about 1952) Extended Foundation series: Lucky Starr series (as Paul French) All published by Doubleday & Co David Starr, Space Ranger (1952) Lucky Starr and the Pirates of the Asteroids (1953) Lucky Starr and the Oceans of Venus (1954) Lucky Starr and the Big Sun of Mercury (1956) Lucky Starr and the Moons of Jupiter (1957) Lucky Starr and the Rings of Saturn (1958) Norby Chronicles (with Janet Asimov) All published by Walker & Company Norby, the Mixed-Up Robot (1983) Norby's Other Secret (1984) Norby and the Lost Princess (1985) Norby and the Invaders (1985) Norby and the Queen's Necklace (1986) Norby Finds a Villain (1987) Norby Down to Earth (1988) Norby and Yobo's Great Adventure (1989) Norby and the Oldest Dragon (1990) Norby and the Court Jester (1991) Novels not part of a series Novels marked with an asterisk (*) have minor connections to Foundation universe. The End of Eternity (1955), Doubleday (*) Fantastic Voyage (1966), Bantam Books (paperback) and Houghton Mifflin (hardback) (a novelization of the movie) The Gods Themselves (1972), Doubleday Fantastic Voyage II: Destination Brain (1987), Doubleday (not a sequel to Fantastic Voyage, but a similar, independent story) Nemesis (1989), Bantam Doubleday Dell (*) Nightfall (1990), Doubleday, with Robert Silverberg (based on "Nightfall", a 1941 short story written by Asimov) Child of Time (1992), Bantam Doubleday Dell, with Robert Silverberg (based on "The Ugly Little Boy", a 1958 short story written by Asimov) The Positronic Man (1993), Bantam Doubleday Dell, with Robert Silverberg (*) (based on The Bicentennial Man, a 1976 novella written by Asimov) Short-story collections Mysteries Novels The Death Dealers (1958), Avon Books, republished as A Whiff of Death by Walker & Company Murder at the ABA (1976), Doubleday, also published as Authorized Murder Short-story collections Black Widowers series Tales of the Black Widowers (1974), Doubleday More Tales of the Black Widowers (1976), Doubleday Casebook of the Black Widowers (1980), Doubleday Banquets of the Black Widowers (1984), Doubleday Puzzles of the Black Widowers (1990), Doubleday The Return of the Black Widowers (2003), Carroll & Graf Other mysteries Asimov's Mysteries (1968), Doubleday The Key Word and Other Mysteries (1977), Walker The Union Club Mysteries (1983), Doubleday The Disappearing Man and Other Mysteries (1985), Walker The Best Mysteries of Isaac Asimov (1986), Doubleday Nonfiction Popular science Collections of Asimov's essays for F&SF The following books collected essays which were originally published as monthly columns in The Magazine of Fantasy and Science Fiction and collected by Doubleday & Co Fact and Fancy (1962) View from a Height (1963) Adding a Dimension (1964) Of Time and Space and Other Things (1965) From Earth to Heaven (1966) Science, Numbers, and I (1968) The Solar System and Back (1970) The Stars in Their Courses (1971) The Left Hand of the Electron (1972) The Tragedy of the Moon (1973) Asimov On Astronomy (updated version of essays in previous collections) (1974) Asimov On Chemistry (updated version of essays in previous collections) (1974) Of Matters Great and Small (1975) Asimov On Physics (updated version of essays in previous collections) (1976) The Planet That Wasn't (1976) Asimov On Numbers (updated version of essays in previous collections) (1976) Quasar, Quasar, Burning Bright (1977) The Road to Infinity (1979) The Sun Shines Bright (1981) Counting the Eons (1983) X Stands for Unknown (1984) The Subatomic Monster (1985) Far as Human Eye Could See (1987) The Relativity of Wrong (1988) Asimov on Science: A 30 Year Retrospective 1959–1989 (1989) (features the first essay in the introduction) Out of the Everywhere (1990) The Secret of the Universe (1991) Other general science essay collections Only a Trillion (1957), Abelard-Schuman, Is Anyone There? (1967), Doubleday, (which includes the article in which he coined the term "spome") Today and Tomorrow and— (1973), Doubleday Science Past, Science Future (1975), Doubleday, Please Explain (1975), Houghton Mifflin, Life and Time (1978), Doubleday The Roving Mind (1983), Prometheus Books, new edition 1997, The Dangers of Intelligence (1986), Houghton Mifflin Past, Present and Future (1987), Prometheus Books, The Tyrannosaurus Prescription (1989), Prometheus Books Frontiers (1990), Dutton Frontiers II (1993), Dutton Other science books by Asimov The Chemicals of Life (1954), Abelard-Schuman Inside the Atom (1956), Abelard-Schuman, Building Blocks of the Universe (1957; revised 1974), Abelard-Schuman, The World of Carbon (1958), Abelard-Schuman, The World of Nitrogen (1958), Abelard-Schuman, Words of Science and the History Behind Them (1959), Houghton Mifflin The Clock We Live On (1959), Abelard-Schuman, Breakthroughs in Science (1959), Houghton Mifflin, Realm of Numbers (1959), Houghton Mifflin, Realm of Measure (1960), Houghton Mifflin The Wellsprings of Life (1960), Abelard-Schuman, Life and Energy (1962), Doubleday, The Genetic Code (1962), The Orion Press The Human Body: Its Structure and Operation (1963), Houghton Mifflin, , (revised) The Human Brain: Its Capacities and Functions (1963), Houghton Mifflin, Planets for Man (with Stephen H. Dole) (1964), Random House, reprinted by RAND in 2007 An Easy Introduction to the Slide Rule (1965), Houghton Mifflin, The Intelligent Man's Guide to Science (1965), Basic Books The title varied with each of the four editions, the last being Asimov's New Guide to Science (1984) The Universe: From Flat Earth to Quasar (1966), Walker, The Neutrino (1966), Doubleday, ASIN B002JK525W Understanding Physics Vol. I, Motion, Sound, and Heat (1966), Walker, Understanding Physics Vol. II, Light, Magnetism, and Electricity (1966), Walker, Understanding Physics Vol. III, The Electron, Proton, and Neutron (1966), Walker, Photosynthesis (1969), Basic Books, Our World in Space (1974), New York Graphic, Eyes on the Universe: A History of the Telescope (1976), Andre Deutsch Limited, The Collapsing Universe (1977), Walker, Extraterrestrial Civilizations (1979), Crown, Visions of the Universe with illustrations by Kazuaki Iwasaki (1981), Cosmos Store, Exploring the Earth and the Cosmos (1982), Crown, The Measure of the Universe (1983), Harper & Row Think About Space: Where Have We Been and Where Are We Going? with co-author Frank White (1989), Walker Asimov's Chronology of Science and Discovery (1989), Harper & Row, second edition adds content thru 1993, Beginnings: The Story of Origins (1989), Walker Isaac Asimov's Guide to Earth and Space (1991), Random House, Atom: Journey Across the Subatomic Cosmos (1991), Dutton, Mysteries of Deep Space: Quasars, Pulsars and Black Holes (1994) Earth's Moon (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Sun (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Earth (1988), Gareth Stevens, revised in 2004 by Richard Hantula Jupiter (1989), Gareth Stevens, revised in 2004 by Richard Hantula Venus (1990), Gareth Stevens, revised in 2004 by Richard Hantula Literary works All published by Doubleday Asimov's Guide to Shakespeare, vols I and II (1970), Asimov's Annotated "Don Juan" (1972) Asimov's Annotated "Paradise Lost" (1974) Familiar Poems, Annotated (1976) Asimov's The Annotated "Gulliver's Travels" (1980) Asimov's Annotated "Gilbert and Sullivan" (1988) The Bible Words from Genesis (1962), Houghton Mifflin Words from the Exodus (1963), Houghton Mifflin Asimov's Guide to the Bible, vols I and II (1967 and 1969, one-volume ed. 1981), Doubleday, The Story of Ruth (1972), Doubleday, In the Beginning (1981), Crown Autobiography In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954 (1979, Doubleday) In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 (1980, Doubleday) I. Asimov: A Memoir (1994, Doubleday) It's Been a Good Life (2002, Prometheus Books), condensation of Asimov's three volumes of autobiography, edited by his widow, Janet Jeppson Asimov History All published by Houghton Mifflin except where otherwise stated The Kite That Won the Revolution (1963), The Greeks (1965) The Roman Republic (1966) The Roman Empire (1967) The Egyptians (1967) The Near East (1968) The Dark Ages (1968) Words from History (1968) The Shaping of England (1969) Constantinople: The Forgotten Empire (1970) The Land of Canaan (1971) The Shaping of France (1972) The Shaping of North America: From Earliest Times to 1763 (1973) The Birth of the United States: 1763–1816 (1974) Our Federal Union: The United States from 1816 to 1865 (1975), The Golden Door: The United States from 1865 to 1918 (1977) Asimov's Chronology of the World (1991), HarperCollins, The March of the Millennia (1991), with co-author Frank White, Walker & Company, Humor The Sensuous Dirty Old Man (1971) (As Dr. A), Walker & Company, Isaac Asimov's Treasury of Humor (1971), Houghton Mifflin Lecherous Limericks (1975), Walker, More Lecherous Limericks (1976), Walker, Still More Lecherous Limericks (1977), Walker, Limericks, Two Gross, with John Ciardi (1978), Norton, A Grossery of Limericks, with John Ciardi (1981), Norton, Limericks for Children (1984), Caedmon Asimov Laughs Again (1992), HarperCollins On writing science fiction Asimov on Science Fiction (1981), Doubleday Asimov's Galaxy (1989), Doubleday Other nonfiction Opus 100 (1969), Houghton Mifflin, Asimov's Biographical Encyclopedia of Science and Technology (1964), Doubleday (revised edition 1972, ) Opus 200 (1979), Houghton Mifflin, Isaac Asimov's Book of Facts (1979), Grosset & Dunlap, Opus 300 (1984), Houghton Mifflin, Our Angry Earth: A Ticking Ecological Bomb (1991), with co-author Frederik Pohl, Tor, . Television, music, and film appearances I Robot, a concept album by the Alan Parsons Project that examined some of Asimov's work The Last Word (1959) The Dick Cavett Show, four appearances 1968–71 The Nature of Things (1969) ABC News coverage of Apollo 11, 1969, with Fred Pohl, interviewed by Rod Serling David Frost interview program, August 1969. Frost asked Asimov if he had ever tried to find God and, after some initial evasion, Asimov answered, "God is much more intelligent than I am—let him try to find me." BBC Horizon "It's About Time" (1979), show hosted by Dudley Moore Target ... Earth? (1980) The David Letterman Show (1980) NBC TV Speaking Freely, interviewed by Edwin Newman (1982) ARTS Network talk show hosted by Studs Terkel and Calvin Trillin, approximately (1982) Oltre New York (1986) Voyage to the Outer Planets and Beyond (1986) Gandahar (1987), a French animated science-fiction film by René Laloux. Asimov wrote the English translation for the film. Bill Moyers interview (1988) Stranieri in America (1988) Adaptations El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!" A halhatatlanság halála (1977), TV movie directed by András Rajnai, based on novel The End of Eternity The Ugly Little Boy (1977), short film directed by Barry Morse and Donald W. Thompson, based on novelette The Ugly Little Boy All the Troubles of the World (1978), short film directed by Dianne Haak-Edson, based on short story "All the Troubles of the World" The End of Eternity (1987), film directed by Andrei Yermash, based on novel The End of Eternity Nightfall (1988), film directed by Paul Mayersberg, based on novelette "Nightfall" Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series Feeling 109 (1988), short film directed by Richard Kletter, based on a story of Asimov Teach 109 (1989), TV movie directed by Richard Kletter, based on a story of Asimov (the same as The Android Affair) The Android Affair (1995), TV movie directed by Richard Kletter, based on a story of Asimov (the same as Teach 109) Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man Nightfall (2000), film directed by Gwyneth Gibby, based on novelette "Nightfall" I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series Formula of Death (2012), TV movie directed by Behdad Avand Amini, based on novel The Death Dealers Spell My Name with an S (2014), short film directed by Samuel Ali, based on short story "Spell My Name with an S" Foundation (2021), series created by David S. Goyer and Josh Friedman, based on the Foundation series Novelizations Novel Fantastic Voyage, novelization of film Fantastic Voyage (1966) References Footnotes Notes Sources Asimov, Isaac. In Memory Yet Green (1979), New York: Avon, . In Joy Still Felt (1980), New York: Avon . I. Asimov: A Memoir (1994), (hc), (pb). Yours, Isaac Asimov (1996), edited by Stanley Asimov. New York: Doubleday . It's Been a Good Life (2002), edited by Janet Asimov. . Goldman, Stephen H., "Isaac Asimov", in Dictionary of Literary Biography, Vol. 8, Cowart and Wymer eds. (Gale Research, 1981), pp. 15–29. Gunn, James. "On Variations on a Robot", IASFM, July 1980, pp. 56–81. Isaac Asimov: The Foundations of Science Fiction (1982). . The Science of Science-Fiction Writing (2000). . Further reading External links Asimov Online, a vast repository of information about Asimov, maintained by Asimov enthusiast Edward Seiler Jenkins' Spoiler-Laden Guide to Isaac Asimov, reviews of all of Asimov's books 20th-century births 1992 deaths 20th-century American novelists 20th-century American male writers AIDS-related deaths in New York (state) American alternate history writers Jewish American atheists American biochemists American essayists American humanists American humorists American male novelists 20th-century American memoirists United States Army non-commissioned officers American mystery writers American people of Russian-Jewish descent American science fiction writers American science writers American skeptics American writers of Russian descent Asimov's Science Fiction people Bible commentators Boston University faculty Columbia University School of General Studies alumni Critics of religions Date of birth unknown Fellows of the American Academy of Arts and Sciences Futurians Historians of astronomy American historians of science Hugo Award-winning writers Humor researchers Jewish American novelists Jewish American short story writers Jewish feminists Jewish skeptics American male essayists Male feminists American male short story writers American short story writers Mensans Nebula Award winners New York (state) Democrats People from Shumyachsky District Naturalized citizens of the United States United States Navy civilians Science fiction fans Science Fiction Hall of Fame inductees SFWA Grand Masters Soviet emigrants to the United States Writers from Brooklyn Yiddish-speaking people Boys High School (Brooklyn) alumni Novelists from Massachusetts Novelists from New York (state) Scientists from New York City 20th-century essayists 20th-century atheists People from the Upper West Side Pulp fiction writers Writers about religion and science Atheist feminists Columbia Graduate School of Arts and Sciences alumni

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Isaac Asimov

Asimov attended New York City public schools from age 5, including Boys High School in Brooklyn. Graduating at 15, he went on to Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then the institution's primary undergraduate school for men with quotas on the number of admissions from those ethnic groups. Originally a zoology major, Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1938, Asimov finished his BS degree at University Extension (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov in 1939 applied to the graduate program in chemistry at Columbia; initially rejected and then accepted only on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in biochemistry in 1948. In between earning these two degrees, he spent three years during World War II working as a civilian at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949 with a $5,000 (equivalent to $51,427 in 2017) salary, with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university. The difference grew, and in 1958 Asimov stopped teaching to become a full-time writer. Being tenured, he retained the title of associate professor (which he had held since 1955), and in 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. CANNOTANSWER

Downtown Brooklyn

Isaac Asimov (; 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as much nonfiction. Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories. He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism. He was president of the American Humanist Association. Several entities have been named in his honor, including the asteroid (5020) Asimov, a crater on the planet Mars, a Brooklyn elementary school, Honda's humanoid robot, ASIMO, and four literary awards. Surname Asimov's family name derives from the first part of ozímyj khleb (озимый хлеб), meaning the winter grain (specifically rye) in which his great-great-great-grandfather dealt, with the Russian patronymic ending -ov added. Azimov is spelled in the Cyrillic alphabet. When the family arrived in the United States in 1923 and their name had to be spelled in the Latin alphabet, Asimov's father spelled it with an S, believing this letter to be pronounced like Z (as in German), and so it became Asimov. This later inspired one of Asimov's short stories, "Spell My Name with an S". Asimov refused early suggestions of using a more common name as a pseudonym, and believed that its recognizability helped his career. After becoming famous, he often met readers who believed that "Isaac Asimov" was a distinctive pseudonym created by an author with a common name. Biography Early life Asimov was born in Petrovichi, Russian SFSR, on an unknown date between October 4, 1919, and January 2, 1920, inclusive. Asimov celebrated his birthday on January 2. Asimov's parents were Anna Rachel (née Berman) and Judah Asimov, a family of Russian-Jewish millers. He was named Isaac after his mother's father, Isaac Berman. Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me". In 1921, Asimov and 16 other children in Petrovichi developed double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya; June 17, 1922 – April 2, 2011), and a brother, Stanley (July 25, 1929 – August 16, 1995), who was vice-president of the Long Island Newsday. Asimov's family travelled to the United States via Liverpool on the RMS Baltic, arriving on February 3, 1923 when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in both. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five (and later taught his sister to read as well, enabling her to enter school in the second grade). His mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2. He became a naturalized U.S. citizen in 1928 at the age of eight. After becoming established in the U.S., his parents owned a succession of candy stores in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material (including pulp science fiction magazines) as a child that he could not have otherwise afforded. Asimov began reading science fiction at age nine, at the time when the genre was becoming more science-centered. Education and career Asimov attended New York City public schools from age five, including Boys High School in Brooklyn. Graduating at 15, he attended the City College of New York for several days before accepting a scholarship at Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then, the institution's primary undergraduate school for men. Jewish and Italian-American students, even of outstanding academic caliber, were often deliberately barred from Columbia College proper because of the then-popular practice of imposing unwritten ethnic admission quotas. Originally a zoology major, Asimov switched to chemistry after his first semester because he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1936, Asimov finished his Bachelor of Science degree at Morningside Heights campus (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov applied to the graduate program in chemistry at Columbia in 1939; initially he was rejected and then only accepted on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948. During his chemistry studies, he also learned French and German. In between earning these two degrees, Asimov spent three years during World War II working as a civilian chemist at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected while at school, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949, teaching biochemistry with a $5,000 salary (), with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university, and he eventually stopped doing research, confining his university role to lecturing students. In 1955, he was promoted to associate professor, which gave him tenure. In December 1957, Asimov was dismissed from his teaching post, with effect from June 30, 1958, because he had stopped doing research. After a struggle which lasted for two years, he kept his title, he gave the opening lecture each year for a biochemistry class, and on October 18, 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. Personal life Asimov met his first wife, Gertrude Blugerman (1917, Toronto, Canada – 1990, Boston, U.S.), on a blind date on February 14, 1942, and married her on July 26 the same year. The couple lived in an apartment in West Philadelphia while Asimov was employed at the Philadelphia Navy Yard (where two of his co-workers were L. Sprague de Camp and Robert A. Heinlein). Gertrude returned to Brooklyn while he was in the army, and they both lived there from July 1946 before moving to Stuyvesant Town, Manhattan, in July 1948. They moved to Boston in May 1949, then to nearby suburbs Somerville in July 1949, Waltham in May 1951, and, finally, West Newton in 1956. They had two children, David (born 1951) and Robyn Joan (born 1955). In 1970, they separated and Asimov moved back to New York, this time to the Upper West Side of Manhattan where he lived for the rest of his life. He immediately began seeing Janet O. Jeppson, a psychiatrist and science-fiction writer, and married her on November 30, 1973, two weeks after his divorce from Gertrude. Asimov was a claustrophile: he enjoyed small, enclosed spaces. In the third volume of his autobiography, he recalls a childhood desire to own a magazine stand in a New York City Subway station, within which he could enclose himself and listen to the rumble of passing trains while reading. Asimov was afraid of flying, doing so only twice: once in the course of his work at the Naval Air Experimental Station and once returning home from Oahu in 1946. Consequently, he seldom traveled great distances. This phobia influenced several of his fiction works, such as the Wendell Urth mystery stories and the Robot novels featuring Elijah Baley. In his later years, Asimov found enjoyment traveling on cruise ships, beginning in 1972 when he viewed the Apollo 17 launch from a cruise ship. On several cruises, he was part of the entertainment program, giving science-themed talks aboard ships such as the Queen Elizabeth 2. He sailed to England in June 1974 on the SS France for a trip mostly devoted to events in London and Birmingham, though he also found time to visit Stonehenge. Asimov was an able public speaker and was regularly paid to give talks about science. He was a frequent fixture at science fiction conventions, where he was friendly and approachable. He patiently answered tens of thousands of questions and other mail with postcards and was pleased to give autographs. He was of medium height (), stocky, with—in his later years—"mutton-chop" sideburns, and a distinct New York accent. He took to wearing bolo ties after his wife Janet objected to his clip-on bow ties. His physical dexterity was very poor. He never learned to swim or ride a bicycle; however, he did learn to drive a car after he moved to Boston. In his humor book Asimov Laughs Again, he describes Boston driving as "anarchy on wheels". Asimov's wide interests included his participation in his later years in organizations devoted to the comic operas of Gilbert and Sullivan and in The Wolfe Pack, a group of devotees of the Nero Wolfe mysteries written by Rex Stout. Many of his short stories mention or quote Gilbert and Sullivan. He was a prominent member of The Baker Street Irregulars, the leading Sherlock Holmes society, for whom he wrote an essay arguing that Professor Moriarty's work "The Dynamics of An Asteroid" involved the willful destruction of an ancient, civilized planet. He was also a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his fictional group of mystery solvers, the Black Widowers. He later used his essay on Moriarty's work as the basis for a Black Widowers story, "The Ultimate Crime", which appeared in More Tales of the Black Widowers. In 1984, the American Humanist Association (AHA) named him the Humanist of the Year. He was one of the signers of the Humanist Manifesto. From 1985 until his death in 1992, he served as president of the AHA, an honorary appointment. His successor was his friend and fellow writer Kurt Vonnegut. He was also a close friend of Star Trek creator Gene Roddenberry, and earned a screen credit as "special science consultant" on Star Trek: The Motion Picture for advice he gave during production. Asimov was a founding member of the Committee for the Scientific Investigation of Claims of the Paranormal, CSICOP (now the Committee for Skeptical Inquiry) and is listed in its Pantheon of Skeptics. In a discussion with James Randi at CSICon 2016 regarding the founding of CSICOP, Kendrick Frazier said that Asimov was "a key figure in the Skeptical movement who is less well known and appreciated today, but was very much in the public eye back then." He said that Asimov being associated with CSICOP "gave it immense status and authority" in his eyes. Asimov described Carl Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky. Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". After his father died in 1969, Asimov annually contributed to a Judah Asimov Scholarship Fund at Brandeis University. Illness and death In 1977, Asimov suffered a heart attack. In December 1983, he had triple bypass surgery at NYU Medical Center, during which he contracted HIV from a blood transfusion. His HIV status was kept secret out of concern that the anti-AIDS prejudice might extend to his family members. He died in Manhattan on April 6, 1992, and was cremated. The cause of death was reported as heart and kidney failure. Ten years following Asimov's death, Janet and Robyn Asimov agreed that the HIV story should be made public; Janet revealed it in her edition of his autobiography, It's Been a Good Life. Writings Overview Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories. Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image". Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series. Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream". Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology. Although Asimov did write several essays about psychology, and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982), which were classified in the 100s category, none of his own books were classified in that category. According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author. Science fiction Asimov became a science fiction fan in 1929, when he began reading the pulp magazines sold in his family's candy store. At first his father forbade reading pulps as he considered them to be trash, until Asimov persuaded him that because the science fiction magazines had "Science" in the title, they must be educational. At age 18 he joined the Futurians science fiction fan club, where he made friends who went on to become science fiction writers or editors. Asimov began writing at the age of 11, imitating The Rover Boys with eight chapters of The Greenville Chums at College. His father bought Asimov a used typewriter at age 16. His first published work was a humorous item on the birth of his brother for Boys High School's literary journal in 1934. In May 1937 he first thought of writing professionally, and began writing his first science fiction story, "Cosmic Corkscrew" (now lost), that year. On May 17, 1938, puzzled by a change in the schedule of Astounding Science Fiction, Asimov visited its publisher Street & Smith Publications. Inspired by the visit, he finished the story on June 19, 1938, and personally submitted it to Astounding editor John W. Campbell two days later. Campbell met with Asimov for more than an hour and promised to read the story himself. Two days later he received a rejection letter explaining why in detail. This was the first of what became almost weekly meetings with the editor while Asimov lived in New York, until moving to Boston in 1949; Campbell had a strong formative influence on Asimov and became a personal friend. By the end of the month, Asimov completed a second story, "Stowaway". Campbell rejected it on July 22 but—in "the nicest possible letter you could imagine"—encouraged him to continue writing, promising that Asimov might sell his work after another year and a dozen stories of practice. On October 21, 1938, he sold the third story he finished, "Marooned Off Vesta", to Amazing Stories, edited by Raymond A. Palmer, and it appeared in the March 1939 issue. Asimov was paid $64 (), or one cent a word. Two more stories appeared that year, "The Weapon Too Dreadful to Use" in the May Amazing and "Trends" in the July Astounding, the issue fans later selected as the start of the Golden Age of Science Fiction. For 1940, ISFDB catalogs seven stories in four different pulp magazines, including one in Astounding. His earnings became enough to pay for his education, but not yet enough for him to become a full-time writer. Asimov later said that unlike other top Golden Age writers Robert Heinlein and A. E. van Vogt—also first published in 1939, and whose talent and stardom were immediately obvious—he "(this is not false modesty) came up only gradually". Through July 29, 1940, Asimov wrote 22 stories in 25 months, of which 13 were published; he wrote in 1972 that from that date he never wrote a science fiction story that was not published (except for two "special cases"). He was famous enough that Donald Wollheim told Asimov that he purchased "The Secret Sense" for a new magazine only because of his name, and the December 1940 issue of Astonishing—featuring Asimov's name in bold—was the first magazine to base cover art on his work, but Asimov later said that neither he himself nor anyone else—except perhaps Campbell—considered him better than an often published "third rater". Based on a conversation with Campbell, Asimov wrote "Nightfall", his 32nd story, in March and April 1941, and Astounding published it in September 1941. In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written. In Nightfall and Other Stories Asimov wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'." "Nightfall" is an archetypal example of social science fiction, a term he created to describe a new trend in the 1940s, led by authors including him and Heinlein, away from gadgets and space opera and toward speculation about the human condition. After writing "Victory Unintentional" in January and February 1942, Asimov did not write another story for a year. Asimov expected to make chemistry his career, and was paid $2,600 annually at the Philadelphia Navy Yard, enough to marry his girlfriend; he did not expect to make much more from writing than the $1,788.50 he had earned from 28 stories sold over four years. Asimov left science fiction fandom and no longer read new magazines, and might have left the industry had not Heinlein and de Camp been coworkers and previously sold stories continued to appear. In 1942, Asimov published the first of his Foundation stories—later collected in the Foundation trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953). The books recount the fall of a vast interstellar empire and the establishment of its eventual successor. They also feature his fictional science of psychohistory, in which the future course of the history of large populations can be predicted. The trilogy and Robot series are his most famous science fiction. In 1966 they won the Hugo Award for the all-time best series of science fiction and fantasy novels. Campbell raised his rate per word, Orson Welles purchased rights to "Evidence", and anthologies reprinted his stories. By the end of the war Asimov was earning as a writer an amount equal to half of his Navy Yard salary, even after a raise, but Asimov still did not believe that writing could support him, his wife, and future children. His "positronic" robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in his introduction to the short story collection The Complete Robot (1982) that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creators. The robot series has led to film adaptations. With Asimov's collaboration, in about 1977, Harlan Ellison wrote a screenplay of I, Robot that Asimov hoped would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay has never been filmed and was eventually published in book form in 1994. The 2004 movie I, Robot, starring Will Smith, was based on an unrelated script by Jeff Vintar titled Hardwired, with Asimov's ideas incorporated later after the rights to Asimov's title were acquired. (The title was not original to Asimov but had previously been used for a story by Eando Binder.) Also, one of Asimov's robot short stories, "The Bicentennial Man", was expanded into a novel The Positronic Man by Asimov and Robert Silverberg, and this was adapted into the 1999 movie Bicentennial Man, starring Robin Williams. Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford, David Brin, and Donald Kingsbury. At least some of these appear to have been done with the blessing of, or at the request of, Asimov's widow, Janet Asimov. In 1948, he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name. Asimov grew concerned at the scrutiny he would receive at his oral examination, in case the examiners thought he wasn't taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old with Me" (40,000 words), but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. Doubleday published five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw Gnome Press publish one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation trilogy. More positronic robot stories were republished in book form as The Rest of the Robots. Books and the magazines Galaxy, and Fantasy & Science Fiction ended Asimov's dependence on Astounding. He later described the era as his "'mature' period". Asimov's "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy, was his personal favorite story. In 1972, his novel The Gods Themselves (which was not part of a series) was published to general acclaim, and it won the Hugo Award for Best Novel, the Nebula Award for Best Novel, and the Locus Award for Best Novel. In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue. McCartney rejected the story. The treatment now exists only in the Boston University archives. Asimov said in 1969 that he had "the happiest of all my associations with science fiction magazines" with Fantasy & Science Fiction; "I have no complaints about Astounding, Galaxy, or any of the rest, heaven knows, but F&SF has become something special to me". Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazines and Alfred Hitchcock's Mystery Magazines "anthologies"). Due to pressure by fans on Asimov to write another book in his Foundation series, he did so with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992), his last novel. Popular science Asimov and two colleagues published a textbook in 1949, with two more editions by 1969. During the late 1950s and 1960s, Asimov substantially decreased his fiction output (he published only four adult novels between 1957's The Naked Sun and 1982's Foundation's Edge, two of which were mysteries). He greatly increased his nonfiction production, writing mostly on science topics; the launch of Sputnik in 1957 engendered public concern over a "science gap". Asimov explained in The Rest of the Robots that he had been unable to write substantial fiction since the summer of 1958, and observers understood him as saying that his fiction career had ended, or was permanently interrupted. Asimov recalled in 1969 that "the United States went into a kind of tizzy, and so did I. I was overcome by the ardent desire to write popular science for an America that might be in great danger through its neglect of science, and a number of publishers got an equally ardent desire to publish popular science for the same reason". Fantasy and Science Fiction invited Asimov to continue his regular nonfiction column, begun in the now-folded bimonthly companion magazine Venture Science Fiction Magazine. The first of 399 monthly F&SF columns appeared in November 1958 and they continued until his terminal illness. These columns, periodically collected into books by Doubleday, gave Asimov a reputation as a "Great Explainer" of science; he described them as his only popular science writing in which he never had to assume complete ignorance of the subjects on the part of his readers. The column was ostensibly dedicated to popular science but Asimov had complete editorial freedom, and wrote about contemporary social issues in essays such as "Thinking About Thinking" and "Knock Plastic!". In 1975 he wrote of these essays: "I get more pleasure out of them than out of any other writing assignment." Asimov's first wide-ranging reference work, The Intelligent Man's Guide to Science (1960), was nominated for a National Book Award, and in 1963 he won a Hugo Award—his first—for his essays for F&SF. The popularity of his science books and the income he derived from them allowed him to give up most academic responsibilities and become a full-time freelance writer. He encouraged other science fiction writers to write popular science, stating in 1967 that "the knowledgeable, skillful science writer is worth his weight in contracts", with "twice as much work as he can possibly handle". The great variety of information covered in Asimov's writings prompted Kurt Vonnegut to ask, "How does it feel to know everything?" Asimov replied that he only knew how it felt to have the 'reputation' of omniscience: "Uneasy". Floyd C. Gale said that "Asimov has a rare talent. He can make your mental mouth water over dry facts", and "science fiction's loss has been science popularization's gain". Asimov said that "Of all the writing I do, fiction, non-fiction, adult, or juvenile, these F & SF articles are by far the most fun". He regretted, however, that he had less time for fiction—causing dissatisfied readers to send him letters of complaint—stating in 1969 that "In the last ten years, I've done a couple of novels, some collections, a dozen or so stories, but that's nothing". In his essay "To Tell a Chemist" (1965), Asimov proposed a simple shibboleth for distinguishing chemists from non-chemists: ask the person to read the word "unionized". Chemists, he noted, will read the word "unionized" as un-ion-ized (pronounced "un-EYE-en-ized"), meaning "(a chemical species) being in an electrically neutral state, as opposed to being an ion", while non-chemists will read the word as union-ized (pronounced "YOU-nien-ized"), meaning "(a worker or organization) belonging to or possessing a trade union". Coined terms Asimov coined the term "robotics" in his 1941 story "Liar!", though he later remarked that he believed then that he was merely using an existing word, as he stated in Gold ("The Robot Chronicles"). While acknowledging the Oxford Dictionary reference, he incorrectly states that the word was first printed about one third of the way down the first column of page 100, Astounding Science Fiction, March 1942 printing of his short story "Runaround". In the same story, Asimov also coined the term "positronic" (the counterpart to "electronic" for positrons). Asimov coined the term "psychohistory" in his Foundation stories to name a fictional branch of science which combines history, sociology, and mathematical statistics to make general predictions about the future behavior of very large groups of people, such as the Galactic Empire. Asimov said later that he should have called it psychosociology. It was first introduced in the five short stories (1942–1944) which would later be collected as the 1951 fix-up novel Foundation. Somewhat later, the term "psychohistory" was applied by others to research of the effects of psychology on history. Other writings In addition to his interest in science, Asimov was interested in history. Starting in the 1960s, he wrote 14 popular history books, including The Greeks: A Great Adventure (1965), The Roman Republic (1966), The Roman Empire (1967), The Egyptians (1967) The Near East: 10,000 Years of History (1968), and Asimov's Chronology of the World (1991). He published Asimov's Guide to the Bible in two volumes—covering the Old Testament in 1967 and the New Testament in 1969—and then combined them into one 1,300-page volume in 1981. Complete with maps and tables, the guide goes through the books of the Bible in order, explaining the history of each one and the political influences that affected it, as well as biographical information about the important characters. His interest in literature manifested itself in several annotations of literary works, including Asimov's Guide to Shakespeare (1970), Asimov's Annotated Don Juan (1972), Asimov's Annotated Paradise Lost (1974), and The Annotated Gulliver's Travels (1980). Asimov was also a noted mystery author and a frequent contributor to Ellery Queen's Mystery Magazine. He began by writing science fiction mysteries such as his Wendell Urth stories, but soon moved on to writing "pure" mysteries. He published two full-length mystery novels, and wrote 66 stories about the Black Widowers, a group of men who met monthly for dinner, conversation, and a puzzle. He got the idea for the Widowers from his own association in a stag group called the Trap Door Spiders, and all of the main characters (with the exception of the waiter, Henry, who he admitted resembled Wodehouse's Jeeves) were modeled after his closest friends. A parody of the Black Widowers, "An Evening with the White Divorcés," was written by author, critic, and librarian Jon L. Breen. Asimov joked, "all I can do ... is to wait until I catch him in a dark alley, someday." Toward the end of his life, Asimov published a series of collections of limericks, mostly written by himself, starting with Lecherous Limericks, which appeared in 1975. Limericks: Too Gross, whose title displays Asimov's love of puns, contains 144 limericks by Asimov and an equal number by John Ciardi. He even created a slim volume of Sherlockian limericks. Asimov featured Yiddish humor in Azazel, The Two Centimeter Demon. The two main characters, both Jewish, talk over dinner, or lunch, or breakfast, about anecdotes of "George" and his friend Azazel. Asimov's Treasury of Humor is both a working joke book and a treatise propounding his views on humor theory. According to Asimov, the most essential element of humor is an abrupt change in point of view, one that suddenly shifts focus from the important to the trivial, or from the sublime to the ridiculous. Particularly in his later years, Asimov to some extent cultivated an image of himself as an amiable lecher. In 1971, as a response to the popularity of sexual guidebooks such as The Sensuous Woman (by "J") and The Sensuous Man (by "M"), Asimov published The Sensuous Dirty Old Man under the byline "Dr. 'A (although his full name was printed on the paperback edition, first published 1972). However, by 2016, some of Asimov's behavior towards women was described as sexual harassment and cited as an example of historically problematic behavior by men in science fiction communities. Asimov published three volumes of autobiography. In Memory Yet Green (1979) and In Joy Still Felt (1980) cover his life up to 1978. The third volume, I. Asimov: A Memoir (1994), covered his whole life (rather than following on from where the second volume left off). The epilogue was written by his widow Janet Asimov after his death. The book won a Hugo Award in 1995. Janet Asimov edited It's Been a Good Life (2002), a condensed version of his three autobiographies. He also published three volumes of retrospectives of his writing, Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984). In 1987, the Asimovs co-wrote How to Enjoy Writing: A Book of Aid and Comfort. In it they offer advice on how to maintain a positive attitude and stay productive when dealing with discouragement, distractions, rejection, and thick-headed editors. The book includes many quotations, essays, anecdotes, and husband-wife dialogues about the ups and downs of being an author. Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Treks initial launch in the late 1960s. Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects. In 1973, Asimov published a proposal for calendar reform, called the World Season Calendar. It divides the year into four seasons (named A–D) of 13 weeks (91 days) each. This allows days to be named, e.g., "D-73" instead of December 1 (due to December 1 being the 73rd day of the 4th quarter). An extra 'year day' is added for a total of 365 days. Awards and recognition Asimov won more than a dozen annual awards for particular works of science fiction and a half-dozen lifetime awards. He also received 14 honorary doctorate degrees from universities. 1955 – Guest of Honor at the 13th World Science Fiction Convention 1957 – Thomas Alva Edison Foundation Award for best science book for youth, for Building Blocks of the Universe 1960 – Howard W. Blakeslee Award from the American Heart Association for The Living River 1962 – Boston University's Publication Merit Award 1963 – A special Hugo Award for "adding science to science fiction," for essays published in The Magazine of Fantasy and Science Fiction 1963 – Fellow of the American Academy of Arts and Sciences 1964 – The Science Fiction Writers of America voted "Nightfall" (1941) the all-time best science fiction short story 1965 – James T. Grady Award of the American Chemical Society (now called the James T. Grady-James H. Stack Award for Interpreting Chemistry) 1966 – Best All-time Novel Series Hugo Award for the Foundation trilogy 1967 – Edward E. Smith Memorial Award 1967 – AAAS-Westinghouse Science Writing Award for Magazine Writing, for essay "Over the Edge of the Universe" (in the March 1967 Harper's Magazine) 1972 – Nebula Award for Best Novel for The Gods Themselves 1973 – Hugo Award for Best Novel for The Gods Themselves 1973 – Locus Award for Best Novel for The Gods Themselves 1975 – Golden Plate Award of the American Academy of Achievement 1975 – Klumpke-Roberts Award "for outstanding contributions to the public understanding and appreciation of astronomy" 1975 – Locus Award for Best Reprint Anthology for Before the Golden Age 1977 – Hugo Award for Best Novelette for The Bicentennial Man 1977 – Nebula Award for Best Novelette for The Bicentennial Man 1977 – Locus Award for Best Novelette for The Bicentennial Man 1981 – An asteroid, 5020 Asimov, was named in his honor 1981 – Locus Award for Best Non-Fiction Book for In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 1983 – Hugo Award for Best Novel for Foundation's Edge 1983 – Locus Award for Best Science Fiction Novel for Foundation's Edge 1984 – Humanist of the Year 1986 – The Science Fiction and Fantasy Writers of America named him its 8th SFWA Grand Master (presented in 1987). 1987 – Locus Award for Best Short Story for "Robot Dreams" 1992 – Hugo Award for Best Novelette for "Gold" 1995 – Hugo Award for Best Non-Fiction Book for I. Asimov: A Memoir 1995 – Locus Award for Best Non-Fiction Book for I. Asimov: A Memoir 1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon for "The Mule", the 7th Foundation story, published in Astounding Science Fiction 1997 – The Science Fiction and Fantasy Hall of Fame inducted Asimov in its second class of two deceased and two living persons, along with H. G. Wells. 2000 – Asimov was featured on a stamp in Israel 2001 – The Isaac Asimov Memorial Debates at the Hayden Planetarium in New York were inaugurated 2009 – A crater on the planet Mars, Asimov, was named in his honor 2010 – In the US Congress bill about the designation of the National Robotics Week as an annual event, a tribute to Isaac Asimov is as follows: "Whereas the second week in April each year is designated as 'National Robotics Week', recognizing the accomplishments of Isaac Asimov, who immigrated to America, taught science, wrote science books for children and adults, first used the term robotics, developed the Three Laws of Robotics, and died in April 1992: Now, therefore, be it resolved ..." 2015 – Selected as a member of the New York State Writers Hall of Fame. 2016 – A 1941 Retro-Hugo for Best Short Story of 1940 was given at the 2016 WorldCon for Robbie, his first positronic robot story, published in Super Science Stories, September 1940 2018 – A 1943 Retro-Hugo for Best Short Story of 1942 was given at the 2018 WorldCon for Foundation, published in Astounding Science-Fiction, May 1942 Writing style Asimov was his own secretary, typist, indexer, proofreader, and literary agent. He wrote a typed first draft composed at the keyboard at 90 words per minute; he imagined an ending first, then a beginning, then "let everything in-between work itself out as I come to it". (Asimov only used an outline once, later describing it as "like trying to play the piano from inside a straitjacket".) After correcting a draft by hand, he retyped the document as the final copy and only made one revision with minor editor-requested changes; a word processor did not save him much time, Asimov said, because 95% of the first draft was unchanged. After disliking making multiple revisions of "Black Friar of the Flame", Asimov refused to make major, second, or non-editorial revisions ("like chewing used gum"), stating that "too large a revision, or too many revisions, indicate that the piece of writing is a failure. In the time it would take to salvage such a failure, I could write a new piece altogether and have infinitely more fun in the process". He submitted "failures" to another editor. One of the most common impressions of Asimov's fiction work is that his writing style is extremely unornamented. In 1980, science fiction scholar James Gunn wrote of I, Robot: Asimov addressed such criticism in 1989 at the beginning of Nemesis: Gunn cited examples of a more complex style, such as the climax of "Liar!". Sharply drawn characters occur at key junctures of his storylines: Susan Calvin in "Liar!" and "Evidence", Arkady Darell in Second Foundation, Elijah Baley in The Caves of Steel, and Hari Seldon in the Foundation prequels. Other than books by Gunn and Joseph Patrouch, a relative dearth of "literary" criticism exists on Asimov (particularly when compared to the sheer volume of his output). Cowart and Wymer's Dictionary of Literary Biography (1981) gives a possible reason: Gunn's and Patrouch's respective studies of Asimov both state that a clear, direct prose style is still a style. Gunn's 1982 book comments in detail on each of Asimov's novels. He does not praise all of Asimov's fiction (nor does Patrouch), but calls some passages in The Caves of Steel "reminiscent of Proust". When discussing how that novel depicts night falling over futuristic New York City, Gunn says that Asimov's prose "need not be ashamed anywhere in literary society". Although he prided himself on his unornamented prose style (for which he credited Clifford D. Simak as an early influence), and said in 1973 that his style had not changed, Asimov also enjoyed giving his longer stories complicated narrative structures, often by arranging chapters in nonchronological ways. Some readers have been put off by this, complaining that the nonlinearity is not worth the trouble and adversely affects the clarity of the story. For example, the first third of The Gods Themselves begins with Chapter 6, then backtracks to fill in earlier material. (John Campbell advised Asimov to begin his stories as late in the plot as possible. This advice helped Asimov create "Reason", one of the early Robot stories). Patrouch found that the interwoven and nested flashbacks of The Currents of Space did serious harm to that novel, to such an extent that only a "dyed-in-the-kyrt Asimov fan" could enjoy it. In his later novel Nemesis one group of characters lives in the "present" and another group starts in the "past", beginning 15 years earlier and gradually moving toward the time period of the first group. Alien life Asimov once explained that his reluctance to write about aliens came from an incident early in his career when Astoundings editor John Campbell rejected one of his science fiction stories because the alien characters were portrayed as superior to the humans. The nature of the rejection led him to believe that Campbell may have based his bias towards humans in stories on a real-world racial bias. Unwilling to write only weak alien races, and concerned that a confrontation would jeopardize his and Campbell's friendship, he decided he would not write about aliens at all. Nevertheless, in response to these criticisms, he wrote The Gods Themselves, which contains aliens and alien sex. The book won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973. Asimov said that of all his writings, he was most proud of the middle section of The Gods Themselves, the part that deals with those themes. In the Hugo Award-winning novelette "Gold", Asimov describes an author, clearly based on himself, who has one of his books (The Gods Themselves) adapted into a "compu-drama", essentially photo-realistic computer animation. The director criticizes the fictionalized Asimov ("Gregory Laborian") for having an extremely nonvisual style, making it difficult to adapt his work, and the author explains that he relies on ideas and dialogue rather than description to get his points across. Romance and women In the early days of science fiction some authors and critics felt that the romantic elements were inappropriate in science fiction stories, which were supposedly to be focused on science and technology. Isaac Asimov was a prominent supporter of this point of view, expressed in his 1938-1939 letters to Astounding, where he described such elements as "mush" and "slop". However, to his dismay, these letters were met with a strong opposition. Asimov attributed the lack of romance and sex in his fiction to the "early imprinting" from starting his writing career when he had never been on a date and "didn't know anything about girls". He was sometimes criticized for the general absence of sex (and of extraterrestrial life) in his science fiction. He claimed he wrote The Gods Themselves to respond to these criticisms, which often came from New Wave science fiction (and often British) writers. The second part (of three) of the novel is set on an alien world with three sexes, and the sexual behavior of these creatures is extensively depicted. Asimov was also criticized for a lack of strong female characters in his early work. However, some of his robot stories, including the earliest ones, featured the character Susan Calvin, a forceful and intelligent woman who regularly out-performed her male colleagues. In his autobiographical writings, such as Gold ("Women and Science Fiction"), he acknowledges this complaint has merit and responds by pointing to inexperience. His later novels, written with more female characters but in essentially the same prose style as his early science-fiction stories, brought this matter to a wider audience. The Washington Post's "Book World" section reports of Robots and Empire opined "In 1940, Asimov's humans were stripped-down masculine portraits of Americans from 1940, and they still are." Views Religion Asimov was an atheist, a humanist, and a rationalist. He did not oppose religious conviction in others, but he frequently railed against superstitious and pseudoscientific beliefs that tried to pass themselves off as genuine science. During his childhood, his father and mother observed the traditions of Orthodox Judaism, though not as stringently as they had in Petrovichi; they did not, however, force their beliefs upon young Isaac. Thus, he grew up without strong religious influences, coming to believe that the Torah represented Hebrew mythology in the same way that the Iliad recorded Greek mythology. When he was 13, he chose not to have a bar mitzvah. As his books Treasury of Humor and Asimov Laughs Again record, Asimov was willing to tell jokes involving God, Satan, the Garden of Eden, Jerusalem, and other religious topics, expressing the viewpoint that a good joke can do more to provoke thought than hours of philosophical discussion. For a brief while, his father worked in the local synagogue to enjoy the familiar surroundings and, as Isaac put it, "shine as a learned scholar" versed in the sacred writings. This scholarship was a seed for his later authorship and publication of Asimov's Guide to the Bible, an analysis of the historic foundations for both the Old and New Testaments. For many years, Asimov called himself an atheist; however, he considered the term somewhat inadequate, as it described what he did not believe rather than what he did. Eventually, he described himself as a "humanist" and considered that term more practical. Asimov did, however, continue to identify himself as a secular Jew, as stated in his introduction to Jack Dann's anthology of Jewish science fiction, Wandering Stars: "I attend no services and follow no ritual and have never undergone that curious puberty rite, the Bar Mitzvah. It doesn't matter. I am Jewish." When asked in an interview in 1982 if he was an atheist, Asimov replied, Likewise, he said about religious education: "I would not be satisfied to have my kids choose to be religious without trying to argue them out of it, just as I would not be satisfied to have them decide to smoke regularly or engage in any other practice I consider detrimental to mind or body." In his last volume of autobiography, Asimov wrote, The same memoir states his belief that Hell is "the drooling dream of a sadist" crudely affixed to an all-merciful God; if even human governments were willing to curtail cruel and unusual punishments, wondered Asimov, why would punishment in the afterlife not be restricted to a limited term? Asimov rejected the idea that a human belief or action could merit infinite punishment. If an afterlife existed, he claimed, the longest and most severe punishment would be reserved for those who "slandered God by inventing Hell". Asimov said about using religious motifs in his writing: Politics Asimov became a staunch supporter of the Democratic Party during the New Deal, and thereafter remained a political liberal. He was a vocal opponent of the Vietnam War in the 1960s and in a television interview during the early 1970s he publicly endorsed George McGovern. He was unhappy about what he considered an "irrationalist" viewpoint taken by many radical political activists from the late 1960s and onwards. In his second volume of autobiography, In Joy Still Felt, Asimov recalled meeting the counterculture figure Abbie Hoffman. Asimov's impression was that the 1960s' counterculture heroes had ridden an emotional wave which, in the end, left them stranded in a "no-man's land of the spirit" from which he wondered if they would ever return. Asimov vehemently opposed Richard Nixon, considering him "a crook and a liar". He closely followed Watergate, and was pleased when the president was forced to resign. Asimov was dismayed over the pardon extended to Nixon by his successor: "I was not impressed by the argument that it has spared the nation an ordeal. To my way of thinking, the ordeal was necessary to make certain it would never happen again." After Asimov's name appeared in the mid-1960s on a list of people the Communist Party USA "considered amenable" to its goals, the FBI investigated him. Because of his academic background, the bureau briefly considered Asimov as a possible candidate for known Soviet spy ROBPROF, but found nothing suspicious in his life or background. Asimov appeared to hold an equivocal attitude towards Israel. In his first autobiography, he indicates his support for the safety of Israel, though insisting that he was not a Zionist. In his third autobiography, Asimov stated his opposition to the creation of a Jewish state, on the grounds that he was opposed to having nation-states in general, and supported the notion of a single humanity. Asimov especially worried about the safety of Israel given that it had been created among hostile Muslim neighbors, and said that Jews had merely created for themselves another "Jewish ghetto". Social issues Asimov believed that "science fiction ... serve[s] the good of humanity". He considered himself a feminist even before women's liberation became a widespread movement; he argued that the issue of women's rights was closely connected to that of population control. Furthermore, he believed that homosexuality must be considered a "moral right" on population grounds, as must all consenting adult sexual activity that does not lead to reproduction. He issued many appeals for population control, reflecting a perspective articulated by people from Thomas Malthus through Paul R. Ehrlich. In a 1988 interview by Bill Moyers, Asimov proposed computer-aided learning, where people would use computers to find information on subjects in which they were interested. He thought this would make learning more interesting, since people would have the freedom to choose what to learn, and would help spread knowledge around the world. Also, the one-to-one model would let students learn at their own pace. Asimov thought that people would live in space by the year 2019. In 1983 Asimov wrote: He continues on education: Sexual harassment Asimov would often fondle, kiss and pinch women at conventions and elsewhere without regard for their consent. According to Alec Nevala-Lee, author of an Asimov biography and writer on the history of science fiction, he often defended himself by saying that far from showing objections, these women cooperated. In the 1971 satirical piece, The Sensuous Dirty Old Man, he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." According to Nevala-Lee, however, "many of these encounters were clearly nonconsensual." He wrote that Asimov's behaviour, as a leading science-fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community. In support of this, he quoted some of Asimov's contemporary fellow-authors such as Judith Merril, Harlan Ellison and Frederik Pohl, as well as editors such as Timothy Seldes. Specific incidents were reported by other people including Edward L. Ferman, long-time editor of The Magazine of Fantasy & Science Fiction who wrote "... instead of shaking my date's hand, he shook her left breast". Environment and population Asimov's defense of civil applications of nuclear power even after the Three Mile Island nuclear power plant incident damaged his relations with some of his fellow liberals. In a letter reprinted in Yours, Isaac Asimov, he states that although he would prefer living in "no danger whatsoever" than near a nuclear reactor, he would still prefer a home near a nuclear power plant than in a slum on Love Canal or near "a Union Carbide plant producing methyl isocyanate", the latter being a reference to the Bhopal disaster. In the closing years of his life, Asimov blamed the deterioration of the quality of life that he perceived in New York City on the shrinking tax base caused by the middle-class flight to the suburbs, though he continued to support high taxes on the middle class to pay for social programs. His last nonfiction book, Our Angry Earth (1991, co-written with his long-time friend, science fiction author Frederik Pohl), deals with elements of the environmental crisis such as overpopulation, oil dependence, war, global warming, and the destruction of the ozone layer. In response to being presented by Bill Moyers with the question "What do you see happening to the idea of dignity to human species if this population growth continues at its present rate?", Asimov responded: Other authors Asimov enjoyed the writings of J. R. R. Tolkien, and in fact even used The Lord of the Rings as a plot point in a Black Widowers story, titled Nothing like Murder. In the essay All or Nothing (for The Magazine of Fantasy and Science Fiction, Jan 1981), Asimov revealed that he admires Tolkien and that he had read The Lord of the Rings five times. (The feelings were mutual, with Tolkien himself revealing that he had enjoyed Asimov's science fiction. This would make Asimov an exception to Tolkien's earlier claim that he rarely found "any modern books" that were interesting to him.) He acknowledged other writers as superior to himself in talent, saying of Harlan Ellison, "He is (in my opinion) one of the best writers in the world, far more skilled at the art than I am." Asimov disapproved of the New Wave's growing influence, however, stating in 1967 "I want science fiction. I think science fiction isn't really science fiction if it lacks science. And I think the better and truer the science, the better and truer the science fiction". The feelings of friendship and respect between Asimov and Arthur C. Clarke were demonstrated by the so-called "Clarke-Asimov Treaty of Park Avenue", negotiated as they shared a cab in New York. This stated that Asimov was required to insist that Clarke was the best science fiction writer in the world (reserving second-best for himself), while Clarke was required to insist that Asimov was the best science writer in the world (reserving second-best for himself). Thus, the dedication in Clarke's book Report on Planet Three (1972) reads: "In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer." Asimov became a fan of mystery stories at the same time as science fiction. He preferred to read the former to latter because "I read every [science fiction] story keenly aware that it might be worse than mine, in which case I had no patience with it, or that it might be better, in which case I felt miserable". Asimov wrote "I make no secret of the fact that in my mysteries I use Agatha Christie as my model. In my opinion, her mysteries are the best ever written, far better than the Sherlock Holmes stories, and Hercule Poirot is the best detective fiction has seen. Why should I not use as my model what I consider the best?" He enjoyed Sherlock Holmes, but considered Arthur Conan Doyle to be "a slapdash and sloppy writer." Asimov also enjoyed humorous stories, particularly those of P. G. Wodehouse. In non-fiction writing, Asimov particularly admired the writing style of Martin Gardner, and tried to emulate it in his own science books. On meeting Gardner for the first time in 1965, Asimov told him this, to which Gardner answered that he had based his own style on Asimov's. Influence Paul Krugman, holder of a Nobel Prize in Economics, stated Asimov's concept of psychohistory has inspired him to become an economist. John Jenkins, who has reviewed the vast majority of Asimov's written output, once observed, "It has been pointed out that most science fiction writers since the 1950s have been affected by Asimov, either modeling their style on his or deliberately avoiding anything like his style." Along with such figures as Bertrand Russell and Karl Popper, Asimov left his mark as one of the most distinguished interdisciplinarians of the 20th century. "Few individuals", writes James L. Christian, "understood better than Isaac Asimov what synoptic thinking is all about. His almost 500 books—which he wrote as a specialist, a knowledgeable authority, or just an excited layman—range over almost all conceivable subjects: the sciences, history, literature, religion, and of course, science fiction." Bibliography Depending on the counting convention used, and including all titles, charts, and edited collections, there may be currently over 500 books in Asimov's bibliography—as well as his individual short stories, individual essays, and criticism. For his 100th, 200th, and 300th books (based on his personal count), Asimov published Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984), celebrating his writing. An extensive bibliography of Isaac Asimov's works has been compiled by Ed Seiler. He published enough that his book writing rate could be analysed, showing that the writing became faster as he wrote more. An online exhibit in West Virginia University Libraries' virtually complete Asimov Collection displays features, visuals, and descriptions of some of his over 600 books, games, audio recordings, videos, and wall charts. Many first, rare, and autographed editions are in the Libraries' Rare Book Room. Book jackets and autographs are presented online along with descriptions and images of children's books, science fiction art, multimedia, and other materials in the collection. Science fiction "Greater Foundation" series The Robot series was originally separate from the Foundation series. The Galactic Empire novels were published as independent stories, set earlier in the same future as Foundation. Later in life, Asimov synthesized the Robot series into a single coherent "history" that appeared in the extension of the Foundation series. All of these books were published by Doubleday & Co, except the original Foundation trilogy which was originally published by Gnome Books before being bought and republished by Doubleday. The Robot series: (first Elijah Baley SF-crime novel) (second Elijah Baley SF-crime novel) (third Elijah Baley SF-crime novel) (sequel to the Elijah Baley trilogy) Galactic Empire novels: (early Galactic Empire) (long before the Empire) (Republic of Trantor still expanding) Foundation prequels: Original Foundation trilogy: (also published with the title 'The Man Who Upset the Universe' as a 35¢ Ace paperback, D-125, in about 1952) Extended Foundation series: Lucky Starr series (as Paul French) All published by Doubleday & Co David Starr, Space Ranger (1952) Lucky Starr and the Pirates of the Asteroids (1953) Lucky Starr and the Oceans of Venus (1954) Lucky Starr and the Big Sun of Mercury (1956) Lucky Starr and the Moons of Jupiter (1957) Lucky Starr and the Rings of Saturn (1958) Norby Chronicles (with Janet Asimov) All published by Walker & Company Norby, the Mixed-Up Robot (1983) Norby's Other Secret (1984) Norby and the Lost Princess (1985) Norby and the Invaders (1985) Norby and the Queen's Necklace (1986) Norby Finds a Villain (1987) Norby Down to Earth (1988) Norby and Yobo's Great Adventure (1989) Norby and the Oldest Dragon (1990) Norby and the Court Jester (1991) Novels not part of a series Novels marked with an asterisk (*) have minor connections to Foundation universe. The End of Eternity (1955), Doubleday (*) Fantastic Voyage (1966), Bantam Books (paperback) and Houghton Mifflin (hardback) (a novelization of the movie) The Gods Themselves (1972), Doubleday Fantastic Voyage II: Destination Brain (1987), Doubleday (not a sequel to Fantastic Voyage, but a similar, independent story) Nemesis (1989), Bantam Doubleday Dell (*) Nightfall (1990), Doubleday, with Robert Silverberg (based on "Nightfall", a 1941 short story written by Asimov) Child of Time (1992), Bantam Doubleday Dell, with Robert Silverberg (based on "The Ugly Little Boy", a 1958 short story written by Asimov) The Positronic Man (1993), Bantam Doubleday Dell, with Robert Silverberg (*) (based on The Bicentennial Man, a 1976 novella written by Asimov) Short-story collections Mysteries Novels The Death Dealers (1958), Avon Books, republished as A Whiff of Death by Walker & Company Murder at the ABA (1976), Doubleday, also published as Authorized Murder Short-story collections Black Widowers series Tales of the Black Widowers (1974), Doubleday More Tales of the Black Widowers (1976), Doubleday Casebook of the Black Widowers (1980), Doubleday Banquets of the Black Widowers (1984), Doubleday Puzzles of the Black Widowers (1990), Doubleday The Return of the Black Widowers (2003), Carroll & Graf Other mysteries Asimov's Mysteries (1968), Doubleday The Key Word and Other Mysteries (1977), Walker The Union Club Mysteries (1983), Doubleday The Disappearing Man and Other Mysteries (1985), Walker The Best Mysteries of Isaac Asimov (1986), Doubleday Nonfiction Popular science Collections of Asimov's essays for F&SF The following books collected essays which were originally published as monthly columns in The Magazine of Fantasy and Science Fiction and collected by Doubleday & Co Fact and Fancy (1962) View from a Height (1963) Adding a Dimension (1964) Of Time and Space and Other Things (1965) From Earth to Heaven (1966) Science, Numbers, and I (1968) The Solar System and Back (1970) The Stars in Their Courses (1971) The Left Hand of the Electron (1972) The Tragedy of the Moon (1973) Asimov On Astronomy (updated version of essays in previous collections) (1974) Asimov On Chemistry (updated version of essays in previous collections) (1974) Of Matters Great and Small (1975) Asimov On Physics (updated version of essays in previous collections) (1976) The Planet That Wasn't (1976) Asimov On Numbers (updated version of essays in previous collections) (1976) Quasar, Quasar, Burning Bright (1977) The Road to Infinity (1979) The Sun Shines Bright (1981) Counting the Eons (1983) X Stands for Unknown (1984) The Subatomic Monster (1985) Far as Human Eye Could See (1987) The Relativity of Wrong (1988) Asimov on Science: A 30 Year Retrospective 1959–1989 (1989) (features the first essay in the introduction) Out of the Everywhere (1990) The Secret of the Universe (1991) Other general science essay collections Only a Trillion (1957), Abelard-Schuman, Is Anyone There? (1967), Doubleday, (which includes the article in which he coined the term "spome") Today and Tomorrow and— (1973), Doubleday Science Past, Science Future (1975), Doubleday, Please Explain (1975), Houghton Mifflin, Life and Time (1978), Doubleday The Roving Mind (1983), Prometheus Books, new edition 1997, The Dangers of Intelligence (1986), Houghton Mifflin Past, Present and Future (1987), Prometheus Books, The Tyrannosaurus Prescription (1989), Prometheus Books Frontiers (1990), Dutton Frontiers II (1993), Dutton Other science books by Asimov The Chemicals of Life (1954), Abelard-Schuman Inside the Atom (1956), Abelard-Schuman, Building Blocks of the Universe (1957; revised 1974), Abelard-Schuman, The World of Carbon (1958), Abelard-Schuman, The World of Nitrogen (1958), Abelard-Schuman, Words of Science and the History Behind Them (1959), Houghton Mifflin The Clock We Live On (1959), Abelard-Schuman, Breakthroughs in Science (1959), Houghton Mifflin, Realm of Numbers (1959), Houghton Mifflin, Realm of Measure (1960), Houghton Mifflin The Wellsprings of Life (1960), Abelard-Schuman, Life and Energy (1962), Doubleday, The Genetic Code (1962), The Orion Press The Human Body: Its Structure and Operation (1963), Houghton Mifflin, , (revised) The Human Brain: Its Capacities and Functions (1963), Houghton Mifflin, Planets for Man (with Stephen H. Dole) (1964), Random House, reprinted by RAND in 2007 An Easy Introduction to the Slide Rule (1965), Houghton Mifflin, The Intelligent Man's Guide to Science (1965), Basic Books The title varied with each of the four editions, the last being Asimov's New Guide to Science (1984) The Universe: From Flat Earth to Quasar (1966), Walker, The Neutrino (1966), Doubleday, ASIN B002JK525W Understanding Physics Vol. I, Motion, Sound, and Heat (1966), Walker, Understanding Physics Vol. II, Light, Magnetism, and Electricity (1966), Walker, Understanding Physics Vol. III, The Electron, Proton, and Neutron (1966), Walker, Photosynthesis (1969), Basic Books, Our World in Space (1974), New York Graphic, Eyes on the Universe: A History of the Telescope (1976), Andre Deutsch Limited, The Collapsing Universe (1977), Walker, Extraterrestrial Civilizations (1979), Crown, Visions of the Universe with illustrations by Kazuaki Iwasaki (1981), Cosmos Store, Exploring the Earth and the Cosmos (1982), Crown, The Measure of the Universe (1983), Harper & Row Think About Space: Where Have We Been and Where Are We Going? with co-author Frank White (1989), Walker Asimov's Chronology of Science and Discovery (1989), Harper & Row, second edition adds content thru 1993, Beginnings: The Story of Origins (1989), Walker Isaac Asimov's Guide to Earth and Space (1991), Random House, Atom: Journey Across the Subatomic Cosmos (1991), Dutton, Mysteries of Deep Space: Quasars, Pulsars and Black Holes (1994) Earth's Moon (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Sun (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Earth (1988), Gareth Stevens, revised in 2004 by Richard Hantula Jupiter (1989), Gareth Stevens, revised in 2004 by Richard Hantula Venus (1990), Gareth Stevens, revised in 2004 by Richard Hantula Literary works All published by Doubleday Asimov's Guide to Shakespeare, vols I and II (1970), Asimov's Annotated "Don Juan" (1972) Asimov's Annotated "Paradise Lost" (1974) Familiar Poems, Annotated (1976) Asimov's The Annotated "Gulliver's Travels" (1980) Asimov's Annotated "Gilbert and Sullivan" (1988) The Bible Words from Genesis (1962), Houghton Mifflin Words from the Exodus (1963), Houghton Mifflin Asimov's Guide to the Bible, vols I and II (1967 and 1969, one-volume ed. 1981), Doubleday, The Story of Ruth (1972), Doubleday, In the Beginning (1981), Crown Autobiography In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954 (1979, Doubleday) In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 (1980, Doubleday) I. Asimov: A Memoir (1994, Doubleday) It's Been a Good Life (2002, Prometheus Books), condensation of Asimov's three volumes of autobiography, edited by his widow, Janet Jeppson Asimov History All published by Houghton Mifflin except where otherwise stated The Kite That Won the Revolution (1963), The Greeks (1965) The Roman Republic (1966) The Roman Empire (1967) The Egyptians (1967) The Near East (1968) The Dark Ages (1968) Words from History (1968) The Shaping of England (1969) Constantinople: The Forgotten Empire (1970) The Land of Canaan (1971) The Shaping of France (1972) The Shaping of North America: From Earliest Times to 1763 (1973) The Birth of the United States: 1763–1816 (1974) Our Federal Union: The United States from 1816 to 1865 (1975), The Golden Door: The United States from 1865 to 1918 (1977) Asimov's Chronology of the World (1991), HarperCollins, The March of the Millennia (1991), with co-author Frank White, Walker & Company, Humor The Sensuous Dirty Old Man (1971) (As Dr. A), Walker & Company, Isaac Asimov's Treasury of Humor (1971), Houghton Mifflin Lecherous Limericks (1975), Walker, More Lecherous Limericks (1976), Walker, Still More Lecherous Limericks (1977), Walker, Limericks, Two Gross, with John Ciardi (1978), Norton, A Grossery of Limericks, with John Ciardi (1981), Norton, Limericks for Children (1984), Caedmon Asimov Laughs Again (1992), HarperCollins On writing science fiction Asimov on Science Fiction (1981), Doubleday Asimov's Galaxy (1989), Doubleday Other nonfiction Opus 100 (1969), Houghton Mifflin, Asimov's Biographical Encyclopedia of Science and Technology (1964), Doubleday (revised edition 1972, ) Opus 200 (1979), Houghton Mifflin, Isaac Asimov's Book of Facts (1979), Grosset & Dunlap, Opus 300 (1984), Houghton Mifflin, Our Angry Earth: A Ticking Ecological Bomb (1991), with co-author Frederik Pohl, Tor, . Television, music, and film appearances I Robot, a concept album by the Alan Parsons Project that examined some of Asimov's work The Last Word (1959) The Dick Cavett Show, four appearances 1968–71 The Nature of Things (1969) ABC News coverage of Apollo 11, 1969, with Fred Pohl, interviewed by Rod Serling David Frost interview program, August 1969. Frost asked Asimov if he had ever tried to find God and, after some initial evasion, Asimov answered, "God is much more intelligent than I am—let him try to find me." BBC Horizon "It's About Time" (1979), show hosted by Dudley Moore Target ... Earth? (1980) The David Letterman Show (1980) NBC TV Speaking Freely, interviewed by Edwin Newman (1982) ARTS Network talk show hosted by Studs Terkel and Calvin Trillin, approximately (1982) Oltre New York (1986) Voyage to the Outer Planets and Beyond (1986) Gandahar (1987), a French animated science-fiction film by René Laloux. Asimov wrote the English translation for the film. Bill Moyers interview (1988) Stranieri in America (1988) Adaptations El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!" A halhatatlanság halála (1977), TV movie directed by András Rajnai, based on novel The End of Eternity The Ugly Little Boy (1977), short film directed by Barry Morse and Donald W. Thompson, based on novelette The Ugly Little Boy All the Troubles of the World (1978), short film directed by Dianne Haak-Edson, based on short story "All the Troubles of the World" The End of Eternity (1987), film directed by Andrei Yermash, based on novel The End of Eternity Nightfall (1988), film directed by Paul Mayersberg, based on novelette "Nightfall" Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series Feeling 109 (1988), short film directed by Richard Kletter, based on a story of Asimov Teach 109 (1989), TV movie directed by Richard Kletter, based on a story of Asimov (the same as The Android Affair) The Android Affair (1995), TV movie directed by Richard Kletter, based on a story of Asimov (the same as Teach 109) Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man Nightfall (2000), film directed by Gwyneth Gibby, based on novelette "Nightfall" I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series Formula of Death (2012), TV movie directed by Behdad Avand Amini, based on novel The Death Dealers Spell My Name with an S (2014), short film directed by Samuel Ali, based on short story "Spell My Name with an S" Foundation (2021), series created by David S. Goyer and Josh Friedman, based on the Foundation series Novelizations Novel Fantastic Voyage, novelization of film Fantastic Voyage (1966) References Footnotes Notes Sources Asimov, Isaac. In Memory Yet Green (1979), New York: Avon, . In Joy Still Felt (1980), New York: Avon . I. Asimov: A Memoir (1994), (hc), (pb). Yours, Isaac Asimov (1996), edited by Stanley Asimov. New York: Doubleday . It's Been a Good Life (2002), edited by Janet Asimov. . Goldman, Stephen H., "Isaac Asimov", in Dictionary of Literary Biography, Vol. 8, Cowart and Wymer eds. (Gale Research, 1981), pp. 15–29. Gunn, James. "On Variations on a Robot", IASFM, July 1980, pp. 56–81. Isaac Asimov: The Foundations of Science Fiction (1982). . The Science of Science-Fiction Writing (2000). . Further reading External links Asimov Online, a vast repository of information about Asimov, maintained by Asimov enthusiast Edward Seiler Jenkins' Spoiler-Laden Guide to Isaac Asimov, reviews of all of Asimov's books 20th-century births 1992 deaths 20th-century American novelists 20th-century American male writers AIDS-related deaths in New York (state) American alternate history writers Jewish American atheists American biochemists American essayists American humanists American humorists American male novelists 20th-century American memoirists United States Army non-commissioned officers American mystery writers American people of Russian-Jewish descent American science fiction writers American science writers American skeptics American writers of Russian descent Asimov's Science Fiction people Bible commentators Boston University faculty Columbia University School of General Studies alumni Critics of religions Date of birth unknown Fellows of the American Academy of Arts and Sciences Futurians Historians of astronomy American historians of science Hugo Award-winning writers Humor researchers Jewish American novelists Jewish American short story writers Jewish feminists Jewish skeptics American male essayists Male feminists American male short story writers American short story writers Mensans Nebula Award winners New York (state) Democrats People from Shumyachsky District Naturalized citizens of the United States United States Navy civilians Science fiction fans Science Fiction Hall of Fame inductees SFWA Grand Masters Soviet emigrants to the United States Writers from Brooklyn Yiddish-speaking people Boys High School (Brooklyn) alumni Novelists from Massachusetts Novelists from New York (state) Scientists from New York City 20th-century essayists 20th-century atheists People from the Upper West Side Pulp fiction writers Writers about religion and science Atheist feminists Columbia Graduate School of Arts and Sciences alumni

C_ad1994922c8b47258dcb61cce9136b8c_0

what degree did he go for

what degree did Isaac Asimov go for at Columbia University?

Isaac Asimov

Asimov attended New York City public schools from age 5, including Boys High School in Brooklyn. Graduating at 15, he went on to Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then the institution's primary undergraduate school for men with quotas on the number of admissions from those ethnic groups. Originally a zoology major, Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1938, Asimov finished his BS degree at University Extension (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov in 1939 applied to the graduate program in chemistry at Columbia; initially rejected and then accepted only on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in biochemistry in 1948. In between earning these two degrees, he spent three years during World War II working as a civilian at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949 with a $5,000 (equivalent to $51,427 in 2017) salary, with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university. The difference grew, and in 1958 Asimov stopped teaching to become a full-time writer. Being tenured, he retained the title of associate professor (which he had held since 1955), and in 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. CANNOTANSWER

Originally a zoology major,

Isaac Asimov (; 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as much nonfiction. Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories. He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism. He was president of the American Humanist Association. Several entities have been named in his honor, including the asteroid (5020) Asimov, a crater on the planet Mars, a Brooklyn elementary school, Honda's humanoid robot, ASIMO, and four literary awards. Surname Asimov's family name derives from the first part of ozímyj khleb (озимый хлеб), meaning the winter grain (specifically rye) in which his great-great-great-grandfather dealt, with the Russian patronymic ending -ov added. Azimov is spelled in the Cyrillic alphabet. When the family arrived in the United States in 1923 and their name had to be spelled in the Latin alphabet, Asimov's father spelled it with an S, believing this letter to be pronounced like Z (as in German), and so it became Asimov. This later inspired one of Asimov's short stories, "Spell My Name with an S". Asimov refused early suggestions of using a more common name as a pseudonym, and believed that its recognizability helped his career. After becoming famous, he often met readers who believed that "Isaac Asimov" was a distinctive pseudonym created by an author with a common name. Biography Early life Asimov was born in Petrovichi, Russian SFSR, on an unknown date between October 4, 1919, and January 2, 1920, inclusive. Asimov celebrated his birthday on January 2. Asimov's parents were Anna Rachel (née Berman) and Judah Asimov, a family of Russian-Jewish millers. He was named Isaac after his mother's father, Isaac Berman. Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me". In 1921, Asimov and 16 other children in Petrovichi developed double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya; June 17, 1922 – April 2, 2011), and a brother, Stanley (July 25, 1929 – August 16, 1995), who was vice-president of the Long Island Newsday. Asimov's family travelled to the United States via Liverpool on the RMS Baltic, arriving on February 3, 1923 when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in both. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five (and later taught his sister to read as well, enabling her to enter school in the second grade). His mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2. He became a naturalized U.S. citizen in 1928 at the age of eight. After becoming established in the U.S., his parents owned a succession of candy stores in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material (including pulp science fiction magazines) as a child that he could not have otherwise afforded. Asimov began reading science fiction at age nine, at the time when the genre was becoming more science-centered. Education and career Asimov attended New York City public schools from age five, including Boys High School in Brooklyn. Graduating at 15, he attended the City College of New York for several days before accepting a scholarship at Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then, the institution's primary undergraduate school for men. Jewish and Italian-American students, even of outstanding academic caliber, were often deliberately barred from Columbia College proper because of the then-popular practice of imposing unwritten ethnic admission quotas. Originally a zoology major, Asimov switched to chemistry after his first semester because he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1936, Asimov finished his Bachelor of Science degree at Morningside Heights campus (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov applied to the graduate program in chemistry at Columbia in 1939; initially he was rejected and then only accepted on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948. During his chemistry studies, he also learned French and German. In between earning these two degrees, Asimov spent three years during World War II working as a civilian chemist at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected while at school, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949, teaching biochemistry with a $5,000 salary (), with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university, and he eventually stopped doing research, confining his university role to lecturing students. In 1955, he was promoted to associate professor, which gave him tenure. In December 1957, Asimov was dismissed from his teaching post, with effect from June 30, 1958, because he had stopped doing research. After a struggle which lasted for two years, he kept his title, he gave the opening lecture each year for a biochemistry class, and on October 18, 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. Personal life Asimov met his first wife, Gertrude Blugerman (1917, Toronto, Canada – 1990, Boston, U.S.), on a blind date on February 14, 1942, and married her on July 26 the same year. The couple lived in an apartment in West Philadelphia while Asimov was employed at the Philadelphia Navy Yard (where two of his co-workers were L. Sprague de Camp and Robert A. Heinlein). Gertrude returned to Brooklyn while he was in the army, and they both lived there from July 1946 before moving to Stuyvesant Town, Manhattan, in July 1948. They moved to Boston in May 1949, then to nearby suburbs Somerville in July 1949, Waltham in May 1951, and, finally, West Newton in 1956. They had two children, David (born 1951) and Robyn Joan (born 1955). In 1970, they separated and Asimov moved back to New York, this time to the Upper West Side of Manhattan where he lived for the rest of his life. He immediately began seeing Janet O. Jeppson, a psychiatrist and science-fiction writer, and married her on November 30, 1973, two weeks after his divorce from Gertrude. Asimov was a claustrophile: he enjoyed small, enclosed spaces. In the third volume of his autobiography, he recalls a childhood desire to own a magazine stand in a New York City Subway station, within which he could enclose himself and listen to the rumble of passing trains while reading. Asimov was afraid of flying, doing so only twice: once in the course of his work at the Naval Air Experimental Station and once returning home from Oahu in 1946. Consequently, he seldom traveled great distances. This phobia influenced several of his fiction works, such as the Wendell Urth mystery stories and the Robot novels featuring Elijah Baley. In his later years, Asimov found enjoyment traveling on cruise ships, beginning in 1972 when he viewed the Apollo 17 launch from a cruise ship. On several cruises, he was part of the entertainment program, giving science-themed talks aboard ships such as the Queen Elizabeth 2. He sailed to England in June 1974 on the SS France for a trip mostly devoted to events in London and Birmingham, though he also found time to visit Stonehenge. Asimov was an able public speaker and was regularly paid to give talks about science. He was a frequent fixture at science fiction conventions, where he was friendly and approachable. He patiently answered tens of thousands of questions and other mail with postcards and was pleased to give autographs. He was of medium height (), stocky, with—in his later years—"mutton-chop" sideburns, and a distinct New York accent. He took to wearing bolo ties after his wife Janet objected to his clip-on bow ties. His physical dexterity was very poor. He never learned to swim or ride a bicycle; however, he did learn to drive a car after he moved to Boston. In his humor book Asimov Laughs Again, he describes Boston driving as "anarchy on wheels". Asimov's wide interests included his participation in his later years in organizations devoted to the comic operas of Gilbert and Sullivan and in The Wolfe Pack, a group of devotees of the Nero Wolfe mysteries written by Rex Stout. Many of his short stories mention or quote Gilbert and Sullivan. He was a prominent member of The Baker Street Irregulars, the leading Sherlock Holmes society, for whom he wrote an essay arguing that Professor Moriarty's work "The Dynamics of An Asteroid" involved the willful destruction of an ancient, civilized planet. He was also a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his fictional group of mystery solvers, the Black Widowers. He later used his essay on Moriarty's work as the basis for a Black Widowers story, "The Ultimate Crime", which appeared in More Tales of the Black Widowers. In 1984, the American Humanist Association (AHA) named him the Humanist of the Year. He was one of the signers of the Humanist Manifesto. From 1985 until his death in 1992, he served as president of the AHA, an honorary appointment. His successor was his friend and fellow writer Kurt Vonnegut. He was also a close friend of Star Trek creator Gene Roddenberry, and earned a screen credit as "special science consultant" on Star Trek: The Motion Picture for advice he gave during production. Asimov was a founding member of the Committee for the Scientific Investigation of Claims of the Paranormal, CSICOP (now the Committee for Skeptical Inquiry) and is listed in its Pantheon of Skeptics. In a discussion with James Randi at CSICon 2016 regarding the founding of CSICOP, Kendrick Frazier said that Asimov was "a key figure in the Skeptical movement who is less well known and appreciated today, but was very much in the public eye back then." He said that Asimov being associated with CSICOP "gave it immense status and authority" in his eyes. Asimov described Carl Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky. Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". After his father died in 1969, Asimov annually contributed to a Judah Asimov Scholarship Fund at Brandeis University. Illness and death In 1977, Asimov suffered a heart attack. In December 1983, he had triple bypass surgery at NYU Medical Center, during which he contracted HIV from a blood transfusion. His HIV status was kept secret out of concern that the anti-AIDS prejudice might extend to his family members. He died in Manhattan on April 6, 1992, and was cremated. The cause of death was reported as heart and kidney failure. Ten years following Asimov's death, Janet and Robyn Asimov agreed that the HIV story should be made public; Janet revealed it in her edition of his autobiography, It's Been a Good Life. Writings Overview Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories. Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image". Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series. Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream". Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology. Although Asimov did write several essays about psychology, and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982), which were classified in the 100s category, none of his own books were classified in that category. According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author. Science fiction Asimov became a science fiction fan in 1929, when he began reading the pulp magazines sold in his family's candy store. At first his father forbade reading pulps as he considered them to be trash, until Asimov persuaded him that because the science fiction magazines had "Science" in the title, they must be educational. At age 18 he joined the Futurians science fiction fan club, where he made friends who went on to become science fiction writers or editors. Asimov began writing at the age of 11, imitating The Rover Boys with eight chapters of The Greenville Chums at College. His father bought Asimov a used typewriter at age 16. His first published work was a humorous item on the birth of his brother for Boys High School's literary journal in 1934. In May 1937 he first thought of writing professionally, and began writing his first science fiction story, "Cosmic Corkscrew" (now lost), that year. On May 17, 1938, puzzled by a change in the schedule of Astounding Science Fiction, Asimov visited its publisher Street & Smith Publications. Inspired by the visit, he finished the story on June 19, 1938, and personally submitted it to Astounding editor John W. Campbell two days later. Campbell met with Asimov for more than an hour and promised to read the story himself. Two days later he received a rejection letter explaining why in detail. This was the first of what became almost weekly meetings with the editor while Asimov lived in New York, until moving to Boston in 1949; Campbell had a strong formative influence on Asimov and became a personal friend. By the end of the month, Asimov completed a second story, "Stowaway". Campbell rejected it on July 22 but—in "the nicest possible letter you could imagine"—encouraged him to continue writing, promising that Asimov might sell his work after another year and a dozen stories of practice. On October 21, 1938, he sold the third story he finished, "Marooned Off Vesta", to Amazing Stories, edited by Raymond A. Palmer, and it appeared in the March 1939 issue. Asimov was paid $64 (), or one cent a word. Two more stories appeared that year, "The Weapon Too Dreadful to Use" in the May Amazing and "Trends" in the July Astounding, the issue fans later selected as the start of the Golden Age of Science Fiction. For 1940, ISFDB catalogs seven stories in four different pulp magazines, including one in Astounding. His earnings became enough to pay for his education, but not yet enough for him to become a full-time writer. Asimov later said that unlike other top Golden Age writers Robert Heinlein and A. E. van Vogt—also first published in 1939, and whose talent and stardom were immediately obvious—he "(this is not false modesty) came up only gradually". Through July 29, 1940, Asimov wrote 22 stories in 25 months, of which 13 were published; he wrote in 1972 that from that date he never wrote a science fiction story that was not published (except for two "special cases"). He was famous enough that Donald Wollheim told Asimov that he purchased "The Secret Sense" for a new magazine only because of his name, and the December 1940 issue of Astonishing—featuring Asimov's name in bold—was the first magazine to base cover art on his work, but Asimov later said that neither he himself nor anyone else—except perhaps Campbell—considered him better than an often published "third rater". Based on a conversation with Campbell, Asimov wrote "Nightfall", his 32nd story, in March and April 1941, and Astounding published it in September 1941. In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written. In Nightfall and Other Stories Asimov wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'." "Nightfall" is an archetypal example of social science fiction, a term he created to describe a new trend in the 1940s, led by authors including him and Heinlein, away from gadgets and space opera and toward speculation about the human condition. After writing "Victory Unintentional" in January and February 1942, Asimov did not write another story for a year. Asimov expected to make chemistry his career, and was paid $2,600 annually at the Philadelphia Navy Yard, enough to marry his girlfriend; he did not expect to make much more from writing than the $1,788.50 he had earned from 28 stories sold over four years. Asimov left science fiction fandom and no longer read new magazines, and might have left the industry had not Heinlein and de Camp been coworkers and previously sold stories continued to appear. In 1942, Asimov published the first of his Foundation stories—later collected in the Foundation trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953). The books recount the fall of a vast interstellar empire and the establishment of its eventual successor. They also feature his fictional science of psychohistory, in which the future course of the history of large populations can be predicted. The trilogy and Robot series are his most famous science fiction. In 1966 they won the Hugo Award for the all-time best series of science fiction and fantasy novels. Campbell raised his rate per word, Orson Welles purchased rights to "Evidence", and anthologies reprinted his stories. By the end of the war Asimov was earning as a writer an amount equal to half of his Navy Yard salary, even after a raise, but Asimov still did not believe that writing could support him, his wife, and future children. His "positronic" robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in his introduction to the short story collection The Complete Robot (1982) that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creators. The robot series has led to film adaptations. With Asimov's collaboration, in about 1977, Harlan Ellison wrote a screenplay of I, Robot that Asimov hoped would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay has never been filmed and was eventually published in book form in 1994. The 2004 movie I, Robot, starring Will Smith, was based on an unrelated script by Jeff Vintar titled Hardwired, with Asimov's ideas incorporated later after the rights to Asimov's title were acquired. (The title was not original to Asimov but had previously been used for a story by Eando Binder.) Also, one of Asimov's robot short stories, "The Bicentennial Man", was expanded into a novel The Positronic Man by Asimov and Robert Silverberg, and this was adapted into the 1999 movie Bicentennial Man, starring Robin Williams. Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford, David Brin, and Donald Kingsbury. At least some of these appear to have been done with the blessing of, or at the request of, Asimov's widow, Janet Asimov. In 1948, he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name. Asimov grew concerned at the scrutiny he would receive at his oral examination, in case the examiners thought he wasn't taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old with Me" (40,000 words), but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. Doubleday published five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw Gnome Press publish one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation trilogy. More positronic robot stories were republished in book form as The Rest of the Robots. Books and the magazines Galaxy, and Fantasy & Science Fiction ended Asimov's dependence on Astounding. He later described the era as his "'mature' period". Asimov's "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy, was his personal favorite story. In 1972, his novel The Gods Themselves (which was not part of a series) was published to general acclaim, and it won the Hugo Award for Best Novel, the Nebula Award for Best Novel, and the Locus Award for Best Novel. In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue. McCartney rejected the story. The treatment now exists only in the Boston University archives. Asimov said in 1969 that he had "the happiest of all my associations with science fiction magazines" with Fantasy & Science Fiction; "I have no complaints about Astounding, Galaxy, or any of the rest, heaven knows, but F&SF has become something special to me". Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazines and Alfred Hitchcock's Mystery Magazines "anthologies"). Due to pressure by fans on Asimov to write another book in his Foundation series, he did so with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992), his last novel. Popular science Asimov and two colleagues published a textbook in 1949, with two more editions by 1969. During the late 1950s and 1960s, Asimov substantially decreased his fiction output (he published only four adult novels between 1957's The Naked Sun and 1982's Foundation's Edge, two of which were mysteries). He greatly increased his nonfiction production, writing mostly on science topics; the launch of Sputnik in 1957 engendered public concern over a "science gap". Asimov explained in The Rest of the Robots that he had been unable to write substantial fiction since the summer of 1958, and observers understood him as saying that his fiction career had ended, or was permanently interrupted. Asimov recalled in 1969 that "the United States went into a kind of tizzy, and so did I. I was overcome by the ardent desire to write popular science for an America that might be in great danger through its neglect of science, and a number of publishers got an equally ardent desire to publish popular science for the same reason". Fantasy and Science Fiction invited Asimov to continue his regular nonfiction column, begun in the now-folded bimonthly companion magazine Venture Science Fiction Magazine. The first of 399 monthly F&SF columns appeared in November 1958 and they continued until his terminal illness. These columns, periodically collected into books by Doubleday, gave Asimov a reputation as a "Great Explainer" of science; he described them as his only popular science writing in which he never had to assume complete ignorance of the subjects on the part of his readers. The column was ostensibly dedicated to popular science but Asimov had complete editorial freedom, and wrote about contemporary social issues in essays such as "Thinking About Thinking" and "Knock Plastic!". In 1975 he wrote of these essays: "I get more pleasure out of them than out of any other writing assignment." Asimov's first wide-ranging reference work, The Intelligent Man's Guide to Science (1960), was nominated for a National Book Award, and in 1963 he won a Hugo Award—his first—for his essays for F&SF. The popularity of his science books and the income he derived from them allowed him to give up most academic responsibilities and become a full-time freelance writer. He encouraged other science fiction writers to write popular science, stating in 1967 that "the knowledgeable, skillful science writer is worth his weight in contracts", with "twice as much work as he can possibly handle". The great variety of information covered in Asimov's writings prompted Kurt Vonnegut to ask, "How does it feel to know everything?" Asimov replied that he only knew how it felt to have the 'reputation' of omniscience: "Uneasy". Floyd C. Gale said that "Asimov has a rare talent. He can make your mental mouth water over dry facts", and "science fiction's loss has been science popularization's gain". Asimov said that "Of all the writing I do, fiction, non-fiction, adult, or juvenile, these F & SF articles are by far the most fun". He regretted, however, that he had less time for fiction—causing dissatisfied readers to send him letters of complaint—stating in 1969 that "In the last ten years, I've done a couple of novels, some collections, a dozen or so stories, but that's nothing". In his essay "To Tell a Chemist" (1965), Asimov proposed a simple shibboleth for distinguishing chemists from non-chemists: ask the person to read the word "unionized". Chemists, he noted, will read the word "unionized" as un-ion-ized (pronounced "un-EYE-en-ized"), meaning "(a chemical species) being in an electrically neutral state, as opposed to being an ion", while non-chemists will read the word as union-ized (pronounced "YOU-nien-ized"), meaning "(a worker or organization) belonging to or possessing a trade union". Coined terms Asimov coined the term "robotics" in his 1941 story "Liar!", though he later remarked that he believed then that he was merely using an existing word, as he stated in Gold ("The Robot Chronicles"). While acknowledging the Oxford Dictionary reference, he incorrectly states that the word was first printed about one third of the way down the first column of page 100, Astounding Science Fiction, March 1942 printing of his short story "Runaround". In the same story, Asimov also coined the term "positronic" (the counterpart to "electronic" for positrons). Asimov coined the term "psychohistory" in his Foundation stories to name a fictional branch of science which combines history, sociology, and mathematical statistics to make general predictions about the future behavior of very large groups of people, such as the Galactic Empire. Asimov said later that he should have called it psychosociology. It was first introduced in the five short stories (1942–1944) which would later be collected as the 1951 fix-up novel Foundation. Somewhat later, the term "psychohistory" was applied by others to research of the effects of psychology on history. Other writings In addition to his interest in science, Asimov was interested in history. Starting in the 1960s, he wrote 14 popular history books, including The Greeks: A Great Adventure (1965), The Roman Republic (1966), The Roman Empire (1967), The Egyptians (1967) The Near East: 10,000 Years of History (1968), and Asimov's Chronology of the World (1991). He published Asimov's Guide to the Bible in two volumes—covering the Old Testament in 1967 and the New Testament in 1969—and then combined them into one 1,300-page volume in 1981. Complete with maps and tables, the guide goes through the books of the Bible in order, explaining the history of each one and the political influences that affected it, as well as biographical information about the important characters. His interest in literature manifested itself in several annotations of literary works, including Asimov's Guide to Shakespeare (1970), Asimov's Annotated Don Juan (1972), Asimov's Annotated Paradise Lost (1974), and The Annotated Gulliver's Travels (1980). Asimov was also a noted mystery author and a frequent contributor to Ellery Queen's Mystery Magazine. He began by writing science fiction mysteries such as his Wendell Urth stories, but soon moved on to writing "pure" mysteries. He published two full-length mystery novels, and wrote 66 stories about the Black Widowers, a group of men who met monthly for dinner, conversation, and a puzzle. He got the idea for the Widowers from his own association in a stag group called the Trap Door Spiders, and all of the main characters (with the exception of the waiter, Henry, who he admitted resembled Wodehouse's Jeeves) were modeled after his closest friends. A parody of the Black Widowers, "An Evening with the White Divorcés," was written by author, critic, and librarian Jon L. Breen. Asimov joked, "all I can do ... is to wait until I catch him in a dark alley, someday." Toward the end of his life, Asimov published a series of collections of limericks, mostly written by himself, starting with Lecherous Limericks, which appeared in 1975. Limericks: Too Gross, whose title displays Asimov's love of puns, contains 144 limericks by Asimov and an equal number by John Ciardi. He even created a slim volume of Sherlockian limericks. Asimov featured Yiddish humor in Azazel, The Two Centimeter Demon. The two main characters, both Jewish, talk over dinner, or lunch, or breakfast, about anecdotes of "George" and his friend Azazel. Asimov's Treasury of Humor is both a working joke book and a treatise propounding his views on humor theory. According to Asimov, the most essential element of humor is an abrupt change in point of view, one that suddenly shifts focus from the important to the trivial, or from the sublime to the ridiculous. Particularly in his later years, Asimov to some extent cultivated an image of himself as an amiable lecher. In 1971, as a response to the popularity of sexual guidebooks such as The Sensuous Woman (by "J") and The Sensuous Man (by "M"), Asimov published The Sensuous Dirty Old Man under the byline "Dr. 'A (although his full name was printed on the paperback edition, first published 1972). However, by 2016, some of Asimov's behavior towards women was described as sexual harassment and cited as an example of historically problematic behavior by men in science fiction communities. Asimov published three volumes of autobiography. In Memory Yet Green (1979) and In Joy Still Felt (1980) cover his life up to 1978. The third volume, I. Asimov: A Memoir (1994), covered his whole life (rather than following on from where the second volume left off). The epilogue was written by his widow Janet Asimov after his death. The book won a Hugo Award in 1995. Janet Asimov edited It's Been a Good Life (2002), a condensed version of his three autobiographies. He also published three volumes of retrospectives of his writing, Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984). In 1987, the Asimovs co-wrote How to Enjoy Writing: A Book of Aid and Comfort. In it they offer advice on how to maintain a positive attitude and stay productive when dealing with discouragement, distractions, rejection, and thick-headed editors. The book includes many quotations, essays, anecdotes, and husband-wife dialogues about the ups and downs of being an author. Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Treks initial launch in the late 1960s. Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects. In 1973, Asimov published a proposal for calendar reform, called the World Season Calendar. It divides the year into four seasons (named A–D) of 13 weeks (91 days) each. This allows days to be named, e.g., "D-73" instead of December 1 (due to December 1 being the 73rd day of the 4th quarter). An extra 'year day' is added for a total of 365 days. Awards and recognition Asimov won more than a dozen annual awards for particular works of science fiction and a half-dozen lifetime awards. He also received 14 honorary doctorate degrees from universities. 1955 – Guest of Honor at the 13th World Science Fiction Convention 1957 – Thomas Alva Edison Foundation Award for best science book for youth, for Building Blocks of the Universe 1960 – Howard W. Blakeslee Award from the American Heart Association for The Living River 1962 – Boston University's Publication Merit Award 1963 – A special Hugo Award for "adding science to science fiction," for essays published in The Magazine of Fantasy and Science Fiction 1963 – Fellow of the American Academy of Arts and Sciences 1964 – The Science Fiction Writers of America voted "Nightfall" (1941) the all-time best science fiction short story 1965 – James T. Grady Award of the American Chemical Society (now called the James T. Grady-James H. Stack Award for Interpreting Chemistry) 1966 – Best All-time Novel Series Hugo Award for the Foundation trilogy 1967 – Edward E. Smith Memorial Award 1967 – AAAS-Westinghouse Science Writing Award for Magazine Writing, for essay "Over the Edge of the Universe" (in the March 1967 Harper's Magazine) 1972 – Nebula Award for Best Novel for The Gods Themselves 1973 – Hugo Award for Best Novel for The Gods Themselves 1973 – Locus Award for Best Novel for The Gods Themselves 1975 – Golden Plate Award of the American Academy of Achievement 1975 – Klumpke-Roberts Award "for outstanding contributions to the public understanding and appreciation of astronomy" 1975 – Locus Award for Best Reprint Anthology for Before the Golden Age 1977 – Hugo Award for Best Novelette for The Bicentennial Man 1977 – Nebula Award for Best Novelette for The Bicentennial Man 1977 – Locus Award for Best Novelette for The Bicentennial Man 1981 – An asteroid, 5020 Asimov, was named in his honor 1981 – Locus Award for Best Non-Fiction Book for In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 1983 – Hugo Award for Best Novel for Foundation's Edge 1983 – Locus Award for Best Science Fiction Novel for Foundation's Edge 1984 – Humanist of the Year 1986 – The Science Fiction and Fantasy Writers of America named him its 8th SFWA Grand Master (presented in 1987). 1987 – Locus Award for Best Short Story for "Robot Dreams" 1992 – Hugo Award for Best Novelette for "Gold" 1995 – Hugo Award for Best Non-Fiction Book for I. Asimov: A Memoir 1995 – Locus Award for Best Non-Fiction Book for I. Asimov: A Memoir 1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon for "The Mule", the 7th Foundation story, published in Astounding Science Fiction 1997 – The Science Fiction and Fantasy Hall of Fame inducted Asimov in its second class of two deceased and two living persons, along with H. G. Wells. 2000 – Asimov was featured on a stamp in Israel 2001 – The Isaac Asimov Memorial Debates at the Hayden Planetarium in New York were inaugurated 2009 – A crater on the planet Mars, Asimov, was named in his honor 2010 – In the US Congress bill about the designation of the National Robotics Week as an annual event, a tribute to Isaac Asimov is as follows: "Whereas the second week in April each year is designated as 'National Robotics Week', recognizing the accomplishments of Isaac Asimov, who immigrated to America, taught science, wrote science books for children and adults, first used the term robotics, developed the Three Laws of Robotics, and died in April 1992: Now, therefore, be it resolved ..." 2015 – Selected as a member of the New York State Writers Hall of Fame. 2016 – A 1941 Retro-Hugo for Best Short Story of 1940 was given at the 2016 WorldCon for Robbie, his first positronic robot story, published in Super Science Stories, September 1940 2018 – A 1943 Retro-Hugo for Best Short Story of 1942 was given at the 2018 WorldCon for Foundation, published in Astounding Science-Fiction, May 1942 Writing style Asimov was his own secretary, typist, indexer, proofreader, and literary agent. He wrote a typed first draft composed at the keyboard at 90 words per minute; he imagined an ending first, then a beginning, then "let everything in-between work itself out as I come to it". (Asimov only used an outline once, later describing it as "like trying to play the piano from inside a straitjacket".) After correcting a draft by hand, he retyped the document as the final copy and only made one revision with minor editor-requested changes; a word processor did not save him much time, Asimov said, because 95% of the first draft was unchanged. After disliking making multiple revisions of "Black Friar of the Flame", Asimov refused to make major, second, or non-editorial revisions ("like chewing used gum"), stating that "too large a revision, or too many revisions, indicate that the piece of writing is a failure. In the time it would take to salvage such a failure, I could write a new piece altogether and have infinitely more fun in the process". He submitted "failures" to another editor. One of the most common impressions of Asimov's fiction work is that his writing style is extremely unornamented. In 1980, science fiction scholar James Gunn wrote of I, Robot: Asimov addressed such criticism in 1989 at the beginning of Nemesis: Gunn cited examples of a more complex style, such as the climax of "Liar!". Sharply drawn characters occur at key junctures of his storylines: Susan Calvin in "Liar!" and "Evidence", Arkady Darell in Second Foundation, Elijah Baley in The Caves of Steel, and Hari Seldon in the Foundation prequels. Other than books by Gunn and Joseph Patrouch, a relative dearth of "literary" criticism exists on Asimov (particularly when compared to the sheer volume of his output). Cowart and Wymer's Dictionary of Literary Biography (1981) gives a possible reason: Gunn's and Patrouch's respective studies of Asimov both state that a clear, direct prose style is still a style. Gunn's 1982 book comments in detail on each of Asimov's novels. He does not praise all of Asimov's fiction (nor does Patrouch), but calls some passages in The Caves of Steel "reminiscent of Proust". When discussing how that novel depicts night falling over futuristic New York City, Gunn says that Asimov's prose "need not be ashamed anywhere in literary society". Although he prided himself on his unornamented prose style (for which he credited Clifford D. Simak as an early influence), and said in 1973 that his style had not changed, Asimov also enjoyed giving his longer stories complicated narrative structures, often by arranging chapters in nonchronological ways. Some readers have been put off by this, complaining that the nonlinearity is not worth the trouble and adversely affects the clarity of the story. For example, the first third of The Gods Themselves begins with Chapter 6, then backtracks to fill in earlier material. (John Campbell advised Asimov to begin his stories as late in the plot as possible. This advice helped Asimov create "Reason", one of the early Robot stories). Patrouch found that the interwoven and nested flashbacks of The Currents of Space did serious harm to that novel, to such an extent that only a "dyed-in-the-kyrt Asimov fan" could enjoy it. In his later novel Nemesis one group of characters lives in the "present" and another group starts in the "past", beginning 15 years earlier and gradually moving toward the time period of the first group. Alien life Asimov once explained that his reluctance to write about aliens came from an incident early in his career when Astoundings editor John Campbell rejected one of his science fiction stories because the alien characters were portrayed as superior to the humans. The nature of the rejection led him to believe that Campbell may have based his bias towards humans in stories on a real-world racial bias. Unwilling to write only weak alien races, and concerned that a confrontation would jeopardize his and Campbell's friendship, he decided he would not write about aliens at all. Nevertheless, in response to these criticisms, he wrote The Gods Themselves, which contains aliens and alien sex. The book won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973. Asimov said that of all his writings, he was most proud of the middle section of The Gods Themselves, the part that deals with those themes. In the Hugo Award-winning novelette "Gold", Asimov describes an author, clearly based on himself, who has one of his books (The Gods Themselves) adapted into a "compu-drama", essentially photo-realistic computer animation. The director criticizes the fictionalized Asimov ("Gregory Laborian") for having an extremely nonvisual style, making it difficult to adapt his work, and the author explains that he relies on ideas and dialogue rather than description to get his points across. Romance and women In the early days of science fiction some authors and critics felt that the romantic elements were inappropriate in science fiction stories, which were supposedly to be focused on science and technology. Isaac Asimov was a prominent supporter of this point of view, expressed in his 1938-1939 letters to Astounding, where he described such elements as "mush" and "slop". However, to his dismay, these letters were met with a strong opposition. Asimov attributed the lack of romance and sex in his fiction to the "early imprinting" from starting his writing career when he had never been on a date and "didn't know anything about girls". He was sometimes criticized for the general absence of sex (and of extraterrestrial life) in his science fiction. He claimed he wrote The Gods Themselves to respond to these criticisms, which often came from New Wave science fiction (and often British) writers. The second part (of three) of the novel is set on an alien world with three sexes, and the sexual behavior of these creatures is extensively depicted. Asimov was also criticized for a lack of strong female characters in his early work. However, some of his robot stories, including the earliest ones, featured the character Susan Calvin, a forceful and intelligent woman who regularly out-performed her male colleagues. In his autobiographical writings, such as Gold ("Women and Science Fiction"), he acknowledges this complaint has merit and responds by pointing to inexperience. His later novels, written with more female characters but in essentially the same prose style as his early science-fiction stories, brought this matter to a wider audience. The Washington Post's "Book World" section reports of Robots and Empire opined "In 1940, Asimov's humans were stripped-down masculine portraits of Americans from 1940, and they still are." Views Religion Asimov was an atheist, a humanist, and a rationalist. He did not oppose religious conviction in others, but he frequently railed against superstitious and pseudoscientific beliefs that tried to pass themselves off as genuine science. During his childhood, his father and mother observed the traditions of Orthodox Judaism, though not as stringently as they had in Petrovichi; they did not, however, force their beliefs upon young Isaac. Thus, he grew up without strong religious influences, coming to believe that the Torah represented Hebrew mythology in the same way that the Iliad recorded Greek mythology. When he was 13, he chose not to have a bar mitzvah. As his books Treasury of Humor and Asimov Laughs Again record, Asimov was willing to tell jokes involving God, Satan, the Garden of Eden, Jerusalem, and other religious topics, expressing the viewpoint that a good joke can do more to provoke thought than hours of philosophical discussion. For a brief while, his father worked in the local synagogue to enjoy the familiar surroundings and, as Isaac put it, "shine as a learned scholar" versed in the sacred writings. This scholarship was a seed for his later authorship and publication of Asimov's Guide to the Bible, an analysis of the historic foundations for both the Old and New Testaments. For many years, Asimov called himself an atheist; however, he considered the term somewhat inadequate, as it described what he did not believe rather than what he did. Eventually, he described himself as a "humanist" and considered that term more practical. Asimov did, however, continue to identify himself as a secular Jew, as stated in his introduction to Jack Dann's anthology of Jewish science fiction, Wandering Stars: "I attend no services and follow no ritual and have never undergone that curious puberty rite, the Bar Mitzvah. It doesn't matter. I am Jewish." When asked in an interview in 1982 if he was an atheist, Asimov replied, Likewise, he said about religious education: "I would not be satisfied to have my kids choose to be religious without trying to argue them out of it, just as I would not be satisfied to have them decide to smoke regularly or engage in any other practice I consider detrimental to mind or body." In his last volume of autobiography, Asimov wrote, The same memoir states his belief that Hell is "the drooling dream of a sadist" crudely affixed to an all-merciful God; if even human governments were willing to curtail cruel and unusual punishments, wondered Asimov, why would punishment in the afterlife not be restricted to a limited term? Asimov rejected the idea that a human belief or action could merit infinite punishment. If an afterlife existed, he claimed, the longest and most severe punishment would be reserved for those who "slandered God by inventing Hell". Asimov said about using religious motifs in his writing: Politics Asimov became a staunch supporter of the Democratic Party during the New Deal, and thereafter remained a political liberal. He was a vocal opponent of the Vietnam War in the 1960s and in a television interview during the early 1970s he publicly endorsed George McGovern. He was unhappy about what he considered an "irrationalist" viewpoint taken by many radical political activists from the late 1960s and onwards. In his second volume of autobiography, In Joy Still Felt, Asimov recalled meeting the counterculture figure Abbie Hoffman. Asimov's impression was that the 1960s' counterculture heroes had ridden an emotional wave which, in the end, left them stranded in a "no-man's land of the spirit" from which he wondered if they would ever return. Asimov vehemently opposed Richard Nixon, considering him "a crook and a liar". He closely followed Watergate, and was pleased when the president was forced to resign. Asimov was dismayed over the pardon extended to Nixon by his successor: "I was not impressed by the argument that it has spared the nation an ordeal. To my way of thinking, the ordeal was necessary to make certain it would never happen again." After Asimov's name appeared in the mid-1960s on a list of people the Communist Party USA "considered amenable" to its goals, the FBI investigated him. Because of his academic background, the bureau briefly considered Asimov as a possible candidate for known Soviet spy ROBPROF, but found nothing suspicious in his life or background. Asimov appeared to hold an equivocal attitude towards Israel. In his first autobiography, he indicates his support for the safety of Israel, though insisting that he was not a Zionist. In his third autobiography, Asimov stated his opposition to the creation of a Jewish state, on the grounds that he was opposed to having nation-states in general, and supported the notion of a single humanity. Asimov especially worried about the safety of Israel given that it had been created among hostile Muslim neighbors, and said that Jews had merely created for themselves another "Jewish ghetto". Social issues Asimov believed that "science fiction ... serve[s] the good of humanity". He considered himself a feminist even before women's liberation became a widespread movement; he argued that the issue of women's rights was closely connected to that of population control. Furthermore, he believed that homosexuality must be considered a "moral right" on population grounds, as must all consenting adult sexual activity that does not lead to reproduction. He issued many appeals for population control, reflecting a perspective articulated by people from Thomas Malthus through Paul R. Ehrlich. In a 1988 interview by Bill Moyers, Asimov proposed computer-aided learning, where people would use computers to find information on subjects in which they were interested. He thought this would make learning more interesting, since people would have the freedom to choose what to learn, and would help spread knowledge around the world. Also, the one-to-one model would let students learn at their own pace. Asimov thought that people would live in space by the year 2019. In 1983 Asimov wrote: He continues on education: Sexual harassment Asimov would often fondle, kiss and pinch women at conventions and elsewhere without regard for their consent. According to Alec Nevala-Lee, author of an Asimov biography and writer on the history of science fiction, he often defended himself by saying that far from showing objections, these women cooperated. In the 1971 satirical piece, The Sensuous Dirty Old Man, he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." According to Nevala-Lee, however, "many of these encounters were clearly nonconsensual." He wrote that Asimov's behaviour, as a leading science-fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community. In support of this, he quoted some of Asimov's contemporary fellow-authors such as Judith Merril, Harlan Ellison and Frederik Pohl, as well as editors such as Timothy Seldes. Specific incidents were reported by other people including Edward L. Ferman, long-time editor of The Magazine of Fantasy & Science Fiction who wrote "... instead of shaking my date's hand, he shook her left breast". Environment and population Asimov's defense of civil applications of nuclear power even after the Three Mile Island nuclear power plant incident damaged his relations with some of his fellow liberals. In a letter reprinted in Yours, Isaac Asimov, he states that although he would prefer living in "no danger whatsoever" than near a nuclear reactor, he would still prefer a home near a nuclear power plant than in a slum on Love Canal or near "a Union Carbide plant producing methyl isocyanate", the latter being a reference to the Bhopal disaster. In the closing years of his life, Asimov blamed the deterioration of the quality of life that he perceived in New York City on the shrinking tax base caused by the middle-class flight to the suburbs, though he continued to support high taxes on the middle class to pay for social programs. His last nonfiction book, Our Angry Earth (1991, co-written with his long-time friend, science fiction author Frederik Pohl), deals with elements of the environmental crisis such as overpopulation, oil dependence, war, global warming, and the destruction of the ozone layer. In response to being presented by Bill Moyers with the question "What do you see happening to the idea of dignity to human species if this population growth continues at its present rate?", Asimov responded: Other authors Asimov enjoyed the writings of J. R. R. Tolkien, and in fact even used The Lord of the Rings as a plot point in a Black Widowers story, titled Nothing like Murder. In the essay All or Nothing (for The Magazine of Fantasy and Science Fiction, Jan 1981), Asimov revealed that he admires Tolkien and that he had read The Lord of the Rings five times. (The feelings were mutual, with Tolkien himself revealing that he had enjoyed Asimov's science fiction. This would make Asimov an exception to Tolkien's earlier claim that he rarely found "any modern books" that were interesting to him.) He acknowledged other writers as superior to himself in talent, saying of Harlan Ellison, "He is (in my opinion) one of the best writers in the world, far more skilled at the art than I am." Asimov disapproved of the New Wave's growing influence, however, stating in 1967 "I want science fiction. I think science fiction isn't really science fiction if it lacks science. And I think the better and truer the science, the better and truer the science fiction". The feelings of friendship and respect between Asimov and Arthur C. Clarke were demonstrated by the so-called "Clarke-Asimov Treaty of Park Avenue", negotiated as they shared a cab in New York. This stated that Asimov was required to insist that Clarke was the best science fiction writer in the world (reserving second-best for himself), while Clarke was required to insist that Asimov was the best science writer in the world (reserving second-best for himself). Thus, the dedication in Clarke's book Report on Planet Three (1972) reads: "In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer." Asimov became a fan of mystery stories at the same time as science fiction. He preferred to read the former to latter because "I read every [science fiction] story keenly aware that it might be worse than mine, in which case I had no patience with it, or that it might be better, in which case I felt miserable". Asimov wrote "I make no secret of the fact that in my mysteries I use Agatha Christie as my model. In my opinion, her mysteries are the best ever written, far better than the Sherlock Holmes stories, and Hercule Poirot is the best detective fiction has seen. Why should I not use as my model what I consider the best?" He enjoyed Sherlock Holmes, but considered Arthur Conan Doyle to be "a slapdash and sloppy writer." Asimov also enjoyed humorous stories, particularly those of P. G. Wodehouse. In non-fiction writing, Asimov particularly admired the writing style of Martin Gardner, and tried to emulate it in his own science books. On meeting Gardner for the first time in 1965, Asimov told him this, to which Gardner answered that he had based his own style on Asimov's. Influence Paul Krugman, holder of a Nobel Prize in Economics, stated Asimov's concept of psychohistory has inspired him to become an economist. John Jenkins, who has reviewed the vast majority of Asimov's written output, once observed, "It has been pointed out that most science fiction writers since the 1950s have been affected by Asimov, either modeling their style on his or deliberately avoiding anything like his style." Along with such figures as Bertrand Russell and Karl Popper, Asimov left his mark as one of the most distinguished interdisciplinarians of the 20th century. "Few individuals", writes James L. Christian, "understood better than Isaac Asimov what synoptic thinking is all about. His almost 500 books—which he wrote as a specialist, a knowledgeable authority, or just an excited layman—range over almost all conceivable subjects: the sciences, history, literature, religion, and of course, science fiction." Bibliography Depending on the counting convention used, and including all titles, charts, and edited collections, there may be currently over 500 books in Asimov's bibliography—as well as his individual short stories, individual essays, and criticism. For his 100th, 200th, and 300th books (based on his personal count), Asimov published Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984), celebrating his writing. An extensive bibliography of Isaac Asimov's works has been compiled by Ed Seiler. He published enough that his book writing rate could be analysed, showing that the writing became faster as he wrote more. An online exhibit in West Virginia University Libraries' virtually complete Asimov Collection displays features, visuals, and descriptions of some of his over 600 books, games, audio recordings, videos, and wall charts. Many first, rare, and autographed editions are in the Libraries' Rare Book Room. Book jackets and autographs are presented online along with descriptions and images of children's books, science fiction art, multimedia, and other materials in the collection. Science fiction "Greater Foundation" series The Robot series was originally separate from the Foundation series. The Galactic Empire novels were published as independent stories, set earlier in the same future as Foundation. Later in life, Asimov synthesized the Robot series into a single coherent "history" that appeared in the extension of the Foundation series. All of these books were published by Doubleday & Co, except the original Foundation trilogy which was originally published by Gnome Books before being bought and republished by Doubleday. The Robot series: (first Elijah Baley SF-crime novel) (second Elijah Baley SF-crime novel) (third Elijah Baley SF-crime novel) (sequel to the Elijah Baley trilogy) Galactic Empire novels: (early Galactic Empire) (long before the Empire) (Republic of Trantor still expanding) Foundation prequels: Original Foundation trilogy: (also published with the title 'The Man Who Upset the Universe' as a 35¢ Ace paperback, D-125, in about 1952) Extended Foundation series: Lucky Starr series (as Paul French) All published by Doubleday & Co David Starr, Space Ranger (1952) Lucky Starr and the Pirates of the Asteroids (1953) Lucky Starr and the Oceans of Venus (1954) Lucky Starr and the Big Sun of Mercury (1956) Lucky Starr and the Moons of Jupiter (1957) Lucky Starr and the Rings of Saturn (1958) Norby Chronicles (with Janet Asimov) All published by Walker & Company Norby, the Mixed-Up Robot (1983) Norby's Other Secret (1984) Norby and the Lost Princess (1985) Norby and the Invaders (1985) Norby and the Queen's Necklace (1986) Norby Finds a Villain (1987) Norby Down to Earth (1988) Norby and Yobo's Great Adventure (1989) Norby and the Oldest Dragon (1990) Norby and the Court Jester (1991) Novels not part of a series Novels marked with an asterisk (*) have minor connections to Foundation universe. The End of Eternity (1955), Doubleday (*) Fantastic Voyage (1966), Bantam Books (paperback) and Houghton Mifflin (hardback) (a novelization of the movie) The Gods Themselves (1972), Doubleday Fantastic Voyage II: Destination Brain (1987), Doubleday (not a sequel to Fantastic Voyage, but a similar, independent story) Nemesis (1989), Bantam Doubleday Dell (*) Nightfall (1990), Doubleday, with Robert Silverberg (based on "Nightfall", a 1941 short story written by Asimov) Child of Time (1992), Bantam Doubleday Dell, with Robert Silverberg (based on "The Ugly Little Boy", a 1958 short story written by Asimov) The Positronic Man (1993), Bantam Doubleday Dell, with Robert Silverberg (*) (based on The Bicentennial Man, a 1976 novella written by Asimov) Short-story collections Mysteries Novels The Death Dealers (1958), Avon Books, republished as A Whiff of Death by Walker & Company Murder at the ABA (1976), Doubleday, also published as Authorized Murder Short-story collections Black Widowers series Tales of the Black Widowers (1974), Doubleday More Tales of the Black Widowers (1976), Doubleday Casebook of the Black Widowers (1980), Doubleday Banquets of the Black Widowers (1984), Doubleday Puzzles of the Black Widowers (1990), Doubleday The Return of the Black Widowers (2003), Carroll & Graf Other mysteries Asimov's Mysteries (1968), Doubleday The Key Word and Other Mysteries (1977), Walker The Union Club Mysteries (1983), Doubleday The Disappearing Man and Other Mysteries (1985), Walker The Best Mysteries of Isaac Asimov (1986), Doubleday Nonfiction Popular science Collections of Asimov's essays for F&SF The following books collected essays which were originally published as monthly columns in The Magazine of Fantasy and Science Fiction and collected by Doubleday & Co Fact and Fancy (1962) View from a Height (1963) Adding a Dimension (1964) Of Time and Space and Other Things (1965) From Earth to Heaven (1966) Science, Numbers, and I (1968) The Solar System and Back (1970) The Stars in Their Courses (1971) The Left Hand of the Electron (1972) The Tragedy of the Moon (1973) Asimov On Astronomy (updated version of essays in previous collections) (1974) Asimov On Chemistry (updated version of essays in previous collections) (1974) Of Matters Great and Small (1975) Asimov On Physics (updated version of essays in previous collections) (1976) The Planet That Wasn't (1976) Asimov On Numbers (updated version of essays in previous collections) (1976) Quasar, Quasar, Burning Bright (1977) The Road to Infinity (1979) The Sun Shines Bright (1981) Counting the Eons (1983) X Stands for Unknown (1984) The Subatomic Monster (1985) Far as Human Eye Could See (1987) The Relativity of Wrong (1988) Asimov on Science: A 30 Year Retrospective 1959–1989 (1989) (features the first essay in the introduction) Out of the Everywhere (1990) The Secret of the Universe (1991) Other general science essay collections Only a Trillion (1957), Abelard-Schuman, Is Anyone There? (1967), Doubleday, (which includes the article in which he coined the term "spome") Today and Tomorrow and— (1973), Doubleday Science Past, Science Future (1975), Doubleday, Please Explain (1975), Houghton Mifflin, Life and Time (1978), Doubleday The Roving Mind (1983), Prometheus Books, new edition 1997, The Dangers of Intelligence (1986), Houghton Mifflin Past, Present and Future (1987), Prometheus Books, The Tyrannosaurus Prescription (1989), Prometheus Books Frontiers (1990), Dutton Frontiers II (1993), Dutton Other science books by Asimov The Chemicals of Life (1954), Abelard-Schuman Inside the Atom (1956), Abelard-Schuman, Building Blocks of the Universe (1957; revised 1974), Abelard-Schuman, The World of Carbon (1958), Abelard-Schuman, The World of Nitrogen (1958), Abelard-Schuman, Words of Science and the History Behind Them (1959), Houghton Mifflin The Clock We Live On (1959), Abelard-Schuman, Breakthroughs in Science (1959), Houghton Mifflin, Realm of Numbers (1959), Houghton Mifflin, Realm of Measure (1960), Houghton Mifflin The Wellsprings of Life (1960), Abelard-Schuman, Life and Energy (1962), Doubleday, The Genetic Code (1962), The Orion Press The Human Body: Its Structure and Operation (1963), Houghton Mifflin, , (revised) The Human Brain: Its Capacities and Functions (1963), Houghton Mifflin, Planets for Man (with Stephen H. Dole) (1964), Random House, reprinted by RAND in 2007 An Easy Introduction to the Slide Rule (1965), Houghton Mifflin, The Intelligent Man's Guide to Science (1965), Basic Books The title varied with each of the four editions, the last being Asimov's New Guide to Science (1984) The Universe: From Flat Earth to Quasar (1966), Walker, The Neutrino (1966), Doubleday, ASIN B002JK525W Understanding Physics Vol. I, Motion, Sound, and Heat (1966), Walker, Understanding Physics Vol. II, Light, Magnetism, and Electricity (1966), Walker, Understanding Physics Vol. III, The Electron, Proton, and Neutron (1966), Walker, Photosynthesis (1969), Basic Books, Our World in Space (1974), New York Graphic, Eyes on the Universe: A History of the Telescope (1976), Andre Deutsch Limited, The Collapsing Universe (1977), Walker, Extraterrestrial Civilizations (1979), Crown, Visions of the Universe with illustrations by Kazuaki Iwasaki (1981), Cosmos Store, Exploring the Earth and the Cosmos (1982), Crown, The Measure of the Universe (1983), Harper & Row Think About Space: Where Have We Been and Where Are We Going? with co-author Frank White (1989), Walker Asimov's Chronology of Science and Discovery (1989), Harper & Row, second edition adds content thru 1993, Beginnings: The Story of Origins (1989), Walker Isaac Asimov's Guide to Earth and Space (1991), Random House, Atom: Journey Across the Subatomic Cosmos (1991), Dutton, Mysteries of Deep Space: Quasars, Pulsars and Black Holes (1994) Earth's Moon (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Sun (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Earth (1988), Gareth Stevens, revised in 2004 by Richard Hantula Jupiter (1989), Gareth Stevens, revised in 2004 by Richard Hantula Venus (1990), Gareth Stevens, revised in 2004 by Richard Hantula Literary works All published by Doubleday Asimov's Guide to Shakespeare, vols I and II (1970), Asimov's Annotated "Don Juan" (1972) Asimov's Annotated "Paradise Lost" (1974) Familiar Poems, Annotated (1976) Asimov's The Annotated "Gulliver's Travels" (1980) Asimov's Annotated "Gilbert and Sullivan" (1988) The Bible Words from Genesis (1962), Houghton Mifflin Words from the Exodus (1963), Houghton Mifflin Asimov's Guide to the Bible, vols I and II (1967 and 1969, one-volume ed. 1981), Doubleday, The Story of Ruth (1972), Doubleday, In the Beginning (1981), Crown Autobiography In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954 (1979, Doubleday) In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 (1980, Doubleday) I. Asimov: A Memoir (1994, Doubleday) It's Been a Good Life (2002, Prometheus Books), condensation of Asimov's three volumes of autobiography, edited by his widow, Janet Jeppson Asimov History All published by Houghton Mifflin except where otherwise stated The Kite That Won the Revolution (1963), The Greeks (1965) The Roman Republic (1966) The Roman Empire (1967) The Egyptians (1967) The Near East (1968) The Dark Ages (1968) Words from History (1968) The Shaping of England (1969) Constantinople: The Forgotten Empire (1970) The Land of Canaan (1971) The Shaping of France (1972) The Shaping of North America: From Earliest Times to 1763 (1973) The Birth of the United States: 1763–1816 (1974) Our Federal Union: The United States from 1816 to 1865 (1975), The Golden Door: The United States from 1865 to 1918 (1977) Asimov's Chronology of the World (1991), HarperCollins, The March of the Millennia (1991), with co-author Frank White, Walker & Company, Humor The Sensuous Dirty Old Man (1971) (As Dr. A), Walker & Company, Isaac Asimov's Treasury of Humor (1971), Houghton Mifflin Lecherous Limericks (1975), Walker, More Lecherous Limericks (1976), Walker, Still More Lecherous Limericks (1977), Walker, Limericks, Two Gross, with John Ciardi (1978), Norton, A Grossery of Limericks, with John Ciardi (1981), Norton, Limericks for Children (1984), Caedmon Asimov Laughs Again (1992), HarperCollins On writing science fiction Asimov on Science Fiction (1981), Doubleday Asimov's Galaxy (1989), Doubleday Other nonfiction Opus 100 (1969), Houghton Mifflin, Asimov's Biographical Encyclopedia of Science and Technology (1964), Doubleday (revised edition 1972, ) Opus 200 (1979), Houghton Mifflin, Isaac Asimov's Book of Facts (1979), Grosset & Dunlap, Opus 300 (1984), Houghton Mifflin, Our Angry Earth: A Ticking Ecological Bomb (1991), with co-author Frederik Pohl, Tor, . Television, music, and film appearances I Robot, a concept album by the Alan Parsons Project that examined some of Asimov's work The Last Word (1959) The Dick Cavett Show, four appearances 1968–71 The Nature of Things (1969) ABC News coverage of Apollo 11, 1969, with Fred Pohl, interviewed by Rod Serling David Frost interview program, August 1969. Frost asked Asimov if he had ever tried to find God and, after some initial evasion, Asimov answered, "God is much more intelligent than I am—let him try to find me." BBC Horizon "It's About Time" (1979), show hosted by Dudley Moore Target ... Earth? (1980) The David Letterman Show (1980) NBC TV Speaking Freely, interviewed by Edwin Newman (1982) ARTS Network talk show hosted by Studs Terkel and Calvin Trillin, approximately (1982) Oltre New York (1986) Voyage to the Outer Planets and Beyond (1986) Gandahar (1987), a French animated science-fiction film by René Laloux. Asimov wrote the English translation for the film. Bill Moyers interview (1988) Stranieri in America (1988) Adaptations El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!" A halhatatlanság halála (1977), TV movie directed by András Rajnai, based on novel The End of Eternity The Ugly Little Boy (1977), short film directed by Barry Morse and Donald W. Thompson, based on novelette The Ugly Little Boy All the Troubles of the World (1978), short film directed by Dianne Haak-Edson, based on short story "All the Troubles of the World" The End of Eternity (1987), film directed by Andrei Yermash, based on novel The End of Eternity Nightfall (1988), film directed by Paul Mayersberg, based on novelette "Nightfall" Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series Feeling 109 (1988), short film directed by Richard Kletter, based on a story of Asimov Teach 109 (1989), TV movie directed by Richard Kletter, based on a story of Asimov (the same as The Android Affair) The Android Affair (1995), TV movie directed by Richard Kletter, based on a story of Asimov (the same as Teach 109) Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man Nightfall (2000), film directed by Gwyneth Gibby, based on novelette "Nightfall" I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series Formula of Death (2012), TV movie directed by Behdad Avand Amini, based on novel The Death Dealers Spell My Name with an S (2014), short film directed by Samuel Ali, based on short story "Spell My Name with an S" Foundation (2021), series created by David S. Goyer and Josh Friedman, based on the Foundation series Novelizations Novel Fantastic Voyage, novelization of film Fantastic Voyage (1966) References Footnotes Notes Sources Asimov, Isaac. In Memory Yet Green (1979), New York: Avon, . In Joy Still Felt (1980), New York: Avon . I. Asimov: A Memoir (1994), (hc), (pb). Yours, Isaac Asimov (1996), edited by Stanley Asimov. New York: Doubleday . It's Been a Good Life (2002), edited by Janet Asimov. . Goldman, Stephen H., "Isaac Asimov", in Dictionary of Literary Biography, Vol. 8, Cowart and Wymer eds. (Gale Research, 1981), pp. 15–29. Gunn, James. "On Variations on a Robot", IASFM, July 1980, pp. 56–81. Isaac Asimov: The Foundations of Science Fiction (1982). . The Science of Science-Fiction Writing (2000). . Further reading External links Asimov Online, a vast repository of information about Asimov, maintained by Asimov enthusiast Edward Seiler Jenkins' Spoiler-Laden Guide to Isaac Asimov, reviews of all of Asimov's books 20th-century births 1992 deaths 20th-century American novelists 20th-century American male writers AIDS-related deaths in New York (state) American alternate history writers Jewish American atheists American biochemists American essayists American humanists American humorists American male novelists 20th-century American memoirists United States Army non-commissioned officers American mystery writers American people of Russian-Jewish descent American science fiction writers American science writers American skeptics American writers of Russian descent Asimov's Science Fiction people Bible commentators Boston University faculty Columbia University School of General Studies alumni Critics of religions Date of birth unknown Fellows of the American Academy of Arts and Sciences Futurians Historians of astronomy American historians of science Hugo Award-winning writers Humor researchers Jewish American novelists Jewish American short story writers Jewish feminists Jewish skeptics American male essayists Male feminists American male short story writers American short story writers Mensans Nebula Award winners New York (state) Democrats People from Shumyachsky District Naturalized citizens of the United States United States Navy civilians Science fiction fans Science Fiction Hall of Fame inductees SFWA Grand Masters Soviet emigrants to the United States Writers from Brooklyn Yiddish-speaking people Boys High School (Brooklyn) alumni Novelists from Massachusetts Novelists from New York (state) Scientists from New York City 20th-century essayists 20th-century atheists People from the Upper West Side Pulp fiction writers Writers about religion and science Atheist feminists Columbia Graduate School of Arts and Sciences alumni

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Why did he change

Why did Isaac Asimov change his major from zoology?

Isaac Asimov

Asimov attended New York City public schools from age 5, including Boys High School in Brooklyn. Graduating at 15, he went on to Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then the institution's primary undergraduate school for men with quotas on the number of admissions from those ethnic groups. Originally a zoology major, Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1938, Asimov finished his BS degree at University Extension (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov in 1939 applied to the graduate program in chemistry at Columbia; initially rejected and then accepted only on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in biochemistry in 1948. In between earning these two degrees, he spent three years during World War II working as a civilian at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949 with a $5,000 (equivalent to $51,427 in 2017) salary, with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university. The difference grew, and in 1958 Asimov stopped teaching to become a full-time writer. Being tenured, he retained the title of associate professor (which he had held since 1955), and in 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. CANNOTANSWER

Asimov switched to chemistry after his first semester as he disapproved of "dissecting an alley cat".

Isaac Asimov (; 1920 – April 6, 1992) was an American writer and professor of biochemistry at Boston University. During his lifetime, Asimov was considered one of the "Big Three" science fiction writers, along with Robert A. Heinlein and Arthur C. Clarke. A prolific writer, he wrote or edited more than 500 books. He also wrote an estimated 90,000 letters and postcards. Best known for his hard science fiction, Asimov also wrote mysteries and fantasy, as well as much nonfiction. Asimov's most famous work is the Foundation series, the first three books of which won the one-time Hugo Award for "Best All-Time Series" in 1966. His other major series are the Galactic Empire series and the Robot series. The Galactic Empire novels are set in the much earlier history of the same fictional universe as the Foundation series. Later, with Foundation and Earth (1986), he linked this distant future to the Robot stories, creating a unified "future history" for his stories. He also wrote over 380 short stories, including the social science fiction novelette "Nightfall," which in 1964 was voted the best short science fiction story of all time by the Science Fiction Writers of America. Asimov wrote the Lucky Starr series of juvenile science-fiction novels using the pen name Paul French. Most of his popular science books explain concepts in a historical way, going as far back as possible to a time when the science in question was at its simplest stage. Examples include Guide to Science, the three-volume set Understanding Physics, and Asimov's Chronology of Science and Discovery. He wrote on numerous other scientific and non-scientific topics, such as chemistry, astronomy, mathematics, history, biblical exegesis, and literary criticism. He was president of the American Humanist Association. Several entities have been named in his honor, including the asteroid (5020) Asimov, a crater on the planet Mars, a Brooklyn elementary school, Honda's humanoid robot, ASIMO, and four literary awards. Surname Asimov's family name derives from the first part of ozímyj khleb (озимый хлеб), meaning the winter grain (specifically rye) in which his great-great-great-grandfather dealt, with the Russian patronymic ending -ov added. Azimov is spelled in the Cyrillic alphabet. When the family arrived in the United States in 1923 and their name had to be spelled in the Latin alphabet, Asimov's father spelled it with an S, believing this letter to be pronounced like Z (as in German), and so it became Asimov. This later inspired one of Asimov's short stories, "Spell My Name with an S". Asimov refused early suggestions of using a more common name as a pseudonym, and believed that its recognizability helped his career. After becoming famous, he often met readers who believed that "Isaac Asimov" was a distinctive pseudonym created by an author with a common name. Biography Early life Asimov was born in Petrovichi, Russian SFSR, on an unknown date between October 4, 1919, and January 2, 1920, inclusive. Asimov celebrated his birthday on January 2. Asimov's parents were Anna Rachel (née Berman) and Judah Asimov, a family of Russian-Jewish millers. He was named Isaac after his mother's father, Isaac Berman. Asimov wrote of his father, "My father, for all his education as an Orthodox Jew, was not Orthodox in his heart", noting that "he didn't recite the myriad prayers prescribed for every action, and he never made any attempt to teach them to me". In 1921, Asimov and 16 other children in Petrovichi developed double pneumonia. Only Asimov survived. He later had two younger siblings: a sister, Marcia (born Manya; June 17, 1922 – April 2, 2011), and a brother, Stanley (July 25, 1929 – August 16, 1995), who was vice-president of the Long Island Newsday. Asimov's family travelled to the United States via Liverpool on the RMS Baltic, arriving on February 3, 1923 when he was three years old. Since his parents always spoke Yiddish and English with him, he never learned Russian, but he remained fluent in both. Growing up in Brooklyn, New York, Asimov taught himself to read at the age of five (and later taught his sister to read as well, enabling her to enter school in the second grade). His mother got him into first grade a year early by claiming he was born on September 7, 1919. In third grade he learned about the "error" and insisted on an official correction of the date to January 2. He became a naturalized U.S. citizen in 1928 at the age of eight. After becoming established in the U.S., his parents owned a succession of candy stores in which everyone in the family was expected to work. The candy stores sold newspapers and magazines, a fact that Asimov credited as a major influence in his lifelong love of the written word, as it presented him with an unending supply of new reading material (including pulp science fiction magazines) as a child that he could not have otherwise afforded. Asimov began reading science fiction at age nine, at the time when the genre was becoming more science-centered. Education and career Asimov attended New York City public schools from age five, including Boys High School in Brooklyn. Graduating at 15, he attended the City College of New York for several days before accepting a scholarship at Seth Low Junior College, a branch of Columbia University in Downtown Brooklyn designed to absorb some of the Jewish and Italian-American students who applied to Columbia College, then, the institution's primary undergraduate school for men. Jewish and Italian-American students, even of outstanding academic caliber, were often deliberately barred from Columbia College proper because of the then-popular practice of imposing unwritten ethnic admission quotas. Originally a zoology major, Asimov switched to chemistry after his first semester because he disapproved of "dissecting an alley cat". After Seth Low Junior College closed in 1936, Asimov finished his Bachelor of Science degree at Morningside Heights campus (later the Columbia University School of General Studies) in 1939. After two rounds of rejections by medical schools, Asimov applied to the graduate program in chemistry at Columbia in 1939; initially he was rejected and then only accepted on a probationary basis, he completed his Master of Arts degree in chemistry in 1941 and earned a Doctor of Philosophy degree in chemistry in 1948. During his chemistry studies, he also learned French and German. In between earning these two degrees, Asimov spent three years during World War II working as a civilian chemist at the Philadelphia Navy Yard's Naval Air Experimental Station, living in the Walnut Hill section of West Philadelphia from 1942 to 1945. In September 1945, he was drafted into the U.S. Army; if he had not had his birth date corrected while at school, he would have been officially 26 years old and ineligible. In 1946, a bureaucratic error caused his military allotment to be stopped, and he was removed from a task force days before it sailed to participate in Operation Crossroads nuclear weapons tests at Bikini Atoll. He served for almost nine months before receiving an honorable discharge on July 26, 1946. He had been promoted to corporal on July 11. After completing his doctorate and a postdoc year, Asimov joined the faculty of the Boston University School of Medicine in 1949, teaching biochemistry with a $5,000 salary (), with which he remained associated thereafter. By 1952, however, he was making more money as a writer than from the university, and he eventually stopped doing research, confining his university role to lecturing students. In 1955, he was promoted to associate professor, which gave him tenure. In December 1957, Asimov was dismissed from his teaching post, with effect from June 30, 1958, because he had stopped doing research. After a struggle which lasted for two years, he kept his title, he gave the opening lecture each year for a biochemistry class, and on October 18, 1979, the university honored his writing by promoting him to full professor of biochemistry. Asimov's personal papers from 1965 onward are archived at the university's Mugar Memorial Library, to which he donated them at the request of curator Howard Gotlieb. In 1959, after a recommendation from Arthur Obermayer, Asimov's friend and a scientist on the U.S. missile protection project, Asimov was approached by DARPA to join Obermayer's team. Asimov declined on the grounds that his ability to write freely would be impaired should he receive classified information. However, he did submit a paper to DARPA titled "On Creativity" containing ideas on how government-based science projects could encourage team members to think more creatively. Personal life Asimov met his first wife, Gertrude Blugerman (1917, Toronto, Canada – 1990, Boston, U.S.), on a blind date on February 14, 1942, and married her on July 26 the same year. The couple lived in an apartment in West Philadelphia while Asimov was employed at the Philadelphia Navy Yard (where two of his co-workers were L. Sprague de Camp and Robert A. Heinlein). Gertrude returned to Brooklyn while he was in the army, and they both lived there from July 1946 before moving to Stuyvesant Town, Manhattan, in July 1948. They moved to Boston in May 1949, then to nearby suburbs Somerville in July 1949, Waltham in May 1951, and, finally, West Newton in 1956. They had two children, David (born 1951) and Robyn Joan (born 1955). In 1970, they separated and Asimov moved back to New York, this time to the Upper West Side of Manhattan where he lived for the rest of his life. He immediately began seeing Janet O. Jeppson, a psychiatrist and science-fiction writer, and married her on November 30, 1973, two weeks after his divorce from Gertrude. Asimov was a claustrophile: he enjoyed small, enclosed spaces. In the third volume of his autobiography, he recalls a childhood desire to own a magazine stand in a New York City Subway station, within which he could enclose himself and listen to the rumble of passing trains while reading. Asimov was afraid of flying, doing so only twice: once in the course of his work at the Naval Air Experimental Station and once returning home from Oahu in 1946. Consequently, he seldom traveled great distances. This phobia influenced several of his fiction works, such as the Wendell Urth mystery stories and the Robot novels featuring Elijah Baley. In his later years, Asimov found enjoyment traveling on cruise ships, beginning in 1972 when he viewed the Apollo 17 launch from a cruise ship. On several cruises, he was part of the entertainment program, giving science-themed talks aboard ships such as the Queen Elizabeth 2. He sailed to England in June 1974 on the SS France for a trip mostly devoted to events in London and Birmingham, though he also found time to visit Stonehenge. Asimov was an able public speaker and was regularly paid to give talks about science. He was a frequent fixture at science fiction conventions, where he was friendly and approachable. He patiently answered tens of thousands of questions and other mail with postcards and was pleased to give autographs. He was of medium height (), stocky, with—in his later years—"mutton-chop" sideburns, and a distinct New York accent. He took to wearing bolo ties after his wife Janet objected to his clip-on bow ties. His physical dexterity was very poor. He never learned to swim or ride a bicycle; however, he did learn to drive a car after he moved to Boston. In his humor book Asimov Laughs Again, he describes Boston driving as "anarchy on wheels". Asimov's wide interests included his participation in his later years in organizations devoted to the comic operas of Gilbert and Sullivan and in The Wolfe Pack, a group of devotees of the Nero Wolfe mysteries written by Rex Stout. Many of his short stories mention or quote Gilbert and Sullivan. He was a prominent member of The Baker Street Irregulars, the leading Sherlock Holmes society, for whom he wrote an essay arguing that Professor Moriarty's work "The Dynamics of An Asteroid" involved the willful destruction of an ancient, civilized planet. He was also a member of the all-male literary banqueting club the Trap Door Spiders, which served as the basis of his fictional group of mystery solvers, the Black Widowers. He later used his essay on Moriarty's work as the basis for a Black Widowers story, "The Ultimate Crime", which appeared in More Tales of the Black Widowers. In 1984, the American Humanist Association (AHA) named him the Humanist of the Year. He was one of the signers of the Humanist Manifesto. From 1985 until his death in 1992, he served as president of the AHA, an honorary appointment. His successor was his friend and fellow writer Kurt Vonnegut. He was also a close friend of Star Trek creator Gene Roddenberry, and earned a screen credit as "special science consultant" on Star Trek: The Motion Picture for advice he gave during production. Asimov was a founding member of the Committee for the Scientific Investigation of Claims of the Paranormal, CSICOP (now the Committee for Skeptical Inquiry) and is listed in its Pantheon of Skeptics. In a discussion with James Randi at CSICon 2016 regarding the founding of CSICOP, Kendrick Frazier said that Asimov was "a key figure in the Skeptical movement who is less well known and appreciated today, but was very much in the public eye back then." He said that Asimov being associated with CSICOP "gave it immense status and authority" in his eyes. Asimov described Carl Sagan as one of only two people he ever met whose intellect surpassed his own. The other, he claimed, was the computer scientist and artificial intelligence expert Marvin Minsky. Asimov was a long-time member and vice president of Mensa International, albeit reluctantly; he described some members of that organization as "brain-proud and aggressive about their IQs". After his father died in 1969, Asimov annually contributed to a Judah Asimov Scholarship Fund at Brandeis University. Illness and death In 1977, Asimov suffered a heart attack. In December 1983, he had triple bypass surgery at NYU Medical Center, during which he contracted HIV from a blood transfusion. His HIV status was kept secret out of concern that the anti-AIDS prejudice might extend to his family members. He died in Manhattan on April 6, 1992, and was cremated. The cause of death was reported as heart and kidney failure. Ten years following Asimov's death, Janet and Robyn Asimov agreed that the HIV story should be made public; Janet revealed it in her edition of his autobiography, It's Been a Good Life. Writings Overview Asimov's career can be divided into several periods. His early career, dominated by science fiction, began with short stories in 1939 and novels in 1950. This lasted until about 1958, all but ending after publication of The Naked Sun (1957). He began publishing nonfiction as co-author of a college-level textbook called Biochemistry and Human Metabolism. Following the brief orbit of the first man-made satellite Sputnik I by the USSR in 1957, his production of nonfiction, particularly popular science books, greatly increased, with a consequent drop in his science fiction output. Over the next quarter century, he wrote only four science fiction novels, while writing over 120 nonfiction books. Starting in 1982, the second half of his science fiction career began with the publication of Foundation's Edge. From then until his death, Asimov published several more sequels and prequels to his existing novels, tying them together in a way he had not originally anticipated, making a unified series. There are, however, many inconsistencies in this unification, especially in his earlier stories. Doubleday and Houghton Mifflin published about 60% of his work as of 1969, Asimov stating that "both represent a father image". Asimov believed his most enduring contributions would be his "Three Laws of Robotics" and the Foundation series. Furthermore, the Oxford English Dictionary credits his science fiction for introducing into the English language the words "robotics", "positronic" (an entirely fictional technology), and "psychohistory" (which is also used for a different study on historical motivations). Asimov coined the term "robotics" without suspecting that it might be an original word; at the time, he believed it was simply the natural analogue of words such as mechanics and hydraulics, but for robots. Unlike his word "psychohistory", the word "robotics" continues in mainstream technical use with Asimov's original definition. Star Trek: The Next Generation featured androids with "positronic brains" and the first-season episode "Datalore" called the positronic brain "Asimov's dream". Asimov was so prolific and diverse in his writing that his books span all major categories of the Dewey Decimal Classification except for category 100, philosophy and psychology. Although Asimov did write several essays about psychology, and forewords for the books The Humanist Way (1988) and In Pursuit of Truth (1982), which were classified in the 100s category, none of his own books were classified in that category. According to UNESCO's Index Translationum database, Asimov is the world's 24th-most-translated author. Science fiction Asimov became a science fiction fan in 1929, when he began reading the pulp magazines sold in his family's candy store. At first his father forbade reading pulps as he considered them to be trash, until Asimov persuaded him that because the science fiction magazines had "Science" in the title, they must be educational. At age 18 he joined the Futurians science fiction fan club, where he made friends who went on to become science fiction writers or editors. Asimov began writing at the age of 11, imitating The Rover Boys with eight chapters of The Greenville Chums at College. His father bought Asimov a used typewriter at age 16. His first published work was a humorous item on the birth of his brother for Boys High School's literary journal in 1934. In May 1937 he first thought of writing professionally, and began writing his first science fiction story, "Cosmic Corkscrew" (now lost), that year. On May 17, 1938, puzzled by a change in the schedule of Astounding Science Fiction, Asimov visited its publisher Street & Smith Publications. Inspired by the visit, he finished the story on June 19, 1938, and personally submitted it to Astounding editor John W. Campbell two days later. Campbell met with Asimov for more than an hour and promised to read the story himself. Two days later he received a rejection letter explaining why in detail. This was the first of what became almost weekly meetings with the editor while Asimov lived in New York, until moving to Boston in 1949; Campbell had a strong formative influence on Asimov and became a personal friend. By the end of the month, Asimov completed a second story, "Stowaway". Campbell rejected it on July 22 but—in "the nicest possible letter you could imagine"—encouraged him to continue writing, promising that Asimov might sell his work after another year and a dozen stories of practice. On October 21, 1938, he sold the third story he finished, "Marooned Off Vesta", to Amazing Stories, edited by Raymond A. Palmer, and it appeared in the March 1939 issue. Asimov was paid $64 (), or one cent a word. Two more stories appeared that year, "The Weapon Too Dreadful to Use" in the May Amazing and "Trends" in the July Astounding, the issue fans later selected as the start of the Golden Age of Science Fiction. For 1940, ISFDB catalogs seven stories in four different pulp magazines, including one in Astounding. His earnings became enough to pay for his education, but not yet enough for him to become a full-time writer. Asimov later said that unlike other top Golden Age writers Robert Heinlein and A. E. van Vogt—also first published in 1939, and whose talent and stardom were immediately obvious—he "(this is not false modesty) came up only gradually". Through July 29, 1940, Asimov wrote 22 stories in 25 months, of which 13 were published; he wrote in 1972 that from that date he never wrote a science fiction story that was not published (except for two "special cases"). He was famous enough that Donald Wollheim told Asimov that he purchased "The Secret Sense" for a new magazine only because of his name, and the December 1940 issue of Astonishing—featuring Asimov's name in bold—was the first magazine to base cover art on his work, but Asimov later said that neither he himself nor anyone else—except perhaps Campbell—considered him better than an often published "third rater". Based on a conversation with Campbell, Asimov wrote "Nightfall", his 32nd story, in March and April 1941, and Astounding published it in September 1941. In 1968 the Science Fiction Writers of America voted "Nightfall" the best science fiction short story ever written. In Nightfall and Other Stories Asimov wrote, "The writing of 'Nightfall' was a watershed in my professional career ... I was suddenly taken seriously and the world of science fiction became aware that I existed. As the years passed, in fact, it became evident that I had written a 'classic'." "Nightfall" is an archetypal example of social science fiction, a term he created to describe a new trend in the 1940s, led by authors including him and Heinlein, away from gadgets and space opera and toward speculation about the human condition. After writing "Victory Unintentional" in January and February 1942, Asimov did not write another story for a year. Asimov expected to make chemistry his career, and was paid $2,600 annually at the Philadelphia Navy Yard, enough to marry his girlfriend; he did not expect to make much more from writing than the $1,788.50 he had earned from 28 stories sold over four years. Asimov left science fiction fandom and no longer read new magazines, and might have left the industry had not Heinlein and de Camp been coworkers and previously sold stories continued to appear. In 1942, Asimov published the first of his Foundation stories—later collected in the Foundation trilogy: Foundation (1951), Foundation and Empire (1952), and Second Foundation (1953). The books recount the fall of a vast interstellar empire and the establishment of its eventual successor. They also feature his fictional science of psychohistory, in which the future course of the history of large populations can be predicted. The trilogy and Robot series are his most famous science fiction. In 1966 they won the Hugo Award for the all-time best series of science fiction and fantasy novels. Campbell raised his rate per word, Orson Welles purchased rights to "Evidence", and anthologies reprinted his stories. By the end of the war Asimov was earning as a writer an amount equal to half of his Navy Yard salary, even after a raise, but Asimov still did not believe that writing could support him, his wife, and future children. His "positronic" robot stories—many of which were collected in I, Robot (1950)—were begun at about the same time. They promulgated a set of rules of ethics for robots (see Three Laws of Robotics) and intelligent machines that greatly influenced other writers and thinkers in their treatment of the subject. Asimov notes in his introduction to the short story collection The Complete Robot (1982) that he was largely inspired by the almost relentless tendency of robots up to that time to fall consistently into a Frankenstein plot in which they destroyed their creators. The robot series has led to film adaptations. With Asimov's collaboration, in about 1977, Harlan Ellison wrote a screenplay of I, Robot that Asimov hoped would lead to "the first really adult, complex, worthwhile science fiction film ever made". The screenplay has never been filmed and was eventually published in book form in 1994. The 2004 movie I, Robot, starring Will Smith, was based on an unrelated script by Jeff Vintar titled Hardwired, with Asimov's ideas incorporated later after the rights to Asimov's title were acquired. (The title was not original to Asimov but had previously been used for a story by Eando Binder.) Also, one of Asimov's robot short stories, "The Bicentennial Man", was expanded into a novel The Positronic Man by Asimov and Robert Silverberg, and this was adapted into the 1999 movie Bicentennial Man, starring Robin Williams. Besides movies, his Foundation and Robot stories have inspired other derivative works of science fiction literature, many by well-known and established authors such as Roger MacBride Allen, Greg Bear, Gregory Benford, David Brin, and Donald Kingsbury. At least some of these appear to have been done with the blessing of, or at the request of, Asimov's widow, Janet Asimov. In 1948, he also wrote a spoof chemistry article, "The Endochronic Properties of Resublimated Thiotimoline". At the time, Asimov was preparing his own doctoral dissertation, and for the oral examination to follow that. Fearing a prejudicial reaction from his graduate school evaluation board at Columbia University, Asimov asked his editor that it be released under a pseudonym, yet it appeared under his own name. Asimov grew concerned at the scrutiny he would receive at his oral examination, in case the examiners thought he wasn't taking science seriously. At the end of the examination, one evaluator turned to him, smiling, and said, "What can you tell us, Mr. Asimov, about the thermodynamic properties of the compound known as thiotimoline". Laughing hysterically with relief, Asimov had to be led out of the room. After a five-minute wait, he was summoned back into the room and congratulated as "Dr. Asimov". Demand for science fiction greatly increased during the 1950s. It became possible for a genre author to write full-time. In 1949, book publisher Doubleday's science fiction editor Walter I. Bradbury accepted Asimov's unpublished "Grow Old with Me" (40,000 words), but requested that it be extended to a full novel of 70,000 words. The book appeared under the Doubleday imprint in January 1950 with the title of Pebble in the Sky. Doubleday published five more original science fiction novels by Asimov in the 1950s, along with the six juvenile Lucky Starr novels, the latter under the pseudonym of "Paul French". Doubleday also published collections of Asimov's short stories, beginning with The Martian Way and Other Stories in 1955. The early 1950s also saw Gnome Press publish one collection of Asimov's positronic robot stories as I, Robot and his Foundation stories and novelettes as the three books of the Foundation trilogy. More positronic robot stories were republished in book form as The Rest of the Robots. Books and the magazines Galaxy, and Fantasy & Science Fiction ended Asimov's dependence on Astounding. He later described the era as his "'mature' period". Asimov's "The Last Question" (1956), on the ability of humankind to cope with and potentially reverse the process of entropy, was his personal favorite story. In 1972, his novel The Gods Themselves (which was not part of a series) was published to general acclaim, and it won the Hugo Award for Best Novel, the Nebula Award for Best Novel, and the Locus Award for Best Novel. In December 1974, former Beatle Paul McCartney approached Asimov and asked him if he could write the screenplay for a science-fiction movie musical. McCartney had a vague idea for the plot and a small scrap of dialogue; he wished to make a film about a rock band whose members discover they are being impersonated by a group of extraterrestrials. The band and their impostors would likely be played by McCartney's group Wings, then at the height of their career. Intrigued by the idea, although he was not generally a fan of rock music, Asimov quickly produced a "treatment" or brief outline of the story. He adhered to McCartney's overall idea, producing a story he felt to be moving and dramatic. However, he did not make use of McCartney's brief scrap of dialogue. McCartney rejected the story. The treatment now exists only in the Boston University archives. Asimov said in 1969 that he had "the happiest of all my associations with science fiction magazines" with Fantasy & Science Fiction; "I have no complaints about Astounding, Galaxy, or any of the rest, heaven knows, but F&SF has become something special to me". Beginning in 1977, Asimov lent his name to Isaac Asimov's Science Fiction Magazine (now Asimov's Science Fiction) and penned an editorial for each issue. There was also a short-lived Asimov's SF Adventure Magazine and a companion Asimov's Science Fiction Anthology reprint series, published as magazines (in the same manner as the stablemates Ellery Queen's Mystery Magazines and Alfred Hitchcock's Mystery Magazines "anthologies"). Due to pressure by fans on Asimov to write another book in his Foundation series, he did so with Foundation's Edge (1982) and Foundation and Earth (1986), and then went back to before the original trilogy with Prelude to Foundation (1988) and Forward the Foundation (1992), his last novel. Popular science Asimov and two colleagues published a textbook in 1949, with two more editions by 1969. During the late 1950s and 1960s, Asimov substantially decreased his fiction output (he published only four adult novels between 1957's The Naked Sun and 1982's Foundation's Edge, two of which were mysteries). He greatly increased his nonfiction production, writing mostly on science topics; the launch of Sputnik in 1957 engendered public concern over a "science gap". Asimov explained in The Rest of the Robots that he had been unable to write substantial fiction since the summer of 1958, and observers understood him as saying that his fiction career had ended, or was permanently interrupted. Asimov recalled in 1969 that "the United States went into a kind of tizzy, and so did I. I was overcome by the ardent desire to write popular science for an America that might be in great danger through its neglect of science, and a number of publishers got an equally ardent desire to publish popular science for the same reason". Fantasy and Science Fiction invited Asimov to continue his regular nonfiction column, begun in the now-folded bimonthly companion magazine Venture Science Fiction Magazine. The first of 399 monthly F&SF columns appeared in November 1958 and they continued until his terminal illness. These columns, periodically collected into books by Doubleday, gave Asimov a reputation as a "Great Explainer" of science; he described them as his only popular science writing in which he never had to assume complete ignorance of the subjects on the part of his readers. The column was ostensibly dedicated to popular science but Asimov had complete editorial freedom, and wrote about contemporary social issues in essays such as "Thinking About Thinking" and "Knock Plastic!". In 1975 he wrote of these essays: "I get more pleasure out of them than out of any other writing assignment." Asimov's first wide-ranging reference work, The Intelligent Man's Guide to Science (1960), was nominated for a National Book Award, and in 1963 he won a Hugo Award—his first—for his essays for F&SF. The popularity of his science books and the income he derived from them allowed him to give up most academic responsibilities and become a full-time freelance writer. He encouraged other science fiction writers to write popular science, stating in 1967 that "the knowledgeable, skillful science writer is worth his weight in contracts", with "twice as much work as he can possibly handle". The great variety of information covered in Asimov's writings prompted Kurt Vonnegut to ask, "How does it feel to know everything?" Asimov replied that he only knew how it felt to have the 'reputation' of omniscience: "Uneasy". Floyd C. Gale said that "Asimov has a rare talent. He can make your mental mouth water over dry facts", and "science fiction's loss has been science popularization's gain". Asimov said that "Of all the writing I do, fiction, non-fiction, adult, or juvenile, these F & SF articles are by far the most fun". He regretted, however, that he had less time for fiction—causing dissatisfied readers to send him letters of complaint—stating in 1969 that "In the last ten years, I've done a couple of novels, some collections, a dozen or so stories, but that's nothing". In his essay "To Tell a Chemist" (1965), Asimov proposed a simple shibboleth for distinguishing chemists from non-chemists: ask the person to read the word "unionized". Chemists, he noted, will read the word "unionized" as un-ion-ized (pronounced "un-EYE-en-ized"), meaning "(a chemical species) being in an electrically neutral state, as opposed to being an ion", while non-chemists will read the word as union-ized (pronounced "YOU-nien-ized"), meaning "(a worker or organization) belonging to or possessing a trade union". Coined terms Asimov coined the term "robotics" in his 1941 story "Liar!", though he later remarked that he believed then that he was merely using an existing word, as he stated in Gold ("The Robot Chronicles"). While acknowledging the Oxford Dictionary reference, he incorrectly states that the word was first printed about one third of the way down the first column of page 100, Astounding Science Fiction, March 1942 printing of his short story "Runaround". In the same story, Asimov also coined the term "positronic" (the counterpart to "electronic" for positrons). Asimov coined the term "psychohistory" in his Foundation stories to name a fictional branch of science which combines history, sociology, and mathematical statistics to make general predictions about the future behavior of very large groups of people, such as the Galactic Empire. Asimov said later that he should have called it psychosociology. It was first introduced in the five short stories (1942–1944) which would later be collected as the 1951 fix-up novel Foundation. Somewhat later, the term "psychohistory" was applied by others to research of the effects of psychology on history. Other writings In addition to his interest in science, Asimov was interested in history. Starting in the 1960s, he wrote 14 popular history books, including The Greeks: A Great Adventure (1965), The Roman Republic (1966), The Roman Empire (1967), The Egyptians (1967) The Near East: 10,000 Years of History (1968), and Asimov's Chronology of the World (1991). He published Asimov's Guide to the Bible in two volumes—covering the Old Testament in 1967 and the New Testament in 1969—and then combined them into one 1,300-page volume in 1981. Complete with maps and tables, the guide goes through the books of the Bible in order, explaining the history of each one and the political influences that affected it, as well as biographical information about the important characters. His interest in literature manifested itself in several annotations of literary works, including Asimov's Guide to Shakespeare (1970), Asimov's Annotated Don Juan (1972), Asimov's Annotated Paradise Lost (1974), and The Annotated Gulliver's Travels (1980). Asimov was also a noted mystery author and a frequent contributor to Ellery Queen's Mystery Magazine. He began by writing science fiction mysteries such as his Wendell Urth stories, but soon moved on to writing "pure" mysteries. He published two full-length mystery novels, and wrote 66 stories about the Black Widowers, a group of men who met monthly for dinner, conversation, and a puzzle. He got the idea for the Widowers from his own association in a stag group called the Trap Door Spiders, and all of the main characters (with the exception of the waiter, Henry, who he admitted resembled Wodehouse's Jeeves) were modeled after his closest friends. A parody of the Black Widowers, "An Evening with the White Divorcés," was written by author, critic, and librarian Jon L. Breen. Asimov joked, "all I can do ... is to wait until I catch him in a dark alley, someday." Toward the end of his life, Asimov published a series of collections of limericks, mostly written by himself, starting with Lecherous Limericks, which appeared in 1975. Limericks: Too Gross, whose title displays Asimov's love of puns, contains 144 limericks by Asimov and an equal number by John Ciardi. He even created a slim volume of Sherlockian limericks. Asimov featured Yiddish humor in Azazel, The Two Centimeter Demon. The two main characters, both Jewish, talk over dinner, or lunch, or breakfast, about anecdotes of "George" and his friend Azazel. Asimov's Treasury of Humor is both a working joke book and a treatise propounding his views on humor theory. According to Asimov, the most essential element of humor is an abrupt change in point of view, one that suddenly shifts focus from the important to the trivial, or from the sublime to the ridiculous. Particularly in his later years, Asimov to some extent cultivated an image of himself as an amiable lecher. In 1971, as a response to the popularity of sexual guidebooks such as The Sensuous Woman (by "J") and The Sensuous Man (by "M"), Asimov published The Sensuous Dirty Old Man under the byline "Dr. 'A (although his full name was printed on the paperback edition, first published 1972). However, by 2016, some of Asimov's behavior towards women was described as sexual harassment and cited as an example of historically problematic behavior by men in science fiction communities. Asimov published three volumes of autobiography. In Memory Yet Green (1979) and In Joy Still Felt (1980) cover his life up to 1978. The third volume, I. Asimov: A Memoir (1994), covered his whole life (rather than following on from where the second volume left off). The epilogue was written by his widow Janet Asimov after his death. The book won a Hugo Award in 1995. Janet Asimov edited It's Been a Good Life (2002), a condensed version of his three autobiographies. He also published three volumes of retrospectives of his writing, Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984). In 1987, the Asimovs co-wrote How to Enjoy Writing: A Book of Aid and Comfort. In it they offer advice on how to maintain a positive attitude and stay productive when dealing with discouragement, distractions, rejection, and thick-headed editors. The book includes many quotations, essays, anecdotes, and husband-wife dialogues about the ups and downs of being an author. Asimov and Star Trek creator Gene Roddenberry developed a unique relationship during Star Treks initial launch in the late 1960s. Asimov wrote a critical essay on Star Treks scientific accuracy for TV Guide magazine. Roddenberry retorted respectfully with a personal letter explaining the limitations of accuracy when writing a weekly series. Asimov corrected himself with a follow-up essay to TV Guide claiming that despite its inaccuracies, Star Trek was a fresh and intellectually challenging science fiction television show. The two remained friends to the point where Asimov even served as an advisor on a number of Star Trek projects. In 1973, Asimov published a proposal for calendar reform, called the World Season Calendar. It divides the year into four seasons (named A–D) of 13 weeks (91 days) each. This allows days to be named, e.g., "D-73" instead of December 1 (due to December 1 being the 73rd day of the 4th quarter). An extra 'year day' is added for a total of 365 days. Awards and recognition Asimov won more than a dozen annual awards for particular works of science fiction and a half-dozen lifetime awards. He also received 14 honorary doctorate degrees from universities. 1955 – Guest of Honor at the 13th World Science Fiction Convention 1957 – Thomas Alva Edison Foundation Award for best science book for youth, for Building Blocks of the Universe 1960 – Howard W. Blakeslee Award from the American Heart Association for The Living River 1962 – Boston University's Publication Merit Award 1963 – A special Hugo Award for "adding science to science fiction," for essays published in The Magazine of Fantasy and Science Fiction 1963 – Fellow of the American Academy of Arts and Sciences 1964 – The Science Fiction Writers of America voted "Nightfall" (1941) the all-time best science fiction short story 1965 – James T. Grady Award of the American Chemical Society (now called the James T. Grady-James H. Stack Award for Interpreting Chemistry) 1966 – Best All-time Novel Series Hugo Award for the Foundation trilogy 1967 – Edward E. Smith Memorial Award 1967 – AAAS-Westinghouse Science Writing Award for Magazine Writing, for essay "Over the Edge of the Universe" (in the March 1967 Harper's Magazine) 1972 – Nebula Award for Best Novel for The Gods Themselves 1973 – Hugo Award for Best Novel for The Gods Themselves 1973 – Locus Award for Best Novel for The Gods Themselves 1975 – Golden Plate Award of the American Academy of Achievement 1975 – Klumpke-Roberts Award "for outstanding contributions to the public understanding and appreciation of astronomy" 1975 – Locus Award for Best Reprint Anthology for Before the Golden Age 1977 – Hugo Award for Best Novelette for The Bicentennial Man 1977 – Nebula Award for Best Novelette for The Bicentennial Man 1977 – Locus Award for Best Novelette for The Bicentennial Man 1981 – An asteroid, 5020 Asimov, was named in his honor 1981 – Locus Award for Best Non-Fiction Book for In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 1983 – Hugo Award for Best Novel for Foundation's Edge 1983 – Locus Award for Best Science Fiction Novel for Foundation's Edge 1984 – Humanist of the Year 1986 – The Science Fiction and Fantasy Writers of America named him its 8th SFWA Grand Master (presented in 1987). 1987 – Locus Award for Best Short Story for "Robot Dreams" 1992 – Hugo Award for Best Novelette for "Gold" 1995 – Hugo Award for Best Non-Fiction Book for I. Asimov: A Memoir 1995 – Locus Award for Best Non-Fiction Book for I. Asimov: A Memoir 1996 – A 1946 Retro-Hugo for Best Novel of 1945 was given at the 1996 WorldCon for "The Mule", the 7th Foundation story, published in Astounding Science Fiction 1997 – The Science Fiction and Fantasy Hall of Fame inducted Asimov in its second class of two deceased and two living persons, along with H. G. Wells. 2000 – Asimov was featured on a stamp in Israel 2001 – The Isaac Asimov Memorial Debates at the Hayden Planetarium in New York were inaugurated 2009 – A crater on the planet Mars, Asimov, was named in his honor 2010 – In the US Congress bill about the designation of the National Robotics Week as an annual event, a tribute to Isaac Asimov is as follows: "Whereas the second week in April each year is designated as 'National Robotics Week', recognizing the accomplishments of Isaac Asimov, who immigrated to America, taught science, wrote science books for children and adults, first used the term robotics, developed the Three Laws of Robotics, and died in April 1992: Now, therefore, be it resolved ..." 2015 – Selected as a member of the New York State Writers Hall of Fame. 2016 – A 1941 Retro-Hugo for Best Short Story of 1940 was given at the 2016 WorldCon for Robbie, his first positronic robot story, published in Super Science Stories, September 1940 2018 – A 1943 Retro-Hugo for Best Short Story of 1942 was given at the 2018 WorldCon for Foundation, published in Astounding Science-Fiction, May 1942 Writing style Asimov was his own secretary, typist, indexer, proofreader, and literary agent. He wrote a typed first draft composed at the keyboard at 90 words per minute; he imagined an ending first, then a beginning, then "let everything in-between work itself out as I come to it". (Asimov only used an outline once, later describing it as "like trying to play the piano from inside a straitjacket".) After correcting a draft by hand, he retyped the document as the final copy and only made one revision with minor editor-requested changes; a word processor did not save him much time, Asimov said, because 95% of the first draft was unchanged. After disliking making multiple revisions of "Black Friar of the Flame", Asimov refused to make major, second, or non-editorial revisions ("like chewing used gum"), stating that "too large a revision, or too many revisions, indicate that the piece of writing is a failure. In the time it would take to salvage such a failure, I could write a new piece altogether and have infinitely more fun in the process". He submitted "failures" to another editor. One of the most common impressions of Asimov's fiction work is that his writing style is extremely unornamented. In 1980, science fiction scholar James Gunn wrote of I, Robot: Asimov addressed such criticism in 1989 at the beginning of Nemesis: Gunn cited examples of a more complex style, such as the climax of "Liar!". Sharply drawn characters occur at key junctures of his storylines: Susan Calvin in "Liar!" and "Evidence", Arkady Darell in Second Foundation, Elijah Baley in The Caves of Steel, and Hari Seldon in the Foundation prequels. Other than books by Gunn and Joseph Patrouch, a relative dearth of "literary" criticism exists on Asimov (particularly when compared to the sheer volume of his output). Cowart and Wymer's Dictionary of Literary Biography (1981) gives a possible reason: Gunn's and Patrouch's respective studies of Asimov both state that a clear, direct prose style is still a style. Gunn's 1982 book comments in detail on each of Asimov's novels. He does not praise all of Asimov's fiction (nor does Patrouch), but calls some passages in The Caves of Steel "reminiscent of Proust". When discussing how that novel depicts night falling over futuristic New York City, Gunn says that Asimov's prose "need not be ashamed anywhere in literary society". Although he prided himself on his unornamented prose style (for which he credited Clifford D. Simak as an early influence), and said in 1973 that his style had not changed, Asimov also enjoyed giving his longer stories complicated narrative structures, often by arranging chapters in nonchronological ways. Some readers have been put off by this, complaining that the nonlinearity is not worth the trouble and adversely affects the clarity of the story. For example, the first third of The Gods Themselves begins with Chapter 6, then backtracks to fill in earlier material. (John Campbell advised Asimov to begin his stories as late in the plot as possible. This advice helped Asimov create "Reason", one of the early Robot stories). Patrouch found that the interwoven and nested flashbacks of The Currents of Space did serious harm to that novel, to such an extent that only a "dyed-in-the-kyrt Asimov fan" could enjoy it. In his later novel Nemesis one group of characters lives in the "present" and another group starts in the "past", beginning 15 years earlier and gradually moving toward the time period of the first group. Alien life Asimov once explained that his reluctance to write about aliens came from an incident early in his career when Astoundings editor John Campbell rejected one of his science fiction stories because the alien characters were portrayed as superior to the humans. The nature of the rejection led him to believe that Campbell may have based his bias towards humans in stories on a real-world racial bias. Unwilling to write only weak alien races, and concerned that a confrontation would jeopardize his and Campbell's friendship, he decided he would not write about aliens at all. Nevertheless, in response to these criticisms, he wrote The Gods Themselves, which contains aliens and alien sex. The book won the Nebula Award for Best Novel in 1972, and the Hugo Award for Best Novel in 1973. Asimov said that of all his writings, he was most proud of the middle section of The Gods Themselves, the part that deals with those themes. In the Hugo Award-winning novelette "Gold", Asimov describes an author, clearly based on himself, who has one of his books (The Gods Themselves) adapted into a "compu-drama", essentially photo-realistic computer animation. The director criticizes the fictionalized Asimov ("Gregory Laborian") for having an extremely nonvisual style, making it difficult to adapt his work, and the author explains that he relies on ideas and dialogue rather than description to get his points across. Romance and women In the early days of science fiction some authors and critics felt that the romantic elements were inappropriate in science fiction stories, which were supposedly to be focused on science and technology. Isaac Asimov was a prominent supporter of this point of view, expressed in his 1938-1939 letters to Astounding, where he described such elements as "mush" and "slop". However, to his dismay, these letters were met with a strong opposition. Asimov attributed the lack of romance and sex in his fiction to the "early imprinting" from starting his writing career when he had never been on a date and "didn't know anything about girls". He was sometimes criticized for the general absence of sex (and of extraterrestrial life) in his science fiction. He claimed he wrote The Gods Themselves to respond to these criticisms, which often came from New Wave science fiction (and often British) writers. The second part (of three) of the novel is set on an alien world with three sexes, and the sexual behavior of these creatures is extensively depicted. Asimov was also criticized for a lack of strong female characters in his early work. However, some of his robot stories, including the earliest ones, featured the character Susan Calvin, a forceful and intelligent woman who regularly out-performed her male colleagues. In his autobiographical writings, such as Gold ("Women and Science Fiction"), he acknowledges this complaint has merit and responds by pointing to inexperience. His later novels, written with more female characters but in essentially the same prose style as his early science-fiction stories, brought this matter to a wider audience. The Washington Post's "Book World" section reports of Robots and Empire opined "In 1940, Asimov's humans were stripped-down masculine portraits of Americans from 1940, and they still are." Views Religion Asimov was an atheist, a humanist, and a rationalist. He did not oppose religious conviction in others, but he frequently railed against superstitious and pseudoscientific beliefs that tried to pass themselves off as genuine science. During his childhood, his father and mother observed the traditions of Orthodox Judaism, though not as stringently as they had in Petrovichi; they did not, however, force their beliefs upon young Isaac. Thus, he grew up without strong religious influences, coming to believe that the Torah represented Hebrew mythology in the same way that the Iliad recorded Greek mythology. When he was 13, he chose not to have a bar mitzvah. As his books Treasury of Humor and Asimov Laughs Again record, Asimov was willing to tell jokes involving God, Satan, the Garden of Eden, Jerusalem, and other religious topics, expressing the viewpoint that a good joke can do more to provoke thought than hours of philosophical discussion. For a brief while, his father worked in the local synagogue to enjoy the familiar surroundings and, as Isaac put it, "shine as a learned scholar" versed in the sacred writings. This scholarship was a seed for his later authorship and publication of Asimov's Guide to the Bible, an analysis of the historic foundations for both the Old and New Testaments. For many years, Asimov called himself an atheist; however, he considered the term somewhat inadequate, as it described what he did not believe rather than what he did. Eventually, he described himself as a "humanist" and considered that term more practical. Asimov did, however, continue to identify himself as a secular Jew, as stated in his introduction to Jack Dann's anthology of Jewish science fiction, Wandering Stars: "I attend no services and follow no ritual and have never undergone that curious puberty rite, the Bar Mitzvah. It doesn't matter. I am Jewish." When asked in an interview in 1982 if he was an atheist, Asimov replied, Likewise, he said about religious education: "I would not be satisfied to have my kids choose to be religious without trying to argue them out of it, just as I would not be satisfied to have them decide to smoke regularly or engage in any other practice I consider detrimental to mind or body." In his last volume of autobiography, Asimov wrote, The same memoir states his belief that Hell is "the drooling dream of a sadist" crudely affixed to an all-merciful God; if even human governments were willing to curtail cruel and unusual punishments, wondered Asimov, why would punishment in the afterlife not be restricted to a limited term? Asimov rejected the idea that a human belief or action could merit infinite punishment. If an afterlife existed, he claimed, the longest and most severe punishment would be reserved for those who "slandered God by inventing Hell". Asimov said about using religious motifs in his writing: Politics Asimov became a staunch supporter of the Democratic Party during the New Deal, and thereafter remained a political liberal. He was a vocal opponent of the Vietnam War in the 1960s and in a television interview during the early 1970s he publicly endorsed George McGovern. He was unhappy about what he considered an "irrationalist" viewpoint taken by many radical political activists from the late 1960s and onwards. In his second volume of autobiography, In Joy Still Felt, Asimov recalled meeting the counterculture figure Abbie Hoffman. Asimov's impression was that the 1960s' counterculture heroes had ridden an emotional wave which, in the end, left them stranded in a "no-man's land of the spirit" from which he wondered if they would ever return. Asimov vehemently opposed Richard Nixon, considering him "a crook and a liar". He closely followed Watergate, and was pleased when the president was forced to resign. Asimov was dismayed over the pardon extended to Nixon by his successor: "I was not impressed by the argument that it has spared the nation an ordeal. To my way of thinking, the ordeal was necessary to make certain it would never happen again." After Asimov's name appeared in the mid-1960s on a list of people the Communist Party USA "considered amenable" to its goals, the FBI investigated him. Because of his academic background, the bureau briefly considered Asimov as a possible candidate for known Soviet spy ROBPROF, but found nothing suspicious in his life or background. Asimov appeared to hold an equivocal attitude towards Israel. In his first autobiography, he indicates his support for the safety of Israel, though insisting that he was not a Zionist. In his third autobiography, Asimov stated his opposition to the creation of a Jewish state, on the grounds that he was opposed to having nation-states in general, and supported the notion of a single humanity. Asimov especially worried about the safety of Israel given that it had been created among hostile Muslim neighbors, and said that Jews had merely created for themselves another "Jewish ghetto". Social issues Asimov believed that "science fiction ... serve[s] the good of humanity". He considered himself a feminist even before women's liberation became a widespread movement; he argued that the issue of women's rights was closely connected to that of population control. Furthermore, he believed that homosexuality must be considered a "moral right" on population grounds, as must all consenting adult sexual activity that does not lead to reproduction. He issued many appeals for population control, reflecting a perspective articulated by people from Thomas Malthus through Paul R. Ehrlich. In a 1988 interview by Bill Moyers, Asimov proposed computer-aided learning, where people would use computers to find information on subjects in which they were interested. He thought this would make learning more interesting, since people would have the freedom to choose what to learn, and would help spread knowledge around the world. Also, the one-to-one model would let students learn at their own pace. Asimov thought that people would live in space by the year 2019. In 1983 Asimov wrote: He continues on education: Sexual harassment Asimov would often fondle, kiss and pinch women at conventions and elsewhere without regard for their consent. According to Alec Nevala-Lee, author of an Asimov biography and writer on the history of science fiction, he often defended himself by saying that far from showing objections, these women cooperated. In the 1971 satirical piece, The Sensuous Dirty Old Man, he wrote, "The question then is not whether or not a girl should be touched. The question is merely where, when, and how she should be touched." According to Nevala-Lee, however, "many of these encounters were clearly nonconsensual." He wrote that Asimov's behaviour, as a leading science-fiction author and personality, contributed to an undesirable atmosphere for women in the male-dominated science fiction community. In support of this, he quoted some of Asimov's contemporary fellow-authors such as Judith Merril, Harlan Ellison and Frederik Pohl, as well as editors such as Timothy Seldes. Specific incidents were reported by other people including Edward L. Ferman, long-time editor of The Magazine of Fantasy & Science Fiction who wrote "... instead of shaking my date's hand, he shook her left breast". Environment and population Asimov's defense of civil applications of nuclear power even after the Three Mile Island nuclear power plant incident damaged his relations with some of his fellow liberals. In a letter reprinted in Yours, Isaac Asimov, he states that although he would prefer living in "no danger whatsoever" than near a nuclear reactor, he would still prefer a home near a nuclear power plant than in a slum on Love Canal or near "a Union Carbide plant producing methyl isocyanate", the latter being a reference to the Bhopal disaster. In the closing years of his life, Asimov blamed the deterioration of the quality of life that he perceived in New York City on the shrinking tax base caused by the middle-class flight to the suburbs, though he continued to support high taxes on the middle class to pay for social programs. His last nonfiction book, Our Angry Earth (1991, co-written with his long-time friend, science fiction author Frederik Pohl), deals with elements of the environmental crisis such as overpopulation, oil dependence, war, global warming, and the destruction of the ozone layer. In response to being presented by Bill Moyers with the question "What do you see happening to the idea of dignity to human species if this population growth continues at its present rate?", Asimov responded: Other authors Asimov enjoyed the writings of J. R. R. Tolkien, and in fact even used The Lord of the Rings as a plot point in a Black Widowers story, titled Nothing like Murder. In the essay All or Nothing (for The Magazine of Fantasy and Science Fiction, Jan 1981), Asimov revealed that he admires Tolkien and that he had read The Lord of the Rings five times. (The feelings were mutual, with Tolkien himself revealing that he had enjoyed Asimov's science fiction. This would make Asimov an exception to Tolkien's earlier claim that he rarely found "any modern books" that were interesting to him.) He acknowledged other writers as superior to himself in talent, saying of Harlan Ellison, "He is (in my opinion) one of the best writers in the world, far more skilled at the art than I am." Asimov disapproved of the New Wave's growing influence, however, stating in 1967 "I want science fiction. I think science fiction isn't really science fiction if it lacks science. And I think the better and truer the science, the better and truer the science fiction". The feelings of friendship and respect between Asimov and Arthur C. Clarke were demonstrated by the so-called "Clarke-Asimov Treaty of Park Avenue", negotiated as they shared a cab in New York. This stated that Asimov was required to insist that Clarke was the best science fiction writer in the world (reserving second-best for himself), while Clarke was required to insist that Asimov was the best science writer in the world (reserving second-best for himself). Thus, the dedication in Clarke's book Report on Planet Three (1972) reads: "In accordance with the terms of the Clarke-Asimov treaty, the second-best science writer dedicates this book to the second-best science-fiction writer." Asimov became a fan of mystery stories at the same time as science fiction. He preferred to read the former to latter because "I read every [science fiction] story keenly aware that it might be worse than mine, in which case I had no patience with it, or that it might be better, in which case I felt miserable". Asimov wrote "I make no secret of the fact that in my mysteries I use Agatha Christie as my model. In my opinion, her mysteries are the best ever written, far better than the Sherlock Holmes stories, and Hercule Poirot is the best detective fiction has seen. Why should I not use as my model what I consider the best?" He enjoyed Sherlock Holmes, but considered Arthur Conan Doyle to be "a slapdash and sloppy writer." Asimov also enjoyed humorous stories, particularly those of P. G. Wodehouse. In non-fiction writing, Asimov particularly admired the writing style of Martin Gardner, and tried to emulate it in his own science books. On meeting Gardner for the first time in 1965, Asimov told him this, to which Gardner answered that he had based his own style on Asimov's. Influence Paul Krugman, holder of a Nobel Prize in Economics, stated Asimov's concept of psychohistory has inspired him to become an economist. John Jenkins, who has reviewed the vast majority of Asimov's written output, once observed, "It has been pointed out that most science fiction writers since the 1950s have been affected by Asimov, either modeling their style on his or deliberately avoiding anything like his style." Along with such figures as Bertrand Russell and Karl Popper, Asimov left his mark as one of the most distinguished interdisciplinarians of the 20th century. "Few individuals", writes James L. Christian, "understood better than Isaac Asimov what synoptic thinking is all about. His almost 500 books—which he wrote as a specialist, a knowledgeable authority, or just an excited layman—range over almost all conceivable subjects: the sciences, history, literature, religion, and of course, science fiction." Bibliography Depending on the counting convention used, and including all titles, charts, and edited collections, there may be currently over 500 books in Asimov's bibliography—as well as his individual short stories, individual essays, and criticism. For his 100th, 200th, and 300th books (based on his personal count), Asimov published Opus 100 (1969), Opus 200 (1979), and Opus 300 (1984), celebrating his writing. An extensive bibliography of Isaac Asimov's works has been compiled by Ed Seiler. He published enough that his book writing rate could be analysed, showing that the writing became faster as he wrote more. An online exhibit in West Virginia University Libraries' virtually complete Asimov Collection displays features, visuals, and descriptions of some of his over 600 books, games, audio recordings, videos, and wall charts. Many first, rare, and autographed editions are in the Libraries' Rare Book Room. Book jackets and autographs are presented online along with descriptions and images of children's books, science fiction art, multimedia, and other materials in the collection. Science fiction "Greater Foundation" series The Robot series was originally separate from the Foundation series. The Galactic Empire novels were published as independent stories, set earlier in the same future as Foundation. Later in life, Asimov synthesized the Robot series into a single coherent "history" that appeared in the extension of the Foundation series. All of these books were published by Doubleday & Co, except the original Foundation trilogy which was originally published by Gnome Books before being bought and republished by Doubleday. The Robot series: (first Elijah Baley SF-crime novel) (second Elijah Baley SF-crime novel) (third Elijah Baley SF-crime novel) (sequel to the Elijah Baley trilogy) Galactic Empire novels: (early Galactic Empire) (long before the Empire) (Republic of Trantor still expanding) Foundation prequels: Original Foundation trilogy: (also published with the title 'The Man Who Upset the Universe' as a 35¢ Ace paperback, D-125, in about 1952) Extended Foundation series: Lucky Starr series (as Paul French) All published by Doubleday & Co David Starr, Space Ranger (1952) Lucky Starr and the Pirates of the Asteroids (1953) Lucky Starr and the Oceans of Venus (1954) Lucky Starr and the Big Sun of Mercury (1956) Lucky Starr and the Moons of Jupiter (1957) Lucky Starr and the Rings of Saturn (1958) Norby Chronicles (with Janet Asimov) All published by Walker & Company Norby, the Mixed-Up Robot (1983) Norby's Other Secret (1984) Norby and the Lost Princess (1985) Norby and the Invaders (1985) Norby and the Queen's Necklace (1986) Norby Finds a Villain (1987) Norby Down to Earth (1988) Norby and Yobo's Great Adventure (1989) Norby and the Oldest Dragon (1990) Norby and the Court Jester (1991) Novels not part of a series Novels marked with an asterisk (*) have minor connections to Foundation universe. The End of Eternity (1955), Doubleday (*) Fantastic Voyage (1966), Bantam Books (paperback) and Houghton Mifflin (hardback) (a novelization of the movie) The Gods Themselves (1972), Doubleday Fantastic Voyage II: Destination Brain (1987), Doubleday (not a sequel to Fantastic Voyage, but a similar, independent story) Nemesis (1989), Bantam Doubleday Dell (*) Nightfall (1990), Doubleday, with Robert Silverberg (based on "Nightfall", a 1941 short story written by Asimov) Child of Time (1992), Bantam Doubleday Dell, with Robert Silverberg (based on "The Ugly Little Boy", a 1958 short story written by Asimov) The Positronic Man (1993), Bantam Doubleday Dell, with Robert Silverberg (*) (based on The Bicentennial Man, a 1976 novella written by Asimov) Short-story collections Mysteries Novels The Death Dealers (1958), Avon Books, republished as A Whiff of Death by Walker & Company Murder at the ABA (1976), Doubleday, also published as Authorized Murder Short-story collections Black Widowers series Tales of the Black Widowers (1974), Doubleday More Tales of the Black Widowers (1976), Doubleday Casebook of the Black Widowers (1980), Doubleday Banquets of the Black Widowers (1984), Doubleday Puzzles of the Black Widowers (1990), Doubleday The Return of the Black Widowers (2003), Carroll & Graf Other mysteries Asimov's Mysteries (1968), Doubleday The Key Word and Other Mysteries (1977), Walker The Union Club Mysteries (1983), Doubleday The Disappearing Man and Other Mysteries (1985), Walker The Best Mysteries of Isaac Asimov (1986), Doubleday Nonfiction Popular science Collections of Asimov's essays for F&SF The following books collected essays which were originally published as monthly columns in The Magazine of Fantasy and Science Fiction and collected by Doubleday & Co Fact and Fancy (1962) View from a Height (1963) Adding a Dimension (1964) Of Time and Space and Other Things (1965) From Earth to Heaven (1966) Science, Numbers, and I (1968) The Solar System and Back (1970) The Stars in Their Courses (1971) The Left Hand of the Electron (1972) The Tragedy of the Moon (1973) Asimov On Astronomy (updated version of essays in previous collections) (1974) Asimov On Chemistry (updated version of essays in previous collections) (1974) Of Matters Great and Small (1975) Asimov On Physics (updated version of essays in previous collections) (1976) The Planet That Wasn't (1976) Asimov On Numbers (updated version of essays in previous collections) (1976) Quasar, Quasar, Burning Bright (1977) The Road to Infinity (1979) The Sun Shines Bright (1981) Counting the Eons (1983) X Stands for Unknown (1984) The Subatomic Monster (1985) Far as Human Eye Could See (1987) The Relativity of Wrong (1988) Asimov on Science: A 30 Year Retrospective 1959–1989 (1989) (features the first essay in the introduction) Out of the Everywhere (1990) The Secret of the Universe (1991) Other general science essay collections Only a Trillion (1957), Abelard-Schuman, Is Anyone There? (1967), Doubleday, (which includes the article in which he coined the term "spome") Today and Tomorrow and— (1973), Doubleday Science Past, Science Future (1975), Doubleday, Please Explain (1975), Houghton Mifflin, Life and Time (1978), Doubleday The Roving Mind (1983), Prometheus Books, new edition 1997, The Dangers of Intelligence (1986), Houghton Mifflin Past, Present and Future (1987), Prometheus Books, The Tyrannosaurus Prescription (1989), Prometheus Books Frontiers (1990), Dutton Frontiers II (1993), Dutton Other science books by Asimov The Chemicals of Life (1954), Abelard-Schuman Inside the Atom (1956), Abelard-Schuman, Building Blocks of the Universe (1957; revised 1974), Abelard-Schuman, The World of Carbon (1958), Abelard-Schuman, The World of Nitrogen (1958), Abelard-Schuman, Words of Science and the History Behind Them (1959), Houghton Mifflin The Clock We Live On (1959), Abelard-Schuman, Breakthroughs in Science (1959), Houghton Mifflin, Realm of Numbers (1959), Houghton Mifflin, Realm of Measure (1960), Houghton Mifflin The Wellsprings of Life (1960), Abelard-Schuman, Life and Energy (1962), Doubleday, The Genetic Code (1962), The Orion Press The Human Body: Its Structure and Operation (1963), Houghton Mifflin, , (revised) The Human Brain: Its Capacities and Functions (1963), Houghton Mifflin, Planets for Man (with Stephen H. Dole) (1964), Random House, reprinted by RAND in 2007 An Easy Introduction to the Slide Rule (1965), Houghton Mifflin, The Intelligent Man's Guide to Science (1965), Basic Books The title varied with each of the four editions, the last being Asimov's New Guide to Science (1984) The Universe: From Flat Earth to Quasar (1966), Walker, The Neutrino (1966), Doubleday, ASIN B002JK525W Understanding Physics Vol. I, Motion, Sound, and Heat (1966), Walker, Understanding Physics Vol. II, Light, Magnetism, and Electricity (1966), Walker, Understanding Physics Vol. III, The Electron, Proton, and Neutron (1966), Walker, Photosynthesis (1969), Basic Books, Our World in Space (1974), New York Graphic, Eyes on the Universe: A History of the Telescope (1976), Andre Deutsch Limited, The Collapsing Universe (1977), Walker, Extraterrestrial Civilizations (1979), Crown, Visions of the Universe with illustrations by Kazuaki Iwasaki (1981), Cosmos Store, Exploring the Earth and the Cosmos (1982), Crown, The Measure of the Universe (1983), Harper & Row Think About Space: Where Have We Been and Where Are We Going? with co-author Frank White (1989), Walker Asimov's Chronology of Science and Discovery (1989), Harper & Row, second edition adds content thru 1993, Beginnings: The Story of Origins (1989), Walker Isaac Asimov's Guide to Earth and Space (1991), Random House, Atom: Journey Across the Subatomic Cosmos (1991), Dutton, Mysteries of Deep Space: Quasars, Pulsars and Black Holes (1994) Earth's Moon (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Sun (1988), Gareth Stevens, revised in 2003 by Richard Hantula The Earth (1988), Gareth Stevens, revised in 2004 by Richard Hantula Jupiter (1989), Gareth Stevens, revised in 2004 by Richard Hantula Venus (1990), Gareth Stevens, revised in 2004 by Richard Hantula Literary works All published by Doubleday Asimov's Guide to Shakespeare, vols I and II (1970), Asimov's Annotated "Don Juan" (1972) Asimov's Annotated "Paradise Lost" (1974) Familiar Poems, Annotated (1976) Asimov's The Annotated "Gulliver's Travels" (1980) Asimov's Annotated "Gilbert and Sullivan" (1988) The Bible Words from Genesis (1962), Houghton Mifflin Words from the Exodus (1963), Houghton Mifflin Asimov's Guide to the Bible, vols I and II (1967 and 1969, one-volume ed. 1981), Doubleday, The Story of Ruth (1972), Doubleday, In the Beginning (1981), Crown Autobiography In Memory Yet Green: The Autobiography of Isaac Asimov, 1920–1954 (1979, Doubleday) In Joy Still Felt: The Autobiography of Isaac Asimov, 1954–1978 (1980, Doubleday) I. Asimov: A Memoir (1994, Doubleday) It's Been a Good Life (2002, Prometheus Books), condensation of Asimov's three volumes of autobiography, edited by his widow, Janet Jeppson Asimov History All published by Houghton Mifflin except where otherwise stated The Kite That Won the Revolution (1963), The Greeks (1965) The Roman Republic (1966) The Roman Empire (1967) The Egyptians (1967) The Near East (1968) The Dark Ages (1968) Words from History (1968) The Shaping of England (1969) Constantinople: The Forgotten Empire (1970) The Land of Canaan (1971) The Shaping of France (1972) The Shaping of North America: From Earliest Times to 1763 (1973) The Birth of the United States: 1763–1816 (1974) Our Federal Union: The United States from 1816 to 1865 (1975), The Golden Door: The United States from 1865 to 1918 (1977) Asimov's Chronology of the World (1991), HarperCollins, The March of the Millennia (1991), with co-author Frank White, Walker & Company, Humor The Sensuous Dirty Old Man (1971) (As Dr. A), Walker & Company, Isaac Asimov's Treasury of Humor (1971), Houghton Mifflin Lecherous Limericks (1975), Walker, More Lecherous Limericks (1976), Walker, Still More Lecherous Limericks (1977), Walker, Limericks, Two Gross, with John Ciardi (1978), Norton, A Grossery of Limericks, with John Ciardi (1981), Norton, Limericks for Children (1984), Caedmon Asimov Laughs Again (1992), HarperCollins On writing science fiction Asimov on Science Fiction (1981), Doubleday Asimov's Galaxy (1989), Doubleday Other nonfiction Opus 100 (1969), Houghton Mifflin, Asimov's Biographical Encyclopedia of Science and Technology (1964), Doubleday (revised edition 1972, ) Opus 200 (1979), Houghton Mifflin, Isaac Asimov's Book of Facts (1979), Grosset & Dunlap, Opus 300 (1984), Houghton Mifflin, Our Angry Earth: A Ticking Ecological Bomb (1991), with co-author Frederik Pohl, Tor, . Television, music, and film appearances I Robot, a concept album by the Alan Parsons Project that examined some of Asimov's work The Last Word (1959) The Dick Cavett Show, four appearances 1968–71 The Nature of Things (1969) ABC News coverage of Apollo 11, 1969, with Fred Pohl, interviewed by Rod Serling David Frost interview program, August 1969. Frost asked Asimov if he had ever tried to find God and, after some initial evasion, Asimov answered, "God is much more intelligent than I am—let him try to find me." BBC Horizon "It's About Time" (1979), show hosted by Dudley Moore Target ... Earth? (1980) The David Letterman Show (1980) NBC TV Speaking Freely, interviewed by Edwin Newman (1982) ARTS Network talk show hosted by Studs Terkel and Calvin Trillin, approximately (1982) Oltre New York (1986) Voyage to the Outer Planets and Beyond (1986) Gandahar (1987), a French animated science-fiction film by René Laloux. Asimov wrote the English translation for the film. Bill Moyers interview (1988) Stranieri in America (1988) Adaptations El robot embustero (1966), short film directed by Antonio Lara de Gavilán, based on short story "Liar!" A halhatatlanság halála (1977), TV movie directed by András Rajnai, based on novel The End of Eternity The Ugly Little Boy (1977), short film directed by Barry Morse and Donald W. Thompson, based on novelette The Ugly Little Boy All the Troubles of the World (1978), short film directed by Dianne Haak-Edson, based on short story "All the Troubles of the World" The End of Eternity (1987), film directed by Andrei Yermash, based on novel The End of Eternity Nightfall (1988), film directed by Paul Mayersberg, based on novelette "Nightfall" Robots (1988), film directed by Doug Smith and Kim Takal, based on the Robot series Feeling 109 (1988), short film directed by Richard Kletter, based on a story of Asimov Teach 109 (1989), TV movie directed by Richard Kletter, based on a story of Asimov (the same as The Android Affair) The Android Affair (1995), TV movie directed by Richard Kletter, based on a story of Asimov (the same as Teach 109) Bicentennial Man (1999), film directed by Chris Columbus, based on novelette "The Bicentennial Man" and on novel The Positronic Man Nightfall (2000), film directed by Gwyneth Gibby, based on novelette "Nightfall" I, Robot (2004), film directed by Alex Proyas, based on ideas of short stories of the Robot series Formula of Death (2012), TV movie directed by Behdad Avand Amini, based on novel The Death Dealers Spell My Name with an S (2014), short film directed by Samuel Ali, based on short story "Spell My Name with an S" Foundation (2021), series created by David S. Goyer and Josh Friedman, based on the Foundation series Novelizations Novel Fantastic Voyage, novelization of film Fantastic Voyage (1966) References Footnotes Notes Sources Asimov, Isaac. In Memory Yet Green (1979), New York: Avon, . In Joy Still Felt (1980), New York: Avon . I. Asimov: A Memoir (1994), (hc), (pb). Yours, Isaac Asimov (1996), edited by Stanley Asimov. New York: Doubleday . It's Been a Good Life (2002), edited by Janet Asimov. . Goldman, Stephen H., "Isaac Asimov", in Dictionary of Literary Biography, Vol. 8, Cowart and Wymer eds. (Gale Research, 1981), pp. 15–29. Gunn, James. "On Variations on a Robot", IASFM, July 1980, pp. 56–81. Isaac Asimov: The Foundations of Science Fiction (1982). . The Science of Science-Fiction Writing (2000). . Further reading External links Asimov Online, a vast repository of information about Asimov, maintained by Asimov enthusiast Edward Seiler Jenkins' Spoiler-Laden Guide to Isaac Asimov, reviews of all of Asimov's books 20th-century births 1992 deaths 20th-century American novelists 20th-century American male writers AIDS-related deaths in New York (state) American alternate history writers Jewish American atheists American biochemists American essayists American humanists American humorists American male novelists 20th-century American memoirists United States Army non-commissioned officers American mystery writers American people of Russian-Jewish descent American science fiction writers American science writers American skeptics American writers of Russian descent Asimov's Science Fiction people Bible commentators Boston University faculty Columbia University School of General Studies alumni Critics of religions Date of birth unknown Fellows of the American Academy of Arts and Sciences Futurians Historians of astronomy American historians of science Hugo Award-winning writers Humor researchers Jewish American novelists Jewish American short story writers Jewish feminists Jewish skeptics American male essayists Male feminists American male short story writers American short story writers Mensans Nebula Award winners New York (state) Democrats People from Shumyachsky District Naturalized citizens of the United States United States Navy civilians Science fiction fans Science Fiction Hall of Fame inductees SFWA Grand Masters Soviet emigrants to the United States Writers from Brooklyn Yiddish-speaking people Boys High School (Brooklyn) alumni Novelists from Massachusetts Novelists from New York (state) Scientists from New York City 20th-century essayists 20th-century atheists People from the Upper West Side Pulp fiction writers Writers about religion and science Atheist feminists Columbia Graduate School of Arts and Sciences alumni

C_ee9c2bfe87b1479299adfc3b56f911e8_1

When did the Kon-Tiki expedition take place?

When did the Kon-Tiki expedition take place?

Thor Heyerdahl

In 1947, Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on August 7, 1947, after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. CANNOTANSWER

In 1947,

Thor Heyerdahl (; 6 October 1914 – 18 April 2002) was a Norwegian adventurer and ethnographer with a background in zoology, botany and geography. Heyerdahl is notable for his Kon-Tiki expedition in 1947, in which he sailed 8,000 km (5,000 mi) across the Pacific Ocean in a hand-built raft from South America to the Tuamotu Islands. The expedition was designed to demonstrate that ancient people could have made long sea voyages, creating contacts between societies. This was linked to a diffusionist model of cultural development. Heyerdahl made other voyages to demonstrate the possibility of contact between widely separated ancient peoples, notably the Ra II expedition of 1970, when he sailed from the west coast of Africa to Barbados in a papyrus reed boat. He was appointed a government scholar in 1984. He died on 18 April 2002 in Colla Micheri, Liguria, Italy, while visiting close family members. The Norwegian government gave him a state funeral in Oslo Cathedral on 26 April 2002. In May 2011, the Thor Heyerdahl Archives were added to UNESCO's Memory of the World Register. At the time, this list included 238 collections from all over the world. The Heyerdahl Archives span the years 1937 to 2002 and include his photographic collection, diaries, private letters, expedition plans, articles, newspaper clippings, original book, and article manuscripts. The Heyerdahl Archives are administered by the Kon-Tiki Museum and the National Library of Norway in Oslo. Youth and personal life Heyerdahl was born in Larvik, Norway, the son of master brewer Thor Heyerdahl (1869–1957) and his wife, Alison Lyng (1873–1965). As a young child, Heyerdahl showed a strong interest in zoology, inspired by his mother, who had a strong interest in Charles Darwin's theory of evolution. He created a small museum in his childhood home, with a common adder (Vipera berus) as the main attraction. He studied zoology and geography at the faculty of biological science at the University of Oslo. At the same time, he privately studied Polynesian culture and history, consulting what was then the world's largest private collection of books and papers on Polynesia, owned by Bjarne Kroepelien, a wealthy wine merchant in Oslo. (This collection was later purchased by the University of Oslo Library from Kroepelien's heirs and was attached to the Kon-Tiki Museum research department.) After seven terms and consultations with experts in Berlin, a project was developed and sponsored by Heyerdahl's zoology professors, Kristine Bonnevie and Hjalmar Broch. He was to visit some isolated Pacific island groups and study how the local animals had found their way there. On the day before they sailed together to the Marquesas Islands in 1936, Heyerdahl married Liv Coucheron-Torp (1916–1969), whom he had met at the University of Oslo, and who had studied economics there. He was 22 years old and she was 20 years old. Eventually, the couple had two sons: Thor Jr. and Bjørn. The marriage ended in divorce shortly before the 1947 Kon-Tiki expedition, which Liv had helped to organize. After the occupation of Norway by Nazi Germany, he served with the Free Norwegian Forces from 1944, in the far north province of Finnmark. In 1949, Heyerdahl married Yvonne Dedekam-Simonsen (1924–2006). They had three daughters: Annette, Marian and Helene Elisabeth. They were divorced in 1969. Heyerdahl blamed their separation on his being away from home and differences in their ideas for bringing up children. In his autobiography, he concluded that he should take the entire blame for their separation. In 1991, Heyerdahl married Jacqueline Beer (born 1932) as his third wife. They lived in Tenerife, Canary Islands, and were very actively involved with archaeological projects, especially in Túcume, Peru, and Azov until his death in 2002. He had still been hoping to undertake an archaeological project in Samoa before he died. Fatu Hiva In 1936, on the day after his marriage to Liv Coucheron Torp, the young couple set out for the South Pacific Island of Fatu Hiva. They nominally had an academic mission, to research the spread of animal species between islands, but in reality they intended to "run away to the South Seas" and never return home. Aided by expedition funding from their parents, they nonetheless arrived on the island lacking "provisions, weapons or a radio". Residents in Tahiti, where they stopped en route, did convince them to take a machete and a cooking pot. They arrived at Fatu Hiva in 1937, in the valley of Omo‘a, and decided to cross over the island's mountainous interior to settle in one of the small, nearly abandoned, valleys on the eastern side of the island. There, they made their thatch-covered stilted home in the valley of Uia. Living in such primitive conditions was a daunting task, but they managed to live off the land, and work on their academic goals, by collecting and studying zoological and botanical specimens. They discovered unusual artifacts, listened to the natives' oral history traditions, and took note of the prevailing winds and ocean currents. It was in this setting, surrounded by the ruins of the formerly glorious Marquesan civilization, that Heyerdahl first developed his theories regarding the possibility of pre-Columbian trans-oceanic contact between the pre-European Polynesians, and the peoples and cultures of South America. Despite the seemingly idyllic situation, the exposure to various tropical diseases and other difficulties caused them to return to civilisation a year later. They worked together to write an account of their adventure. The events surrounding his stay on the Marquesas, most of the time on Fatu Hiva, were told first in his book På Jakt etter Paradiset (Hunt for Paradise) (1938), which was published in Norway but, following the outbreak of World War II, was never translated and remained largely forgotten. Many years later, having achieved notability with other adventures and books on other subjects, Heyerdahl published a new account of this voyage under the title Fatu Hiva (London: Allen & Unwin, 1974). The story of his time on Fatu Hiva and his side trip to Hivaoa and Mohotani is also related in Green Was the Earth on the Seventh Day (Random House, 1996). Kon-Tiki expedition In 1947 Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on 7 August 1947 after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. Theory on Polynesian origins Heyerdahl claimed that in Incan legend there was a sun-god named Con-Tici Viracocha who was the supreme head of the mythical fair-skinned people in Peru. The original name for Viracocha was Kon-Tiki or Illa-Tiki, which means Sun-Tiki or Fire-Tiki. Kon-Tiki was high priest and sun-king of these legendary "white men" who left enormous ruins on the shores of Lake Titicaca. The legend continues with the mysterious bearded white men being attacked by a chief named Cari, who came from the Coquimbo Valley. They had a battle on an island in Lake Titicaca, and the fair race was massacred. However, Kon-Tiki and his closest companions managed to escape and later arrived on the Pacific coast. The legend ends with Kon-Tiki and his companions disappearing westward out to sea. When the Spaniards came to Peru, Heyerdahl asserted, the Incas told them that the colossal monuments that stood deserted about the landscape were erected by a race of white gods who had lived there before the Incas themselves became rulers. The Incas described these "white gods" as wise, peaceful instructors who had originally come from the north in the "morning of time" and taught the Incas' primitive forebears architecture as well as manners and customs. They were unlike other Native Americans in that they had "white skins and long beards" and were taller than the Incas. The Incas said that the "white gods" had then left as suddenly as they had come and fled westward across the Pacific. After they had left, the Incas themselves took over power in the country. Heyerdahl said that when the Europeans first came to the Pacific islands, they were astonished that they found some of the natives to have relatively light skins and beards. There were whole families that had pale skin, hair varying in colour from reddish to blonde. In contrast, most of the Polynesians had golden-brown skin, raven-black hair, and rather flat noses. Heyerdahl claimed that when Jacob Roggeveen discovered Easter Island in 1722, he supposedly noticed that many of the natives were white-skinned. Heyerdahl claimed that these people could count their ancestors who were "white-skinned" right back to the time of Tiki and Hotu Matua, when they first came sailing across the sea "from a mountainous land in the east which was scorched by the sun". The ethnographic evidence for these claims is outlined in Heyerdahl's book Aku-Aku: The Secret of Easter Island. Tiki people Heyerdahl proposed that Tiki's neolithic people colonised the then uninhabited Polynesian islands as far north as Hawaii, as far south as New Zealand, as far east as Easter Island, and as far west as Samoa and Tonga around 500 AD. They supposedly sailed from Peru to the Polynesian islands on pae-paes—large rafts built from balsa logs, complete with sails and each with a small cottage. They built enormous stone statues carved in the image of human beings on Pitcairn, the Marquesas, and Easter Island that resembled those in Peru. They also built huge pyramids on Tahiti and Samoa with steps like those in Peru. But all over Polynesia, Heyerdahl found indications that Tiki's peaceable race had not been able to hold the islands alone for long. He found evidence that suggested that seagoing war canoes as large as Viking ships and lashed together two and two had brought Stone Age Northwest American Indians to Polynesia around 1100 AD, and they mingled with Tiki's people. The oral history of the people of Easter Island, at least as it was documented by Heyerdahl, is completely consistent with this theory, as is the archaeological record he examined (Heyerdahl 1958). In particular, Heyerdahl obtained a radiocarbon date of 400 AD for a charcoal fire located in the pit that was held by the people of Easter Island to have been used as an "oven" by the "Long Ears", which Heyerdahl's Rapa Nui sources, reciting oral tradition, identified as a white race that had ruled the island in the past (Heyerdahl 1958). Heyerdahl further argued in his book American Indians in the Pacific that the current inhabitants of Polynesia migrated from an Asian source, but via an alternative route. He proposes that Polynesians travelled with the wind along the North Pacific current. These migrants then arrived in British Columbia. Heyerdahl called contemporary tribes of British Columbia, such as the Tlingit and Haida, descendants of these migrants. Heyerdahl claimed that cultural and physical similarities existed between these British Columbian tribes, Polynesians, and the Old World source. Controversy Heyerdahl's theory of Polynesian origins has not gained acceptance among anthropologists. Physical and cultural evidence had long suggested that Polynesia was settled from west to east, migration having begun from the Asian mainland, not South America. In the late 1990s, genetic testing found that the mitochondrial DNA of the Polynesians is more similar to people from south-east Asia than to people from South America, showing that their ancestors most likely came from Asia. Anthropologist Robert Carl Suggs included a chapter titled "The Kon-Tiki Myth" in his 1960 book on Polynesia, concluding that "The Kon-Tiki theory is about as plausible as the tales of Atlantis, Mu, and 'Children of the Sun.' Like most such theories, it makes exciting light reading, but as an example of scientific method it fares quite poorly." Anthropologist and National Geographic Explorer-in-Residence Wade Davis also criticised Heyerdahl's theory in his 2009 book The Wayfinders, which explores the history of Polynesia. Davis says that Heyerdahl "ignored the overwhelming body of linguistic, ethnographic, and ethnobotanical evidence, augmented today by genetic and archaeological data, indicating that he was patently wrong." A 2009 study by the Norwegian researcher Erik Thorsby suggested that there was some merit to Heyerdahl's ideas and that, while Polynesia was colonised from Asia, some contact with South America also existed. Some critics suggest, however, that Thorsby's research is inconclusive because his data may have been influenced by recent population contact. However, a 2014 research indicates that the South American component of Easter Island people's genomes pre-dates European contact: a team including Anna-Sapfo Malaspinas (from the Natural History Museum of Denmark) analysed the genomes of 27 native Rapanui people and found that their DNA was on average 76 per cent Polynesian, 8 per cent Native American and 16 per cent European. Analysis showed that: "although the European lineage could be explained by contact with white Europeans after the island was 'discovered' in 1722 by Dutch sailors, the South American component was much older, dating to between about 1280 and 1495, soon after the island was first colonised by Polynesians in around 1200." Together with ancient skulls found in Brazil – with solely Polynesian DNA – this does suggest some pre-European-contact travel to and from South America from Polynesia. A study based on wider genome analysis published in Nature in July 2020 is suggestive of a contact event, around 1200 AD, between Polynesian individuals and a Native American group most closely related to the indigenous inhabitants of present-day Colombia. Expedition to Easter Island In 1955–1956, Heyerdahl organised the Norwegian Archaeological Expedition to Easter Island. The expedition's scientific staff included Arne Skjølsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Easter Island investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller. In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonised by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation. Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies. As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that almost all Long Ears were killed in a civil war is true, as the islanders' story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. Boats Ra and Ra II In 1969 and 1970, Heyerdahl built two boats from papyrus and attempted to cross the Atlantic Ocean from Morocco in Africa. Based on drawings and models from ancient Egypt, the first boat, named Ra (after the Egyptian Sun god), was constructed by boat builders from Lake Chad using papyrus reed obtained from Lake Tana in Ethiopia and launched into the Atlantic Ocean from the coast of Morocco. The Ra crew included Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Santiago Genovés (Mexico), Georges Sourial (Egypt) and Abdullah Djibrine (Chad). Only Heyerdahl and Baker had sailing and navigation experience. After a number of weeks, Ra took on water. The crew discovered that a key element of the Egyptian boatbuilding method had been neglected, a tether that acted like a spring to keep the stern high in the water while allowing for flexibility. Water and storms eventually caused it to sag and break apart after sailing more than 6,400 km (4,000 miles). The crew was forced to abandon Ra, some hundred miles (160 km) before the Caribbean islands, and was saved by a yacht. The following year, 1970, a similar vessel, Ra II, was built by Demetrio, Juan and José Limachi of papyrus from Lake Titicaca in Bolivia and likewise set sail across the Atlantic from Morocco, this time with great success. The crew was mostly the same; though Djibrine had been replaced by Kei Ohara from Japan and Madani Ait Ouhanni from Morocco. The boat became lost and was the subject of a United Nations search and rescue mission. The search included international assistance including people as far afield as Loo-Chi Hu of New Zealand. The boat reached Barbados, thus demonstrating that mariners could have dealt with trans-Atlantic voyages by sailing with the Canary Current. The Ra II is now in the Kon-Tiki Museum in Oslo, Norway. The book The Ra Expeditions and the film documentary Ra (1972) were made about the voyages. Apart from the primary aspects of the expedition, Heyerdahl deliberately selected a crew representing a great diversity in race, nationality, religion and political viewpoint in order to demonstrate that at least on their own little floating island, people could co-operate and live peacefully. Additionally, the expedition took samples of marine pollution and presented their report to the United Nations. Tigris Heyerdahl built yet another reed boat in 1977, Tigris, which was intended to demonstrate that trade and migration could have linked Mesopotamia with the Indus Valley Civilization in what is now Pakistan and western India. Tigris was built in Al Qurnah Iraq and sailed with its international crew through the Persian Gulf to Pakistan and made its way into the Red Sea. After about five months at sea and still remaining seaworthy, the Tigris was deliberately burnt in Djibouti on 3 April 1978 as a protest against the wars raging on every side in the Red Sea and Horn of Africa. In his Open Letter to the UN Secretary-General Kurt Waldheim, Heyerdahl explained his reasons: Today we burn our proud ship ... to protest against inhuman elements in the world of 1978 ... Now we are forced to stop at the entrance to the Red Sea. Surrounded by military airplanes and warships from the world's most civilised and developed nations, we have been denied permission by friendly governments, for reasons of security, to land anywhere, but in the tiny, and still neutral, Republic of Djibouti. Elsewhere around us, brothers and neighbours are engaged in homicide with means made available to them by those who lead humanity on our joint road into the third millennium. To the innocent masses in all industrialised countries, we direct our appeal. We must wake up to the insane reality of our time ... We are all irresponsible, unless we demand from the responsible decision makers that modern armaments must no longer be made available to people whose former battle axes and swords our ancestors condemned. Our planet is bigger than the reed bundles that have carried us across the seas, and yet small enough to run the same risks unless those of us still alive open our eyes and minds to the desperate need of intelligent collaboration to save ourselves and our common civilisation from what we are about to convert into a sinking ship. In the years that followed, Heyerdahl was often outspoken on issues of international peace and the environment. The Tigris had an 11-man crew: Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Germán Carrasco (Mexico), Hans Petter Bohn (Norway), Rashad Nazar Salim (Iraq), Norris Brock (US), Toru Suzuki (Japan), Detlef Soitzek (Germany), and Asbjørn Damhus (Denmark). "The Search for Odin" in Azerbaijan and Russia Background Heyerdahl made four visits to Azerbaijan in 1981, 1994, 1999 and 2000. Heyerdahl had long been fascinated with the rock carvings that date back to about at Gobustan (about 30 miles/48 km west of Baku). He was convinced that their artistic style closely resembled the carvings found in his native Norway. The ship designs, in particular, were regarded by Heyerdahl as similar and drawn with a simple sickle-shaped line, representing the base of the boat, with vertical lines on deck, illustrating crew or, perhaps, raised oars. Based on this and other published documentation, Heyerdahl proposed that Azerbaijan was the site of an ancient advanced civilisation. He believed that natives migrated north through waterways to present-day Scandinavia using ingeniously constructed vessels made of skins that could be folded like cloth. When voyagers travelled upstream, they conveniently folded their skin boats and transported them on pack animals. Snorri Sturluson On Heyerdahl's visit to Baku in 1999, he lectured at the Academy of Sciences about the history of ancient Nordic Kings. He spoke of a notation made by Snorri Sturluson, a 13th-century historian-mythographer in Ynglinga Saga, which relates that "Odin (a Scandinavian god who was one of the kings) came to the North with his people from a country called Aser." (see also House of Ynglings and Mythological kings of Sweden). Heyerdahl accepted Snorri's story as literal truth, and believed that a chieftain led his people in a migration from the east, westward and northward through Saxony, to Fyn in Denmark, and eventually settling in Sweden. Heyerdahl claimed that the geographic location of the mythic Aser or Æsir matched the region of contemporary Azerbaijan – "east of the Caucasus mountains and the Black Sea". "We are no longer talking about mythology," Heyerdahl said, "but of the realities of geography and history. Azerbaijanis should be proud of their ancient culture. It is just as rich and ancient as that of China and Mesopotamia." In September 2000 Heyerdahl returned to Baku for the fourth time and visited the archaeological dig in the area of the Church of Kish. Revision of hypothesis One of the last projects of his life, Jakten på Odin, 'The Search for Odin', was a sudden revision of his Odin hypothesis, in furtherance of which he initiated 2001–2002 excavations in Azov, Russia, near the Sea of Azov at the northeast of the Black Sea. He searched for the remains of a civilisation to match the account of Odin in Snorri Sturlusson, significantly further north of his original target of Azerbaijan on the Caspian Sea only two years earlier. This project generated harsh criticism and accusations of pseudoscience from historians, archaeologists and linguists in Norway, who accused Heyerdahl of selective use of sources, and a basic lack of scientific methodology in his work. His central claims were based on similarities of names in Norse mythology and geographic names in the Black Sea region, e.g. Azov and Æsir, Udi and Odin, Tyr and Turkey. Philologists and historians reject these parallels as mere coincidences, and also anachronisms, for instance the city of Azov did not have that name until over 1,000 years after Heyerdahl claims the Æsir dwelt there. The controversy surrounding the Search for Odin project was in many ways typical of the relationship between Heyerdahl and the academic community. His theories rarely won any scientific acceptance, whereas Heyerdahl himself rejected all scientific criticism and concentrated on publishing his theories in popular books aimed at the general public. , Heyerdahl's Odin hypothesis has yet to be validated by any historian, archaeologist or linguist. Other projects Heyerdahl also investigated the mounds found on the Maldive Islands in the Indian Ocean. There, he found sun-orientated foundations and courtyards, as well as statues with elongated earlobes. Heyerdahl believed that these finds fit with his theory of a seafaring civilisation which originated in what is now Sri Lanka, colonised the Maldives, and influenced or founded the cultures of ancient South America and Easter Island. His discoveries are detailed in his book The Maldive Mystery. In 1991 he studied the Pyramids of Güímar on Tenerife and declared that they were not random stone heaps but pyramids. Based on the discovery made by the astrophysicists Aparicio, Belmonte and Esteban, from the Instituto de Astrofísica de Canarias that the "pyramids" were astronomically orientated and being convinced that they were of ancient origin, he claimed that the ancient people who built them were most likely sun worshippers. Heyerdahl advanced a theory according to which the Canaries had been bases of ancient shipping between America and the Mediterranean. Heyerdahl was also an active figure in Green politics. He was the recipient of numerous medals and awards. He also received 11 honorary doctorates from universities in the Americas and Europe. In subsequent years, Heyerdahl was involved with many other expeditions and archaeological projects. He remained best known for his boat-building, and for his emphasis on cultural diffusionism. Death Heyerdahl died on 18 April 2002 in Colla Micheri, Liguria, Italy, where he had gone to spend the Easter holidays with some of his closest family members. He died, aged 87, from a brain tumour. After receiving the diagnosis, he prepared for death, by refusing to eat or take medication. The Norwegian government honored him with a state funeral in the Oslo Cathedral on 26 April 2002. He is buried in the garden of the family home in Colla Micheri. He was an atheist. Legacy Despite the fact that, for many years, much of his work was not accepted by the scientific community, Heyerdahl, nonetheless, increased public interest in ancient history and anthropology. He also showed that long-distance ocean voyages were possible with ancient designs. As such, he was a major practitioner of experimental archaeology. The Kon-Tiki Museum on the Bygdøy peninsula in Oslo, Norway houses vessels and maps from the Kon-Tiki expedition, as well as a library with about 8,000 books. The Thor Heyerdahl Institute was established in 2000. Heyerdahl himself agreed to the founding of the institute and it aims to promote and continue to develop Heyerdahl's ideas and principles. The institute is located in Heyerdahl's birth town of Larvik, Norway. In Larvik, the birthplace of Heyerdahl, the municipality began a project in 2007 to attract more visitors. Since then, they have purchased and renovated Heyerdahl's childhood home, arranged a yearly raft regatta in his honour at the end of summer and begun to develop a Heyerdahl centre. Heyerdahl's grandson, Olav Heyerdahl, retraced his grandfather's Kon-Tiki voyage in 2006 as part of a six-member crew. The voyage, organised by Torgeir Higraff and called the Tangaroa Expedition, was intended as a tribute to Heyerdahl, an effort to better understand navigation via centreboards ("guara") as well as a means to monitor the Pacific Ocean's environment. A book about the Tangaroa Expedition by Torgeir Higraff was published in 2007. The book has numerous photos from the Kon-Tiki voyage 60 years earlier and is illustrated with photographs by Tangaroa crew member Anders Berg (Oslo: Bazar Forlag, 2007). "Tangaroa Expedition" has also been produced as a documentary DVD in English, Norwegian, Swedish and Spanish. Paul Theroux, in his book The Happy Isles of Oceania, criticises Heyerdahl for trying to link the culture of Polynesian islands with the Peruvian culture. However, recent scientific investigation that compares the DNA of some of the Polynesian islands with natives from Peru suggests that there is some merit to Heyerdahl's ideas and that while Polynesia was colonised from Asia, some contact with South America also existed; several papers have in the last few years confirmed with genetic data some form of contacts with Easter Island. More recently, some researchers published research confirming a wider impact on genetic and cultural elements in Polynesia due to South American contacts. Decorations and honorary degrees Asteroid 2473 Heyerdahl is named after him, as are HNoMS Thor Heyerdahl, a Norwegian Nansen class frigate, along with MS Thor Heyerdahl (now renamed MS Vana Tallinn), and Thor Heyerdahl, a German three-masted sail training vessel originally owned by a participant of the Tigris expedition. Heyerdahl Vallis, a valley on Pluto, and Thor Heyerdahl Upper Secondary School in Larvik, the town of his birth, are also named after him. Google honoured Heyerdahl on his 100th birthday by making a Google Doodle. Heyerdahl's numerous awards and honours include the following: Governmental and state honours Grand Cross of the Royal Norwegian Order of St Olav (1987) (Commander with Star: 1970; Commander: 1951) Grand Cross of the Order of Merit of Peru (1953) Grand Officer of the Order of Merit of the Italian Republic (21 June 1965) Knight in the Order of Saint John of Jerusalem Knight of the Order of Merit, Egypt (1971) Grand Officer of the Order of Ouissam Alaouite (Morocco; 1971) Officer, Order of the Sun (Peru) (1975) and Knight Grand Cross International Pahlavi Environment Prize, United Nations (1978) Knight of the Order of the Golden Ark, Netherlands (1980) Commander, American Knights of Malta (1970) Civitan International World Citizenship Award Austrian Decoration for Science and Art (2000) St. Hallvard's Medal Academic honours Retzius Medal, Royal Swedish Society for Anthropology and Geography (1950) Mungo Park Medal, Royal Scottish Society for Geography (1951) Bonaparte-Wyse Gold Medal, Société de Géographie de Paris (1951) Elisha Kent Kane Gold Medal, Geographical Society of Philadelphia (1952) Honorary Member, Geographical Societies of Norway (1953), Peru (1953), Brazil (1954) Elected Member Norwegian Academy of Sciences (1958) Fellow, New York Academy of Sciences (1960) Vega Gold Medal, Swedish Society for Anthropology and Geography (1962) Lomonosov Medal, Moscow State University (1962) Gold Medal, Royal Geographical Society, London (1964) Distinguished Service Award, Pacific Lutheran University, Tacoma, Washington, US (1966) Member American Anthropological Association (1966) Kiril i Metodi Award, Geographical Society, Bulgaria (1972) Honorary Professor, Instituto Politécnico Nacional, Mexico (1972) Bradford Washburn Award, Museum of Science, Boston, US, (1982) President's Medal, Pacific Lutheran University, Tacoma, US (1996) Honorary Professorship, Western University, Baku, Azerbaijan (1999) Honorary degrees Doctor Honoris Causa, University of Oslo, Norway (1961) Doctor Honoris Causa, USSR Academy of Science (1980) Doctor Honoris Causa, University of San Martin, Lima, Peru, (1991) Doctor Honoris Causa, University of Havana, Cuba (1992) Doctor Honoris Causa, University of Kyiv, Ukraine (1993) Doctor Honoris Causa, University of Maine, Orono (1998) Publications På Jakt efter Paradiset (Hunt for Paradise), 1938; Fatu-Hiva: Back to Nature (changed title in English in 1974). The Kon-Tiki Expedition: By Raft Across the South Seas (Kon-Tiki ekspedisjonen, also known as Kon-Tiki: Across the Pacific in a Raft), 1948. American Indians in the Pacific: The Theory Behind the Kon-Tiki Expedition (Chicago: Rand McNally, 1952), 821 pages. Aku-Aku: The Secret of Easter Island, 1957. Sea Routes to Polynesia: American Indians and Early Asiatics in the Pacific (Chicago: Rand McNally, 1968), 232 pages. The Ra Expeditions . Early Man and the Ocean: The Beginning of Navigation and Seaborn Civilizations, 1979 The Tigris Expedition: In Search of Our Beginnings The Maldive Mystery, 1986 Green Was the Earth on the Seventh Day: Memories and Journeys of a Lifetime Pyramids of Tucume: The Quest for Peru's Forgotten City Skjebnemote vest for havet [Fate Meets West of the Ocean], 1992 (in Norwegian and German only) the Native Americans tell their story, white and bearded Gods, infrastructure was not built by the Inkas but their more advanced predecessors. In the Footsteps of Adam: A Memoir (the official edition is Abacus, 2001, translated by Ingrid Christophersen) Ingen Grenser (No Boundaries, Norwegian only), 1999 Jakten på Odin (Theories about Odin, Norwegian only), 2001 See also M/S Thor Heyerdahl – a ferry named after him List of notable brain tumor patients Pre-Columbian trans-oceanic contact Pre-Columbian rafts Vital Alsar Kitín Muñoz The Viracocha expedition References Further reading Heyerdahl, Thor. Aku-Aku: The Secret of Easter Island. Rand McNally. 1958. Heyerdahl, Thor. Kon-Tiki. Rand McNally & Company. 1950. Heyerdahl, Thor. Fatu Hiva. Penguin. 1976. Heyerdahl, Thor. Early Man and the Ocean: A Search for the Beginnings of Navigation and Seaborne Civilizations, February 1979. Heyerdahl, Thor. In the Footsteps of Adam: A Memoir, translated by Ingrid Christophersen, 2001 (English) External links a scientific critique of his Odin project, in English Thor Heyerdahl in Baku Azerbaijan International, Vol. 7:3 (Autumn 1999), pp. 96–97. Thor Heyerdahl Biography and Bibliography Thor Heyerdahl expeditions The 'Tigris' expedition, with Heyerdahl's war protest Azerbaijan International, Vol. 11:1 (Spring 2003), pp. 20–21. Bjornar Storfjell's account: A reference to his last project Jakten på Odin Azerbaijan International, Vol. 10:2 (Summer 2002). Biography on National Geographic Forskning.no Biography from the official Norwegian scientific webportal (in Norwegian) Thor Heyerdahl on Maldives Royal Family website Biography of Thor Heyerdahl Sea Routes to Polynesia Extracts from lectures by Thor Heyerdahl The home of Thor Heyerdahl Useful information on Thor Heyerdahl and his hometown, Larvik Thor Heyerdahl – Daily Telegraph obituary 1914 births 2002 deaths People from Larvik Norwegian Army personnel of World War II Norwegian documentary filmmakers Norwegian explorers Norwegian historians Pre-Columbian trans-oceanic contact Reed boats Replications of ancient voyages Deaths from brain tumor Deaths from cancer in Liguria Neurological disease deaths in Liguria Members of the Norwegian Academy of Science and Letters Norwegian ethnographers Norwegian atheists Grand Officers of the Order of Merit of the Italian Republic Grand Crosses of the Order of the Sun of Peru Recipients of the Austrian Decoration for Science and Art Recipients of the Order of Merit (Egypt) Knights of the Order of St John University of Oslo alumni 20th-century historians 20th-century Norwegian scientists 20th-century Norwegian writers Researchers in Rapa Nui archaeology

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Did he go on the expedition alone?

Did Heyerdahl go on the expedition alone?

Thor Heyerdahl

In 1947, Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on August 7, 1947, after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. CANNOTANSWER

Heyerdahl and five fellow adventurers

Thor Heyerdahl (; 6 October 1914 – 18 April 2002) was a Norwegian adventurer and ethnographer with a background in zoology, botany and geography. Heyerdahl is notable for his Kon-Tiki expedition in 1947, in which he sailed 8,000 km (5,000 mi) across the Pacific Ocean in a hand-built raft from South America to the Tuamotu Islands. The expedition was designed to demonstrate that ancient people could have made long sea voyages, creating contacts between societies. This was linked to a diffusionist model of cultural development. Heyerdahl made other voyages to demonstrate the possibility of contact between widely separated ancient peoples, notably the Ra II expedition of 1970, when he sailed from the west coast of Africa to Barbados in a papyrus reed boat. He was appointed a government scholar in 1984. He died on 18 April 2002 in Colla Micheri, Liguria, Italy, while visiting close family members. The Norwegian government gave him a state funeral in Oslo Cathedral on 26 April 2002. In May 2011, the Thor Heyerdahl Archives were added to UNESCO's Memory of the World Register. At the time, this list included 238 collections from all over the world. The Heyerdahl Archives span the years 1937 to 2002 and include his photographic collection, diaries, private letters, expedition plans, articles, newspaper clippings, original book, and article manuscripts. The Heyerdahl Archives are administered by the Kon-Tiki Museum and the National Library of Norway in Oslo. Youth and personal life Heyerdahl was born in Larvik, Norway, the son of master brewer Thor Heyerdahl (1869–1957) and his wife, Alison Lyng (1873–1965). As a young child, Heyerdahl showed a strong interest in zoology, inspired by his mother, who had a strong interest in Charles Darwin's theory of evolution. He created a small museum in his childhood home, with a common adder (Vipera berus) as the main attraction. He studied zoology and geography at the faculty of biological science at the University of Oslo. At the same time, he privately studied Polynesian culture and history, consulting what was then the world's largest private collection of books and papers on Polynesia, owned by Bjarne Kroepelien, a wealthy wine merchant in Oslo. (This collection was later purchased by the University of Oslo Library from Kroepelien's heirs and was attached to the Kon-Tiki Museum research department.) After seven terms and consultations with experts in Berlin, a project was developed and sponsored by Heyerdahl's zoology professors, Kristine Bonnevie and Hjalmar Broch. He was to visit some isolated Pacific island groups and study how the local animals had found their way there. On the day before they sailed together to the Marquesas Islands in 1936, Heyerdahl married Liv Coucheron-Torp (1916–1969), whom he had met at the University of Oslo, and who had studied economics there. He was 22 years old and she was 20 years old. Eventually, the couple had two sons: Thor Jr. and Bjørn. The marriage ended in divorce shortly before the 1947 Kon-Tiki expedition, which Liv had helped to organize. After the occupation of Norway by Nazi Germany, he served with the Free Norwegian Forces from 1944, in the far north province of Finnmark. In 1949, Heyerdahl married Yvonne Dedekam-Simonsen (1924–2006). They had three daughters: Annette, Marian and Helene Elisabeth. They were divorced in 1969. Heyerdahl blamed their separation on his being away from home and differences in their ideas for bringing up children. In his autobiography, he concluded that he should take the entire blame for their separation. In 1991, Heyerdahl married Jacqueline Beer (born 1932) as his third wife. They lived in Tenerife, Canary Islands, and were very actively involved with archaeological projects, especially in Túcume, Peru, and Azov until his death in 2002. He had still been hoping to undertake an archaeological project in Samoa before he died. Fatu Hiva In 1936, on the day after his marriage to Liv Coucheron Torp, the young couple set out for the South Pacific Island of Fatu Hiva. They nominally had an academic mission, to research the spread of animal species between islands, but in reality they intended to "run away to the South Seas" and never return home. Aided by expedition funding from their parents, they nonetheless arrived on the island lacking "provisions, weapons or a radio". Residents in Tahiti, where they stopped en route, did convince them to take a machete and a cooking pot. They arrived at Fatu Hiva in 1937, in the valley of Omo‘a, and decided to cross over the island's mountainous interior to settle in one of the small, nearly abandoned, valleys on the eastern side of the island. There, they made their thatch-covered stilted home in the valley of Uia. Living in such primitive conditions was a daunting task, but they managed to live off the land, and work on their academic goals, by collecting and studying zoological and botanical specimens. They discovered unusual artifacts, listened to the natives' oral history traditions, and took note of the prevailing winds and ocean currents. It was in this setting, surrounded by the ruins of the formerly glorious Marquesan civilization, that Heyerdahl first developed his theories regarding the possibility of pre-Columbian trans-oceanic contact between the pre-European Polynesians, and the peoples and cultures of South America. Despite the seemingly idyllic situation, the exposure to various tropical diseases and other difficulties caused them to return to civilisation a year later. They worked together to write an account of their adventure. The events surrounding his stay on the Marquesas, most of the time on Fatu Hiva, were told first in his book På Jakt etter Paradiset (Hunt for Paradise) (1938), which was published in Norway but, following the outbreak of World War II, was never translated and remained largely forgotten. Many years later, having achieved notability with other adventures and books on other subjects, Heyerdahl published a new account of this voyage under the title Fatu Hiva (London: Allen & Unwin, 1974). The story of his time on Fatu Hiva and his side trip to Hivaoa and Mohotani is also related in Green Was the Earth on the Seventh Day (Random House, 1996). Kon-Tiki expedition In 1947 Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on 7 August 1947 after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. Theory on Polynesian origins Heyerdahl claimed that in Incan legend there was a sun-god named Con-Tici Viracocha who was the supreme head of the mythical fair-skinned people in Peru. The original name for Viracocha was Kon-Tiki or Illa-Tiki, which means Sun-Tiki or Fire-Tiki. Kon-Tiki was high priest and sun-king of these legendary "white men" who left enormous ruins on the shores of Lake Titicaca. The legend continues with the mysterious bearded white men being attacked by a chief named Cari, who came from the Coquimbo Valley. They had a battle on an island in Lake Titicaca, and the fair race was massacred. However, Kon-Tiki and his closest companions managed to escape and later arrived on the Pacific coast. The legend ends with Kon-Tiki and his companions disappearing westward out to sea. When the Spaniards came to Peru, Heyerdahl asserted, the Incas told them that the colossal monuments that stood deserted about the landscape were erected by a race of white gods who had lived there before the Incas themselves became rulers. The Incas described these "white gods" as wise, peaceful instructors who had originally come from the north in the "morning of time" and taught the Incas' primitive forebears architecture as well as manners and customs. They were unlike other Native Americans in that they had "white skins and long beards" and were taller than the Incas. The Incas said that the "white gods" had then left as suddenly as they had come and fled westward across the Pacific. After they had left, the Incas themselves took over power in the country. Heyerdahl said that when the Europeans first came to the Pacific islands, they were astonished that they found some of the natives to have relatively light skins and beards. There were whole families that had pale skin, hair varying in colour from reddish to blonde. In contrast, most of the Polynesians had golden-brown skin, raven-black hair, and rather flat noses. Heyerdahl claimed that when Jacob Roggeveen discovered Easter Island in 1722, he supposedly noticed that many of the natives were white-skinned. Heyerdahl claimed that these people could count their ancestors who were "white-skinned" right back to the time of Tiki and Hotu Matua, when they first came sailing across the sea "from a mountainous land in the east which was scorched by the sun". The ethnographic evidence for these claims is outlined in Heyerdahl's book Aku-Aku: The Secret of Easter Island. Tiki people Heyerdahl proposed that Tiki's neolithic people colonised the then uninhabited Polynesian islands as far north as Hawaii, as far south as New Zealand, as far east as Easter Island, and as far west as Samoa and Tonga around 500 AD. They supposedly sailed from Peru to the Polynesian islands on pae-paes—large rafts built from balsa logs, complete with sails and each with a small cottage. They built enormous stone statues carved in the image of human beings on Pitcairn, the Marquesas, and Easter Island that resembled those in Peru. They also built huge pyramids on Tahiti and Samoa with steps like those in Peru. But all over Polynesia, Heyerdahl found indications that Tiki's peaceable race had not been able to hold the islands alone for long. He found evidence that suggested that seagoing war canoes as large as Viking ships and lashed together two and two had brought Stone Age Northwest American Indians to Polynesia around 1100 AD, and they mingled with Tiki's people. The oral history of the people of Easter Island, at least as it was documented by Heyerdahl, is completely consistent with this theory, as is the archaeological record he examined (Heyerdahl 1958). In particular, Heyerdahl obtained a radiocarbon date of 400 AD for a charcoal fire located in the pit that was held by the people of Easter Island to have been used as an "oven" by the "Long Ears", which Heyerdahl's Rapa Nui sources, reciting oral tradition, identified as a white race that had ruled the island in the past (Heyerdahl 1958). Heyerdahl further argued in his book American Indians in the Pacific that the current inhabitants of Polynesia migrated from an Asian source, but via an alternative route. He proposes that Polynesians travelled with the wind along the North Pacific current. These migrants then arrived in British Columbia. Heyerdahl called contemporary tribes of British Columbia, such as the Tlingit and Haida, descendants of these migrants. Heyerdahl claimed that cultural and physical similarities existed between these British Columbian tribes, Polynesians, and the Old World source. Controversy Heyerdahl's theory of Polynesian origins has not gained acceptance among anthropologists. Physical and cultural evidence had long suggested that Polynesia was settled from west to east, migration having begun from the Asian mainland, not South America. In the late 1990s, genetic testing found that the mitochondrial DNA of the Polynesians is more similar to people from south-east Asia than to people from South America, showing that their ancestors most likely came from Asia. Anthropologist Robert Carl Suggs included a chapter titled "The Kon-Tiki Myth" in his 1960 book on Polynesia, concluding that "The Kon-Tiki theory is about as plausible as the tales of Atlantis, Mu, and 'Children of the Sun.' Like most such theories, it makes exciting light reading, but as an example of scientific method it fares quite poorly." Anthropologist and National Geographic Explorer-in-Residence Wade Davis also criticised Heyerdahl's theory in his 2009 book The Wayfinders, which explores the history of Polynesia. Davis says that Heyerdahl "ignored the overwhelming body of linguistic, ethnographic, and ethnobotanical evidence, augmented today by genetic and archaeological data, indicating that he was patently wrong." A 2009 study by the Norwegian researcher Erik Thorsby suggested that there was some merit to Heyerdahl's ideas and that, while Polynesia was colonised from Asia, some contact with South America also existed. Some critics suggest, however, that Thorsby's research is inconclusive because his data may have been influenced by recent population contact. However, a 2014 research indicates that the South American component of Easter Island people's genomes pre-dates European contact: a team including Anna-Sapfo Malaspinas (from the Natural History Museum of Denmark) analysed the genomes of 27 native Rapanui people and found that their DNA was on average 76 per cent Polynesian, 8 per cent Native American and 16 per cent European. Analysis showed that: "although the European lineage could be explained by contact with white Europeans after the island was 'discovered' in 1722 by Dutch sailors, the South American component was much older, dating to between about 1280 and 1495, soon after the island was first colonised by Polynesians in around 1200." Together with ancient skulls found in Brazil – with solely Polynesian DNA – this does suggest some pre-European-contact travel to and from South America from Polynesia. A study based on wider genome analysis published in Nature in July 2020 is suggestive of a contact event, around 1200 AD, between Polynesian individuals and a Native American group most closely related to the indigenous inhabitants of present-day Colombia. Expedition to Easter Island In 1955–1956, Heyerdahl organised the Norwegian Archaeological Expedition to Easter Island. The expedition's scientific staff included Arne Skjølsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Easter Island investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller. In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonised by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation. Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies. As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that almost all Long Ears were killed in a civil war is true, as the islanders' story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. Boats Ra and Ra II In 1969 and 1970, Heyerdahl built two boats from papyrus and attempted to cross the Atlantic Ocean from Morocco in Africa. Based on drawings and models from ancient Egypt, the first boat, named Ra (after the Egyptian Sun god), was constructed by boat builders from Lake Chad using papyrus reed obtained from Lake Tana in Ethiopia and launched into the Atlantic Ocean from the coast of Morocco. The Ra crew included Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Santiago Genovés (Mexico), Georges Sourial (Egypt) and Abdullah Djibrine (Chad). Only Heyerdahl and Baker had sailing and navigation experience. After a number of weeks, Ra took on water. The crew discovered that a key element of the Egyptian boatbuilding method had been neglected, a tether that acted like a spring to keep the stern high in the water while allowing for flexibility. Water and storms eventually caused it to sag and break apart after sailing more than 6,400 km (4,000 miles). The crew was forced to abandon Ra, some hundred miles (160 km) before the Caribbean islands, and was saved by a yacht. The following year, 1970, a similar vessel, Ra II, was built by Demetrio, Juan and José Limachi of papyrus from Lake Titicaca in Bolivia and likewise set sail across the Atlantic from Morocco, this time with great success. The crew was mostly the same; though Djibrine had been replaced by Kei Ohara from Japan and Madani Ait Ouhanni from Morocco. The boat became lost and was the subject of a United Nations search and rescue mission. The search included international assistance including people as far afield as Loo-Chi Hu of New Zealand. The boat reached Barbados, thus demonstrating that mariners could have dealt with trans-Atlantic voyages by sailing with the Canary Current. The Ra II is now in the Kon-Tiki Museum in Oslo, Norway. The book The Ra Expeditions and the film documentary Ra (1972) were made about the voyages. Apart from the primary aspects of the expedition, Heyerdahl deliberately selected a crew representing a great diversity in race, nationality, religion and political viewpoint in order to demonstrate that at least on their own little floating island, people could co-operate and live peacefully. Additionally, the expedition took samples of marine pollution and presented their report to the United Nations. Tigris Heyerdahl built yet another reed boat in 1977, Tigris, which was intended to demonstrate that trade and migration could have linked Mesopotamia with the Indus Valley Civilization in what is now Pakistan and western India. Tigris was built in Al Qurnah Iraq and sailed with its international crew through the Persian Gulf to Pakistan and made its way into the Red Sea. After about five months at sea and still remaining seaworthy, the Tigris was deliberately burnt in Djibouti on 3 April 1978 as a protest against the wars raging on every side in the Red Sea and Horn of Africa. In his Open Letter to the UN Secretary-General Kurt Waldheim, Heyerdahl explained his reasons: Today we burn our proud ship ... to protest against inhuman elements in the world of 1978 ... Now we are forced to stop at the entrance to the Red Sea. Surrounded by military airplanes and warships from the world's most civilised and developed nations, we have been denied permission by friendly governments, for reasons of security, to land anywhere, but in the tiny, and still neutral, Republic of Djibouti. Elsewhere around us, brothers and neighbours are engaged in homicide with means made available to them by those who lead humanity on our joint road into the third millennium. To the innocent masses in all industrialised countries, we direct our appeal. We must wake up to the insane reality of our time ... We are all irresponsible, unless we demand from the responsible decision makers that modern armaments must no longer be made available to people whose former battle axes and swords our ancestors condemned. Our planet is bigger than the reed bundles that have carried us across the seas, and yet small enough to run the same risks unless those of us still alive open our eyes and minds to the desperate need of intelligent collaboration to save ourselves and our common civilisation from what we are about to convert into a sinking ship. In the years that followed, Heyerdahl was often outspoken on issues of international peace and the environment. The Tigris had an 11-man crew: Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Germán Carrasco (Mexico), Hans Petter Bohn (Norway), Rashad Nazar Salim (Iraq), Norris Brock (US), Toru Suzuki (Japan), Detlef Soitzek (Germany), and Asbjørn Damhus (Denmark). "The Search for Odin" in Azerbaijan and Russia Background Heyerdahl made four visits to Azerbaijan in 1981, 1994, 1999 and 2000. Heyerdahl had long been fascinated with the rock carvings that date back to about at Gobustan (about 30 miles/48 km west of Baku). He was convinced that their artistic style closely resembled the carvings found in his native Norway. The ship designs, in particular, were regarded by Heyerdahl as similar and drawn with a simple sickle-shaped line, representing the base of the boat, with vertical lines on deck, illustrating crew or, perhaps, raised oars. Based on this and other published documentation, Heyerdahl proposed that Azerbaijan was the site of an ancient advanced civilisation. He believed that natives migrated north through waterways to present-day Scandinavia using ingeniously constructed vessels made of skins that could be folded like cloth. When voyagers travelled upstream, they conveniently folded their skin boats and transported them on pack animals. Snorri Sturluson On Heyerdahl's visit to Baku in 1999, he lectured at the Academy of Sciences about the history of ancient Nordic Kings. He spoke of a notation made by Snorri Sturluson, a 13th-century historian-mythographer in Ynglinga Saga, which relates that "Odin (a Scandinavian god who was one of the kings) came to the North with his people from a country called Aser." (see also House of Ynglings and Mythological kings of Sweden). Heyerdahl accepted Snorri's story as literal truth, and believed that a chieftain led his people in a migration from the east, westward and northward through Saxony, to Fyn in Denmark, and eventually settling in Sweden. Heyerdahl claimed that the geographic location of the mythic Aser or Æsir matched the region of contemporary Azerbaijan – "east of the Caucasus mountains and the Black Sea". "We are no longer talking about mythology," Heyerdahl said, "but of the realities of geography and history. Azerbaijanis should be proud of their ancient culture. It is just as rich and ancient as that of China and Mesopotamia." In September 2000 Heyerdahl returned to Baku for the fourth time and visited the archaeological dig in the area of the Church of Kish. Revision of hypothesis One of the last projects of his life, Jakten på Odin, 'The Search for Odin', was a sudden revision of his Odin hypothesis, in furtherance of which he initiated 2001–2002 excavations in Azov, Russia, near the Sea of Azov at the northeast of the Black Sea. He searched for the remains of a civilisation to match the account of Odin in Snorri Sturlusson, significantly further north of his original target of Azerbaijan on the Caspian Sea only two years earlier. This project generated harsh criticism and accusations of pseudoscience from historians, archaeologists and linguists in Norway, who accused Heyerdahl of selective use of sources, and a basic lack of scientific methodology in his work. His central claims were based on similarities of names in Norse mythology and geographic names in the Black Sea region, e.g. Azov and Æsir, Udi and Odin, Tyr and Turkey. Philologists and historians reject these parallels as mere coincidences, and also anachronisms, for instance the city of Azov did not have that name until over 1,000 years after Heyerdahl claims the Æsir dwelt there. The controversy surrounding the Search for Odin project was in many ways typical of the relationship between Heyerdahl and the academic community. His theories rarely won any scientific acceptance, whereas Heyerdahl himself rejected all scientific criticism and concentrated on publishing his theories in popular books aimed at the general public. , Heyerdahl's Odin hypothesis has yet to be validated by any historian, archaeologist or linguist. Other projects Heyerdahl also investigated the mounds found on the Maldive Islands in the Indian Ocean. There, he found sun-orientated foundations and courtyards, as well as statues with elongated earlobes. Heyerdahl believed that these finds fit with his theory of a seafaring civilisation which originated in what is now Sri Lanka, colonised the Maldives, and influenced or founded the cultures of ancient South America and Easter Island. His discoveries are detailed in his book The Maldive Mystery. In 1991 he studied the Pyramids of Güímar on Tenerife and declared that they were not random stone heaps but pyramids. Based on the discovery made by the astrophysicists Aparicio, Belmonte and Esteban, from the Instituto de Astrofísica de Canarias that the "pyramids" were astronomically orientated and being convinced that they were of ancient origin, he claimed that the ancient people who built them were most likely sun worshippers. Heyerdahl advanced a theory according to which the Canaries had been bases of ancient shipping between America and the Mediterranean. Heyerdahl was also an active figure in Green politics. He was the recipient of numerous medals and awards. He also received 11 honorary doctorates from universities in the Americas and Europe. In subsequent years, Heyerdahl was involved with many other expeditions and archaeological projects. He remained best known for his boat-building, and for his emphasis on cultural diffusionism. Death Heyerdahl died on 18 April 2002 in Colla Micheri, Liguria, Italy, where he had gone to spend the Easter holidays with some of his closest family members. He died, aged 87, from a brain tumour. After receiving the diagnosis, he prepared for death, by refusing to eat or take medication. The Norwegian government honored him with a state funeral in the Oslo Cathedral on 26 April 2002. He is buried in the garden of the family home in Colla Micheri. He was an atheist. Legacy Despite the fact that, for many years, much of his work was not accepted by the scientific community, Heyerdahl, nonetheless, increased public interest in ancient history and anthropology. He also showed that long-distance ocean voyages were possible with ancient designs. As such, he was a major practitioner of experimental archaeology. The Kon-Tiki Museum on the Bygdøy peninsula in Oslo, Norway houses vessels and maps from the Kon-Tiki expedition, as well as a library with about 8,000 books. The Thor Heyerdahl Institute was established in 2000. Heyerdahl himself agreed to the founding of the institute and it aims to promote and continue to develop Heyerdahl's ideas and principles. The institute is located in Heyerdahl's birth town of Larvik, Norway. In Larvik, the birthplace of Heyerdahl, the municipality began a project in 2007 to attract more visitors. Since then, they have purchased and renovated Heyerdahl's childhood home, arranged a yearly raft regatta in his honour at the end of summer and begun to develop a Heyerdahl centre. Heyerdahl's grandson, Olav Heyerdahl, retraced his grandfather's Kon-Tiki voyage in 2006 as part of a six-member crew. The voyage, organised by Torgeir Higraff and called the Tangaroa Expedition, was intended as a tribute to Heyerdahl, an effort to better understand navigation via centreboards ("guara") as well as a means to monitor the Pacific Ocean's environment. A book about the Tangaroa Expedition by Torgeir Higraff was published in 2007. The book has numerous photos from the Kon-Tiki voyage 60 years earlier and is illustrated with photographs by Tangaroa crew member Anders Berg (Oslo: Bazar Forlag, 2007). "Tangaroa Expedition" has also been produced as a documentary DVD in English, Norwegian, Swedish and Spanish. Paul Theroux, in his book The Happy Isles of Oceania, criticises Heyerdahl for trying to link the culture of Polynesian islands with the Peruvian culture. However, recent scientific investigation that compares the DNA of some of the Polynesian islands with natives from Peru suggests that there is some merit to Heyerdahl's ideas and that while Polynesia was colonised from Asia, some contact with South America also existed; several papers have in the last few years confirmed with genetic data some form of contacts with Easter Island. More recently, some researchers published research confirming a wider impact on genetic and cultural elements in Polynesia due to South American contacts. Decorations and honorary degrees Asteroid 2473 Heyerdahl is named after him, as are HNoMS Thor Heyerdahl, a Norwegian Nansen class frigate, along with MS Thor Heyerdahl (now renamed MS Vana Tallinn), and Thor Heyerdahl, a German three-masted sail training vessel originally owned by a participant of the Tigris expedition. Heyerdahl Vallis, a valley on Pluto, and Thor Heyerdahl Upper Secondary School in Larvik, the town of his birth, are also named after him. Google honoured Heyerdahl on his 100th birthday by making a Google Doodle. Heyerdahl's numerous awards and honours include the following: Governmental and state honours Grand Cross of the Royal Norwegian Order of St Olav (1987) (Commander with Star: 1970; Commander: 1951) Grand Cross of the Order of Merit of Peru (1953) Grand Officer of the Order of Merit of the Italian Republic (21 June 1965) Knight in the Order of Saint John of Jerusalem Knight of the Order of Merit, Egypt (1971) Grand Officer of the Order of Ouissam Alaouite (Morocco; 1971) Officer, Order of the Sun (Peru) (1975) and Knight Grand Cross International Pahlavi Environment Prize, United Nations (1978) Knight of the Order of the Golden Ark, Netherlands (1980) Commander, American Knights of Malta (1970) Civitan International World Citizenship Award Austrian Decoration for Science and Art (2000) St. Hallvard's Medal Academic honours Retzius Medal, Royal Swedish Society for Anthropology and Geography (1950) Mungo Park Medal, Royal Scottish Society for Geography (1951) Bonaparte-Wyse Gold Medal, Société de Géographie de Paris (1951) Elisha Kent Kane Gold Medal, Geographical Society of Philadelphia (1952) Honorary Member, Geographical Societies of Norway (1953), Peru (1953), Brazil (1954) Elected Member Norwegian Academy of Sciences (1958) Fellow, New York Academy of Sciences (1960) Vega Gold Medal, Swedish Society for Anthropology and Geography (1962) Lomonosov Medal, Moscow State University (1962) Gold Medal, Royal Geographical Society, London (1964) Distinguished Service Award, Pacific Lutheran University, Tacoma, Washington, US (1966) Member American Anthropological Association (1966) Kiril i Metodi Award, Geographical Society, Bulgaria (1972) Honorary Professor, Instituto Politécnico Nacional, Mexico (1972) Bradford Washburn Award, Museum of Science, Boston, US, (1982) President's Medal, Pacific Lutheran University, Tacoma, US (1996) Honorary Professorship, Western University, Baku, Azerbaijan (1999) Honorary degrees Doctor Honoris Causa, University of Oslo, Norway (1961) Doctor Honoris Causa, USSR Academy of Science (1980) Doctor Honoris Causa, University of San Martin, Lima, Peru, (1991) Doctor Honoris Causa, University of Havana, Cuba (1992) Doctor Honoris Causa, University of Kyiv, Ukraine (1993) Doctor Honoris Causa, University of Maine, Orono (1998) Publications På Jakt efter Paradiset (Hunt for Paradise), 1938; Fatu-Hiva: Back to Nature (changed title in English in 1974). The Kon-Tiki Expedition: By Raft Across the South Seas (Kon-Tiki ekspedisjonen, also known as Kon-Tiki: Across the Pacific in a Raft), 1948. American Indians in the Pacific: The Theory Behind the Kon-Tiki Expedition (Chicago: Rand McNally, 1952), 821 pages. Aku-Aku: The Secret of Easter Island, 1957. Sea Routes to Polynesia: American Indians and Early Asiatics in the Pacific (Chicago: Rand McNally, 1968), 232 pages. The Ra Expeditions . Early Man and the Ocean: The Beginning of Navigation and Seaborn Civilizations, 1979 The Tigris Expedition: In Search of Our Beginnings The Maldive Mystery, 1986 Green Was the Earth on the Seventh Day: Memories and Journeys of a Lifetime Pyramids of Tucume: The Quest for Peru's Forgotten City Skjebnemote vest for havet [Fate Meets West of the Ocean], 1992 (in Norwegian and German only) the Native Americans tell their story, white and bearded Gods, infrastructure was not built by the Inkas but their more advanced predecessors. In the Footsteps of Adam: A Memoir (the official edition is Abacus, 2001, translated by Ingrid Christophersen) Ingen Grenser (No Boundaries, Norwegian only), 1999 Jakten på Odin (Theories about Odin, Norwegian only), 2001 See also M/S Thor Heyerdahl – a ferry named after him List of notable brain tumor patients Pre-Columbian trans-oceanic contact Pre-Columbian rafts Vital Alsar Kitín Muñoz The Viracocha expedition References Further reading Heyerdahl, Thor. Aku-Aku: The Secret of Easter Island. Rand McNally. 1958. Heyerdahl, Thor. Kon-Tiki. Rand McNally & Company. 1950. Heyerdahl, Thor. Fatu Hiva. Penguin. 1976. Heyerdahl, Thor. Early Man and the Ocean: A Search for the Beginnings of Navigation and Seaborne Civilizations, February 1979. Heyerdahl, Thor. In the Footsteps of Adam: A Memoir, translated by Ingrid Christophersen, 2001 (English) External links a scientific critique of his Odin project, in English Thor Heyerdahl in Baku Azerbaijan International, Vol. 7:3 (Autumn 1999), pp. 96–97. Thor Heyerdahl Biography and Bibliography Thor Heyerdahl expeditions The 'Tigris' expedition, with Heyerdahl's war protest Azerbaijan International, Vol. 11:1 (Spring 2003), pp. 20–21. Bjornar Storfjell's account: A reference to his last project Jakten på Odin Azerbaijan International, Vol. 10:2 (Summer 2002). Biography on National Geographic Forskning.no Biography from the official Norwegian scientific webportal (in Norwegian) Thor Heyerdahl on Maldives Royal Family website Biography of Thor Heyerdahl Sea Routes to Polynesia Extracts from lectures by Thor Heyerdahl The home of Thor Heyerdahl Useful information on Thor Heyerdahl and his hometown, Larvik Thor Heyerdahl – Daily Telegraph obituary 1914 births 2002 deaths People from Larvik Norwegian Army personnel of World War II Norwegian documentary filmmakers Norwegian explorers Norwegian historians Pre-Columbian trans-oceanic contact Reed boats Replications of ancient voyages Deaths from brain tumor Deaths from cancer in Liguria Neurological disease deaths in Liguria Members of the Norwegian Academy of Science and Letters Norwegian ethnographers Norwegian atheists Grand Officers of the Order of Merit of the Italian Republic Grand Crosses of the Order of the Sun of Peru Recipients of the Austrian Decoration for Science and Art Recipients of the Order of Merit (Egypt) Knights of the Order of St John University of Oslo alumni 20th-century historians 20th-century Norwegian scientists 20th-century Norwegian writers Researchers in Rapa Nui archaeology

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How long did it take to get there?

How long did the Kon-Tiki expedition take?

Thor Heyerdahl

In 1947, Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on August 7, 1947, after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. CANNOTANSWER

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Thor Heyerdahl (; 6 October 1914 – 18 April 2002) was a Norwegian adventurer and ethnographer with a background in zoology, botany and geography. Heyerdahl is notable for his Kon-Tiki expedition in 1947, in which he sailed 8,000 km (5,000 mi) across the Pacific Ocean in a hand-built raft from South America to the Tuamotu Islands. The expedition was designed to demonstrate that ancient people could have made long sea voyages, creating contacts between societies. This was linked to a diffusionist model of cultural development. Heyerdahl made other voyages to demonstrate the possibility of contact between widely separated ancient peoples, notably the Ra II expedition of 1970, when he sailed from the west coast of Africa to Barbados in a papyrus reed boat. He was appointed a government scholar in 1984. He died on 18 April 2002 in Colla Micheri, Liguria, Italy, while visiting close family members. The Norwegian government gave him a state funeral in Oslo Cathedral on 26 April 2002. In May 2011, the Thor Heyerdahl Archives were added to UNESCO's Memory of the World Register. At the time, this list included 238 collections from all over the world. The Heyerdahl Archives span the years 1937 to 2002 and include his photographic collection, diaries, private letters, expedition plans, articles, newspaper clippings, original book, and article manuscripts. The Heyerdahl Archives are administered by the Kon-Tiki Museum and the National Library of Norway in Oslo. Youth and personal life Heyerdahl was born in Larvik, Norway, the son of master brewer Thor Heyerdahl (1869–1957) and his wife, Alison Lyng (1873–1965). As a young child, Heyerdahl showed a strong interest in zoology, inspired by his mother, who had a strong interest in Charles Darwin's theory of evolution. He created a small museum in his childhood home, with a common adder (Vipera berus) as the main attraction. He studied zoology and geography at the faculty of biological science at the University of Oslo. At the same time, he privately studied Polynesian culture and history, consulting what was then the world's largest private collection of books and papers on Polynesia, owned by Bjarne Kroepelien, a wealthy wine merchant in Oslo. (This collection was later purchased by the University of Oslo Library from Kroepelien's heirs and was attached to the Kon-Tiki Museum research department.) After seven terms and consultations with experts in Berlin, a project was developed and sponsored by Heyerdahl's zoology professors, Kristine Bonnevie and Hjalmar Broch. He was to visit some isolated Pacific island groups and study how the local animals had found their way there. On the day before they sailed together to the Marquesas Islands in 1936, Heyerdahl married Liv Coucheron-Torp (1916–1969), whom he had met at the University of Oslo, and who had studied economics there. He was 22 years old and she was 20 years old. Eventually, the couple had two sons: Thor Jr. and Bjørn. The marriage ended in divorce shortly before the 1947 Kon-Tiki expedition, which Liv had helped to organize. After the occupation of Norway by Nazi Germany, he served with the Free Norwegian Forces from 1944, in the far north province of Finnmark. In 1949, Heyerdahl married Yvonne Dedekam-Simonsen (1924–2006). They had three daughters: Annette, Marian and Helene Elisabeth. They were divorced in 1969. Heyerdahl blamed their separation on his being away from home and differences in their ideas for bringing up children. In his autobiography, he concluded that he should take the entire blame for their separation. In 1991, Heyerdahl married Jacqueline Beer (born 1932) as his third wife. They lived in Tenerife, Canary Islands, and were very actively involved with archaeological projects, especially in Túcume, Peru, and Azov until his death in 2002. He had still been hoping to undertake an archaeological project in Samoa before he died. Fatu Hiva In 1936, on the day after his marriage to Liv Coucheron Torp, the young couple set out for the South Pacific Island of Fatu Hiva. They nominally had an academic mission, to research the spread of animal species between islands, but in reality they intended to "run away to the South Seas" and never return home. Aided by expedition funding from their parents, they nonetheless arrived on the island lacking "provisions, weapons or a radio". Residents in Tahiti, where they stopped en route, did convince them to take a machete and a cooking pot. They arrived at Fatu Hiva in 1937, in the valley of Omo‘a, and decided to cross over the island's mountainous interior to settle in one of the small, nearly abandoned, valleys on the eastern side of the island. There, they made their thatch-covered stilted home in the valley of Uia. Living in such primitive conditions was a daunting task, but they managed to live off the land, and work on their academic goals, by collecting and studying zoological and botanical specimens. They discovered unusual artifacts, listened to the natives' oral history traditions, and took note of the prevailing winds and ocean currents. It was in this setting, surrounded by the ruins of the formerly glorious Marquesan civilization, that Heyerdahl first developed his theories regarding the possibility of pre-Columbian trans-oceanic contact between the pre-European Polynesians, and the peoples and cultures of South America. Despite the seemingly idyllic situation, the exposure to various tropical diseases and other difficulties caused them to return to civilisation a year later. They worked together to write an account of their adventure. The events surrounding his stay on the Marquesas, most of the time on Fatu Hiva, were told first in his book På Jakt etter Paradiset (Hunt for Paradise) (1938), which was published in Norway but, following the outbreak of World War II, was never translated and remained largely forgotten. Many years later, having achieved notability with other adventures and books on other subjects, Heyerdahl published a new account of this voyage under the title Fatu Hiva (London: Allen & Unwin, 1974). The story of his time on Fatu Hiva and his side trip to Hivaoa and Mohotani is also related in Green Was the Earth on the Seventh Day (Random House, 1996). Kon-Tiki expedition In 1947 Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on 7 August 1947 after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. Theory on Polynesian origins Heyerdahl claimed that in Incan legend there was a sun-god named Con-Tici Viracocha who was the supreme head of the mythical fair-skinned people in Peru. The original name for Viracocha was Kon-Tiki or Illa-Tiki, which means Sun-Tiki or Fire-Tiki. Kon-Tiki was high priest and sun-king of these legendary "white men" who left enormous ruins on the shores of Lake Titicaca. The legend continues with the mysterious bearded white men being attacked by a chief named Cari, who came from the Coquimbo Valley. They had a battle on an island in Lake Titicaca, and the fair race was massacred. However, Kon-Tiki and his closest companions managed to escape and later arrived on the Pacific coast. The legend ends with Kon-Tiki and his companions disappearing westward out to sea. When the Spaniards came to Peru, Heyerdahl asserted, the Incas told them that the colossal monuments that stood deserted about the landscape were erected by a race of white gods who had lived there before the Incas themselves became rulers. The Incas described these "white gods" as wise, peaceful instructors who had originally come from the north in the "morning of time" and taught the Incas' primitive forebears architecture as well as manners and customs. They were unlike other Native Americans in that they had "white skins and long beards" and were taller than the Incas. The Incas said that the "white gods" had then left as suddenly as they had come and fled westward across the Pacific. After they had left, the Incas themselves took over power in the country. Heyerdahl said that when the Europeans first came to the Pacific islands, they were astonished that they found some of the natives to have relatively light skins and beards. There were whole families that had pale skin, hair varying in colour from reddish to blonde. In contrast, most of the Polynesians had golden-brown skin, raven-black hair, and rather flat noses. Heyerdahl claimed that when Jacob Roggeveen discovered Easter Island in 1722, he supposedly noticed that many of the natives were white-skinned. Heyerdahl claimed that these people could count their ancestors who were "white-skinned" right back to the time of Tiki and Hotu Matua, when they first came sailing across the sea "from a mountainous land in the east which was scorched by the sun". The ethnographic evidence for these claims is outlined in Heyerdahl's book Aku-Aku: The Secret of Easter Island. Tiki people Heyerdahl proposed that Tiki's neolithic people colonised the then uninhabited Polynesian islands as far north as Hawaii, as far south as New Zealand, as far east as Easter Island, and as far west as Samoa and Tonga around 500 AD. They supposedly sailed from Peru to the Polynesian islands on pae-paes—large rafts built from balsa logs, complete with sails and each with a small cottage. They built enormous stone statues carved in the image of human beings on Pitcairn, the Marquesas, and Easter Island that resembled those in Peru. They also built huge pyramids on Tahiti and Samoa with steps like those in Peru. But all over Polynesia, Heyerdahl found indications that Tiki's peaceable race had not been able to hold the islands alone for long. He found evidence that suggested that seagoing war canoes as large as Viking ships and lashed together two and two had brought Stone Age Northwest American Indians to Polynesia around 1100 AD, and they mingled with Tiki's people. The oral history of the people of Easter Island, at least as it was documented by Heyerdahl, is completely consistent with this theory, as is the archaeological record he examined (Heyerdahl 1958). In particular, Heyerdahl obtained a radiocarbon date of 400 AD for a charcoal fire located in the pit that was held by the people of Easter Island to have been used as an "oven" by the "Long Ears", which Heyerdahl's Rapa Nui sources, reciting oral tradition, identified as a white race that had ruled the island in the past (Heyerdahl 1958). Heyerdahl further argued in his book American Indians in the Pacific that the current inhabitants of Polynesia migrated from an Asian source, but via an alternative route. He proposes that Polynesians travelled with the wind along the North Pacific current. These migrants then arrived in British Columbia. Heyerdahl called contemporary tribes of British Columbia, such as the Tlingit and Haida, descendants of these migrants. Heyerdahl claimed that cultural and physical similarities existed between these British Columbian tribes, Polynesians, and the Old World source. Controversy Heyerdahl's theory of Polynesian origins has not gained acceptance among anthropologists. Physical and cultural evidence had long suggested that Polynesia was settled from west to east, migration having begun from the Asian mainland, not South America. In the late 1990s, genetic testing found that the mitochondrial DNA of the Polynesians is more similar to people from south-east Asia than to people from South America, showing that their ancestors most likely came from Asia. Anthropologist Robert Carl Suggs included a chapter titled "The Kon-Tiki Myth" in his 1960 book on Polynesia, concluding that "The Kon-Tiki theory is about as plausible as the tales of Atlantis, Mu, and 'Children of the Sun.' Like most such theories, it makes exciting light reading, but as an example of scientific method it fares quite poorly." Anthropologist and National Geographic Explorer-in-Residence Wade Davis also criticised Heyerdahl's theory in his 2009 book The Wayfinders, which explores the history of Polynesia. Davis says that Heyerdahl "ignored the overwhelming body of linguistic, ethnographic, and ethnobotanical evidence, augmented today by genetic and archaeological data, indicating that he was patently wrong." A 2009 study by the Norwegian researcher Erik Thorsby suggested that there was some merit to Heyerdahl's ideas and that, while Polynesia was colonised from Asia, some contact with South America also existed. Some critics suggest, however, that Thorsby's research is inconclusive because his data may have been influenced by recent population contact. However, a 2014 research indicates that the South American component of Easter Island people's genomes pre-dates European contact: a team including Anna-Sapfo Malaspinas (from the Natural History Museum of Denmark) analysed the genomes of 27 native Rapanui people and found that their DNA was on average 76 per cent Polynesian, 8 per cent Native American and 16 per cent European. Analysis showed that: "although the European lineage could be explained by contact with white Europeans after the island was 'discovered' in 1722 by Dutch sailors, the South American component was much older, dating to between about 1280 and 1495, soon after the island was first colonised by Polynesians in around 1200." Together with ancient skulls found in Brazil – with solely Polynesian DNA – this does suggest some pre-European-contact travel to and from South America from Polynesia. A study based on wider genome analysis published in Nature in July 2020 is suggestive of a contact event, around 1200 AD, between Polynesian individuals and a Native American group most closely related to the indigenous inhabitants of present-day Colombia. Expedition to Easter Island In 1955–1956, Heyerdahl organised the Norwegian Archaeological Expedition to Easter Island. The expedition's scientific staff included Arne Skjølsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Easter Island investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller. In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonised by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation. Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies. As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that almost all Long Ears were killed in a civil war is true, as the islanders' story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. Boats Ra and Ra II In 1969 and 1970, Heyerdahl built two boats from papyrus and attempted to cross the Atlantic Ocean from Morocco in Africa. Based on drawings and models from ancient Egypt, the first boat, named Ra (after the Egyptian Sun god), was constructed by boat builders from Lake Chad using papyrus reed obtained from Lake Tana in Ethiopia and launched into the Atlantic Ocean from the coast of Morocco. The Ra crew included Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Santiago Genovés (Mexico), Georges Sourial (Egypt) and Abdullah Djibrine (Chad). Only Heyerdahl and Baker had sailing and navigation experience. After a number of weeks, Ra took on water. The crew discovered that a key element of the Egyptian boatbuilding method had been neglected, a tether that acted like a spring to keep the stern high in the water while allowing for flexibility. Water and storms eventually caused it to sag and break apart after sailing more than 6,400 km (4,000 miles). The crew was forced to abandon Ra, some hundred miles (160 km) before the Caribbean islands, and was saved by a yacht. The following year, 1970, a similar vessel, Ra II, was built by Demetrio, Juan and José Limachi of papyrus from Lake Titicaca in Bolivia and likewise set sail across the Atlantic from Morocco, this time with great success. The crew was mostly the same; though Djibrine had been replaced by Kei Ohara from Japan and Madani Ait Ouhanni from Morocco. The boat became lost and was the subject of a United Nations search and rescue mission. The search included international assistance including people as far afield as Loo-Chi Hu of New Zealand. The boat reached Barbados, thus demonstrating that mariners could have dealt with trans-Atlantic voyages by sailing with the Canary Current. The Ra II is now in the Kon-Tiki Museum in Oslo, Norway. The book The Ra Expeditions and the film documentary Ra (1972) were made about the voyages. Apart from the primary aspects of the expedition, Heyerdahl deliberately selected a crew representing a great diversity in race, nationality, religion and political viewpoint in order to demonstrate that at least on their own little floating island, people could co-operate and live peacefully. Additionally, the expedition took samples of marine pollution and presented their report to the United Nations. Tigris Heyerdahl built yet another reed boat in 1977, Tigris, which was intended to demonstrate that trade and migration could have linked Mesopotamia with the Indus Valley Civilization in what is now Pakistan and western India. Tigris was built in Al Qurnah Iraq and sailed with its international crew through the Persian Gulf to Pakistan and made its way into the Red Sea. After about five months at sea and still remaining seaworthy, the Tigris was deliberately burnt in Djibouti on 3 April 1978 as a protest against the wars raging on every side in the Red Sea and Horn of Africa. In his Open Letter to the UN Secretary-General Kurt Waldheim, Heyerdahl explained his reasons: Today we burn our proud ship ... to protest against inhuman elements in the world of 1978 ... Now we are forced to stop at the entrance to the Red Sea. Surrounded by military airplanes and warships from the world's most civilised and developed nations, we have been denied permission by friendly governments, for reasons of security, to land anywhere, but in the tiny, and still neutral, Republic of Djibouti. Elsewhere around us, brothers and neighbours are engaged in homicide with means made available to them by those who lead humanity on our joint road into the third millennium. To the innocent masses in all industrialised countries, we direct our appeal. We must wake up to the insane reality of our time ... We are all irresponsible, unless we demand from the responsible decision makers that modern armaments must no longer be made available to people whose former battle axes and swords our ancestors condemned. Our planet is bigger than the reed bundles that have carried us across the seas, and yet small enough to run the same risks unless those of us still alive open our eyes and minds to the desperate need of intelligent collaboration to save ourselves and our common civilisation from what we are about to convert into a sinking ship. In the years that followed, Heyerdahl was often outspoken on issues of international peace and the environment. The Tigris had an 11-man crew: Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Germán Carrasco (Mexico), Hans Petter Bohn (Norway), Rashad Nazar Salim (Iraq), Norris Brock (US), Toru Suzuki (Japan), Detlef Soitzek (Germany), and Asbjørn Damhus (Denmark). "The Search for Odin" in Azerbaijan and Russia Background Heyerdahl made four visits to Azerbaijan in 1981, 1994, 1999 and 2000. Heyerdahl had long been fascinated with the rock carvings that date back to about at Gobustan (about 30 miles/48 km west of Baku). He was convinced that their artistic style closely resembled the carvings found in his native Norway. The ship designs, in particular, were regarded by Heyerdahl as similar and drawn with a simple sickle-shaped line, representing the base of the boat, with vertical lines on deck, illustrating crew or, perhaps, raised oars. Based on this and other published documentation, Heyerdahl proposed that Azerbaijan was the site of an ancient advanced civilisation. He believed that natives migrated north through waterways to present-day Scandinavia using ingeniously constructed vessels made of skins that could be folded like cloth. When voyagers travelled upstream, they conveniently folded their skin boats and transported them on pack animals. Snorri Sturluson On Heyerdahl's visit to Baku in 1999, he lectured at the Academy of Sciences about the history of ancient Nordic Kings. He spoke of a notation made by Snorri Sturluson, a 13th-century historian-mythographer in Ynglinga Saga, which relates that "Odin (a Scandinavian god who was one of the kings) came to the North with his people from a country called Aser." (see also House of Ynglings and Mythological kings of Sweden). Heyerdahl accepted Snorri's story as literal truth, and believed that a chieftain led his people in a migration from the east, westward and northward through Saxony, to Fyn in Denmark, and eventually settling in Sweden. Heyerdahl claimed that the geographic location of the mythic Aser or Æsir matched the region of contemporary Azerbaijan – "east of the Caucasus mountains and the Black Sea". "We are no longer talking about mythology," Heyerdahl said, "but of the realities of geography and history. Azerbaijanis should be proud of their ancient culture. It is just as rich and ancient as that of China and Mesopotamia." In September 2000 Heyerdahl returned to Baku for the fourth time and visited the archaeological dig in the area of the Church of Kish. Revision of hypothesis One of the last projects of his life, Jakten på Odin, 'The Search for Odin', was a sudden revision of his Odin hypothesis, in furtherance of which he initiated 2001–2002 excavations in Azov, Russia, near the Sea of Azov at the northeast of the Black Sea. He searched for the remains of a civilisation to match the account of Odin in Snorri Sturlusson, significantly further north of his original target of Azerbaijan on the Caspian Sea only two years earlier. This project generated harsh criticism and accusations of pseudoscience from historians, archaeologists and linguists in Norway, who accused Heyerdahl of selective use of sources, and a basic lack of scientific methodology in his work. His central claims were based on similarities of names in Norse mythology and geographic names in the Black Sea region, e.g. Azov and Æsir, Udi and Odin, Tyr and Turkey. Philologists and historians reject these parallels as mere coincidences, and also anachronisms, for instance the city of Azov did not have that name until over 1,000 years after Heyerdahl claims the Æsir dwelt there. The controversy surrounding the Search for Odin project was in many ways typical of the relationship between Heyerdahl and the academic community. His theories rarely won any scientific acceptance, whereas Heyerdahl himself rejected all scientific criticism and concentrated on publishing his theories in popular books aimed at the general public. , Heyerdahl's Odin hypothesis has yet to be validated by any historian, archaeologist or linguist. Other projects Heyerdahl also investigated the mounds found on the Maldive Islands in the Indian Ocean. There, he found sun-orientated foundations and courtyards, as well as statues with elongated earlobes. Heyerdahl believed that these finds fit with his theory of a seafaring civilisation which originated in what is now Sri Lanka, colonised the Maldives, and influenced or founded the cultures of ancient South America and Easter Island. His discoveries are detailed in his book The Maldive Mystery. In 1991 he studied the Pyramids of Güímar on Tenerife and declared that they were not random stone heaps but pyramids. Based on the discovery made by the astrophysicists Aparicio, Belmonte and Esteban, from the Instituto de Astrofísica de Canarias that the "pyramids" were astronomically orientated and being convinced that they were of ancient origin, he claimed that the ancient people who built them were most likely sun worshippers. Heyerdahl advanced a theory according to which the Canaries had been bases of ancient shipping between America and the Mediterranean. Heyerdahl was also an active figure in Green politics. He was the recipient of numerous medals and awards. He also received 11 honorary doctorates from universities in the Americas and Europe. In subsequent years, Heyerdahl was involved with many other expeditions and archaeological projects. He remained best known for his boat-building, and for his emphasis on cultural diffusionism. Death Heyerdahl died on 18 April 2002 in Colla Micheri, Liguria, Italy, where he had gone to spend the Easter holidays with some of his closest family members. He died, aged 87, from a brain tumour. After receiving the diagnosis, he prepared for death, by refusing to eat or take medication. The Norwegian government honored him with a state funeral in the Oslo Cathedral on 26 April 2002. He is buried in the garden of the family home in Colla Micheri. He was an atheist. Legacy Despite the fact that, for many years, much of his work was not accepted by the scientific community, Heyerdahl, nonetheless, increased public interest in ancient history and anthropology. He also showed that long-distance ocean voyages were possible with ancient designs. As such, he was a major practitioner of experimental archaeology. The Kon-Tiki Museum on the Bygdøy peninsula in Oslo, Norway houses vessels and maps from the Kon-Tiki expedition, as well as a library with about 8,000 books. The Thor Heyerdahl Institute was established in 2000. Heyerdahl himself agreed to the founding of the institute and it aims to promote and continue to develop Heyerdahl's ideas and principles. The institute is located in Heyerdahl's birth town of Larvik, Norway. In Larvik, the birthplace of Heyerdahl, the municipality began a project in 2007 to attract more visitors. Since then, they have purchased and renovated Heyerdahl's childhood home, arranged a yearly raft regatta in his honour at the end of summer and begun to develop a Heyerdahl centre. Heyerdahl's grandson, Olav Heyerdahl, retraced his grandfather's Kon-Tiki voyage in 2006 as part of a six-member crew. The voyage, organised by Torgeir Higraff and called the Tangaroa Expedition, was intended as a tribute to Heyerdahl, an effort to better understand navigation via centreboards ("guara") as well as a means to monitor the Pacific Ocean's environment. A book about the Tangaroa Expedition by Torgeir Higraff was published in 2007. The book has numerous photos from the Kon-Tiki voyage 60 years earlier and is illustrated with photographs by Tangaroa crew member Anders Berg (Oslo: Bazar Forlag, 2007). "Tangaroa Expedition" has also been produced as a documentary DVD in English, Norwegian, Swedish and Spanish. Paul Theroux, in his book The Happy Isles of Oceania, criticises Heyerdahl for trying to link the culture of Polynesian islands with the Peruvian culture. However, recent scientific investigation that compares the DNA of some of the Polynesian islands with natives from Peru suggests that there is some merit to Heyerdahl's ideas and that while Polynesia was colonised from Asia, some contact with South America also existed; several papers have in the last few years confirmed with genetic data some form of contacts with Easter Island. More recently, some researchers published research confirming a wider impact on genetic and cultural elements in Polynesia due to South American contacts. Decorations and honorary degrees Asteroid 2473 Heyerdahl is named after him, as are HNoMS Thor Heyerdahl, a Norwegian Nansen class frigate, along with MS Thor Heyerdahl (now renamed MS Vana Tallinn), and Thor Heyerdahl, a German three-masted sail training vessel originally owned by a participant of the Tigris expedition. Heyerdahl Vallis, a valley on Pluto, and Thor Heyerdahl Upper Secondary School in Larvik, the town of his birth, are also named after him. Google honoured Heyerdahl on his 100th birthday by making a Google Doodle. Heyerdahl's numerous awards and honours include the following: Governmental and state honours Grand Cross of the Royal Norwegian Order of St Olav (1987) (Commander with Star: 1970; Commander: 1951) Grand Cross of the Order of Merit of Peru (1953) Grand Officer of the Order of Merit of the Italian Republic (21 June 1965) Knight in the Order of Saint John of Jerusalem Knight of the Order of Merit, Egypt (1971) Grand Officer of the Order of Ouissam Alaouite (Morocco; 1971) Officer, Order of the Sun (Peru) (1975) and Knight Grand Cross International Pahlavi Environment Prize, United Nations (1978) Knight of the Order of the Golden Ark, Netherlands (1980) Commander, American Knights of Malta (1970) Civitan International World Citizenship Award Austrian Decoration for Science and Art (2000) St. Hallvard's Medal Academic honours Retzius Medal, Royal Swedish Society for Anthropology and Geography (1950) Mungo Park Medal, Royal Scottish Society for Geography (1951) Bonaparte-Wyse Gold Medal, Société de Géographie de Paris (1951) Elisha Kent Kane Gold Medal, Geographical Society of Philadelphia (1952) Honorary Member, Geographical Societies of Norway (1953), Peru (1953), Brazil (1954) Elected Member Norwegian Academy of Sciences (1958) Fellow, New York Academy of Sciences (1960) Vega Gold Medal, Swedish Society for Anthropology and Geography (1962) Lomonosov Medal, Moscow State University (1962) Gold Medal, Royal Geographical Society, London (1964) Distinguished Service Award, Pacific Lutheran University, Tacoma, Washington, US (1966) Member American Anthropological Association (1966) Kiril i Metodi Award, Geographical Society, Bulgaria (1972) Honorary Professor, Instituto Politécnico Nacional, Mexico (1972) Bradford Washburn Award, Museum of Science, Boston, US, (1982) President's Medal, Pacific Lutheran University, Tacoma, US (1996) Honorary Professorship, Western University, Baku, Azerbaijan (1999) Honorary degrees Doctor Honoris Causa, University of Oslo, Norway (1961) Doctor Honoris Causa, USSR Academy of Science (1980) Doctor Honoris Causa, University of San Martin, Lima, Peru, (1991) Doctor Honoris Causa, University of Havana, Cuba (1992) Doctor Honoris Causa, University of Kyiv, Ukraine (1993) Doctor Honoris Causa, University of Maine, Orono (1998) Publications På Jakt efter Paradiset (Hunt for Paradise), 1938; Fatu-Hiva: Back to Nature (changed title in English in 1974). The Kon-Tiki Expedition: By Raft Across the South Seas (Kon-Tiki ekspedisjonen, also known as Kon-Tiki: Across the Pacific in a Raft), 1948. American Indians in the Pacific: The Theory Behind the Kon-Tiki Expedition (Chicago: Rand McNally, 1952), 821 pages. Aku-Aku: The Secret of Easter Island, 1957. Sea Routes to Polynesia: American Indians and Early Asiatics in the Pacific (Chicago: Rand McNally, 1968), 232 pages. The Ra Expeditions . Early Man and the Ocean: The Beginning of Navigation and Seaborn Civilizations, 1979 The Tigris Expedition: In Search of Our Beginnings The Maldive Mystery, 1986 Green Was the Earth on the Seventh Day: Memories and Journeys of a Lifetime Pyramids of Tucume: The Quest for Peru's Forgotten City Skjebnemote vest for havet [Fate Meets West of the Ocean], 1992 (in Norwegian and German only) the Native Americans tell their story, white and bearded Gods, infrastructure was not built by the Inkas but their more advanced predecessors. In the Footsteps of Adam: A Memoir (the official edition is Abacus, 2001, translated by Ingrid Christophersen) Ingen Grenser (No Boundaries, Norwegian only), 1999 Jakten på Odin (Theories about Odin, Norwegian only), 2001 See also M/S Thor Heyerdahl – a ferry named after him List of notable brain tumor patients Pre-Columbian trans-oceanic contact Pre-Columbian rafts Vital Alsar Kitín Muñoz The Viracocha expedition References Further reading Heyerdahl, Thor. Aku-Aku: The Secret of Easter Island. Rand McNally. 1958. Heyerdahl, Thor. Kon-Tiki. Rand McNally & Company. 1950. Heyerdahl, Thor. Fatu Hiva. Penguin. 1976. Heyerdahl, Thor. Early Man and the Ocean: A Search for the Beginnings of Navigation and Seaborne Civilizations, February 1979. Heyerdahl, Thor. In the Footsteps of Adam: A Memoir, translated by Ingrid Christophersen, 2001 (English) External links a scientific critique of his Odin project, in English Thor Heyerdahl in Baku Azerbaijan International, Vol. 7:3 (Autumn 1999), pp. 96–97. Thor Heyerdahl Biography and Bibliography Thor Heyerdahl expeditions The 'Tigris' expedition, with Heyerdahl's war protest Azerbaijan International, Vol. 11:1 (Spring 2003), pp. 20–21. Bjornar Storfjell's account: A reference to his last project Jakten på Odin Azerbaijan International, Vol. 10:2 (Summer 2002). Biography on National Geographic Forskning.no Biography from the official Norwegian scientific webportal (in Norwegian) Thor Heyerdahl on Maldives Royal Family website Biography of Thor Heyerdahl Sea Routes to Polynesia Extracts from lectures by Thor Heyerdahl The home of Thor Heyerdahl Useful information on Thor Heyerdahl and his hometown, Larvik Thor Heyerdahl – Daily Telegraph obituary 1914 births 2002 deaths People from Larvik Norwegian Army personnel of World War II Norwegian documentary filmmakers Norwegian explorers Norwegian historians Pre-Columbian trans-oceanic contact Reed boats Replications of ancient voyages Deaths from brain tumor Deaths from cancer in Liguria Neurological disease deaths in Liguria Members of the Norwegian Academy of Science and Letters Norwegian ethnographers Norwegian atheists Grand Officers of the Order of Merit of the Italian Republic Grand Crosses of the Order of the Sun of Peru Recipients of the Austrian Decoration for Science and Art Recipients of the Order of Merit (Egypt) Knights of the Order of St John University of Oslo alumni 20th-century historians 20th-century Norwegian scientists 20th-century Norwegian writers Researchers in Rapa Nui archaeology

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How long did they stay once they arrived there?

How long did the adventurers stay once they finished the Kon-Tiki expedition?

Thor Heyerdahl

In 1947, Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on August 7, 1947, after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. CANNOTANSWER

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Thor Heyerdahl (; 6 October 1914 – 18 April 2002) was a Norwegian adventurer and ethnographer with a background in zoology, botany and geography. Heyerdahl is notable for his Kon-Tiki expedition in 1947, in which he sailed 8,000 km (5,000 mi) across the Pacific Ocean in a hand-built raft from South America to the Tuamotu Islands. The expedition was designed to demonstrate that ancient people could have made long sea voyages, creating contacts between societies. This was linked to a diffusionist model of cultural development. Heyerdahl made other voyages to demonstrate the possibility of contact between widely separated ancient peoples, notably the Ra II expedition of 1970, when he sailed from the west coast of Africa to Barbados in a papyrus reed boat. He was appointed a government scholar in 1984. He died on 18 April 2002 in Colla Micheri, Liguria, Italy, while visiting close family members. The Norwegian government gave him a state funeral in Oslo Cathedral on 26 April 2002. In May 2011, the Thor Heyerdahl Archives were added to UNESCO's Memory of the World Register. At the time, this list included 238 collections from all over the world. The Heyerdahl Archives span the years 1937 to 2002 and include his photographic collection, diaries, private letters, expedition plans, articles, newspaper clippings, original book, and article manuscripts. The Heyerdahl Archives are administered by the Kon-Tiki Museum and the National Library of Norway in Oslo. Youth and personal life Heyerdahl was born in Larvik, Norway, the son of master brewer Thor Heyerdahl (1869–1957) and his wife, Alison Lyng (1873–1965). As a young child, Heyerdahl showed a strong interest in zoology, inspired by his mother, who had a strong interest in Charles Darwin's theory of evolution. He created a small museum in his childhood home, with a common adder (Vipera berus) as the main attraction. He studied zoology and geography at the faculty of biological science at the University of Oslo. At the same time, he privately studied Polynesian culture and history, consulting what was then the world's largest private collection of books and papers on Polynesia, owned by Bjarne Kroepelien, a wealthy wine merchant in Oslo. (This collection was later purchased by the University of Oslo Library from Kroepelien's heirs and was attached to the Kon-Tiki Museum research department.) After seven terms and consultations with experts in Berlin, a project was developed and sponsored by Heyerdahl's zoology professors, Kristine Bonnevie and Hjalmar Broch. He was to visit some isolated Pacific island groups and study how the local animals had found their way there. On the day before they sailed together to the Marquesas Islands in 1936, Heyerdahl married Liv Coucheron-Torp (1916–1969), whom he had met at the University of Oslo, and who had studied economics there. He was 22 years old and she was 20 years old. Eventually, the couple had two sons: Thor Jr. and Bjørn. The marriage ended in divorce shortly before the 1947 Kon-Tiki expedition, which Liv had helped to organize. After the occupation of Norway by Nazi Germany, he served with the Free Norwegian Forces from 1944, in the far north province of Finnmark. In 1949, Heyerdahl married Yvonne Dedekam-Simonsen (1924–2006). They had three daughters: Annette, Marian and Helene Elisabeth. They were divorced in 1969. Heyerdahl blamed their separation on his being away from home and differences in their ideas for bringing up children. In his autobiography, he concluded that he should take the entire blame for their separation. In 1991, Heyerdahl married Jacqueline Beer (born 1932) as his third wife. They lived in Tenerife, Canary Islands, and were very actively involved with archaeological projects, especially in Túcume, Peru, and Azov until his death in 2002. He had still been hoping to undertake an archaeological project in Samoa before he died. Fatu Hiva In 1936, on the day after his marriage to Liv Coucheron Torp, the young couple set out for the South Pacific Island of Fatu Hiva. They nominally had an academic mission, to research the spread of animal species between islands, but in reality they intended to "run away to the South Seas" and never return home. Aided by expedition funding from their parents, they nonetheless arrived on the island lacking "provisions, weapons or a radio". Residents in Tahiti, where they stopped en route, did convince them to take a machete and a cooking pot. They arrived at Fatu Hiva in 1937, in the valley of Omo‘a, and decided to cross over the island's mountainous interior to settle in one of the small, nearly abandoned, valleys on the eastern side of the island. There, they made their thatch-covered stilted home in the valley of Uia. Living in such primitive conditions was a daunting task, but they managed to live off the land, and work on their academic goals, by collecting and studying zoological and botanical specimens. They discovered unusual artifacts, listened to the natives' oral history traditions, and took note of the prevailing winds and ocean currents. It was in this setting, surrounded by the ruins of the formerly glorious Marquesan civilization, that Heyerdahl first developed his theories regarding the possibility of pre-Columbian trans-oceanic contact between the pre-European Polynesians, and the peoples and cultures of South America. Despite the seemingly idyllic situation, the exposure to various tropical diseases and other difficulties caused them to return to civilisation a year later. They worked together to write an account of their adventure. The events surrounding his stay on the Marquesas, most of the time on Fatu Hiva, were told first in his book På Jakt etter Paradiset (Hunt for Paradise) (1938), which was published in Norway but, following the outbreak of World War II, was never translated and remained largely forgotten. Many years later, having achieved notability with other adventures and books on other subjects, Heyerdahl published a new account of this voyage under the title Fatu Hiva (London: Allen & Unwin, 1974). The story of his time on Fatu Hiva and his side trip to Hivaoa and Mohotani is also related in Green Was the Earth on the Seventh Day (Random House, 1996). Kon-Tiki expedition In 1947 Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on 7 August 1947 after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. Theory on Polynesian origins Heyerdahl claimed that in Incan legend there was a sun-god named Con-Tici Viracocha who was the supreme head of the mythical fair-skinned people in Peru. The original name for Viracocha was Kon-Tiki or Illa-Tiki, which means Sun-Tiki or Fire-Tiki. Kon-Tiki was high priest and sun-king of these legendary "white men" who left enormous ruins on the shores of Lake Titicaca. The legend continues with the mysterious bearded white men being attacked by a chief named Cari, who came from the Coquimbo Valley. They had a battle on an island in Lake Titicaca, and the fair race was massacred. However, Kon-Tiki and his closest companions managed to escape and later arrived on the Pacific coast. The legend ends with Kon-Tiki and his companions disappearing westward out to sea. When the Spaniards came to Peru, Heyerdahl asserted, the Incas told them that the colossal monuments that stood deserted about the landscape were erected by a race of white gods who had lived there before the Incas themselves became rulers. The Incas described these "white gods" as wise, peaceful instructors who had originally come from the north in the "morning of time" and taught the Incas' primitive forebears architecture as well as manners and customs. They were unlike other Native Americans in that they had "white skins and long beards" and were taller than the Incas. The Incas said that the "white gods" had then left as suddenly as they had come and fled westward across the Pacific. After they had left, the Incas themselves took over power in the country. Heyerdahl said that when the Europeans first came to the Pacific islands, they were astonished that they found some of the natives to have relatively light skins and beards. There were whole families that had pale skin, hair varying in colour from reddish to blonde. In contrast, most of the Polynesians had golden-brown skin, raven-black hair, and rather flat noses. Heyerdahl claimed that when Jacob Roggeveen discovered Easter Island in 1722, he supposedly noticed that many of the natives were white-skinned. Heyerdahl claimed that these people could count their ancestors who were "white-skinned" right back to the time of Tiki and Hotu Matua, when they first came sailing across the sea "from a mountainous land in the east which was scorched by the sun". The ethnographic evidence for these claims is outlined in Heyerdahl's book Aku-Aku: The Secret of Easter Island. Tiki people Heyerdahl proposed that Tiki's neolithic people colonised the then uninhabited Polynesian islands as far north as Hawaii, as far south as New Zealand, as far east as Easter Island, and as far west as Samoa and Tonga around 500 AD. They supposedly sailed from Peru to the Polynesian islands on pae-paes—large rafts built from balsa logs, complete with sails and each with a small cottage. They built enormous stone statues carved in the image of human beings on Pitcairn, the Marquesas, and Easter Island that resembled those in Peru. They also built huge pyramids on Tahiti and Samoa with steps like those in Peru. But all over Polynesia, Heyerdahl found indications that Tiki's peaceable race had not been able to hold the islands alone for long. He found evidence that suggested that seagoing war canoes as large as Viking ships and lashed together two and two had brought Stone Age Northwest American Indians to Polynesia around 1100 AD, and they mingled with Tiki's people. The oral history of the people of Easter Island, at least as it was documented by Heyerdahl, is completely consistent with this theory, as is the archaeological record he examined (Heyerdahl 1958). In particular, Heyerdahl obtained a radiocarbon date of 400 AD for a charcoal fire located in the pit that was held by the people of Easter Island to have been used as an "oven" by the "Long Ears", which Heyerdahl's Rapa Nui sources, reciting oral tradition, identified as a white race that had ruled the island in the past (Heyerdahl 1958). Heyerdahl further argued in his book American Indians in the Pacific that the current inhabitants of Polynesia migrated from an Asian source, but via an alternative route. He proposes that Polynesians travelled with the wind along the North Pacific current. These migrants then arrived in British Columbia. Heyerdahl called contemporary tribes of British Columbia, such as the Tlingit and Haida, descendants of these migrants. Heyerdahl claimed that cultural and physical similarities existed between these British Columbian tribes, Polynesians, and the Old World source. Controversy Heyerdahl's theory of Polynesian origins has not gained acceptance among anthropologists. Physical and cultural evidence had long suggested that Polynesia was settled from west to east, migration having begun from the Asian mainland, not South America. In the late 1990s, genetic testing found that the mitochondrial DNA of the Polynesians is more similar to people from south-east Asia than to people from South America, showing that their ancestors most likely came from Asia. Anthropologist Robert Carl Suggs included a chapter titled "The Kon-Tiki Myth" in his 1960 book on Polynesia, concluding that "The Kon-Tiki theory is about as plausible as the tales of Atlantis, Mu, and 'Children of the Sun.' Like most such theories, it makes exciting light reading, but as an example of scientific method it fares quite poorly." Anthropologist and National Geographic Explorer-in-Residence Wade Davis also criticised Heyerdahl's theory in his 2009 book The Wayfinders, which explores the history of Polynesia. Davis says that Heyerdahl "ignored the overwhelming body of linguistic, ethnographic, and ethnobotanical evidence, augmented today by genetic and archaeological data, indicating that he was patently wrong." A 2009 study by the Norwegian researcher Erik Thorsby suggested that there was some merit to Heyerdahl's ideas and that, while Polynesia was colonised from Asia, some contact with South America also existed. Some critics suggest, however, that Thorsby's research is inconclusive because his data may have been influenced by recent population contact. However, a 2014 research indicates that the South American component of Easter Island people's genomes pre-dates European contact: a team including Anna-Sapfo Malaspinas (from the Natural History Museum of Denmark) analysed the genomes of 27 native Rapanui people and found that their DNA was on average 76 per cent Polynesian, 8 per cent Native American and 16 per cent European. Analysis showed that: "although the European lineage could be explained by contact with white Europeans after the island was 'discovered' in 1722 by Dutch sailors, the South American component was much older, dating to between about 1280 and 1495, soon after the island was first colonised by Polynesians in around 1200." Together with ancient skulls found in Brazil – with solely Polynesian DNA – this does suggest some pre-European-contact travel to and from South America from Polynesia. A study based on wider genome analysis published in Nature in July 2020 is suggestive of a contact event, around 1200 AD, between Polynesian individuals and a Native American group most closely related to the indigenous inhabitants of present-day Colombia. Expedition to Easter Island In 1955–1956, Heyerdahl organised the Norwegian Archaeological Expedition to Easter Island. The expedition's scientific staff included Arne Skjølsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Easter Island investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller. In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonised by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation. Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies. As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that almost all Long Ears were killed in a civil war is true, as the islanders' story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. Boats Ra and Ra II In 1969 and 1970, Heyerdahl built two boats from papyrus and attempted to cross the Atlantic Ocean from Morocco in Africa. Based on drawings and models from ancient Egypt, the first boat, named Ra (after the Egyptian Sun god), was constructed by boat builders from Lake Chad using papyrus reed obtained from Lake Tana in Ethiopia and launched into the Atlantic Ocean from the coast of Morocco. The Ra crew included Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Santiago Genovés (Mexico), Georges Sourial (Egypt) and Abdullah Djibrine (Chad). Only Heyerdahl and Baker had sailing and navigation experience. After a number of weeks, Ra took on water. The crew discovered that a key element of the Egyptian boatbuilding method had been neglected, a tether that acted like a spring to keep the stern high in the water while allowing for flexibility. Water and storms eventually caused it to sag and break apart after sailing more than 6,400 km (4,000 miles). The crew was forced to abandon Ra, some hundred miles (160 km) before the Caribbean islands, and was saved by a yacht. The following year, 1970, a similar vessel, Ra II, was built by Demetrio, Juan and José Limachi of papyrus from Lake Titicaca in Bolivia and likewise set sail across the Atlantic from Morocco, this time with great success. The crew was mostly the same; though Djibrine had been replaced by Kei Ohara from Japan and Madani Ait Ouhanni from Morocco. The boat became lost and was the subject of a United Nations search and rescue mission. The search included international assistance including people as far afield as Loo-Chi Hu of New Zealand. The boat reached Barbados, thus demonstrating that mariners could have dealt with trans-Atlantic voyages by sailing with the Canary Current. The Ra II is now in the Kon-Tiki Museum in Oslo, Norway. The book The Ra Expeditions and the film documentary Ra (1972) were made about the voyages. Apart from the primary aspects of the expedition, Heyerdahl deliberately selected a crew representing a great diversity in race, nationality, religion and political viewpoint in order to demonstrate that at least on their own little floating island, people could co-operate and live peacefully. Additionally, the expedition took samples of marine pollution and presented their report to the United Nations. Tigris Heyerdahl built yet another reed boat in 1977, Tigris, which was intended to demonstrate that trade and migration could have linked Mesopotamia with the Indus Valley Civilization in what is now Pakistan and western India. Tigris was built in Al Qurnah Iraq and sailed with its international crew through the Persian Gulf to Pakistan and made its way into the Red Sea. After about five months at sea and still remaining seaworthy, the Tigris was deliberately burnt in Djibouti on 3 April 1978 as a protest against the wars raging on every side in the Red Sea and Horn of Africa. In his Open Letter to the UN Secretary-General Kurt Waldheim, Heyerdahl explained his reasons: Today we burn our proud ship ... to protest against inhuman elements in the world of 1978 ... Now we are forced to stop at the entrance to the Red Sea. Surrounded by military airplanes and warships from the world's most civilised and developed nations, we have been denied permission by friendly governments, for reasons of security, to land anywhere, but in the tiny, and still neutral, Republic of Djibouti. Elsewhere around us, brothers and neighbours are engaged in homicide with means made available to them by those who lead humanity on our joint road into the third millennium. To the innocent masses in all industrialised countries, we direct our appeal. We must wake up to the insane reality of our time ... We are all irresponsible, unless we demand from the responsible decision makers that modern armaments must no longer be made available to people whose former battle axes and swords our ancestors condemned. Our planet is bigger than the reed bundles that have carried us across the seas, and yet small enough to run the same risks unless those of us still alive open our eyes and minds to the desperate need of intelligent collaboration to save ourselves and our common civilisation from what we are about to convert into a sinking ship. In the years that followed, Heyerdahl was often outspoken on issues of international peace and the environment. The Tigris had an 11-man crew: Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Germán Carrasco (Mexico), Hans Petter Bohn (Norway), Rashad Nazar Salim (Iraq), Norris Brock (US), Toru Suzuki (Japan), Detlef Soitzek (Germany), and Asbjørn Damhus (Denmark). "The Search for Odin" in Azerbaijan and Russia Background Heyerdahl made four visits to Azerbaijan in 1981, 1994, 1999 and 2000. Heyerdahl had long been fascinated with the rock carvings that date back to about at Gobustan (about 30 miles/48 km west of Baku). He was convinced that their artistic style closely resembled the carvings found in his native Norway. The ship designs, in particular, were regarded by Heyerdahl as similar and drawn with a simple sickle-shaped line, representing the base of the boat, with vertical lines on deck, illustrating crew or, perhaps, raised oars. Based on this and other published documentation, Heyerdahl proposed that Azerbaijan was the site of an ancient advanced civilisation. He believed that natives migrated north through waterways to present-day Scandinavia using ingeniously constructed vessels made of skins that could be folded like cloth. When voyagers travelled upstream, they conveniently folded their skin boats and transported them on pack animals. Snorri Sturluson On Heyerdahl's visit to Baku in 1999, he lectured at the Academy of Sciences about the history of ancient Nordic Kings. He spoke of a notation made by Snorri Sturluson, a 13th-century historian-mythographer in Ynglinga Saga, which relates that "Odin (a Scandinavian god who was one of the kings) came to the North with his people from a country called Aser." (see also House of Ynglings and Mythological kings of Sweden). Heyerdahl accepted Snorri's story as literal truth, and believed that a chieftain led his people in a migration from the east, westward and northward through Saxony, to Fyn in Denmark, and eventually settling in Sweden. Heyerdahl claimed that the geographic location of the mythic Aser or Æsir matched the region of contemporary Azerbaijan – "east of the Caucasus mountains and the Black Sea". "We are no longer talking about mythology," Heyerdahl said, "but of the realities of geography and history. Azerbaijanis should be proud of their ancient culture. It is just as rich and ancient as that of China and Mesopotamia." In September 2000 Heyerdahl returned to Baku for the fourth time and visited the archaeological dig in the area of the Church of Kish. Revision of hypothesis One of the last projects of his life, Jakten på Odin, 'The Search for Odin', was a sudden revision of his Odin hypothesis, in furtherance of which he initiated 2001–2002 excavations in Azov, Russia, near the Sea of Azov at the northeast of the Black Sea. He searched for the remains of a civilisation to match the account of Odin in Snorri Sturlusson, significantly further north of his original target of Azerbaijan on the Caspian Sea only two years earlier. This project generated harsh criticism and accusations of pseudoscience from historians, archaeologists and linguists in Norway, who accused Heyerdahl of selective use of sources, and a basic lack of scientific methodology in his work. His central claims were based on similarities of names in Norse mythology and geographic names in the Black Sea region, e.g. Azov and Æsir, Udi and Odin, Tyr and Turkey. Philologists and historians reject these parallels as mere coincidences, and also anachronisms, for instance the city of Azov did not have that name until over 1,000 years after Heyerdahl claims the Æsir dwelt there. The controversy surrounding the Search for Odin project was in many ways typical of the relationship between Heyerdahl and the academic community. His theories rarely won any scientific acceptance, whereas Heyerdahl himself rejected all scientific criticism and concentrated on publishing his theories in popular books aimed at the general public. , Heyerdahl's Odin hypothesis has yet to be validated by any historian, archaeologist or linguist. Other projects Heyerdahl also investigated the mounds found on the Maldive Islands in the Indian Ocean. There, he found sun-orientated foundations and courtyards, as well as statues with elongated earlobes. Heyerdahl believed that these finds fit with his theory of a seafaring civilisation which originated in what is now Sri Lanka, colonised the Maldives, and influenced or founded the cultures of ancient South America and Easter Island. His discoveries are detailed in his book The Maldive Mystery. In 1991 he studied the Pyramids of Güímar on Tenerife and declared that they were not random stone heaps but pyramids. Based on the discovery made by the astrophysicists Aparicio, Belmonte and Esteban, from the Instituto de Astrofísica de Canarias that the "pyramids" were astronomically orientated and being convinced that they were of ancient origin, he claimed that the ancient people who built them were most likely sun worshippers. Heyerdahl advanced a theory according to which the Canaries had been bases of ancient shipping between America and the Mediterranean. Heyerdahl was also an active figure in Green politics. He was the recipient of numerous medals and awards. He also received 11 honorary doctorates from universities in the Americas and Europe. In subsequent years, Heyerdahl was involved with many other expeditions and archaeological projects. He remained best known for his boat-building, and for his emphasis on cultural diffusionism. Death Heyerdahl died on 18 April 2002 in Colla Micheri, Liguria, Italy, where he had gone to spend the Easter holidays with some of his closest family members. He died, aged 87, from a brain tumour. After receiving the diagnosis, he prepared for death, by refusing to eat or take medication. The Norwegian government honored him with a state funeral in the Oslo Cathedral on 26 April 2002. He is buried in the garden of the family home in Colla Micheri. He was an atheist. Legacy Despite the fact that, for many years, much of his work was not accepted by the scientific community, Heyerdahl, nonetheless, increased public interest in ancient history and anthropology. He also showed that long-distance ocean voyages were possible with ancient designs. As such, he was a major practitioner of experimental archaeology. The Kon-Tiki Museum on the Bygdøy peninsula in Oslo, Norway houses vessels and maps from the Kon-Tiki expedition, as well as a library with about 8,000 books. The Thor Heyerdahl Institute was established in 2000. Heyerdahl himself agreed to the founding of the institute and it aims to promote and continue to develop Heyerdahl's ideas and principles. The institute is located in Heyerdahl's birth town of Larvik, Norway. In Larvik, the birthplace of Heyerdahl, the municipality began a project in 2007 to attract more visitors. Since then, they have purchased and renovated Heyerdahl's childhood home, arranged a yearly raft regatta in his honour at the end of summer and begun to develop a Heyerdahl centre. Heyerdahl's grandson, Olav Heyerdahl, retraced his grandfather's Kon-Tiki voyage in 2006 as part of a six-member crew. The voyage, organised by Torgeir Higraff and called the Tangaroa Expedition, was intended as a tribute to Heyerdahl, an effort to better understand navigation via centreboards ("guara") as well as a means to monitor the Pacific Ocean's environment. A book about the Tangaroa Expedition by Torgeir Higraff was published in 2007. The book has numerous photos from the Kon-Tiki voyage 60 years earlier and is illustrated with photographs by Tangaroa crew member Anders Berg (Oslo: Bazar Forlag, 2007). "Tangaroa Expedition" has also been produced as a documentary DVD in English, Norwegian, Swedish and Spanish. Paul Theroux, in his book The Happy Isles of Oceania, criticises Heyerdahl for trying to link the culture of Polynesian islands with the Peruvian culture. However, recent scientific investigation that compares the DNA of some of the Polynesian islands with natives from Peru suggests that there is some merit to Heyerdahl's ideas and that while Polynesia was colonised from Asia, some contact with South America also existed; several papers have in the last few years confirmed with genetic data some form of contacts with Easter Island. More recently, some researchers published research confirming a wider impact on genetic and cultural elements in Polynesia due to South American contacts. Decorations and honorary degrees Asteroid 2473 Heyerdahl is named after him, as are HNoMS Thor Heyerdahl, a Norwegian Nansen class frigate, along with MS Thor Heyerdahl (now renamed MS Vana Tallinn), and Thor Heyerdahl, a German three-masted sail training vessel originally owned by a participant of the Tigris expedition. Heyerdahl Vallis, a valley on Pluto, and Thor Heyerdahl Upper Secondary School in Larvik, the town of his birth, are also named after him. Google honoured Heyerdahl on his 100th birthday by making a Google Doodle. Heyerdahl's numerous awards and honours include the following: Governmental and state honours Grand Cross of the Royal Norwegian Order of St Olav (1987) (Commander with Star: 1970; Commander: 1951) Grand Cross of the Order of Merit of Peru (1953) Grand Officer of the Order of Merit of the Italian Republic (21 June 1965) Knight in the Order of Saint John of Jerusalem Knight of the Order of Merit, Egypt (1971) Grand Officer of the Order of Ouissam Alaouite (Morocco; 1971) Officer, Order of the Sun (Peru) (1975) and Knight Grand Cross International Pahlavi Environment Prize, United Nations (1978) Knight of the Order of the Golden Ark, Netherlands (1980) Commander, American Knights of Malta (1970) Civitan International World Citizenship Award Austrian Decoration for Science and Art (2000) St. Hallvard's Medal Academic honours Retzius Medal, Royal Swedish Society for Anthropology and Geography (1950) Mungo Park Medal, Royal Scottish Society for Geography (1951) Bonaparte-Wyse Gold Medal, Société de Géographie de Paris (1951) Elisha Kent Kane Gold Medal, Geographical Society of Philadelphia (1952) Honorary Member, Geographical Societies of Norway (1953), Peru (1953), Brazil (1954) Elected Member Norwegian Academy of Sciences (1958) Fellow, New York Academy of Sciences (1960) Vega Gold Medal, Swedish Society for Anthropology and Geography (1962) Lomonosov Medal, Moscow State University (1962) Gold Medal, Royal Geographical Society, London (1964) Distinguished Service Award, Pacific Lutheran University, Tacoma, Washington, US (1966) Member American Anthropological Association (1966) Kiril i Metodi Award, Geographical Society, Bulgaria (1972) Honorary Professor, Instituto Politécnico Nacional, Mexico (1972) Bradford Washburn Award, Museum of Science, Boston, US, (1982) President's Medal, Pacific Lutheran University, Tacoma, US (1996) Honorary Professorship, Western University, Baku, Azerbaijan (1999) Honorary degrees Doctor Honoris Causa, University of Oslo, Norway (1961) Doctor Honoris Causa, USSR Academy of Science (1980) Doctor Honoris Causa, University of San Martin, Lima, Peru, (1991) Doctor Honoris Causa, University of Havana, Cuba (1992) Doctor Honoris Causa, University of Kyiv, Ukraine (1993) Doctor Honoris Causa, University of Maine, Orono (1998) Publications På Jakt efter Paradiset (Hunt for Paradise), 1938; Fatu-Hiva: Back to Nature (changed title in English in 1974). The Kon-Tiki Expedition: By Raft Across the South Seas (Kon-Tiki ekspedisjonen, also known as Kon-Tiki: Across the Pacific in a Raft), 1948. American Indians in the Pacific: The Theory Behind the Kon-Tiki Expedition (Chicago: Rand McNally, 1952), 821 pages. Aku-Aku: The Secret of Easter Island, 1957. Sea Routes to Polynesia: American Indians and Early Asiatics in the Pacific (Chicago: Rand McNally, 1968), 232 pages. The Ra Expeditions . Early Man and the Ocean: The Beginning of Navigation and Seaborn Civilizations, 1979 The Tigris Expedition: In Search of Our Beginnings The Maldive Mystery, 1986 Green Was the Earth on the Seventh Day: Memories and Journeys of a Lifetime Pyramids of Tucume: The Quest for Peru's Forgotten City Skjebnemote vest for havet [Fate Meets West of the Ocean], 1992 (in Norwegian and German only) the Native Americans tell their story, white and bearded Gods, infrastructure was not built by the Inkas but their more advanced predecessors. In the Footsteps of Adam: A Memoir (the official edition is Abacus, 2001, translated by Ingrid Christophersen) Ingen Grenser (No Boundaries, Norwegian only), 1999 Jakten på Odin (Theories about Odin, Norwegian only), 2001 See also M/S Thor Heyerdahl – a ferry named after him List of notable brain tumor patients Pre-Columbian trans-oceanic contact Pre-Columbian rafts Vital Alsar Kitín Muñoz The Viracocha expedition References Further reading Heyerdahl, Thor. Aku-Aku: The Secret of Easter Island. Rand McNally. 1958. Heyerdahl, Thor. Kon-Tiki. Rand McNally & Company. 1950. Heyerdahl, Thor. Fatu Hiva. Penguin. 1976. Heyerdahl, Thor. Early Man and the Ocean: A Search for the Beginnings of Navigation and Seaborne Civilizations, February 1979. Heyerdahl, Thor. In the Footsteps of Adam: A Memoir, translated by Ingrid Christophersen, 2001 (English) External links a scientific critique of his Odin project, in English Thor Heyerdahl in Baku Azerbaijan International, Vol. 7:3 (Autumn 1999), pp. 96–97. Thor Heyerdahl Biography and Bibliography Thor Heyerdahl expeditions The 'Tigris' expedition, with Heyerdahl's war protest Azerbaijan International, Vol. 11:1 (Spring 2003), pp. 20–21. Bjornar Storfjell's account: A reference to his last project Jakten på Odin Azerbaijan International, Vol. 10:2 (Summer 2002). Biography on National Geographic Forskning.no Biography from the official Norwegian scientific webportal (in Norwegian) Thor Heyerdahl on Maldives Royal Family website Biography of Thor Heyerdahl Sea Routes to Polynesia Extracts from lectures by Thor Heyerdahl The home of Thor Heyerdahl Useful information on Thor Heyerdahl and his hometown, Larvik Thor Heyerdahl – Daily Telegraph obituary 1914 births 2002 deaths People from Larvik Norwegian Army personnel of World War II Norwegian documentary filmmakers Norwegian explorers Norwegian historians Pre-Columbian trans-oceanic contact Reed boats Replications of ancient voyages Deaths from brain tumor Deaths from cancer in Liguria Neurological disease deaths in Liguria Members of the Norwegian Academy of Science and Letters Norwegian ethnographers Norwegian atheists Grand Officers of the Order of Merit of the Italian Republic Grand Crosses of the Order of the Sun of Peru Recipients of the Austrian Decoration for Science and Art Recipients of the Order of Merit (Egypt) Knights of the Order of St John University of Oslo alumni 20th-century historians 20th-century Norwegian scientists 20th-century Norwegian writers Researchers in Rapa Nui archaeology

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Did they find anything interesting once they arrived?

Did the adventurers find anything interesting once they finished the Kon-Tiki expedition?

Thor Heyerdahl

In 1947, Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on August 7, 1947, after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. CANNOTANSWER

Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety,

Thor Heyerdahl (; 6 October 1914 – 18 April 2002) was a Norwegian adventurer and ethnographer with a background in zoology, botany and geography. Heyerdahl is notable for his Kon-Tiki expedition in 1947, in which he sailed 8,000 km (5,000 mi) across the Pacific Ocean in a hand-built raft from South America to the Tuamotu Islands. The expedition was designed to demonstrate that ancient people could have made long sea voyages, creating contacts between societies. This was linked to a diffusionist model of cultural development. Heyerdahl made other voyages to demonstrate the possibility of contact between widely separated ancient peoples, notably the Ra II expedition of 1970, when he sailed from the west coast of Africa to Barbados in a papyrus reed boat. He was appointed a government scholar in 1984. He died on 18 April 2002 in Colla Micheri, Liguria, Italy, while visiting close family members. The Norwegian government gave him a state funeral in Oslo Cathedral on 26 April 2002. In May 2011, the Thor Heyerdahl Archives were added to UNESCO's Memory of the World Register. At the time, this list included 238 collections from all over the world. The Heyerdahl Archives span the years 1937 to 2002 and include his photographic collection, diaries, private letters, expedition plans, articles, newspaper clippings, original book, and article manuscripts. The Heyerdahl Archives are administered by the Kon-Tiki Museum and the National Library of Norway in Oslo. Youth and personal life Heyerdahl was born in Larvik, Norway, the son of master brewer Thor Heyerdahl (1869–1957) and his wife, Alison Lyng (1873–1965). As a young child, Heyerdahl showed a strong interest in zoology, inspired by his mother, who had a strong interest in Charles Darwin's theory of evolution. He created a small museum in his childhood home, with a common adder (Vipera berus) as the main attraction. He studied zoology and geography at the faculty of biological science at the University of Oslo. At the same time, he privately studied Polynesian culture and history, consulting what was then the world's largest private collection of books and papers on Polynesia, owned by Bjarne Kroepelien, a wealthy wine merchant in Oslo. (This collection was later purchased by the University of Oslo Library from Kroepelien's heirs and was attached to the Kon-Tiki Museum research department.) After seven terms and consultations with experts in Berlin, a project was developed and sponsored by Heyerdahl's zoology professors, Kristine Bonnevie and Hjalmar Broch. He was to visit some isolated Pacific island groups and study how the local animals had found their way there. On the day before they sailed together to the Marquesas Islands in 1936, Heyerdahl married Liv Coucheron-Torp (1916–1969), whom he had met at the University of Oslo, and who had studied economics there. He was 22 years old and she was 20 years old. Eventually, the couple had two sons: Thor Jr. and Bjørn. The marriage ended in divorce shortly before the 1947 Kon-Tiki expedition, which Liv had helped to organize. After the occupation of Norway by Nazi Germany, he served with the Free Norwegian Forces from 1944, in the far north province of Finnmark. In 1949, Heyerdahl married Yvonne Dedekam-Simonsen (1924–2006). They had three daughters: Annette, Marian and Helene Elisabeth. They were divorced in 1969. Heyerdahl blamed their separation on his being away from home and differences in their ideas for bringing up children. In his autobiography, he concluded that he should take the entire blame for their separation. In 1991, Heyerdahl married Jacqueline Beer (born 1932) as his third wife. They lived in Tenerife, Canary Islands, and were very actively involved with archaeological projects, especially in Túcume, Peru, and Azov until his death in 2002. He had still been hoping to undertake an archaeological project in Samoa before he died. Fatu Hiva In 1936, on the day after his marriage to Liv Coucheron Torp, the young couple set out for the South Pacific Island of Fatu Hiva. They nominally had an academic mission, to research the spread of animal species between islands, but in reality they intended to "run away to the South Seas" and never return home. Aided by expedition funding from their parents, they nonetheless arrived on the island lacking "provisions, weapons or a radio". Residents in Tahiti, where they stopped en route, did convince them to take a machete and a cooking pot. They arrived at Fatu Hiva in 1937, in the valley of Omo‘a, and decided to cross over the island's mountainous interior to settle in one of the small, nearly abandoned, valleys on the eastern side of the island. There, they made their thatch-covered stilted home in the valley of Uia. Living in such primitive conditions was a daunting task, but they managed to live off the land, and work on their academic goals, by collecting and studying zoological and botanical specimens. They discovered unusual artifacts, listened to the natives' oral history traditions, and took note of the prevailing winds and ocean currents. It was in this setting, surrounded by the ruins of the formerly glorious Marquesan civilization, that Heyerdahl first developed his theories regarding the possibility of pre-Columbian trans-oceanic contact between the pre-European Polynesians, and the peoples and cultures of South America. Despite the seemingly idyllic situation, the exposure to various tropical diseases and other difficulties caused them to return to civilisation a year later. They worked together to write an account of their adventure. The events surrounding his stay on the Marquesas, most of the time on Fatu Hiva, were told first in his book På Jakt etter Paradiset (Hunt for Paradise) (1938), which was published in Norway but, following the outbreak of World War II, was never translated and remained largely forgotten. Many years later, having achieved notability with other adventures and books on other subjects, Heyerdahl published a new account of this voyage under the title Fatu Hiva (London: Allen & Unwin, 1974). The story of his time on Fatu Hiva and his side trip to Hivaoa and Mohotani is also related in Green Was the Earth on the Seventh Day (Random House, 1996). Kon-Tiki expedition In 1947 Heyerdahl and five fellow adventurers sailed from Peru to the Tuamotu Islands, French Polynesia in a pae-pae raft that they had constructed from balsa wood and other native materials, christened the Kon-Tiki. The Kon-Tiki expedition was inspired by old reports and drawings made by the Spanish Conquistadors of Inca rafts, and by native legends and archaeological evidence suggesting contact between South America and Polynesia. The Kon-Tiki smashed into the reef at Raroia in the Tuamotus on 7 August 1947 after a 101-day, 4,300-nautical-mile (5,000-mile or 8,000 km) journey across the Pacific Ocean. Heyerdahl had nearly drowned at least twice in childhood and did not take easily to water; he said later that there were times in each of his raft voyages when he feared for his life. Kon-Tiki demonstrated that it was possible for a primitive raft to sail the Pacific with relative ease and safety, especially to the west (with the trade winds). The raft proved to be highly manoeuvrable, and fish congregated between the nine balsa logs in such numbers that ancient sailors could have possibly relied on fish for hydration in the absence of other sources of fresh water. Other rafts have repeated the voyage, inspired by Kon-Tiki. Heyerdahl's book about The Kon-Tiki Expedition: By Raft Across the South Seas has been translated into 70 languages. The documentary film of the expedition entitled Kon-Tiki won an Academy Award in 1951. A dramatised version was released in 2012, also called Kon-Tiki, and was nominated for both the Best Foreign Language Oscar at the 85th Academy Awards and a Golden Globe Award for Best Foreign Language Film at the 70th Golden Globe Awards. It was the first time that a Norwegian film was nominated for both an Oscar and a Golden Globe. Anthropologists continue to believe that Polynesia was settled from west to east, based on linguistic, physical, and genetic evidence, migration having begun from the Asian mainland. There are controversial indications, though, of some sort of South American/Polynesian contact, most notably in the fact that the South American sweet potato is served as a dietary staple throughout much of Polynesia. Blood samples taken in 1971 and 2008 from Easter Islanders without any European or other external descent were analysed in a 2011 study, which concluded that the evidence supported some aspects of Heyerdahl's hypothesis. This result has been questioned because of the possibility of contamination by South Americans after European contact with the islands. However, more recent DNA work (after Heyerdahl's death) contradicts the post-European-contact contamination hypothesis, finding the South American DNA sequences to be far older than that. Heyerdahl had attempted to counter the linguistic argument with the analogy that he would prefer to believe that African-Americans came from Africa, judging from their skin colour, and not from England, judging from their speech. Theory on Polynesian origins Heyerdahl claimed that in Incan legend there was a sun-god named Con-Tici Viracocha who was the supreme head of the mythical fair-skinned people in Peru. The original name for Viracocha was Kon-Tiki or Illa-Tiki, which means Sun-Tiki or Fire-Tiki. Kon-Tiki was high priest and sun-king of these legendary "white men" who left enormous ruins on the shores of Lake Titicaca. The legend continues with the mysterious bearded white men being attacked by a chief named Cari, who came from the Coquimbo Valley. They had a battle on an island in Lake Titicaca, and the fair race was massacred. However, Kon-Tiki and his closest companions managed to escape and later arrived on the Pacific coast. The legend ends with Kon-Tiki and his companions disappearing westward out to sea. When the Spaniards came to Peru, Heyerdahl asserted, the Incas told them that the colossal monuments that stood deserted about the landscape were erected by a race of white gods who had lived there before the Incas themselves became rulers. The Incas described these "white gods" as wise, peaceful instructors who had originally come from the north in the "morning of time" and taught the Incas' primitive forebears architecture as well as manners and customs. They were unlike other Native Americans in that they had "white skins and long beards" and were taller than the Incas. The Incas said that the "white gods" had then left as suddenly as they had come and fled westward across the Pacific. After they had left, the Incas themselves took over power in the country. Heyerdahl said that when the Europeans first came to the Pacific islands, they were astonished that they found some of the natives to have relatively light skins and beards. There were whole families that had pale skin, hair varying in colour from reddish to blonde. In contrast, most of the Polynesians had golden-brown skin, raven-black hair, and rather flat noses. Heyerdahl claimed that when Jacob Roggeveen discovered Easter Island in 1722, he supposedly noticed that many of the natives were white-skinned. Heyerdahl claimed that these people could count their ancestors who were "white-skinned" right back to the time of Tiki and Hotu Matua, when they first came sailing across the sea "from a mountainous land in the east which was scorched by the sun". The ethnographic evidence for these claims is outlined in Heyerdahl's book Aku-Aku: The Secret of Easter Island. Tiki people Heyerdahl proposed that Tiki's neolithic people colonised the then uninhabited Polynesian islands as far north as Hawaii, as far south as New Zealand, as far east as Easter Island, and as far west as Samoa and Tonga around 500 AD. They supposedly sailed from Peru to the Polynesian islands on pae-paes—large rafts built from balsa logs, complete with sails and each with a small cottage. They built enormous stone statues carved in the image of human beings on Pitcairn, the Marquesas, and Easter Island that resembled those in Peru. They also built huge pyramids on Tahiti and Samoa with steps like those in Peru. But all over Polynesia, Heyerdahl found indications that Tiki's peaceable race had not been able to hold the islands alone for long. He found evidence that suggested that seagoing war canoes as large as Viking ships and lashed together two and two had brought Stone Age Northwest American Indians to Polynesia around 1100 AD, and they mingled with Tiki's people. The oral history of the people of Easter Island, at least as it was documented by Heyerdahl, is completely consistent with this theory, as is the archaeological record he examined (Heyerdahl 1958). In particular, Heyerdahl obtained a radiocarbon date of 400 AD for a charcoal fire located in the pit that was held by the people of Easter Island to have been used as an "oven" by the "Long Ears", which Heyerdahl's Rapa Nui sources, reciting oral tradition, identified as a white race that had ruled the island in the past (Heyerdahl 1958). Heyerdahl further argued in his book American Indians in the Pacific that the current inhabitants of Polynesia migrated from an Asian source, but via an alternative route. He proposes that Polynesians travelled with the wind along the North Pacific current. These migrants then arrived in British Columbia. Heyerdahl called contemporary tribes of British Columbia, such as the Tlingit and Haida, descendants of these migrants. Heyerdahl claimed that cultural and physical similarities existed between these British Columbian tribes, Polynesians, and the Old World source. Controversy Heyerdahl's theory of Polynesian origins has not gained acceptance among anthropologists. Physical and cultural evidence had long suggested that Polynesia was settled from west to east, migration having begun from the Asian mainland, not South America. In the late 1990s, genetic testing found that the mitochondrial DNA of the Polynesians is more similar to people from south-east Asia than to people from South America, showing that their ancestors most likely came from Asia. Anthropologist Robert Carl Suggs included a chapter titled "The Kon-Tiki Myth" in his 1960 book on Polynesia, concluding that "The Kon-Tiki theory is about as plausible as the tales of Atlantis, Mu, and 'Children of the Sun.' Like most such theories, it makes exciting light reading, but as an example of scientific method it fares quite poorly." Anthropologist and National Geographic Explorer-in-Residence Wade Davis also criticised Heyerdahl's theory in his 2009 book The Wayfinders, which explores the history of Polynesia. Davis says that Heyerdahl "ignored the overwhelming body of linguistic, ethnographic, and ethnobotanical evidence, augmented today by genetic and archaeological data, indicating that he was patently wrong." A 2009 study by the Norwegian researcher Erik Thorsby suggested that there was some merit to Heyerdahl's ideas and that, while Polynesia was colonised from Asia, some contact with South America also existed. Some critics suggest, however, that Thorsby's research is inconclusive because his data may have been influenced by recent population contact. However, a 2014 research indicates that the South American component of Easter Island people's genomes pre-dates European contact: a team including Anna-Sapfo Malaspinas (from the Natural History Museum of Denmark) analysed the genomes of 27 native Rapanui people and found that their DNA was on average 76 per cent Polynesian, 8 per cent Native American and 16 per cent European. Analysis showed that: "although the European lineage could be explained by contact with white Europeans after the island was 'discovered' in 1722 by Dutch sailors, the South American component was much older, dating to between about 1280 and 1495, soon after the island was first colonised by Polynesians in around 1200." Together with ancient skulls found in Brazil – with solely Polynesian DNA – this does suggest some pre-European-contact travel to and from South America from Polynesia. A study based on wider genome analysis published in Nature in July 2020 is suggestive of a contact event, around 1200 AD, between Polynesian individuals and a Native American group most closely related to the indigenous inhabitants of present-day Colombia. Expedition to Easter Island In 1955–1956, Heyerdahl organised the Norwegian Archaeological Expedition to Easter Island. The expedition's scientific staff included Arne Skjølsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Easter Island investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller. In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonised by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation. Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies. As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that almost all Long Ears were killed in a civil war is true, as the islanders' story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. Boats Ra and Ra II In 1969 and 1970, Heyerdahl built two boats from papyrus and attempted to cross the Atlantic Ocean from Morocco in Africa. Based on drawings and models from ancient Egypt, the first boat, named Ra (after the Egyptian Sun god), was constructed by boat builders from Lake Chad using papyrus reed obtained from Lake Tana in Ethiopia and launched into the Atlantic Ocean from the coast of Morocco. The Ra crew included Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Santiago Genovés (Mexico), Georges Sourial (Egypt) and Abdullah Djibrine (Chad). Only Heyerdahl and Baker had sailing and navigation experience. After a number of weeks, Ra took on water. The crew discovered that a key element of the Egyptian boatbuilding method had been neglected, a tether that acted like a spring to keep the stern high in the water while allowing for flexibility. Water and storms eventually caused it to sag and break apart after sailing more than 6,400 km (4,000 miles). The crew was forced to abandon Ra, some hundred miles (160 km) before the Caribbean islands, and was saved by a yacht. The following year, 1970, a similar vessel, Ra II, was built by Demetrio, Juan and José Limachi of papyrus from Lake Titicaca in Bolivia and likewise set sail across the Atlantic from Morocco, this time with great success. The crew was mostly the same; though Djibrine had been replaced by Kei Ohara from Japan and Madani Ait Ouhanni from Morocco. The boat became lost and was the subject of a United Nations search and rescue mission. The search included international assistance including people as far afield as Loo-Chi Hu of New Zealand. The boat reached Barbados, thus demonstrating that mariners could have dealt with trans-Atlantic voyages by sailing with the Canary Current. The Ra II is now in the Kon-Tiki Museum in Oslo, Norway. The book The Ra Expeditions and the film documentary Ra (1972) were made about the voyages. Apart from the primary aspects of the expedition, Heyerdahl deliberately selected a crew representing a great diversity in race, nationality, religion and political viewpoint in order to demonstrate that at least on their own little floating island, people could co-operate and live peacefully. Additionally, the expedition took samples of marine pollution and presented their report to the United Nations. Tigris Heyerdahl built yet another reed boat in 1977, Tigris, which was intended to demonstrate that trade and migration could have linked Mesopotamia with the Indus Valley Civilization in what is now Pakistan and western India. Tigris was built in Al Qurnah Iraq and sailed with its international crew through the Persian Gulf to Pakistan and made its way into the Red Sea. After about five months at sea and still remaining seaworthy, the Tigris was deliberately burnt in Djibouti on 3 April 1978 as a protest against the wars raging on every side in the Red Sea and Horn of Africa. In his Open Letter to the UN Secretary-General Kurt Waldheim, Heyerdahl explained his reasons: Today we burn our proud ship ... to protest against inhuman elements in the world of 1978 ... Now we are forced to stop at the entrance to the Red Sea. Surrounded by military airplanes and warships from the world's most civilised and developed nations, we have been denied permission by friendly governments, for reasons of security, to land anywhere, but in the tiny, and still neutral, Republic of Djibouti. Elsewhere around us, brothers and neighbours are engaged in homicide with means made available to them by those who lead humanity on our joint road into the third millennium. To the innocent masses in all industrialised countries, we direct our appeal. We must wake up to the insane reality of our time ... We are all irresponsible, unless we demand from the responsible decision makers that modern armaments must no longer be made available to people whose former battle axes and swords our ancestors condemned. Our planet is bigger than the reed bundles that have carried us across the seas, and yet small enough to run the same risks unless those of us still alive open our eyes and minds to the desperate need of intelligent collaboration to save ourselves and our common civilisation from what we are about to convert into a sinking ship. In the years that followed, Heyerdahl was often outspoken on issues of international peace and the environment. The Tigris had an 11-man crew: Thor Heyerdahl (Norway), Norman Baker (US), Carlo Mauri (Italy), Yuri Senkevich (USSR), Germán Carrasco (Mexico), Hans Petter Bohn (Norway), Rashad Nazar Salim (Iraq), Norris Brock (US), Toru Suzuki (Japan), Detlef Soitzek (Germany), and Asbjørn Damhus (Denmark). "The Search for Odin" in Azerbaijan and Russia Background Heyerdahl made four visits to Azerbaijan in 1981, 1994, 1999 and 2000. Heyerdahl had long been fascinated with the rock carvings that date back to about at Gobustan (about 30 miles/48 km west of Baku). He was convinced that their artistic style closely resembled the carvings found in his native Norway. The ship designs, in particular, were regarded by Heyerdahl as similar and drawn with a simple sickle-shaped line, representing the base of the boat, with vertical lines on deck, illustrating crew or, perhaps, raised oars. Based on this and other published documentation, Heyerdahl proposed that Azerbaijan was the site of an ancient advanced civilisation. He believed that natives migrated north through waterways to present-day Scandinavia using ingeniously constructed vessels made of skins that could be folded like cloth. When voyagers travelled upstream, they conveniently folded their skin boats and transported them on pack animals. Snorri Sturluson On Heyerdahl's visit to Baku in 1999, he lectured at the Academy of Sciences about the history of ancient Nordic Kings. He spoke of a notation made by Snorri Sturluson, a 13th-century historian-mythographer in Ynglinga Saga, which relates that "Odin (a Scandinavian god who was one of the kings) came to the North with his people from a country called Aser." (see also House of Ynglings and Mythological kings of Sweden). Heyerdahl accepted Snorri's story as literal truth, and believed that a chieftain led his people in a migration from the east, westward and northward through Saxony, to Fyn in Denmark, and eventually settling in Sweden. Heyerdahl claimed that the geographic location of the mythic Aser or Æsir matched the region of contemporary Azerbaijan – "east of the Caucasus mountains and the Black Sea". "We are no longer talking about mythology," Heyerdahl said, "but of the realities of geography and history. Azerbaijanis should be proud of their ancient culture. It is just as rich and ancient as that of China and Mesopotamia." In September 2000 Heyerdahl returned to Baku for the fourth time and visited the archaeological dig in the area of the Church of Kish. Revision of hypothesis One of the last projects of his life, Jakten på Odin, 'The Search for Odin', was a sudden revision of his Odin hypothesis, in furtherance of which he initiated 2001–2002 excavations in Azov, Russia, near the Sea of Azov at the northeast of the Black Sea. He searched for the remains of a civilisation to match the account of Odin in Snorri Sturlusson, significantly further north of his original target of Azerbaijan on the Caspian Sea only two years earlier. This project generated harsh criticism and accusations of pseudoscience from historians, archaeologists and linguists in Norway, who accused Heyerdahl of selective use of sources, and a basic lack of scientific methodology in his work. His central claims were based on similarities of names in Norse mythology and geographic names in the Black Sea region, e.g. Azov and Æsir, Udi and Odin, Tyr and Turkey. Philologists and historians reject these parallels as mere coincidences, and also anachronisms, for instance the city of Azov did not have that name until over 1,000 years after Heyerdahl claims the Æsir dwelt there. The controversy surrounding the Search for Odin project was in many ways typical of the relationship between Heyerdahl and the academic community. His theories rarely won any scientific acceptance, whereas Heyerdahl himself rejected all scientific criticism and concentrated on publishing his theories in popular books aimed at the general public. , Heyerdahl's Odin hypothesis has yet to be validated by any historian, archaeologist or linguist. Other projects Heyerdahl also investigated the mounds found on the Maldive Islands in the Indian Ocean. There, he found sun-orientated foundations and courtyards, as well as statues with elongated earlobes. Heyerdahl believed that these finds fit with his theory of a seafaring civilisation which originated in what is now Sri Lanka, colonised the Maldives, and influenced or founded the cultures of ancient South America and Easter Island. His discoveries are detailed in his book The Maldive Mystery. In 1991 he studied the Pyramids of Güímar on Tenerife and declared that they were not random stone heaps but pyramids. Based on the discovery made by the astrophysicists Aparicio, Belmonte and Esteban, from the Instituto de Astrofísica de Canarias that the "pyramids" were astronomically orientated and being convinced that they were of ancient origin, he claimed that the ancient people who built them were most likely sun worshippers. Heyerdahl advanced a theory according to which the Canaries had been bases of ancient shipping between America and the Mediterranean. Heyerdahl was also an active figure in Green politics. He was the recipient of numerous medals and awards. He also received 11 honorary doctorates from universities in the Americas and Europe. In subsequent years, Heyerdahl was involved with many other expeditions and archaeological projects. He remained best known for his boat-building, and for his emphasis on cultural diffusionism. Death Heyerdahl died on 18 April 2002 in Colla Micheri, Liguria, Italy, where he had gone to spend the Easter holidays with some of his closest family members. He died, aged 87, from a brain tumour. After receiving the diagnosis, he prepared for death, by refusing to eat or take medication. The Norwegian government honored him with a state funeral in the Oslo Cathedral on 26 April 2002. He is buried in the garden of the family home in Colla Micheri. He was an atheist. Legacy Despite the fact that, for many years, much of his work was not accepted by the scientific community, Heyerdahl, nonetheless, increased public interest in ancient history and anthropology. He also showed that long-distance ocean voyages were possible with ancient designs. As such, he was a major practitioner of experimental archaeology. The Kon-Tiki Museum on the Bygdøy peninsula in Oslo, Norway houses vessels and maps from the Kon-Tiki expedition, as well as a library with about 8,000 books. The Thor Heyerdahl Institute was established in 2000. Heyerdahl himself agreed to the founding of the institute and it aims to promote and continue to develop Heyerdahl's ideas and principles. The institute is located in Heyerdahl's birth town of Larvik, Norway. In Larvik, the birthplace of Heyerdahl, the municipality began a project in 2007 to attract more visitors. Since then, they have purchased and renovated Heyerdahl's childhood home, arranged a yearly raft regatta in his honour at the end of summer and begun to develop a Heyerdahl centre. Heyerdahl's grandson, Olav Heyerdahl, retraced his grandfather's Kon-Tiki voyage in 2006 as part of a six-member crew. The voyage, organised by Torgeir Higraff and called the Tangaroa Expedition, was intended as a tribute to Heyerdahl, an effort to better understand navigation via centreboards ("guara") as well as a means to monitor the Pacific Ocean's environment. A book about the Tangaroa Expedition by Torgeir Higraff was published in 2007. The book has numerous photos from the Kon-Tiki voyage 60 years earlier and is illustrated with photographs by Tangaroa crew member Anders Berg (Oslo: Bazar Forlag, 2007). "Tangaroa Expedition" has also been produced as a documentary DVD in English, Norwegian, Swedish and Spanish. Paul Theroux, in his book The Happy Isles of Oceania, criticises Heyerdahl for trying to link the culture of Polynesian islands with the Peruvian culture. However, recent scientific investigation that compares the DNA of some of the Polynesian islands with natives from Peru suggests that there is some merit to Heyerdahl's ideas and that while Polynesia was colonised from Asia, some contact with South America also existed; several papers have in the last few years confirmed with genetic data some form of contacts with Easter Island. More recently, some researchers published research confirming a wider impact on genetic and cultural elements in Polynesia due to South American contacts. Decorations and honorary degrees Asteroid 2473 Heyerdahl is named after him, as are HNoMS Thor Heyerdahl, a Norwegian Nansen class frigate, along with MS Thor Heyerdahl (now renamed MS Vana Tallinn), and Thor Heyerdahl, a German three-masted sail training vessel originally owned by a participant of the Tigris expedition. Heyerdahl Vallis, a valley on Pluto, and Thor Heyerdahl Upper Secondary School in Larvik, the town of his birth, are also named after him. Google honoured Heyerdahl on his 100th birthday by making a Google Doodle. Heyerdahl's numerous awards and honours include the following: Governmental and state honours Grand Cross of the Royal Norwegian Order of St Olav (1987) (Commander with Star: 1970; Commander: 1951) Grand Cross of the Order of Merit of Peru (1953) Grand Officer of the Order of Merit of the Italian Republic (21 June 1965) Knight in the Order of Saint John of Jerusalem Knight of the Order of Merit, Egypt (1971) Grand Officer of the Order of Ouissam Alaouite (Morocco; 1971) Officer, Order of the Sun (Peru) (1975) and Knight Grand Cross International Pahlavi Environment Prize, United Nations (1978) Knight of the Order of the Golden Ark, Netherlands (1980) Commander, American Knights of Malta (1970) Civitan International World Citizenship Award Austrian Decoration for Science and Art (2000) St. Hallvard's Medal Academic honours Retzius Medal, Royal Swedish Society for Anthropology and Geography (1950) Mungo Park Medal, Royal Scottish Society for Geography (1951) Bonaparte-Wyse Gold Medal, Société de Géographie de Paris (1951) Elisha Kent Kane Gold Medal, Geographical Society of Philadelphia (1952) Honorary Member, Geographical Societies of Norway (1953), Peru (1953), Brazil (1954) Elected Member Norwegian Academy of Sciences (1958) Fellow, New York Academy of Sciences (1960) Vega Gold Medal, Swedish Society for Anthropology and Geography (1962) Lomonosov Medal, Moscow State University (1962) Gold Medal, Royal Geographical Society, London (1964) Distinguished Service Award, Pacific Lutheran University, Tacoma, Washington, US (1966) Member American Anthropological Association (1966) Kiril i Metodi Award, Geographical Society, Bulgaria (1972) Honorary Professor, Instituto Politécnico Nacional, Mexico (1972) Bradford Washburn Award, Museum of Science, Boston, US, (1982) President's Medal, Pacific Lutheran University, Tacoma, US (1996) Honorary Professorship, Western University, Baku, Azerbaijan (1999) Honorary degrees Doctor Honoris Causa, University of Oslo, Norway (1961) Doctor Honoris Causa, USSR Academy of Science (1980) Doctor Honoris Causa, University of San Martin, Lima, Peru, (1991) Doctor Honoris Causa, University of Havana, Cuba (1992) Doctor Honoris Causa, University of Kyiv, Ukraine (1993) Doctor Honoris Causa, University of Maine, Orono (1998) Publications På Jakt efter Paradiset (Hunt for Paradise), 1938; Fatu-Hiva: Back to Nature (changed title in English in 1974). The Kon-Tiki Expedition: By Raft Across the South Seas (Kon-Tiki ekspedisjonen, also known as Kon-Tiki: Across the Pacific in a Raft), 1948. American Indians in the Pacific: The Theory Behind the Kon-Tiki Expedition (Chicago: Rand McNally, 1952), 821 pages. Aku-Aku: The Secret of Easter Island, 1957. Sea Routes to Polynesia: American Indians and Early Asiatics in the Pacific (Chicago: Rand McNally, 1968), 232 pages. The Ra Expeditions . Early Man and the Ocean: The Beginning of Navigation and Seaborn Civilizations, 1979 The Tigris Expedition: In Search of Our Beginnings The Maldive Mystery, 1986 Green Was the Earth on the Seventh Day: Memories and Journeys of a Lifetime Pyramids of Tucume: The Quest for Peru's Forgotten City Skjebnemote vest for havet [Fate Meets West of the Ocean], 1992 (in Norwegian and German only) the Native Americans tell their story, white and bearded Gods, infrastructure was not built by the Inkas but their more advanced predecessors. In the Footsteps of Adam: A Memoir (the official edition is Abacus, 2001, translated by Ingrid Christophersen) Ingen Grenser (No Boundaries, Norwegian only), 1999 Jakten på Odin (Theories about Odin, Norwegian only), 2001 See also M/S Thor Heyerdahl – a ferry named after him List of notable brain tumor patients Pre-Columbian trans-oceanic contact Pre-Columbian rafts Vital Alsar Kitín Muñoz The Viracocha expedition References Further reading Heyerdahl, Thor. Aku-Aku: The Secret of Easter Island. Rand McNally. 1958. Heyerdahl, Thor. Kon-Tiki. Rand McNally & Company. 1950. Heyerdahl, Thor. Fatu Hiva. Penguin. 1976. Heyerdahl, Thor. Early Man and the Ocean: A Search for the Beginnings of Navigation and Seaborne Civilizations, February 1979. Heyerdahl, Thor. In the Footsteps of Adam: A Memoir, translated by Ingrid Christophersen, 2001 (English) External links a scientific critique of his Odin project, in English Thor Heyerdahl in Baku Azerbaijan International, Vol. 7:3 (Autumn 1999), pp. 96–97. Thor Heyerdahl Biography and Bibliography Thor Heyerdahl expeditions The 'Tigris' expedition, with Heyerdahl's war protest Azerbaijan International, Vol. 11:1 (Spring 2003), pp. 20–21. Bjornar Storfjell's account: A reference to his last project Jakten på Odin Azerbaijan International, Vol. 10:2 (Summer 2002). Biography on National Geographic Forskning.no Biography from the official Norwegian scientific webportal (in Norwegian) Thor Heyerdahl on Maldives Royal Family website Biography of Thor Heyerdahl Sea Routes to Polynesia Extracts from lectures by Thor Heyerdahl The home of Thor Heyerdahl Useful information on Thor Heyerdahl and his hometown, Larvik Thor Heyerdahl – Daily Telegraph obituary 1914 births 2002 deaths People from Larvik Norwegian Army personnel of World War II Norwegian documentary filmmakers Norwegian explorers Norwegian historians Pre-Columbian trans-oceanic contact Reed boats Replications of ancient voyages Deaths from brain tumor Deaths from cancer in Liguria Neurological disease deaths in Liguria Members of the Norwegian Academy of Science and Letters Norwegian ethnographers Norwegian atheists Grand Officers of the Order of Merit of the Italian Republic Grand Crosses of the Order of the Sun of Peru Recipients of the Austrian Decoration for Science and Art Recipients of the Order of Merit (Egypt) Knights of the Order of St John University of Oslo alumni 20th-century historians 20th-century Norwegian scientists 20th-century Norwegian writers Researchers in Rapa Nui archaeology

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What did Buffalo Springfield manage?

What did Buffalo Springfield manage?

Buffalo Springfield

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc., CANNOTANSWER

CANNOTANSWER

Buffalo Springfield was a Canadian-American rock band formed in Los Angeles, California by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966–1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What It's Worth", which became their only US top 10 hit and a counterculture anthem. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock and featured other well-known songs such as "Bluebird" and "Mr. Soul". After several drug-related arrests and line-up changes, the group disbanded in 1968. Their third and final album, Last Time Around, was compiled and released shortly after their dissolution. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of The Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997, and briefly reunited for a comeback tour in 2011. History Origins Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with The Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, The Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former The Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. While in Toronto in early 1966, Young met Bruce Palmer, a Canadian who was playing bass for The Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews—James Ambrose Johnson, Jr., later known as Rick James—was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal cancelled, Young and Palmer pawned The Mynah Birds' musical equipment and bought a 1953 Pontiac hearse, which they drove to Los Angeles. Young and Palmer arrived in L.A. hoping to meet Stephen Stills, who, as Young had learned, was living in the city. However, after almost a week of searching clubs and coffeehouses, the pair had been unable to find Stills. Consequently, on April 6, 1966, Young and Palmer decided to leave Los Angeles and drive north to San Francisco. While the two were stuck in traffic on Sunset Boulevard, they were spotted by Stills and Richie Furay, who were heading the other direction down Sunset. Stills and Furay managed to switch lanes and maneuver behind Young's hearse, at which point the musicians pulled off the road and reunited. Drummer Dewey Martin, who had played with garage rock group The Standells and country artists such as Patsy Cline and The Dillards, joined at the suggestion of The Byrds’ manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on 11 April 1966, at The Troubadour in West Hollywood, five days after the chance encounter on Sunset Boulevard. A few days later, they began a short tour of California as the opening act for The Dillards and The Byrds. Management and first recordings Chris Hillman of The Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth", responding to a protest that had turned violent following the closing of the Pandora's Box nightclub on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc. Lineup changes, arrest, and breakup In January 1967, Palmer was deported for possession of marijuana. Palmer returned to the group at the beginning of June, while Young was temporarily absent. (Guitarist Doug Hastings filled in for Young during this period.) The band, with David Crosby sitting in for Young, played the Monterey Pop Festival. Young returned in August and the band severed ties with Greene and Stone, then divided its time between playing gigs and finalising the second album, ultimately titled Buffalo Springfield Again. Produced by Ertegun, Buffalo Springfield Again was released in November 1967. It includes "Mr. Soul", "Rock & Roll Woman", "Bluebird", "Sad Memory", and "Broken Arrow". The band toured as support for the Beach Boys during early 1968. In January of that year, after Palmer was again deported for drug possession, Jim Messina, who had worked as engineer on the band's second album, was hired as a permanent replacement on bass. During this period Young began to appear less and less frequently, and he often left Stills to handle lead-guitar parts at concerts. Recording sessions were booked, and all the songs that appeared on the final album were recorded by the end of March, usually with Messina producing. In the Netflix documentary Echo In The Canyon, Stills related an incident that illustrated the band's problems with law enforcement. The band were hosting a small rehearsal party, attended by Eric Clapton among others, in April 1968. Despite reportedly playing at a comfortable sound level, a police officer arrived after a disturbing the peace complaint. During the encounter, the officer smelled marijuana and Stills ran next door to "call lawyers," but in actuality went next door and escaped out the bathroom window. According to Stills, Young was going to chase the police down the street, to which Stills said "cause he's Canadian and I guess in Canada you can do that". Ultimately, Young, Furay and Messina were arrested and sent to the Los Angeles County Jail. Following a gig at the Long Beach Auditorium on 5 May 1968, the band held a meeting with Ertegun to arrange their breakup. Stills and Furay stayed with Atlantic, while Young moved to Warner Brothers. Later, Furay and Messina compiled various tracks recorded between mid-1967 and early 1968 into the third and final studio album, Last Time Around (1968). New Buffalo Springfield and reunion attempts Martin formed a new version of Buffalo Springfield in September 1968. Dubbed New Buffalo Springfield, the lineup consisted of guitarists Dave Price (Davy Jones's stand-in with The Monkees), Gary Rowles (son of jazz pianist Jimmy Rowles) who later joined Arthur Lee's Love, bass player Bob Apperson, drummer Don Poncher (also later a member of Love), and horn player Jim Price, who later became a top session musician for Delaney Bramlett, The Rolling Stones, Joe Cocker and others. The new band toured extensively and appeared at the highly publicized Holiday Rock Festival in San Francisco on 25–26 December 1968, but soon ran afoul of Stills and Young, who took legal action to prevent Martin from using the band's name. Following an agreement to give up future royalties from Buffalo Springfield's recordings, Martin was allowed to use the name New Buffalo. He attempted to retrieve his rights in 1974 and though the matter was settled out of court, he felt that he had been mistreated. In February 1969, Martin and Dave Price formed a second version of New Buffalo with guitarist Bob "BJ" Jones and bass player Randy Fuller, brother of the late Bobby Fuller. The band made some recordings with producer Tom Dowd overseeing, but they were scrapped. Another guitarist, Joey Newman (formerly of Don and The Goodtimes, later of the pioneering prog group Touch), was added in June 1969, but two months later Martin was fired, and the remaining members carried on as Blue Mountain Eagle. Martin then formed a new group called Medicine Ball, which released a lone album in 1970 for Uni Records. Martin also released two solo singles, one for Uni and one for RCA, which didn't appear on the album. During the 1970s, he retired from the music industry and became a car mechanic. In 1984, Bruce Palmer teamed up with Frank Wilks (vocals, guitar), Stan Endersby (guitar) and Alan Prosser (drums) to form The Springfield Band, which became Buffalo Springfield Revisited in 1985 when Dewey Martin was brought up to Toronto to join, and off they went on tour for the next three to four years under this band name (though Martin dropped out by 1987). Neil Young and Stephen Stills gave Buffalo Springfield Revisited permission to tour with that name. In July 1986, Palmer, Martin, Furay, Young and Stills gathered at Stills' house, with Buffalo Springfield Revisited keyboardist Harlan Spector, to rehearse for an apparent reunion tour. One of the 1986 rehearsals was video recorded. It was the last time all five original members performed together. Plans for a subsequent reunion tour were abandoned. By 1990, Bruce Palmer and Frank Wilks had moved to Topanga, California, where Dennis Knicely joined to perform percussion. The following year they started White Buffalo along with Dewey Martin and others, then Martin formed the short lived Buffalo Springfield Again in 1991 with Billy Darnell (guitar), Robin Lambe (bass) and Michael Curtis (vocals, guitar). But Furay issued a cease and desist order on Martin in 1992 and he retired from music again the following year. 2011 reunion tour On his album Silver & Gold (2000), Young sang of his desire to re-form the group and to "see those guys again and give it a shot" in "Buffalo Springfield Again". Palmer (2004) and Martin (2009) have since died, preventing a reunion of the original lineup. Young, Stills and Furay reunited at the annual Bridge School Benefit concerts on October 23 and 24, 2010, in Mountain View, California. Rolling Stone called the performance "nostalgic, blissful, and moving". The band reunited for six concerts starting in Oakland on 1 June 2011, followed by dates in Los Angeles and Santa Barbara, before moving on to play the 2011 Bonnaroo Music & Arts Festival in Manchester, Tennessee. The band consisted of Furay, Stills, Young, Rick Rosas and Joe Vitale. According to Furay and a band spokesman, the group planned a full tour in 2012, but this was delayed because Young was recording two new albums with Crazy Horse. On 27 February 2012, Furay announced that the band is on indefinite hiatus. Legacy In 1968, Stills went on to form Crosby, Stills & Nash with David Crosby of The Byrds and Graham Nash of The Hollies. Meanwhile, Furay and Messina formed Poco, and Young launched his solo career. In 1969, Young reunited with Stills in Crosby, Stills, Nash & Young. After Crosby, Stills, Nash & Young, Stills joined with another former Byrd Chris Hillman (after his stint with The Flying Burrito Brothers) and others to form the group Manassas (1971–1973). Later, Furay joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina. In 1982–1983, Palmer was a bassist on Young's album Trans and toured with him in America and Europe, as seen on Neil Young in Berlin, filmed in 1982. In 1997, Buffalo Springfield was inducted into the Rock and Roll Hall of Fame. A four-disc box set assembled by Young, Buffalo Springfield, was released in 2001. A further box set What's That Sound? Complete Albums Collection was released in 2018 by Rhino Records. In popular culture The Buffalo Springfield appear as the house band in an episode of the detective series Mannix. The episode titled Warning: Live Blueberries originally aired October 28, 1967 (Season 1 Episode 7). During the episode they play versions of their hit songs "Bluebird" and "For What It's Worth". Personnel Jim Fielder – bass guitar (1966, 1967) Ken Forssi – bass guitar (1967) (died 1998) Richie Furay – guitar, vocals (1966–1968; 2010–2012) Ken Koblun – bass guitar (1967) Doug Hastings – guitar (1967) Dewey Martin – drums, vocals (1966–1968) (died 2009) Jim Messina – bass guitar, vocals (1968) Bruce Palmer – bass guitar (1966–1968) (died 2004) Stephen Stills – guitar, keyboards, vocals (1966–1968; 2010–2012) Neil Young – guitar, harmonica, piano, vocals (1966–1968; 2010–2012) Additional musicians Rick Rosas – bass guitar (2010–2012) (died 2014) Joe Vitale – drums, vocals (2010–2012) Rusty Young – steel guitar on "Last Time Around" (died 2021) Discography Studio albums Compilations Singles * "Bubbling under" does not qualify as actually "making" the Billboard Hot 100 chart.† Track added to second pressing of debut album and subsequent reissues; does not appear on original release. References Further reading Einarson, J. and Furay, R. (2004). For What It's Worth: The Story of Buffalo Springfield Lanham: Cooper Square Press. . Long, P. (1996). Ghosts on the Road—Neil Young in Concert London: Old Homestead Press. . External links Expecting To Fly – The Buffalo Springfield Story Chrome Oxide Buffalo Springfield Gigography – List of Recording Sessions and Performances Atco Records artists Folk rock groups from California Musical groups from Los Angeles Musical groups established in 1966 1966 establishments in California Musical groups disestablished in 1968 1968 disestablishments in California Musical groups reestablished in 2010 Musical groups disestablished in 2012 2012 disestablishments in California Neil Young Stephen Stills

C_955bffbddac7419e80007156885b06f9_0

What was a recording from Buffalo Springfield?

What was a recording from Buffalo Springfield?

Buffalo Springfield

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc., CANNOTANSWER

"Nowadays Clancy Can't Even Sing",

Buffalo Springfield was a Canadian-American rock band formed in Los Angeles, California by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966–1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What It's Worth", which became their only US top 10 hit and a counterculture anthem. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock and featured other well-known songs such as "Bluebird" and "Mr. Soul". After several drug-related arrests and line-up changes, the group disbanded in 1968. Their third and final album, Last Time Around, was compiled and released shortly after their dissolution. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of The Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997, and briefly reunited for a comeback tour in 2011. History Origins Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with The Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, The Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former The Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. While in Toronto in early 1966, Young met Bruce Palmer, a Canadian who was playing bass for The Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews—James Ambrose Johnson, Jr., later known as Rick James—was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal cancelled, Young and Palmer pawned The Mynah Birds' musical equipment and bought a 1953 Pontiac hearse, which they drove to Los Angeles. Young and Palmer arrived in L.A. hoping to meet Stephen Stills, who, as Young had learned, was living in the city. However, after almost a week of searching clubs and coffeehouses, the pair had been unable to find Stills. Consequently, on April 6, 1966, Young and Palmer decided to leave Los Angeles and drive north to San Francisco. While the two were stuck in traffic on Sunset Boulevard, they were spotted by Stills and Richie Furay, who were heading the other direction down Sunset. Stills and Furay managed to switch lanes and maneuver behind Young's hearse, at which point the musicians pulled off the road and reunited. Drummer Dewey Martin, who had played with garage rock group The Standells and country artists such as Patsy Cline and The Dillards, joined at the suggestion of The Byrds’ manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on 11 April 1966, at The Troubadour in West Hollywood, five days after the chance encounter on Sunset Boulevard. A few days later, they began a short tour of California as the opening act for The Dillards and The Byrds. Management and first recordings Chris Hillman of The Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth", responding to a protest that had turned violent following the closing of the Pandora's Box nightclub on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc. Lineup changes, arrest, and breakup In January 1967, Palmer was deported for possession of marijuana. Palmer returned to the group at the beginning of June, while Young was temporarily absent. (Guitarist Doug Hastings filled in for Young during this period.) The band, with David Crosby sitting in for Young, played the Monterey Pop Festival. Young returned in August and the band severed ties with Greene and Stone, then divided its time between playing gigs and finalising the second album, ultimately titled Buffalo Springfield Again. Produced by Ertegun, Buffalo Springfield Again was released in November 1967. It includes "Mr. Soul", "Rock & Roll Woman", "Bluebird", "Sad Memory", and "Broken Arrow". The band toured as support for the Beach Boys during early 1968. In January of that year, after Palmer was again deported for drug possession, Jim Messina, who had worked as engineer on the band's second album, was hired as a permanent replacement on bass. During this period Young began to appear less and less frequently, and he often left Stills to handle lead-guitar parts at concerts. Recording sessions were booked, and all the songs that appeared on the final album were recorded by the end of March, usually with Messina producing. In the Netflix documentary Echo In The Canyon, Stills related an incident that illustrated the band's problems with law enforcement. The band were hosting a small rehearsal party, attended by Eric Clapton among others, in April 1968. Despite reportedly playing at a comfortable sound level, a police officer arrived after a disturbing the peace complaint. During the encounter, the officer smelled marijuana and Stills ran next door to "call lawyers," but in actuality went next door and escaped out the bathroom window. According to Stills, Young was going to chase the police down the street, to which Stills said "cause he's Canadian and I guess in Canada you can do that". Ultimately, Young, Furay and Messina were arrested and sent to the Los Angeles County Jail. Following a gig at the Long Beach Auditorium on 5 May 1968, the band held a meeting with Ertegun to arrange their breakup. Stills and Furay stayed with Atlantic, while Young moved to Warner Brothers. Later, Furay and Messina compiled various tracks recorded between mid-1967 and early 1968 into the third and final studio album, Last Time Around (1968). New Buffalo Springfield and reunion attempts Martin formed a new version of Buffalo Springfield in September 1968. Dubbed New Buffalo Springfield, the lineup consisted of guitarists Dave Price (Davy Jones's stand-in with The Monkees), Gary Rowles (son of jazz pianist Jimmy Rowles) who later joined Arthur Lee's Love, bass player Bob Apperson, drummer Don Poncher (also later a member of Love), and horn player Jim Price, who later became a top session musician for Delaney Bramlett, The Rolling Stones, Joe Cocker and others. The new band toured extensively and appeared at the highly publicized Holiday Rock Festival in San Francisco on 25–26 December 1968, but soon ran afoul of Stills and Young, who took legal action to prevent Martin from using the band's name. Following an agreement to give up future royalties from Buffalo Springfield's recordings, Martin was allowed to use the name New Buffalo. He attempted to retrieve his rights in 1974 and though the matter was settled out of court, he felt that he had been mistreated. In February 1969, Martin and Dave Price formed a second version of New Buffalo with guitarist Bob "BJ" Jones and bass player Randy Fuller, brother of the late Bobby Fuller. The band made some recordings with producer Tom Dowd overseeing, but they were scrapped. Another guitarist, Joey Newman (formerly of Don and The Goodtimes, later of the pioneering prog group Touch), was added in June 1969, but two months later Martin was fired, and the remaining members carried on as Blue Mountain Eagle. Martin then formed a new group called Medicine Ball, which released a lone album in 1970 for Uni Records. Martin also released two solo singles, one for Uni and one for RCA, which didn't appear on the album. During the 1970s, he retired from the music industry and became a car mechanic. In 1984, Bruce Palmer teamed up with Frank Wilks (vocals, guitar), Stan Endersby (guitar) and Alan Prosser (drums) to form The Springfield Band, which became Buffalo Springfield Revisited in 1985 when Dewey Martin was brought up to Toronto to join, and off they went on tour for the next three to four years under this band name (though Martin dropped out by 1987). Neil Young and Stephen Stills gave Buffalo Springfield Revisited permission to tour with that name. In July 1986, Palmer, Martin, Furay, Young and Stills gathered at Stills' house, with Buffalo Springfield Revisited keyboardist Harlan Spector, to rehearse for an apparent reunion tour. One of the 1986 rehearsals was video recorded. It was the last time all five original members performed together. Plans for a subsequent reunion tour were abandoned. By 1990, Bruce Palmer and Frank Wilks had moved to Topanga, California, where Dennis Knicely joined to perform percussion. The following year they started White Buffalo along with Dewey Martin and others, then Martin formed the short lived Buffalo Springfield Again in 1991 with Billy Darnell (guitar), Robin Lambe (bass) and Michael Curtis (vocals, guitar). But Furay issued a cease and desist order on Martin in 1992 and he retired from music again the following year. 2011 reunion tour On his album Silver & Gold (2000), Young sang of his desire to re-form the group and to "see those guys again and give it a shot" in "Buffalo Springfield Again". Palmer (2004) and Martin (2009) have since died, preventing a reunion of the original lineup. Young, Stills and Furay reunited at the annual Bridge School Benefit concerts on October 23 and 24, 2010, in Mountain View, California. Rolling Stone called the performance "nostalgic, blissful, and moving". The band reunited for six concerts starting in Oakland on 1 June 2011, followed by dates in Los Angeles and Santa Barbara, before moving on to play the 2011 Bonnaroo Music & Arts Festival in Manchester, Tennessee. The band consisted of Furay, Stills, Young, Rick Rosas and Joe Vitale. According to Furay and a band spokesman, the group planned a full tour in 2012, but this was delayed because Young was recording two new albums with Crazy Horse. On 27 February 2012, Furay announced that the band is on indefinite hiatus. Legacy In 1968, Stills went on to form Crosby, Stills & Nash with David Crosby of The Byrds and Graham Nash of The Hollies. Meanwhile, Furay and Messina formed Poco, and Young launched his solo career. In 1969, Young reunited with Stills in Crosby, Stills, Nash & Young. After Crosby, Stills, Nash & Young, Stills joined with another former Byrd Chris Hillman (after his stint with The Flying Burrito Brothers) and others to form the group Manassas (1971–1973). Later, Furay joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina. In 1982–1983, Palmer was a bassist on Young's album Trans and toured with him in America and Europe, as seen on Neil Young in Berlin, filmed in 1982. In 1997, Buffalo Springfield was inducted into the Rock and Roll Hall of Fame. A four-disc box set assembled by Young, Buffalo Springfield, was released in 2001. A further box set What's That Sound? Complete Albums Collection was released in 2018 by Rhino Records. In popular culture The Buffalo Springfield appear as the house band in an episode of the detective series Mannix. The episode titled Warning: Live Blueberries originally aired October 28, 1967 (Season 1 Episode 7). During the episode they play versions of their hit songs "Bluebird" and "For What It's Worth". Personnel Jim Fielder – bass guitar (1966, 1967) Ken Forssi – bass guitar (1967) (died 1998) Richie Furay – guitar, vocals (1966–1968; 2010–2012) Ken Koblun – bass guitar (1967) Doug Hastings – guitar (1967) Dewey Martin – drums, vocals (1966–1968) (died 2009) Jim Messina – bass guitar, vocals (1968) Bruce Palmer – bass guitar (1966–1968) (died 2004) Stephen Stills – guitar, keyboards, vocals (1966–1968; 2010–2012) Neil Young – guitar, harmonica, piano, vocals (1966–1968; 2010–2012) Additional musicians Rick Rosas – bass guitar (2010–2012) (died 2014) Joe Vitale – drums, vocals (2010–2012) Rusty Young – steel guitar on "Last Time Around" (died 2021) Discography Studio albums Compilations Singles * "Bubbling under" does not qualify as actually "making" the Billboard Hot 100 chart.† Track added to second pressing of debut album and subsequent reissues; does not appear on original release. References Further reading Einarson, J. and Furay, R. (2004). For What It's Worth: The Story of Buffalo Springfield Lanham: Cooper Square Press. . Long, P. (1996). Ghosts on the Road—Neil Young in Concert London: Old Homestead Press. . External links Expecting To Fly – The Buffalo Springfield Story Chrome Oxide Buffalo Springfield Gigography – List of Recording Sessions and Performances Atco Records artists Folk rock groups from California Musical groups from Los Angeles Musical groups established in 1966 1966 establishments in California Musical groups disestablished in 1968 1968 disestablishments in California Musical groups reestablished in 2010 Musical groups disestablished in 2012 2012 disestablishments in California Neil Young Stephen Stills

C_955bffbddac7419e80007156885b06f9_0

Did they record anything else?

Besides "Nowadays Clancy Can't Even Sing", did Buffalo Springfield record anything else?

Buffalo Springfield

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc., CANNOTANSWER

"For What It's Worth"

Buffalo Springfield was a Canadian-American rock band formed in Los Angeles, California by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966–1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What It's Worth", which became their only US top 10 hit and a counterculture anthem. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock and featured other well-known songs such as "Bluebird" and "Mr. Soul". After several drug-related arrests and line-up changes, the group disbanded in 1968. Their third and final album, Last Time Around, was compiled and released shortly after their dissolution. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of The Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997, and briefly reunited for a comeback tour in 2011. History Origins Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with The Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, The Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former The Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. While in Toronto in early 1966, Young met Bruce Palmer, a Canadian who was playing bass for The Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews—James Ambrose Johnson, Jr., later known as Rick James—was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal cancelled, Young and Palmer pawned The Mynah Birds' musical equipment and bought a 1953 Pontiac hearse, which they drove to Los Angeles. Young and Palmer arrived in L.A. hoping to meet Stephen Stills, who, as Young had learned, was living in the city. However, after almost a week of searching clubs and coffeehouses, the pair had been unable to find Stills. Consequently, on April 6, 1966, Young and Palmer decided to leave Los Angeles and drive north to San Francisco. While the two were stuck in traffic on Sunset Boulevard, they were spotted by Stills and Richie Furay, who were heading the other direction down Sunset. Stills and Furay managed to switch lanes and maneuver behind Young's hearse, at which point the musicians pulled off the road and reunited. Drummer Dewey Martin, who had played with garage rock group The Standells and country artists such as Patsy Cline and The Dillards, joined at the suggestion of The Byrds’ manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on 11 April 1966, at The Troubadour in West Hollywood, five days after the chance encounter on Sunset Boulevard. A few days later, they began a short tour of California as the opening act for The Dillards and The Byrds. Management and first recordings Chris Hillman of The Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth", responding to a protest that had turned violent following the closing of the Pandora's Box nightclub on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc. Lineup changes, arrest, and breakup In January 1967, Palmer was deported for possession of marijuana. Palmer returned to the group at the beginning of June, while Young was temporarily absent. (Guitarist Doug Hastings filled in for Young during this period.) The band, with David Crosby sitting in for Young, played the Monterey Pop Festival. Young returned in August and the band severed ties with Greene and Stone, then divided its time between playing gigs and finalising the second album, ultimately titled Buffalo Springfield Again. Produced by Ertegun, Buffalo Springfield Again was released in November 1967. It includes "Mr. Soul", "Rock & Roll Woman", "Bluebird", "Sad Memory", and "Broken Arrow". The band toured as support for the Beach Boys during early 1968. In January of that year, after Palmer was again deported for drug possession, Jim Messina, who had worked as engineer on the band's second album, was hired as a permanent replacement on bass. During this period Young began to appear less and less frequently, and he often left Stills to handle lead-guitar parts at concerts. Recording sessions were booked, and all the songs that appeared on the final album were recorded by the end of March, usually with Messina producing. In the Netflix documentary Echo In The Canyon, Stills related an incident that illustrated the band's problems with law enforcement. The band were hosting a small rehearsal party, attended by Eric Clapton among others, in April 1968. Despite reportedly playing at a comfortable sound level, a police officer arrived after a disturbing the peace complaint. During the encounter, the officer smelled marijuana and Stills ran next door to "call lawyers," but in actuality went next door and escaped out the bathroom window. According to Stills, Young was going to chase the police down the street, to which Stills said "cause he's Canadian and I guess in Canada you can do that". Ultimately, Young, Furay and Messina were arrested and sent to the Los Angeles County Jail. Following a gig at the Long Beach Auditorium on 5 May 1968, the band held a meeting with Ertegun to arrange their breakup. Stills and Furay stayed with Atlantic, while Young moved to Warner Brothers. Later, Furay and Messina compiled various tracks recorded between mid-1967 and early 1968 into the third and final studio album, Last Time Around (1968). New Buffalo Springfield and reunion attempts Martin formed a new version of Buffalo Springfield in September 1968. Dubbed New Buffalo Springfield, the lineup consisted of guitarists Dave Price (Davy Jones's stand-in with The Monkees), Gary Rowles (son of jazz pianist Jimmy Rowles) who later joined Arthur Lee's Love, bass player Bob Apperson, drummer Don Poncher (also later a member of Love), and horn player Jim Price, who later became a top session musician for Delaney Bramlett, The Rolling Stones, Joe Cocker and others. The new band toured extensively and appeared at the highly publicized Holiday Rock Festival in San Francisco on 25–26 December 1968, but soon ran afoul of Stills and Young, who took legal action to prevent Martin from using the band's name. Following an agreement to give up future royalties from Buffalo Springfield's recordings, Martin was allowed to use the name New Buffalo. He attempted to retrieve his rights in 1974 and though the matter was settled out of court, he felt that he had been mistreated. In February 1969, Martin and Dave Price formed a second version of New Buffalo with guitarist Bob "BJ" Jones and bass player Randy Fuller, brother of the late Bobby Fuller. The band made some recordings with producer Tom Dowd overseeing, but they were scrapped. Another guitarist, Joey Newman (formerly of Don and The Goodtimes, later of the pioneering prog group Touch), was added in June 1969, but two months later Martin was fired, and the remaining members carried on as Blue Mountain Eagle. Martin then formed a new group called Medicine Ball, which released a lone album in 1970 for Uni Records. Martin also released two solo singles, one for Uni and one for RCA, which didn't appear on the album. During the 1970s, he retired from the music industry and became a car mechanic. In 1984, Bruce Palmer teamed up with Frank Wilks (vocals, guitar), Stan Endersby (guitar) and Alan Prosser (drums) to form The Springfield Band, which became Buffalo Springfield Revisited in 1985 when Dewey Martin was brought up to Toronto to join, and off they went on tour for the next three to four years under this band name (though Martin dropped out by 1987). Neil Young and Stephen Stills gave Buffalo Springfield Revisited permission to tour with that name. In July 1986, Palmer, Martin, Furay, Young and Stills gathered at Stills' house, with Buffalo Springfield Revisited keyboardist Harlan Spector, to rehearse for an apparent reunion tour. One of the 1986 rehearsals was video recorded. It was the last time all five original members performed together. Plans for a subsequent reunion tour were abandoned. By 1990, Bruce Palmer and Frank Wilks had moved to Topanga, California, where Dennis Knicely joined to perform percussion. The following year they started White Buffalo along with Dewey Martin and others, then Martin formed the short lived Buffalo Springfield Again in 1991 with Billy Darnell (guitar), Robin Lambe (bass) and Michael Curtis (vocals, guitar). But Furay issued a cease and desist order on Martin in 1992 and he retired from music again the following year. 2011 reunion tour On his album Silver & Gold (2000), Young sang of his desire to re-form the group and to "see those guys again and give it a shot" in "Buffalo Springfield Again". Palmer (2004) and Martin (2009) have since died, preventing a reunion of the original lineup. Young, Stills and Furay reunited at the annual Bridge School Benefit concerts on October 23 and 24, 2010, in Mountain View, California. Rolling Stone called the performance "nostalgic, blissful, and moving". The band reunited for six concerts starting in Oakland on 1 June 2011, followed by dates in Los Angeles and Santa Barbara, before moving on to play the 2011 Bonnaroo Music & Arts Festival in Manchester, Tennessee. The band consisted of Furay, Stills, Young, Rick Rosas and Joe Vitale. According to Furay and a band spokesman, the group planned a full tour in 2012, but this was delayed because Young was recording two new albums with Crazy Horse. On 27 February 2012, Furay announced that the band is on indefinite hiatus. Legacy In 1968, Stills went on to form Crosby, Stills & Nash with David Crosby of The Byrds and Graham Nash of The Hollies. Meanwhile, Furay and Messina formed Poco, and Young launched his solo career. In 1969, Young reunited with Stills in Crosby, Stills, Nash & Young. After Crosby, Stills, Nash & Young, Stills joined with another former Byrd Chris Hillman (after his stint with The Flying Burrito Brothers) and others to form the group Manassas (1971–1973). Later, Furay joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina. In 1982–1983, Palmer was a bassist on Young's album Trans and toured with him in America and Europe, as seen on Neil Young in Berlin, filmed in 1982. In 1997, Buffalo Springfield was inducted into the Rock and Roll Hall of Fame. A four-disc box set assembled by Young, Buffalo Springfield, was released in 2001. A further box set What's That Sound? Complete Albums Collection was released in 2018 by Rhino Records. In popular culture The Buffalo Springfield appear as the house band in an episode of the detective series Mannix. The episode titled Warning: Live Blueberries originally aired October 28, 1967 (Season 1 Episode 7). During the episode they play versions of their hit songs "Bluebird" and "For What It's Worth". Personnel Jim Fielder – bass guitar (1966, 1967) Ken Forssi – bass guitar (1967) (died 1998) Richie Furay – guitar, vocals (1966–1968; 2010–2012) Ken Koblun – bass guitar (1967) Doug Hastings – guitar (1967) Dewey Martin – drums, vocals (1966–1968) (died 2009) Jim Messina – bass guitar, vocals (1968) Bruce Palmer – bass guitar (1966–1968) (died 2004) Stephen Stills – guitar, keyboards, vocals (1966–1968; 2010–2012) Neil Young – guitar, harmonica, piano, vocals (1966–1968; 2010–2012) Additional musicians Rick Rosas – bass guitar (2010–2012) (died 2014) Joe Vitale – drums, vocals (2010–2012) Rusty Young – steel guitar on "Last Time Around" (died 2021) Discography Studio albums Compilations Singles * "Bubbling under" does not qualify as actually "making" the Billboard Hot 100 chart.† Track added to second pressing of debut album and subsequent reissues; does not appear on original release. References Further reading Einarson, J. and Furay, R. (2004). For What It's Worth: The Story of Buffalo Springfield Lanham: Cooper Square Press. . Long, P. (1996). Ghosts on the Road—Neil Young in Concert London: Old Homestead Press. . External links Expecting To Fly – The Buffalo Springfield Story Chrome Oxide Buffalo Springfield Gigography – List of Recording Sessions and Performances Atco Records artists Folk rock groups from California Musical groups from Los Angeles Musical groups established in 1966 1966 establishments in California Musical groups disestablished in 1968 1968 disestablishments in California Musical groups reestablished in 2010 Musical groups disestablished in 2012 2012 disestablishments in California Neil Young Stephen Stills

C_955bffbddac7419e80007156885b06f9_0

Any other song?

Besides "For What It's Worth", did Buffalo Springfield record any other song?

Buffalo Springfield

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc., CANNOTANSWER

"Baby Don't Scold Me"

Buffalo Springfield was a Canadian-American rock band formed in Los Angeles, California by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966–1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What It's Worth", which became their only US top 10 hit and a counterculture anthem. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock and featured other well-known songs such as "Bluebird" and "Mr. Soul". After several drug-related arrests and line-up changes, the group disbanded in 1968. Their third and final album, Last Time Around, was compiled and released shortly after their dissolution. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of The Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997, and briefly reunited for a comeback tour in 2011. History Origins Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with The Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, The Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former The Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. While in Toronto in early 1966, Young met Bruce Palmer, a Canadian who was playing bass for The Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews—James Ambrose Johnson, Jr., later known as Rick James—was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal cancelled, Young and Palmer pawned The Mynah Birds' musical equipment and bought a 1953 Pontiac hearse, which they drove to Los Angeles. Young and Palmer arrived in L.A. hoping to meet Stephen Stills, who, as Young had learned, was living in the city. However, after almost a week of searching clubs and coffeehouses, the pair had been unable to find Stills. Consequently, on April 6, 1966, Young and Palmer decided to leave Los Angeles and drive north to San Francisco. While the two were stuck in traffic on Sunset Boulevard, they were spotted by Stills and Richie Furay, who were heading the other direction down Sunset. Stills and Furay managed to switch lanes and maneuver behind Young's hearse, at which point the musicians pulled off the road and reunited. Drummer Dewey Martin, who had played with garage rock group The Standells and country artists such as Patsy Cline and The Dillards, joined at the suggestion of The Byrds’ manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on 11 April 1966, at The Troubadour in West Hollywood, five days after the chance encounter on Sunset Boulevard. A few days later, they began a short tour of California as the opening act for The Dillards and The Byrds. Management and first recordings Chris Hillman of The Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth", responding to a protest that had turned violent following the closing of the Pandora's Box nightclub on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc. Lineup changes, arrest, and breakup In January 1967, Palmer was deported for possession of marijuana. Palmer returned to the group at the beginning of June, while Young was temporarily absent. (Guitarist Doug Hastings filled in for Young during this period.) The band, with David Crosby sitting in for Young, played the Monterey Pop Festival. Young returned in August and the band severed ties with Greene and Stone, then divided its time between playing gigs and finalising the second album, ultimately titled Buffalo Springfield Again. Produced by Ertegun, Buffalo Springfield Again was released in November 1967. It includes "Mr. Soul", "Rock & Roll Woman", "Bluebird", "Sad Memory", and "Broken Arrow". The band toured as support for the Beach Boys during early 1968. In January of that year, after Palmer was again deported for drug possession, Jim Messina, who had worked as engineer on the band's second album, was hired as a permanent replacement on bass. During this period Young began to appear less and less frequently, and he often left Stills to handle lead-guitar parts at concerts. Recording sessions were booked, and all the songs that appeared on the final album were recorded by the end of March, usually with Messina producing. In the Netflix documentary Echo In The Canyon, Stills related an incident that illustrated the band's problems with law enforcement. The band were hosting a small rehearsal party, attended by Eric Clapton among others, in April 1968. Despite reportedly playing at a comfortable sound level, a police officer arrived after a disturbing the peace complaint. During the encounter, the officer smelled marijuana and Stills ran next door to "call lawyers," but in actuality went next door and escaped out the bathroom window. According to Stills, Young was going to chase the police down the street, to which Stills said "cause he's Canadian and I guess in Canada you can do that". Ultimately, Young, Furay and Messina were arrested and sent to the Los Angeles County Jail. Following a gig at the Long Beach Auditorium on 5 May 1968, the band held a meeting with Ertegun to arrange their breakup. Stills and Furay stayed with Atlantic, while Young moved to Warner Brothers. Later, Furay and Messina compiled various tracks recorded between mid-1967 and early 1968 into the third and final studio album, Last Time Around (1968). New Buffalo Springfield and reunion attempts Martin formed a new version of Buffalo Springfield in September 1968. Dubbed New Buffalo Springfield, the lineup consisted of guitarists Dave Price (Davy Jones's stand-in with The Monkees), Gary Rowles (son of jazz pianist Jimmy Rowles) who later joined Arthur Lee's Love, bass player Bob Apperson, drummer Don Poncher (also later a member of Love), and horn player Jim Price, who later became a top session musician for Delaney Bramlett, The Rolling Stones, Joe Cocker and others. The new band toured extensively and appeared at the highly publicized Holiday Rock Festival in San Francisco on 25–26 December 1968, but soon ran afoul of Stills and Young, who took legal action to prevent Martin from using the band's name. Following an agreement to give up future royalties from Buffalo Springfield's recordings, Martin was allowed to use the name New Buffalo. He attempted to retrieve his rights in 1974 and though the matter was settled out of court, he felt that he had been mistreated. In February 1969, Martin and Dave Price formed a second version of New Buffalo with guitarist Bob "BJ" Jones and bass player Randy Fuller, brother of the late Bobby Fuller. The band made some recordings with producer Tom Dowd overseeing, but they were scrapped. Another guitarist, Joey Newman (formerly of Don and The Goodtimes, later of the pioneering prog group Touch), was added in June 1969, but two months later Martin was fired, and the remaining members carried on as Blue Mountain Eagle. Martin then formed a new group called Medicine Ball, which released a lone album in 1970 for Uni Records. Martin also released two solo singles, one for Uni and one for RCA, which didn't appear on the album. During the 1970s, he retired from the music industry and became a car mechanic. In 1984, Bruce Palmer teamed up with Frank Wilks (vocals, guitar), Stan Endersby (guitar) and Alan Prosser (drums) to form The Springfield Band, which became Buffalo Springfield Revisited in 1985 when Dewey Martin was brought up to Toronto to join, and off they went on tour for the next three to four years under this band name (though Martin dropped out by 1987). Neil Young and Stephen Stills gave Buffalo Springfield Revisited permission to tour with that name. In July 1986, Palmer, Martin, Furay, Young and Stills gathered at Stills' house, with Buffalo Springfield Revisited keyboardist Harlan Spector, to rehearse for an apparent reunion tour. One of the 1986 rehearsals was video recorded. It was the last time all five original members performed together. Plans for a subsequent reunion tour were abandoned. By 1990, Bruce Palmer and Frank Wilks had moved to Topanga, California, where Dennis Knicely joined to perform percussion. The following year they started White Buffalo along with Dewey Martin and others, then Martin formed the short lived Buffalo Springfield Again in 1991 with Billy Darnell (guitar), Robin Lambe (bass) and Michael Curtis (vocals, guitar). But Furay issued a cease and desist order on Martin in 1992 and he retired from music again the following year. 2011 reunion tour On his album Silver & Gold (2000), Young sang of his desire to re-form the group and to "see those guys again and give it a shot" in "Buffalo Springfield Again". Palmer (2004) and Martin (2009) have since died, preventing a reunion of the original lineup. Young, Stills and Furay reunited at the annual Bridge School Benefit concerts on October 23 and 24, 2010, in Mountain View, California. Rolling Stone called the performance "nostalgic, blissful, and moving". The band reunited for six concerts starting in Oakland on 1 June 2011, followed by dates in Los Angeles and Santa Barbara, before moving on to play the 2011 Bonnaroo Music & Arts Festival in Manchester, Tennessee. The band consisted of Furay, Stills, Young, Rick Rosas and Joe Vitale. According to Furay and a band spokesman, the group planned a full tour in 2012, but this was delayed because Young was recording two new albums with Crazy Horse. On 27 February 2012, Furay announced that the band is on indefinite hiatus. Legacy In 1968, Stills went on to form Crosby, Stills & Nash with David Crosby of The Byrds and Graham Nash of The Hollies. Meanwhile, Furay and Messina formed Poco, and Young launched his solo career. In 1969, Young reunited with Stills in Crosby, Stills, Nash & Young. After Crosby, Stills, Nash & Young, Stills joined with another former Byrd Chris Hillman (after his stint with The Flying Burrito Brothers) and others to form the group Manassas (1971–1973). Later, Furay joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina. In 1982–1983, Palmer was a bassist on Young's album Trans and toured with him in America and Europe, as seen on Neil Young in Berlin, filmed in 1982. In 1997, Buffalo Springfield was inducted into the Rock and Roll Hall of Fame. A four-disc box set assembled by Young, Buffalo Springfield, was released in 2001. A further box set What's That Sound? Complete Albums Collection was released in 2018 by Rhino Records. In popular culture The Buffalo Springfield appear as the house band in an episode of the detective series Mannix. The episode titled Warning: Live Blueberries originally aired October 28, 1967 (Season 1 Episode 7). During the episode they play versions of their hit songs "Bluebird" and "For What It's Worth". Personnel Jim Fielder – bass guitar (1966, 1967) Ken Forssi – bass guitar (1967) (died 1998) Richie Furay – guitar, vocals (1966–1968; 2010–2012) Ken Koblun – bass guitar (1967) Doug Hastings – guitar (1967) Dewey Martin – drums, vocals (1966–1968) (died 2009) Jim Messina – bass guitar, vocals (1968) Bruce Palmer – bass guitar (1966–1968) (died 2004) Stephen Stills – guitar, keyboards, vocals (1966–1968; 2010–2012) Neil Young – guitar, harmonica, piano, vocals (1966–1968; 2010–2012) Additional musicians Rick Rosas – bass guitar (2010–2012) (died 2014) Joe Vitale – drums, vocals (2010–2012) Rusty Young – steel guitar on "Last Time Around" (died 2021) Discography Studio albums Compilations Singles * "Bubbling under" does not qualify as actually "making" the Billboard Hot 100 chart.† Track added to second pressing of debut album and subsequent reissues; does not appear on original release. References Further reading Einarson, J. and Furay, R. (2004). For What It's Worth: The Story of Buffalo Springfield Lanham: Cooper Square Press. . Long, P. (1996). Ghosts on the Road—Neil Young in Concert London: Old Homestead Press. . External links Expecting To Fly – The Buffalo Springfield Story Chrome Oxide Buffalo Springfield Gigography – List of Recording Sessions and Performances Atco Records artists Folk rock groups from California Musical groups from Los Angeles Musical groups established in 1966 1966 establishments in California Musical groups disestablished in 1968 1968 disestablishments in California Musical groups reestablished in 2010 Musical groups disestablished in 2012 2012 disestablishments in California Neil Young Stephen Stills

C_955bffbddac7419e80007156885b06f9_0

Did they do anything other than songs?

Did Buffalo Springfield do anything other than songs?

Buffalo Springfield

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc., CANNOTANSWER

CANNOTANSWER

Buffalo Springfield was a Canadian-American rock band formed in Los Angeles, California by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966–1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What It's Worth", which became their only US top 10 hit and a counterculture anthem. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock and featured other well-known songs such as "Bluebird" and "Mr. Soul". After several drug-related arrests and line-up changes, the group disbanded in 1968. Their third and final album, Last Time Around, was compiled and released shortly after their dissolution. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of The Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997, and briefly reunited for a comeback tour in 2011. History Origins Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with The Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, The Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former The Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. While in Toronto in early 1966, Young met Bruce Palmer, a Canadian who was playing bass for The Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews—James Ambrose Johnson, Jr., later known as Rick James—was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal cancelled, Young and Palmer pawned The Mynah Birds' musical equipment and bought a 1953 Pontiac hearse, which they drove to Los Angeles. Young and Palmer arrived in L.A. hoping to meet Stephen Stills, who, as Young had learned, was living in the city. However, after almost a week of searching clubs and coffeehouses, the pair had been unable to find Stills. Consequently, on April 6, 1966, Young and Palmer decided to leave Los Angeles and drive north to San Francisco. While the two were stuck in traffic on Sunset Boulevard, they were spotted by Stills and Richie Furay, who were heading the other direction down Sunset. Stills and Furay managed to switch lanes and maneuver behind Young's hearse, at which point the musicians pulled off the road and reunited. Drummer Dewey Martin, who had played with garage rock group The Standells and country artists such as Patsy Cline and The Dillards, joined at the suggestion of The Byrds’ manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on 11 April 1966, at The Troubadour in West Hollywood, five days after the chance encounter on Sunset Boulevard. A few days later, they began a short tour of California as the opening act for The Dillards and The Byrds. Management and first recordings Chris Hillman of The Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth", responding to a protest that had turned violent following the closing of the Pandora's Box nightclub on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc. Lineup changes, arrest, and breakup In January 1967, Palmer was deported for possession of marijuana. Palmer returned to the group at the beginning of June, while Young was temporarily absent. (Guitarist Doug Hastings filled in for Young during this period.) The band, with David Crosby sitting in for Young, played the Monterey Pop Festival. Young returned in August and the band severed ties with Greene and Stone, then divided its time between playing gigs and finalising the second album, ultimately titled Buffalo Springfield Again. Produced by Ertegun, Buffalo Springfield Again was released in November 1967. It includes "Mr. Soul", "Rock & Roll Woman", "Bluebird", "Sad Memory", and "Broken Arrow". The band toured as support for the Beach Boys during early 1968. In January of that year, after Palmer was again deported for drug possession, Jim Messina, who had worked as engineer on the band's second album, was hired as a permanent replacement on bass. During this period Young began to appear less and less frequently, and he often left Stills to handle lead-guitar parts at concerts. Recording sessions were booked, and all the songs that appeared on the final album were recorded by the end of March, usually with Messina producing. In the Netflix documentary Echo In The Canyon, Stills related an incident that illustrated the band's problems with law enforcement. The band were hosting a small rehearsal party, attended by Eric Clapton among others, in April 1968. Despite reportedly playing at a comfortable sound level, a police officer arrived after a disturbing the peace complaint. During the encounter, the officer smelled marijuana and Stills ran next door to "call lawyers," but in actuality went next door and escaped out the bathroom window. According to Stills, Young was going to chase the police down the street, to which Stills said "cause he's Canadian and I guess in Canada you can do that". Ultimately, Young, Furay and Messina were arrested and sent to the Los Angeles County Jail. Following a gig at the Long Beach Auditorium on 5 May 1968, the band held a meeting with Ertegun to arrange their breakup. Stills and Furay stayed with Atlantic, while Young moved to Warner Brothers. Later, Furay and Messina compiled various tracks recorded between mid-1967 and early 1968 into the third and final studio album, Last Time Around (1968). New Buffalo Springfield and reunion attempts Martin formed a new version of Buffalo Springfield in September 1968. Dubbed New Buffalo Springfield, the lineup consisted of guitarists Dave Price (Davy Jones's stand-in with The Monkees), Gary Rowles (son of jazz pianist Jimmy Rowles) who later joined Arthur Lee's Love, bass player Bob Apperson, drummer Don Poncher (also later a member of Love), and horn player Jim Price, who later became a top session musician for Delaney Bramlett, The Rolling Stones, Joe Cocker and others. The new band toured extensively and appeared at the highly publicized Holiday Rock Festival in San Francisco on 25–26 December 1968, but soon ran afoul of Stills and Young, who took legal action to prevent Martin from using the band's name. Following an agreement to give up future royalties from Buffalo Springfield's recordings, Martin was allowed to use the name New Buffalo. He attempted to retrieve his rights in 1974 and though the matter was settled out of court, he felt that he had been mistreated. In February 1969, Martin and Dave Price formed a second version of New Buffalo with guitarist Bob "BJ" Jones and bass player Randy Fuller, brother of the late Bobby Fuller. The band made some recordings with producer Tom Dowd overseeing, but they were scrapped. Another guitarist, Joey Newman (formerly of Don and The Goodtimes, later of the pioneering prog group Touch), was added in June 1969, but two months later Martin was fired, and the remaining members carried on as Blue Mountain Eagle. Martin then formed a new group called Medicine Ball, which released a lone album in 1970 for Uni Records. Martin also released two solo singles, one for Uni and one for RCA, which didn't appear on the album. During the 1970s, he retired from the music industry and became a car mechanic. In 1984, Bruce Palmer teamed up with Frank Wilks (vocals, guitar), Stan Endersby (guitar) and Alan Prosser (drums) to form The Springfield Band, which became Buffalo Springfield Revisited in 1985 when Dewey Martin was brought up to Toronto to join, and off they went on tour for the next three to four years under this band name (though Martin dropped out by 1987). Neil Young and Stephen Stills gave Buffalo Springfield Revisited permission to tour with that name. In July 1986, Palmer, Martin, Furay, Young and Stills gathered at Stills' house, with Buffalo Springfield Revisited keyboardist Harlan Spector, to rehearse for an apparent reunion tour. One of the 1986 rehearsals was video recorded. It was the last time all five original members performed together. Plans for a subsequent reunion tour were abandoned. By 1990, Bruce Palmer and Frank Wilks had moved to Topanga, California, where Dennis Knicely joined to perform percussion. The following year they started White Buffalo along with Dewey Martin and others, then Martin formed the short lived Buffalo Springfield Again in 1991 with Billy Darnell (guitar), Robin Lambe (bass) and Michael Curtis (vocals, guitar). But Furay issued a cease and desist order on Martin in 1992 and he retired from music again the following year. 2011 reunion tour On his album Silver & Gold (2000), Young sang of his desire to re-form the group and to "see those guys again and give it a shot" in "Buffalo Springfield Again". Palmer (2004) and Martin (2009) have since died, preventing a reunion of the original lineup. Young, Stills and Furay reunited at the annual Bridge School Benefit concerts on October 23 and 24, 2010, in Mountain View, California. Rolling Stone called the performance "nostalgic, blissful, and moving". The band reunited for six concerts starting in Oakland on 1 June 2011, followed by dates in Los Angeles and Santa Barbara, before moving on to play the 2011 Bonnaroo Music & Arts Festival in Manchester, Tennessee. The band consisted of Furay, Stills, Young, Rick Rosas and Joe Vitale. According to Furay and a band spokesman, the group planned a full tour in 2012, but this was delayed because Young was recording two new albums with Crazy Horse. On 27 February 2012, Furay announced that the band is on indefinite hiatus. Legacy In 1968, Stills went on to form Crosby, Stills & Nash with David Crosby of The Byrds and Graham Nash of The Hollies. Meanwhile, Furay and Messina formed Poco, and Young launched his solo career. In 1969, Young reunited with Stills in Crosby, Stills, Nash & Young. After Crosby, Stills, Nash & Young, Stills joined with another former Byrd Chris Hillman (after his stint with The Flying Burrito Brothers) and others to form the group Manassas (1971–1973). Later, Furay joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina. In 1982–1983, Palmer was a bassist on Young's album Trans and toured with him in America and Europe, as seen on Neil Young in Berlin, filmed in 1982. In 1997, Buffalo Springfield was inducted into the Rock and Roll Hall of Fame. A four-disc box set assembled by Young, Buffalo Springfield, was released in 2001. A further box set What's That Sound? Complete Albums Collection was released in 2018 by Rhino Records. In popular culture The Buffalo Springfield appear as the house band in an episode of the detective series Mannix. The episode titled Warning: Live Blueberries originally aired October 28, 1967 (Season 1 Episode 7). During the episode they play versions of their hit songs "Bluebird" and "For What It's Worth". Personnel Jim Fielder – bass guitar (1966, 1967) Ken Forssi – bass guitar (1967) (died 1998) Richie Furay – guitar, vocals (1966–1968; 2010–2012) Ken Koblun – bass guitar (1967) Doug Hastings – guitar (1967) Dewey Martin – drums, vocals (1966–1968) (died 2009) Jim Messina – bass guitar, vocals (1968) Bruce Palmer – bass guitar (1966–1968) (died 2004) Stephen Stills – guitar, keyboards, vocals (1966–1968; 2010–2012) Neil Young – guitar, harmonica, piano, vocals (1966–1968; 2010–2012) Additional musicians Rick Rosas – bass guitar (2010–2012) (died 2014) Joe Vitale – drums, vocals (2010–2012) Rusty Young – steel guitar on "Last Time Around" (died 2021) Discography Studio albums Compilations Singles * "Bubbling under" does not qualify as actually "making" the Billboard Hot 100 chart.† Track added to second pressing of debut album and subsequent reissues; does not appear on original release. References Further reading Einarson, J. and Furay, R. (2004). For What It's Worth: The Story of Buffalo Springfield Lanham: Cooper Square Press. . Long, P. (1996). Ghosts on the Road—Neil Young in Concert London: Old Homestead Press. . External links Expecting To Fly – The Buffalo Springfield Story Chrome Oxide Buffalo Springfield Gigography – List of Recording Sessions and Performances Atco Records artists Folk rock groups from California Musical groups from Los Angeles Musical groups established in 1966 1966 establishments in California Musical groups disestablished in 1968 1968 disestablishments in California Musical groups reestablished in 2010 Musical groups disestablished in 2012 2012 disestablishments in California Neil Young Stephen Stills

C_955bffbddac7419e80007156885b06f9_0

Who manages them?

Who manages Buffalo Springfield?

Buffalo Springfield

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc., CANNOTANSWER

Charlie Greene and Brian Stone;

Buffalo Springfield was a Canadian-American rock band formed in Los Angeles, California by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966–1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What It's Worth", which became their only US top 10 hit and a counterculture anthem. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock and featured other well-known songs such as "Bluebird" and "Mr. Soul". After several drug-related arrests and line-up changes, the group disbanded in 1968. Their third and final album, Last Time Around, was compiled and released shortly after their dissolution. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of The Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997, and briefly reunited for a comeback tour in 2011. History Origins Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with The Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, The Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former The Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. While in Toronto in early 1966, Young met Bruce Palmer, a Canadian who was playing bass for The Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews—James Ambrose Johnson, Jr., later known as Rick James—was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal cancelled, Young and Palmer pawned The Mynah Birds' musical equipment and bought a 1953 Pontiac hearse, which they drove to Los Angeles. Young and Palmer arrived in L.A. hoping to meet Stephen Stills, who, as Young had learned, was living in the city. However, after almost a week of searching clubs and coffeehouses, the pair had been unable to find Stills. Consequently, on April 6, 1966, Young and Palmer decided to leave Los Angeles and drive north to San Francisco. While the two were stuck in traffic on Sunset Boulevard, they were spotted by Stills and Richie Furay, who were heading the other direction down Sunset. Stills and Furay managed to switch lanes and maneuver behind Young's hearse, at which point the musicians pulled off the road and reunited. Drummer Dewey Martin, who had played with garage rock group The Standells and country artists such as Patsy Cline and The Dillards, joined at the suggestion of The Byrds’ manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on 11 April 1966, at The Troubadour in West Hollywood, five days after the chance encounter on Sunset Boulevard. A few days later, they began a short tour of California as the opening act for The Dillards and The Byrds. Management and first recordings Chris Hillman of The Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth", responding to a protest that had turned violent following the closing of the Pandora's Box nightclub on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc. Lineup changes, arrest, and breakup In January 1967, Palmer was deported for possession of marijuana. Palmer returned to the group at the beginning of June, while Young was temporarily absent. (Guitarist Doug Hastings filled in for Young during this period.) The band, with David Crosby sitting in for Young, played the Monterey Pop Festival. Young returned in August and the band severed ties with Greene and Stone, then divided its time between playing gigs and finalising the second album, ultimately titled Buffalo Springfield Again. Produced by Ertegun, Buffalo Springfield Again was released in November 1967. It includes "Mr. Soul", "Rock & Roll Woman", "Bluebird", "Sad Memory", and "Broken Arrow". The band toured as support for the Beach Boys during early 1968. In January of that year, after Palmer was again deported for drug possession, Jim Messina, who had worked as engineer on the band's second album, was hired as a permanent replacement on bass. During this period Young began to appear less and less frequently, and he often left Stills to handle lead-guitar parts at concerts. Recording sessions were booked, and all the songs that appeared on the final album were recorded by the end of March, usually with Messina producing. In the Netflix documentary Echo In The Canyon, Stills related an incident that illustrated the band's problems with law enforcement. The band were hosting a small rehearsal party, attended by Eric Clapton among others, in April 1968. Despite reportedly playing at a comfortable sound level, a police officer arrived after a disturbing the peace complaint. During the encounter, the officer smelled marijuana and Stills ran next door to "call lawyers," but in actuality went next door and escaped out the bathroom window. According to Stills, Young was going to chase the police down the street, to which Stills said "cause he's Canadian and I guess in Canada you can do that". Ultimately, Young, Furay and Messina were arrested and sent to the Los Angeles County Jail. Following a gig at the Long Beach Auditorium on 5 May 1968, the band held a meeting with Ertegun to arrange their breakup. Stills and Furay stayed with Atlantic, while Young moved to Warner Brothers. Later, Furay and Messina compiled various tracks recorded between mid-1967 and early 1968 into the third and final studio album, Last Time Around (1968). New Buffalo Springfield and reunion attempts Martin formed a new version of Buffalo Springfield in September 1968. Dubbed New Buffalo Springfield, the lineup consisted of guitarists Dave Price (Davy Jones's stand-in with The Monkees), Gary Rowles (son of jazz pianist Jimmy Rowles) who later joined Arthur Lee's Love, bass player Bob Apperson, drummer Don Poncher (also later a member of Love), and horn player Jim Price, who later became a top session musician for Delaney Bramlett, The Rolling Stones, Joe Cocker and others. The new band toured extensively and appeared at the highly publicized Holiday Rock Festival in San Francisco on 25–26 December 1968, but soon ran afoul of Stills and Young, who took legal action to prevent Martin from using the band's name. Following an agreement to give up future royalties from Buffalo Springfield's recordings, Martin was allowed to use the name New Buffalo. He attempted to retrieve his rights in 1974 and though the matter was settled out of court, he felt that he had been mistreated. In February 1969, Martin and Dave Price formed a second version of New Buffalo with guitarist Bob "BJ" Jones and bass player Randy Fuller, brother of the late Bobby Fuller. The band made some recordings with producer Tom Dowd overseeing, but they were scrapped. Another guitarist, Joey Newman (formerly of Don and The Goodtimes, later of the pioneering prog group Touch), was added in June 1969, but two months later Martin was fired, and the remaining members carried on as Blue Mountain Eagle. Martin then formed a new group called Medicine Ball, which released a lone album in 1970 for Uni Records. Martin also released two solo singles, one for Uni and one for RCA, which didn't appear on the album. During the 1970s, he retired from the music industry and became a car mechanic. In 1984, Bruce Palmer teamed up with Frank Wilks (vocals, guitar), Stan Endersby (guitar) and Alan Prosser (drums) to form The Springfield Band, which became Buffalo Springfield Revisited in 1985 when Dewey Martin was brought up to Toronto to join, and off they went on tour for the next three to four years under this band name (though Martin dropped out by 1987). Neil Young and Stephen Stills gave Buffalo Springfield Revisited permission to tour with that name. In July 1986, Palmer, Martin, Furay, Young and Stills gathered at Stills' house, with Buffalo Springfield Revisited keyboardist Harlan Spector, to rehearse for an apparent reunion tour. One of the 1986 rehearsals was video recorded. It was the last time all five original members performed together. Plans for a subsequent reunion tour were abandoned. By 1990, Bruce Palmer and Frank Wilks had moved to Topanga, California, where Dennis Knicely joined to perform percussion. The following year they started White Buffalo along with Dewey Martin and others, then Martin formed the short lived Buffalo Springfield Again in 1991 with Billy Darnell (guitar), Robin Lambe (bass) and Michael Curtis (vocals, guitar). But Furay issued a cease and desist order on Martin in 1992 and he retired from music again the following year. 2011 reunion tour On his album Silver & Gold (2000), Young sang of his desire to re-form the group and to "see those guys again and give it a shot" in "Buffalo Springfield Again". Palmer (2004) and Martin (2009) have since died, preventing a reunion of the original lineup. Young, Stills and Furay reunited at the annual Bridge School Benefit concerts on October 23 and 24, 2010, in Mountain View, California. Rolling Stone called the performance "nostalgic, blissful, and moving". The band reunited for six concerts starting in Oakland on 1 June 2011, followed by dates in Los Angeles and Santa Barbara, before moving on to play the 2011 Bonnaroo Music & Arts Festival in Manchester, Tennessee. The band consisted of Furay, Stills, Young, Rick Rosas and Joe Vitale. According to Furay and a band spokesman, the group planned a full tour in 2012, but this was delayed because Young was recording two new albums with Crazy Horse. On 27 February 2012, Furay announced that the band is on indefinite hiatus. Legacy In 1968, Stills went on to form Crosby, Stills & Nash with David Crosby of The Byrds and Graham Nash of The Hollies. Meanwhile, Furay and Messina formed Poco, and Young launched his solo career. In 1969, Young reunited with Stills in Crosby, Stills, Nash & Young. After Crosby, Stills, Nash & Young, Stills joined with another former Byrd Chris Hillman (after his stint with The Flying Burrito Brothers) and others to form the group Manassas (1971–1973). Later, Furay joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina. In 1982–1983, Palmer was a bassist on Young's album Trans and toured with him in America and Europe, as seen on Neil Young in Berlin, filmed in 1982. In 1997, Buffalo Springfield was inducted into the Rock and Roll Hall of Fame. A four-disc box set assembled by Young, Buffalo Springfield, was released in 2001. A further box set What's That Sound? Complete Albums Collection was released in 2018 by Rhino Records. In popular culture The Buffalo Springfield appear as the house band in an episode of the detective series Mannix. The episode titled Warning: Live Blueberries originally aired October 28, 1967 (Season 1 Episode 7). During the episode they play versions of their hit songs "Bluebird" and "For What It's Worth". Personnel Jim Fielder – bass guitar (1966, 1967) Ken Forssi – bass guitar (1967) (died 1998) Richie Furay – guitar, vocals (1966–1968; 2010–2012) Ken Koblun – bass guitar (1967) Doug Hastings – guitar (1967) Dewey Martin – drums, vocals (1966–1968) (died 2009) Jim Messina – bass guitar, vocals (1968) Bruce Palmer – bass guitar (1966–1968) (died 2004) Stephen Stills – guitar, keyboards, vocals (1966–1968; 2010–2012) Neil Young – guitar, harmonica, piano, vocals (1966–1968; 2010–2012) Additional musicians Rick Rosas – bass guitar (2010–2012) (died 2014) Joe Vitale – drums, vocals (2010–2012) Rusty Young – steel guitar on "Last Time Around" (died 2021) Discography Studio albums Compilations Singles * "Bubbling under" does not qualify as actually "making" the Billboard Hot 100 chart.† Track added to second pressing of debut album and subsequent reissues; does not appear on original release. References Further reading Einarson, J. and Furay, R. (2004). For What It's Worth: The Story of Buffalo Springfield Lanham: Cooper Square Press. . Long, P. (1996). Ghosts on the Road—Neil Young in Concert London: Old Homestead Press. . External links Expecting To Fly – The Buffalo Springfield Story Chrome Oxide Buffalo Springfield Gigography – List of Recording Sessions and Performances Atco Records artists Folk rock groups from California Musical groups from Los Angeles Musical groups established in 1966 1966 establishments in California Musical groups disestablished in 1968 1968 disestablishments in California Musical groups reestablished in 2010 Musical groups disestablished in 2012 2012 disestablishments in California Neil Young Stephen Stills

C_955bffbddac7419e80007156885b06f9_0

How did they find Charlie Greene?

How did Buffalo Springfield find Charlie Greene?

Buffalo Springfield

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc., CANNOTANSWER

Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone;

Buffalo Springfield was a Canadian-American rock band formed in Los Angeles, California by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966–1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What It's Worth", which became their only US top 10 hit and a counterculture anthem. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock and featured other well-known songs such as "Bluebird" and "Mr. Soul". After several drug-related arrests and line-up changes, the group disbanded in 1968. Their third and final album, Last Time Around, was compiled and released shortly after their dissolution. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of The Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997, and briefly reunited for a comeback tour in 2011. History Origins Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with The Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, The Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former The Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. While in Toronto in early 1966, Young met Bruce Palmer, a Canadian who was playing bass for The Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews—James Ambrose Johnson, Jr., later known as Rick James—was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal cancelled, Young and Palmer pawned The Mynah Birds' musical equipment and bought a 1953 Pontiac hearse, which they drove to Los Angeles. Young and Palmer arrived in L.A. hoping to meet Stephen Stills, who, as Young had learned, was living in the city. However, after almost a week of searching clubs and coffeehouses, the pair had been unable to find Stills. Consequently, on April 6, 1966, Young and Palmer decided to leave Los Angeles and drive north to San Francisco. While the two were stuck in traffic on Sunset Boulevard, they were spotted by Stills and Richie Furay, who were heading the other direction down Sunset. Stills and Furay managed to switch lanes and maneuver behind Young's hearse, at which point the musicians pulled off the road and reunited. Drummer Dewey Martin, who had played with garage rock group The Standells and country artists such as Patsy Cline and The Dillards, joined at the suggestion of The Byrds’ manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on 11 April 1966, at The Troubadour in West Hollywood, five days after the chance encounter on Sunset Boulevard. A few days later, they began a short tour of California as the opening act for The Dillards and The Byrds. Management and first recordings Chris Hillman of The Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth", responding to a protest that had turned violent following the closing of the Pandora's Box nightclub on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc. Lineup changes, arrest, and breakup In January 1967, Palmer was deported for possession of marijuana. Palmer returned to the group at the beginning of June, while Young was temporarily absent. (Guitarist Doug Hastings filled in for Young during this period.) The band, with David Crosby sitting in for Young, played the Monterey Pop Festival. Young returned in August and the band severed ties with Greene and Stone, then divided its time between playing gigs and finalising the second album, ultimately titled Buffalo Springfield Again. Produced by Ertegun, Buffalo Springfield Again was released in November 1967. It includes "Mr. Soul", "Rock & Roll Woman", "Bluebird", "Sad Memory", and "Broken Arrow". The band toured as support for the Beach Boys during early 1968. In January of that year, after Palmer was again deported for drug possession, Jim Messina, who had worked as engineer on the band's second album, was hired as a permanent replacement on bass. During this period Young began to appear less and less frequently, and he often left Stills to handle lead-guitar parts at concerts. Recording sessions were booked, and all the songs that appeared on the final album were recorded by the end of March, usually with Messina producing. In the Netflix documentary Echo In The Canyon, Stills related an incident that illustrated the band's problems with law enforcement. The band were hosting a small rehearsal party, attended by Eric Clapton among others, in April 1968. Despite reportedly playing at a comfortable sound level, a police officer arrived after a disturbing the peace complaint. During the encounter, the officer smelled marijuana and Stills ran next door to "call lawyers," but in actuality went next door and escaped out the bathroom window. According to Stills, Young was going to chase the police down the street, to which Stills said "cause he's Canadian and I guess in Canada you can do that". Ultimately, Young, Furay and Messina were arrested and sent to the Los Angeles County Jail. Following a gig at the Long Beach Auditorium on 5 May 1968, the band held a meeting with Ertegun to arrange their breakup. Stills and Furay stayed with Atlantic, while Young moved to Warner Brothers. Later, Furay and Messina compiled various tracks recorded between mid-1967 and early 1968 into the third and final studio album, Last Time Around (1968). New Buffalo Springfield and reunion attempts Martin formed a new version of Buffalo Springfield in September 1968. Dubbed New Buffalo Springfield, the lineup consisted of guitarists Dave Price (Davy Jones's stand-in with The Monkees), Gary Rowles (son of jazz pianist Jimmy Rowles) who later joined Arthur Lee's Love, bass player Bob Apperson, drummer Don Poncher (also later a member of Love), and horn player Jim Price, who later became a top session musician for Delaney Bramlett, The Rolling Stones, Joe Cocker and others. The new band toured extensively and appeared at the highly publicized Holiday Rock Festival in San Francisco on 25–26 December 1968, but soon ran afoul of Stills and Young, who took legal action to prevent Martin from using the band's name. Following an agreement to give up future royalties from Buffalo Springfield's recordings, Martin was allowed to use the name New Buffalo. He attempted to retrieve his rights in 1974 and though the matter was settled out of court, he felt that he had been mistreated. In February 1969, Martin and Dave Price formed a second version of New Buffalo with guitarist Bob "BJ" Jones and bass player Randy Fuller, brother of the late Bobby Fuller. The band made some recordings with producer Tom Dowd overseeing, but they were scrapped. Another guitarist, Joey Newman (formerly of Don and The Goodtimes, later of the pioneering prog group Touch), was added in June 1969, but two months later Martin was fired, and the remaining members carried on as Blue Mountain Eagle. Martin then formed a new group called Medicine Ball, which released a lone album in 1970 for Uni Records. Martin also released two solo singles, one for Uni and one for RCA, which didn't appear on the album. During the 1970s, he retired from the music industry and became a car mechanic. In 1984, Bruce Palmer teamed up with Frank Wilks (vocals, guitar), Stan Endersby (guitar) and Alan Prosser (drums) to form The Springfield Band, which became Buffalo Springfield Revisited in 1985 when Dewey Martin was brought up to Toronto to join, and off they went on tour for the next three to four years under this band name (though Martin dropped out by 1987). Neil Young and Stephen Stills gave Buffalo Springfield Revisited permission to tour with that name. In July 1986, Palmer, Martin, Furay, Young and Stills gathered at Stills' house, with Buffalo Springfield Revisited keyboardist Harlan Spector, to rehearse for an apparent reunion tour. One of the 1986 rehearsals was video recorded. It was the last time all five original members performed together. Plans for a subsequent reunion tour were abandoned. By 1990, Bruce Palmer and Frank Wilks had moved to Topanga, California, where Dennis Knicely joined to perform percussion. The following year they started White Buffalo along with Dewey Martin and others, then Martin formed the short lived Buffalo Springfield Again in 1991 with Billy Darnell (guitar), Robin Lambe (bass) and Michael Curtis (vocals, guitar). But Furay issued a cease and desist order on Martin in 1992 and he retired from music again the following year. 2011 reunion tour On his album Silver & Gold (2000), Young sang of his desire to re-form the group and to "see those guys again and give it a shot" in "Buffalo Springfield Again". Palmer (2004) and Martin (2009) have since died, preventing a reunion of the original lineup. Young, Stills and Furay reunited at the annual Bridge School Benefit concerts on October 23 and 24, 2010, in Mountain View, California. Rolling Stone called the performance "nostalgic, blissful, and moving". The band reunited for six concerts starting in Oakland on 1 June 2011, followed by dates in Los Angeles and Santa Barbara, before moving on to play the 2011 Bonnaroo Music & Arts Festival in Manchester, Tennessee. The band consisted of Furay, Stills, Young, Rick Rosas and Joe Vitale. According to Furay and a band spokesman, the group planned a full tour in 2012, but this was delayed because Young was recording two new albums with Crazy Horse. On 27 February 2012, Furay announced that the band is on indefinite hiatus. Legacy In 1968, Stills went on to form Crosby, Stills & Nash with David Crosby of The Byrds and Graham Nash of The Hollies. Meanwhile, Furay and Messina formed Poco, and Young launched his solo career. In 1969, Young reunited with Stills in Crosby, Stills, Nash & Young. After Crosby, Stills, Nash & Young, Stills joined with another former Byrd Chris Hillman (after his stint with The Flying Burrito Brothers) and others to form the group Manassas (1971–1973). Later, Furay joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina. In 1982–1983, Palmer was a bassist on Young's album Trans and toured with him in America and Europe, as seen on Neil Young in Berlin, filmed in 1982. In 1997, Buffalo Springfield was inducted into the Rock and Roll Hall of Fame. A four-disc box set assembled by Young, Buffalo Springfield, was released in 2001. A further box set What's That Sound? Complete Albums Collection was released in 2018 by Rhino Records. In popular culture The Buffalo Springfield appear as the house band in an episode of the detective series Mannix. The episode titled Warning: Live Blueberries originally aired October 28, 1967 (Season 1 Episode 7). During the episode they play versions of their hit songs "Bluebird" and "For What It's Worth". Personnel Jim Fielder – bass guitar (1966, 1967) Ken Forssi – bass guitar (1967) (died 1998) Richie Furay – guitar, vocals (1966–1968; 2010–2012) Ken Koblun – bass guitar (1967) Doug Hastings – guitar (1967) Dewey Martin – drums, vocals (1966–1968) (died 2009) Jim Messina – bass guitar, vocals (1968) Bruce Palmer – bass guitar (1966–1968) (died 2004) Stephen Stills – guitar, keyboards, vocals (1966–1968; 2010–2012) Neil Young – guitar, harmonica, piano, vocals (1966–1968; 2010–2012) Additional musicians Rick Rosas – bass guitar (2010–2012) (died 2014) Joe Vitale – drums, vocals (2010–2012) Rusty Young – steel guitar on "Last Time Around" (died 2021) Discography Studio albums Compilations Singles * "Bubbling under" does not qualify as actually "making" the Billboard Hot 100 chart.† Track added to second pressing of debut album and subsequent reissues; does not appear on original release. References Further reading Einarson, J. and Furay, R. (2004). For What It's Worth: The Story of Buffalo Springfield Lanham: Cooper Square Press. . Long, P. (1996). Ghosts on the Road—Neil Young in Concert London: Old Homestead Press. . External links Expecting To Fly – The Buffalo Springfield Story Chrome Oxide Buffalo Springfield Gigography – List of Recording Sessions and Performances Atco Records artists Folk rock groups from California Musical groups from Los Angeles Musical groups established in 1966 1966 establishments in California Musical groups disestablished in 1968 1968 disestablishments in California Musical groups reestablished in 2010 Musical groups disestablished in 2012 2012 disestablishments in California Neil Young Stephen Stills

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How about Brian Stone?

How did Buffalo Springfield find Brian Stone?

Buffalo Springfield

Chris Hillman of the Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth" in response to a protest that had turned into a riot following the closing of a nightclub called Pandora's Box on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc., CANNOTANSWER

Greene and Stone then aggressively pitched themselves to the band to be their new managers.

Buffalo Springfield was a Canadian-American rock band formed in Los Angeles, California by Canadian musicians Neil Young, Bruce Palmer and Dewey Martin and American musicians Stephen Stills and Richie Furay. The group, widely known for the song "For What It's Worth", released three albums and several singles from 1966–1968. Their music combined elements of folk music and country music with British Invasion and psychedelic rock influences. Like contemporary band the Byrds, they were key to the early development of folk rock. The band took their name from a steamroller parked outside their house. Buffalo Springfield formed in Los Angeles in 1966 with Stills (guitar, keyboards, vocals), Martin (drums, vocals), Palmer (bass guitar), Furay (guitar, vocals) and Young (guitar, harmonica, piano, vocals). The band signed to Atlantic Records in 1966 and released their debut single "Nowadays Clancy Can't Even Sing", which became a hit in Los Angeles. The following January, they released the protest song "For What It's Worth", which became their only US top 10 hit and a counterculture anthem. Their second album, Buffalo Springfield Again, marked their progression to psychedelia and hard rock and featured other well-known songs such as "Bluebird" and "Mr. Soul". After several drug-related arrests and line-up changes, the group disbanded in 1968. Their third and final album, Last Time Around, was compiled and released shortly after their dissolution. Stephen Stills went on to form the supergroup Crosby, Stills & Nash with David Crosby of the Byrds and Graham Nash of The Hollies. Neil Young launched his solo career and later joined Stills in Crosby, Stills, Nash & Young in 1969. Furay, along with Jim Messina, went on to form the country-rock band Poco. Buffalo Springfield was inducted into the Rock and Roll Hall of Fame in 1997, and briefly reunited for a comeback tour in 2011. History Origins Neil Young and Stephen Stills met in 1965, at the Fourth Dimension in Thunder Bay, Ontario. Young was there with The Squires, a Winnipeg group he had been leading since February 1963, and Stills was on tour with The Company, a spin-off from the Au Go Go Singers. When Stills' band broke up at the end of that tour, he moved to the West Coast, where he worked as a session musician and auditioned unsuccessfully for, among other bands, The Monkees. Told by record producer Barry Friedman there would be work available if he could assemble a band, Stills invited fellow Au Go Go Singers alumnus Richie Furay and former The Squires bass player Ken Koblun to come join him in California. Both agreed, although Koblun chose to leave before very long and joined the group 3's a Crowd. While in Toronto in early 1966, Young met Bruce Palmer, a Canadian who was playing bass for The Mynah Birds. In need of a lead guitarist, Palmer invited Young to join the group, and Young accepted. The Mynah Birds were set to record an album for Motown Records when their singer Ricky James Matthews—James Ambrose Johnson, Jr., later known as Rick James—was tracked down and arrested by the U.S. Navy for being AWOL. With their record deal cancelled, Young and Palmer pawned The Mynah Birds' musical equipment and bought a 1953 Pontiac hearse, which they drove to Los Angeles. Young and Palmer arrived in L.A. hoping to meet Stephen Stills, who, as Young had learned, was living in the city. However, after almost a week of searching clubs and coffeehouses, the pair had been unable to find Stills. Consequently, on April 6, 1966, Young and Palmer decided to leave Los Angeles and drive north to San Francisco. While the two were stuck in traffic on Sunset Boulevard, they were spotted by Stills and Richie Furay, who were heading the other direction down Sunset. Stills and Furay managed to switch lanes and maneuver behind Young's hearse, at which point the musicians pulled off the road and reunited. Drummer Dewey Martin, who had played with garage rock group The Standells and country artists such as Patsy Cline and The Dillards, joined at the suggestion of The Byrds’ manager, Jim Dickson. The group's name was taken from a brand of steamroller made by the Buffalo-Springfield Roller Company. The new group debuted on 11 April 1966, at The Troubadour in West Hollywood, five days after the chance encounter on Sunset Boulevard. A few days later, they began a short tour of California as the opening act for The Dillards and The Byrds. Management and first recordings Chris Hillman of The Byrds persuaded the owners of the Whisky a Go Go to give Buffalo Springfield an audition, and they essentially became the house band at the Whisky for seven weeks, from May 2 to June 18, 1966. This series of concerts solidified the band's reputation for live performances and attracted interest from a number of record labels. It also brought an invitation from Friedman to Dickie Davis (who had been the Byrds' lighting manager) to become involved in the group's management. In turn, Davis sought advice from Sonny & Cher's management team, Charlie Greene and Brian Stone; unbeknownst to Davis and Friedman, Greene and Stone then aggressively pitched themselves to the band to be their new managers. Friedman was fired, and Davis was made the group's tour manager. Greene and Stone made a deal with Ahmet Ertegun of Atlantic Records for a four-album contract with a $12,000 advance, following a brief bidding war with Elektra Records and Warner Bros. Records, and arranged for the band to start recording at Gold Star Studios in Hollywood. The first Buffalo Springfield single, "Nowadays Clancy Can't Even Sing", was released in August, but made little impact outside Los Angeles, where it reached the Top 25. Young and Stills have long maintained that their own mono mix was superior to the stereo mix engineered by Greene and Stone. The band's eponymous album was released by the Atlantic subsidiary Atco in mono and in stereo in December 1966. A revamped version issued both in mono and stereo with a different track order was issued in March of the following year. In November 1966, Stills composed "For What It's Worth", responding to a protest that had turned violent following the closing of the Pandora's Box nightclub on Sunset Strip. The song was performed on Thanksgiving night at the Whisky a Go Go, recorded within the next few days, and on the air in Los Angeles on radio station KHJ soon afterwards. By March 1967, it was a Top Ten hit. Atco took advantage of this momentum by replacing the song "Baby Don't Scold Me" with "For What It's Worth" and re-releasing the album. "For What It's Worth" sold over one million copies and was awarded a gold disc. Lineup changes, arrest, and breakup In January 1967, Palmer was deported for possession of marijuana. Palmer returned to the group at the beginning of June, while Young was temporarily absent. (Guitarist Doug Hastings filled in for Young during this period.) The band, with David Crosby sitting in for Young, played the Monterey Pop Festival. Young returned in August and the band severed ties with Greene and Stone, then divided its time between playing gigs and finalising the second album, ultimately titled Buffalo Springfield Again. Produced by Ertegun, Buffalo Springfield Again was released in November 1967. It includes "Mr. Soul", "Rock & Roll Woman", "Bluebird", "Sad Memory", and "Broken Arrow". The band toured as support for the Beach Boys during early 1968. In January of that year, after Palmer was again deported for drug possession, Jim Messina, who had worked as engineer on the band's second album, was hired as a permanent replacement on bass. During this period Young began to appear less and less frequently, and he often left Stills to handle lead-guitar parts at concerts. Recording sessions were booked, and all the songs that appeared on the final album were recorded by the end of March, usually with Messina producing. In the Netflix documentary Echo In The Canyon, Stills related an incident that illustrated the band's problems with law enforcement. The band were hosting a small rehearsal party, attended by Eric Clapton among others, in April 1968. Despite reportedly playing at a comfortable sound level, a police officer arrived after a disturbing the peace complaint. During the encounter, the officer smelled marijuana and Stills ran next door to "call lawyers," but in actuality went next door and escaped out the bathroom window. According to Stills, Young was going to chase the police down the street, to which Stills said "cause he's Canadian and I guess in Canada you can do that". Ultimately, Young, Furay and Messina were arrested and sent to the Los Angeles County Jail. Following a gig at the Long Beach Auditorium on 5 May 1968, the band held a meeting with Ertegun to arrange their breakup. Stills and Furay stayed with Atlantic, while Young moved to Warner Brothers. Later, Furay and Messina compiled various tracks recorded between mid-1967 and early 1968 into the third and final studio album, Last Time Around (1968). New Buffalo Springfield and reunion attempts Martin formed a new version of Buffalo Springfield in September 1968. Dubbed New Buffalo Springfield, the lineup consisted of guitarists Dave Price (Davy Jones's stand-in with The Monkees), Gary Rowles (son of jazz pianist Jimmy Rowles) who later joined Arthur Lee's Love, bass player Bob Apperson, drummer Don Poncher (also later a member of Love), and horn player Jim Price, who later became a top session musician for Delaney Bramlett, The Rolling Stones, Joe Cocker and others. The new band toured extensively and appeared at the highly publicized Holiday Rock Festival in San Francisco on 25–26 December 1968, but soon ran afoul of Stills and Young, who took legal action to prevent Martin from using the band's name. Following an agreement to give up future royalties from Buffalo Springfield's recordings, Martin was allowed to use the name New Buffalo. He attempted to retrieve his rights in 1974 and though the matter was settled out of court, he felt that he had been mistreated. In February 1969, Martin and Dave Price formed a second version of New Buffalo with guitarist Bob "BJ" Jones and bass player Randy Fuller, brother of the late Bobby Fuller. The band made some recordings with producer Tom Dowd overseeing, but they were scrapped. Another guitarist, Joey Newman (formerly of Don and The Goodtimes, later of the pioneering prog group Touch), was added in June 1969, but two months later Martin was fired, and the remaining members carried on as Blue Mountain Eagle. Martin then formed a new group called Medicine Ball, which released a lone album in 1970 for Uni Records. Martin also released two solo singles, one for Uni and one for RCA, which didn't appear on the album. During the 1970s, he retired from the music industry and became a car mechanic. In 1984, Bruce Palmer teamed up with Frank Wilks (vocals, guitar), Stan Endersby (guitar) and Alan Prosser (drums) to form The Springfield Band, which became Buffalo Springfield Revisited in 1985 when Dewey Martin was brought up to Toronto to join, and off they went on tour for the next three to four years under this band name (though Martin dropped out by 1987). Neil Young and Stephen Stills gave Buffalo Springfield Revisited permission to tour with that name. In July 1986, Palmer, Martin, Furay, Young and Stills gathered at Stills' house, with Buffalo Springfield Revisited keyboardist Harlan Spector, to rehearse for an apparent reunion tour. One of the 1986 rehearsals was video recorded. It was the last time all five original members performed together. Plans for a subsequent reunion tour were abandoned. By 1990, Bruce Palmer and Frank Wilks had moved to Topanga, California, where Dennis Knicely joined to perform percussion. The following year they started White Buffalo along with Dewey Martin and others, then Martin formed the short lived Buffalo Springfield Again in 1991 with Billy Darnell (guitar), Robin Lambe (bass) and Michael Curtis (vocals, guitar). But Furay issued a cease and desist order on Martin in 1992 and he retired from music again the following year. 2011 reunion tour On his album Silver & Gold (2000), Young sang of his desire to re-form the group and to "see those guys again and give it a shot" in "Buffalo Springfield Again". Palmer (2004) and Martin (2009) have since died, preventing a reunion of the original lineup. Young, Stills and Furay reunited at the annual Bridge School Benefit concerts on October 23 and 24, 2010, in Mountain View, California. Rolling Stone called the performance "nostalgic, blissful, and moving". The band reunited for six concerts starting in Oakland on 1 June 2011, followed by dates in Los Angeles and Santa Barbara, before moving on to play the 2011 Bonnaroo Music & Arts Festival in Manchester, Tennessee. The band consisted of Furay, Stills, Young, Rick Rosas and Joe Vitale. According to Furay and a band spokesman, the group planned a full tour in 2012, but this was delayed because Young was recording two new albums with Crazy Horse. On 27 February 2012, Furay announced that the band is on indefinite hiatus. Legacy In 1968, Stills went on to form Crosby, Stills & Nash with David Crosby of The Byrds and Graham Nash of The Hollies. Meanwhile, Furay and Messina formed Poco, and Young launched his solo career. In 1969, Young reunited with Stills in Crosby, Stills, Nash & Young. After Crosby, Stills, Nash & Young, Stills joined with another former Byrd Chris Hillman (after his stint with The Flying Burrito Brothers) and others to form the group Manassas (1971–1973). Later, Furay joined J.D. Souther and Chris Hillman to form the Souther-Hillman-Furay Band, and Messina teamed with Kenny Loggins in Loggins & Messina. In 1982–1983, Palmer was a bassist on Young's album Trans and toured with him in America and Europe, as seen on Neil Young in Berlin, filmed in 1982. In 1997, Buffalo Springfield was inducted into the Rock and Roll Hall of Fame. A four-disc box set assembled by Young, Buffalo Springfield, was released in 2001. A further box set What's That Sound? Complete Albums Collection was released in 2018 by Rhino Records. In popular culture The Buffalo Springfield appear as the house band in an episode of the detective series Mannix. The episode titled Warning: Live Blueberries originally aired October 28, 1967 (Season 1 Episode 7). During the episode they play versions of their hit songs "Bluebird" and "For What It's Worth". Personnel Jim Fielder – bass guitar (1966, 1967) Ken Forssi – bass guitar (1967) (died 1998) Richie Furay – guitar, vocals (1966–1968; 2010–2012) Ken Koblun – bass guitar (1967) Doug Hastings – guitar (1967) Dewey Martin – drums, vocals (1966–1968) (died 2009) Jim Messina – bass guitar, vocals (1968) Bruce Palmer – bass guitar (1966–1968) (died 2004) Stephen Stills – guitar, keyboards, vocals (1966–1968; 2010–2012) Neil Young – guitar, harmonica, piano, vocals (1966–1968; 2010–2012) Additional musicians Rick Rosas – bass guitar (2010–2012) (died 2014) Joe Vitale – drums, vocals (2010–2012) Rusty Young – steel guitar on "Last Time Around" (died 2021) Discography Studio albums Compilations Singles * "Bubbling under" does not qualify as actually "making" the Billboard Hot 100 chart.† Track added to second pressing of debut album and subsequent reissues; does not appear on original release. References Further reading Einarson, J. and Furay, R. (2004). For What It's Worth: The Story of Buffalo Springfield Lanham: Cooper Square Press. . Long, P. (1996). Ghosts on the Road—Neil Young in Concert London: Old Homestead Press. . External links Expecting To Fly – The Buffalo Springfield Story Chrome Oxide Buffalo Springfield Gigography – List of Recording Sessions and Performances Atco Records artists Folk rock groups from California Musical groups from Los Angeles Musical groups established in 1966 1966 establishments in California Musical groups disestablished in 1968 1968 disestablishments in California Musical groups reestablished in 2010 Musical groups disestablished in 2012 2012 disestablishments in California Neil Young Stephen Stills

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What was Hill an informant for?

What was Henry Hill an informant for?

Henry Hill

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes. His testimony led to 50 convictions. Jimmy Burke was given 20 years in prison for the 1978-79 Boston College point shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of lung cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved to undisclosed locations in Omaha, Nebraska; Independence, Kentucky; Redmond, Washington; and Seattle, Washington. In Seattle, Hill hosted backyard cookouts for his neighbors, and on one occasion, while under the influence of a combination of liquor and drugs, he revealed his true identity to his guests. To the ire of the federal marshals, they were forced to relocate him one final time to Sarasota, Florida. There, a few months had passed, and Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program. CANNOTANSWER

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes.

Henry Hill Jr. (June 11, 1943 – June 12, 2012) was an American mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980, when he was arrested on narcotics charges and became an FBI informant. Hill testified against his former Mafia associates, resulting in fifty convictions, including those of caporegime (captain) Paul Vario and fellow associate James Burke on multiple charges. He subsequently entered the Witness Protection Program, but was removed from the program in the early 1990s. Hill's life story was documented in the true crime book Wiseguy: Life in a Mafia Family by Nicholas Pileggi, which was subsequently adapted by Martin Scorsese into the critically acclaimed 1990 film Goodfellas, in which Hill was portrayed by Ray Liotta. Early life Henry Hill Jr. was born on June 11, 1940, in the Manhattan borough of New York City, to Henry Hill Sr., an Irish-American electrician and the son of a coal miner, and Carmela Costa, an Italian immigrant of Sicilian descent. Hill claimed in the book Wiseguy that his father emigrated to the United States from Ireland at the age of twelve, after the death of Hill's grandfather. The working-class family, consisting of Henry and his seven other siblings, grew up in Brownsville, a working-class neighborhood of Brooklyn. Hill was dyslexic and as a result performed poorly at school. From an early age, Hill admired the local mobsters who socialized at a dispatch cabstand across the street from his home, including Paul Vario, a caporegime in the Lucchese crime family. In 1955, when he was 11 years old, Hill wandered into the cabstand looking for a part-time after-school job. In his early teens, Hill began running errands for patrons of Vario's storefront shoeshine, pizzeria, and cabstand. He first met the notorious hijacker and Lucchese family associate James "Jimmy the Gent" Burke in 1956. The 13-year-old Hill served drinks and sandwiches at a card game and was dazzled by Burke's openhanded tipping: "He was sawbucking me to death. Twenty here. Twenty there. He wasn't like anyone else I had ever met." The following year, Vario's younger brother, Vito "Tuddy" Vario, and Vario's son, Lenny Vario, presented Hill with a highly sought-after union card in the bricklayers' local. Hill would be a "no show" and put on a building contractor's construction payroll, guaranteeing him a weekly salary of $190 (). This didn't mean Hill would be getting or keeping all that money every week, however; he received a portion of it, and the rest was kept and divided among the Varios. The card also allowed Hill to facilitate the pickup of daily policy bets and loan payments to Vario from local construction sites. Once Hill had this "legitimate" job, he dropped out of high school and began working exclusively for the Vario gangsters. Hill's first encounter with arson occurred when a rival cabstand opened just around the corner from Vario's business. The competing company's owner was from Alabama, new to New York City. Sometime after midnight, Tuddy and Hill drove to the rival cabstand with a drum full of gasoline in the back seat of Tuddy's car. Hill smashed the cab windows and filled them with gasoline-soaked newspapers, then tossed in lit matchbooks. Hill was first arrested when he was 16; his arrest record is one of the few official documents that prove his existence. Hill and Lenny, Vario's equally underage son, attempted to use a stolen credit card to buy snow tires for Tuddy's wife's car. When Hill and Lenny returned to Tuddy's, two police detectives apprehended Hill. During a rough interrogation, Hill gave his name and nothing else; Vario's attorney later facilitated his release on bail. While a suspended sentence resulted, Hill's refusal to talk earned him the respect of both Vario and Burke. Burke, in particular, saw great potential in Hill. Like Burke, he was of Irish ancestry and therefore ineligible to become a "made man". The Vario crew, however, were happy to have associates of any ethnicity, so long as they made money and refused to cooperate with the authorities. In June 1960, at around 17 years old, Hill joined the United States Army, serving with the 82nd Airborne Division at Fort Bragg in North Carolina. He claimed the timing was deliberate; the FBI's investigation into the 1957 Apalachin mob summit meeting had prompted a Senate investigation into organized crime, and its links with businesses and unions. This resulted in the publication of a list of nearly 5,000 names of members and associates of the five major crime families. Hill searched through a partial list but could not find Vario listed among the Lucchese family. Throughout his three-year enlistment, Hill maintained his mob contacts. He also continued to hustle: in charge of kitchen detail, he sold surplus food, loan sharked pay advances to fellow soldiers, and sold tax-free cigarettes. Before his discharge, Hill spent two months in the stockade for stealing a local sheriff's car and brawling in a bar with Marines and a civilian. In 1963, he returned to New York and began the most notorious phase of his criminal career: arson, intimidation, running an organized stolen car ring, and hijacking trucks. In 1965, Hill met his future wife, Karen Friedman, through Vario, who insisted that Hill accompany his son on a double date at Frank "Frankie the Wop" Manzo's restaurant, Villa Capra. According to Friedman, the date was disastrous, and Hill stood her up at the next dinner date. Afterward, the two began going on dates at the Copacabana and other nightclubs, where Friedman was introduced to Hill's outwardly impressive lifestyle. The two later got married in a large North Carolina wedding, attended by most of Hill's gangster friends. In 1994, Hill, in his book Gangsters and Goodfellas, stated that Tommy DeSimone tried to rape Karen. Air France robbery Shortly before midnight on April 6, 1967, Hill and DeSimone drove to the Air France cargo terminal at John F. Kennedy International Airport with an empty suitcase, the largest Hill could find. Inside connection Robert McMahon said that the two should just walk in, as people often came to the terminal to pick up lost baggage. DeSimone and Hill entered the unsecured area unchallenged and unlocked the door with a duplicate key. Using a small flashlight, they loaded seven bags into the suitcase and left; $420,000 was taken. No alarm was raised, no shots fired, and no one was injured. The theft was not discovered until the following Monday, when a Wells Fargo truck arrived to pick up the cash to be delivered to the French American Banking Corporation. Hill believed that it was the Air France robbery that endeared him to the Mafia. Restaurant ownership and murder of William "Billy Batts" Bentvena Hill used his share of the robbery proceeds to purchase a restaurant on Queens Boulevard, The Suite, initially aiming to run it as a legitimate business and provide "distance" between himself and his mob associates. However, within several months, the nightclub had become another mob hangout. Hill later said that members of Lucchese and Gambino crews moved into the club en masse, including high-ranking Gambino family members who "were always there". According to the book Wiseguy, after William "Billy Batts" Bentvena was released from prison in 1970, a "welcome home" party was thrown for him at Robert's Lounge, which was owned by Burke. Hill stated that Bentvena saw DeSimone and jokingly asked him if he still shined shoes, which DeSimone perceived as an insult. DeSimone leaned over to Hill and Burke and said, "I'm gonna kill that fuck." Two weeks later, on June 11, 1970, Bentvena was at The Suite near closing time when he was pistol-whipped by DeSimone. Hill said that before DeSimone started to beat Bentvena, DeSimone yelled, "Shine these fucking shoes!" After Bentvena was beaten and presumed killed, DeSimone, Burke, and Hill placed his body in the trunk of Hill's car for transport. They stopped at DeSimone's mother's house to fetch a shovel and lime. They started to hear sounds from the trunk, and when they realized that Bentvena was still alive, DeSimone and Burke stopped the car and beat him to death with the shovel and a tire iron. Burke had a friend who owned a dog kennel in Upstate New York, and Bentvena was buried there. About three months after Bentvena's murder, Burke's friend sold the dog kennel to housing developers, and Burke ordered Hill and DeSimone to exhume Bentvena's corpse and dispose of it elsewhere. In Wiseguy, Hill said the body was eventually crushed in a car crusher at a New Jersey junkyard, which was owned by Clyde Brooks. However, on the commentary for the film Goodfellas, he states that Bentvena's body was buried in the basement of Robert's Lounge, a bar and restaurant owned by Burke, and only later was put into the car crusher. Drug business In November 1972, Burke and Hill were arrested for beating Gaspar Ciaccio in Tampa, Florida. Ciaccio allegedly owed a large gambling debt to their friend, union boss Casey Rosado. They were convicted of extortion and sentenced to ten years at the United States Penitentiary, Lewisburg. Hill was imprisoned with Vario, who was serving a sentence for tax evasion, and several members of John Gotti's Gambino crew. In Lewisburg, Hill met a man from Pittsburgh who, for a fee, taught Hill how to smuggle drugs into the prison. On July 12, 1978, Hill was paroled after four years and resumed his criminal career. He began trafficking in drugs, which Burke eventually became involved with, even though the Lucchese crime family, with whom they were associated, did not authorize any of its members to deal drugs. This Lucchese ban was enacted because the prison sentences imposed on anyone convicted of drug trafficking were so lengthy that the accused would often become informants in exchange for a lesser sentence. Hill began wholesaling marijuana, cocaine, heroin, and quaaludes based on connections he made in prison; he earned enormous amounts of money. A young kid who was a mule of Hill's "ratted" him out to Narcotics Detectives Daniel Mann and William Broder. "The Youngster" (so named by the detectives) informed them that Hill was connected to the Lucchese family and was a close friend to Vario and to Burke and "had probably been in on the Lufthansa robbery." Knowing of Hill's exploits, the detectives put surveillance on him. They found out that Hill's old prison friend from Pittsburgh ran a dog-grooming salon as a front. Mann and Broder had "thousands" of wiretaps of Hill, but Hill and his crew used coded language in the conversations. Hill's wiretap on March 29 is an example of the bizarre vocabulary: Lufthansa heist On December 11, 1978, an estimated $5.875 million (equivalent to $ million in ) was stolen from the Lufthansa cargo terminal at Kennedy airport, with $5 million in cash and $875,000 in jewelry, making it the largest cash robbery committed on American soil at the time. The plot had begun when bookmaker Martin Krugman told Hill that Lufthansa flew in currency to its cargo terminal at the airport; Burke set the plan in motion. Hill did not directly take part in the heist. Basketball fixing Hill and two Pittsburgh gamblers set up the 1978–79 Boston College basketball point-shaving scheme by convincing Boston College center Rick Kuhn to participate. Kuhn, who was a high school friend of one of the gamblers, encouraged teammates to participate in the scheme. Hill also claimed to have an NBA referee in his pocket who worked games at Madison Square Garden during the 1970s. The referee had incurred gambling debts on horse races. 1980 arrest In 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good" and "is a junkie." Burke told them "not to worry about it." Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." When Hill was finally released on bail, Burke told him they should meet at a bar, which Hill had never heard of or seen before, owned by "Charlie the Jap.” However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he would be murdered if he went to Florida. Edward McDonald, the head of the Brooklyn Organized Crime Strike Force, arrested Hill as a material witness in the Lufthansa robbery. With a long sentence hanging over him, Hill agreed to become an informant and signed an agreement with the Strike Force on May 27, 1980. Informant and the witness protection program Hill testified against his former associates to avoid impending prosecution and being murdered by his crew. His testimony led to 50 convictions. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved around to several undisclosed locations including Seattle, Washington; Cincinnati, Ohio; Omaha, Nebraska; Butte, Montana; and Independence, Kentucky. Jimmy Burke was given 12 years in prison for the 1978–79 Boston College point-shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill's bigamy, subsequent arrests, and divorce In the fall of 1981, Hill (now Martin Lewis) met a woman named Sherry Anders. After a whirlwind romance, the two got married in Virginia City, NV despite Hill already being married. This led to a breakdown in many areas of Hill's life. In 1987, Hill was convicted of cocaine trafficking in a federal court in Seattle and expelled from the witness protection program. In 1990, his wife Karen filed for divorce after 23 years of marriage. The divorce was finalized in 2002. In August 2004, Hill was arrested in North Platte, Nebraska at North Platte Regional Airport after he had left his luggage containing drug paraphernalia. On September 26, 2005, he was sentenced to 180 days' imprisonment for attempted methamphetamine possession. Hill was sentenced to two years of probation on March 26, 2009, after he pleaded guilty to two misdemeanor counts of public intoxication. On December 14, 2009, he was arrested in Fairview Heights, Illinois, for disorderly conduct and resisting arrest, which Hill attributed to his drinking problems. Later years In his later years, after his first divorce, he married Kelly Alor, and then Lisa Caserta. They lived in Topanga Canyon, near Malibu, California. Both appeared in several documentaries and made public appearances on various media programs including The Howard Stern Show. Hill fathered a third child during this time. Goodfellas film Goodfellas, the 1990 Martin Scorsese-directed crime film adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi, follows the 1955 to 1980 rise and fall of Hill and his Lucchese crime family associates. Hill was portrayed by Ray Liotta. Scorsese initially named the film Wise Guy but subsequently, with Pileggi's agreement, changed the name to Goodfellas to avoid confusion with the unrelated television crime drama Wiseguy. Two weeks in advance of the filming, Hill was paid $480,000. Robert De Niro, who portrayed Jimmy Burke, often called Hill several times a day to ask how Burke walked, held his cigarette, and so on. Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart. The cast did not meet Hill until a few weeks before the film's premiere. Liotta met him in an undisclosed city; Hill had seen the film and told the actor that he loved it. Other media appearances and activity The 1990 film My Blue Heaven was based on Hill's life, with the screenplay written by Pileggi's wife Nora Ephron. The 2001 TV film The Big Heist was based on the Lufthansa heist, and Hill was portrayed by Nick Sandow. In 2004, Hill was interviewed by Charlie Rose for 60 Minutes. July 24, 2010 marked the twentieth anniversary of the release of Goodfellas. This milestone was celebrated with a private screening hosted by Hill for a select group of invitees at the Museum of the American Gangster. On June 8, 2011, a show about Hill's life aired on the National Geographic Channel's Locked Up Abroad. In 2006, Hill and Ray Liotta appeared in a photo shoot for Entertainment Weekly. At Liotta's urging, Hill entered alcohol rehabilitation two days after the session shoot. In reference to his many victims, Hill stated in an interview in March 2008, with the BBC's Heather Alexander: "I don't give a heck what those people think; I'm doing the right thing now," addressing the reporter's question about how his victims might think of his commercialization of his story through self-written books and advising on Goodfellas. In 2008, Hill was featured in episode three of the crime documentary series The Irish Mob. In the episode, Hill recounts his life of crime, as well as his close relationship with Jimmy Burke and the illegal activity the two engaged in together. A large portion of the segment focuses on Burke's and Hill's involvements in the famous Lufthansa heist. In August 2011, Hill appeared in the special "Mob Week" on AMC; he and other former mob members talked about The Godfather, Goodfellas, and other such mob films. In 2014, the ESPN-produced 30 for 30 series debuted Playing for the Mob, the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point-shaving scandal during the 1978–79 season, an episode briefly mentioned in the movie. The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story. Books In October 2002, Hill published The Wiseguy Cookbook: My Favorite Recipes From My Life As a Goodfella To Cooking On the Run. In it, Hill shared some stories throughout his childhood, life in the mob, and running from the law. He also presents recipes he learned from his family, during his years in the mob, and some that he came up with himself. For example, Hill claimed his last meal the day he was busted for drugs consisted of rolled veal cutlets, sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. In 2012, Henry Hill collaborated with the author, Daniel Simone, in writing and developing a non-fiction book titled, The Lufthansa Heist, a portrayal of the famous 1978 Lufthansa Airline robbery at Kennedy Airport. The book was published in August 2015. Other books by Hill include: Restaurants Hill worked for a time as a chef at an Italian restaurant in North Platte, Nebraska, and his spaghetti sauce, Sunday Gravy, was marketed over the internet. Hill opened another restaurant, Wiseguys, in West Haven, Connecticut, in October 2007, which closed the following month after a fire. Death Hill died of complications related to heart disease in a Los Angeles hospital, on June 12, 2012, after a long battle with his illness, a day after his 69th birthday. His girlfriend for the last six years of his life, Lisa Caserta, said, "He had been sick for a long time. ... his heart gave out." CBS News aired Caserta's report of Hill's death, during which she stated: "he went out pretty peacefully, for a goodfella." She said Hill had recently suffered a heart attack before his death and died of complications after a long history of heart problems associated with smoking. Hill's family was present when he died. Hill was cremated the day after his death. References Further reading 1943 births 2012 deaths 20th-century American criminals 21st-century American criminals American drug traffickers American gangsters American gangsters of Irish descent American gangsters of Sicilian descent American Mafia cooperating witnesses American restaurateurs American robbers Criminals from Brooklyn Criminals from Manhattan Federal Bureau of Investigation informants Gangsters from New York City Lucchese crime family Lufthansa heist Military personnel from New York City People from Brownsville, Brooklyn People from Topanga, California People who entered the United States Federal Witness Protection Program People with dyslexia United States Army soldiers Vario Crew

C_094aef02927740e7be83a2bb60c98047_0

Did he testify?

Did Henry Hill testify about his crimes?

Henry Hill

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes. His testimony led to 50 convictions. Jimmy Burke was given 20 years in prison for the 1978-79 Boston College point shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of lung cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved to undisclosed locations in Omaha, Nebraska; Independence, Kentucky; Redmond, Washington; and Seattle, Washington. In Seattle, Hill hosted backyard cookouts for his neighbors, and on one occasion, while under the influence of a combination of liquor and drugs, he revealed his true identity to his guests. To the ire of the federal marshals, they were forced to relocate him one final time to Sarasota, Florida. There, a few months had passed, and Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program. CANNOTANSWER

His testimony led to 50 convictions.

Henry Hill Jr. (June 11, 1943 – June 12, 2012) was an American mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980, when he was arrested on narcotics charges and became an FBI informant. Hill testified against his former Mafia associates, resulting in fifty convictions, including those of caporegime (captain) Paul Vario and fellow associate James Burke on multiple charges. He subsequently entered the Witness Protection Program, but was removed from the program in the early 1990s. Hill's life story was documented in the true crime book Wiseguy: Life in a Mafia Family by Nicholas Pileggi, which was subsequently adapted by Martin Scorsese into the critically acclaimed 1990 film Goodfellas, in which Hill was portrayed by Ray Liotta. Early life Henry Hill Jr. was born on June 11, 1940, in the Manhattan borough of New York City, to Henry Hill Sr., an Irish-American electrician and the son of a coal miner, and Carmela Costa, an Italian immigrant of Sicilian descent. Hill claimed in the book Wiseguy that his father emigrated to the United States from Ireland at the age of twelve, after the death of Hill's grandfather. The working-class family, consisting of Henry and his seven other siblings, grew up in Brownsville, a working-class neighborhood of Brooklyn. Hill was dyslexic and as a result performed poorly at school. From an early age, Hill admired the local mobsters who socialized at a dispatch cabstand across the street from his home, including Paul Vario, a caporegime in the Lucchese crime family. In 1955, when he was 11 years old, Hill wandered into the cabstand looking for a part-time after-school job. In his early teens, Hill began running errands for patrons of Vario's storefront shoeshine, pizzeria, and cabstand. He first met the notorious hijacker and Lucchese family associate James "Jimmy the Gent" Burke in 1956. The 13-year-old Hill served drinks and sandwiches at a card game and was dazzled by Burke's openhanded tipping: "He was sawbucking me to death. Twenty here. Twenty there. He wasn't like anyone else I had ever met." The following year, Vario's younger brother, Vito "Tuddy" Vario, and Vario's son, Lenny Vario, presented Hill with a highly sought-after union card in the bricklayers' local. Hill would be a "no show" and put on a building contractor's construction payroll, guaranteeing him a weekly salary of $190 (). This didn't mean Hill would be getting or keeping all that money every week, however; he received a portion of it, and the rest was kept and divided among the Varios. The card also allowed Hill to facilitate the pickup of daily policy bets and loan payments to Vario from local construction sites. Once Hill had this "legitimate" job, he dropped out of high school and began working exclusively for the Vario gangsters. Hill's first encounter with arson occurred when a rival cabstand opened just around the corner from Vario's business. The competing company's owner was from Alabama, new to New York City. Sometime after midnight, Tuddy and Hill drove to the rival cabstand with a drum full of gasoline in the back seat of Tuddy's car. Hill smashed the cab windows and filled them with gasoline-soaked newspapers, then tossed in lit matchbooks. Hill was first arrested when he was 16; his arrest record is one of the few official documents that prove his existence. Hill and Lenny, Vario's equally underage son, attempted to use a stolen credit card to buy snow tires for Tuddy's wife's car. When Hill and Lenny returned to Tuddy's, two police detectives apprehended Hill. During a rough interrogation, Hill gave his name and nothing else; Vario's attorney later facilitated his release on bail. While a suspended sentence resulted, Hill's refusal to talk earned him the respect of both Vario and Burke. Burke, in particular, saw great potential in Hill. Like Burke, he was of Irish ancestry and therefore ineligible to become a "made man". The Vario crew, however, were happy to have associates of any ethnicity, so long as they made money and refused to cooperate with the authorities. In June 1960, at around 17 years old, Hill joined the United States Army, serving with the 82nd Airborne Division at Fort Bragg in North Carolina. He claimed the timing was deliberate; the FBI's investigation into the 1957 Apalachin mob summit meeting had prompted a Senate investigation into organized crime, and its links with businesses and unions. This resulted in the publication of a list of nearly 5,000 names of members and associates of the five major crime families. Hill searched through a partial list but could not find Vario listed among the Lucchese family. Throughout his three-year enlistment, Hill maintained his mob contacts. He also continued to hustle: in charge of kitchen detail, he sold surplus food, loan sharked pay advances to fellow soldiers, and sold tax-free cigarettes. Before his discharge, Hill spent two months in the stockade for stealing a local sheriff's car and brawling in a bar with Marines and a civilian. In 1963, he returned to New York and began the most notorious phase of his criminal career: arson, intimidation, running an organized stolen car ring, and hijacking trucks. In 1965, Hill met his future wife, Karen Friedman, through Vario, who insisted that Hill accompany his son on a double date at Frank "Frankie the Wop" Manzo's restaurant, Villa Capra. According to Friedman, the date was disastrous, and Hill stood her up at the next dinner date. Afterward, the two began going on dates at the Copacabana and other nightclubs, where Friedman was introduced to Hill's outwardly impressive lifestyle. The two later got married in a large North Carolina wedding, attended by most of Hill's gangster friends. In 1994, Hill, in his book Gangsters and Goodfellas, stated that Tommy DeSimone tried to rape Karen. Air France robbery Shortly before midnight on April 6, 1967, Hill and DeSimone drove to the Air France cargo terminal at John F. Kennedy International Airport with an empty suitcase, the largest Hill could find. Inside connection Robert McMahon said that the two should just walk in, as people often came to the terminal to pick up lost baggage. DeSimone and Hill entered the unsecured area unchallenged and unlocked the door with a duplicate key. Using a small flashlight, they loaded seven bags into the suitcase and left; $420,000 was taken. No alarm was raised, no shots fired, and no one was injured. The theft was not discovered until the following Monday, when a Wells Fargo truck arrived to pick up the cash to be delivered to the French American Banking Corporation. Hill believed that it was the Air France robbery that endeared him to the Mafia. Restaurant ownership and murder of William "Billy Batts" Bentvena Hill used his share of the robbery proceeds to purchase a restaurant on Queens Boulevard, The Suite, initially aiming to run it as a legitimate business and provide "distance" between himself and his mob associates. However, within several months, the nightclub had become another mob hangout. Hill later said that members of Lucchese and Gambino crews moved into the club en masse, including high-ranking Gambino family members who "were always there". According to the book Wiseguy, after William "Billy Batts" Bentvena was released from prison in 1970, a "welcome home" party was thrown for him at Robert's Lounge, which was owned by Burke. Hill stated that Bentvena saw DeSimone and jokingly asked him if he still shined shoes, which DeSimone perceived as an insult. DeSimone leaned over to Hill and Burke and said, "I'm gonna kill that fuck." Two weeks later, on June 11, 1970, Bentvena was at The Suite near closing time when he was pistol-whipped by DeSimone. Hill said that before DeSimone started to beat Bentvena, DeSimone yelled, "Shine these fucking shoes!" After Bentvena was beaten and presumed killed, DeSimone, Burke, and Hill placed his body in the trunk of Hill's car for transport. They stopped at DeSimone's mother's house to fetch a shovel and lime. They started to hear sounds from the trunk, and when they realized that Bentvena was still alive, DeSimone and Burke stopped the car and beat him to death with the shovel and a tire iron. Burke had a friend who owned a dog kennel in Upstate New York, and Bentvena was buried there. About three months after Bentvena's murder, Burke's friend sold the dog kennel to housing developers, and Burke ordered Hill and DeSimone to exhume Bentvena's corpse and dispose of it elsewhere. In Wiseguy, Hill said the body was eventually crushed in a car crusher at a New Jersey junkyard, which was owned by Clyde Brooks. However, on the commentary for the film Goodfellas, he states that Bentvena's body was buried in the basement of Robert's Lounge, a bar and restaurant owned by Burke, and only later was put into the car crusher. Drug business In November 1972, Burke and Hill were arrested for beating Gaspar Ciaccio in Tampa, Florida. Ciaccio allegedly owed a large gambling debt to their friend, union boss Casey Rosado. They were convicted of extortion and sentenced to ten years at the United States Penitentiary, Lewisburg. Hill was imprisoned with Vario, who was serving a sentence for tax evasion, and several members of John Gotti's Gambino crew. In Lewisburg, Hill met a man from Pittsburgh who, for a fee, taught Hill how to smuggle drugs into the prison. On July 12, 1978, Hill was paroled after four years and resumed his criminal career. He began trafficking in drugs, which Burke eventually became involved with, even though the Lucchese crime family, with whom they were associated, did not authorize any of its members to deal drugs. This Lucchese ban was enacted because the prison sentences imposed on anyone convicted of drug trafficking were so lengthy that the accused would often become informants in exchange for a lesser sentence. Hill began wholesaling marijuana, cocaine, heroin, and quaaludes based on connections he made in prison; he earned enormous amounts of money. A young kid who was a mule of Hill's "ratted" him out to Narcotics Detectives Daniel Mann and William Broder. "The Youngster" (so named by the detectives) informed them that Hill was connected to the Lucchese family and was a close friend to Vario and to Burke and "had probably been in on the Lufthansa robbery." Knowing of Hill's exploits, the detectives put surveillance on him. They found out that Hill's old prison friend from Pittsburgh ran a dog-grooming salon as a front. Mann and Broder had "thousands" of wiretaps of Hill, but Hill and his crew used coded language in the conversations. Hill's wiretap on March 29 is an example of the bizarre vocabulary: Lufthansa heist On December 11, 1978, an estimated $5.875 million (equivalent to $ million in ) was stolen from the Lufthansa cargo terminal at Kennedy airport, with $5 million in cash and $875,000 in jewelry, making it the largest cash robbery committed on American soil at the time. The plot had begun when bookmaker Martin Krugman told Hill that Lufthansa flew in currency to its cargo terminal at the airport; Burke set the plan in motion. Hill did not directly take part in the heist. Basketball fixing Hill and two Pittsburgh gamblers set up the 1978–79 Boston College basketball point-shaving scheme by convincing Boston College center Rick Kuhn to participate. Kuhn, who was a high school friend of one of the gamblers, encouraged teammates to participate in the scheme. Hill also claimed to have an NBA referee in his pocket who worked games at Madison Square Garden during the 1970s. The referee had incurred gambling debts on horse races. 1980 arrest In 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good" and "is a junkie." Burke told them "not to worry about it." Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." When Hill was finally released on bail, Burke told him they should meet at a bar, which Hill had never heard of or seen before, owned by "Charlie the Jap.” However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he would be murdered if he went to Florida. Edward McDonald, the head of the Brooklyn Organized Crime Strike Force, arrested Hill as a material witness in the Lufthansa robbery. With a long sentence hanging over him, Hill agreed to become an informant and signed an agreement with the Strike Force on May 27, 1980. Informant and the witness protection program Hill testified against his former associates to avoid impending prosecution and being murdered by his crew. His testimony led to 50 convictions. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved around to several undisclosed locations including Seattle, Washington; Cincinnati, Ohio; Omaha, Nebraska; Butte, Montana; and Independence, Kentucky. Jimmy Burke was given 12 years in prison for the 1978–79 Boston College point-shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill's bigamy, subsequent arrests, and divorce In the fall of 1981, Hill (now Martin Lewis) met a woman named Sherry Anders. After a whirlwind romance, the two got married in Virginia City, NV despite Hill already being married. This led to a breakdown in many areas of Hill's life. In 1987, Hill was convicted of cocaine trafficking in a federal court in Seattle and expelled from the witness protection program. In 1990, his wife Karen filed for divorce after 23 years of marriage. The divorce was finalized in 2002. In August 2004, Hill was arrested in North Platte, Nebraska at North Platte Regional Airport after he had left his luggage containing drug paraphernalia. On September 26, 2005, he was sentenced to 180 days' imprisonment for attempted methamphetamine possession. Hill was sentenced to two years of probation on March 26, 2009, after he pleaded guilty to two misdemeanor counts of public intoxication. On December 14, 2009, he was arrested in Fairview Heights, Illinois, for disorderly conduct and resisting arrest, which Hill attributed to his drinking problems. Later years In his later years, after his first divorce, he married Kelly Alor, and then Lisa Caserta. They lived in Topanga Canyon, near Malibu, California. Both appeared in several documentaries and made public appearances on various media programs including The Howard Stern Show. Hill fathered a third child during this time. Goodfellas film Goodfellas, the 1990 Martin Scorsese-directed crime film adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi, follows the 1955 to 1980 rise and fall of Hill and his Lucchese crime family associates. Hill was portrayed by Ray Liotta. Scorsese initially named the film Wise Guy but subsequently, with Pileggi's agreement, changed the name to Goodfellas to avoid confusion with the unrelated television crime drama Wiseguy. Two weeks in advance of the filming, Hill was paid $480,000. Robert De Niro, who portrayed Jimmy Burke, often called Hill several times a day to ask how Burke walked, held his cigarette, and so on. Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart. The cast did not meet Hill until a few weeks before the film's premiere. Liotta met him in an undisclosed city; Hill had seen the film and told the actor that he loved it. Other media appearances and activity The 1990 film My Blue Heaven was based on Hill's life, with the screenplay written by Pileggi's wife Nora Ephron. The 2001 TV film The Big Heist was based on the Lufthansa heist, and Hill was portrayed by Nick Sandow. In 2004, Hill was interviewed by Charlie Rose for 60 Minutes. July 24, 2010 marked the twentieth anniversary of the release of Goodfellas. This milestone was celebrated with a private screening hosted by Hill for a select group of invitees at the Museum of the American Gangster. On June 8, 2011, a show about Hill's life aired on the National Geographic Channel's Locked Up Abroad. In 2006, Hill and Ray Liotta appeared in a photo shoot for Entertainment Weekly. At Liotta's urging, Hill entered alcohol rehabilitation two days after the session shoot. In reference to his many victims, Hill stated in an interview in March 2008, with the BBC's Heather Alexander: "I don't give a heck what those people think; I'm doing the right thing now," addressing the reporter's question about how his victims might think of his commercialization of his story through self-written books and advising on Goodfellas. In 2008, Hill was featured in episode three of the crime documentary series The Irish Mob. In the episode, Hill recounts his life of crime, as well as his close relationship with Jimmy Burke and the illegal activity the two engaged in together. A large portion of the segment focuses on Burke's and Hill's involvements in the famous Lufthansa heist. In August 2011, Hill appeared in the special "Mob Week" on AMC; he and other former mob members talked about The Godfather, Goodfellas, and other such mob films. In 2014, the ESPN-produced 30 for 30 series debuted Playing for the Mob, the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point-shaving scandal during the 1978–79 season, an episode briefly mentioned in the movie. The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story. Books In October 2002, Hill published The Wiseguy Cookbook: My Favorite Recipes From My Life As a Goodfella To Cooking On the Run. In it, Hill shared some stories throughout his childhood, life in the mob, and running from the law. He also presents recipes he learned from his family, during his years in the mob, and some that he came up with himself. For example, Hill claimed his last meal the day he was busted for drugs consisted of rolled veal cutlets, sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. In 2012, Henry Hill collaborated with the author, Daniel Simone, in writing and developing a non-fiction book titled, The Lufthansa Heist, a portrayal of the famous 1978 Lufthansa Airline robbery at Kennedy Airport. The book was published in August 2015. Other books by Hill include: Restaurants Hill worked for a time as a chef at an Italian restaurant in North Platte, Nebraska, and his spaghetti sauce, Sunday Gravy, was marketed over the internet. Hill opened another restaurant, Wiseguys, in West Haven, Connecticut, in October 2007, which closed the following month after a fire. Death Hill died of complications related to heart disease in a Los Angeles hospital, on June 12, 2012, after a long battle with his illness, a day after his 69th birthday. His girlfriend for the last six years of his life, Lisa Caserta, said, "He had been sick for a long time. ... his heart gave out." CBS News aired Caserta's report of Hill's death, during which she stated: "he went out pretty peacefully, for a goodfella." She said Hill had recently suffered a heart attack before his death and died of complications after a long history of heart problems associated with smoking. Hill's family was present when he died. Hill was cremated the day after his death. References Further reading 1943 births 2012 deaths 20th-century American criminals 21st-century American criminals American drug traffickers American gangsters American gangsters of Irish descent American gangsters of Sicilian descent American Mafia cooperating witnesses American restaurateurs American robbers Criminals from Brooklyn Criminals from Manhattan Federal Bureau of Investigation informants Gangsters from New York City Lucchese crime family Lufthansa heist Military personnel from New York City People from Brownsville, Brooklyn People from Topanga, California People who entered the United States Federal Witness Protection Program People with dyslexia United States Army soldiers Vario Crew

C_094aef02927740e7be83a2bb60c98047_0

Did he have to go into witness protection?

Did Henry Hill have to go into witness protection after his testimony?

Henry Hill

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes. His testimony led to 50 convictions. Jimmy Burke was given 20 years in prison for the 1978-79 Boston College point shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of lung cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved to undisclosed locations in Omaha, Nebraska; Independence, Kentucky; Redmond, Washington; and Seattle, Washington. In Seattle, Hill hosted backyard cookouts for his neighbors, and on one occasion, while under the influence of a combination of liquor and drugs, he revealed his true identity to his guests. To the ire of the federal marshals, they were forced to relocate him one final time to Sarasota, Florida. There, a few months had passed, and Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program. CANNOTANSWER

Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program

Henry Hill Jr. (June 11, 1943 – June 12, 2012) was an American mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980, when he was arrested on narcotics charges and became an FBI informant. Hill testified against his former Mafia associates, resulting in fifty convictions, including those of caporegime (captain) Paul Vario and fellow associate James Burke on multiple charges. He subsequently entered the Witness Protection Program, but was removed from the program in the early 1990s. Hill's life story was documented in the true crime book Wiseguy: Life in a Mafia Family by Nicholas Pileggi, which was subsequently adapted by Martin Scorsese into the critically acclaimed 1990 film Goodfellas, in which Hill was portrayed by Ray Liotta. Early life Henry Hill Jr. was born on June 11, 1940, in the Manhattan borough of New York City, to Henry Hill Sr., an Irish-American electrician and the son of a coal miner, and Carmela Costa, an Italian immigrant of Sicilian descent. Hill claimed in the book Wiseguy that his father emigrated to the United States from Ireland at the age of twelve, after the death of Hill's grandfather. The working-class family, consisting of Henry and his seven other siblings, grew up in Brownsville, a working-class neighborhood of Brooklyn. Hill was dyslexic and as a result performed poorly at school. From an early age, Hill admired the local mobsters who socialized at a dispatch cabstand across the street from his home, including Paul Vario, a caporegime in the Lucchese crime family. In 1955, when he was 11 years old, Hill wandered into the cabstand looking for a part-time after-school job. In his early teens, Hill began running errands for patrons of Vario's storefront shoeshine, pizzeria, and cabstand. He first met the notorious hijacker and Lucchese family associate James "Jimmy the Gent" Burke in 1956. The 13-year-old Hill served drinks and sandwiches at a card game and was dazzled by Burke's openhanded tipping: "He was sawbucking me to death. Twenty here. Twenty there. He wasn't like anyone else I had ever met." The following year, Vario's younger brother, Vito "Tuddy" Vario, and Vario's son, Lenny Vario, presented Hill with a highly sought-after union card in the bricklayers' local. Hill would be a "no show" and put on a building contractor's construction payroll, guaranteeing him a weekly salary of $190 (). This didn't mean Hill would be getting or keeping all that money every week, however; he received a portion of it, and the rest was kept and divided among the Varios. The card also allowed Hill to facilitate the pickup of daily policy bets and loan payments to Vario from local construction sites. Once Hill had this "legitimate" job, he dropped out of high school and began working exclusively for the Vario gangsters. Hill's first encounter with arson occurred when a rival cabstand opened just around the corner from Vario's business. The competing company's owner was from Alabama, new to New York City. Sometime after midnight, Tuddy and Hill drove to the rival cabstand with a drum full of gasoline in the back seat of Tuddy's car. Hill smashed the cab windows and filled them with gasoline-soaked newspapers, then tossed in lit matchbooks. Hill was first arrested when he was 16; his arrest record is one of the few official documents that prove his existence. Hill and Lenny, Vario's equally underage son, attempted to use a stolen credit card to buy snow tires for Tuddy's wife's car. When Hill and Lenny returned to Tuddy's, two police detectives apprehended Hill. During a rough interrogation, Hill gave his name and nothing else; Vario's attorney later facilitated his release on bail. While a suspended sentence resulted, Hill's refusal to talk earned him the respect of both Vario and Burke. Burke, in particular, saw great potential in Hill. Like Burke, he was of Irish ancestry and therefore ineligible to become a "made man". The Vario crew, however, were happy to have associates of any ethnicity, so long as they made money and refused to cooperate with the authorities. In June 1960, at around 17 years old, Hill joined the United States Army, serving with the 82nd Airborne Division at Fort Bragg in North Carolina. He claimed the timing was deliberate; the FBI's investigation into the 1957 Apalachin mob summit meeting had prompted a Senate investigation into organized crime, and its links with businesses and unions. This resulted in the publication of a list of nearly 5,000 names of members and associates of the five major crime families. Hill searched through a partial list but could not find Vario listed among the Lucchese family. Throughout his three-year enlistment, Hill maintained his mob contacts. He also continued to hustle: in charge of kitchen detail, he sold surplus food, loan sharked pay advances to fellow soldiers, and sold tax-free cigarettes. Before his discharge, Hill spent two months in the stockade for stealing a local sheriff's car and brawling in a bar with Marines and a civilian. In 1963, he returned to New York and began the most notorious phase of his criminal career: arson, intimidation, running an organized stolen car ring, and hijacking trucks. In 1965, Hill met his future wife, Karen Friedman, through Vario, who insisted that Hill accompany his son on a double date at Frank "Frankie the Wop" Manzo's restaurant, Villa Capra. According to Friedman, the date was disastrous, and Hill stood her up at the next dinner date. Afterward, the two began going on dates at the Copacabana and other nightclubs, where Friedman was introduced to Hill's outwardly impressive lifestyle. The two later got married in a large North Carolina wedding, attended by most of Hill's gangster friends. In 1994, Hill, in his book Gangsters and Goodfellas, stated that Tommy DeSimone tried to rape Karen. Air France robbery Shortly before midnight on April 6, 1967, Hill and DeSimone drove to the Air France cargo terminal at John F. Kennedy International Airport with an empty suitcase, the largest Hill could find. Inside connection Robert McMahon said that the two should just walk in, as people often came to the terminal to pick up lost baggage. DeSimone and Hill entered the unsecured area unchallenged and unlocked the door with a duplicate key. Using a small flashlight, they loaded seven bags into the suitcase and left; $420,000 was taken. No alarm was raised, no shots fired, and no one was injured. The theft was not discovered until the following Monday, when a Wells Fargo truck arrived to pick up the cash to be delivered to the French American Banking Corporation. Hill believed that it was the Air France robbery that endeared him to the Mafia. Restaurant ownership and murder of William "Billy Batts" Bentvena Hill used his share of the robbery proceeds to purchase a restaurant on Queens Boulevard, The Suite, initially aiming to run it as a legitimate business and provide "distance" between himself and his mob associates. However, within several months, the nightclub had become another mob hangout. Hill later said that members of Lucchese and Gambino crews moved into the club en masse, including high-ranking Gambino family members who "were always there". According to the book Wiseguy, after William "Billy Batts" Bentvena was released from prison in 1970, a "welcome home" party was thrown for him at Robert's Lounge, which was owned by Burke. Hill stated that Bentvena saw DeSimone and jokingly asked him if he still shined shoes, which DeSimone perceived as an insult. DeSimone leaned over to Hill and Burke and said, "I'm gonna kill that fuck." Two weeks later, on June 11, 1970, Bentvena was at The Suite near closing time when he was pistol-whipped by DeSimone. Hill said that before DeSimone started to beat Bentvena, DeSimone yelled, "Shine these fucking shoes!" After Bentvena was beaten and presumed killed, DeSimone, Burke, and Hill placed his body in the trunk of Hill's car for transport. They stopped at DeSimone's mother's house to fetch a shovel and lime. They started to hear sounds from the trunk, and when they realized that Bentvena was still alive, DeSimone and Burke stopped the car and beat him to death with the shovel and a tire iron. Burke had a friend who owned a dog kennel in Upstate New York, and Bentvena was buried there. About three months after Bentvena's murder, Burke's friend sold the dog kennel to housing developers, and Burke ordered Hill and DeSimone to exhume Bentvena's corpse and dispose of it elsewhere. In Wiseguy, Hill said the body was eventually crushed in a car crusher at a New Jersey junkyard, which was owned by Clyde Brooks. However, on the commentary for the film Goodfellas, he states that Bentvena's body was buried in the basement of Robert's Lounge, a bar and restaurant owned by Burke, and only later was put into the car crusher. Drug business In November 1972, Burke and Hill were arrested for beating Gaspar Ciaccio in Tampa, Florida. Ciaccio allegedly owed a large gambling debt to their friend, union boss Casey Rosado. They were convicted of extortion and sentenced to ten years at the United States Penitentiary, Lewisburg. Hill was imprisoned with Vario, who was serving a sentence for tax evasion, and several members of John Gotti's Gambino crew. In Lewisburg, Hill met a man from Pittsburgh who, for a fee, taught Hill how to smuggle drugs into the prison. On July 12, 1978, Hill was paroled after four years and resumed his criminal career. He began trafficking in drugs, which Burke eventually became involved with, even though the Lucchese crime family, with whom they were associated, did not authorize any of its members to deal drugs. This Lucchese ban was enacted because the prison sentences imposed on anyone convicted of drug trafficking were so lengthy that the accused would often become informants in exchange for a lesser sentence. Hill began wholesaling marijuana, cocaine, heroin, and quaaludes based on connections he made in prison; he earned enormous amounts of money. A young kid who was a mule of Hill's "ratted" him out to Narcotics Detectives Daniel Mann and William Broder. "The Youngster" (so named by the detectives) informed them that Hill was connected to the Lucchese family and was a close friend to Vario and to Burke and "had probably been in on the Lufthansa robbery." Knowing of Hill's exploits, the detectives put surveillance on him. They found out that Hill's old prison friend from Pittsburgh ran a dog-grooming salon as a front. Mann and Broder had "thousands" of wiretaps of Hill, but Hill and his crew used coded language in the conversations. Hill's wiretap on March 29 is an example of the bizarre vocabulary: Lufthansa heist On December 11, 1978, an estimated $5.875 million (equivalent to $ million in ) was stolen from the Lufthansa cargo terminal at Kennedy airport, with $5 million in cash and $875,000 in jewelry, making it the largest cash robbery committed on American soil at the time. The plot had begun when bookmaker Martin Krugman told Hill that Lufthansa flew in currency to its cargo terminal at the airport; Burke set the plan in motion. Hill did not directly take part in the heist. Basketball fixing Hill and two Pittsburgh gamblers set up the 1978–79 Boston College basketball point-shaving scheme by convincing Boston College center Rick Kuhn to participate. Kuhn, who was a high school friend of one of the gamblers, encouraged teammates to participate in the scheme. Hill also claimed to have an NBA referee in his pocket who worked games at Madison Square Garden during the 1970s. The referee had incurred gambling debts on horse races. 1980 arrest In 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good" and "is a junkie." Burke told them "not to worry about it." Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." When Hill was finally released on bail, Burke told him they should meet at a bar, which Hill had never heard of or seen before, owned by "Charlie the Jap.” However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he would be murdered if he went to Florida. Edward McDonald, the head of the Brooklyn Organized Crime Strike Force, arrested Hill as a material witness in the Lufthansa robbery. With a long sentence hanging over him, Hill agreed to become an informant and signed an agreement with the Strike Force on May 27, 1980. Informant and the witness protection program Hill testified against his former associates to avoid impending prosecution and being murdered by his crew. His testimony led to 50 convictions. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved around to several undisclosed locations including Seattle, Washington; Cincinnati, Ohio; Omaha, Nebraska; Butte, Montana; and Independence, Kentucky. Jimmy Burke was given 12 years in prison for the 1978–79 Boston College point-shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill's bigamy, subsequent arrests, and divorce In the fall of 1981, Hill (now Martin Lewis) met a woman named Sherry Anders. After a whirlwind romance, the two got married in Virginia City, NV despite Hill already being married. This led to a breakdown in many areas of Hill's life. In 1987, Hill was convicted of cocaine trafficking in a federal court in Seattle and expelled from the witness protection program. In 1990, his wife Karen filed for divorce after 23 years of marriage. The divorce was finalized in 2002. In August 2004, Hill was arrested in North Platte, Nebraska at North Platte Regional Airport after he had left his luggage containing drug paraphernalia. On September 26, 2005, he was sentenced to 180 days' imprisonment for attempted methamphetamine possession. Hill was sentenced to two years of probation on March 26, 2009, after he pleaded guilty to two misdemeanor counts of public intoxication. On December 14, 2009, he was arrested in Fairview Heights, Illinois, for disorderly conduct and resisting arrest, which Hill attributed to his drinking problems. Later years In his later years, after his first divorce, he married Kelly Alor, and then Lisa Caserta. They lived in Topanga Canyon, near Malibu, California. Both appeared in several documentaries and made public appearances on various media programs including The Howard Stern Show. Hill fathered a third child during this time. Goodfellas film Goodfellas, the 1990 Martin Scorsese-directed crime film adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi, follows the 1955 to 1980 rise and fall of Hill and his Lucchese crime family associates. Hill was portrayed by Ray Liotta. Scorsese initially named the film Wise Guy but subsequently, with Pileggi's agreement, changed the name to Goodfellas to avoid confusion with the unrelated television crime drama Wiseguy. Two weeks in advance of the filming, Hill was paid $480,000. Robert De Niro, who portrayed Jimmy Burke, often called Hill several times a day to ask how Burke walked, held his cigarette, and so on. Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart. The cast did not meet Hill until a few weeks before the film's premiere. Liotta met him in an undisclosed city; Hill had seen the film and told the actor that he loved it. Other media appearances and activity The 1990 film My Blue Heaven was based on Hill's life, with the screenplay written by Pileggi's wife Nora Ephron. The 2001 TV film The Big Heist was based on the Lufthansa heist, and Hill was portrayed by Nick Sandow. In 2004, Hill was interviewed by Charlie Rose for 60 Minutes. July 24, 2010 marked the twentieth anniversary of the release of Goodfellas. This milestone was celebrated with a private screening hosted by Hill for a select group of invitees at the Museum of the American Gangster. On June 8, 2011, a show about Hill's life aired on the National Geographic Channel's Locked Up Abroad. In 2006, Hill and Ray Liotta appeared in a photo shoot for Entertainment Weekly. At Liotta's urging, Hill entered alcohol rehabilitation two days after the session shoot. In reference to his many victims, Hill stated in an interview in March 2008, with the BBC's Heather Alexander: "I don't give a heck what those people think; I'm doing the right thing now," addressing the reporter's question about how his victims might think of his commercialization of his story through self-written books and advising on Goodfellas. In 2008, Hill was featured in episode three of the crime documentary series The Irish Mob. In the episode, Hill recounts his life of crime, as well as his close relationship with Jimmy Burke and the illegal activity the two engaged in together. A large portion of the segment focuses on Burke's and Hill's involvements in the famous Lufthansa heist. In August 2011, Hill appeared in the special "Mob Week" on AMC; he and other former mob members talked about The Godfather, Goodfellas, and other such mob films. In 2014, the ESPN-produced 30 for 30 series debuted Playing for the Mob, the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point-shaving scandal during the 1978–79 season, an episode briefly mentioned in the movie. The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story. Books In October 2002, Hill published The Wiseguy Cookbook: My Favorite Recipes From My Life As a Goodfella To Cooking On the Run. In it, Hill shared some stories throughout his childhood, life in the mob, and running from the law. He also presents recipes he learned from his family, during his years in the mob, and some that he came up with himself. For example, Hill claimed his last meal the day he was busted for drugs consisted of rolled veal cutlets, sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. In 2012, Henry Hill collaborated with the author, Daniel Simone, in writing and developing a non-fiction book titled, The Lufthansa Heist, a portrayal of the famous 1978 Lufthansa Airline robbery at Kennedy Airport. The book was published in August 2015. Other books by Hill include: Restaurants Hill worked for a time as a chef at an Italian restaurant in North Platte, Nebraska, and his spaghetti sauce, Sunday Gravy, was marketed over the internet. Hill opened another restaurant, Wiseguys, in West Haven, Connecticut, in October 2007, which closed the following month after a fire. Death Hill died of complications related to heart disease in a Los Angeles hospital, on June 12, 2012, after a long battle with his illness, a day after his 69th birthday. His girlfriend for the last six years of his life, Lisa Caserta, said, "He had been sick for a long time. ... his heart gave out." CBS News aired Caserta's report of Hill's death, during which she stated: "he went out pretty peacefully, for a goodfella." She said Hill had recently suffered a heart attack before his death and died of complications after a long history of heart problems associated with smoking. Hill's family was present when he died. Hill was cremated the day after his death. References Further reading 1943 births 2012 deaths 20th-century American criminals 21st-century American criminals American drug traffickers American gangsters American gangsters of Irish descent American gangsters of Sicilian descent American Mafia cooperating witnesses American restaurateurs American robbers Criminals from Brooklyn Criminals from Manhattan Federal Bureau of Investigation informants Gangsters from New York City Lucchese crime family Lufthansa heist Military personnel from New York City People from Brownsville, Brooklyn People from Topanga, California People who entered the United States Federal Witness Protection Program People with dyslexia United States Army soldiers Vario Crew

C_094aef02927740e7be83a2bb60c98047_0

Where did he move to?

Where did Henry Hill move to in the Witness Protection Program?

Henry Hill

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes. His testimony led to 50 convictions. Jimmy Burke was given 20 years in prison for the 1978-79 Boston College point shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of lung cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved to undisclosed locations in Omaha, Nebraska; Independence, Kentucky; Redmond, Washington; and Seattle, Washington. In Seattle, Hill hosted backyard cookouts for his neighbors, and on one occasion, while under the influence of a combination of liquor and drugs, he revealed his true identity to his guests. To the ire of the federal marshals, they were forced to relocate him one final time to Sarasota, Florida. There, a few months had passed, and Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program. CANNOTANSWER

undisclosed locations in Omaha,

Henry Hill Jr. (June 11, 1943 – June 12, 2012) was an American mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980, when he was arrested on narcotics charges and became an FBI informant. Hill testified against his former Mafia associates, resulting in fifty convictions, including those of caporegime (captain) Paul Vario and fellow associate James Burke on multiple charges. He subsequently entered the Witness Protection Program, but was removed from the program in the early 1990s. Hill's life story was documented in the true crime book Wiseguy: Life in a Mafia Family by Nicholas Pileggi, which was subsequently adapted by Martin Scorsese into the critically acclaimed 1990 film Goodfellas, in which Hill was portrayed by Ray Liotta. Early life Henry Hill Jr. was born on June 11, 1940, in the Manhattan borough of New York City, to Henry Hill Sr., an Irish-American electrician and the son of a coal miner, and Carmela Costa, an Italian immigrant of Sicilian descent. Hill claimed in the book Wiseguy that his father emigrated to the United States from Ireland at the age of twelve, after the death of Hill's grandfather. The working-class family, consisting of Henry and his seven other siblings, grew up in Brownsville, a working-class neighborhood of Brooklyn. Hill was dyslexic and as a result performed poorly at school. From an early age, Hill admired the local mobsters who socialized at a dispatch cabstand across the street from his home, including Paul Vario, a caporegime in the Lucchese crime family. In 1955, when he was 11 years old, Hill wandered into the cabstand looking for a part-time after-school job. In his early teens, Hill began running errands for patrons of Vario's storefront shoeshine, pizzeria, and cabstand. He first met the notorious hijacker and Lucchese family associate James "Jimmy the Gent" Burke in 1956. The 13-year-old Hill served drinks and sandwiches at a card game and was dazzled by Burke's openhanded tipping: "He was sawbucking me to death. Twenty here. Twenty there. He wasn't like anyone else I had ever met." The following year, Vario's younger brother, Vito "Tuddy" Vario, and Vario's son, Lenny Vario, presented Hill with a highly sought-after union card in the bricklayers' local. Hill would be a "no show" and put on a building contractor's construction payroll, guaranteeing him a weekly salary of $190 (). This didn't mean Hill would be getting or keeping all that money every week, however; he received a portion of it, and the rest was kept and divided among the Varios. The card also allowed Hill to facilitate the pickup of daily policy bets and loan payments to Vario from local construction sites. Once Hill had this "legitimate" job, he dropped out of high school and began working exclusively for the Vario gangsters. Hill's first encounter with arson occurred when a rival cabstand opened just around the corner from Vario's business. The competing company's owner was from Alabama, new to New York City. Sometime after midnight, Tuddy and Hill drove to the rival cabstand with a drum full of gasoline in the back seat of Tuddy's car. Hill smashed the cab windows and filled them with gasoline-soaked newspapers, then tossed in lit matchbooks. Hill was first arrested when he was 16; his arrest record is one of the few official documents that prove his existence. Hill and Lenny, Vario's equally underage son, attempted to use a stolen credit card to buy snow tires for Tuddy's wife's car. When Hill and Lenny returned to Tuddy's, two police detectives apprehended Hill. During a rough interrogation, Hill gave his name and nothing else; Vario's attorney later facilitated his release on bail. While a suspended sentence resulted, Hill's refusal to talk earned him the respect of both Vario and Burke. Burke, in particular, saw great potential in Hill. Like Burke, he was of Irish ancestry and therefore ineligible to become a "made man". The Vario crew, however, were happy to have associates of any ethnicity, so long as they made money and refused to cooperate with the authorities. In June 1960, at around 17 years old, Hill joined the United States Army, serving with the 82nd Airborne Division at Fort Bragg in North Carolina. He claimed the timing was deliberate; the FBI's investigation into the 1957 Apalachin mob summit meeting had prompted a Senate investigation into organized crime, and its links with businesses and unions. This resulted in the publication of a list of nearly 5,000 names of members and associates of the five major crime families. Hill searched through a partial list but could not find Vario listed among the Lucchese family. Throughout his three-year enlistment, Hill maintained his mob contacts. He also continued to hustle: in charge of kitchen detail, he sold surplus food, loan sharked pay advances to fellow soldiers, and sold tax-free cigarettes. Before his discharge, Hill spent two months in the stockade for stealing a local sheriff's car and brawling in a bar with Marines and a civilian. In 1963, he returned to New York and began the most notorious phase of his criminal career: arson, intimidation, running an organized stolen car ring, and hijacking trucks. In 1965, Hill met his future wife, Karen Friedman, through Vario, who insisted that Hill accompany his son on a double date at Frank "Frankie the Wop" Manzo's restaurant, Villa Capra. According to Friedman, the date was disastrous, and Hill stood her up at the next dinner date. Afterward, the two began going on dates at the Copacabana and other nightclubs, where Friedman was introduced to Hill's outwardly impressive lifestyle. The two later got married in a large North Carolina wedding, attended by most of Hill's gangster friends. In 1994, Hill, in his book Gangsters and Goodfellas, stated that Tommy DeSimone tried to rape Karen. Air France robbery Shortly before midnight on April 6, 1967, Hill and DeSimone drove to the Air France cargo terminal at John F. Kennedy International Airport with an empty suitcase, the largest Hill could find. Inside connection Robert McMahon said that the two should just walk in, as people often came to the terminal to pick up lost baggage. DeSimone and Hill entered the unsecured area unchallenged and unlocked the door with a duplicate key. Using a small flashlight, they loaded seven bags into the suitcase and left; $420,000 was taken. No alarm was raised, no shots fired, and no one was injured. The theft was not discovered until the following Monday, when a Wells Fargo truck arrived to pick up the cash to be delivered to the French American Banking Corporation. Hill believed that it was the Air France robbery that endeared him to the Mafia. Restaurant ownership and murder of William "Billy Batts" Bentvena Hill used his share of the robbery proceeds to purchase a restaurant on Queens Boulevard, The Suite, initially aiming to run it as a legitimate business and provide "distance" between himself and his mob associates. However, within several months, the nightclub had become another mob hangout. Hill later said that members of Lucchese and Gambino crews moved into the club en masse, including high-ranking Gambino family members who "were always there". According to the book Wiseguy, after William "Billy Batts" Bentvena was released from prison in 1970, a "welcome home" party was thrown for him at Robert's Lounge, which was owned by Burke. Hill stated that Bentvena saw DeSimone and jokingly asked him if he still shined shoes, which DeSimone perceived as an insult. DeSimone leaned over to Hill and Burke and said, "I'm gonna kill that fuck." Two weeks later, on June 11, 1970, Bentvena was at The Suite near closing time when he was pistol-whipped by DeSimone. Hill said that before DeSimone started to beat Bentvena, DeSimone yelled, "Shine these fucking shoes!" After Bentvena was beaten and presumed killed, DeSimone, Burke, and Hill placed his body in the trunk of Hill's car for transport. They stopped at DeSimone's mother's house to fetch a shovel and lime. They started to hear sounds from the trunk, and when they realized that Bentvena was still alive, DeSimone and Burke stopped the car and beat him to death with the shovel and a tire iron. Burke had a friend who owned a dog kennel in Upstate New York, and Bentvena was buried there. About three months after Bentvena's murder, Burke's friend sold the dog kennel to housing developers, and Burke ordered Hill and DeSimone to exhume Bentvena's corpse and dispose of it elsewhere. In Wiseguy, Hill said the body was eventually crushed in a car crusher at a New Jersey junkyard, which was owned by Clyde Brooks. However, on the commentary for the film Goodfellas, he states that Bentvena's body was buried in the basement of Robert's Lounge, a bar and restaurant owned by Burke, and only later was put into the car crusher. Drug business In November 1972, Burke and Hill were arrested for beating Gaspar Ciaccio in Tampa, Florida. Ciaccio allegedly owed a large gambling debt to their friend, union boss Casey Rosado. They were convicted of extortion and sentenced to ten years at the United States Penitentiary, Lewisburg. Hill was imprisoned with Vario, who was serving a sentence for tax evasion, and several members of John Gotti's Gambino crew. In Lewisburg, Hill met a man from Pittsburgh who, for a fee, taught Hill how to smuggle drugs into the prison. On July 12, 1978, Hill was paroled after four years and resumed his criminal career. He began trafficking in drugs, which Burke eventually became involved with, even though the Lucchese crime family, with whom they were associated, did not authorize any of its members to deal drugs. This Lucchese ban was enacted because the prison sentences imposed on anyone convicted of drug trafficking were so lengthy that the accused would often become informants in exchange for a lesser sentence. Hill began wholesaling marijuana, cocaine, heroin, and quaaludes based on connections he made in prison; he earned enormous amounts of money. A young kid who was a mule of Hill's "ratted" him out to Narcotics Detectives Daniel Mann and William Broder. "The Youngster" (so named by the detectives) informed them that Hill was connected to the Lucchese family and was a close friend to Vario and to Burke and "had probably been in on the Lufthansa robbery." Knowing of Hill's exploits, the detectives put surveillance on him. They found out that Hill's old prison friend from Pittsburgh ran a dog-grooming salon as a front. Mann and Broder had "thousands" of wiretaps of Hill, but Hill and his crew used coded language in the conversations. Hill's wiretap on March 29 is an example of the bizarre vocabulary: Lufthansa heist On December 11, 1978, an estimated $5.875 million (equivalent to $ million in ) was stolen from the Lufthansa cargo terminal at Kennedy airport, with $5 million in cash and $875,000 in jewelry, making it the largest cash robbery committed on American soil at the time. The plot had begun when bookmaker Martin Krugman told Hill that Lufthansa flew in currency to its cargo terminal at the airport; Burke set the plan in motion. Hill did not directly take part in the heist. Basketball fixing Hill and two Pittsburgh gamblers set up the 1978–79 Boston College basketball point-shaving scheme by convincing Boston College center Rick Kuhn to participate. Kuhn, who was a high school friend of one of the gamblers, encouraged teammates to participate in the scheme. Hill also claimed to have an NBA referee in his pocket who worked games at Madison Square Garden during the 1970s. The referee had incurred gambling debts on horse races. 1980 arrest In 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good" and "is a junkie." Burke told them "not to worry about it." Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." When Hill was finally released on bail, Burke told him they should meet at a bar, which Hill had never heard of or seen before, owned by "Charlie the Jap.” However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he would be murdered if he went to Florida. Edward McDonald, the head of the Brooklyn Organized Crime Strike Force, arrested Hill as a material witness in the Lufthansa robbery. With a long sentence hanging over him, Hill agreed to become an informant and signed an agreement with the Strike Force on May 27, 1980. Informant and the witness protection program Hill testified against his former associates to avoid impending prosecution and being murdered by his crew. His testimony led to 50 convictions. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved around to several undisclosed locations including Seattle, Washington; Cincinnati, Ohio; Omaha, Nebraska; Butte, Montana; and Independence, Kentucky. Jimmy Burke was given 12 years in prison for the 1978–79 Boston College point-shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill's bigamy, subsequent arrests, and divorce In the fall of 1981, Hill (now Martin Lewis) met a woman named Sherry Anders. After a whirlwind romance, the two got married in Virginia City, NV despite Hill already being married. This led to a breakdown in many areas of Hill's life. In 1987, Hill was convicted of cocaine trafficking in a federal court in Seattle and expelled from the witness protection program. In 1990, his wife Karen filed for divorce after 23 years of marriage. The divorce was finalized in 2002. In August 2004, Hill was arrested in North Platte, Nebraska at North Platte Regional Airport after he had left his luggage containing drug paraphernalia. On September 26, 2005, he was sentenced to 180 days' imprisonment for attempted methamphetamine possession. Hill was sentenced to two years of probation on March 26, 2009, after he pleaded guilty to two misdemeanor counts of public intoxication. On December 14, 2009, he was arrested in Fairview Heights, Illinois, for disorderly conduct and resisting arrest, which Hill attributed to his drinking problems. Later years In his later years, after his first divorce, he married Kelly Alor, and then Lisa Caserta. They lived in Topanga Canyon, near Malibu, California. Both appeared in several documentaries and made public appearances on various media programs including The Howard Stern Show. Hill fathered a third child during this time. Goodfellas film Goodfellas, the 1990 Martin Scorsese-directed crime film adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi, follows the 1955 to 1980 rise and fall of Hill and his Lucchese crime family associates. Hill was portrayed by Ray Liotta. Scorsese initially named the film Wise Guy but subsequently, with Pileggi's agreement, changed the name to Goodfellas to avoid confusion with the unrelated television crime drama Wiseguy. Two weeks in advance of the filming, Hill was paid $480,000. Robert De Niro, who portrayed Jimmy Burke, often called Hill several times a day to ask how Burke walked, held his cigarette, and so on. Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart. The cast did not meet Hill until a few weeks before the film's premiere. Liotta met him in an undisclosed city; Hill had seen the film and told the actor that he loved it. Other media appearances and activity The 1990 film My Blue Heaven was based on Hill's life, with the screenplay written by Pileggi's wife Nora Ephron. The 2001 TV film The Big Heist was based on the Lufthansa heist, and Hill was portrayed by Nick Sandow. In 2004, Hill was interviewed by Charlie Rose for 60 Minutes. July 24, 2010 marked the twentieth anniversary of the release of Goodfellas. This milestone was celebrated with a private screening hosted by Hill for a select group of invitees at the Museum of the American Gangster. On June 8, 2011, a show about Hill's life aired on the National Geographic Channel's Locked Up Abroad. In 2006, Hill and Ray Liotta appeared in a photo shoot for Entertainment Weekly. At Liotta's urging, Hill entered alcohol rehabilitation two days after the session shoot. In reference to his many victims, Hill stated in an interview in March 2008, with the BBC's Heather Alexander: "I don't give a heck what those people think; I'm doing the right thing now," addressing the reporter's question about how his victims might think of his commercialization of his story through self-written books and advising on Goodfellas. In 2008, Hill was featured in episode three of the crime documentary series The Irish Mob. In the episode, Hill recounts his life of crime, as well as his close relationship with Jimmy Burke and the illegal activity the two engaged in together. A large portion of the segment focuses on Burke's and Hill's involvements in the famous Lufthansa heist. In August 2011, Hill appeared in the special "Mob Week" on AMC; he and other former mob members talked about The Godfather, Goodfellas, and other such mob films. In 2014, the ESPN-produced 30 for 30 series debuted Playing for the Mob, the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point-shaving scandal during the 1978–79 season, an episode briefly mentioned in the movie. The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story. Books In October 2002, Hill published The Wiseguy Cookbook: My Favorite Recipes From My Life As a Goodfella To Cooking On the Run. In it, Hill shared some stories throughout his childhood, life in the mob, and running from the law. He also presents recipes he learned from his family, during his years in the mob, and some that he came up with himself. For example, Hill claimed his last meal the day he was busted for drugs consisted of rolled veal cutlets, sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. In 2012, Henry Hill collaborated with the author, Daniel Simone, in writing and developing a non-fiction book titled, The Lufthansa Heist, a portrayal of the famous 1978 Lufthansa Airline robbery at Kennedy Airport. The book was published in August 2015. Other books by Hill include: Restaurants Hill worked for a time as a chef at an Italian restaurant in North Platte, Nebraska, and his spaghetti sauce, Sunday Gravy, was marketed over the internet. Hill opened another restaurant, Wiseguys, in West Haven, Connecticut, in October 2007, which closed the following month after a fire. Death Hill died of complications related to heart disease in a Los Angeles hospital, on June 12, 2012, after a long battle with his illness, a day after his 69th birthday. His girlfriend for the last six years of his life, Lisa Caserta, said, "He had been sick for a long time. ... his heart gave out." CBS News aired Caserta's report of Hill's death, during which she stated: "he went out pretty peacefully, for a goodfella." She said Hill had recently suffered a heart attack before his death and died of complications after a long history of heart problems associated with smoking. Hill's family was present when he died. Hill was cremated the day after his death. References Further reading 1943 births 2012 deaths 20th-century American criminals 21st-century American criminals American drug traffickers American gangsters American gangsters of Irish descent American gangsters of Sicilian descent American Mafia cooperating witnesses American restaurateurs American robbers Criminals from Brooklyn Criminals from Manhattan Federal Bureau of Investigation informants Gangsters from New York City Lucchese crime family Lufthansa heist Military personnel from New York City People from Brownsville, Brooklyn People from Topanga, California People who entered the United States Federal Witness Protection Program People with dyslexia United States Army soldiers Vario Crew

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Did he have to move around a lot?

Did Henry Hill have to move around a lot in the Witness Protection Program?

Henry Hill

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes. His testimony led to 50 convictions. Jimmy Burke was given 20 years in prison for the 1978-79 Boston College point shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of lung cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved to undisclosed locations in Omaha, Nebraska; Independence, Kentucky; Redmond, Washington; and Seattle, Washington. In Seattle, Hill hosted backyard cookouts for his neighbors, and on one occasion, while under the influence of a combination of liquor and drugs, he revealed his true identity to his guests. To the ire of the federal marshals, they were forced to relocate him one final time to Sarasota, Florida. There, a few months had passed, and Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program. CANNOTANSWER

Nebraska; Independence,

Henry Hill Jr. (June 11, 1943 – June 12, 2012) was an American mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980, when he was arrested on narcotics charges and became an FBI informant. Hill testified against his former Mafia associates, resulting in fifty convictions, including those of caporegime (captain) Paul Vario and fellow associate James Burke on multiple charges. He subsequently entered the Witness Protection Program, but was removed from the program in the early 1990s. Hill's life story was documented in the true crime book Wiseguy: Life in a Mafia Family by Nicholas Pileggi, which was subsequently adapted by Martin Scorsese into the critically acclaimed 1990 film Goodfellas, in which Hill was portrayed by Ray Liotta. Early life Henry Hill Jr. was born on June 11, 1940, in the Manhattan borough of New York City, to Henry Hill Sr., an Irish-American electrician and the son of a coal miner, and Carmela Costa, an Italian immigrant of Sicilian descent. Hill claimed in the book Wiseguy that his father emigrated to the United States from Ireland at the age of twelve, after the death of Hill's grandfather. The working-class family, consisting of Henry and his seven other siblings, grew up in Brownsville, a working-class neighborhood of Brooklyn. Hill was dyslexic and as a result performed poorly at school. From an early age, Hill admired the local mobsters who socialized at a dispatch cabstand across the street from his home, including Paul Vario, a caporegime in the Lucchese crime family. In 1955, when he was 11 years old, Hill wandered into the cabstand looking for a part-time after-school job. In his early teens, Hill began running errands for patrons of Vario's storefront shoeshine, pizzeria, and cabstand. He first met the notorious hijacker and Lucchese family associate James "Jimmy the Gent" Burke in 1956. The 13-year-old Hill served drinks and sandwiches at a card game and was dazzled by Burke's openhanded tipping: "He was sawbucking me to death. Twenty here. Twenty there. He wasn't like anyone else I had ever met." The following year, Vario's younger brother, Vito "Tuddy" Vario, and Vario's son, Lenny Vario, presented Hill with a highly sought-after union card in the bricklayers' local. Hill would be a "no show" and put on a building contractor's construction payroll, guaranteeing him a weekly salary of $190 (). This didn't mean Hill would be getting or keeping all that money every week, however; he received a portion of it, and the rest was kept and divided among the Varios. The card also allowed Hill to facilitate the pickup of daily policy bets and loan payments to Vario from local construction sites. Once Hill had this "legitimate" job, he dropped out of high school and began working exclusively for the Vario gangsters. Hill's first encounter with arson occurred when a rival cabstand opened just around the corner from Vario's business. The competing company's owner was from Alabama, new to New York City. Sometime after midnight, Tuddy and Hill drove to the rival cabstand with a drum full of gasoline in the back seat of Tuddy's car. Hill smashed the cab windows and filled them with gasoline-soaked newspapers, then tossed in lit matchbooks. Hill was first arrested when he was 16; his arrest record is one of the few official documents that prove his existence. Hill and Lenny, Vario's equally underage son, attempted to use a stolen credit card to buy snow tires for Tuddy's wife's car. When Hill and Lenny returned to Tuddy's, two police detectives apprehended Hill. During a rough interrogation, Hill gave his name and nothing else; Vario's attorney later facilitated his release on bail. While a suspended sentence resulted, Hill's refusal to talk earned him the respect of both Vario and Burke. Burke, in particular, saw great potential in Hill. Like Burke, he was of Irish ancestry and therefore ineligible to become a "made man". The Vario crew, however, were happy to have associates of any ethnicity, so long as they made money and refused to cooperate with the authorities. In June 1960, at around 17 years old, Hill joined the United States Army, serving with the 82nd Airborne Division at Fort Bragg in North Carolina. He claimed the timing was deliberate; the FBI's investigation into the 1957 Apalachin mob summit meeting had prompted a Senate investigation into organized crime, and its links with businesses and unions. This resulted in the publication of a list of nearly 5,000 names of members and associates of the five major crime families. Hill searched through a partial list but could not find Vario listed among the Lucchese family. Throughout his three-year enlistment, Hill maintained his mob contacts. He also continued to hustle: in charge of kitchen detail, he sold surplus food, loan sharked pay advances to fellow soldiers, and sold tax-free cigarettes. Before his discharge, Hill spent two months in the stockade for stealing a local sheriff's car and brawling in a bar with Marines and a civilian. In 1963, he returned to New York and began the most notorious phase of his criminal career: arson, intimidation, running an organized stolen car ring, and hijacking trucks. In 1965, Hill met his future wife, Karen Friedman, through Vario, who insisted that Hill accompany his son on a double date at Frank "Frankie the Wop" Manzo's restaurant, Villa Capra. According to Friedman, the date was disastrous, and Hill stood her up at the next dinner date. Afterward, the two began going on dates at the Copacabana and other nightclubs, where Friedman was introduced to Hill's outwardly impressive lifestyle. The two later got married in a large North Carolina wedding, attended by most of Hill's gangster friends. In 1994, Hill, in his book Gangsters and Goodfellas, stated that Tommy DeSimone tried to rape Karen. Air France robbery Shortly before midnight on April 6, 1967, Hill and DeSimone drove to the Air France cargo terminal at John F. Kennedy International Airport with an empty suitcase, the largest Hill could find. Inside connection Robert McMahon said that the two should just walk in, as people often came to the terminal to pick up lost baggage. DeSimone and Hill entered the unsecured area unchallenged and unlocked the door with a duplicate key. Using a small flashlight, they loaded seven bags into the suitcase and left; $420,000 was taken. No alarm was raised, no shots fired, and no one was injured. The theft was not discovered until the following Monday, when a Wells Fargo truck arrived to pick up the cash to be delivered to the French American Banking Corporation. Hill believed that it was the Air France robbery that endeared him to the Mafia. Restaurant ownership and murder of William "Billy Batts" Bentvena Hill used his share of the robbery proceeds to purchase a restaurant on Queens Boulevard, The Suite, initially aiming to run it as a legitimate business and provide "distance" between himself and his mob associates. However, within several months, the nightclub had become another mob hangout. Hill later said that members of Lucchese and Gambino crews moved into the club en masse, including high-ranking Gambino family members who "were always there". According to the book Wiseguy, after William "Billy Batts" Bentvena was released from prison in 1970, a "welcome home" party was thrown for him at Robert's Lounge, which was owned by Burke. Hill stated that Bentvena saw DeSimone and jokingly asked him if he still shined shoes, which DeSimone perceived as an insult. DeSimone leaned over to Hill and Burke and said, "I'm gonna kill that fuck." Two weeks later, on June 11, 1970, Bentvena was at The Suite near closing time when he was pistol-whipped by DeSimone. Hill said that before DeSimone started to beat Bentvena, DeSimone yelled, "Shine these fucking shoes!" After Bentvena was beaten and presumed killed, DeSimone, Burke, and Hill placed his body in the trunk of Hill's car for transport. They stopped at DeSimone's mother's house to fetch a shovel and lime. They started to hear sounds from the trunk, and when they realized that Bentvena was still alive, DeSimone and Burke stopped the car and beat him to death with the shovel and a tire iron. Burke had a friend who owned a dog kennel in Upstate New York, and Bentvena was buried there. About three months after Bentvena's murder, Burke's friend sold the dog kennel to housing developers, and Burke ordered Hill and DeSimone to exhume Bentvena's corpse and dispose of it elsewhere. In Wiseguy, Hill said the body was eventually crushed in a car crusher at a New Jersey junkyard, which was owned by Clyde Brooks. However, on the commentary for the film Goodfellas, he states that Bentvena's body was buried in the basement of Robert's Lounge, a bar and restaurant owned by Burke, and only later was put into the car crusher. Drug business In November 1972, Burke and Hill were arrested for beating Gaspar Ciaccio in Tampa, Florida. Ciaccio allegedly owed a large gambling debt to their friend, union boss Casey Rosado. They were convicted of extortion and sentenced to ten years at the United States Penitentiary, Lewisburg. Hill was imprisoned with Vario, who was serving a sentence for tax evasion, and several members of John Gotti's Gambino crew. In Lewisburg, Hill met a man from Pittsburgh who, for a fee, taught Hill how to smuggle drugs into the prison. On July 12, 1978, Hill was paroled after four years and resumed his criminal career. He began trafficking in drugs, which Burke eventually became involved with, even though the Lucchese crime family, with whom they were associated, did not authorize any of its members to deal drugs. This Lucchese ban was enacted because the prison sentences imposed on anyone convicted of drug trafficking were so lengthy that the accused would often become informants in exchange for a lesser sentence. Hill began wholesaling marijuana, cocaine, heroin, and quaaludes based on connections he made in prison; he earned enormous amounts of money. A young kid who was a mule of Hill's "ratted" him out to Narcotics Detectives Daniel Mann and William Broder. "The Youngster" (so named by the detectives) informed them that Hill was connected to the Lucchese family and was a close friend to Vario and to Burke and "had probably been in on the Lufthansa robbery." Knowing of Hill's exploits, the detectives put surveillance on him. They found out that Hill's old prison friend from Pittsburgh ran a dog-grooming salon as a front. Mann and Broder had "thousands" of wiretaps of Hill, but Hill and his crew used coded language in the conversations. Hill's wiretap on March 29 is an example of the bizarre vocabulary: Lufthansa heist On December 11, 1978, an estimated $5.875 million (equivalent to $ million in ) was stolen from the Lufthansa cargo terminal at Kennedy airport, with $5 million in cash and $875,000 in jewelry, making it the largest cash robbery committed on American soil at the time. The plot had begun when bookmaker Martin Krugman told Hill that Lufthansa flew in currency to its cargo terminal at the airport; Burke set the plan in motion. Hill did not directly take part in the heist. Basketball fixing Hill and two Pittsburgh gamblers set up the 1978–79 Boston College basketball point-shaving scheme by convincing Boston College center Rick Kuhn to participate. Kuhn, who was a high school friend of one of the gamblers, encouraged teammates to participate in the scheme. Hill also claimed to have an NBA referee in his pocket who worked games at Madison Square Garden during the 1970s. The referee had incurred gambling debts on horse races. 1980 arrest In 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good" and "is a junkie." Burke told them "not to worry about it." Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." When Hill was finally released on bail, Burke told him they should meet at a bar, which Hill had never heard of or seen before, owned by "Charlie the Jap.” However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he would be murdered if he went to Florida. Edward McDonald, the head of the Brooklyn Organized Crime Strike Force, arrested Hill as a material witness in the Lufthansa robbery. With a long sentence hanging over him, Hill agreed to become an informant and signed an agreement with the Strike Force on May 27, 1980. Informant and the witness protection program Hill testified against his former associates to avoid impending prosecution and being murdered by his crew. His testimony led to 50 convictions. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved around to several undisclosed locations including Seattle, Washington; Cincinnati, Ohio; Omaha, Nebraska; Butte, Montana; and Independence, Kentucky. Jimmy Burke was given 12 years in prison for the 1978–79 Boston College point-shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill's bigamy, subsequent arrests, and divorce In the fall of 1981, Hill (now Martin Lewis) met a woman named Sherry Anders. After a whirlwind romance, the two got married in Virginia City, NV despite Hill already being married. This led to a breakdown in many areas of Hill's life. In 1987, Hill was convicted of cocaine trafficking in a federal court in Seattle and expelled from the witness protection program. In 1990, his wife Karen filed for divorce after 23 years of marriage. The divorce was finalized in 2002. In August 2004, Hill was arrested in North Platte, Nebraska at North Platte Regional Airport after he had left his luggage containing drug paraphernalia. On September 26, 2005, he was sentenced to 180 days' imprisonment for attempted methamphetamine possession. Hill was sentenced to two years of probation on March 26, 2009, after he pleaded guilty to two misdemeanor counts of public intoxication. On December 14, 2009, he was arrested in Fairview Heights, Illinois, for disorderly conduct and resisting arrest, which Hill attributed to his drinking problems. Later years In his later years, after his first divorce, he married Kelly Alor, and then Lisa Caserta. They lived in Topanga Canyon, near Malibu, California. Both appeared in several documentaries and made public appearances on various media programs including The Howard Stern Show. Hill fathered a third child during this time. Goodfellas film Goodfellas, the 1990 Martin Scorsese-directed crime film adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi, follows the 1955 to 1980 rise and fall of Hill and his Lucchese crime family associates. Hill was portrayed by Ray Liotta. Scorsese initially named the film Wise Guy but subsequently, with Pileggi's agreement, changed the name to Goodfellas to avoid confusion with the unrelated television crime drama Wiseguy. Two weeks in advance of the filming, Hill was paid $480,000. Robert De Niro, who portrayed Jimmy Burke, often called Hill several times a day to ask how Burke walked, held his cigarette, and so on. Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart. The cast did not meet Hill until a few weeks before the film's premiere. Liotta met him in an undisclosed city; Hill had seen the film and told the actor that he loved it. Other media appearances and activity The 1990 film My Blue Heaven was based on Hill's life, with the screenplay written by Pileggi's wife Nora Ephron. The 2001 TV film The Big Heist was based on the Lufthansa heist, and Hill was portrayed by Nick Sandow. In 2004, Hill was interviewed by Charlie Rose for 60 Minutes. July 24, 2010 marked the twentieth anniversary of the release of Goodfellas. This milestone was celebrated with a private screening hosted by Hill for a select group of invitees at the Museum of the American Gangster. On June 8, 2011, a show about Hill's life aired on the National Geographic Channel's Locked Up Abroad. In 2006, Hill and Ray Liotta appeared in a photo shoot for Entertainment Weekly. At Liotta's urging, Hill entered alcohol rehabilitation two days after the session shoot. In reference to his many victims, Hill stated in an interview in March 2008, with the BBC's Heather Alexander: "I don't give a heck what those people think; I'm doing the right thing now," addressing the reporter's question about how his victims might think of his commercialization of his story through self-written books and advising on Goodfellas. In 2008, Hill was featured in episode three of the crime documentary series The Irish Mob. In the episode, Hill recounts his life of crime, as well as his close relationship with Jimmy Burke and the illegal activity the two engaged in together. A large portion of the segment focuses on Burke's and Hill's involvements in the famous Lufthansa heist. In August 2011, Hill appeared in the special "Mob Week" on AMC; he and other former mob members talked about The Godfather, Goodfellas, and other such mob films. In 2014, the ESPN-produced 30 for 30 series debuted Playing for the Mob, the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point-shaving scandal during the 1978–79 season, an episode briefly mentioned in the movie. The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story. Books In October 2002, Hill published The Wiseguy Cookbook: My Favorite Recipes From My Life As a Goodfella To Cooking On the Run. In it, Hill shared some stories throughout his childhood, life in the mob, and running from the law. He also presents recipes he learned from his family, during his years in the mob, and some that he came up with himself. For example, Hill claimed his last meal the day he was busted for drugs consisted of rolled veal cutlets, sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. In 2012, Henry Hill collaborated with the author, Daniel Simone, in writing and developing a non-fiction book titled, The Lufthansa Heist, a portrayal of the famous 1978 Lufthansa Airline robbery at Kennedy Airport. The book was published in August 2015. Other books by Hill include: Restaurants Hill worked for a time as a chef at an Italian restaurant in North Platte, Nebraska, and his spaghetti sauce, Sunday Gravy, was marketed over the internet. Hill opened another restaurant, Wiseguys, in West Haven, Connecticut, in October 2007, which closed the following month after a fire. Death Hill died of complications related to heart disease in a Los Angeles hospital, on June 12, 2012, after a long battle with his illness, a day after his 69th birthday. His girlfriend for the last six years of his life, Lisa Caserta, said, "He had been sick for a long time. ... his heart gave out." CBS News aired Caserta's report of Hill's death, during which she stated: "he went out pretty peacefully, for a goodfella." She said Hill had recently suffered a heart attack before his death and died of complications after a long history of heart problems associated with smoking. Hill's family was present when he died. Hill was cremated the day after his death. References Further reading 1943 births 2012 deaths 20th-century American criminals 21st-century American criminals American drug traffickers American gangsters American gangsters of Irish descent American gangsters of Sicilian descent American Mafia cooperating witnesses American restaurateurs American robbers Criminals from Brooklyn Criminals from Manhattan Federal Bureau of Investigation informants Gangsters from New York City Lucchese crime family Lufthansa heist Military personnel from New York City People from Brownsville, Brooklyn People from Topanga, California People who entered the United States Federal Witness Protection Program People with dyslexia United States Army soldiers Vario Crew

C_094aef02927740e7be83a2bb60c98047_0

Was he safe while in witness protection?

Was Henry Hill safe while in witness protection?

Henry Hill

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes. His testimony led to 50 convictions. Jimmy Burke was given 20 years in prison for the 1978-79 Boston College point shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of lung cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved to undisclosed locations in Omaha, Nebraska; Independence, Kentucky; Redmond, Washington; and Seattle, Washington. In Seattle, Hill hosted backyard cookouts for his neighbors, and on one occasion, while under the influence of a combination of liquor and drugs, he revealed his true identity to his guests. To the ire of the federal marshals, they were forced to relocate him one final time to Sarasota, Florida. There, a few months had passed, and Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program. CANNOTANSWER

Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program.

Henry Hill Jr. (June 11, 1943 – June 12, 2012) was an American mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980, when he was arrested on narcotics charges and became an FBI informant. Hill testified against his former Mafia associates, resulting in fifty convictions, including those of caporegime (captain) Paul Vario and fellow associate James Burke on multiple charges. He subsequently entered the Witness Protection Program, but was removed from the program in the early 1990s. Hill's life story was documented in the true crime book Wiseguy: Life in a Mafia Family by Nicholas Pileggi, which was subsequently adapted by Martin Scorsese into the critically acclaimed 1990 film Goodfellas, in which Hill was portrayed by Ray Liotta. Early life Henry Hill Jr. was born on June 11, 1940, in the Manhattan borough of New York City, to Henry Hill Sr., an Irish-American electrician and the son of a coal miner, and Carmela Costa, an Italian immigrant of Sicilian descent. Hill claimed in the book Wiseguy that his father emigrated to the United States from Ireland at the age of twelve, after the death of Hill's grandfather. The working-class family, consisting of Henry and his seven other siblings, grew up in Brownsville, a working-class neighborhood of Brooklyn. Hill was dyslexic and as a result performed poorly at school. From an early age, Hill admired the local mobsters who socialized at a dispatch cabstand across the street from his home, including Paul Vario, a caporegime in the Lucchese crime family. In 1955, when he was 11 years old, Hill wandered into the cabstand looking for a part-time after-school job. In his early teens, Hill began running errands for patrons of Vario's storefront shoeshine, pizzeria, and cabstand. He first met the notorious hijacker and Lucchese family associate James "Jimmy the Gent" Burke in 1956. The 13-year-old Hill served drinks and sandwiches at a card game and was dazzled by Burke's openhanded tipping: "He was sawbucking me to death. Twenty here. Twenty there. He wasn't like anyone else I had ever met." The following year, Vario's younger brother, Vito "Tuddy" Vario, and Vario's son, Lenny Vario, presented Hill with a highly sought-after union card in the bricklayers' local. Hill would be a "no show" and put on a building contractor's construction payroll, guaranteeing him a weekly salary of $190 (). This didn't mean Hill would be getting or keeping all that money every week, however; he received a portion of it, and the rest was kept and divided among the Varios. The card also allowed Hill to facilitate the pickup of daily policy bets and loan payments to Vario from local construction sites. Once Hill had this "legitimate" job, he dropped out of high school and began working exclusively for the Vario gangsters. Hill's first encounter with arson occurred when a rival cabstand opened just around the corner from Vario's business. The competing company's owner was from Alabama, new to New York City. Sometime after midnight, Tuddy and Hill drove to the rival cabstand with a drum full of gasoline in the back seat of Tuddy's car. Hill smashed the cab windows and filled them with gasoline-soaked newspapers, then tossed in lit matchbooks. Hill was first arrested when he was 16; his arrest record is one of the few official documents that prove his existence. Hill and Lenny, Vario's equally underage son, attempted to use a stolen credit card to buy snow tires for Tuddy's wife's car. When Hill and Lenny returned to Tuddy's, two police detectives apprehended Hill. During a rough interrogation, Hill gave his name and nothing else; Vario's attorney later facilitated his release on bail. While a suspended sentence resulted, Hill's refusal to talk earned him the respect of both Vario and Burke. Burke, in particular, saw great potential in Hill. Like Burke, he was of Irish ancestry and therefore ineligible to become a "made man". The Vario crew, however, were happy to have associates of any ethnicity, so long as they made money and refused to cooperate with the authorities. In June 1960, at around 17 years old, Hill joined the United States Army, serving with the 82nd Airborne Division at Fort Bragg in North Carolina. He claimed the timing was deliberate; the FBI's investigation into the 1957 Apalachin mob summit meeting had prompted a Senate investigation into organized crime, and its links with businesses and unions. This resulted in the publication of a list of nearly 5,000 names of members and associates of the five major crime families. Hill searched through a partial list but could not find Vario listed among the Lucchese family. Throughout his three-year enlistment, Hill maintained his mob contacts. He also continued to hustle: in charge of kitchen detail, he sold surplus food, loan sharked pay advances to fellow soldiers, and sold tax-free cigarettes. Before his discharge, Hill spent two months in the stockade for stealing a local sheriff's car and brawling in a bar with Marines and a civilian. In 1963, he returned to New York and began the most notorious phase of his criminal career: arson, intimidation, running an organized stolen car ring, and hijacking trucks. In 1965, Hill met his future wife, Karen Friedman, through Vario, who insisted that Hill accompany his son on a double date at Frank "Frankie the Wop" Manzo's restaurant, Villa Capra. According to Friedman, the date was disastrous, and Hill stood her up at the next dinner date. Afterward, the two began going on dates at the Copacabana and other nightclubs, where Friedman was introduced to Hill's outwardly impressive lifestyle. The two later got married in a large North Carolina wedding, attended by most of Hill's gangster friends. In 1994, Hill, in his book Gangsters and Goodfellas, stated that Tommy DeSimone tried to rape Karen. Air France robbery Shortly before midnight on April 6, 1967, Hill and DeSimone drove to the Air France cargo terminal at John F. Kennedy International Airport with an empty suitcase, the largest Hill could find. Inside connection Robert McMahon said that the two should just walk in, as people often came to the terminal to pick up lost baggage. DeSimone and Hill entered the unsecured area unchallenged and unlocked the door with a duplicate key. Using a small flashlight, they loaded seven bags into the suitcase and left; $420,000 was taken. No alarm was raised, no shots fired, and no one was injured. The theft was not discovered until the following Monday, when a Wells Fargo truck arrived to pick up the cash to be delivered to the French American Banking Corporation. Hill believed that it was the Air France robbery that endeared him to the Mafia. Restaurant ownership and murder of William "Billy Batts" Bentvena Hill used his share of the robbery proceeds to purchase a restaurant on Queens Boulevard, The Suite, initially aiming to run it as a legitimate business and provide "distance" between himself and his mob associates. However, within several months, the nightclub had become another mob hangout. Hill later said that members of Lucchese and Gambino crews moved into the club en masse, including high-ranking Gambino family members who "were always there". According to the book Wiseguy, after William "Billy Batts" Bentvena was released from prison in 1970, a "welcome home" party was thrown for him at Robert's Lounge, which was owned by Burke. Hill stated that Bentvena saw DeSimone and jokingly asked him if he still shined shoes, which DeSimone perceived as an insult. DeSimone leaned over to Hill and Burke and said, "I'm gonna kill that fuck." Two weeks later, on June 11, 1970, Bentvena was at The Suite near closing time when he was pistol-whipped by DeSimone. Hill said that before DeSimone started to beat Bentvena, DeSimone yelled, "Shine these fucking shoes!" After Bentvena was beaten and presumed killed, DeSimone, Burke, and Hill placed his body in the trunk of Hill's car for transport. They stopped at DeSimone's mother's house to fetch a shovel and lime. They started to hear sounds from the trunk, and when they realized that Bentvena was still alive, DeSimone and Burke stopped the car and beat him to death with the shovel and a tire iron. Burke had a friend who owned a dog kennel in Upstate New York, and Bentvena was buried there. About three months after Bentvena's murder, Burke's friend sold the dog kennel to housing developers, and Burke ordered Hill and DeSimone to exhume Bentvena's corpse and dispose of it elsewhere. In Wiseguy, Hill said the body was eventually crushed in a car crusher at a New Jersey junkyard, which was owned by Clyde Brooks. However, on the commentary for the film Goodfellas, he states that Bentvena's body was buried in the basement of Robert's Lounge, a bar and restaurant owned by Burke, and only later was put into the car crusher. Drug business In November 1972, Burke and Hill were arrested for beating Gaspar Ciaccio in Tampa, Florida. Ciaccio allegedly owed a large gambling debt to their friend, union boss Casey Rosado. They were convicted of extortion and sentenced to ten years at the United States Penitentiary, Lewisburg. Hill was imprisoned with Vario, who was serving a sentence for tax evasion, and several members of John Gotti's Gambino crew. In Lewisburg, Hill met a man from Pittsburgh who, for a fee, taught Hill how to smuggle drugs into the prison. On July 12, 1978, Hill was paroled after four years and resumed his criminal career. He began trafficking in drugs, which Burke eventually became involved with, even though the Lucchese crime family, with whom they were associated, did not authorize any of its members to deal drugs. This Lucchese ban was enacted because the prison sentences imposed on anyone convicted of drug trafficking were so lengthy that the accused would often become informants in exchange for a lesser sentence. Hill began wholesaling marijuana, cocaine, heroin, and quaaludes based on connections he made in prison; he earned enormous amounts of money. A young kid who was a mule of Hill's "ratted" him out to Narcotics Detectives Daniel Mann and William Broder. "The Youngster" (so named by the detectives) informed them that Hill was connected to the Lucchese family and was a close friend to Vario and to Burke and "had probably been in on the Lufthansa robbery." Knowing of Hill's exploits, the detectives put surveillance on him. They found out that Hill's old prison friend from Pittsburgh ran a dog-grooming salon as a front. Mann and Broder had "thousands" of wiretaps of Hill, but Hill and his crew used coded language in the conversations. Hill's wiretap on March 29 is an example of the bizarre vocabulary: Lufthansa heist On December 11, 1978, an estimated $5.875 million (equivalent to $ million in ) was stolen from the Lufthansa cargo terminal at Kennedy airport, with $5 million in cash and $875,000 in jewelry, making it the largest cash robbery committed on American soil at the time. The plot had begun when bookmaker Martin Krugman told Hill that Lufthansa flew in currency to its cargo terminal at the airport; Burke set the plan in motion. Hill did not directly take part in the heist. Basketball fixing Hill and two Pittsburgh gamblers set up the 1978–79 Boston College basketball point-shaving scheme by convincing Boston College center Rick Kuhn to participate. Kuhn, who was a high school friend of one of the gamblers, encouraged teammates to participate in the scheme. Hill also claimed to have an NBA referee in his pocket who worked games at Madison Square Garden during the 1970s. The referee had incurred gambling debts on horse races. 1980 arrest In 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good" and "is a junkie." Burke told them "not to worry about it." Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." When Hill was finally released on bail, Burke told him they should meet at a bar, which Hill had never heard of or seen before, owned by "Charlie the Jap.” However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he would be murdered if he went to Florida. Edward McDonald, the head of the Brooklyn Organized Crime Strike Force, arrested Hill as a material witness in the Lufthansa robbery. With a long sentence hanging over him, Hill agreed to become an informant and signed an agreement with the Strike Force on May 27, 1980. Informant and the witness protection program Hill testified against his former associates to avoid impending prosecution and being murdered by his crew. His testimony led to 50 convictions. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved around to several undisclosed locations including Seattle, Washington; Cincinnati, Ohio; Omaha, Nebraska; Butte, Montana; and Independence, Kentucky. Jimmy Burke was given 12 years in prison for the 1978–79 Boston College point-shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill's bigamy, subsequent arrests, and divorce In the fall of 1981, Hill (now Martin Lewis) met a woman named Sherry Anders. After a whirlwind romance, the two got married in Virginia City, NV despite Hill already being married. This led to a breakdown in many areas of Hill's life. In 1987, Hill was convicted of cocaine trafficking in a federal court in Seattle and expelled from the witness protection program. In 1990, his wife Karen filed for divorce after 23 years of marriage. The divorce was finalized in 2002. In August 2004, Hill was arrested in North Platte, Nebraska at North Platte Regional Airport after he had left his luggage containing drug paraphernalia. On September 26, 2005, he was sentenced to 180 days' imprisonment for attempted methamphetamine possession. Hill was sentenced to two years of probation on March 26, 2009, after he pleaded guilty to two misdemeanor counts of public intoxication. On December 14, 2009, he was arrested in Fairview Heights, Illinois, for disorderly conduct and resisting arrest, which Hill attributed to his drinking problems. Later years In his later years, after his first divorce, he married Kelly Alor, and then Lisa Caserta. They lived in Topanga Canyon, near Malibu, California. Both appeared in several documentaries and made public appearances on various media programs including The Howard Stern Show. Hill fathered a third child during this time. Goodfellas film Goodfellas, the 1990 Martin Scorsese-directed crime film adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi, follows the 1955 to 1980 rise and fall of Hill and his Lucchese crime family associates. Hill was portrayed by Ray Liotta. Scorsese initially named the film Wise Guy but subsequently, with Pileggi's agreement, changed the name to Goodfellas to avoid confusion with the unrelated television crime drama Wiseguy. Two weeks in advance of the filming, Hill was paid $480,000. Robert De Niro, who portrayed Jimmy Burke, often called Hill several times a day to ask how Burke walked, held his cigarette, and so on. Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart. The cast did not meet Hill until a few weeks before the film's premiere. Liotta met him in an undisclosed city; Hill had seen the film and told the actor that he loved it. Other media appearances and activity The 1990 film My Blue Heaven was based on Hill's life, with the screenplay written by Pileggi's wife Nora Ephron. The 2001 TV film The Big Heist was based on the Lufthansa heist, and Hill was portrayed by Nick Sandow. In 2004, Hill was interviewed by Charlie Rose for 60 Minutes. July 24, 2010 marked the twentieth anniversary of the release of Goodfellas. This milestone was celebrated with a private screening hosted by Hill for a select group of invitees at the Museum of the American Gangster. On June 8, 2011, a show about Hill's life aired on the National Geographic Channel's Locked Up Abroad. In 2006, Hill and Ray Liotta appeared in a photo shoot for Entertainment Weekly. At Liotta's urging, Hill entered alcohol rehabilitation two days after the session shoot. In reference to his many victims, Hill stated in an interview in March 2008, with the BBC's Heather Alexander: "I don't give a heck what those people think; I'm doing the right thing now," addressing the reporter's question about how his victims might think of his commercialization of his story through self-written books and advising on Goodfellas. In 2008, Hill was featured in episode three of the crime documentary series The Irish Mob. In the episode, Hill recounts his life of crime, as well as his close relationship with Jimmy Burke and the illegal activity the two engaged in together. A large portion of the segment focuses on Burke's and Hill's involvements in the famous Lufthansa heist. In August 2011, Hill appeared in the special "Mob Week" on AMC; he and other former mob members talked about The Godfather, Goodfellas, and other such mob films. In 2014, the ESPN-produced 30 for 30 series debuted Playing for the Mob, the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point-shaving scandal during the 1978–79 season, an episode briefly mentioned in the movie. The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story. Books In October 2002, Hill published The Wiseguy Cookbook: My Favorite Recipes From My Life As a Goodfella To Cooking On the Run. In it, Hill shared some stories throughout his childhood, life in the mob, and running from the law. He also presents recipes he learned from his family, during his years in the mob, and some that he came up with himself. For example, Hill claimed his last meal the day he was busted for drugs consisted of rolled veal cutlets, sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. In 2012, Henry Hill collaborated with the author, Daniel Simone, in writing and developing a non-fiction book titled, The Lufthansa Heist, a portrayal of the famous 1978 Lufthansa Airline robbery at Kennedy Airport. The book was published in August 2015. Other books by Hill include: Restaurants Hill worked for a time as a chef at an Italian restaurant in North Platte, Nebraska, and his spaghetti sauce, Sunday Gravy, was marketed over the internet. Hill opened another restaurant, Wiseguys, in West Haven, Connecticut, in October 2007, which closed the following month after a fire. Death Hill died of complications related to heart disease in a Los Angeles hospital, on June 12, 2012, after a long battle with his illness, a day after his 69th birthday. His girlfriend for the last six years of his life, Lisa Caserta, said, "He had been sick for a long time. ... his heart gave out." CBS News aired Caserta's report of Hill's death, during which she stated: "he went out pretty peacefully, for a goodfella." She said Hill had recently suffered a heart attack before his death and died of complications after a long history of heart problems associated with smoking. Hill's family was present when he died. Hill was cremated the day after his death. References Further reading 1943 births 2012 deaths 20th-century American criminals 21st-century American criminals American drug traffickers American gangsters American gangsters of Irish descent American gangsters of Sicilian descent American Mafia cooperating witnesses American restaurateurs American robbers Criminals from Brooklyn Criminals from Manhattan Federal Bureau of Investigation informants Gangsters from New York City Lucchese crime family Lufthansa heist Military personnel from New York City People from Brownsville, Brooklyn People from Topanga, California People who entered the United States Federal Witness Protection Program People with dyslexia United States Army soldiers Vario Crew

C_094aef02927740e7be83a2bb60c98047_0

What did he do to get kicked out?

What did Henry Hill do to get kicked out of the Federal Witness Protection Program?

Henry Hill

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes. His testimony led to 50 convictions. Jimmy Burke was given 20 years in prison for the 1978-79 Boston College point shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of lung cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved to undisclosed locations in Omaha, Nebraska; Independence, Kentucky; Redmond, Washington; and Seattle, Washington. In Seattle, Hill hosted backyard cookouts for his neighbors, and on one occasion, while under the influence of a combination of liquor and drugs, he revealed his true identity to his guests. To the ire of the federal marshals, they were forced to relocate him one final time to Sarasota, Florida. There, a few months had passed, and Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program. CANNOTANSWER

revealed his true identity

Henry Hill Jr. (June 11, 1943 – June 12, 2012) was an American mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980, when he was arrested on narcotics charges and became an FBI informant. Hill testified against his former Mafia associates, resulting in fifty convictions, including those of caporegime (captain) Paul Vario and fellow associate James Burke on multiple charges. He subsequently entered the Witness Protection Program, but was removed from the program in the early 1990s. Hill's life story was documented in the true crime book Wiseguy: Life in a Mafia Family by Nicholas Pileggi, which was subsequently adapted by Martin Scorsese into the critically acclaimed 1990 film Goodfellas, in which Hill was portrayed by Ray Liotta. Early life Henry Hill Jr. was born on June 11, 1940, in the Manhattan borough of New York City, to Henry Hill Sr., an Irish-American electrician and the son of a coal miner, and Carmela Costa, an Italian immigrant of Sicilian descent. Hill claimed in the book Wiseguy that his father emigrated to the United States from Ireland at the age of twelve, after the death of Hill's grandfather. The working-class family, consisting of Henry and his seven other siblings, grew up in Brownsville, a working-class neighborhood of Brooklyn. Hill was dyslexic and as a result performed poorly at school. From an early age, Hill admired the local mobsters who socialized at a dispatch cabstand across the street from his home, including Paul Vario, a caporegime in the Lucchese crime family. In 1955, when he was 11 years old, Hill wandered into the cabstand looking for a part-time after-school job. In his early teens, Hill began running errands for patrons of Vario's storefront shoeshine, pizzeria, and cabstand. He first met the notorious hijacker and Lucchese family associate James "Jimmy the Gent" Burke in 1956. The 13-year-old Hill served drinks and sandwiches at a card game and was dazzled by Burke's openhanded tipping: "He was sawbucking me to death. Twenty here. Twenty there. He wasn't like anyone else I had ever met." The following year, Vario's younger brother, Vito "Tuddy" Vario, and Vario's son, Lenny Vario, presented Hill with a highly sought-after union card in the bricklayers' local. Hill would be a "no show" and put on a building contractor's construction payroll, guaranteeing him a weekly salary of $190 (). This didn't mean Hill would be getting or keeping all that money every week, however; he received a portion of it, and the rest was kept and divided among the Varios. The card also allowed Hill to facilitate the pickup of daily policy bets and loan payments to Vario from local construction sites. Once Hill had this "legitimate" job, he dropped out of high school and began working exclusively for the Vario gangsters. Hill's first encounter with arson occurred when a rival cabstand opened just around the corner from Vario's business. The competing company's owner was from Alabama, new to New York City. Sometime after midnight, Tuddy and Hill drove to the rival cabstand with a drum full of gasoline in the back seat of Tuddy's car. Hill smashed the cab windows and filled them with gasoline-soaked newspapers, then tossed in lit matchbooks. Hill was first arrested when he was 16; his arrest record is one of the few official documents that prove his existence. Hill and Lenny, Vario's equally underage son, attempted to use a stolen credit card to buy snow tires for Tuddy's wife's car. When Hill and Lenny returned to Tuddy's, two police detectives apprehended Hill. During a rough interrogation, Hill gave his name and nothing else; Vario's attorney later facilitated his release on bail. While a suspended sentence resulted, Hill's refusal to talk earned him the respect of both Vario and Burke. Burke, in particular, saw great potential in Hill. Like Burke, he was of Irish ancestry and therefore ineligible to become a "made man". The Vario crew, however, were happy to have associates of any ethnicity, so long as they made money and refused to cooperate with the authorities. In June 1960, at around 17 years old, Hill joined the United States Army, serving with the 82nd Airborne Division at Fort Bragg in North Carolina. He claimed the timing was deliberate; the FBI's investigation into the 1957 Apalachin mob summit meeting had prompted a Senate investigation into organized crime, and its links with businesses and unions. This resulted in the publication of a list of nearly 5,000 names of members and associates of the five major crime families. Hill searched through a partial list but could not find Vario listed among the Lucchese family. Throughout his three-year enlistment, Hill maintained his mob contacts. He also continued to hustle: in charge of kitchen detail, he sold surplus food, loan sharked pay advances to fellow soldiers, and sold tax-free cigarettes. Before his discharge, Hill spent two months in the stockade for stealing a local sheriff's car and brawling in a bar with Marines and a civilian. In 1963, he returned to New York and began the most notorious phase of his criminal career: arson, intimidation, running an organized stolen car ring, and hijacking trucks. In 1965, Hill met his future wife, Karen Friedman, through Vario, who insisted that Hill accompany his son on a double date at Frank "Frankie the Wop" Manzo's restaurant, Villa Capra. According to Friedman, the date was disastrous, and Hill stood her up at the next dinner date. Afterward, the two began going on dates at the Copacabana and other nightclubs, where Friedman was introduced to Hill's outwardly impressive lifestyle. The two later got married in a large North Carolina wedding, attended by most of Hill's gangster friends. In 1994, Hill, in his book Gangsters and Goodfellas, stated that Tommy DeSimone tried to rape Karen. Air France robbery Shortly before midnight on April 6, 1967, Hill and DeSimone drove to the Air France cargo terminal at John F. Kennedy International Airport with an empty suitcase, the largest Hill could find. Inside connection Robert McMahon said that the two should just walk in, as people often came to the terminal to pick up lost baggage. DeSimone and Hill entered the unsecured area unchallenged and unlocked the door with a duplicate key. Using a small flashlight, they loaded seven bags into the suitcase and left; $420,000 was taken. No alarm was raised, no shots fired, and no one was injured. The theft was not discovered until the following Monday, when a Wells Fargo truck arrived to pick up the cash to be delivered to the French American Banking Corporation. Hill believed that it was the Air France robbery that endeared him to the Mafia. Restaurant ownership and murder of William "Billy Batts" Bentvena Hill used his share of the robbery proceeds to purchase a restaurant on Queens Boulevard, The Suite, initially aiming to run it as a legitimate business and provide "distance" between himself and his mob associates. However, within several months, the nightclub had become another mob hangout. Hill later said that members of Lucchese and Gambino crews moved into the club en masse, including high-ranking Gambino family members who "were always there". According to the book Wiseguy, after William "Billy Batts" Bentvena was released from prison in 1970, a "welcome home" party was thrown for him at Robert's Lounge, which was owned by Burke. Hill stated that Bentvena saw DeSimone and jokingly asked him if he still shined shoes, which DeSimone perceived as an insult. DeSimone leaned over to Hill and Burke and said, "I'm gonna kill that fuck." Two weeks later, on June 11, 1970, Bentvena was at The Suite near closing time when he was pistol-whipped by DeSimone. Hill said that before DeSimone started to beat Bentvena, DeSimone yelled, "Shine these fucking shoes!" After Bentvena was beaten and presumed killed, DeSimone, Burke, and Hill placed his body in the trunk of Hill's car for transport. They stopped at DeSimone's mother's house to fetch a shovel and lime. They started to hear sounds from the trunk, and when they realized that Bentvena was still alive, DeSimone and Burke stopped the car and beat him to death with the shovel and a tire iron. Burke had a friend who owned a dog kennel in Upstate New York, and Bentvena was buried there. About three months after Bentvena's murder, Burke's friend sold the dog kennel to housing developers, and Burke ordered Hill and DeSimone to exhume Bentvena's corpse and dispose of it elsewhere. In Wiseguy, Hill said the body was eventually crushed in a car crusher at a New Jersey junkyard, which was owned by Clyde Brooks. However, on the commentary for the film Goodfellas, he states that Bentvena's body was buried in the basement of Robert's Lounge, a bar and restaurant owned by Burke, and only later was put into the car crusher. Drug business In November 1972, Burke and Hill were arrested for beating Gaspar Ciaccio in Tampa, Florida. Ciaccio allegedly owed a large gambling debt to their friend, union boss Casey Rosado. They were convicted of extortion and sentenced to ten years at the United States Penitentiary, Lewisburg. Hill was imprisoned with Vario, who was serving a sentence for tax evasion, and several members of John Gotti's Gambino crew. In Lewisburg, Hill met a man from Pittsburgh who, for a fee, taught Hill how to smuggle drugs into the prison. On July 12, 1978, Hill was paroled after four years and resumed his criminal career. He began trafficking in drugs, which Burke eventually became involved with, even though the Lucchese crime family, with whom they were associated, did not authorize any of its members to deal drugs. This Lucchese ban was enacted because the prison sentences imposed on anyone convicted of drug trafficking were so lengthy that the accused would often become informants in exchange for a lesser sentence. Hill began wholesaling marijuana, cocaine, heroin, and quaaludes based on connections he made in prison; he earned enormous amounts of money. A young kid who was a mule of Hill's "ratted" him out to Narcotics Detectives Daniel Mann and William Broder. "The Youngster" (so named by the detectives) informed them that Hill was connected to the Lucchese family and was a close friend to Vario and to Burke and "had probably been in on the Lufthansa robbery." Knowing of Hill's exploits, the detectives put surveillance on him. They found out that Hill's old prison friend from Pittsburgh ran a dog-grooming salon as a front. Mann and Broder had "thousands" of wiretaps of Hill, but Hill and his crew used coded language in the conversations. Hill's wiretap on March 29 is an example of the bizarre vocabulary: Lufthansa heist On December 11, 1978, an estimated $5.875 million (equivalent to $ million in ) was stolen from the Lufthansa cargo terminal at Kennedy airport, with $5 million in cash and $875,000 in jewelry, making it the largest cash robbery committed on American soil at the time. The plot had begun when bookmaker Martin Krugman told Hill that Lufthansa flew in currency to its cargo terminal at the airport; Burke set the plan in motion. Hill did not directly take part in the heist. Basketball fixing Hill and two Pittsburgh gamblers set up the 1978–79 Boston College basketball point-shaving scheme by convincing Boston College center Rick Kuhn to participate. Kuhn, who was a high school friend of one of the gamblers, encouraged teammates to participate in the scheme. Hill also claimed to have an NBA referee in his pocket who worked games at Madison Square Garden during the 1970s. The referee had incurred gambling debts on horse races. 1980 arrest In 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good" and "is a junkie." Burke told them "not to worry about it." Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." When Hill was finally released on bail, Burke told him they should meet at a bar, which Hill had never heard of or seen before, owned by "Charlie the Jap.” However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he would be murdered if he went to Florida. Edward McDonald, the head of the Brooklyn Organized Crime Strike Force, arrested Hill as a material witness in the Lufthansa robbery. With a long sentence hanging over him, Hill agreed to become an informant and signed an agreement with the Strike Force on May 27, 1980. Informant and the witness protection program Hill testified against his former associates to avoid impending prosecution and being murdered by his crew. His testimony led to 50 convictions. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved around to several undisclosed locations including Seattle, Washington; Cincinnati, Ohio; Omaha, Nebraska; Butte, Montana; and Independence, Kentucky. Jimmy Burke was given 12 years in prison for the 1978–79 Boston College point-shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill's bigamy, subsequent arrests, and divorce In the fall of 1981, Hill (now Martin Lewis) met a woman named Sherry Anders. After a whirlwind romance, the two got married in Virginia City, NV despite Hill already being married. This led to a breakdown in many areas of Hill's life. In 1987, Hill was convicted of cocaine trafficking in a federal court in Seattle and expelled from the witness protection program. In 1990, his wife Karen filed for divorce after 23 years of marriage. The divorce was finalized in 2002. In August 2004, Hill was arrested in North Platte, Nebraska at North Platte Regional Airport after he had left his luggage containing drug paraphernalia. On September 26, 2005, he was sentenced to 180 days' imprisonment for attempted methamphetamine possession. Hill was sentenced to two years of probation on March 26, 2009, after he pleaded guilty to two misdemeanor counts of public intoxication. On December 14, 2009, he was arrested in Fairview Heights, Illinois, for disorderly conduct and resisting arrest, which Hill attributed to his drinking problems. Later years In his later years, after his first divorce, he married Kelly Alor, and then Lisa Caserta. They lived in Topanga Canyon, near Malibu, California. Both appeared in several documentaries and made public appearances on various media programs including The Howard Stern Show. Hill fathered a third child during this time. Goodfellas film Goodfellas, the 1990 Martin Scorsese-directed crime film adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi, follows the 1955 to 1980 rise and fall of Hill and his Lucchese crime family associates. Hill was portrayed by Ray Liotta. Scorsese initially named the film Wise Guy but subsequently, with Pileggi's agreement, changed the name to Goodfellas to avoid confusion with the unrelated television crime drama Wiseguy. Two weeks in advance of the filming, Hill was paid $480,000. Robert De Niro, who portrayed Jimmy Burke, often called Hill several times a day to ask how Burke walked, held his cigarette, and so on. Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart. The cast did not meet Hill until a few weeks before the film's premiere. Liotta met him in an undisclosed city; Hill had seen the film and told the actor that he loved it. Other media appearances and activity The 1990 film My Blue Heaven was based on Hill's life, with the screenplay written by Pileggi's wife Nora Ephron. The 2001 TV film The Big Heist was based on the Lufthansa heist, and Hill was portrayed by Nick Sandow. In 2004, Hill was interviewed by Charlie Rose for 60 Minutes. July 24, 2010 marked the twentieth anniversary of the release of Goodfellas. This milestone was celebrated with a private screening hosted by Hill for a select group of invitees at the Museum of the American Gangster. On June 8, 2011, a show about Hill's life aired on the National Geographic Channel's Locked Up Abroad. In 2006, Hill and Ray Liotta appeared in a photo shoot for Entertainment Weekly. At Liotta's urging, Hill entered alcohol rehabilitation two days after the session shoot. In reference to his many victims, Hill stated in an interview in March 2008, with the BBC's Heather Alexander: "I don't give a heck what those people think; I'm doing the right thing now," addressing the reporter's question about how his victims might think of his commercialization of his story through self-written books and advising on Goodfellas. In 2008, Hill was featured in episode three of the crime documentary series The Irish Mob. In the episode, Hill recounts his life of crime, as well as his close relationship with Jimmy Burke and the illegal activity the two engaged in together. A large portion of the segment focuses on Burke's and Hill's involvements in the famous Lufthansa heist. In August 2011, Hill appeared in the special "Mob Week" on AMC; he and other former mob members talked about The Godfather, Goodfellas, and other such mob films. In 2014, the ESPN-produced 30 for 30 series debuted Playing for the Mob, the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point-shaving scandal during the 1978–79 season, an episode briefly mentioned in the movie. The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story. Books In October 2002, Hill published The Wiseguy Cookbook: My Favorite Recipes From My Life As a Goodfella To Cooking On the Run. In it, Hill shared some stories throughout his childhood, life in the mob, and running from the law. He also presents recipes he learned from his family, during his years in the mob, and some that he came up with himself. For example, Hill claimed his last meal the day he was busted for drugs consisted of rolled veal cutlets, sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. In 2012, Henry Hill collaborated with the author, Daniel Simone, in writing and developing a non-fiction book titled, The Lufthansa Heist, a portrayal of the famous 1978 Lufthansa Airline robbery at Kennedy Airport. The book was published in August 2015. Other books by Hill include: Restaurants Hill worked for a time as a chef at an Italian restaurant in North Platte, Nebraska, and his spaghetti sauce, Sunday Gravy, was marketed over the internet. Hill opened another restaurant, Wiseguys, in West Haven, Connecticut, in October 2007, which closed the following month after a fire. Death Hill died of complications related to heart disease in a Los Angeles hospital, on June 12, 2012, after a long battle with his illness, a day after his 69th birthday. His girlfriend for the last six years of his life, Lisa Caserta, said, "He had been sick for a long time. ... his heart gave out." CBS News aired Caserta's report of Hill's death, during which she stated: "he went out pretty peacefully, for a goodfella." She said Hill had recently suffered a heart attack before his death and died of complications after a long history of heart problems associated with smoking. Hill's family was present when he died. Hill was cremated the day after his death. References Further reading 1943 births 2012 deaths 20th-century American criminals 21st-century American criminals American drug traffickers American gangsters American gangsters of Irish descent American gangsters of Sicilian descent American Mafia cooperating witnesses American restaurateurs American robbers Criminals from Brooklyn Criminals from Manhattan Federal Bureau of Investigation informants Gangsters from New York City Lucchese crime family Lufthansa heist Military personnel from New York City People from Brownsville, Brooklyn People from Topanga, California People who entered the United States Federal Witness Protection Program People with dyslexia United States Army soldiers Vario Crew

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Did this put him in danger?

Did the breach of security put Henry Hill in danger?

Henry Hill

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes. His testimony led to 50 convictions. Jimmy Burke was given 20 years in prison for the 1978-79 Boston College point shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of lung cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved to undisclosed locations in Omaha, Nebraska; Independence, Kentucky; Redmond, Washington; and Seattle, Washington. In Seattle, Hill hosted backyard cookouts for his neighbors, and on one occasion, while under the influence of a combination of liquor and drugs, he revealed his true identity to his guests. To the ire of the federal marshals, they were forced to relocate him one final time to Sarasota, Florida. There, a few months had passed, and Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program. CANNOTANSWER

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Henry Hill Jr. (June 11, 1943 – June 12, 2012) was an American mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980, when he was arrested on narcotics charges and became an FBI informant. Hill testified against his former Mafia associates, resulting in fifty convictions, including those of caporegime (captain) Paul Vario and fellow associate James Burke on multiple charges. He subsequently entered the Witness Protection Program, but was removed from the program in the early 1990s. Hill's life story was documented in the true crime book Wiseguy: Life in a Mafia Family by Nicholas Pileggi, which was subsequently adapted by Martin Scorsese into the critically acclaimed 1990 film Goodfellas, in which Hill was portrayed by Ray Liotta. Early life Henry Hill Jr. was born on June 11, 1940, in the Manhattan borough of New York City, to Henry Hill Sr., an Irish-American electrician and the son of a coal miner, and Carmela Costa, an Italian immigrant of Sicilian descent. Hill claimed in the book Wiseguy that his father emigrated to the United States from Ireland at the age of twelve, after the death of Hill's grandfather. The working-class family, consisting of Henry and his seven other siblings, grew up in Brownsville, a working-class neighborhood of Brooklyn. Hill was dyslexic and as a result performed poorly at school. From an early age, Hill admired the local mobsters who socialized at a dispatch cabstand across the street from his home, including Paul Vario, a caporegime in the Lucchese crime family. In 1955, when he was 11 years old, Hill wandered into the cabstand looking for a part-time after-school job. In his early teens, Hill began running errands for patrons of Vario's storefront shoeshine, pizzeria, and cabstand. He first met the notorious hijacker and Lucchese family associate James "Jimmy the Gent" Burke in 1956. The 13-year-old Hill served drinks and sandwiches at a card game and was dazzled by Burke's openhanded tipping: "He was sawbucking me to death. Twenty here. Twenty there. He wasn't like anyone else I had ever met." The following year, Vario's younger brother, Vito "Tuddy" Vario, and Vario's son, Lenny Vario, presented Hill with a highly sought-after union card in the bricklayers' local. Hill would be a "no show" and put on a building contractor's construction payroll, guaranteeing him a weekly salary of $190 (). This didn't mean Hill would be getting or keeping all that money every week, however; he received a portion of it, and the rest was kept and divided among the Varios. The card also allowed Hill to facilitate the pickup of daily policy bets and loan payments to Vario from local construction sites. Once Hill had this "legitimate" job, he dropped out of high school and began working exclusively for the Vario gangsters. Hill's first encounter with arson occurred when a rival cabstand opened just around the corner from Vario's business. The competing company's owner was from Alabama, new to New York City. Sometime after midnight, Tuddy and Hill drove to the rival cabstand with a drum full of gasoline in the back seat of Tuddy's car. Hill smashed the cab windows and filled them with gasoline-soaked newspapers, then tossed in lit matchbooks. Hill was first arrested when he was 16; his arrest record is one of the few official documents that prove his existence. Hill and Lenny, Vario's equally underage son, attempted to use a stolen credit card to buy snow tires for Tuddy's wife's car. When Hill and Lenny returned to Tuddy's, two police detectives apprehended Hill. During a rough interrogation, Hill gave his name and nothing else; Vario's attorney later facilitated his release on bail. While a suspended sentence resulted, Hill's refusal to talk earned him the respect of both Vario and Burke. Burke, in particular, saw great potential in Hill. Like Burke, he was of Irish ancestry and therefore ineligible to become a "made man". The Vario crew, however, were happy to have associates of any ethnicity, so long as they made money and refused to cooperate with the authorities. In June 1960, at around 17 years old, Hill joined the United States Army, serving with the 82nd Airborne Division at Fort Bragg in North Carolina. He claimed the timing was deliberate; the FBI's investigation into the 1957 Apalachin mob summit meeting had prompted a Senate investigation into organized crime, and its links with businesses and unions. This resulted in the publication of a list of nearly 5,000 names of members and associates of the five major crime families. Hill searched through a partial list but could not find Vario listed among the Lucchese family. Throughout his three-year enlistment, Hill maintained his mob contacts. He also continued to hustle: in charge of kitchen detail, he sold surplus food, loan sharked pay advances to fellow soldiers, and sold tax-free cigarettes. Before his discharge, Hill spent two months in the stockade for stealing a local sheriff's car and brawling in a bar with Marines and a civilian. In 1963, he returned to New York and began the most notorious phase of his criminal career: arson, intimidation, running an organized stolen car ring, and hijacking trucks. In 1965, Hill met his future wife, Karen Friedman, through Vario, who insisted that Hill accompany his son on a double date at Frank "Frankie the Wop" Manzo's restaurant, Villa Capra. According to Friedman, the date was disastrous, and Hill stood her up at the next dinner date. Afterward, the two began going on dates at the Copacabana and other nightclubs, where Friedman was introduced to Hill's outwardly impressive lifestyle. The two later got married in a large North Carolina wedding, attended by most of Hill's gangster friends. In 1994, Hill, in his book Gangsters and Goodfellas, stated that Tommy DeSimone tried to rape Karen. Air France robbery Shortly before midnight on April 6, 1967, Hill and DeSimone drove to the Air France cargo terminal at John F. Kennedy International Airport with an empty suitcase, the largest Hill could find. Inside connection Robert McMahon said that the two should just walk in, as people often came to the terminal to pick up lost baggage. DeSimone and Hill entered the unsecured area unchallenged and unlocked the door with a duplicate key. Using a small flashlight, they loaded seven bags into the suitcase and left; $420,000 was taken. No alarm was raised, no shots fired, and no one was injured. The theft was not discovered until the following Monday, when a Wells Fargo truck arrived to pick up the cash to be delivered to the French American Banking Corporation. Hill believed that it was the Air France robbery that endeared him to the Mafia. Restaurant ownership and murder of William "Billy Batts" Bentvena Hill used his share of the robbery proceeds to purchase a restaurant on Queens Boulevard, The Suite, initially aiming to run it as a legitimate business and provide "distance" between himself and his mob associates. However, within several months, the nightclub had become another mob hangout. Hill later said that members of Lucchese and Gambino crews moved into the club en masse, including high-ranking Gambino family members who "were always there". According to the book Wiseguy, after William "Billy Batts" Bentvena was released from prison in 1970, a "welcome home" party was thrown for him at Robert's Lounge, which was owned by Burke. Hill stated that Bentvena saw DeSimone and jokingly asked him if he still shined shoes, which DeSimone perceived as an insult. DeSimone leaned over to Hill and Burke and said, "I'm gonna kill that fuck." Two weeks later, on June 11, 1970, Bentvena was at The Suite near closing time when he was pistol-whipped by DeSimone. Hill said that before DeSimone started to beat Bentvena, DeSimone yelled, "Shine these fucking shoes!" After Bentvena was beaten and presumed killed, DeSimone, Burke, and Hill placed his body in the trunk of Hill's car for transport. They stopped at DeSimone's mother's house to fetch a shovel and lime. They started to hear sounds from the trunk, and when they realized that Bentvena was still alive, DeSimone and Burke stopped the car and beat him to death with the shovel and a tire iron. Burke had a friend who owned a dog kennel in Upstate New York, and Bentvena was buried there. About three months after Bentvena's murder, Burke's friend sold the dog kennel to housing developers, and Burke ordered Hill and DeSimone to exhume Bentvena's corpse and dispose of it elsewhere. In Wiseguy, Hill said the body was eventually crushed in a car crusher at a New Jersey junkyard, which was owned by Clyde Brooks. However, on the commentary for the film Goodfellas, he states that Bentvena's body was buried in the basement of Robert's Lounge, a bar and restaurant owned by Burke, and only later was put into the car crusher. Drug business In November 1972, Burke and Hill were arrested for beating Gaspar Ciaccio in Tampa, Florida. Ciaccio allegedly owed a large gambling debt to their friend, union boss Casey Rosado. They were convicted of extortion and sentenced to ten years at the United States Penitentiary, Lewisburg. Hill was imprisoned with Vario, who was serving a sentence for tax evasion, and several members of John Gotti's Gambino crew. In Lewisburg, Hill met a man from Pittsburgh who, for a fee, taught Hill how to smuggle drugs into the prison. On July 12, 1978, Hill was paroled after four years and resumed his criminal career. He began trafficking in drugs, which Burke eventually became involved with, even though the Lucchese crime family, with whom they were associated, did not authorize any of its members to deal drugs. This Lucchese ban was enacted because the prison sentences imposed on anyone convicted of drug trafficking were so lengthy that the accused would often become informants in exchange for a lesser sentence. Hill began wholesaling marijuana, cocaine, heroin, and quaaludes based on connections he made in prison; he earned enormous amounts of money. A young kid who was a mule of Hill's "ratted" him out to Narcotics Detectives Daniel Mann and William Broder. "The Youngster" (so named by the detectives) informed them that Hill was connected to the Lucchese family and was a close friend to Vario and to Burke and "had probably been in on the Lufthansa robbery." Knowing of Hill's exploits, the detectives put surveillance on him. They found out that Hill's old prison friend from Pittsburgh ran a dog-grooming salon as a front. Mann and Broder had "thousands" of wiretaps of Hill, but Hill and his crew used coded language in the conversations. Hill's wiretap on March 29 is an example of the bizarre vocabulary: Lufthansa heist On December 11, 1978, an estimated $5.875 million (equivalent to $ million in ) was stolen from the Lufthansa cargo terminal at Kennedy airport, with $5 million in cash and $875,000 in jewelry, making it the largest cash robbery committed on American soil at the time. The plot had begun when bookmaker Martin Krugman told Hill that Lufthansa flew in currency to its cargo terminal at the airport; Burke set the plan in motion. Hill did not directly take part in the heist. Basketball fixing Hill and two Pittsburgh gamblers set up the 1978–79 Boston College basketball point-shaving scheme by convincing Boston College center Rick Kuhn to participate. Kuhn, who was a high school friend of one of the gamblers, encouraged teammates to participate in the scheme. Hill also claimed to have an NBA referee in his pocket who worked games at Madison Square Garden during the 1970s. The referee had incurred gambling debts on horse races. 1980 arrest In 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good" and "is a junkie." Burke told them "not to worry about it." Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." When Hill was finally released on bail, Burke told him they should meet at a bar, which Hill had never heard of or seen before, owned by "Charlie the Jap.” However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he would be murdered if he went to Florida. Edward McDonald, the head of the Brooklyn Organized Crime Strike Force, arrested Hill as a material witness in the Lufthansa robbery. With a long sentence hanging over him, Hill agreed to become an informant and signed an agreement with the Strike Force on May 27, 1980. Informant and the witness protection program Hill testified against his former associates to avoid impending prosecution and being murdered by his crew. His testimony led to 50 convictions. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved around to several undisclosed locations including Seattle, Washington; Cincinnati, Ohio; Omaha, Nebraska; Butte, Montana; and Independence, Kentucky. Jimmy Burke was given 12 years in prison for the 1978–79 Boston College point-shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill's bigamy, subsequent arrests, and divorce In the fall of 1981, Hill (now Martin Lewis) met a woman named Sherry Anders. After a whirlwind romance, the two got married in Virginia City, NV despite Hill already being married. This led to a breakdown in many areas of Hill's life. In 1987, Hill was convicted of cocaine trafficking in a federal court in Seattle and expelled from the witness protection program. In 1990, his wife Karen filed for divorce after 23 years of marriage. The divorce was finalized in 2002. In August 2004, Hill was arrested in North Platte, Nebraska at North Platte Regional Airport after he had left his luggage containing drug paraphernalia. On September 26, 2005, he was sentenced to 180 days' imprisonment for attempted methamphetamine possession. Hill was sentenced to two years of probation on March 26, 2009, after he pleaded guilty to two misdemeanor counts of public intoxication. On December 14, 2009, he was arrested in Fairview Heights, Illinois, for disorderly conduct and resisting arrest, which Hill attributed to his drinking problems. Later years In his later years, after his first divorce, he married Kelly Alor, and then Lisa Caserta. They lived in Topanga Canyon, near Malibu, California. Both appeared in several documentaries and made public appearances on various media programs including The Howard Stern Show. Hill fathered a third child during this time. Goodfellas film Goodfellas, the 1990 Martin Scorsese-directed crime film adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi, follows the 1955 to 1980 rise and fall of Hill and his Lucchese crime family associates. Hill was portrayed by Ray Liotta. Scorsese initially named the film Wise Guy but subsequently, with Pileggi's agreement, changed the name to Goodfellas to avoid confusion with the unrelated television crime drama Wiseguy. Two weeks in advance of the filming, Hill was paid $480,000. Robert De Niro, who portrayed Jimmy Burke, often called Hill several times a day to ask how Burke walked, held his cigarette, and so on. Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart. The cast did not meet Hill until a few weeks before the film's premiere. Liotta met him in an undisclosed city; Hill had seen the film and told the actor that he loved it. Other media appearances and activity The 1990 film My Blue Heaven was based on Hill's life, with the screenplay written by Pileggi's wife Nora Ephron. The 2001 TV film The Big Heist was based on the Lufthansa heist, and Hill was portrayed by Nick Sandow. In 2004, Hill was interviewed by Charlie Rose for 60 Minutes. July 24, 2010 marked the twentieth anniversary of the release of Goodfellas. This milestone was celebrated with a private screening hosted by Hill for a select group of invitees at the Museum of the American Gangster. On June 8, 2011, a show about Hill's life aired on the National Geographic Channel's Locked Up Abroad. In 2006, Hill and Ray Liotta appeared in a photo shoot for Entertainment Weekly. At Liotta's urging, Hill entered alcohol rehabilitation two days after the session shoot. In reference to his many victims, Hill stated in an interview in March 2008, with the BBC's Heather Alexander: "I don't give a heck what those people think; I'm doing the right thing now," addressing the reporter's question about how his victims might think of his commercialization of his story through self-written books and advising on Goodfellas. In 2008, Hill was featured in episode three of the crime documentary series The Irish Mob. In the episode, Hill recounts his life of crime, as well as his close relationship with Jimmy Burke and the illegal activity the two engaged in together. A large portion of the segment focuses on Burke's and Hill's involvements in the famous Lufthansa heist. In August 2011, Hill appeared in the special "Mob Week" on AMC; he and other former mob members talked about The Godfather, Goodfellas, and other such mob films. In 2014, the ESPN-produced 30 for 30 series debuted Playing for the Mob, the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point-shaving scandal during the 1978–79 season, an episode briefly mentioned in the movie. The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story. Books In October 2002, Hill published The Wiseguy Cookbook: My Favorite Recipes From My Life As a Goodfella To Cooking On the Run. In it, Hill shared some stories throughout his childhood, life in the mob, and running from the law. He also presents recipes he learned from his family, during his years in the mob, and some that he came up with himself. For example, Hill claimed his last meal the day he was busted for drugs consisted of rolled veal cutlets, sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. In 2012, Henry Hill collaborated with the author, Daniel Simone, in writing and developing a non-fiction book titled, The Lufthansa Heist, a portrayal of the famous 1978 Lufthansa Airline robbery at Kennedy Airport. The book was published in August 2015. Other books by Hill include: Restaurants Hill worked for a time as a chef at an Italian restaurant in North Platte, Nebraska, and his spaghetti sauce, Sunday Gravy, was marketed over the internet. Hill opened another restaurant, Wiseguys, in West Haven, Connecticut, in October 2007, which closed the following month after a fire. Death Hill died of complications related to heart disease in a Los Angeles hospital, on June 12, 2012, after a long battle with his illness, a day after his 69th birthday. His girlfriend for the last six years of his life, Lisa Caserta, said, "He had been sick for a long time. ... his heart gave out." CBS News aired Caserta's report of Hill's death, during which she stated: "he went out pretty peacefully, for a goodfella." She said Hill had recently suffered a heart attack before his death and died of complications after a long history of heart problems associated with smoking. Hill's family was present when he died. Hill was cremated the day after his death. References Further reading 1943 births 2012 deaths 20th-century American criminals 21st-century American criminals American drug traffickers American gangsters American gangsters of Irish descent American gangsters of Sicilian descent American Mafia cooperating witnesses American restaurateurs American robbers Criminals from Brooklyn Criminals from Manhattan Federal Bureau of Investigation informants Gangsters from New York City Lucchese crime family Lufthansa heist Military personnel from New York City People from Brownsville, Brooklyn People from Topanga, California People who entered the United States Federal Witness Protection Program People with dyslexia United States Army soldiers Vario Crew

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What did he do after being kicked out of witness protection?

What did Henry Hill do after being kicked out of witness protection?

Henry Hill

Hill testified against his former associates to avoid a possible execution by his crew or going to prison for his crimes. His testimony led to 50 convictions. Jimmy Burke was given 20 years in prison for the 1978-79 Boston College point shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of lung cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved to undisclosed locations in Omaha, Nebraska; Independence, Kentucky; Redmond, Washington; and Seattle, Washington. In Seattle, Hill hosted backyard cookouts for his neighbors, and on one occasion, while under the influence of a combination of liquor and drugs, he revealed his true identity to his guests. To the ire of the federal marshals, they were forced to relocate him one final time to Sarasota, Florida. There, a few months had passed, and Hill repeated the same breach of security, causing the government to finally expel him from the Federal Witness Protection Program. CANNOTANSWER

CANNOTANSWER

Henry Hill Jr. (June 11, 1943 – June 12, 2012) was an American mobster who was associated with the Lucchese crime family of New York City from 1955 until 1980, when he was arrested on narcotics charges and became an FBI informant. Hill testified against his former Mafia associates, resulting in fifty convictions, including those of caporegime (captain) Paul Vario and fellow associate James Burke on multiple charges. He subsequently entered the Witness Protection Program, but was removed from the program in the early 1990s. Hill's life story was documented in the true crime book Wiseguy: Life in a Mafia Family by Nicholas Pileggi, which was subsequently adapted by Martin Scorsese into the critically acclaimed 1990 film Goodfellas, in which Hill was portrayed by Ray Liotta. Early life Henry Hill Jr. was born on June 11, 1940, in the Manhattan borough of New York City, to Henry Hill Sr., an Irish-American electrician and the son of a coal miner, and Carmela Costa, an Italian immigrant of Sicilian descent. Hill claimed in the book Wiseguy that his father emigrated to the United States from Ireland at the age of twelve, after the death of Hill's grandfather. The working-class family, consisting of Henry and his seven other siblings, grew up in Brownsville, a working-class neighborhood of Brooklyn. Hill was dyslexic and as a result performed poorly at school. From an early age, Hill admired the local mobsters who socialized at a dispatch cabstand across the street from his home, including Paul Vario, a caporegime in the Lucchese crime family. In 1955, when he was 11 years old, Hill wandered into the cabstand looking for a part-time after-school job. In his early teens, Hill began running errands for patrons of Vario's storefront shoeshine, pizzeria, and cabstand. He first met the notorious hijacker and Lucchese family associate James "Jimmy the Gent" Burke in 1956. The 13-year-old Hill served drinks and sandwiches at a card game and was dazzled by Burke's openhanded tipping: "He was sawbucking me to death. Twenty here. Twenty there. He wasn't like anyone else I had ever met." The following year, Vario's younger brother, Vito "Tuddy" Vario, and Vario's son, Lenny Vario, presented Hill with a highly sought-after union card in the bricklayers' local. Hill would be a "no show" and put on a building contractor's construction payroll, guaranteeing him a weekly salary of $190 (). This didn't mean Hill would be getting or keeping all that money every week, however; he received a portion of it, and the rest was kept and divided among the Varios. The card also allowed Hill to facilitate the pickup of daily policy bets and loan payments to Vario from local construction sites. Once Hill had this "legitimate" job, he dropped out of high school and began working exclusively for the Vario gangsters. Hill's first encounter with arson occurred when a rival cabstand opened just around the corner from Vario's business. The competing company's owner was from Alabama, new to New York City. Sometime after midnight, Tuddy and Hill drove to the rival cabstand with a drum full of gasoline in the back seat of Tuddy's car. Hill smashed the cab windows and filled them with gasoline-soaked newspapers, then tossed in lit matchbooks. Hill was first arrested when he was 16; his arrest record is one of the few official documents that prove his existence. Hill and Lenny, Vario's equally underage son, attempted to use a stolen credit card to buy snow tires for Tuddy's wife's car. When Hill and Lenny returned to Tuddy's, two police detectives apprehended Hill. During a rough interrogation, Hill gave his name and nothing else; Vario's attorney later facilitated his release on bail. While a suspended sentence resulted, Hill's refusal to talk earned him the respect of both Vario and Burke. Burke, in particular, saw great potential in Hill. Like Burke, he was of Irish ancestry and therefore ineligible to become a "made man". The Vario crew, however, were happy to have associates of any ethnicity, so long as they made money and refused to cooperate with the authorities. In June 1960, at around 17 years old, Hill joined the United States Army, serving with the 82nd Airborne Division at Fort Bragg in North Carolina. He claimed the timing was deliberate; the FBI's investigation into the 1957 Apalachin mob summit meeting had prompted a Senate investigation into organized crime, and its links with businesses and unions. This resulted in the publication of a list of nearly 5,000 names of members and associates of the five major crime families. Hill searched through a partial list but could not find Vario listed among the Lucchese family. Throughout his three-year enlistment, Hill maintained his mob contacts. He also continued to hustle: in charge of kitchen detail, he sold surplus food, loan sharked pay advances to fellow soldiers, and sold tax-free cigarettes. Before his discharge, Hill spent two months in the stockade for stealing a local sheriff's car and brawling in a bar with Marines and a civilian. In 1963, he returned to New York and began the most notorious phase of his criminal career: arson, intimidation, running an organized stolen car ring, and hijacking trucks. In 1965, Hill met his future wife, Karen Friedman, through Vario, who insisted that Hill accompany his son on a double date at Frank "Frankie the Wop" Manzo's restaurant, Villa Capra. According to Friedman, the date was disastrous, and Hill stood her up at the next dinner date. Afterward, the two began going on dates at the Copacabana and other nightclubs, where Friedman was introduced to Hill's outwardly impressive lifestyle. The two later got married in a large North Carolina wedding, attended by most of Hill's gangster friends. In 1994, Hill, in his book Gangsters and Goodfellas, stated that Tommy DeSimone tried to rape Karen. Air France robbery Shortly before midnight on April 6, 1967, Hill and DeSimone drove to the Air France cargo terminal at John F. Kennedy International Airport with an empty suitcase, the largest Hill could find. Inside connection Robert McMahon said that the two should just walk in, as people often came to the terminal to pick up lost baggage. DeSimone and Hill entered the unsecured area unchallenged and unlocked the door with a duplicate key. Using a small flashlight, they loaded seven bags into the suitcase and left; $420,000 was taken. No alarm was raised, no shots fired, and no one was injured. The theft was not discovered until the following Monday, when a Wells Fargo truck arrived to pick up the cash to be delivered to the French American Banking Corporation. Hill believed that it was the Air France robbery that endeared him to the Mafia. Restaurant ownership and murder of William "Billy Batts" Bentvena Hill used his share of the robbery proceeds to purchase a restaurant on Queens Boulevard, The Suite, initially aiming to run it as a legitimate business and provide "distance" between himself and his mob associates. However, within several months, the nightclub had become another mob hangout. Hill later said that members of Lucchese and Gambino crews moved into the club en masse, including high-ranking Gambino family members who "were always there". According to the book Wiseguy, after William "Billy Batts" Bentvena was released from prison in 1970, a "welcome home" party was thrown for him at Robert's Lounge, which was owned by Burke. Hill stated that Bentvena saw DeSimone and jokingly asked him if he still shined shoes, which DeSimone perceived as an insult. DeSimone leaned over to Hill and Burke and said, "I'm gonna kill that fuck." Two weeks later, on June 11, 1970, Bentvena was at The Suite near closing time when he was pistol-whipped by DeSimone. Hill said that before DeSimone started to beat Bentvena, DeSimone yelled, "Shine these fucking shoes!" After Bentvena was beaten and presumed killed, DeSimone, Burke, and Hill placed his body in the trunk of Hill's car for transport. They stopped at DeSimone's mother's house to fetch a shovel and lime. They started to hear sounds from the trunk, and when they realized that Bentvena was still alive, DeSimone and Burke stopped the car and beat him to death with the shovel and a tire iron. Burke had a friend who owned a dog kennel in Upstate New York, and Bentvena was buried there. About three months after Bentvena's murder, Burke's friend sold the dog kennel to housing developers, and Burke ordered Hill and DeSimone to exhume Bentvena's corpse and dispose of it elsewhere. In Wiseguy, Hill said the body was eventually crushed in a car crusher at a New Jersey junkyard, which was owned by Clyde Brooks. However, on the commentary for the film Goodfellas, he states that Bentvena's body was buried in the basement of Robert's Lounge, a bar and restaurant owned by Burke, and only later was put into the car crusher. Drug business In November 1972, Burke and Hill were arrested for beating Gaspar Ciaccio in Tampa, Florida. Ciaccio allegedly owed a large gambling debt to their friend, union boss Casey Rosado. They were convicted of extortion and sentenced to ten years at the United States Penitentiary, Lewisburg. Hill was imprisoned with Vario, who was serving a sentence for tax evasion, and several members of John Gotti's Gambino crew. In Lewisburg, Hill met a man from Pittsburgh who, for a fee, taught Hill how to smuggle drugs into the prison. On July 12, 1978, Hill was paroled after four years and resumed his criminal career. He began trafficking in drugs, which Burke eventually became involved with, even though the Lucchese crime family, with whom they were associated, did not authorize any of its members to deal drugs. This Lucchese ban was enacted because the prison sentences imposed on anyone convicted of drug trafficking were so lengthy that the accused would often become informants in exchange for a lesser sentence. Hill began wholesaling marijuana, cocaine, heroin, and quaaludes based on connections he made in prison; he earned enormous amounts of money. A young kid who was a mule of Hill's "ratted" him out to Narcotics Detectives Daniel Mann and William Broder. "The Youngster" (so named by the detectives) informed them that Hill was connected to the Lucchese family and was a close friend to Vario and to Burke and "had probably been in on the Lufthansa robbery." Knowing of Hill's exploits, the detectives put surveillance on him. They found out that Hill's old prison friend from Pittsburgh ran a dog-grooming salon as a front. Mann and Broder had "thousands" of wiretaps of Hill, but Hill and his crew used coded language in the conversations. Hill's wiretap on March 29 is an example of the bizarre vocabulary: Lufthansa heist On December 11, 1978, an estimated $5.875 million (equivalent to $ million in ) was stolen from the Lufthansa cargo terminal at Kennedy airport, with $5 million in cash and $875,000 in jewelry, making it the largest cash robbery committed on American soil at the time. The plot had begun when bookmaker Martin Krugman told Hill that Lufthansa flew in currency to its cargo terminal at the airport; Burke set the plan in motion. Hill did not directly take part in the heist. Basketball fixing Hill and two Pittsburgh gamblers set up the 1978–79 Boston College basketball point-shaving scheme by convincing Boston College center Rick Kuhn to participate. Kuhn, who was a high school friend of one of the gamblers, encouraged teammates to participate in the scheme. Hill also claimed to have an NBA referee in his pocket who worked games at Madison Square Garden during the 1970s. The referee had incurred gambling debts on horse races. 1980 arrest In 1980, Hill was arrested on a narcotics-trafficking charge. He became convinced that his former associates planned to have him killed: Vario, for dealing drugs; and Burke, to prevent Hill from implicating him in the Lufthansa heist. Hill heard on a wiretap that his associates Angelo Sepe and Anthony Stabile were anxious to have him killed, and that they were telling Burke that Hill "is no good" and "is a junkie." Burke told them "not to worry about it." Hill was more convinced by a surveillance tape played to him by federal investigators, in which Burke tells Vario of their need to have Hill "whacked." When Hill was finally released on bail, Burke told him they should meet at a bar, which Hill had never heard of or seen before, owned by "Charlie the Jap.” However, Hill never met Burke there; instead they met at Burke's sweatshop with Karen and asked for the address in Florida where Hill was to kill Bobby Germaine's son with Anthony Stabile. Hill knew he would be murdered if he went to Florida. Edward McDonald, the head of the Brooklyn Organized Crime Strike Force, arrested Hill as a material witness in the Lufthansa robbery. With a long sentence hanging over him, Hill agreed to become an informant and signed an agreement with the Strike Force on May 27, 1980. Informant and the witness protection program Hill testified against his former associates to avoid impending prosecution and being murdered by his crew. His testimony led to 50 convictions. Hill, his wife Karen, and their two children (Gregg and Gina) entered the U.S. Marshals' Witness Protection Program in 1980, changed their names, and moved around to several undisclosed locations including Seattle, Washington; Cincinnati, Ohio; Omaha, Nebraska; Butte, Montana; and Independence, Kentucky. Jimmy Burke was given 12 years in prison for the 1978–79 Boston College point-shaving scandal, involving fixing Boston College basketball games. Burke was also later sentenced to life in prison for the murder of scam artist Richard Eaton. Burke died of cancer while serving his life sentence, on April 13, 1996, at the age of 64. Paul Vario received four years for helping Henry Hill obtain a no-show job to get him paroled from prison. Vario was also later sentenced to ten years in prison for the extortion of air freight companies at JFK Airport. He died of respiratory failure on November 22, 1988, at age 73 while incarcerated in the FCI Federal Prison in Fort Worth. Hill's bigamy, subsequent arrests, and divorce In the fall of 1981, Hill (now Martin Lewis) met a woman named Sherry Anders. After a whirlwind romance, the two got married in Virginia City, NV despite Hill already being married. This led to a breakdown in many areas of Hill's life. In 1987, Hill was convicted of cocaine trafficking in a federal court in Seattle and expelled from the witness protection program. In 1990, his wife Karen filed for divorce after 23 years of marriage. The divorce was finalized in 2002. In August 2004, Hill was arrested in North Platte, Nebraska at North Platte Regional Airport after he had left his luggage containing drug paraphernalia. On September 26, 2005, he was sentenced to 180 days' imprisonment for attempted methamphetamine possession. Hill was sentenced to two years of probation on March 26, 2009, after he pleaded guilty to two misdemeanor counts of public intoxication. On December 14, 2009, he was arrested in Fairview Heights, Illinois, for disorderly conduct and resisting arrest, which Hill attributed to his drinking problems. Later years In his later years, after his first divorce, he married Kelly Alor, and then Lisa Caserta. They lived in Topanga Canyon, near Malibu, California. Both appeared in several documentaries and made public appearances on various media programs including The Howard Stern Show. Hill fathered a third child during this time. Goodfellas film Goodfellas, the 1990 Martin Scorsese-directed crime film adaptation of the 1985 non-fiction book Wiseguy by Nicholas Pileggi, follows the 1955 to 1980 rise and fall of Hill and his Lucchese crime family associates. Hill was portrayed by Ray Liotta. Scorsese initially named the film Wise Guy but subsequently, with Pileggi's agreement, changed the name to Goodfellas to avoid confusion with the unrelated television crime drama Wiseguy. Two weeks in advance of the filming, Hill was paid $480,000. Robert De Niro, who portrayed Jimmy Burke, often called Hill several times a day to ask how Burke walked, held his cigarette, and so on. Driving to and from the set, Liotta listened to FBI audio cassette tapes of Hill, so he could practice speaking like his real-life counterpart. The cast did not meet Hill until a few weeks before the film's premiere. Liotta met him in an undisclosed city; Hill had seen the film and told the actor that he loved it. Other media appearances and activity The 1990 film My Blue Heaven was based on Hill's life, with the screenplay written by Pileggi's wife Nora Ephron. The 2001 TV film The Big Heist was based on the Lufthansa heist, and Hill was portrayed by Nick Sandow. In 2004, Hill was interviewed by Charlie Rose for 60 Minutes. July 24, 2010 marked the twentieth anniversary of the release of Goodfellas. This milestone was celebrated with a private screening hosted by Hill for a select group of invitees at the Museum of the American Gangster. On June 8, 2011, a show about Hill's life aired on the National Geographic Channel's Locked Up Abroad. In 2006, Hill and Ray Liotta appeared in a photo shoot for Entertainment Weekly. At Liotta's urging, Hill entered alcohol rehabilitation two days after the session shoot. In reference to his many victims, Hill stated in an interview in March 2008, with the BBC's Heather Alexander: "I don't give a heck what those people think; I'm doing the right thing now," addressing the reporter's question about how his victims might think of his commercialization of his story through self-written books and advising on Goodfellas. In 2008, Hill was featured in episode three of the crime documentary series The Irish Mob. In the episode, Hill recounts his life of crime, as well as his close relationship with Jimmy Burke and the illegal activity the two engaged in together. A large portion of the segment focuses on Burke's and Hill's involvements in the famous Lufthansa heist. In August 2011, Hill appeared in the special "Mob Week" on AMC; he and other former mob members talked about The Godfather, Goodfellas, and other such mob films. In 2014, the ESPN-produced 30 for 30 series debuted Playing for the Mob, the story about how Hill and his Pittsburgh associates, and several Boston College basketball players, committed the point-shaving scandal during the 1978–79 season, an episode briefly mentioned in the movie. The documentary, narrated by Liotta, was set up so that the viewer needed to watch the film beforehand, to understand many of the references in the story. Books In October 2002, Hill published The Wiseguy Cookbook: My Favorite Recipes From My Life As a Goodfella To Cooking On the Run. In it, Hill shared some stories throughout his childhood, life in the mob, and running from the law. He also presents recipes he learned from his family, during his years in the mob, and some that he came up with himself. For example, Hill claimed his last meal the day he was busted for drugs consisted of rolled veal cutlets, sauce with pork butt, veal shanks, ziti, and green beans with olive oil and garlic. In 2012, Henry Hill collaborated with the author, Daniel Simone, in writing and developing a non-fiction book titled, The Lufthansa Heist, a portrayal of the famous 1978 Lufthansa Airline robbery at Kennedy Airport. The book was published in August 2015. Other books by Hill include: Restaurants Hill worked for a time as a chef at an Italian restaurant in North Platte, Nebraska, and his spaghetti sauce, Sunday Gravy, was marketed over the internet. Hill opened another restaurant, Wiseguys, in West Haven, Connecticut, in October 2007, which closed the following month after a fire. Death Hill died of complications related to heart disease in a Los Angeles hospital, on June 12, 2012, after a long battle with his illness, a day after his 69th birthday. His girlfriend for the last six years of his life, Lisa Caserta, said, "He had been sick for a long time. ... his heart gave out." CBS News aired Caserta's report of Hill's death, during which she stated: "he went out pretty peacefully, for a goodfella." She said Hill had recently suffered a heart attack before his death and died of complications after a long history of heart problems associated with smoking. Hill's family was present when he died. Hill was cremated the day after his death. References Further reading 1943 births 2012 deaths 20th-century American criminals 21st-century American criminals American drug traffickers American gangsters American gangsters of Irish descent American gangsters of Sicilian descent American Mafia cooperating witnesses American restaurateurs American robbers Criminals from Brooklyn Criminals from Manhattan Federal Bureau of Investigation informants Gangsters from New York City Lucchese crime family Lufthansa heist Military personnel from New York City People from Brownsville, Brooklyn People from Topanga, California People who entered the United States Federal Witness Protection Program People with dyslexia United States Army soldiers Vario Crew

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What is Mr A-Z?

What is Mr A-Z?

Jason Mraz

On July 26, 2005, Mraz released his second major label album, Mr. A-Z, produced by Steve Lillywhite for Atlantic Records. The album's lead single, "Wordplay", was produced by Kevin Kadish, and entered the Billboard 200 at number 5. The album earned a Grammy Award nomination for Best Engineered Album, Non-Classical, while Lillywhite received a nomination for Producer of the Year. Mraz began a long-running tour in support of Mr. A-Z at the San Diego Music Awards on September 12, 2005. The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002. Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005-06 world tour. In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival. That May, he toured mostly small venues and music festivals in the U.S., along with a few shows in the United Kingdom and Ireland where he supported James Blunt The tour included a May 6, 2006 acoustic show with P.O.D., Better Than Ezra, Live, and The Presidents of the United States of America. Mraz was featured as a headlining guest of St. Louis's annual Fair St. Louis and performed a free concert at the base of the Gateway Arch on July 1, 2006. During this time, Mraz was also the opening act at several dates for Rob Thomas' Something to Be Tour. In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites", singing a cover of Bob Marley's "One Love". 2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007, "The Beauty in Ugly", an earlier track penned by Mraz originally titled "Plain Jane", was rewritten for the ABC television show Ugly Betty. The song was featured as a part of ABC's "Be Ugly in '07" campaign. Also that year, on American Idol, contestant Chris Richardson performed a cover of Mraz's "Geek in the Pink". CANNOTANSWER

Mraz began a long-running tour in support of Mr. A-Z at the San Diego Music Awards on September 12, 2005.

Jason Thomas Mraz (; born June 23, 1977) is an American guitarist, singer and songwriter. He rose to prominence with the release of his debut studio album, Waiting for My Rocket to Come (2002), which spawned the single "The Remedy (I Won't Worry)", that reached the top 20 on the Billboard Hot 100 chart. His next two studio albums, Mr. A-Z (2005), and We Sing. We Dance. We Steal Things. (2008), peaked in the top five on the Billboard 200; with the latter album spawning the Grammy Award winning singles "Make It Mine", and "Lucky" with Colbie Caillat. The album's lead single "I'm Yours", reached the top ten on the Billboard Hot 100, while spending a then-record 76 weeks on the Hot 100, and was certified Diamond by the Recording Industry Association of America (RIAA). His fourth album, Love Is a Four Letter Word (2012), peaked at number two on the Billboard 200, becoming his highest-charting album to date, and spawned the single "I Won't Give Up", which became his second top ten on the Hot 100. Along with receiving two Grammy Award wins, Mraz is also the recipient of two Teen Choice Awards, a People's Choice Award and the Hal David Songwriters Hall of Fame Award. As of July 2014, Mraz has sold over seven million albums, and over 11.5 million in digital singles. His musical style, from rhythmic feeling to his use of nylon string guitars, has been heavily influenced by Brazilian music. Early life Mraz was born and raised in Mechanicsville, Virginia. He is of Czech and Slovak descent through his grandfather, who moved to the United States from Austria-Hungary in 1915. His surname is (, ). His parents, Tom (Tomáš) Mraz and June Tomes, divorced when he was five years old, leaving Mraz to live with his father while his sister lived with his mother. His father is a postal worker, and his mother is vice president at a branch of Bank of America. Mraz's first concert was Young MC, the rapper known for "Bust a Move." While attending Lee-Davis High School, Mraz was a member of the cheerleading squad, school chorus, and drama club. He starred as Joseph in Joseph and the Amazing Technicolor Dreamcoat and as Snoopy in a play about the Peanuts characters. Mraz graduated in 1995. During this period of his life, he struggled with his sexuality at times, wondering if he was gay. Mraz credits an early girlfriend as being one of the influences that drove him to songwriting. She encouraged him to write his thoughts on paper which helped him get "all of the voices in my head to shut up" and "become something I could follow." After high school, Mraz attended the American Musical and Dramatic Academy in New York City for about a year and a half, originally to work in musical theater. When his roommates played guitar he would provide the vocals. Eventually, a friend gave him a guitar that was about to be thrown away and Mraz learned to play and write his own music. Mraz moved to the Shockoe Bottom neighborhood of Richmond, Virginia, where he took a series of odd jobs, including elementary-school janitor, and joined the Ashland Stage Company. Mraz then enrolled at Longwood University in Farmville, Virginia, on a scholarship. Instead of attending classes, he headed west on a road trip that ultimately brought him to San Diego, where he decided to stay. Music career Coffee house beginnings (2000–01) Soon after moving to San Diego in 1999, Mraz became a roadie for the band Elgin Park. He met future band member Toca Rivera at Java Joe's, a coffee house in the Ocean Beach neighborhood of San Diego known for being formative in the careers of Jewel and Steve Poltz. Mraz performed once a week for nearly three years, building a following in San Diego and online. Mraz released A Jason Mraz Demonstration in 1999, From the Cutting Room Floor and Oh Love, In Sadness (The E Minor EP in F) in 2001, which were self-released and pressed in a limited number of copies. In 2001, Mraz released the live acoustic album Live at Java Joe's, performing with percussionist Rivera and bassist Ian Sheridan. The album featured Mraz's freelancing vocal style and several songs he would later re-release, including "1000 Things", "You and I Both" and "Halfway Home." The album was made available to download on iTunes on March 11, 2008, under the title Jason Mraz: Live & Acoustic 2001. Mraz returned to perform at Java Joe's for the 15th anniversary of the album on September 21, 2002. Mraz' last self-released album was Sold Out (In Stereo) in March 21, 2002. Waiting for My Rocket to Come (2002–04) In late 2001, Mraz signed a recording contract with Elektra Records and moved to Los Angeles. In 2002, he opened for Jewel on her tour. On October 15, 2002, Mraz released his first major label debut album, Waiting for My Rocket to Come, which peaked at number 55 on the Billboard 200. The first single, "You & I Both," was sent to radio stations time for the album's release, but received minimal airplay, which led Elektra to reconsider whether a mid-tempo song was the right way to introduce Mraz. In early 2003, the label took a new approach with the more upbeat "The Remedy (I Won't Worry)." The track was co-written by music production team The Matrix, and became Mraz's first top-40 single on the Billboard Hot 100, peaking at number 15, becoming one of the biggest songs of 2003. The song was inspired by a high school friend who was diagnosed with cancer. At the time of the album's release, Mraz said that he did not like "The Remedy (I Won't Worry)" and had not wanted it on the album because it had started as a special and experimental song and the record label had "chalked up this chorus". The day after the album's release, Mraz played on "The Late Late Show With Craig Kilborn". Elektra would return to "You & I Both" a second time, shooting a music video and re-releasing it as the second official single. On May 19, 2005, Waiting for My Rocket to Come was certified Platinum, for selling 1 million units. Mraz opened for Tracy Chapman in 2003 at the Royal Albert Hall in London. In 2004, while on tour, Mraz released a live album with an accompanying DVD, Tonight, Not Again: Jason Mraz Live at the Eagles Ballroom. He performed with his touring band, including drummer Adam King, Rivera, Sheridan and keyboardist Eric Hinojosa, along with a guest appearance from Blues Traveler frontman John Popper. Mr. A–Z (2005–08) On July 26, 2005, Mraz released his second major label album, Mr. A–Z, produced by Steve Lillywhite for Atlantic Records. The album's lead single, "Wordplay", was produced by Kevin Kadish, and entered the Billboard 200 at number 5. The album earned a Grammy Award nomination for Best Engineered Album, Non-Classical, while Lillywhite received a nomination for Producer of the Year. Mraz began a long-running tour in support of Mr. A–Z at the San Diego Music Awards on September 12, 2005. The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002. Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005–06 world tour. In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival. That May, he toured mostly small venues and music festivals in the U.S., along with a few shows in the United Kingdom and Ireland where he supported James Blunt The tour included a May 6, 2006 acoustic show with P.O.D., Better Than Ezra, Live, and The Presidents of the United States of America. Mraz was featured as a headlining guest of St. Louis's annual Fair St. Louis and performed a free concert at the base of the Gateway Arch on July 1, 2006. During this time, Mraz was also the opening act at several dates for Rob Thomas' Something to Be Tour. In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites", singing a cover of Bob Marley's "One Love". 2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007, "The Beauty in Ugly", an earlier track penned by Mraz originally titled "Plain Jane", was rewritten for the ABC television show Ugly Betty. The song was featured as a part of ABC's "Be Ugly in '07" campaign. Also that year, on American Idol, contestant Chris Richardson performed a cover of Mraz's "Geek in the Pink". We Sing. We Dance. We Steal Things. (2008–09) On May 13, 2008, Mraz released his third studio album, We Sing. We Dance. We Steal Things. The album debuted at number 3 on the Billboard 200. It broke into the top 10 of many international music charts, and reached number 3 in the US and Australia. In March 2009, it was certified Platinum for selling 1 million units. Mraz has said that the album title was taken from the work of Scottish artist David Shrigley. Prior to its release, Mraz released three EPs, each with acoustic versions of songs from the album. The lead single, "I'm Yours", was written in August 2004 and originally released as a free acoustic B-side when Mr. A-Z came out. Through Mraz's live performances of the song, it gained in popularity with fans. When he played it at a festival in Sweden in 2007, the fans were ecstatic and singing along, after which Mraz realized the song's popularity and decided to make it the centerpiece of his next album. "I'm Yours" became Mraz's first Top 10 hit on the Billboard Hot 100, peaking at #6 on September 20, 2008. It ultimately spent 76 weeks on the Hot 100, longer than any other song in the magazine's 51-year history (a record since broken by Imagine Dragons with "Radioactive" in 2014). It was a major commercial success in the US, receiving a 7x multi-Platinum certification from the RIAA for digital sales of over seven million. The song was also successful internationally, topping the charts in New Zealand, Norway, Portugal and Sweden, and peaking in the top ten on the charts in 11 other countries. By May 2012, it had gained over 125,000,000 hits on YouTube. It was the first song to top the charts in four different radio formats: Mainstream Top 40, Adult Contemporary, Adult Top 40 and Triple A. It also made the Latin Pop and Smooth Jazz charts. Mraz won his first two Grammy Awards in 2010, for Best Male Pop Vocal Performance ("Make It Mine") and Best Pop Collaboration ("Lucky" with Colbie Caillat). At the 2009 Grammy Awards, "I'm Yours" was nominated for Song of the Year and Best Male Pop Vocal Performance, and We Sing. We Dance. We Steal Things. was nominated for Best Engineered Album, Non-Classical. "I'm Yours" was also named ASCAP's 2010 Song of the Year. Mraz's 2008 world tour took him all over the United States, Europe, Asia and Australia. His personal photo travelogue from the world tour was published as a book, titled A Thousand Things (2008). The book contains Polaroids from his time touring and backpacking around Europe, and was launched with a photo exhibition at Charles Cowles Gallery in New York City at the end of 2008. Also in 2008, Mraz played with Eric Clapton to a crowd of 45,000 in Hyde Park, London, sold out London's Royal Albert Hall and performed at the Nobel Peace Prize Concert in Oslo. That year also marked his Music, Magic & Make Peace Tour with Bushwalla, The Makepeace Brothers, and magician Justin Willman. Mraz brought along the magician after picking up magic as a hobby during recording sessions for We Sing. We Dance. We Steal Things. On January 31, 2009, Mraz was the musical guest on Saturday Night Live, performing "I'm Yours" and "Lucky", which peaked on the Hot 100 at number 82. In 2009, Mraz was awarded the Hal David Starlight Award from the Songwriters Hall of Fame. Love Is a Four Letter Word (2010–13) In 2009, while preparing for his new album, Mraz recorded "The Way Is Love", an unreleased Roy Orbison song, as a duet with Willie Nelson. In November 2009, he released the live CD/DVD Jason Mraz's Beautiful Mess: Live on Earth, recorded in Chicago during the Gratitude Café tour. The following year, he went to Brazil to record "Simplesmente Todo" with Milton Nascimento, who sings in Portuguese while Mraz sings in English. He also did some writing with Dido, and recorded new material with producer Martin Terefe. Mraz then released two live EPs: the Life Is Good EP on October 5, 2010, and the Live Is A Four Letter Word EP on February 28, 2012. Love Is a Four Letter Word was released on April 13, 2012. It reached number 2 on the Billboard 200, and the top 20 in 10 other countries. The lead single, "I Won't Give Up", debuted at number 8 on the Billboard Hot 100, and number 1 on the Digital Songs chart. It charted in 15 countries in total, and in October 2013 was certified 4x multi-platinum, for selling in excess of 4 million units. Mraz premiered the track live during his 2011 tour, before an official version had been released. It began to receive a lot of attention through live performances, as well as online. The official lyric video gained over 2.5 million views in its first 10 days on YouTube. Love Is a Four Letter Word was nominated for a 2012 Grammy Award for Best Engineered Album, Non-Classical. Mraz won a 2013 People's Choice Award for Favorite Male Artist. He performed at Farm Aid 2011 in Kansas City. In 2012 he played sold-out shows at the Hollywood Bowl in Los Angeles, Madison Square Garden in New York and the O2 Arena in London, and performed at President Barack Obama and family's lighting of the national Christmas tree at the White House; a noted Obama supporter, he has also performed at numerous other events involving Obama and Vice President Joe Biden. Also in 2012, he performed "You Did It" at the presentation ceremony for the Kennedy Center's Mark Twain Prize for American Humor, won that year by Ellen DeGeneres. Yes! (2014) Mraz's fifth studio album, Yes!, was released on July 15, 2014. It is his first acoustic album, and was recorded with all-female folk rock band Raining Jane. They had previously co-written "A Beautiful Mess" for Mraz's 2008 album We Sing. We Dance. We Steal Things. Aside from a cover of the Boyz II Men song "It's So Hard to Say Goodbye to Yesterday", every song on Yes! was written by Mraz and Raining Jane. The lead single, "Love Someone", was released on May 19, 2014, with Mraz performing an acoustic version of the song for Time. On June 20, 2014, he released We Can Take the Long Way, a music video trilogy for the first three songs on Yes! – "Love Someone", "Hello, You Beautiful Thing" and "Long Drive". It premiered on the USA Today website. Waitress (2017–18) On September 27, 2017, it was announced that Mraz would make his Broadway debut in the musical Waitress. He took on the role of Dr. Pomatter on November 3, 2017 for a 10-week run. Sara Bareilles re-joined the cast during his run and he extended his time as Dr. Pomatter playing his final show on February 11, 2018. He had previously sung "Bad Idea" and "You Matter to Me" on Sara Bareilles' 2015 album (based on the show's music) What's Inside: Songs From Waitress. Know. and Look for the Good (2018–present) Prior to and following his involvement in Waitress, Mraz began work on a follow-up album to Yes!. In June 2018, he announced his sixth studio album, Know.—a play on the previous album's title— it was released on August 10, 2018. He referred to the new album as "bright and shiny" and a "classic-sounding pop acoustic, vocally driven record with positive lyrics and love songs." Inspired by a blessing he received from a Buddhist monk during a trip to Myanmar in 2012, Mraz wrote the song "Have It All" with Raining Jane and producers David Hodges, JKash, and Andrew Wells. The song was released as the lead single to the new album on April 27, 2018, and accompanied by a video filmed with performing arts students from his hometown of Richmond. With the announcement of the album in June 2018, Mraz released a second track off of Know. called "Unlonely". In July 2018, Mraz shared the lyric video for the song "More Than Friends", a duet with Meghan Trainor. On August 7, 2018, he partnered with Fathom Events on the one-night-only release of Jason Mraz - Have It All The Movie, a concert film and behind the scenes footage of the making of the "Have It All" video, in 600 movie theaters throughout North America. On August 10, 2018, his sixth album, Know., was released. In 2019, he was featured on the album The Secret by Alan Parsons as lead vocalist of the song "Miracle". On August 13, 2019, Mraz was named the first-ever District Advocate Ambassador to continue the fight for music creators' rights. In June 2020, Jason Mraz signed a three multi-album agreement with BMG led by Vice President of A&R Jaime Neely, Executive Vice President of Repertoire & Marketing Thomas Scherer, Vice President of Marketing and Recorded Music Cyndi Lynott, and Vice President of Creative Synch Jonathan Palmer. Personal life Relationships and sexuality Mraz married Sheridan Edley in 2001. They divorced the following year. Mraz was engaged to singer-songwriter and long-time close friend Tristan Prettyman on Christmas Eve 2010; they broke off the engagement six months later. Mraz lives a health-conscious lifestyle and has said that he eats mostly raw vegan foods. His vegan diet has also influenced his music. He owns a five-and-a-half acre avocado farm in Oceanside, California. He is an investor at Café Gratitude, a vegan restaurant in Los Angeles, and named his 2011 tour Gratitude Café in its honor. His hobbies include surfing, yoga and photography. On October 25, 2015, Mraz married his girlfriend, Christina Carano, in a private ceremony in his hometown of Mechanicsville, Virginia. In June 2018, Mraz penned a "love letter" to the LGBT community, as part of a Billboard feature during gay pride month. A line in the poem, "I am bi your side. / All ways" led some media reports to state that the poem represented Mraz's coming out as bisexual. In an article published on July 19, 2018, by Billboard, Mraz said he has had previous experiences with men, even while dating Carano. Mraz said Carano defined him as a "two-spirit", a description that was criticized by some as misappropriating a word originally designed solely for the native population, and for distorting the term's meaning. In August 2018, Mraz confirmed in an interview with the New York Post that he now identifies as bisexual, speaking of the burden of being closeted ("I honestly didn’t know how to come out and sing these happy love songs..."; "It was tough, 'cause not even my mom knew it, you know? [...] And I realized that’s the struggle that people in the LGBT community have. It can be a very stressful secret that we carry") and the lack of backlash once he came out ("And I think that’s the cosmic joke. We carry around these secrets, and then once you say something, nobody cares"). Social activism and philanthropy Mraz is a social activist whose philanthropic efforts span wide-ranging issues, including the environment, human rights and LGBT equality. In 2003, after learning one of his beer bottles was listed for sale on eBay, Mraz was inspired to auction off items of his wardrobe online, raising money for the Make a Wish Foundation. During early tours, he encouraged his fans to drop off food items as they arrived at the venue, an effort to support local food banks. In 2009, he participated in a rescue mission to Ghana with members of Free the Slaves, a global nonprofit working to liberate children sold into slavery. In 2012, he was featured as the first-ever straight man on the cover of Instinct magazine in recognition of his efforts in support of LGBT rights. The Jason Mraz Foundation was established in 2011, with a mission to support charities in the areas of human equality, environment preservation and education. Organizations supported by the foundation include VH1's Save The Music Foundation, MusiCares, Surfrider Foundation, Free the Children, Life Rolls On, the School of the Performing Arts in the Richmond Community, the Natural Resources Defense Council, and the True Colors Fund, which promotes LGBT equality. Mraz was named the 2010 Surf Industry Manufacturers Association (SIMA) Humanitarian of the Year. He also received the Clean Water Award in 2010 from the Surfrider Foundation, for helping to preserve the world's oceans and beaches. That same year, he teamed up with The Nature Conservancy and created a PSA using his song "I'm Yours" to raise awareness about the nonprofit organization's efforts to protect the earth. On December 16, 2012, Mraz headlined the Milestone Concert in Myanmar to raise awareness about human trafficking, making him the first foreign artist to play an open-air concert in Myanmar. The concert was organized by MTV EXIT and held in the People's Square in Yangon, with over 70,000 people in attendance, as part of an initiative to raise awareness about human trafficking in Myanmar. Also in 2012, Mraz spent a week in Antarctica with a group of environmentalists, scientists and researchers on a mission led by Al Gore, to learn about the effects of climate change. Mraz is a continued supporter of WhyHunger, a grassroots support organization dedicated to fighting hunger and poverty in the United States. The organization was founded by late musician Harry Chapin and Radio DJ Bill Ayres in 1975. On June 19, 2020, Mraz announced he would be donating all profits from his album "Look for the Good" to Black Lives Matter and other organizations working toward equality and justice. Politics On October 24, 2019, Mraz endorsed Bernie Sanders for President in the 2020 Democratic Party presidential primaries stating, "Bernie is the perfect candidate to follow Trump & continue to shake up the system for the benefit of true American values: Life, Liberty & The Pursuit of Happiness". Discography Studio albums Waiting for My Rocket to Come (2002) Mr. A–Z (2005) We Sing. We Dance. We Steal Things. (2008) Love Is a Four Letter Word (2012) Yes! (2014) Know. (2018) Look for the Good (2020) Awards and nominations {| class="wikitable sortable plainrowheaders" |- ! scope="col" | Award ! scope="col" | Year ! scope="col" | Nominee(s) ! scope="col" | Category ! scope="col" | Result ! scope="col" class="unsortable"| |- ! scope="row" rowspan=4|Grammy Awards | rowspan="2"|2009 | rowspan="2"|"I'm Yours" | Song of the Year | | rowspan=4| |- | rowspan=2|Best Male Pop Vocal Performance | |- | rowspan="2"|2010 | "Make It Mine" | |- | "Lucky" (with Colbie Caillat) | Best Pop Collaboration with Vocals | |- ! scope="row" rowspan=2|Pop Awards | rowspan=2|2021 | Himself | Icon of the Year | | rowspan=2| |- | Look for the Good | Album of the Year | |- ! scope="row" rowspan=15|San Diego Music Awards | rowspan=2|2002 | rowspan=3|Himself | Best Acoustic | | rowspan=2| |- | rowspan=2|Artist of the Year | |- | rowspan=2|2003 | | rowspan=2| |- | "The Remedy (I Won't Worry)" | Song of the Year | |- | 2004 | rowspan=2|Himself | rowspan=2|Artist of the Year | | |- | rowspan=3|2009 | | rowspan=2| |- | "Lucky" (with Colbie Caillat) | Song of the Year | |- | We Sing. We Dance. We Steal Things. | Album of the Year | | |- | rowspan=4|2014 | Himself | Artist of the Year | | rowspan=2| |- | rowspan=2|"Love Someone" | Best Music Video | |- | Song of the Year | | rowspan=2| |- | Yes! | Album of the Year | |- | rowspan=3|2019 | Himself | Artist of the Year | | rowspan=3| |- | "Have It All" | Song of the Year | |- | Know. | Album of the Year | Other awards |- | 2004 | rowspan=2|Jason Mraz | Pollstar Concert Industry Awards for Best New Touring Artist | |- | rowspan=4|2009 | Teen Choice Award for Choice Music – Male Artist | |- | We Sing. We Dance. We Steal Things. | Teen Choice Award for Choice Album (Male Artist) | |- | rowspan=3|Jason Mraz | American Music Award for Favorite Adult Contemporary Artist | |- | Songwriters Hall of Fame Hal David Starlight Award | |- | style="text-align:center;" | 2010 | People's Choice Award for Favorite Male Artist | |- | style="text-align:center;" | 2010 | "I'm Yours" | ASCAP Song of the Year | |- | style="text-align:center;" | 2010 | Jason Mraz | Surf Industry Manufacturers Association Humanitarian of the Year | |- | style="text-align:center;" | 2010 | Jason Mraz | Surfrider Foundation Clean Water Award | |- | style="text-align:center;" | 2012 | rowspan="2" | "I Won't Give Up" | Best Love Song | |- | style="text-align:center;" | 2012 | MVPA Awards for Best Adult Contemporary Video | |- | style="text-align:center;" | 2012 | Jason Mraz | ASCAP Foundation Champion Award | |- | style="text-align:center;" | 2013 | Jason Mraz | People's Choice Award for Pop Male Artist | |- | style="text-align:center;" | 2013 | Jason Mraz | MTV Europe Music Award For Best World Stage | |- Bibliography A Thousand Things (2008, I Love Books) Film Television appearances (selected) American Music Awards (2003) Late Night with Conan O'Brien (2003) The Tonight Show with Jay Leno (2003, 2005, 2008) New Year's Rockin' Eve (2004) The Ellen DeGeneres Show (2004, 2006, 2008, 2009, 2014) Jimmy Kimmel Live! (2004, 2005, 2009, 2012) EBS Space Gonggam (EBS 스페이스 공감) (2006) Late Show with David Letterman (2008, 2009, 2012) Nobel Peace Prize Concert (2008) Rachael Ray (2008) American Idol (2009, 2019) Saturday Night Live (2009, 2019) Spicks and Specks (TV series) (2009) The Tonight Show with Conan O'Brien (2009) Grammy Awards (2009, 2010) Family Guy (2010) The Jay Leno Show (2010) Sesame Street (2010) Chelsea Lately (2012) Conan (2012) Dancing With the Stars (2012) The Fresh Beat Band (2012) Late Night with Jimmy Fallon (2012) Opening Act (2012) Today (2012) VH1 Storytellers (2012) Watch What Happens: Live (2012) Live from Daryl's House (2012) American Restoration (2015) Live from the Artists Den (2014) K-pop Star 4 (케이팝 스타 4) (2015) Today Show with Hoda and Jena (2019) Celebrity Show-Off (2020) Celebrity Wheel of Fortune'' (2021) References External links Jason Mraz collection at the Internet Archive's live music archive Playlist: Jason Mraz – Nightline 07/17/09 – Reggae to rock, Mraz reveals his musical influences. 1977 births American male singer-songwriters American people of Czech descent American people of Slovak descent Atlantic Records artists Bisexual male actors Bisexual musicians Elektra Records artists Grammy Award winners LGBT people from Virginia LGBT producers LGBT rights activists from the United States LGBT singers from the United States LGBT songwriters Living people Musicians from Richmond, Virginia Musical groups from San Diego Singer-songwriters from Virginia American folk-pop singers Guitarists from Virginia American male guitarists People from Mechanicsville, Virginia 21st-century American singers 20th-century LGBT people 21st-century LGBT people Singer-songwriters from California

C_aea617a473d446cb82951e3360b9b0cf_1

Why is this significant?

Why is Jason Mraz's support of Mr. A-Z significant?

Jason Mraz

On July 26, 2005, Mraz released his second major label album, Mr. A-Z, produced by Steve Lillywhite for Atlantic Records. The album's lead single, "Wordplay", was produced by Kevin Kadish, and entered the Billboard 200 at number 5. The album earned a Grammy Award nomination for Best Engineered Album, Non-Classical, while Lillywhite received a nomination for Producer of the Year. Mraz began a long-running tour in support of Mr. A-Z at the San Diego Music Awards on September 12, 2005. The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002. Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005-06 world tour. In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival. That May, he toured mostly small venues and music festivals in the U.S., along with a few shows in the United Kingdom and Ireland where he supported James Blunt The tour included a May 6, 2006 acoustic show with P.O.D., Better Than Ezra, Live, and The Presidents of the United States of America. Mraz was featured as a headlining guest of St. Louis's annual Fair St. Louis and performed a free concert at the base of the Gateway Arch on July 1, 2006. During this time, Mraz was also the opening act at several dates for Rob Thomas' Something to Be Tour. In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites", singing a cover of Bob Marley's "One Love". 2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007, "The Beauty in Ugly", an earlier track penned by Mraz originally titled "Plain Jane", was rewritten for the ABC television show Ugly Betty. The song was featured as a part of ABC's "Be Ugly in '07" campaign. Also that year, on American Idol, contestant Chris Richardson performed a cover of Mraz's "Geek in the Pink". CANNOTANSWER

The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002.

Jason Thomas Mraz (; born June 23, 1977) is an American guitarist, singer and songwriter. He rose to prominence with the release of his debut studio album, Waiting for My Rocket to Come (2002), which spawned the single "The Remedy (I Won't Worry)", that reached the top 20 on the Billboard Hot 100 chart. His next two studio albums, Mr. A-Z (2005), and We Sing. We Dance. We Steal Things. (2008), peaked in the top five on the Billboard 200; with the latter album spawning the Grammy Award winning singles "Make It Mine", and "Lucky" with Colbie Caillat. The album's lead single "I'm Yours", reached the top ten on the Billboard Hot 100, while spending a then-record 76 weeks on the Hot 100, and was certified Diamond by the Recording Industry Association of America (RIAA). His fourth album, Love Is a Four Letter Word (2012), peaked at number two on the Billboard 200, becoming his highest-charting album to date, and spawned the single "I Won't Give Up", which became his second top ten on the Hot 100. Along with receiving two Grammy Award wins, Mraz is also the recipient of two Teen Choice Awards, a People's Choice Award and the Hal David Songwriters Hall of Fame Award. As of July 2014, Mraz has sold over seven million albums, and over 11.5 million in digital singles. His musical style, from rhythmic feeling to his use of nylon string guitars, has been heavily influenced by Brazilian music. Early life Mraz was born and raised in Mechanicsville, Virginia. He is of Czech and Slovak descent through his grandfather, who moved to the United States from Austria-Hungary in 1915. His surname is (, ). His parents, Tom (Tomáš) Mraz and June Tomes, divorced when he was five years old, leaving Mraz to live with his father while his sister lived with his mother. His father is a postal worker, and his mother is vice president at a branch of Bank of America. Mraz's first concert was Young MC, the rapper known for "Bust a Move." While attending Lee-Davis High School, Mraz was a member of the cheerleading squad, school chorus, and drama club. He starred as Joseph in Joseph and the Amazing Technicolor Dreamcoat and as Snoopy in a play about the Peanuts characters. Mraz graduated in 1995. During this period of his life, he struggled with his sexuality at times, wondering if he was gay. Mraz credits an early girlfriend as being one of the influences that drove him to songwriting. She encouraged him to write his thoughts on paper which helped him get "all of the voices in my head to shut up" and "become something I could follow." After high school, Mraz attended the American Musical and Dramatic Academy in New York City for about a year and a half, originally to work in musical theater. When his roommates played guitar he would provide the vocals. Eventually, a friend gave him a guitar that was about to be thrown away and Mraz learned to play and write his own music. Mraz moved to the Shockoe Bottom neighborhood of Richmond, Virginia, where he took a series of odd jobs, including elementary-school janitor, and joined the Ashland Stage Company. Mraz then enrolled at Longwood University in Farmville, Virginia, on a scholarship. Instead of attending classes, he headed west on a road trip that ultimately brought him to San Diego, where he decided to stay. Music career Coffee house beginnings (2000–01) Soon after moving to San Diego in 1999, Mraz became a roadie for the band Elgin Park. He met future band member Toca Rivera at Java Joe's, a coffee house in the Ocean Beach neighborhood of San Diego known for being formative in the careers of Jewel and Steve Poltz. Mraz performed once a week for nearly three years, building a following in San Diego and online. Mraz released A Jason Mraz Demonstration in 1999, From the Cutting Room Floor and Oh Love, In Sadness (The E Minor EP in F) in 2001, which were self-released and pressed in a limited number of copies. In 2001, Mraz released the live acoustic album Live at Java Joe's, performing with percussionist Rivera and bassist Ian Sheridan. The album featured Mraz's freelancing vocal style and several songs he would later re-release, including "1000 Things", "You and I Both" and "Halfway Home." The album was made available to download on iTunes on March 11, 2008, under the title Jason Mraz: Live & Acoustic 2001. Mraz returned to perform at Java Joe's for the 15th anniversary of the album on September 21, 2002. Mraz' last self-released album was Sold Out (In Stereo) in March 21, 2002. Waiting for My Rocket to Come (2002–04) In late 2001, Mraz signed a recording contract with Elektra Records and moved to Los Angeles. In 2002, he opened for Jewel on her tour. On October 15, 2002, Mraz released his first major label debut album, Waiting for My Rocket to Come, which peaked at number 55 on the Billboard 200. The first single, "You & I Both," was sent to radio stations time for the album's release, but received minimal airplay, which led Elektra to reconsider whether a mid-tempo song was the right way to introduce Mraz. In early 2003, the label took a new approach with the more upbeat "The Remedy (I Won't Worry)." The track was co-written by music production team The Matrix, and became Mraz's first top-40 single on the Billboard Hot 100, peaking at number 15, becoming one of the biggest songs of 2003. The song was inspired by a high school friend who was diagnosed with cancer. At the time of the album's release, Mraz said that he did not like "The Remedy (I Won't Worry)" and had not wanted it on the album because it had started as a special and experimental song and the record label had "chalked up this chorus". The day after the album's release, Mraz played on "The Late Late Show With Craig Kilborn". Elektra would return to "You & I Both" a second time, shooting a music video and re-releasing it as the second official single. On May 19, 2005, Waiting for My Rocket to Come was certified Platinum, for selling 1 million units. Mraz opened for Tracy Chapman in 2003 at the Royal Albert Hall in London. In 2004, while on tour, Mraz released a live album with an accompanying DVD, Tonight, Not Again: Jason Mraz Live at the Eagles Ballroom. He performed with his touring band, including drummer Adam King, Rivera, Sheridan and keyboardist Eric Hinojosa, along with a guest appearance from Blues Traveler frontman John Popper. Mr. A–Z (2005–08) On July 26, 2005, Mraz released his second major label album, Mr. A–Z, produced by Steve Lillywhite for Atlantic Records. The album's lead single, "Wordplay", was produced by Kevin Kadish, and entered the Billboard 200 at number 5. The album earned a Grammy Award nomination for Best Engineered Album, Non-Classical, while Lillywhite received a nomination for Producer of the Year. Mraz began a long-running tour in support of Mr. A–Z at the San Diego Music Awards on September 12, 2005. The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002. Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005–06 world tour. In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival. That May, he toured mostly small venues and music festivals in the U.S., along with a few shows in the United Kingdom and Ireland where he supported James Blunt The tour included a May 6, 2006 acoustic show with P.O.D., Better Than Ezra, Live, and The Presidents of the United States of America. Mraz was featured as a headlining guest of St. Louis's annual Fair St. Louis and performed a free concert at the base of the Gateway Arch on July 1, 2006. During this time, Mraz was also the opening act at several dates for Rob Thomas' Something to Be Tour. In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites", singing a cover of Bob Marley's "One Love". 2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007, "The Beauty in Ugly", an earlier track penned by Mraz originally titled "Plain Jane", was rewritten for the ABC television show Ugly Betty. The song was featured as a part of ABC's "Be Ugly in '07" campaign. Also that year, on American Idol, contestant Chris Richardson performed a cover of Mraz's "Geek in the Pink". We Sing. We Dance. We Steal Things. (2008–09) On May 13, 2008, Mraz released his third studio album, We Sing. We Dance. We Steal Things. The album debuted at number 3 on the Billboard 200. It broke into the top 10 of many international music charts, and reached number 3 in the US and Australia. In March 2009, it was certified Platinum for selling 1 million units. Mraz has said that the album title was taken from the work of Scottish artist David Shrigley. Prior to its release, Mraz released three EPs, each with acoustic versions of songs from the album. The lead single, "I'm Yours", was written in August 2004 and originally released as a free acoustic B-side when Mr. A-Z came out. Through Mraz's live performances of the song, it gained in popularity with fans. When he played it at a festival in Sweden in 2007, the fans were ecstatic and singing along, after which Mraz realized the song's popularity and decided to make it the centerpiece of his next album. "I'm Yours" became Mraz's first Top 10 hit on the Billboard Hot 100, peaking at #6 on September 20, 2008. It ultimately spent 76 weeks on the Hot 100, longer than any other song in the magazine's 51-year history (a record since broken by Imagine Dragons with "Radioactive" in 2014). It was a major commercial success in the US, receiving a 7x multi-Platinum certification from the RIAA for digital sales of over seven million. The song was also successful internationally, topping the charts in New Zealand, Norway, Portugal and Sweden, and peaking in the top ten on the charts in 11 other countries. By May 2012, it had gained over 125,000,000 hits on YouTube. It was the first song to top the charts in four different radio formats: Mainstream Top 40, Adult Contemporary, Adult Top 40 and Triple A. It also made the Latin Pop and Smooth Jazz charts. Mraz won his first two Grammy Awards in 2010, for Best Male Pop Vocal Performance ("Make It Mine") and Best Pop Collaboration ("Lucky" with Colbie Caillat). At the 2009 Grammy Awards, "I'm Yours" was nominated for Song of the Year and Best Male Pop Vocal Performance, and We Sing. We Dance. We Steal Things. was nominated for Best Engineered Album, Non-Classical. "I'm Yours" was also named ASCAP's 2010 Song of the Year. Mraz's 2008 world tour took him all over the United States, Europe, Asia and Australia. His personal photo travelogue from the world tour was published as a book, titled A Thousand Things (2008). The book contains Polaroids from his time touring and backpacking around Europe, and was launched with a photo exhibition at Charles Cowles Gallery in New York City at the end of 2008. Also in 2008, Mraz played with Eric Clapton to a crowd of 45,000 in Hyde Park, London, sold out London's Royal Albert Hall and performed at the Nobel Peace Prize Concert in Oslo. That year also marked his Music, Magic & Make Peace Tour with Bushwalla, The Makepeace Brothers, and magician Justin Willman. Mraz brought along the magician after picking up magic as a hobby during recording sessions for We Sing. We Dance. We Steal Things. On January 31, 2009, Mraz was the musical guest on Saturday Night Live, performing "I'm Yours" and "Lucky", which peaked on the Hot 100 at number 82. In 2009, Mraz was awarded the Hal David Starlight Award from the Songwriters Hall of Fame. Love Is a Four Letter Word (2010–13) In 2009, while preparing for his new album, Mraz recorded "The Way Is Love", an unreleased Roy Orbison song, as a duet with Willie Nelson. In November 2009, he released the live CD/DVD Jason Mraz's Beautiful Mess: Live on Earth, recorded in Chicago during the Gratitude Café tour. The following year, he went to Brazil to record "Simplesmente Todo" with Milton Nascimento, who sings in Portuguese while Mraz sings in English. He also did some writing with Dido, and recorded new material with producer Martin Terefe. Mraz then released two live EPs: the Life Is Good EP on October 5, 2010, and the Live Is A Four Letter Word EP on February 28, 2012. Love Is a Four Letter Word was released on April 13, 2012. It reached number 2 on the Billboard 200, and the top 20 in 10 other countries. The lead single, "I Won't Give Up", debuted at number 8 on the Billboard Hot 100, and number 1 on the Digital Songs chart. It charted in 15 countries in total, and in October 2013 was certified 4x multi-platinum, for selling in excess of 4 million units. Mraz premiered the track live during his 2011 tour, before an official version had been released. It began to receive a lot of attention through live performances, as well as online. The official lyric video gained over 2.5 million views in its first 10 days on YouTube. Love Is a Four Letter Word was nominated for a 2012 Grammy Award for Best Engineered Album, Non-Classical. Mraz won a 2013 People's Choice Award for Favorite Male Artist. He performed at Farm Aid 2011 in Kansas City. In 2012 he played sold-out shows at the Hollywood Bowl in Los Angeles, Madison Square Garden in New York and the O2 Arena in London, and performed at President Barack Obama and family's lighting of the national Christmas tree at the White House; a noted Obama supporter, he has also performed at numerous other events involving Obama and Vice President Joe Biden. Also in 2012, he performed "You Did It" at the presentation ceremony for the Kennedy Center's Mark Twain Prize for American Humor, won that year by Ellen DeGeneres. Yes! (2014) Mraz's fifth studio album, Yes!, was released on July 15, 2014. It is his first acoustic album, and was recorded with all-female folk rock band Raining Jane. They had previously co-written "A Beautiful Mess" for Mraz's 2008 album We Sing. We Dance. We Steal Things. Aside from a cover of the Boyz II Men song "It's So Hard to Say Goodbye to Yesterday", every song on Yes! was written by Mraz and Raining Jane. The lead single, "Love Someone", was released on May 19, 2014, with Mraz performing an acoustic version of the song for Time. On June 20, 2014, he released We Can Take the Long Way, a music video trilogy for the first three songs on Yes! – "Love Someone", "Hello, You Beautiful Thing" and "Long Drive". It premiered on the USA Today website. Waitress (2017–18) On September 27, 2017, it was announced that Mraz would make his Broadway debut in the musical Waitress. He took on the role of Dr. Pomatter on November 3, 2017 for a 10-week run. Sara Bareilles re-joined the cast during his run and he extended his time as Dr. Pomatter playing his final show on February 11, 2018. He had previously sung "Bad Idea" and "You Matter to Me" on Sara Bareilles' 2015 album (based on the show's music) What's Inside: Songs From Waitress. Know. and Look for the Good (2018–present) Prior to and following his involvement in Waitress, Mraz began work on a follow-up album to Yes!. In June 2018, he announced his sixth studio album, Know.—a play on the previous album's title— it was released on August 10, 2018. He referred to the new album as "bright and shiny" and a "classic-sounding pop acoustic, vocally driven record with positive lyrics and love songs." Inspired by a blessing he received from a Buddhist monk during a trip to Myanmar in 2012, Mraz wrote the song "Have It All" with Raining Jane and producers David Hodges, JKash, and Andrew Wells. The song was released as the lead single to the new album on April 27, 2018, and accompanied by a video filmed with performing arts students from his hometown of Richmond. With the announcement of the album in June 2018, Mraz released a second track off of Know. called "Unlonely". In July 2018, Mraz shared the lyric video for the song "More Than Friends", a duet with Meghan Trainor. On August 7, 2018, he partnered with Fathom Events on the one-night-only release of Jason Mraz - Have It All The Movie, a concert film and behind the scenes footage of the making of the "Have It All" video, in 600 movie theaters throughout North America. On August 10, 2018, his sixth album, Know., was released. In 2019, he was featured on the album The Secret by Alan Parsons as lead vocalist of the song "Miracle". On August 13, 2019, Mraz was named the first-ever District Advocate Ambassador to continue the fight for music creators' rights. In June 2020, Jason Mraz signed a three multi-album agreement with BMG led by Vice President of A&R Jaime Neely, Executive Vice President of Repertoire & Marketing Thomas Scherer, Vice President of Marketing and Recorded Music Cyndi Lynott, and Vice President of Creative Synch Jonathan Palmer. Personal life Relationships and sexuality Mraz married Sheridan Edley in 2001. They divorced the following year. Mraz was engaged to singer-songwriter and long-time close friend Tristan Prettyman on Christmas Eve 2010; they broke off the engagement six months later. Mraz lives a health-conscious lifestyle and has said that he eats mostly raw vegan foods. His vegan diet has also influenced his music. He owns a five-and-a-half acre avocado farm in Oceanside, California. He is an investor at Café Gratitude, a vegan restaurant in Los Angeles, and named his 2011 tour Gratitude Café in its honor. His hobbies include surfing, yoga and photography. On October 25, 2015, Mraz married his girlfriend, Christina Carano, in a private ceremony in his hometown of Mechanicsville, Virginia. In June 2018, Mraz penned a "love letter" to the LGBT community, as part of a Billboard feature during gay pride month. A line in the poem, "I am bi your side. / All ways" led some media reports to state that the poem represented Mraz's coming out as bisexual. In an article published on July 19, 2018, by Billboard, Mraz said he has had previous experiences with men, even while dating Carano. Mraz said Carano defined him as a "two-spirit", a description that was criticized by some as misappropriating a word originally designed solely for the native population, and for distorting the term's meaning. In August 2018, Mraz confirmed in an interview with the New York Post that he now identifies as bisexual, speaking of the burden of being closeted ("I honestly didn’t know how to come out and sing these happy love songs..."; "It was tough, 'cause not even my mom knew it, you know? [...] And I realized that’s the struggle that people in the LGBT community have. It can be a very stressful secret that we carry") and the lack of backlash once he came out ("And I think that’s the cosmic joke. We carry around these secrets, and then once you say something, nobody cares"). Social activism and philanthropy Mraz is a social activist whose philanthropic efforts span wide-ranging issues, including the environment, human rights and LGBT equality. In 2003, after learning one of his beer bottles was listed for sale on eBay, Mraz was inspired to auction off items of his wardrobe online, raising money for the Make a Wish Foundation. During early tours, he encouraged his fans to drop off food items as they arrived at the venue, an effort to support local food banks. In 2009, he participated in a rescue mission to Ghana with members of Free the Slaves, a global nonprofit working to liberate children sold into slavery. In 2012, he was featured as the first-ever straight man on the cover of Instinct magazine in recognition of his efforts in support of LGBT rights. The Jason Mraz Foundation was established in 2011, with a mission to support charities in the areas of human equality, environment preservation and education. Organizations supported by the foundation include VH1's Save The Music Foundation, MusiCares, Surfrider Foundation, Free the Children, Life Rolls On, the School of the Performing Arts in the Richmond Community, the Natural Resources Defense Council, and the True Colors Fund, which promotes LGBT equality. Mraz was named the 2010 Surf Industry Manufacturers Association (SIMA) Humanitarian of the Year. He also received the Clean Water Award in 2010 from the Surfrider Foundation, for helping to preserve the world's oceans and beaches. That same year, he teamed up with The Nature Conservancy and created a PSA using his song "I'm Yours" to raise awareness about the nonprofit organization's efforts to protect the earth. On December 16, 2012, Mraz headlined the Milestone Concert in Myanmar to raise awareness about human trafficking, making him the first foreign artist to play an open-air concert in Myanmar. The concert was organized by MTV EXIT and held in the People's Square in Yangon, with over 70,000 people in attendance, as part of an initiative to raise awareness about human trafficking in Myanmar. Also in 2012, Mraz spent a week in Antarctica with a group of environmentalists, scientists and researchers on a mission led by Al Gore, to learn about the effects of climate change. Mraz is a continued supporter of WhyHunger, a grassroots support organization dedicated to fighting hunger and poverty in the United States. The organization was founded by late musician Harry Chapin and Radio DJ Bill Ayres in 1975. On June 19, 2020, Mraz announced he would be donating all profits from his album "Look for the Good" to Black Lives Matter and other organizations working toward equality and justice. Politics On October 24, 2019, Mraz endorsed Bernie Sanders for President in the 2020 Democratic Party presidential primaries stating, "Bernie is the perfect candidate to follow Trump & continue to shake up the system for the benefit of true American values: Life, Liberty & The Pursuit of Happiness". Discography Studio albums Waiting for My Rocket to Come (2002) Mr. A–Z (2005) We Sing. We Dance. We Steal Things. (2008) Love Is a Four Letter Word (2012) Yes! (2014) Know. (2018) Look for the Good (2020) Awards and nominations {| class="wikitable sortable plainrowheaders" |- ! scope="col" | Award ! scope="col" | Year ! scope="col" | Nominee(s) ! scope="col" | Category ! scope="col" | Result ! scope="col" class="unsortable"| |- ! scope="row" rowspan=4|Grammy Awards | rowspan="2"|2009 | rowspan="2"|"I'm Yours" | Song of the Year | | rowspan=4| |- | rowspan=2|Best Male Pop Vocal Performance | |- | rowspan="2"|2010 | "Make It Mine" | |- | "Lucky" (with Colbie Caillat) | Best Pop Collaboration with Vocals | |- ! scope="row" rowspan=2|Pop Awards | rowspan=2|2021 | Himself | Icon of the Year | | rowspan=2| |- | Look for the Good | Album of the Year | |- ! scope="row" rowspan=15|San Diego Music Awards | rowspan=2|2002 | rowspan=3|Himself | Best Acoustic | | rowspan=2| |- | rowspan=2|Artist of the Year | |- | rowspan=2|2003 | | rowspan=2| |- | "The Remedy (I Won't Worry)" | Song of the Year | |- | 2004 | rowspan=2|Himself | rowspan=2|Artist of the Year | | |- | rowspan=3|2009 | | rowspan=2| |- | "Lucky" (with Colbie Caillat) | Song of the Year | |- | We Sing. We Dance. We Steal Things. | Album of the Year | | |- | rowspan=4|2014 | Himself | Artist of the Year | | rowspan=2| |- | rowspan=2|"Love Someone" | Best Music Video | |- | Song of the Year | | rowspan=2| |- | Yes! | Album of the Year | |- | rowspan=3|2019 | Himself | Artist of the Year | | rowspan=3| |- | "Have It All" | Song of the Year | |- | Know. | Album of the Year | Other awards |- | 2004 | rowspan=2|Jason Mraz | Pollstar Concert Industry Awards for Best New Touring Artist | |- | rowspan=4|2009 | Teen Choice Award for Choice Music – Male Artist | |- | We Sing. We Dance. We Steal Things. | Teen Choice Award for Choice Album (Male Artist) | |- | rowspan=3|Jason Mraz | American Music Award for Favorite Adult Contemporary Artist | |- | Songwriters Hall of Fame Hal David Starlight Award | |- | style="text-align:center;" | 2010 | People's Choice Award for Favorite Male Artist | |- | style="text-align:center;" | 2010 | "I'm Yours" | ASCAP Song of the Year | |- | style="text-align:center;" | 2010 | Jason Mraz | Surf Industry Manufacturers Association Humanitarian of the Year | |- | style="text-align:center;" | 2010 | Jason Mraz | Surfrider Foundation Clean Water Award | |- | style="text-align:center;" | 2012 | rowspan="2" | "I Won't Give Up" | Best Love Song | |- | style="text-align:center;" | 2012 | MVPA Awards for Best Adult Contemporary Video | |- | style="text-align:center;" | 2012 | Jason Mraz | ASCAP Foundation Champion Award | |- | style="text-align:center;" | 2013 | Jason Mraz | People's Choice Award for Pop Male Artist | |- | style="text-align:center;" | 2013 | Jason Mraz | MTV Europe Music Award For Best World Stage | |- Bibliography A Thousand Things (2008, I Love Books) Film Television appearances (selected) American Music Awards (2003) Late Night with Conan O'Brien (2003) The Tonight Show with Jay Leno (2003, 2005, 2008) New Year's Rockin' Eve (2004) The Ellen DeGeneres Show (2004, 2006, 2008, 2009, 2014) Jimmy Kimmel Live! (2004, 2005, 2009, 2012) EBS Space Gonggam (EBS 스페이스 공감) (2006) Late Show with David Letterman (2008, 2009, 2012) Nobel Peace Prize Concert (2008) Rachael Ray (2008) American Idol (2009, 2019) Saturday Night Live (2009, 2019) Spicks and Specks (TV series) (2009) The Tonight Show with Conan O'Brien (2009) Grammy Awards (2009, 2010) Family Guy (2010) The Jay Leno Show (2010) Sesame Street (2010) Chelsea Lately (2012) Conan (2012) Dancing With the Stars (2012) The Fresh Beat Band (2012) Late Night with Jimmy Fallon (2012) Opening Act (2012) Today (2012) VH1 Storytellers (2012) Watch What Happens: Live (2012) Live from Daryl's House (2012) American Restoration (2015) Live from the Artists Den (2014) K-pop Star 4 (케이팝 스타 4) (2015) Today Show with Hoda and Jena (2019) Celebrity Show-Off (2020) Celebrity Wheel of Fortune'' (2021) References External links Jason Mraz collection at the Internet Archive's live music archive Playlist: Jason Mraz – Nightline 07/17/09 – Reggae to rock, Mraz reveals his musical influences. 1977 births American male singer-songwriters American people of Czech descent American people of Slovak descent Atlantic Records artists Bisexual male actors Bisexual musicians Elektra Records artists Grammy Award winners LGBT people from Virginia LGBT producers LGBT rights activists from the United States LGBT singers from the United States LGBT songwriters Living people Musicians from Richmond, Virginia Musical groups from San Diego Singer-songwriters from Virginia American folk-pop singers Guitarists from Virginia American male guitarists People from Mechanicsville, Virginia 21st-century American singers 20th-century LGBT people 21st-century LGBT people Singer-songwriters from California

C_aea617a473d446cb82951e3360b9b0cf_1

Where was the tour?

Where was Jason Mraz's tour in 2002?

Jason Mraz

On July 26, 2005, Mraz released his second major label album, Mr. A-Z, produced by Steve Lillywhite for Atlantic Records. The album's lead single, "Wordplay", was produced by Kevin Kadish, and entered the Billboard 200 at number 5. The album earned a Grammy Award nomination for Best Engineered Album, Non-Classical, while Lillywhite received a nomination for Producer of the Year. Mraz began a long-running tour in support of Mr. A-Z at the San Diego Music Awards on September 12, 2005. The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002. Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005-06 world tour. In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival. That May, he toured mostly small venues and music festivals in the U.S., along with a few shows in the United Kingdom and Ireland where he supported James Blunt The tour included a May 6, 2006 acoustic show with P.O.D., Better Than Ezra, Live, and The Presidents of the United States of America. Mraz was featured as a headlining guest of St. Louis's annual Fair St. Louis and performed a free concert at the base of the Gateway Arch on July 1, 2006. During this time, Mraz was also the opening act at several dates for Rob Thomas' Something to Be Tour. In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites", singing a cover of Bob Marley's "One Love". 2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007, "The Beauty in Ugly", an earlier track penned by Mraz originally titled "Plain Jane", was rewritten for the ABC television show Ugly Betty. The song was featured as a part of ABC's "Be Ugly in '07" campaign. Also that year, on American Idol, contestant Chris Richardson performed a cover of Mraz's "Geek in the Pink". CANNOTANSWER

Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005-06 world tour.

Jason Thomas Mraz (; born June 23, 1977) is an American guitarist, singer and songwriter. He rose to prominence with the release of his debut studio album, Waiting for My Rocket to Come (2002), which spawned the single "The Remedy (I Won't Worry)", that reached the top 20 on the Billboard Hot 100 chart. His next two studio albums, Mr. A-Z (2005), and We Sing. We Dance. We Steal Things. (2008), peaked in the top five on the Billboard 200; with the latter album spawning the Grammy Award winning singles "Make It Mine", and "Lucky" with Colbie Caillat. The album's lead single "I'm Yours", reached the top ten on the Billboard Hot 100, while spending a then-record 76 weeks on the Hot 100, and was certified Diamond by the Recording Industry Association of America (RIAA). His fourth album, Love Is a Four Letter Word (2012), peaked at number two on the Billboard 200, becoming his highest-charting album to date, and spawned the single "I Won't Give Up", which became his second top ten on the Hot 100. Along with receiving two Grammy Award wins, Mraz is also the recipient of two Teen Choice Awards, a People's Choice Award and the Hal David Songwriters Hall of Fame Award. As of July 2014, Mraz has sold over seven million albums, and over 11.5 million in digital singles. His musical style, from rhythmic feeling to his use of nylon string guitars, has been heavily influenced by Brazilian music. Early life Mraz was born and raised in Mechanicsville, Virginia. He is of Czech and Slovak descent through his grandfather, who moved to the United States from Austria-Hungary in 1915. His surname is (, ). His parents, Tom (Tomáš) Mraz and June Tomes, divorced when he was five years old, leaving Mraz to live with his father while his sister lived with his mother. His father is a postal worker, and his mother is vice president at a branch of Bank of America. Mraz's first concert was Young MC, the rapper known for "Bust a Move." While attending Lee-Davis High School, Mraz was a member of the cheerleading squad, school chorus, and drama club. He starred as Joseph in Joseph and the Amazing Technicolor Dreamcoat and as Snoopy in a play about the Peanuts characters. Mraz graduated in 1995. During this period of his life, he struggled with his sexuality at times, wondering if he was gay. Mraz credits an early girlfriend as being one of the influences that drove him to songwriting. She encouraged him to write his thoughts on paper which helped him get "all of the voices in my head to shut up" and "become something I could follow." After high school, Mraz attended the American Musical and Dramatic Academy in New York City for about a year and a half, originally to work in musical theater. When his roommates played guitar he would provide the vocals. Eventually, a friend gave him a guitar that was about to be thrown away and Mraz learned to play and write his own music. Mraz moved to the Shockoe Bottom neighborhood of Richmond, Virginia, where he took a series of odd jobs, including elementary-school janitor, and joined the Ashland Stage Company. Mraz then enrolled at Longwood University in Farmville, Virginia, on a scholarship. Instead of attending classes, he headed west on a road trip that ultimately brought him to San Diego, where he decided to stay. Music career Coffee house beginnings (2000–01) Soon after moving to San Diego in 1999, Mraz became a roadie for the band Elgin Park. He met future band member Toca Rivera at Java Joe's, a coffee house in the Ocean Beach neighborhood of San Diego known for being formative in the careers of Jewel and Steve Poltz. Mraz performed once a week for nearly three years, building a following in San Diego and online. Mraz released A Jason Mraz Demonstration in 1999, From the Cutting Room Floor and Oh Love, In Sadness (The E Minor EP in F) in 2001, which were self-released and pressed in a limited number of copies. In 2001, Mraz released the live acoustic album Live at Java Joe's, performing with percussionist Rivera and bassist Ian Sheridan. The album featured Mraz's freelancing vocal style and several songs he would later re-release, including "1000 Things", "You and I Both" and "Halfway Home." The album was made available to download on iTunes on March 11, 2008, under the title Jason Mraz: Live & Acoustic 2001. Mraz returned to perform at Java Joe's for the 15th anniversary of the album on September 21, 2002. Mraz' last self-released album was Sold Out (In Stereo) in March 21, 2002. Waiting for My Rocket to Come (2002–04) In late 2001, Mraz signed a recording contract with Elektra Records and moved to Los Angeles. In 2002, he opened for Jewel on her tour. On October 15, 2002, Mraz released his first major label debut album, Waiting for My Rocket to Come, which peaked at number 55 on the Billboard 200. The first single, "You & I Both," was sent to radio stations time for the album's release, but received minimal airplay, which led Elektra to reconsider whether a mid-tempo song was the right way to introduce Mraz. In early 2003, the label took a new approach with the more upbeat "The Remedy (I Won't Worry)." The track was co-written by music production team The Matrix, and became Mraz's first top-40 single on the Billboard Hot 100, peaking at number 15, becoming one of the biggest songs of 2003. The song was inspired by a high school friend who was diagnosed with cancer. At the time of the album's release, Mraz said that he did not like "The Remedy (I Won't Worry)" and had not wanted it on the album because it had started as a special and experimental song and the record label had "chalked up this chorus". The day after the album's release, Mraz played on "The Late Late Show With Craig Kilborn". Elektra would return to "You & I Both" a second time, shooting a music video and re-releasing it as the second official single. On May 19, 2005, Waiting for My Rocket to Come was certified Platinum, for selling 1 million units. Mraz opened for Tracy Chapman in 2003 at the Royal Albert Hall in London. In 2004, while on tour, Mraz released a live album with an accompanying DVD, Tonight, Not Again: Jason Mraz Live at the Eagles Ballroom. He performed with his touring band, including drummer Adam King, Rivera, Sheridan and keyboardist Eric Hinojosa, along with a guest appearance from Blues Traveler frontman John Popper. Mr. A–Z (2005–08) On July 26, 2005, Mraz released his second major label album, Mr. A–Z, produced by Steve Lillywhite for Atlantic Records. The album's lead single, "Wordplay", was produced by Kevin Kadish, and entered the Billboard 200 at number 5. The album earned a Grammy Award nomination for Best Engineered Album, Non-Classical, while Lillywhite received a nomination for Producer of the Year. Mraz began a long-running tour in support of Mr. A–Z at the San Diego Music Awards on September 12, 2005. The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002. Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005–06 world tour. In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival. That May, he toured mostly small venues and music festivals in the U.S., along with a few shows in the United Kingdom and Ireland where he supported James Blunt The tour included a May 6, 2006 acoustic show with P.O.D., Better Than Ezra, Live, and The Presidents of the United States of America. Mraz was featured as a headlining guest of St. Louis's annual Fair St. Louis and performed a free concert at the base of the Gateway Arch on July 1, 2006. During this time, Mraz was also the opening act at several dates for Rob Thomas' Something to Be Tour. In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites", singing a cover of Bob Marley's "One Love". 2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007, "The Beauty in Ugly", an earlier track penned by Mraz originally titled "Plain Jane", was rewritten for the ABC television show Ugly Betty. The song was featured as a part of ABC's "Be Ugly in '07" campaign. Also that year, on American Idol, contestant Chris Richardson performed a cover of Mraz's "Geek in the Pink". We Sing. We Dance. We Steal Things. (2008–09) On May 13, 2008, Mraz released his third studio album, We Sing. We Dance. We Steal Things. The album debuted at number 3 on the Billboard 200. It broke into the top 10 of many international music charts, and reached number 3 in the US and Australia. In March 2009, it was certified Platinum for selling 1 million units. Mraz has said that the album title was taken from the work of Scottish artist David Shrigley. Prior to its release, Mraz released three EPs, each with acoustic versions of songs from the album. The lead single, "I'm Yours", was written in August 2004 and originally released as a free acoustic B-side when Mr. A-Z came out. Through Mraz's live performances of the song, it gained in popularity with fans. When he played it at a festival in Sweden in 2007, the fans were ecstatic and singing along, after which Mraz realized the song's popularity and decided to make it the centerpiece of his next album. "I'm Yours" became Mraz's first Top 10 hit on the Billboard Hot 100, peaking at #6 on September 20, 2008. It ultimately spent 76 weeks on the Hot 100, longer than any other song in the magazine's 51-year history (a record since broken by Imagine Dragons with "Radioactive" in 2014). It was a major commercial success in the US, receiving a 7x multi-Platinum certification from the RIAA for digital sales of over seven million. The song was also successful internationally, topping the charts in New Zealand, Norway, Portugal and Sweden, and peaking in the top ten on the charts in 11 other countries. By May 2012, it had gained over 125,000,000 hits on YouTube. It was the first song to top the charts in four different radio formats: Mainstream Top 40, Adult Contemporary, Adult Top 40 and Triple A. It also made the Latin Pop and Smooth Jazz charts. Mraz won his first two Grammy Awards in 2010, for Best Male Pop Vocal Performance ("Make It Mine") and Best Pop Collaboration ("Lucky" with Colbie Caillat). At the 2009 Grammy Awards, "I'm Yours" was nominated for Song of the Year and Best Male Pop Vocal Performance, and We Sing. We Dance. We Steal Things. was nominated for Best Engineered Album, Non-Classical. "I'm Yours" was also named ASCAP's 2010 Song of the Year. Mraz's 2008 world tour took him all over the United States, Europe, Asia and Australia. His personal photo travelogue from the world tour was published as a book, titled A Thousand Things (2008). The book contains Polaroids from his time touring and backpacking around Europe, and was launched with a photo exhibition at Charles Cowles Gallery in New York City at the end of 2008. Also in 2008, Mraz played with Eric Clapton to a crowd of 45,000 in Hyde Park, London, sold out London's Royal Albert Hall and performed at the Nobel Peace Prize Concert in Oslo. That year also marked his Music, Magic & Make Peace Tour with Bushwalla, The Makepeace Brothers, and magician Justin Willman. Mraz brought along the magician after picking up magic as a hobby during recording sessions for We Sing. We Dance. We Steal Things. On January 31, 2009, Mraz was the musical guest on Saturday Night Live, performing "I'm Yours" and "Lucky", which peaked on the Hot 100 at number 82. In 2009, Mraz was awarded the Hal David Starlight Award from the Songwriters Hall of Fame. Love Is a Four Letter Word (2010–13) In 2009, while preparing for his new album, Mraz recorded "The Way Is Love", an unreleased Roy Orbison song, as a duet with Willie Nelson. In November 2009, he released the live CD/DVD Jason Mraz's Beautiful Mess: Live on Earth, recorded in Chicago during the Gratitude Café tour. The following year, he went to Brazil to record "Simplesmente Todo" with Milton Nascimento, who sings in Portuguese while Mraz sings in English. He also did some writing with Dido, and recorded new material with producer Martin Terefe. Mraz then released two live EPs: the Life Is Good EP on October 5, 2010, and the Live Is A Four Letter Word EP on February 28, 2012. Love Is a Four Letter Word was released on April 13, 2012. It reached number 2 on the Billboard 200, and the top 20 in 10 other countries. The lead single, "I Won't Give Up", debuted at number 8 on the Billboard Hot 100, and number 1 on the Digital Songs chart. It charted in 15 countries in total, and in October 2013 was certified 4x multi-platinum, for selling in excess of 4 million units. Mraz premiered the track live during his 2011 tour, before an official version had been released. It began to receive a lot of attention through live performances, as well as online. The official lyric video gained over 2.5 million views in its first 10 days on YouTube. Love Is a Four Letter Word was nominated for a 2012 Grammy Award for Best Engineered Album, Non-Classical. Mraz won a 2013 People's Choice Award for Favorite Male Artist. He performed at Farm Aid 2011 in Kansas City. In 2012 he played sold-out shows at the Hollywood Bowl in Los Angeles, Madison Square Garden in New York and the O2 Arena in London, and performed at President Barack Obama and family's lighting of the national Christmas tree at the White House; a noted Obama supporter, he has also performed at numerous other events involving Obama and Vice President Joe Biden. Also in 2012, he performed "You Did It" at the presentation ceremony for the Kennedy Center's Mark Twain Prize for American Humor, won that year by Ellen DeGeneres. Yes! (2014) Mraz's fifth studio album, Yes!, was released on July 15, 2014. It is his first acoustic album, and was recorded with all-female folk rock band Raining Jane. They had previously co-written "A Beautiful Mess" for Mraz's 2008 album We Sing. We Dance. We Steal Things. Aside from a cover of the Boyz II Men song "It's So Hard to Say Goodbye to Yesterday", every song on Yes! was written by Mraz and Raining Jane. The lead single, "Love Someone", was released on May 19, 2014, with Mraz performing an acoustic version of the song for Time. On June 20, 2014, he released We Can Take the Long Way, a music video trilogy for the first three songs on Yes! – "Love Someone", "Hello, You Beautiful Thing" and "Long Drive". It premiered on the USA Today website. Waitress (2017–18) On September 27, 2017, it was announced that Mraz would make his Broadway debut in the musical Waitress. He took on the role of Dr. Pomatter on November 3, 2017 for a 10-week run. Sara Bareilles re-joined the cast during his run and he extended his time as Dr. Pomatter playing his final show on February 11, 2018. He had previously sung "Bad Idea" and "You Matter to Me" on Sara Bareilles' 2015 album (based on the show's music) What's Inside: Songs From Waitress. Know. and Look for the Good (2018–present) Prior to and following his involvement in Waitress, Mraz began work on a follow-up album to Yes!. In June 2018, he announced his sixth studio album, Know.—a play on the previous album's title— it was released on August 10, 2018. He referred to the new album as "bright and shiny" and a "classic-sounding pop acoustic, vocally driven record with positive lyrics and love songs." Inspired by a blessing he received from a Buddhist monk during a trip to Myanmar in 2012, Mraz wrote the song "Have It All" with Raining Jane and producers David Hodges, JKash, and Andrew Wells. The song was released as the lead single to the new album on April 27, 2018, and accompanied by a video filmed with performing arts students from his hometown of Richmond. With the announcement of the album in June 2018, Mraz released a second track off of Know. called "Unlonely". In July 2018, Mraz shared the lyric video for the song "More Than Friends", a duet with Meghan Trainor. On August 7, 2018, he partnered with Fathom Events on the one-night-only release of Jason Mraz - Have It All The Movie, a concert film and behind the scenes footage of the making of the "Have It All" video, in 600 movie theaters throughout North America. On August 10, 2018, his sixth album, Know., was released. In 2019, he was featured on the album The Secret by Alan Parsons as lead vocalist of the song "Miracle". On August 13, 2019, Mraz was named the first-ever District Advocate Ambassador to continue the fight for music creators' rights. In June 2020, Jason Mraz signed a three multi-album agreement with BMG led by Vice President of A&R Jaime Neely, Executive Vice President of Repertoire & Marketing Thomas Scherer, Vice President of Marketing and Recorded Music Cyndi Lynott, and Vice President of Creative Synch Jonathan Palmer. Personal life Relationships and sexuality Mraz married Sheridan Edley in 2001. They divorced the following year. Mraz was engaged to singer-songwriter and long-time close friend Tristan Prettyman on Christmas Eve 2010; they broke off the engagement six months later. Mraz lives a health-conscious lifestyle and has said that he eats mostly raw vegan foods. His vegan diet has also influenced his music. He owns a five-and-a-half acre avocado farm in Oceanside, California. He is an investor at Café Gratitude, a vegan restaurant in Los Angeles, and named his 2011 tour Gratitude Café in its honor. His hobbies include surfing, yoga and photography. On October 25, 2015, Mraz married his girlfriend, Christina Carano, in a private ceremony in his hometown of Mechanicsville, Virginia. In June 2018, Mraz penned a "love letter" to the LGBT community, as part of a Billboard feature during gay pride month. A line in the poem, "I am bi your side. / All ways" led some media reports to state that the poem represented Mraz's coming out as bisexual. In an article published on July 19, 2018, by Billboard, Mraz said he has had previous experiences with men, even while dating Carano. Mraz said Carano defined him as a "two-spirit", a description that was criticized by some as misappropriating a word originally designed solely for the native population, and for distorting the term's meaning. In August 2018, Mraz confirmed in an interview with the New York Post that he now identifies as bisexual, speaking of the burden of being closeted ("I honestly didn’t know how to come out and sing these happy love songs..."; "It was tough, 'cause not even my mom knew it, you know? [...] And I realized that’s the struggle that people in the LGBT community have. It can be a very stressful secret that we carry") and the lack of backlash once he came out ("And I think that’s the cosmic joke. We carry around these secrets, and then once you say something, nobody cares"). Social activism and philanthropy Mraz is a social activist whose philanthropic efforts span wide-ranging issues, including the environment, human rights and LGBT equality. In 2003, after learning one of his beer bottles was listed for sale on eBay, Mraz was inspired to auction off items of his wardrobe online, raising money for the Make a Wish Foundation. During early tours, he encouraged his fans to drop off food items as they arrived at the venue, an effort to support local food banks. In 2009, he participated in a rescue mission to Ghana with members of Free the Slaves, a global nonprofit working to liberate children sold into slavery. In 2012, he was featured as the first-ever straight man on the cover of Instinct magazine in recognition of his efforts in support of LGBT rights. The Jason Mraz Foundation was established in 2011, with a mission to support charities in the areas of human equality, environment preservation and education. Organizations supported by the foundation include VH1's Save The Music Foundation, MusiCares, Surfrider Foundation, Free the Children, Life Rolls On, the School of the Performing Arts in the Richmond Community, the Natural Resources Defense Council, and the True Colors Fund, which promotes LGBT equality. Mraz was named the 2010 Surf Industry Manufacturers Association (SIMA) Humanitarian of the Year. He also received the Clean Water Award in 2010 from the Surfrider Foundation, for helping to preserve the world's oceans and beaches. That same year, he teamed up with The Nature Conservancy and created a PSA using his song "I'm Yours" to raise awareness about the nonprofit organization's efforts to protect the earth. On December 16, 2012, Mraz headlined the Milestone Concert in Myanmar to raise awareness about human trafficking, making him the first foreign artist to play an open-air concert in Myanmar. The concert was organized by MTV EXIT and held in the People's Square in Yangon, with over 70,000 people in attendance, as part of an initiative to raise awareness about human trafficking in Myanmar. Also in 2012, Mraz spent a week in Antarctica with a group of environmentalists, scientists and researchers on a mission led by Al Gore, to learn about the effects of climate change. Mraz is a continued supporter of WhyHunger, a grassroots support organization dedicated to fighting hunger and poverty in the United States. The organization was founded by late musician Harry Chapin and Radio DJ Bill Ayres in 1975. On June 19, 2020, Mraz announced he would be donating all profits from his album "Look for the Good" to Black Lives Matter and other organizations working toward equality and justice. Politics On October 24, 2019, Mraz endorsed Bernie Sanders for President in the 2020 Democratic Party presidential primaries stating, "Bernie is the perfect candidate to follow Trump & continue to shake up the system for the benefit of true American values: Life, Liberty & The Pursuit of Happiness". Discography Studio albums Waiting for My Rocket to Come (2002) Mr. A–Z (2005) We Sing. We Dance. We Steal Things. (2008) Love Is a Four Letter Word (2012) Yes! (2014) Know. (2018) Look for the Good (2020) Awards and nominations {| class="wikitable sortable plainrowheaders" |- ! scope="col" | Award ! scope="col" | Year ! scope="col" | Nominee(s) ! scope="col" | Category ! scope="col" | Result ! scope="col" class="unsortable"| |- ! scope="row" rowspan=4|Grammy Awards | rowspan="2"|2009 | rowspan="2"|"I'm Yours" | Song of the Year | | rowspan=4| |- | rowspan=2|Best Male Pop Vocal Performance | |- | rowspan="2"|2010 | "Make It Mine" | |- | "Lucky" (with Colbie Caillat) | Best Pop Collaboration with Vocals | |- ! scope="row" rowspan=2|Pop Awards | rowspan=2|2021 | Himself | Icon of the Year | | rowspan=2| |- | Look for the Good | Album of the Year | |- ! scope="row" rowspan=15|San Diego Music Awards | rowspan=2|2002 | rowspan=3|Himself | Best Acoustic | | rowspan=2| |- | rowspan=2|Artist of the Year | |- | rowspan=2|2003 | | rowspan=2| |- | "The Remedy (I Won't Worry)" | Song of the Year | |- | 2004 | rowspan=2|Himself | rowspan=2|Artist of the Year | | |- | rowspan=3|2009 | | rowspan=2| |- | "Lucky" (with Colbie Caillat) | Song of the Year | |- | We Sing. We Dance. We Steal Things. | Album of the Year | | |- | rowspan=4|2014 | Himself | Artist of the Year | | rowspan=2| |- | rowspan=2|"Love Someone" | Best Music Video | |- | Song of the Year | | rowspan=2| |- | Yes! | Album of the Year | |- | rowspan=3|2019 | Himself | Artist of the Year | | rowspan=3| |- | "Have It All" | Song of the Year | |- | Know. | Album of the Year | Other awards |- | 2004 | rowspan=2|Jason Mraz | Pollstar Concert Industry Awards for Best New Touring Artist | |- | rowspan=4|2009 | Teen Choice Award for Choice Music – Male Artist | |- | We Sing. We Dance. We Steal Things. | Teen Choice Award for Choice Album (Male Artist) | |- | rowspan=3|Jason Mraz | American Music Award for Favorite Adult Contemporary Artist | |- | Songwriters Hall of Fame Hal David Starlight Award | |- | style="text-align:center;" | 2010 | People's Choice Award for Favorite Male Artist | |- | style="text-align:center;" | 2010 | "I'm Yours" | ASCAP Song of the Year | |- | style="text-align:center;" | 2010 | Jason Mraz | Surf Industry Manufacturers Association Humanitarian of the Year | |- | style="text-align:center;" | 2010 | Jason Mraz | Surfrider Foundation Clean Water Award | |- | style="text-align:center;" | 2012 | rowspan="2" | "I Won't Give Up" | Best Love Song | |- | style="text-align:center;" | 2012 | MVPA Awards for Best Adult Contemporary Video | |- | style="text-align:center;" | 2012 | Jason Mraz | ASCAP Foundation Champion Award | |- | style="text-align:center;" | 2013 | Jason Mraz | People's Choice Award for Pop Male Artist | |- | style="text-align:center;" | 2013 | Jason Mraz | MTV Europe Music Award For Best World Stage | |- Bibliography A Thousand Things (2008, I Love Books) Film Television appearances (selected) American Music Awards (2003) Late Night with Conan O'Brien (2003) The Tonight Show with Jay Leno (2003, 2005, 2008) New Year's Rockin' Eve (2004) The Ellen DeGeneres Show (2004, 2006, 2008, 2009, 2014) Jimmy Kimmel Live! (2004, 2005, 2009, 2012) EBS Space Gonggam (EBS 스페이스 공감) (2006) Late Show with David Letterman (2008, 2009, 2012) Nobel Peace Prize Concert (2008) Rachael Ray (2008) American Idol (2009, 2019) Saturday Night Live (2009, 2019) Spicks and Specks (TV series) (2009) The Tonight Show with Conan O'Brien (2009) Grammy Awards (2009, 2010) Family Guy (2010) The Jay Leno Show (2010) Sesame Street (2010) Chelsea Lately (2012) Conan (2012) Dancing With the Stars (2012) The Fresh Beat Band (2012) Late Night with Jimmy Fallon (2012) Opening Act (2012) Today (2012) VH1 Storytellers (2012) Watch What Happens: Live (2012) Live from Daryl's House (2012) American Restoration (2015) Live from the Artists Den (2014) K-pop Star 4 (케이팝 스타 4) (2015) Today Show with Hoda and Jena (2019) Celebrity Show-Off (2020) Celebrity Wheel of Fortune'' (2021) References External links Jason Mraz collection at the Internet Archive's live music archive Playlist: Jason Mraz – Nightline 07/17/09 – Reggae to rock, Mraz reveals his musical influences. 1977 births American male singer-songwriters American people of Czech descent American people of Slovak descent Atlantic Records artists Bisexual male actors Bisexual musicians Elektra Records artists Grammy Award winners LGBT people from Virginia LGBT producers LGBT rights activists from the United States LGBT singers from the United States LGBT songwriters Living people Musicians from Richmond, Virginia Musical groups from San Diego Singer-songwriters from Virginia American folk-pop singers Guitarists from Virginia American male guitarists People from Mechanicsville, Virginia 21st-century American singers 20th-century LGBT people 21st-century LGBT people Singer-songwriters from California

C_aea617a473d446cb82951e3360b9b0cf_1

What was Mraz doing in 2008?

What was Jason Mraz doing in 2008?

Jason Mraz

On July 26, 2005, Mraz released his second major label album, Mr. A-Z, produced by Steve Lillywhite for Atlantic Records. The album's lead single, "Wordplay", was produced by Kevin Kadish, and entered the Billboard 200 at number 5. The album earned a Grammy Award nomination for Best Engineered Album, Non-Classical, while Lillywhite received a nomination for Producer of the Year. Mraz began a long-running tour in support of Mr. A-Z at the San Diego Music Awards on September 12, 2005. The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002. Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005-06 world tour. In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival. That May, he toured mostly small venues and music festivals in the U.S., along with a few shows in the United Kingdom and Ireland where he supported James Blunt The tour included a May 6, 2006 acoustic show with P.O.D., Better Than Ezra, Live, and The Presidents of the United States of America. Mraz was featured as a headlining guest of St. Louis's annual Fair St. Louis and performed a free concert at the base of the Gateway Arch on July 1, 2006. During this time, Mraz was also the opening act at several dates for Rob Thomas' Something to Be Tour. In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites", singing a cover of Bob Marley's "One Love". 2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007, "The Beauty in Ugly", an earlier track penned by Mraz originally titled "Plain Jane", was rewritten for the ABC television show Ugly Betty. The song was featured as a part of ABC's "Be Ugly in '07" campaign. Also that year, on American Idol, contestant Chris Richardson performed a cover of Mraz's "Geek in the Pink". CANNOTANSWER

2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007,

Jason Thomas Mraz (; born June 23, 1977) is an American guitarist, singer and songwriter. He rose to prominence with the release of his debut studio album, Waiting for My Rocket to Come (2002), which spawned the single "The Remedy (I Won't Worry)", that reached the top 20 on the Billboard Hot 100 chart. His next two studio albums, Mr. A-Z (2005), and We Sing. We Dance. We Steal Things. (2008), peaked in the top five on the Billboard 200; with the latter album spawning the Grammy Award winning singles "Make It Mine", and "Lucky" with Colbie Caillat. The album's lead single "I'm Yours", reached the top ten on the Billboard Hot 100, while spending a then-record 76 weeks on the Hot 100, and was certified Diamond by the Recording Industry Association of America (RIAA). His fourth album, Love Is a Four Letter Word (2012), peaked at number two on the Billboard 200, becoming his highest-charting album to date, and spawned the single "I Won't Give Up", which became his second top ten on the Hot 100. Along with receiving two Grammy Award wins, Mraz is also the recipient of two Teen Choice Awards, a People's Choice Award and the Hal David Songwriters Hall of Fame Award. As of July 2014, Mraz has sold over seven million albums, and over 11.5 million in digital singles. His musical style, from rhythmic feeling to his use of nylon string guitars, has been heavily influenced by Brazilian music. Early life Mraz was born and raised in Mechanicsville, Virginia. He is of Czech and Slovak descent through his grandfather, who moved to the United States from Austria-Hungary in 1915. His surname is (, ). His parents, Tom (Tomáš) Mraz and June Tomes, divorced when he was five years old, leaving Mraz to live with his father while his sister lived with his mother. His father is a postal worker, and his mother is vice president at a branch of Bank of America. Mraz's first concert was Young MC, the rapper known for "Bust a Move." While attending Lee-Davis High School, Mraz was a member of the cheerleading squad, school chorus, and drama club. He starred as Joseph in Joseph and the Amazing Technicolor Dreamcoat and as Snoopy in a play about the Peanuts characters. Mraz graduated in 1995. During this period of his life, he struggled with his sexuality at times, wondering if he was gay. Mraz credits an early girlfriend as being one of the influences that drove him to songwriting. She encouraged him to write his thoughts on paper which helped him get "all of the voices in my head to shut up" and "become something I could follow." After high school, Mraz attended the American Musical and Dramatic Academy in New York City for about a year and a half, originally to work in musical theater. When his roommates played guitar he would provide the vocals. Eventually, a friend gave him a guitar that was about to be thrown away and Mraz learned to play and write his own music. Mraz moved to the Shockoe Bottom neighborhood of Richmond, Virginia, where he took a series of odd jobs, including elementary-school janitor, and joined the Ashland Stage Company. Mraz then enrolled at Longwood University in Farmville, Virginia, on a scholarship. Instead of attending classes, he headed west on a road trip that ultimately brought him to San Diego, where he decided to stay. Music career Coffee house beginnings (2000–01) Soon after moving to San Diego in 1999, Mraz became a roadie for the band Elgin Park. He met future band member Toca Rivera at Java Joe's, a coffee house in the Ocean Beach neighborhood of San Diego known for being formative in the careers of Jewel and Steve Poltz. Mraz performed once a week for nearly three years, building a following in San Diego and online. Mraz released A Jason Mraz Demonstration in 1999, From the Cutting Room Floor and Oh Love, In Sadness (The E Minor EP in F) in 2001, which were self-released and pressed in a limited number of copies. In 2001, Mraz released the live acoustic album Live at Java Joe's, performing with percussionist Rivera and bassist Ian Sheridan. The album featured Mraz's freelancing vocal style and several songs he would later re-release, including "1000 Things", "You and I Both" and "Halfway Home." The album was made available to download on iTunes on March 11, 2008, under the title Jason Mraz: Live & Acoustic 2001. Mraz returned to perform at Java Joe's for the 15th anniversary of the album on September 21, 2002. Mraz' last self-released album was Sold Out (In Stereo) in March 21, 2002. Waiting for My Rocket to Come (2002–04) In late 2001, Mraz signed a recording contract with Elektra Records and moved to Los Angeles. In 2002, he opened for Jewel on her tour. On October 15, 2002, Mraz released his first major label debut album, Waiting for My Rocket to Come, which peaked at number 55 on the Billboard 200. The first single, "You & I Both," was sent to radio stations time for the album's release, but received minimal airplay, which led Elektra to reconsider whether a mid-tempo song was the right way to introduce Mraz. In early 2003, the label took a new approach with the more upbeat "The Remedy (I Won't Worry)." The track was co-written by music production team The Matrix, and became Mraz's first top-40 single on the Billboard Hot 100, peaking at number 15, becoming one of the biggest songs of 2003. The song was inspired by a high school friend who was diagnosed with cancer. At the time of the album's release, Mraz said that he did not like "The Remedy (I Won't Worry)" and had not wanted it on the album because it had started as a special and experimental song and the record label had "chalked up this chorus". The day after the album's release, Mraz played on "The Late Late Show With Craig Kilborn". Elektra would return to "You & I Both" a second time, shooting a music video and re-releasing it as the second official single. On May 19, 2005, Waiting for My Rocket to Come was certified Platinum, for selling 1 million units. Mraz opened for Tracy Chapman in 2003 at the Royal Albert Hall in London. In 2004, while on tour, Mraz released a live album with an accompanying DVD, Tonight, Not Again: Jason Mraz Live at the Eagles Ballroom. He performed with his touring band, including drummer Adam King, Rivera, Sheridan and keyboardist Eric Hinojosa, along with a guest appearance from Blues Traveler frontman John Popper. Mr. A–Z (2005–08) On July 26, 2005, Mraz released his second major label album, Mr. A–Z, produced by Steve Lillywhite for Atlantic Records. The album's lead single, "Wordplay", was produced by Kevin Kadish, and entered the Billboard 200 at number 5. The album earned a Grammy Award nomination for Best Engineered Album, Non-Classical, while Lillywhite received a nomination for Producer of the Year. Mraz began a long-running tour in support of Mr. A–Z at the San Diego Music Awards on September 12, 2005. The tour featured several opening acts, including Bushwalla and Tristan Prettyman, with whom he had written the duet "Shy That Way" in 2002. Mraz opened for Alanis Morissette during her 2005 Jagged Little Pill Acoustic tour, and for the Rolling Stones on five dates during their 2005–06 world tour. In March 2006, he performed in Singapore as part of the annual Mosaic Music Festival. That May, he toured mostly small venues and music festivals in the U.S., along with a few shows in the United Kingdom and Ireland where he supported James Blunt The tour included a May 6, 2006 acoustic show with P.O.D., Better Than Ezra, Live, and The Presidents of the United States of America. Mraz was featured as a headlining guest of St. Louis's annual Fair St. Louis and performed a free concert at the base of the Gateway Arch on July 1, 2006. During this time, Mraz was also the opening act at several dates for Rob Thomas' Something to Be Tour. In 2005, Mraz was one of many singers featured in the fall advertisement campaign for The Gap entitled "Favorites", singing a cover of Bob Marley's "One Love". 2006 saw the release of Selections for Friends, the live, online-only album recorded during the Songs for Friends Tour. In 2007, "The Beauty in Ugly", an earlier track penned by Mraz originally titled "Plain Jane", was rewritten for the ABC television show Ugly Betty. The song was featured as a part of ABC's "Be Ugly in '07" campaign. Also that year, on American Idol, contestant Chris Richardson performed a cover of Mraz's "Geek in the Pink". We Sing. We Dance. We Steal Things. (2008–09) On May 13, 2008, Mraz released his third studio album, We Sing. We Dance. We Steal Things. The album debuted at number 3 on the Billboard 200. It broke into the top 10 of many international music charts, and reached number 3 in the US and Australia. In March 2009, it was certified Platinum for selling 1 million units. Mraz has said that the album title was taken from the work of Scottish artist David Shrigley. Prior to its release, Mraz released three EPs, each with acoustic versions of songs from the album. The lead single, "I'm Yours", was written in August 2004 and originally released as a free acoustic B-side when Mr. A-Z came out. Through Mraz's live performances of the song, it gained in popularity with fans. When he played it at a festival in Sweden in 2007, the fans were ecstatic and singing along, after which Mraz realized the song's popularity and decided to make it the centerpiece of his next album. "I'm Yours" became Mraz's first Top 10 hit on the Billboard Hot 100, peaking at #6 on September 20, 2008. It ultimately spent 76 weeks on the Hot 100, longer than any other song in the magazine's 51-year history (a record since broken by Imagine Dragons with "Radioactive" in 2014). It was a major commercial success in the US, receiving a 7x multi-Platinum certification from the RIAA for digital sales of over seven million. The song was also successful internationally, topping the charts in New Zealand, Norway, Portugal and Sweden, and peaking in the top ten on the charts in 11 other countries. By May 2012, it had gained over 125,000,000 hits on YouTube. It was the first song to top the charts in four different radio formats: Mainstream Top 40, Adult Contemporary, Adult Top 40 and Triple A. It also made the Latin Pop and Smooth Jazz charts. Mraz won his first two Grammy Awards in 2010, for Best Male Pop Vocal Performance ("Make It Mine") and Best Pop Collaboration ("Lucky" with Colbie Caillat). At the 2009 Grammy Awards, "I'm Yours" was nominated for Song of the Year and Best Male Pop Vocal Performance, and We Sing. We Dance. We Steal Things. was nominated for Best Engineered Album, Non-Classical. "I'm Yours" was also named ASCAP's 2010 Song of the Year. Mraz's 2008 world tour took him all over the United States, Europe, Asia and Australia. His personal photo travelogue from the world tour was published as a book, titled A Thousand Things (2008). The book contains Polaroids from his time touring and backpacking around Europe, and was launched with a photo exhibition at Charles Cowles Gallery in New York City at the end of 2008. Also in 2008, Mraz played with Eric Clapton to a crowd of 45,000 in Hyde Park, London, sold out London's Royal Albert Hall and performed at the Nobel Peace Prize Concert in Oslo. That year also marked his Music, Magic & Make Peace Tour with Bushwalla, The Makepeace Brothers, and magician Justin Willman. Mraz brought along the magician after picking up magic as a hobby during recording sessions for We Sing. We Dance. We Steal Things. On January 31, 2009, Mraz was the musical guest on Saturday Night Live, performing "I'm Yours" and "Lucky", which peaked on the Hot 100 at number 82. In 2009, Mraz was awarded the Hal David Starlight Award from the Songwriters Hall of Fame. Love Is a Four Letter Word (2010–13) In 2009, while preparing for his new album, Mraz recorded "The Way Is Love", an unreleased Roy Orbison song, as a duet with Willie Nelson. In November 2009, he released the live CD/DVD Jason Mraz's Beautiful Mess: Live on Earth, recorded in Chicago during the Gratitude Café tour. The following year, he went to Brazil to record "Simplesmente Todo" with Milton Nascimento, who sings in Portuguese while Mraz sings in English. He also did some writing with Dido, and recorded new material with producer Martin Terefe. Mraz then released two live EPs: the Life Is Good EP on October 5, 2010, and the Live Is A Four Letter Word EP on February 28, 2012. Love Is a Four Letter Word was released on April 13, 2012. It reached number 2 on the Billboard 200, and the top 20 in 10 other countries. The lead single, "I Won't Give Up", debuted at number 8 on the Billboard Hot 100, and number 1 on the Digital Songs chart. It charted in 15 countries in total, and in October 2013 was certified 4x multi-platinum, for selling in excess of 4 million units. Mraz premiered the track live during his 2011 tour, before an official version had been released. It began to receive a lot of attention through live performances, as well as online. The official lyric video gained over 2.5 million views in its first 10 days on YouTube. Love Is a Four Letter Word was nominated for a 2012 Grammy Award for Best Engineered Album, Non-Classical. Mraz won a 2013 People's Choice Award for Favorite Male Artist. He performed at Farm Aid 2011 in Kansas City. In 2012 he played sold-out shows at the Hollywood Bowl in Los Angeles, Madison Square Garden in New York and the O2 Arena in London, and performed at President Barack Obama and family's lighting of the national Christmas tree at the White House; a noted Obama supporter, he has also performed at numerous other events involving Obama and Vice President Joe Biden. Also in 2012, he performed "You Did It" at the presentation ceremony for the Kennedy Center's Mark Twain Prize for American Humor, won that year by Ellen DeGeneres. Yes! (2014) Mraz's fifth studio album, Yes!, was released on July 15, 2014. It is his first acoustic album, and was recorded with all-female folk rock band Raining Jane. They had previously co-written "A Beautiful Mess" for Mraz's 2008 album We Sing. We Dance. We Steal Things. Aside from a cover of the Boyz II Men song "It's So Hard to Say Goodbye to Yesterday", every song on Yes! was written by Mraz and Raining Jane. The lead single, "Love Someone", was released on May 19, 2014, with Mraz performing an acoustic version of the song for Time. On June 20, 2014, he released We Can Take the Long Way, a music video trilogy for the first three songs on Yes! – "Love Someone", "Hello, You Beautiful Thing" and "Long Drive". It premiered on the USA Today website. Waitress (2017–18) On September 27, 2017, it was announced that Mraz would make his Broadway debut in the musical Waitress. He took on the role of Dr. Pomatter on November 3, 2017 for a 10-week run. Sara Bareilles re-joined the cast during his run and he extended his time as Dr. Pomatter playing his final show on February 11, 2018. He had previously sung "Bad Idea" and "You Matter to Me" on Sara Bareilles' 2015 album (based on the show's music) What's Inside: Songs From Waitress. Know. and Look for the Good (2018–present) Prior to and following his involvement in Waitress, Mraz began work on a follow-up album to Yes!. In June 2018, he announced his sixth studio album, Know.—a play on the previous album's title— it was released on August 10, 2018. He referred to the new album as "bright and shiny" and a "classic-sounding pop acoustic, vocally driven record with positive lyrics and love songs." Inspired by a blessing he received from a Buddhist monk during a trip to Myanmar in 2012, Mraz wrote the song "Have It All" with Raining Jane and producers David Hodges, JKash, and Andrew Wells. The song was released as the lead single to the new album on April 27, 2018, and accompanied by a video filmed with performing arts students from his hometown of Richmond. With the announcement of the album in June 2018, Mraz released a second track off of Know. called "Unlonely". In July 2018, Mraz shared the lyric video for the song "More Than Friends", a duet with Meghan Trainor. On August 7, 2018, he partnered with Fathom Events on the one-night-only release of Jason Mraz - Have It All The Movie, a concert film and behind the scenes footage of the making of the "Have It All" video, in 600 movie theaters throughout North America. On August 10, 2018, his sixth album, Know., was released. In 2019, he was featured on the album The Secret by Alan Parsons as lead vocalist of the song "Miracle". On August 13, 2019, Mraz was named the first-ever District Advocate Ambassador to continue the fight for music creators' rights. In June 2020, Jason Mraz signed a three multi-album agreement with BMG led by Vice President of A&R Jaime Neely, Executive Vice President of Repertoire & Marketing Thomas Scherer, Vice President of Marketing and Recorded Music Cyndi Lynott, and Vice President of Creative Synch Jonathan Palmer. Personal life Relationships and sexuality Mraz married Sheridan Edley in 2001. They divorced the following year. Mraz was engaged to singer-songwriter and long-time close friend Tristan Prettyman on Christmas Eve 2010; they broke off the engagement six months later. Mraz lives a health-conscious lifestyle and has said that he eats mostly raw vegan foods. His vegan diet has also influenced his music. He owns a five-and-a-half acre avocado farm in Oceanside, California. He is an investor at Café Gratitude, a vegan restaurant in Los Angeles, and named his 2011 tour Gratitude Café in its honor. His hobbies include surfing, yoga and photography. On October 25, 2015, Mraz married his girlfriend, Christina Carano, in a private ceremony in his hometown of Mechanicsville, Virginia. In June 2018, Mraz penned a "love letter" to the LGBT community, as part of a Billboard feature during gay pride month. A line in the poem, "I am bi your side. / All ways" led some media reports to state that the poem represented Mraz's coming out as bisexual. In an article published on July 19, 2018, by Billboard, Mraz said he has had previous experiences with men, even while dating Carano. Mraz said Carano defined him as a "two-spirit", a description that was criticized by some as misappropriating a word originally designed solely for the native population, and for distorting the term's meaning. In August 2018, Mraz confirmed in an interview with the New York Post that he now identifies as bisexual, speaking of the burden of being closeted ("I honestly didn’t know how to come out and sing these happy love songs..."; "It was tough, 'cause not even my mom knew it, you know? [...] And I realized that’s the struggle that people in the LGBT community have. It can be a very stressful secret that we carry") and the lack of backlash once he came out ("And I think that’s the cosmic joke. We carry around these secrets, and then once you say something, nobody cares"). Social activism and philanthropy Mraz is a social activist whose philanthropic efforts span wide-ranging issues, including the environment, human rights and LGBT equality. In 2003, after learning one of his beer bottles was listed for sale on eBay, Mraz was inspired to auction off items of his wardrobe online, raising money for the Make a Wish Foundation. During early tours, he encouraged his fans to drop off food items as they arrived at the venue, an effort to support local food banks. In 2009, he participated in a rescue mission to Ghana with members of Free the Slaves, a global nonprofit working to liberate children sold into slavery. In 2012, he was featured as the first-ever straight man on the cover of Instinct magazine in recognition of his efforts in support of LGBT rights. The Jason Mraz Foundation was established in 2011, with a mission to support charities in the areas of human equality, environment preservation and education. Organizations supported by the foundation include VH1's Save The Music Foundation, MusiCares, Surfrider Foundation, Free the Children, Life Rolls On, the School of the Performing Arts in the Richmond Community, the Natural Resources Defense Council, and the True Colors Fund, which promotes LGBT equality. Mraz was named the 2010 Surf Industry Manufacturers Association (SIMA) Humanitarian of the Year. He also received the Clean Water Award in 2010 from the Surfrider Foundation, for helping to preserve the world's oceans and beaches. That same year, he teamed up with The Nature Conservancy and created a PSA using his song "I'm Yours" to raise awareness about the nonprofit organization's efforts to protect the earth. On December 16, 2012, Mraz headlined the Milestone Concert in Myanmar to raise awareness about human trafficking, making him the first foreign artist to play an open-air concert in Myanmar. The concert was organized by MTV EXIT and held in the People's Square in Yangon, with over 70,000 people in attendance, as part of an initiative to raise awareness about human trafficking in Myanmar. Also in 2012, Mraz spent a week in Antarctica with a group of environmentalists, scientists and researchers on a mission led by Al Gore, to learn about the effects of climate change. Mraz is a continued supporter of WhyHunger, a grassroots support organization dedicated to fighting hunger and poverty in the United States. The organization was founded by late musician Harry Chapin and Radio DJ Bill Ayres in 1975. On June 19, 2020, Mraz announced he would be donating all profits from his album "Look for the Good" to Black Lives Matter and other organizations working toward equality and justice. Politics On October 24, 2019, Mraz endorsed Bernie Sanders for President in the 2020 Democratic Party presidential primaries stating, "Bernie is the perfect candidate to follow Trump & continue to shake up the system for the benefit of true American values: Life, Liberty & The Pursuit of Happiness". Discography Studio albums Waiting for My Rocket to Come (2002) Mr. A–Z (2005) We Sing. We Dance. We Steal Things. (2008) Love Is a Four Letter Word (2012) Yes! (2014) Know. (2018) Look for the Good (2020) Awards and nominations {| class="wikitable sortable plainrowheaders" |- ! scope="col" | Award ! scope="col" | Year ! scope="col" | Nominee(s) ! scope="col" | Category ! scope="col" | Result ! scope="col" class="unsortable"| |- ! scope="row" rowspan=4|Grammy Awards | rowspan="2"|2009 | rowspan="2"|"I'm Yours" | Song of the Year | | rowspan=4| |- | rowspan=2|Best Male Pop Vocal Performance | |- | rowspan="2"|2010 | "Make It Mine" | |- | "Lucky" (with Colbie Caillat) | Best Pop Collaboration with Vocals | |- ! scope="row" rowspan=2|Pop Awards | rowspan=2|2021 | Himself | Icon of the Year | | rowspan=2| |- | Look for the Good | Album of the Year | |- ! scope="row" rowspan=15|San Diego Music Awards | rowspan=2|2002 | rowspan=3|Himself | Best Acoustic | | rowspan=2| |- | rowspan=2|Artist of the Year | |- | rowspan=2|2003 | | rowspan=2| |- | "The Remedy (I Won't Worry)" | Song of the Year | |- | 2004 | rowspan=2|Himself | rowspan=2|Artist of the Year | | |- | rowspan=3|2009 | | rowspan=2| |- | "Lucky" (with Colbie Caillat) | Song of the Year | |- | We Sing. We Dance. We Steal Things. | Album of the Year | | |- | rowspan=4|2014 | Himself | Artist of the Year | | rowspan=2| |- | rowspan=2|"Love Someone" | Best Music Video | |- | Song of the Year | | rowspan=2| |- | Yes! | Album of the Year | |- | rowspan=3|2019 | Himself | Artist of the Year | | rowspan=3| |- | "Have It All" | Song of the Year | |- | Know. | Album of the Year | Other awards |- | 2004 | rowspan=2|Jason Mraz | Pollstar Concert Industry Awards for Best New Touring Artist | |- | rowspan=4|2009 | Teen Choice Award for Choice Music – Male Artist | |- | We Sing. We Dance. We Steal Things. | Teen Choice Award for Choice Album (Male Artist) | |- | rowspan=3|Jason Mraz | American Music Award for Favorite Adult Contemporary Artist | |- | Songwriters Hall of Fame Hal David Starlight Award | |- | style="text-align:center;" | 2010 | People's Choice Award for Favorite Male Artist | |- | style="text-align:center;" | 2010 | "I'm Yours" | ASCAP Song of the Year | |- | style="text-align:center;" | 2010 | Jason Mraz | Surf Industry Manufacturers Association Humanitarian of the Year | |- | style="text-align:center;" | 2010 | Jason Mraz | Surfrider Foundation Clean Water Award | |- | style="text-align:center;" | 2012 | rowspan="2" | "I Won't Give Up" | Best Love Song | |- | style="text-align:center;" | 2012 | MVPA Awards for Best Adult Contemporary Video | |- | style="text-align:center;" | 2012 | Jason Mraz | ASCAP Foundation Champion Award | |- | style="text-align:center;" | 2013 | Jason Mraz | People's Choice Award for Pop Male Artist | |- | style="text-align:center;" | 2013 | Jason Mraz | MTV Europe Music Award For Best World Stage | |- Bibliography A Thousand Things (2008, I Love Books) Film Television appearances (selected) American Music Awards (2003) Late Night with Conan O'Brien (2003) The Tonight Show with Jay Leno (2003, 2005, 2008) New Year's Rockin' Eve (2004) The Ellen DeGeneres Show (2004, 2006, 2008, 2009, 2014) Jimmy Kimmel Live! (2004, 2005, 2009, 2012) EBS Space Gonggam (EBS 스페이스 공감) (2006) Late Show with David Letterman (2008, 2009, 2012) Nobel Peace Prize Concert (2008) Rachael Ray (2008) American Idol (2009, 2019) Saturday Night Live (2009, 2019) Spicks and Specks (TV series) (2009) The Tonight Show with Conan O'Brien (2009) Grammy Awards (2009, 2010) Family Guy (2010) The Jay Leno Show (2010) Sesame Street (2010) Chelsea Lately (2012) Conan (2012) Dancing With the Stars (2012) The Fresh Beat Band (2012) Late Night with Jimmy Fallon (2012) Opening Act (2012) Today (2012) VH1 Storytellers (2012) Watch What Happens: Live (2012) Live from Daryl's House (2012) American Restoration (2015) Live from the Artists Den (2014) K-pop Star 4 (케이팝 스타 4) (2015) Today Show with Hoda and Jena (2019) Celebrity Show-Off (2020) Celebrity Wheel of Fortune'' (2021) References External links Jason Mraz collection at the Internet Archive's live music archive Playlist: Jason Mraz – Nightline 07/17/09 – Reggae to rock, Mraz reveals his musical influences. 1977 births American male singer-songwriters American people of Czech descent American people of Slovak descent Atlantic Records artists Bisexual male actors Bisexual musicians Elektra Records artists Grammy Award winners LGBT people from Virginia LGBT producers LGBT rights activists from the United States LGBT singers from the United States LGBT songwriters Living people Musicians from Richmond, Virginia Musical groups from San Diego Singer-songwriters from Virginia American folk-pop singers Guitarists from Virginia American male guitarists People from Mechanicsville, Virginia 21st-century American singers 20th-century LGBT people 21st-century LGBT people Singer-songwriters from California

C_7f02cbbd659b430db4d8d78bd4235163_1

what was his relationship like with his father?

what was Robert F. Kennedy's relationship like with his father?

Robert F. Kennedy

In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their freshman year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and like her, he became a devout Catholic and throughout his lifetime he practiced his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." CANNOTANSWER

his father dubbed him the "runt" of the family and wrote him off.

Robert Francis Kennedy (November 20, 1925June 6, 1968), also referred to by his initials RFK or by the nickname Bobby, was an American lawyer and politician who served as the 64th United States Attorney General from January 1961 to September 1964, and as a U.S. Senator from New York from January 1965 until his assassination in June 1968. He was, like his brothers John and Edward, a prominent member of the Democratic Party and has come to be viewed by some historians as an icon of modern American liberalism. Kennedy was born into a wealthy, political family in Brookline, Massachusetts. After serving in the U.S. Naval Reserve from 1944 to 1946, Kennedy returned to his studies at Harvard University, and later received his law degree from the University of Virginia. He began his career as a correspondent for The Boston Post and as a lawyer at the Justice Department, but later resigned to manage his brother John's successful campaign for the U.S. Senate in 1952. The following year, he worked as an assistant counsel to the Senate committee chaired by Senator Joseph McCarthy. He gained national attention as the chief counsel of the Senate Labor Rackets Committee from 1957 to 1959, where he publicly challenged Teamsters President Jimmy Hoffa over the union's corrupt practices. Kennedy resigned from the committee to conduct his brother's successful campaign in the 1960 presidential election. He was appointed United States Attorney General at the age of 36, becoming the youngest Cabinet member in U.S. history since Alexander Hamilton in 1789. He served as his brother's closest advisor until the latter's 1963 assassination. His tenure is known for advocating for the civil rights movement, the fight against organized crime and the Mafia, and involvement in U.S. foreign policy related to Cuba. He authored his account of the Cuban Missile Crisis in a book titled Thirteen Days. As attorney general, he authorized the Federal Bureau of Investigation (FBI) to wiretap Martin Luther King Jr. and the Southern Christian Leadership Conference on a limited basis. After his brother's assassination, he remained in office during the Presidency of Lyndon B. Johnson for several months. He left to run for the United States Senate from New York in 1964 and defeated Republican incumbent Kenneth Keating. In office, Kennedy opposed U.S. involvement in the Vietnam War and raised awareness of poverty by sponsoring legislation designed to lure private business to blighted communities (i.e., Bedford Stuyvesant Restoration project). He was an advocate for issues related to human rights and social justice by traveling abroad to eastern Europe, Latin America, and South Africa, and formed working relationships with Martin Luther King Jr., Cesar Chavez, and Walter Reuther. In 1968, Kennedy became a leading candidate for the Democratic nomination for the presidency by appealing to poor, African American, Hispanic, Catholic, and young voters. His main challenger in the race was Senator Eugene McCarthy. Shortly after winning the California primary around midnight on June 5, 1968, Kennedy was mortally wounded when shot with a pistol by Sirhan Sirhan, a 24-year-old Palestinian, allegedly in retaliation for his support of Israel following the 1967 Six-Day War. Kennedy died 25 hours later. Sirhan was arrested, tried, and convicted, though Kennedy's assassination, like his brother's, continues to be the subject of widespread analysis and numerous conspiracy theories. Early life and education Robert Francis Kennedy was born outside Boston in Brookline, Massachusetts, on November 20, 1925. He was the seventh of nine children to businessman/politician Joseph P. Kennedy Sr. and philanthropist/socialite Rose Fitzgerald Kennedy. His parents were members of two prominent Irish-American families in Boston. His eight siblings were Joseph Jr., John, Rosemary, Kathleen, Eunice, Patricia, Jean, and Ted. All four of his grandparents were children of Irish immigrants. His father was a wealthy businessman and a leading figure in the Democratic Party. After he stepped down as ambassador to the United Kingdom in 1940, Joe Sr. focused his attention on his oldest son, Joseph Jr., expecting that he would enter politics and be elected president. He also urged the younger children to examine and discuss current events in order to propel them to public service. After Joseph Jr. was killed during World War II, the senior Kennedy's hopes fell on his second son, John, to become president. Joseph Sr. had the money and connections to play a central role in the family's political ambitions. Kennedy's older brother John was often bedridden by illness and, as a result, became a voracious reader. Although he made little effort to get to know his younger brother during his childhood, John took him on walks and regaled him with the stories of heroes and adventures he had read. One of their favorite authors was John Buchan, who wrote The Thirty-Nine Steps, which influenced both Robert and John. John sometimes called Robert "Black Robert" due to his prudishness and disposition. Unlike his older brothers, Kennedy took to heart their mother Rose's agenda for everything to have "a purpose," which included visiting historic sites during family outings, visits to the church during morning walks, and games used to expand vocabulary and math skills. He described his position in the family hierarchy by saying, "When you come from that far down, you have to struggle to survive." As the boys were growing up, he tried frequently to get his older brothers' attention, but was seldom successful. As his father's business success expanded, the family kept homes around Boston and New York City; the Cape Cod peninsula; and Palm Beach. Kennedy later said that during childhood he was "going to different schools, always having to make new friends, and that I was very awkward ... [a]nd I was pretty quiet most of the time. And I didn't mind being alone." He had to repeat third grade. A teacher at Bronxville public school reflected that he was "a regular boy", adding, "It seemed hard for him to finish his work sometimes. But he was only ten after all." He developed an interest in American history, decorating his bedroom with pictures of U.S. presidents and filling his bookshelves with volumes on the American Civil War. He became an avid stamp collector and once received a handwritten letter from Franklin Roosevelt, also a philatelist. In March 1938, Kennedy sailed to London with his mother and four youngest siblings to join his father, who had begun serving as Ambassador to the United Kingdom. He attended the private Gibbs School for Boys for seventh grade. In April 1939, he gave his first public speech at the placing of a cornerstone for a youth club in England. According to embassy and newspaper reports, his statements were penciled in his own hand and delivered in a "calm and confident" manner. Bobby returned to the United States just before the outbreak of World War II in Europe. St. Paul's and Portsmouth Priory In September 1939, Kennedy began eighth grade at St. Paul's School, an elite Protestant private preparatory school for boys in Concord, New Hampshire, that his father favored. Rose Kennedy was unhappy with the school's use of the Protestant Bible. After two months, she took advantage of her ambassador husband's absence from Boston and withdrew Kennedy from St. Paul's. She enrolled him in Portsmouth Priory School, a Benedictine Catholic boarding school for boys in Portsmouth, Rhode Island, which held daily morning and evening prayers and Mass three times a week, with a High Mass on Sundays. Kennedy attended Portsmouth for eighth through tenth grade. At Portsmouth Priory School, Kennedy was known as "Mrs. Kennedy's little boy Bobby" after he introduced his mother to classmates, who made fun of them. He was defensive of his mother, and on one occasion chased a student out of the dormitory after the boy had commented on her appearance. He befriended Peter MacLellan and wrote to him, when his brother John was serving in the U.S. Navy, that he would be visiting his brother "because he might be killed any minute". Kennedy blamed himself when his grades failed to improve. In letters to her son, Rose urged him to read more and to strengthen his vocabulary. Rose also expressed disappointment and wrote that she did not expect him to let her down. He began developing in other ways, and his brother John noticed his increased physical strength, predicting that the younger Kennedy "would be bouncing me around plenty in two more years". Monks at Portsmouth Priory School regarded him as a moody and indifferent student. Father Damian Kearney, who was two classes behind Kennedy, reflected that he "didn't look happy" and that he did not "smile much". According to Kearney's review of school records, Kennedy was a "poor-to-mediocre student, except for history". Milton Academy In September 1942, Kennedy transferred to his third boarding school, Milton Academy, in Milton, Massachusetts, for 11th and 12th grades. His father wanted him to transfer to Milton, believing it would better prepare him for Harvard. At Milton, he met and became friends with David Hackett. He invited Hackett to join him for Sunday Mass. Hackett started accompanying him, and was impressed when Kennedy took it upon himself to fill in for a missing altar boy one Sunday. Hackett admired Kennedy's determination to bypass his shortcomings, and remembered him redoubling his efforts whenever something did not come easy to him, which included athletics, studies, success with girls, and popularity. Hackett remembered the two of them as "misfits", a commonality that drew him to Kennedy, along with an unwillingness to conform to how others acted even if doing so meant not being accepted. Kennedy's grades improved. One of his first relationships was with a girl named Piedy Bailey. The pair was photographed together when he walked her home after chapel on a Sunday night. Bailey was fond of him and remembered him as being "very appealing". She recalled him being funny, "separate, larky; outside the cliques; private all the time". Soon after he transferred to Milton, he pressed his father to allow him to enlist, as he wanted to catch up to his brothers who were both serving in the military. Kennedy had arrived at Milton unfamiliar with his peers and made little attempt to know the names of his classmates; he called most of the other boys "fella" instead. For this, he was nicknamed "Fella". Most of the school's students had come in eighth or ninth grade and cliques had already been formed. Despite this, his schoolmates would later say the school had no prejudice. He had an early sense of virtue; he disliked dirty jokes and bullying, once stepping in when an upperclassman tried bothering a younger student. The headmaster at Milton would later summarize that he was a "very intelligent boy, quiet and shy, but not outstanding, and he left no special mark on Milton". Relationship with parents In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their first year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and, like her, he became a devout Catholic, throughout his lifetime practicing his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." Naval service (1944–1946) Six weeks before his 18th birthday in 1943, Kennedy enlisted in the United States Naval Reserve as a seaman apprentice. He was released from active duty in March 1944, when he left Milton Academy early to report to the V-12 Navy College Training Program at Harvard College in Cambridge, Massachusetts. His V-12 training began at Harvard (March–November 1944) before he was relocated to Bates College in Lewiston, Maine (November 1944 – June 1945). He returned to Harvard once again in June 1945 completing his post-training requirements in January 1946. At Bates he received a specialized V-12-degree along with 15 others, and during its Winter Carnival built a snow replica of a Navy boat. While in Maine, he wrote a letter to David Hackett in which he expressed feelings of inadequacy and frustration at being isolated from the action. He talked of filling his free time by taking classes with other sailors and remarked that "things are the same as usual up here, and me being my usual moody self I get very sad at times." He added, "If I don't get the hell out of here soon I'll die." In addition to Hackett, who was serving as a paratrooper, more of his Parker Hall dorm mates went overseas and left him behind. With others entering combat before him, Kennedy said this made him "feel more and more like a Draft Dodger or something". He was also frustrated with the apparent desire to shirk military responsibility by some of the other V-12 students. Kennedy's brother Joseph P. Kennedy Jr. died in August 1944, when his bomber exploded during a volunteer mission known as Operation Aphrodite. Robert was most affected by his father's reaction to his eldest son's passing. He appeared completely heartbroken and his peer Fred Garfield commented that Kennedy developed depression and questioned his faith for a short time. After his brother's death, Robert gained more attention, moving higher up the family patriarchy. On December 15, 1945, the U.S. Navy commissioned the destroyer , and shortly thereafter granted Kennedy's request to be released from naval-officer training to serve aboard Kennedy starting on February 1, 1946, as a seaman apprentice on the ship's shakedown cruise in the Caribbean. On May 30, 1946, he received his honorable discharge from the Navy. For his service in the Navy, Kennedy was eligible for the American Campaign Medal and the World War II Victory Medal. Further study, journalism, and marriage (1946–1951) In September 1946, Kennedy entered Harvard as a junior, having received credit for his time in the V-12 program. He worked hard to make the varsity football team as an end; he was a starter and scored a touchdown in the first game of his senior year before breaking his leg in practice. He earned his varsity letter when his coach sent him in wearing a cast during the last minutes of a game against Yale. His father spoke positively of him when he served as a blocking back and sometime receiver for the faster Dave Hackett. Joseph Sr. attended some of Kennedy's practices and saw his son catch a touchdown pass in an early-season rout of Western Maryland. His teammates admired his physical courage. He stood tall and weighed , which made him too small for college football. Despite this, he was a fearless hitter and once tackled a 230-pound fullback head-on. Wally Flynn, another player, looked up in the huddle after one play to see him crying after he broke his leg. He disregarded the injury and kept playing. Kennedy earned two varsity letters over the course of the 1946 and 1947 seasons. Throughout 1946, Kennedy became active in his brother John's campaign for the U.S. Representative seat that was vacated by James Curley; he joined the campaign full-time after his naval discharge. Biographer Schlesinger wrote that the election served as an entry into politics for both Robert and John. Robert graduated from Harvard in 1948 with a bachelor's degree in political science. Upon graduating, he sailed immediately on the with a college friend for a six-month tour of Europe and the Middle East, accredited as a correspondent for the Boston Post, filing six stories. Four of these stories, submitted from Palestine shortly before the end of the British Mandate, provided a first-hand view of the tensions in the land. He was critical of British policy on Palestine and praised the Jewish people he met there calling them "hardy and tough". He held out some hope after seeing Arabs and Jews working side by side but, in the end, feared that the hatred between the groups was too strong and would lead to a war. In September 1948, he enrolled at the University of Virginia School of Law in Charlottesville. Kennedy adapted to this new environment, being elected president of the Student Legal Forum, where he successfully produced outside speakers including James M. Landis, William O. Douglas, Arthur Krock, and Joseph McCarthy and his family members Joe Sr. and John F. Kennedy. Kennedy's paper on Yalta, written during his senior year, is deposited in the Law Library's Treasure Trove. On June 17, 1950, Kennedy married Ethel Skakel at St. Mary's Catholic Church in Greenwich, Connecticut. He graduated from law school in June 1951 and flew with Ethel to Greenwich to stay in his father-in-law's guest house. The couple's first child, Kathleen, was born on July 4, 1951. During this time, his brother John tried to keep Joe Sr. "at arm's length". The brothers rarely interacted until Kenny O'Donnell contacted Robert to repair the relationship between John and their father during John's Senate campaign. As a result of this, Joe Sr. came to view Robert favorably as reliable and "willing to sacrifice himself" for the family. In September 1951, he went to San Francisco as a correspondent for the Boston Post to cover the convention that concluded the Treaty of Peace with Japan. In October 1951, he embarked on a seven-week Asian trip with his brother John (then a U.S. Congressman from Massachusetts' 11th district) and their sister Patricia to Israel, India, Pakistan, Vietnam, and Japan. Because of their age gap, the two brothers had previously seen little of each other—this trip came at their father's behest and was the first extended time they had spent together, serving to deepen their relationship. On this trip, the brothers met Liaquat Ali Khan just before his assassination, and India's prime minister, Jawaharlal Nehru. Senate committee counsel and political campaigns (1951–1960) JFK Senate campaign and Joseph McCarthy (1952–1955) In November 1951, Kennedy moved with his wife and daughter to a townhouse in the Georgetown, Washington, D.C., and started work as a lawyer in the Internal Security Section of the Criminal Division of the U.S. Department of Justice. He prosecuted a series of graft and income tax evasion cases. In February 1952, Kennedy was transferred to Brooklyn, and worked as an assistant U.S. attorney for the Eastern District of New York to help prepare fraud cases against former officials of the Truman administration. On June 6, 1952, he resigned to manage his brother John's U.S. Senate campaign in Massachusetts. JFK's victory was of great importance to the Kennedys, elevating him to national prominence and turning him into a serious potential presidential candidate. John's victory was also equally important to Robert, who felt he had succeeded in eliminating his father's negative perceptions of him. In December 1952, at his father's behest, Kennedy was appointed by family friend Republican Senator Joseph McCarthy as assistant counsel of the U.S. Senate Permanent Subcommittee on Investigations. Kennedy disapproved of McCarthy's aggressive methods of garnering intelligence on suspected communists. This was a highly visible job for him. He resigned in July 1953, but "retained a fondness for McCarthy". The period of July 1953 to January 1954 saw him at "a professional and personal nadir", feeling that he was adrift while trying to prove himself to his family. Kenneth O'Donnell and Larry O'Brien (who worked on John's congressional campaigns) urged Kennedy to consider running for Massachusetts Attorney General in 1954, but he declined. After a period as an assistant to his father on the Hoover Commission, Kennedy rejoined the Senate committee staff as chief counsel for the Democratic minority in February 1954. That month, McCarthy's chief counsel Roy Cohn subpoenaed Annie Lee Moss, accusing her of membership in the Communist Party. Kennedy revealed that Cohn had called the wrong Annie Lee Moss and he requested the file on Moss from the FBI. FBI director J. Edgar Hoover had been forewarned by Cohn and denied him access, calling RFK "an arrogant whippersnapper". When Democrats gained a Senate majority in January 1955, Kennedy became chief counsel and was a background figure in the televised Army–McCarthy hearings of 1954 into McCarthy's conduct. The Moss incident turned Cohn into an enemy, which led to Kennedy assisting Democratic senators in ridiculing Cohn during the hearings. The animosity grew to the point where Cohn had to be restrained after asking RFK if he wanted to fight him. For his work on the McCarthy committee, Kennedy was included in a list of Ten Outstanding Young Men of 1954, created by the U.S. Junior Chamber of Commerce. His father had arranged the nomination, his first national award. In 1955 Kennedy was admitted to practice before the United States Supreme Court. Stevenson aide and focus on organized labor (1956–1960) In 1956, Kennedy moved his growing family outside Washington to a house called Hickory Hill, which he purchased from his brother John. This enormous 13-bedroom, 13-bath home was situated on in McLean, Virginia. Kennedy went on to work as an aide to Adlai Stevenson during the 1956 presidential election which helped him learn how national campaigns worked, in preparation for a future run by his brother, Jack. Unimpressed with Stevenson, he reportedly voted for incumbent Dwight D. Eisenhower. Kennedy was also a delegate at the 1956 Democratic National Convention, having replaced Tip O'Neil at the request of his brother John, joining in what was ultimately an unsuccessful effort to help JFK get the vice-presidential nomination. Shortly after this, following instructions by his father, Kennedy tried making amends with J. Edgar Hoover. There seemed to be some improvement in their interactions, which came to be seen as "elemental political necessity" by Kennedy. This later changed after Kennedy was appointed attorney general, where Hoover saw him as an "unprecedented threat". From 1957 to 1959, he made a name for himself while serving as the chief counsel to the Senate's McClellan Committee under chairman John L. McClellan. Kennedy was given authority over testimony scheduling, areas of investigation, and witness questioning by McClellan, a move that was made by the chairman to limit attention to himself and allow outrage by organized labor to be directed toward Kennedy. In a famous scene, Kennedy squared off with Teamsters Union President Jimmy Hoffa during the antagonistic argument that marked Hoffa's testimony. Kennedy, who was instructed to collect information, discovered several financial irregularities, such as that Hoffa had misappropriated $9.5 million in union funds and made corrupt deals with employers. During the hearings, Kennedy received criticism from liberal critics and other commentators both for his outburst of impassioned anger and doubts about the innocence of those who invoked the Fifth Amendment. Senators Barry Goldwater and Karl Mundt wrote to each other and complained about "the Kennedy boys" having hijacked the McClellan Committee by their focus on Hoffa and the Teamsters. They believed Kennedy covered for Walter Reuther and the United Automobile Workers, a union which typically would back Democratic office seekers. Amidst the allegations, Kennedy wrote in his journal that the two senators had "no guts" as they never addressed him directly, only through the press. He left the committee in late 1959 in order to run his brother's presidential campaign. JFK presidential campaign (1960) In 1960 Kennedy published The Enemy Within, a book which described the corrupt practices within the Teamsters and other unions that he had helped investigate. John Seigenthaler assisted Kennedy. Kennedy went to work on the presidential campaign of his brother, John. In contrast to his role in his brother's previous campaign eight years prior, Kennedy gave stump speeches throughout the primary season, gaining confidence as time went on. His strategy "to win at any cost" led him to call on Franklin D. Roosevelt Jr. to attack Hubert Humphrey as a draft dodger; Roosevelt eventually did make the statement that Humphrey avoided service. Concerned that John Kennedy was going to receive the Democratic Party's nomination, some supporters of Lyndon Johnson, who was also running for the nomination, revealed to the press that JFK had Addison's disease, saying that he required life-sustaining cortisone treatments. Though in fact a diagnosis had been made, Kennedy tried to protect his brother by denying the allegation, saying that JFK had never had "an ailment described classically as Addison's disease". After securing the nomination, John Kennedy nonetheless decided to offer Lyndon Johnson the vice presidency. This did not sit well with some Kennedy supporters, and Robert tried unsuccessfully to convince Johnson to turn down the offer, leading him to view Robert with contempt afterward. RFK had already disliked Johnson prior to the presidential campaign, seeing him as a threat to his brother's ambitions. RFK wanted his brother to choose labor leader Walter Reuther. Despite Kennedy's attempts, Johnson became his brother's running mate. Kennedy worked toward downplaying his brother's Catholic faith during the primary but took a more aggressive and supportive stance during the general election. These concerns were mostly calmed after JFK delivered a speech in September in Houston where he said that he was in favor of the separation of church and state. The following month, Kennedy was involved in securing the release of civil rights leader Martin Luther King Jr. from a jail in Atlanta. Kennedy spoke with Georgia governor Ernest Vandiver and later Judge Oscar Mitchell, after the judge had sentenced King for violating his probation when he protested at a whites-only snack bar. Attorney General of the United States (1961–1964) After winning the 1960 presidential election, President-elect John F. Kennedy appointed his younger brother attorney general. The choice was controversial, with publications including The New York Times and The New Republic calling him inexperienced and unqualified. He had no experience in any state or federal court, causing the president to joke, "I can't see that it's wrong to give him a little legal experience before he goes out to practice law." But Kennedy was hardly a novice as a lawyer, having gained significant experience conducting investigations and questioning witnesses as a Justice Department attorney and Senate committee counsel and staff director. According to Bobby Baker, the Senate majority secretary and a protégé of Lyndon Johnson, President-elect Kennedy did not want to name his brother attorney general, but their father overruled him. At the behest of Vice President-elect Johnson, Baker persuaded the influential Southern senator Richard Russell to allow a voice vote to confirm the president's brother in January 1961, as Kennedy "would have been lucky to get 40 votes" on a roll-call vote. The deputy and assistant attorneys general Kennedy chose included Byron White and Nicholas Katzenbach. Kennedy also played a major role in helping his brother form his cabinet. John Kennedy wanted to name Senator J. William Fulbright, whom he knew and liked, as his secretary of state. Fulbright was generally regarded as the Senate's resident foreign policy expert, but he also supported segregation and white supremacy in the South. Robert Kennedy persuaded his brother that having Fulbright as secretary of state would cost the Democrats Afro-American votes, leading to Dean Rusk being nominated instead after John Kennedy decided that his next choice, McGeorge Bundy, was too young. Kennedy was also present at the job interview when the CEO of the Ford Motor Company, Robert McNamara, was interviewed by John Kennedy about becoming defense secretary. McNamara's self-confidence and belief that he could "scientifically" solve any problem via his "Systems Analysis" style of management impressed the Kennedy brothers, though John was rattled for a moment when McNamara asked if his bestselling book Profiles in Courage was written by a ghost writer.     Author James W. Hilty concludes that Kennedy "played an unusual combination of roles—campaign director, attorney general, executive overseer, controller of patronage, chief adviser, and brother protector" and that nobody before him had had such power. His tenure as attorney general was easily the period of greatest power for the office—no previous United States attorney general had enjoyed such clear influence on all areas of policy during an administration. To a great extent, President Kennedy sought the advice and counsel of his younger brother, with Robert being the president's closest political adviser. He was relied upon as both the president's primary source of administrative information and as a general counsel with whom trust was implicit. He exercised widespread authority over every cabinet department, leading the Associated Press to dub him "Bobby—Washington's No. 2-man". The president once remarked about his brother, "If I want something done and done immediately I rely on the Attorney General. He is very much the doer in this administration, and has an organizational gift I have rarely if ever seen surpassed." Berlin As one of the president's closest White House advisers, Kennedy played a crucial role in the events surrounding the Berlin Crisis of 1961. Operating mainly through a private, backchannel connection to Soviet spy Georgi Bolshakov, he relayed important diplomatic communications between the American and Soviet governments. Most significantly, this connection helped the U.S. set up the Vienna Summit in June 1961, and later to defuse the tank standoff with the Soviets at Berlin's Checkpoint Charlie in October. Kennedy's visit with his wife to West Berlin in February 1962 demonstrated U.S. support for the city and helped repair the strained relationship between the administration and its special envoy in Berlin, Lucius D. Clay. Organized crime and the Teamsters As attorney general, Kennedy pursued a relentless crusade against organized crime and the Mafia, sometimes disagreeing on strategy with FBI Director J. Edgar Hoover. Convictions against organized crime figures rose by 800 percent during his term. Kennedy worked to shift Hoover's focus away from communism, which Hoover saw as a more serious threat, to organized crime. According to James Neff, Kennedy's success in this endeavor was due to his brother's position, giving the attorney general leverage over Hoover. Biographer Richard Hack concluded that Hoover's dislike for Kennedy came from his being unable to control him. He was relentless in his pursuit of Teamsters Union president Jimmy Hoffa, due to Hoffa's known corruption in financial and electoral matters, both personally and organizationally, creating a so-called "Get Hoffa" squad of prosecutors and investigators. The enmity between the two men was intense, with accusations of a personal vendetta—what Hoffa called a "blood feud"—exchanged between them. On July 7, 1961, after Hoffa was reelected to the Teamsters presidency, RFK told reporters the government's case against Hoffa had not been changed by what he called "a small group of teamsters" supporting him. The following year, it was leaked that Hoffa had claimed to a Teamster local that Kennedy had been "bodily" removed from his office, the statement being confirmed by a Teamster press agent and Hoffa saying Kennedy had only been ejected. On March 4, 1964, Hoffa was convicted in Chattanooga, Tennessee, of attempted bribery of a grand juror during his 1962 conspiracy trial in Nashville, Tennessee, and sentenced to eight years in prison and a $10,000 fine. After learning of Hoffa's conviction by telephone, Kennedy issued congratulatory messages to the three prosecutors. While on bail during his appeal, Hoffa was convicted in a second trial held in Chicago, on July 26, 1964, on one count of conspiracy and three counts of mail and wire fraud for improper use of the Teamsters' pension fund, and sentenced to five years in prison. Hoffa spent the next three years unsuccessfully appealing his 1964 convictions, and began serving his aggregate prison sentence of 13 years (eight years for bribery, five years for fraud) on March 7, 1967, at the Lewisburg Federal Penitentiary in Pennsylvania. Civil rights Kennedy expressed the administration's commitment to civil rights during a 1961 speech at the University of Georgia Law School: FBI Director J. Edgar Hoover viewed civil rights leader Martin Luther King Jr. as an upstart troublemaker, calling him an "enemy of the state". In February 1962 Hoover presented Kennedy with allegations that some of King's close confidants and advisers were communists. Concerned about the allegations, the FBI deployed agents to monitor King in the following months. Kennedy warned King to discontinue the suspected associations. In response, King agreed to ask suspected Communist Jack O'Dell to resign from the SCLC, but refused to heed to the request to ask Stanley Levison, whom he regarded as a trusted advisor, to resign. In October 1963, Kennedy issued a written directive authorizing the FBI to wiretap King and other leaders of the Southern Christian Leadership Conference, King's civil rights organization. Although Kennedy only gave written approval for limited wiretapping of King's phones "on a trial basis, for a month or so", Hoover extended the clearance so that his men were "unshackled" to look for evidence in any areas of King's life they deemed worthy. The wiretapping continued through June 1966 and was revealed in 1968, days before Kennedy's death. Kennedy remained committed to civil rights enforcement to such a degree that he commented in 1962 that it seemed to envelop almost every area of his public and private life, from prosecuting corrupt Southern electoral officials to answering late night calls from Coretta Scott King concerning the imprisonment of her husband for demonstrations in Alabama. During his tenure as attorney general, he undertook the most energetic and persistent desegregation of the administration that Capitol Hill had ever experienced. He demanded that every area of government begin recruiting realistic levels of black and other ethnic workers, going so far as to criticize Vice President Johnson for his failure to desegregate his own office staff. But relations between the Kennedys and civil rights activists could be tense, partly due to the administration's decision that a number of complaints King filed with the Justice Department between 1961 and 1963 be handled "through negotiation between the city commission and Negro citizens." Although it has become commonplace to assert the phrase "The Kennedy Administration" or even "President Kennedy" when discussing the legislative and executive support of the civil rights movement, between 1960 and 1963 a great many of the initiatives were the result of the passion and determination of an emboldened Robert Kennedy, who, through his rapid education in the realities of Southern racism, underwent a thorough conversion of purpose as attorney general. Asked in an interview in May 1962, "What do you see as the big problem ahead for you, is it crime or internal security?" Kennedy replied, "Civil rights." The president came to share his brother's sense of urgency on the matters at hand to such an extent that it was at the attorney general's insistence that he made his famous June 1963 address to the nation on civil rights. Kennedy played a large role in the response to the Freedom Riders protests. He acted after the Anniston bus bombings to protect the Riders in continuing their journey, sending John Seigenthaler, his administrative assistant, to Alabama to attempt to secure the Riders' safety there. Despite a work rule which allowed a driver to decline an assignment which he regarded as a potentially unsafe one, he persuaded a manager of The Greyhound Corporation to obtain a coach operator who was willing to drive a special bus for the continuance of the Freedom Ride from Birmingham, Alabama, to Montgomery, Alabama, on the circuitous journey to Jackson, Mississippi. Later, during the attack and burning by a white mob of the First Baptist Church in Montgomery, at which Martin Luther King Jr. and some 1,500 sympathizers were in attendance, the attorney general telephoned King to ask for his assurance that they would not leave the building until the force of U.S. Marshals and National Guard he sent had secured the area. King proceeded to berate Kennedy for "allowing the situation to continue". King later publicly thanked him for dispatching the forces to break up the attack that might otherwise have ended his life. Kennedy then negotiated the safe passage of the Freedom Riders from the First Baptist Church to Jackson, Mississippi, where they were arrested. He offered to bail the Freedom Riders out of jail, but they refused, which upset him. Kennedy's attempts to end the Freedom Rides early were tied to an upcoming summit with Nikita Khrushchev and Charles de Gaulle. He believed the continued international publicity of race riots would tarnish the president heading into international negotiations. This attempt to curtail the Freedom Rides alienated many of the civil rights leaders who, at the time, perceived him as intolerant and narrow-minded. In an attempt to better understand and improve race relations, Kennedy held a private meeting in New York City in May 1963 with a black delegation coordinated by prominent author James Baldwin. In September 1962, Kennedy sent a force of U.S. marshals and deputized U.S. Border Patrol agents and federal prison guards to Oxford, Mississippi, to enforce a federal court order allowing the admittance of the first African-American student, James Meredith, to the University of Mississippi. The attorney general had hoped that legal means, along with the escort of federal officers, would be enough to force Governor Ross Barnett to allow Meredith's admission. He also was very concerned there might be a "mini-civil war" between federal troops and armed protesters. President Kennedy reluctantly sent federal troops after the situation on campus turned violent. Ensuing riots during the period of Meredith's admittance resulted in 300 injuries and two deaths, yet Kennedy remained adamant that black students had the right to enjoy the benefits of all levels of the educational system. The Office of Civil Rights also hired its first African-American lawyer and began to work cautiously with leaders of the Civil Rights Movement. Kennedy saw voting as the key to racial justice and collaborated with presidents Kennedy and Johnson to create the landmark Civil Rights Act of 1964, which helped bring an end to Jim Crow laws. Between December 1961 and December 1963, Kennedy also expanded the United States Department of Justice Civil Rights Division by 60 percent. U.S. Steel At the direction of the president, Kennedy also used the power of federal agencies to influence U.S. Steel not to institute a price increase. The Wall Street Journal wrote that the administration had set prices of steel "by naked power, by threats, by agents of the state security police." Yale law professor Charles Reich wrote in The New Republic that the Justice Department had violated civil liberties by calling a federal grand jury to indict U.S. Steel so quickly, then disbanding it after the price increase did not occur. Death penalty issues During the Kennedy administration, the federal government carried out its last pre-Furman federal execution (of Victor Feguer in Iowa, 1963), and Kennedy, as attorney general, represented the government in this case. In 1967 Kennedy expressed his strong willingness to support a bill then under consideration for the abolition of the death penalty. Cuba As his brother's confidant, Kennedy oversaw the CIA's anti-Castro activities after the failed Bay of Pigs Invasion. He also helped develop the strategy during the Cuban Missile Crisis to blockade Cuba instead of initiating a military strike that might have led to nuclear war. He had initially been among the more hawkish members of the administration on matters concerning Cuban insurrectionist aid. His initial strong support for covert actions in Cuba soon changed to a position of removal from further involvement once he became aware of the CIA's tendency to draw out initiatives, and provide itself with almost unchecked authority in matters of foreign covert operations. Allegations that the Kennedys knew of plans by the CIA to kill Fidel Castro, or approved of such plans, have been debated by historians over the years. JFK's friend and associate, historian Arthur M. Schlesinger Jr., for example, expressed the opinion that operatives linked to the CIA were among the most reckless individuals to have operated during the period—providing themselves with unscrutinized freedoms to threaten the lives of Castro and other members of the Cuban revolutionary government regardless of the legislative apparatus in Washington—freedoms that, unbeknownst to those at the White House attempting to prevent a nuclear war, placed the entire U.S.–Soviet relationship in perilous danger. The "Family Jewels" documents, declassified by the CIA in 2007, suggest that before the Bay of Pigs Invasion, the attorney general personally authorized one such assassination attempt. But there is ample evidence to the contrary, such as that Kennedy was informed of an earlier plot involving the CIA's use of Mafia bosses Santo Trafficante Jr. and John Roselli only during a briefing on May 7, 1962, and in fact directed the CIA to halt any existing efforts directed at Castro's assassination. Concurrently, Kennedy served as the president's personal representative in Operation Mongoose, the post-Bay of Pigs covert operations program the president established in November 1961. Mongoose was meant to incite revolution in Cuba that would result in Castro's downfall, not his assassination. During the Cuban Missile Crisis, Kennedy proved himself to be a gifted politician with an ability to obtain compromises, tempering aggressive positions of key figures in the hawk camp. The trust the president placed in him on matters of negotiation was such that his role in the crisis is today seen as having been of vital importance in securing a blockade, which averted a full military engagement between the United States and the USSR. His clandestine meetings with members of the Soviet government continued to provide a key link to Khrushchev during even the darkest moments of the crisis, when the threat of nuclear strikes was considered very real. On the last night of the crisis, President Kennedy was so grateful for his brother's work in averting nuclear war that he summed it up by saying, "Thank God for Bobby." Japan At a summit meeting with Japanese prime minister Hayato Ikeda in Washington D.C. in 1961, President Kennedy promised to make a reciprocal visit to Japan in 1962, but the decision to resume atmospheric nuclear testing forced him to postpone such a visit, and he sent Bobby in his stead. Kennedy and his wife Ethel arrived in Tokyo in February 1962 at a very sensitive time in U.S.-Japan relations, shortly after the massive Anpo protests against the U.S.-Japan Security Treaty had highlighted anti-American grievances. Kennedy won over a highly skeptical Japanese public and press with his cheerful, open demeanor, sincerity, and youthful energy. Most famously, Kennedy scored a public relations coup during a nationally televised speech at Waseda University in Tokyo. When radical Marxist student activists from Zengakuren attempted to shout him down, he calmly invited one of them on stage and engaged the student in an impromptu debate. Kennedy's calmness under fire and willingness to take the student's questions seriously won many admirers in Japan and praise from the Japanese media, both for himself and on his brother's behalf. Assassination of John F. Kennedy At the time that President Kennedy was assassinated in Dallas on November 22, 1963, RFK was at home with aides from the Justice Department. J. Edgar Hoover called and told him his brother had been shot. Hoover then hung up before he could ask any questions. Kennedy later said he thought Hoover had enjoyed telling him the news. Kennedy then received a call from Tazewell Shepard, a naval aide to the president, who told him that his brother was dead. Shortly after the call from Hoover, Kennedy phoned McGeorge Bundy at the White House, instructing him to change the locks on the president's files. He ordered the Secret Service to dismantle the Oval Office and cabinet room's secret taping systems. He scheduled a meeting with CIA director John McCone and asked if the CIA had any involvement in his brother's death. McCone denied it, with Kennedy later telling investigator Walter Sheridan that he asked the director "in a way that he couldn't lie to me, and they [the CIA] hadn't". An hour after the president was shot, Bobby Kennedy received a phone call from Vice President Johnson before Johnson boarded Air Force One. RFK remembered their conversation starting with Johnson demonstrating sympathy before the vice president stated his belief that he should be sworn in immediately; RFK opposed the idea since he felt "it would be nice" for President Kennedy's body to return to Washington with the deceased president still being the incumbent. Eventually, the two concluded that the best course of action would be for Johnson to take the oath of office before returning to Washington. In his 1971 book We Band of Brothers, aide Edwin O. Guthman recounted Kennedy admitting to him an hour after receiving word of his brother's death that he thought he would be the one "they would get" as opposed to his brother. In the days following the assassination, he wrote letters to his two eldest children, Kathleen and Joseph, saying that as the oldest Kennedy family members of their generation, they had a special responsibility to remember what their uncle had started and to love and serve their country. He was originally opposed to Jacqueline Kennedy's decision to have a closed casket, as he wanted the funeral to keep with tradition, but he changed his mind after seeing the cosmetic, waxen remains. Kennedy was asked by Democratic Party leaders to introduce a film about his late brother at the 1964 party convention. When he was introduced, the crowd, including party bosses, elected officials, and delegates, applauded thunderously and tearfully for a full 22 minutes before they would let him speak. He was close to breaking down before he spoke about his brother's vision for both the party and the nation and recited a quote from Shakespeare's Romeo and Juliet (3.2) that Jacqueline had given him: The ten-month investigation by the Warren Commission of 1963–1964 concluded that the president had been assassinated by Lee Harvey Oswald and that Oswald had acted alone. On September 27, 1964, Kennedy issued a statement through his New York campaign office: "As I said in Poland last summer, I am convinced Oswald was solely responsible for what happened and that he did not have any outside help or assistance. He was a malcontent who could not get along here or in the Soviet Union." He added, "I have not read the report, nor do I intend to. But I have been briefed on it and I am completely satisfied that the Commission investigated every lead and examined every piece of evidence. The Commission's inquiry was thorough and conscientious." After a meeting with Kennedy in 1966, Arthur M. Schlesinger Jr. wrote: "It is evident that he believes that [the Warren Commission's report] was a poor job and will not endorse it, but that he is unwilling to criticize it and thereby reopen the whole tragic business." Jerry Bruno, an "advance man" for JFK who also worked on RFK's 1968 presidential campaign, would later state in 1993: "I talked to Robert Kennedy many times about the Warren Commission, and he never doubted their result." In a 2013 interview with CBS journalist Charlie Rose, son Robert F. Kennedy Jr. stated that his father was "fairly convinced" that others besides Oswald were involved in his brother's assassination and that he privately believed the Commission's report was a "shoddy piece of craftsmanship". The killing was judged as having a profound impact on Kennedy. Beran assesses the assassination as having moved Kennedy away from reliance on the political system and to become more questioning. Tye views Kennedy following the death of his brother as "more fatalistic, having seen how fast he could lose what he cherished the most." Vice presidential candidate In the wake of the assassination of his brother and Lyndon Johnson's ascension to the presidency, with the office of vice president now vacant, Kennedy was viewed favorably as a potential candidate for the position in the 1964 presidential election. Several Kennedy partisans called for him to be drafted in tribute to his brother; national polling showed that three of four Democrats were in favor of him as Johnson's running mate. Democratic organizers supported him as a write-in candidate in the New Hampshire primary and 25,000 Democrats wrote in Kennedy's name in March 1964, only 3,700 fewer than the number of Democrats who wrote in Johnson's name as their pick for president. Kennedy discussed the vice presidency with Arthur Schlesinger. Schlesinger thought that he should develop his own political base first, and Kennedy observed that the job "was really based on waiting around for someone to die". In his first interview after the assassination Kennedy said he was not considering the vice presidency. During this time he said of the coalescing Johnson administration, "It's too early for me to even think about '64, because I don't know whether I want to have any part of these people. ...If they don't fulfill and follow out my brother's program, I don't want to have anything to do with them." But in January 1964 Kennedy began low-key inquiries as to the vice-presidential position and by the summer was developing plans to help Johnson in cities and in the Northeast based on JFK's 1960 campaign strategies. Despite the fanfare within the Democratic Party, Johnson was not inclined to have Kennedy on his ticket. The two disliked one another intensely, with feelings often described as "mutual contempt" that went back to their first meeting in 1953, and had only intensified during JFK's presidency. At the time, Johnson privately said of Kennedy, "I don't need that little runt to win", while Kennedy privately said of Johnson that he was "mean, bitter, vicious—an animal in many ways". To block Kennedy, Johnson considered nominating his brother-in-law Sargent Shriver for vice president, but the Kennedy family vetoed that. Kenny O'Donnell, a Kennedy aide who stayed on to serve Johnson, told the president that if he wanted a Catholic vice president, the only candidate available was Kennedy. Johnson instead chose Senator Hubert Humphrey. During a post-presidency interview with historian Doris Kearns Goodwin, Johnson claimed that Kennedy "acted like he was the custodian of the Kennedy dream" despite Johnson being seen as this after JFK was assassinated, arguing that he had "waited" his turn and Kennedy should have done the same. Johnson recalled a "tidal wave of letters and memos about how great a vice president Bobby would be", but felt he could not "let it happen" as he viewed the possibility of Kennedy on the ticket as ensuring that he would never know if he could be elected "on my own". On July 27, 1964, Kennedy was summoned to the White House and told by Johnson that he did not want him as his running mate, leading the former to say "I could have helped you". Johnson wanted Kennedy to tell the media that he decided to withdraw his name, but he refused, saying the president could do that himself. Johnson wanted a way to announce that he had refused Kennedy serving as his running mate without appearing to be motivated by malice towards a man he disliked and distrusted. The Democratic power broker Clark Clifford suggested to Johnson a way to block Kennedy. At a meeting in the Oval Office that, unknown to him, was being recorded, Clifford said: "Why don't you reach a policy decision that, after careful consideration, you've decided that you're not going to select anyone from your cabinet?" When Johnson replied "That's pretty thin, isn't it?", leading Clifford to answer, "Well, it is pretty thin, but it's a lot better than nothing". In July 1964, Johnson issued an official statement ruling out all of his current cabinet members as potential running mates, judging them to be "so valuable ... in their current posts". In response to this statement, angry letters poured in directed towards both Johnson and his wife, Lady Bird, expressing disappointment at Kennedy being dropped from the field of potential running mates. Johnson, worried that delegates at the convention would draft Kennedy onto the ticket, ordered the FBI to monitor Kennedy's contacts and actions, and to make sure that he could not speak until after Hubert Humphrey was confirmed as his running mate. After making his announcement, Johnson at an "off-the-record" meeting in the Oval Office with three journalists boasted about how he had gotten "that damned albatross off his neck" as he proceeded to mock what he called Kennedy's "funny" voice and mannerisms. Though not published in the newspapers, Kennedy quickly learned of Johnson's performance and demanded an apology, only to have the president deny the story. After hearing Johnson's denial, Kennedy wrote: "He tells so many lies that he convinces himself after a while he's telling the truth. He just doesn't recognize truth or falsehood". In a meeting with Secretary of State Dean Rusk, Johnson talked about Kennedy. Both felt that Kennedy was "freakish ambitious" with Rusk saying: "Mr. President, I just can't wrap my mind around that kind of ambition. I don't know how to understand it". Both were afraid that Kennedy might use the nostalgia for his assassinated brother to "stampede" the Democratic National Convention delegates to nominate him, and were hoping that Kennedy might run for Senate in New York, though Rusk was also worried that a Senate run would serve as "a drag on your own position in New York state". Furthermore, white Southerners tended to vote Democratic as a bloc at the time, and a poll in 1964 showed that 33% of Southerners would not vote Democratic if Kennedy were Johnson's running mate, causing many Democrat leaders to oppose Kennedy serving as Vice President, lest it alienate one of the most solid and reliable blocs of Democratic voters. At the DNC, Kennedy appeared on the stage to introduce a film honoring his late brother, A Thousand Days, causing the convention hall to explode with cheers for 22 minutes despite Kennedy's gestures indicating that he wanted the crowd to fall silent so he could began his speech. Senator Henry Jackson advised Kennedy, "Let them get it out of their system" as he stood on the stage raising his hand to signal he wanted the crowd to stop cheering. When the crowd finally stopped cheering, Kennedy gave his speech, which ended with a quotation from Romeo and Juliet: "When he shall die, take him and cut him out in little stars, And he will make the face of heaven so fine, That all the world shall be in love with night, and pay no worship to the garish sun". Johnson knew instantly that the reference to the "garish sun" was to him. U.S. Senate (1965–1968) 1964 election Nine months after his brother's assassination, Kennedy left the cabinet to run for a seat in the U.S. Senate representing New York, announcing his candidacy on August 25, 1964, two days before the end of that year's Democratic National Convention. He had considered the possibility of running for the seat since early spring, but also giving consideration for governor of Massachusetts or, as he put it, "go away", leaving politics altogether after the plane crash and injury of his brother Ted in June, two months earlier. Positive reception in Europe convinced him to remain in politics. Kennedy was lauded during trips to Germany and Poland, the denizens of the latter country's greetings to Kennedy being interpreted by Leaming as evaporating the agony he had sustained since his brother's passing. Kennedy was given permission to run by the New York State Democratic Committee on September 1, amid mixed feelings in regards to his candidacy. Despite their notoriously difficult relationship, Johnson gave considerable support to Kennedy's campaign. His opponent was Republican incumbent Kenneth Keating, who attempted to portray Kennedy as an arrogant carpetbagger since he did not reside in the state. The New York Times editorialized, "there is nothing illegal about the possible nomination of Robert F. Kennedy of Massachusetts as Senator from New York, but there is plenty of cynical about it, ... merely choosing the state as a convenient launching‐pad for the political ambitions of himself." The main reason Kennedy chose not to run for the U.S. Senate from his native Massachusetts was that his younger brother Ted was running for reelection. RFK charged Keating with having "not done much of anything constructive" despite his presence in Congress during a September 8 press conference. Kennedy won the November election, helped in part by Johnson's huge victory margin in New York. Tenure Kennedy drew attention in Congress early on as the brother of President Kennedy, which set him apart from other senators. He drew more than 50 senators as spectators when he delivered a speech in the Senate on nuclear proliferation in June 1965. But he also saw a decline in his power, going from the president's most trusted advisor to one of a hundred senators, and his impatience with collaborative lawmaking showed. Though fellow senator Fred R. Harris expected not to like Kennedy, the two became allies; Harris even called them "each other's best friends in the Senate". Kennedy's younger brother Ted was his senior there. Robert saw his brother as a guide on managing within the Senate, and the arrangement worked to deepen their relationship. Harris noted that Kennedy was intense about matters and issues that concerned him. Kennedy gained a reputation in the Senate for being well prepared for debate, but his tendency to speak to other senators in a more "blunt" fashion caused him to be "unpopular ... with many of his colleagues". While serving in the Senate, Kennedy advocated gun control. In May 1965 he co-sponsored S.1592, proposed by President Johnson and sponsored by Senator Thomas J. Dodd, that would put federal restrictions on mail-order gun sales. Speaking in support of the bill, Kennedy said, "For too long we dealt with these deadly weapons as if they were harmless toys. Yet their very presence, the ease of their acquisition and the familiarity of their appearance have led to thousands of deaths each year. With the passage of this bill we will begin to meet our responsibilities. It would save hundreds of thousands of lives in this country and spare thousands of families ... grief and heartache. ... " In remarks during a May 1968 campaign stop in Roseburg, Oregon, Kennedy defended the bill as keeping firearms away from "people who have no business with guns or rifles". The bill forbade "mail order sale of guns to the very young, those with criminal records and the insane," according to The Oregonian'''s report. S.1592 and subsequent bills, and the assassinations of Martin Luther King Jr. and Robert F. Kennedy, paved the way for the eventual passage of the Gun Control Act of 1968. Kennedy and his staff had employed a cautionary "amendments–only" strategy for his first year in the senate. In 1966 and 1967 they took more direct legislative action, but were met with increasing resistance from the Johnson administration. Despite perceptions that the two were hostile in their respective offices to each other, U.S. News reported Kennedy's support of the Johnson administration's "Great Society" program through his voting record. Kennedy supported both major and minor parts of the program, and each year over 60% of his roll call votes were consistently in favor of Johnson's policies. On February 8, 1966, Kennedy urged the United States to pledge that it would not be the first country to use nuclear weapons against countries that did not have them noting that China had made the pledge and the Soviet Union indicated it was also willing to do so. In June 1966, he visited apartheid-era South Africa accompanied by his wife, Ethel, and a few aides. The tour was greeted with international praise at a time when few politicians dared to entangle themselves in the politics of South Africa. He spoke out against the oppression of the native population, and was welcomed by the black population as though he were a visiting head of state. In an interview with Look magazine he said: At the University of Cape Town he delivered the annual Day of Affirmation Address. A quote from this address appears on his memorial at Arlington National Cemetery: "Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope." On January 28, 1967, Kennedy began a ten-day stay in Europe, meeting Harold Wilson in London who advised him to tell President Johnson about his belief that the ongoing Vietnam conflict was wrong. Upon returning to the U.S. in early February, he was confronted by the press who asked him if his conversations abroad had negatively impacted American foreign relations. During his years as a senator, he helped to start a successful redevelopment project in poverty-stricken Bedford–Stuyvesant, Brooklyn. Schlesinger wrote that Kennedy had hoped Bedford-Stuyvesant would become an example of self-imposed growth for other impoverished neighborhoods. Kennedy had difficulty securing support from President Johnson, whose administration was charged by Kennedy as having opposed a "special impact" program meant to bring about the federal progress that he had supported. Robert B. Semple Jr. repeated similar sentiments in September 1967, writing the Johnson administration was preparing "a concentrated attack" on Robert F. Kennedy's proposal that Semple claimed would "build more and better low-cost housing in the slums through private enterprise." Kennedy confided to journalist Jack Newfield that while he tried collaborating with the administration through courting its members and compromising with the bill, "They didn't even try to work something out together. To them it's all just politics." He also visited the Mississippi Delta as a member of the Senate committee reviewing the effectiveness of "War on Poverty" programs, particularly that of the Economic Opportunity Act of 1964. Marian Wright Edelman described Kennedy as "deeply moved and outraged" by the sight of the starving children living in the economically abysmal climate, changing her impression of him from "tough, arrogant, and politically driven." Edelman noted further that the senator requested she call on Martin Luther King Jr. to bring the impoverished to Washington, D.C., to make them more visible, leading to the creation of the Poor People's Campaign. Kennedy sought to remedy the problems of poverty through legislation to encourage private industry to locate in poverty-stricken areas, thus creating jobs for the unemployed, and stressed the importance of work over welfare. Kennedy worked on the Senate Labor Committee at the time of the workers' rights activism of Cesar Chavez, Dolores Huerta, and the National Farm Workers Association (NFWA). At the request of labor leader Walter Reuther, who had previously marched with and provided money to Chavez, Kennedy flew out to Delano, California, to investigate the situation. Although little attention was paid to the first two committee hearings in March 1966 for legislation to include farm workers by an amendment of the National Labor Relations Act, Kennedy's attendance at the third hearing brought media coverage. Biographer Thomas wrote that Kennedy was moved after seeing the conditions of the workers, who he deemed were being taken advantage of. Chavez stressed to Kennedy that migrant workers needed to be recognized as human beings. Kennedy later engaged in an exchange with Kern County sheriff Leroy Galyen where he criticized the sheriff's deputies for taking photographs of "people on picket lines." As a senator, he was popular among African Americans and other minorities including Native Americans and immigrant groups. He spoke forcefully in favor of what he called the "disaffected", the impoverished, and "the excluded", thereby aligning himself with leaders of the civil rights struggle and social justice campaigners, leading the Democratic party in pursuit of a more aggressive agenda to eliminate perceived discrimination on all levels. He supported desegregation busing, integration of all public facilities, the Voting Rights Act of 1965, and anti-poverty social programs to increase education, offer opportunities for employment, and provide health care for African Americans. Consistent with President Kennedy's Alliance for Progress, he also placed increasing emphasis on human rights as a central focus of U.S. foreign policy. Vietnam The JFK administration had backed U.S. involvement in Southeast Asia and other parts of the world in the frame of the Cold War, but Kennedy was not known to be involved in discussions on the Vietnam War when he was his brother's attorney general.Hilty, p. 460. According to historian Doris Kearns Goodwin, before choosing to run for the Senate, Kennedy had sought an ambassadorship to South Vietnam. Entering the Senate, Kennedy initially kept private his disagreements with President Johnson on the war. While Kennedy vigorously supported his brother's earlier efforts, he never publicly advocated commitment of ground troops. Though bothered by the beginning of the bombing of North Vietnam in February 1965, Kennedy did not wish to appear antipathetic to the president's agenda. But by April, Kennedy was advocating a halt to the bombing to Johnson, who acknowledged that Kennedy played a part in influencing his choice to temporarily cease bombing the following month. Kennedy cautioned Johnson against sending combat troops as early as 1965, but Johnson chose instead to follow the recommendation of the rest of his predecessor's still intact staff of advisers. In July, after Johnson made a large commitment of American ground forces to Vietnam, Kennedy made multiple calls for a settlement through negotiation. The next month, John Paul Vann, a lieutenant colonel in the U.S. Army, wrote that Kennedy "indicat[ed] comprehension of the problems we face", in a letter to the senator. In December 1965, Kennedy advised his friend, the Defense Secretary Robert McNamara, that he should counsel Johnson to declare a ceasefire in Vietnam, a bombing pause over North Vietnam, and to take up an offer by Algeria to serve as a "honest broker" in peace talks. The left-wing Algerian government had friendly relations with North Vietnam and the National Liberation Front and had indicated in 1965-1966 that it was willing to serve as a conduit for peace talks, but most of Johnson's advisers were leery of the Algerian offer. On January 31, 1966, Kennedy in a speech on the Senate floor stated: "If we regard bombing as the answer in Vietnam, we are headed straight for disaster". In February 1966, Kennedy released a peace plan that called for preserving South Vietnam while at the same time allowing the National Liberation Front, better known as the Viet Cong, to join a coalition government in Saigon. When asked by reporters if he was speaking on behalf of Johnson, Kennedy replied: "I don't think anyone has ever suggested that I was speaking for the White House". Kennedy's peace plan made front page news with The New York Times calling it a break with the president while the Chicago Tribunal labelled him in an editorial "Ho Chi Kennedy". Vice President Humphrey on a visit to New Zealand stated that Kennedy's "peace recipe" included "a dose of arsenic" while the National Security Adviser McGeorge Bundy quoted to the press Kennedy's remarks from 1963 saying he was against including Communists in coalition governments (though Kennedy's subject was Germany, not Vietnam). Kennedy was displeased when he heard anti-war protesters chanting his name, saying "I'm not Wayne Morse". To put aside reports of a rift with Johnson, Kennedy flew with Johnson on Air Force One on a trip to New York on February 23, 1966, and barely clapped his hands in approval when Johnson denied waging a war of conquest in Vietnam. In an interview with the Today program, Kennedy conceded that his views on Vietnam were "a little confusing".   In April 1966, Kennedy had a private meeting with Philip Heymann of the State Department's Bureau of Security and Consular Affairs to discuss efforts to secure the release of American prisoners of war in Vietnam. Kennedy wanted to press the Johnson administration to do more, but Heymann insisted that the administration believed the "consequences of sitting down with the Viet Cong" mattered more than the prisoners they were holding captive. On June 29 of that year, Kennedy released a statement disavowing President Johnson's choice to bomb Haiphong, but he avoided criticizing either the war or the president's overall foreign policy, believing that it might harm Democratic candidates in the 1966 midterm elections. In August, the International Herald Tribune described Kennedy's popularity as outpacing President Johnson's, crediting Kennedy's attempts to end the Vietnam conflict which the public increasingly desired. In the early part of 1967, Kennedy traveled to Europe, where he had discussions about Vietnam with leaders and diplomats. A story leaked to the State Department that Kennedy was talking about seeking peace while President Johnson was pursuing the war. Johnson became convinced that Kennedy was undermining his authority. He voiced this during a meeting with Kennedy, who reiterated the interest of the European leaders to pause the bombing while going forward with negotiations; Johnson declined to do so. On March 2, Kennedy outlined a three-point plan to end the war which included suspending the U.S. bombing of North Vietnam, and the eventual withdrawal of American and North Vietnamese soldiers from South Vietnam; this plan was rejected by Secretary of State Dean Rusk, who believed North Vietnam would never agree to it. On May 15, Kennedy debated Governor of California Ronald Reagan about the war. On November 26, 1967, during an appearance on Face the Nation, Kennedy asserted that the Johnson administration had deviated from his brother's policies in Vietnam, his first time contrasting the two administrations' policies on the war. He added that the view that Americans were fighting to end communism in Vietnam was "immoral".Clarke, p. 32. On February 8, 1968, Kennedy delivered an address in Chicago, where he critiqued Saigon "government corruption" and expressed his disagreement with the Johnson administration's stance that the war would determine the future of Asia. On March 14, Kennedy met with defense secretary Clark Clifford at the Pentagon regarding the war. Clifford's notes indicate that Kennedy was offering not to enter the ongoing Democratic presidential primary if President Johnson would admit publicly to having been wrong in his war policy and appoint "a group of persons to conduct a study in depth of the issues and come up with a recommended course of action"; Johnson rejected the proposal. On April 1, after President Johnson halted bombing of North Vietnam, RFK said the decision was a "step toward peace" and, though offering to collaborate with Johnson for national unity, opted to continue his presidential bid. On May 1, while in Lafayette, Indiana, Kennedy said continued delays in beginning peace talks with North Vietnam meant both more lives lost and the postponing of the "domestic progress" hoped for by the US. Later that month, Kennedy called the war "the gravest kind of error" in a speech in Corvallis, Oregon. In an interview on June 4, hours before he was shot, Kennedy continued to advocate for a change in policy towards the war. Despite his criticism of the Vietnam War and the South Vietnam government, Kennedy also stated in his 1968 campaign brochure that he did not support either a simple withdrawal or a surrender in South Vietnam and favored instead a change in the course of action taken so it would bring an "honorable peace." Presidential candidate In 1968 President Johnson prepared to run for re-election. In January, faced with what was widely considered an unrealistic race against an incumbent president, Kennedy stated that he would not seek the presidency. After the Tet Offensive in Vietnam in early February 1968, he received a letter from writer Pete Hamill that said poor people kept pictures of President Kennedy on their walls and that Kennedy had an "obligation of staying true to whatever it was that put those pictures on those walls." Kennedy traveled to Delano, California, to meet with civil rights activist César Chávez, who was on a 25-day hunger strike showing his commitment to nonviolence. It was on this visit to California that Kennedy decided he would challenge Johnson for the presidency, telling his former Justice Department aides, Edwin Guthman and Peter Edelman, that his first step was to get lesser-known Senator Eugene McCarthy of Minnesota to drop out of the presidential race. The weekend before the New Hampshire primary, Kennedy announced to several aides that he would attempt to persuade McCarthy to withdraw from the race to avoid splitting the antiwar vote, but Senator George McGovern urged Kennedy to wait until after that primary to announce his candidacy. Johnson won a narrow victory in the New Hampshire primary on March 12, 1968, against McCarthy, but this close second-place result dramatically boosted McCarthy's standing in the race. After much speculation, and reports leaking out about his plans, and seeing in McCarthy's success that Johnson's hold on the job was not as strong as originally thought, Kennedy declared his candidacy on March 16, 1968, in the Caucus Room of the old Senate office building, the same room where his brother had declared his own candidacy eight years earlier. He stated, "I do not run for the presidency merely to oppose any man, but to propose new policies. I run because I am convinced that this country is on a perilous course and because I have such strong feelings about what must be done, and I feel that I'm obliged to do all I can." McCarthy supporters angrily denounced Kennedy as an opportunist. They believed that McCarthy had taken the most courageous stand by opposing the sitting president of his own party and that his surprising result in New Hampshire had earned him the mantle of being the anti-war candidate. Kennedy's announcement split the anti-war movement in two. On March 31, 1968, Johnson stunned the nation by dropping out of the race. Vice President Hubert Humphrey, a champion of the labor unions and a long supporter of civil rights, entered the race with the financial backing and critical endorsement of the party "establishment", including most members of Congress, mayors, governors, "the south", and several major labor unions. With state registration deadlines long past, Humphrey joined the race too late to enter any primaries but had the support of the president.Schlesinger (2002) [1978], p. 884. Kennedy, like his brother before him, planned to win the nomination through popular support in the primaries. Kennedy ran on a platform of racial and economic justice, non-aggression in foreign policy, decentralization of power, and social change. A crucial element of his campaign was an engagement with the young, whom he identified as being the future of a reinvigorated American society based on partnership and equality. His policy objectives did not sit well with the business community, where he was viewed as something of a fiscal liability, opposed as they were to the tax increases necessary to fund social programs. At one of his university speeches (Indiana University Medical School), he was asked, "Where are we going to get the money to pay for all these new programs you're proposing?" He replied to the medical students, about to enter lucrative careers, "From you."Newfield, Jack. (1988) [1969]. Robert Kennedy: A Memoir. Plume It was this intense and frank mode of dialogue with which he was to continue to engage those whom he viewed as not being traditional allies of Democratic ideals or initiatives. In a speech at the University of Alabama, he argued, "I believe that any who seek high office this year must go before all Americans, not just those who agree with them, but also those who disagree, recognizing that it is not just our supporters, not just those who vote for us, but all Americans who we must lead in the difficult years ahead." He aroused rabid animosity in some quarters, with J. Edgar Hoover's Deputy Clyde Tolson reported as saying, "I hope that someone shoots and kills the son of a bitch." Kennedy's presidential campaign brought out both "great enthusiasm" and anger in people. His message of change raised hope for some and brought fear to others. Kennedy wanted to be a bridge across the divide of American society. His bid for the presidency saw not only a continuation of the programs he and his brother had undertaken during the president's term in office, but also an extension of Johnson's Great Society. Kennedy visited numerous small towns and made himself available to the masses by participating in long motorcades and street-corner stump speeches, often in troubled inner cities. He made urban poverty a chief concern of his campaign, which in part led to enormous crowds that would attend his events in poor urban areas or rural parts of Appalachia. On April 4, 1968, Kennedy learned of the assassination of Martin Luther King Jr. and gave a heartfelt impromptu speech in Indianapolis's inner city, calling for a reconciliation between the races. The address was the first time Kennedy spoke publicly about his brother's killing. Riots broke out in 60 cities in the wake of King's death, but not in Indianapolis, a fact many attribute to the effect of this speech. Kennedy addressed the City Club of Cleveland the next day, on April 5, 1968, delivering the famous On the Mindless Menace of Violence speech. He attended King's funeral, accompanied by Jacqueline and Ted Kennedy. He was described as being the "only white politician to hear only cheers and applause." Despite Kennedy's high profile and name recognition, McCarthy won most of the early primaries, including Kennedy's native state of Massachusetts. Kennedy won the Indiana Democratic primary on May 7 with 42 percent of the vote, and the Nebraska primary on May 14 with 52 percent of the vote. On May 28, Kennedy lost the Oregon primary, marking the first time a Kennedy lost an election, and it was assumed that McCarthy was the preferred choice among the young voters. If he could defeat McCarthy in the California primary, the leadership of the campaign thought, he would knock McCarthy out of the race and set up a one-on-one against Vice President Humphrey at the Chicago national convention in August. Assassination Kennedy scored major victories when he won both the California and South Dakota primaries on June 4. He addressed his supporters shortly after midnight on June 5, 1968, in a ballroom at The Ambassador Hotel in Los Angeles. Leaving the ballroom, he went through the hotel kitchen after being told it was a shortcut to a press room. He did this despite being advised by his bodyguard—former FBI agent Bill Barry—to avoid the kitchen. In a crowded kitchen passageway, Kennedy turned to his left and shook hands with hotel busboy Juan Romero just as Sirhan Sirhan, a 24-year-old Palestinian, opened fire with a .22-caliber revolver. Kennedy was hit three times, and five other people were wounded. George Plimpton, former decathlete Rafer Johnson, and former professional football player Rosey Grier are credited with wrestling Sirhan to the ground after he shot the senator. As Kennedy lay mortally wounded, Romero cradled his head and placed a rosary in his hand. Kennedy asked Romero, "Is everybody OK?", and Romero responded, "Yes, everybody's OK." Kennedy then turned away from Romero and said, "Everything's going to be OK." After several minutes, medical attendants arrived and lifted the senator onto a stretcher, prompting him to whisper, "Don't lift me", which were his last words. He lost consciousness shortly thereafter. He was rushed first to Los Angeles' Central Receiving Hospital, less than east of the Ambassador Hotel, and then to the adjoining (one city block distant) Good Samaritan Hospital. Despite extensive neurosurgery to remove the bullet and bone fragments from his brain, Kennedy was pronounced dead at 1:44 a.m. (PDT) on June 6, nearly 26 hours after the shooting. Robert Kennedy's death, like the 1963 assassination of his brother, President John F. Kennedy, has been the subject of conspiracy theories. Funeral Kennedy's body was returned to Manhattan, where it lay in repose at Saint Patrick's Cathedral from approximately 10:00 p.m. until 10:00 a.m. on June 8. A high requiem Mass was held at the cathedral at 10:00 a.m. on June 8. The service was attended by members of the extended Kennedy family, President Lyndon B. Johnson and his wife Lady Bird Johnson, and members of the Johnson cabinet. Ted, the only surviving Kennedy brother, said the following: The requiem Mass concluded with the hymn "The Battle Hymn of the Republic", sung by Andy Williams. Immediately following the Mass, Kennedy's body was transported by a special private train to Washington, D.C. Kennedy's funeral train was pulled by two Penn Central GG1 electric locomotives. Thousands of mourners lined the tracks and stations along the route, paying their respects as the train passed. The train departed New York Penn Station at 12:30 pm. When it arrived in Elizabeth, New Jersey, an eastbound train on a parallel track to the funeral train hit and killed two spectators and seriously injured four, after they were unable to get off the track in time, even though the eastbound train's engineer had slowed to 30 mph for the normally 55 mph curve, blown his horn continuously, and rung his bell through the curve.Wicker, Tom. President Joins Kennedys in Tribute at Graveside. The New York Times. June 9, 1968. The normally four-hour trip took more than eight hours because of the thick crowds lining the tracks on the journey. The train was scheduled to arrive at about 4:30 pm,Madden, Richard L. "Kennedy Will Be Buried a Few Steps From the Arlington Grave of His Brother." New York Times. June 8, 1968. but sticking brakes on the casket-bearing car contributed to delays, and the train finally arrived at 9:10 p.m. on June 8. Burial Kennedy was buried close to his brother John in Arlington National Cemetery in Arlington, Virginia, just across the Potomac River from Washington, D.C. Although he had always maintained that he wished to be buried in Massachusetts, his family believed Robert should be interred in Arlington next to his brother. The procession left Union Station and passed the New Senate Office Building, where he had his offices, and then proceeded to the Lincoln Memorial, where it paused. The Marine Corps Band played The Battle Hymn of the Republic. The funeral motorcade arrived at the cemetery at 10:24 pm. As the vehicles entered the cemetery, people lining the roadway spontaneously lit candles to guide the motorcade to the burial site. The 15-minute ceremony began at 10:30 p.m. Cardinal Patrick O'Boyle, Roman Catholic Archbishop of Washington, officiated at the graveside service in lieu of Cardinal Richard Cushing of Boston, who fell ill during the trip. Also officiating was Archbishop of New York Terence Cooke. On behalf of the United States, John Glenn presented the folded flag to Senator Ted Kennedy, who passed it to Robert's eldest son, Joe, who passed it to Ethel Kennedy. The Navy Band played The Navy Hymn. Officials at Arlington National Cemetery said that Kennedy's burial was the only night burial to have taken place at the cemetery. (The re-interment of Patrick Bouvier Kennedy, who died two days after his birth in August 1963, and a stillborn daughter, Arabella, both children of President Kennedy and his wife, Jacqueline, also occurred at night.) After the president was interred in Arlington Cemetery, the two infants were buried next to him on December 5, 1963, in a private ceremony without publicity. His brother, Senator Edward M. Kennedy, was also buried at night, in 2009. On June 9, President Lyndon B. Johnson assigned security staff to all U.S. presidential candidates and declared an official national day of mourning. After the assassination, the mandate of the U.S. Secret Service was altered by Congress to include the protection of U.S. presidential candidates. Personal life Family On June 17, 1950, Kennedy married socialite Ethel Skakel, the third daughter of businessman George and Ann Skakel (née Brannack), at St. Mary's Catholic Church in Greenwich, Connecticut. The couple had 11 children; Kathleen (b. 1951), Joseph (b. 1952), Robert Jr. (b. 1954), David (1955–1984), Courtney (b. 1956), Michael (1958–1997), Kerry (b. 1959), Christopher (b. 1963), Max (b. 1965), Douglas (b. 1967), and Rory (b. December 1968, after her father's assassination). Kennedy owned a home at the well-known Kennedy compound on Cape Cod, in Hyannis Port, Massachusetts, but spent most of his time at his estate in McLean, Virginia, known as Hickory Hill (west of Washington, D.C.). His widow, Ethel, and their children continued to live at Hickory Hill after his death. Ethel Kennedy sold Hickory Hill for $8.25 million in 2009. Attitudes and approach Kennedy was said to be the gentlest and shyest of the family, as well as the least articulate verbally. By the time he was a young boy, his grandmother, Josie Fitzgerald, worried he would become a "sissy". His mother had a similar concern, as he was the "smallest and thinnest", but soon afterward, the family discovered "there was no fear of that". Family friend Lem Billings met Kennedy when he was eight years old and would later reflect that he loved him, adding that Kennedy "was the nicest little boy I ever met". Billings also said Kennedy was barely noticed "in the early days, but that's because he didn't bother anybody". Luella Hennessey, who became the nurse for the Kennedy children when Kennedy was 12, called him "the most thoughtful and considerate" of his siblings. Kennedy was teased by his siblings, as in their family it was a norm for humor to be displayed in that fashion. He would turn jokes on himself or remain silent. Despite his gentle demeanor, he could be outspoken, and once engaged a priest in a public argument that horrified his mother, who later conceded that he had been correct all along. Even when arguing for a noble cause, his comments could have "a cutting quality". Although Joe Kennedy's most ambitious dreams centered around Bobby's older brothers, Bobby maintained the code of personal loyalty that seemed to infuse the life of his family. His competitiveness was admired by his father and elder brothers, while his loyalty bound them more affectionately close. A rather timid child, he was often the target of his father's dominating temperament. Working on the campaigns of older brother John, he was more involved, passionate, and tenacious than the candidate himself, obsessed with detail, fighting out every battle, and taking workers to task. He had always been closer to John than the other members of the family. Kennedy's opponents on Capitol Hill maintained that his collegiate magnanimity was sometimes hindered by a tenacious and somewhat impatient manner. His professional life was dominated by the same attitudes that governed his family life: a certainty that good humor and leisure must be balanced by service and accomplishment. Schlesinger comments that Kennedy could be both the most ruthlessly diligent and yet generously adaptable of politicians, at once both temperamental and forgiving. In this he was very much his father's son, lacking truly lasting emotional independence, and yet possessing a great desire to contribute. He lacked the innate self-confidence of his contemporaries yet found a greater self-assurance in the experience of married life, an experience that he stated had given him a base of self-belief from which to continue his efforts in the public arena. Upon hearing yet again the assertion that he was "ruthless", Kennedy once joked to a reporter, "If I find out who has called me ruthless I will destroy him." He also confessed to possessing a bad temper that required self-control: "My biggest problem as counsel is to keep my temper. I think we all feel that when a witness comes before the United States Senate, he has an obligation to speak frankly and tell the truth. To see people sit in front of us and lie and evade makes me boil inside. But you can't lose your temper; if you do, the witness has gotten the best of you." Attorney Michael O'Donnell wrote, "[Kennedy] offered that most intoxicating of political aphrodisiacs: authenticity. He was blunt to a fault, and his favorite campaign activity was arguing with college students. To many, his idealistic opportunism was irresistible." In his earlier life, Kennedy had developed a reputation as the family's attack dog. He was a hostile cross-examiner on Joseph McCarthy's Senate committee; a fixer and leg-breaker as JFK's campaign manager; an unforgiving and merciless cutthroat—his father's son right down to Joseph Kennedy's purported observation that "he hates like me." Yet Bobby Kennedy somehow became a liberal icon, an antiwar visionary who tried to outflank Lyndon Johnson's Great Society from the left. On Kennedy's ideological development, his brother John once remarked, "He might once have been intolerant of liberals as such because his early experience was with that high-minded, high-speaking kind who never got anything done. That all changed the moment he met a liberal like Walter Reuther." Religious faith and Greek philosophy Kennedy's Catholicism was central to his politics and personal attitude to life and its purpose; he inherited his faith from his family. He was more religious than his brothers and approached his duties with a Catholic worldview. Throughout his life, he made reference to his faith, how it informed every area of his life, and how it gave him the strength to re-enter politics following his older brother's assassination. His was not an unresponsive and staid faith, but the faith of a Catholic Radical, perhaps the first successful Catholic Radical in American political history. In the last years of his life, he also found great solace in the playwrights and poets of ancient Greece, especially the writings of Aeschylus, suggested to him by Jacqueline after JFK's death. In his Indianapolis speech on April 4, 1968, on the day of the assassination of Martin Luther King Jr., Kennedy quoted these lines from Aeschylus: Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God. Legacy Kennedy was the first sibling of a president of the United States to serve as U.S. Attorney General. Biographer Evan Thomas wrote that at times Kennedy misused his powers by "modern standards", but concluded, "on the whole, even counting his warts, he was a great attorney general." Walter Isaacson commented that Kennedy "turned out arguably to be the best attorney general in history", praising him for his championing of civil rights and other initiatives of the administration. As Kennedy stepped down from being attorney general in 1964 to assume the office of senator from New York, The New York Times, notably having criticized his appointment three years prior, praised Kennedy for raising the standards of the position. Some of his successor attorneys general have been unfavorably compared to him, for not displaying the same level of poise in the profession. Near the end of his time in office as attorney general under Barack Obama, Eric Holder cited Kennedy as the inspiration for his belief that the Justice Department could be "a force for that which is right." Kennedy has also been praised for his oratorical abilities and his skill at creating unity. Joseph A. Palermo of The Huffington Post observed that Kennedy's words "could cut through social boundaries and partisan divides in a way that seems nearly impossible today." Dolores Huerta and Philip W. Johnston expressed the view that Kennedy, both in his speeches and actions, was unique in his willingness to take political risks. That blunt sincerity was said by associates to be authentic; Frank N. Magill wrote that Kennedy's oratorical skills lent their support to minorities and other disenfranchised groups who began seeing him as an ally. Kennedy's assassination was a blow to the optimism for a brighter future that his campaign had brought for many Americans who lived through the turbulent 1960s. Juan Romero, the busboy who shook hands with Kennedy right before he was shot, later said, "It made me realize that no matter how much hope you have it can be taken away in a second." Kennedy's death has been cited as a significant factor in the Democratic Party's loss of the 1968 presidential election. Since his passing, Kennedy has become generally well-respected by liberals and conservatives, which is far from the polarized views of him during his lifetime. Joe Scarborough, John Ashcroft, Tom Bradley, Mark Dayton, John Kitzhaber, Max Cleland, Tim Cook, Phil Bredesen, Joe Biden, J. K. Rowling, Jim McGreevey, Gavin Newsom, and Ray Mabus have acknowledged Kennedy's influence on them. Josh Zeitz of Politico observed, "Bobby Kennedy has since become an American folk hero—the tough, crusading liberal gunned down in the prime of life." Kennedy's (and to a lesser extent his older brother's) ideas about using government authority to assist less fortunate peoples became central to American liberalism as a tenet of the "Kennedy legacy". Honors In the months and years after Robert F. Kennedy's death, numerous roads, public schools, and other facilities across the United States have been named in his memory. The Robert F. Kennedy Center for Justice and Human Rights was founded in 1968, with an international award program to recognize human rights activists. The sports stadium in Washington, D.C., was renamed Robert F. Kennedy Memorial Stadium in 1969. In 1978 the United States Congress awarded Kennedy its Gold Medal of Honor. On January 12, 1979, a 15-cent commemorative U.S. Postal Service stamp (U.S. #1770) was issued in Washington.D.C., honoring R.F.K. The Bureau of Engraving and Printing distributed 159,297,600 of the perforated, blue-and-white stamps—an unusually-large printing. The stamp design was taken from a family photo suggested by his wife, Ethel. In 1998 the United States Mint released the Robert F. Kennedy silver dollar, a special dollar coin that featured Kennedy's image on the obverse and the emblems of the United States Department of Justice and the United States Senate on the reverse. On November 20, 2001, U.S. President George W. Bush and Attorney General John Ashcroft dedicated the Department of Justice headquarters building in Washington, D.C., as the Robert F. Kennedy Department of Justice Building, honoring Kennedy on what would have been his 76th birthday. They both spoke during the ceremony, as did Kennedy's eldest son, Joseph. In a further effort to remember Kennedy and continue his work helping the disadvantaged, a small group of private citizens launched the Robert F. Kennedy Children's Action Corps in 1969. The private, nonprofit, Massachusetts-based organization helps more than 800 abused and neglected children each year. A bust of Kennedy resides in the library of the University of Virginia School of Law where he obtained his law degree. On June 4, 2008 (the eve of the 40th anniversary of his assassination), the New York State Assembly voted to rename the Triborough Bridge in New York City the Robert F. Kennedy Memorial Bridge. New York State Governor David Paterson signed the legislation into law on August 8, 2008. The bridge is now commonly known as the RFK-Triborough Bridge. On September 20, 2016, the United States Navy announced the renaming of a refueling ship in honor of Kennedy during a ceremony attended by members of his family. Personal items and documents from his office in the Justice Department Building are displayed in a permanent exhibit dedicated to him at the John F. Kennedy Library and Museum. Papers from his years as attorney general, senator, peace and civil rights activist and presidential candidate, as well as personal correspondence, are also housed in the library. Established in 1984, the Robert F. Kennedy Assassination Archives stored at the University of Massachusetts Dartmouth contains thousands of copies of government documents obtained through the Freedom of Information Act public disclosure process as well as manuscripts, photographs, audiotape interviews, video tapes, news clippings and research notes compiled by journalists and other private citizens who have investigated discrepancies in the case. Kennedy and Martin Luther King Jr. Several public institutions jointly honor Kennedy and Martin Luther King Jr. In 1969, the former Woodrow Wilson Junior College, a two-year institution and a constituent campus of the City Colleges of Chicago, was renamed Kennedy–King College. In 1994 the City of Indianapolis erected the Landmark for Peace Memorial in Robert Kennedy's honor near the space made famous by his speech from the back of a pickup truck the night King died. The monument in Martin Luther King Jr. Memorial Park depicts a sculpture of RFK reaching out from a large metal slab to a sculpture of King, who is part of a similar slab. This is meant to symbolize their attempts in life to bridge the gaps between the races—an attempt that united them even in death. A state historical marker has also been placed at the site. A nephew of King and Indiana U.S. Congresswoman Julia Carson presided over the event; both made speeches from the back of a pickup truck in similar fashion to RFK's speech. In 2019, Kennedy's "Speech on the Death of Dr. Martin Luther King, Jr." (April 4, 1968) was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Publications The Enemy Within: The McClellan Committee's Crusade Against Jimmy Hoffa and Corrupt Labor Unions (1960) Just Friends and Brave Enemies (1962) The Pursuit of Justice (1964) To Seek a Newer World, essays (1967) Thirteen Days: A Memoir of the Cuban Missile Crisis, published posthumously (1969) Art, entertainment, and media Kennedy has been the subject of several documentaries and has appeared in various works of popular culture. Kennedy's role in the Cuban Missile Crisis has been dramatized by Martin Sheen in the TV play The Missiles of October (1974) and by Steven Culp in Thirteen Days (2000). The film Bobby (2006) is the story of multiple people's lives leading up to RFK's assassination. The film employs stock footage from his presidential campaign, and he is briefly portrayed by Dave Fraunces. Barry Pepper won an Emmy for his portrayal of Kennedy in The Kennedys (2011), an 8-part miniseries. He is played by Peter Sarsgaard in the film about Jacqueline Kennedy, Jackie (2016). He is played by Jack Huston in Martin Scorsese's film The Irishman (2019). See also Kennedy family tree List of assassinated American politicians List of peace activists List of United States Congress members killed or wounded in office List of United States Congress members who died in office (1950–99) References Citations Bibliography Barnes, John A. Irish-American Landmarks. Canton, Mich.: Visible Ink, 1995. Grubin, David, director and producer, RFK. Video. (DVD, VHS). 2hr. WGBH Educ. Found. and David Grubin Productions, 2004. Distrib. by PBS Video Haas, Lawrence J. The Kennedys in the World: How Jack, Bobby, and Ted Remade America's Empire (2021) excerpt Hilty, James M. Robert Kennedy: Brother Protector (1997), vol. 1 to 1963. Temple U. Press., 1997. Martin, Zachary J. The Mindless Menace of Violence: Robert F. Kennedy's Vision and the Fierce Urgency of Now. Lanham, Md.: Hamilton Books, 2009. RFK's speech after the death of Martin Luther King in 1968. Navasky, Victor S. Kennedy Justice (1972). Argues the policies of RFK's Justice Department show the conservatism of justice, the limits of charisma, the inherent tendency in a legal system to support the status quo, and the counterproductive results of many of Kennedy's endeavors in the field of civil rights and crime control. Neff, James. Vendetta: Bobby Kennedy Versus Jimmy Hoffa (2016) excerpt National Book Award. Schlesinger, Arthur, M. Jr. (2002) [1978], Robert Kennedy And His Times, Mariner Books-Houghton Mifflin Co., . Schmitt, Edward R. President of the Other America: Robert Kennedy and the Politics of Poverty (University of Massachusetts Press, 2010) 324 pp. online free External links FBI Records: The Vault – Robert F. Kennedy at fbi.gov Biography at United States Department of Justice Annotated Bibliography for Robert F. Kennedy from the Alsos Digital Library for Nuclear Issues American Experience: RFK, PBS Text, Audio, and Video of Robert Kennedy's Remarks on the Assassination of Martin Luther King Jr. Edward Kennedy eulogy to Robert Kennedy (text and audio) My Father's Stand on Cuba Travel by Kathleen Kennedy Townsend, The Washington Post'', April 23, 2009 Radio airchecks/recordings of the shooting and death of Senator Kennedy including Mutual Radio's Andrew West's shooting coverage, continued live coverage from CBS Radio, announcements of RFK's death, CBS Radio's complete coverage of funeral mass St. Patrick's Cathedral, and CBS Radio coverage of the train arrival of RFK's body in Washington DC. KTTV assassination coverage at The Museum of Classic Chicago Television FBI file on the RFK assassination "The Robert F. Kennedy Assassination Archives" – a collection within the University of Massachusetts Dartmouth Archives and Special Collections established in 1984 1925 births 1968 deaths 1968 murders in the United States 20th-century American writers 20th-century American politicians United States Navy personnel of World War II American murder victims Anti-poverty advocates Assassinated American politicians Bates College people Burials at Arlington National Cemetery Civil rights movement Congressional Gold Medal recipients People murdered in California Deaths by firearm in California Democratic Party United States senators from New York (state) Harvard Crimson football players Harvard College alumni Kennedy administration cabinet members Kennedy family Lyndon B. Johnson administration cabinet members Male murder victims Massachusetts Democrats Milton Academy alumni Military personnel from Massachusetts New York (state) Democrats New York (state) lawyers People educated at Gibbs School People from Bronxville, New York Politicians from Brookline, Massachusetts People murdered in Los Angeles United States Attorneys General United States Navy officers 1964 United States vice-presidential candidates United States Senate lawyers United States senators from New York (state) University of Virginia School of Law alumni Writers from Boston Writers from New York (state) Riverdale Country School alumni Portsmouth Abbey School alumni

C_7f02cbbd659b430db4d8d78bd4235163_1

What year did Kennedy move his wife and Daughter to Georgetown?

What year did Kennedy move his wife and Daughter to Georgetown?

Robert F. Kennedy

In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their freshman year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and like her, he became a devout Catholic and throughout his lifetime he practiced his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." CANNOTANSWER

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Robert Francis Kennedy (November 20, 1925June 6, 1968), also referred to by his initials RFK or by the nickname Bobby, was an American lawyer and politician who served as the 64th United States Attorney General from January 1961 to September 1964, and as a U.S. Senator from New York from January 1965 until his assassination in June 1968. He was, like his brothers John and Edward, a prominent member of the Democratic Party and has come to be viewed by some historians as an icon of modern American liberalism. Kennedy was born into a wealthy, political family in Brookline, Massachusetts. After serving in the U.S. Naval Reserve from 1944 to 1946, Kennedy returned to his studies at Harvard University, and later received his law degree from the University of Virginia. He began his career as a correspondent for The Boston Post and as a lawyer at the Justice Department, but later resigned to manage his brother John's successful campaign for the U.S. Senate in 1952. The following year, he worked as an assistant counsel to the Senate committee chaired by Senator Joseph McCarthy. He gained national attention as the chief counsel of the Senate Labor Rackets Committee from 1957 to 1959, where he publicly challenged Teamsters President Jimmy Hoffa over the union's corrupt practices. Kennedy resigned from the committee to conduct his brother's successful campaign in the 1960 presidential election. He was appointed United States Attorney General at the age of 36, becoming the youngest Cabinet member in U.S. history since Alexander Hamilton in 1789. He served as his brother's closest advisor until the latter's 1963 assassination. His tenure is known for advocating for the civil rights movement, the fight against organized crime and the Mafia, and involvement in U.S. foreign policy related to Cuba. He authored his account of the Cuban Missile Crisis in a book titled Thirteen Days. As attorney general, he authorized the Federal Bureau of Investigation (FBI) to wiretap Martin Luther King Jr. and the Southern Christian Leadership Conference on a limited basis. After his brother's assassination, he remained in office during the Presidency of Lyndon B. Johnson for several months. He left to run for the United States Senate from New York in 1964 and defeated Republican incumbent Kenneth Keating. In office, Kennedy opposed U.S. involvement in the Vietnam War and raised awareness of poverty by sponsoring legislation designed to lure private business to blighted communities (i.e., Bedford Stuyvesant Restoration project). He was an advocate for issues related to human rights and social justice by traveling abroad to eastern Europe, Latin America, and South Africa, and formed working relationships with Martin Luther King Jr., Cesar Chavez, and Walter Reuther. In 1968, Kennedy became a leading candidate for the Democratic nomination for the presidency by appealing to poor, African American, Hispanic, Catholic, and young voters. His main challenger in the race was Senator Eugene McCarthy. Shortly after winning the California primary around midnight on June 5, 1968, Kennedy was mortally wounded when shot with a pistol by Sirhan Sirhan, a 24-year-old Palestinian, allegedly in retaliation for his support of Israel following the 1967 Six-Day War. Kennedy died 25 hours later. Sirhan was arrested, tried, and convicted, though Kennedy's assassination, like his brother's, continues to be the subject of widespread analysis and numerous conspiracy theories. Early life and education Robert Francis Kennedy was born outside Boston in Brookline, Massachusetts, on November 20, 1925. He was the seventh of nine children to businessman/politician Joseph P. Kennedy Sr. and philanthropist/socialite Rose Fitzgerald Kennedy. His parents were members of two prominent Irish-American families in Boston. His eight siblings were Joseph Jr., John, Rosemary, Kathleen, Eunice, Patricia, Jean, and Ted. All four of his grandparents were children of Irish immigrants. His father was a wealthy businessman and a leading figure in the Democratic Party. After he stepped down as ambassador to the United Kingdom in 1940, Joe Sr. focused his attention on his oldest son, Joseph Jr., expecting that he would enter politics and be elected president. He also urged the younger children to examine and discuss current events in order to propel them to public service. After Joseph Jr. was killed during World War II, the senior Kennedy's hopes fell on his second son, John, to become president. Joseph Sr. had the money and connections to play a central role in the family's political ambitions. Kennedy's older brother John was often bedridden by illness and, as a result, became a voracious reader. Although he made little effort to get to know his younger brother during his childhood, John took him on walks and regaled him with the stories of heroes and adventures he had read. One of their favorite authors was John Buchan, who wrote The Thirty-Nine Steps, which influenced both Robert and John. John sometimes called Robert "Black Robert" due to his prudishness and disposition. Unlike his older brothers, Kennedy took to heart their mother Rose's agenda for everything to have "a purpose," which included visiting historic sites during family outings, visits to the church during morning walks, and games used to expand vocabulary and math skills. He described his position in the family hierarchy by saying, "When you come from that far down, you have to struggle to survive." As the boys were growing up, he tried frequently to get his older brothers' attention, but was seldom successful. As his father's business success expanded, the family kept homes around Boston and New York City; the Cape Cod peninsula; and Palm Beach. Kennedy later said that during childhood he was "going to different schools, always having to make new friends, and that I was very awkward ... [a]nd I was pretty quiet most of the time. And I didn't mind being alone." He had to repeat third grade. A teacher at Bronxville public school reflected that he was "a regular boy", adding, "It seemed hard for him to finish his work sometimes. But he was only ten after all." He developed an interest in American history, decorating his bedroom with pictures of U.S. presidents and filling his bookshelves with volumes on the American Civil War. He became an avid stamp collector and once received a handwritten letter from Franklin Roosevelt, also a philatelist. In March 1938, Kennedy sailed to London with his mother and four youngest siblings to join his father, who had begun serving as Ambassador to the United Kingdom. He attended the private Gibbs School for Boys for seventh grade. In April 1939, he gave his first public speech at the placing of a cornerstone for a youth club in England. According to embassy and newspaper reports, his statements were penciled in his own hand and delivered in a "calm and confident" manner. Bobby returned to the United States just before the outbreak of World War II in Europe. St. Paul's and Portsmouth Priory In September 1939, Kennedy began eighth grade at St. Paul's School, an elite Protestant private preparatory school for boys in Concord, New Hampshire, that his father favored. Rose Kennedy was unhappy with the school's use of the Protestant Bible. After two months, she took advantage of her ambassador husband's absence from Boston and withdrew Kennedy from St. Paul's. She enrolled him in Portsmouth Priory School, a Benedictine Catholic boarding school for boys in Portsmouth, Rhode Island, which held daily morning and evening prayers and Mass three times a week, with a High Mass on Sundays. Kennedy attended Portsmouth for eighth through tenth grade. At Portsmouth Priory School, Kennedy was known as "Mrs. Kennedy's little boy Bobby" after he introduced his mother to classmates, who made fun of them. He was defensive of his mother, and on one occasion chased a student out of the dormitory after the boy had commented on her appearance. He befriended Peter MacLellan and wrote to him, when his brother John was serving in the U.S. Navy, that he would be visiting his brother "because he might be killed any minute". Kennedy blamed himself when his grades failed to improve. In letters to her son, Rose urged him to read more and to strengthen his vocabulary. Rose also expressed disappointment and wrote that she did not expect him to let her down. He began developing in other ways, and his brother John noticed his increased physical strength, predicting that the younger Kennedy "would be bouncing me around plenty in two more years". Monks at Portsmouth Priory School regarded him as a moody and indifferent student. Father Damian Kearney, who was two classes behind Kennedy, reflected that he "didn't look happy" and that he did not "smile much". According to Kearney's review of school records, Kennedy was a "poor-to-mediocre student, except for history". Milton Academy In September 1942, Kennedy transferred to his third boarding school, Milton Academy, in Milton, Massachusetts, for 11th and 12th grades. His father wanted him to transfer to Milton, believing it would better prepare him for Harvard. At Milton, he met and became friends with David Hackett. He invited Hackett to join him for Sunday Mass. Hackett started accompanying him, and was impressed when Kennedy took it upon himself to fill in for a missing altar boy one Sunday. Hackett admired Kennedy's determination to bypass his shortcomings, and remembered him redoubling his efforts whenever something did not come easy to him, which included athletics, studies, success with girls, and popularity. Hackett remembered the two of them as "misfits", a commonality that drew him to Kennedy, along with an unwillingness to conform to how others acted even if doing so meant not being accepted. Kennedy's grades improved. One of his first relationships was with a girl named Piedy Bailey. The pair was photographed together when he walked her home after chapel on a Sunday night. Bailey was fond of him and remembered him as being "very appealing". She recalled him being funny, "separate, larky; outside the cliques; private all the time". Soon after he transferred to Milton, he pressed his father to allow him to enlist, as he wanted to catch up to his brothers who were both serving in the military. Kennedy had arrived at Milton unfamiliar with his peers and made little attempt to know the names of his classmates; he called most of the other boys "fella" instead. For this, he was nicknamed "Fella". Most of the school's students had come in eighth or ninth grade and cliques had already been formed. Despite this, his schoolmates would later say the school had no prejudice. He had an early sense of virtue; he disliked dirty jokes and bullying, once stepping in when an upperclassman tried bothering a younger student. The headmaster at Milton would later summarize that he was a "very intelligent boy, quiet and shy, but not outstanding, and he left no special mark on Milton". Relationship with parents In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their first year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and, like her, he became a devout Catholic, throughout his lifetime practicing his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." Naval service (1944–1946) Six weeks before his 18th birthday in 1943, Kennedy enlisted in the United States Naval Reserve as a seaman apprentice. He was released from active duty in March 1944, when he left Milton Academy early to report to the V-12 Navy College Training Program at Harvard College in Cambridge, Massachusetts. His V-12 training began at Harvard (March–November 1944) before he was relocated to Bates College in Lewiston, Maine (November 1944 – June 1945). He returned to Harvard once again in June 1945 completing his post-training requirements in January 1946. At Bates he received a specialized V-12-degree along with 15 others, and during its Winter Carnival built a snow replica of a Navy boat. While in Maine, he wrote a letter to David Hackett in which he expressed feelings of inadequacy and frustration at being isolated from the action. He talked of filling his free time by taking classes with other sailors and remarked that "things are the same as usual up here, and me being my usual moody self I get very sad at times." He added, "If I don't get the hell out of here soon I'll die." In addition to Hackett, who was serving as a paratrooper, more of his Parker Hall dorm mates went overseas and left him behind. With others entering combat before him, Kennedy said this made him "feel more and more like a Draft Dodger or something". He was also frustrated with the apparent desire to shirk military responsibility by some of the other V-12 students. Kennedy's brother Joseph P. Kennedy Jr. died in August 1944, when his bomber exploded during a volunteer mission known as Operation Aphrodite. Robert was most affected by his father's reaction to his eldest son's passing. He appeared completely heartbroken and his peer Fred Garfield commented that Kennedy developed depression and questioned his faith for a short time. After his brother's death, Robert gained more attention, moving higher up the family patriarchy. On December 15, 1945, the U.S. Navy commissioned the destroyer , and shortly thereafter granted Kennedy's request to be released from naval-officer training to serve aboard Kennedy starting on February 1, 1946, as a seaman apprentice on the ship's shakedown cruise in the Caribbean. On May 30, 1946, he received his honorable discharge from the Navy. For his service in the Navy, Kennedy was eligible for the American Campaign Medal and the World War II Victory Medal. Further study, journalism, and marriage (1946–1951) In September 1946, Kennedy entered Harvard as a junior, having received credit for his time in the V-12 program. He worked hard to make the varsity football team as an end; he was a starter and scored a touchdown in the first game of his senior year before breaking his leg in practice. He earned his varsity letter when his coach sent him in wearing a cast during the last minutes of a game against Yale. His father spoke positively of him when he served as a blocking back and sometime receiver for the faster Dave Hackett. Joseph Sr. attended some of Kennedy's practices and saw his son catch a touchdown pass in an early-season rout of Western Maryland. His teammates admired his physical courage. He stood tall and weighed , which made him too small for college football. Despite this, he was a fearless hitter and once tackled a 230-pound fullback head-on. Wally Flynn, another player, looked up in the huddle after one play to see him crying after he broke his leg. He disregarded the injury and kept playing. Kennedy earned two varsity letters over the course of the 1946 and 1947 seasons. Throughout 1946, Kennedy became active in his brother John's campaign for the U.S. Representative seat that was vacated by James Curley; he joined the campaign full-time after his naval discharge. Biographer Schlesinger wrote that the election served as an entry into politics for both Robert and John. Robert graduated from Harvard in 1948 with a bachelor's degree in political science. Upon graduating, he sailed immediately on the with a college friend for a six-month tour of Europe and the Middle East, accredited as a correspondent for the Boston Post, filing six stories. Four of these stories, submitted from Palestine shortly before the end of the British Mandate, provided a first-hand view of the tensions in the land. He was critical of British policy on Palestine and praised the Jewish people he met there calling them "hardy and tough". He held out some hope after seeing Arabs and Jews working side by side but, in the end, feared that the hatred between the groups was too strong and would lead to a war. In September 1948, he enrolled at the University of Virginia School of Law in Charlottesville. Kennedy adapted to this new environment, being elected president of the Student Legal Forum, where he successfully produced outside speakers including James M. Landis, William O. Douglas, Arthur Krock, and Joseph McCarthy and his family members Joe Sr. and John F. Kennedy. Kennedy's paper on Yalta, written during his senior year, is deposited in the Law Library's Treasure Trove. On June 17, 1950, Kennedy married Ethel Skakel at St. Mary's Catholic Church in Greenwich, Connecticut. He graduated from law school in June 1951 and flew with Ethel to Greenwich to stay in his father-in-law's guest house. The couple's first child, Kathleen, was born on July 4, 1951. During this time, his brother John tried to keep Joe Sr. "at arm's length". The brothers rarely interacted until Kenny O'Donnell contacted Robert to repair the relationship between John and their father during John's Senate campaign. As a result of this, Joe Sr. came to view Robert favorably as reliable and "willing to sacrifice himself" for the family. In September 1951, he went to San Francisco as a correspondent for the Boston Post to cover the convention that concluded the Treaty of Peace with Japan. In October 1951, he embarked on a seven-week Asian trip with his brother John (then a U.S. Congressman from Massachusetts' 11th district) and their sister Patricia to Israel, India, Pakistan, Vietnam, and Japan. Because of their age gap, the two brothers had previously seen little of each other—this trip came at their father's behest and was the first extended time they had spent together, serving to deepen their relationship. On this trip, the brothers met Liaquat Ali Khan just before his assassination, and India's prime minister, Jawaharlal Nehru. Senate committee counsel and political campaigns (1951–1960) JFK Senate campaign and Joseph McCarthy (1952–1955) In November 1951, Kennedy moved with his wife and daughter to a townhouse in the Georgetown, Washington, D.C., and started work as a lawyer in the Internal Security Section of the Criminal Division of the U.S. Department of Justice. He prosecuted a series of graft and income tax evasion cases. In February 1952, Kennedy was transferred to Brooklyn, and worked as an assistant U.S. attorney for the Eastern District of New York to help prepare fraud cases against former officials of the Truman administration. On June 6, 1952, he resigned to manage his brother John's U.S. Senate campaign in Massachusetts. JFK's victory was of great importance to the Kennedys, elevating him to national prominence and turning him into a serious potential presidential candidate. John's victory was also equally important to Robert, who felt he had succeeded in eliminating his father's negative perceptions of him. In December 1952, at his father's behest, Kennedy was appointed by family friend Republican Senator Joseph McCarthy as assistant counsel of the U.S. Senate Permanent Subcommittee on Investigations. Kennedy disapproved of McCarthy's aggressive methods of garnering intelligence on suspected communists. This was a highly visible job for him. He resigned in July 1953, but "retained a fondness for McCarthy". The period of July 1953 to January 1954 saw him at "a professional and personal nadir", feeling that he was adrift while trying to prove himself to his family. Kenneth O'Donnell and Larry O'Brien (who worked on John's congressional campaigns) urged Kennedy to consider running for Massachusetts Attorney General in 1954, but he declined. After a period as an assistant to his father on the Hoover Commission, Kennedy rejoined the Senate committee staff as chief counsel for the Democratic minority in February 1954. That month, McCarthy's chief counsel Roy Cohn subpoenaed Annie Lee Moss, accusing her of membership in the Communist Party. Kennedy revealed that Cohn had called the wrong Annie Lee Moss and he requested the file on Moss from the FBI. FBI director J. Edgar Hoover had been forewarned by Cohn and denied him access, calling RFK "an arrogant whippersnapper". When Democrats gained a Senate majority in January 1955, Kennedy became chief counsel and was a background figure in the televised Army–McCarthy hearings of 1954 into McCarthy's conduct. The Moss incident turned Cohn into an enemy, which led to Kennedy assisting Democratic senators in ridiculing Cohn during the hearings. The animosity grew to the point where Cohn had to be restrained after asking RFK if he wanted to fight him. For his work on the McCarthy committee, Kennedy was included in a list of Ten Outstanding Young Men of 1954, created by the U.S. Junior Chamber of Commerce. His father had arranged the nomination, his first national award. In 1955 Kennedy was admitted to practice before the United States Supreme Court. Stevenson aide and focus on organized labor (1956–1960) In 1956, Kennedy moved his growing family outside Washington to a house called Hickory Hill, which he purchased from his brother John. This enormous 13-bedroom, 13-bath home was situated on in McLean, Virginia. Kennedy went on to work as an aide to Adlai Stevenson during the 1956 presidential election which helped him learn how national campaigns worked, in preparation for a future run by his brother, Jack. Unimpressed with Stevenson, he reportedly voted for incumbent Dwight D. Eisenhower. Kennedy was also a delegate at the 1956 Democratic National Convention, having replaced Tip O'Neil at the request of his brother John, joining in what was ultimately an unsuccessful effort to help JFK get the vice-presidential nomination. Shortly after this, following instructions by his father, Kennedy tried making amends with J. Edgar Hoover. There seemed to be some improvement in their interactions, which came to be seen as "elemental political necessity" by Kennedy. This later changed after Kennedy was appointed attorney general, where Hoover saw him as an "unprecedented threat". From 1957 to 1959, he made a name for himself while serving as the chief counsel to the Senate's McClellan Committee under chairman John L. McClellan. Kennedy was given authority over testimony scheduling, areas of investigation, and witness questioning by McClellan, a move that was made by the chairman to limit attention to himself and allow outrage by organized labor to be directed toward Kennedy. In a famous scene, Kennedy squared off with Teamsters Union President Jimmy Hoffa during the antagonistic argument that marked Hoffa's testimony. Kennedy, who was instructed to collect information, discovered several financial irregularities, such as that Hoffa had misappropriated $9.5 million in union funds and made corrupt deals with employers. During the hearings, Kennedy received criticism from liberal critics and other commentators both for his outburst of impassioned anger and doubts about the innocence of those who invoked the Fifth Amendment. Senators Barry Goldwater and Karl Mundt wrote to each other and complained about "the Kennedy boys" having hijacked the McClellan Committee by their focus on Hoffa and the Teamsters. They believed Kennedy covered for Walter Reuther and the United Automobile Workers, a union which typically would back Democratic office seekers. Amidst the allegations, Kennedy wrote in his journal that the two senators had "no guts" as they never addressed him directly, only through the press. He left the committee in late 1959 in order to run his brother's presidential campaign. JFK presidential campaign (1960) In 1960 Kennedy published The Enemy Within, a book which described the corrupt practices within the Teamsters and other unions that he had helped investigate. John Seigenthaler assisted Kennedy. Kennedy went to work on the presidential campaign of his brother, John. In contrast to his role in his brother's previous campaign eight years prior, Kennedy gave stump speeches throughout the primary season, gaining confidence as time went on. His strategy "to win at any cost" led him to call on Franklin D. Roosevelt Jr. to attack Hubert Humphrey as a draft dodger; Roosevelt eventually did make the statement that Humphrey avoided service. Concerned that John Kennedy was going to receive the Democratic Party's nomination, some supporters of Lyndon Johnson, who was also running for the nomination, revealed to the press that JFK had Addison's disease, saying that he required life-sustaining cortisone treatments. Though in fact a diagnosis had been made, Kennedy tried to protect his brother by denying the allegation, saying that JFK had never had "an ailment described classically as Addison's disease". After securing the nomination, John Kennedy nonetheless decided to offer Lyndon Johnson the vice presidency. This did not sit well with some Kennedy supporters, and Robert tried unsuccessfully to convince Johnson to turn down the offer, leading him to view Robert with contempt afterward. RFK had already disliked Johnson prior to the presidential campaign, seeing him as a threat to his brother's ambitions. RFK wanted his brother to choose labor leader Walter Reuther. Despite Kennedy's attempts, Johnson became his brother's running mate. Kennedy worked toward downplaying his brother's Catholic faith during the primary but took a more aggressive and supportive stance during the general election. These concerns were mostly calmed after JFK delivered a speech in September in Houston where he said that he was in favor of the separation of church and state. The following month, Kennedy was involved in securing the release of civil rights leader Martin Luther King Jr. from a jail in Atlanta. Kennedy spoke with Georgia governor Ernest Vandiver and later Judge Oscar Mitchell, after the judge had sentenced King for violating his probation when he protested at a whites-only snack bar. Attorney General of the United States (1961–1964) After winning the 1960 presidential election, President-elect John F. Kennedy appointed his younger brother attorney general. The choice was controversial, with publications including The New York Times and The New Republic calling him inexperienced and unqualified. He had no experience in any state or federal court, causing the president to joke, "I can't see that it's wrong to give him a little legal experience before he goes out to practice law." But Kennedy was hardly a novice as a lawyer, having gained significant experience conducting investigations and questioning witnesses as a Justice Department attorney and Senate committee counsel and staff director. According to Bobby Baker, the Senate majority secretary and a protégé of Lyndon Johnson, President-elect Kennedy did not want to name his brother attorney general, but their father overruled him. At the behest of Vice President-elect Johnson, Baker persuaded the influential Southern senator Richard Russell to allow a voice vote to confirm the president's brother in January 1961, as Kennedy "would have been lucky to get 40 votes" on a roll-call vote. The deputy and assistant attorneys general Kennedy chose included Byron White and Nicholas Katzenbach. Kennedy also played a major role in helping his brother form his cabinet. John Kennedy wanted to name Senator J. William Fulbright, whom he knew and liked, as his secretary of state. Fulbright was generally regarded as the Senate's resident foreign policy expert, but he also supported segregation and white supremacy in the South. Robert Kennedy persuaded his brother that having Fulbright as secretary of state would cost the Democrats Afro-American votes, leading to Dean Rusk being nominated instead after John Kennedy decided that his next choice, McGeorge Bundy, was too young. Kennedy was also present at the job interview when the CEO of the Ford Motor Company, Robert McNamara, was interviewed by John Kennedy about becoming defense secretary. McNamara's self-confidence and belief that he could "scientifically" solve any problem via his "Systems Analysis" style of management impressed the Kennedy brothers, though John was rattled for a moment when McNamara asked if his bestselling book Profiles in Courage was written by a ghost writer.     Author James W. Hilty concludes that Kennedy "played an unusual combination of roles—campaign director, attorney general, executive overseer, controller of patronage, chief adviser, and brother protector" and that nobody before him had had such power. His tenure as attorney general was easily the period of greatest power for the office—no previous United States attorney general had enjoyed such clear influence on all areas of policy during an administration. To a great extent, President Kennedy sought the advice and counsel of his younger brother, with Robert being the president's closest political adviser. He was relied upon as both the president's primary source of administrative information and as a general counsel with whom trust was implicit. He exercised widespread authority over every cabinet department, leading the Associated Press to dub him "Bobby—Washington's No. 2-man". The president once remarked about his brother, "If I want something done and done immediately I rely on the Attorney General. He is very much the doer in this administration, and has an organizational gift I have rarely if ever seen surpassed." Berlin As one of the president's closest White House advisers, Kennedy played a crucial role in the events surrounding the Berlin Crisis of 1961. Operating mainly through a private, backchannel connection to Soviet spy Georgi Bolshakov, he relayed important diplomatic communications between the American and Soviet governments. Most significantly, this connection helped the U.S. set up the Vienna Summit in June 1961, and later to defuse the tank standoff with the Soviets at Berlin's Checkpoint Charlie in October. Kennedy's visit with his wife to West Berlin in February 1962 demonstrated U.S. support for the city and helped repair the strained relationship between the administration and its special envoy in Berlin, Lucius D. Clay. Organized crime and the Teamsters As attorney general, Kennedy pursued a relentless crusade against organized crime and the Mafia, sometimes disagreeing on strategy with FBI Director J. Edgar Hoover. Convictions against organized crime figures rose by 800 percent during his term. Kennedy worked to shift Hoover's focus away from communism, which Hoover saw as a more serious threat, to organized crime. According to James Neff, Kennedy's success in this endeavor was due to his brother's position, giving the attorney general leverage over Hoover. Biographer Richard Hack concluded that Hoover's dislike for Kennedy came from his being unable to control him. He was relentless in his pursuit of Teamsters Union president Jimmy Hoffa, due to Hoffa's known corruption in financial and electoral matters, both personally and organizationally, creating a so-called "Get Hoffa" squad of prosecutors and investigators. The enmity between the two men was intense, with accusations of a personal vendetta—what Hoffa called a "blood feud"—exchanged between them. On July 7, 1961, after Hoffa was reelected to the Teamsters presidency, RFK told reporters the government's case against Hoffa had not been changed by what he called "a small group of teamsters" supporting him. The following year, it was leaked that Hoffa had claimed to a Teamster local that Kennedy had been "bodily" removed from his office, the statement being confirmed by a Teamster press agent and Hoffa saying Kennedy had only been ejected. On March 4, 1964, Hoffa was convicted in Chattanooga, Tennessee, of attempted bribery of a grand juror during his 1962 conspiracy trial in Nashville, Tennessee, and sentenced to eight years in prison and a $10,000 fine. After learning of Hoffa's conviction by telephone, Kennedy issued congratulatory messages to the three prosecutors. While on bail during his appeal, Hoffa was convicted in a second trial held in Chicago, on July 26, 1964, on one count of conspiracy and three counts of mail and wire fraud for improper use of the Teamsters' pension fund, and sentenced to five years in prison. Hoffa spent the next three years unsuccessfully appealing his 1964 convictions, and began serving his aggregate prison sentence of 13 years (eight years for bribery, five years for fraud) on March 7, 1967, at the Lewisburg Federal Penitentiary in Pennsylvania. Civil rights Kennedy expressed the administration's commitment to civil rights during a 1961 speech at the University of Georgia Law School: FBI Director J. Edgar Hoover viewed civil rights leader Martin Luther King Jr. as an upstart troublemaker, calling him an "enemy of the state". In February 1962 Hoover presented Kennedy with allegations that some of King's close confidants and advisers were communists. Concerned about the allegations, the FBI deployed agents to monitor King in the following months. Kennedy warned King to discontinue the suspected associations. In response, King agreed to ask suspected Communist Jack O'Dell to resign from the SCLC, but refused to heed to the request to ask Stanley Levison, whom he regarded as a trusted advisor, to resign. In October 1963, Kennedy issued a written directive authorizing the FBI to wiretap King and other leaders of the Southern Christian Leadership Conference, King's civil rights organization. Although Kennedy only gave written approval for limited wiretapping of King's phones "on a trial basis, for a month or so", Hoover extended the clearance so that his men were "unshackled" to look for evidence in any areas of King's life they deemed worthy. The wiretapping continued through June 1966 and was revealed in 1968, days before Kennedy's death. Kennedy remained committed to civil rights enforcement to such a degree that he commented in 1962 that it seemed to envelop almost every area of his public and private life, from prosecuting corrupt Southern electoral officials to answering late night calls from Coretta Scott King concerning the imprisonment of her husband for demonstrations in Alabama. During his tenure as attorney general, he undertook the most energetic and persistent desegregation of the administration that Capitol Hill had ever experienced. He demanded that every area of government begin recruiting realistic levels of black and other ethnic workers, going so far as to criticize Vice President Johnson for his failure to desegregate his own office staff. But relations between the Kennedys and civil rights activists could be tense, partly due to the administration's decision that a number of complaints King filed with the Justice Department between 1961 and 1963 be handled "through negotiation between the city commission and Negro citizens." Although it has become commonplace to assert the phrase "The Kennedy Administration" or even "President Kennedy" when discussing the legislative and executive support of the civil rights movement, between 1960 and 1963 a great many of the initiatives were the result of the passion and determination of an emboldened Robert Kennedy, who, through his rapid education in the realities of Southern racism, underwent a thorough conversion of purpose as attorney general. Asked in an interview in May 1962, "What do you see as the big problem ahead for you, is it crime or internal security?" Kennedy replied, "Civil rights." The president came to share his brother's sense of urgency on the matters at hand to such an extent that it was at the attorney general's insistence that he made his famous June 1963 address to the nation on civil rights. Kennedy played a large role in the response to the Freedom Riders protests. He acted after the Anniston bus bombings to protect the Riders in continuing their journey, sending John Seigenthaler, his administrative assistant, to Alabama to attempt to secure the Riders' safety there. Despite a work rule which allowed a driver to decline an assignment which he regarded as a potentially unsafe one, he persuaded a manager of The Greyhound Corporation to obtain a coach operator who was willing to drive a special bus for the continuance of the Freedom Ride from Birmingham, Alabama, to Montgomery, Alabama, on the circuitous journey to Jackson, Mississippi. Later, during the attack and burning by a white mob of the First Baptist Church in Montgomery, at which Martin Luther King Jr. and some 1,500 sympathizers were in attendance, the attorney general telephoned King to ask for his assurance that they would not leave the building until the force of U.S. Marshals and National Guard he sent had secured the area. King proceeded to berate Kennedy for "allowing the situation to continue". King later publicly thanked him for dispatching the forces to break up the attack that might otherwise have ended his life. Kennedy then negotiated the safe passage of the Freedom Riders from the First Baptist Church to Jackson, Mississippi, where they were arrested. He offered to bail the Freedom Riders out of jail, but they refused, which upset him. Kennedy's attempts to end the Freedom Rides early were tied to an upcoming summit with Nikita Khrushchev and Charles de Gaulle. He believed the continued international publicity of race riots would tarnish the president heading into international negotiations. This attempt to curtail the Freedom Rides alienated many of the civil rights leaders who, at the time, perceived him as intolerant and narrow-minded. In an attempt to better understand and improve race relations, Kennedy held a private meeting in New York City in May 1963 with a black delegation coordinated by prominent author James Baldwin. In September 1962, Kennedy sent a force of U.S. marshals and deputized U.S. Border Patrol agents and federal prison guards to Oxford, Mississippi, to enforce a federal court order allowing the admittance of the first African-American student, James Meredith, to the University of Mississippi. The attorney general had hoped that legal means, along with the escort of federal officers, would be enough to force Governor Ross Barnett to allow Meredith's admission. He also was very concerned there might be a "mini-civil war" between federal troops and armed protesters. President Kennedy reluctantly sent federal troops after the situation on campus turned violent. Ensuing riots during the period of Meredith's admittance resulted in 300 injuries and two deaths, yet Kennedy remained adamant that black students had the right to enjoy the benefits of all levels of the educational system. The Office of Civil Rights also hired its first African-American lawyer and began to work cautiously with leaders of the Civil Rights Movement. Kennedy saw voting as the key to racial justice and collaborated with presidents Kennedy and Johnson to create the landmark Civil Rights Act of 1964, which helped bring an end to Jim Crow laws. Between December 1961 and December 1963, Kennedy also expanded the United States Department of Justice Civil Rights Division by 60 percent. U.S. Steel At the direction of the president, Kennedy also used the power of federal agencies to influence U.S. Steel not to institute a price increase. The Wall Street Journal wrote that the administration had set prices of steel "by naked power, by threats, by agents of the state security police." Yale law professor Charles Reich wrote in The New Republic that the Justice Department had violated civil liberties by calling a federal grand jury to indict U.S. Steel so quickly, then disbanding it after the price increase did not occur. Death penalty issues During the Kennedy administration, the federal government carried out its last pre-Furman federal execution (of Victor Feguer in Iowa, 1963), and Kennedy, as attorney general, represented the government in this case. In 1967 Kennedy expressed his strong willingness to support a bill then under consideration for the abolition of the death penalty. Cuba As his brother's confidant, Kennedy oversaw the CIA's anti-Castro activities after the failed Bay of Pigs Invasion. He also helped develop the strategy during the Cuban Missile Crisis to blockade Cuba instead of initiating a military strike that might have led to nuclear war. He had initially been among the more hawkish members of the administration on matters concerning Cuban insurrectionist aid. His initial strong support for covert actions in Cuba soon changed to a position of removal from further involvement once he became aware of the CIA's tendency to draw out initiatives, and provide itself with almost unchecked authority in matters of foreign covert operations. Allegations that the Kennedys knew of plans by the CIA to kill Fidel Castro, or approved of such plans, have been debated by historians over the years. JFK's friend and associate, historian Arthur M. Schlesinger Jr., for example, expressed the opinion that operatives linked to the CIA were among the most reckless individuals to have operated during the period—providing themselves with unscrutinized freedoms to threaten the lives of Castro and other members of the Cuban revolutionary government regardless of the legislative apparatus in Washington—freedoms that, unbeknownst to those at the White House attempting to prevent a nuclear war, placed the entire U.S.–Soviet relationship in perilous danger. The "Family Jewels" documents, declassified by the CIA in 2007, suggest that before the Bay of Pigs Invasion, the attorney general personally authorized one such assassination attempt. But there is ample evidence to the contrary, such as that Kennedy was informed of an earlier plot involving the CIA's use of Mafia bosses Santo Trafficante Jr. and John Roselli only during a briefing on May 7, 1962, and in fact directed the CIA to halt any existing efforts directed at Castro's assassination. Concurrently, Kennedy served as the president's personal representative in Operation Mongoose, the post-Bay of Pigs covert operations program the president established in November 1961. Mongoose was meant to incite revolution in Cuba that would result in Castro's downfall, not his assassination. During the Cuban Missile Crisis, Kennedy proved himself to be a gifted politician with an ability to obtain compromises, tempering aggressive positions of key figures in the hawk camp. The trust the president placed in him on matters of negotiation was such that his role in the crisis is today seen as having been of vital importance in securing a blockade, which averted a full military engagement between the United States and the USSR. His clandestine meetings with members of the Soviet government continued to provide a key link to Khrushchev during even the darkest moments of the crisis, when the threat of nuclear strikes was considered very real. On the last night of the crisis, President Kennedy was so grateful for his brother's work in averting nuclear war that he summed it up by saying, "Thank God for Bobby." Japan At a summit meeting with Japanese prime minister Hayato Ikeda in Washington D.C. in 1961, President Kennedy promised to make a reciprocal visit to Japan in 1962, but the decision to resume atmospheric nuclear testing forced him to postpone such a visit, and he sent Bobby in his stead. Kennedy and his wife Ethel arrived in Tokyo in February 1962 at a very sensitive time in U.S.-Japan relations, shortly after the massive Anpo protests against the U.S.-Japan Security Treaty had highlighted anti-American grievances. Kennedy won over a highly skeptical Japanese public and press with his cheerful, open demeanor, sincerity, and youthful energy. Most famously, Kennedy scored a public relations coup during a nationally televised speech at Waseda University in Tokyo. When radical Marxist student activists from Zengakuren attempted to shout him down, he calmly invited one of them on stage and engaged the student in an impromptu debate. Kennedy's calmness under fire and willingness to take the student's questions seriously won many admirers in Japan and praise from the Japanese media, both for himself and on his brother's behalf. Assassination of John F. Kennedy At the time that President Kennedy was assassinated in Dallas on November 22, 1963, RFK was at home with aides from the Justice Department. J. Edgar Hoover called and told him his brother had been shot. Hoover then hung up before he could ask any questions. Kennedy later said he thought Hoover had enjoyed telling him the news. Kennedy then received a call from Tazewell Shepard, a naval aide to the president, who told him that his brother was dead. Shortly after the call from Hoover, Kennedy phoned McGeorge Bundy at the White House, instructing him to change the locks on the president's files. He ordered the Secret Service to dismantle the Oval Office and cabinet room's secret taping systems. He scheduled a meeting with CIA director John McCone and asked if the CIA had any involvement in his brother's death. McCone denied it, with Kennedy later telling investigator Walter Sheridan that he asked the director "in a way that he couldn't lie to me, and they [the CIA] hadn't". An hour after the president was shot, Bobby Kennedy received a phone call from Vice President Johnson before Johnson boarded Air Force One. RFK remembered their conversation starting with Johnson demonstrating sympathy before the vice president stated his belief that he should be sworn in immediately; RFK opposed the idea since he felt "it would be nice" for President Kennedy's body to return to Washington with the deceased president still being the incumbent. Eventually, the two concluded that the best course of action would be for Johnson to take the oath of office before returning to Washington. In his 1971 book We Band of Brothers, aide Edwin O. Guthman recounted Kennedy admitting to him an hour after receiving word of his brother's death that he thought he would be the one "they would get" as opposed to his brother. In the days following the assassination, he wrote letters to his two eldest children, Kathleen and Joseph, saying that as the oldest Kennedy family members of their generation, they had a special responsibility to remember what their uncle had started and to love and serve their country. He was originally opposed to Jacqueline Kennedy's decision to have a closed casket, as he wanted the funeral to keep with tradition, but he changed his mind after seeing the cosmetic, waxen remains. Kennedy was asked by Democratic Party leaders to introduce a film about his late brother at the 1964 party convention. When he was introduced, the crowd, including party bosses, elected officials, and delegates, applauded thunderously and tearfully for a full 22 minutes before they would let him speak. He was close to breaking down before he spoke about his brother's vision for both the party and the nation and recited a quote from Shakespeare's Romeo and Juliet (3.2) that Jacqueline had given him: The ten-month investigation by the Warren Commission of 1963–1964 concluded that the president had been assassinated by Lee Harvey Oswald and that Oswald had acted alone. On September 27, 1964, Kennedy issued a statement through his New York campaign office: "As I said in Poland last summer, I am convinced Oswald was solely responsible for what happened and that he did not have any outside help or assistance. He was a malcontent who could not get along here or in the Soviet Union." He added, "I have not read the report, nor do I intend to. But I have been briefed on it and I am completely satisfied that the Commission investigated every lead and examined every piece of evidence. The Commission's inquiry was thorough and conscientious." After a meeting with Kennedy in 1966, Arthur M. Schlesinger Jr. wrote: "It is evident that he believes that [the Warren Commission's report] was a poor job and will not endorse it, but that he is unwilling to criticize it and thereby reopen the whole tragic business." Jerry Bruno, an "advance man" for JFK who also worked on RFK's 1968 presidential campaign, would later state in 1993: "I talked to Robert Kennedy many times about the Warren Commission, and he never doubted their result." In a 2013 interview with CBS journalist Charlie Rose, son Robert F. Kennedy Jr. stated that his father was "fairly convinced" that others besides Oswald were involved in his brother's assassination and that he privately believed the Commission's report was a "shoddy piece of craftsmanship". The killing was judged as having a profound impact on Kennedy. Beran assesses the assassination as having moved Kennedy away from reliance on the political system and to become more questioning. Tye views Kennedy following the death of his brother as "more fatalistic, having seen how fast he could lose what he cherished the most." Vice presidential candidate In the wake of the assassination of his brother and Lyndon Johnson's ascension to the presidency, with the office of vice president now vacant, Kennedy was viewed favorably as a potential candidate for the position in the 1964 presidential election. Several Kennedy partisans called for him to be drafted in tribute to his brother; national polling showed that three of four Democrats were in favor of him as Johnson's running mate. Democratic organizers supported him as a write-in candidate in the New Hampshire primary and 25,000 Democrats wrote in Kennedy's name in March 1964, only 3,700 fewer than the number of Democrats who wrote in Johnson's name as their pick for president. Kennedy discussed the vice presidency with Arthur Schlesinger. Schlesinger thought that he should develop his own political base first, and Kennedy observed that the job "was really based on waiting around for someone to die". In his first interview after the assassination Kennedy said he was not considering the vice presidency. During this time he said of the coalescing Johnson administration, "It's too early for me to even think about '64, because I don't know whether I want to have any part of these people. ...If they don't fulfill and follow out my brother's program, I don't want to have anything to do with them." But in January 1964 Kennedy began low-key inquiries as to the vice-presidential position and by the summer was developing plans to help Johnson in cities and in the Northeast based on JFK's 1960 campaign strategies. Despite the fanfare within the Democratic Party, Johnson was not inclined to have Kennedy on his ticket. The two disliked one another intensely, with feelings often described as "mutual contempt" that went back to their first meeting in 1953, and had only intensified during JFK's presidency. At the time, Johnson privately said of Kennedy, "I don't need that little runt to win", while Kennedy privately said of Johnson that he was "mean, bitter, vicious—an animal in many ways". To block Kennedy, Johnson considered nominating his brother-in-law Sargent Shriver for vice president, but the Kennedy family vetoed that. Kenny O'Donnell, a Kennedy aide who stayed on to serve Johnson, told the president that if he wanted a Catholic vice president, the only candidate available was Kennedy. Johnson instead chose Senator Hubert Humphrey. During a post-presidency interview with historian Doris Kearns Goodwin, Johnson claimed that Kennedy "acted like he was the custodian of the Kennedy dream" despite Johnson being seen as this after JFK was assassinated, arguing that he had "waited" his turn and Kennedy should have done the same. Johnson recalled a "tidal wave of letters and memos about how great a vice president Bobby would be", but felt he could not "let it happen" as he viewed the possibility of Kennedy on the ticket as ensuring that he would never know if he could be elected "on my own". On July 27, 1964, Kennedy was summoned to the White House and told by Johnson that he did not want him as his running mate, leading the former to say "I could have helped you". Johnson wanted Kennedy to tell the media that he decided to withdraw his name, but he refused, saying the president could do that himself. Johnson wanted a way to announce that he had refused Kennedy serving as his running mate without appearing to be motivated by malice towards a man he disliked and distrusted. The Democratic power broker Clark Clifford suggested to Johnson a way to block Kennedy. At a meeting in the Oval Office that, unknown to him, was being recorded, Clifford said: "Why don't you reach a policy decision that, after careful consideration, you've decided that you're not going to select anyone from your cabinet?" When Johnson replied "That's pretty thin, isn't it?", leading Clifford to answer, "Well, it is pretty thin, but it's a lot better than nothing". In July 1964, Johnson issued an official statement ruling out all of his current cabinet members as potential running mates, judging them to be "so valuable ... in their current posts". In response to this statement, angry letters poured in directed towards both Johnson and his wife, Lady Bird, expressing disappointment at Kennedy being dropped from the field of potential running mates. Johnson, worried that delegates at the convention would draft Kennedy onto the ticket, ordered the FBI to monitor Kennedy's contacts and actions, and to make sure that he could not speak until after Hubert Humphrey was confirmed as his running mate. After making his announcement, Johnson at an "off-the-record" meeting in the Oval Office with three journalists boasted about how he had gotten "that damned albatross off his neck" as he proceeded to mock what he called Kennedy's "funny" voice and mannerisms. Though not published in the newspapers, Kennedy quickly learned of Johnson's performance and demanded an apology, only to have the president deny the story. After hearing Johnson's denial, Kennedy wrote: "He tells so many lies that he convinces himself after a while he's telling the truth. He just doesn't recognize truth or falsehood". In a meeting with Secretary of State Dean Rusk, Johnson talked about Kennedy. Both felt that Kennedy was "freakish ambitious" with Rusk saying: "Mr. President, I just can't wrap my mind around that kind of ambition. I don't know how to understand it". Both were afraid that Kennedy might use the nostalgia for his assassinated brother to "stampede" the Democratic National Convention delegates to nominate him, and were hoping that Kennedy might run for Senate in New York, though Rusk was also worried that a Senate run would serve as "a drag on your own position in New York state". Furthermore, white Southerners tended to vote Democratic as a bloc at the time, and a poll in 1964 showed that 33% of Southerners would not vote Democratic if Kennedy were Johnson's running mate, causing many Democrat leaders to oppose Kennedy serving as Vice President, lest it alienate one of the most solid and reliable blocs of Democratic voters. At the DNC, Kennedy appeared on the stage to introduce a film honoring his late brother, A Thousand Days, causing the convention hall to explode with cheers for 22 minutes despite Kennedy's gestures indicating that he wanted the crowd to fall silent so he could began his speech. Senator Henry Jackson advised Kennedy, "Let them get it out of their system" as he stood on the stage raising his hand to signal he wanted the crowd to stop cheering. When the crowd finally stopped cheering, Kennedy gave his speech, which ended with a quotation from Romeo and Juliet: "When he shall die, take him and cut him out in little stars, And he will make the face of heaven so fine, That all the world shall be in love with night, and pay no worship to the garish sun". Johnson knew instantly that the reference to the "garish sun" was to him. U.S. Senate (1965–1968) 1964 election Nine months after his brother's assassination, Kennedy left the cabinet to run for a seat in the U.S. Senate representing New York, announcing his candidacy on August 25, 1964, two days before the end of that year's Democratic National Convention. He had considered the possibility of running for the seat since early spring, but also giving consideration for governor of Massachusetts or, as he put it, "go away", leaving politics altogether after the plane crash and injury of his brother Ted in June, two months earlier. Positive reception in Europe convinced him to remain in politics. Kennedy was lauded during trips to Germany and Poland, the denizens of the latter country's greetings to Kennedy being interpreted by Leaming as evaporating the agony he had sustained since his brother's passing. Kennedy was given permission to run by the New York State Democratic Committee on September 1, amid mixed feelings in regards to his candidacy. Despite their notoriously difficult relationship, Johnson gave considerable support to Kennedy's campaign. His opponent was Republican incumbent Kenneth Keating, who attempted to portray Kennedy as an arrogant carpetbagger since he did not reside in the state. The New York Times editorialized, "there is nothing illegal about the possible nomination of Robert F. Kennedy of Massachusetts as Senator from New York, but there is plenty of cynical about it, ... merely choosing the state as a convenient launching‐pad for the political ambitions of himself." The main reason Kennedy chose not to run for the U.S. Senate from his native Massachusetts was that his younger brother Ted was running for reelection. RFK charged Keating with having "not done much of anything constructive" despite his presence in Congress during a September 8 press conference. Kennedy won the November election, helped in part by Johnson's huge victory margin in New York. Tenure Kennedy drew attention in Congress early on as the brother of President Kennedy, which set him apart from other senators. He drew more than 50 senators as spectators when he delivered a speech in the Senate on nuclear proliferation in June 1965. But he also saw a decline in his power, going from the president's most trusted advisor to one of a hundred senators, and his impatience with collaborative lawmaking showed. Though fellow senator Fred R. Harris expected not to like Kennedy, the two became allies; Harris even called them "each other's best friends in the Senate". Kennedy's younger brother Ted was his senior there. Robert saw his brother as a guide on managing within the Senate, and the arrangement worked to deepen their relationship. Harris noted that Kennedy was intense about matters and issues that concerned him. Kennedy gained a reputation in the Senate for being well prepared for debate, but his tendency to speak to other senators in a more "blunt" fashion caused him to be "unpopular ... with many of his colleagues". While serving in the Senate, Kennedy advocated gun control. In May 1965 he co-sponsored S.1592, proposed by President Johnson and sponsored by Senator Thomas J. Dodd, that would put federal restrictions on mail-order gun sales. Speaking in support of the bill, Kennedy said, "For too long we dealt with these deadly weapons as if they were harmless toys. Yet their very presence, the ease of their acquisition and the familiarity of their appearance have led to thousands of deaths each year. With the passage of this bill we will begin to meet our responsibilities. It would save hundreds of thousands of lives in this country and spare thousands of families ... grief and heartache. ... " In remarks during a May 1968 campaign stop in Roseburg, Oregon, Kennedy defended the bill as keeping firearms away from "people who have no business with guns or rifles". The bill forbade "mail order sale of guns to the very young, those with criminal records and the insane," according to The Oregonian'''s report. S.1592 and subsequent bills, and the assassinations of Martin Luther King Jr. and Robert F. Kennedy, paved the way for the eventual passage of the Gun Control Act of 1968. Kennedy and his staff had employed a cautionary "amendments–only" strategy for his first year in the senate. In 1966 and 1967 they took more direct legislative action, but were met with increasing resistance from the Johnson administration. Despite perceptions that the two were hostile in their respective offices to each other, U.S. News reported Kennedy's support of the Johnson administration's "Great Society" program through his voting record. Kennedy supported both major and minor parts of the program, and each year over 60% of his roll call votes were consistently in favor of Johnson's policies. On February 8, 1966, Kennedy urged the United States to pledge that it would not be the first country to use nuclear weapons against countries that did not have them noting that China had made the pledge and the Soviet Union indicated it was also willing to do so. In June 1966, he visited apartheid-era South Africa accompanied by his wife, Ethel, and a few aides. The tour was greeted with international praise at a time when few politicians dared to entangle themselves in the politics of South Africa. He spoke out against the oppression of the native population, and was welcomed by the black population as though he were a visiting head of state. In an interview with Look magazine he said: At the University of Cape Town he delivered the annual Day of Affirmation Address. A quote from this address appears on his memorial at Arlington National Cemetery: "Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope." On January 28, 1967, Kennedy began a ten-day stay in Europe, meeting Harold Wilson in London who advised him to tell President Johnson about his belief that the ongoing Vietnam conflict was wrong. Upon returning to the U.S. in early February, he was confronted by the press who asked him if his conversations abroad had negatively impacted American foreign relations. During his years as a senator, he helped to start a successful redevelopment project in poverty-stricken Bedford–Stuyvesant, Brooklyn. Schlesinger wrote that Kennedy had hoped Bedford-Stuyvesant would become an example of self-imposed growth for other impoverished neighborhoods. Kennedy had difficulty securing support from President Johnson, whose administration was charged by Kennedy as having opposed a "special impact" program meant to bring about the federal progress that he had supported. Robert B. Semple Jr. repeated similar sentiments in September 1967, writing the Johnson administration was preparing "a concentrated attack" on Robert F. Kennedy's proposal that Semple claimed would "build more and better low-cost housing in the slums through private enterprise." Kennedy confided to journalist Jack Newfield that while he tried collaborating with the administration through courting its members and compromising with the bill, "They didn't even try to work something out together. To them it's all just politics." He also visited the Mississippi Delta as a member of the Senate committee reviewing the effectiveness of "War on Poverty" programs, particularly that of the Economic Opportunity Act of 1964. Marian Wright Edelman described Kennedy as "deeply moved and outraged" by the sight of the starving children living in the economically abysmal climate, changing her impression of him from "tough, arrogant, and politically driven." Edelman noted further that the senator requested she call on Martin Luther King Jr. to bring the impoverished to Washington, D.C., to make them more visible, leading to the creation of the Poor People's Campaign. Kennedy sought to remedy the problems of poverty through legislation to encourage private industry to locate in poverty-stricken areas, thus creating jobs for the unemployed, and stressed the importance of work over welfare. Kennedy worked on the Senate Labor Committee at the time of the workers' rights activism of Cesar Chavez, Dolores Huerta, and the National Farm Workers Association (NFWA). At the request of labor leader Walter Reuther, who had previously marched with and provided money to Chavez, Kennedy flew out to Delano, California, to investigate the situation. Although little attention was paid to the first two committee hearings in March 1966 for legislation to include farm workers by an amendment of the National Labor Relations Act, Kennedy's attendance at the third hearing brought media coverage. Biographer Thomas wrote that Kennedy was moved after seeing the conditions of the workers, who he deemed were being taken advantage of. Chavez stressed to Kennedy that migrant workers needed to be recognized as human beings. Kennedy later engaged in an exchange with Kern County sheriff Leroy Galyen where he criticized the sheriff's deputies for taking photographs of "people on picket lines." As a senator, he was popular among African Americans and other minorities including Native Americans and immigrant groups. He spoke forcefully in favor of what he called the "disaffected", the impoverished, and "the excluded", thereby aligning himself with leaders of the civil rights struggle and social justice campaigners, leading the Democratic party in pursuit of a more aggressive agenda to eliminate perceived discrimination on all levels. He supported desegregation busing, integration of all public facilities, the Voting Rights Act of 1965, and anti-poverty social programs to increase education, offer opportunities for employment, and provide health care for African Americans. Consistent with President Kennedy's Alliance for Progress, he also placed increasing emphasis on human rights as a central focus of U.S. foreign policy. Vietnam The JFK administration had backed U.S. involvement in Southeast Asia and other parts of the world in the frame of the Cold War, but Kennedy was not known to be involved in discussions on the Vietnam War when he was his brother's attorney general.Hilty, p. 460. According to historian Doris Kearns Goodwin, before choosing to run for the Senate, Kennedy had sought an ambassadorship to South Vietnam. Entering the Senate, Kennedy initially kept private his disagreements with President Johnson on the war. While Kennedy vigorously supported his brother's earlier efforts, he never publicly advocated commitment of ground troops. Though bothered by the beginning of the bombing of North Vietnam in February 1965, Kennedy did not wish to appear antipathetic to the president's agenda. But by April, Kennedy was advocating a halt to the bombing to Johnson, who acknowledged that Kennedy played a part in influencing his choice to temporarily cease bombing the following month. Kennedy cautioned Johnson against sending combat troops as early as 1965, but Johnson chose instead to follow the recommendation of the rest of his predecessor's still intact staff of advisers. In July, after Johnson made a large commitment of American ground forces to Vietnam, Kennedy made multiple calls for a settlement through negotiation. The next month, John Paul Vann, a lieutenant colonel in the U.S. Army, wrote that Kennedy "indicat[ed] comprehension of the problems we face", in a letter to the senator. In December 1965, Kennedy advised his friend, the Defense Secretary Robert McNamara, that he should counsel Johnson to declare a ceasefire in Vietnam, a bombing pause over North Vietnam, and to take up an offer by Algeria to serve as a "honest broker" in peace talks. The left-wing Algerian government had friendly relations with North Vietnam and the National Liberation Front and had indicated in 1965-1966 that it was willing to serve as a conduit for peace talks, but most of Johnson's advisers were leery of the Algerian offer. On January 31, 1966, Kennedy in a speech on the Senate floor stated: "If we regard bombing as the answer in Vietnam, we are headed straight for disaster". In February 1966, Kennedy released a peace plan that called for preserving South Vietnam while at the same time allowing the National Liberation Front, better known as the Viet Cong, to join a coalition government in Saigon. When asked by reporters if he was speaking on behalf of Johnson, Kennedy replied: "I don't think anyone has ever suggested that I was speaking for the White House". Kennedy's peace plan made front page news with The New York Times calling it a break with the president while the Chicago Tribunal labelled him in an editorial "Ho Chi Kennedy". Vice President Humphrey on a visit to New Zealand stated that Kennedy's "peace recipe" included "a dose of arsenic" while the National Security Adviser McGeorge Bundy quoted to the press Kennedy's remarks from 1963 saying he was against including Communists in coalition governments (though Kennedy's subject was Germany, not Vietnam). Kennedy was displeased when he heard anti-war protesters chanting his name, saying "I'm not Wayne Morse". To put aside reports of a rift with Johnson, Kennedy flew with Johnson on Air Force One on a trip to New York on February 23, 1966, and barely clapped his hands in approval when Johnson denied waging a war of conquest in Vietnam. In an interview with the Today program, Kennedy conceded that his views on Vietnam were "a little confusing".   In April 1966, Kennedy had a private meeting with Philip Heymann of the State Department's Bureau of Security and Consular Affairs to discuss efforts to secure the release of American prisoners of war in Vietnam. Kennedy wanted to press the Johnson administration to do more, but Heymann insisted that the administration believed the "consequences of sitting down with the Viet Cong" mattered more than the prisoners they were holding captive. On June 29 of that year, Kennedy released a statement disavowing President Johnson's choice to bomb Haiphong, but he avoided criticizing either the war or the president's overall foreign policy, believing that it might harm Democratic candidates in the 1966 midterm elections. In August, the International Herald Tribune described Kennedy's popularity as outpacing President Johnson's, crediting Kennedy's attempts to end the Vietnam conflict which the public increasingly desired. In the early part of 1967, Kennedy traveled to Europe, where he had discussions about Vietnam with leaders and diplomats. A story leaked to the State Department that Kennedy was talking about seeking peace while President Johnson was pursuing the war. Johnson became convinced that Kennedy was undermining his authority. He voiced this during a meeting with Kennedy, who reiterated the interest of the European leaders to pause the bombing while going forward with negotiations; Johnson declined to do so. On March 2, Kennedy outlined a three-point plan to end the war which included suspending the U.S. bombing of North Vietnam, and the eventual withdrawal of American and North Vietnamese soldiers from South Vietnam; this plan was rejected by Secretary of State Dean Rusk, who believed North Vietnam would never agree to it. On May 15, Kennedy debated Governor of California Ronald Reagan about the war. On November 26, 1967, during an appearance on Face the Nation, Kennedy asserted that the Johnson administration had deviated from his brother's policies in Vietnam, his first time contrasting the two administrations' policies on the war. He added that the view that Americans were fighting to end communism in Vietnam was "immoral".Clarke, p. 32. On February 8, 1968, Kennedy delivered an address in Chicago, where he critiqued Saigon "government corruption" and expressed his disagreement with the Johnson administration's stance that the war would determine the future of Asia. On March 14, Kennedy met with defense secretary Clark Clifford at the Pentagon regarding the war. Clifford's notes indicate that Kennedy was offering not to enter the ongoing Democratic presidential primary if President Johnson would admit publicly to having been wrong in his war policy and appoint "a group of persons to conduct a study in depth of the issues and come up with a recommended course of action"; Johnson rejected the proposal. On April 1, after President Johnson halted bombing of North Vietnam, RFK said the decision was a "step toward peace" and, though offering to collaborate with Johnson for national unity, opted to continue his presidential bid. On May 1, while in Lafayette, Indiana, Kennedy said continued delays in beginning peace talks with North Vietnam meant both more lives lost and the postponing of the "domestic progress" hoped for by the US. Later that month, Kennedy called the war "the gravest kind of error" in a speech in Corvallis, Oregon. In an interview on June 4, hours before he was shot, Kennedy continued to advocate for a change in policy towards the war. Despite his criticism of the Vietnam War and the South Vietnam government, Kennedy also stated in his 1968 campaign brochure that he did not support either a simple withdrawal or a surrender in South Vietnam and favored instead a change in the course of action taken so it would bring an "honorable peace." Presidential candidate In 1968 President Johnson prepared to run for re-election. In January, faced with what was widely considered an unrealistic race against an incumbent president, Kennedy stated that he would not seek the presidency. After the Tet Offensive in Vietnam in early February 1968, he received a letter from writer Pete Hamill that said poor people kept pictures of President Kennedy on their walls and that Kennedy had an "obligation of staying true to whatever it was that put those pictures on those walls." Kennedy traveled to Delano, California, to meet with civil rights activist César Chávez, who was on a 25-day hunger strike showing his commitment to nonviolence. It was on this visit to California that Kennedy decided he would challenge Johnson for the presidency, telling his former Justice Department aides, Edwin Guthman and Peter Edelman, that his first step was to get lesser-known Senator Eugene McCarthy of Minnesota to drop out of the presidential race. The weekend before the New Hampshire primary, Kennedy announced to several aides that he would attempt to persuade McCarthy to withdraw from the race to avoid splitting the antiwar vote, but Senator George McGovern urged Kennedy to wait until after that primary to announce his candidacy. Johnson won a narrow victory in the New Hampshire primary on March 12, 1968, against McCarthy, but this close second-place result dramatically boosted McCarthy's standing in the race. After much speculation, and reports leaking out about his plans, and seeing in McCarthy's success that Johnson's hold on the job was not as strong as originally thought, Kennedy declared his candidacy on March 16, 1968, in the Caucus Room of the old Senate office building, the same room where his brother had declared his own candidacy eight years earlier. He stated, "I do not run for the presidency merely to oppose any man, but to propose new policies. I run because I am convinced that this country is on a perilous course and because I have such strong feelings about what must be done, and I feel that I'm obliged to do all I can." McCarthy supporters angrily denounced Kennedy as an opportunist. They believed that McCarthy had taken the most courageous stand by opposing the sitting president of his own party and that his surprising result in New Hampshire had earned him the mantle of being the anti-war candidate. Kennedy's announcement split the anti-war movement in two. On March 31, 1968, Johnson stunned the nation by dropping out of the race. Vice President Hubert Humphrey, a champion of the labor unions and a long supporter of civil rights, entered the race with the financial backing and critical endorsement of the party "establishment", including most members of Congress, mayors, governors, "the south", and several major labor unions. With state registration deadlines long past, Humphrey joined the race too late to enter any primaries but had the support of the president.Schlesinger (2002) [1978], p. 884. Kennedy, like his brother before him, planned to win the nomination through popular support in the primaries. Kennedy ran on a platform of racial and economic justice, non-aggression in foreign policy, decentralization of power, and social change. A crucial element of his campaign was an engagement with the young, whom he identified as being the future of a reinvigorated American society based on partnership and equality. His policy objectives did not sit well with the business community, where he was viewed as something of a fiscal liability, opposed as they were to the tax increases necessary to fund social programs. At one of his university speeches (Indiana University Medical School), he was asked, "Where are we going to get the money to pay for all these new programs you're proposing?" He replied to the medical students, about to enter lucrative careers, "From you."Newfield, Jack. (1988) [1969]. Robert Kennedy: A Memoir. Plume It was this intense and frank mode of dialogue with which he was to continue to engage those whom he viewed as not being traditional allies of Democratic ideals or initiatives. In a speech at the University of Alabama, he argued, "I believe that any who seek high office this year must go before all Americans, not just those who agree with them, but also those who disagree, recognizing that it is not just our supporters, not just those who vote for us, but all Americans who we must lead in the difficult years ahead." He aroused rabid animosity in some quarters, with J. Edgar Hoover's Deputy Clyde Tolson reported as saying, "I hope that someone shoots and kills the son of a bitch." Kennedy's presidential campaign brought out both "great enthusiasm" and anger in people. His message of change raised hope for some and brought fear to others. Kennedy wanted to be a bridge across the divide of American society. His bid for the presidency saw not only a continuation of the programs he and his brother had undertaken during the president's term in office, but also an extension of Johnson's Great Society. Kennedy visited numerous small towns and made himself available to the masses by participating in long motorcades and street-corner stump speeches, often in troubled inner cities. He made urban poverty a chief concern of his campaign, which in part led to enormous crowds that would attend his events in poor urban areas or rural parts of Appalachia. On April 4, 1968, Kennedy learned of the assassination of Martin Luther King Jr. and gave a heartfelt impromptu speech in Indianapolis's inner city, calling for a reconciliation between the races. The address was the first time Kennedy spoke publicly about his brother's killing. Riots broke out in 60 cities in the wake of King's death, but not in Indianapolis, a fact many attribute to the effect of this speech. Kennedy addressed the City Club of Cleveland the next day, on April 5, 1968, delivering the famous On the Mindless Menace of Violence speech. He attended King's funeral, accompanied by Jacqueline and Ted Kennedy. He was described as being the "only white politician to hear only cheers and applause." Despite Kennedy's high profile and name recognition, McCarthy won most of the early primaries, including Kennedy's native state of Massachusetts. Kennedy won the Indiana Democratic primary on May 7 with 42 percent of the vote, and the Nebraska primary on May 14 with 52 percent of the vote. On May 28, Kennedy lost the Oregon primary, marking the first time a Kennedy lost an election, and it was assumed that McCarthy was the preferred choice among the young voters. If he could defeat McCarthy in the California primary, the leadership of the campaign thought, he would knock McCarthy out of the race and set up a one-on-one against Vice President Humphrey at the Chicago national convention in August. Assassination Kennedy scored major victories when he won both the California and South Dakota primaries on June 4. He addressed his supporters shortly after midnight on June 5, 1968, in a ballroom at The Ambassador Hotel in Los Angeles. Leaving the ballroom, he went through the hotel kitchen after being told it was a shortcut to a press room. He did this despite being advised by his bodyguard—former FBI agent Bill Barry—to avoid the kitchen. In a crowded kitchen passageway, Kennedy turned to his left and shook hands with hotel busboy Juan Romero just as Sirhan Sirhan, a 24-year-old Palestinian, opened fire with a .22-caliber revolver. Kennedy was hit three times, and five other people were wounded. George Plimpton, former decathlete Rafer Johnson, and former professional football player Rosey Grier are credited with wrestling Sirhan to the ground after he shot the senator. As Kennedy lay mortally wounded, Romero cradled his head and placed a rosary in his hand. Kennedy asked Romero, "Is everybody OK?", and Romero responded, "Yes, everybody's OK." Kennedy then turned away from Romero and said, "Everything's going to be OK." After several minutes, medical attendants arrived and lifted the senator onto a stretcher, prompting him to whisper, "Don't lift me", which were his last words. He lost consciousness shortly thereafter. He was rushed first to Los Angeles' Central Receiving Hospital, less than east of the Ambassador Hotel, and then to the adjoining (one city block distant) Good Samaritan Hospital. Despite extensive neurosurgery to remove the bullet and bone fragments from his brain, Kennedy was pronounced dead at 1:44 a.m. (PDT) on June 6, nearly 26 hours after the shooting. Robert Kennedy's death, like the 1963 assassination of his brother, President John F. Kennedy, has been the subject of conspiracy theories. Funeral Kennedy's body was returned to Manhattan, where it lay in repose at Saint Patrick's Cathedral from approximately 10:00 p.m. until 10:00 a.m. on June 8. A high requiem Mass was held at the cathedral at 10:00 a.m. on June 8. The service was attended by members of the extended Kennedy family, President Lyndon B. Johnson and his wife Lady Bird Johnson, and members of the Johnson cabinet. Ted, the only surviving Kennedy brother, said the following: The requiem Mass concluded with the hymn "The Battle Hymn of the Republic", sung by Andy Williams. Immediately following the Mass, Kennedy's body was transported by a special private train to Washington, D.C. Kennedy's funeral train was pulled by two Penn Central GG1 electric locomotives. Thousands of mourners lined the tracks and stations along the route, paying their respects as the train passed. The train departed New York Penn Station at 12:30 pm. When it arrived in Elizabeth, New Jersey, an eastbound train on a parallel track to the funeral train hit and killed two spectators and seriously injured four, after they were unable to get off the track in time, even though the eastbound train's engineer had slowed to 30 mph for the normally 55 mph curve, blown his horn continuously, and rung his bell through the curve.Wicker, Tom. President Joins Kennedys in Tribute at Graveside. The New York Times. June 9, 1968. The normally four-hour trip took more than eight hours because of the thick crowds lining the tracks on the journey. The train was scheduled to arrive at about 4:30 pm,Madden, Richard L. "Kennedy Will Be Buried a Few Steps From the Arlington Grave of His Brother." New York Times. June 8, 1968. but sticking brakes on the casket-bearing car contributed to delays, and the train finally arrived at 9:10 p.m. on June 8. Burial Kennedy was buried close to his brother John in Arlington National Cemetery in Arlington, Virginia, just across the Potomac River from Washington, D.C. Although he had always maintained that he wished to be buried in Massachusetts, his family believed Robert should be interred in Arlington next to his brother. The procession left Union Station and passed the New Senate Office Building, where he had his offices, and then proceeded to the Lincoln Memorial, where it paused. The Marine Corps Band played The Battle Hymn of the Republic. The funeral motorcade arrived at the cemetery at 10:24 pm. As the vehicles entered the cemetery, people lining the roadway spontaneously lit candles to guide the motorcade to the burial site. The 15-minute ceremony began at 10:30 p.m. Cardinal Patrick O'Boyle, Roman Catholic Archbishop of Washington, officiated at the graveside service in lieu of Cardinal Richard Cushing of Boston, who fell ill during the trip. Also officiating was Archbishop of New York Terence Cooke. On behalf of the United States, John Glenn presented the folded flag to Senator Ted Kennedy, who passed it to Robert's eldest son, Joe, who passed it to Ethel Kennedy. The Navy Band played The Navy Hymn. Officials at Arlington National Cemetery said that Kennedy's burial was the only night burial to have taken place at the cemetery. (The re-interment of Patrick Bouvier Kennedy, who died two days after his birth in August 1963, and a stillborn daughter, Arabella, both children of President Kennedy and his wife, Jacqueline, also occurred at night.) After the president was interred in Arlington Cemetery, the two infants were buried next to him on December 5, 1963, in a private ceremony without publicity. His brother, Senator Edward M. Kennedy, was also buried at night, in 2009. On June 9, President Lyndon B. Johnson assigned security staff to all U.S. presidential candidates and declared an official national day of mourning. After the assassination, the mandate of the U.S. Secret Service was altered by Congress to include the protection of U.S. presidential candidates. Personal life Family On June 17, 1950, Kennedy married socialite Ethel Skakel, the third daughter of businessman George and Ann Skakel (née Brannack), at St. Mary's Catholic Church in Greenwich, Connecticut. The couple had 11 children; Kathleen (b. 1951), Joseph (b. 1952), Robert Jr. (b. 1954), David (1955–1984), Courtney (b. 1956), Michael (1958–1997), Kerry (b. 1959), Christopher (b. 1963), Max (b. 1965), Douglas (b. 1967), and Rory (b. December 1968, after her father's assassination). Kennedy owned a home at the well-known Kennedy compound on Cape Cod, in Hyannis Port, Massachusetts, but spent most of his time at his estate in McLean, Virginia, known as Hickory Hill (west of Washington, D.C.). His widow, Ethel, and their children continued to live at Hickory Hill after his death. Ethel Kennedy sold Hickory Hill for $8.25 million in 2009. Attitudes and approach Kennedy was said to be the gentlest and shyest of the family, as well as the least articulate verbally. By the time he was a young boy, his grandmother, Josie Fitzgerald, worried he would become a "sissy". His mother had a similar concern, as he was the "smallest and thinnest", but soon afterward, the family discovered "there was no fear of that". Family friend Lem Billings met Kennedy when he was eight years old and would later reflect that he loved him, adding that Kennedy "was the nicest little boy I ever met". Billings also said Kennedy was barely noticed "in the early days, but that's because he didn't bother anybody". Luella Hennessey, who became the nurse for the Kennedy children when Kennedy was 12, called him "the most thoughtful and considerate" of his siblings. Kennedy was teased by his siblings, as in their family it was a norm for humor to be displayed in that fashion. He would turn jokes on himself or remain silent. Despite his gentle demeanor, he could be outspoken, and once engaged a priest in a public argument that horrified his mother, who later conceded that he had been correct all along. Even when arguing for a noble cause, his comments could have "a cutting quality". Although Joe Kennedy's most ambitious dreams centered around Bobby's older brothers, Bobby maintained the code of personal loyalty that seemed to infuse the life of his family. His competitiveness was admired by his father and elder brothers, while his loyalty bound them more affectionately close. A rather timid child, he was often the target of his father's dominating temperament. Working on the campaigns of older brother John, he was more involved, passionate, and tenacious than the candidate himself, obsessed with detail, fighting out every battle, and taking workers to task. He had always been closer to John than the other members of the family. Kennedy's opponents on Capitol Hill maintained that his collegiate magnanimity was sometimes hindered by a tenacious and somewhat impatient manner. His professional life was dominated by the same attitudes that governed his family life: a certainty that good humor and leisure must be balanced by service and accomplishment. Schlesinger comments that Kennedy could be both the most ruthlessly diligent and yet generously adaptable of politicians, at once both temperamental and forgiving. In this he was very much his father's son, lacking truly lasting emotional independence, and yet possessing a great desire to contribute. He lacked the innate self-confidence of his contemporaries yet found a greater self-assurance in the experience of married life, an experience that he stated had given him a base of self-belief from which to continue his efforts in the public arena. Upon hearing yet again the assertion that he was "ruthless", Kennedy once joked to a reporter, "If I find out who has called me ruthless I will destroy him." He also confessed to possessing a bad temper that required self-control: "My biggest problem as counsel is to keep my temper. I think we all feel that when a witness comes before the United States Senate, he has an obligation to speak frankly and tell the truth. To see people sit in front of us and lie and evade makes me boil inside. But you can't lose your temper; if you do, the witness has gotten the best of you." Attorney Michael O'Donnell wrote, "[Kennedy] offered that most intoxicating of political aphrodisiacs: authenticity. He was blunt to a fault, and his favorite campaign activity was arguing with college students. To many, his idealistic opportunism was irresistible." In his earlier life, Kennedy had developed a reputation as the family's attack dog. He was a hostile cross-examiner on Joseph McCarthy's Senate committee; a fixer and leg-breaker as JFK's campaign manager; an unforgiving and merciless cutthroat—his father's son right down to Joseph Kennedy's purported observation that "he hates like me." Yet Bobby Kennedy somehow became a liberal icon, an antiwar visionary who tried to outflank Lyndon Johnson's Great Society from the left. On Kennedy's ideological development, his brother John once remarked, "He might once have been intolerant of liberals as such because his early experience was with that high-minded, high-speaking kind who never got anything done. That all changed the moment he met a liberal like Walter Reuther." Religious faith and Greek philosophy Kennedy's Catholicism was central to his politics and personal attitude to life and its purpose; he inherited his faith from his family. He was more religious than his brothers and approached his duties with a Catholic worldview. Throughout his life, he made reference to his faith, how it informed every area of his life, and how it gave him the strength to re-enter politics following his older brother's assassination. His was not an unresponsive and staid faith, but the faith of a Catholic Radical, perhaps the first successful Catholic Radical in American political history. In the last years of his life, he also found great solace in the playwrights and poets of ancient Greece, especially the writings of Aeschylus, suggested to him by Jacqueline after JFK's death. In his Indianapolis speech on April 4, 1968, on the day of the assassination of Martin Luther King Jr., Kennedy quoted these lines from Aeschylus: Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God. Legacy Kennedy was the first sibling of a president of the United States to serve as U.S. Attorney General. Biographer Evan Thomas wrote that at times Kennedy misused his powers by "modern standards", but concluded, "on the whole, even counting his warts, he was a great attorney general." Walter Isaacson commented that Kennedy "turned out arguably to be the best attorney general in history", praising him for his championing of civil rights and other initiatives of the administration. As Kennedy stepped down from being attorney general in 1964 to assume the office of senator from New York, The New York Times, notably having criticized his appointment three years prior, praised Kennedy for raising the standards of the position. Some of his successor attorneys general have been unfavorably compared to him, for not displaying the same level of poise in the profession. Near the end of his time in office as attorney general under Barack Obama, Eric Holder cited Kennedy as the inspiration for his belief that the Justice Department could be "a force for that which is right." Kennedy has also been praised for his oratorical abilities and his skill at creating unity. Joseph A. Palermo of The Huffington Post observed that Kennedy's words "could cut through social boundaries and partisan divides in a way that seems nearly impossible today." Dolores Huerta and Philip W. Johnston expressed the view that Kennedy, both in his speeches and actions, was unique in his willingness to take political risks. That blunt sincerity was said by associates to be authentic; Frank N. Magill wrote that Kennedy's oratorical skills lent their support to minorities and other disenfranchised groups who began seeing him as an ally. Kennedy's assassination was a blow to the optimism for a brighter future that his campaign had brought for many Americans who lived through the turbulent 1960s. Juan Romero, the busboy who shook hands with Kennedy right before he was shot, later said, "It made me realize that no matter how much hope you have it can be taken away in a second." Kennedy's death has been cited as a significant factor in the Democratic Party's loss of the 1968 presidential election. Since his passing, Kennedy has become generally well-respected by liberals and conservatives, which is far from the polarized views of him during his lifetime. Joe Scarborough, John Ashcroft, Tom Bradley, Mark Dayton, John Kitzhaber, Max Cleland, Tim Cook, Phil Bredesen, Joe Biden, J. K. Rowling, Jim McGreevey, Gavin Newsom, and Ray Mabus have acknowledged Kennedy's influence on them. Josh Zeitz of Politico observed, "Bobby Kennedy has since become an American folk hero—the tough, crusading liberal gunned down in the prime of life." Kennedy's (and to a lesser extent his older brother's) ideas about using government authority to assist less fortunate peoples became central to American liberalism as a tenet of the "Kennedy legacy". Honors In the months and years after Robert F. Kennedy's death, numerous roads, public schools, and other facilities across the United States have been named in his memory. The Robert F. Kennedy Center for Justice and Human Rights was founded in 1968, with an international award program to recognize human rights activists. The sports stadium in Washington, D.C., was renamed Robert F. Kennedy Memorial Stadium in 1969. In 1978 the United States Congress awarded Kennedy its Gold Medal of Honor. On January 12, 1979, a 15-cent commemorative U.S. Postal Service stamp (U.S. #1770) was issued in Washington.D.C., honoring R.F.K. The Bureau of Engraving and Printing distributed 159,297,600 of the perforated, blue-and-white stamps—an unusually-large printing. The stamp design was taken from a family photo suggested by his wife, Ethel. In 1998 the United States Mint released the Robert F. Kennedy silver dollar, a special dollar coin that featured Kennedy's image on the obverse and the emblems of the United States Department of Justice and the United States Senate on the reverse. On November 20, 2001, U.S. President George W. Bush and Attorney General John Ashcroft dedicated the Department of Justice headquarters building in Washington, D.C., as the Robert F. Kennedy Department of Justice Building, honoring Kennedy on what would have been his 76th birthday. They both spoke during the ceremony, as did Kennedy's eldest son, Joseph. In a further effort to remember Kennedy and continue his work helping the disadvantaged, a small group of private citizens launched the Robert F. Kennedy Children's Action Corps in 1969. The private, nonprofit, Massachusetts-based organization helps more than 800 abused and neglected children each year. A bust of Kennedy resides in the library of the University of Virginia School of Law where he obtained his law degree. On June 4, 2008 (the eve of the 40th anniversary of his assassination), the New York State Assembly voted to rename the Triborough Bridge in New York City the Robert F. Kennedy Memorial Bridge. New York State Governor David Paterson signed the legislation into law on August 8, 2008. The bridge is now commonly known as the RFK-Triborough Bridge. On September 20, 2016, the United States Navy announced the renaming of a refueling ship in honor of Kennedy during a ceremony attended by members of his family. Personal items and documents from his office in the Justice Department Building are displayed in a permanent exhibit dedicated to him at the John F. Kennedy Library and Museum. Papers from his years as attorney general, senator, peace and civil rights activist and presidential candidate, as well as personal correspondence, are also housed in the library. Established in 1984, the Robert F. Kennedy Assassination Archives stored at the University of Massachusetts Dartmouth contains thousands of copies of government documents obtained through the Freedom of Information Act public disclosure process as well as manuscripts, photographs, audiotape interviews, video tapes, news clippings and research notes compiled by journalists and other private citizens who have investigated discrepancies in the case. Kennedy and Martin Luther King Jr. Several public institutions jointly honor Kennedy and Martin Luther King Jr. In 1969, the former Woodrow Wilson Junior College, a two-year institution and a constituent campus of the City Colleges of Chicago, was renamed Kennedy–King College. In 1994 the City of Indianapolis erected the Landmark for Peace Memorial in Robert Kennedy's honor near the space made famous by his speech from the back of a pickup truck the night King died. The monument in Martin Luther King Jr. Memorial Park depicts a sculpture of RFK reaching out from a large metal slab to a sculpture of King, who is part of a similar slab. This is meant to symbolize their attempts in life to bridge the gaps between the races—an attempt that united them even in death. A state historical marker has also been placed at the site. A nephew of King and Indiana U.S. Congresswoman Julia Carson presided over the event; both made speeches from the back of a pickup truck in similar fashion to RFK's speech. In 2019, Kennedy's "Speech on the Death of Dr. Martin Luther King, Jr." (April 4, 1968) was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Publications The Enemy Within: The McClellan Committee's Crusade Against Jimmy Hoffa and Corrupt Labor Unions (1960) Just Friends and Brave Enemies (1962) The Pursuit of Justice (1964) To Seek a Newer World, essays (1967) Thirteen Days: A Memoir of the Cuban Missile Crisis, published posthumously (1969) Art, entertainment, and media Kennedy has been the subject of several documentaries and has appeared in various works of popular culture. Kennedy's role in the Cuban Missile Crisis has been dramatized by Martin Sheen in the TV play The Missiles of October (1974) and by Steven Culp in Thirteen Days (2000). The film Bobby (2006) is the story of multiple people's lives leading up to RFK's assassination. The film employs stock footage from his presidential campaign, and he is briefly portrayed by Dave Fraunces. Barry Pepper won an Emmy for his portrayal of Kennedy in The Kennedys (2011), an 8-part miniseries. He is played by Peter Sarsgaard in the film about Jacqueline Kennedy, Jackie (2016). He is played by Jack Huston in Martin Scorsese's film The Irishman (2019). See also Kennedy family tree List of assassinated American politicians List of peace activists List of United States Congress members killed or wounded in office List of United States Congress members who died in office (1950–99) References Citations Bibliography Barnes, John A. Irish-American Landmarks. Canton, Mich.: Visible Ink, 1995. Grubin, David, director and producer, RFK. Video. (DVD, VHS). 2hr. WGBH Educ. Found. and David Grubin Productions, 2004. Distrib. by PBS Video Haas, Lawrence J. The Kennedys in the World: How Jack, Bobby, and Ted Remade America's Empire (2021) excerpt Hilty, James M. Robert Kennedy: Brother Protector (1997), vol. 1 to 1963. Temple U. Press., 1997. Martin, Zachary J. The Mindless Menace of Violence: Robert F. Kennedy's Vision and the Fierce Urgency of Now. Lanham, Md.: Hamilton Books, 2009. RFK's speech after the death of Martin Luther King in 1968. Navasky, Victor S. Kennedy Justice (1972). Argues the policies of RFK's Justice Department show the conservatism of justice, the limits of charisma, the inherent tendency in a legal system to support the status quo, and the counterproductive results of many of Kennedy's endeavors in the field of civil rights and crime control. Neff, James. Vendetta: Bobby Kennedy Versus Jimmy Hoffa (2016) excerpt National Book Award. Schlesinger, Arthur, M. Jr. (2002) [1978], Robert Kennedy And His Times, Mariner Books-Houghton Mifflin Co., . Schmitt, Edward R. President of the Other America: Robert Kennedy and the Politics of Poverty (University of Massachusetts Press, 2010) 324 pp. online free External links FBI Records: The Vault – Robert F. Kennedy at fbi.gov Biography at United States Department of Justice Annotated Bibliography for Robert F. Kennedy from the Alsos Digital Library for Nuclear Issues American Experience: RFK, PBS Text, Audio, and Video of Robert Kennedy's Remarks on the Assassination of Martin Luther King Jr. Edward Kennedy eulogy to Robert Kennedy (text and audio) My Father's Stand on Cuba Travel by Kathleen Kennedy Townsend, The Washington Post'', April 23, 2009 Radio airchecks/recordings of the shooting and death of Senator Kennedy including Mutual Radio's Andrew West's shooting coverage, continued live coverage from CBS Radio, announcements of RFK's death, CBS Radio's complete coverage of funeral mass St. Patrick's Cathedral, and CBS Radio coverage of the train arrival of RFK's body in Washington DC. KTTV assassination coverage at The Museum of Classic Chicago Television FBI file on the RFK assassination "The Robert F. Kennedy Assassination Archives" – a collection within the University of Massachusetts Dartmouth Archives and Special Collections established in 1984 1925 births 1968 deaths 1968 murders in the United States 20th-century American writers 20th-century American politicians United States Navy personnel of World War II American murder victims Anti-poverty advocates Assassinated American politicians Bates College people Burials at Arlington National Cemetery Civil rights movement Congressional Gold Medal recipients People murdered in California Deaths by firearm in California Democratic Party United States senators from New York (state) Harvard Crimson football players Harvard College alumni Kennedy administration cabinet members Kennedy family Lyndon B. Johnson administration cabinet members Male murder victims Massachusetts Democrats Milton Academy alumni Military personnel from Massachusetts New York (state) Democrats New York (state) lawyers People educated at Gibbs School People from Bronxville, New York Politicians from Brookline, Massachusetts People murdered in Los Angeles United States Attorneys General United States Navy officers 1964 United States vice-presidential candidates United States Senate lawyers United States senators from New York (state) University of Virginia School of Law alumni Writers from Boston Writers from New York (state) Riverdale Country School alumni Portsmouth Abbey School alumni

C_7f02cbbd659b430db4d8d78bd4235163_1

How did his mother feel about his fathers treatment of her son?

How did Robert F. Kennedy's mother feel about his fathers treatment of Robert?

Robert F. Kennedy

In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their freshman year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and like her, he became a devout Catholic and throughout his lifetime he practiced his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." CANNOTANSWER

His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life.

Robert Francis Kennedy (November 20, 1925June 6, 1968), also referred to by his initials RFK or by the nickname Bobby, was an American lawyer and politician who served as the 64th United States Attorney General from January 1961 to September 1964, and as a U.S. Senator from New York from January 1965 until his assassination in June 1968. He was, like his brothers John and Edward, a prominent member of the Democratic Party and has come to be viewed by some historians as an icon of modern American liberalism. Kennedy was born into a wealthy, political family in Brookline, Massachusetts. After serving in the U.S. Naval Reserve from 1944 to 1946, Kennedy returned to his studies at Harvard University, and later received his law degree from the University of Virginia. He began his career as a correspondent for The Boston Post and as a lawyer at the Justice Department, but later resigned to manage his brother John's successful campaign for the U.S. Senate in 1952. The following year, he worked as an assistant counsel to the Senate committee chaired by Senator Joseph McCarthy. He gained national attention as the chief counsel of the Senate Labor Rackets Committee from 1957 to 1959, where he publicly challenged Teamsters President Jimmy Hoffa over the union's corrupt practices. Kennedy resigned from the committee to conduct his brother's successful campaign in the 1960 presidential election. He was appointed United States Attorney General at the age of 36, becoming the youngest Cabinet member in U.S. history since Alexander Hamilton in 1789. He served as his brother's closest advisor until the latter's 1963 assassination. His tenure is known for advocating for the civil rights movement, the fight against organized crime and the Mafia, and involvement in U.S. foreign policy related to Cuba. He authored his account of the Cuban Missile Crisis in a book titled Thirteen Days. As attorney general, he authorized the Federal Bureau of Investigation (FBI) to wiretap Martin Luther King Jr. and the Southern Christian Leadership Conference on a limited basis. After his brother's assassination, he remained in office during the Presidency of Lyndon B. Johnson for several months. He left to run for the United States Senate from New York in 1964 and defeated Republican incumbent Kenneth Keating. In office, Kennedy opposed U.S. involvement in the Vietnam War and raised awareness of poverty by sponsoring legislation designed to lure private business to blighted communities (i.e., Bedford Stuyvesant Restoration project). He was an advocate for issues related to human rights and social justice by traveling abroad to eastern Europe, Latin America, and South Africa, and formed working relationships with Martin Luther King Jr., Cesar Chavez, and Walter Reuther. In 1968, Kennedy became a leading candidate for the Democratic nomination for the presidency by appealing to poor, African American, Hispanic, Catholic, and young voters. His main challenger in the race was Senator Eugene McCarthy. Shortly after winning the California primary around midnight on June 5, 1968, Kennedy was mortally wounded when shot with a pistol by Sirhan Sirhan, a 24-year-old Palestinian, allegedly in retaliation for his support of Israel following the 1967 Six-Day War. Kennedy died 25 hours later. Sirhan was arrested, tried, and convicted, though Kennedy's assassination, like his brother's, continues to be the subject of widespread analysis and numerous conspiracy theories. Early life and education Robert Francis Kennedy was born outside Boston in Brookline, Massachusetts, on November 20, 1925. He was the seventh of nine children to businessman/politician Joseph P. Kennedy Sr. and philanthropist/socialite Rose Fitzgerald Kennedy. His parents were members of two prominent Irish-American families in Boston. His eight siblings were Joseph Jr., John, Rosemary, Kathleen, Eunice, Patricia, Jean, and Ted. All four of his grandparents were children of Irish immigrants. His father was a wealthy businessman and a leading figure in the Democratic Party. After he stepped down as ambassador to the United Kingdom in 1940, Joe Sr. focused his attention on his oldest son, Joseph Jr., expecting that he would enter politics and be elected president. He also urged the younger children to examine and discuss current events in order to propel them to public service. After Joseph Jr. was killed during World War II, the senior Kennedy's hopes fell on his second son, John, to become president. Joseph Sr. had the money and connections to play a central role in the family's political ambitions. Kennedy's older brother John was often bedridden by illness and, as a result, became a voracious reader. Although he made little effort to get to know his younger brother during his childhood, John took him on walks and regaled him with the stories of heroes and adventures he had read. One of their favorite authors was John Buchan, who wrote The Thirty-Nine Steps, which influenced both Robert and John. John sometimes called Robert "Black Robert" due to his prudishness and disposition. Unlike his older brothers, Kennedy took to heart their mother Rose's agenda for everything to have "a purpose," which included visiting historic sites during family outings, visits to the church during morning walks, and games used to expand vocabulary and math skills. He described his position in the family hierarchy by saying, "When you come from that far down, you have to struggle to survive." As the boys were growing up, he tried frequently to get his older brothers' attention, but was seldom successful. As his father's business success expanded, the family kept homes around Boston and New York City; the Cape Cod peninsula; and Palm Beach. Kennedy later said that during childhood he was "going to different schools, always having to make new friends, and that I was very awkward ... [a]nd I was pretty quiet most of the time. And I didn't mind being alone." He had to repeat third grade. A teacher at Bronxville public school reflected that he was "a regular boy", adding, "It seemed hard for him to finish his work sometimes. But he was only ten after all." He developed an interest in American history, decorating his bedroom with pictures of U.S. presidents and filling his bookshelves with volumes on the American Civil War. He became an avid stamp collector and once received a handwritten letter from Franklin Roosevelt, also a philatelist. In March 1938, Kennedy sailed to London with his mother and four youngest siblings to join his father, who had begun serving as Ambassador to the United Kingdom. He attended the private Gibbs School for Boys for seventh grade. In April 1939, he gave his first public speech at the placing of a cornerstone for a youth club in England. According to embassy and newspaper reports, his statements were penciled in his own hand and delivered in a "calm and confident" manner. Bobby returned to the United States just before the outbreak of World War II in Europe. St. Paul's and Portsmouth Priory In September 1939, Kennedy began eighth grade at St. Paul's School, an elite Protestant private preparatory school for boys in Concord, New Hampshire, that his father favored. Rose Kennedy was unhappy with the school's use of the Protestant Bible. After two months, she took advantage of her ambassador husband's absence from Boston and withdrew Kennedy from St. Paul's. She enrolled him in Portsmouth Priory School, a Benedictine Catholic boarding school for boys in Portsmouth, Rhode Island, which held daily morning and evening prayers and Mass three times a week, with a High Mass on Sundays. Kennedy attended Portsmouth for eighth through tenth grade. At Portsmouth Priory School, Kennedy was known as "Mrs. Kennedy's little boy Bobby" after he introduced his mother to classmates, who made fun of them. He was defensive of his mother, and on one occasion chased a student out of the dormitory after the boy had commented on her appearance. He befriended Peter MacLellan and wrote to him, when his brother John was serving in the U.S. Navy, that he would be visiting his brother "because he might be killed any minute". Kennedy blamed himself when his grades failed to improve. In letters to her son, Rose urged him to read more and to strengthen his vocabulary. Rose also expressed disappointment and wrote that she did not expect him to let her down. He began developing in other ways, and his brother John noticed his increased physical strength, predicting that the younger Kennedy "would be bouncing me around plenty in two more years". Monks at Portsmouth Priory School regarded him as a moody and indifferent student. Father Damian Kearney, who was two classes behind Kennedy, reflected that he "didn't look happy" and that he did not "smile much". According to Kearney's review of school records, Kennedy was a "poor-to-mediocre student, except for history". Milton Academy In September 1942, Kennedy transferred to his third boarding school, Milton Academy, in Milton, Massachusetts, for 11th and 12th grades. His father wanted him to transfer to Milton, believing it would better prepare him for Harvard. At Milton, he met and became friends with David Hackett. He invited Hackett to join him for Sunday Mass. Hackett started accompanying him, and was impressed when Kennedy took it upon himself to fill in for a missing altar boy one Sunday. Hackett admired Kennedy's determination to bypass his shortcomings, and remembered him redoubling his efforts whenever something did not come easy to him, which included athletics, studies, success with girls, and popularity. Hackett remembered the two of them as "misfits", a commonality that drew him to Kennedy, along with an unwillingness to conform to how others acted even if doing so meant not being accepted. Kennedy's grades improved. One of his first relationships was with a girl named Piedy Bailey. The pair was photographed together when he walked her home after chapel on a Sunday night. Bailey was fond of him and remembered him as being "very appealing". She recalled him being funny, "separate, larky; outside the cliques; private all the time". Soon after he transferred to Milton, he pressed his father to allow him to enlist, as he wanted to catch up to his brothers who were both serving in the military. Kennedy had arrived at Milton unfamiliar with his peers and made little attempt to know the names of his classmates; he called most of the other boys "fella" instead. For this, he was nicknamed "Fella". Most of the school's students had come in eighth or ninth grade and cliques had already been formed. Despite this, his schoolmates would later say the school had no prejudice. He had an early sense of virtue; he disliked dirty jokes and bullying, once stepping in when an upperclassman tried bothering a younger student. The headmaster at Milton would later summarize that he was a "very intelligent boy, quiet and shy, but not outstanding, and he left no special mark on Milton". Relationship with parents In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their first year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and, like her, he became a devout Catholic, throughout his lifetime practicing his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." Naval service (1944–1946) Six weeks before his 18th birthday in 1943, Kennedy enlisted in the United States Naval Reserve as a seaman apprentice. He was released from active duty in March 1944, when he left Milton Academy early to report to the V-12 Navy College Training Program at Harvard College in Cambridge, Massachusetts. His V-12 training began at Harvard (March–November 1944) before he was relocated to Bates College in Lewiston, Maine (November 1944 – June 1945). He returned to Harvard once again in June 1945 completing his post-training requirements in January 1946. At Bates he received a specialized V-12-degree along with 15 others, and during its Winter Carnival built a snow replica of a Navy boat. While in Maine, he wrote a letter to David Hackett in which he expressed feelings of inadequacy and frustration at being isolated from the action. He talked of filling his free time by taking classes with other sailors and remarked that "things are the same as usual up here, and me being my usual moody self I get very sad at times." He added, "If I don't get the hell out of here soon I'll die." In addition to Hackett, who was serving as a paratrooper, more of his Parker Hall dorm mates went overseas and left him behind. With others entering combat before him, Kennedy said this made him "feel more and more like a Draft Dodger or something". He was also frustrated with the apparent desire to shirk military responsibility by some of the other V-12 students. Kennedy's brother Joseph P. Kennedy Jr. died in August 1944, when his bomber exploded during a volunteer mission known as Operation Aphrodite. Robert was most affected by his father's reaction to his eldest son's passing. He appeared completely heartbroken and his peer Fred Garfield commented that Kennedy developed depression and questioned his faith for a short time. After his brother's death, Robert gained more attention, moving higher up the family patriarchy. On December 15, 1945, the U.S. Navy commissioned the destroyer , and shortly thereafter granted Kennedy's request to be released from naval-officer training to serve aboard Kennedy starting on February 1, 1946, as a seaman apprentice on the ship's shakedown cruise in the Caribbean. On May 30, 1946, he received his honorable discharge from the Navy. For his service in the Navy, Kennedy was eligible for the American Campaign Medal and the World War II Victory Medal. Further study, journalism, and marriage (1946–1951) In September 1946, Kennedy entered Harvard as a junior, having received credit for his time in the V-12 program. He worked hard to make the varsity football team as an end; he was a starter and scored a touchdown in the first game of his senior year before breaking his leg in practice. He earned his varsity letter when his coach sent him in wearing a cast during the last minutes of a game against Yale. His father spoke positively of him when he served as a blocking back and sometime receiver for the faster Dave Hackett. Joseph Sr. attended some of Kennedy's practices and saw his son catch a touchdown pass in an early-season rout of Western Maryland. His teammates admired his physical courage. He stood tall and weighed , which made him too small for college football. Despite this, he was a fearless hitter and once tackled a 230-pound fullback head-on. Wally Flynn, another player, looked up in the huddle after one play to see him crying after he broke his leg. He disregarded the injury and kept playing. Kennedy earned two varsity letters over the course of the 1946 and 1947 seasons. Throughout 1946, Kennedy became active in his brother John's campaign for the U.S. Representative seat that was vacated by James Curley; he joined the campaign full-time after his naval discharge. Biographer Schlesinger wrote that the election served as an entry into politics for both Robert and John. Robert graduated from Harvard in 1948 with a bachelor's degree in political science. Upon graduating, he sailed immediately on the with a college friend for a six-month tour of Europe and the Middle East, accredited as a correspondent for the Boston Post, filing six stories. Four of these stories, submitted from Palestine shortly before the end of the British Mandate, provided a first-hand view of the tensions in the land. He was critical of British policy on Palestine and praised the Jewish people he met there calling them "hardy and tough". He held out some hope after seeing Arabs and Jews working side by side but, in the end, feared that the hatred between the groups was too strong and would lead to a war. In September 1948, he enrolled at the University of Virginia School of Law in Charlottesville. Kennedy adapted to this new environment, being elected president of the Student Legal Forum, where he successfully produced outside speakers including James M. Landis, William O. Douglas, Arthur Krock, and Joseph McCarthy and his family members Joe Sr. and John F. Kennedy. Kennedy's paper on Yalta, written during his senior year, is deposited in the Law Library's Treasure Trove. On June 17, 1950, Kennedy married Ethel Skakel at St. Mary's Catholic Church in Greenwich, Connecticut. He graduated from law school in June 1951 and flew with Ethel to Greenwich to stay in his father-in-law's guest house. The couple's first child, Kathleen, was born on July 4, 1951. During this time, his brother John tried to keep Joe Sr. "at arm's length". The brothers rarely interacted until Kenny O'Donnell contacted Robert to repair the relationship between John and their father during John's Senate campaign. As a result of this, Joe Sr. came to view Robert favorably as reliable and "willing to sacrifice himself" for the family. In September 1951, he went to San Francisco as a correspondent for the Boston Post to cover the convention that concluded the Treaty of Peace with Japan. In October 1951, he embarked on a seven-week Asian trip with his brother John (then a U.S. Congressman from Massachusetts' 11th district) and their sister Patricia to Israel, India, Pakistan, Vietnam, and Japan. Because of their age gap, the two brothers had previously seen little of each other—this trip came at their father's behest and was the first extended time they had spent together, serving to deepen their relationship. On this trip, the brothers met Liaquat Ali Khan just before his assassination, and India's prime minister, Jawaharlal Nehru. Senate committee counsel and political campaigns (1951–1960) JFK Senate campaign and Joseph McCarthy (1952–1955) In November 1951, Kennedy moved with his wife and daughter to a townhouse in the Georgetown, Washington, D.C., and started work as a lawyer in the Internal Security Section of the Criminal Division of the U.S. Department of Justice. He prosecuted a series of graft and income tax evasion cases. In February 1952, Kennedy was transferred to Brooklyn, and worked as an assistant U.S. attorney for the Eastern District of New York to help prepare fraud cases against former officials of the Truman administration. On June 6, 1952, he resigned to manage his brother John's U.S. Senate campaign in Massachusetts. JFK's victory was of great importance to the Kennedys, elevating him to national prominence and turning him into a serious potential presidential candidate. John's victory was also equally important to Robert, who felt he had succeeded in eliminating his father's negative perceptions of him. In December 1952, at his father's behest, Kennedy was appointed by family friend Republican Senator Joseph McCarthy as assistant counsel of the U.S. Senate Permanent Subcommittee on Investigations. Kennedy disapproved of McCarthy's aggressive methods of garnering intelligence on suspected communists. This was a highly visible job for him. He resigned in July 1953, but "retained a fondness for McCarthy". The period of July 1953 to January 1954 saw him at "a professional and personal nadir", feeling that he was adrift while trying to prove himself to his family. Kenneth O'Donnell and Larry O'Brien (who worked on John's congressional campaigns) urged Kennedy to consider running for Massachusetts Attorney General in 1954, but he declined. After a period as an assistant to his father on the Hoover Commission, Kennedy rejoined the Senate committee staff as chief counsel for the Democratic minority in February 1954. That month, McCarthy's chief counsel Roy Cohn subpoenaed Annie Lee Moss, accusing her of membership in the Communist Party. Kennedy revealed that Cohn had called the wrong Annie Lee Moss and he requested the file on Moss from the FBI. FBI director J. Edgar Hoover had been forewarned by Cohn and denied him access, calling RFK "an arrogant whippersnapper". When Democrats gained a Senate majority in January 1955, Kennedy became chief counsel and was a background figure in the televised Army–McCarthy hearings of 1954 into McCarthy's conduct. The Moss incident turned Cohn into an enemy, which led to Kennedy assisting Democratic senators in ridiculing Cohn during the hearings. The animosity grew to the point where Cohn had to be restrained after asking RFK if he wanted to fight him. For his work on the McCarthy committee, Kennedy was included in a list of Ten Outstanding Young Men of 1954, created by the U.S. Junior Chamber of Commerce. His father had arranged the nomination, his first national award. In 1955 Kennedy was admitted to practice before the United States Supreme Court. Stevenson aide and focus on organized labor (1956–1960) In 1956, Kennedy moved his growing family outside Washington to a house called Hickory Hill, which he purchased from his brother John. This enormous 13-bedroom, 13-bath home was situated on in McLean, Virginia. Kennedy went on to work as an aide to Adlai Stevenson during the 1956 presidential election which helped him learn how national campaigns worked, in preparation for a future run by his brother, Jack. Unimpressed with Stevenson, he reportedly voted for incumbent Dwight D. Eisenhower. Kennedy was also a delegate at the 1956 Democratic National Convention, having replaced Tip O'Neil at the request of his brother John, joining in what was ultimately an unsuccessful effort to help JFK get the vice-presidential nomination. Shortly after this, following instructions by his father, Kennedy tried making amends with J. Edgar Hoover. There seemed to be some improvement in their interactions, which came to be seen as "elemental political necessity" by Kennedy. This later changed after Kennedy was appointed attorney general, where Hoover saw him as an "unprecedented threat". From 1957 to 1959, he made a name for himself while serving as the chief counsel to the Senate's McClellan Committee under chairman John L. McClellan. Kennedy was given authority over testimony scheduling, areas of investigation, and witness questioning by McClellan, a move that was made by the chairman to limit attention to himself and allow outrage by organized labor to be directed toward Kennedy. In a famous scene, Kennedy squared off with Teamsters Union President Jimmy Hoffa during the antagonistic argument that marked Hoffa's testimony. Kennedy, who was instructed to collect information, discovered several financial irregularities, such as that Hoffa had misappropriated $9.5 million in union funds and made corrupt deals with employers. During the hearings, Kennedy received criticism from liberal critics and other commentators both for his outburst of impassioned anger and doubts about the innocence of those who invoked the Fifth Amendment. Senators Barry Goldwater and Karl Mundt wrote to each other and complained about "the Kennedy boys" having hijacked the McClellan Committee by their focus on Hoffa and the Teamsters. They believed Kennedy covered for Walter Reuther and the United Automobile Workers, a union which typically would back Democratic office seekers. Amidst the allegations, Kennedy wrote in his journal that the two senators had "no guts" as they never addressed him directly, only through the press. He left the committee in late 1959 in order to run his brother's presidential campaign. JFK presidential campaign (1960) In 1960 Kennedy published The Enemy Within, a book which described the corrupt practices within the Teamsters and other unions that he had helped investigate. John Seigenthaler assisted Kennedy. Kennedy went to work on the presidential campaign of his brother, John. In contrast to his role in his brother's previous campaign eight years prior, Kennedy gave stump speeches throughout the primary season, gaining confidence as time went on. His strategy "to win at any cost" led him to call on Franklin D. Roosevelt Jr. to attack Hubert Humphrey as a draft dodger; Roosevelt eventually did make the statement that Humphrey avoided service. Concerned that John Kennedy was going to receive the Democratic Party's nomination, some supporters of Lyndon Johnson, who was also running for the nomination, revealed to the press that JFK had Addison's disease, saying that he required life-sustaining cortisone treatments. Though in fact a diagnosis had been made, Kennedy tried to protect his brother by denying the allegation, saying that JFK had never had "an ailment described classically as Addison's disease". After securing the nomination, John Kennedy nonetheless decided to offer Lyndon Johnson the vice presidency. This did not sit well with some Kennedy supporters, and Robert tried unsuccessfully to convince Johnson to turn down the offer, leading him to view Robert with contempt afterward. RFK had already disliked Johnson prior to the presidential campaign, seeing him as a threat to his brother's ambitions. RFK wanted his brother to choose labor leader Walter Reuther. Despite Kennedy's attempts, Johnson became his brother's running mate. Kennedy worked toward downplaying his brother's Catholic faith during the primary but took a more aggressive and supportive stance during the general election. These concerns were mostly calmed after JFK delivered a speech in September in Houston where he said that he was in favor of the separation of church and state. The following month, Kennedy was involved in securing the release of civil rights leader Martin Luther King Jr. from a jail in Atlanta. Kennedy spoke with Georgia governor Ernest Vandiver and later Judge Oscar Mitchell, after the judge had sentenced King for violating his probation when he protested at a whites-only snack bar. Attorney General of the United States (1961–1964) After winning the 1960 presidential election, President-elect John F. Kennedy appointed his younger brother attorney general. The choice was controversial, with publications including The New York Times and The New Republic calling him inexperienced and unqualified. He had no experience in any state or federal court, causing the president to joke, "I can't see that it's wrong to give him a little legal experience before he goes out to practice law." But Kennedy was hardly a novice as a lawyer, having gained significant experience conducting investigations and questioning witnesses as a Justice Department attorney and Senate committee counsel and staff director. According to Bobby Baker, the Senate majority secretary and a protégé of Lyndon Johnson, President-elect Kennedy did not want to name his brother attorney general, but their father overruled him. At the behest of Vice President-elect Johnson, Baker persuaded the influential Southern senator Richard Russell to allow a voice vote to confirm the president's brother in January 1961, as Kennedy "would have been lucky to get 40 votes" on a roll-call vote. The deputy and assistant attorneys general Kennedy chose included Byron White and Nicholas Katzenbach. Kennedy also played a major role in helping his brother form his cabinet. John Kennedy wanted to name Senator J. William Fulbright, whom he knew and liked, as his secretary of state. Fulbright was generally regarded as the Senate's resident foreign policy expert, but he also supported segregation and white supremacy in the South. Robert Kennedy persuaded his brother that having Fulbright as secretary of state would cost the Democrats Afro-American votes, leading to Dean Rusk being nominated instead after John Kennedy decided that his next choice, McGeorge Bundy, was too young. Kennedy was also present at the job interview when the CEO of the Ford Motor Company, Robert McNamara, was interviewed by John Kennedy about becoming defense secretary. McNamara's self-confidence and belief that he could "scientifically" solve any problem via his "Systems Analysis" style of management impressed the Kennedy brothers, though John was rattled for a moment when McNamara asked if his bestselling book Profiles in Courage was written by a ghost writer.     Author James W. Hilty concludes that Kennedy "played an unusual combination of roles—campaign director, attorney general, executive overseer, controller of patronage, chief adviser, and brother protector" and that nobody before him had had such power. His tenure as attorney general was easily the period of greatest power for the office—no previous United States attorney general had enjoyed such clear influence on all areas of policy during an administration. To a great extent, President Kennedy sought the advice and counsel of his younger brother, with Robert being the president's closest political adviser. He was relied upon as both the president's primary source of administrative information and as a general counsel with whom trust was implicit. He exercised widespread authority over every cabinet department, leading the Associated Press to dub him "Bobby—Washington's No. 2-man". The president once remarked about his brother, "If I want something done and done immediately I rely on the Attorney General. He is very much the doer in this administration, and has an organizational gift I have rarely if ever seen surpassed." Berlin As one of the president's closest White House advisers, Kennedy played a crucial role in the events surrounding the Berlin Crisis of 1961. Operating mainly through a private, backchannel connection to Soviet spy Georgi Bolshakov, he relayed important diplomatic communications between the American and Soviet governments. Most significantly, this connection helped the U.S. set up the Vienna Summit in June 1961, and later to defuse the tank standoff with the Soviets at Berlin's Checkpoint Charlie in October. Kennedy's visit with his wife to West Berlin in February 1962 demonstrated U.S. support for the city and helped repair the strained relationship between the administration and its special envoy in Berlin, Lucius D. Clay. Organized crime and the Teamsters As attorney general, Kennedy pursued a relentless crusade against organized crime and the Mafia, sometimes disagreeing on strategy with FBI Director J. Edgar Hoover. Convictions against organized crime figures rose by 800 percent during his term. Kennedy worked to shift Hoover's focus away from communism, which Hoover saw as a more serious threat, to organized crime. According to James Neff, Kennedy's success in this endeavor was due to his brother's position, giving the attorney general leverage over Hoover. Biographer Richard Hack concluded that Hoover's dislike for Kennedy came from his being unable to control him. He was relentless in his pursuit of Teamsters Union president Jimmy Hoffa, due to Hoffa's known corruption in financial and electoral matters, both personally and organizationally, creating a so-called "Get Hoffa" squad of prosecutors and investigators. The enmity between the two men was intense, with accusations of a personal vendetta—what Hoffa called a "blood feud"—exchanged between them. On July 7, 1961, after Hoffa was reelected to the Teamsters presidency, RFK told reporters the government's case against Hoffa had not been changed by what he called "a small group of teamsters" supporting him. The following year, it was leaked that Hoffa had claimed to a Teamster local that Kennedy had been "bodily" removed from his office, the statement being confirmed by a Teamster press agent and Hoffa saying Kennedy had only been ejected. On March 4, 1964, Hoffa was convicted in Chattanooga, Tennessee, of attempted bribery of a grand juror during his 1962 conspiracy trial in Nashville, Tennessee, and sentenced to eight years in prison and a $10,000 fine. After learning of Hoffa's conviction by telephone, Kennedy issued congratulatory messages to the three prosecutors. While on bail during his appeal, Hoffa was convicted in a second trial held in Chicago, on July 26, 1964, on one count of conspiracy and three counts of mail and wire fraud for improper use of the Teamsters' pension fund, and sentenced to five years in prison. Hoffa spent the next three years unsuccessfully appealing his 1964 convictions, and began serving his aggregate prison sentence of 13 years (eight years for bribery, five years for fraud) on March 7, 1967, at the Lewisburg Federal Penitentiary in Pennsylvania. Civil rights Kennedy expressed the administration's commitment to civil rights during a 1961 speech at the University of Georgia Law School: FBI Director J. Edgar Hoover viewed civil rights leader Martin Luther King Jr. as an upstart troublemaker, calling him an "enemy of the state". In February 1962 Hoover presented Kennedy with allegations that some of King's close confidants and advisers were communists. Concerned about the allegations, the FBI deployed agents to monitor King in the following months. Kennedy warned King to discontinue the suspected associations. In response, King agreed to ask suspected Communist Jack O'Dell to resign from the SCLC, but refused to heed to the request to ask Stanley Levison, whom he regarded as a trusted advisor, to resign. In October 1963, Kennedy issued a written directive authorizing the FBI to wiretap King and other leaders of the Southern Christian Leadership Conference, King's civil rights organization. Although Kennedy only gave written approval for limited wiretapping of King's phones "on a trial basis, for a month or so", Hoover extended the clearance so that his men were "unshackled" to look for evidence in any areas of King's life they deemed worthy. The wiretapping continued through June 1966 and was revealed in 1968, days before Kennedy's death. Kennedy remained committed to civil rights enforcement to such a degree that he commented in 1962 that it seemed to envelop almost every area of his public and private life, from prosecuting corrupt Southern electoral officials to answering late night calls from Coretta Scott King concerning the imprisonment of her husband for demonstrations in Alabama. During his tenure as attorney general, he undertook the most energetic and persistent desegregation of the administration that Capitol Hill had ever experienced. He demanded that every area of government begin recruiting realistic levels of black and other ethnic workers, going so far as to criticize Vice President Johnson for his failure to desegregate his own office staff. But relations between the Kennedys and civil rights activists could be tense, partly due to the administration's decision that a number of complaints King filed with the Justice Department between 1961 and 1963 be handled "through negotiation between the city commission and Negro citizens." Although it has become commonplace to assert the phrase "The Kennedy Administration" or even "President Kennedy" when discussing the legislative and executive support of the civil rights movement, between 1960 and 1963 a great many of the initiatives were the result of the passion and determination of an emboldened Robert Kennedy, who, through his rapid education in the realities of Southern racism, underwent a thorough conversion of purpose as attorney general. Asked in an interview in May 1962, "What do you see as the big problem ahead for you, is it crime or internal security?" Kennedy replied, "Civil rights." The president came to share his brother's sense of urgency on the matters at hand to such an extent that it was at the attorney general's insistence that he made his famous June 1963 address to the nation on civil rights. Kennedy played a large role in the response to the Freedom Riders protests. He acted after the Anniston bus bombings to protect the Riders in continuing their journey, sending John Seigenthaler, his administrative assistant, to Alabama to attempt to secure the Riders' safety there. Despite a work rule which allowed a driver to decline an assignment which he regarded as a potentially unsafe one, he persuaded a manager of The Greyhound Corporation to obtain a coach operator who was willing to drive a special bus for the continuance of the Freedom Ride from Birmingham, Alabama, to Montgomery, Alabama, on the circuitous journey to Jackson, Mississippi. Later, during the attack and burning by a white mob of the First Baptist Church in Montgomery, at which Martin Luther King Jr. and some 1,500 sympathizers were in attendance, the attorney general telephoned King to ask for his assurance that they would not leave the building until the force of U.S. Marshals and National Guard he sent had secured the area. King proceeded to berate Kennedy for "allowing the situation to continue". King later publicly thanked him for dispatching the forces to break up the attack that might otherwise have ended his life. Kennedy then negotiated the safe passage of the Freedom Riders from the First Baptist Church to Jackson, Mississippi, where they were arrested. He offered to bail the Freedom Riders out of jail, but they refused, which upset him. Kennedy's attempts to end the Freedom Rides early were tied to an upcoming summit with Nikita Khrushchev and Charles de Gaulle. He believed the continued international publicity of race riots would tarnish the president heading into international negotiations. This attempt to curtail the Freedom Rides alienated many of the civil rights leaders who, at the time, perceived him as intolerant and narrow-minded. In an attempt to better understand and improve race relations, Kennedy held a private meeting in New York City in May 1963 with a black delegation coordinated by prominent author James Baldwin. In September 1962, Kennedy sent a force of U.S. marshals and deputized U.S. Border Patrol agents and federal prison guards to Oxford, Mississippi, to enforce a federal court order allowing the admittance of the first African-American student, James Meredith, to the University of Mississippi. The attorney general had hoped that legal means, along with the escort of federal officers, would be enough to force Governor Ross Barnett to allow Meredith's admission. He also was very concerned there might be a "mini-civil war" between federal troops and armed protesters. President Kennedy reluctantly sent federal troops after the situation on campus turned violent. Ensuing riots during the period of Meredith's admittance resulted in 300 injuries and two deaths, yet Kennedy remained adamant that black students had the right to enjoy the benefits of all levels of the educational system. The Office of Civil Rights also hired its first African-American lawyer and began to work cautiously with leaders of the Civil Rights Movement. Kennedy saw voting as the key to racial justice and collaborated with presidents Kennedy and Johnson to create the landmark Civil Rights Act of 1964, which helped bring an end to Jim Crow laws. Between December 1961 and December 1963, Kennedy also expanded the United States Department of Justice Civil Rights Division by 60 percent. U.S. Steel At the direction of the president, Kennedy also used the power of federal agencies to influence U.S. Steel not to institute a price increase. The Wall Street Journal wrote that the administration had set prices of steel "by naked power, by threats, by agents of the state security police." Yale law professor Charles Reich wrote in The New Republic that the Justice Department had violated civil liberties by calling a federal grand jury to indict U.S. Steel so quickly, then disbanding it after the price increase did not occur. Death penalty issues During the Kennedy administration, the federal government carried out its last pre-Furman federal execution (of Victor Feguer in Iowa, 1963), and Kennedy, as attorney general, represented the government in this case. In 1967 Kennedy expressed his strong willingness to support a bill then under consideration for the abolition of the death penalty. Cuba As his brother's confidant, Kennedy oversaw the CIA's anti-Castro activities after the failed Bay of Pigs Invasion. He also helped develop the strategy during the Cuban Missile Crisis to blockade Cuba instead of initiating a military strike that might have led to nuclear war. He had initially been among the more hawkish members of the administration on matters concerning Cuban insurrectionist aid. His initial strong support for covert actions in Cuba soon changed to a position of removal from further involvement once he became aware of the CIA's tendency to draw out initiatives, and provide itself with almost unchecked authority in matters of foreign covert operations. Allegations that the Kennedys knew of plans by the CIA to kill Fidel Castro, or approved of such plans, have been debated by historians over the years. JFK's friend and associate, historian Arthur M. Schlesinger Jr., for example, expressed the opinion that operatives linked to the CIA were among the most reckless individuals to have operated during the period—providing themselves with unscrutinized freedoms to threaten the lives of Castro and other members of the Cuban revolutionary government regardless of the legislative apparatus in Washington—freedoms that, unbeknownst to those at the White House attempting to prevent a nuclear war, placed the entire U.S.–Soviet relationship in perilous danger. The "Family Jewels" documents, declassified by the CIA in 2007, suggest that before the Bay of Pigs Invasion, the attorney general personally authorized one such assassination attempt. But there is ample evidence to the contrary, such as that Kennedy was informed of an earlier plot involving the CIA's use of Mafia bosses Santo Trafficante Jr. and John Roselli only during a briefing on May 7, 1962, and in fact directed the CIA to halt any existing efforts directed at Castro's assassination. Concurrently, Kennedy served as the president's personal representative in Operation Mongoose, the post-Bay of Pigs covert operations program the president established in November 1961. Mongoose was meant to incite revolution in Cuba that would result in Castro's downfall, not his assassination. During the Cuban Missile Crisis, Kennedy proved himself to be a gifted politician with an ability to obtain compromises, tempering aggressive positions of key figures in the hawk camp. The trust the president placed in him on matters of negotiation was such that his role in the crisis is today seen as having been of vital importance in securing a blockade, which averted a full military engagement between the United States and the USSR. His clandestine meetings with members of the Soviet government continued to provide a key link to Khrushchev during even the darkest moments of the crisis, when the threat of nuclear strikes was considered very real. On the last night of the crisis, President Kennedy was so grateful for his brother's work in averting nuclear war that he summed it up by saying, "Thank God for Bobby." Japan At a summit meeting with Japanese prime minister Hayato Ikeda in Washington D.C. in 1961, President Kennedy promised to make a reciprocal visit to Japan in 1962, but the decision to resume atmospheric nuclear testing forced him to postpone such a visit, and he sent Bobby in his stead. Kennedy and his wife Ethel arrived in Tokyo in February 1962 at a very sensitive time in U.S.-Japan relations, shortly after the massive Anpo protests against the U.S.-Japan Security Treaty had highlighted anti-American grievances. Kennedy won over a highly skeptical Japanese public and press with his cheerful, open demeanor, sincerity, and youthful energy. Most famously, Kennedy scored a public relations coup during a nationally televised speech at Waseda University in Tokyo. When radical Marxist student activists from Zengakuren attempted to shout him down, he calmly invited one of them on stage and engaged the student in an impromptu debate. Kennedy's calmness under fire and willingness to take the student's questions seriously won many admirers in Japan and praise from the Japanese media, both for himself and on his brother's behalf. Assassination of John F. Kennedy At the time that President Kennedy was assassinated in Dallas on November 22, 1963, RFK was at home with aides from the Justice Department. J. Edgar Hoover called and told him his brother had been shot. Hoover then hung up before he could ask any questions. Kennedy later said he thought Hoover had enjoyed telling him the news. Kennedy then received a call from Tazewell Shepard, a naval aide to the president, who told him that his brother was dead. Shortly after the call from Hoover, Kennedy phoned McGeorge Bundy at the White House, instructing him to change the locks on the president's files. He ordered the Secret Service to dismantle the Oval Office and cabinet room's secret taping systems. He scheduled a meeting with CIA director John McCone and asked if the CIA had any involvement in his brother's death. McCone denied it, with Kennedy later telling investigator Walter Sheridan that he asked the director "in a way that he couldn't lie to me, and they [the CIA] hadn't". An hour after the president was shot, Bobby Kennedy received a phone call from Vice President Johnson before Johnson boarded Air Force One. RFK remembered their conversation starting with Johnson demonstrating sympathy before the vice president stated his belief that he should be sworn in immediately; RFK opposed the idea since he felt "it would be nice" for President Kennedy's body to return to Washington with the deceased president still being the incumbent. Eventually, the two concluded that the best course of action would be for Johnson to take the oath of office before returning to Washington. In his 1971 book We Band of Brothers, aide Edwin O. Guthman recounted Kennedy admitting to him an hour after receiving word of his brother's death that he thought he would be the one "they would get" as opposed to his brother. In the days following the assassination, he wrote letters to his two eldest children, Kathleen and Joseph, saying that as the oldest Kennedy family members of their generation, they had a special responsibility to remember what their uncle had started and to love and serve their country. He was originally opposed to Jacqueline Kennedy's decision to have a closed casket, as he wanted the funeral to keep with tradition, but he changed his mind after seeing the cosmetic, waxen remains. Kennedy was asked by Democratic Party leaders to introduce a film about his late brother at the 1964 party convention. When he was introduced, the crowd, including party bosses, elected officials, and delegates, applauded thunderously and tearfully for a full 22 minutes before they would let him speak. He was close to breaking down before he spoke about his brother's vision for both the party and the nation and recited a quote from Shakespeare's Romeo and Juliet (3.2) that Jacqueline had given him: The ten-month investigation by the Warren Commission of 1963–1964 concluded that the president had been assassinated by Lee Harvey Oswald and that Oswald had acted alone. On September 27, 1964, Kennedy issued a statement through his New York campaign office: "As I said in Poland last summer, I am convinced Oswald was solely responsible for what happened and that he did not have any outside help or assistance. He was a malcontent who could not get along here or in the Soviet Union." He added, "I have not read the report, nor do I intend to. But I have been briefed on it and I am completely satisfied that the Commission investigated every lead and examined every piece of evidence. The Commission's inquiry was thorough and conscientious." After a meeting with Kennedy in 1966, Arthur M. Schlesinger Jr. wrote: "It is evident that he believes that [the Warren Commission's report] was a poor job and will not endorse it, but that he is unwilling to criticize it and thereby reopen the whole tragic business." Jerry Bruno, an "advance man" for JFK who also worked on RFK's 1968 presidential campaign, would later state in 1993: "I talked to Robert Kennedy many times about the Warren Commission, and he never doubted their result." In a 2013 interview with CBS journalist Charlie Rose, son Robert F. Kennedy Jr. stated that his father was "fairly convinced" that others besides Oswald were involved in his brother's assassination and that he privately believed the Commission's report was a "shoddy piece of craftsmanship". The killing was judged as having a profound impact on Kennedy. Beran assesses the assassination as having moved Kennedy away from reliance on the political system and to become more questioning. Tye views Kennedy following the death of his brother as "more fatalistic, having seen how fast he could lose what he cherished the most." Vice presidential candidate In the wake of the assassination of his brother and Lyndon Johnson's ascension to the presidency, with the office of vice president now vacant, Kennedy was viewed favorably as a potential candidate for the position in the 1964 presidential election. Several Kennedy partisans called for him to be drafted in tribute to his brother; national polling showed that three of four Democrats were in favor of him as Johnson's running mate. Democratic organizers supported him as a write-in candidate in the New Hampshire primary and 25,000 Democrats wrote in Kennedy's name in March 1964, only 3,700 fewer than the number of Democrats who wrote in Johnson's name as their pick for president. Kennedy discussed the vice presidency with Arthur Schlesinger. Schlesinger thought that he should develop his own political base first, and Kennedy observed that the job "was really based on waiting around for someone to die". In his first interview after the assassination Kennedy said he was not considering the vice presidency. During this time he said of the coalescing Johnson administration, "It's too early for me to even think about '64, because I don't know whether I want to have any part of these people. ...If they don't fulfill and follow out my brother's program, I don't want to have anything to do with them." But in January 1964 Kennedy began low-key inquiries as to the vice-presidential position and by the summer was developing plans to help Johnson in cities and in the Northeast based on JFK's 1960 campaign strategies. Despite the fanfare within the Democratic Party, Johnson was not inclined to have Kennedy on his ticket. The two disliked one another intensely, with feelings often described as "mutual contempt" that went back to their first meeting in 1953, and had only intensified during JFK's presidency. At the time, Johnson privately said of Kennedy, "I don't need that little runt to win", while Kennedy privately said of Johnson that he was "mean, bitter, vicious—an animal in many ways". To block Kennedy, Johnson considered nominating his brother-in-law Sargent Shriver for vice president, but the Kennedy family vetoed that. Kenny O'Donnell, a Kennedy aide who stayed on to serve Johnson, told the president that if he wanted a Catholic vice president, the only candidate available was Kennedy. Johnson instead chose Senator Hubert Humphrey. During a post-presidency interview with historian Doris Kearns Goodwin, Johnson claimed that Kennedy "acted like he was the custodian of the Kennedy dream" despite Johnson being seen as this after JFK was assassinated, arguing that he had "waited" his turn and Kennedy should have done the same. Johnson recalled a "tidal wave of letters and memos about how great a vice president Bobby would be", but felt he could not "let it happen" as he viewed the possibility of Kennedy on the ticket as ensuring that he would never know if he could be elected "on my own". On July 27, 1964, Kennedy was summoned to the White House and told by Johnson that he did not want him as his running mate, leading the former to say "I could have helped you". Johnson wanted Kennedy to tell the media that he decided to withdraw his name, but he refused, saying the president could do that himself. Johnson wanted a way to announce that he had refused Kennedy serving as his running mate without appearing to be motivated by malice towards a man he disliked and distrusted. The Democratic power broker Clark Clifford suggested to Johnson a way to block Kennedy. At a meeting in the Oval Office that, unknown to him, was being recorded, Clifford said: "Why don't you reach a policy decision that, after careful consideration, you've decided that you're not going to select anyone from your cabinet?" When Johnson replied "That's pretty thin, isn't it?", leading Clifford to answer, "Well, it is pretty thin, but it's a lot better than nothing". In July 1964, Johnson issued an official statement ruling out all of his current cabinet members as potential running mates, judging them to be "so valuable ... in their current posts". In response to this statement, angry letters poured in directed towards both Johnson and his wife, Lady Bird, expressing disappointment at Kennedy being dropped from the field of potential running mates. Johnson, worried that delegates at the convention would draft Kennedy onto the ticket, ordered the FBI to monitor Kennedy's contacts and actions, and to make sure that he could not speak until after Hubert Humphrey was confirmed as his running mate. After making his announcement, Johnson at an "off-the-record" meeting in the Oval Office with three journalists boasted about how he had gotten "that damned albatross off his neck" as he proceeded to mock what he called Kennedy's "funny" voice and mannerisms. Though not published in the newspapers, Kennedy quickly learned of Johnson's performance and demanded an apology, only to have the president deny the story. After hearing Johnson's denial, Kennedy wrote: "He tells so many lies that he convinces himself after a while he's telling the truth. He just doesn't recognize truth or falsehood". In a meeting with Secretary of State Dean Rusk, Johnson talked about Kennedy. Both felt that Kennedy was "freakish ambitious" with Rusk saying: "Mr. President, I just can't wrap my mind around that kind of ambition. I don't know how to understand it". Both were afraid that Kennedy might use the nostalgia for his assassinated brother to "stampede" the Democratic National Convention delegates to nominate him, and were hoping that Kennedy might run for Senate in New York, though Rusk was also worried that a Senate run would serve as "a drag on your own position in New York state". Furthermore, white Southerners tended to vote Democratic as a bloc at the time, and a poll in 1964 showed that 33% of Southerners would not vote Democratic if Kennedy were Johnson's running mate, causing many Democrat leaders to oppose Kennedy serving as Vice President, lest it alienate one of the most solid and reliable blocs of Democratic voters. At the DNC, Kennedy appeared on the stage to introduce a film honoring his late brother, A Thousand Days, causing the convention hall to explode with cheers for 22 minutes despite Kennedy's gestures indicating that he wanted the crowd to fall silent so he could began his speech. Senator Henry Jackson advised Kennedy, "Let them get it out of their system" as he stood on the stage raising his hand to signal he wanted the crowd to stop cheering. When the crowd finally stopped cheering, Kennedy gave his speech, which ended with a quotation from Romeo and Juliet: "When he shall die, take him and cut him out in little stars, And he will make the face of heaven so fine, That all the world shall be in love with night, and pay no worship to the garish sun". Johnson knew instantly that the reference to the "garish sun" was to him. U.S. Senate (1965–1968) 1964 election Nine months after his brother's assassination, Kennedy left the cabinet to run for a seat in the U.S. Senate representing New York, announcing his candidacy on August 25, 1964, two days before the end of that year's Democratic National Convention. He had considered the possibility of running for the seat since early spring, but also giving consideration for governor of Massachusetts or, as he put it, "go away", leaving politics altogether after the plane crash and injury of his brother Ted in June, two months earlier. Positive reception in Europe convinced him to remain in politics. Kennedy was lauded during trips to Germany and Poland, the denizens of the latter country's greetings to Kennedy being interpreted by Leaming as evaporating the agony he had sustained since his brother's passing. Kennedy was given permission to run by the New York State Democratic Committee on September 1, amid mixed feelings in regards to his candidacy. Despite their notoriously difficult relationship, Johnson gave considerable support to Kennedy's campaign. His opponent was Republican incumbent Kenneth Keating, who attempted to portray Kennedy as an arrogant carpetbagger since he did not reside in the state. The New York Times editorialized, "there is nothing illegal about the possible nomination of Robert F. Kennedy of Massachusetts as Senator from New York, but there is plenty of cynical about it, ... merely choosing the state as a convenient launching‐pad for the political ambitions of himself." The main reason Kennedy chose not to run for the U.S. Senate from his native Massachusetts was that his younger brother Ted was running for reelection. RFK charged Keating with having "not done much of anything constructive" despite his presence in Congress during a September 8 press conference. Kennedy won the November election, helped in part by Johnson's huge victory margin in New York. Tenure Kennedy drew attention in Congress early on as the brother of President Kennedy, which set him apart from other senators. He drew more than 50 senators as spectators when he delivered a speech in the Senate on nuclear proliferation in June 1965. But he also saw a decline in his power, going from the president's most trusted advisor to one of a hundred senators, and his impatience with collaborative lawmaking showed. Though fellow senator Fred R. Harris expected not to like Kennedy, the two became allies; Harris even called them "each other's best friends in the Senate". Kennedy's younger brother Ted was his senior there. Robert saw his brother as a guide on managing within the Senate, and the arrangement worked to deepen their relationship. Harris noted that Kennedy was intense about matters and issues that concerned him. Kennedy gained a reputation in the Senate for being well prepared for debate, but his tendency to speak to other senators in a more "blunt" fashion caused him to be "unpopular ... with many of his colleagues". While serving in the Senate, Kennedy advocated gun control. In May 1965 he co-sponsored S.1592, proposed by President Johnson and sponsored by Senator Thomas J. Dodd, that would put federal restrictions on mail-order gun sales. Speaking in support of the bill, Kennedy said, "For too long we dealt with these deadly weapons as if they were harmless toys. Yet their very presence, the ease of their acquisition and the familiarity of their appearance have led to thousands of deaths each year. With the passage of this bill we will begin to meet our responsibilities. It would save hundreds of thousands of lives in this country and spare thousands of families ... grief and heartache. ... " In remarks during a May 1968 campaign stop in Roseburg, Oregon, Kennedy defended the bill as keeping firearms away from "people who have no business with guns or rifles". The bill forbade "mail order sale of guns to the very young, those with criminal records and the insane," according to The Oregonian'''s report. S.1592 and subsequent bills, and the assassinations of Martin Luther King Jr. and Robert F. Kennedy, paved the way for the eventual passage of the Gun Control Act of 1968. Kennedy and his staff had employed a cautionary "amendments–only" strategy for his first year in the senate. In 1966 and 1967 they took more direct legislative action, but were met with increasing resistance from the Johnson administration. Despite perceptions that the two were hostile in their respective offices to each other, U.S. News reported Kennedy's support of the Johnson administration's "Great Society" program through his voting record. Kennedy supported both major and minor parts of the program, and each year over 60% of his roll call votes were consistently in favor of Johnson's policies. On February 8, 1966, Kennedy urged the United States to pledge that it would not be the first country to use nuclear weapons against countries that did not have them noting that China had made the pledge and the Soviet Union indicated it was also willing to do so. In June 1966, he visited apartheid-era South Africa accompanied by his wife, Ethel, and a few aides. The tour was greeted with international praise at a time when few politicians dared to entangle themselves in the politics of South Africa. He spoke out against the oppression of the native population, and was welcomed by the black population as though he were a visiting head of state. In an interview with Look magazine he said: At the University of Cape Town he delivered the annual Day of Affirmation Address. A quote from this address appears on his memorial at Arlington National Cemetery: "Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope." On January 28, 1967, Kennedy began a ten-day stay in Europe, meeting Harold Wilson in London who advised him to tell President Johnson about his belief that the ongoing Vietnam conflict was wrong. Upon returning to the U.S. in early February, he was confronted by the press who asked him if his conversations abroad had negatively impacted American foreign relations. During his years as a senator, he helped to start a successful redevelopment project in poverty-stricken Bedford–Stuyvesant, Brooklyn. Schlesinger wrote that Kennedy had hoped Bedford-Stuyvesant would become an example of self-imposed growth for other impoverished neighborhoods. Kennedy had difficulty securing support from President Johnson, whose administration was charged by Kennedy as having opposed a "special impact" program meant to bring about the federal progress that he had supported. Robert B. Semple Jr. repeated similar sentiments in September 1967, writing the Johnson administration was preparing "a concentrated attack" on Robert F. Kennedy's proposal that Semple claimed would "build more and better low-cost housing in the slums through private enterprise." Kennedy confided to journalist Jack Newfield that while he tried collaborating with the administration through courting its members and compromising with the bill, "They didn't even try to work something out together. To them it's all just politics." He also visited the Mississippi Delta as a member of the Senate committee reviewing the effectiveness of "War on Poverty" programs, particularly that of the Economic Opportunity Act of 1964. Marian Wright Edelman described Kennedy as "deeply moved and outraged" by the sight of the starving children living in the economically abysmal climate, changing her impression of him from "tough, arrogant, and politically driven." Edelman noted further that the senator requested she call on Martin Luther King Jr. to bring the impoverished to Washington, D.C., to make them more visible, leading to the creation of the Poor People's Campaign. Kennedy sought to remedy the problems of poverty through legislation to encourage private industry to locate in poverty-stricken areas, thus creating jobs for the unemployed, and stressed the importance of work over welfare. Kennedy worked on the Senate Labor Committee at the time of the workers' rights activism of Cesar Chavez, Dolores Huerta, and the National Farm Workers Association (NFWA). At the request of labor leader Walter Reuther, who had previously marched with and provided money to Chavez, Kennedy flew out to Delano, California, to investigate the situation. Although little attention was paid to the first two committee hearings in March 1966 for legislation to include farm workers by an amendment of the National Labor Relations Act, Kennedy's attendance at the third hearing brought media coverage. Biographer Thomas wrote that Kennedy was moved after seeing the conditions of the workers, who he deemed were being taken advantage of. Chavez stressed to Kennedy that migrant workers needed to be recognized as human beings. Kennedy later engaged in an exchange with Kern County sheriff Leroy Galyen where he criticized the sheriff's deputies for taking photographs of "people on picket lines." As a senator, he was popular among African Americans and other minorities including Native Americans and immigrant groups. He spoke forcefully in favor of what he called the "disaffected", the impoverished, and "the excluded", thereby aligning himself with leaders of the civil rights struggle and social justice campaigners, leading the Democratic party in pursuit of a more aggressive agenda to eliminate perceived discrimination on all levels. He supported desegregation busing, integration of all public facilities, the Voting Rights Act of 1965, and anti-poverty social programs to increase education, offer opportunities for employment, and provide health care for African Americans. Consistent with President Kennedy's Alliance for Progress, he also placed increasing emphasis on human rights as a central focus of U.S. foreign policy. Vietnam The JFK administration had backed U.S. involvement in Southeast Asia and other parts of the world in the frame of the Cold War, but Kennedy was not known to be involved in discussions on the Vietnam War when he was his brother's attorney general.Hilty, p. 460. According to historian Doris Kearns Goodwin, before choosing to run for the Senate, Kennedy had sought an ambassadorship to South Vietnam. Entering the Senate, Kennedy initially kept private his disagreements with President Johnson on the war. While Kennedy vigorously supported his brother's earlier efforts, he never publicly advocated commitment of ground troops. Though bothered by the beginning of the bombing of North Vietnam in February 1965, Kennedy did not wish to appear antipathetic to the president's agenda. But by April, Kennedy was advocating a halt to the bombing to Johnson, who acknowledged that Kennedy played a part in influencing his choice to temporarily cease bombing the following month. Kennedy cautioned Johnson against sending combat troops as early as 1965, but Johnson chose instead to follow the recommendation of the rest of his predecessor's still intact staff of advisers. In July, after Johnson made a large commitment of American ground forces to Vietnam, Kennedy made multiple calls for a settlement through negotiation. The next month, John Paul Vann, a lieutenant colonel in the U.S. Army, wrote that Kennedy "indicat[ed] comprehension of the problems we face", in a letter to the senator. In December 1965, Kennedy advised his friend, the Defense Secretary Robert McNamara, that he should counsel Johnson to declare a ceasefire in Vietnam, a bombing pause over North Vietnam, and to take up an offer by Algeria to serve as a "honest broker" in peace talks. The left-wing Algerian government had friendly relations with North Vietnam and the National Liberation Front and had indicated in 1965-1966 that it was willing to serve as a conduit for peace talks, but most of Johnson's advisers were leery of the Algerian offer. On January 31, 1966, Kennedy in a speech on the Senate floor stated: "If we regard bombing as the answer in Vietnam, we are headed straight for disaster". In February 1966, Kennedy released a peace plan that called for preserving South Vietnam while at the same time allowing the National Liberation Front, better known as the Viet Cong, to join a coalition government in Saigon. When asked by reporters if he was speaking on behalf of Johnson, Kennedy replied: "I don't think anyone has ever suggested that I was speaking for the White House". Kennedy's peace plan made front page news with The New York Times calling it a break with the president while the Chicago Tribunal labelled him in an editorial "Ho Chi Kennedy". Vice President Humphrey on a visit to New Zealand stated that Kennedy's "peace recipe" included "a dose of arsenic" while the National Security Adviser McGeorge Bundy quoted to the press Kennedy's remarks from 1963 saying he was against including Communists in coalition governments (though Kennedy's subject was Germany, not Vietnam). Kennedy was displeased when he heard anti-war protesters chanting his name, saying "I'm not Wayne Morse". To put aside reports of a rift with Johnson, Kennedy flew with Johnson on Air Force One on a trip to New York on February 23, 1966, and barely clapped his hands in approval when Johnson denied waging a war of conquest in Vietnam. In an interview with the Today program, Kennedy conceded that his views on Vietnam were "a little confusing".   In April 1966, Kennedy had a private meeting with Philip Heymann of the State Department's Bureau of Security and Consular Affairs to discuss efforts to secure the release of American prisoners of war in Vietnam. Kennedy wanted to press the Johnson administration to do more, but Heymann insisted that the administration believed the "consequences of sitting down with the Viet Cong" mattered more than the prisoners they were holding captive. On June 29 of that year, Kennedy released a statement disavowing President Johnson's choice to bomb Haiphong, but he avoided criticizing either the war or the president's overall foreign policy, believing that it might harm Democratic candidates in the 1966 midterm elections. In August, the International Herald Tribune described Kennedy's popularity as outpacing President Johnson's, crediting Kennedy's attempts to end the Vietnam conflict which the public increasingly desired. In the early part of 1967, Kennedy traveled to Europe, where he had discussions about Vietnam with leaders and diplomats. A story leaked to the State Department that Kennedy was talking about seeking peace while President Johnson was pursuing the war. Johnson became convinced that Kennedy was undermining his authority. He voiced this during a meeting with Kennedy, who reiterated the interest of the European leaders to pause the bombing while going forward with negotiations; Johnson declined to do so. On March 2, Kennedy outlined a three-point plan to end the war which included suspending the U.S. bombing of North Vietnam, and the eventual withdrawal of American and North Vietnamese soldiers from South Vietnam; this plan was rejected by Secretary of State Dean Rusk, who believed North Vietnam would never agree to it. On May 15, Kennedy debated Governor of California Ronald Reagan about the war. On November 26, 1967, during an appearance on Face the Nation, Kennedy asserted that the Johnson administration had deviated from his brother's policies in Vietnam, his first time contrasting the two administrations' policies on the war. He added that the view that Americans were fighting to end communism in Vietnam was "immoral".Clarke, p. 32. On February 8, 1968, Kennedy delivered an address in Chicago, where he critiqued Saigon "government corruption" and expressed his disagreement with the Johnson administration's stance that the war would determine the future of Asia. On March 14, Kennedy met with defense secretary Clark Clifford at the Pentagon regarding the war. Clifford's notes indicate that Kennedy was offering not to enter the ongoing Democratic presidential primary if President Johnson would admit publicly to having been wrong in his war policy and appoint "a group of persons to conduct a study in depth of the issues and come up with a recommended course of action"; Johnson rejected the proposal. On April 1, after President Johnson halted bombing of North Vietnam, RFK said the decision was a "step toward peace" and, though offering to collaborate with Johnson for national unity, opted to continue his presidential bid. On May 1, while in Lafayette, Indiana, Kennedy said continued delays in beginning peace talks with North Vietnam meant both more lives lost and the postponing of the "domestic progress" hoped for by the US. Later that month, Kennedy called the war "the gravest kind of error" in a speech in Corvallis, Oregon. In an interview on June 4, hours before he was shot, Kennedy continued to advocate for a change in policy towards the war. Despite his criticism of the Vietnam War and the South Vietnam government, Kennedy also stated in his 1968 campaign brochure that he did not support either a simple withdrawal or a surrender in South Vietnam and favored instead a change in the course of action taken so it would bring an "honorable peace." Presidential candidate In 1968 President Johnson prepared to run for re-election. In January, faced with what was widely considered an unrealistic race against an incumbent president, Kennedy stated that he would not seek the presidency. After the Tet Offensive in Vietnam in early February 1968, he received a letter from writer Pete Hamill that said poor people kept pictures of President Kennedy on their walls and that Kennedy had an "obligation of staying true to whatever it was that put those pictures on those walls." Kennedy traveled to Delano, California, to meet with civil rights activist César Chávez, who was on a 25-day hunger strike showing his commitment to nonviolence. It was on this visit to California that Kennedy decided he would challenge Johnson for the presidency, telling his former Justice Department aides, Edwin Guthman and Peter Edelman, that his first step was to get lesser-known Senator Eugene McCarthy of Minnesota to drop out of the presidential race. The weekend before the New Hampshire primary, Kennedy announced to several aides that he would attempt to persuade McCarthy to withdraw from the race to avoid splitting the antiwar vote, but Senator George McGovern urged Kennedy to wait until after that primary to announce his candidacy. Johnson won a narrow victory in the New Hampshire primary on March 12, 1968, against McCarthy, but this close second-place result dramatically boosted McCarthy's standing in the race. After much speculation, and reports leaking out about his plans, and seeing in McCarthy's success that Johnson's hold on the job was not as strong as originally thought, Kennedy declared his candidacy on March 16, 1968, in the Caucus Room of the old Senate office building, the same room where his brother had declared his own candidacy eight years earlier. He stated, "I do not run for the presidency merely to oppose any man, but to propose new policies. I run because I am convinced that this country is on a perilous course and because I have such strong feelings about what must be done, and I feel that I'm obliged to do all I can." McCarthy supporters angrily denounced Kennedy as an opportunist. They believed that McCarthy had taken the most courageous stand by opposing the sitting president of his own party and that his surprising result in New Hampshire had earned him the mantle of being the anti-war candidate. Kennedy's announcement split the anti-war movement in two. On March 31, 1968, Johnson stunned the nation by dropping out of the race. Vice President Hubert Humphrey, a champion of the labor unions and a long supporter of civil rights, entered the race with the financial backing and critical endorsement of the party "establishment", including most members of Congress, mayors, governors, "the south", and several major labor unions. With state registration deadlines long past, Humphrey joined the race too late to enter any primaries but had the support of the president.Schlesinger (2002) [1978], p. 884. Kennedy, like his brother before him, planned to win the nomination through popular support in the primaries. Kennedy ran on a platform of racial and economic justice, non-aggression in foreign policy, decentralization of power, and social change. A crucial element of his campaign was an engagement with the young, whom he identified as being the future of a reinvigorated American society based on partnership and equality. His policy objectives did not sit well with the business community, where he was viewed as something of a fiscal liability, opposed as they were to the tax increases necessary to fund social programs. At one of his university speeches (Indiana University Medical School), he was asked, "Where are we going to get the money to pay for all these new programs you're proposing?" He replied to the medical students, about to enter lucrative careers, "From you."Newfield, Jack. (1988) [1969]. Robert Kennedy: A Memoir. Plume It was this intense and frank mode of dialogue with which he was to continue to engage those whom he viewed as not being traditional allies of Democratic ideals or initiatives. In a speech at the University of Alabama, he argued, "I believe that any who seek high office this year must go before all Americans, not just those who agree with them, but also those who disagree, recognizing that it is not just our supporters, not just those who vote for us, but all Americans who we must lead in the difficult years ahead." He aroused rabid animosity in some quarters, with J. Edgar Hoover's Deputy Clyde Tolson reported as saying, "I hope that someone shoots and kills the son of a bitch." Kennedy's presidential campaign brought out both "great enthusiasm" and anger in people. His message of change raised hope for some and brought fear to others. Kennedy wanted to be a bridge across the divide of American society. His bid for the presidency saw not only a continuation of the programs he and his brother had undertaken during the president's term in office, but also an extension of Johnson's Great Society. Kennedy visited numerous small towns and made himself available to the masses by participating in long motorcades and street-corner stump speeches, often in troubled inner cities. He made urban poverty a chief concern of his campaign, which in part led to enormous crowds that would attend his events in poor urban areas or rural parts of Appalachia. On April 4, 1968, Kennedy learned of the assassination of Martin Luther King Jr. and gave a heartfelt impromptu speech in Indianapolis's inner city, calling for a reconciliation between the races. The address was the first time Kennedy spoke publicly about his brother's killing. Riots broke out in 60 cities in the wake of King's death, but not in Indianapolis, a fact many attribute to the effect of this speech. Kennedy addressed the City Club of Cleveland the next day, on April 5, 1968, delivering the famous On the Mindless Menace of Violence speech. He attended King's funeral, accompanied by Jacqueline and Ted Kennedy. He was described as being the "only white politician to hear only cheers and applause." Despite Kennedy's high profile and name recognition, McCarthy won most of the early primaries, including Kennedy's native state of Massachusetts. Kennedy won the Indiana Democratic primary on May 7 with 42 percent of the vote, and the Nebraska primary on May 14 with 52 percent of the vote. On May 28, Kennedy lost the Oregon primary, marking the first time a Kennedy lost an election, and it was assumed that McCarthy was the preferred choice among the young voters. If he could defeat McCarthy in the California primary, the leadership of the campaign thought, he would knock McCarthy out of the race and set up a one-on-one against Vice President Humphrey at the Chicago national convention in August. Assassination Kennedy scored major victories when he won both the California and South Dakota primaries on June 4. He addressed his supporters shortly after midnight on June 5, 1968, in a ballroom at The Ambassador Hotel in Los Angeles. Leaving the ballroom, he went through the hotel kitchen after being told it was a shortcut to a press room. He did this despite being advised by his bodyguard—former FBI agent Bill Barry—to avoid the kitchen. In a crowded kitchen passageway, Kennedy turned to his left and shook hands with hotel busboy Juan Romero just as Sirhan Sirhan, a 24-year-old Palestinian, opened fire with a .22-caliber revolver. Kennedy was hit three times, and five other people were wounded. George Plimpton, former decathlete Rafer Johnson, and former professional football player Rosey Grier are credited with wrestling Sirhan to the ground after he shot the senator. As Kennedy lay mortally wounded, Romero cradled his head and placed a rosary in his hand. Kennedy asked Romero, "Is everybody OK?", and Romero responded, "Yes, everybody's OK." Kennedy then turned away from Romero and said, "Everything's going to be OK." After several minutes, medical attendants arrived and lifted the senator onto a stretcher, prompting him to whisper, "Don't lift me", which were his last words. He lost consciousness shortly thereafter. He was rushed first to Los Angeles' Central Receiving Hospital, less than east of the Ambassador Hotel, and then to the adjoining (one city block distant) Good Samaritan Hospital. Despite extensive neurosurgery to remove the bullet and bone fragments from his brain, Kennedy was pronounced dead at 1:44 a.m. (PDT) on June 6, nearly 26 hours after the shooting. Robert Kennedy's death, like the 1963 assassination of his brother, President John F. Kennedy, has been the subject of conspiracy theories. Funeral Kennedy's body was returned to Manhattan, where it lay in repose at Saint Patrick's Cathedral from approximately 10:00 p.m. until 10:00 a.m. on June 8. A high requiem Mass was held at the cathedral at 10:00 a.m. on June 8. The service was attended by members of the extended Kennedy family, President Lyndon B. Johnson and his wife Lady Bird Johnson, and members of the Johnson cabinet. Ted, the only surviving Kennedy brother, said the following: The requiem Mass concluded with the hymn "The Battle Hymn of the Republic", sung by Andy Williams. Immediately following the Mass, Kennedy's body was transported by a special private train to Washington, D.C. Kennedy's funeral train was pulled by two Penn Central GG1 electric locomotives. Thousands of mourners lined the tracks and stations along the route, paying their respects as the train passed. The train departed New York Penn Station at 12:30 pm. When it arrived in Elizabeth, New Jersey, an eastbound train on a parallel track to the funeral train hit and killed two spectators and seriously injured four, after they were unable to get off the track in time, even though the eastbound train's engineer had slowed to 30 mph for the normally 55 mph curve, blown his horn continuously, and rung his bell through the curve.Wicker, Tom. President Joins Kennedys in Tribute at Graveside. The New York Times. June 9, 1968. The normally four-hour trip took more than eight hours because of the thick crowds lining the tracks on the journey. The train was scheduled to arrive at about 4:30 pm,Madden, Richard L. "Kennedy Will Be Buried a Few Steps From the Arlington Grave of His Brother." New York Times. June 8, 1968. but sticking brakes on the casket-bearing car contributed to delays, and the train finally arrived at 9:10 p.m. on June 8. Burial Kennedy was buried close to his brother John in Arlington National Cemetery in Arlington, Virginia, just across the Potomac River from Washington, D.C. Although he had always maintained that he wished to be buried in Massachusetts, his family believed Robert should be interred in Arlington next to his brother. The procession left Union Station and passed the New Senate Office Building, where he had his offices, and then proceeded to the Lincoln Memorial, where it paused. The Marine Corps Band played The Battle Hymn of the Republic. The funeral motorcade arrived at the cemetery at 10:24 pm. As the vehicles entered the cemetery, people lining the roadway spontaneously lit candles to guide the motorcade to the burial site. The 15-minute ceremony began at 10:30 p.m. Cardinal Patrick O'Boyle, Roman Catholic Archbishop of Washington, officiated at the graveside service in lieu of Cardinal Richard Cushing of Boston, who fell ill during the trip. Also officiating was Archbishop of New York Terence Cooke. On behalf of the United States, John Glenn presented the folded flag to Senator Ted Kennedy, who passed it to Robert's eldest son, Joe, who passed it to Ethel Kennedy. The Navy Band played The Navy Hymn. Officials at Arlington National Cemetery said that Kennedy's burial was the only night burial to have taken place at the cemetery. (The re-interment of Patrick Bouvier Kennedy, who died two days after his birth in August 1963, and a stillborn daughter, Arabella, both children of President Kennedy and his wife, Jacqueline, also occurred at night.) After the president was interred in Arlington Cemetery, the two infants were buried next to him on December 5, 1963, in a private ceremony without publicity. His brother, Senator Edward M. Kennedy, was also buried at night, in 2009. On June 9, President Lyndon B. Johnson assigned security staff to all U.S. presidential candidates and declared an official national day of mourning. After the assassination, the mandate of the U.S. Secret Service was altered by Congress to include the protection of U.S. presidential candidates. Personal life Family On June 17, 1950, Kennedy married socialite Ethel Skakel, the third daughter of businessman George and Ann Skakel (née Brannack), at St. Mary's Catholic Church in Greenwich, Connecticut. The couple had 11 children; Kathleen (b. 1951), Joseph (b. 1952), Robert Jr. (b. 1954), David (1955–1984), Courtney (b. 1956), Michael (1958–1997), Kerry (b. 1959), Christopher (b. 1963), Max (b. 1965), Douglas (b. 1967), and Rory (b. December 1968, after her father's assassination). Kennedy owned a home at the well-known Kennedy compound on Cape Cod, in Hyannis Port, Massachusetts, but spent most of his time at his estate in McLean, Virginia, known as Hickory Hill (west of Washington, D.C.). His widow, Ethel, and their children continued to live at Hickory Hill after his death. Ethel Kennedy sold Hickory Hill for $8.25 million in 2009. Attitudes and approach Kennedy was said to be the gentlest and shyest of the family, as well as the least articulate verbally. By the time he was a young boy, his grandmother, Josie Fitzgerald, worried he would become a "sissy". His mother had a similar concern, as he was the "smallest and thinnest", but soon afterward, the family discovered "there was no fear of that". Family friend Lem Billings met Kennedy when he was eight years old and would later reflect that he loved him, adding that Kennedy "was the nicest little boy I ever met". Billings also said Kennedy was barely noticed "in the early days, but that's because he didn't bother anybody". Luella Hennessey, who became the nurse for the Kennedy children when Kennedy was 12, called him "the most thoughtful and considerate" of his siblings. Kennedy was teased by his siblings, as in their family it was a norm for humor to be displayed in that fashion. He would turn jokes on himself or remain silent. Despite his gentle demeanor, he could be outspoken, and once engaged a priest in a public argument that horrified his mother, who later conceded that he had been correct all along. Even when arguing for a noble cause, his comments could have "a cutting quality". Although Joe Kennedy's most ambitious dreams centered around Bobby's older brothers, Bobby maintained the code of personal loyalty that seemed to infuse the life of his family. His competitiveness was admired by his father and elder brothers, while his loyalty bound them more affectionately close. A rather timid child, he was often the target of his father's dominating temperament. Working on the campaigns of older brother John, he was more involved, passionate, and tenacious than the candidate himself, obsessed with detail, fighting out every battle, and taking workers to task. He had always been closer to John than the other members of the family. Kennedy's opponents on Capitol Hill maintained that his collegiate magnanimity was sometimes hindered by a tenacious and somewhat impatient manner. His professional life was dominated by the same attitudes that governed his family life: a certainty that good humor and leisure must be balanced by service and accomplishment. Schlesinger comments that Kennedy could be both the most ruthlessly diligent and yet generously adaptable of politicians, at once both temperamental and forgiving. In this he was very much his father's son, lacking truly lasting emotional independence, and yet possessing a great desire to contribute. He lacked the innate self-confidence of his contemporaries yet found a greater self-assurance in the experience of married life, an experience that he stated had given him a base of self-belief from which to continue his efforts in the public arena. Upon hearing yet again the assertion that he was "ruthless", Kennedy once joked to a reporter, "If I find out who has called me ruthless I will destroy him." He also confessed to possessing a bad temper that required self-control: "My biggest problem as counsel is to keep my temper. I think we all feel that when a witness comes before the United States Senate, he has an obligation to speak frankly and tell the truth. To see people sit in front of us and lie and evade makes me boil inside. But you can't lose your temper; if you do, the witness has gotten the best of you." Attorney Michael O'Donnell wrote, "[Kennedy] offered that most intoxicating of political aphrodisiacs: authenticity. He was blunt to a fault, and his favorite campaign activity was arguing with college students. To many, his idealistic opportunism was irresistible." In his earlier life, Kennedy had developed a reputation as the family's attack dog. He was a hostile cross-examiner on Joseph McCarthy's Senate committee; a fixer and leg-breaker as JFK's campaign manager; an unforgiving and merciless cutthroat—his father's son right down to Joseph Kennedy's purported observation that "he hates like me." Yet Bobby Kennedy somehow became a liberal icon, an antiwar visionary who tried to outflank Lyndon Johnson's Great Society from the left. On Kennedy's ideological development, his brother John once remarked, "He might once have been intolerant of liberals as such because his early experience was with that high-minded, high-speaking kind who never got anything done. That all changed the moment he met a liberal like Walter Reuther." Religious faith and Greek philosophy Kennedy's Catholicism was central to his politics and personal attitude to life and its purpose; he inherited his faith from his family. He was more religious than his brothers and approached his duties with a Catholic worldview. Throughout his life, he made reference to his faith, how it informed every area of his life, and how it gave him the strength to re-enter politics following his older brother's assassination. His was not an unresponsive and staid faith, but the faith of a Catholic Radical, perhaps the first successful Catholic Radical in American political history. In the last years of his life, he also found great solace in the playwrights and poets of ancient Greece, especially the writings of Aeschylus, suggested to him by Jacqueline after JFK's death. In his Indianapolis speech on April 4, 1968, on the day of the assassination of Martin Luther King Jr., Kennedy quoted these lines from Aeschylus: Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God. Legacy Kennedy was the first sibling of a president of the United States to serve as U.S. Attorney General. Biographer Evan Thomas wrote that at times Kennedy misused his powers by "modern standards", but concluded, "on the whole, even counting his warts, he was a great attorney general." Walter Isaacson commented that Kennedy "turned out arguably to be the best attorney general in history", praising him for his championing of civil rights and other initiatives of the administration. As Kennedy stepped down from being attorney general in 1964 to assume the office of senator from New York, The New York Times, notably having criticized his appointment three years prior, praised Kennedy for raising the standards of the position. Some of his successor attorneys general have been unfavorably compared to him, for not displaying the same level of poise in the profession. Near the end of his time in office as attorney general under Barack Obama, Eric Holder cited Kennedy as the inspiration for his belief that the Justice Department could be "a force for that which is right." Kennedy has also been praised for his oratorical abilities and his skill at creating unity. Joseph A. Palermo of The Huffington Post observed that Kennedy's words "could cut through social boundaries and partisan divides in a way that seems nearly impossible today." Dolores Huerta and Philip W. Johnston expressed the view that Kennedy, both in his speeches and actions, was unique in his willingness to take political risks. That blunt sincerity was said by associates to be authentic; Frank N. Magill wrote that Kennedy's oratorical skills lent their support to minorities and other disenfranchised groups who began seeing him as an ally. Kennedy's assassination was a blow to the optimism for a brighter future that his campaign had brought for many Americans who lived through the turbulent 1960s. Juan Romero, the busboy who shook hands with Kennedy right before he was shot, later said, "It made me realize that no matter how much hope you have it can be taken away in a second." Kennedy's death has been cited as a significant factor in the Democratic Party's loss of the 1968 presidential election. Since his passing, Kennedy has become generally well-respected by liberals and conservatives, which is far from the polarized views of him during his lifetime. Joe Scarborough, John Ashcroft, Tom Bradley, Mark Dayton, John Kitzhaber, Max Cleland, Tim Cook, Phil Bredesen, Joe Biden, J. K. Rowling, Jim McGreevey, Gavin Newsom, and Ray Mabus have acknowledged Kennedy's influence on them. Josh Zeitz of Politico observed, "Bobby Kennedy has since become an American folk hero—the tough, crusading liberal gunned down in the prime of life." Kennedy's (and to a lesser extent his older brother's) ideas about using government authority to assist less fortunate peoples became central to American liberalism as a tenet of the "Kennedy legacy". Honors In the months and years after Robert F. Kennedy's death, numerous roads, public schools, and other facilities across the United States have been named in his memory. The Robert F. Kennedy Center for Justice and Human Rights was founded in 1968, with an international award program to recognize human rights activists. The sports stadium in Washington, D.C., was renamed Robert F. Kennedy Memorial Stadium in 1969. In 1978 the United States Congress awarded Kennedy its Gold Medal of Honor. On January 12, 1979, a 15-cent commemorative U.S. Postal Service stamp (U.S. #1770) was issued in Washington.D.C., honoring R.F.K. The Bureau of Engraving and Printing distributed 159,297,600 of the perforated, blue-and-white stamps—an unusually-large printing. The stamp design was taken from a family photo suggested by his wife, Ethel. In 1998 the United States Mint released the Robert F. Kennedy silver dollar, a special dollar coin that featured Kennedy's image on the obverse and the emblems of the United States Department of Justice and the United States Senate on the reverse. On November 20, 2001, U.S. President George W. Bush and Attorney General John Ashcroft dedicated the Department of Justice headquarters building in Washington, D.C., as the Robert F. Kennedy Department of Justice Building, honoring Kennedy on what would have been his 76th birthday. They both spoke during the ceremony, as did Kennedy's eldest son, Joseph. In a further effort to remember Kennedy and continue his work helping the disadvantaged, a small group of private citizens launched the Robert F. Kennedy Children's Action Corps in 1969. The private, nonprofit, Massachusetts-based organization helps more than 800 abused and neglected children each year. A bust of Kennedy resides in the library of the University of Virginia School of Law where he obtained his law degree. On June 4, 2008 (the eve of the 40th anniversary of his assassination), the New York State Assembly voted to rename the Triborough Bridge in New York City the Robert F. Kennedy Memorial Bridge. New York State Governor David Paterson signed the legislation into law on August 8, 2008. The bridge is now commonly known as the RFK-Triborough Bridge. On September 20, 2016, the United States Navy announced the renaming of a refueling ship in honor of Kennedy during a ceremony attended by members of his family. Personal items and documents from his office in the Justice Department Building are displayed in a permanent exhibit dedicated to him at the John F. Kennedy Library and Museum. Papers from his years as attorney general, senator, peace and civil rights activist and presidential candidate, as well as personal correspondence, are also housed in the library. Established in 1984, the Robert F. Kennedy Assassination Archives stored at the University of Massachusetts Dartmouth contains thousands of copies of government documents obtained through the Freedom of Information Act public disclosure process as well as manuscripts, photographs, audiotape interviews, video tapes, news clippings and research notes compiled by journalists and other private citizens who have investigated discrepancies in the case. Kennedy and Martin Luther King Jr. Several public institutions jointly honor Kennedy and Martin Luther King Jr. In 1969, the former Woodrow Wilson Junior College, a two-year institution and a constituent campus of the City Colleges of Chicago, was renamed Kennedy–King College. In 1994 the City of Indianapolis erected the Landmark for Peace Memorial in Robert Kennedy's honor near the space made famous by his speech from the back of a pickup truck the night King died. The monument in Martin Luther King Jr. Memorial Park depicts a sculpture of RFK reaching out from a large metal slab to a sculpture of King, who is part of a similar slab. This is meant to symbolize their attempts in life to bridge the gaps between the races—an attempt that united them even in death. A state historical marker has also been placed at the site. A nephew of King and Indiana U.S. Congresswoman Julia Carson presided over the event; both made speeches from the back of a pickup truck in similar fashion to RFK's speech. In 2019, Kennedy's "Speech on the Death of Dr. Martin Luther King, Jr." (April 4, 1968) was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Publications The Enemy Within: The McClellan Committee's Crusade Against Jimmy Hoffa and Corrupt Labor Unions (1960) Just Friends and Brave Enemies (1962) The Pursuit of Justice (1964) To Seek a Newer World, essays (1967) Thirteen Days: A Memoir of the Cuban Missile Crisis, published posthumously (1969) Art, entertainment, and media Kennedy has been the subject of several documentaries and has appeared in various works of popular culture. Kennedy's role in the Cuban Missile Crisis has been dramatized by Martin Sheen in the TV play The Missiles of October (1974) and by Steven Culp in Thirteen Days (2000). The film Bobby (2006) is the story of multiple people's lives leading up to RFK's assassination. The film employs stock footage from his presidential campaign, and he is briefly portrayed by Dave Fraunces. Barry Pepper won an Emmy for his portrayal of Kennedy in The Kennedys (2011), an 8-part miniseries. He is played by Peter Sarsgaard in the film about Jacqueline Kennedy, Jackie (2016). He is played by Jack Huston in Martin Scorsese's film The Irishman (2019). See also Kennedy family tree List of assassinated American politicians List of peace activists List of United States Congress members killed or wounded in office List of United States Congress members who died in office (1950–99) References Citations Bibliography Barnes, John A. Irish-American Landmarks. Canton, Mich.: Visible Ink, 1995. Grubin, David, director and producer, RFK. Video. (DVD, VHS). 2hr. WGBH Educ. Found. and David Grubin Productions, 2004. Distrib. by PBS Video Haas, Lawrence J. The Kennedys in the World: How Jack, Bobby, and Ted Remade America's Empire (2021) excerpt Hilty, James M. Robert Kennedy: Brother Protector (1997), vol. 1 to 1963. Temple U. Press., 1997. Martin, Zachary J. The Mindless Menace of Violence: Robert F. Kennedy's Vision and the Fierce Urgency of Now. Lanham, Md.: Hamilton Books, 2009. RFK's speech after the death of Martin Luther King in 1968. Navasky, Victor S. Kennedy Justice (1972). Argues the policies of RFK's Justice Department show the conservatism of justice, the limits of charisma, the inherent tendency in a legal system to support the status quo, and the counterproductive results of many of Kennedy's endeavors in the field of civil rights and crime control. Neff, James. Vendetta: Bobby Kennedy Versus Jimmy Hoffa (2016) excerpt National Book Award. Schlesinger, Arthur, M. Jr. (2002) [1978], Robert Kennedy And His Times, Mariner Books-Houghton Mifflin Co., . Schmitt, Edward R. President of the Other America: Robert Kennedy and the Politics of Poverty (University of Massachusetts Press, 2010) 324 pp. online free External links FBI Records: The Vault – Robert F. Kennedy at fbi.gov Biography at United States Department of Justice Annotated Bibliography for Robert F. Kennedy from the Alsos Digital Library for Nuclear Issues American Experience: RFK, PBS Text, Audio, and Video of Robert Kennedy's Remarks on the Assassination of Martin Luther King Jr. Edward Kennedy eulogy to Robert Kennedy (text and audio) My Father's Stand on Cuba Travel by Kathleen Kennedy Townsend, The Washington Post'', April 23, 2009 Radio airchecks/recordings of the shooting and death of Senator Kennedy including Mutual Radio's Andrew West's shooting coverage, continued live coverage from CBS Radio, announcements of RFK's death, CBS Radio's complete coverage of funeral mass St. Patrick's Cathedral, and CBS Radio coverage of the train arrival of RFK's body in Washington DC. KTTV assassination coverage at The Museum of Classic Chicago Television FBI file on the RFK assassination "The Robert F. Kennedy Assassination Archives" – a collection within the University of Massachusetts Dartmouth Archives and Special Collections established in 1984 1925 births 1968 deaths 1968 murders in the United States 20th-century American writers 20th-century American politicians United States Navy personnel of World War II American murder victims Anti-poverty advocates Assassinated American politicians Bates College people Burials at Arlington National Cemetery Civil rights movement Congressional Gold Medal recipients People murdered in California Deaths by firearm in California Democratic Party United States senators from New York (state) Harvard Crimson football players Harvard College alumni Kennedy administration cabinet members Kennedy family Lyndon B. Johnson administration cabinet members Male murder victims Massachusetts Democrats Milton Academy alumni Military personnel from Massachusetts New York (state) Democrats New York (state) lawyers People educated at Gibbs School People from Bronxville, New York Politicians from Brookline, Massachusetts People murdered in Los Angeles United States Attorneys General United States Navy officers 1964 United States vice-presidential candidates United States Senate lawyers United States senators from New York (state) University of Virginia School of Law alumni Writers from Boston Writers from New York (state) Riverdale Country School alumni Portsmouth Abbey School alumni

C_7f02cbbd659b430db4d8d78bd4235163_1

Did he ever work for his father?

Did Robert F. Kennedy ever work for his father?

Robert F. Kennedy

In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their freshman year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and like her, he became a devout Catholic and throughout his lifetime he practiced his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." CANNOTANSWER

Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children,

Robert Francis Kennedy (November 20, 1925June 6, 1968), also referred to by his initials RFK or by the nickname Bobby, was an American lawyer and politician who served as the 64th United States Attorney General from January 1961 to September 1964, and as a U.S. Senator from New York from January 1965 until his assassination in June 1968. He was, like his brothers John and Edward, a prominent member of the Democratic Party and has come to be viewed by some historians as an icon of modern American liberalism. Kennedy was born into a wealthy, political family in Brookline, Massachusetts. After serving in the U.S. Naval Reserve from 1944 to 1946, Kennedy returned to his studies at Harvard University, and later received his law degree from the University of Virginia. He began his career as a correspondent for The Boston Post and as a lawyer at the Justice Department, but later resigned to manage his brother John's successful campaign for the U.S. Senate in 1952. The following year, he worked as an assistant counsel to the Senate committee chaired by Senator Joseph McCarthy. He gained national attention as the chief counsel of the Senate Labor Rackets Committee from 1957 to 1959, where he publicly challenged Teamsters President Jimmy Hoffa over the union's corrupt practices. Kennedy resigned from the committee to conduct his brother's successful campaign in the 1960 presidential election. He was appointed United States Attorney General at the age of 36, becoming the youngest Cabinet member in U.S. history since Alexander Hamilton in 1789. He served as his brother's closest advisor until the latter's 1963 assassination. His tenure is known for advocating for the civil rights movement, the fight against organized crime and the Mafia, and involvement in U.S. foreign policy related to Cuba. He authored his account of the Cuban Missile Crisis in a book titled Thirteen Days. As attorney general, he authorized the Federal Bureau of Investigation (FBI) to wiretap Martin Luther King Jr. and the Southern Christian Leadership Conference on a limited basis. After his brother's assassination, he remained in office during the Presidency of Lyndon B. Johnson for several months. He left to run for the United States Senate from New York in 1964 and defeated Republican incumbent Kenneth Keating. In office, Kennedy opposed U.S. involvement in the Vietnam War and raised awareness of poverty by sponsoring legislation designed to lure private business to blighted communities (i.e., Bedford Stuyvesant Restoration project). He was an advocate for issues related to human rights and social justice by traveling abroad to eastern Europe, Latin America, and South Africa, and formed working relationships with Martin Luther King Jr., Cesar Chavez, and Walter Reuther. In 1968, Kennedy became a leading candidate for the Democratic nomination for the presidency by appealing to poor, African American, Hispanic, Catholic, and young voters. His main challenger in the race was Senator Eugene McCarthy. Shortly after winning the California primary around midnight on June 5, 1968, Kennedy was mortally wounded when shot with a pistol by Sirhan Sirhan, a 24-year-old Palestinian, allegedly in retaliation for his support of Israel following the 1967 Six-Day War. Kennedy died 25 hours later. Sirhan was arrested, tried, and convicted, though Kennedy's assassination, like his brother's, continues to be the subject of widespread analysis and numerous conspiracy theories. Early life and education Robert Francis Kennedy was born outside Boston in Brookline, Massachusetts, on November 20, 1925. He was the seventh of nine children to businessman/politician Joseph P. Kennedy Sr. and philanthropist/socialite Rose Fitzgerald Kennedy. His parents were members of two prominent Irish-American families in Boston. His eight siblings were Joseph Jr., John, Rosemary, Kathleen, Eunice, Patricia, Jean, and Ted. All four of his grandparents were children of Irish immigrants. His father was a wealthy businessman and a leading figure in the Democratic Party. After he stepped down as ambassador to the United Kingdom in 1940, Joe Sr. focused his attention on his oldest son, Joseph Jr., expecting that he would enter politics and be elected president. He also urged the younger children to examine and discuss current events in order to propel them to public service. After Joseph Jr. was killed during World War II, the senior Kennedy's hopes fell on his second son, John, to become president. Joseph Sr. had the money and connections to play a central role in the family's political ambitions. Kennedy's older brother John was often bedridden by illness and, as a result, became a voracious reader. Although he made little effort to get to know his younger brother during his childhood, John took him on walks and regaled him with the stories of heroes and adventures he had read. One of their favorite authors was John Buchan, who wrote The Thirty-Nine Steps, which influenced both Robert and John. John sometimes called Robert "Black Robert" due to his prudishness and disposition. Unlike his older brothers, Kennedy took to heart their mother Rose's agenda for everything to have "a purpose," which included visiting historic sites during family outings, visits to the church during morning walks, and games used to expand vocabulary and math skills. He described his position in the family hierarchy by saying, "When you come from that far down, you have to struggle to survive." As the boys were growing up, he tried frequently to get his older brothers' attention, but was seldom successful. As his father's business success expanded, the family kept homes around Boston and New York City; the Cape Cod peninsula; and Palm Beach. Kennedy later said that during childhood he was "going to different schools, always having to make new friends, and that I was very awkward ... [a]nd I was pretty quiet most of the time. And I didn't mind being alone." He had to repeat third grade. A teacher at Bronxville public school reflected that he was "a regular boy", adding, "It seemed hard for him to finish his work sometimes. But he was only ten after all." He developed an interest in American history, decorating his bedroom with pictures of U.S. presidents and filling his bookshelves with volumes on the American Civil War. He became an avid stamp collector and once received a handwritten letter from Franklin Roosevelt, also a philatelist. In March 1938, Kennedy sailed to London with his mother and four youngest siblings to join his father, who had begun serving as Ambassador to the United Kingdom. He attended the private Gibbs School for Boys for seventh grade. In April 1939, he gave his first public speech at the placing of a cornerstone for a youth club in England. According to embassy and newspaper reports, his statements were penciled in his own hand and delivered in a "calm and confident" manner. Bobby returned to the United States just before the outbreak of World War II in Europe. St. Paul's and Portsmouth Priory In September 1939, Kennedy began eighth grade at St. Paul's School, an elite Protestant private preparatory school for boys in Concord, New Hampshire, that his father favored. Rose Kennedy was unhappy with the school's use of the Protestant Bible. After two months, she took advantage of her ambassador husband's absence from Boston and withdrew Kennedy from St. Paul's. She enrolled him in Portsmouth Priory School, a Benedictine Catholic boarding school for boys in Portsmouth, Rhode Island, which held daily morning and evening prayers and Mass three times a week, with a High Mass on Sundays. Kennedy attended Portsmouth for eighth through tenth grade. At Portsmouth Priory School, Kennedy was known as "Mrs. Kennedy's little boy Bobby" after he introduced his mother to classmates, who made fun of them. He was defensive of his mother, and on one occasion chased a student out of the dormitory after the boy had commented on her appearance. He befriended Peter MacLellan and wrote to him, when his brother John was serving in the U.S. Navy, that he would be visiting his brother "because he might be killed any minute". Kennedy blamed himself when his grades failed to improve. In letters to her son, Rose urged him to read more and to strengthen his vocabulary. Rose also expressed disappointment and wrote that she did not expect him to let her down. He began developing in other ways, and his brother John noticed his increased physical strength, predicting that the younger Kennedy "would be bouncing me around plenty in two more years". Monks at Portsmouth Priory School regarded him as a moody and indifferent student. Father Damian Kearney, who was two classes behind Kennedy, reflected that he "didn't look happy" and that he did not "smile much". According to Kearney's review of school records, Kennedy was a "poor-to-mediocre student, except for history". Milton Academy In September 1942, Kennedy transferred to his third boarding school, Milton Academy, in Milton, Massachusetts, for 11th and 12th grades. His father wanted him to transfer to Milton, believing it would better prepare him for Harvard. At Milton, he met and became friends with David Hackett. He invited Hackett to join him for Sunday Mass. Hackett started accompanying him, and was impressed when Kennedy took it upon himself to fill in for a missing altar boy one Sunday. Hackett admired Kennedy's determination to bypass his shortcomings, and remembered him redoubling his efforts whenever something did not come easy to him, which included athletics, studies, success with girls, and popularity. Hackett remembered the two of them as "misfits", a commonality that drew him to Kennedy, along with an unwillingness to conform to how others acted even if doing so meant not being accepted. Kennedy's grades improved. One of his first relationships was with a girl named Piedy Bailey. The pair was photographed together when he walked her home after chapel on a Sunday night. Bailey was fond of him and remembered him as being "very appealing". She recalled him being funny, "separate, larky; outside the cliques; private all the time". Soon after he transferred to Milton, he pressed his father to allow him to enlist, as he wanted to catch up to his brothers who were both serving in the military. Kennedy had arrived at Milton unfamiliar with his peers and made little attempt to know the names of his classmates; he called most of the other boys "fella" instead. For this, he was nicknamed "Fella". Most of the school's students had come in eighth or ninth grade and cliques had already been formed. Despite this, his schoolmates would later say the school had no prejudice. He had an early sense of virtue; he disliked dirty jokes and bullying, once stepping in when an upperclassman tried bothering a younger student. The headmaster at Milton would later summarize that he was a "very intelligent boy, quiet and shy, but not outstanding, and he left no special mark on Milton". Relationship with parents In Kennedy's younger years, his father dubbed him the "runt" of the family and wrote him off. Close family friend Lem Billings once remarked to Joe Sr. that he was "the most generous little boy", and Joe Sr. replied that he did not know where his son "got that". Billings commented that the only similarity between Robert and Joe Sr. was their eye color. As Kennedy grew, his father worried that he was soft on others, conflicting with his ideology. In response, Kennedy developed a tough persona that masked his gentle personality, attempting to appease his father. Biographer Judie Mills wrote that Joe Sr.'s lack of interest in Robert was evident by the length of time it took for him to decide to transfer him to Milton Academy. Both Joe Jr. and John attended the exclusive Protestant prep school Choate from their first year, while Robert was already a junior by the time he was enrolled at Milton. Despite his father's disdain, Kennedy continued to seek his approval, requesting that Joe Sr. write him a letter about his opinions on different political events and World War II. As a child, Kennedy also strove to meet his mother's expectations to become the most dutiful, religious, affectionate, and obedient of the Kennedy children, but the father and son grew distant. Rose found his gentle personality endearing, though this was noted as having made him "invisible to his father". She influenced him heavily and, like her, he became a devout Catholic, throughout his lifetime practicing his religion more seriously than the other boys in the family. He impressed his parents as a child by taking on a newspaper route, seeking their approval and wishing to distinguish himself. However, he had the family chauffeur driving him in a Rolls-Royce so that he could make his deliveries. His mother discovered this and the deliveries ceased. Joe Sr. was satisfied with Kennedy as an adult, believing him to have become "hard as nails", more like him than any of the other children, while his mother believed he exemplified all she had wanted in a child. Mills wrote, "His parents' conflicting views would be echoed in the opinions of millions of people throughout Bobby's life. Robert Kennedy was a ruthless opportunist who would stop at nothing to attain his ambitions. Robert Kennedy was America's most compassionate public figure, the only person who could save a divided country." Naval service (1944–1946) Six weeks before his 18th birthday in 1943, Kennedy enlisted in the United States Naval Reserve as a seaman apprentice. He was released from active duty in March 1944, when he left Milton Academy early to report to the V-12 Navy College Training Program at Harvard College in Cambridge, Massachusetts. His V-12 training began at Harvard (March–November 1944) before he was relocated to Bates College in Lewiston, Maine (November 1944 – June 1945). He returned to Harvard once again in June 1945 completing his post-training requirements in January 1946. At Bates he received a specialized V-12-degree along with 15 others, and during its Winter Carnival built a snow replica of a Navy boat. While in Maine, he wrote a letter to David Hackett in which he expressed feelings of inadequacy and frustration at being isolated from the action. He talked of filling his free time by taking classes with other sailors and remarked that "things are the same as usual up here, and me being my usual moody self I get very sad at times." He added, "If I don't get the hell out of here soon I'll die." In addition to Hackett, who was serving as a paratrooper, more of his Parker Hall dorm mates went overseas and left him behind. With others entering combat before him, Kennedy said this made him "feel more and more like a Draft Dodger or something". He was also frustrated with the apparent desire to shirk military responsibility by some of the other V-12 students. Kennedy's brother Joseph P. Kennedy Jr. died in August 1944, when his bomber exploded during a volunteer mission known as Operation Aphrodite. Robert was most affected by his father's reaction to his eldest son's passing. He appeared completely heartbroken and his peer Fred Garfield commented that Kennedy developed depression and questioned his faith for a short time. After his brother's death, Robert gained more attention, moving higher up the family patriarchy. On December 15, 1945, the U.S. Navy commissioned the destroyer , and shortly thereafter granted Kennedy's request to be released from naval-officer training to serve aboard Kennedy starting on February 1, 1946, as a seaman apprentice on the ship's shakedown cruise in the Caribbean. On May 30, 1946, he received his honorable discharge from the Navy. For his service in the Navy, Kennedy was eligible for the American Campaign Medal and the World War II Victory Medal. Further study, journalism, and marriage (1946–1951) In September 1946, Kennedy entered Harvard as a junior, having received credit for his time in the V-12 program. He worked hard to make the varsity football team as an end; he was a starter and scored a touchdown in the first game of his senior year before breaking his leg in practice. He earned his varsity letter when his coach sent him in wearing a cast during the last minutes of a game against Yale. His father spoke positively of him when he served as a blocking back and sometime receiver for the faster Dave Hackett. Joseph Sr. attended some of Kennedy's practices and saw his son catch a touchdown pass in an early-season rout of Western Maryland. His teammates admired his physical courage. He stood tall and weighed , which made him too small for college football. Despite this, he was a fearless hitter and once tackled a 230-pound fullback head-on. Wally Flynn, another player, looked up in the huddle after one play to see him crying after he broke his leg. He disregarded the injury and kept playing. Kennedy earned two varsity letters over the course of the 1946 and 1947 seasons. Throughout 1946, Kennedy became active in his brother John's campaign for the U.S. Representative seat that was vacated by James Curley; he joined the campaign full-time after his naval discharge. Biographer Schlesinger wrote that the election served as an entry into politics for both Robert and John. Robert graduated from Harvard in 1948 with a bachelor's degree in political science. Upon graduating, he sailed immediately on the with a college friend for a six-month tour of Europe and the Middle East, accredited as a correspondent for the Boston Post, filing six stories. Four of these stories, submitted from Palestine shortly before the end of the British Mandate, provided a first-hand view of the tensions in the land. He was critical of British policy on Palestine and praised the Jewish people he met there calling them "hardy and tough". He held out some hope after seeing Arabs and Jews working side by side but, in the end, feared that the hatred between the groups was too strong and would lead to a war. In September 1948, he enrolled at the University of Virginia School of Law in Charlottesville. Kennedy adapted to this new environment, being elected president of the Student Legal Forum, where he successfully produced outside speakers including James M. Landis, William O. Douglas, Arthur Krock, and Joseph McCarthy and his family members Joe Sr. and John F. Kennedy. Kennedy's paper on Yalta, written during his senior year, is deposited in the Law Library's Treasure Trove. On June 17, 1950, Kennedy married Ethel Skakel at St. Mary's Catholic Church in Greenwich, Connecticut. He graduated from law school in June 1951 and flew with Ethel to Greenwich to stay in his father-in-law's guest house. The couple's first child, Kathleen, was born on July 4, 1951. During this time, his brother John tried to keep Joe Sr. "at arm's length". The brothers rarely interacted until Kenny O'Donnell contacted Robert to repair the relationship between John and their father during John's Senate campaign. As a result of this, Joe Sr. came to view Robert favorably as reliable and "willing to sacrifice himself" for the family. In September 1951, he went to San Francisco as a correspondent for the Boston Post to cover the convention that concluded the Treaty of Peace with Japan. In October 1951, he embarked on a seven-week Asian trip with his brother John (then a U.S. Congressman from Massachusetts' 11th district) and their sister Patricia to Israel, India, Pakistan, Vietnam, and Japan. Because of their age gap, the two brothers had previously seen little of each other—this trip came at their father's behest and was the first extended time they had spent together, serving to deepen their relationship. On this trip, the brothers met Liaquat Ali Khan just before his assassination, and India's prime minister, Jawaharlal Nehru. Senate committee counsel and political campaigns (1951–1960) JFK Senate campaign and Joseph McCarthy (1952–1955) In November 1951, Kennedy moved with his wife and daughter to a townhouse in the Georgetown, Washington, D.C., and started work as a lawyer in the Internal Security Section of the Criminal Division of the U.S. Department of Justice. He prosecuted a series of graft and income tax evasion cases. In February 1952, Kennedy was transferred to Brooklyn, and worked as an assistant U.S. attorney for the Eastern District of New York to help prepare fraud cases against former officials of the Truman administration. On June 6, 1952, he resigned to manage his brother John's U.S. Senate campaign in Massachusetts. JFK's victory was of great importance to the Kennedys, elevating him to national prominence and turning him into a serious potential presidential candidate. John's victory was also equally important to Robert, who felt he had succeeded in eliminating his father's negative perceptions of him. In December 1952, at his father's behest, Kennedy was appointed by family friend Republican Senator Joseph McCarthy as assistant counsel of the U.S. Senate Permanent Subcommittee on Investigations. Kennedy disapproved of McCarthy's aggressive methods of garnering intelligence on suspected communists. This was a highly visible job for him. He resigned in July 1953, but "retained a fondness for McCarthy". The period of July 1953 to January 1954 saw him at "a professional and personal nadir", feeling that he was adrift while trying to prove himself to his family. Kenneth O'Donnell and Larry O'Brien (who worked on John's congressional campaigns) urged Kennedy to consider running for Massachusetts Attorney General in 1954, but he declined. After a period as an assistant to his father on the Hoover Commission, Kennedy rejoined the Senate committee staff as chief counsel for the Democratic minority in February 1954. That month, McCarthy's chief counsel Roy Cohn subpoenaed Annie Lee Moss, accusing her of membership in the Communist Party. Kennedy revealed that Cohn had called the wrong Annie Lee Moss and he requested the file on Moss from the FBI. FBI director J. Edgar Hoover had been forewarned by Cohn and denied him access, calling RFK "an arrogant whippersnapper". When Democrats gained a Senate majority in January 1955, Kennedy became chief counsel and was a background figure in the televised Army–McCarthy hearings of 1954 into McCarthy's conduct. The Moss incident turned Cohn into an enemy, which led to Kennedy assisting Democratic senators in ridiculing Cohn during the hearings. The animosity grew to the point where Cohn had to be restrained after asking RFK if he wanted to fight him. For his work on the McCarthy committee, Kennedy was included in a list of Ten Outstanding Young Men of 1954, created by the U.S. Junior Chamber of Commerce. His father had arranged the nomination, his first national award. In 1955 Kennedy was admitted to practice before the United States Supreme Court. Stevenson aide and focus on organized labor (1956–1960) In 1956, Kennedy moved his growing family outside Washington to a house called Hickory Hill, which he purchased from his brother John. This enormous 13-bedroom, 13-bath home was situated on in McLean, Virginia. Kennedy went on to work as an aide to Adlai Stevenson during the 1956 presidential election which helped him learn how national campaigns worked, in preparation for a future run by his brother, Jack. Unimpressed with Stevenson, he reportedly voted for incumbent Dwight D. Eisenhower. Kennedy was also a delegate at the 1956 Democratic National Convention, having replaced Tip O'Neil at the request of his brother John, joining in what was ultimately an unsuccessful effort to help JFK get the vice-presidential nomination. Shortly after this, following instructions by his father, Kennedy tried making amends with J. Edgar Hoover. There seemed to be some improvement in their interactions, which came to be seen as "elemental political necessity" by Kennedy. This later changed after Kennedy was appointed attorney general, where Hoover saw him as an "unprecedented threat". From 1957 to 1959, he made a name for himself while serving as the chief counsel to the Senate's McClellan Committee under chairman John L. McClellan. Kennedy was given authority over testimony scheduling, areas of investigation, and witness questioning by McClellan, a move that was made by the chairman to limit attention to himself and allow outrage by organized labor to be directed toward Kennedy. In a famous scene, Kennedy squared off with Teamsters Union President Jimmy Hoffa during the antagonistic argument that marked Hoffa's testimony. Kennedy, who was instructed to collect information, discovered several financial irregularities, such as that Hoffa had misappropriated $9.5 million in union funds and made corrupt deals with employers. During the hearings, Kennedy received criticism from liberal critics and other commentators both for his outburst of impassioned anger and doubts about the innocence of those who invoked the Fifth Amendment. Senators Barry Goldwater and Karl Mundt wrote to each other and complained about "the Kennedy boys" having hijacked the McClellan Committee by their focus on Hoffa and the Teamsters. They believed Kennedy covered for Walter Reuther and the United Automobile Workers, a union which typically would back Democratic office seekers. Amidst the allegations, Kennedy wrote in his journal that the two senators had "no guts" as they never addressed him directly, only through the press. He left the committee in late 1959 in order to run his brother's presidential campaign. JFK presidential campaign (1960) In 1960 Kennedy published The Enemy Within, a book which described the corrupt practices within the Teamsters and other unions that he had helped investigate. John Seigenthaler assisted Kennedy. Kennedy went to work on the presidential campaign of his brother, John. In contrast to his role in his brother's previous campaign eight years prior, Kennedy gave stump speeches throughout the primary season, gaining confidence as time went on. His strategy "to win at any cost" led him to call on Franklin D. Roosevelt Jr. to attack Hubert Humphrey as a draft dodger; Roosevelt eventually did make the statement that Humphrey avoided service. Concerned that John Kennedy was going to receive the Democratic Party's nomination, some supporters of Lyndon Johnson, who was also running for the nomination, revealed to the press that JFK had Addison's disease, saying that he required life-sustaining cortisone treatments. Though in fact a diagnosis had been made, Kennedy tried to protect his brother by denying the allegation, saying that JFK had never had "an ailment described classically as Addison's disease". After securing the nomination, John Kennedy nonetheless decided to offer Lyndon Johnson the vice presidency. This did not sit well with some Kennedy supporters, and Robert tried unsuccessfully to convince Johnson to turn down the offer, leading him to view Robert with contempt afterward. RFK had already disliked Johnson prior to the presidential campaign, seeing him as a threat to his brother's ambitions. RFK wanted his brother to choose labor leader Walter Reuther. Despite Kennedy's attempts, Johnson became his brother's running mate. Kennedy worked toward downplaying his brother's Catholic faith during the primary but took a more aggressive and supportive stance during the general election. These concerns were mostly calmed after JFK delivered a speech in September in Houston where he said that he was in favor of the separation of church and state. The following month, Kennedy was involved in securing the release of civil rights leader Martin Luther King Jr. from a jail in Atlanta. Kennedy spoke with Georgia governor Ernest Vandiver and later Judge Oscar Mitchell, after the judge had sentenced King for violating his probation when he protested at a whites-only snack bar. Attorney General of the United States (1961–1964) After winning the 1960 presidential election, President-elect John F. Kennedy appointed his younger brother attorney general. The choice was controversial, with publications including The New York Times and The New Republic calling him inexperienced and unqualified. He had no experience in any state or federal court, causing the president to joke, "I can't see that it's wrong to give him a little legal experience before he goes out to practice law." But Kennedy was hardly a novice as a lawyer, having gained significant experience conducting investigations and questioning witnesses as a Justice Department attorney and Senate committee counsel and staff director. According to Bobby Baker, the Senate majority secretary and a protégé of Lyndon Johnson, President-elect Kennedy did not want to name his brother attorney general, but their father overruled him. At the behest of Vice President-elect Johnson, Baker persuaded the influential Southern senator Richard Russell to allow a voice vote to confirm the president's brother in January 1961, as Kennedy "would have been lucky to get 40 votes" on a roll-call vote. The deputy and assistant attorneys general Kennedy chose included Byron White and Nicholas Katzenbach. Kennedy also played a major role in helping his brother form his cabinet. John Kennedy wanted to name Senator J. William Fulbright, whom he knew and liked, as his secretary of state. Fulbright was generally regarded as the Senate's resident foreign policy expert, but he also supported segregation and white supremacy in the South. Robert Kennedy persuaded his brother that having Fulbright as secretary of state would cost the Democrats Afro-American votes, leading to Dean Rusk being nominated instead after John Kennedy decided that his next choice, McGeorge Bundy, was too young. Kennedy was also present at the job interview when the CEO of the Ford Motor Company, Robert McNamara, was interviewed by John Kennedy about becoming defense secretary. McNamara's self-confidence and belief that he could "scientifically" solve any problem via his "Systems Analysis" style of management impressed the Kennedy brothers, though John was rattled for a moment when McNamara asked if his bestselling book Profiles in Courage was written by a ghost writer.     Author James W. Hilty concludes that Kennedy "played an unusual combination of roles—campaign director, attorney general, executive overseer, controller of patronage, chief adviser, and brother protector" and that nobody before him had had such power. His tenure as attorney general was easily the period of greatest power for the office—no previous United States attorney general had enjoyed such clear influence on all areas of policy during an administration. To a great extent, President Kennedy sought the advice and counsel of his younger brother, with Robert being the president's closest political adviser. He was relied upon as both the president's primary source of administrative information and as a general counsel with whom trust was implicit. He exercised widespread authority over every cabinet department, leading the Associated Press to dub him "Bobby—Washington's No. 2-man". The president once remarked about his brother, "If I want something done and done immediately I rely on the Attorney General. He is very much the doer in this administration, and has an organizational gift I have rarely if ever seen surpassed." Berlin As one of the president's closest White House advisers, Kennedy played a crucial role in the events surrounding the Berlin Crisis of 1961. Operating mainly through a private, backchannel connection to Soviet spy Georgi Bolshakov, he relayed important diplomatic communications between the American and Soviet governments. Most significantly, this connection helped the U.S. set up the Vienna Summit in June 1961, and later to defuse the tank standoff with the Soviets at Berlin's Checkpoint Charlie in October. Kennedy's visit with his wife to West Berlin in February 1962 demonstrated U.S. support for the city and helped repair the strained relationship between the administration and its special envoy in Berlin, Lucius D. Clay. Organized crime and the Teamsters As attorney general, Kennedy pursued a relentless crusade against organized crime and the Mafia, sometimes disagreeing on strategy with FBI Director J. Edgar Hoover. Convictions against organized crime figures rose by 800 percent during his term. Kennedy worked to shift Hoover's focus away from communism, which Hoover saw as a more serious threat, to organized crime. According to James Neff, Kennedy's success in this endeavor was due to his brother's position, giving the attorney general leverage over Hoover. Biographer Richard Hack concluded that Hoover's dislike for Kennedy came from his being unable to control him. He was relentless in his pursuit of Teamsters Union president Jimmy Hoffa, due to Hoffa's known corruption in financial and electoral matters, both personally and organizationally, creating a so-called "Get Hoffa" squad of prosecutors and investigators. The enmity between the two men was intense, with accusations of a personal vendetta—what Hoffa called a "blood feud"—exchanged between them. On July 7, 1961, after Hoffa was reelected to the Teamsters presidency, RFK told reporters the government's case against Hoffa had not been changed by what he called "a small group of teamsters" supporting him. The following year, it was leaked that Hoffa had claimed to a Teamster local that Kennedy had been "bodily" removed from his office, the statement being confirmed by a Teamster press agent and Hoffa saying Kennedy had only been ejected. On March 4, 1964, Hoffa was convicted in Chattanooga, Tennessee, of attempted bribery of a grand juror during his 1962 conspiracy trial in Nashville, Tennessee, and sentenced to eight years in prison and a $10,000 fine. After learning of Hoffa's conviction by telephone, Kennedy issued congratulatory messages to the three prosecutors. While on bail during his appeal, Hoffa was convicted in a second trial held in Chicago, on July 26, 1964, on one count of conspiracy and three counts of mail and wire fraud for improper use of the Teamsters' pension fund, and sentenced to five years in prison. Hoffa spent the next three years unsuccessfully appealing his 1964 convictions, and began serving his aggregate prison sentence of 13 years (eight years for bribery, five years for fraud) on March 7, 1967, at the Lewisburg Federal Penitentiary in Pennsylvania. Civil rights Kennedy expressed the administration's commitment to civil rights during a 1961 speech at the University of Georgia Law School: FBI Director J. Edgar Hoover viewed civil rights leader Martin Luther King Jr. as an upstart troublemaker, calling him an "enemy of the state". In February 1962 Hoover presented Kennedy with allegations that some of King's close confidants and advisers were communists. Concerned about the allegations, the FBI deployed agents to monitor King in the following months. Kennedy warned King to discontinue the suspected associations. In response, King agreed to ask suspected Communist Jack O'Dell to resign from the SCLC, but refused to heed to the request to ask Stanley Levison, whom he regarded as a trusted advisor, to resign. In October 1963, Kennedy issued a written directive authorizing the FBI to wiretap King and other leaders of the Southern Christian Leadership Conference, King's civil rights organization. Although Kennedy only gave written approval for limited wiretapping of King's phones "on a trial basis, for a month or so", Hoover extended the clearance so that his men were "unshackled" to look for evidence in any areas of King's life they deemed worthy. The wiretapping continued through June 1966 and was revealed in 1968, days before Kennedy's death. Kennedy remained committed to civil rights enforcement to such a degree that he commented in 1962 that it seemed to envelop almost every area of his public and private life, from prosecuting corrupt Southern electoral officials to answering late night calls from Coretta Scott King concerning the imprisonment of her husband for demonstrations in Alabama. During his tenure as attorney general, he undertook the most energetic and persistent desegregation of the administration that Capitol Hill had ever experienced. He demanded that every area of government begin recruiting realistic levels of black and other ethnic workers, going so far as to criticize Vice President Johnson for his failure to desegregate his own office staff. But relations between the Kennedys and civil rights activists could be tense, partly due to the administration's decision that a number of complaints King filed with the Justice Department between 1961 and 1963 be handled "through negotiation between the city commission and Negro citizens." Although it has become commonplace to assert the phrase "The Kennedy Administration" or even "President Kennedy" when discussing the legislative and executive support of the civil rights movement, between 1960 and 1963 a great many of the initiatives were the result of the passion and determination of an emboldened Robert Kennedy, who, through his rapid education in the realities of Southern racism, underwent a thorough conversion of purpose as attorney general. Asked in an interview in May 1962, "What do you see as the big problem ahead for you, is it crime or internal security?" Kennedy replied, "Civil rights." The president came to share his brother's sense of urgency on the matters at hand to such an extent that it was at the attorney general's insistence that he made his famous June 1963 address to the nation on civil rights. Kennedy played a large role in the response to the Freedom Riders protests. He acted after the Anniston bus bombings to protect the Riders in continuing their journey, sending John Seigenthaler, his administrative assistant, to Alabama to attempt to secure the Riders' safety there. Despite a work rule which allowed a driver to decline an assignment which he regarded as a potentially unsafe one, he persuaded a manager of The Greyhound Corporation to obtain a coach operator who was willing to drive a special bus for the continuance of the Freedom Ride from Birmingham, Alabama, to Montgomery, Alabama, on the circuitous journey to Jackson, Mississippi. Later, during the attack and burning by a white mob of the First Baptist Church in Montgomery, at which Martin Luther King Jr. and some 1,500 sympathizers were in attendance, the attorney general telephoned King to ask for his assurance that they would not leave the building until the force of U.S. Marshals and National Guard he sent had secured the area. King proceeded to berate Kennedy for "allowing the situation to continue". King later publicly thanked him for dispatching the forces to break up the attack that might otherwise have ended his life. Kennedy then negotiated the safe passage of the Freedom Riders from the First Baptist Church to Jackson, Mississippi, where they were arrested. He offered to bail the Freedom Riders out of jail, but they refused, which upset him. Kennedy's attempts to end the Freedom Rides early were tied to an upcoming summit with Nikita Khrushchev and Charles de Gaulle. He believed the continued international publicity of race riots would tarnish the president heading into international negotiations. This attempt to curtail the Freedom Rides alienated many of the civil rights leaders who, at the time, perceived him as intolerant and narrow-minded. In an attempt to better understand and improve race relations, Kennedy held a private meeting in New York City in May 1963 with a black delegation coordinated by prominent author James Baldwin. In September 1962, Kennedy sent a force of U.S. marshals and deputized U.S. Border Patrol agents and federal prison guards to Oxford, Mississippi, to enforce a federal court order allowing the admittance of the first African-American student, James Meredith, to the University of Mississippi. The attorney general had hoped that legal means, along with the escort of federal officers, would be enough to force Governor Ross Barnett to allow Meredith's admission. He also was very concerned there might be a "mini-civil war" between federal troops and armed protesters. President Kennedy reluctantly sent federal troops after the situation on campus turned violent. Ensuing riots during the period of Meredith's admittance resulted in 300 injuries and two deaths, yet Kennedy remained adamant that black students had the right to enjoy the benefits of all levels of the educational system. The Office of Civil Rights also hired its first African-American lawyer and began to work cautiously with leaders of the Civil Rights Movement. Kennedy saw voting as the key to racial justice and collaborated with presidents Kennedy and Johnson to create the landmark Civil Rights Act of 1964, which helped bring an end to Jim Crow laws. Between December 1961 and December 1963, Kennedy also expanded the United States Department of Justice Civil Rights Division by 60 percent. U.S. Steel At the direction of the president, Kennedy also used the power of federal agencies to influence U.S. Steel not to institute a price increase. The Wall Street Journal wrote that the administration had set prices of steel "by naked power, by threats, by agents of the state security police." Yale law professor Charles Reich wrote in The New Republic that the Justice Department had violated civil liberties by calling a federal grand jury to indict U.S. Steel so quickly, then disbanding it after the price increase did not occur. Death penalty issues During the Kennedy administration, the federal government carried out its last pre-Furman federal execution (of Victor Feguer in Iowa, 1963), and Kennedy, as attorney general, represented the government in this case. In 1967 Kennedy expressed his strong willingness to support a bill then under consideration for the abolition of the death penalty. Cuba As his brother's confidant, Kennedy oversaw the CIA's anti-Castro activities after the failed Bay of Pigs Invasion. He also helped develop the strategy during the Cuban Missile Crisis to blockade Cuba instead of initiating a military strike that might have led to nuclear war. He had initially been among the more hawkish members of the administration on matters concerning Cuban insurrectionist aid. His initial strong support for covert actions in Cuba soon changed to a position of removal from further involvement once he became aware of the CIA's tendency to draw out initiatives, and provide itself with almost unchecked authority in matters of foreign covert operations. Allegations that the Kennedys knew of plans by the CIA to kill Fidel Castro, or approved of such plans, have been debated by historians over the years. JFK's friend and associate, historian Arthur M. Schlesinger Jr., for example, expressed the opinion that operatives linked to the CIA were among the most reckless individuals to have operated during the period—providing themselves with unscrutinized freedoms to threaten the lives of Castro and other members of the Cuban revolutionary government regardless of the legislative apparatus in Washington—freedoms that, unbeknownst to those at the White House attempting to prevent a nuclear war, placed the entire U.S.–Soviet relationship in perilous danger. The "Family Jewels" documents, declassified by the CIA in 2007, suggest that before the Bay of Pigs Invasion, the attorney general personally authorized one such assassination attempt. But there is ample evidence to the contrary, such as that Kennedy was informed of an earlier plot involving the CIA's use of Mafia bosses Santo Trafficante Jr. and John Roselli only during a briefing on May 7, 1962, and in fact directed the CIA to halt any existing efforts directed at Castro's assassination. Concurrently, Kennedy served as the president's personal representative in Operation Mongoose, the post-Bay of Pigs covert operations program the president established in November 1961. Mongoose was meant to incite revolution in Cuba that would result in Castro's downfall, not his assassination. During the Cuban Missile Crisis, Kennedy proved himself to be a gifted politician with an ability to obtain compromises, tempering aggressive positions of key figures in the hawk camp. The trust the president placed in him on matters of negotiation was such that his role in the crisis is today seen as having been of vital importance in securing a blockade, which averted a full military engagement between the United States and the USSR. His clandestine meetings with members of the Soviet government continued to provide a key link to Khrushchev during even the darkest moments of the crisis, when the threat of nuclear strikes was considered very real. On the last night of the crisis, President Kennedy was so grateful for his brother's work in averting nuclear war that he summed it up by saying, "Thank God for Bobby." Japan At a summit meeting with Japanese prime minister Hayato Ikeda in Washington D.C. in 1961, President Kennedy promised to make a reciprocal visit to Japan in 1962, but the decision to resume atmospheric nuclear testing forced him to postpone such a visit, and he sent Bobby in his stead. Kennedy and his wife Ethel arrived in Tokyo in February 1962 at a very sensitive time in U.S.-Japan relations, shortly after the massive Anpo protests against the U.S.-Japan Security Treaty had highlighted anti-American grievances. Kennedy won over a highly skeptical Japanese public and press with his cheerful, open demeanor, sincerity, and youthful energy. Most famously, Kennedy scored a public relations coup during a nationally televised speech at Waseda University in Tokyo. When radical Marxist student activists from Zengakuren attempted to shout him down, he calmly invited one of them on stage and engaged the student in an impromptu debate. Kennedy's calmness under fire and willingness to take the student's questions seriously won many admirers in Japan and praise from the Japanese media, both for himself and on his brother's behalf. Assassination of John F. Kennedy At the time that President Kennedy was assassinated in Dallas on November 22, 1963, RFK was at home with aides from the Justice Department. J. Edgar Hoover called and told him his brother had been shot. Hoover then hung up before he could ask any questions. Kennedy later said he thought Hoover had enjoyed telling him the news. Kennedy then received a call from Tazewell Shepard, a naval aide to the president, who told him that his brother was dead. Shortly after the call from Hoover, Kennedy phoned McGeorge Bundy at the White House, instructing him to change the locks on the president's files. He ordered the Secret Service to dismantle the Oval Office and cabinet room's secret taping systems. He scheduled a meeting with CIA director John McCone and asked if the CIA had any involvement in his brother's death. McCone denied it, with Kennedy later telling investigator Walter Sheridan that he asked the director "in a way that he couldn't lie to me, and they [the CIA] hadn't". An hour after the president was shot, Bobby Kennedy received a phone call from Vice President Johnson before Johnson boarded Air Force One. RFK remembered their conversation starting with Johnson demonstrating sympathy before the vice president stated his belief that he should be sworn in immediately; RFK opposed the idea since he felt "it would be nice" for President Kennedy's body to return to Washington with the deceased president still being the incumbent. Eventually, the two concluded that the best course of action would be for Johnson to take the oath of office before returning to Washington. In his 1971 book We Band of Brothers, aide Edwin O. Guthman recounted Kennedy admitting to him an hour after receiving word of his brother's death that he thought he would be the one "they would get" as opposed to his brother. In the days following the assassination, he wrote letters to his two eldest children, Kathleen and Joseph, saying that as the oldest Kennedy family members of their generation, they had a special responsibility to remember what their uncle had started and to love and serve their country. He was originally opposed to Jacqueline Kennedy's decision to have a closed casket, as he wanted the funeral to keep with tradition, but he changed his mind after seeing the cosmetic, waxen remains. Kennedy was asked by Democratic Party leaders to introduce a film about his late brother at the 1964 party convention. When he was introduced, the crowd, including party bosses, elected officials, and delegates, applauded thunderously and tearfully for a full 22 minutes before they would let him speak. He was close to breaking down before he spoke about his brother's vision for both the party and the nation and recited a quote from Shakespeare's Romeo and Juliet (3.2) that Jacqueline had given him: The ten-month investigation by the Warren Commission of 1963–1964 concluded that the president had been assassinated by Lee Harvey Oswald and that Oswald had acted alone. On September 27, 1964, Kennedy issued a statement through his New York campaign office: "As I said in Poland last summer, I am convinced Oswald was solely responsible for what happened and that he did not have any outside help or assistance. He was a malcontent who could not get along here or in the Soviet Union." He added, "I have not read the report, nor do I intend to. But I have been briefed on it and I am completely satisfied that the Commission investigated every lead and examined every piece of evidence. The Commission's inquiry was thorough and conscientious." After a meeting with Kennedy in 1966, Arthur M. Schlesinger Jr. wrote: "It is evident that he believes that [the Warren Commission's report] was a poor job and will not endorse it, but that he is unwilling to criticize it and thereby reopen the whole tragic business." Jerry Bruno, an "advance man" for JFK who also worked on RFK's 1968 presidential campaign, would later state in 1993: "I talked to Robert Kennedy many times about the Warren Commission, and he never doubted their result." In a 2013 interview with CBS journalist Charlie Rose, son Robert F. Kennedy Jr. stated that his father was "fairly convinced" that others besides Oswald were involved in his brother's assassination and that he privately believed the Commission's report was a "shoddy piece of craftsmanship". The killing was judged as having a profound impact on Kennedy. Beran assesses the assassination as having moved Kennedy away from reliance on the political system and to become more questioning. Tye views Kennedy following the death of his brother as "more fatalistic, having seen how fast he could lose what he cherished the most." Vice presidential candidate In the wake of the assassination of his brother and Lyndon Johnson's ascension to the presidency, with the office of vice president now vacant, Kennedy was viewed favorably as a potential candidate for the position in the 1964 presidential election. Several Kennedy partisans called for him to be drafted in tribute to his brother; national polling showed that three of four Democrats were in favor of him as Johnson's running mate. Democratic organizers supported him as a write-in candidate in the New Hampshire primary and 25,000 Democrats wrote in Kennedy's name in March 1964, only 3,700 fewer than the number of Democrats who wrote in Johnson's name as their pick for president. Kennedy discussed the vice presidency with Arthur Schlesinger. Schlesinger thought that he should develop his own political base first, and Kennedy observed that the job "was really based on waiting around for someone to die". In his first interview after the assassination Kennedy said he was not considering the vice presidency. During this time he said of the coalescing Johnson administration, "It's too early for me to even think about '64, because I don't know whether I want to have any part of these people. ...If they don't fulfill and follow out my brother's program, I don't want to have anything to do with them." But in January 1964 Kennedy began low-key inquiries as to the vice-presidential position and by the summer was developing plans to help Johnson in cities and in the Northeast based on JFK's 1960 campaign strategies. Despite the fanfare within the Democratic Party, Johnson was not inclined to have Kennedy on his ticket. The two disliked one another intensely, with feelings often described as "mutual contempt" that went back to their first meeting in 1953, and had only intensified during JFK's presidency. At the time, Johnson privately said of Kennedy, "I don't need that little runt to win", while Kennedy privately said of Johnson that he was "mean, bitter, vicious—an animal in many ways". To block Kennedy, Johnson considered nominating his brother-in-law Sargent Shriver for vice president, but the Kennedy family vetoed that. Kenny O'Donnell, a Kennedy aide who stayed on to serve Johnson, told the president that if he wanted a Catholic vice president, the only candidate available was Kennedy. Johnson instead chose Senator Hubert Humphrey. During a post-presidency interview with historian Doris Kearns Goodwin, Johnson claimed that Kennedy "acted like he was the custodian of the Kennedy dream" despite Johnson being seen as this after JFK was assassinated, arguing that he had "waited" his turn and Kennedy should have done the same. Johnson recalled a "tidal wave of letters and memos about how great a vice president Bobby would be", but felt he could not "let it happen" as he viewed the possibility of Kennedy on the ticket as ensuring that he would never know if he could be elected "on my own". On July 27, 1964, Kennedy was summoned to the White House and told by Johnson that he did not want him as his running mate, leading the former to say "I could have helped you". Johnson wanted Kennedy to tell the media that he decided to withdraw his name, but he refused, saying the president could do that himself. Johnson wanted a way to announce that he had refused Kennedy serving as his running mate without appearing to be motivated by malice towards a man he disliked and distrusted. The Democratic power broker Clark Clifford suggested to Johnson a way to block Kennedy. At a meeting in the Oval Office that, unknown to him, was being recorded, Clifford said: "Why don't you reach a policy decision that, after careful consideration, you've decided that you're not going to select anyone from your cabinet?" When Johnson replied "That's pretty thin, isn't it?", leading Clifford to answer, "Well, it is pretty thin, but it's a lot better than nothing". In July 1964, Johnson issued an official statement ruling out all of his current cabinet members as potential running mates, judging them to be "so valuable ... in their current posts". In response to this statement, angry letters poured in directed towards both Johnson and his wife, Lady Bird, expressing disappointment at Kennedy being dropped from the field of potential running mates. Johnson, worried that delegates at the convention would draft Kennedy onto the ticket, ordered the FBI to monitor Kennedy's contacts and actions, and to make sure that he could not speak until after Hubert Humphrey was confirmed as his running mate. After making his announcement, Johnson at an "off-the-record" meeting in the Oval Office with three journalists boasted about how he had gotten "that damned albatross off his neck" as he proceeded to mock what he called Kennedy's "funny" voice and mannerisms. Though not published in the newspapers, Kennedy quickly learned of Johnson's performance and demanded an apology, only to have the president deny the story. After hearing Johnson's denial, Kennedy wrote: "He tells so many lies that he convinces himself after a while he's telling the truth. He just doesn't recognize truth or falsehood". In a meeting with Secretary of State Dean Rusk, Johnson talked about Kennedy. Both felt that Kennedy was "freakish ambitious" with Rusk saying: "Mr. President, I just can't wrap my mind around that kind of ambition. I don't know how to understand it". Both were afraid that Kennedy might use the nostalgia for his assassinated brother to "stampede" the Democratic National Convention delegates to nominate him, and were hoping that Kennedy might run for Senate in New York, though Rusk was also worried that a Senate run would serve as "a drag on your own position in New York state". Furthermore, white Southerners tended to vote Democratic as a bloc at the time, and a poll in 1964 showed that 33% of Southerners would not vote Democratic if Kennedy were Johnson's running mate, causing many Democrat leaders to oppose Kennedy serving as Vice President, lest it alienate one of the most solid and reliable blocs of Democratic voters. At the DNC, Kennedy appeared on the stage to introduce a film honoring his late brother, A Thousand Days, causing the convention hall to explode with cheers for 22 minutes despite Kennedy's gestures indicating that he wanted the crowd to fall silent so he could began his speech. Senator Henry Jackson advised Kennedy, "Let them get it out of their system" as he stood on the stage raising his hand to signal he wanted the crowd to stop cheering. When the crowd finally stopped cheering, Kennedy gave his speech, which ended with a quotation from Romeo and Juliet: "When he shall die, take him and cut him out in little stars, And he will make the face of heaven so fine, That all the world shall be in love with night, and pay no worship to the garish sun". Johnson knew instantly that the reference to the "garish sun" was to him. U.S. Senate (1965–1968) 1964 election Nine months after his brother's assassination, Kennedy left the cabinet to run for a seat in the U.S. Senate representing New York, announcing his candidacy on August 25, 1964, two days before the end of that year's Democratic National Convention. He had considered the possibility of running for the seat since early spring, but also giving consideration for governor of Massachusetts or, as he put it, "go away", leaving politics altogether after the plane crash and injury of his brother Ted in June, two months earlier. Positive reception in Europe convinced him to remain in politics. Kennedy was lauded during trips to Germany and Poland, the denizens of the latter country's greetings to Kennedy being interpreted by Leaming as evaporating the agony he had sustained since his brother's passing. Kennedy was given permission to run by the New York State Democratic Committee on September 1, amid mixed feelings in regards to his candidacy. Despite their notoriously difficult relationship, Johnson gave considerable support to Kennedy's campaign. His opponent was Republican incumbent Kenneth Keating, who attempted to portray Kennedy as an arrogant carpetbagger since he did not reside in the state. The New York Times editorialized, "there is nothing illegal about the possible nomination of Robert F. Kennedy of Massachusetts as Senator from New York, but there is plenty of cynical about it, ... merely choosing the state as a convenient launching‐pad for the political ambitions of himself." The main reason Kennedy chose not to run for the U.S. Senate from his native Massachusetts was that his younger brother Ted was running for reelection. RFK charged Keating with having "not done much of anything constructive" despite his presence in Congress during a September 8 press conference. Kennedy won the November election, helped in part by Johnson's huge victory margin in New York. Tenure Kennedy drew attention in Congress early on as the brother of President Kennedy, which set him apart from other senators. He drew more than 50 senators as spectators when he delivered a speech in the Senate on nuclear proliferation in June 1965. But he also saw a decline in his power, going from the president's most trusted advisor to one of a hundred senators, and his impatience with collaborative lawmaking showed. Though fellow senator Fred R. Harris expected not to like Kennedy, the two became allies; Harris even called them "each other's best friends in the Senate". Kennedy's younger brother Ted was his senior there. Robert saw his brother as a guide on managing within the Senate, and the arrangement worked to deepen their relationship. Harris noted that Kennedy was intense about matters and issues that concerned him. Kennedy gained a reputation in the Senate for being well prepared for debate, but his tendency to speak to other senators in a more "blunt" fashion caused him to be "unpopular ... with many of his colleagues". While serving in the Senate, Kennedy advocated gun control. In May 1965 he co-sponsored S.1592, proposed by President Johnson and sponsored by Senator Thomas J. Dodd, that would put federal restrictions on mail-order gun sales. Speaking in support of the bill, Kennedy said, "For too long we dealt with these deadly weapons as if they were harmless toys. Yet their very presence, the ease of their acquisition and the familiarity of their appearance have led to thousands of deaths each year. With the passage of this bill we will begin to meet our responsibilities. It would save hundreds of thousands of lives in this country and spare thousands of families ... grief and heartache. ... " In remarks during a May 1968 campaign stop in Roseburg, Oregon, Kennedy defended the bill as keeping firearms away from "people who have no business with guns or rifles". The bill forbade "mail order sale of guns to the very young, those with criminal records and the insane," according to The Oregonian'''s report. S.1592 and subsequent bills, and the assassinations of Martin Luther King Jr. and Robert F. Kennedy, paved the way for the eventual passage of the Gun Control Act of 1968. Kennedy and his staff had employed a cautionary "amendments–only" strategy for his first year in the senate. In 1966 and 1967 they took more direct legislative action, but were met with increasing resistance from the Johnson administration. Despite perceptions that the two were hostile in their respective offices to each other, U.S. News reported Kennedy's support of the Johnson administration's "Great Society" program through his voting record. Kennedy supported both major and minor parts of the program, and each year over 60% of his roll call votes were consistently in favor of Johnson's policies. On February 8, 1966, Kennedy urged the United States to pledge that it would not be the first country to use nuclear weapons against countries that did not have them noting that China had made the pledge and the Soviet Union indicated it was also willing to do so. In June 1966, he visited apartheid-era South Africa accompanied by his wife, Ethel, and a few aides. The tour was greeted with international praise at a time when few politicians dared to entangle themselves in the politics of South Africa. He spoke out against the oppression of the native population, and was welcomed by the black population as though he were a visiting head of state. In an interview with Look magazine he said: At the University of Cape Town he delivered the annual Day of Affirmation Address. A quote from this address appears on his memorial at Arlington National Cemetery: "Each time a man stands up for an ideal, or acts to improve the lot of others, or strikes out against injustice, he sends forth a tiny ripple of hope." On January 28, 1967, Kennedy began a ten-day stay in Europe, meeting Harold Wilson in London who advised him to tell President Johnson about his belief that the ongoing Vietnam conflict was wrong. Upon returning to the U.S. in early February, he was confronted by the press who asked him if his conversations abroad had negatively impacted American foreign relations. During his years as a senator, he helped to start a successful redevelopment project in poverty-stricken Bedford–Stuyvesant, Brooklyn. Schlesinger wrote that Kennedy had hoped Bedford-Stuyvesant would become an example of self-imposed growth for other impoverished neighborhoods. Kennedy had difficulty securing support from President Johnson, whose administration was charged by Kennedy as having opposed a "special impact" program meant to bring about the federal progress that he had supported. Robert B. Semple Jr. repeated similar sentiments in September 1967, writing the Johnson administration was preparing "a concentrated attack" on Robert F. Kennedy's proposal that Semple claimed would "build more and better low-cost housing in the slums through private enterprise." Kennedy confided to journalist Jack Newfield that while he tried collaborating with the administration through courting its members and compromising with the bill, "They didn't even try to work something out together. To them it's all just politics." He also visited the Mississippi Delta as a member of the Senate committee reviewing the effectiveness of "War on Poverty" programs, particularly that of the Economic Opportunity Act of 1964. Marian Wright Edelman described Kennedy as "deeply moved and outraged" by the sight of the starving children living in the economically abysmal climate, changing her impression of him from "tough, arrogant, and politically driven." Edelman noted further that the senator requested she call on Martin Luther King Jr. to bring the impoverished to Washington, D.C., to make them more visible, leading to the creation of the Poor People's Campaign. Kennedy sought to remedy the problems of poverty through legislation to encourage private industry to locate in poverty-stricken areas, thus creating jobs for the unemployed, and stressed the importance of work over welfare. Kennedy worked on the Senate Labor Committee at the time of the workers' rights activism of Cesar Chavez, Dolores Huerta, and the National Farm Workers Association (NFWA). At the request of labor leader Walter Reuther, who had previously marched with and provided money to Chavez, Kennedy flew out to Delano, California, to investigate the situation. Although little attention was paid to the first two committee hearings in March 1966 for legislation to include farm workers by an amendment of the National Labor Relations Act, Kennedy's attendance at the third hearing brought media coverage. Biographer Thomas wrote that Kennedy was moved after seeing the conditions of the workers, who he deemed were being taken advantage of. Chavez stressed to Kennedy that migrant workers needed to be recognized as human beings. Kennedy later engaged in an exchange with Kern County sheriff Leroy Galyen where he criticized the sheriff's deputies for taking photographs of "people on picket lines." As a senator, he was popular among African Americans and other minorities including Native Americans and immigrant groups. He spoke forcefully in favor of what he called the "disaffected", the impoverished, and "the excluded", thereby aligning himself with leaders of the civil rights struggle and social justice campaigners, leading the Democratic party in pursuit of a more aggressive agenda to eliminate perceived discrimination on all levels. He supported desegregation busing, integration of all public facilities, the Voting Rights Act of 1965, and anti-poverty social programs to increase education, offer opportunities for employment, and provide health care for African Americans. Consistent with President Kennedy's Alliance for Progress, he also placed increasing emphasis on human rights as a central focus of U.S. foreign policy. Vietnam The JFK administration had backed U.S. involvement in Southeast Asia and other parts of the world in the frame of the Cold War, but Kennedy was not known to be involved in discussions on the Vietnam War when he was his brother's attorney general.Hilty, p. 460. According to historian Doris Kearns Goodwin, before choosing to run for the Senate, Kennedy had sought an ambassadorship to South Vietnam. Entering the Senate, Kennedy initially kept private his disagreements with President Johnson on the war. While Kennedy vigorously supported his brother's earlier efforts, he never publicly advocated commitment of ground troops. Though bothered by the beginning of the bombing of North Vietnam in February 1965, Kennedy did not wish to appear antipathetic to the president's agenda. But by April, Kennedy was advocating a halt to the bombing to Johnson, who acknowledged that Kennedy played a part in influencing his choice to temporarily cease bombing the following month. Kennedy cautioned Johnson against sending combat troops as early as 1965, but Johnson chose instead to follow the recommendation of the rest of his predecessor's still intact staff of advisers. In July, after Johnson made a large commitment of American ground forces to Vietnam, Kennedy made multiple calls for a settlement through negotiation. The next month, John Paul Vann, a lieutenant colonel in the U.S. Army, wrote that Kennedy "indicat[ed] comprehension of the problems we face", in a letter to the senator. In December 1965, Kennedy advised his friend, the Defense Secretary Robert McNamara, that he should counsel Johnson to declare a ceasefire in Vietnam, a bombing pause over North Vietnam, and to take up an offer by Algeria to serve as a "honest broker" in peace talks. The left-wing Algerian government had friendly relations with North Vietnam and the National Liberation Front and had indicated in 1965-1966 that it was willing to serve as a conduit for peace talks, but most of Johnson's advisers were leery of the Algerian offer. On January 31, 1966, Kennedy in a speech on the Senate floor stated: "If we regard bombing as the answer in Vietnam, we are headed straight for disaster". In February 1966, Kennedy released a peace plan that called for preserving South Vietnam while at the same time allowing the National Liberation Front, better known as the Viet Cong, to join a coalition government in Saigon. When asked by reporters if he was speaking on behalf of Johnson, Kennedy replied: "I don't think anyone has ever suggested that I was speaking for the White House". Kennedy's peace plan made front page news with The New York Times calling it a break with the president while the Chicago Tribunal labelled him in an editorial "Ho Chi Kennedy". Vice President Humphrey on a visit to New Zealand stated that Kennedy's "peace recipe" included "a dose of arsenic" while the National Security Adviser McGeorge Bundy quoted to the press Kennedy's remarks from 1963 saying he was against including Communists in coalition governments (though Kennedy's subject was Germany, not Vietnam). Kennedy was displeased when he heard anti-war protesters chanting his name, saying "I'm not Wayne Morse". To put aside reports of a rift with Johnson, Kennedy flew with Johnson on Air Force One on a trip to New York on February 23, 1966, and barely clapped his hands in approval when Johnson denied waging a war of conquest in Vietnam. In an interview with the Today program, Kennedy conceded that his views on Vietnam were "a little confusing".   In April 1966, Kennedy had a private meeting with Philip Heymann of the State Department's Bureau of Security and Consular Affairs to discuss efforts to secure the release of American prisoners of war in Vietnam. Kennedy wanted to press the Johnson administration to do more, but Heymann insisted that the administration believed the "consequences of sitting down with the Viet Cong" mattered more than the prisoners they were holding captive. On June 29 of that year, Kennedy released a statement disavowing President Johnson's choice to bomb Haiphong, but he avoided criticizing either the war or the president's overall foreign policy, believing that it might harm Democratic candidates in the 1966 midterm elections. In August, the International Herald Tribune described Kennedy's popularity as outpacing President Johnson's, crediting Kennedy's attempts to end the Vietnam conflict which the public increasingly desired. In the early part of 1967, Kennedy traveled to Europe, where he had discussions about Vietnam with leaders and diplomats. A story leaked to the State Department that Kennedy was talking about seeking peace while President Johnson was pursuing the war. Johnson became convinced that Kennedy was undermining his authority. He voiced this during a meeting with Kennedy, who reiterated the interest of the European leaders to pause the bombing while going forward with negotiations; Johnson declined to do so. On March 2, Kennedy outlined a three-point plan to end the war which included suspending the U.S. bombing of North Vietnam, and the eventual withdrawal of American and North Vietnamese soldiers from South Vietnam; this plan was rejected by Secretary of State Dean Rusk, who believed North Vietnam would never agree to it. On May 15, Kennedy debated Governor of California Ronald Reagan about the war. On November 26, 1967, during an appearance on Face the Nation, Kennedy asserted that the Johnson administration had deviated from his brother's policies in Vietnam, his first time contrasting the two administrations' policies on the war. He added that the view that Americans were fighting to end communism in Vietnam was "immoral".Clarke, p. 32. On February 8, 1968, Kennedy delivered an address in Chicago, where he critiqued Saigon "government corruption" and expressed his disagreement with the Johnson administration's stance that the war would determine the future of Asia. On March 14, Kennedy met with defense secretary Clark Clifford at the Pentagon regarding the war. Clifford's notes indicate that Kennedy was offering not to enter the ongoing Democratic presidential primary if President Johnson would admit publicly to having been wrong in his war policy and appoint "a group of persons to conduct a study in depth of the issues and come up with a recommended course of action"; Johnson rejected the proposal. On April 1, after President Johnson halted bombing of North Vietnam, RFK said the decision was a "step toward peace" and, though offering to collaborate with Johnson for national unity, opted to continue his presidential bid. On May 1, while in Lafayette, Indiana, Kennedy said continued delays in beginning peace talks with North Vietnam meant both more lives lost and the postponing of the "domestic progress" hoped for by the US. Later that month, Kennedy called the war "the gravest kind of error" in a speech in Corvallis, Oregon. In an interview on June 4, hours before he was shot, Kennedy continued to advocate for a change in policy towards the war. Despite his criticism of the Vietnam War and the South Vietnam government, Kennedy also stated in his 1968 campaign brochure that he did not support either a simple withdrawal or a surrender in South Vietnam and favored instead a change in the course of action taken so it would bring an "honorable peace." Presidential candidate In 1968 President Johnson prepared to run for re-election. In January, faced with what was widely considered an unrealistic race against an incumbent president, Kennedy stated that he would not seek the presidency. After the Tet Offensive in Vietnam in early February 1968, he received a letter from writer Pete Hamill that said poor people kept pictures of President Kennedy on their walls and that Kennedy had an "obligation of staying true to whatever it was that put those pictures on those walls." Kennedy traveled to Delano, California, to meet with civil rights activist César Chávez, who was on a 25-day hunger strike showing his commitment to nonviolence. It was on this visit to California that Kennedy decided he would challenge Johnson for the presidency, telling his former Justice Department aides, Edwin Guthman and Peter Edelman, that his first step was to get lesser-known Senator Eugene McCarthy of Minnesota to drop out of the presidential race. The weekend before the New Hampshire primary, Kennedy announced to several aides that he would attempt to persuade McCarthy to withdraw from the race to avoid splitting the antiwar vote, but Senator George McGovern urged Kennedy to wait until after that primary to announce his candidacy. Johnson won a narrow victory in the New Hampshire primary on March 12, 1968, against McCarthy, but this close second-place result dramatically boosted McCarthy's standing in the race. After much speculation, and reports leaking out about his plans, and seeing in McCarthy's success that Johnson's hold on the job was not as strong as originally thought, Kennedy declared his candidacy on March 16, 1968, in the Caucus Room of the old Senate office building, the same room where his brother had declared his own candidacy eight years earlier. He stated, "I do not run for the presidency merely to oppose any man, but to propose new policies. I run because I am convinced that this country is on a perilous course and because I have such strong feelings about what must be done, and I feel that I'm obliged to do all I can." McCarthy supporters angrily denounced Kennedy as an opportunist. They believed that McCarthy had taken the most courageous stand by opposing the sitting president of his own party and that his surprising result in New Hampshire had earned him the mantle of being the anti-war candidate. Kennedy's announcement split the anti-war movement in two. On March 31, 1968, Johnson stunned the nation by dropping out of the race. Vice President Hubert Humphrey, a champion of the labor unions and a long supporter of civil rights, entered the race with the financial backing and critical endorsement of the party "establishment", including most members of Congress, mayors, governors, "the south", and several major labor unions. With state registration deadlines long past, Humphrey joined the race too late to enter any primaries but had the support of the president.Schlesinger (2002) [1978], p. 884. Kennedy, like his brother before him, planned to win the nomination through popular support in the primaries. Kennedy ran on a platform of racial and economic justice, non-aggression in foreign policy, decentralization of power, and social change. A crucial element of his campaign was an engagement with the young, whom he identified as being the future of a reinvigorated American society based on partnership and equality. His policy objectives did not sit well with the business community, where he was viewed as something of a fiscal liability, opposed as they were to the tax increases necessary to fund social programs. At one of his university speeches (Indiana University Medical School), he was asked, "Where are we going to get the money to pay for all these new programs you're proposing?" He replied to the medical students, about to enter lucrative careers, "From you."Newfield, Jack. (1988) [1969]. Robert Kennedy: A Memoir. Plume It was this intense and frank mode of dialogue with which he was to continue to engage those whom he viewed as not being traditional allies of Democratic ideals or initiatives. In a speech at the University of Alabama, he argued, "I believe that any who seek high office this year must go before all Americans, not just those who agree with them, but also those who disagree, recognizing that it is not just our supporters, not just those who vote for us, but all Americans who we must lead in the difficult years ahead." He aroused rabid animosity in some quarters, with J. Edgar Hoover's Deputy Clyde Tolson reported as saying, "I hope that someone shoots and kills the son of a bitch." Kennedy's presidential campaign brought out both "great enthusiasm" and anger in people. His message of change raised hope for some and brought fear to others. Kennedy wanted to be a bridge across the divide of American society. His bid for the presidency saw not only a continuation of the programs he and his brother had undertaken during the president's term in office, but also an extension of Johnson's Great Society. Kennedy visited numerous small towns and made himself available to the masses by participating in long motorcades and street-corner stump speeches, often in troubled inner cities. He made urban poverty a chief concern of his campaign, which in part led to enormous crowds that would attend his events in poor urban areas or rural parts of Appalachia. On April 4, 1968, Kennedy learned of the assassination of Martin Luther King Jr. and gave a heartfelt impromptu speech in Indianapolis's inner city, calling for a reconciliation between the races. The address was the first time Kennedy spoke publicly about his brother's killing. Riots broke out in 60 cities in the wake of King's death, but not in Indianapolis, a fact many attribute to the effect of this speech. Kennedy addressed the City Club of Cleveland the next day, on April 5, 1968, delivering the famous On the Mindless Menace of Violence speech. He attended King's funeral, accompanied by Jacqueline and Ted Kennedy. He was described as being the "only white politician to hear only cheers and applause." Despite Kennedy's high profile and name recognition, McCarthy won most of the early primaries, including Kennedy's native state of Massachusetts. Kennedy won the Indiana Democratic primary on May 7 with 42 percent of the vote, and the Nebraska primary on May 14 with 52 percent of the vote. On May 28, Kennedy lost the Oregon primary, marking the first time a Kennedy lost an election, and it was assumed that McCarthy was the preferred choice among the young voters. If he could defeat McCarthy in the California primary, the leadership of the campaign thought, he would knock McCarthy out of the race and set up a one-on-one against Vice President Humphrey at the Chicago national convention in August. Assassination Kennedy scored major victories when he won both the California and South Dakota primaries on June 4. He addressed his supporters shortly after midnight on June 5, 1968, in a ballroom at The Ambassador Hotel in Los Angeles. Leaving the ballroom, he went through the hotel kitchen after being told it was a shortcut to a press room. He did this despite being advised by his bodyguard—former FBI agent Bill Barry—to avoid the kitchen. In a crowded kitchen passageway, Kennedy turned to his left and shook hands with hotel busboy Juan Romero just as Sirhan Sirhan, a 24-year-old Palestinian, opened fire with a .22-caliber revolver. Kennedy was hit three times, and five other people were wounded. George Plimpton, former decathlete Rafer Johnson, and former professional football player Rosey Grier are credited with wrestling Sirhan to the ground after he shot the senator. As Kennedy lay mortally wounded, Romero cradled his head and placed a rosary in his hand. Kennedy asked Romero, "Is everybody OK?", and Romero responded, "Yes, everybody's OK." Kennedy then turned away from Romero and said, "Everything's going to be OK." After several minutes, medical attendants arrived and lifted the senator onto a stretcher, prompting him to whisper, "Don't lift me", which were his last words. He lost consciousness shortly thereafter. He was rushed first to Los Angeles' Central Receiving Hospital, less than east of the Ambassador Hotel, and then to the adjoining (one city block distant) Good Samaritan Hospital. Despite extensive neurosurgery to remove the bullet and bone fragments from his brain, Kennedy was pronounced dead at 1:44 a.m. (PDT) on June 6, nearly 26 hours after the shooting. Robert Kennedy's death, like the 1963 assassination of his brother, President John F. Kennedy, has been the subject of conspiracy theories. Funeral Kennedy's body was returned to Manhattan, where it lay in repose at Saint Patrick's Cathedral from approximately 10:00 p.m. until 10:00 a.m. on June 8. A high requiem Mass was held at the cathedral at 10:00 a.m. on June 8. The service was attended by members of the extended Kennedy family, President Lyndon B. Johnson and his wife Lady Bird Johnson, and members of the Johnson cabinet. Ted, the only surviving Kennedy brother, said the following: The requiem Mass concluded with the hymn "The Battle Hymn of the Republic", sung by Andy Williams. Immediately following the Mass, Kennedy's body was transported by a special private train to Washington, D.C. Kennedy's funeral train was pulled by two Penn Central GG1 electric locomotives. Thousands of mourners lined the tracks and stations along the route, paying their respects as the train passed. The train departed New York Penn Station at 12:30 pm. When it arrived in Elizabeth, New Jersey, an eastbound train on a parallel track to the funeral train hit and killed two spectators and seriously injured four, after they were unable to get off the track in time, even though the eastbound train's engineer had slowed to 30 mph for the normally 55 mph curve, blown his horn continuously, and rung his bell through the curve.Wicker, Tom. President Joins Kennedys in Tribute at Graveside. The New York Times. June 9, 1968. The normally four-hour trip took more than eight hours because of the thick crowds lining the tracks on the journey. The train was scheduled to arrive at about 4:30 pm,Madden, Richard L. "Kennedy Will Be Buried a Few Steps From the Arlington Grave of His Brother." New York Times. June 8, 1968. but sticking brakes on the casket-bearing car contributed to delays, and the train finally arrived at 9:10 p.m. on June 8. Burial Kennedy was buried close to his brother John in Arlington National Cemetery in Arlington, Virginia, just across the Potomac River from Washington, D.C. Although he had always maintained that he wished to be buried in Massachusetts, his family believed Robert should be interred in Arlington next to his brother. The procession left Union Station and passed the New Senate Office Building, where he had his offices, and then proceeded to the Lincoln Memorial, where it paused. The Marine Corps Band played The Battle Hymn of the Republic. The funeral motorcade arrived at the cemetery at 10:24 pm. As the vehicles entered the cemetery, people lining the roadway spontaneously lit candles to guide the motorcade to the burial site. The 15-minute ceremony began at 10:30 p.m. Cardinal Patrick O'Boyle, Roman Catholic Archbishop of Washington, officiated at the graveside service in lieu of Cardinal Richard Cushing of Boston, who fell ill during the trip. Also officiating was Archbishop of New York Terence Cooke. On behalf of the United States, John Glenn presented the folded flag to Senator Ted Kennedy, who passed it to Robert's eldest son, Joe, who passed it to Ethel Kennedy. The Navy Band played The Navy Hymn. Officials at Arlington National Cemetery said that Kennedy's burial was the only night burial to have taken place at the cemetery. (The re-interment of Patrick Bouvier Kennedy, who died two days after his birth in August 1963, and a stillborn daughter, Arabella, both children of President Kennedy and his wife, Jacqueline, also occurred at night.) After the president was interred in Arlington Cemetery, the two infants were buried next to him on December 5, 1963, in a private ceremony without publicity. His brother, Senator Edward M. Kennedy, was also buried at night, in 2009. On June 9, President Lyndon B. Johnson assigned security staff to all U.S. presidential candidates and declared an official national day of mourning. After the assassination, the mandate of the U.S. Secret Service was altered by Congress to include the protection of U.S. presidential candidates. Personal life Family On June 17, 1950, Kennedy married socialite Ethel Skakel, the third daughter of businessman George and Ann Skakel (née Brannack), at St. Mary's Catholic Church in Greenwich, Connecticut. The couple had 11 children; Kathleen (b. 1951), Joseph (b. 1952), Robert Jr. (b. 1954), David (1955–1984), Courtney (b. 1956), Michael (1958–1997), Kerry (b. 1959), Christopher (b. 1963), Max (b. 1965), Douglas (b. 1967), and Rory (b. December 1968, after her father's assassination). Kennedy owned a home at the well-known Kennedy compound on Cape Cod, in Hyannis Port, Massachusetts, but spent most of his time at his estate in McLean, Virginia, known as Hickory Hill (west of Washington, D.C.). His widow, Ethel, and their children continued to live at Hickory Hill after his death. Ethel Kennedy sold Hickory Hill for $8.25 million in 2009. Attitudes and approach Kennedy was said to be the gentlest and shyest of the family, as well as the least articulate verbally. By the time he was a young boy, his grandmother, Josie Fitzgerald, worried he would become a "sissy". His mother had a similar concern, as he was the "smallest and thinnest", but soon afterward, the family discovered "there was no fear of that". Family friend Lem Billings met Kennedy when he was eight years old and would later reflect that he loved him, adding that Kennedy "was the nicest little boy I ever met". Billings also said Kennedy was barely noticed "in the early days, but that's because he didn't bother anybody". Luella Hennessey, who became the nurse for the Kennedy children when Kennedy was 12, called him "the most thoughtful and considerate" of his siblings. Kennedy was teased by his siblings, as in their family it was a norm for humor to be displayed in that fashion. He would turn jokes on himself or remain silent. Despite his gentle demeanor, he could be outspoken, and once engaged a priest in a public argument that horrified his mother, who later conceded that he had been correct all along. Even when arguing for a noble cause, his comments could have "a cutting quality". Although Joe Kennedy's most ambitious dreams centered around Bobby's older brothers, Bobby maintained the code of personal loyalty that seemed to infuse the life of his family. His competitiveness was admired by his father and elder brothers, while his loyalty bound them more affectionately close. A rather timid child, he was often the target of his father's dominating temperament. Working on the campaigns of older brother John, he was more involved, passionate, and tenacious than the candidate himself, obsessed with detail, fighting out every battle, and taking workers to task. He had always been closer to John than the other members of the family. Kennedy's opponents on Capitol Hill maintained that his collegiate magnanimity was sometimes hindered by a tenacious and somewhat impatient manner. His professional life was dominated by the same attitudes that governed his family life: a certainty that good humor and leisure must be balanced by service and accomplishment. Schlesinger comments that Kennedy could be both the most ruthlessly diligent and yet generously adaptable of politicians, at once both temperamental and forgiving. In this he was very much his father's son, lacking truly lasting emotional independence, and yet possessing a great desire to contribute. He lacked the innate self-confidence of his contemporaries yet found a greater self-assurance in the experience of married life, an experience that he stated had given him a base of self-belief from which to continue his efforts in the public arena. Upon hearing yet again the assertion that he was "ruthless", Kennedy once joked to a reporter, "If I find out who has called me ruthless I will destroy him." He also confessed to possessing a bad temper that required self-control: "My biggest problem as counsel is to keep my temper. I think we all feel that when a witness comes before the United States Senate, he has an obligation to speak frankly and tell the truth. To see people sit in front of us and lie and evade makes me boil inside. But you can't lose your temper; if you do, the witness has gotten the best of you." Attorney Michael O'Donnell wrote, "[Kennedy] offered that most intoxicating of political aphrodisiacs: authenticity. He was blunt to a fault, and his favorite campaign activity was arguing with college students. To many, his idealistic opportunism was irresistible." In his earlier life, Kennedy had developed a reputation as the family's attack dog. He was a hostile cross-examiner on Joseph McCarthy's Senate committee; a fixer and leg-breaker as JFK's campaign manager; an unforgiving and merciless cutthroat—his father's son right down to Joseph Kennedy's purported observation that "he hates like me." Yet Bobby Kennedy somehow became a liberal icon, an antiwar visionary who tried to outflank Lyndon Johnson's Great Society from the left. On Kennedy's ideological development, his brother John once remarked, "He might once have been intolerant of liberals as such because his early experience was with that high-minded, high-speaking kind who never got anything done. That all changed the moment he met a liberal like Walter Reuther." Religious faith and Greek philosophy Kennedy's Catholicism was central to his politics and personal attitude to life and its purpose; he inherited his faith from his family. He was more religious than his brothers and approached his duties with a Catholic worldview. Throughout his life, he made reference to his faith, how it informed every area of his life, and how it gave him the strength to re-enter politics following his older brother's assassination. His was not an unresponsive and staid faith, but the faith of a Catholic Radical, perhaps the first successful Catholic Radical in American political history. In the last years of his life, he also found great solace in the playwrights and poets of ancient Greece, especially the writings of Aeschylus, suggested to him by Jacqueline after JFK's death. In his Indianapolis speech on April 4, 1968, on the day of the assassination of Martin Luther King Jr., Kennedy quoted these lines from Aeschylus: Even in our sleep, pain which cannot forget falls drop by drop upon the heart, until, in our own despair, against our will, comes wisdom through the awful grace of God. Legacy Kennedy was the first sibling of a president of the United States to serve as U.S. Attorney General. Biographer Evan Thomas wrote that at times Kennedy misused his powers by "modern standards", but concluded, "on the whole, even counting his warts, he was a great attorney general." Walter Isaacson commented that Kennedy "turned out arguably to be the best attorney general in history", praising him for his championing of civil rights and other initiatives of the administration. As Kennedy stepped down from being attorney general in 1964 to assume the office of senator from New York, The New York Times, notably having criticized his appointment three years prior, praised Kennedy for raising the standards of the position. Some of his successor attorneys general have been unfavorably compared to him, for not displaying the same level of poise in the profession. Near the end of his time in office as attorney general under Barack Obama, Eric Holder cited Kennedy as the inspiration for his belief that the Justice Department could be "a force for that which is right." Kennedy has also been praised for his oratorical abilities and his skill at creating unity. Joseph A. Palermo of The Huffington Post observed that Kennedy's words "could cut through social boundaries and partisan divides in a way that seems nearly impossible today." Dolores Huerta and Philip W. Johnston expressed the view that Kennedy, both in his speeches and actions, was unique in his willingness to take political risks. That blunt sincerity was said by associates to be authentic; Frank N. Magill wrote that Kennedy's oratorical skills lent their support to minorities and other disenfranchised groups who began seeing him as an ally. Kennedy's assassination was a blow to the optimism for a brighter future that his campaign had brought for many Americans who lived through the turbulent 1960s. Juan Romero, the busboy who shook hands with Kennedy right before he was shot, later said, "It made me realize that no matter how much hope you have it can be taken away in a second." Kennedy's death has been cited as a significant factor in the Democratic Party's loss of the 1968 presidential election. Since his passing, Kennedy has become generally well-respected by liberals and conservatives, which is far from the polarized views of him during his lifetime. Joe Scarborough, John Ashcroft, Tom Bradley, Mark Dayton, John Kitzhaber, Max Cleland, Tim Cook, Phil Bredesen, Joe Biden, J. K. Rowling, Jim McGreevey, Gavin Newsom, and Ray Mabus have acknowledged Kennedy's influence on them. Josh Zeitz of Politico observed, "Bobby Kennedy has since become an American folk hero—the tough, crusading liberal gunned down in the prime of life." Kennedy's (and to a lesser extent his older brother's) ideas about using government authority to assist less fortunate peoples became central to American liberalism as a tenet of the "Kennedy legacy". Honors In the months and years after Robert F. Kennedy's death, numerous roads, public schools, and other facilities across the United States have been named in his memory. The Robert F. Kennedy Center for Justice and Human Rights was founded in 1968, with an international award program to recognize human rights activists. The sports stadium in Washington, D.C., was renamed Robert F. Kennedy Memorial Stadium in 1969. In 1978 the United States Congress awarded Kennedy its Gold Medal of Honor. On January 12, 1979, a 15-cent commemorative U.S. Postal Service stamp (U.S. #1770) was issued in Washington.D.C., honoring R.F.K. The Bureau of Engraving and Printing distributed 159,297,600 of the perforated, blue-and-white stamps—an unusually-large printing. The stamp design was taken from a family photo suggested by his wife, Ethel. In 1998 the United States Mint released the Robert F. Kennedy silver dollar, a special dollar coin that featured Kennedy's image on the obverse and the emblems of the United States Department of Justice and the United States Senate on the reverse. On November 20, 2001, U.S. President George W. Bush and Attorney General John Ashcroft dedicated the Department of Justice headquarters building in Washington, D.C., as the Robert F. Kennedy Department of Justice Building, honoring Kennedy on what would have been his 76th birthday. They both spoke during the ceremony, as did Kennedy's eldest son, Joseph. In a further effort to remember Kennedy and continue his work helping the disadvantaged, a small group of private citizens launched the Robert F. Kennedy Children's Action Corps in 1969. The private, nonprofit, Massachusetts-based organization helps more than 800 abused and neglected children each year. A bust of Kennedy resides in the library of the University of Virginia School of Law where he obtained his law degree. On June 4, 2008 (the eve of the 40th anniversary of his assassination), the New York State Assembly voted to rename the Triborough Bridge in New York City the Robert F. Kennedy Memorial Bridge. New York State Governor David Paterson signed the legislation into law on August 8, 2008. The bridge is now commonly known as the RFK-Triborough Bridge. On September 20, 2016, the United States Navy announced the renaming of a refueling ship in honor of Kennedy during a ceremony attended by members of his family. Personal items and documents from his office in the Justice Department Building are displayed in a permanent exhibit dedicated to him at the John F. Kennedy Library and Museum. Papers from his years as attorney general, senator, peace and civil rights activist and presidential candidate, as well as personal correspondence, are also housed in the library. Established in 1984, the Robert F. Kennedy Assassination Archives stored at the University of Massachusetts Dartmouth contains thousands of copies of government documents obtained through the Freedom of Information Act public disclosure process as well as manuscripts, photographs, audiotape interviews, video tapes, news clippings and research notes compiled by journalists and other private citizens who have investigated discrepancies in the case. Kennedy and Martin Luther King Jr. Several public institutions jointly honor Kennedy and Martin Luther King Jr. In 1969, the former Woodrow Wilson Junior College, a two-year institution and a constituent campus of the City Colleges of Chicago, was renamed Kennedy–King College. In 1994 the City of Indianapolis erected the Landmark for Peace Memorial in Robert Kennedy's honor near the space made famous by his speech from the back of a pickup truck the night King died. The monument in Martin Luther King Jr. Memorial Park depicts a sculpture of RFK reaching out from a large metal slab to a sculpture of King, who is part of a similar slab. This is meant to symbolize their attempts in life to bridge the gaps between the races—an attempt that united them even in death. A state historical marker has also been placed at the site. A nephew of King and Indiana U.S. Congresswoman Julia Carson presided over the event; both made speeches from the back of a pickup truck in similar fashion to RFK's speech. In 2019, Kennedy's "Speech on the Death of Dr. Martin Luther King, Jr." (April 4, 1968) was selected by the Library of Congress for preservation in the National Recording Registry for being "culturally, historically, or aesthetically significant". Publications The Enemy Within: The McClellan Committee's Crusade Against Jimmy Hoffa and Corrupt Labor Unions (1960) Just Friends and Brave Enemies (1962) The Pursuit of Justice (1964) To Seek a Newer World, essays (1967) Thirteen Days: A Memoir of the Cuban Missile Crisis, published posthumously (1969) Art, entertainment, and media Kennedy has been the subject of several documentaries and has appeared in various works of popular culture. Kennedy's role in the Cuban Missile Crisis has been dramatized by Martin Sheen in the TV play The Missiles of October (1974) and by Steven Culp in Thirteen Days (2000). The film Bobby (2006) is the story of multiple people's lives leading up to RFK's assassination. The film employs stock footage from his presidential campaign, and he is briefly portrayed by Dave Fraunces. Barry Pepper won an Emmy for his portrayal of Kennedy in The Kennedys (2011), an 8-part miniseries. He is played by Peter Sarsgaard in the film about Jacqueline Kennedy, Jackie (2016). He is played by Jack Huston in Martin Scorsese's film The Irishman (2019). See also Kennedy family tree List of assassinated American politicians List of peace activists List of United States Congress members killed or wounded in office List of United States Congress members who died in office (1950–99) References Citations Bibliography Barnes, John A. Irish-American Landmarks. Canton, Mich.: Visible Ink, 1995. Grubin, David, director and producer, RFK. Video. (DVD, VHS). 2hr. WGBH Educ. Found. and David Grubin Productions, 2004. Distrib. by PBS Video Haas, Lawrence J. The Kennedys in the World: How Jack, Bobby, and Ted Remade America's Empire (2021) excerpt Hilty, James M. Robert Kennedy: Brother Protector (1997), vol. 1 to 1963. Temple U. Press., 1997. Martin, Zachary J. The Mindless Menace of Violence: Robert F. Kennedy's Vision and the Fierce Urgency of Now. Lanham, Md.: Hamilton Books, 2009. RFK's speech after the death of Martin Luther King in 1968. Navasky, Victor S. Kennedy Justice (1972). Argues the policies of RFK's Justice Department show the conservatism of justice, the limits of charisma, the inherent tendency in a legal system to support the status quo, and the counterproductive results of many of Kennedy's endeavors in the field of civil rights and crime control. Neff, James. Vendetta: Bobby Kennedy Versus Jimmy Hoffa (2016) excerpt National Book Award. Schlesinger, Arthur, M. Jr. (2002) [1978], Robert Kennedy And His Times, Mariner Books-Houghton Mifflin Co., . Schmitt, Edward R. President of the Other America: Robert Kennedy and the Politics of Poverty (University of Massachusetts Press, 2010) 324 pp. online free External links FBI Records: The Vault – Robert F. Kennedy at fbi.gov Biography at United States Department of Justice Annotated Bibliography for Robert F. Kennedy from the Alsos Digital Library for Nuclear Issues American Experience: RFK, PBS Text, Audio, and Video of Robert Kennedy's Remarks on the Assassination of Martin Luther King Jr. Edward Kennedy eulogy to Robert Kennedy (text and audio) My Father's Stand on Cuba Travel by Kathleen Kennedy Townsend, The Washington Post'', April 23, 2009 Radio airchecks/recordings of the shooting and death of Senator Kennedy including Mutual Radio's Andrew West's shooting coverage, continued live coverage from CBS Radio, announcements of RFK's death, CBS Radio's complete coverage of funeral mass St. Patrick's Cathedral, and CBS Radio coverage of the train arrival of RFK's body in Washington DC. KTTV assassination coverage at The Museum of Classic Chicago Television FBI file on the RFK assassination "The Robert F. Kennedy Assassination Archives" – a collection within the University of Massachusetts Dartmouth Archives and Special Collections established in 1984 1925 births 1968 deaths 1968 murders in the United States 20th-century American writers 20th-century American politicians United States Navy personnel of World War II American murder victims Anti-poverty advocates Assassinated American politicians Bates College people Burials at Arlington National Cemetery Civil rights movement Congressional Gold Medal recipients People murdered in California Deaths by firearm in California Democratic Party United States senators from New York (state) Harvard Crimson football players Harvard College alumni Kennedy administration cabinet members Kennedy family Lyndon B. Johnson administration cabinet members Male murder victims Massachusetts Democrats Milton Academy alumni Military personnel from Massachusetts New York (state) Democrats New York (state) lawyers People educated at Gibbs School People from Bronxville, New York Politicians from Brookline, Massachusetts People murdered in Los Angeles United States Attorneys General United States Navy officers 1964 United States vice-presidential candidates United States Senate lawyers United States senators from New York (state) University of Virginia School of Law alumni Writers from Boston Writers from New York (state) Riverdale Country School alumni Portsmouth Abbey School alumni

C_a1f86948a7c9496aaf146f17ba9a21db_0

What happened in 1995?

What happened to Jason Leonard in 1995?

Jason Leonard

With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. CANNOTANSWER

In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England,

Jason Leonard (born 14 August 1968) is an English former rugby union player. He won a former record 114 caps for England men’s rugby team during a 14-year international career. A prop, Leonard played club rugby for Barking RFC, Saracens and Harlequins. He played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and played for the British & Irish Lions on three tours, winning five more caps. He was part of the Lions squad that won the test series during their 1997 tour of South Africa. He was awarded the MBE for services to rugby in 2002, and an OBE after England's Rugby World Cup success. He was also inducted to the World Rugby Hall of Fame in 2014. Since his retirement in 2004, Leonard has been active in the governance of rugby. He was President of the RFU from 2015-2016, and is the current Chairman of the British & Irish Lions In 2008, Leonard joined Besso Group, and has since worked as a senior advisor for the established Lloyd's broker. Leonard has launched his own special event service, the FunBus. Club rugby Leonard's lengthy career straddled both the amateur and professional eras and he had a job as a carpenter. He began playing for his home club, Barking and his school teams as a youth, and as his playing talents became recognised, interest was shown by London club Saracens, where he moved in 1989. Following a year at Saracens, he moved to Harlequins, where he stayed until his professional retirement in May 2004, making a total of 290 appearances for the team. England career 1990–1993 Leonard won his first cap on 28 July 1990, against Argentina in Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25–12; it proved a baptism of fire for the young Leonard. Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game that suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18–12, England made it to the Rugby World Cup Final in 1991, losing 12–6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertebra in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand. 1995–1997 With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the 1995 Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24–18) and Italy (27–20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44–22 and also won the subsequent quarter-final against Australia 25–22, before losing the semi-final to New Zealand 29–45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20–18. The try remains Leonard's only score for England. In the 1996–1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. 1998–2003 Leonard continued to be an England regular under Woodward. In 1999, England competed in the Rugby World Cup, hosted this time by Wales. World Cup matches were also played throughout the rest of the British Isles and in France. England had shown signs of improvement under Woodward, who had been looking to play a more expansive game, but were denied a Grand Slam prior to the World Cup due to Neil Jenkins' boot and a last-minute try by Scott Gibbs. This, however, was to be the first of four consecutive near-misses. In the 1999 World Cup, England were drawn in Pool 2 with New Zealand, Italy and Tonga, but were knocked out of the tournament at the quarter-final stage by South Africa. The new Millennium saw Leonard break several records; he surpassed Rory Underwood as England's most capped player with his 86th cap against Argentina in November 2000. 12 months later against Romania he overtook former New Zealand captain Sean Fitzpatrick as the world's most-capped forward in his 93rd appearance. For the 2000 Autumn internationals, Leonard was dropped to the bench and replaced by Graham Rowntree. In 2001, although England had scored 28 tries in their first four Six Nations matches, they lost the fifth to Ireland after the match had been rescheduled. 2001 also saw a tour of the British and Irish Lions, coached by Graham Henry, to Australia. The Wallabies won the Test series 2–1, though the Lions had convincingly won the first Test and were in the driving seat at half-time during the second Test in Melbourne. After this, England began to notch up regular victories against the big guns of the Southern Hemisphere (New Zealand, South Africa and Australia), culminating in the 2003 World Cup. On 15 February 2003, Jason Leonard became the first-ever front-row forward to make 100 international appearances, when he started against France in a Six Nations clash. He was also the first Englishman and overall third player (after Philippe Sella and David Campese) to achieve this feat. In March, Jason played a key role in securing England's Grand Slam with a win over Ireland at Lansdowne Road and in August he captained England for the second time in a crushing 43–9 victory over Wales at the Millennium Stadium in Cardiff. It was Leonard's versatility along with his proven ability and experience which earned him a spot in the World Cup Squad and he made appearances in all seven matches of the tournament, including the semi-final against France during which he overtook Sella as the world's most-capped player. Leonard appeared in his second World Cup final as an extra-time substitute for Vickery and played a key role in reducing the scrummage penalty count which was high during normal time. The then coach Clive Woodward later wrote in his autobiography that Leonard's introduction was the key substitution which helped England to win the match. Leonard played one more match for England in the subsequent Six Nations Championship against Italy before announcing his retirement as the most-capped forward of all time. Charity Leonard has worked with and supported numerous charities throughout his career. He has been holding Annual Dinners since 2004, which have to date raised over £2 million for charities and good causes. In 2014, he founded The Atlas Foundation, which exists to help deprived children around the world work towards a better future through rugby communities and initiatives. So far over £1 million has been raised, and over 50,000 children have been supported. Jason spends an enormous amount of time working on behalf of many other charities to support fundraising and raise awareness for their causes. Miscellaneous Jason Leonard was the subject of This Is Your Life in 2000 when he was surprised by Michael Aspel. Until 5 August 2011, when it was renamed "Southend City on Sea", a class 357 EMU train (number 357 003) operated by c2c on the London, Tilbury and Southend line had the nameplate "Jason Leonard". The line serves his hometown of Barking, East London. In 2012, Leonard was the second recipient of "The Prince Obolensky Award" presented by the Prince Obolensky Association to people associated with the game of Rugby Union who embody the "Corinthian Spirit". See also List of rugby union test caps leaders References External links Jason Leonard Official Website Jason Leonard's Funbus The Atlas Foundation 1968 births Living people Barbarian F.C. players Barking Rugby Football Club players British & Irish Lions rugby union players from England England international rugby union players English rugby union players Harlequin F.C. players Officers of the Order of the British Empire Rugby union players from Barking, London Rugby union props Saracens F.C. players World Rugby Hall of Fame inductees

C_a1f86948a7c9496aaf146f17ba9a21db_0

Did he do anything else in 1995?

Did Jason Leonard anything other than in third Grand Slam?

Jason Leonard

With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. CANNOTANSWER

). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended.

Jason Leonard (born 14 August 1968) is an English former rugby union player. He won a former record 114 caps for England men’s rugby team during a 14-year international career. A prop, Leonard played club rugby for Barking RFC, Saracens and Harlequins. He played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and played for the British & Irish Lions on three tours, winning five more caps. He was part of the Lions squad that won the test series during their 1997 tour of South Africa. He was awarded the MBE for services to rugby in 2002, and an OBE after England's Rugby World Cup success. He was also inducted to the World Rugby Hall of Fame in 2014. Since his retirement in 2004, Leonard has been active in the governance of rugby. He was President of the RFU from 2015-2016, and is the current Chairman of the British & Irish Lions In 2008, Leonard joined Besso Group, and has since worked as a senior advisor for the established Lloyd's broker. Leonard has launched his own special event service, the FunBus. Club rugby Leonard's lengthy career straddled both the amateur and professional eras and he had a job as a carpenter. He began playing for his home club, Barking and his school teams as a youth, and as his playing talents became recognised, interest was shown by London club Saracens, where he moved in 1989. Following a year at Saracens, he moved to Harlequins, where he stayed until his professional retirement in May 2004, making a total of 290 appearances for the team. England career 1990–1993 Leonard won his first cap on 28 July 1990, against Argentina in Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25–12; it proved a baptism of fire for the young Leonard. Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game that suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18–12, England made it to the Rugby World Cup Final in 1991, losing 12–6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertebra in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand. 1995–1997 With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the 1995 Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24–18) and Italy (27–20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44–22 and also won the subsequent quarter-final against Australia 25–22, before losing the semi-final to New Zealand 29–45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20–18. The try remains Leonard's only score for England. In the 1996–1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. 1998–2003 Leonard continued to be an England regular under Woodward. In 1999, England competed in the Rugby World Cup, hosted this time by Wales. World Cup matches were also played throughout the rest of the British Isles and in France. England had shown signs of improvement under Woodward, who had been looking to play a more expansive game, but were denied a Grand Slam prior to the World Cup due to Neil Jenkins' boot and a last-minute try by Scott Gibbs. This, however, was to be the first of four consecutive near-misses. In the 1999 World Cup, England were drawn in Pool 2 with New Zealand, Italy and Tonga, but were knocked out of the tournament at the quarter-final stage by South Africa. The new Millennium saw Leonard break several records; he surpassed Rory Underwood as England's most capped player with his 86th cap against Argentina in November 2000. 12 months later against Romania he overtook former New Zealand captain Sean Fitzpatrick as the world's most-capped forward in his 93rd appearance. For the 2000 Autumn internationals, Leonard was dropped to the bench and replaced by Graham Rowntree. In 2001, although England had scored 28 tries in their first four Six Nations matches, they lost the fifth to Ireland after the match had been rescheduled. 2001 also saw a tour of the British and Irish Lions, coached by Graham Henry, to Australia. The Wallabies won the Test series 2–1, though the Lions had convincingly won the first Test and were in the driving seat at half-time during the second Test in Melbourne. After this, England began to notch up regular victories against the big guns of the Southern Hemisphere (New Zealand, South Africa and Australia), culminating in the 2003 World Cup. On 15 February 2003, Jason Leonard became the first-ever front-row forward to make 100 international appearances, when he started against France in a Six Nations clash. He was also the first Englishman and overall third player (after Philippe Sella and David Campese) to achieve this feat. In March, Jason played a key role in securing England's Grand Slam with a win over Ireland at Lansdowne Road and in August he captained England for the second time in a crushing 43–9 victory over Wales at the Millennium Stadium in Cardiff. It was Leonard's versatility along with his proven ability and experience which earned him a spot in the World Cup Squad and he made appearances in all seven matches of the tournament, including the semi-final against France during which he overtook Sella as the world's most-capped player. Leonard appeared in his second World Cup final as an extra-time substitute for Vickery and played a key role in reducing the scrummage penalty count which was high during normal time. The then coach Clive Woodward later wrote in his autobiography that Leonard's introduction was the key substitution which helped England to win the match. Leonard played one more match for England in the subsequent Six Nations Championship against Italy before announcing his retirement as the most-capped forward of all time. Charity Leonard has worked with and supported numerous charities throughout his career. He has been holding Annual Dinners since 2004, which have to date raised over £2 million for charities and good causes. In 2014, he founded The Atlas Foundation, which exists to help deprived children around the world work towards a better future through rugby communities and initiatives. So far over £1 million has been raised, and over 50,000 children have been supported. Jason spends an enormous amount of time working on behalf of many other charities to support fundraising and raise awareness for their causes. Miscellaneous Jason Leonard was the subject of This Is Your Life in 2000 when he was surprised by Michael Aspel. Until 5 August 2011, when it was renamed "Southend City on Sea", a class 357 EMU train (number 357 003) operated by c2c on the London, Tilbury and Southend line had the nameplate "Jason Leonard". The line serves his hometown of Barking, East London. In 2012, Leonard was the second recipient of "The Prince Obolensky Award" presented by the Prince Obolensky Association to people associated with the game of Rugby Union who embody the "Corinthian Spirit". See also List of rugby union test caps leaders References External links Jason Leonard Official Website Jason Leonard's Funbus The Atlas Foundation 1968 births Living people Barbarian F.C. players Barking Rugby Football Club players British & Irish Lions rugby union players from England England international rugby union players English rugby union players Harlequin F.C. players Officers of the Order of the British Empire Rugby union players from Barking, London Rugby union props Saracens F.C. players World Rugby Hall of Fame inductees

C_a1f86948a7c9496aaf146f17ba9a21db_0

Who beat the record?

Who beat the record of Jason Leonard in England's final pool match?

Jason Leonard

With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. CANNOTANSWER

CANNOTANSWER

Jason Leonard (born 14 August 1968) is an English former rugby union player. He won a former record 114 caps for England men’s rugby team during a 14-year international career. A prop, Leonard played club rugby for Barking RFC, Saracens and Harlequins. He played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and played for the British & Irish Lions on three tours, winning five more caps. He was part of the Lions squad that won the test series during their 1997 tour of South Africa. He was awarded the MBE for services to rugby in 2002, and an OBE after England's Rugby World Cup success. He was also inducted to the World Rugby Hall of Fame in 2014. Since his retirement in 2004, Leonard has been active in the governance of rugby. He was President of the RFU from 2015-2016, and is the current Chairman of the British & Irish Lions In 2008, Leonard joined Besso Group, and has since worked as a senior advisor for the established Lloyd's broker. Leonard has launched his own special event service, the FunBus. Club rugby Leonard's lengthy career straddled both the amateur and professional eras and he had a job as a carpenter. He began playing for his home club, Barking and his school teams as a youth, and as his playing talents became recognised, interest was shown by London club Saracens, where he moved in 1989. Following a year at Saracens, he moved to Harlequins, where he stayed until his professional retirement in May 2004, making a total of 290 appearances for the team. England career 1990–1993 Leonard won his first cap on 28 July 1990, against Argentina in Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25–12; it proved a baptism of fire for the young Leonard. Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game that suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18–12, England made it to the Rugby World Cup Final in 1991, losing 12–6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertebra in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand. 1995–1997 With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the 1995 Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24–18) and Italy (27–20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44–22 and also won the subsequent quarter-final against Australia 25–22, before losing the semi-final to New Zealand 29–45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20–18. The try remains Leonard's only score for England. In the 1996–1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. 1998–2003 Leonard continued to be an England regular under Woodward. In 1999, England competed in the Rugby World Cup, hosted this time by Wales. World Cup matches were also played throughout the rest of the British Isles and in France. England had shown signs of improvement under Woodward, who had been looking to play a more expansive game, but were denied a Grand Slam prior to the World Cup due to Neil Jenkins' boot and a last-minute try by Scott Gibbs. This, however, was to be the first of four consecutive near-misses. In the 1999 World Cup, England were drawn in Pool 2 with New Zealand, Italy and Tonga, but were knocked out of the tournament at the quarter-final stage by South Africa. The new Millennium saw Leonard break several records; he surpassed Rory Underwood as England's most capped player with his 86th cap against Argentina in November 2000. 12 months later against Romania he overtook former New Zealand captain Sean Fitzpatrick as the world's most-capped forward in his 93rd appearance. For the 2000 Autumn internationals, Leonard was dropped to the bench and replaced by Graham Rowntree. In 2001, although England had scored 28 tries in their first four Six Nations matches, they lost the fifth to Ireland after the match had been rescheduled. 2001 also saw a tour of the British and Irish Lions, coached by Graham Henry, to Australia. The Wallabies won the Test series 2–1, though the Lions had convincingly won the first Test and were in the driving seat at half-time during the second Test in Melbourne. After this, England began to notch up regular victories against the big guns of the Southern Hemisphere (New Zealand, South Africa and Australia), culminating in the 2003 World Cup. On 15 February 2003, Jason Leonard became the first-ever front-row forward to make 100 international appearances, when he started against France in a Six Nations clash. He was also the first Englishman and overall third player (after Philippe Sella and David Campese) to achieve this feat. In March, Jason played a key role in securing England's Grand Slam with a win over Ireland at Lansdowne Road and in August he captained England for the second time in a crushing 43–9 victory over Wales at the Millennium Stadium in Cardiff. It was Leonard's versatility along with his proven ability and experience which earned him a spot in the World Cup Squad and he made appearances in all seven matches of the tournament, including the semi-final against France during which he overtook Sella as the world's most-capped player. Leonard appeared in his second World Cup final as an extra-time substitute for Vickery and played a key role in reducing the scrummage penalty count which was high during normal time. The then coach Clive Woodward later wrote in his autobiography that Leonard's introduction was the key substitution which helped England to win the match. Leonard played one more match for England in the subsequent Six Nations Championship against Italy before announcing his retirement as the most-capped forward of all time. Charity Leonard has worked with and supported numerous charities throughout his career. He has been holding Annual Dinners since 2004, which have to date raised over £2 million for charities and good causes. In 2014, he founded The Atlas Foundation, which exists to help deprived children around the world work towards a better future through rugby communities and initiatives. So far over £1 million has been raised, and over 50,000 children have been supported. Jason spends an enormous amount of time working on behalf of many other charities to support fundraising and raise awareness for their causes. Miscellaneous Jason Leonard was the subject of This Is Your Life in 2000 when he was surprised by Michael Aspel. Until 5 August 2011, when it was renamed "Southend City on Sea", a class 357 EMU train (number 357 003) operated by c2c on the London, Tilbury and Southend line had the nameplate "Jason Leonard". The line serves his hometown of Barking, East London. In 2012, Leonard was the second recipient of "The Prince Obolensky Award" presented by the Prince Obolensky Association to people associated with the game of Rugby Union who embody the "Corinthian Spirit". See also List of rugby union test caps leaders References External links Jason Leonard Official Website Jason Leonard's Funbus The Atlas Foundation 1968 births Living people Barbarian F.C. players Barking Rugby Football Club players British & Irish Lions rugby union players from England England international rugby union players English rugby union players Harlequin F.C. players Officers of the Order of the British Empire Rugby union players from Barking, London Rugby union props Saracens F.C. players World Rugby Hall of Fame inductees

C_a1f86948a7c9496aaf146f17ba9a21db_0

What happened in 96?

What happened for Jason Leonard in 1996?

Jason Leonard

With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. CANNOTANSWER

In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham.

Jason Leonard (born 14 August 1968) is an English former rugby union player. He won a former record 114 caps for England men’s rugby team during a 14-year international career. A prop, Leonard played club rugby for Barking RFC, Saracens and Harlequins. He played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and played for the British & Irish Lions on three tours, winning five more caps. He was part of the Lions squad that won the test series during their 1997 tour of South Africa. He was awarded the MBE for services to rugby in 2002, and an OBE after England's Rugby World Cup success. He was also inducted to the World Rugby Hall of Fame in 2014. Since his retirement in 2004, Leonard has been active in the governance of rugby. He was President of the RFU from 2015-2016, and is the current Chairman of the British & Irish Lions In 2008, Leonard joined Besso Group, and has since worked as a senior advisor for the established Lloyd's broker. Leonard has launched his own special event service, the FunBus. Club rugby Leonard's lengthy career straddled both the amateur and professional eras and he had a job as a carpenter. He began playing for his home club, Barking and his school teams as a youth, and as his playing talents became recognised, interest was shown by London club Saracens, where he moved in 1989. Following a year at Saracens, he moved to Harlequins, where he stayed until his professional retirement in May 2004, making a total of 290 appearances for the team. England career 1990–1993 Leonard won his first cap on 28 July 1990, against Argentina in Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25–12; it proved a baptism of fire for the young Leonard. Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game that suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18–12, England made it to the Rugby World Cup Final in 1991, losing 12–6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertebra in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand. 1995–1997 With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the 1995 Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24–18) and Italy (27–20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44–22 and also won the subsequent quarter-final against Australia 25–22, before losing the semi-final to New Zealand 29–45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20–18. The try remains Leonard's only score for England. In the 1996–1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. 1998–2003 Leonard continued to be an England regular under Woodward. In 1999, England competed in the Rugby World Cup, hosted this time by Wales. World Cup matches were also played throughout the rest of the British Isles and in France. England had shown signs of improvement under Woodward, who had been looking to play a more expansive game, but were denied a Grand Slam prior to the World Cup due to Neil Jenkins' boot and a last-minute try by Scott Gibbs. This, however, was to be the first of four consecutive near-misses. In the 1999 World Cup, England were drawn in Pool 2 with New Zealand, Italy and Tonga, but were knocked out of the tournament at the quarter-final stage by South Africa. The new Millennium saw Leonard break several records; he surpassed Rory Underwood as England's most capped player with his 86th cap against Argentina in November 2000. 12 months later against Romania he overtook former New Zealand captain Sean Fitzpatrick as the world's most-capped forward in his 93rd appearance. For the 2000 Autumn internationals, Leonard was dropped to the bench and replaced by Graham Rowntree. In 2001, although England had scored 28 tries in their first four Six Nations matches, they lost the fifth to Ireland after the match had been rescheduled. 2001 also saw a tour of the British and Irish Lions, coached by Graham Henry, to Australia. The Wallabies won the Test series 2–1, though the Lions had convincingly won the first Test and were in the driving seat at half-time during the second Test in Melbourne. After this, England began to notch up regular victories against the big guns of the Southern Hemisphere (New Zealand, South Africa and Australia), culminating in the 2003 World Cup. On 15 February 2003, Jason Leonard became the first-ever front-row forward to make 100 international appearances, when he started against France in a Six Nations clash. He was also the first Englishman and overall third player (after Philippe Sella and David Campese) to achieve this feat. In March, Jason played a key role in securing England's Grand Slam with a win over Ireland at Lansdowne Road and in August he captained England for the second time in a crushing 43–9 victory over Wales at the Millennium Stadium in Cardiff. It was Leonard's versatility along with his proven ability and experience which earned him a spot in the World Cup Squad and he made appearances in all seven matches of the tournament, including the semi-final against France during which he overtook Sella as the world's most-capped player. Leonard appeared in his second World Cup final as an extra-time substitute for Vickery and played a key role in reducing the scrummage penalty count which was high during normal time. The then coach Clive Woodward later wrote in his autobiography that Leonard's introduction was the key substitution which helped England to win the match. Leonard played one more match for England in the subsequent Six Nations Championship against Italy before announcing his retirement as the most-capped forward of all time. Charity Leonard has worked with and supported numerous charities throughout his career. He has been holding Annual Dinners since 2004, which have to date raised over £2 million for charities and good causes. In 2014, he founded The Atlas Foundation, which exists to help deprived children around the world work towards a better future through rugby communities and initiatives. So far over £1 million has been raised, and over 50,000 children have been supported. Jason spends an enormous amount of time working on behalf of many other charities to support fundraising and raise awareness for their causes. Miscellaneous Jason Leonard was the subject of This Is Your Life in 2000 when he was surprised by Michael Aspel. Until 5 August 2011, when it was renamed "Southend City on Sea", a class 357 EMU train (number 357 003) operated by c2c on the London, Tilbury and Southend line had the nameplate "Jason Leonard". The line serves his hometown of Barking, East London. In 2012, Leonard was the second recipient of "The Prince Obolensky Award" presented by the Prince Obolensky Association to people associated with the game of Rugby Union who embody the "Corinthian Spirit". See also List of rugby union test caps leaders References External links Jason Leonard Official Website Jason Leonard's Funbus The Atlas Foundation 1968 births Living people Barbarian F.C. players Barking Rugby Football Club players British & Irish Lions rugby union players from England England international rugby union players English rugby union players Harlequin F.C. players Officers of the Order of the British Empire Rugby union players from Barking, London Rugby union props Saracens F.C. players World Rugby Hall of Fame inductees

C_a1f86948a7c9496aaf146f17ba9a21db_0

How did that turn out?

How did Leonard skippered England?

Jason Leonard

With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. CANNOTANSWER

Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18.

Jason Leonard (born 14 August 1968) is an English former rugby union player. He won a former record 114 caps for England men’s rugby team during a 14-year international career. A prop, Leonard played club rugby for Barking RFC, Saracens and Harlequins. He played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and played for the British & Irish Lions on three tours, winning five more caps. He was part of the Lions squad that won the test series during their 1997 tour of South Africa. He was awarded the MBE for services to rugby in 2002, and an OBE after England's Rugby World Cup success. He was also inducted to the World Rugby Hall of Fame in 2014. Since his retirement in 2004, Leonard has been active in the governance of rugby. He was President of the RFU from 2015-2016, and is the current Chairman of the British & Irish Lions In 2008, Leonard joined Besso Group, and has since worked as a senior advisor for the established Lloyd's broker. Leonard has launched his own special event service, the FunBus. Club rugby Leonard's lengthy career straddled both the amateur and professional eras and he had a job as a carpenter. He began playing for his home club, Barking and his school teams as a youth, and as his playing talents became recognised, interest was shown by London club Saracens, where he moved in 1989. Following a year at Saracens, he moved to Harlequins, where he stayed until his professional retirement in May 2004, making a total of 290 appearances for the team. England career 1990–1993 Leonard won his first cap on 28 July 1990, against Argentina in Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25–12; it proved a baptism of fire for the young Leonard. Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game that suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18–12, England made it to the Rugby World Cup Final in 1991, losing 12–6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertebra in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand. 1995–1997 With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the 1995 Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24–18) and Italy (27–20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44–22 and also won the subsequent quarter-final against Australia 25–22, before losing the semi-final to New Zealand 29–45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20–18. The try remains Leonard's only score for England. In the 1996–1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. 1998–2003 Leonard continued to be an England regular under Woodward. In 1999, England competed in the Rugby World Cup, hosted this time by Wales. World Cup matches were also played throughout the rest of the British Isles and in France. England had shown signs of improvement under Woodward, who had been looking to play a more expansive game, but were denied a Grand Slam prior to the World Cup due to Neil Jenkins' boot and a last-minute try by Scott Gibbs. This, however, was to be the first of four consecutive near-misses. In the 1999 World Cup, England were drawn in Pool 2 with New Zealand, Italy and Tonga, but were knocked out of the tournament at the quarter-final stage by South Africa. The new Millennium saw Leonard break several records; he surpassed Rory Underwood as England's most capped player with his 86th cap against Argentina in November 2000. 12 months later against Romania he overtook former New Zealand captain Sean Fitzpatrick as the world's most-capped forward in his 93rd appearance. For the 2000 Autumn internationals, Leonard was dropped to the bench and replaced by Graham Rowntree. In 2001, although England had scored 28 tries in their first four Six Nations matches, they lost the fifth to Ireland after the match had been rescheduled. 2001 also saw a tour of the British and Irish Lions, coached by Graham Henry, to Australia. The Wallabies won the Test series 2–1, though the Lions had convincingly won the first Test and were in the driving seat at half-time during the second Test in Melbourne. After this, England began to notch up regular victories against the big guns of the Southern Hemisphere (New Zealand, South Africa and Australia), culminating in the 2003 World Cup. On 15 February 2003, Jason Leonard became the first-ever front-row forward to make 100 international appearances, when he started against France in a Six Nations clash. He was also the first Englishman and overall third player (after Philippe Sella and David Campese) to achieve this feat. In March, Jason played a key role in securing England's Grand Slam with a win over Ireland at Lansdowne Road and in August he captained England for the second time in a crushing 43–9 victory over Wales at the Millennium Stadium in Cardiff. It was Leonard's versatility along with his proven ability and experience which earned him a spot in the World Cup Squad and he made appearances in all seven matches of the tournament, including the semi-final against France during which he overtook Sella as the world's most-capped player. Leonard appeared in his second World Cup final as an extra-time substitute for Vickery and played a key role in reducing the scrummage penalty count which was high during normal time. The then coach Clive Woodward later wrote in his autobiography that Leonard's introduction was the key substitution which helped England to win the match. Leonard played one more match for England in the subsequent Six Nations Championship against Italy before announcing his retirement as the most-capped forward of all time. Charity Leonard has worked with and supported numerous charities throughout his career. He has been holding Annual Dinners since 2004, which have to date raised over £2 million for charities and good causes. In 2014, he founded The Atlas Foundation, which exists to help deprived children around the world work towards a better future through rugby communities and initiatives. So far over £1 million has been raised, and over 50,000 children have been supported. Jason spends an enormous amount of time working on behalf of many other charities to support fundraising and raise awareness for their causes. Miscellaneous Jason Leonard was the subject of This Is Your Life in 2000 when he was surprised by Michael Aspel. Until 5 August 2011, when it was renamed "Southend City on Sea", a class 357 EMU train (number 357 003) operated by c2c on the London, Tilbury and Southend line had the nameplate "Jason Leonard". The line serves his hometown of Barking, East London. In 2012, Leonard was the second recipient of "The Prince Obolensky Award" presented by the Prince Obolensky Association to people associated with the game of Rugby Union who embody the "Corinthian Spirit". See also List of rugby union test caps leaders References External links Jason Leonard Official Website Jason Leonard's Funbus The Atlas Foundation 1968 births Living people Barbarian F.C. players Barking Rugby Football Club players British & Irish Lions rugby union players from England England international rugby union players English rugby union players Harlequin F.C. players Officers of the Order of the British Empire Rugby union players from Barking, London Rugby union props Saracens F.C. players World Rugby Hall of Fame inductees

C_a1f86948a7c9496aaf146f17ba9a21db_0

What was the next game?

What was the next game for Leonard in 1997?

Jason Leonard

With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. CANNOTANSWER

In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (

Jason Leonard (born 14 August 1968) is an English former rugby union player. He won a former record 114 caps for England men’s rugby team during a 14-year international career. A prop, Leonard played club rugby for Barking RFC, Saracens and Harlequins. He played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and played for the British & Irish Lions on three tours, winning five more caps. He was part of the Lions squad that won the test series during their 1997 tour of South Africa. He was awarded the MBE for services to rugby in 2002, and an OBE after England's Rugby World Cup success. He was also inducted to the World Rugby Hall of Fame in 2014. Since his retirement in 2004, Leonard has been active in the governance of rugby. He was President of the RFU from 2015-2016, and is the current Chairman of the British & Irish Lions In 2008, Leonard joined Besso Group, and has since worked as a senior advisor for the established Lloyd's broker. Leonard has launched his own special event service, the FunBus. Club rugby Leonard's lengthy career straddled both the amateur and professional eras and he had a job as a carpenter. He began playing for his home club, Barking and his school teams as a youth, and as his playing talents became recognised, interest was shown by London club Saracens, where he moved in 1989. Following a year at Saracens, he moved to Harlequins, where he stayed until his professional retirement in May 2004, making a total of 290 appearances for the team. England career 1990–1993 Leonard won his first cap on 28 July 1990, against Argentina in Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25–12; it proved a baptism of fire for the young Leonard. Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game that suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18–12, England made it to the Rugby World Cup Final in 1991, losing 12–6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertebra in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand. 1995–1997 With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the 1995 Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24–18) and Italy (27–20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44–22 and also won the subsequent quarter-final against Australia 25–22, before losing the semi-final to New Zealand 29–45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20–18. The try remains Leonard's only score for England. In the 1996–1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. 1998–2003 Leonard continued to be an England regular under Woodward. In 1999, England competed in the Rugby World Cup, hosted this time by Wales. World Cup matches were also played throughout the rest of the British Isles and in France. England had shown signs of improvement under Woodward, who had been looking to play a more expansive game, but were denied a Grand Slam prior to the World Cup due to Neil Jenkins' boot and a last-minute try by Scott Gibbs. This, however, was to be the first of four consecutive near-misses. In the 1999 World Cup, England were drawn in Pool 2 with New Zealand, Italy and Tonga, but were knocked out of the tournament at the quarter-final stage by South Africa. The new Millennium saw Leonard break several records; he surpassed Rory Underwood as England's most capped player with his 86th cap against Argentina in November 2000. 12 months later against Romania he overtook former New Zealand captain Sean Fitzpatrick as the world's most-capped forward in his 93rd appearance. For the 2000 Autumn internationals, Leonard was dropped to the bench and replaced by Graham Rowntree. In 2001, although England had scored 28 tries in their first four Six Nations matches, they lost the fifth to Ireland after the match had been rescheduled. 2001 also saw a tour of the British and Irish Lions, coached by Graham Henry, to Australia. The Wallabies won the Test series 2–1, though the Lions had convincingly won the first Test and were in the driving seat at half-time during the second Test in Melbourne. After this, England began to notch up regular victories against the big guns of the Southern Hemisphere (New Zealand, South Africa and Australia), culminating in the 2003 World Cup. On 15 February 2003, Jason Leonard became the first-ever front-row forward to make 100 international appearances, when he started against France in a Six Nations clash. He was also the first Englishman and overall third player (after Philippe Sella and David Campese) to achieve this feat. In March, Jason played a key role in securing England's Grand Slam with a win over Ireland at Lansdowne Road and in August he captained England for the second time in a crushing 43–9 victory over Wales at the Millennium Stadium in Cardiff. It was Leonard's versatility along with his proven ability and experience which earned him a spot in the World Cup Squad and he made appearances in all seven matches of the tournament, including the semi-final against France during which he overtook Sella as the world's most-capped player. Leonard appeared in his second World Cup final as an extra-time substitute for Vickery and played a key role in reducing the scrummage penalty count which was high during normal time. The then coach Clive Woodward later wrote in his autobiography that Leonard's introduction was the key substitution which helped England to win the match. Leonard played one more match for England in the subsequent Six Nations Championship against Italy before announcing his retirement as the most-capped forward of all time. Charity Leonard has worked with and supported numerous charities throughout his career. He has been holding Annual Dinners since 2004, which have to date raised over £2 million for charities and good causes. In 2014, he founded The Atlas Foundation, which exists to help deprived children around the world work towards a better future through rugby communities and initiatives. So far over £1 million has been raised, and over 50,000 children have been supported. Jason spends an enormous amount of time working on behalf of many other charities to support fundraising and raise awareness for their causes. Miscellaneous Jason Leonard was the subject of This Is Your Life in 2000 when he was surprised by Michael Aspel. Until 5 August 2011, when it was renamed "Southend City on Sea", a class 357 EMU train (number 357 003) operated by c2c on the London, Tilbury and Southend line had the nameplate "Jason Leonard". The line serves his hometown of Barking, East London. In 2012, Leonard was the second recipient of "The Prince Obolensky Award" presented by the Prince Obolensky Association to people associated with the game of Rugby Union who embody the "Corinthian Spirit". See also List of rugby union test caps leaders References External links Jason Leonard Official Website Jason Leonard's Funbus The Atlas Foundation 1968 births Living people Barbarian F.C. players Barking Rugby Football Club players British & Irish Lions rugby union players from England England international rugby union players English rugby union players Harlequin F.C. players Officers of the Order of the British Empire Rugby union players from Barking, London Rugby union props Saracens F.C. players World Rugby Hall of Fame inductees

C_a1f86948a7c9496aaf146f17ba9a21db_0

Did he do well there?

Did Leonard do well there in the game of 1997?

Jason Leonard

With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. CANNOTANSWER

Leonard was selected for his second British and Irish Lions tour, this time to South Africa.

Jason Leonard (born 14 August 1968) is an English former rugby union player. He won a former record 114 caps for England men’s rugby team during a 14-year international career. A prop, Leonard played club rugby for Barking RFC, Saracens and Harlequins. He played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and played for the British & Irish Lions on three tours, winning five more caps. He was part of the Lions squad that won the test series during their 1997 tour of South Africa. He was awarded the MBE for services to rugby in 2002, and an OBE after England's Rugby World Cup success. He was also inducted to the World Rugby Hall of Fame in 2014. Since his retirement in 2004, Leonard has been active in the governance of rugby. He was President of the RFU from 2015-2016, and is the current Chairman of the British & Irish Lions In 2008, Leonard joined Besso Group, and has since worked as a senior advisor for the established Lloyd's broker. Leonard has launched his own special event service, the FunBus. Club rugby Leonard's lengthy career straddled both the amateur and professional eras and he had a job as a carpenter. He began playing for his home club, Barking and his school teams as a youth, and as his playing talents became recognised, interest was shown by London club Saracens, where he moved in 1989. Following a year at Saracens, he moved to Harlequins, where he stayed until his professional retirement in May 2004, making a total of 290 appearances for the team. England career 1990–1993 Leonard won his first cap on 28 July 1990, against Argentina in Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25–12; it proved a baptism of fire for the young Leonard. Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game that suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18–12, England made it to the Rugby World Cup Final in 1991, losing 12–6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertebra in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand. 1995–1997 With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the 1995 Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24–18) and Italy (27–20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44–22 and also won the subsequent quarter-final against Australia 25–22, before losing the semi-final to New Zealand 29–45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20–18. The try remains Leonard's only score for England. In the 1996–1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. 1998–2003 Leonard continued to be an England regular under Woodward. In 1999, England competed in the Rugby World Cup, hosted this time by Wales. World Cup matches were also played throughout the rest of the British Isles and in France. England had shown signs of improvement under Woodward, who had been looking to play a more expansive game, but were denied a Grand Slam prior to the World Cup due to Neil Jenkins' boot and a last-minute try by Scott Gibbs. This, however, was to be the first of four consecutive near-misses. In the 1999 World Cup, England were drawn in Pool 2 with New Zealand, Italy and Tonga, but were knocked out of the tournament at the quarter-final stage by South Africa. The new Millennium saw Leonard break several records; he surpassed Rory Underwood as England's most capped player with his 86th cap against Argentina in November 2000. 12 months later against Romania he overtook former New Zealand captain Sean Fitzpatrick as the world's most-capped forward in his 93rd appearance. For the 2000 Autumn internationals, Leonard was dropped to the bench and replaced by Graham Rowntree. In 2001, although England had scored 28 tries in their first four Six Nations matches, they lost the fifth to Ireland after the match had been rescheduled. 2001 also saw a tour of the British and Irish Lions, coached by Graham Henry, to Australia. The Wallabies won the Test series 2–1, though the Lions had convincingly won the first Test and were in the driving seat at half-time during the second Test in Melbourne. After this, England began to notch up regular victories against the big guns of the Southern Hemisphere (New Zealand, South Africa and Australia), culminating in the 2003 World Cup. On 15 February 2003, Jason Leonard became the first-ever front-row forward to make 100 international appearances, when he started against France in a Six Nations clash. He was also the first Englishman and overall third player (after Philippe Sella and David Campese) to achieve this feat. In March, Jason played a key role in securing England's Grand Slam with a win over Ireland at Lansdowne Road and in August he captained England for the second time in a crushing 43–9 victory over Wales at the Millennium Stadium in Cardiff. It was Leonard's versatility along with his proven ability and experience which earned him a spot in the World Cup Squad and he made appearances in all seven matches of the tournament, including the semi-final against France during which he overtook Sella as the world's most-capped player. Leonard appeared in his second World Cup final as an extra-time substitute for Vickery and played a key role in reducing the scrummage penalty count which was high during normal time. The then coach Clive Woodward later wrote in his autobiography that Leonard's introduction was the key substitution which helped England to win the match. Leonard played one more match for England in the subsequent Six Nations Championship against Italy before announcing his retirement as the most-capped forward of all time. Charity Leonard has worked with and supported numerous charities throughout his career. He has been holding Annual Dinners since 2004, which have to date raised over £2 million for charities and good causes. In 2014, he founded The Atlas Foundation, which exists to help deprived children around the world work towards a better future through rugby communities and initiatives. So far over £1 million has been raised, and over 50,000 children have been supported. Jason spends an enormous amount of time working on behalf of many other charities to support fundraising and raise awareness for their causes. Miscellaneous Jason Leonard was the subject of This Is Your Life in 2000 when he was surprised by Michael Aspel. Until 5 August 2011, when it was renamed "Southend City on Sea", a class 357 EMU train (number 357 003) operated by c2c on the London, Tilbury and Southend line had the nameplate "Jason Leonard". The line serves his hometown of Barking, East London. In 2012, Leonard was the second recipient of "The Prince Obolensky Award" presented by the Prince Obolensky Association to people associated with the game of Rugby Union who embody the "Corinthian Spirit". See also List of rugby union test caps leaders References External links Jason Leonard Official Website Jason Leonard's Funbus The Atlas Foundation 1968 births Living people Barbarian F.C. players Barking Rugby Football Club players British & Irish Lions rugby union players from England England international rugby union players English rugby union players Harlequin F.C. players Officers of the Order of the British Empire Rugby union players from Barking, London Rugby union props Saracens F.C. players World Rugby Hall of Fame inductees

C_a1f86948a7c9496aaf146f17ba9a21db_0

Are there any other interesting aspects about this article?

In addition to the above, are there any other interesting aspects about Jason Leonard?

Jason Leonard

With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. CANNOTANSWER

England held high hopes for the upcoming Rugby World Cup in South Africa.

Jason Leonard (born 14 August 1968) is an English former rugby union player. He won a former record 114 caps for England men’s rugby team during a 14-year international career. A prop, Leonard played club rugby for Barking RFC, Saracens and Harlequins. He played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and played for the British & Irish Lions on three tours, winning five more caps. He was part of the Lions squad that won the test series during their 1997 tour of South Africa. He was awarded the MBE for services to rugby in 2002, and an OBE after England's Rugby World Cup success. He was also inducted to the World Rugby Hall of Fame in 2014. Since his retirement in 2004, Leonard has been active in the governance of rugby. He was President of the RFU from 2015-2016, and is the current Chairman of the British & Irish Lions In 2008, Leonard joined Besso Group, and has since worked as a senior advisor for the established Lloyd's broker. Leonard has launched his own special event service, the FunBus. Club rugby Leonard's lengthy career straddled both the amateur and professional eras and he had a job as a carpenter. He began playing for his home club, Barking and his school teams as a youth, and as his playing talents became recognised, interest was shown by London club Saracens, where he moved in 1989. Following a year at Saracens, he moved to Harlequins, where he stayed until his professional retirement in May 2004, making a total of 290 appearances for the team. England career 1990–1993 Leonard won his first cap on 28 July 1990, against Argentina in Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25–12; it proved a baptism of fire for the young Leonard. Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game that suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18–12, England made it to the Rugby World Cup Final in 1991, losing 12–6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertebra in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand. 1995–1997 With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the 1995 Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24–18) and Italy (27–20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44–22 and also won the subsequent quarter-final against Australia 25–22, before losing the semi-final to New Zealand 29–45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20–18. The try remains Leonard's only score for England. In the 1996–1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. 1998–2003 Leonard continued to be an England regular under Woodward. In 1999, England competed in the Rugby World Cup, hosted this time by Wales. World Cup matches were also played throughout the rest of the British Isles and in France. England had shown signs of improvement under Woodward, who had been looking to play a more expansive game, but were denied a Grand Slam prior to the World Cup due to Neil Jenkins' boot and a last-minute try by Scott Gibbs. This, however, was to be the first of four consecutive near-misses. In the 1999 World Cup, England were drawn in Pool 2 with New Zealand, Italy and Tonga, but were knocked out of the tournament at the quarter-final stage by South Africa. The new Millennium saw Leonard break several records; he surpassed Rory Underwood as England's most capped player with his 86th cap against Argentina in November 2000. 12 months later against Romania he overtook former New Zealand captain Sean Fitzpatrick as the world's most-capped forward in his 93rd appearance. For the 2000 Autumn internationals, Leonard was dropped to the bench and replaced by Graham Rowntree. In 2001, although England had scored 28 tries in their first four Six Nations matches, they lost the fifth to Ireland after the match had been rescheduled. 2001 also saw a tour of the British and Irish Lions, coached by Graham Henry, to Australia. The Wallabies won the Test series 2–1, though the Lions had convincingly won the first Test and were in the driving seat at half-time during the second Test in Melbourne. After this, England began to notch up regular victories against the big guns of the Southern Hemisphere (New Zealand, South Africa and Australia), culminating in the 2003 World Cup. On 15 February 2003, Jason Leonard became the first-ever front-row forward to make 100 international appearances, when he started against France in a Six Nations clash. He was also the first Englishman and overall third player (after Philippe Sella and David Campese) to achieve this feat. In March, Jason played a key role in securing England's Grand Slam with a win over Ireland at Lansdowne Road and in August he captained England for the second time in a crushing 43–9 victory over Wales at the Millennium Stadium in Cardiff. It was Leonard's versatility along with his proven ability and experience which earned him a spot in the World Cup Squad and he made appearances in all seven matches of the tournament, including the semi-final against France during which he overtook Sella as the world's most-capped player. Leonard appeared in his second World Cup final as an extra-time substitute for Vickery and played a key role in reducing the scrummage penalty count which was high during normal time. The then coach Clive Woodward later wrote in his autobiography that Leonard's introduction was the key substitution which helped England to win the match. Leonard played one more match for England in the subsequent Six Nations Championship against Italy before announcing his retirement as the most-capped forward of all time. Charity Leonard has worked with and supported numerous charities throughout his career. He has been holding Annual Dinners since 2004, which have to date raised over £2 million for charities and good causes. In 2014, he founded The Atlas Foundation, which exists to help deprived children around the world work towards a better future through rugby communities and initiatives. So far over £1 million has been raised, and over 50,000 children have been supported. Jason spends an enormous amount of time working on behalf of many other charities to support fundraising and raise awareness for their causes. Miscellaneous Jason Leonard was the subject of This Is Your Life in 2000 when he was surprised by Michael Aspel. Until 5 August 2011, when it was renamed "Southend City on Sea", a class 357 EMU train (number 357 003) operated by c2c on the London, Tilbury and Southend line had the nameplate "Jason Leonard". The line serves his hometown of Barking, East London. In 2012, Leonard was the second recipient of "The Prince Obolensky Award" presented by the Prince Obolensky Association to people associated with the game of Rugby Union who embody the "Corinthian Spirit". See also List of rugby union test caps leaders References External links Jason Leonard Official Website Jason Leonard's Funbus The Atlas Foundation 1968 births Living people Barbarian F.C. players Barking Rugby Football Club players British & Irish Lions rugby union players from England England international rugby union players English rugby union players Harlequin F.C. players Officers of the Order of the British Empire Rugby union players from Barking, London Rugby union props Saracens F.C. players World Rugby Hall of Fame inductees

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Why did they hold high hopes?

Why did England hold high hopes for the upcoming Rugby World Cup in South Africa?

Jason Leonard

With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the upcoming Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24-18) and Italy (27-20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44-22 and also won the subsequent quarter-final against Australia 25-22, before losing the semi-final to New Zealand 29-45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20-18. The try remains Leonard's only score for England. In the 1996-1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. CANNOTANSWER

generally regarded as one of the easier groups in the competition.

Jason Leonard (born 14 August 1968) is an English former rugby union player. He won a former record 114 caps for England men’s rugby team during a 14-year international career. A prop, Leonard played club rugby for Barking RFC, Saracens and Harlequins. He played in England teams which won four Grand Slams (1991, 1992, 1995 and 2003) and the 2003 Rugby World Cup, and played for the British & Irish Lions on three tours, winning five more caps. He was part of the Lions squad that won the test series during their 1997 tour of South Africa. He was awarded the MBE for services to rugby in 2002, and an OBE after England's Rugby World Cup success. He was also inducted to the World Rugby Hall of Fame in 2014. Since his retirement in 2004, Leonard has been active in the governance of rugby. He was President of the RFU from 2015-2016, and is the current Chairman of the British & Irish Lions In 2008, Leonard joined Besso Group, and has since worked as a senior advisor for the established Lloyd's broker. Leonard has launched his own special event service, the FunBus. Club rugby Leonard's lengthy career straddled both the amateur and professional eras and he had a job as a carpenter. He began playing for his home club, Barking and his school teams as a youth, and as his playing talents became recognised, interest was shown by London club Saracens, where he moved in 1989. Following a year at Saracens, he moved to Harlequins, where he stayed until his professional retirement in May 2004, making a total of 290 appearances for the team. England career 1990–1993 Leonard won his first cap on 28 July 1990, against Argentina in Buenos Aires. At the age of 21 he was the youngest prop forward to ever play for England. The visitors were made to feel unwelcome, however, as the game was played on the 8th anniversary of the Falklands War. Leonard describes in his autobiography that the crowd were throwing oranges (among other things) at the England players. The most interesting object he saw on the pitch was a bathroom tap. England eventually won the game 25–12; it proved a baptism of fire for the young Leonard. Leonard played his whole England career in a largely dominant pack and in his early career played with established forwards such as Brian Moore, Wade Dooley, Dean Richards, Mick Skinner, Mike Teague and Peter Winterbottom. The England pack of this era helped England Rugby win much success, often playing a limited 10-man game that suited the large and physical England forwards. During this period, England won back-to-back Grand Slams in 1991 and 1992. Despite losing the opening pool match to New Zealand 18–12, England made it to the Rugby World Cup Final in 1991, losing 12–6 to pre-tournament favourites Australia. In that game, England played open rugby, like they had in the Five Nations in 1990, although it was the forward-dominated 10-man game which earlier in 1991 had won them the Five Nations Grand Slam, as well as the quarter-final against France and semi-final against Scotland. Against Wales in 1992, Leonard suffered a neck injury: he experienced a numbing sensation in his right arm, but had no idea he had ruptured a vertebra in his neck, so played out the remainder of the match. Later, he required emergency surgery, where bone from his hip had to be grafted into his neck. Leonard's career was in grave doubt, after only 10 tests. Due to brilliant surgery and his rehabilitation regime, however, he made a full recovery, winning his 11th cap against Canada at Twickenham that autumn without missing an England test. In 1993, Leonard was selected for his first British and Irish Lions tour to New Zealand. 1995–1997 With Dick Best no longer England head coach, the RFU appointed well-known and highly successful Bath coach Jack Rowell as his replacement. There was much speculation amongst many established England players as to what changes the new coach would bring to the England setup, particularly one with such close ties to a successful Bath Rugby Club. Rowell claimed he would rid England of the cautious, forward-dominated 10-man game which had done so well for them earlier in the decade, and play running rugby more similar to Bath's. Leonard kept his place in the England team, which now included several new players such as Mike Catt, Ben Clarke, Victor Ubogu, Steve Ojomoh (all Bath players) and Tim Rodber. In the 1995 Five Nations, Leonard won a record (for a prop) 38th cap for England, playing against Scotland, and the victory meant his third Grand Slam. England held high hopes for the 1995 Rugby World Cup in South Africa. At the World Cup, England were drawn in Pool B, generally regarded as one of the easier groups in the competition. However, England experienced setbacks, gaining only narrow victories over Argentina (24–18) and Italy (27–20). In England's final pool match against Western Samoa, Leonard was rested and his record of 40 consecutive England caps ended. England won that match 44–22 and also won the subsequent quarter-final against Australia 25–22, before losing the semi-final to New Zealand 29–45 and finishing the tournament in fourth place. In November 1996, Leonard skippered England for the first time, against Argentina at Twickenham. The game was very close, with Argentina taking a narrow lead close to full-time. From a rolling maul, Leonard scored a try to level the scores, and a Mike Catt penalty won the game 20–18. The try remains Leonard's only score for England. In the 1996–1997 season, Leonard began to play for England at tighthead prop (number 3) to make room for Leicester Tigers loosehead prop (number 1), Graham Rowntree, and in 1997, Leonard was selected for his second British and Irish Lions tour, this time to South Africa. In September 1997, the RFU appointed Clive Woodward as head coach. The Autumn internationals saw England playing Australia, South Africa and New Zealand. Against Australia, Leonard found himself selected at loosehead prop again, with Wasps' Will Green winning his first cap at tighthead. For the remaining two tests, Leonard was moved back to tighthead. The ability to scrummage effectively on either side of the scrum proved to be one of Leonard's great assets. 1998–2003 Leonard continued to be an England regular under Woodward. In 1999, England competed in the Rugby World Cup, hosted this time by Wales. World Cup matches were also played throughout the rest of the British Isles and in France. England had shown signs of improvement under Woodward, who had been looking to play a more expansive game, but were denied a Grand Slam prior to the World Cup due to Neil Jenkins' boot and a last-minute try by Scott Gibbs. This, however, was to be the first of four consecutive near-misses. In the 1999 World Cup, England were drawn in Pool 2 with New Zealand, Italy and Tonga, but were knocked out of the tournament at the quarter-final stage by South Africa. The new Millennium saw Leonard break several records; he surpassed Rory Underwood as England's most capped player with his 86th cap against Argentina in November 2000. 12 months later against Romania he overtook former New Zealand captain Sean Fitzpatrick as the world's most-capped forward in his 93rd appearance. For the 2000 Autumn internationals, Leonard was dropped to the bench and replaced by Graham Rowntree. In 2001, although England had scored 28 tries in their first four Six Nations matches, they lost the fifth to Ireland after the match had been rescheduled. 2001 also saw a tour of the British and Irish Lions, coached by Graham Henry, to Australia. The Wallabies won the Test series 2–1, though the Lions had convincingly won the first Test and were in the driving seat at half-time during the second Test in Melbourne. After this, England began to notch up regular victories against the big guns of the Southern Hemisphere (New Zealand, South Africa and Australia), culminating in the 2003 World Cup. On 15 February 2003, Jason Leonard became the first-ever front-row forward to make 100 international appearances, when he started against France in a Six Nations clash. He was also the first Englishman and overall third player (after Philippe Sella and David Campese) to achieve this feat. In March, Jason played a key role in securing England's Grand Slam with a win over Ireland at Lansdowne Road and in August he captained England for the second time in a crushing 43–9 victory over Wales at the Millennium Stadium in Cardiff. It was Leonard's versatility along with his proven ability and experience which earned him a spot in the World Cup Squad and he made appearances in all seven matches of the tournament, including the semi-final against France during which he overtook Sella as the world's most-capped player. Leonard appeared in his second World Cup final as an extra-time substitute for Vickery and played a key role in reducing the scrummage penalty count which was high during normal time. The then coach Clive Woodward later wrote in his autobiography that Leonard's introduction was the key substitution which helped England to win the match. Leonard played one more match for England in the subsequent Six Nations Championship against Italy before announcing his retirement as the most-capped forward of all time. Charity Leonard has worked with and supported numerous charities throughout his career. He has been holding Annual Dinners since 2004, which have to date raised over £2 million for charities and good causes. In 2014, he founded The Atlas Foundation, which exists to help deprived children around the world work towards a better future through rugby communities and initiatives. So far over £1 million has been raised, and over 50,000 children have been supported. Jason spends an enormous amount of time working on behalf of many other charities to support fundraising and raise awareness for their causes. Miscellaneous Jason Leonard was the subject of This Is Your Life in 2000 when he was surprised by Michael Aspel. Until 5 August 2011, when it was renamed "Southend City on Sea", a class 357 EMU train (number 357 003) operated by c2c on the London, Tilbury and Southend line had the nameplate "Jason Leonard". The line serves his hometown of Barking, East London. In 2012, Leonard was the second recipient of "The Prince Obolensky Award" presented by the Prince Obolensky Association to people associated with the game of Rugby Union who embody the "Corinthian Spirit". See also List of rugby union test caps leaders References External links Jason Leonard Official Website Jason Leonard's Funbus The Atlas Foundation 1968 births Living people Barbarian F.C. players Barking Rugby Football Club players British & Irish Lions rugby union players from England England international rugby union players English rugby union players Harlequin F.C. players Officers of the Order of the British Empire Rugby union players from Barking, London Rugby union props Saracens F.C. players World Rugby Hall of Fame inductees

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How did Dev get his romantic image?

How did Dev Anand get Dev's romantic image?

Dev Anand

In the sixties, Dev Anand acquired a romantic image with films such as Manzil and Tere Ghar Ke Samne with Nutan, Kinaare Kinaare with Meena Kumari, Maya with Mala Sinha, Asli-Naqli with Sadhana Shivdasani, Jab Pyar Kisi Se Hota Hai, Mahal with Asha Parekh and Teen Deviyaan opposite three heroines Kalpana, Simi Garewal and Nanda. In the film Teen Deviyaan, Dev Anand played a playboy. His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan. Dev Anand himself was the impetus for making the film version of the book. He met and persuaded Narayan to give his assent to the project. Dev Anand tapped his friends in Hollywood to launch an Indo-US co-production that was shot in Hindi and English simultaneously and was released in 1965. Guide, directed by younger brother Vijay Anand, was an acclaimed movie. Dev played Raju, a voluble guide, who supports Rosy (Waheeda) in her bid for freedom. He is not above thoughtlessly exploiting her for personal gains. Combining style with substance, he gave an affecting performance as a man grappling with his emotions in his passage through love, shame and salvation. He reunited with Vijay Anand for the movie Jewel Thief, based on the thriller genre which featured Vyjayanthimala, Tanuja, Anju Mahendru, Faryal and Helen and was very successful. Their next collaboration, Johny Mera Naam (1970), again a thriller, in which Dev was paired opposite Hema Malini was a big hit. It was Johnny Mera Naam which made Hema Malini a big star. In 1969, he was a member of the jury at the 6th Moscow International Film Festival. CANNOTANSWER

In the sixties, Dev Anand acquired a romantic image with films such as Manzil and Tere Ghar Ke Samne with Nutan,

Dharamdev Pishorimal Anand (26 September 1923 – 3 December 2011), better known as Dev Anand, was an Indian film actor, writer, director and producer known for his work in Hindi cinema, through a career that spanned over six decades. He was one of the most successful actors in the Indian film industry. Early life Anand was born Dharam Dev Anand on 26 September 1923 in the Shakargarh tehsil of the Gurdaspur district in Punjab (British India). His father Pishori Lal Anand was a well-to-do advocate in Gurdaspur District Court. Dev was the third of four sons born to Anand. One of Dev's younger sisters is Sheel Kanta Kapur, who is the mother of film director Shekhar Kapur. His older brothers were Manmohan Anand (Advocate, Gurdaspur Dist. Court) and Chetan Anand and the younger one was Vijay Anand. He did his schooling till matriculation from Sacred Heart School, Dalhousie, (then in Punjab) and went to Government college Dharamshala before going to Lahore to study. Later Dev completed a B.A. degree in English Literature from the Government College, Lahore in British India. Part of the Anand family, he co-founded Navketan Films in 1949 with his elder brother Chetan Anand. Career After completing his BA degree in English literature from the Government College, Lahore (then in British India, now in Pakistan), Dev Anand left his home-town for Bombay in the early 1940s. He began his career in the military censor's office at Churchgate, for a monthly salary of Rs. 65. Later, he worked as a clerk in an accounting firm for a salary of Rs. 85. He joined his older brother, Chetan, as a member of the Indian People's Theatre Association (IPTA). Dev Anand aspired to become a performer after seeing Ashok Kumar's performance in films such as Achhut Kanya and Kismet. Dev Anand quoted in an interview that "I remember when I gate-crashed into the office of the man who gave me the first break, he kept looking at me – Babu Rao Pai of Prabhat Film Studios. At that time he made up his mind that this boy deserves a break and later mentioned to his people that 'this boy struck me because of his smile and beautiful eyes and his tremendous confidence.'" Then he was soon offered the lead role in Prabhat Films' Hum Ek Hain (1946), a film about Hindu-Muslim unity, where Dev Anand played a Hindu boy and was paired opposite Kamala Kotnis. While shooting the film in Pune, Anand befriended the actor Guru Dutt. Between them, they agreed that if one of them were to become successful in the film industry, he would help the other also to be successful. They formed a mutual understanding that when Anand produced a film, Dutt would direct it and when Dutt directed a film, Anand would act in it. Late 1940s and romance with Suraiya In the late 1940s, Anand was offered a few roles starring as the male lead opposite singer-actress Suraiya in woman-oriented films. While shooting these films, they became romantically involved. The two of them were paired in seven films together: Vidya (1948), Jeet (1949), Shair (1949), Afsar (1950), Nili (1950), Do Sitare (1951) and Sanam (1951), all of which were successful at the box office. In these films, Suraiya was always first-biller in the credits, indicating that she was a bigger star than Anand. She fell in love with him during the shooting of the song Kinare Kinare Chale Jayen Ge from the film Vidya— while shooting the scene, the boat they were in capsized, and Anand saved Suraiya from drowning. Initially, Suraiya's family used to welcome Dev Anand at home, but when her maternal grandmother found out that the two were in love, and even planned an actual marriage on the set of Jeet, she started monitoring them. The two shared love letters and messages through their co-actors, like Durga Khote and Kamini Kaushal, who went out of their way to engineer secret rendezvous. During the shooting of the film Afsar (1950), Anand finally proposed to Suraiya and gave her a diamond ring worth Rs 3,000. Her maternal grandmother opposed the relationship as they were Muslim and Anand was Hindu, and so, Suraiya remained unmarried. They stopped acting together after her grandmother opposed their partnership, and Do Sitare was the last film in which they appeared together. Although the films he starred in with Suraiya had been successful, the producers and directors of those films attributed their success to the acting prowess and screen presence of Suraiya. Anand began looking for an opportunity to play the main male lead in a film where his acting skills could be demonstrated, so as to dispel scepticism about his acting abilities. Dev Anand often spoke about Suraiya and his love affair with her, in various interviews he gave to film magazines, such as Stardust (June 1972 issue), Star & Style (Feb 1987 issue) and TV to Karan Thapar for BBC (2002), while both were alive, and after Suraiya's death in interviews given on TV to Simi Garewal (Rendezvouz with Simi Garewal) and others on TV and for news magazines. Break and the 1950s Anand was offered his first big break by Ashok Kumar. He spotted Anand hanging around in the studios and picked him as the hero for the Bombay Talkies production Ziddi (1948), co-starring Kamini Kaushal, which became an instant success. After Ziddis success, Anand decided that he would start producing films. It was in the film Ziddi, where the first ever Kishore-Lata duet, "Yeh Kaun Aaya Karke Yeh Sola Singhar", was recorded. This duet was an instant hit, and from here on both playback singers' associations with Dev Anand began. This continued for the next four decades. His association with Kishore Kumar started when the former sang the first solo of his playback singing career – "Marne Ki Duayen" – picturised on Dev Anand in the movie Ziddi. Dev had forged a very strong bond of friendship with Kishore Kumar during the making of the film. In 1949, he launched his own company Navketan Films (named after his elder brother Chetan's son Ketan and which means "New Banner"), which, as of 2011, has produced 35 films. Nirala (1950), a commercial success, saw him being paired opposite Madhubala for the first time, with whom he would later form a popular pair. Dev chose Guru Dutt as director for the crime thriller, Baazi (1951). The film, starring Dev Anand, Geeta Bali and Kalpana Kartik was a trendsetter, regarded as the forerunner of the spate of urban crime films that followed in Bollywood in the 1950s. The film Baazi saw the debut of Kalpana Kartik (aka Mona Singha) as the lead female actress and Guru Dutt as a director. The collaboration was a success at the box office and the duo of Dev Anand and Kalpana Kartik were offered many films to star in together. They signed all the film offers and subsequently the movies Aandhiyan (1952), Taxi Driver (1954), House No. 44 (1955) and Nau Do Gyarah (1957) went on to become big hits too. During the making of the film Taxi Driver, the couple fell in love and Dev proposed marriage to his heroine Kalpana. In 1954, Taxi Driver was declared a hit and the two decided to marry in a quiet ceremony. The couple had a son, Suneil Anand in 1956 and later a daughter, Devina, was born. After her marriage, Kalpana decided not to pursue her acting career further. Nau Do Gyarah was the couple's last movie together. A rapid-fire style of dialogue delivery and a penchant for nodding while speaking became Dev's style in films such as Baazi (1951), Jaal (1952), House No. 44 (1955), Pocket Maar (1956), Munimji (1955), Funtoosh (1956), C.I.D. (1956) and Paying Guest (1957). In the 1950s his films were of the mystery genre or light comedy love stories or were films with social relevance such as Ek Ke Baad Ek (1959) and Funtoosh (1956). His style was lapped up by the audience and was widely imitated. He starred in a string of box office successes for the remainder of the 1950s opposite newcomer Waheeda Rehman in C.I.D. (1956), Solva Saal (1958), Kala Bazar (1960) and Baat Ek Raat Ki (1962). Waheeda first became a star when C.I.D became a hit. The pair acted in Roop Ki Rani Choron Ka Raja (1961 film) and Prem Pujari later. In 1955, he also co-starred with Dilip Kumar in Insaniyat. With his acting in the box office success Kala Pani (1958) opposite Madhubala and Nalini Jaywant, as the son who is willing to go to any lengths to clear his framed father's name, he won his first Filmfare award for Best Actor for the film. He attempted films of tragic genre occasionally, such as Pocket Maar (1956), Kala Pani (1958), Bombai Ka Baboo (1960) and Sharabi (1964) and tasted success with them. Dev also played a few characters with a negative shade, as in Jaal (1952) where he played a smuggler, then as an absconding gang member in Dushman (1957), and as a black marketer in Kala Bazar. Apart from his pairing with Suraiya and Kalpana Kartik, his pairing with Nutan and Waheeda Rehman was popular among the audiences in the late 50s and 60s. His films Rahi (1952) and Aandhiyan (1952), were screened along with Raj Kapoor's Awaara. From the early fifties till mid sixties, the trio of actors Dilip Kumar, Raj Kapoor and Anand ruled the roost. Romantic hero image in the 1960s In the sixties, Dev Anand acquired a romantic image with films such as Manzil and Tere Ghar Ke Samne with Nutan, Kinare Kinare with Meena Kumari, Maya with Mala Sinha, Asli-Naqli with Sadhana Shivdasani, Jab Pyar Kisi Se Hota Hai, Mahal with Asha Parekh and Teen Deviyaan opposite three heroines Kalpana, Simi Garewal and Nanda. In the film Teen Deviyaan, Dev Anand played a playboy. One of his notable films of the early sixties was Hum Dono (1961) which he produced and acted in, as Anand, a young lover who joins the army in frustration over being shunned by the father of his love Meeta (played by Sadhana Shivdasani). Anand played a double role in the film, also acting as Major Varma, his look-alike who he runs into in the army and forms a deep friendship with. Notable for its music by Jaidev, the film was a box office hit. His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan. Dev Anand himself was the impetus for making the film version of the book. He met and persuaded Narayan to give his assent to the project. Dev Anand tapped his friends in Hollywood to launch an Indo-US co-production that was shot in Hindi and English simultaneously and was released in 1965. Guide, directed by younger brother Vijay Anand, was an acclaimed movie. Dev played Raju, a voluble guide, who supports Rosy (Waheeda) in her bid for freedom. He is not above thoughtlessly exploiting her for personal gains. Combining style with substance, he gave an affecting performance as a man grappling with his emotions in his passage through love, shame and salvation. He reunited with Vijay Anand for the movie Jewel Thief, based on the thriller genre which featured Vyjayanthimala, Tanuja, Anju Mahendru, Faryal and Helen and was very successful. Their next collaboration, Johny Mera Naam (1970), again a thriller, in which Dev was paired opposite Hema Malini was a big hit. It was Johnny Mera Naam which made Hema Malini a big star. In 1969, he was a member of the jury at the 6th Moscow International Film Festival. Directorial debut and the Versatile Hero Image in 1970s His directorial debut, the espionage drama Prem Pujari, was a flop but has developed a cult following over the years. The film introduced Zaheeda and had Waheeda Rehman as the lead female artiste. He tasted success with his 1971 directorial effort, Hare Rama Hare Krishna, shot primarily in Nepal around Swyambhunath, and Bhaktapur, in which talks about the prevalent hippie culture. His find Zeenat Aman, who played the mini-skirt sporting, pot-smoking Janice, became an overnight sensation. Dev also became known as a filmmaker of trenchantly topical themes. The same year, he starred with Mumtaz in Tere Mere Sapne, an adaptation of A. J. Cronin's novel, The Citadel. The film was directed by Dev's brother, Vijay and was also successful. In 1971 he paired again with Zaheeda in Gambler which went on to become a success. In the 1970s, Raj Kapoor started playing roles of fathers in films such as Kal Aaj Aur Kal in 1971 and Dharam Karam in 1974 and had put on a lot of weight and films with Dilip Kumar as lead hero like Dastaan and Bairaag were failures at the box office. Some of the hurriedly made films with Dev Anand as the leading man—three each opposite Hema Malini – Shareef Badmaash, Jaaneman, Joshila and two with Zeenat Aman – Ishq Ishq Ishq, Prem Shastra and Saheb Bahadur with Priya Rajvansh — became flops and posed a threat to his career as leading man. He bounced back with the double role film Banarasi Babu in 1973. He delivered commercial hits again with young heroines like with Sharmila Tagore in Yeh Gulistan Hamara, with Yogeeta Bali and Raakhee in Banarasi Babu (1973), with Hema Malini in Chhupa Rustam (1973) and Amir Garib (1974), with Zeenat Aman in Heera Panna (1973), Warrant (1975) Kalabaaz and Darling Darling (1977) and with Parveen Babi in Bullet (1976).The presence of his discoveries in the 1970s—Zeenat, and later Tina Munim, in films and his good on-screen chemistry with beautiful young stars such as Raakhee, Parveen Babi, Hema Malini and Zeenat Aman in various films boosted Dev's image as the evergreen star even though he was well into his fifties. He attempted different genres of films so acquired versatile hero image. He was already 55 when he was paired with Tina Munim in 1978 in Des Pardes, which became among the top five grossing films of the year. Political activism during the Emergency in the late 1970s Dev Anand has also been politically active. He led a group of film personalities who stood up against the Internal Emergency imposed by the then Prime Minister of India, Indira Gandhi. He actively campaigned against her with his supporters in Indian parliamentary elections in 1977. He also formed a party called the "National Party of India", which he later disbanded. Later career and Evergreen Hero Image The 1978 hit Des Pardes, directed by Dev Anand was the debut movie of actress Tina Munim and this film's success gave him the tag of the Evergreen Hero. Dev Anand was offered the lead role in Man Pasand by director Basu Chatterjee. Dev Anand's successful run at the box office continued in the 1980s with Man Pasand, Lootmaar (both opposite Tina Munim) and Swami Dada (1982), all being critically acclaimed and box office hits. Though Dev Anand's demand as the lead hero had not decreased even in the 1980s, he decided that it was the right time to introduce his son Suneil Anand in films as the hero. He launched his son in the Kramer vs. Kramer-inspired Anand Aur Anand (1984), which was produced and directed by Dev Anand himself and had music by R.D. Burman. He expected the film to do well, but the film was a box office disaster and Suneil Anand decided not to act in films any more. But films with Dev Anand as the lead hero in Hum Naujawan (1985) and Lashkar (1989) continued to be box office successes and were appreciated by critics. Awwal Number (1990), where Dev Anand co-starred with Aditya Pancholi and Aamir Khan became an average grosser in the year 1990. Aamir said in an interview that Awwal Number is the only film he signed without reading the script because it was being directed by his senior Dev Anand. Aamir quoted: "Dev saab was an icon for many generations and entertained us throughout his life". He was already 60 years old in 1983 when he acted opposite Christine O'Neil and alongside Rati Agnihotri and Padmini Kolhapure in Swami Dada. In 1989, his directorial venture Sachche ka Bolbala was released. Though critically acclaimed, it was a commercial failure. His performance as Professor Anand in the 1989 film Lashkar (film) was widely appreciated and was a major success at the box office. Lashkar was his last hit film in the lead role in 1989, with him neither being producer nor director of the film. He directed Pyar Ka Tarana in 1993, without casting himself in any role. His directorial movie Gangster (1995) had a controversial nude rape scene of an unknown actress, though the movie was released uncut. He received offers to star in lead role in outside of his home banners in films like Return of Jewel Thief and Aman Ke Farishtey but the former was not successful at the box office and the latter wasn't released in 1993 though the film was fully ready to be released. Since 1992, seven of his directorial ventures were box office failures. His films Sau Crore (1991) and Censor (2000) were critically acclaimed. His performance and direction in the 1991 film Sau Crore was appreciated as it was a movie ahead of its time dealing with real life murder of badminton star Syed Modi and the arrest being made of the wife and her ex-lover. Sau Crore remains the last commercial hit film of Dev Anand as the lead hero as well as a director. His last film Chargesheet (2011) was panned by critics across the board. He also starred in English films such as The Evil Within (1970), where he was paired opposite Vietnamese actress Kieu Chinh and Zeenat Aman and Guide (English Version). The English language film The Evil Within was a 20th-Century Fox production which couldn't get the nod from the concerned authorities due to its parallel track dealing with opium selling and thus the Indian viewers were deprived of this American venture. Of the 114 Hindi films he appeared in in 6 decades, Kahin Aur Chal (1968) had a delayed release in the early 1970s and the multi-starrer film Ek Do Teen Chaar (1980) remained unreleased and Shrimanji (1968) had him in a guest appearance. By 2011, he had the second most solo lead roles in Hindi films— 92, with Rajesh Khanna having the record for the most films as solo lead hero in Hindi films – 106. Comparisons with Gregory Peck Often compared to the famous actor Gregory Peck the world over, Dev Anand said that he didn't feel ecstatic hearing the tag line bestowed on him in his heyday. "When you are at an impressionable age you make idols, but when you grow out of the phase, you develop your own persona. I don't want to be known as India's Gregory Peck, I am Dev Anand". Acquainted with the Bollywood actor, Peck's personal interactions with him spanned four to five long meetings in Europe and Mumbai. Dev Anand and Suraiya met Peck for the first time at Bombay's Willingdon Club, after the Filmfare Awards in 1954, on Peck's stopover from a schedule at Sri Lanka after shooting for The Purple Plain. He knew of the "Indian Star" as an actor, more so probably because his romance with Suraiya was grabbing the headlines, and they had a chat. The second time they met was in Rome when Dev Anand was on his way back from the Venice Film Festival, he visited him on the set of Roman Holiday. "I was returning from the Venice film fest. I stopped my car and joined the crowd watching the shoot, hoping that his eyes would fall on me. As expected, he nodded and I walked up to him. He remembered me and we exchanged pleasantries." The third meeting was at London on the set of Moby Dick. However, Suraiya asked for an exclusive meeting with her idol at her house. Though Anand says jealousy was natural for anyone in love, he didn't mind that he was not invited. "I didn't quite feel anything. It wasn't as if they were going to fall in love or make love. Even if they would have, it wouldn't have mattered. I was mature enough. Moreover, he wasn't my rival. I too was a big star by then," says Anand. Critical appraisal Dev Anand has directed 19 films and produced 35 films. Off the 35 films he produced, 18 were commercially successful at the box office and off the 19 films directed by him 10 were hits. He wrote the stories for 13 of his films. Critics say his directorial ventures have always been ahead of their time. Dev Anand's films are well known for their hit songs. He is known to have been an active participant in the music sessions of a number of his films. His association with music composers Shankar-Jaikishen, O. P. Nayyar, Kalyanji-Anandji, Sachin Dev Burman and his son Rahul Dev Burman, lyricists Hasrat Jaipuri, Majrooh Sultanpuri, Gopaldas Neeraj, Shailendra, Anand Bakshi, and playback singers Kishore Kumar,Mohammed Rafi and Hemant Kumar produced some very popular songs. Guru Dutt, Kishore Kumar, Mohammed Rafi, Pran, Dilip Kumar, Raj Kapoor, Sunil Dutt, Nargis, Vyjayanthimala, S.D. Burman, Shammi Kapoor and R.D. Burman were his closest friends from the film industry. In September 2007, Dev's autobiography Romancing with Life was released at a birthday party with the Indian Prime Minister Dr. Manmohan Singh. In February 2011, his 1961 black-and-white film Hum Dono was digitised, colourised and re-released. Dev Anand is credited with giving actors such as Zarina Wahab in Ishq Ishq Ishq, Jackie Shroff in Swami Dada, Tabu in Hum Naujawan and Richa Sharma (Sanjay Dutt's first wife) a break in the film industry, discovering Zeenat Amaan, Tina Munim and encouraging music composer Rajesh Roshan. Amit Khanna started his career with Navketan as executive producer in 1971 and had been secretary to Dev Anand in the 1970s. He adds, "The uniqueness of Navketan today is that it's the only film company in the world still run by the one who started it." Shatrughan Sinha disclosed in an interview that it was Dev Anand who gave him a break in films by giving him a role in Prem Pujari and since Dev had given Sinha a very small role in that film, he compensated for it by giving Sinha another role in his next film Gambler. Sinha quoted: "Later on we worked together in Sharif Badmash and it was really a privilege to work with him". It was under Dev Anand's Navketan Banner where Guru Dutt, Raj Khosla, Waheeda Rehman, S.D. Burman, Jaidev, Sahir Ludhianvi, Majrooh Sultanpuri, Yash Johar, Shekhar Kapur and Kabir Bedi were given breaks into Hindi films and Dev launched actors Zaheera, Zaheeda Hussain, Zarina Wahab, Natasha Sinha, Ekta Sohini and Sabrina. Personal life Anand had a love affair with actress Suraiya from 1948 to 1951, but they never married, because of opposition by Suraiya's maternal grandmother. Suraiya remained unmarried throughout her life till she died on 31 January 2004. In 1954, Dev married Kalpana Kartik (actual name Mona Singha), a Bollywood actress from Shimla, in a private marriage during the shooting of the film Taxi Driver. They have two children, son Suneil and daughter Devina. Ban on 'black coat' According to a Hindustan Times article, in 1958 an incident occurred during the release of his film Kala Pani during which Dev looked so handsome in a black coat that mesmerised by his look a girl allegedly ended her life. After the incident he reportedly did not wear black suit in public. Death Dev Anand died in his room at The Washington Mayfair Hotel in London at the age of 88 on 3 December 2011 (4 December 2011 I.S.T.) of a cardiac arrest. His death came just two months after the release of his last film Chargesheet, which he directed and produced. Anand was reportedly in London for a medical checkup at the time of his death. On 10 December, his funeral service was held at a small chapel in London after which his casket was taken to the Putney Vale Crematorium in southwest London. His ashes were returned to India for immersion burial in the Godavari River. Awards, honours and recognitions The Government of India honoured him with the Padma Bhushan in 2001 and the Dadasaheb Phalke Award in 2002 for his contribution to Indian cinema. His career spanned more than 65 years, acting in 114 Hindi films, of which 92 had him play the main solo lead hero, and he did two English films. He was the recipient of the Filmfare Award for Best Actor for his performances in Kala Pani and Guide, the latter being India's official entry to the Oscars. Civilian award 2001 – Padma Bhushan (India's third highest civilian award from the Government of India) National Film Awards Winner 1965 – National Film Award for Best Feature Film in Hindi for Guide 2002 – Dadasaheb Phalke Award, India's highest award for cinematic excellence Filmfare awards Winner 1959 – Best Actor for Kala Pani 1967 – Best Actor for Guide 1967 – Best Film for Guide 1993 – Filmfare Lifetime Achievement Award National honours and recognitions 1995 – Star Screen Lifetime Achievement Award 1997 – Mumbai Academy of Moving Images Award for his Outstanding Services to the Indian Film Industry 1998 – Lifetime Achievement Award by the Ujala Anandlok Film Awards Committee in Calcutta 1999 – Sansui Lifetime Achievement Award for his "Immense Contribution to Indian Cinema" in New Delhi 2000 – Film Goers' Mega Movie Maestro of the Millennium Award in Mumbai 2001 – Special Screen Award for his contribution to Indian cinema 2001 – Evergreen Star of the Millennium Award at the Zee Gold Bollywood Awards on 28 April 2001 at the Nassau Coliseum, New York 2003 – Lifetime Achievement Award for "Outstanding Achievement in Indian Cinema" at IIFA Award in Johannesburg, South Africa 2004 – Legend of Indian Cinema Award at Atlantic City (United States) 2004 – Living Legend Award by the Federation of Indian Chamber of Commerce and Industry (FICCI) in recognition of his contribution to the Indian entertainment industry 2005 – Sony Gold Award 2006 – ANR National Award by the Akkineni International Foundation 2006 – Glory of India Award by IIAF, London 2007 – Punjab Ratan (Jewel of Punjab) Award by the World Punjabi Organisation (European Division) for his outstanding contribution in the field of art and entertainment. 2008 – Lifetime Achievement Award by Ramya Cultural Academy in association with Vinmusiclub 2008 – Lifetime Achievement Award by Rotary Club of Bombay 2008 – Awarded at the IIJS Solitaire Awards 2009 – Outstanding contribution to Indian cinema at the Max Stardust Awards 2009 – Legend Award given to Dev Anand by Rajinikanth 2010 – Phalke Ratna Award by Dadasaheb Phalke Academy 2010 – Rashtriya Gaurav Award 2011 – Rashtriya Kishore Kumar Samman from the Government of Madhya Pradesh 2011 – NDTV Indian of the Year's Lifetime Achievement Award with Rahul Dravid Lifetime Achievement Maestro Award by the Whistling Woods International Institute. 2013 – To honour him, a brass statue in his likeness was unveiled at Walk of the Stars at Bandra Bandstand in Mumbai in February 2013. 2013 – On the occasion of 100 years of the Indian cinema, a postage stamp bearing his likeness was released by India Post to honour him on 3 May 2013. International honours and recognitions In July 2000, in New York City, he was honoured by an Award from the hands of the then First Lady of the United States of America, Hillary Clinton, for his "Outstanding Contribution to Indian Cinema". In 2000, he was awarded the Indo-American Association "Star of the Millennium" Award in Silicon Valley, California. Donna Ferrar, Member of the New York State Assembly, honoured him with a "New York State Assembly Citation" for his "Outstanding Contribution to the Cinematic Arts Worthy of the Esteem and Gratitude of the Great State of New York" on 1 May 2001. In 2005, he was honoured with a "Special National Film Award" by the Government of Nepal at Nepal's first National Indian film festival in Stockholm. In 2008, he was guest of honour at a dinner hosted by the Provost of Highland Council in Inverness, Scotland to celebrate 10 years since he first worked in the Scottish Highlands. He spent several days in the area, en route to Cannes, as a guest of the Highlands and Islands Film Commission. Filmography Further reading Cinema Modern: Navketan Story, by Sidharth Bhatia. Harpercollins, 2011. . Evergreen Dev Anand (An Anthology of Dev Anand's Contribution to Cinema), by Kamal Dhiman. Nikita Publications, 2014. . References External links RIP Dev Anand – Bollywood Mourns Dev Anand's Death The Telegraph – Dev Anand Bio and Obituary Indian male film actors 1923 births 2011 deaths Filmfare Lifetime Achievement Award winners Dadasaheb Phalke Award recipients Recipients of the Padma Bhushan in arts Hindi-language film directors Hindi film producers Male actors in Hindi cinema Film directors from Mumbai Film producers from Mumbai Male actors from Mumbai Government College University, Lahore alumni People from Gurdaspur Punjabi people 20th-century Indian male actors 20th-century Indian film directors 21st-century Indian film directors Filmfare Awards winners People from Narowal District

C_840a97ba250f4e02b98a63a0c0fafb2b_1

What other films gave him this image?

What other films gave Dev Anand a romantic image besides Manzil and Tere Ghar Ke Samne?

Dev Anand

In the sixties, Dev Anand acquired a romantic image with films such as Manzil and Tere Ghar Ke Samne with Nutan, Kinaare Kinaare with Meena Kumari, Maya with Mala Sinha, Asli-Naqli with Sadhana Shivdasani, Jab Pyar Kisi Se Hota Hai, Mahal with Asha Parekh and Teen Deviyaan opposite three heroines Kalpana, Simi Garewal and Nanda. In the film Teen Deviyaan, Dev Anand played a playboy. His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan. Dev Anand himself was the impetus for making the film version of the book. He met and persuaded Narayan to give his assent to the project. Dev Anand tapped his friends in Hollywood to launch an Indo-US co-production that was shot in Hindi and English simultaneously and was released in 1965. Guide, directed by younger brother Vijay Anand, was an acclaimed movie. Dev played Raju, a voluble guide, who supports Rosy (Waheeda) in her bid for freedom. He is not above thoughtlessly exploiting her for personal gains. Combining style with substance, he gave an affecting performance as a man grappling with his emotions in his passage through love, shame and salvation. He reunited with Vijay Anand for the movie Jewel Thief, based on the thriller genre which featured Vyjayanthimala, Tanuja, Anju Mahendru, Faryal and Helen and was very successful. Their next collaboration, Johny Mera Naam (1970), again a thriller, in which Dev was paired opposite Hema Malini was a big hit. It was Johnny Mera Naam which made Hema Malini a big star. In 1969, he was a member of the jury at the 6th Moscow International Film Festival. CANNOTANSWER

In the film Teen Deviyaan, Dev Anand played a playboy.

Dharamdev Pishorimal Anand (26 September 1923 – 3 December 2011), better known as Dev Anand, was an Indian film actor, writer, director and producer known for his work in Hindi cinema, through a career that spanned over six decades. He was one of the most successful actors in the Indian film industry. Early life Anand was born Dharam Dev Anand on 26 September 1923 in the Shakargarh tehsil of the Gurdaspur district in Punjab (British India). His father Pishori Lal Anand was a well-to-do advocate in Gurdaspur District Court. Dev was the third of four sons born to Anand. One of Dev's younger sisters is Sheel Kanta Kapur, who is the mother of film director Shekhar Kapur. His older brothers were Manmohan Anand (Advocate, Gurdaspur Dist. Court) and Chetan Anand and the younger one was Vijay Anand. He did his schooling till matriculation from Sacred Heart School, Dalhousie, (then in Punjab) and went to Government college Dharamshala before going to Lahore to study. Later Dev completed a B.A. degree in English Literature from the Government College, Lahore in British India. Part of the Anand family, he co-founded Navketan Films in 1949 with his elder brother Chetan Anand. Career After completing his BA degree in English literature from the Government College, Lahore (then in British India, now in Pakistan), Dev Anand left his home-town for Bombay in the early 1940s. He began his career in the military censor's office at Churchgate, for a monthly salary of Rs. 65. Later, he worked as a clerk in an accounting firm for a salary of Rs. 85. He joined his older brother, Chetan, as a member of the Indian People's Theatre Association (IPTA). Dev Anand aspired to become a performer after seeing Ashok Kumar's performance in films such as Achhut Kanya and Kismet. Dev Anand quoted in an interview that "I remember when I gate-crashed into the office of the man who gave me the first break, he kept looking at me – Babu Rao Pai of Prabhat Film Studios. At that time he made up his mind that this boy deserves a break and later mentioned to his people that 'this boy struck me because of his smile and beautiful eyes and his tremendous confidence.'" Then he was soon offered the lead role in Prabhat Films' Hum Ek Hain (1946), a film about Hindu-Muslim unity, where Dev Anand played a Hindu boy and was paired opposite Kamala Kotnis. While shooting the film in Pune, Anand befriended the actor Guru Dutt. Between them, they agreed that if one of them were to become successful in the film industry, he would help the other also to be successful. They formed a mutual understanding that when Anand produced a film, Dutt would direct it and when Dutt directed a film, Anand would act in it. Late 1940s and romance with Suraiya In the late 1940s, Anand was offered a few roles starring as the male lead opposite singer-actress Suraiya in woman-oriented films. While shooting these films, they became romantically involved. The two of them were paired in seven films together: Vidya (1948), Jeet (1949), Shair (1949), Afsar (1950), Nili (1950), Do Sitare (1951) and Sanam (1951), all of which were successful at the box office. In these films, Suraiya was always first-biller in the credits, indicating that she was a bigger star than Anand. She fell in love with him during the shooting of the song Kinare Kinare Chale Jayen Ge from the film Vidya— while shooting the scene, the boat they were in capsized, and Anand saved Suraiya from drowning. Initially, Suraiya's family used to welcome Dev Anand at home, but when her maternal grandmother found out that the two were in love, and even planned an actual marriage on the set of Jeet, she started monitoring them. The two shared love letters and messages through their co-actors, like Durga Khote and Kamini Kaushal, who went out of their way to engineer secret rendezvous. During the shooting of the film Afsar (1950), Anand finally proposed to Suraiya and gave her a diamond ring worth Rs 3,000. Her maternal grandmother opposed the relationship as they were Muslim and Anand was Hindu, and so, Suraiya remained unmarried. They stopped acting together after her grandmother opposed their partnership, and Do Sitare was the last film in which they appeared together. Although the films he starred in with Suraiya had been successful, the producers and directors of those films attributed their success to the acting prowess and screen presence of Suraiya. Anand began looking for an opportunity to play the main male lead in a film where his acting skills could be demonstrated, so as to dispel scepticism about his acting abilities. Dev Anand often spoke about Suraiya and his love affair with her, in various interviews he gave to film magazines, such as Stardust (June 1972 issue), Star & Style (Feb 1987 issue) and TV to Karan Thapar for BBC (2002), while both were alive, and after Suraiya's death in interviews given on TV to Simi Garewal (Rendezvouz with Simi Garewal) and others on TV and for news magazines. Break and the 1950s Anand was offered his first big break by Ashok Kumar. He spotted Anand hanging around in the studios and picked him as the hero for the Bombay Talkies production Ziddi (1948), co-starring Kamini Kaushal, which became an instant success. After Ziddis success, Anand decided that he would start producing films. It was in the film Ziddi, where the first ever Kishore-Lata duet, "Yeh Kaun Aaya Karke Yeh Sola Singhar", was recorded. This duet was an instant hit, and from here on both playback singers' associations with Dev Anand began. This continued for the next four decades. His association with Kishore Kumar started when the former sang the first solo of his playback singing career – "Marne Ki Duayen" – picturised on Dev Anand in the movie Ziddi. Dev had forged a very strong bond of friendship with Kishore Kumar during the making of the film. In 1949, he launched his own company Navketan Films (named after his elder brother Chetan's son Ketan and which means "New Banner"), which, as of 2011, has produced 35 films. Nirala (1950), a commercial success, saw him being paired opposite Madhubala for the first time, with whom he would later form a popular pair. Dev chose Guru Dutt as director for the crime thriller, Baazi (1951). The film, starring Dev Anand, Geeta Bali and Kalpana Kartik was a trendsetter, regarded as the forerunner of the spate of urban crime films that followed in Bollywood in the 1950s. The film Baazi saw the debut of Kalpana Kartik (aka Mona Singha) as the lead female actress and Guru Dutt as a director. The collaboration was a success at the box office and the duo of Dev Anand and Kalpana Kartik were offered many films to star in together. They signed all the film offers and subsequently the movies Aandhiyan (1952), Taxi Driver (1954), House No. 44 (1955) and Nau Do Gyarah (1957) went on to become big hits too. During the making of the film Taxi Driver, the couple fell in love and Dev proposed marriage to his heroine Kalpana. In 1954, Taxi Driver was declared a hit and the two decided to marry in a quiet ceremony. The couple had a son, Suneil Anand in 1956 and later a daughter, Devina, was born. After her marriage, Kalpana decided not to pursue her acting career further. Nau Do Gyarah was the couple's last movie together. A rapid-fire style of dialogue delivery and a penchant for nodding while speaking became Dev's style in films such as Baazi (1951), Jaal (1952), House No. 44 (1955), Pocket Maar (1956), Munimji (1955), Funtoosh (1956), C.I.D. (1956) and Paying Guest (1957). In the 1950s his films were of the mystery genre or light comedy love stories or were films with social relevance such as Ek Ke Baad Ek (1959) and Funtoosh (1956). His style was lapped up by the audience and was widely imitated. He starred in a string of box office successes for the remainder of the 1950s opposite newcomer Waheeda Rehman in C.I.D. (1956), Solva Saal (1958), Kala Bazar (1960) and Baat Ek Raat Ki (1962). Waheeda first became a star when C.I.D became a hit. The pair acted in Roop Ki Rani Choron Ka Raja (1961 film) and Prem Pujari later. In 1955, he also co-starred with Dilip Kumar in Insaniyat. With his acting in the box office success Kala Pani (1958) opposite Madhubala and Nalini Jaywant, as the son who is willing to go to any lengths to clear his framed father's name, he won his first Filmfare award for Best Actor for the film. He attempted films of tragic genre occasionally, such as Pocket Maar (1956), Kala Pani (1958), Bombai Ka Baboo (1960) and Sharabi (1964) and tasted success with them. Dev also played a few characters with a negative shade, as in Jaal (1952) where he played a smuggler, then as an absconding gang member in Dushman (1957), and as a black marketer in Kala Bazar. Apart from his pairing with Suraiya and Kalpana Kartik, his pairing with Nutan and Waheeda Rehman was popular among the audiences in the late 50s and 60s. His films Rahi (1952) and Aandhiyan (1952), were screened along with Raj Kapoor's Awaara. From the early fifties till mid sixties, the trio of actors Dilip Kumar, Raj Kapoor and Anand ruled the roost. Romantic hero image in the 1960s In the sixties, Dev Anand acquired a romantic image with films such as Manzil and Tere Ghar Ke Samne with Nutan, Kinare Kinare with Meena Kumari, Maya with Mala Sinha, Asli-Naqli with Sadhana Shivdasani, Jab Pyar Kisi Se Hota Hai, Mahal with Asha Parekh and Teen Deviyaan opposite three heroines Kalpana, Simi Garewal and Nanda. In the film Teen Deviyaan, Dev Anand played a playboy. One of his notable films of the early sixties was Hum Dono (1961) which he produced and acted in, as Anand, a young lover who joins the army in frustration over being shunned by the father of his love Meeta (played by Sadhana Shivdasani). Anand played a double role in the film, also acting as Major Varma, his look-alike who he runs into in the army and forms a deep friendship with. Notable for its music by Jaidev, the film was a box office hit. His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan. Dev Anand himself was the impetus for making the film version of the book. He met and persuaded Narayan to give his assent to the project. Dev Anand tapped his friends in Hollywood to launch an Indo-US co-production that was shot in Hindi and English simultaneously and was released in 1965. Guide, directed by younger brother Vijay Anand, was an acclaimed movie. Dev played Raju, a voluble guide, who supports Rosy (Waheeda) in her bid for freedom. He is not above thoughtlessly exploiting her for personal gains. Combining style with substance, he gave an affecting performance as a man grappling with his emotions in his passage through love, shame and salvation. He reunited with Vijay Anand for the movie Jewel Thief, based on the thriller genre which featured Vyjayanthimala, Tanuja, Anju Mahendru, Faryal and Helen and was very successful. Their next collaboration, Johny Mera Naam (1970), again a thriller, in which Dev was paired opposite Hema Malini was a big hit. It was Johnny Mera Naam which made Hema Malini a big star. In 1969, he was a member of the jury at the 6th Moscow International Film Festival. Directorial debut and the Versatile Hero Image in 1970s His directorial debut, the espionage drama Prem Pujari, was a flop but has developed a cult following over the years. The film introduced Zaheeda and had Waheeda Rehman as the lead female artiste. He tasted success with his 1971 directorial effort, Hare Rama Hare Krishna, shot primarily in Nepal around Swyambhunath, and Bhaktapur, in which talks about the prevalent hippie culture. His find Zeenat Aman, who played the mini-skirt sporting, pot-smoking Janice, became an overnight sensation. Dev also became known as a filmmaker of trenchantly topical themes. The same year, he starred with Mumtaz in Tere Mere Sapne, an adaptation of A. J. Cronin's novel, The Citadel. The film was directed by Dev's brother, Vijay and was also successful. In 1971 he paired again with Zaheeda in Gambler which went on to become a success. In the 1970s, Raj Kapoor started playing roles of fathers in films such as Kal Aaj Aur Kal in 1971 and Dharam Karam in 1974 and had put on a lot of weight and films with Dilip Kumar as lead hero like Dastaan and Bairaag were failures at the box office. Some of the hurriedly made films with Dev Anand as the leading man—three each opposite Hema Malini – Shareef Badmaash, Jaaneman, Joshila and two with Zeenat Aman – Ishq Ishq Ishq, Prem Shastra and Saheb Bahadur with Priya Rajvansh — became flops and posed a threat to his career as leading man. He bounced back with the double role film Banarasi Babu in 1973. He delivered commercial hits again with young heroines like with Sharmila Tagore in Yeh Gulistan Hamara, with Yogeeta Bali and Raakhee in Banarasi Babu (1973), with Hema Malini in Chhupa Rustam (1973) and Amir Garib (1974), with Zeenat Aman in Heera Panna (1973), Warrant (1975) Kalabaaz and Darling Darling (1977) and with Parveen Babi in Bullet (1976).The presence of his discoveries in the 1970s—Zeenat, and later Tina Munim, in films and his good on-screen chemistry with beautiful young stars such as Raakhee, Parveen Babi, Hema Malini and Zeenat Aman in various films boosted Dev's image as the evergreen star even though he was well into his fifties. He attempted different genres of films so acquired versatile hero image. He was already 55 when he was paired with Tina Munim in 1978 in Des Pardes, which became among the top five grossing films of the year. Political activism during the Emergency in the late 1970s Dev Anand has also been politically active. He led a group of film personalities who stood up against the Internal Emergency imposed by the then Prime Minister of India, Indira Gandhi. He actively campaigned against her with his supporters in Indian parliamentary elections in 1977. He also formed a party called the "National Party of India", which he later disbanded. Later career and Evergreen Hero Image The 1978 hit Des Pardes, directed by Dev Anand was the debut movie of actress Tina Munim and this film's success gave him the tag of the Evergreen Hero. Dev Anand was offered the lead role in Man Pasand by director Basu Chatterjee. Dev Anand's successful run at the box office continued in the 1980s with Man Pasand, Lootmaar (both opposite Tina Munim) and Swami Dada (1982), all being critically acclaimed and box office hits. Though Dev Anand's demand as the lead hero had not decreased even in the 1980s, he decided that it was the right time to introduce his son Suneil Anand in films as the hero. He launched his son in the Kramer vs. Kramer-inspired Anand Aur Anand (1984), which was produced and directed by Dev Anand himself and had music by R.D. Burman. He expected the film to do well, but the film was a box office disaster and Suneil Anand decided not to act in films any more. But films with Dev Anand as the lead hero in Hum Naujawan (1985) and Lashkar (1989) continued to be box office successes and were appreciated by critics. Awwal Number (1990), where Dev Anand co-starred with Aditya Pancholi and Aamir Khan became an average grosser in the year 1990. Aamir said in an interview that Awwal Number is the only film he signed without reading the script because it was being directed by his senior Dev Anand. Aamir quoted: "Dev saab was an icon for many generations and entertained us throughout his life". He was already 60 years old in 1983 when he acted opposite Christine O'Neil and alongside Rati Agnihotri and Padmini Kolhapure in Swami Dada. In 1989, his directorial venture Sachche ka Bolbala was released. Though critically acclaimed, it was a commercial failure. His performance as Professor Anand in the 1989 film Lashkar (film) was widely appreciated and was a major success at the box office. Lashkar was his last hit film in the lead role in 1989, with him neither being producer nor director of the film. He directed Pyar Ka Tarana in 1993, without casting himself in any role. His directorial movie Gangster (1995) had a controversial nude rape scene of an unknown actress, though the movie was released uncut. He received offers to star in lead role in outside of his home banners in films like Return of Jewel Thief and Aman Ke Farishtey but the former was not successful at the box office and the latter wasn't released in 1993 though the film was fully ready to be released. Since 1992, seven of his directorial ventures were box office failures. His films Sau Crore (1991) and Censor (2000) were critically acclaimed. His performance and direction in the 1991 film Sau Crore was appreciated as it was a movie ahead of its time dealing with real life murder of badminton star Syed Modi and the arrest being made of the wife and her ex-lover. Sau Crore remains the last commercial hit film of Dev Anand as the lead hero as well as a director. His last film Chargesheet (2011) was panned by critics across the board. He also starred in English films such as The Evil Within (1970), where he was paired opposite Vietnamese actress Kieu Chinh and Zeenat Aman and Guide (English Version). The English language film The Evil Within was a 20th-Century Fox production which couldn't get the nod from the concerned authorities due to its parallel track dealing with opium selling and thus the Indian viewers were deprived of this American venture. Of the 114 Hindi films he appeared in in 6 decades, Kahin Aur Chal (1968) had a delayed release in the early 1970s and the multi-starrer film Ek Do Teen Chaar (1980) remained unreleased and Shrimanji (1968) had him in a guest appearance. By 2011, he had the second most solo lead roles in Hindi films— 92, with Rajesh Khanna having the record for the most films as solo lead hero in Hindi films – 106. Comparisons with Gregory Peck Often compared to the famous actor Gregory Peck the world over, Dev Anand said that he didn't feel ecstatic hearing the tag line bestowed on him in his heyday. "When you are at an impressionable age you make idols, but when you grow out of the phase, you develop your own persona. I don't want to be known as India's Gregory Peck, I am Dev Anand". Acquainted with the Bollywood actor, Peck's personal interactions with him spanned four to five long meetings in Europe and Mumbai. Dev Anand and Suraiya met Peck for the first time at Bombay's Willingdon Club, after the Filmfare Awards in 1954, on Peck's stopover from a schedule at Sri Lanka after shooting for The Purple Plain. He knew of the "Indian Star" as an actor, more so probably because his romance with Suraiya was grabbing the headlines, and they had a chat. The second time they met was in Rome when Dev Anand was on his way back from the Venice Film Festival, he visited him on the set of Roman Holiday. "I was returning from the Venice film fest. I stopped my car and joined the crowd watching the shoot, hoping that his eyes would fall on me. As expected, he nodded and I walked up to him. He remembered me and we exchanged pleasantries." The third meeting was at London on the set of Moby Dick. However, Suraiya asked for an exclusive meeting with her idol at her house. Though Anand says jealousy was natural for anyone in love, he didn't mind that he was not invited. "I didn't quite feel anything. It wasn't as if they were going to fall in love or make love. Even if they would have, it wouldn't have mattered. I was mature enough. Moreover, he wasn't my rival. I too was a big star by then," says Anand. Critical appraisal Dev Anand has directed 19 films and produced 35 films. Off the 35 films he produced, 18 were commercially successful at the box office and off the 19 films directed by him 10 were hits. He wrote the stories for 13 of his films. Critics say his directorial ventures have always been ahead of their time. Dev Anand's films are well known for their hit songs. He is known to have been an active participant in the music sessions of a number of his films. His association with music composers Shankar-Jaikishen, O. P. Nayyar, Kalyanji-Anandji, Sachin Dev Burman and his son Rahul Dev Burman, lyricists Hasrat Jaipuri, Majrooh Sultanpuri, Gopaldas Neeraj, Shailendra, Anand Bakshi, and playback singers Kishore Kumar,Mohammed Rafi and Hemant Kumar produced some very popular songs. Guru Dutt, Kishore Kumar, Mohammed Rafi, Pran, Dilip Kumar, Raj Kapoor, Sunil Dutt, Nargis, Vyjayanthimala, S.D. Burman, Shammi Kapoor and R.D. Burman were his closest friends from the film industry. In September 2007, Dev's autobiography Romancing with Life was released at a birthday party with the Indian Prime Minister Dr. Manmohan Singh. In February 2011, his 1961 black-and-white film Hum Dono was digitised, colourised and re-released. Dev Anand is credited with giving actors such as Zarina Wahab in Ishq Ishq Ishq, Jackie Shroff in Swami Dada, Tabu in Hum Naujawan and Richa Sharma (Sanjay Dutt's first wife) a break in the film industry, discovering Zeenat Amaan, Tina Munim and encouraging music composer Rajesh Roshan. Amit Khanna started his career with Navketan as executive producer in 1971 and had been secretary to Dev Anand in the 1970s. He adds, "The uniqueness of Navketan today is that it's the only film company in the world still run by the one who started it." Shatrughan Sinha disclosed in an interview that it was Dev Anand who gave him a break in films by giving him a role in Prem Pujari and since Dev had given Sinha a very small role in that film, he compensated for it by giving Sinha another role in his next film Gambler. Sinha quoted: "Later on we worked together in Sharif Badmash and it was really a privilege to work with him". It was under Dev Anand's Navketan Banner where Guru Dutt, Raj Khosla, Waheeda Rehman, S.D. Burman, Jaidev, Sahir Ludhianvi, Majrooh Sultanpuri, Yash Johar, Shekhar Kapur and Kabir Bedi were given breaks into Hindi films and Dev launched actors Zaheera, Zaheeda Hussain, Zarina Wahab, Natasha Sinha, Ekta Sohini and Sabrina. Personal life Anand had a love affair with actress Suraiya from 1948 to 1951, but they never married, because of opposition by Suraiya's maternal grandmother. Suraiya remained unmarried throughout her life till she died on 31 January 2004. In 1954, Dev married Kalpana Kartik (actual name Mona Singha), a Bollywood actress from Shimla, in a private marriage during the shooting of the film Taxi Driver. They have two children, son Suneil and daughter Devina. Ban on 'black coat' According to a Hindustan Times article, in 1958 an incident occurred during the release of his film Kala Pani during which Dev looked so handsome in a black coat that mesmerised by his look a girl allegedly ended her life. After the incident he reportedly did not wear black suit in public. Death Dev Anand died in his room at The Washington Mayfair Hotel in London at the age of 88 on 3 December 2011 (4 December 2011 I.S.T.) of a cardiac arrest. His death came just two months after the release of his last film Chargesheet, which he directed and produced. Anand was reportedly in London for a medical checkup at the time of his death. On 10 December, his funeral service was held at a small chapel in London after which his casket was taken to the Putney Vale Crematorium in southwest London. His ashes were returned to India for immersion burial in the Godavari River. Awards, honours and recognitions The Government of India honoured him with the Padma Bhushan in 2001 and the Dadasaheb Phalke Award in 2002 for his contribution to Indian cinema. His career spanned more than 65 years, acting in 114 Hindi films, of which 92 had him play the main solo lead hero, and he did two English films. He was the recipient of the Filmfare Award for Best Actor for his performances in Kala Pani and Guide, the latter being India's official entry to the Oscars. Civilian award 2001 – Padma Bhushan (India's third highest civilian award from the Government of India) National Film Awards Winner 1965 – National Film Award for Best Feature Film in Hindi for Guide 2002 – Dadasaheb Phalke Award, India's highest award for cinematic excellence Filmfare awards Winner 1959 – Best Actor for Kala Pani 1967 – Best Actor for Guide 1967 – Best Film for Guide 1993 – Filmfare Lifetime Achievement Award National honours and recognitions 1995 – Star Screen Lifetime Achievement Award 1997 – Mumbai Academy of Moving Images Award for his Outstanding Services to the Indian Film Industry 1998 – Lifetime Achievement Award by the Ujala Anandlok Film Awards Committee in Calcutta 1999 – Sansui Lifetime Achievement Award for his "Immense Contribution to Indian Cinema" in New Delhi 2000 – Film Goers' Mega Movie Maestro of the Millennium Award in Mumbai 2001 – Special Screen Award for his contribution to Indian cinema 2001 – Evergreen Star of the Millennium Award at the Zee Gold Bollywood Awards on 28 April 2001 at the Nassau Coliseum, New York 2003 – Lifetime Achievement Award for "Outstanding Achievement in Indian Cinema" at IIFA Award in Johannesburg, South Africa 2004 – Legend of Indian Cinema Award at Atlantic City (United States) 2004 – Living Legend Award by the Federation of Indian Chamber of Commerce and Industry (FICCI) in recognition of his contribution to the Indian entertainment industry 2005 – Sony Gold Award 2006 – ANR National Award by the Akkineni International Foundation 2006 – Glory of India Award by IIAF, London 2007 – Punjab Ratan (Jewel of Punjab) Award by the World Punjabi Organisation (European Division) for his outstanding contribution in the field of art and entertainment. 2008 – Lifetime Achievement Award by Ramya Cultural Academy in association with Vinmusiclub 2008 – Lifetime Achievement Award by Rotary Club of Bombay 2008 – Awarded at the IIJS Solitaire Awards 2009 – Outstanding contribution to Indian cinema at the Max Stardust Awards 2009 – Legend Award given to Dev Anand by Rajinikanth 2010 – Phalke Ratna Award by Dadasaheb Phalke Academy 2010 – Rashtriya Gaurav Award 2011 – Rashtriya Kishore Kumar Samman from the Government of Madhya Pradesh 2011 – NDTV Indian of the Year's Lifetime Achievement Award with Rahul Dravid Lifetime Achievement Maestro Award by the Whistling Woods International Institute. 2013 – To honour him, a brass statue in his likeness was unveiled at Walk of the Stars at Bandra Bandstand in Mumbai in February 2013. 2013 – On the occasion of 100 years of the Indian cinema, a postage stamp bearing his likeness was released by India Post to honour him on 3 May 2013. International honours and recognitions In July 2000, in New York City, he was honoured by an Award from the hands of the then First Lady of the United States of America, Hillary Clinton, for his "Outstanding Contribution to Indian Cinema". In 2000, he was awarded the Indo-American Association "Star of the Millennium" Award in Silicon Valley, California. Donna Ferrar, Member of the New York State Assembly, honoured him with a "New York State Assembly Citation" for his "Outstanding Contribution to the Cinematic Arts Worthy of the Esteem and Gratitude of the Great State of New York" on 1 May 2001. In 2005, he was honoured with a "Special National Film Award" by the Government of Nepal at Nepal's first National Indian film festival in Stockholm. In 2008, he was guest of honour at a dinner hosted by the Provost of Highland Council in Inverness, Scotland to celebrate 10 years since he first worked in the Scottish Highlands. He spent several days in the area, en route to Cannes, as a guest of the Highlands and Islands Film Commission. Filmography Further reading Cinema Modern: Navketan Story, by Sidharth Bhatia. Harpercollins, 2011. . Evergreen Dev Anand (An Anthology of Dev Anand's Contribution to Cinema), by Kamal Dhiman. Nikita Publications, 2014. . References External links RIP Dev Anand – Bollywood Mourns Dev Anand's Death The Telegraph – Dev Anand Bio and Obituary Indian male film actors 1923 births 2011 deaths Filmfare Lifetime Achievement Award winners Dadasaheb Phalke Award recipients Recipients of the Padma Bhushan in arts Hindi-language film directors Hindi film producers Male actors in Hindi cinema Film directors from Mumbai Film producers from Mumbai Male actors from Mumbai Government College University, Lahore alumni People from Gurdaspur Punjabi people 20th-century Indian male actors 20th-century Indian film directors 21st-century Indian film directors Filmfare Awards winners People from Narowal District

C_840a97ba250f4e02b98a63a0c0fafb2b_1

Did he star in any other movies?

Did Dev Anand star in any other movies besides Teen Deviyaan or Manzil and Tere Ghar Ke Samne?

Dev Anand

In the sixties, Dev Anand acquired a romantic image with films such as Manzil and Tere Ghar Ke Samne with Nutan, Kinaare Kinaare with Meena Kumari, Maya with Mala Sinha, Asli-Naqli with Sadhana Shivdasani, Jab Pyar Kisi Se Hota Hai, Mahal with Asha Parekh and Teen Deviyaan opposite three heroines Kalpana, Simi Garewal and Nanda. In the film Teen Deviyaan, Dev Anand played a playboy. His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan. Dev Anand himself was the impetus for making the film version of the book. He met and persuaded Narayan to give his assent to the project. Dev Anand tapped his friends in Hollywood to launch an Indo-US co-production that was shot in Hindi and English simultaneously and was released in 1965. Guide, directed by younger brother Vijay Anand, was an acclaimed movie. Dev played Raju, a voluble guide, who supports Rosy (Waheeda) in her bid for freedom. He is not above thoughtlessly exploiting her for personal gains. Combining style with substance, he gave an affecting performance as a man grappling with his emotions in his passage through love, shame and salvation. He reunited with Vijay Anand for the movie Jewel Thief, based on the thriller genre which featured Vyjayanthimala, Tanuja, Anju Mahendru, Faryal and Helen and was very successful. Their next collaboration, Johny Mera Naam (1970), again a thriller, in which Dev was paired opposite Hema Malini was a big hit. It was Johnny Mera Naam which made Hema Malini a big star. In 1969, he was a member of the jury at the 6th Moscow International Film Festival. CANNOTANSWER

His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan.

Dharamdev Pishorimal Anand (26 September 1923 – 3 December 2011), better known as Dev Anand, was an Indian film actor, writer, director and producer known for his work in Hindi cinema, through a career that spanned over six decades. He was one of the most successful actors in the Indian film industry. Early life Anand was born Dharam Dev Anand on 26 September 1923 in the Shakargarh tehsil of the Gurdaspur district in Punjab (British India). His father Pishori Lal Anand was a well-to-do advocate in Gurdaspur District Court. Dev was the third of four sons born to Anand. One of Dev's younger sisters is Sheel Kanta Kapur, who is the mother of film director Shekhar Kapur. His older brothers were Manmohan Anand (Advocate, Gurdaspur Dist. Court) and Chetan Anand and the younger one was Vijay Anand. He did his schooling till matriculation from Sacred Heart School, Dalhousie, (then in Punjab) and went to Government college Dharamshala before going to Lahore to study. Later Dev completed a B.A. degree in English Literature from the Government College, Lahore in British India. Part of the Anand family, he co-founded Navketan Films in 1949 with his elder brother Chetan Anand. Career After completing his BA degree in English literature from the Government College, Lahore (then in British India, now in Pakistan), Dev Anand left his home-town for Bombay in the early 1940s. He began his career in the military censor's office at Churchgate, for a monthly salary of Rs. 65. Later, he worked as a clerk in an accounting firm for a salary of Rs. 85. He joined his older brother, Chetan, as a member of the Indian People's Theatre Association (IPTA). Dev Anand aspired to become a performer after seeing Ashok Kumar's performance in films such as Achhut Kanya and Kismet. Dev Anand quoted in an interview that "I remember when I gate-crashed into the office of the man who gave me the first break, he kept looking at me – Babu Rao Pai of Prabhat Film Studios. At that time he made up his mind that this boy deserves a break and later mentioned to his people that 'this boy struck me because of his smile and beautiful eyes and his tremendous confidence.'" Then he was soon offered the lead role in Prabhat Films' Hum Ek Hain (1946), a film about Hindu-Muslim unity, where Dev Anand played a Hindu boy and was paired opposite Kamala Kotnis. While shooting the film in Pune, Anand befriended the actor Guru Dutt. Between them, they agreed that if one of them were to become successful in the film industry, he would help the other also to be successful. They formed a mutual understanding that when Anand produced a film, Dutt would direct it and when Dutt directed a film, Anand would act in it. Late 1940s and romance with Suraiya In the late 1940s, Anand was offered a few roles starring as the male lead opposite singer-actress Suraiya in woman-oriented films. While shooting these films, they became romantically involved. The two of them were paired in seven films together: Vidya (1948), Jeet (1949), Shair (1949), Afsar (1950), Nili (1950), Do Sitare (1951) and Sanam (1951), all of which were successful at the box office. In these films, Suraiya was always first-biller in the credits, indicating that she was a bigger star than Anand. She fell in love with him during the shooting of the song Kinare Kinare Chale Jayen Ge from the film Vidya— while shooting the scene, the boat they were in capsized, and Anand saved Suraiya from drowning. Initially, Suraiya's family used to welcome Dev Anand at home, but when her maternal grandmother found out that the two were in love, and even planned an actual marriage on the set of Jeet, she started monitoring them. The two shared love letters and messages through their co-actors, like Durga Khote and Kamini Kaushal, who went out of their way to engineer secret rendezvous. During the shooting of the film Afsar (1950), Anand finally proposed to Suraiya and gave her a diamond ring worth Rs 3,000. Her maternal grandmother opposed the relationship as they were Muslim and Anand was Hindu, and so, Suraiya remained unmarried. They stopped acting together after her grandmother opposed their partnership, and Do Sitare was the last film in which they appeared together. Although the films he starred in with Suraiya had been successful, the producers and directors of those films attributed their success to the acting prowess and screen presence of Suraiya. Anand began looking for an opportunity to play the main male lead in a film where his acting skills could be demonstrated, so as to dispel scepticism about his acting abilities. Dev Anand often spoke about Suraiya and his love affair with her, in various interviews he gave to film magazines, such as Stardust (June 1972 issue), Star & Style (Feb 1987 issue) and TV to Karan Thapar for BBC (2002), while both were alive, and after Suraiya's death in interviews given on TV to Simi Garewal (Rendezvouz with Simi Garewal) and others on TV and for news magazines. Break and the 1950s Anand was offered his first big break by Ashok Kumar. He spotted Anand hanging around in the studios and picked him as the hero for the Bombay Talkies production Ziddi (1948), co-starring Kamini Kaushal, which became an instant success. After Ziddis success, Anand decided that he would start producing films. It was in the film Ziddi, where the first ever Kishore-Lata duet, "Yeh Kaun Aaya Karke Yeh Sola Singhar", was recorded. This duet was an instant hit, and from here on both playback singers' associations with Dev Anand began. This continued for the next four decades. His association with Kishore Kumar started when the former sang the first solo of his playback singing career – "Marne Ki Duayen" – picturised on Dev Anand in the movie Ziddi. Dev had forged a very strong bond of friendship with Kishore Kumar during the making of the film. In 1949, he launched his own company Navketan Films (named after his elder brother Chetan's son Ketan and which means "New Banner"), which, as of 2011, has produced 35 films. Nirala (1950), a commercial success, saw him being paired opposite Madhubala for the first time, with whom he would later form a popular pair. Dev chose Guru Dutt as director for the crime thriller, Baazi (1951). The film, starring Dev Anand, Geeta Bali and Kalpana Kartik was a trendsetter, regarded as the forerunner of the spate of urban crime films that followed in Bollywood in the 1950s. The film Baazi saw the debut of Kalpana Kartik (aka Mona Singha) as the lead female actress and Guru Dutt as a director. The collaboration was a success at the box office and the duo of Dev Anand and Kalpana Kartik were offered many films to star in together. They signed all the film offers and subsequently the movies Aandhiyan (1952), Taxi Driver (1954), House No. 44 (1955) and Nau Do Gyarah (1957) went on to become big hits too. During the making of the film Taxi Driver, the couple fell in love and Dev proposed marriage to his heroine Kalpana. In 1954, Taxi Driver was declared a hit and the two decided to marry in a quiet ceremony. The couple had a son, Suneil Anand in 1956 and later a daughter, Devina, was born. After her marriage, Kalpana decided not to pursue her acting career further. Nau Do Gyarah was the couple's last movie together. A rapid-fire style of dialogue delivery and a penchant for nodding while speaking became Dev's style in films such as Baazi (1951), Jaal (1952), House No. 44 (1955), Pocket Maar (1956), Munimji (1955), Funtoosh (1956), C.I.D. (1956) and Paying Guest (1957). In the 1950s his films were of the mystery genre or light comedy love stories or were films with social relevance such as Ek Ke Baad Ek (1959) and Funtoosh (1956). His style was lapped up by the audience and was widely imitated. He starred in a string of box office successes for the remainder of the 1950s opposite newcomer Waheeda Rehman in C.I.D. (1956), Solva Saal (1958), Kala Bazar (1960) and Baat Ek Raat Ki (1962). Waheeda first became a star when C.I.D became a hit. The pair acted in Roop Ki Rani Choron Ka Raja (1961 film) and Prem Pujari later. In 1955, he also co-starred with Dilip Kumar in Insaniyat. With his acting in the box office success Kala Pani (1958) opposite Madhubala and Nalini Jaywant, as the son who is willing to go to any lengths to clear his framed father's name, he won his first Filmfare award for Best Actor for the film. He attempted films of tragic genre occasionally, such as Pocket Maar (1956), Kala Pani (1958), Bombai Ka Baboo (1960) and Sharabi (1964) and tasted success with them. Dev also played a few characters with a negative shade, as in Jaal (1952) where he played a smuggler, then as an absconding gang member in Dushman (1957), and as a black marketer in Kala Bazar. Apart from his pairing with Suraiya and Kalpana Kartik, his pairing with Nutan and Waheeda Rehman was popular among the audiences in the late 50s and 60s. His films Rahi (1952) and Aandhiyan (1952), were screened along with Raj Kapoor's Awaara. From the early fifties till mid sixties, the trio of actors Dilip Kumar, Raj Kapoor and Anand ruled the roost. Romantic hero image in the 1960s In the sixties, Dev Anand acquired a romantic image with films such as Manzil and Tere Ghar Ke Samne with Nutan, Kinare Kinare with Meena Kumari, Maya with Mala Sinha, Asli-Naqli with Sadhana Shivdasani, Jab Pyar Kisi Se Hota Hai, Mahal with Asha Parekh and Teen Deviyaan opposite three heroines Kalpana, Simi Garewal and Nanda. In the film Teen Deviyaan, Dev Anand played a playboy. One of his notable films of the early sixties was Hum Dono (1961) which he produced and acted in, as Anand, a young lover who joins the army in frustration over being shunned by the father of his love Meeta (played by Sadhana Shivdasani). Anand played a double role in the film, also acting as Major Varma, his look-alike who he runs into in the army and forms a deep friendship with. Notable for its music by Jaidev, the film was a box office hit. His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan. Dev Anand himself was the impetus for making the film version of the book. He met and persuaded Narayan to give his assent to the project. Dev Anand tapped his friends in Hollywood to launch an Indo-US co-production that was shot in Hindi and English simultaneously and was released in 1965. Guide, directed by younger brother Vijay Anand, was an acclaimed movie. Dev played Raju, a voluble guide, who supports Rosy (Waheeda) in her bid for freedom. He is not above thoughtlessly exploiting her for personal gains. Combining style with substance, he gave an affecting performance as a man grappling with his emotions in his passage through love, shame and salvation. He reunited with Vijay Anand for the movie Jewel Thief, based on the thriller genre which featured Vyjayanthimala, Tanuja, Anju Mahendru, Faryal and Helen and was very successful. Their next collaboration, Johny Mera Naam (1970), again a thriller, in which Dev was paired opposite Hema Malini was a big hit. It was Johnny Mera Naam which made Hema Malini a big star. In 1969, he was a member of the jury at the 6th Moscow International Film Festival. Directorial debut and the Versatile Hero Image in 1970s His directorial debut, the espionage drama Prem Pujari, was a flop but has developed a cult following over the years. The film introduced Zaheeda and had Waheeda Rehman as the lead female artiste. He tasted success with his 1971 directorial effort, Hare Rama Hare Krishna, shot primarily in Nepal around Swyambhunath, and Bhaktapur, in which talks about the prevalent hippie culture. His find Zeenat Aman, who played the mini-skirt sporting, pot-smoking Janice, became an overnight sensation. Dev also became known as a filmmaker of trenchantly topical themes. The same year, he starred with Mumtaz in Tere Mere Sapne, an adaptation of A. J. Cronin's novel, The Citadel. The film was directed by Dev's brother, Vijay and was also successful. In 1971 he paired again with Zaheeda in Gambler which went on to become a success. In the 1970s, Raj Kapoor started playing roles of fathers in films such as Kal Aaj Aur Kal in 1971 and Dharam Karam in 1974 and had put on a lot of weight and films with Dilip Kumar as lead hero like Dastaan and Bairaag were failures at the box office. Some of the hurriedly made films with Dev Anand as the leading man—three each opposite Hema Malini – Shareef Badmaash, Jaaneman, Joshila and two with Zeenat Aman – Ishq Ishq Ishq, Prem Shastra and Saheb Bahadur with Priya Rajvansh — became flops and posed a threat to his career as leading man. He bounced back with the double role film Banarasi Babu in 1973. He delivered commercial hits again with young heroines like with Sharmila Tagore in Yeh Gulistan Hamara, with Yogeeta Bali and Raakhee in Banarasi Babu (1973), with Hema Malini in Chhupa Rustam (1973) and Amir Garib (1974), with Zeenat Aman in Heera Panna (1973), Warrant (1975) Kalabaaz and Darling Darling (1977) and with Parveen Babi in Bullet (1976).The presence of his discoveries in the 1970s—Zeenat, and later Tina Munim, in films and his good on-screen chemistry with beautiful young stars such as Raakhee, Parveen Babi, Hema Malini and Zeenat Aman in various films boosted Dev's image as the evergreen star even though he was well into his fifties. He attempted different genres of films so acquired versatile hero image. He was already 55 when he was paired with Tina Munim in 1978 in Des Pardes, which became among the top five grossing films of the year. Political activism during the Emergency in the late 1970s Dev Anand has also been politically active. He led a group of film personalities who stood up against the Internal Emergency imposed by the then Prime Minister of India, Indira Gandhi. He actively campaigned against her with his supporters in Indian parliamentary elections in 1977. He also formed a party called the "National Party of India", which he later disbanded. Later career and Evergreen Hero Image The 1978 hit Des Pardes, directed by Dev Anand was the debut movie of actress Tina Munim and this film's success gave him the tag of the Evergreen Hero. Dev Anand was offered the lead role in Man Pasand by director Basu Chatterjee. Dev Anand's successful run at the box office continued in the 1980s with Man Pasand, Lootmaar (both opposite Tina Munim) and Swami Dada (1982), all being critically acclaimed and box office hits. Though Dev Anand's demand as the lead hero had not decreased even in the 1980s, he decided that it was the right time to introduce his son Suneil Anand in films as the hero. He launched his son in the Kramer vs. Kramer-inspired Anand Aur Anand (1984), which was produced and directed by Dev Anand himself and had music by R.D. Burman. He expected the film to do well, but the film was a box office disaster and Suneil Anand decided not to act in films any more. But films with Dev Anand as the lead hero in Hum Naujawan (1985) and Lashkar (1989) continued to be box office successes and were appreciated by critics. Awwal Number (1990), where Dev Anand co-starred with Aditya Pancholi and Aamir Khan became an average grosser in the year 1990. Aamir said in an interview that Awwal Number is the only film he signed without reading the script because it was being directed by his senior Dev Anand. Aamir quoted: "Dev saab was an icon for many generations and entertained us throughout his life". He was already 60 years old in 1983 when he acted opposite Christine O'Neil and alongside Rati Agnihotri and Padmini Kolhapure in Swami Dada. In 1989, his directorial venture Sachche ka Bolbala was released. Though critically acclaimed, it was a commercial failure. His performance as Professor Anand in the 1989 film Lashkar (film) was widely appreciated and was a major success at the box office. Lashkar was his last hit film in the lead role in 1989, with him neither being producer nor director of the film. He directed Pyar Ka Tarana in 1993, without casting himself in any role. His directorial movie Gangster (1995) had a controversial nude rape scene of an unknown actress, though the movie was released uncut. He received offers to star in lead role in outside of his home banners in films like Return of Jewel Thief and Aman Ke Farishtey but the former was not successful at the box office and the latter wasn't released in 1993 though the film was fully ready to be released. Since 1992, seven of his directorial ventures were box office failures. His films Sau Crore (1991) and Censor (2000) were critically acclaimed. His performance and direction in the 1991 film Sau Crore was appreciated as it was a movie ahead of its time dealing with real life murder of badminton star Syed Modi and the arrest being made of the wife and her ex-lover. Sau Crore remains the last commercial hit film of Dev Anand as the lead hero as well as a director. His last film Chargesheet (2011) was panned by critics across the board. He also starred in English films such as The Evil Within (1970), where he was paired opposite Vietnamese actress Kieu Chinh and Zeenat Aman and Guide (English Version). The English language film The Evil Within was a 20th-Century Fox production which couldn't get the nod from the concerned authorities due to its parallel track dealing with opium selling and thus the Indian viewers were deprived of this American venture. Of the 114 Hindi films he appeared in in 6 decades, Kahin Aur Chal (1968) had a delayed release in the early 1970s and the multi-starrer film Ek Do Teen Chaar (1980) remained unreleased and Shrimanji (1968) had him in a guest appearance. By 2011, he had the second most solo lead roles in Hindi films— 92, with Rajesh Khanna having the record for the most films as solo lead hero in Hindi films – 106. Comparisons with Gregory Peck Often compared to the famous actor Gregory Peck the world over, Dev Anand said that he didn't feel ecstatic hearing the tag line bestowed on him in his heyday. "When you are at an impressionable age you make idols, but when you grow out of the phase, you develop your own persona. I don't want to be known as India's Gregory Peck, I am Dev Anand". Acquainted with the Bollywood actor, Peck's personal interactions with him spanned four to five long meetings in Europe and Mumbai. Dev Anand and Suraiya met Peck for the first time at Bombay's Willingdon Club, after the Filmfare Awards in 1954, on Peck's stopover from a schedule at Sri Lanka after shooting for The Purple Plain. He knew of the "Indian Star" as an actor, more so probably because his romance with Suraiya was grabbing the headlines, and they had a chat. The second time they met was in Rome when Dev Anand was on his way back from the Venice Film Festival, he visited him on the set of Roman Holiday. "I was returning from the Venice film fest. I stopped my car and joined the crowd watching the shoot, hoping that his eyes would fall on me. As expected, he nodded and I walked up to him. He remembered me and we exchanged pleasantries." The third meeting was at London on the set of Moby Dick. However, Suraiya asked for an exclusive meeting with her idol at her house. Though Anand says jealousy was natural for anyone in love, he didn't mind that he was not invited. "I didn't quite feel anything. It wasn't as if they were going to fall in love or make love. Even if they would have, it wouldn't have mattered. I was mature enough. Moreover, he wasn't my rival. I too was a big star by then," says Anand. Critical appraisal Dev Anand has directed 19 films and produced 35 films. Off the 35 films he produced, 18 were commercially successful at the box office and off the 19 films directed by him 10 were hits. He wrote the stories for 13 of his films. Critics say his directorial ventures have always been ahead of their time. Dev Anand's films are well known for their hit songs. He is known to have been an active participant in the music sessions of a number of his films. His association with music composers Shankar-Jaikishen, O. P. Nayyar, Kalyanji-Anandji, Sachin Dev Burman and his son Rahul Dev Burman, lyricists Hasrat Jaipuri, Majrooh Sultanpuri, Gopaldas Neeraj, Shailendra, Anand Bakshi, and playback singers Kishore Kumar,Mohammed Rafi and Hemant Kumar produced some very popular songs. Guru Dutt, Kishore Kumar, Mohammed Rafi, Pran, Dilip Kumar, Raj Kapoor, Sunil Dutt, Nargis, Vyjayanthimala, S.D. Burman, Shammi Kapoor and R.D. Burman were his closest friends from the film industry. In September 2007, Dev's autobiography Romancing with Life was released at a birthday party with the Indian Prime Minister Dr. Manmohan Singh. In February 2011, his 1961 black-and-white film Hum Dono was digitised, colourised and re-released. Dev Anand is credited with giving actors such as Zarina Wahab in Ishq Ishq Ishq, Jackie Shroff in Swami Dada, Tabu in Hum Naujawan and Richa Sharma (Sanjay Dutt's first wife) a break in the film industry, discovering Zeenat Amaan, Tina Munim and encouraging music composer Rajesh Roshan. Amit Khanna started his career with Navketan as executive producer in 1971 and had been secretary to Dev Anand in the 1970s. He adds, "The uniqueness of Navketan today is that it's the only film company in the world still run by the one who started it." Shatrughan Sinha disclosed in an interview that it was Dev Anand who gave him a break in films by giving him a role in Prem Pujari and since Dev had given Sinha a very small role in that film, he compensated for it by giving Sinha another role in his next film Gambler. Sinha quoted: "Later on we worked together in Sharif Badmash and it was really a privilege to work with him". It was under Dev Anand's Navketan Banner where Guru Dutt, Raj Khosla, Waheeda Rehman, S.D. Burman, Jaidev, Sahir Ludhianvi, Majrooh Sultanpuri, Yash Johar, Shekhar Kapur and Kabir Bedi were given breaks into Hindi films and Dev launched actors Zaheera, Zaheeda Hussain, Zarina Wahab, Natasha Sinha, Ekta Sohini and Sabrina. Personal life Anand had a love affair with actress Suraiya from 1948 to 1951, but they never married, because of opposition by Suraiya's maternal grandmother. Suraiya remained unmarried throughout her life till she died on 31 January 2004. In 1954, Dev married Kalpana Kartik (actual name Mona Singha), a Bollywood actress from Shimla, in a private marriage during the shooting of the film Taxi Driver. They have two children, son Suneil and daughter Devina. Ban on 'black coat' According to a Hindustan Times article, in 1958 an incident occurred during the release of his film Kala Pani during which Dev looked so handsome in a black coat that mesmerised by his look a girl allegedly ended her life. After the incident he reportedly did not wear black suit in public. Death Dev Anand died in his room at The Washington Mayfair Hotel in London at the age of 88 on 3 December 2011 (4 December 2011 I.S.T.) of a cardiac arrest. His death came just two months after the release of his last film Chargesheet, which he directed and produced. Anand was reportedly in London for a medical checkup at the time of his death. On 10 December, his funeral service was held at a small chapel in London after which his casket was taken to the Putney Vale Crematorium in southwest London. His ashes were returned to India for immersion burial in the Godavari River. Awards, honours and recognitions The Government of India honoured him with the Padma Bhushan in 2001 and the Dadasaheb Phalke Award in 2002 for his contribution to Indian cinema. His career spanned more than 65 years, acting in 114 Hindi films, of which 92 had him play the main solo lead hero, and he did two English films. He was the recipient of the Filmfare Award for Best Actor for his performances in Kala Pani and Guide, the latter being India's official entry to the Oscars. Civilian award 2001 – Padma Bhushan (India's third highest civilian award from the Government of India) National Film Awards Winner 1965 – National Film Award for Best Feature Film in Hindi for Guide 2002 – Dadasaheb Phalke Award, India's highest award for cinematic excellence Filmfare awards Winner 1959 – Best Actor for Kala Pani 1967 – Best Actor for Guide 1967 – Best Film for Guide 1993 – Filmfare Lifetime Achievement Award National honours and recognitions 1995 – Star Screen Lifetime Achievement Award 1997 – Mumbai Academy of Moving Images Award for his Outstanding Services to the Indian Film Industry 1998 – Lifetime Achievement Award by the Ujala Anandlok Film Awards Committee in Calcutta 1999 – Sansui Lifetime Achievement Award for his "Immense Contribution to Indian Cinema" in New Delhi 2000 – Film Goers' Mega Movie Maestro of the Millennium Award in Mumbai 2001 – Special Screen Award for his contribution to Indian cinema 2001 – Evergreen Star of the Millennium Award at the Zee Gold Bollywood Awards on 28 April 2001 at the Nassau Coliseum, New York 2003 – Lifetime Achievement Award for "Outstanding Achievement in Indian Cinema" at IIFA Award in Johannesburg, South Africa 2004 – Legend of Indian Cinema Award at Atlantic City (United States) 2004 – Living Legend Award by the Federation of Indian Chamber of Commerce and Industry (FICCI) in recognition of his contribution to the Indian entertainment industry 2005 – Sony Gold Award 2006 – ANR National Award by the Akkineni International Foundation 2006 – Glory of India Award by IIAF, London 2007 – Punjab Ratan (Jewel of Punjab) Award by the World Punjabi Organisation (European Division) for his outstanding contribution in the field of art and entertainment. 2008 – Lifetime Achievement Award by Ramya Cultural Academy in association with Vinmusiclub 2008 – Lifetime Achievement Award by Rotary Club of Bombay 2008 – Awarded at the IIJS Solitaire Awards 2009 – Outstanding contribution to Indian cinema at the Max Stardust Awards 2009 – Legend Award given to Dev Anand by Rajinikanth 2010 – Phalke Ratna Award by Dadasaheb Phalke Academy 2010 – Rashtriya Gaurav Award 2011 – Rashtriya Kishore Kumar Samman from the Government of Madhya Pradesh 2011 – NDTV Indian of the Year's Lifetime Achievement Award with Rahul Dravid Lifetime Achievement Maestro Award by the Whistling Woods International Institute. 2013 – To honour him, a brass statue in his likeness was unveiled at Walk of the Stars at Bandra Bandstand in Mumbai in February 2013. 2013 – On the occasion of 100 years of the Indian cinema, a postage stamp bearing his likeness was released by India Post to honour him on 3 May 2013. International honours and recognitions In July 2000, in New York City, he was honoured by an Award from the hands of the then First Lady of the United States of America, Hillary Clinton, for his "Outstanding Contribution to Indian Cinema". In 2000, he was awarded the Indo-American Association "Star of the Millennium" Award in Silicon Valley, California. Donna Ferrar, Member of the New York State Assembly, honoured him with a "New York State Assembly Citation" for his "Outstanding Contribution to the Cinematic Arts Worthy of the Esteem and Gratitude of the Great State of New York" on 1 May 2001. In 2005, he was honoured with a "Special National Film Award" by the Government of Nepal at Nepal's first National Indian film festival in Stockholm. In 2008, he was guest of honour at a dinner hosted by the Provost of Highland Council in Inverness, Scotland to celebrate 10 years since he first worked in the Scottish Highlands. He spent several days in the area, en route to Cannes, as a guest of the Highlands and Islands Film Commission. Filmography Further reading Cinema Modern: Navketan Story, by Sidharth Bhatia. Harpercollins, 2011. . Evergreen Dev Anand (An Anthology of Dev Anand's Contribution to Cinema), by Kamal Dhiman. Nikita Publications, 2014. . References External links RIP Dev Anand – Bollywood Mourns Dev Anand's Death The Telegraph – Dev Anand Bio and Obituary Indian male film actors 1923 births 2011 deaths Filmfare Lifetime Achievement Award winners Dadasaheb Phalke Award recipients Recipients of the Padma Bhushan in arts Hindi-language film directors Hindi film producers Male actors in Hindi cinema Film directors from Mumbai Film producers from Mumbai Male actors from Mumbai Government College University, Lahore alumni People from Gurdaspur Punjabi people 20th-century Indian male actors 20th-century Indian film directors 21st-century Indian film directors Filmfare Awards winners People from Narowal District

C_840a97ba250f4e02b98a63a0c0fafb2b_1

Did the film do well for him?

Did Guide with Waheeda Rehman do well for Dev Anand?

Dev Anand

In the sixties, Dev Anand acquired a romantic image with films such as Manzil and Tere Ghar Ke Samne with Nutan, Kinaare Kinaare with Meena Kumari, Maya with Mala Sinha, Asli-Naqli with Sadhana Shivdasani, Jab Pyar Kisi Se Hota Hai, Mahal with Asha Parekh and Teen Deviyaan opposite three heroines Kalpana, Simi Garewal and Nanda. In the film Teen Deviyaan, Dev Anand played a playboy. His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan. Dev Anand himself was the impetus for making the film version of the book. He met and persuaded Narayan to give his assent to the project. Dev Anand tapped his friends in Hollywood to launch an Indo-US co-production that was shot in Hindi and English simultaneously and was released in 1965. Guide, directed by younger brother Vijay Anand, was an acclaimed movie. Dev played Raju, a voluble guide, who supports Rosy (Waheeda) in her bid for freedom. He is not above thoughtlessly exploiting her for personal gains. Combining style with substance, he gave an affecting performance as a man grappling with his emotions in his passage through love, shame and salvation. He reunited with Vijay Anand for the movie Jewel Thief, based on the thriller genre which featured Vyjayanthimala, Tanuja, Anju Mahendru, Faryal and Helen and was very successful. Their next collaboration, Johny Mera Naam (1970), again a thriller, in which Dev was paired opposite Hema Malini was a big hit. It was Johnny Mera Naam which made Hema Malini a big star. In 1969, he was a member of the jury at the 6th Moscow International Film Festival. CANNOTANSWER

Guide, directed by younger brother Vijay Anand, was an acclaimed movie.

Dharamdev Pishorimal Anand (26 September 1923 – 3 December 2011), better known as Dev Anand, was an Indian film actor, writer, director and producer known for his work in Hindi cinema, through a career that spanned over six decades. He was one of the most successful actors in the Indian film industry. Early life Anand was born Dharam Dev Anand on 26 September 1923 in the Shakargarh tehsil of the Gurdaspur district in Punjab (British India). His father Pishori Lal Anand was a well-to-do advocate in Gurdaspur District Court. Dev was the third of four sons born to Anand. One of Dev's younger sisters is Sheel Kanta Kapur, who is the mother of film director Shekhar Kapur. His older brothers were Manmohan Anand (Advocate, Gurdaspur Dist. Court) and Chetan Anand and the younger one was Vijay Anand. He did his schooling till matriculation from Sacred Heart School, Dalhousie, (then in Punjab) and went to Government college Dharamshala before going to Lahore to study. Later Dev completed a B.A. degree in English Literature from the Government College, Lahore in British India. Part of the Anand family, he co-founded Navketan Films in 1949 with his elder brother Chetan Anand. Career After completing his BA degree in English literature from the Government College, Lahore (then in British India, now in Pakistan), Dev Anand left his home-town for Bombay in the early 1940s. He began his career in the military censor's office at Churchgate, for a monthly salary of Rs. 65. Later, he worked as a clerk in an accounting firm for a salary of Rs. 85. He joined his older brother, Chetan, as a member of the Indian People's Theatre Association (IPTA). Dev Anand aspired to become a performer after seeing Ashok Kumar's performance in films such as Achhut Kanya and Kismet. Dev Anand quoted in an interview that "I remember when I gate-crashed into the office of the man who gave me the first break, he kept looking at me – Babu Rao Pai of Prabhat Film Studios. At that time he made up his mind that this boy deserves a break and later mentioned to his people that 'this boy struck me because of his smile and beautiful eyes and his tremendous confidence.'" Then he was soon offered the lead role in Prabhat Films' Hum Ek Hain (1946), a film about Hindu-Muslim unity, where Dev Anand played a Hindu boy and was paired opposite Kamala Kotnis. While shooting the film in Pune, Anand befriended the actor Guru Dutt. Between them, they agreed that if one of them were to become successful in the film industry, he would help the other also to be successful. They formed a mutual understanding that when Anand produced a film, Dutt would direct it and when Dutt directed a film, Anand would act in it. Late 1940s and romance with Suraiya In the late 1940s, Anand was offered a few roles starring as the male lead opposite singer-actress Suraiya in woman-oriented films. While shooting these films, they became romantically involved. The two of them were paired in seven films together: Vidya (1948), Jeet (1949), Shair (1949), Afsar (1950), Nili (1950), Do Sitare (1951) and Sanam (1951), all of which were successful at the box office. In these films, Suraiya was always first-biller in the credits, indicating that she was a bigger star than Anand. She fell in love with him during the shooting of the song Kinare Kinare Chale Jayen Ge from the film Vidya— while shooting the scene, the boat they were in capsized, and Anand saved Suraiya from drowning. Initially, Suraiya's family used to welcome Dev Anand at home, but when her maternal grandmother found out that the two were in love, and even planned an actual marriage on the set of Jeet, she started monitoring them. The two shared love letters and messages through their co-actors, like Durga Khote and Kamini Kaushal, who went out of their way to engineer secret rendezvous. During the shooting of the film Afsar (1950), Anand finally proposed to Suraiya and gave her a diamond ring worth Rs 3,000. Her maternal grandmother opposed the relationship as they were Muslim and Anand was Hindu, and so, Suraiya remained unmarried. They stopped acting together after her grandmother opposed their partnership, and Do Sitare was the last film in which they appeared together. Although the films he starred in with Suraiya had been successful, the producers and directors of those films attributed their success to the acting prowess and screen presence of Suraiya. Anand began looking for an opportunity to play the main male lead in a film where his acting skills could be demonstrated, so as to dispel scepticism about his acting abilities. Dev Anand often spoke about Suraiya and his love affair with her, in various interviews he gave to film magazines, such as Stardust (June 1972 issue), Star & Style (Feb 1987 issue) and TV to Karan Thapar for BBC (2002), while both were alive, and after Suraiya's death in interviews given on TV to Simi Garewal (Rendezvouz with Simi Garewal) and others on TV and for news magazines. Break and the 1950s Anand was offered his first big break by Ashok Kumar. He spotted Anand hanging around in the studios and picked him as the hero for the Bombay Talkies production Ziddi (1948), co-starring Kamini Kaushal, which became an instant success. After Ziddis success, Anand decided that he would start producing films. It was in the film Ziddi, where the first ever Kishore-Lata duet, "Yeh Kaun Aaya Karke Yeh Sola Singhar", was recorded. This duet was an instant hit, and from here on both playback singers' associations with Dev Anand began. This continued for the next four decades. His association with Kishore Kumar started when the former sang the first solo of his playback singing career – "Marne Ki Duayen" – picturised on Dev Anand in the movie Ziddi. Dev had forged a very strong bond of friendship with Kishore Kumar during the making of the film. In 1949, he launched his own company Navketan Films (named after his elder brother Chetan's son Ketan and which means "New Banner"), which, as of 2011, has produced 35 films. Nirala (1950), a commercial success, saw him being paired opposite Madhubala for the first time, with whom he would later form a popular pair. Dev chose Guru Dutt as director for the crime thriller, Baazi (1951). The film, starring Dev Anand, Geeta Bali and Kalpana Kartik was a trendsetter, regarded as the forerunner of the spate of urban crime films that followed in Bollywood in the 1950s. The film Baazi saw the debut of Kalpana Kartik (aka Mona Singha) as the lead female actress and Guru Dutt as a director. The collaboration was a success at the box office and the duo of Dev Anand and Kalpana Kartik were offered many films to star in together. They signed all the film offers and subsequently the movies Aandhiyan (1952), Taxi Driver (1954), House No. 44 (1955) and Nau Do Gyarah (1957) went on to become big hits too. During the making of the film Taxi Driver, the couple fell in love and Dev proposed marriage to his heroine Kalpana. In 1954, Taxi Driver was declared a hit and the two decided to marry in a quiet ceremony. The couple had a son, Suneil Anand in 1956 and later a daughter, Devina, was born. After her marriage, Kalpana decided not to pursue her acting career further. Nau Do Gyarah was the couple's last movie together. A rapid-fire style of dialogue delivery and a penchant for nodding while speaking became Dev's style in films such as Baazi (1951), Jaal (1952), House No. 44 (1955), Pocket Maar (1956), Munimji (1955), Funtoosh (1956), C.I.D. (1956) and Paying Guest (1957). In the 1950s his films were of the mystery genre or light comedy love stories or were films with social relevance such as Ek Ke Baad Ek (1959) and Funtoosh (1956). His style was lapped up by the audience and was widely imitated. He starred in a string of box office successes for the remainder of the 1950s opposite newcomer Waheeda Rehman in C.I.D. (1956), Solva Saal (1958), Kala Bazar (1960) and Baat Ek Raat Ki (1962). Waheeda first became a star when C.I.D became a hit. The pair acted in Roop Ki Rani Choron Ka Raja (1961 film) and Prem Pujari later. In 1955, he also co-starred with Dilip Kumar in Insaniyat. With his acting in the box office success Kala Pani (1958) opposite Madhubala and Nalini Jaywant, as the son who is willing to go to any lengths to clear his framed father's name, he won his first Filmfare award for Best Actor for the film. He attempted films of tragic genre occasionally, such as Pocket Maar (1956), Kala Pani (1958), Bombai Ka Baboo (1960) and Sharabi (1964) and tasted success with them. Dev also played a few characters with a negative shade, as in Jaal (1952) where he played a smuggler, then as an absconding gang member in Dushman (1957), and as a black marketer in Kala Bazar. Apart from his pairing with Suraiya and Kalpana Kartik, his pairing with Nutan and Waheeda Rehman was popular among the audiences in the late 50s and 60s. His films Rahi (1952) and Aandhiyan (1952), were screened along with Raj Kapoor's Awaara. From the early fifties till mid sixties, the trio of actors Dilip Kumar, Raj Kapoor and Anand ruled the roost. Romantic hero image in the 1960s In the sixties, Dev Anand acquired a romantic image with films such as Manzil and Tere Ghar Ke Samne with Nutan, Kinare Kinare with Meena Kumari, Maya with Mala Sinha, Asli-Naqli with Sadhana Shivdasani, Jab Pyar Kisi Se Hota Hai, Mahal with Asha Parekh and Teen Deviyaan opposite three heroines Kalpana, Simi Garewal and Nanda. In the film Teen Deviyaan, Dev Anand played a playboy. One of his notable films of the early sixties was Hum Dono (1961) which he produced and acted in, as Anand, a young lover who joins the army in frustration over being shunned by the father of his love Meeta (played by Sadhana Shivdasani). Anand played a double role in the film, also acting as Major Varma, his look-alike who he runs into in the army and forms a deep friendship with. Notable for its music by Jaidev, the film was a box office hit. His first colour film, Guide with Waheeda Rehman was based on the novel of the same name by R. K. Narayan. Dev Anand himself was the impetus for making the film version of the book. He met and persuaded Narayan to give his assent to the project. Dev Anand tapped his friends in Hollywood to launch an Indo-US co-production that was shot in Hindi and English simultaneously and was released in 1965. Guide, directed by younger brother Vijay Anand, was an acclaimed movie. Dev played Raju, a voluble guide, who supports Rosy (Waheeda) in her bid for freedom. He is not above thoughtlessly exploiting her for personal gains. Combining style with substance, he gave an affecting performance as a man grappling with his emotions in his passage through love, shame and salvation. He reunited with Vijay Anand for the movie Jewel Thief, based on the thriller genre which featured Vyjayanthimala, Tanuja, Anju Mahendru, Faryal and Helen and was very successful. Their next collaboration, Johny Mera Naam (1970), again a thriller, in which Dev was paired opposite Hema Malini was a big hit. It was Johnny Mera Naam which made Hema Malini a big star. In 1969, he was a member of the jury at the 6th Moscow International Film Festival. Directorial debut and the Versatile Hero Image in 1970s His directorial debut, the espionage drama Prem Pujari, was a flop but has developed a cult following over the years. The film introduced Zaheeda and had Waheeda Rehman as the lead female artiste. He tasted success with his 1971 directorial effort, Hare Rama Hare Krishna, shot primarily in Nepal around Swyambhunath, and Bhaktapur, in which talks about the prevalent hippie culture. His find Zeenat Aman, who played the mini-skirt sporting, pot-smoking Janice, became an overnight sensation. Dev also became known as a filmmaker of trenchantly topical themes. The same year, he starred with Mumtaz in Tere Mere Sapne, an adaptation of A. J. Cronin's novel, The Citadel. The film was directed by Dev's brother, Vijay and was also successful. In 1971 he paired again with Zaheeda in Gambler which went on to become a success. In the 1970s, Raj Kapoor started playing roles of fathers in films such as Kal Aaj Aur Kal in 1971 and Dharam Karam in 1974 and had put on a lot of weight and films with Dilip Kumar as lead hero like Dastaan and Bairaag were failures at the box office. Some of the hurriedly made films with Dev Anand as the leading man—three each opposite Hema Malini – Shareef Badmaash, Jaaneman, Joshila and two with Zeenat Aman – Ishq Ishq Ishq, Prem Shastra and Saheb Bahadur with Priya Rajvansh — became flops and posed a threat to his career as leading man. He bounced back with the double role film Banarasi Babu in 1973. He delivered commercial hits again with young heroines like with Sharmila Tagore in Yeh Gulistan Hamara, with Yogeeta Bali and Raakhee in Banarasi Babu (1973), with Hema Malini in Chhupa Rustam (1973) and Amir Garib (1974), with Zeenat Aman in Heera Panna (1973), Warrant (1975) Kalabaaz and Darling Darling (1977) and with Parveen Babi in Bullet (1976).The presence of his discoveries in the 1970s—Zeenat, and later Tina Munim, in films and his good on-screen chemistry with beautiful young stars such as Raakhee, Parveen Babi, Hema Malini and Zeenat Aman in various films boosted Dev's image as the evergreen star even though he was well into his fifties. He attempted different genres of films so acquired versatile hero image. He was already 55 when he was paired with Tina Munim in 1978 in Des Pardes, which became among the top five grossing films of the year. Political activism during the Emergency in the late 1970s Dev Anand has also been politically active. He led a group of film personalities who stood up against the Internal Emergency imposed by the then Prime Minister of India, Indira Gandhi. He actively campaigned against her with his supporters in Indian parliamentary elections in 1977. He also formed a party called the "National Party of India", which he later disbanded. Later career and Evergreen Hero Image The 1978 hit Des Pardes, directed by Dev Anand was the debut movie of actress Tina Munim and this film's success gave him the tag of the Evergreen Hero. Dev Anand was offered the lead role in Man Pasand by director Basu Chatterjee. Dev Anand's successful run at the box office continued in the 1980s with Man Pasand, Lootmaar (both opposite Tina Munim) and Swami Dada (1982), all being critically acclaimed and box office hits. Though Dev Anand's demand as the lead hero had not decreased even in the 1980s, he decided that it was the right time to introduce his son Suneil Anand in films as the hero. He launched his son in the Kramer vs. Kramer-inspired Anand Aur Anand (1984), which was produced and directed by Dev Anand himself and had music by R.D. Burman. He expected the film to do well, but the film was a box office disaster and Suneil Anand decided not to act in films any more. But films with Dev Anand as the lead hero in Hum Naujawan (1985) and Lashkar (1989) continued to be box office successes and were appreciated by critics. Awwal Number (1990), where Dev Anand co-starred with Aditya Pancholi and Aamir Khan became an average grosser in the year 1990. Aamir said in an interview that Awwal Number is the only film he signed without reading the script because it was being directed by his senior Dev Anand. Aamir quoted: "Dev saab was an icon for many generations and entertained us throughout his life". He was already 60 years old in 1983 when he acted opposite Christine O'Neil and alongside Rati Agnihotri and Padmini Kolhapure in Swami Dada. In 1989, his directorial venture Sachche ka Bolbala was released. Though critically acclaimed, it was a commercial failure. His performance as Professor Anand in the 1989 film Lashkar (film) was widely appreciated and was a major success at the box office. Lashkar was his last hit film in the lead role in 1989, with him neither being producer nor director of the film. He directed Pyar Ka Tarana in 1993, without casting himself in any role. His directorial movie Gangster (1995) had a controversial nude rape scene of an unknown actress, though the movie was released uncut. He received offers to star in lead role in outside of his home banners in films like Return of Jewel Thief and Aman Ke Farishtey but the former was not successful at the box office and the latter wasn't released in 1993 though the film was fully ready to be released. Since 1992, seven of his directorial ventures were box office failures. His films Sau Crore (1991) and Censor (2000) were critically acclaimed. His performance and direction in the 1991 film Sau Crore was appreciated as it was a movie ahead of its time dealing with real life murder of badminton star Syed Modi and the arrest being made of the wife and her ex-lover. Sau Crore remains the last commercial hit film of Dev Anand as the lead hero as well as a director. His last film Chargesheet (2011) was panned by critics across the board. He also starred in English films such as The Evil Within (1970), where he was paired opposite Vietnamese actress Kieu Chinh and Zeenat Aman and Guide (English Version). The English language film The Evil Within was a 20th-Century Fox production which couldn't get the nod from the concerned authorities due to its parallel track dealing with opium selling and thus the Indian viewers were deprived of this American venture. Of the 114 Hindi films he appeared in in 6 decades, Kahin Aur Chal (1968) had a delayed release in the early 1970s and the multi-starrer film Ek Do Teen Chaar (1980) remained unreleased and Shrimanji (1968) had him in a guest appearance. By 2011, he had the second most solo lead roles in Hindi films— 92, with Rajesh Khanna having the record for the most films as solo lead hero in Hindi films – 106. Comparisons with Gregory Peck Often compared to the famous actor Gregory Peck the world over, Dev Anand said that he didn't feel ecstatic hearing the tag line bestowed on him in his heyday. "When you are at an impressionable age you make idols, but when you grow out of the phase, you develop your own persona. I don't want to be known as India's Gregory Peck, I am Dev Anand". Acquainted with the Bollywood actor, Peck's personal interactions with him spanned four to five long meetings in Europe and Mumbai. Dev Anand and Suraiya met Peck for the first time at Bombay's Willingdon Club, after the Filmfare Awards in 1954, on Peck's stopover from a schedule at Sri Lanka after shooting for The Purple Plain. He knew of the "Indian Star" as an actor, more so probably because his romance with Suraiya was grabbing the headlines, and they had a chat. The second time they met was in Rome when Dev Anand was on his way back from the Venice Film Festival, he visited him on the set of Roman Holiday. "I was returning from the Venice film fest. I stopped my car and joined the crowd watching the shoot, hoping that his eyes would fall on me. As expected, he nodded and I walked up to him. He remembered me and we exchanged pleasantries." The third meeting was at London on the set of Moby Dick. However, Suraiya asked for an exclusive meeting with her idol at her house. Though Anand says jealousy was natural for anyone in love, he didn't mind that he was not invited. "I didn't quite feel anything. It wasn't as if they were going to fall in love or make love. Even if they would have, it wouldn't have mattered. I was mature enough. Moreover, he wasn't my rival. I too was a big star by then," says Anand. Critical appraisal Dev Anand has directed 19 films and produced 35 films. Off the 35 films he produced, 18 were commercially successful at the box office and off the 19 films directed by him 10 were hits. He wrote the stories for 13 of his films. Critics say his directorial ventures have always been ahead of their time. Dev Anand's films are well known for their hit songs. He is known to have been an active participant in the music sessions of a number of his films. His association with music composers Shankar-Jaikishen, O. P. Nayyar, Kalyanji-Anandji, Sachin Dev Burman and his son Rahul Dev Burman, lyricists Hasrat Jaipuri, Majrooh Sultanpuri, Gopaldas Neeraj, Shailendra, Anand Bakshi, and playback singers Kishore Kumar,Mohammed Rafi and Hemant Kumar produced some very popular songs. Guru Dutt, Kishore Kumar, Mohammed Rafi, Pran, Dilip Kumar, Raj Kapoor, Sunil Dutt, Nargis, Vyjayanthimala, S.D. Burman, Shammi Kapoor and R.D. Burman were his closest friends from the film industry. In September 2007, Dev's autobiography Romancing with Life was released at a birthday party with the Indian Prime Minister Dr. Manmohan Singh. In February 2011, his 1961 black-and-white film Hum Dono was digitised, colourised and re-released. Dev Anand is credited with giving actors such as Zarina Wahab in Ishq Ishq Ishq, Jackie Shroff in Swami Dada, Tabu in Hum Naujawan and Richa Sharma (Sanjay Dutt's first wife) a break in the film industry, discovering Zeenat Amaan, Tina Munim and encouraging music composer Rajesh Roshan. Amit Khanna started his career with Navketan as executive producer in 1971 and had been secretary to Dev Anand in the 1970s. He adds, "The uniqueness of Navketan today is that it's the only film company in the world still run by the one who started it." Shatrughan Sinha disclosed in an interview that it was Dev Anand who gave him a break in films by giving him a role in Prem Pujari and since Dev had given Sinha a very small role in that film, he compensated for it by giving Sinha another role in his next film Gambler. Sinha quoted: "Later on we worked together in Sharif Badmash and it was really a privilege to work with him". It was under Dev Anand's Navketan Banner where Guru Dutt, Raj Khosla, Waheeda Rehman, S.D. Burman, Jaidev, Sahir Ludhianvi, Majrooh Sultanpuri, Yash Johar, Shekhar Kapur and Kabir Bedi were given breaks into Hindi films and Dev launched actors Zaheera, Zaheeda Hussain, Zarina Wahab, Natasha Sinha, Ekta Sohini and Sabrina. Personal life Anand had a love affair with actress Suraiya from 1948 to 1951, but they never married, because of opposition by Suraiya's maternal grandmother. Suraiya remained unmarried throughout her life till she died on 31 January 2004. In 1954, Dev married Kalpana Kartik (actual name Mona Singha), a Bollywood actress from Shimla, in a private marriage during the shooting of the film Taxi Driver. They have two children, son Suneil and daughter Devina. Ban on 'black coat' According to a Hindustan Times article, in 1958 an incident occurred during the release of his film Kala Pani during which Dev looked so handsome in a black coat that mesmerised by his look a girl allegedly ended her life. After the incident he reportedly did not wear black suit in public. Death Dev Anand died in his room at The Washington Mayfair Hotel in London at the age of 88 on 3 December 2011 (4 December 2011 I.S.T.) of a cardiac arrest. His death came just two months after the release of his last film Chargesheet, which he directed and produced. Anand was reportedly in London for a medical checkup at the time of his death. On 10 December, his funeral service was held at a small chapel in London after which his casket was taken to the Putney Vale Crematorium in southwest London. His ashes were returned to India for immersion burial in the Godavari River. Awards, honours and recognitions The Government of India honoured him with the Padma Bhushan in 2001 and the Dadasaheb Phalke Award in 2002 for his contribution to Indian cinema. His career spanned more than 65 years, acting in 114 Hindi films, of which 92 had him play the main solo lead hero, and he did two English films. He was the recipient of the Filmfare Award for Best Actor for his performances in Kala Pani and Guide, the latter being India's official entry to the Oscars. Civilian award 2001 – Padma Bhushan (India's third highest civilian award from the Government of India) National Film Awards Winner 1965 – National Film Award for Best Feature Film in Hindi for Guide 2002 – Dadasaheb Phalke Award, India's highest award for cinematic excellence Filmfare awards Winner 1959 – Best Actor for Kala Pani 1967 – Best Actor for Guide 1967 – Best Film for Guide 1993 – Filmfare Lifetime Achievement Award National honours and recognitions 1995 – Star Screen Lifetime Achievement Award 1997 – Mumbai Academy of Moving Images Award for his Outstanding Services to the Indian Film Industry 1998 – Lifetime Achievement Award by the Ujala Anandlok Film Awards Committee in Calcutta 1999 – Sansui Lifetime Achievement Award for his "Immense Contribution to Indian Cinema" in New Delhi 2000 – Film Goers' Mega Movie Maestro of the Millennium Award in Mumbai 2001 – Special Screen Award for his contribution to Indian cinema 2001 – Evergreen Star of the Millennium Award at the Zee Gold Bollywood Awards on 28 April 2001 at the Nassau Coliseum, New York 2003 – Lifetime Achievement Award for "Outstanding Achievement in Indian Cinema" at IIFA Award in Johannesburg, South Africa 2004 – Legend of Indian Cinema Award at Atlantic City (United States) 2004 – Living Legend Award by the Federation of Indian Chamber of Commerce and Industry (FICCI) in recognition of his contribution to the Indian entertainment industry 2005 – Sony Gold Award 2006 – ANR National Award by the Akkineni International Foundation 2006 – Glory of India Award by IIAF, London 2007 – Punjab Ratan (Jewel of Punjab) Award by the World Punjabi Organisation (European Division) for his outstanding contribution in the field of art and entertainment. 2008 – Lifetime Achievement Award by Ramya Cultural Academy in association with Vinmusiclub 2008 – Lifetime Achievement Award by Rotary Club of Bombay 2008 – Awarded at the IIJS Solitaire Awards 2009 – Outstanding contribution to Indian cinema at the Max Stardust Awards 2009 – Legend Award given to Dev Anand by Rajinikanth 2010 – Phalke Ratna Award by Dadasaheb Phalke Academy 2010 – Rashtriya Gaurav Award 2011 – Rashtriya Kishore Kumar Samman from the Government of Madhya Pradesh 2011 – NDTV Indian of the Year's Lifetime Achievement Award with Rahul Dravid Lifetime Achievement Maestro Award by the Whistling Woods International Institute. 2013 – To honour him, a brass statue in his likeness was unveiled at Walk of the Stars at Bandra Bandstand in Mumbai in February 2013. 2013 – On the occasion of 100 years of the Indian cinema, a postage stamp bearing his likeness was released by India Post to honour him on 3 May 2013. International honours and recognitions In July 2000, in New York City, he was honoured by an Award from the hands of the then First Lady of the United States of America, Hillary Clinton, for his "Outstanding Contribution to Indian Cinema". In 2000, he was awarded the Indo-American Association "Star of the Millennium" Award in Silicon Valley, California. Donna Ferrar, Member of the New York State Assembly, honoured him with a "New York State Assembly Citation" for his "Outstanding Contribution to the Cinematic Arts Worthy of the Esteem and Gratitude of the Great State of New York" on 1 May 2001. In 2005, he was honoured with a "Special National Film Award" by the Government of Nepal at Nepal's first National Indian film festival in Stockholm. In 2008, he was guest of honour at a dinner hosted by the Provost of Highland Council in Inverness, Scotland to celebrate 10 years since he first worked in the Scottish Highlands. He spent several days in the area, en route to Cannes, as a guest of the Highlands and Islands Film Commission. Filmography Further reading Cinema Modern: Navketan Story, by Sidharth Bhatia. Harpercollins, 2011. . Evergreen Dev Anand (An Anthology of Dev Anand's Contribution to Cinema), by Kamal Dhiman. Nikita Publications, 2014. . References External links RIP Dev Anand – Bollywood Mourns Dev Anand's Death The Telegraph – Dev Anand Bio and Obituary Indian male film actors 1923 births 2011 deaths Filmfare Lifetime Achievement Award winners Dadasaheb Phalke Award recipients Recipients of the Padma Bhushan in arts Hindi-language film directors Hindi film producers Male actors in Hindi cinema Film directors from Mumbai Film producers from Mumbai Male actors from Mumbai Government College University, Lahore alumni People from Gurdaspur Punjabi people 20th-century Indian male actors 20th-century Indian film directors 21st-century Indian film directors Filmfare Awards winners People from Narowal District

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What was Beltone?

What was Beltone?

Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

company called "Beltone Records.

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

Atlas Records,

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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Did the record company make any music?

Did Beltone and Atlas make any music?

Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

Laine cut his first two numbers for Atlas in the King mode,

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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What happened with these songs?

What happened with the first two numbers?

Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

The ruse worked and the record sold moderately well, although limited to the "race" market.

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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What was the ruse?

What was the ruse to sell more numbers?

Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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What happened after that?

What happened after the ruse to sell more records?

Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

Laine cut the remainder of his songs for Atlas in his own style,

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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What was his style?

What was Laine's style?

Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

CANNOTANSWER

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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Were any other songs made?

Besides creating his own style, were any other songs made by Laine?

Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

"Pickle in the Middle with the Mustard on Top" and "I May Be Wrong

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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Were any of these songs successful?

Was either Middle with the Mustard on Top" or "I May Be Wrong successful?

Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

CANNOTANSWER

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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Is there anything else interesting?

Besides making Middle with the Mustard on Top" and "I May Be Wrong, is there anything else interesting about Laine?

Frankie Laine

Laine cut his first record in 1944, for a fledgling company called "Beltone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to "Capitol", and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole." Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. CANNOTANSWER

He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach

Frankie Laine (born Francesco Paolo LoVecchio; March 30, 1913 – February 6, 2007) was an American singer, songwriter, and actor whose career spanned nearly 75 years, from his first concerts in 1930 with a marathon dance company to his final performance of "That's My Desire" in 2005. Often billed as "America's Number One Song Stylist", his other nicknames include "Mr. Rhythm", "Old Leather Lungs", and "Mr. Steel Tonsils". His hits included "That's My Desire", "That Lucky Old Sun", "Mule Train", "Jezebel", "High Noon", "I Believe", "Hey Joe!", "The Kid's Last Fight", "Cool Water", "Rawhide", and "You Gave Me a Mountain". He sang well-known theme songs for many movie Western soundtracks, including 3:10 To Yuma, Gunfight at the O.K. Corral, and Blazing Saddles, although his recordings were not charted as a country & western. Laine sang an eclectic variety of song styles and genres, stretching from big band crooning to pop, western-themed songs, gospel, rock, folk, jazz, and blues. He did not sing the soundtrack song for High Noon, which was sung by Tex Ritter, but his own version (with somewhat altered lyrics, omitting the name of the antagonist, Frank Miller) was the one that became a bigger hit, nor did he sing the theme to another show he is commonly associated with—Champion the Wonder Horse (sung by Mike Stewart)—but released his own, subsequently more popular, version. Laine's enduring popularity was illustrated in June 2011 when a TV-advertised compilation called Hits reached No. 16 on the UK Albums Chart. The accomplishment was achieved nearly 60 years after his debut on the UK chart, 64 years after his first major U.S. hit and four years after his death. Early life Frankie Laine was born Francesco Paolo LoVecchio on March 30, 1913, to Giovanni and Cresenzia LoVecchio (née Salerno). His Cook County, Illinois, birth Certificate, No. 14436, was already Americanized at the time of his birth, with his name written as "Frank Lovecchio," his mother as "Anna Salerno," and his father as "John Lovecchio," with the "V" lower case in each instance, except in the "Reported by" section with "John Lo Vecchio (father)" written in. His parents had emigrated from Monreale, Sicily, to Chicago's Near West Side, in "Little Italy," where his father worked at one time as the personal barber for gangster Al Capone. Laine's family appears to have had several organized crime connections, and young Francesco was living with his grandfather when the latter was killed by rival gangsters. The eldest of eight children, Laine grew up in the Old Town neighborhood (first at 1446 N. North Park Avenue and later at 331 W. Schiller Street) and got his first taste of singing as a member of the choir in the Church of the Immaculate Conception's elementary school across the street from the North Park Avenue home. He later attended Lane Technical High School, where he helped to develop his lung power and breath control by joining the track and field and basketball teams. He realized he wanted to be a singer when he missed time in school to see Al Jolson's current talking picture, The Singing Fool. Jolson would later visit Laine when both were filming pictures in 1949, and at about this time, Jolson remarked that Laine was going to put all the other singers out of business. Early career and stylistic influences Even in the 1920s, his vocal abilities were enough to get him noticed by a slightly older "in crowd" at his school, who began inviting him to parties and to local dance clubs, including Chicago's Merry Garden Ballroom. At 17, he sang before a crowd of 5,000 at The Merry Garden Ballroom to such applause that he ended up performing five encores on his first night. Laine was giving dance lessons for a charity ball at the Merry Garden when he was called to the bandstand to sing: Soon I found myself on the main bandstand before this enormous crowd, Laine recalled. I was really nervous, but I started singing 'Beside an Open Fireplace,' a popular song of the day. It was a sentimental tune and the lyrics choked me up. When I got done, the tears were streaming down my cheeks and the ballroom became quiet. I was very nearsighted and couldn't see the audience. I thought that the people didn't like me. Some of his other early influences during this period included Enrico Caruso, Carlo Buti, and especially Bessie Smith—a record of whose somehow wound up in his parents' collection: I can still close my eyes and visualize its blue and purple label. It was a Bessie Smith recording of 'The Bleeding Hearted Blues,' with 'Midnight Blues' on the other side. The first time I laid the needle down on that record I felt cold chills and an indescribable excitement. It was my first exposure to jazz and the blues, although I had no idea at the time what to call those magical sounds. I just knew I had to hear more of them! — Frankie Laine Another singer who influenced him at this time was falsetto crooner, Gene Austin. Laine worked after school at a drugstore that was situated across the street from a record store that continually played hit records by Gene Austin over their loudspeakers. He would swab down the windows in time to Austin's songs. Many years later, Laine related the story to Austin when both were guests on the popular television variety show Shower of Stars. He would also co-star in a film, Rainbow 'Round My Shoulder, with Austin's daughter, Charlotte. Shortly after graduating from high school, Laine signed on as a member of The Merry Garden's marathon dance company and toured with them, working dance marathons during the Great Depression (setting the world record of 3,501 hours with partner Ruthie Smith at Atlantic City's Million Dollar Pier in 1932). Still billed as Frank LoVecchio, he would entertain the spectators during the fifteen-minute breaks the dancers were given each hour. During his marathon days, he worked with several up-and-coming entertainers, including Rose Marie, Red Skelton, and a 14-year-old Anita O'Day, for whom he served as a mentor (as noted by Laine in a 1998 interview by David Miller). Other artists whose styles began to influence Laine at this time were Bing Crosby, Louis Armstrong (as a trumpet player), Billie Holiday, Mildred Bailey, and, later, Nat "King" Cole. Laine befriended Cole in Los Angeles, when the latter's career was just beginning to gain momentum. Cole recorded a song, "It Only Happens Once", that fledgling songwriter Laine had composed. They remained close friends throughout the remainder of Cole's life, and Laine was one of the pall bearers at Cole's funeral. His next big break came when he replaced Perry Como in the Freddy Carlone band in Cleveland in 1937; Como made a call to Carlone about Laine. Como was another lifelong friend of Laine's, who once lent Laine the money to travel to a possible gig. Laine's rhythmic style was ill-suited to the sweet sounds of the Carlone band, and the two soon parted company. Success continued to elude Laine, and he spent the next 10 years "scuffling"; alternating between singing at small jazz clubs on both coasts and a series of jobs, including those of a bouncer, dance instructor, used car salesman, agent, synthetic leather factory worker, and machinist at a defense plant. It was while working at the defense plant during the Second World War that he first began writing songs ("It Only Happens Once" was written at the plant). Often homeless during his "scuffling" phases, he hit the lowest point of his career, when he was sleeping on a bench in Central Park. I would sneak into hotel rooms and sleep on the floor. In fact, I was bodily thrown out of 11 different New York hotels. I stayed in YMCAs and with anyone who would let me flop. Eventually I was down to my last four cents, and my bed became a roughened wooden bench in Central Park. I used my four pennies to buy four tiny Baby Ruth candy bars and rationed myself to one a day. — Frankie Laine He changed his professional name to Frankie Laine in 1938, upon receiving a job singing for the New York City radio station WINS. The program director, Jack Coombs, thought that "LoVecchio" was "too foreign sounding, and too much of a mouthful for the studio announcers," so he Americanized it to "Lane", an homage to his high school. Frankie added the "i" to avoid confusion with a girl singer at the station who went by the name of Frances Lane. It was at this time that Laine got unknown songbird Helen O'Connell her job with the Jimmy Dorsey band. WINS, deciding that they no longer needed a jazz singer, dropped him. With the help of bandleader Jean Goldkette, he got a job with a sustainer (nonsponsored) radio show at NBC. As he was about to start, Germany attacked Poland and all sustainer broadcasts were pulled off the air in deference to the needs of the military. Laine next found employment in a munitions plant, at a salary of $150.00 a week. He quit singing for what was perhaps the fifth or sixth time of his already long career. While working at the plant, he met a trio of girl singers, and became engaged to the lead singer. The group had been noticed by Johnny Mercer's Capitol Records, and convinced Laine to head out to Hollywood with them as their agent. In 1943, he moved to California, where he sang in the background of several films, including The Harvey Girls, and dubbed the singing voice for an actor in the Danny Kaye comedy The Kid from Brooklyn. It was in Los Angeles in 1944 that he met and befriended disc jockey Al Jarvis and composer/pianist Carl T. Fischer, the latter of whom was to be his songwriting partner, musical director, and piano accompanist until his death in 1954. Their songwriting collaborations included "I'd Give My Life," "Baby, Just For Me," "What Could Be Sweeter?," "Forever More," and the jazz standard "We'll Be Together Again." When the war ended, Laine soon found himself "scuffling" again, and was eventually given a place to stay by Jarvis. Jarvis also did his best to help promote the struggling singer's career, and Laine soon had a small, regional following. In the meantime, Laine would make the rounds of the bigger jazz clubs, hoping that the featured band would call him up to perform a number with them. In late 1946, Hoagy Carmichael heard him singing at Billy Berg's club in Los Angeles, and this was when success finally arrived. Not knowing that Carmichael was in the audience, Laine sang the Carmichael-penned standard "Rockin' Chair" when Slim Gaillard called him up to the stage to sing. This eventually led to a contract with the newly established Mercury records. Laine and Carmichael would later collaborate on a song, "Put Yourself in My Place, Baby". First recordings Laine cut his first record in 1944, for a fledgling company called "Bel-Tone Records." The sides were called "In the Wee Small Hours of the Morning", (an uptempo number not to be confused with the Frank Sinatra recording of the same name) and a wartime propaganda tune entitled "Brother, That's Liberty", though the records failed to make much of an impression. The label soon folded, and Laine was picked up by Atlas Records, a "race label" that initially hired him to imitate his friend Nat "King" Cole. Cole would occasionally "moonlight" for other labels, under pseudonyms, while under contract to Capitol, and as he had previously recorded some sides for Atlas, they reasoned that fans would assume that "Frankie Laine" was yet another pseudonym for "Cole". Laine cut his first two numbers for Atlas in the King mode, backed by R&B artist Johnny Moore's group, The Three Blazers which featured Charles Brown and Cole's guitarist (from "The King Cole Trio"), Oscar Moore. The ruse worked and the record sold moderately well, although limited to the "race" market. Laine cut the remainder of his songs for Atlas in his own style, including standards such as "Roses of Picardy" and "Moonlight in Vermont". It was also at this time that he recorded a single for Mercury Records: "Pickle in the Middle with the Mustard on Top" and "I May Be Wrong (But I Think You're Wonderful)." He appears only as a character actor on the first side, which features the comedic singing of Artie Auerbach (a.k.a., "Mr. Kitzel") who was a featured player on the Jack Benny radio show. In it, Laine plays a peanut vendor at a ball game and can be heard shouting out lines like "It's a munchy, crunchy bag of lunchy!" The flip side features Laine, and is a jazzy version of an old standard done as a rhythm number. It was played by Laine's friend, disc jockey Al Jarvis, and gained the singer a small West Coast following. First successes Even after his discovery by Carmichael, Laine still was considered only an intermission act at Billy Berg's. His next big break came when he dusted off a fifteen-year-old song that few people remembered in 1946, "That's My Desire". Laine had picked up the song from songstress June Hart a half a dozen years earlier, when he sang at the College Inn in Cleveland. He introduced "Desire" as a "new" song—meaning new to his repertoire at Berg's—but the audience mistook it for a new song that had just been written. He ended up singing it five times that night. After that, Laine quickly became the star attraction at Berg's, and record company executives took note. Laine soon had patrons lining up to hear him sing "Desire"; among them was R&B artist Hadda Brooks, known for her boogie woogie piano playing. She listened to him every night, and eventually cut her own version of the song, which became a hit on the "harlem" charts. "I liked the way he did it" Brooks recalled; "he sings with soul, he sings the way he feels." He was soon recording for the fledgling Mercury label, and "That's My Desire" was one of the songs cut in his first recording session there. It quickly took the No. 3 spot on the R&B charts, and listeners initially thought Laine was black. The record also made it to the No. 4 spot on the Mainstream charts. Although it was quickly covered by many other artists, including Sammy Kaye who took it to the No. 2 spot, it was Laine's version that became the standard. "Desire" became Laine's first Gold Record, and established him as a force in the music world. He had been over $7,000 in debt, on the day before he recorded this song." His first paycheck for royalties was over five times this amount. Laine paid off all of his debts except one—fellow singer Perry Como refused to let Laine pay him back, and would kid him about the money owed for years to come. The loan to Laine during the time when both men were still struggling singers was one of the few secrets Como kept from his wife, Roselle, who learned of it many years later. A series of hit singles quickly followed, including "Black and Blue", "Mam'selle", "Two Loves Have I", "Shine", "On the Sunny Side of the Street", "Monday Again", and many others. Style A clarion-voiced singer with much style, able to fill halls without a microphone, and one of the biggest hit-makers of the late 1940s and early 1950s, Laine had more than 70 charted records, 21 gold records, and worldwide sales of over 100 million records. Originally a rhythm and blues influenced jazz singer, Laine excelled at virtually every music style, eventually expanding to such varied genres as popular standards, gospel, folk, country, western/Americana, rock 'n' roll, and the occasional novelty number. He was also known as Mr. Rhythm for his driving jazzy style. Laine was the first and biggest of a new breed of singers who rose to prominence in the post–World War II era. This new, raw, emotionally charged style seemed at the time to signal the end of the previous era's singing styles and was, indeed, a harbinger of the rock 'n' roll music that was to come. As music historian Jonny Whiteside wrote:In the Hollywood clubs, a new breed of performers laid down a baffling hip array of new sounds...Most important of all these, though, was Frankie Laine, a big lad with 'steel tonsils' who belted out torch blues while stomping his size twelve foot in joints like Billy Berg's, Club Hangover and the Bandbox...Laine's intense vocal style owed nothing to Crosby, Sinatra, or Dick Haymes. Instead he drew from Billy Eckstine, Big Joe Turner, Jimmy Rushing, and with it Laine had sown the seeds from which an entire new perception and audience would grow...Frank Sinatra represented perhaps the highest flowering of a quarter century tradition of crooning but suddenly found himself an anachronism. First Frankie Laine, then Tony Bennett, and now Johnnie (Ray), dubbed 'the Belters' and 'the Exciters,' came along with a brash vibrancy and vulgar beat that made the old bandstand routine which Frank meticulously perfected seem almost invalid. In the words of Jazz critic Richard Grudens: Frank's style was very innovative, which was why he had such difficulty with early acceptance. He would bend notes and sing about the chordal context of a note rather than to sing the note directly, and he stressed each rhythmic downbeat, which was different from the smooth balladeer of his time. His 1946 recording of "That's My Desire" remains a landmark record signaling the end of both the dominance of the big bands and the crooning styles favored by contemporary Dick Haymes and others. Often called the first of the blue-eyed soul singers, Laine's style cleared the way for many artists who arose in the late 1940s and early 1950s, including Kay Starr, Tony Bennett, and Johnnie Ray. I think that Frank probably was one of the forerunner of...blues, of...rock 'n' roll. A lot of singers who sing with a passionate demeanor—Frank was and is definitely that. I always used to love to mimic him with 'That's...my...desire.' And then later Johnnie Ray came along that made all of those kind of movements, but Frank had already done them. – Patti Page Throughout the 1950s, Laine enjoyed a second career singing the title songs over the opening credits of Hollywood films and television shows, including Gunfight at the O.K. Corral, 3:10 to Yuma, Bullwhip, and Rawhide. His rendition of the title song for Mel Brooks's 1974 hit movie Blazing Saddles won an Oscar nomination for Best Song, and on television, Laine's featured recording of "Rawhide" for the series of the same name became a popular theme song. You can't categorize him. He's one of those singers that's not in one track. And yet and still I think that his records had more excitement and life into it. And I think that was his big selling point, that he was so full of energy. You know when you hear his records it was dynamite energy. — Herb Jeffries From strength to strength Laine was a jazz singer in the late 1940s. Accompanied by Carl Fischer and some of the best jazz men in the business, he was singing standards like "By the River Sainte Marie", "Black and Blue", "Rockin' Chair", "West End Blues", "At the End of the Road", "Ain't That Just Like a Woman", "That Ain't Right", "Exactly Like You", "Shine" and "Sleepy Ol' River" on the Mercury label. He enjoyed his greatest success after impresario Mitch Miller, who became the A&R man at Mercury in 1948, recognized a universal quality in his voice that led to a succession of chart-topping popular songs, often with a folk or western flavor. Laine and Miller became a formidable hit-making team whose first collaboration, "That Lucky Old Sun", became the number one song in the country three weeks after its release. It was also Laine's fifth Gold record. "That Lucky Old Sun" was something new to the musical scene in 1949: a folk spiritual which, as interpreted by Laine, became both an affirmation of faith and a working man's wish to bring his earthly sufferings to an end. The song was knocked down to the number two position by Laine and Miller's second collaboration, "Mule Train", which proved an even bigger hit, making Laine the first artist to hold the Number One and Two positions simultaneously. "Mule Train", with its whip cracks and echo, has been cited as the first song to use an "aural texture" that "set the pattern for virtually the entire first decade of rock." "Mule Train" represents a second direction in which Laine's music would be simultaneously heading under the guidance of Mitch Miller: as the voice of the great outdoors and the American West. "Mule Train" is a slice of life in the mid-19th century West in which the contents of the packages being delivered by the mule train provide a snapshot into frontier life: "There's some cotton, thread and needles for the folks a-way up yonder/A shovel for a miner who left his home to wander/Some rheumatism pills for the settlers in the hills." The collaboration producing a run of top forty hits that lasted into the early years of the rock and roll era. Other hits included "Dream a Little Dream of Me", "Stars and Stripes Forever", "The Cry of the Wild Goose", "Swamp Girl", "Satan Wears a Satin Gown", and "Music, Maestro Please". "Shine", written in 1910 by Cecil Mack (R.C. McPherson), a ground-breaking African-American songwriter and publisher, was believed to be based on a real-life friend of vaudevillian George Walker, who was with him during the New York City race riots of 1900. The song takes what was then an ethnic slur, "shine", and turns it into something to be proud of. It had been a hit for Laine's idol Louis Armstrong, who would cover several of Laine's hits as well. "Satan Wears a Satin Gown" is the prototype of another recurring motif in Laine's oeuvre, the "Lorelei" or "Jezebel" song (both of which would be the titles of later Laine records). The song, which has a loosely structured melody that switches in tone and rhythm throughout, was pitched to Laine by a young song plugger, Tony Benedetto, who would later go on to achieve success as Tony Bennett. Laine recognized the younger singer's talent, and gave him encouragement. "Swamp Girl" is another entry with the "Lorelei"/"Jezebel" motif in the Laine songbook. In this decidedly gothic tale of a ghostly female spirit who inhabits a metaphorical "swamp", the femme fatale attempts to lure the singer to his death, calling "Come to the deep where your sleep is without a dream." The swamp girl is voiced (in an obligato) by coloratura Loulie Jean Norman, who would later go on to provide a similar vocal for the theme song of the television series Star Trek. The coloratura contrasts well with Laine's rough, masculine voice, and disembodied female voices would continue to appear in the background of many of his records, to great effect. "Cry of the Wild Goose" would be Laine's last number one hit on the American charts. It was written by folksinger Terry Gilkyson, of The Easy Riders fame. Gilkyson would write many more songs for Laine over the next decade, and he and The Easy Riders would back him on the hit single, "Love Is a Golden Ring". "Cry of the Wild Goose" falls into the "voice of the great outdoors" category of Laine songs, with the opening line of its chorus, "My heart knows what the wild goose knows", becoming a part of the American lexicon. Laine's influence on today's music can be clearly evidenced in his rendition of the Hoagy Carmichael standard, "Georgia on My Mind." Laine's slow, soulful version was a model for the iconic remake by Ray Charles a decade later. Charles would follow up "Georgia" with remakes of other Frankie Laine hits, including "Your Cheatin' Heart", and "That Lucky Old Sun." (Elvis Presley also remade several of Laine's hits, and his early influence on The Beatles has been well documented.) In an interview, Mitch Miller described the basis of Laine's appeal: He was my kind of guy. He was very dramatic in his singing...and you must remember that in those days there were no videos so you had to depend on the image that the record made in the listener's ears. And that's why many fine artists were not good record sellers. For instance, Lena Horne. Fabulous artist but she never sold many records till that last album of hers. But she would always sell out the house no matter where she was. And there were others who sold a lot of records but couldn't get to first base in personal appearances, but Frankie had it both. — Mitch Miller But the biggest label of all was Columbia Records, and in 1950 Mitch Miller left Mercury to embark upon his phenomenally successful career as the A&R man there. Laine's contract at Mercury would be up for renewal the following year, and Miller soon brought Laine to Columbia as well. Laine's contract with Columbia was the most lucrative in the industry until RCA bought Elvis Presley's contract five years later. Starring with Columbia Laine began recording for Columbia Records in 1951, where he immediately scored a double-sided hit with the single "Jezebel" (#2)/"Rose, Rose, I Love You" (#3). Other Laine hits from this period include "High Noon (Do Not Forsake Me)" (#5), "Jealousy (Jalousie)" (#3), "The Girl in the Wood" (#23), "When You're in Love" (#30), "Way Down Yonder in New Orleans" (with Jo Stafford) (#26), "Your Cheatin' Heart" (#18), "Granada" (#17), "Hey Joe!" (#6), "The Kid's Last Fight" (#20), "Cool Water", "Some Day" (#14), "A Woman in Love" (#19), "Love Is a Golden Ring" (with The Easy Riders) (#10), and "Moonlight Gambler" (#3). One of the signature songs of the early 1950s, "Jezebel" takes the "Lorelei" motif to its end, with Laine shouting "Jezebel!" at the woman who has destroyed him. In Laine's words, the song uses "flamenco rhythms to whip up an atmosphere of sexual frustration and hatred while a guy berated the woman who'd done him wrong." "High Noon" was the theme song from the western motion picture starring Gary Cooper and Grace Kelly. It had been sung by cowboy star Tex Ritter in the film, but it was Laine's recording that became the big hit. From this point on, Laine would sing the theme songs over the opening credits of many Hollywood and television westerns, becoming so identified with these title songs that Mel Brooks would hire him to sing the theme song for his classic cult film western spoof Blazing Saddles. At this time, Laine had become more popular in the United Kingdom than in the US, as many of his hit records in the UK were only minor hits in his native country. Songs like "The Gandy Dancer's Ball", "The Rock of Gibraltar", and "Answer Me, O Lord" were much bigger hits for him abroad. "Answer Me" would later provide the inspiration for Paul McCartney's composition "Yesterday". It was also there that he broke attendance records when appearing at the Palladium, and where he launched his first successful television series (with songstress Connie Haines). Mitch Miller teamed Laine with many of Mercury and Columbia's biggest artists. He scored hits with Patti Page ("I Love You for That") at Mercury, Doris Day ("Sugarbush"), Jo Stafford ("Hey Good Lookin'", "Gambella (The Gambling Lady)", "Hambone", "Floatin' Down to Cotton Town", "Settin' the Woods on Fire", and many others), Jimmy Boyd ("Tell Me a Story", "The Little Boy and the Old Man"), the Four Lads ("Rain, Rain, Rain") and Johnnie Ray ("Up Above My Head (I Hear Music in the Air)"). Laine scored a total of 39 hit records on the charts while at Columbia, and it is many of his songs from this period that are most readily associated with him. His Greatest Hits album, released in 1957, has been a perennial best seller that has never gone out of print. His songs at Columbia included everything from pop and jazz standards, novelties, gospel, spirituals, R&B numbers, country, western, folk, rock 'n' roll, calypso, foreign language, children's music, film and television themes, tangos, light operetta. His vocal style could range anywhere from shouting out lines to rhythm numbers to romantic ballads. Both in collaboration with Jo Stafford and as a solo artist, Laine was one of the earliest, and most frequent, Columbia artists to bring country numbers into the mainstream. Late in his career, Laine would go on to record two straight country albums ("A Country Laine" and "The Nashville Connection") that would fully demonstrate his ability to inflect multiple levels of emotional nuances into a line or word. Many of his pop-country hits from the early 1950s featured the steel guitar playing of Speedy West (who played a custom built, three-neck, four-pedal model). His duets with Doris Day were folk-pop adaptations of traditional South African folk songs, translated by folk singer Josef Marais. Marais would also provide Laine and Jo Stafford with a similar translation of a song which Stafford seems to have particularly disliked called "Chow Willy". Although "Sugarbush" brought Laine & Day a gold record, they would never team up again. In 1953 he set two more records (this time on the UK charts): weeks at No 1 for a song ("I Believe", which held the number one spot for 18 weeks), and weeks at No 1 for an artist in a single year (27 weeks), when "Hey Joe!" and "Answer Me, O Lord" became number one hits as well). In spite of the popularity of rock and roll artists such as Elvis Presley and The Beatles, fifty-plus years later, both of Laine's records still hold. In 1954, Laine gave a Royal Command Performance for Queen Elizabeth II which he cites as one of the highlights of his career. By the end of the decade, he remained far ahead of Elvis Presley as the most successful artist on the British charts. See the "Chart of All Time" for details. "I Believe" is listed as the second most popular song of all time on the British charts as well. "I Believe" marked yet another direction for Laine's music, that of the spiritual. A devout Roman Catholic from childhood, Laine would continue to record songs of faith and inspiration throughout his career; beginning with his rocking gospel album with the Four Lads, which, along with the hit song "Rain, Rain, Rain", included renditions of such songs as "Remember Me", "Didn't He Moan", "I Feel Like My Time Ain't Long", and "I Hear the Angels Singing." Other Laine spirituals would include "My Friend", "In the Beginning", "Make Me a Child Again", "My God and I", and "Hey! Hey! Jesus." Mr. Rhythm In 1953, Laine recorded his first long playing album that was released, domestically, solely as an album (prior to this his albums had been compiled from previously released singles). The album was titled "Mr. Rhythm", as Laine was often known at that time, and featured many jazz-flavored, rhythm numbers similar in style to his work on the Mercury label. The album's songlist was made up of "Great American Songbook" standards. The tracks were "Some Day, Sweetheart", "A Hundred Years from Today", "Laughing at Life", "Lullaby in Rhythm", "Willow, Weep for Me", "My Ohio Home", "Judy" and "After You've Gone." The final number features a rare vocal duet with his accompanist/musical director, Carl Fischer. Paul Weston's orchestra provided the music. Portrait of New Orleans Released as a 10" in 1953, and a 12" in 1954, this album features the talents of Laine, Jo Stafford and bandleader Paul Weston, a Tommy Dorsey alumnus who led one of the top bands of the 1950s, and was the husband of Stafford. The album was a mix of solo recordings and duets by the two stars, and of new and previously released material, including Stafford's hits single, "Make Love to Me", "Shrimp Boats", and "Jambalaya." Laine and Stafford duetted on "Way Down Yonder in New Orleans", "Floatin' Down to Cotton Town", and "Basin Street Blues"; and Laine soloed on "New Orleans" (not to be confused with "New Orleans" a.k.a. "The House of the Rising Sun" which Laine later recorded), "Do You Know What It Means to Miss New Orleans?", and "When It's Sleepy Time Down South", along with a pair of cuts taken from his "Mr. Rhythm" album. Jazz Spectacular This album featured not only jazz vocals by Laine, but jazz licks on trumpet by a former featured player in the Count Basie orchestra, Buck Clayton, and trombonists J. J. Johnson and Kai Winding, and piano by Sir Charles Thompson. The tracks included several songs that had long been a standard part of the Laine repertoire over the years: "Sposin'", "Baby, Baby, All the Time", and "Roses of Picardy" along with standards such as "Stars Fell on Alabama", "That Old Feeling", and "Taking a Chance on Love". The album proved popular with jazz and popular music fans, and was often cited by Laine as his personal favorite. An improvised tone is apparent throughout, with Laine at one point reminiscing with one of the musicians about the days they performed together at Billy Berg's. Frankie Laine and the Four Lads The Four Lads (Bernie Toorish, Jimmy Arnold, Frank Busseri and Connie Codarini) had begun as a Canadian-based gospel group, who first gained fame as the backup singer on Johnnie Ray's early chart-busters ("Cry", "The Little White Cloud that Cried"), but garnered a following of their own with songs such as "The Mocking Bird", and "Istanbul (Not Constantinople)". The album produced one hit, "Rain! Rain! Rain!", along with tracks such as "Remember Me", "I Feel That My Time Ain't Long", and "Didn't He Moan". The last four tracks were recorded during a later session. Rockin' One of Laine's most popular albums, this album reset several of his former hits in a driving, brassy orchestration by Paul Weston and his orchestra. Two of the remakes ("That Lucky Old Sun" and "We'll Be Together Again") have gone on to become the best-known versions of the songs (supplanting the original hit versions). Other songs on this album include: "Rockin' Chair", "By the River Sainte Marie", "Black and Blue", "Blue Turning Grey Over You", "Shine", and "West End Blues". The album's title is less a reference to rock and roll than a reference to the Duke Ellington song of that same name. Unlike Mitch Miller, Laine liked the new musical form known as "rock 'n' roll", and was anxious to try his hand at it. With Michel Legrand French composer/arranger Michel Legrand teamed up with Laine to record a pair of albums in 1958. The first, A Foreign Affair, was built around the concept of recording the tracks in different languages: English, French, Spanish, and Portuguese. The album produced a pair of international hits: "La Paloma" in Argentina, and "Não tem solucão" in Brazil. Other tracks included "Mona Lisa", "Mam'selle", "Torna a Sorriento", "Besame Mucho", and "Autumn Leaves." Laine and Legrand teamed up for a second album of jazz standards, titled Reunion in Rhythm, with the vocals limiting themselves to English (and an occasional segue into French). Laine sang the complete lyrics (including the rarely reprised introductions) to such favorites as "Blue Moon", "Lover, Come Back to Me", "Marie", "September in the Rain", "Dream a Little Dream of Me" "I Would Do Most Anything for You", "Too Marvelous for Words", and "I Forget the Time". André Previn was the studio pianist on "I'm Confessin'", "Baby Just For Me," "You're Just The Kind," and "I Forget The Time." With Frank Comstock Laine wrote the lyrics for the title song on another 1958 album, Torchin, which was also his first recorded in stereo. He was backed by trombonist Frank Comstock's orchestra, on a dozen classic torch songs including: "A Cottage for Sale", "I Cover the Waterfront", "You've Changed", "These Foolish Things", "I Got it Bad (And That Ain't Good)", "It's the Talk of the Town", and "Body and Soul". As with his Legrand album, he sings the entire lyric for each song. A second collaboration with Comstock, also recorded in 1958, focused on intimacy. Conceived as a love letter to his second wife, actress Nan Grey (who appears on the cover with him), You Are My Love is easily Laine's most romantic work. His voice was once described (by a British disk jockey) as having "the virility of a goat and the delicacy of a flower petal," and both these elements are well showcased here (particularly the delicate nuances). His recording of the wedding standard, "Because", exemplifies the singer's delicate mode at its most exquisite. He opens the song a cappella, after which a classical, acoustic guitar joins him, with the full orchestra gradually fading in and out before the guitar only climax. Also among the love ballads on this album are versions of: "I Married an Angel", "To My Wife", "Try a Little Tenderness", "Side by Side", and a version of "The Touch of Your Lips". Balladeer Recorded in 1959, "Balladeer" was a folk-blues album. Laine had helped pioneer the folk music movement a full ten years earlier with his hit folk-pop records penned by Terry Gilkyson et al.. This album was orchestrated and arranged by Fred Katz (who had brought Laine "Satan Wears a Satin Gown") and Frank DeVol. Laine and Katz collaborated on some of the new material, along with Lucy Drucker (who apparently inspired the "Lucy D" in one of the songs). Other songs are by folk, country and blues artists such as Brownie McGhee, James A. Bland, Huddie "Leadbelly" Ledbetter, and Hungarian composer Rudolf Friml. The closing track, "And Doesn't She Roll" (co-written by Laine), with its rhythmic counter-chorus in the background foretells Paul Simon's Graceland album two decades later. Included are renditions of "Rocks and Gravel", "Careless Love", "Sixteen Tons", "The Jelly Coal Man", "On a Monday", "Lucy D" (a melody that sounds like the later Simon & Garfunkel hit, "Scarborough Fair", but depicts the murder of a beautiful young woman by her unrequited lover), "Carry Me Back to Old Virginny", "Stack of Blues", "Old Blue", "Cherry Red", and "New Orleans" (better known as "The House of the Rising Sun"), which would become a hit for the British rock group, The Animals a few years later. John Williams arrangements Laine's last four albums at Columbia, Hell Bent for Leather, Deuces Wild, Call of the Wild, and Wanderlust were arranged by a young John Williams. Williams recently said the following words about Laine: Frankie Laine was somebody that everybody knew. He was a kind of a household word like Frank Sinatra or Bobby Darin or Peggy Lee or Ella Fitzgerald—Frankie Laine was one of the great popular singers and stylists of that time...And his style...he was one of those artists who had such a unique stamp—nobody sounded like he did. You could hear two notes and you knew who it was and you were right on the beam with it right away. And of course that defines a successful popular artist, at least at that time. These people were all uniquely individual and Frank was on the front rank of those people in his appeal to the public and his success and certainly in his identifiability. — John Williams. Hell Bent for Leather This album of western classics by Laine established him as "a cowboy singer" for many young fans who grew up in the 1960s. The album's title is taken from a line in the popular television theme song Laine recorded for the popular Eric Fleming/Clint Eastwood western, Rawhide, which appears on the album. The tracks include stereo remakes of several of his biggest western/great outdoors hits: "The Cry of the Wild Goose", "Mule Train", "Gunfight at O.K. Corral", and "The 3:10 to Yuma", as well as new material, including the western rocker, "Wanted Man", and a musical narrative, "Bowie Knife". Deuces Wild Laine's next album continued with the western theme (on several of the numbers), while following up on his last hit single, "Moonlight Gambler" (a stereo remake of which appears on the album). Most of the tracks of this album feature a gambling theme. "The Hard Way" is a story about a hard-luck case who is killed by a cannonball while fighting in the Civil War (for the Confederacy), only to wind up eternally shoveling coal in Hell. The second track is Stephen Foster's "Camptown Races" Other songs on this album include: "Luck Be a Lady" (from the hit musical Guys and Dolls), which Laine performed in an Off Broadway, touring company version of Get Rich Quick; "Horses and Women" (which Laine may have supplied the lyrics to); "Deuces Wild", for which Laine provided the lyrics, and "Dead Man's Hand." Call of the Wild This album continued to play up Chicago-born Laine's western image with songs such as "On the Trail", based on the composition by Ferde Grofé, and "Tumbling Tumbleweeds", written by one of the founding members of The Sons of the Pioneers", Bob Nolan. The majority of its tracks focus more, however, on "the great outdoors", with titles such as: "Song of the Open Road", "North to Alaska", "Beyond the Blue Horizon", "Rolling Stone", and "The New Frontier", which appears to show Laine's support of President John F. Kennedy. The arrangements on many of these songs have an almost classical feel to them, reflecting the classical training of John Williams, who would go on to conduct the Boston Pops for many years. Wanderlust Wanderlust was Laine's final album with Columbia Records. "De Glory Road" is one of both Laine's personal favorites. Other songs on this album include (Ghost) "Riders in the Sky" and a swinging version of Sigmund Romberg's Serenade, from the operetta, The Student Prince. Also included on this album is a version of "I Let Her Go"; an uncensored version of a song that figured prominently in his nightclub act, "On the Road to Mandalay", based on the poem by Rudyard Kipling; and a classic version of "Wagon Wheels" which he'd been singing (though not recording) as far back as his days with the Merry Garden Ballroom marathon dance company in the early 1930s. Laine had met with Columbia officials to renew his contract on the day that John F. Kennedy was assassinated. The meeting was canceled, and neither Laine nor Columbia pressed to reschedule it. At Capitol, ABC, and beyond In 1963 Laine left Columbia for Capitol Records, but his two years there only produced one album and a handful of singles (mostly of an inspirational nature). He continued performing regularly at this time, including a South African tour. After switching to ABC Records in the late 1960s, Laine found himself at the top of the charts again, beginning with the first song he recorded, "I'll Take Care of Your Cares". Written as a waltz in the mid-1920s, "Cares" had become the unofficial theme song of the Las Vegas call girls, but was virtually unknown outside of the Strip. Laine recorded a swinging version that made it to number 39 on the national and number 2 on the adult contemporary charts. A string of hits followed including "Making Memories", "You Wanted Someone to Play With", "Laura (What's He Got That I Ain't Got)", "To Each His Own", "I Found You", and "Lord, You Gave Me A Mountain" (which was written by Marty Robbins). The last song was a number one hit on the adult contemporary chart (#24 national), and proved that Laine was as big a hit-maker as ever. His last single to hit the Billboard Hot 100 chart (peaking at No. 86 national) was "Dammit Isn't God's Last Name". Seeking greater artistic freedom, Laine left ABC for the much smaller Amos Records, where he cut two albums in a modern, rock-influenced vein. The first album contained contemporary versions of his greatest hits, such as "Your Cheatin' Heart", "That Lucky Old Sun", "I Believe", "Jezebel", "Shine", and "Moonlight Gambler." A re-recorded single of "On The Sunny Side Of The Street" reached the Cashbox "Looking Ahead" chart in 1970. His second album for Amos was called "A Brand New Day" and, along with the title song, was original material including "Mr. Bojangles", "Proud Mary", "Put Your Hand in the Hand", "My God and I", and "Talk About the Good Times". It is one of Frankie Laine's personal favorites. Amos, which was soon to fold from lack of funds, could not adequately promote them at the time. However, they are still available through CD re-releases. After Amos folded, Laine started his own label, Score Records, which is still producing albums today. Film and television Beginning in the late 1940s, Laine starred in over a half dozen backstage musicals, often playing himself; several of these were written and directed by a young Blake Edwards. The films were: Make Believe Ballroom – Columbia, 1949; When You're Smiling – Columbia, 1950; Sunny Side Of The Street – Columbia, 1951; Rainbow 'Round My Shoulder – Columbia, 1952; Bring Your Smile Along – Columbia, 1955; He Laughed Last – Columbia, 1956; and Meet Me in Las Vegas – MGM, 1956. The latter, a big budget MGM musical starring Cyd Charisse, features Laine performing Hell Hath No Fury. Laine's films were very popular in the United Kingdom, but this success failed to establish him as a movie star in the United States. On television, he hosted three variety shows: The Frankie Laine Hour in 1950, The Frankie Laine Show (with Connie Haines) 1954–55, and Frankie Laine Time in 1955–56. The latter was a summer replacement for The Arthur Godfrey Show that received a Primetime Emmy for Best Male Singer. Frankie Laine Time featured such guest stars as Ella Fitzgerald, Johnnie Ray, Georgia Gibbs, The Four Lads, Cab Calloway, Patti Page, Eddie Heywood, Duke Ellington, Boris Karloff, Patti Andrews, Joni James, Shirley MacLaine, Gene Krupa, Teresa Brewer, Jack Teagarden and Polly Bergen. He had a different sound, you know and he had such emotion and heart. And of course you recognized Frankie, just like Sinatra had that sound that you'd always recognize. That's what made for hit records, as well as being a great singer. But you have to have a real special sound that never changes. He could do it all...but again, you always knew that it was Frankie Laine. — Connie Haines Laine was a frequent guest star on various other shows of the time, including Shower of Stars, The Steve Allen Show, The Ed Sullivan Show, What's My Line?, This is Your Life, Bachelor Father, The Sinatra Show, The Walter Winchell Show, The Perry Como Show, The Garry Moore Show, Masquerade Party, The Mike Douglas Show, and American Bandstand. He was the mystery guest on the April 12, 1959 episode of What's My Line. Also in 1959 he made a guest appearance on Perry Mason in the title role as comedian Danny Ross in "The Case of the Jaded Joker." In the 1960s, Laine continued appearing on variety shows such as Laugh-In, but took on several serious guest-starring roles in shows like Rawhide, and Burke's Law. His theme song for Rawhide proved to be popular and helped make the show, which starred Eric Fleming and launched the career of Clint Eastwood, a hit. Other TV series for which Laine sang the theme song included Gunslinger, and Rango. In 1976, Laine recorded The Beatles song, "Maxwell's Silver Hammer" for the documentary All This and World War II. Laine performed at three Academy Awards ceremonies: 1950 (Mule Train), 1960 (The Hanging Tree), and 1975 (Blazing Saddles). Only last two of these ceremonies were televised. In 1981, he performed a medley of his hits on American Bandstands 30th Anniversary Special", where he received a standing ovation. Later appearances include Nashville Now, 1989 and My Music, 2006. Social activism Along with opening the door for many R&B performers, Laine played a significant role in the civil rights movements of the 1950s and 1960s. When Nat King Cole's television show was unable to get a sponsor, Laine crossed the color line, becoming the first white artist to appear as a guest (forgoing his usual salary of $10,000.00 as Cole's show only paid scale). Many other top white singers followed suit, including Tony Bennett and Rosemary Clooney, but Cole's show still could not get enough sponsors to continue. In 1965, Laine joined several African American artists who gave a free concert for Martin Luther King Jr.'s supporters during their Selma to Montgomery marches. Laine, who had a strong appreciation of African American music, went so far as to record at least two songs that have being black as their subject matter, "Shine" and Fats Waller's "Black and Blue". Both were recorded early in his career at Mercury, and helped to contribute to the initial confusion among fans about his race. Laine was also active in many charities as well, including Meals on Wheels and The Salvation Army. Among his charitable works were a series of local benefit concerts and his having organized a nationwide drive to provide "Shoes for the Homeless". He donated a large portion of his time and talent to many San Diego charities and homeless shelters, as well as the Salvation Army and St. Vincent de Paul Village. He was also an emeritus member of the board of directors for the Mercy Hospital Foundation. Personal life Laine married actress Nan Grey (June 1950 – July 1993) and adopted her daughters Pam and Jan from a previous marriage to jockey Jackie Westrope. Their 43-year marriage lasted until her death. Laine and Nan guest-starred on a November 18, 1960, episode of Rawhide: "Incident on the Road to Yesterday." They played long-lost lovers. Following a three-year engagement to Anita Craighead, the 86-year-old singer married Marcia Ann Kline in June 1999. This marriage lasted for the remainder of his life. Later years Laine settled in a hilltop spread in the Point Loma neighborhood of San Diego, where he was a supporter of local events and charities. In 2000 the San Diego Chamber of Commerce dubbed him "The Prince of Point Loma". His career slowed down a little in the 1980s due to triple and quadruple heart bypass surgeries, but he continued cutting albums, including Wheels Of A Dream (1998), Old Man Jazz (2002) and The Nashville Connection (2004). In 1986, he recorded an album, Round Up with Erich Kunzel and the Cincinnati Pops Orchestra, which made it to the classical charts. Laine was reportedly pleased and amused having also placed songs on the rhythm and blues, and popular charts in his time. He recorded his last song, "Taps/My Buddy", shortly after the 9/11 terrorist attack on America. The song was dedicated to the New York City firefighters, and Laine stipulated that profits from the song were to be donated, in perpetuity, to FDNY. On June 12, 1996, he was presented with a Lifetime Achievement Award at the 27th Annual Songwriters’ Hall of Fame awards ceremony at the New York Sheraton. On his 80th birthday, the United States Congress declared him to be a national treasure. Then, a decade later on March 30, 2003, Frankie celebrated his 90th birthday, and several of his old pals, Herb Jeffries, Patti Page and Kay Starr were welcomed to his birthday bash in San Diego, as each of them gave him a helping hand in blowing out the candles. Final appearance In 2006, he appeared on the PBS My Music special despite a recent stroke, performing "That's My Desire", and received a standing ovation. It proved to be his swan song to the world of popular music. Laine died of heart failure on February 6, 2007, at Scripps Mercy Hospital in San Diego. A memorial mass was held February 12, at the Immaculata parish church on the campus of the University of San Diego. The following day, his ashes, along with those of his late wife, Nan Grey, were scattered over the Pacific Ocean. Legacy While Laine's influence on popular music, rock and roll and soul is rarely acknowledged by rock historians, his early crossover success as a singer of "race music" not only helped pave the way for other white artists who sang in the black style, like Kay Starr, Johnnie Ray and Elvis Presley, but also helped to increase public acceptance for African-American artists as well. Artists inspired and/or influenced by Laine include Ray Charles, Bobby Darin, Lou Rawls, The Kalin Twins, The Beatles, Tom Jones, James Brown, Billy Fury, and many others. He was inducted into the Hit Parade Hall of Fame 2008. In 2010, a Golden Palm Star on the Palm Springs, California, Walk of Stars was dedicated to him. For his contributions to the music and television industry, Frankie Laine has two stars on the Hollywood Walk of Fame. The music star is at the north side of the 1600 block on Hollywood Boulevard, the television star is at the west side of the 1600 block on Vine Street. Discography Lyrics by Laine It Ain't Gonna Be Like That (with Mel Tormé) It Only Happens Once (words and music by Laine) Put Yourself In My Place (with Hoagy Carmichael) We'll Be Together Again (with Carl T. Fischer) Our Dream (words and music) I Haven't the Heart (with Matt Dennis) I'd Give My Life (with Carl T. Fischer) What Could Be Sweeter? (with Carl T. Fischer) Baby, Just for Me (with Carl T. Fischer) Satan Wears a Satin Gown (with Jacques Wilson and Fred Katz) Don't Cry Little Children (with Norman Wallace) When You're In Love (with Carl T. Fischer) Only If We Love (with Al Lerner) Torchin (with Al Lerner) The Love of Loves (with Carl T. Fischer) Magnificent Obsession (with Fred Karger) Forever More (with Carl T. Fischer) You Are My Love (with Carl T. Fischer) My Little Love (with Carl Eugster) And Doesn't She Roll (with Jack Wilson and Fred Katz) God Bless This House (with Jack Wilson and Fred Katz) Horses and Women (words and music) Deuces Wild (with Mike Oatman and Ray Barr) Cow-Cow Boogie (with Don Raye, Gene DePaul and Benny Carter) The High Road (with Margaret Bristol and Leo Kempinski) The Moment of Truth (with Nell Western and Fred Katz) What Am I Here For? (with Duke Ellington) Pretty Little Princess (with Michael Nesmith) Please Forgive Me (with Larry Kusik and Eddie Snyder) Silver Kisses and Golden Love (with Robert Doyle) Allegra (with Matt Dennis and Dunham) Fresh out of tears (with Morgan) The Secret of Happiness (with Larry Kusik and Eddie Snyder) If I Did Not Believe in You (with Larry Kusik and Eddie Snyder) Going to Newport (with Larry Sanders) Forevermore (words and music) End Of Session Blues (words and music) Nan (words and music) Filmography Acting Make Believe Ballroom – Columbia, 1949 When You're Smiling – Columbia, 1950 Sunny Side of the Street – Columbia, 1951 Rainbow 'Round My Shoulder – Columbia, 1952 Bring Your Smile Along – Columbia, 1955 He Laughed Last – Columbia, 1956 Meet Me in Las Vegas – MGM, 1956 Sang title song Blowing Wild – Warner, 1953 Man Without a Star – Universal, 1955 Strange Lady in Town – Warner, 1955 Gunfight at the O.K. Corral – Paramount, 1957 3:10 to Yuma – Columbia, 1957 Bullwhip – Republic, 1958 Blazing Saddles – Warner/Crossbow, 1974 Included in soundtrack The Last Picture Show – sang "Rose, Rose, I Love You", Columbia, 1971 All This and World War II – sang "Maxwell's Silver Hammer", Deluxe, 1976 House Calls – sang "On the Sunny Side of the Street", Universal, 1978 Lemon Popsicle – sang "My Little One", 1978 Going Steady – sang "My Little One", 1980 Raging Bull – sang "That's My Desire", United Artists, 1980 Whore – sang "The Love of Loves", 1991 Chopper – sang "Don't Fence Me In", 2000 Television The Frankie Laine Hour – 1950 The Frankie Laine Show – 1954–55 Frankie Laine Time – 1955–56 Rawhide – 1959–66 (sang the theme song) Gunslinger – 1961 (sang the theme song) Rango – 1967 (sang the theme song, "Rango") The Misadventures of Sheriff Lobo – 1979–81 (sang the theme song for the first season) Guest star appearances Perry Mason – CBS, 1959 Make Room for Daddy – CBS, 1959 Rawhide – CBS, 1960 Bachelor Father – ABC, 1961 Burke's Law – ABC, 1963 Hee Haw – season 4 episodes 20 and 23 – syndication, 1973 Biographies Video documentary Frankie Laine: An American Dreamer, 2003. Narrated by Lou Rawls. Included are interviews with Patti Page, Kay Starr, Pat Boone, Clint Eastwood, Tom Jones, Howard Keel, Connie Haines, John Williams, Michel Legrand, Mitch Miller, Ringo Starr, Dick Clark, and many others. See also List of best-selling music artists References External links Interview with Frankie Laine The Frankie Laine International Appreciation Society Frankie Laine at the Latin Quarter, 1955 performance review NAMM Oral History Interview with Frankie Laine November 12, 2000 1913 births 2007 deaths 20th-century American singers 20th-century American male singers American Roman Catholics American crooners American jazz singers American male jazz musicians American male singer-songwriters American people of Italian descent Columbia Records artists Jazz musicians from Illinois Latin-language singers Mercury Records artists Singers from Chicago Spanish-language singers of the United States Swing singers Torch singers Traditional pop music singers Singer-songwriters from Illinois

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what event happened in 2011 in Symphony X?

Symphony X

On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3-6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. CANNOTANSWER

The album's name and lyrical concept were revealed on January 29, 2011

Symphony X is an American progressive metal band from Middletown, New Jersey. Founded in 1994, the band consists of guitarist Michael Romeo, keyboardist Michael Pinnella, drummer Jason Rullo, lead vocalist Russell Allen and bassist Michael Lepond. They achieved some commercial success with the 2007 album Paradise Lost and the 2011 album Iconoclast, which reached number 76 on the Billboard 200. Romeo explained the band's name in a 2008 interview; "So, you know, the music we were coming up with had the keyboard thing and the guitar, and some classical elements, so the word 'Symphony' came up and, so the dramatic thing, you know? So then, somebody said 'Symphony X' and we were like, 'yeah, that's cool' it is that kinda thing, and the 'X' is the unknown and all the other stuff we do." History Symphony X and The Damnation Game (1994−1995) In early 1994 Michael Romeo (formerly of the bands Phantom's Opera and Gemini) recorded a studio album titled The Dark Chapter, which featured himself and keyboard player Michael Pinnella. The tape attracted a fair share of attention, particularly in Japan. Romeo then recruited bassist Thomas Miller, drummer Jason Rullo, and vocalist Rod Tyler. Their self-titled debut album was recorded in the same year, and released to a positive reception in Japan by the now-defunct record company Zero Corporation. The band's second studio album, The Damnation Game, followed six months later. Singer Rod Tyler had left the band by then and was replaced by current singer Russell Allen. The Divine Wings Of Tragedy and Twilight In Olympus (1996−1998) The Divine Wings of Tragedy was the album that first gave Symphony X exposure in metal circles. It took a considerable time to record the album, with the recording sessions taking place in 1996, and the album was released late in the year, on November 13. The positive feedback from the specialized press served to establish Symphony X in Europe; their success in Japan only continued to grow. At the end of 1997 and for part of the next year, Jason Rullo, their drummer, had to stay away from the band in order to solve personal issues. He was temporarily replaced by Thomas Walling. Even with a temporary drummer, the band recorded Twilight in Olympus, released in early 1998. That year also saw the first live performances from the band, which by then had already gathered many fans from around the globe. Their first official show happened in 1998, in Japan. It was soon followed by a world tour. Bassist Thomas Miller left the band and was replaced by Michael Lepond in that year. A compilation album, Prelude to the Millennium, was released by the end of 1998. As an extra, it featured a second version of the song "Masquerade" from the first album, with Russell Allen on vocals. V: The New Mythology Suite and The Odyssey (1999−2005) Jason Rullo returned to the drums for the band's fifth album, V: The New Mythology Suite, released in 2000. It was the band's first release on major progressive label InsideOut Music. The album was their first concept album, dealing with the myth of Atlantis. The album features classics such as "Evolution (The Grand Design)", "Communion and the Oracle", "Egypt" and the mini-suite "Rediscovery", and includes pieces of classical music. The band went on a European and South American tour shortly after its release and recorded their first live album, Live on the Edge of Forever. In 2002, the band released The Odyssey, an album prominently featuring a 24-minute-long musical interpretation of the Homeric epic, the Odyssey. In 2005 Symphony X was featured on Gigantour, a summer festival headlined by Megadeth with Dream Theater, Nevermore and Anthrax. Two Symphony X songs from the tour, "Inferno" and "Of Sins and Shadows", are featured on the Gigantour DVD and CD-set, released in September 2006. Paradise Lost (2006–2010) The band's album Paradise Lost, a concept album loosely inspired by John Milton's epic poem of the same name, was recorded in Romeo's studio throughout 2006, delayed numerous times and released finally worldwide on June 26, 2007. The band claimed this work had darker themes musically. The album included a special DVD of footage shot by the band throughout their history, available in FYE stores. The release coincided with a 14-month world tour, including a tour through all of Europe with Dream Theater in the fall of 2007. The band also revealed plans to perform in Japan and other Asian countries, as well as appear for the first time ever in Russia, India, and the Middle East. Paradise Lost debuted at number 123 on the Billboard 200 album chart in the United States, selling 6,300 copies in its first week. The record also debuted at number 1 on the Top Heatseekers Chart. Symphony X released their first music video for the song "Serpent's Kiss" on July 28, 2007. It was followed by a video for "Set the World on Fire", released on January 11, 2008. The band toured North and South America from October to November 2008, and toured Asia in February 2009. Iconoclast (2011–2013) On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3–6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. Underworld and band hiatus (2015–2019) The band is working on releasing a second fan club CD. Michael Romeo said it will be another collection of demo tunes and other rare material, and may also include a bit of content created just for the release, along the lines of MJR's Star Wars tune on the first fan club CD, Rarities and Demos, which has since sold out of its first pressing. SXW, the band's revamped fan club, has relaunched and is now active. The band began recording the drum tracks for the new album on September 9, 2014, and planned to release the complete recording by the spring of 2015. Michael Lepond stated they had ten songs written and that the album would contain either nine or all ten of them. He also stated all lyrics and instrumental tracks were composed and ready to be brought together, and that the album would be less heavy than Iconoclast: "If I had to compare, I would say that it's a combination of The Odyssey and Paradise Lost — something in there. It has a lot of classic Symphony X elements in it, which I think a lot of our fans were missing for a few years. So I think our fans will really like this one. It really just focuses on solid songwriting." As of December 11, 2014, recording of the drums, lead vocals, rhythm guitar, and bass were complete. With the keyboards, guitar solos, background vocals, and some miscellaneous odds and ends being done in the coming weeks. On April 10, 2015 the band announced the mixing and mastering of the new album was complete. On May 18, 2015, the band announced the title of the album would be titled Underworld, and a release date of July 24, 2015. The first single from the album, "Nevermore", premiered on May 22, 2015. The band released the second single, "Without You", on June 19, 2015, and was made available for digital download. According to singer Russell Allen, the band entered a short hiatus during 2017 in which they did not perform, due in part to his commitment to Adrenaline Mob, although it was announced during a January 2018 interview with Metal Nation that the band had plans to get together in the following months and begin writing a follow up to Underworld. On July 14, 2017, Adrenaline Mob was involved in a serious vehicular accident, which resulted in severe injuries for Allen and the death of the band's bassist and their tour manager. In July 2018, according to Michael Romeo, the band hopes to re-group and make another album, but also said that he was giving Russell Allen some time and space after dealing with the aftermath of the accident, and also his touring commitments with Trans-Siberian Orchestra. In June 2019, Romeo was considering to make their tenth album after they're done touring in August 2019. Upcoming tenth studio album (2020–present) During bassist LePond's May 2020 interview with Metal Nation when asked about plans for him and the band, he had confirmed that the band was ready to start writing the tenth studio album, a follow-up to their 2015 album, Underworld as soon as the virus slowed down, and that writing would begin in about 'a month or so'. Solo projects Keyboardist Michael Pinnella released a solo album, entitled Enter by the Twelfth Gate, on October 12, 2004. Another solo album, "Ascension", was released in 2014. Vocalist Russell Allen's solo debut, entitled Atomic Soul, was released in the summer of 2005. With this album, Allen took a different musical direction from that seen in his work with Symphony X. It was considered by many—including Allen himself—to be a hard rock album. Also in 2005, he recorded an album called The Battle with former Masterplan vocalist Jørn Lande under the moniker "Allen/Lande". The two would later record follow-up albums entitled The Revenge, released May 11, 2007; The Showdown, released November 5, 2010; and The Great Divide, released October 21, 2014. In early 2011, Russell Allen co-founded heavy metal supergroup Adrenaline Mob with guitarist Mike Orlando and drummer Mike Portnoy (ex-Dream Theater), who has since left the group. They have released three studio albums, Omertá (2012), Men of Honor (2014) and We the People (2017). Bassist Michael LePond released his first solo album, Mike LePond's Silent Assassins on September 26, 2014. It features guest performances from guitarist Mike Chlasciak (Halford, Testament), lead guitarist, drum producer and Symphony X bandmate Michael Romeo, and vocalist Alan Tecchio (Hades, Watchtower). LePond himself played bass and rhythm guitar. Michael Romeo's second solo album, War of the Worlds, Pt. 1, was released on July 27, 2018. The album features Rick Castellano on vocals, John DeServio on bass, and John Macaluso on drums. It was Romeo's first solo album since The Dark Chapter, which was released in 1994. War of the Worlds, Pt. 2 will be released in 2022. Musical style Symphony X is often compared to other progressive metal bands such as Dream Theater, Fates Warning, and Shadow Gallery. Their music includes complex timings and odd meters while incorporating elements of heavy metal and progressive rock. It also contains strong neo-classical elements reminiscent of Yngwie Malmsteen, Cacophony, Randy Rhoads, and other bands. The band have been categorized as progressive metal, power metal, and neoclassical metal. Recording studio: The Dungeon The Dungeon is the studio located at the home of Symphony X's guitarist and composer Michael Romeo. The albums The Divine Wings of Tragedy and V: The New Mythology Suite were partially recorded in the Dungeon, while The Odyssey, Paradise Lost, Iconoclast and Underworld were fully recorded there and produced by Romeo himself. Line-up Current members Michael Romeo − guitars, backing vocals (1994–present) Michael Pinnella − keyboards, backing vocals (1994–present) Jason Rullo – drums (1994–1997, 1998–present) Russell Allen − lead vocals (1995–present) Michael Lepond − bass, backing vocals (1999–present) Former members Thomas Miller − bass (1994−1998) Rod Tyler − lead vocals (1994) Thomas Walling − drums (1997−1998) Timeline Discography Studio albums Symphony X (1994) The Damnation Game (1995) The Divine Wings of Tragedy (1996) Twilight in Olympus (1998) V: The New Mythology Suite (2000) The Odyssey (2002) Paradise Lost (2007) Iconoclast (2011) Underworld (2015) Singles The End of Innocence (2011) Nevermore (2015) Without You (2015) Other albums Prelude to the Millennium (1999) Live on the Edge of Forever (2001) References External links 1994 establishments in New Jersey American power metal musical groups American progressive metal musical groups American symphonic metal musical groups Heavy metal musical groups from New Jersey Inside Out Music artists Metal Blade Records artists Middletown Township, New Jersey Musical groups established in 1994 Musical quintets Nuclear Blast artists

C_f72cacfbf3e04d0181f9c411dda565a4_1

what was it's name?

what was Symphony X 2011 album name?

Symphony X

On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3-6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. CANNOTANSWER

Iconoclast

Symphony X is an American progressive metal band from Middletown, New Jersey. Founded in 1994, the band consists of guitarist Michael Romeo, keyboardist Michael Pinnella, drummer Jason Rullo, lead vocalist Russell Allen and bassist Michael Lepond. They achieved some commercial success with the 2007 album Paradise Lost and the 2011 album Iconoclast, which reached number 76 on the Billboard 200. Romeo explained the band's name in a 2008 interview; "So, you know, the music we were coming up with had the keyboard thing and the guitar, and some classical elements, so the word 'Symphony' came up and, so the dramatic thing, you know? So then, somebody said 'Symphony X' and we were like, 'yeah, that's cool' it is that kinda thing, and the 'X' is the unknown and all the other stuff we do." History Symphony X and The Damnation Game (1994−1995) In early 1994 Michael Romeo (formerly of the bands Phantom's Opera and Gemini) recorded a studio album titled The Dark Chapter, which featured himself and keyboard player Michael Pinnella. The tape attracted a fair share of attention, particularly in Japan. Romeo then recruited bassist Thomas Miller, drummer Jason Rullo, and vocalist Rod Tyler. Their self-titled debut album was recorded in the same year, and released to a positive reception in Japan by the now-defunct record company Zero Corporation. The band's second studio album, The Damnation Game, followed six months later. Singer Rod Tyler had left the band by then and was replaced by current singer Russell Allen. The Divine Wings Of Tragedy and Twilight In Olympus (1996−1998) The Divine Wings of Tragedy was the album that first gave Symphony X exposure in metal circles. It took a considerable time to record the album, with the recording sessions taking place in 1996, and the album was released late in the year, on November 13. The positive feedback from the specialized press served to establish Symphony X in Europe; their success in Japan only continued to grow. At the end of 1997 and for part of the next year, Jason Rullo, their drummer, had to stay away from the band in order to solve personal issues. He was temporarily replaced by Thomas Walling. Even with a temporary drummer, the band recorded Twilight in Olympus, released in early 1998. That year also saw the first live performances from the band, which by then had already gathered many fans from around the globe. Their first official show happened in 1998, in Japan. It was soon followed by a world tour. Bassist Thomas Miller left the band and was replaced by Michael Lepond in that year. A compilation album, Prelude to the Millennium, was released by the end of 1998. As an extra, it featured a second version of the song "Masquerade" from the first album, with Russell Allen on vocals. V: The New Mythology Suite and The Odyssey (1999−2005) Jason Rullo returned to the drums for the band's fifth album, V: The New Mythology Suite, released in 2000. It was the band's first release on major progressive label InsideOut Music. The album was their first concept album, dealing with the myth of Atlantis. The album features classics such as "Evolution (The Grand Design)", "Communion and the Oracle", "Egypt" and the mini-suite "Rediscovery", and includes pieces of classical music. The band went on a European and South American tour shortly after its release and recorded their first live album, Live on the Edge of Forever. In 2002, the band released The Odyssey, an album prominently featuring a 24-minute-long musical interpretation of the Homeric epic, the Odyssey. In 2005 Symphony X was featured on Gigantour, a summer festival headlined by Megadeth with Dream Theater, Nevermore and Anthrax. Two Symphony X songs from the tour, "Inferno" and "Of Sins and Shadows", are featured on the Gigantour DVD and CD-set, released in September 2006. Paradise Lost (2006–2010) The band's album Paradise Lost, a concept album loosely inspired by John Milton's epic poem of the same name, was recorded in Romeo's studio throughout 2006, delayed numerous times and released finally worldwide on June 26, 2007. The band claimed this work had darker themes musically. The album included a special DVD of footage shot by the band throughout their history, available in FYE stores. The release coincided with a 14-month world tour, including a tour through all of Europe with Dream Theater in the fall of 2007. The band also revealed plans to perform in Japan and other Asian countries, as well as appear for the first time ever in Russia, India, and the Middle East. Paradise Lost debuted at number 123 on the Billboard 200 album chart in the United States, selling 6,300 copies in its first week. The record also debuted at number 1 on the Top Heatseekers Chart. Symphony X released their first music video for the song "Serpent's Kiss" on July 28, 2007. It was followed by a video for "Set the World on Fire", released on January 11, 2008. The band toured North and South America from October to November 2008, and toured Asia in February 2009. Iconoclast (2011–2013) On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3–6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. Underworld and band hiatus (2015–2019) The band is working on releasing a second fan club CD. Michael Romeo said it will be another collection of demo tunes and other rare material, and may also include a bit of content created just for the release, along the lines of MJR's Star Wars tune on the first fan club CD, Rarities and Demos, which has since sold out of its first pressing. SXW, the band's revamped fan club, has relaunched and is now active. The band began recording the drum tracks for the new album on September 9, 2014, and planned to release the complete recording by the spring of 2015. Michael Lepond stated they had ten songs written and that the album would contain either nine or all ten of them. He also stated all lyrics and instrumental tracks were composed and ready to be brought together, and that the album would be less heavy than Iconoclast: "If I had to compare, I would say that it's a combination of The Odyssey and Paradise Lost — something in there. It has a lot of classic Symphony X elements in it, which I think a lot of our fans were missing for a few years. So I think our fans will really like this one. It really just focuses on solid songwriting." As of December 11, 2014, recording of the drums, lead vocals, rhythm guitar, and bass were complete. With the keyboards, guitar solos, background vocals, and some miscellaneous odds and ends being done in the coming weeks. On April 10, 2015 the band announced the mixing and mastering of the new album was complete. On May 18, 2015, the band announced the title of the album would be titled Underworld, and a release date of July 24, 2015. The first single from the album, "Nevermore", premiered on May 22, 2015. The band released the second single, "Without You", on June 19, 2015, and was made available for digital download. According to singer Russell Allen, the band entered a short hiatus during 2017 in which they did not perform, due in part to his commitment to Adrenaline Mob, although it was announced during a January 2018 interview with Metal Nation that the band had plans to get together in the following months and begin writing a follow up to Underworld. On July 14, 2017, Adrenaline Mob was involved in a serious vehicular accident, which resulted in severe injuries for Allen and the death of the band's bassist and their tour manager. In July 2018, according to Michael Romeo, the band hopes to re-group and make another album, but also said that he was giving Russell Allen some time and space after dealing with the aftermath of the accident, and also his touring commitments with Trans-Siberian Orchestra. In June 2019, Romeo was considering to make their tenth album after they're done touring in August 2019. Upcoming tenth studio album (2020–present) During bassist LePond's May 2020 interview with Metal Nation when asked about plans for him and the band, he had confirmed that the band was ready to start writing the tenth studio album, a follow-up to their 2015 album, Underworld as soon as the virus slowed down, and that writing would begin in about 'a month or so'. Solo projects Keyboardist Michael Pinnella released a solo album, entitled Enter by the Twelfth Gate, on October 12, 2004. Another solo album, "Ascension", was released in 2014. Vocalist Russell Allen's solo debut, entitled Atomic Soul, was released in the summer of 2005. With this album, Allen took a different musical direction from that seen in his work with Symphony X. It was considered by many—including Allen himself—to be a hard rock album. Also in 2005, he recorded an album called The Battle with former Masterplan vocalist Jørn Lande under the moniker "Allen/Lande". The two would later record follow-up albums entitled The Revenge, released May 11, 2007; The Showdown, released November 5, 2010; and The Great Divide, released October 21, 2014. In early 2011, Russell Allen co-founded heavy metal supergroup Adrenaline Mob with guitarist Mike Orlando and drummer Mike Portnoy (ex-Dream Theater), who has since left the group. They have released three studio albums, Omertá (2012), Men of Honor (2014) and We the People (2017). Bassist Michael LePond released his first solo album, Mike LePond's Silent Assassins on September 26, 2014. It features guest performances from guitarist Mike Chlasciak (Halford, Testament), lead guitarist, drum producer and Symphony X bandmate Michael Romeo, and vocalist Alan Tecchio (Hades, Watchtower). LePond himself played bass and rhythm guitar. Michael Romeo's second solo album, War of the Worlds, Pt. 1, was released on July 27, 2018. The album features Rick Castellano on vocals, John DeServio on bass, and John Macaluso on drums. It was Romeo's first solo album since The Dark Chapter, which was released in 1994. War of the Worlds, Pt. 2 will be released in 2022. Musical style Symphony X is often compared to other progressive metal bands such as Dream Theater, Fates Warning, and Shadow Gallery. Their music includes complex timings and odd meters while incorporating elements of heavy metal and progressive rock. It also contains strong neo-classical elements reminiscent of Yngwie Malmsteen, Cacophony, Randy Rhoads, and other bands. The band have been categorized as progressive metal, power metal, and neoclassical metal. Recording studio: The Dungeon The Dungeon is the studio located at the home of Symphony X's guitarist and composer Michael Romeo. The albums The Divine Wings of Tragedy and V: The New Mythology Suite were partially recorded in the Dungeon, while The Odyssey, Paradise Lost, Iconoclast and Underworld were fully recorded there and produced by Romeo himself. Line-up Current members Michael Romeo − guitars, backing vocals (1994–present) Michael Pinnella − keyboards, backing vocals (1994–present) Jason Rullo – drums (1994–1997, 1998–present) Russell Allen − lead vocals (1995–present) Michael Lepond − bass, backing vocals (1999–present) Former members Thomas Miller − bass (1994−1998) Rod Tyler − lead vocals (1994) Thomas Walling − drums (1997−1998) Timeline Discography Studio albums Symphony X (1994) The Damnation Game (1995) The Divine Wings of Tragedy (1996) Twilight in Olympus (1998) V: The New Mythology Suite (2000) The Odyssey (2002) Paradise Lost (2007) Iconoclast (2011) Underworld (2015) Singles The End of Innocence (2011) Nevermore (2015) Without You (2015) Other albums Prelude to the Millennium (1999) Live on the Edge of Forever (2001) References External links 1994 establishments in New Jersey American power metal musical groups American progressive metal musical groups American symphonic metal musical groups Heavy metal musical groups from New Jersey Inside Out Music artists Metal Blade Records artists Middletown Township, New Jersey Musical groups established in 1994 Musical quintets Nuclear Blast artists

C_f72cacfbf3e04d0181f9c411dda565a4_1

did the album make it big?

did Iconoclast album make big?

Symphony X

On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3-6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. CANNOTANSWER

Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week.

Symphony X is an American progressive metal band from Middletown, New Jersey. Founded in 1994, the band consists of guitarist Michael Romeo, keyboardist Michael Pinnella, drummer Jason Rullo, lead vocalist Russell Allen and bassist Michael Lepond. They achieved some commercial success with the 2007 album Paradise Lost and the 2011 album Iconoclast, which reached number 76 on the Billboard 200. Romeo explained the band's name in a 2008 interview; "So, you know, the music we were coming up with had the keyboard thing and the guitar, and some classical elements, so the word 'Symphony' came up and, so the dramatic thing, you know? So then, somebody said 'Symphony X' and we were like, 'yeah, that's cool' it is that kinda thing, and the 'X' is the unknown and all the other stuff we do." History Symphony X and The Damnation Game (1994−1995) In early 1994 Michael Romeo (formerly of the bands Phantom's Opera and Gemini) recorded a studio album titled The Dark Chapter, which featured himself and keyboard player Michael Pinnella. The tape attracted a fair share of attention, particularly in Japan. Romeo then recruited bassist Thomas Miller, drummer Jason Rullo, and vocalist Rod Tyler. Their self-titled debut album was recorded in the same year, and released to a positive reception in Japan by the now-defunct record company Zero Corporation. The band's second studio album, The Damnation Game, followed six months later. Singer Rod Tyler had left the band by then and was replaced by current singer Russell Allen. The Divine Wings Of Tragedy and Twilight In Olympus (1996−1998) The Divine Wings of Tragedy was the album that first gave Symphony X exposure in metal circles. It took a considerable time to record the album, with the recording sessions taking place in 1996, and the album was released late in the year, on November 13. The positive feedback from the specialized press served to establish Symphony X in Europe; their success in Japan only continued to grow. At the end of 1997 and for part of the next year, Jason Rullo, their drummer, had to stay away from the band in order to solve personal issues. He was temporarily replaced by Thomas Walling. Even with a temporary drummer, the band recorded Twilight in Olympus, released in early 1998. That year also saw the first live performances from the band, which by then had already gathered many fans from around the globe. Their first official show happened in 1998, in Japan. It was soon followed by a world tour. Bassist Thomas Miller left the band and was replaced by Michael Lepond in that year. A compilation album, Prelude to the Millennium, was released by the end of 1998. As an extra, it featured a second version of the song "Masquerade" from the first album, with Russell Allen on vocals. V: The New Mythology Suite and The Odyssey (1999−2005) Jason Rullo returned to the drums for the band's fifth album, V: The New Mythology Suite, released in 2000. It was the band's first release on major progressive label InsideOut Music. The album was their first concept album, dealing with the myth of Atlantis. The album features classics such as "Evolution (The Grand Design)", "Communion and the Oracle", "Egypt" and the mini-suite "Rediscovery", and includes pieces of classical music. The band went on a European and South American tour shortly after its release and recorded their first live album, Live on the Edge of Forever. In 2002, the band released The Odyssey, an album prominently featuring a 24-minute-long musical interpretation of the Homeric epic, the Odyssey. In 2005 Symphony X was featured on Gigantour, a summer festival headlined by Megadeth with Dream Theater, Nevermore and Anthrax. Two Symphony X songs from the tour, "Inferno" and "Of Sins and Shadows", are featured on the Gigantour DVD and CD-set, released in September 2006. Paradise Lost (2006–2010) The band's album Paradise Lost, a concept album loosely inspired by John Milton's epic poem of the same name, was recorded in Romeo's studio throughout 2006, delayed numerous times and released finally worldwide on June 26, 2007. The band claimed this work had darker themes musically. The album included a special DVD of footage shot by the band throughout their history, available in FYE stores. The release coincided with a 14-month world tour, including a tour through all of Europe with Dream Theater in the fall of 2007. The band also revealed plans to perform in Japan and other Asian countries, as well as appear for the first time ever in Russia, India, and the Middle East. Paradise Lost debuted at number 123 on the Billboard 200 album chart in the United States, selling 6,300 copies in its first week. The record also debuted at number 1 on the Top Heatseekers Chart. Symphony X released their first music video for the song "Serpent's Kiss" on July 28, 2007. It was followed by a video for "Set the World on Fire", released on January 11, 2008. The band toured North and South America from October to November 2008, and toured Asia in February 2009. Iconoclast (2011–2013) On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3–6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. Underworld and band hiatus (2015–2019) The band is working on releasing a second fan club CD. Michael Romeo said it will be another collection of demo tunes and other rare material, and may also include a bit of content created just for the release, along the lines of MJR's Star Wars tune on the first fan club CD, Rarities and Demos, which has since sold out of its first pressing. SXW, the band's revamped fan club, has relaunched and is now active. The band began recording the drum tracks for the new album on September 9, 2014, and planned to release the complete recording by the spring of 2015. Michael Lepond stated they had ten songs written and that the album would contain either nine or all ten of them. He also stated all lyrics and instrumental tracks were composed and ready to be brought together, and that the album would be less heavy than Iconoclast: "If I had to compare, I would say that it's a combination of The Odyssey and Paradise Lost — something in there. It has a lot of classic Symphony X elements in it, which I think a lot of our fans were missing for a few years. So I think our fans will really like this one. It really just focuses on solid songwriting." As of December 11, 2014, recording of the drums, lead vocals, rhythm guitar, and bass were complete. With the keyboards, guitar solos, background vocals, and some miscellaneous odds and ends being done in the coming weeks. On April 10, 2015 the band announced the mixing and mastering of the new album was complete. On May 18, 2015, the band announced the title of the album would be titled Underworld, and a release date of July 24, 2015. The first single from the album, "Nevermore", premiered on May 22, 2015. The band released the second single, "Without You", on June 19, 2015, and was made available for digital download. According to singer Russell Allen, the band entered a short hiatus during 2017 in which they did not perform, due in part to his commitment to Adrenaline Mob, although it was announced during a January 2018 interview with Metal Nation that the band had plans to get together in the following months and begin writing a follow up to Underworld. On July 14, 2017, Adrenaline Mob was involved in a serious vehicular accident, which resulted in severe injuries for Allen and the death of the band's bassist and their tour manager. In July 2018, according to Michael Romeo, the band hopes to re-group and make another album, but also said that he was giving Russell Allen some time and space after dealing with the aftermath of the accident, and also his touring commitments with Trans-Siberian Orchestra. In June 2019, Romeo was considering to make their tenth album after they're done touring in August 2019. Upcoming tenth studio album (2020–present) During bassist LePond's May 2020 interview with Metal Nation when asked about plans for him and the band, he had confirmed that the band was ready to start writing the tenth studio album, a follow-up to their 2015 album, Underworld as soon as the virus slowed down, and that writing would begin in about 'a month or so'. Solo projects Keyboardist Michael Pinnella released a solo album, entitled Enter by the Twelfth Gate, on October 12, 2004. Another solo album, "Ascension", was released in 2014. Vocalist Russell Allen's solo debut, entitled Atomic Soul, was released in the summer of 2005. With this album, Allen took a different musical direction from that seen in his work with Symphony X. It was considered by many—including Allen himself—to be a hard rock album. Also in 2005, he recorded an album called The Battle with former Masterplan vocalist Jørn Lande under the moniker "Allen/Lande". The two would later record follow-up albums entitled The Revenge, released May 11, 2007; The Showdown, released November 5, 2010; and The Great Divide, released October 21, 2014. In early 2011, Russell Allen co-founded heavy metal supergroup Adrenaline Mob with guitarist Mike Orlando and drummer Mike Portnoy (ex-Dream Theater), who has since left the group. They have released three studio albums, Omertá (2012), Men of Honor (2014) and We the People (2017). Bassist Michael LePond released his first solo album, Mike LePond's Silent Assassins on September 26, 2014. It features guest performances from guitarist Mike Chlasciak (Halford, Testament), lead guitarist, drum producer and Symphony X bandmate Michael Romeo, and vocalist Alan Tecchio (Hades, Watchtower). LePond himself played bass and rhythm guitar. Michael Romeo's second solo album, War of the Worlds, Pt. 1, was released on July 27, 2018. The album features Rick Castellano on vocals, John DeServio on bass, and John Macaluso on drums. It was Romeo's first solo album since The Dark Chapter, which was released in 1994. War of the Worlds, Pt. 2 will be released in 2022. Musical style Symphony X is often compared to other progressive metal bands such as Dream Theater, Fates Warning, and Shadow Gallery. Their music includes complex timings and odd meters while incorporating elements of heavy metal and progressive rock. It also contains strong neo-classical elements reminiscent of Yngwie Malmsteen, Cacophony, Randy Rhoads, and other bands. The band have been categorized as progressive metal, power metal, and neoclassical metal. Recording studio: The Dungeon The Dungeon is the studio located at the home of Symphony X's guitarist and composer Michael Romeo. The albums The Divine Wings of Tragedy and V: The New Mythology Suite were partially recorded in the Dungeon, while The Odyssey, Paradise Lost, Iconoclast and Underworld were fully recorded there and produced by Romeo himself. Line-up Current members Michael Romeo − guitars, backing vocals (1994–present) Michael Pinnella − keyboards, backing vocals (1994–present) Jason Rullo – drums (1994–1997, 1998–present) Russell Allen − lead vocals (1995–present) Michael Lepond − bass, backing vocals (1999–present) Former members Thomas Miller − bass (1994−1998) Rod Tyler − lead vocals (1994) Thomas Walling − drums (1997−1998) Timeline Discography Studio albums Symphony X (1994) The Damnation Game (1995) The Divine Wings of Tragedy (1996) Twilight in Olympus (1998) V: The New Mythology Suite (2000) The Odyssey (2002) Paradise Lost (2007) Iconoclast (2011) Underworld (2015) Singles The End of Innocence (2011) Nevermore (2015) Without You (2015) Other albums Prelude to the Millennium (1999) Live on the Edge of Forever (2001) References External links 1994 establishments in New Jersey American power metal musical groups American progressive metal musical groups American symphonic metal musical groups Heavy metal musical groups from New Jersey Inside Out Music artists Metal Blade Records artists Middletown Township, New Jersey Musical groups established in 1994 Musical quintets Nuclear Blast artists

C_f72cacfbf3e04d0181f9c411dda565a4_1

Are there any other interesting aspects about this article?

Are there any other interesting aspects about this article other than Album Iconoclast bigggest achievement of selling 7300 copies in first week?

Symphony X

On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3-6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. CANNOTANSWER

Jason Rullo was admitted to hospital

Symphony X is an American progressive metal band from Middletown, New Jersey. Founded in 1994, the band consists of guitarist Michael Romeo, keyboardist Michael Pinnella, drummer Jason Rullo, lead vocalist Russell Allen and bassist Michael Lepond. They achieved some commercial success with the 2007 album Paradise Lost and the 2011 album Iconoclast, which reached number 76 on the Billboard 200. Romeo explained the band's name in a 2008 interview; "So, you know, the music we were coming up with had the keyboard thing and the guitar, and some classical elements, so the word 'Symphony' came up and, so the dramatic thing, you know? So then, somebody said 'Symphony X' and we were like, 'yeah, that's cool' it is that kinda thing, and the 'X' is the unknown and all the other stuff we do." History Symphony X and The Damnation Game (1994−1995) In early 1994 Michael Romeo (formerly of the bands Phantom's Opera and Gemini) recorded a studio album titled The Dark Chapter, which featured himself and keyboard player Michael Pinnella. The tape attracted a fair share of attention, particularly in Japan. Romeo then recruited bassist Thomas Miller, drummer Jason Rullo, and vocalist Rod Tyler. Their self-titled debut album was recorded in the same year, and released to a positive reception in Japan by the now-defunct record company Zero Corporation. The band's second studio album, The Damnation Game, followed six months later. Singer Rod Tyler had left the band by then and was replaced by current singer Russell Allen. The Divine Wings Of Tragedy and Twilight In Olympus (1996−1998) The Divine Wings of Tragedy was the album that first gave Symphony X exposure in metal circles. It took a considerable time to record the album, with the recording sessions taking place in 1996, and the album was released late in the year, on November 13. The positive feedback from the specialized press served to establish Symphony X in Europe; their success in Japan only continued to grow. At the end of 1997 and for part of the next year, Jason Rullo, their drummer, had to stay away from the band in order to solve personal issues. He was temporarily replaced by Thomas Walling. Even with a temporary drummer, the band recorded Twilight in Olympus, released in early 1998. That year also saw the first live performances from the band, which by then had already gathered many fans from around the globe. Their first official show happened in 1998, in Japan. It was soon followed by a world tour. Bassist Thomas Miller left the band and was replaced by Michael Lepond in that year. A compilation album, Prelude to the Millennium, was released by the end of 1998. As an extra, it featured a second version of the song "Masquerade" from the first album, with Russell Allen on vocals. V: The New Mythology Suite and The Odyssey (1999−2005) Jason Rullo returned to the drums for the band's fifth album, V: The New Mythology Suite, released in 2000. It was the band's first release on major progressive label InsideOut Music. The album was their first concept album, dealing with the myth of Atlantis. The album features classics such as "Evolution (The Grand Design)", "Communion and the Oracle", "Egypt" and the mini-suite "Rediscovery", and includes pieces of classical music. The band went on a European and South American tour shortly after its release and recorded their first live album, Live on the Edge of Forever. In 2002, the band released The Odyssey, an album prominently featuring a 24-minute-long musical interpretation of the Homeric epic, the Odyssey. In 2005 Symphony X was featured on Gigantour, a summer festival headlined by Megadeth with Dream Theater, Nevermore and Anthrax. Two Symphony X songs from the tour, "Inferno" and "Of Sins and Shadows", are featured on the Gigantour DVD and CD-set, released in September 2006. Paradise Lost (2006–2010) The band's album Paradise Lost, a concept album loosely inspired by John Milton's epic poem of the same name, was recorded in Romeo's studio throughout 2006, delayed numerous times and released finally worldwide on June 26, 2007. The band claimed this work had darker themes musically. The album included a special DVD of footage shot by the band throughout their history, available in FYE stores. The release coincided with a 14-month world tour, including a tour through all of Europe with Dream Theater in the fall of 2007. The band also revealed plans to perform in Japan and other Asian countries, as well as appear for the first time ever in Russia, India, and the Middle East. Paradise Lost debuted at number 123 on the Billboard 200 album chart in the United States, selling 6,300 copies in its first week. The record also debuted at number 1 on the Top Heatseekers Chart. Symphony X released their first music video for the song "Serpent's Kiss" on July 28, 2007. It was followed by a video for "Set the World on Fire", released on January 11, 2008. The band toured North and South America from October to November 2008, and toured Asia in February 2009. Iconoclast (2011–2013) On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3–6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. Underworld and band hiatus (2015–2019) The band is working on releasing a second fan club CD. Michael Romeo said it will be another collection of demo tunes and other rare material, and may also include a bit of content created just for the release, along the lines of MJR's Star Wars tune on the first fan club CD, Rarities and Demos, which has since sold out of its first pressing. SXW, the band's revamped fan club, has relaunched and is now active. The band began recording the drum tracks for the new album on September 9, 2014, and planned to release the complete recording by the spring of 2015. Michael Lepond stated they had ten songs written and that the album would contain either nine or all ten of them. He also stated all lyrics and instrumental tracks were composed and ready to be brought together, and that the album would be less heavy than Iconoclast: "If I had to compare, I would say that it's a combination of The Odyssey and Paradise Lost — something in there. It has a lot of classic Symphony X elements in it, which I think a lot of our fans were missing for a few years. So I think our fans will really like this one. It really just focuses on solid songwriting." As of December 11, 2014, recording of the drums, lead vocals, rhythm guitar, and bass were complete. With the keyboards, guitar solos, background vocals, and some miscellaneous odds and ends being done in the coming weeks. On April 10, 2015 the band announced the mixing and mastering of the new album was complete. On May 18, 2015, the band announced the title of the album would be titled Underworld, and a release date of July 24, 2015. The first single from the album, "Nevermore", premiered on May 22, 2015. The band released the second single, "Without You", on June 19, 2015, and was made available for digital download. According to singer Russell Allen, the band entered a short hiatus during 2017 in which they did not perform, due in part to his commitment to Adrenaline Mob, although it was announced during a January 2018 interview with Metal Nation that the band had plans to get together in the following months and begin writing a follow up to Underworld. On July 14, 2017, Adrenaline Mob was involved in a serious vehicular accident, which resulted in severe injuries for Allen and the death of the band's bassist and their tour manager. In July 2018, according to Michael Romeo, the band hopes to re-group and make another album, but also said that he was giving Russell Allen some time and space after dealing with the aftermath of the accident, and also his touring commitments with Trans-Siberian Orchestra. In June 2019, Romeo was considering to make their tenth album after they're done touring in August 2019. Upcoming tenth studio album (2020–present) During bassist LePond's May 2020 interview with Metal Nation when asked about plans for him and the band, he had confirmed that the band was ready to start writing the tenth studio album, a follow-up to their 2015 album, Underworld as soon as the virus slowed down, and that writing would begin in about 'a month or so'. Solo projects Keyboardist Michael Pinnella released a solo album, entitled Enter by the Twelfth Gate, on October 12, 2004. Another solo album, "Ascension", was released in 2014. Vocalist Russell Allen's solo debut, entitled Atomic Soul, was released in the summer of 2005. With this album, Allen took a different musical direction from that seen in his work with Symphony X. It was considered by many—including Allen himself—to be a hard rock album. Also in 2005, he recorded an album called The Battle with former Masterplan vocalist Jørn Lande under the moniker "Allen/Lande". The two would later record follow-up albums entitled The Revenge, released May 11, 2007; The Showdown, released November 5, 2010; and The Great Divide, released October 21, 2014. In early 2011, Russell Allen co-founded heavy metal supergroup Adrenaline Mob with guitarist Mike Orlando and drummer Mike Portnoy (ex-Dream Theater), who has since left the group. They have released three studio albums, Omertá (2012), Men of Honor (2014) and We the People (2017). Bassist Michael LePond released his first solo album, Mike LePond's Silent Assassins on September 26, 2014. It features guest performances from guitarist Mike Chlasciak (Halford, Testament), lead guitarist, drum producer and Symphony X bandmate Michael Romeo, and vocalist Alan Tecchio (Hades, Watchtower). LePond himself played bass and rhythm guitar. Michael Romeo's second solo album, War of the Worlds, Pt. 1, was released on July 27, 2018. The album features Rick Castellano on vocals, John DeServio on bass, and John Macaluso on drums. It was Romeo's first solo album since The Dark Chapter, which was released in 1994. War of the Worlds, Pt. 2 will be released in 2022. Musical style Symphony X is often compared to other progressive metal bands such as Dream Theater, Fates Warning, and Shadow Gallery. Their music includes complex timings and odd meters while incorporating elements of heavy metal and progressive rock. It also contains strong neo-classical elements reminiscent of Yngwie Malmsteen, Cacophony, Randy Rhoads, and other bands. The band have been categorized as progressive metal, power metal, and neoclassical metal. Recording studio: The Dungeon The Dungeon is the studio located at the home of Symphony X's guitarist and composer Michael Romeo. The albums The Divine Wings of Tragedy and V: The New Mythology Suite were partially recorded in the Dungeon, while The Odyssey, Paradise Lost, Iconoclast and Underworld were fully recorded there and produced by Romeo himself. Line-up Current members Michael Romeo − guitars, backing vocals (1994–present) Michael Pinnella − keyboards, backing vocals (1994–present) Jason Rullo – drums (1994–1997, 1998–present) Russell Allen − lead vocals (1995–present) Michael Lepond − bass, backing vocals (1999–present) Former members Thomas Miller − bass (1994−1998) Rod Tyler − lead vocals (1994) Thomas Walling − drums (1997−1998) Timeline Discography Studio albums Symphony X (1994) The Damnation Game (1995) The Divine Wings of Tragedy (1996) Twilight in Olympus (1998) V: The New Mythology Suite (2000) The Odyssey (2002) Paradise Lost (2007) Iconoclast (2011) Underworld (2015) Singles The End of Innocence (2011) Nevermore (2015) Without You (2015) Other albums Prelude to the Millennium (1999) Live on the Edge of Forever (2001) References External links 1994 establishments in New Jersey American power metal musical groups American progressive metal musical groups American symphonic metal musical groups Heavy metal musical groups from New Jersey Inside Out Music artists Metal Blade Records artists Middletown Township, New Jersey Musical groups established in 1994 Musical quintets Nuclear Blast artists

C_f72cacfbf3e04d0181f9c411dda565a4_1

what was he admitted to the hospital for?

what was Jason Rullo admitted to the hospital for?

Symphony X

On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3-6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. CANNOTANSWER

heart failure.

Symphony X is an American progressive metal band from Middletown, New Jersey. Founded in 1994, the band consists of guitarist Michael Romeo, keyboardist Michael Pinnella, drummer Jason Rullo, lead vocalist Russell Allen and bassist Michael Lepond. They achieved some commercial success with the 2007 album Paradise Lost and the 2011 album Iconoclast, which reached number 76 on the Billboard 200. Romeo explained the band's name in a 2008 interview; "So, you know, the music we were coming up with had the keyboard thing and the guitar, and some classical elements, so the word 'Symphony' came up and, so the dramatic thing, you know? So then, somebody said 'Symphony X' and we were like, 'yeah, that's cool' it is that kinda thing, and the 'X' is the unknown and all the other stuff we do." History Symphony X and The Damnation Game (1994−1995) In early 1994 Michael Romeo (formerly of the bands Phantom's Opera and Gemini) recorded a studio album titled The Dark Chapter, which featured himself and keyboard player Michael Pinnella. The tape attracted a fair share of attention, particularly in Japan. Romeo then recruited bassist Thomas Miller, drummer Jason Rullo, and vocalist Rod Tyler. Their self-titled debut album was recorded in the same year, and released to a positive reception in Japan by the now-defunct record company Zero Corporation. The band's second studio album, The Damnation Game, followed six months later. Singer Rod Tyler had left the band by then and was replaced by current singer Russell Allen. The Divine Wings Of Tragedy and Twilight In Olympus (1996−1998) The Divine Wings of Tragedy was the album that first gave Symphony X exposure in metal circles. It took a considerable time to record the album, with the recording sessions taking place in 1996, and the album was released late in the year, on November 13. The positive feedback from the specialized press served to establish Symphony X in Europe; their success in Japan only continued to grow. At the end of 1997 and for part of the next year, Jason Rullo, their drummer, had to stay away from the band in order to solve personal issues. He was temporarily replaced by Thomas Walling. Even with a temporary drummer, the band recorded Twilight in Olympus, released in early 1998. That year also saw the first live performances from the band, which by then had already gathered many fans from around the globe. Their first official show happened in 1998, in Japan. It was soon followed by a world tour. Bassist Thomas Miller left the band and was replaced by Michael Lepond in that year. A compilation album, Prelude to the Millennium, was released by the end of 1998. As an extra, it featured a second version of the song "Masquerade" from the first album, with Russell Allen on vocals. V: The New Mythology Suite and The Odyssey (1999−2005) Jason Rullo returned to the drums for the band's fifth album, V: The New Mythology Suite, released in 2000. It was the band's first release on major progressive label InsideOut Music. The album was their first concept album, dealing with the myth of Atlantis. The album features classics such as "Evolution (The Grand Design)", "Communion and the Oracle", "Egypt" and the mini-suite "Rediscovery", and includes pieces of classical music. The band went on a European and South American tour shortly after its release and recorded their first live album, Live on the Edge of Forever. In 2002, the band released The Odyssey, an album prominently featuring a 24-minute-long musical interpretation of the Homeric epic, the Odyssey. In 2005 Symphony X was featured on Gigantour, a summer festival headlined by Megadeth with Dream Theater, Nevermore and Anthrax. Two Symphony X songs from the tour, "Inferno" and "Of Sins and Shadows", are featured on the Gigantour DVD and CD-set, released in September 2006. Paradise Lost (2006–2010) The band's album Paradise Lost, a concept album loosely inspired by John Milton's epic poem of the same name, was recorded in Romeo's studio throughout 2006, delayed numerous times and released finally worldwide on June 26, 2007. The band claimed this work had darker themes musically. The album included a special DVD of footage shot by the band throughout their history, available in FYE stores. The release coincided with a 14-month world tour, including a tour through all of Europe with Dream Theater in the fall of 2007. The band also revealed plans to perform in Japan and other Asian countries, as well as appear for the first time ever in Russia, India, and the Middle East. Paradise Lost debuted at number 123 on the Billboard 200 album chart in the United States, selling 6,300 copies in its first week. The record also debuted at number 1 on the Top Heatseekers Chart. Symphony X released their first music video for the song "Serpent's Kiss" on July 28, 2007. It was followed by a video for "Set the World on Fire", released on January 11, 2008. The band toured North and South America from October to November 2008, and toured Asia in February 2009. Iconoclast (2011–2013) On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3–6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. Underworld and band hiatus (2015–2019) The band is working on releasing a second fan club CD. Michael Romeo said it will be another collection of demo tunes and other rare material, and may also include a bit of content created just for the release, along the lines of MJR's Star Wars tune on the first fan club CD, Rarities and Demos, which has since sold out of its first pressing. SXW, the band's revamped fan club, has relaunched and is now active. The band began recording the drum tracks for the new album on September 9, 2014, and planned to release the complete recording by the spring of 2015. Michael Lepond stated they had ten songs written and that the album would contain either nine or all ten of them. He also stated all lyrics and instrumental tracks were composed and ready to be brought together, and that the album would be less heavy than Iconoclast: "If I had to compare, I would say that it's a combination of The Odyssey and Paradise Lost — something in there. It has a lot of classic Symphony X elements in it, which I think a lot of our fans were missing for a few years. So I think our fans will really like this one. It really just focuses on solid songwriting." As of December 11, 2014, recording of the drums, lead vocals, rhythm guitar, and bass were complete. With the keyboards, guitar solos, background vocals, and some miscellaneous odds and ends being done in the coming weeks. On April 10, 2015 the band announced the mixing and mastering of the new album was complete. On May 18, 2015, the band announced the title of the album would be titled Underworld, and a release date of July 24, 2015. The first single from the album, "Nevermore", premiered on May 22, 2015. The band released the second single, "Without You", on June 19, 2015, and was made available for digital download. According to singer Russell Allen, the band entered a short hiatus during 2017 in which they did not perform, due in part to his commitment to Adrenaline Mob, although it was announced during a January 2018 interview with Metal Nation that the band had plans to get together in the following months and begin writing a follow up to Underworld. On July 14, 2017, Adrenaline Mob was involved in a serious vehicular accident, which resulted in severe injuries for Allen and the death of the band's bassist and their tour manager. In July 2018, according to Michael Romeo, the band hopes to re-group and make another album, but also said that he was giving Russell Allen some time and space after dealing with the aftermath of the accident, and also his touring commitments with Trans-Siberian Orchestra. In June 2019, Romeo was considering to make their tenth album after they're done touring in August 2019. Upcoming tenth studio album (2020–present) During bassist LePond's May 2020 interview with Metal Nation when asked about plans for him and the band, he had confirmed that the band was ready to start writing the tenth studio album, a follow-up to their 2015 album, Underworld as soon as the virus slowed down, and that writing would begin in about 'a month or so'. Solo projects Keyboardist Michael Pinnella released a solo album, entitled Enter by the Twelfth Gate, on October 12, 2004. Another solo album, "Ascension", was released in 2014. Vocalist Russell Allen's solo debut, entitled Atomic Soul, was released in the summer of 2005. With this album, Allen took a different musical direction from that seen in his work with Symphony X. It was considered by many—including Allen himself—to be a hard rock album. Also in 2005, he recorded an album called The Battle with former Masterplan vocalist Jørn Lande under the moniker "Allen/Lande". The two would later record follow-up albums entitled The Revenge, released May 11, 2007; The Showdown, released November 5, 2010; and The Great Divide, released October 21, 2014. In early 2011, Russell Allen co-founded heavy metal supergroup Adrenaline Mob with guitarist Mike Orlando and drummer Mike Portnoy (ex-Dream Theater), who has since left the group. They have released three studio albums, Omertá (2012), Men of Honor (2014) and We the People (2017). Bassist Michael LePond released his first solo album, Mike LePond's Silent Assassins on September 26, 2014. It features guest performances from guitarist Mike Chlasciak (Halford, Testament), lead guitarist, drum producer and Symphony X bandmate Michael Romeo, and vocalist Alan Tecchio (Hades, Watchtower). LePond himself played bass and rhythm guitar. Michael Romeo's second solo album, War of the Worlds, Pt. 1, was released on July 27, 2018. The album features Rick Castellano on vocals, John DeServio on bass, and John Macaluso on drums. It was Romeo's first solo album since The Dark Chapter, which was released in 1994. War of the Worlds, Pt. 2 will be released in 2022. Musical style Symphony X is often compared to other progressive metal bands such as Dream Theater, Fates Warning, and Shadow Gallery. Their music includes complex timings and odd meters while incorporating elements of heavy metal and progressive rock. It also contains strong neo-classical elements reminiscent of Yngwie Malmsteen, Cacophony, Randy Rhoads, and other bands. The band have been categorized as progressive metal, power metal, and neoclassical metal. Recording studio: The Dungeon The Dungeon is the studio located at the home of Symphony X's guitarist and composer Michael Romeo. The albums The Divine Wings of Tragedy and V: The New Mythology Suite were partially recorded in the Dungeon, while The Odyssey, Paradise Lost, Iconoclast and Underworld were fully recorded there and produced by Romeo himself. Line-up Current members Michael Romeo − guitars, backing vocals (1994–present) Michael Pinnella − keyboards, backing vocals (1994–present) Jason Rullo – drums (1994–1997, 1998–present) Russell Allen − lead vocals (1995–present) Michael Lepond − bass, backing vocals (1999–present) Former members Thomas Miller − bass (1994−1998) Rod Tyler − lead vocals (1994) Thomas Walling − drums (1997−1998) Timeline Discography Studio albums Symphony X (1994) The Damnation Game (1995) The Divine Wings of Tragedy (1996) Twilight in Olympus (1998) V: The New Mythology Suite (2000) The Odyssey (2002) Paradise Lost (2007) Iconoclast (2011) Underworld (2015) Singles The End of Innocence (2011) Nevermore (2015) Without You (2015) Other albums Prelude to the Millennium (1999) Live on the Edge of Forever (2001) References External links 1994 establishments in New Jersey American power metal musical groups American progressive metal musical groups American symphonic metal musical groups Heavy metal musical groups from New Jersey Inside Out Music artists Metal Blade Records artists Middletown Township, New Jersey Musical groups established in 1994 Musical quintets Nuclear Blast artists

C_f72cacfbf3e04d0181f9c411dda565a4_1

did he die?

did Jason Rullo die?

Symphony X

On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3-6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. CANNOTANSWER

Jason spent a week in hospital, and was released after some days.

Symphony X is an American progressive metal band from Middletown, New Jersey. Founded in 1994, the band consists of guitarist Michael Romeo, keyboardist Michael Pinnella, drummer Jason Rullo, lead vocalist Russell Allen and bassist Michael Lepond. They achieved some commercial success with the 2007 album Paradise Lost and the 2011 album Iconoclast, which reached number 76 on the Billboard 200. Romeo explained the band's name in a 2008 interview; "So, you know, the music we were coming up with had the keyboard thing and the guitar, and some classical elements, so the word 'Symphony' came up and, so the dramatic thing, you know? So then, somebody said 'Symphony X' and we were like, 'yeah, that's cool' it is that kinda thing, and the 'X' is the unknown and all the other stuff we do." History Symphony X and The Damnation Game (1994−1995) In early 1994 Michael Romeo (formerly of the bands Phantom's Opera and Gemini) recorded a studio album titled The Dark Chapter, which featured himself and keyboard player Michael Pinnella. The tape attracted a fair share of attention, particularly in Japan. Romeo then recruited bassist Thomas Miller, drummer Jason Rullo, and vocalist Rod Tyler. Their self-titled debut album was recorded in the same year, and released to a positive reception in Japan by the now-defunct record company Zero Corporation. The band's second studio album, The Damnation Game, followed six months later. Singer Rod Tyler had left the band by then and was replaced by current singer Russell Allen. The Divine Wings Of Tragedy and Twilight In Olympus (1996−1998) The Divine Wings of Tragedy was the album that first gave Symphony X exposure in metal circles. It took a considerable time to record the album, with the recording sessions taking place in 1996, and the album was released late in the year, on November 13. The positive feedback from the specialized press served to establish Symphony X in Europe; their success in Japan only continued to grow. At the end of 1997 and for part of the next year, Jason Rullo, their drummer, had to stay away from the band in order to solve personal issues. He was temporarily replaced by Thomas Walling. Even with a temporary drummer, the band recorded Twilight in Olympus, released in early 1998. That year also saw the first live performances from the band, which by then had already gathered many fans from around the globe. Their first official show happened in 1998, in Japan. It was soon followed by a world tour. Bassist Thomas Miller left the band and was replaced by Michael Lepond in that year. A compilation album, Prelude to the Millennium, was released by the end of 1998. As an extra, it featured a second version of the song "Masquerade" from the first album, with Russell Allen on vocals. V: The New Mythology Suite and The Odyssey (1999−2005) Jason Rullo returned to the drums for the band's fifth album, V: The New Mythology Suite, released in 2000. It was the band's first release on major progressive label InsideOut Music. The album was their first concept album, dealing with the myth of Atlantis. The album features classics such as "Evolution (The Grand Design)", "Communion and the Oracle", "Egypt" and the mini-suite "Rediscovery", and includes pieces of classical music. The band went on a European and South American tour shortly after its release and recorded their first live album, Live on the Edge of Forever. In 2002, the band released The Odyssey, an album prominently featuring a 24-minute-long musical interpretation of the Homeric epic, the Odyssey. In 2005 Symphony X was featured on Gigantour, a summer festival headlined by Megadeth with Dream Theater, Nevermore and Anthrax. Two Symphony X songs from the tour, "Inferno" and "Of Sins and Shadows", are featured on the Gigantour DVD and CD-set, released in September 2006. Paradise Lost (2006–2010) The band's album Paradise Lost, a concept album loosely inspired by John Milton's epic poem of the same name, was recorded in Romeo's studio throughout 2006, delayed numerous times and released finally worldwide on June 26, 2007. The band claimed this work had darker themes musically. The album included a special DVD of footage shot by the band throughout their history, available in FYE stores. The release coincided with a 14-month world tour, including a tour through all of Europe with Dream Theater in the fall of 2007. The band also revealed plans to perform in Japan and other Asian countries, as well as appear for the first time ever in Russia, India, and the Middle East. Paradise Lost debuted at number 123 on the Billboard 200 album chart in the United States, selling 6,300 copies in its first week. The record also debuted at number 1 on the Top Heatseekers Chart. Symphony X released their first music video for the song "Serpent's Kiss" on July 28, 2007. It was followed by a video for "Set the World on Fire", released on January 11, 2008. The band toured North and South America from October to November 2008, and toured Asia in February 2009. Iconoclast (2011–2013) On March 1, 2010, an update on the Symphony X official website announced, that the band had recorded most of their next album and that Romeo and Allen were working on lyrics; Romeo was getting ready to start doing tracking for the album. The album's name and lyrical concept were revealed on January 29, 2011 in an interview by DJ JC Green of Metal Messiah Radio's "Heavy Metal Thunder" show with Russell Allen: the follow-up to Paradise Lost will be titled Iconoclast and will have its lyrics centered around "machines taking over everything and all this technology we put our society into pretty much being our demise." On March 25, 2011, it was announced on the Nuclear Blast website and Blabbermouth.net, that the new Symphony X album, Iconoclast, would be released in Europe on June 17 and in North America on June 21, as a Standard Edition as well as a 2-CD Digipack. Iconoclast debuted at number 76 on the Billboard 200 album chart in the United States, selling more than 7,300 copies in its first week. The record also debuted at number 7 on the Top Hard Rock Chart, number 19 on the Top Rock Chart and number 13 on the Top Independent Chart. The album showcases the highest chart position and the most first-week sales in the band's history. On February 25, 2011, Symphony X played the first show of their 2011 tour in Stuttgart, Germany, where they performed two songs from Iconoclast: "End of Innocence" and "Dehumanized". Some days later, in Antwerp, Belgium, they performed yet another new song, "Heretic". During their show in London, England, the band debuted another new song titled "Prometheus". On February 27, 2013, it was announced that, during the previous week, drummer Jason Rullo was admitted to hospital for heart failure. Jason spent a week in hospital, and was released after some days. He then started a rehab program that took a minimum of 3–6 months under doctors' care. John Macaluso joined them on tour for their South American and European dates, until Jason Rullo was able to fully recover. Underworld and band hiatus (2015–2019) The band is working on releasing a second fan club CD. Michael Romeo said it will be another collection of demo tunes and other rare material, and may also include a bit of content created just for the release, along the lines of MJR's Star Wars tune on the first fan club CD, Rarities and Demos, which has since sold out of its first pressing. SXW, the band's revamped fan club, has relaunched and is now active. The band began recording the drum tracks for the new album on September 9, 2014, and planned to release the complete recording by the spring of 2015. Michael Lepond stated they had ten songs written and that the album would contain either nine or all ten of them. He also stated all lyrics and instrumental tracks were composed and ready to be brought together, and that the album would be less heavy than Iconoclast: "If I had to compare, I would say that it's a combination of The Odyssey and Paradise Lost — something in there. It has a lot of classic Symphony X elements in it, which I think a lot of our fans were missing for a few years. So I think our fans will really like this one. It really just focuses on solid songwriting." As of December 11, 2014, recording of the drums, lead vocals, rhythm guitar, and bass were complete. With the keyboards, guitar solos, background vocals, and some miscellaneous odds and ends being done in the coming weeks. On April 10, 2015 the band announced the mixing and mastering of the new album was complete. On May 18, 2015, the band announced the title of the album would be titled Underworld, and a release date of July 24, 2015. The first single from the album, "Nevermore", premiered on May 22, 2015. The band released the second single, "Without You", on June 19, 2015, and was made available for digital download. According to singer Russell Allen, the band entered a short hiatus during 2017 in which they did not perform, due in part to his commitment to Adrenaline Mob, although it was announced during a January 2018 interview with Metal Nation that the band had plans to get together in the following months and begin writing a follow up to Underworld. On July 14, 2017, Adrenaline Mob was involved in a serious vehicular accident, which resulted in severe injuries for Allen and the death of the band's bassist and their tour manager. In July 2018, according to Michael Romeo, the band hopes to re-group and make another album, but also said that he was giving Russell Allen some time and space after dealing with the aftermath of the accident, and also his touring commitments with Trans-Siberian Orchestra. In June 2019, Romeo was considering to make their tenth album after they're done touring in August 2019. Upcoming tenth studio album (2020–present) During bassist LePond's May 2020 interview with Metal Nation when asked about plans for him and the band, he had confirmed that the band was ready to start writing the tenth studio album, a follow-up to their 2015 album, Underworld as soon as the virus slowed down, and that writing would begin in about 'a month or so'. Solo projects Keyboardist Michael Pinnella released a solo album, entitled Enter by the Twelfth Gate, on October 12, 2004. Another solo album, "Ascension", was released in 2014. Vocalist Russell Allen's solo debut, entitled Atomic Soul, was released in the summer of 2005. With this album, Allen took a different musical direction from that seen in his work with Symphony X. It was considered by many—including Allen himself—to be a hard rock album. Also in 2005, he recorded an album called The Battle with former Masterplan vocalist Jørn Lande under the moniker "Allen/Lande". The two would later record follow-up albums entitled The Revenge, released May 11, 2007; The Showdown, released November 5, 2010; and The Great Divide, released October 21, 2014. In early 2011, Russell Allen co-founded heavy metal supergroup Adrenaline Mob with guitarist Mike Orlando and drummer Mike Portnoy (ex-Dream Theater), who has since left the group. They have released three studio albums, Omertá (2012), Men of Honor (2014) and We the People (2017). Bassist Michael LePond released his first solo album, Mike LePond's Silent Assassins on September 26, 2014. It features guest performances from guitarist Mike Chlasciak (Halford, Testament), lead guitarist, drum producer and Symphony X bandmate Michael Romeo, and vocalist Alan Tecchio (Hades, Watchtower). LePond himself played bass and rhythm guitar. Michael Romeo's second solo album, War of the Worlds, Pt. 1, was released on July 27, 2018. The album features Rick Castellano on vocals, John DeServio on bass, and John Macaluso on drums. It was Romeo's first solo album since The Dark Chapter, which was released in 1994. War of the Worlds, Pt. 2 will be released in 2022. Musical style Symphony X is often compared to other progressive metal bands such as Dream Theater, Fates Warning, and Shadow Gallery. Their music includes complex timings and odd meters while incorporating elements of heavy metal and progressive rock. It also contains strong neo-classical elements reminiscent of Yngwie Malmsteen, Cacophony, Randy Rhoads, and other bands. The band have been categorized as progressive metal, power metal, and neoclassical metal. Recording studio: The Dungeon The Dungeon is the studio located at the home of Symphony X's guitarist and composer Michael Romeo. The albums The Divine Wings of Tragedy and V: The New Mythology Suite were partially recorded in the Dungeon, while The Odyssey, Paradise Lost, Iconoclast and Underworld were fully recorded there and produced by Romeo himself. Line-up Current members Michael Romeo − guitars, backing vocals (1994–present) Michael Pinnella − keyboards, backing vocals (1994–present) Jason Rullo – drums (1994–1997, 1998–present) Russell Allen − lead vocals (1995–present) Michael Lepond − bass, backing vocals (1999–present) Former members Thomas Miller − bass (1994−1998) Rod Tyler − lead vocals (1994) Thomas Walling − drums (1997−1998) Timeline Discography Studio albums Symphony X (1994) The Damnation Game (1995) The Divine Wings of Tragedy (1996) Twilight in Olympus (1998) V: The New Mythology Suite (2000) The Odyssey (2002) Paradise Lost (2007) Iconoclast (2011) Underworld (2015) Singles The End of Innocence (2011) Nevermore (2015) Without You (2015) Other albums Prelude to the Millennium (1999) Live on the Edge of Forever (2001) References External links 1994 establishments in New Jersey American power metal musical groups American progressive metal musical groups American symphonic metal musical groups Heavy metal musical groups from New Jersey Inside Out Music artists Metal Blade Records artists Middletown Township, New Jersey Musical groups established in 1994 Musical quintets Nuclear Blast artists

C_f7930dd76a52485aa1b2cfd00047723f_0

Was she ever married?

Was Melissa Gilbert ever married?

Melissa Gilbert

After her break up with Rob Lowe, Gilbert left for New York City to star in the play A Shayna Maidel. Gilbert was set up with actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married on February 22, 1988, only seven weeks after her relationship with Rob Lowe ended. Gilbert became pregnant months later. On May 1, 1989, she gave birth to son Dakota Paul Brinkman. They divorced in 1992. Only weeks after Gilbert's divorce filing, Bruce Boxleitner's former wife, Kathryn Holcomb, set Boxleitner up with Gilbert. Holcomb by then was married to actor Ian Ogilvy. Gilbert had met Boxleitner as a teenager when they both were on Battle of the Network Stars when Gilbert introduced herself, and she had a pin-up of him in her locker. But Boxleitner ignored her because she was a teen and he was many years older than she was. After reconnecting, the couple started dating on and off for over a year. They were engaged twice and Boxleitner broke up with her each time. After reuniting for a third time, they finally married on January 1, 1995, in her mother's living room. Gilbert quickly became pregnant, but went into premature labor more than two months before her due date. She gave birth to a son, Michael Garrett Boxleitner, named in honor of Michael Landon, on October 6, 1995. His middle name is in honor of Garrett Peckinpah, her friend Sandy Peckinpah's son, who had died suddenly of meningitis at age 16. Gilbert is also stepmother to Boxleitner's two sons with Holcomb, Sam (born 1980) and Lee (born 1985). On March 1, 2011, Gilbert announced that she and Boxleitner had separated. On August 22, 2011, Gilbert filed for divorce from Boxleitner. On January 29, 2013, Gilbert's representative confirmed the actress's engagement to fellow actor Timothy Busfield. The couple married on April 24, 2013. Since July 2013, Gilbert and Busfield have resided in Howell, Michigan. CANNOTANSWER

actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married

Melissa Ellen Gilbert (born May 8, 1964) is an American actress, television director, producer, politician and former president of the Screen Actors Guild. Gilbert began her career as a child actress in the late 1960s, appearing in numerous commercials and guest starring roles on television. From 1974 to 1983, she starred as Laura Ingalls Wilder, the second oldest daughter of Charles Ingalls (played by Michael Landon) on the NBC series Little House on the Prairie. During the run of Little House, Gilbert appeared in several television films, including The Diary of Anne Frank and The Miracle Worker. As an adult, she continued her career mainly in television films. Gilbert has also continued with guest starring roles on television and has completed voice work for animation such as Batman: The Animated Series as Barbara Gordon / Batgirl. From 2009 to 2010, Gilbert appeared as Caroline "Ma" Ingalls in the touring production of Little House on the Prairie, the Musical. In 2012, she was a contestant on season fourteen of the popular reality dance competition show Dancing with the Stars on ABC. Gilbert served as the President of the Screen Actors Guild from 2001 to 2005. In 2009, her autobiography Prairie Tale: A Memoir, was released. In 2014, she wrote a short story for children, called Daisy and Josephine as well as My Prairie Cookbook: Memories and Frontier Food from My Little House to Yours. In 2016, Gilbert ran for U.S. Congress as a Democrat in Michigan's 8th congressional district and she won the Democratic primary. She later dropped out because of health issues stemming from a 2012 accident. Early life and family Gilbert was born in Los Angeles, California, on May 8, 1964, to a newly engaged couple, Kathy Wood and David Darlington, and given up for adoption immediately after birth. She was adopted one day later by actor and comedian Paul Gilbert and his wife, dancer and actress Barbara Crane, the daughter of The Honeymooners creator Harry Crane. They later adopted a son, Jonathan, who co-starred on Little House on the Prairie. Gilbert's parents divorced when she was 8 years old. Her mother then married Harold Abeles, and together they had biological daughter Sara Rebecca Abeles (the actress known professionally as Sara Gilbert) on January 29, 1975. On February 13, 1976, Paul Gilbert died. Although 11-year-old Melissa was told that he had suffered a stroke, she found out years later that he had been a VA patient who dealt with constant pain and that he had taken his own life. The marriage of Barbara and Harold Abeles later ended in divorce. According to her biography, Gilbert was raised in her adoptive mother's Jewish religion, but did not have any formal religious education or conversion ceremony. Career Early years Gilbert's earliest television appearances were in dozens of commercials, including one for Alpo dog food with Lorne Greene (Michael Landon's television father on Bonanza). She also attended school with Landon's daughter, Leslie Landon. It was Leslie who informed her that she had won the role of Laura Ingalls on Little House on the Prairie, beating out over 500 child actresses for the part. The pilot was shot in 1973 and was a ratings success. Almost a year later, Gilbert began filming the series. Gilbert became extremely close to the Landon family after her adoptive father died. However, a rift developed between Michael Landon and Gilbert after the revelation of Landon's affair with Little House young makeup artist, Cindy Clerico. Gilbert had limited contact with Landon after Little House ended during the 1983–84 season. Seven years later, she was contacted by Landon's family and upon news of his condition, paid him a heartfelt visit following his May 9, 1991, appearance on The Tonight Show Starring Johnny Carson where he discussed his pancreatic cancer. She visited Landon at his Malibu home where he was, by then, bedridden, and they spent the afternoon together. Landon died one week later. When Gilbert gave birth to her son with second husband Bruce Boxleitner on October 6, 1995, they named him Michael, in honor of Landon. Career after Little House Gilbert has continued to work regularly, mainly in television. She starred as Jean Donovan in the biopic Choices of the Heart (1983), and as Anna Sheridan in three episodes of Babylon 5 with then-husband Boxleitner in 1996. She also provided the voice of Batgirl on the 1990s Batman: The Animated Series, though she would be replaced by voice actress Tara Strong for the series' follow-up The New Batman Adventures. For her contribution to the television industry, Gilbert received a star on the Hollywood Walk of Fame at 6429 Hollywood Blvd in 1985. Her then-fiancé, Rob Lowe, was present with her when her star was unveiled during the ceremony. In 1998, she was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma. In 2006, Gilbert appeared as Shari Noble, a patient looking to reconstruct her nipples after committing zoophilia with her dog in a season four episode of Nip/Tuck. In 2008 and through 2009, Gilbert played Caroline "Ma" Ingalls in the musical adaptation of Little House on the Prairie. This world premiere production at the Guthrie Theater in Minneapolis was directed by Francesca Zambello and also starred Kara Lindsay as Laura. The show ran through October 19 and was on a US National tour for 2009–10. The tour ended in June 2010 at Starlight Theatre in Kansas City, Missouri. In March and April 2018, Gilbert starred in an Off-Off-Broadway, limited-run production of Geraldine Aron's 2001 one-woman play 2001 My Brilliant Divorce. Dancing with the Stars In March 2012, Gilbert joined the cast of celebrity contestants on season 14 of Dancing with the Stars. She was paired with Maksim Chmerkovskiy. During week four's show, while dancing the Paso Doble, she fell and hit her head on Maksim's leg and suffered a mild concussion and was taken to a hospital. She went home to recuperate, but returned to continue in the competition. In week eight of competition, she was eliminated, finishing in fifth place. Screen Actors Guild presidency Gilbert was elected president of the Screen Actors Guild in 2001 after a contentious candidacy, in which she ultimately beat her opponent, Rhoda actress Valerie Harper, 21,351 votes to 12,613 votes after a second vote was taken. In 2003, she was re-elected, defeating Kent McCord with 50% of the vote to his 42%. In July 2005, she announced that she would not seek a third term. She was succeeded by Alan Rosenberg, who assumed the guild presidency on September 25. 2016 congressional campaign On August 10, 2015, Gilbert announced her campaign for Michigan's 8th congressional district in the 2016 elections to the United States House of Representatives. Gilbert, who was the presumptive Democratic nominee in the district, dropped out of the race in May 2016, citing health issues. Personal life Relationships After her relationship with Rob Lowe ended, Gilbert left for New York City to star in the play A Shayna Maidel. Gilbert was set up with actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married on February 22, 1988, seven weeks after her split from Lowe. Their son, Dakota Paul Brinkman, was born on May 1, 1989. The couple divorced in 1992. Weeks after Gilbert's divorce filing, actor Bruce Boxleitner's former wife set him up with Gilbert. Gilbert had met Boxleitner as a teenager when they both were on Battle of the Network Stars; he was her teenage crush. After reconnecting, they dated on and off for over a year. They were engaged twice and both engagements were ended by Boxleitner. After reuniting for a third time, they married on January 1, 1995, in her mother's living room. Gilbert gave birth to their son, Michael Garrett Boxleitner, on October 6, 1995. He is named in honor of Michael Landon and Garrett Peckinpah, her friend Sandy Peckinpah's son, who died of meningitis at age 16. Gilbert was stepmother to Boxleitner's two sons. On March 1, 2011, Gilbert announced that she and Boxleitner had separated. On August 22, 2011, Gilbert filed for divorce from Boxleitner. In January 2013, Gilbert's representative confirmed her engagement to actor Timothy Busfield. They married on April 24, 2013, lived in Howell, Michigan, from 2013 to 2018, and moved to New York City late in 2018. Tax issues Following her announcement as a candidate for U.S. Representative from Michigan, a spokesperson for her opponent's campaign referred to Gilbert as a "tax cheat". Gilbert owed $360,000 in back federal taxes and $112,000 in California state taxes. Gilbert has stated the tax debt is an outgrowth of a stalled acting career, the economy, and divorce. She has negotiated a repayment plan with the IRS. Health issues Gilbert has battled alcoholism and drug abuse, which she wrote about in her 2009 autobiography. While playing the role of Caroline "Ma" Ingalls in the touring musical Little House on the Prairie, a visit to the doctor revealed that Gilbert had been working with a broken back for months. On July 22, 2010, Gilbert underwent surgery to replace a disc as well as fuse a vertebra in her lower spine. The surgery was described as a complete success. In January 2015, Gilbert decided to have her breast implants removed for health reasons. Filmography Film Television Awards and nominations References Sources Gilbert, Melissa (2009). Prairie Tale: A Memoir (1st ed.). Gallery Books. External links About Melissa Gilbert 1964 births Living people 20th-century American actresses 21st-century American actresses Actresses from Los Angeles American actor-politicians American adoptees American child actresses American film actresses Leaders of American trade unions American memoirists American musical theatre actresses American stage actresses American television actresses American television directors American voice actresses American women television directors Jewish American actresses Participants in American reality television series Presidents of the Screen Actors Guild Michigan Democrats Women in Michigan politics Activists from California American women memoirists 21st-century American Jews

C_f7930dd76a52485aa1b2cfd00047723f_0

When did they marry?

When did Melissa and Bo marry?

Melissa Gilbert

After her break up with Rob Lowe, Gilbert left for New York City to star in the play A Shayna Maidel. Gilbert was set up with actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married on February 22, 1988, only seven weeks after her relationship with Rob Lowe ended. Gilbert became pregnant months later. On May 1, 1989, she gave birth to son Dakota Paul Brinkman. They divorced in 1992. Only weeks after Gilbert's divorce filing, Bruce Boxleitner's former wife, Kathryn Holcomb, set Boxleitner up with Gilbert. Holcomb by then was married to actor Ian Ogilvy. Gilbert had met Boxleitner as a teenager when they both were on Battle of the Network Stars when Gilbert introduced herself, and she had a pin-up of him in her locker. But Boxleitner ignored her because she was a teen and he was many years older than she was. After reconnecting, the couple started dating on and off for over a year. They were engaged twice and Boxleitner broke up with her each time. After reuniting for a third time, they finally married on January 1, 1995, in her mother's living room. Gilbert quickly became pregnant, but went into premature labor more than two months before her due date. She gave birth to a son, Michael Garrett Boxleitner, named in honor of Michael Landon, on October 6, 1995. His middle name is in honor of Garrett Peckinpah, her friend Sandy Peckinpah's son, who had died suddenly of meningitis at age 16. Gilbert is also stepmother to Boxleitner's two sons with Holcomb, Sam (born 1980) and Lee (born 1985). On March 1, 2011, Gilbert announced that she and Boxleitner had separated. On August 22, 2011, Gilbert filed for divorce from Boxleitner. On January 29, 2013, Gilbert's representative confirmed the actress's engagement to fellow actor Timothy Busfield. The couple married on April 24, 2013. Since July 2013, Gilbert and Busfield have resided in Howell, Michigan. CANNOTANSWER

February 22, 1988,

Melissa Ellen Gilbert (born May 8, 1964) is an American actress, television director, producer, politician and former president of the Screen Actors Guild. Gilbert began her career as a child actress in the late 1960s, appearing in numerous commercials and guest starring roles on television. From 1974 to 1983, she starred as Laura Ingalls Wilder, the second oldest daughter of Charles Ingalls (played by Michael Landon) on the NBC series Little House on the Prairie. During the run of Little House, Gilbert appeared in several television films, including The Diary of Anne Frank and The Miracle Worker. As an adult, she continued her career mainly in television films. Gilbert has also continued with guest starring roles on television and has completed voice work for animation such as Batman: The Animated Series as Barbara Gordon / Batgirl. From 2009 to 2010, Gilbert appeared as Caroline "Ma" Ingalls in the touring production of Little House on the Prairie, the Musical. In 2012, she was a contestant on season fourteen of the popular reality dance competition show Dancing with the Stars on ABC. Gilbert served as the President of the Screen Actors Guild from 2001 to 2005. In 2009, her autobiography Prairie Tale: A Memoir, was released. In 2014, she wrote a short story for children, called Daisy and Josephine as well as My Prairie Cookbook: Memories and Frontier Food from My Little House to Yours. In 2016, Gilbert ran for U.S. Congress as a Democrat in Michigan's 8th congressional district and she won the Democratic primary. She later dropped out because of health issues stemming from a 2012 accident. Early life and family Gilbert was born in Los Angeles, California, on May 8, 1964, to a newly engaged couple, Kathy Wood and David Darlington, and given up for adoption immediately after birth. She was adopted one day later by actor and comedian Paul Gilbert and his wife, dancer and actress Barbara Crane, the daughter of The Honeymooners creator Harry Crane. They later adopted a son, Jonathan, who co-starred on Little House on the Prairie. Gilbert's parents divorced when she was 8 years old. Her mother then married Harold Abeles, and together they had biological daughter Sara Rebecca Abeles (the actress known professionally as Sara Gilbert) on January 29, 1975. On February 13, 1976, Paul Gilbert died. Although 11-year-old Melissa was told that he had suffered a stroke, she found out years later that he had been a VA patient who dealt with constant pain and that he had taken his own life. The marriage of Barbara and Harold Abeles later ended in divorce. According to her biography, Gilbert was raised in her adoptive mother's Jewish religion, but did not have any formal religious education or conversion ceremony. Career Early years Gilbert's earliest television appearances were in dozens of commercials, including one for Alpo dog food with Lorne Greene (Michael Landon's television father on Bonanza). She also attended school with Landon's daughter, Leslie Landon. It was Leslie who informed her that she had won the role of Laura Ingalls on Little House on the Prairie, beating out over 500 child actresses for the part. The pilot was shot in 1973 and was a ratings success. Almost a year later, Gilbert began filming the series. Gilbert became extremely close to the Landon family after her adoptive father died. However, a rift developed between Michael Landon and Gilbert after the revelation of Landon's affair with Little House young makeup artist, Cindy Clerico. Gilbert had limited contact with Landon after Little House ended during the 1983–84 season. Seven years later, she was contacted by Landon's family and upon news of his condition, paid him a heartfelt visit following his May 9, 1991, appearance on The Tonight Show Starring Johnny Carson where he discussed his pancreatic cancer. She visited Landon at his Malibu home where he was, by then, bedridden, and they spent the afternoon together. Landon died one week later. When Gilbert gave birth to her son with second husband Bruce Boxleitner on October 6, 1995, they named him Michael, in honor of Landon. Career after Little House Gilbert has continued to work regularly, mainly in television. She starred as Jean Donovan in the biopic Choices of the Heart (1983), and as Anna Sheridan in three episodes of Babylon 5 with then-husband Boxleitner in 1996. She also provided the voice of Batgirl on the 1990s Batman: The Animated Series, though she would be replaced by voice actress Tara Strong for the series' follow-up The New Batman Adventures. For her contribution to the television industry, Gilbert received a star on the Hollywood Walk of Fame at 6429 Hollywood Blvd in 1985. Her then-fiancé, Rob Lowe, was present with her when her star was unveiled during the ceremony. In 1998, she was inducted into the Western Performers Hall of Fame at the National Cowboy & Western Heritage Museum in Oklahoma City, Oklahoma. In 2006, Gilbert appeared as Shari Noble, a patient looking to reconstruct her nipples after committing zoophilia with her dog in a season four episode of Nip/Tuck. In 2008 and through 2009, Gilbert played Caroline "Ma" Ingalls in the musical adaptation of Little House on the Prairie. This world premiere production at the Guthrie Theater in Minneapolis was directed by Francesca Zambello and also starred Kara Lindsay as Laura. The show ran through October 19 and was on a US National tour for 2009–10. The tour ended in June 2010 at Starlight Theatre in Kansas City, Missouri. In March and April 2018, Gilbert starred in an Off-Off-Broadway, limited-run production of Geraldine Aron's 2001 one-woman play 2001 My Brilliant Divorce. Dancing with the Stars In March 2012, Gilbert joined the cast of celebrity contestants on season 14 of Dancing with the Stars. She was paired with Maksim Chmerkovskiy. During week four's show, while dancing the Paso Doble, she fell and hit her head on Maksim's leg and suffered a mild concussion and was taken to a hospital. She went home to recuperate, but returned to continue in the competition. In week eight of competition, she was eliminated, finishing in fifth place. Screen Actors Guild presidency Gilbert was elected president of the Screen Actors Guild in 2001 after a contentious candidacy, in which she ultimately beat her opponent, Rhoda actress Valerie Harper, 21,351 votes to 12,613 votes after a second vote was taken. In 2003, she was re-elected, defeating Kent McCord with 50% of the vote to his 42%. In July 2005, she announced that she would not seek a third term. She was succeeded by Alan Rosenberg, who assumed the guild presidency on September 25. 2016 congressional campaign On August 10, 2015, Gilbert announced her campaign for Michigan's 8th congressional district in the 2016 elections to the United States House of Representatives. Gilbert, who was the presumptive Democratic nominee in the district, dropped out of the race in May 2016, citing health issues. Personal life Relationships After her relationship with Rob Lowe ended, Gilbert left for New York City to star in the play A Shayna Maidel. Gilbert was set up with actor Bo Brinkman, a cousin of actors Randy Quaid and Dennis Quaid. The couple married on February 22, 1988, seven weeks after her split from Lowe. Their son, Dakota Paul Brinkman, was born on May 1, 1989. The couple divorced in 1992. Weeks after Gilbert's divorce filing, actor Bruce Boxleitner's former wife set him up with Gilbert. Gilbert had met Boxleitner as a teenager when they both were on Battle of the Network Stars; he was her teenage crush. After reconnecting, they dated on and off for over a year. They were engaged twice and both engagements were ended by Boxleitner. After reuniting for a third time, they married on January 1, 1995, in her mother's living room. Gilbert gave birth to their son, Michael Garrett Boxleitner, on October 6, 1995. He is named in honor of Michael Landon and Garrett Peckinpah, her friend Sandy Peckinpah's son, who died of meningitis at age 16. Gilbert was stepmother to Boxleitner's two sons. On March 1, 2011, Gilbert announced that she and Boxleitner had separated. On August 22, 2011, Gilbert filed for divorce from Boxleitner. In January 2013, Gilbert's representative confirmed her engagement to actor Timothy Busfield. They married on April 24, 2013, lived in Howell, Michigan, from 2013 to 2018, and moved to New York City late in 2018. Tax issues Following her announcement as a candidate for U.S. Representative from Michigan, a spokesperson for her opponent's campaign referred to Gilbert as a "tax cheat". Gilbert owed $360,000 in back federal taxes and $112,000 in California state taxes. Gilbert has stated the tax debt is an outgrowth of a stalled acting career, the economy, and divorce. She has negotiated a repayment plan with the IRS. Health issues Gilbert has battled alcoholism and drug abuse, which she wrote about in her 2009 autobiography. While playing the role of Caroline "Ma" Ingalls in the touring musical Little House on the Prairie, a visit to the doctor revealed that Gilbert had been working with a broken back for months. On July 22, 2010, Gilbert underwent surgery to replace a disc as well as fuse a vertebra in her lower spine. The surgery was described as a complete success. In January 2015, Gilbert decided to have her breast implants removed for health reasons. Filmography Film Television Awards and nominations References Sources Gilbert, Melissa (2009). Prairie Tale: A Memoir (1st ed.). Gallery Books. External links About Melissa Gilbert 1964 births Living people 20th-century American actresses 21st-century American actresses Actresses from Los Angeles American actor-politicians American adoptees American child actresses American film actresses Leaders of American trade unions American memoirists American musical theatre actresses American stage actresses American television actresses American television directors American voice actresses American women television directors Jewish American actresses Participants in American reality television series Presidents of the Screen Actors Guild Michigan Democrats Women in Michigan politics Activists from California American women memoirists 21st-century American Jews