gaussalgo/Canard_Wiki-augmented huggingface dataset:
Steve Spurrier

Context: NCAA rules in the 1960s forbade college freshmen from participating in varsity sports competition. Spurrier therefore spent his first year at Florida practicing with the varsity team and playing on the freshman team, which scheduled four scrimmages against other schools' freshman squads as a way for young players to gain experience. In 1963, Spurrier led the "Baby Gators" to a 45-12 victory over Georgia's freshman team at Florida Field, a game which he half-jokingly claimed as a home win years later.  Spurrier had been considered for the starting quarterback position leading up to his sophomore year of 1964, but a serious knee injury suffered during spring drills caused him to lose practice time and allowed returning senior starter Tommy Shannon to keep the job. Coach Ray Graves still felt the need to get the future star on the field, so he decided to alternate his two quarterbacks as the flow of the game dictated. Spurrier entered the season opening game against SMU in the second quarter. After two unsuccessful running plays called from the sidelines left the Gators in a third down and long situation, Coach Graves told Spurrier to call the next play himself. The young quarterback responded by completing a fifty-six yard screen pass on his first collegiate attempt and a touchdown on his second pass. Spurrier would add another touchdown pass during the second half of his varsity debut. The following week on the road at Mississippi State, Spurrier entered a tied game late in the fourth quarter and led the Gators down the field for a game-winning field goal.  Spurrier continued to alternate with starter Tommy Shannon as the season progressed, gaining more playing time every week. After being named SEC Back of the Week for a two touchdown performance in a 30-14 upset over Ole Miss in October, Spurrier was given the starting nod for the undefeated Gators' next game against undefeated and #3 ranked and eventual national champion Alabama in Tuscaloosa. Though Spurrier threw a touchdown pass and was the Gators' offensive star, his team fell short when another late fourth quarter comeback attempt ended in a missed field goal and a 17-14 Alabama win. Spurrier remained the Gators' starter for the remainder of the season and was sometimes brilliant but inconsistent. He led the Gators to a 14-0 home win over rival Auburn and a 20-6 upset of #7 LSU in Baton Rouge, but he did not play well in losses to rivals Georgia and Florida State. Nevertheless, he was named the SEC's Sophomore of the Year for 1964. CANNOTANSWER

Question: How did Steve Spurrier do academically?
Answer: CANNOTANSWER
Steve Spurrier

Context: NCAA rules in the 1960s forbade college freshmen from participating in varsity sports competition. Spurrier therefore spent his first year at Florida practicing with the varsity team and playing on the freshman team, which scheduled four scrimmages against other schools' freshman squads as a way for young players to gain experience. In 1963, Spurrier led the "Baby Gators" to a 45-12 victory over Georgia's freshman team at Florida Field, a game which he half-jokingly claimed as a home win years later.  Spurrier had been considered for the starting quarterback position leading up to his sophomore year of 1964, but a serious knee injury suffered during spring drills caused him to lose practice time and allowed returning senior starter Tommy Shannon to keep the job. Coach Ray Graves still felt the need to get the future star on the field, so he decided to alternate his two quarterbacks as the flow of the game dictated. Spurrier entered the season opening game against SMU in the second quarter. After two unsuccessful running plays called from the sidelines left the Gators in a third down and long situation, Coach Graves told Spurrier to call the next play himself. The young quarterback responded by completing a fifty-six yard screen pass on his first collegiate attempt and a touchdown on his second pass. Spurrier would add another touchdown pass during the second half of his varsity debut. The following week on the road at Mississippi State, Spurrier entered a tied game late in the fourth quarter and led the Gators down the field for a game-winning field goal.  Spurrier continued to alternate with starter Tommy Shannon as the season progressed, gaining more playing time every week. After being named SEC Back of the Week for a two touchdown performance in a 30-14 upset over Ole Miss in October, Spurrier was given the starting nod for the undefeated Gators' next game against undefeated and #3 ranked and eventual national champion Alabama in Tuscaloosa. Though Spurrier threw a touchdown pass and was the Gators' offensive star, his team fell short when another late fourth quarter comeback attempt ended in a missed field goal and a 17-14 Alabama win. Spurrier remained the Gators' starter for the remainder of the season and was sometimes brilliant but inconsistent. He led the Gators to a 14-0 home win over rival Auburn and a 20-6 upset of #7 LSU in Baton Rouge, but he did not play well in losses to rivals Georgia and Florida State. Nevertheless, he was named the SEC's Sophomore of the Year for 1964. CANNOTANSWER

Question: Are there any other interesting aspects about this article, besides Steve Spurrier's injury??
Answer: Spurrier continued to alternate with starter Tommy Shannon as the season progressed, gaining more playing time every week. After being named SEC Back of the Week
Steve Spurrier

Context: NCAA rules in the 1960s forbade college freshmen from participating in varsity sports competition. Spurrier therefore spent his first year at Florida practicing with the varsity team and playing on the freshman team, which scheduled four scrimmages against other schools' freshman squads as a way for young players to gain experience. In 1963, Spurrier led the "Baby Gators" to a 45-12 victory over Georgia's freshman team at Florida Field, a game which he half-jokingly claimed as a home win years later.  Spurrier had been considered for the starting quarterback position leading up to his sophomore year of 1964, but a serious knee injury suffered during spring drills caused him to lose practice time and allowed returning senior starter Tommy Shannon to keep the job. Coach Ray Graves still felt the need to get the future star on the field, so he decided to alternate his two quarterbacks as the flow of the game dictated. Spurrier entered the season opening game against SMU in the second quarter. After two unsuccessful running plays called from the sidelines left the Gators in a third down and long situation, Coach Graves told Spurrier to call the next play himself. The young quarterback responded by completing a fifty-six yard screen pass on his first collegiate attempt and a touchdown on his second pass. Spurrier would add another touchdown pass during the second half of his varsity debut. The following week on the road at Mississippi State, Spurrier entered a tied game late in the fourth quarter and led the Gators down the field for a game-winning field goal.  Spurrier continued to alternate with starter Tommy Shannon as the season progressed, gaining more playing time every week. After being named SEC Back of the Week for a two touchdown performance in a 30-14 upset over Ole Miss in October, Spurrier was given the starting nod for the undefeated Gators' next game against undefeated and #3 ranked and eventual national champion Alabama in Tuscaloosa. Though Spurrier threw a touchdown pass and was the Gators' offensive star, his team fell short when another late fourth quarter comeback attempt ended in a missed field goal and a 17-14 Alabama win. Spurrier remained the Gators' starter for the remainder of the season and was sometimes brilliant but inconsistent. He led the Gators to a 14-0 home win over rival Auburn and a 20-6 upset of #7 LSU in Baton Rouge, but he did not play well in losses to rivals Georgia and Florida State. Nevertheless, he was named the SEC's Sophomore of the Year for 1964. CANNOTANSWER

Question: Did Steve Spurrier have any interesting football statistics?
Answer: After being named SEC Back of the Week for a two touchdown performance in a 30-14 upset over Ole Miss in October,
Steve Spurrier

Context: NCAA rules in the 1960s forbade college freshmen from participating in varsity sports competition. Spurrier therefore spent his first year at Florida practicing with the varsity team and playing on the freshman team, which scheduled four scrimmages against other schools' freshman squads as a way for young players to gain experience. In 1963, Spurrier led the "Baby Gators" to a 45-12 victory over Georgia's freshman team at Florida Field, a game which he half-jokingly claimed as a home win years later.  Spurrier had been considered for the starting quarterback position leading up to his sophomore year of 1964, but a serious knee injury suffered during spring drills caused him to lose practice time and allowed returning senior starter Tommy Shannon to keep the job. Coach Ray Graves still felt the need to get the future star on the field, so he decided to alternate his two quarterbacks as the flow of the game dictated. Spurrier entered the season opening game against SMU in the second quarter. After two unsuccessful running plays called from the sidelines left the Gators in a third down and long situation, Coach Graves told Spurrier to call the next play himself. The young quarterback responded by completing a fifty-six yard screen pass on his first collegiate attempt and a touchdown on his second pass. Spurrier would add another touchdown pass during the second half of his varsity debut. The following week on the road at Mississippi State, Spurrier entered a tied game late in the fourth quarter and led the Gators down the field for a game-winning field goal.  Spurrier continued to alternate with starter Tommy Shannon as the season progressed, gaining more playing time every week. After being named SEC Back of the Week for a two touchdown performance in a 30-14 upset over Ole Miss in October, Spurrier was given the starting nod for the undefeated Gators' next game against undefeated and #3 ranked and eventual national champion Alabama in Tuscaloosa. Though Spurrier threw a touchdown pass and was the Gators' offensive star, his team fell short when another late fourth quarter comeback attempt ended in a missed field goal and a 17-14 Alabama win. Spurrier remained the Gators' starter for the remainder of the season and was sometimes brilliant but inconsistent. He led the Gators to a 14-0 home win over rival Auburn and a 20-6 upset of #7 LSU in Baton Rouge, but he did not play well in losses to rivals Georgia and Florida State. Nevertheless, he was named the SEC's Sophomore of the Year for 1964. CANNOTANSWER

Question: Did Steve Spurrier have any notable losses?
Answer: Though Spurrier threw a touchdown pass and was the Gators' offensive star, his team fell short when another late fourth quarter comeback attempt ended in
Steve Spurrier

Context: NCAA rules in the 1960s forbade college freshmen from participating in varsity sports competition. Spurrier therefore spent his first year at Florida practicing with the varsity team and playing on the freshman team, which scheduled four scrimmages against other schools' freshman squads as a way for young players to gain experience. In 1963, Spurrier led the "Baby Gators" to a 45-12 victory over Georgia's freshman team at Florida Field, a game which he half-jokingly claimed as a home win years later.  Spurrier had been considered for the starting quarterback position leading up to his sophomore year of 1964, but a serious knee injury suffered during spring drills caused him to lose practice time and allowed returning senior starter Tommy Shannon to keep the job. Coach Ray Graves still felt the need to get the future star on the field, so he decided to alternate his two quarterbacks as the flow of the game dictated. Spurrier entered the season opening game against SMU in the second quarter. After two unsuccessful running plays called from the sidelines left the Gators in a third down and long situation, Coach Graves told Spurrier to call the next play himself. The young quarterback responded by completing a fifty-six yard screen pass on his first collegiate attempt and a touchdown on his second pass. Spurrier would add another touchdown pass during the second half of his varsity debut. The following week on the road at Mississippi State, Spurrier entered a tied game late in the fourth quarter and led the Gators down the field for a game-winning field goal.  Spurrier continued to alternate with starter Tommy Shannon as the season progressed, gaining more playing time every week. After being named SEC Back of the Week for a two touchdown performance in a 30-14 upset over Ole Miss in October, Spurrier was given the starting nod for the undefeated Gators' next game against undefeated and #3 ranked and eventual national champion Alabama in Tuscaloosa. Though Spurrier threw a touchdown pass and was the Gators' offensive star, his team fell short when another late fourth quarter comeback attempt ended in a missed field goal and a 17-14 Alabama win. Spurrier remained the Gators' starter for the remainder of the season and was sometimes brilliant but inconsistent. He led the Gators to a 14-0 home win over rival Auburn and a 20-6 upset of #7 LSU in Baton Rouge, but he did not play well in losses to rivals Georgia and Florida State. Nevertheless, he was named the SEC's Sophomore of the Year for 1964. CANNOTANSWER

Question: What was Steve Spurrier's  most notable win?
Answer: He led the Gators to a 14-0 home win over rival Auburn and a 20-6 upset of #7 LSU in Baton Rouge,
Jayan

Context: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death.  The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man."  A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future. CANNOTANSWER

Question: When did Jayan's resurgence start?
Answer: In the late 1990s and early 21st century,
Jayan

Context: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death.  The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man."  A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future. CANNOTANSWER

Question: What caused Jayan's resurgence?
Answer: It was owed mostly to programs by popular mimicry stage artists in the State,
Jayan

Context: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death.  The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man."  A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future. CANNOTANSWER

Question: What was the State with programs by mimicry stage artists?
Answer: CANNOTANSWER
Jayan

Context: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death.  The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man."  A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future. CANNOTANSWER

Question: Are there any particular mimicry stage artists named that led to Jayan's resurgence?
Answer: CANNOTANSWER
Jayan

Context: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death.  The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man."  A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future. CANNOTANSWER

Question: In addition to mimicry stage artists, are there any other interesting aspects about the article about Jayan?
Answer: Jayan will forever be young and alive. No one can ever visualise him as an old man."
Jayan

Context: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death.  The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man."  A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future. CANNOTANSWER

Question: Who said Jayan will forever be young and alive?
Answer: Madhu,
Jayan

Context: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death.  The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man."  A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future. CANNOTANSWER

Question: Who was Madhu?
Answer: a famous actor prominent in the 1960s,
Jayan

Context: In the late 1990s and early 21st century, there was a resurgence of Jayan's screen persona in Kerala and his old movie scenes came to prominence again. It was owed mostly to programs by popular mimicry stage artists in the State, whose imitations of the star's mannerisms caught on and soon became commonplace in college stage events, television programs and mimicry stage shows along with quotes of superhuman strength known as Jayan quotes. However, it has been pointed out that many grotesquely imitated screen dialogues of Jayan are not actually his, but that of dubbing artist Aleppey Ashraf, who dubbed for many of his characters after his death.  The "comeback" of Jayan and his renewed popularity lately may be taken as an affirmation that Jayan has not been replaced even nearly three decades after his death. Today, Jayan is best remembered as the first and best action star of Malayalam cinema, so far, besides his trademark colourful attire, risky stunts, machismo mannerisms and unique speaking style. He has rightly won immortality in the hearts of the Malayalam film fans as a martyr in his yearning to thrill and entertain them even by putting his life at stake. Madhu, a famous actor prominent in the 1960s, once stated in an interview: "Jayan will forever be young and alive. No one can ever visualise him as an old man."  A film titled Avatharam presently under production, is attempting to bring back his screen persona using advanced technologies. A documentary on Jayan's life and death Jayan - The Man behind the Legend is nearing completion for release in the near future. CANNOTANSWER

Question: Did Madhu ever act with Jayan?
Answer: CANNOTANSWER
Pink Floyd – The Wall

Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre. CANNOTANSWER

Question: what was the concept?
Answer: only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (
Pink Floyd – The Wall

Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre. CANNOTANSWER

Question: who was Pink Floyd comprised ?
Answer: Pink Floyd
Pink Floyd – The Wall

Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides the concept?
Answer: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:
Pink Floyd – The Wall

Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre. CANNOTANSWER

Question: what happened after Waters beginning to feel alienated after mainstream fame?
Answer: When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces.
Pink Floyd – The Wall

Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre. CANNOTANSWER

Question: what was Pink Floyd's biggest show?
Answer: CANNOTANSWER
Pink Floyd – The Wall

Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre. CANNOTANSWER

Question: what was Pink Floyd's biggest accomplishment?
Answer: This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'",
Pink Floyd – The Wall

Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre. CANNOTANSWER

Question: what did Pink Floyd do next after symbolising a new era for rock bands?
Answer: drawing upon existentialists, namely Jean-Paul Sartre.
Pink Floyd – The Wall

Context: In the mid-1970s, as Pink Floyd gained mainstream fame, Waters began feeling increasingly alienated from their audiences:  Audiences at those vast concerts are there for an excitement which, I think, has to do with the love of success. When a band or a person becomes an idol, it can have to do with the success that that person manifests, not the quality of work he produces. You don't become a fanatic because somebody's work is good, you become a fanatic to be touched vicariously by their glamour and fame. Stars--film stars, rock 'n' roll stars--represent, in myth anyway, the life as we'd all like to live it. They seem at the very centre of life. And that's why audiences still spend large sums of money at concerts where they are a long, long way from the stage, where they are often very uncomfortable, and where the sound is often very bad.  Waters was also dismayed by the "executive approach", which was only about success, not even attempting to get acquainted with the actual persons of whom the band was comprised (addressed in an earlier song from Wish You Were Here, "Have a Cigar"). The concept of the wall, along with the decision to name the lead character "Pink", partly grew out of that approach, combined with the issue of the growing alienation between the band and their fans. This symbolised a new era for rock bands, as Pink Floyd "explored (... ) the hard realities of 'being where we are'", drawing upon existentialists, namely Jean-Paul Sartre. CANNOTANSWER

Question: who was jean-paul?
Answer: CANNOTANSWER
Charles Taze Russell

Context: In 1897 Russell's wife, Maria, left him after a disagreement over the management of Zion's Watch Tower magazine. According to Russell's successor Joseph Franklin Rutherford, she believed that, as his wife, she should have equal control over its administration and equal privilege in writing articles, preaching, and traveling abroad as his representative. In 1903 she filed for legal separation on the grounds of mental cruelty, referring to forced celibacy and frequent cold, indifferent treatment by him. The separation was granted in 1906, with Russell charged to pay alimony.  During the trial Mrs. Russell's attorney alleged that in 1894 Mr. Russell had engaged in "improper intimacy" with Rose Ball, by then a 25-year-old woman. The Russells had cared for her as a foster daughter said to be an orphan. Mrs. Russell alleged that Ball had told her Mr. Russell claimed to be an amorous "jellyfish floating around" to different women until someone responded to his advances. Mr. Russell denied the accusations and said he had never used such language to describe himself. When the judge asked Mrs. Russell if she was accusing her husband of adultery, she replied, "No".  The Washington Post and the Mission Friend of Chicago reprinted the "jellyfish" story while also accusing Russell of immoral conduct. Russell sued the papers for libel; the jury decided in his favor, awarding him one dollar. Following an appeal, Russell received a cash settlement of $15,000 (current value $409,000) plus court costs, and an agreement that the two papers publish his weekly syndicated sermons as well as a retraction defending his character.  Rose Ball later married and lived in Australia. As Rose Ball Henninges, she died November 22, 1950 at the age of 81 in Melbourne, Australia. For several years she had written articles for The People's Paper and was associated with the Bible Students in Australia until her death. CANNOTANSWER

Question: What were the allegations against Charles Taze Russell?
Answer: mental cruelty, referring to forced celibacy and frequent cold, indifferent treatment by him.
Charles Taze Russell

Context: In 1897 Russell's wife, Maria, left him after a disagreement over the management of Zion's Watch Tower magazine. According to Russell's successor Joseph Franklin Rutherford, she believed that, as his wife, she should have equal control over its administration and equal privilege in writing articles, preaching, and traveling abroad as his representative. In 1903 she filed for legal separation on the grounds of mental cruelty, referring to forced celibacy and frequent cold, indifferent treatment by him. The separation was granted in 1906, with Russell charged to pay alimony.  During the trial Mrs. Russell's attorney alleged that in 1894 Mr. Russell had engaged in "improper intimacy" with Rose Ball, by then a 25-year-old woman. The Russells had cared for her as a foster daughter said to be an orphan. Mrs. Russell alleged that Ball had told her Mr. Russell claimed to be an amorous "jellyfish floating around" to different women until someone responded to his advances. Mr. Russell denied the accusations and said he had never used such language to describe himself. When the judge asked Mrs. Russell if she was accusing her husband of adultery, she replied, "No".  The Washington Post and the Mission Friend of Chicago reprinted the "jellyfish" story while also accusing Russell of immoral conduct. Russell sued the papers for libel; the jury decided in his favor, awarding him one dollar. Following an appeal, Russell received a cash settlement of $15,000 (current value $409,000) plus court costs, and an agreement that the two papers publish his weekly syndicated sermons as well as a retraction defending his character.  Rose Ball later married and lived in Australia. As Rose Ball Henninges, she died November 22, 1950 at the age of 81 in Melbourne, Australia. For several years she had written articles for The People's Paper and was associated with the Bible Students in Australia until her death. CANNOTANSWER

Question: Who did Charles Taze Russell subject to cruelty?
Answer: Russell's wife, Maria,
Charles Taze Russell

Context: In 1897 Russell's wife, Maria, left him after a disagreement over the management of Zion's Watch Tower magazine. According to Russell's successor Joseph Franklin Rutherford, she believed that, as his wife, she should have equal control over its administration and equal privilege in writing articles, preaching, and traveling abroad as his representative. In 1903 she filed for legal separation on the grounds of mental cruelty, referring to forced celibacy and frequent cold, indifferent treatment by him. The separation was granted in 1906, with Russell charged to pay alimony.  During the trial Mrs. Russell's attorney alleged that in 1894 Mr. Russell had engaged in "improper intimacy" with Rose Ball, by then a 25-year-old woman. The Russells had cared for her as a foster daughter said to be an orphan. Mrs. Russell alleged that Ball had told her Mr. Russell claimed to be an amorous "jellyfish floating around" to different women until someone responded to his advances. Mr. Russell denied the accusations and said he had never used such language to describe himself. When the judge asked Mrs. Russell if she was accusing her husband of adultery, she replied, "No".  The Washington Post and the Mission Friend of Chicago reprinted the "jellyfish" story while also accusing Russell of immoral conduct. Russell sued the papers for libel; the jury decided in his favor, awarding him one dollar. Following an appeal, Russell received a cash settlement of $15,000 (current value $409,000) plus court costs, and an agreement that the two papers publish his weekly syndicated sermons as well as a retraction defending his character.  Rose Ball later married and lived in Australia. As Rose Ball Henninges, she died November 22, 1950 at the age of 81 in Melbourne, Australia. For several years she had written articles for The People's Paper and was associated with the Bible Students in Australia until her death. CANNOTANSWER

Question: Who made the allegations against Charles Taze Russell?
Answer: Maria,