gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bobby Jones (golfer)

Context: Born in Atlanta, Georgia, Jones battled health issues as a young boy, and golf was prescribed to strengthen him. Encouraged by his father, "Colonel" Robert Purmedus Jones, an Atlanta lawyer, Jones loved golf from the start. He developed quickly into a child prodigy, who won his first children's tournament at the age of six at his home course at East Lake Golf Club. In 1916, Jones won his first major golf event when he claimed the inaugural Georgia Amateur Championship conducted by the Georgia State Golf Association at the Capital City Club, in Brookhaven, at age 14. His victory at this event put him in the national spotlight for the first time. The Georgia Amateur win caught the eye of the United States Golf Association which awarded Jones his first invitation to the U.S. Amateur at Merion near Philadelphia. Jones advanced to the quarterfinals in his first playing in the event.  He was influenced by club professional Stewart Maiden, a native of Carnoustie, Scotland. Maiden was the professional at the Atlanta Athletic Club's East Lake Golf Club, who also trained Alexa Stirling, five years older than Jones but also a prodigy, at East Lake around the same time. Jones also received golf lessons from Willie Ogg when he was in his teenage years. Jones played frequently with his father, a skilled player himself. The younger Jones sometimes battled his own temper on the course, but later controlled his emotions as he became more experienced. Jones toured the U.S. during World War I from 1917-18, playing exhibition matches before large crowds, often with Alexa Stirling and Perry Adair, to generate income for war relief. Playing in front of such crowds in these matches helped him, as he moved into national competition a bit later on.  Jones successfully represented the United States for the first time, in two winning international amateur team matches against Canada, in 1919 and 1920, earning three of a possible four points in foursomes and singles play. In 1919 he traveled to Hamilton Golf and Country Club, for his first serious competitive action outside the U.S., while in 1920, Engineers Country Club, in Roslyn, Long Island, hosted the matches. Still a teenager, he was by far the youngest player in the series. Jones also played in the 1919 Canadian Open while in Hamilton, Ontario, performing very well to place tied for second, but 16 shots behind winner J. Douglas Edgar. Edgar had immigrated from England in 1919 to take a club professional's job in Atlanta at Druid Hills Golf Club; Edgar mentored and played frequently with Jones from 1919 to 1921. Edgar was credited by Jones with helping develop his game significantly.  Jones qualified for his first U.S. Open at age 18 in 1920, and was paired with the legendary Harry Vardon for the first two rounds. He won the Southern Amateur three times: 1917, 1920, and 1922. CANNOTANSWER

Question: did Bobby Jones have any siblings?
Answer: CANNOTANSWER
Bobby Jones (golfer)

Context: Born in Atlanta, Georgia, Jones battled health issues as a young boy, and golf was prescribed to strengthen him. Encouraged by his father, "Colonel" Robert Purmedus Jones, an Atlanta lawyer, Jones loved golf from the start. He developed quickly into a child prodigy, who won his first children's tournament at the age of six at his home course at East Lake Golf Club. In 1916, Jones won his first major golf event when he claimed the inaugural Georgia Amateur Championship conducted by the Georgia State Golf Association at the Capital City Club, in Brookhaven, at age 14. His victory at this event put him in the national spotlight for the first time. The Georgia Amateur win caught the eye of the United States Golf Association which awarded Jones his first invitation to the U.S. Amateur at Merion near Philadelphia. Jones advanced to the quarterfinals in his first playing in the event.  He was influenced by club professional Stewart Maiden, a native of Carnoustie, Scotland. Maiden was the professional at the Atlanta Athletic Club's East Lake Golf Club, who also trained Alexa Stirling, five years older than Jones but also a prodigy, at East Lake around the same time. Jones also received golf lessons from Willie Ogg when he was in his teenage years. Jones played frequently with his father, a skilled player himself. The younger Jones sometimes battled his own temper on the course, but later controlled his emotions as he became more experienced. Jones toured the U.S. during World War I from 1917-18, playing exhibition matches before large crowds, often with Alexa Stirling and Perry Adair, to generate income for war relief. Playing in front of such crowds in these matches helped him, as he moved into national competition a bit later on.  Jones successfully represented the United States for the first time, in two winning international amateur team matches against Canada, in 1919 and 1920, earning three of a possible four points in foursomes and singles play. In 1919 he traveled to Hamilton Golf and Country Club, for his first serious competitive action outside the U.S., while in 1920, Engineers Country Club, in Roslyn, Long Island, hosted the matches. Still a teenager, he was by far the youngest player in the series. Jones also played in the 1919 Canadian Open while in Hamilton, Ontario, performing very well to place tied for second, but 16 shots behind winner J. Douglas Edgar. Edgar had immigrated from England in 1919 to take a club professional's job in Atlanta at Druid Hills Golf Club; Edgar mentored and played frequently with Jones from 1919 to 1921. Edgar was credited by Jones with helping develop his game significantly.  Jones qualified for his first U.S. Open at age 18 in 1920, and was paired with the legendary Harry Vardon for the first two rounds. He won the Southern Amateur three times: 1917, 1920, and 1922. CANNOTANSWER

Question: how did Bobby Jones start playing golf?
Answer: Jones battled health issues as a young boy, and golf was prescribed to strengthen him.
Bobby Jones (golfer)

Context: Born in Atlanta, Georgia, Jones battled health issues as a young boy, and golf was prescribed to strengthen him. Encouraged by his father, "Colonel" Robert Purmedus Jones, an Atlanta lawyer, Jones loved golf from the start. He developed quickly into a child prodigy, who won his first children's tournament at the age of six at his home course at East Lake Golf Club. In 1916, Jones won his first major golf event when he claimed the inaugural Georgia Amateur Championship conducted by the Georgia State Golf Association at the Capital City Club, in Brookhaven, at age 14. His victory at this event put him in the national spotlight for the first time. The Georgia Amateur win caught the eye of the United States Golf Association which awarded Jones his first invitation to the U.S. Amateur at Merion near Philadelphia. Jones advanced to the quarterfinals in his first playing in the event.  He was influenced by club professional Stewart Maiden, a native of Carnoustie, Scotland. Maiden was the professional at the Atlanta Athletic Club's East Lake Golf Club, who also trained Alexa Stirling, five years older than Jones but also a prodigy, at East Lake around the same time. Jones also received golf lessons from Willie Ogg when he was in his teenage years. Jones played frequently with his father, a skilled player himself. The younger Jones sometimes battled his own temper on the course, but later controlled his emotions as he became more experienced. Jones toured the U.S. during World War I from 1917-18, playing exhibition matches before large crowds, often with Alexa Stirling and Perry Adair, to generate income for war relief. Playing in front of such crowds in these matches helped him, as he moved into national competition a bit later on.  Jones successfully represented the United States for the first time, in two winning international amateur team matches against Canada, in 1919 and 1920, earning three of a possible four points in foursomes and singles play. In 1919 he traveled to Hamilton Golf and Country Club, for his first serious competitive action outside the U.S., while in 1920, Engineers Country Club, in Roslyn, Long Island, hosted the matches. Still a teenager, he was by far the youngest player in the series. Jones also played in the 1919 Canadian Open while in Hamilton, Ontario, performing very well to place tied for second, but 16 shots behind winner J. Douglas Edgar. Edgar had immigrated from England in 1919 to take a club professional's job in Atlanta at Druid Hills Golf Club; Edgar mentored and played frequently with Jones from 1919 to 1921. Edgar was credited by Jones with helping develop his game significantly.  Jones qualified for his first U.S. Open at age 18 in 1920, and was paired with the legendary Harry Vardon for the first two rounds. He won the Southern Amateur three times: 1917, 1920, and 1922. CANNOTANSWER

Question: what health issues did Bobby Jones battle as a young boy?
Answer: CANNOTANSWER
Sevendust

Context: On August 24, 1999, they released their second album, Home. The album peaked at 19 on the Billboard 200 and featured Skin from Skunk Anansie and Chino Moreno from Deftones as guest vocalists. The two singles from the album, "Denial" and "Waffle", gave the band moderate chart success, and the latter of which was played on the Late Night with Conan O'Brien show. They appeared in Woodstock 1999 and have toured with many bands such as Korn, Staind, Nonpoint, Reveille, Godsmack, Mudvayne, Mushroomhead, Powerman 5000, Creed, Kid Rock, Machine Head, Limp Bizkit, Disturbed, and Metallica. In 1999, they gained European exposure by opening for Skunk Anansie at various shows in Germany. Skin from Skunk Anansie provided guest vocals on the track Licking Cream off Home. They also opened with Kid Rock and Ted Nugent for Metallica on New Year's Eve in 1999 at the Pontiac Silverdome near Detroit, Michigan. They also joined Slipknot, Coal Chamber and other bands on the Tattoo the Earth Tour in June 2000. Also in 2000, the song "Fall" was recorded by producer Sylvia Massy in 1998 at Southern Tracks in Atlanta, Georgia. "Fall" appears on the soundtrack to the film Scream 3.  In November 2001, the band released their third album, Animosity. This album went gold and gained the band commercial success thanks to the success of singles "Praise" and "Angel's Son", which peaked at 15 and 11, respectively, on the Mainstream Rock Tracks. In 2002 they covered the theme song of Chris Jericho for WWF Forceable Entry. The song was never used as an official entry theme for him though. "Angel's Son" was a tribute to Lynn Strait, the lead singer of the band Snot, whom the members of Sevendust were friends with. Strait had died in a car accident in 1998. In addition to being included on Animosity, the song was included on the compilation album Strait Up. The band made an appearance on the Late Show with David Letterman playing an acoustic version of "Angel's Son" featuring Paul Shaffer on keyboards.  In the same year Sevendust was seen in the Chris Rock movie Down to Earth as a partial clip of "Waffle" is played.  Another friend of the band, Dave Williams, the lead singer of Drowning Pool, died in 2002. Tragedy would strike again when Lajon Witherspoon's younger brother was shot and killed later that year. Due to his death, Sevendust went on hiatus in 2002. CANNOTANSWER

Question: When was Home and Animosity released?
Answer: On August 24, 1999, they released their second album, Home.
Sevendust

Context: On August 24, 1999, they released their second album, Home. The album peaked at 19 on the Billboard 200 and featured Skin from Skunk Anansie and Chino Moreno from Deftones as guest vocalists. The two singles from the album, "Denial" and "Waffle", gave the band moderate chart success, and the latter of which was played on the Late Night with Conan O'Brien show. They appeared in Woodstock 1999 and have toured with many bands such as Korn, Staind, Nonpoint, Reveille, Godsmack, Mudvayne, Mushroomhead, Powerman 5000, Creed, Kid Rock, Machine Head, Limp Bizkit, Disturbed, and Metallica. In 1999, they gained European exposure by opening for Skunk Anansie at various shows in Germany. Skin from Skunk Anansie provided guest vocals on the track Licking Cream off Home. They also opened with Kid Rock and Ted Nugent for Metallica on New Year's Eve in 1999 at the Pontiac Silverdome near Detroit, Michigan. They also joined Slipknot, Coal Chamber and other bands on the Tattoo the Earth Tour in June 2000. Also in 2000, the song "Fall" was recorded by producer Sylvia Massy in 1998 at Southern Tracks in Atlanta, Georgia. "Fall" appears on the soundtrack to the film Scream 3.  In November 2001, the band released their third album, Animosity. This album went gold and gained the band commercial success thanks to the success of singles "Praise" and "Angel's Son", which peaked at 15 and 11, respectively, on the Mainstream Rock Tracks. In 2002 they covered the theme song of Chris Jericho for WWF Forceable Entry. The song was never used as an official entry theme for him though. "Angel's Son" was a tribute to Lynn Strait, the lead singer of the band Snot, whom the members of Sevendust were friends with. Strait had died in a car accident in 1998. In addition to being included on Animosity, the song was included on the compilation album Strait Up. The band made an appearance on the Late Show with David Letterman playing an acoustic version of "Angel's Son" featuring Paul Shaffer on keyboards.  In the same year Sevendust was seen in the Chris Rock movie Down to Earth as a partial clip of "Waffle" is played.  Another friend of the band, Dave Williams, the lead singer of Drowning Pool, died in 2002. Tragedy would strike again when Lajon Witherspoon's younger brother was shot and killed later that year. Due to his death, Sevendust went on hiatus in 2002. CANNOTANSWER

Question: Did the album Home do well?
Answer: The album peaked at 19 on the Billboard 200
Sevendust

Context: On August 24, 1999, they released their second album, Home. The album peaked at 19 on the Billboard 200 and featured Skin from Skunk Anansie and Chino Moreno from Deftones as guest vocalists. The two singles from the album, "Denial" and "Waffle", gave the band moderate chart success, and the latter of which was played on the Late Night with Conan O'Brien show. They appeared in Woodstock 1999 and have toured with many bands such as Korn, Staind, Nonpoint, Reveille, Godsmack, Mudvayne, Mushroomhead, Powerman 5000, Creed, Kid Rock, Machine Head, Limp Bizkit, Disturbed, and Metallica. In 1999, they gained European exposure by opening for Skunk Anansie at various shows in Germany. Skin from Skunk Anansie provided guest vocals on the track Licking Cream off Home. They also opened with Kid Rock and Ted Nugent for Metallica on New Year's Eve in 1999 at the Pontiac Silverdome near Detroit, Michigan. They also joined Slipknot, Coal Chamber and other bands on the Tattoo the Earth Tour in June 2000. Also in 2000, the song "Fall" was recorded by producer Sylvia Massy in 1998 at Southern Tracks in Atlanta, Georgia. "Fall" appears on the soundtrack to the film Scream 3.  In November 2001, the band released their third album, Animosity. This album went gold and gained the band commercial success thanks to the success of singles "Praise" and "Angel's Son", which peaked at 15 and 11, respectively, on the Mainstream Rock Tracks. In 2002 they covered the theme song of Chris Jericho for WWF Forceable Entry. The song was never used as an official entry theme for him though. "Angel's Son" was a tribute to Lynn Strait, the lead singer of the band Snot, whom the members of Sevendust were friends with. Strait had died in a car accident in 1998. In addition to being included on Animosity, the song was included on the compilation album Strait Up. The band made an appearance on the Late Show with David Letterman playing an acoustic version of "Angel's Son" featuring Paul Shaffer on keyboards.  In the same year Sevendust was seen in the Chris Rock movie Down to Earth as a partial clip of "Waffle" is played.  Another friend of the band, Dave Williams, the lead singer of Drowning Pool, died in 2002. Tragedy would strike again when Lajon Witherspoon's younger brother was shot and killed later that year. Due to his death, Sevendust went on hiatus in 2002. CANNOTANSWER

Question: What were some of the songs at Home and Animosity?
Answer: The two singles from the album, "Denial" and "Waffle", gave the band moderate chart success,
Sevendust

Context: On August 24, 1999, they released their second album, Home. The album peaked at 19 on the Billboard 200 and featured Skin from Skunk Anansie and Chino Moreno from Deftones as guest vocalists. The two singles from the album, "Denial" and "Waffle", gave the band moderate chart success, and the latter of which was played on the Late Night with Conan O'Brien show. They appeared in Woodstock 1999 and have toured with many bands such as Korn, Staind, Nonpoint, Reveille, Godsmack, Mudvayne, Mushroomhead, Powerman 5000, Creed, Kid Rock, Machine Head, Limp Bizkit, Disturbed, and Metallica. In 1999, they gained European exposure by opening for Skunk Anansie at various shows in Germany. Skin from Skunk Anansie provided guest vocals on the track Licking Cream off Home. They also opened with Kid Rock and Ted Nugent for Metallica on New Year's Eve in 1999 at the Pontiac Silverdome near Detroit, Michigan. They also joined Slipknot, Coal Chamber and other bands on the Tattoo the Earth Tour in June 2000. Also in 2000, the song "Fall" was recorded by producer Sylvia Massy in 1998 at Southern Tracks in Atlanta, Georgia. "Fall" appears on the soundtrack to the film Scream 3.  In November 2001, the band released their third album, Animosity. This album went gold and gained the band commercial success thanks to the success of singles "Praise" and "Angel's Son", which peaked at 15 and 11, respectively, on the Mainstream Rock Tracks. In 2002 they covered the theme song of Chris Jericho for WWF Forceable Entry. The song was never used as an official entry theme for him though. "Angel's Son" was a tribute to Lynn Strait, the lead singer of the band Snot, whom the members of Sevendust were friends with. Strait had died in a car accident in 1998. In addition to being included on Animosity, the song was included on the compilation album Strait Up. The band made an appearance on the Late Show with David Letterman playing an acoustic version of "Angel's Son" featuring Paul Shaffer on keyboards.  In the same year Sevendust was seen in the Chris Rock movie Down to Earth as a partial clip of "Waffle" is played.  Another friend of the band, Dave Williams, the lead singer of Drowning Pool, died in 2002. Tragedy would strike again when Lajon Witherspoon's younger brother was shot and killed later that year. Due to his death, Sevendust went on hiatus in 2002. CANNOTANSWER

Question: How did "Denial" and "Waffle" do in the chart?
Answer: CANNOTANSWER
Sevendust

Context: On August 24, 1999, they released their second album, Home. The album peaked at 19 on the Billboard 200 and featured Skin from Skunk Anansie and Chino Moreno from Deftones as guest vocalists. The two singles from the album, "Denial" and "Waffle", gave the band moderate chart success, and the latter of which was played on the Late Night with Conan O'Brien show. They appeared in Woodstock 1999 and have toured with many bands such as Korn, Staind, Nonpoint, Reveille, Godsmack, Mudvayne, Mushroomhead, Powerman 5000, Creed, Kid Rock, Machine Head, Limp Bizkit, Disturbed, and Metallica. In 1999, they gained European exposure by opening for Skunk Anansie at various shows in Germany. Skin from Skunk Anansie provided guest vocals on the track Licking Cream off Home. They also opened with Kid Rock and Ted Nugent for Metallica on New Year's Eve in 1999 at the Pontiac Silverdome near Detroit, Michigan. They also joined Slipknot, Coal Chamber and other bands on the Tattoo the Earth Tour in June 2000. Also in 2000, the song "Fall" was recorded by producer Sylvia Massy in 1998 at Southern Tracks in Atlanta, Georgia. "Fall" appears on the soundtrack to the film Scream 3.  In November 2001, the band released their third album, Animosity. This album went gold and gained the band commercial success thanks to the success of singles "Praise" and "Angel's Son", which peaked at 15 and 11, respectively, on the Mainstream Rock Tracks. In 2002 they covered the theme song of Chris Jericho for WWF Forceable Entry. The song was never used as an official entry theme for him though. "Angel's Son" was a tribute to Lynn Strait, the lead singer of the band Snot, whom the members of Sevendust were friends with. Strait had died in a car accident in 1998. In addition to being included on Animosity, the song was included on the compilation album Strait Up. The band made an appearance on the Late Show with David Letterman playing an acoustic version of "Angel's Son" featuring Paul Shaffer on keyboards.  In the same year Sevendust was seen in the Chris Rock movie Down to Earth as a partial clip of "Waffle" is played.  Another friend of the band, Dave Williams, the lead singer of Drowning Pool, died in 2002. Tragedy would strike again when Lajon Witherspoon's younger brother was shot and killed later that year. Due to his death, Sevendust went on hiatus in 2002. CANNOTANSWER

Question: Did Sevendust, Home and Animosity tour?
Answer: they gained European exposure by opening for Skunk Anansie at various shows in Germany.
Francis Poulenc

Context: See also: FP (Catalogue of compositions), List of compositions  Poulenc's music is essentially diatonic. In Henri Hell's view, this is because the main feature of Poulenc's musical art is his melodic gift. In the words of Roger Nichols in the Grove dictionary, "For [Poulenc] the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had, according to the most up-to-date musical maps, been surveyed, worked and exhausted." The commentator George Keck writes, "His melodies are simple, pleasing, easily remembered, and most often emotionally expressive."  Poulenc said that he was not inventive in his harmonic language. The composer Lennox Berkeley wrote of him, "All through his life, he was content to use conventional harmony, but his use of it was so individual, so immediately recognizable as his own, that it gave his music freshness and validity." Keck considers Poulenc's harmonic language "as beautiful, interesting and personal as his melodic writing ... clear, simple harmonies moving in obviously defined tonal areas with chromaticism that is rarely more than passing". Poulenc had no time for musical theories; in one of his many radio interviews he called for "a truce to composing by theory, doctrine, rule!" He was dismissive of what he saw as the dogmatism of latter-day adherents to dodecaphony, led by Rene Leibowitz, and greatly regretted that the adoption of a theoretical approach had affected the music of Olivier Messiaen, of whom he had earlier had high hopes. To Hell, almost all Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice". Poulenc was a painstaking craftsman, though a myth grew up - "la legende de facilite" - that his music came easily to him; he commented, "The myth is excusable, since I do everything to conceal my efforts."  The pianist Pascal Roge commented in 1999 that both sides of Poulenc's musical nature were equally important: "You must accept him as a whole. If you take away either part, the serious or the non-serious, you destroy him. If one part is erased you get only a pale photocopy of what he really is." Poulenc recognised the dichotomy, but in all his works he wanted music that was "healthy, clear and robust - music as frankly French as Stravinsky's is Slav". CANNOTANSWER

Question: What types of melodies did Francis Poulenc create?
Answer: Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice
Francis Poulenc

Context: See also: FP (Catalogue of compositions), List of compositions  Poulenc's music is essentially diatonic. In Henri Hell's view, this is because the main feature of Poulenc's musical art is his melodic gift. In the words of Roger Nichols in the Grove dictionary, "For [Poulenc] the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had, according to the most up-to-date musical maps, been surveyed, worked and exhausted." The commentator George Keck writes, "His melodies are simple, pleasing, easily remembered, and most often emotionally expressive."  Poulenc said that he was not inventive in his harmonic language. The composer Lennox Berkeley wrote of him, "All through his life, he was content to use conventional harmony, but his use of it was so individual, so immediately recognizable as his own, that it gave his music freshness and validity." Keck considers Poulenc's harmonic language "as beautiful, interesting and personal as his melodic writing ... clear, simple harmonies moving in obviously defined tonal areas with chromaticism that is rarely more than passing". Poulenc had no time for musical theories; in one of his many radio interviews he called for "a truce to composing by theory, doctrine, rule!" He was dismissive of what he saw as the dogmatism of latter-day adherents to dodecaphony, led by Rene Leibowitz, and greatly regretted that the adoption of a theoretical approach had affected the music of Olivier Messiaen, of whom he had earlier had high hopes. To Hell, almost all Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice". Poulenc was a painstaking craftsman, though a myth grew up - "la legende de facilite" - that his music came easily to him; he commented, "The myth is excusable, since I do everything to conceal my efforts."  The pianist Pascal Roge commented in 1999 that both sides of Poulenc's musical nature were equally important: "You must accept him as a whole. If you take away either part, the serious or the non-serious, you destroy him. If one part is erased you get only a pale photocopy of what he really is." Poulenc recognised the dichotomy, but in all his works he wanted music that was "healthy, clear and robust - music as frankly French as Stravinsky's is Slav". CANNOTANSWER

Question: Who influenced Francis Poulenc?
Answer: CANNOTANSWER
Francis Poulenc

Context: See also: FP (Catalogue of compositions), List of compositions  Poulenc's music is essentially diatonic. In Henri Hell's view, this is because the main feature of Poulenc's musical art is his melodic gift. In the words of Roger Nichols in the Grove dictionary, "For [Poulenc] the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had, according to the most up-to-date musical maps, been surveyed, worked and exhausted." The commentator George Keck writes, "His melodies are simple, pleasing, easily remembered, and most often emotionally expressive."  Poulenc said that he was not inventive in his harmonic language. The composer Lennox Berkeley wrote of him, "All through his life, he was content to use conventional harmony, but his use of it was so individual, so immediately recognizable as his own, that it gave his music freshness and validity." Keck considers Poulenc's harmonic language "as beautiful, interesting and personal as his melodic writing ... clear, simple harmonies moving in obviously defined tonal areas with chromaticism that is rarely more than passing". Poulenc had no time for musical theories; in one of his many radio interviews he called for "a truce to composing by theory, doctrine, rule!" He was dismissive of what he saw as the dogmatism of latter-day adherents to dodecaphony, led by Rene Leibowitz, and greatly regretted that the adoption of a theoretical approach had affected the music of Olivier Messiaen, of whom he had earlier had high hopes. To Hell, almost all Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice". Poulenc was a painstaking craftsman, though a myth grew up - "la legende de facilite" - that his music came easily to him; he commented, "The myth is excusable, since I do everything to conceal my efforts."  The pianist Pascal Roge commented in 1999 that both sides of Poulenc's musical nature were equally important: "You must accept him as a whole. If you take away either part, the serious or the non-serious, you destroy him. If one part is erased you get only a pale photocopy of what he really is." Poulenc recognised the dichotomy, but in all his works he wanted music that was "healthy, clear and robust - music as frankly French as Stravinsky's is Slav". CANNOTANSWER

Question: What was Francis Poulenc style of music like?
Answer: Poulenc's music is essentially diatonic.
Francis Poulenc

Context: See also: FP (Catalogue of compositions), List of compositions  Poulenc's music is essentially diatonic. In Henri Hell's view, this is because the main feature of Poulenc's musical art is his melodic gift. In the words of Roger Nichols in the Grove dictionary, "For [Poulenc] the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had, according to the most up-to-date musical maps, been surveyed, worked and exhausted." The commentator George Keck writes, "His melodies are simple, pleasing, easily remembered, and most often emotionally expressive."  Poulenc said that he was not inventive in his harmonic language. The composer Lennox Berkeley wrote of him, "All through his life, he was content to use conventional harmony, but his use of it was so individual, so immediately recognizable as his own, that it gave his music freshness and validity." Keck considers Poulenc's harmonic language "as beautiful, interesting and personal as his melodic writing ... clear, simple harmonies moving in obviously defined tonal areas with chromaticism that is rarely more than passing". Poulenc had no time for musical theories; in one of his many radio interviews he called for "a truce to composing by theory, doctrine, rule!" He was dismissive of what he saw as the dogmatism of latter-day adherents to dodecaphony, led by Rene Leibowitz, and greatly regretted that the adoption of a theoretical approach had affected the music of Olivier Messiaen, of whom he had earlier had high hopes. To Hell, almost all Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice". Poulenc was a painstaking craftsman, though a myth grew up - "la legende de facilite" - that his music came easily to him; he commented, "The myth is excusable, since I do everything to conceal my efforts."  The pianist Pascal Roge commented in 1999 that both sides of Poulenc's musical nature were equally important: "You must accept him as a whole. If you take away either part, the serious or the non-serious, you destroy him. If one part is erased you get only a pale photocopy of what he really is." Poulenc recognised the dichotomy, but in all his works he wanted music that was "healthy, clear and robust - music as frankly French as Stravinsky's is Slav". CANNOTANSWER

Question: What do you mean by diatonic?
Answer: important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had,
Francis Poulenc

Context: See also: FP (Catalogue of compositions), List of compositions  Poulenc's music is essentially diatonic. In Henri Hell's view, this is because the main feature of Poulenc's musical art is his melodic gift. In the words of Roger Nichols in the Grove dictionary, "For [Poulenc] the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had, according to the most up-to-date musical maps, been surveyed, worked and exhausted." The commentator George Keck writes, "His melodies are simple, pleasing, easily remembered, and most often emotionally expressive."  Poulenc said that he was not inventive in his harmonic language. The composer Lennox Berkeley wrote of him, "All through his life, he was content to use conventional harmony, but his use of it was so individual, so immediately recognizable as his own, that it gave his music freshness and validity." Keck considers Poulenc's harmonic language "as beautiful, interesting and personal as his melodic writing ... clear, simple harmonies moving in obviously defined tonal areas with chromaticism that is rarely more than passing". Poulenc had no time for musical theories; in one of his many radio interviews he called for "a truce to composing by theory, doctrine, rule!" He was dismissive of what he saw as the dogmatism of latter-day adherents to dodecaphony, led by Rene Leibowitz, and greatly regretted that the adoption of a theoretical approach had affected the music of Olivier Messiaen, of whom he had earlier had high hopes. To Hell, almost all Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice". Poulenc was a painstaking craftsman, though a myth grew up - "la legende de facilite" - that his music came easily to him; he commented, "The myth is excusable, since I do everything to conceal my efforts."  The pianist Pascal Roge commented in 1999 that both sides of Poulenc's musical nature were equally important: "You must accept him as a whole. If you take away either part, the serious or the non-serious, you destroy him. If one part is erased you get only a pale photocopy of what he really is." Poulenc recognised the dichotomy, but in all his works he wanted music that was "healthy, clear and robust - music as frankly French as Stravinsky's is Slav". CANNOTANSWER

Question: Francis Poulenc play any instruments during the time he found a vast treasury of undiscovered tunes while he was exploring his music style?
Answer: CANNOTANSWER
Francis Poulenc

Context: See also: FP (Catalogue of compositions), List of compositions  Poulenc's music is essentially diatonic. In Henri Hell's view, this is because the main feature of Poulenc's musical art is his melodic gift. In the words of Roger Nichols in the Grove dictionary, "For [Poulenc] the most important element of all was melody and he found his way to a vast treasury of undiscovered tunes within an area that had, according to the most up-to-date musical maps, been surveyed, worked and exhausted." The commentator George Keck writes, "His melodies are simple, pleasing, easily remembered, and most often emotionally expressive."  Poulenc said that he was not inventive in his harmonic language. The composer Lennox Berkeley wrote of him, "All through his life, he was content to use conventional harmony, but his use of it was so individual, so immediately recognizable as his own, that it gave his music freshness and validity." Keck considers Poulenc's harmonic language "as beautiful, interesting and personal as his melodic writing ... clear, simple harmonies moving in obviously defined tonal areas with chromaticism that is rarely more than passing". Poulenc had no time for musical theories; in one of his many radio interviews he called for "a truce to composing by theory, doctrine, rule!" He was dismissive of what he saw as the dogmatism of latter-day adherents to dodecaphony, led by Rene Leibowitz, and greatly regretted that the adoption of a theoretical approach had affected the music of Olivier Messiaen, of whom he had earlier had high hopes. To Hell, almost all Poulenc's music is "directly or indirectly inspired by the purely melodic associations of the human voice". Poulenc was a painstaking craftsman, though a myth grew up - "la legende de facilite" - that his music came easily to him; he commented, "The myth is excusable, since I do everything to conceal my efforts."  The pianist Pascal Roge commented in 1999 that both sides of Poulenc's musical nature were equally important: "You must accept him as a whole. If you take away either part, the serious or the non-serious, you destroy him. If one part is erased you get only a pale photocopy of what he really is." Poulenc recognised the dichotomy, but in all his works he wanted music that was "healthy, clear and robust - music as frankly French as Stravinsky's is Slav". CANNOTANSWER

Question: What were some of Francis Poulenc choral pieces?
Answer: CANNOTANSWER
Taylor Hicks

Context: Hicks auditioned for American Idol in Las Vegas, Nevada, on October 10, 2005. Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell, who said that Hicks would never make it to the final round. On Hicks's first performance for the voting public, Cowell called back to this quote, admitting he was wrong.  On the May 10, 2006, results show, Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists. On May 12, Idol producers brought Hicks to Birmingham for a weekend of promotional events including television interviews for the local Fox affiliate, a downtown parade, concerts, and an audience with Governor Bob Riley. May 12 was proclaimed "Taylor Hicks Day" and Hicks was given the key to the city. Also on May 12, Gov. Riley issued a proclamation making May 16 "Taylor Hicks Day".  Hicks was named the new American Idol on May 24, 2006, winning the title over McPhee, with over 63.4 million votes cast in total. The proclamation was aired to a worldwide audience of 200 million television viewers. With his win at age 29, Hicks became the oldest contestant to win American Idol. He was also the first male contestant to win the competition without ever being in the bottom two or three, as well as the first Caucasian male winner.  In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event. He was also named Hottest Bachelor by People magazine for 2006, appearing on the magazine's cover. CANNOTANSWER

Question: What happened with Taylor Hicks in American Idol 2006?
Answer: Hicks was named the new American Idol on May 24, 2006,
Taylor Hicks

Context: Hicks auditioned for American Idol in Las Vegas, Nevada, on October 10, 2005. Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell, who said that Hicks would never make it to the final round. On Hicks's first performance for the voting public, Cowell called back to this quote, admitting he was wrong.  On the May 10, 2006, results show, Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists. On May 12, Idol producers brought Hicks to Birmingham for a weekend of promotional events including television interviews for the local Fox affiliate, a downtown parade, concerts, and an audience with Governor Bob Riley. May 12 was proclaimed "Taylor Hicks Day" and Hicks was given the key to the city. Also on May 12, Gov. Riley issued a proclamation making May 16 "Taylor Hicks Day".  Hicks was named the new American Idol on May 24, 2006, winning the title over McPhee, with over 63.4 million votes cast in total. The proclamation was aired to a worldwide audience of 200 million television viewers. With his win at age 29, Hicks became the oldest contestant to win American Idol. He was also the first male contestant to win the competition without ever being in the bottom two or three, as well as the first Caucasian male winner.  In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event. He was also named Hottest Bachelor by People magazine for 2006, appearing on the magazine's cover. CANNOTANSWER

Question: Who was in the finals of American Idol 2006 with Taylor Hicks?
Answer: Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists.
Taylor Hicks

Context: Hicks auditioned for American Idol in Las Vegas, Nevada, on October 10, 2005. Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell, who said that Hicks would never make it to the final round. On Hicks's first performance for the voting public, Cowell called back to this quote, admitting he was wrong.  On the May 10, 2006, results show, Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists. On May 12, Idol producers brought Hicks to Birmingham for a weekend of promotional events including television interviews for the local Fox affiliate, a downtown parade, concerts, and an audience with Governor Bob Riley. May 12 was proclaimed "Taylor Hicks Day" and Hicks was given the key to the city. Also on May 12, Gov. Riley issued a proclamation making May 16 "Taylor Hicks Day".  Hicks was named the new American Idol on May 24, 2006, winning the title over McPhee, with over 63.4 million votes cast in total. The proclamation was aired to a worldwide audience of 200 million television viewers. With his win at age 29, Hicks became the oldest contestant to win American Idol. He was also the first male contestant to win the competition without ever being in the bottom two or three, as well as the first Caucasian male winner.  In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event. He was also named Hottest Bachelor by People magazine for 2006, appearing on the magazine's cover. CANNOTANSWER

Question: Who was part of the jury in American Idol 2006?
Answer: Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell,
Taylor Hicks

Context: Hicks auditioned for American Idol in Las Vegas, Nevada, on October 10, 2005. Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell, who said that Hicks would never make it to the final round. On Hicks's first performance for the voting public, Cowell called back to this quote, admitting he was wrong.  On the May 10, 2006, results show, Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists. On May 12, Idol producers brought Hicks to Birmingham for a weekend of promotional events including television interviews for the local Fox affiliate, a downtown parade, concerts, and an audience with Governor Bob Riley. May 12 was proclaimed "Taylor Hicks Day" and Hicks was given the key to the city. Also on May 12, Gov. Riley issued a proclamation making May 16 "Taylor Hicks Day".  Hicks was named the new American Idol on May 24, 2006, winning the title over McPhee, with over 63.4 million votes cast in total. The proclamation was aired to a worldwide audience of 200 million television viewers. With his win at age 29, Hicks became the oldest contestant to win American Idol. He was also the first male contestant to win the competition without ever being in the bottom two or three, as well as the first Caucasian male winner.  In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event. He was also named Hottest Bachelor by People magazine for 2006, appearing on the magazine's cover. CANNOTANSWER

Question: Did Taylor Hicks do any music after American Idol 2006?
Answer: CANNOTANSWER
Taylor Hicks

Context: Hicks auditioned for American Idol in Las Vegas, Nevada, on October 10, 2005. Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell, who said that Hicks would never make it to the final round. On Hicks's first performance for the voting public, Cowell called back to this quote, admitting he was wrong.  On the May 10, 2006, results show, Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists. On May 12, Idol producers brought Hicks to Birmingham for a weekend of promotional events including television interviews for the local Fox affiliate, a downtown parade, concerts, and an audience with Governor Bob Riley. May 12 was proclaimed "Taylor Hicks Day" and Hicks was given the key to the city. Also on May 12, Gov. Riley issued a proclamation making May 16 "Taylor Hicks Day".  Hicks was named the new American Idol on May 24, 2006, winning the title over McPhee, with over 63.4 million votes cast in total. The proclamation was aired to a worldwide audience of 200 million television viewers. With his win at age 29, Hicks became the oldest contestant to win American Idol. He was also the first male contestant to win the competition without ever being in the bottom two or three, as well as the first Caucasian male winner.  In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event. He was also named Hottest Bachelor by People magazine for 2006, appearing on the magazine's cover. CANNOTANSWER

Question: Does Taylor Hicks have any famous albums or songs?
Answer: CANNOTANSWER
Taylor Hicks

Context: Hicks auditioned for American Idol in Las Vegas, Nevada, on October 10, 2005. Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell, who said that Hicks would never make it to the final round. On Hicks's first performance for the voting public, Cowell called back to this quote, admitting he was wrong.  On the May 10, 2006, results show, Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists. On May 12, Idol producers brought Hicks to Birmingham for a weekend of promotional events including television interviews for the local Fox affiliate, a downtown parade, concerts, and an audience with Governor Bob Riley. May 12 was proclaimed "Taylor Hicks Day" and Hicks was given the key to the city. Also on May 12, Gov. Riley issued a proclamation making May 16 "Taylor Hicks Day".  Hicks was named the new American Idol on May 24, 2006, winning the title over McPhee, with over 63.4 million votes cast in total. The proclamation was aired to a worldwide audience of 200 million television viewers. With his win at age 29, Hicks became the oldest contestant to win American Idol. He was also the first male contestant to win the competition without ever being in the bottom two or three, as well as the first Caucasian male winner.  In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event. He was also named Hottest Bachelor by People magazine for 2006, appearing on the magazine's cover. CANNOTANSWER

Question: Besides baing a finalist in American Idol 2006 is there anything else interesting about Taylor Hicks?
Answer: He was also named Hottest Bachelor by People magazine for 2006,
Taylor Hicks

Context: Hicks auditioned for American Idol in Las Vegas, Nevada, on October 10, 2005. Hicks passed the audition with the approval of judges Randy Jackson and Paula Abdul, but not Simon Cowell, who said that Hicks would never make it to the final round. On Hicks's first performance for the voting public, Cowell called back to this quote, admitting he was wrong.  On the May 10, 2006, results show, Hicks along with Katharine McPhee and Elliott Yamin, were announced as the Top 3 finalists. On May 12, Idol producers brought Hicks to Birmingham for a weekend of promotional events including television interviews for the local Fox affiliate, a downtown parade, concerts, and an audience with Governor Bob Riley. May 12 was proclaimed "Taylor Hicks Day" and Hicks was given the key to the city. Also on May 12, Gov. Riley issued a proclamation making May 16 "Taylor Hicks Day".  Hicks was named the new American Idol on May 24, 2006, winning the title over McPhee, with over 63.4 million votes cast in total. The proclamation was aired to a worldwide audience of 200 million television viewers. With his win at age 29, Hicks became the oldest contestant to win American Idol. He was also the first male contestant to win the competition without ever being in the bottom two or three, as well as the first Caucasian male winner.  In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event. He was also named Hottest Bachelor by People magazine for 2006, appearing on the magazine's cover. CANNOTANSWER

Question: What about Taylor Hicks' carrer after winning American Idol 2006?
Answer: In June 2006, Ford Motor Company, the show's major sponsor, signed Hicks to promote Ford's "Drive on Us" year-end sales event.