gaussalgo/Canard_Wiki-augmented huggingface dataset:
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: Why did Roger Clemens leave the Red Sox?
Answer: Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics,
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: What was Roger Clemens' failure against Oakland in 1990?
Answer: when he was ejected for arguing balls and strikes with umpire Terry Cooney,
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: Did the Red Sox win against Oakland in 1990?
Answer: the A's three-game sweep of the Red Sox.
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: What did the loss to Oakland in 1990 do to Clemens' career?
Answer: He was suspended for the first five games of the 1991 season and fined $10,000.
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: Besides being suspended and fined, what else happened to Clemens in 1991?
Answer: Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings.
Roger Clemens

Context: In the 1986 American League Championship Series, Clemens pitched poorly in the opening game, watched the Boston bullpen blow his 3-0 lead in the bottom of the ninth inning of Game 4, and then pitched a strong Game 7 to wrap up the series for Boston. The 1986 ALCS clincher was Clemens' first postseason career victory. He did not win his second until 13 years later.  After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series for the Boston Red Sox. Clemens left the game after 7 innings leading 3-2, but the Red Sox went on to lose the game in the 10th inning, and subsequently, the championship. Clemens' departure was highly debated and remains a bone of contention among the participants. Red Sox manager John McNamara claimed Clemens took himself out due to a blister, though Clemens strongly denies that.  Clemens greatest postseason failure came in the second inning of the final game of the 1990 ALCS against the Oakland Athletics, when he was ejected for arguing balls and strikes with umpire Terry Cooney, accentuating the A's three-game sweep of the Red Sox. He was suspended for the first five games of the 1991 season and fined $10,000. Clemens had two other playoff no-decisions, in 1988 and 1995, both occurring while Boston was being swept. Clemens' overall postseason record with Boston was 1-2 with a 3.88 ERA, and 45 strikeouts and 19 walks in 56 innings. CANNOTANSWER

Question: Besides his overall postseason record, what else can you tell me about Clemens' time with the Red Sox?
Answer: After a bad start in Game 2 of the 1986 World Series, Clemens returned to the mound for Game 6, which would have clinched the World Series
Simple Plan

Context: In 2002, Simple Plan released the debut studio album, No Pads, No Helmets...Just Balls, which contained the singles I'm Just a Kid, I'd Do Anything, Addicted, and Perfect. The band was aiming at a pure pop punk record.  The record was originally released in the United States with twelve tracks, ending with "Perfect". Enhanced and foreign editions came in several different versions with up to two additional tracks in addition to the original twelve. Two pop punk singers contributed on vocals: "I'd Do Anything" included vocals by Mark Hoppus from Blink-182, and "You Don't Mean Anything" included vocals by Joel Madden from Good Charlotte.  In 2002, the band performed and recorded the theme song for a rebooted installment of the Scooby-Doo franchise, What's New, Scooby-Doo?. This show used the band's intro throughout its entire run until its conclusion in 2006. It also featured many of the band's songs within episodes of the show, including "I'd Do Anything".  In 2003, the band played as a headliner on the Vans Warped Tour -- an appearance memorialized in the comedy slasher film, Punk Rock Holocaust, in which four of the five band members are killed. The band also played short stints on the Warped Tour in 2004 and 2005. That same year (2003) the band opened for Avril Lavigne on her "Try To Shut Me Up" Tour. In addition to several headlining tours, the band has also opened for Green Day and Good Charlotte. The album had sold one million copies in early 2003 then went on to sell over four million copies worldwide, making it the band's best selling album to date. CANNOTANSWER

Question: When was Simple Plan's No Pads, No Helmets...Just Balls album released?
Answer: 2002,
Simple Plan

Context: In 2002, Simple Plan released the debut studio album, No Pads, No Helmets...Just Balls, which contained the singles I'm Just a Kid, I'd Do Anything, Addicted, and Perfect. The band was aiming at a pure pop punk record.  The record was originally released in the United States with twelve tracks, ending with "Perfect". Enhanced and foreign editions came in several different versions with up to two additional tracks in addition to the original twelve. Two pop punk singers contributed on vocals: "I'd Do Anything" included vocals by Mark Hoppus from Blink-182, and "You Don't Mean Anything" included vocals by Joel Madden from Good Charlotte.  In 2002, the band performed and recorded the theme song for a rebooted installment of the Scooby-Doo franchise, What's New, Scooby-Doo?. This show used the band's intro throughout its entire run until its conclusion in 2006. It also featured many of the band's songs within episodes of the show, including "I'd Do Anything".  In 2003, the band played as a headliner on the Vans Warped Tour -- an appearance memorialized in the comedy slasher film, Punk Rock Holocaust, in which four of the five band members are killed. The band also played short stints on the Warped Tour in 2004 and 2005. That same year (2003) the band opened for Avril Lavigne on her "Try To Shut Me Up" Tour. In addition to several headlining tours, the band has also opened for Green Day and Good Charlotte. The album had sold one million copies in early 2003 then went on to sell over four million copies worldwide, making it the band's best selling album to date. CANNOTANSWER

Question: Who produced Simple Plan's No Pads, No Helmets...Just Balls album?
Answer: CANNOTANSWER
Simple Plan

Context: In 2002, Simple Plan released the debut studio album, No Pads, No Helmets...Just Balls, which contained the singles I'm Just a Kid, I'd Do Anything, Addicted, and Perfect. The band was aiming at a pure pop punk record.  The record was originally released in the United States with twelve tracks, ending with "Perfect". Enhanced and foreign editions came in several different versions with up to two additional tracks in addition to the original twelve. Two pop punk singers contributed on vocals: "I'd Do Anything" included vocals by Mark Hoppus from Blink-182, and "You Don't Mean Anything" included vocals by Joel Madden from Good Charlotte.  In 2002, the band performed and recorded the theme song for a rebooted installment of the Scooby-Doo franchise, What's New, Scooby-Doo?. This show used the band's intro throughout its entire run until its conclusion in 2006. It also featured many of the band's songs within episodes of the show, including "I'd Do Anything".  In 2003, the band played as a headliner on the Vans Warped Tour -- an appearance memorialized in the comedy slasher film, Punk Rock Holocaust, in which four of the five band members are killed. The band also played short stints on the Warped Tour in 2004 and 2005. That same year (2003) the band opened for Avril Lavigne on her "Try To Shut Me Up" Tour. In addition to several headlining tours, the band has also opened for Green Day and Good Charlotte. The album had sold one million copies in early 2003 then went on to sell over four million copies worldwide, making it the band's best selling album to date. CANNOTANSWER

Question: Was Simple Plan's No Pads, No Helmets...Just Balls album a hit?
Answer: sell over four million copies worldwide,
Simple Plan

Context: In 2002, Simple Plan released the debut studio album, No Pads, No Helmets...Just Balls, which contained the singles I'm Just a Kid, I'd Do Anything, Addicted, and Perfect. The band was aiming at a pure pop punk record.  The record was originally released in the United States with twelve tracks, ending with "Perfect". Enhanced and foreign editions came in several different versions with up to two additional tracks in addition to the original twelve. Two pop punk singers contributed on vocals: "I'd Do Anything" included vocals by Mark Hoppus from Blink-182, and "You Don't Mean Anything" included vocals by Joel Madden from Good Charlotte.  In 2002, the band performed and recorded the theme song for a rebooted installment of the Scooby-Doo franchise, What's New, Scooby-Doo?. This show used the band's intro throughout its entire run until its conclusion in 2006. It also featured many of the band's songs within episodes of the show, including "I'd Do Anything".  In 2003, the band played as a headliner on the Vans Warped Tour -- an appearance memorialized in the comedy slasher film, Punk Rock Holocaust, in which four of the five band members are killed. The band also played short stints on the Warped Tour in 2004 and 2005. That same year (2003) the band opened for Avril Lavigne on her "Try To Shut Me Up" Tour. In addition to several headlining tours, the band has also opened for Green Day and Good Charlotte. The album had sold one million copies in early 2003 then went on to sell over four million copies worldwide, making it the band's best selling album to date. CANNOTANSWER

Question: Did Simple Plan's No Pads, No Helmets...Just Balls album contain any singles?
Answer: I'm Just a Kid, I'd Do Anything,
Simple Plan

Context: In 2002, Simple Plan released the debut studio album, No Pads, No Helmets...Just Balls, which contained the singles I'm Just a Kid, I'd Do Anything, Addicted, and Perfect. The band was aiming at a pure pop punk record.  The record was originally released in the United States with twelve tracks, ending with "Perfect". Enhanced and foreign editions came in several different versions with up to two additional tracks in addition to the original twelve. Two pop punk singers contributed on vocals: "I'd Do Anything" included vocals by Mark Hoppus from Blink-182, and "You Don't Mean Anything" included vocals by Joel Madden from Good Charlotte.  In 2002, the band performed and recorded the theme song for a rebooted installment of the Scooby-Doo franchise, What's New, Scooby-Doo?. This show used the band's intro throughout its entire run until its conclusion in 2006. It also featured many of the band's songs within episodes of the show, including "I'd Do Anything".  In 2003, the band played as a headliner on the Vans Warped Tour -- an appearance memorialized in the comedy slasher film, Punk Rock Holocaust, in which four of the five band members are killed. The band also played short stints on the Warped Tour in 2004 and 2005. That same year (2003) the band opened for Avril Lavigne on her "Try To Shut Me Up" Tour. In addition to several headlining tours, the band has also opened for Green Day and Good Charlotte. The album had sold one million copies in early 2003 then went on to sell over four million copies worldwide, making it the band's best selling album to date. CANNOTANSWER

Question: Did Simple Plan's No Pads, No Helmets...Just Balls album win any awards?
Answer: CANNOTANSWER
Simple Plan

Context: In 2002, Simple Plan released the debut studio album, No Pads, No Helmets...Just Balls, which contained the singles I'm Just a Kid, I'd Do Anything, Addicted, and Perfect. The band was aiming at a pure pop punk record.  The record was originally released in the United States with twelve tracks, ending with "Perfect". Enhanced and foreign editions came in several different versions with up to two additional tracks in addition to the original twelve. Two pop punk singers contributed on vocals: "I'd Do Anything" included vocals by Mark Hoppus from Blink-182, and "You Don't Mean Anything" included vocals by Joel Madden from Good Charlotte.  In 2002, the band performed and recorded the theme song for a rebooted installment of the Scooby-Doo franchise, What's New, Scooby-Doo?. This show used the band's intro throughout its entire run until its conclusion in 2006. It also featured many of the band's songs within episodes of the show, including "I'd Do Anything".  In 2003, the band played as a headliner on the Vans Warped Tour -- an appearance memorialized in the comedy slasher film, Punk Rock Holocaust, in which four of the five band members are killed. The band also played short stints on the Warped Tour in 2004 and 2005. That same year (2003) the band opened for Avril Lavigne on her "Try To Shut Me Up" Tour. In addition to several headlining tours, the band has also opened for Green Day and Good Charlotte. The album had sold one million copies in early 2003 then went on to sell over four million copies worldwide, making it the band's best selling album to date. CANNOTANSWER

Question: Are there any other interesting aspects about Simple Plan's No Pads, No Helmets...Just Balls album besides its production, release date, singles and awards won?
Answer: In 2003, the band played as a headliner on the Vans Warped Tour -- an appearance memorialized in the comedy slasher film, Punk Rock Holocaust,
Richard Lewontin

Context: Lewontin has worked in both theoretical and experimental population genetics. A hallmark of his work has been an interest in new technology. He was the first person to do a computer simulation of the behavior of a single gene locus (previous simulation work having been of models with multiple loci). In 1960 he and Ken-Ichi Kojima were the first population geneticists to give the equations for change of haplotype frequencies with interacting natural selection at two loci. This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s. Their paper gave a theoretical derivation of the equilibria expected, and also investigated the dynamics of the model by computer iteration. Lewontin later introduced the D' measure of linkage disequilibrium. (He also introduced the term "linkage disequilibrium", about which many population geneticists have been unenthusiastic.)  In 1966, he and Jack Hubby published a paper that revolutionized population genetics. They used protein gel electrophoresis to survey dozens of loci in the fruit fly Drosophila pseudoobscura, and reported that a large fraction of the loci were polymorphic, and that at the average locus there was about a 15% chance that the individual was heterozygous. (Harry Harris reported similar results for humans at about the same time.) Previous work with gel electrophoresis had been reports of variation in single loci and did not give any sense of how common variation was.  Lewontin and Hubby's paper also discussed the possible explanation of the high levels of variability by either balancing selection or neutral mutation. Although they did not commit themselves to advocating neutrality, this was the first clear statement of the neutral theory for levels of variability within species. Lewontin and Hubby's paper had great impact--the discovery of high levels of molecular variability gave population geneticists ample material to work on, and gave them access to variation at single loci. The possible theoretical explanations of this rampant polymorphism became the focus of most population genetics work thereafter. Martin Kreitman was later to do a pioneering survey of population-level variability in DNA sequences while a Ph.D. student in Lewontin's lab. CANNOTANSWER

Question: What did Richard Lewontin do with population genetics?
Answer: Lewontin has worked in both theoretical and experimental population genetics.
Richard Lewontin

Context: Lewontin has worked in both theoretical and experimental population genetics. A hallmark of his work has been an interest in new technology. He was the first person to do a computer simulation of the behavior of a single gene locus (previous simulation work having been of models with multiple loci). In 1960 he and Ken-Ichi Kojima were the first population geneticists to give the equations for change of haplotype frequencies with interacting natural selection at two loci. This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s. Their paper gave a theoretical derivation of the equilibria expected, and also investigated the dynamics of the model by computer iteration. Lewontin later introduced the D' measure of linkage disequilibrium. (He also introduced the term "linkage disequilibrium", about which many population geneticists have been unenthusiastic.)  In 1966, he and Jack Hubby published a paper that revolutionized population genetics. They used protein gel electrophoresis to survey dozens of loci in the fruit fly Drosophila pseudoobscura, and reported that a large fraction of the loci were polymorphic, and that at the average locus there was about a 15% chance that the individual was heterozygous. (Harry Harris reported similar results for humans at about the same time.) Previous work with gel electrophoresis had been reports of variation in single loci and did not give any sense of how common variation was.  Lewontin and Hubby's paper also discussed the possible explanation of the high levels of variability by either balancing selection or neutral mutation. Although they did not commit themselves to advocating neutrality, this was the first clear statement of the neutral theory for levels of variability within species. Lewontin and Hubby's paper had great impact--the discovery of high levels of molecular variability gave population geneticists ample material to work on, and gave them access to variation at single loci. The possible theoretical explanations of this rampant polymorphism became the focus of most population genetics work thereafter. Martin Kreitman was later to do a pioneering survey of population-level variability in DNA sequences while a Ph.D. student in Lewontin's lab. CANNOTANSWER

Question: Did Richard Lewontin find anything in his studies?
Answer: He was the first person to do a computer simulation of the behavior of a single gene locus (previous simulation work having been of models with multiple loci).
Richard Lewontin

Context: Lewontin has worked in both theoretical and experimental population genetics. A hallmark of his work has been an interest in new technology. He was the first person to do a computer simulation of the behavior of a single gene locus (previous simulation work having been of models with multiple loci). In 1960 he and Ken-Ichi Kojima were the first population geneticists to give the equations for change of haplotype frequencies with interacting natural selection at two loci. This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s. Their paper gave a theoretical derivation of the equilibria expected, and also investigated the dynamics of the model by computer iteration. Lewontin later introduced the D' measure of linkage disequilibrium. (He also introduced the term "linkage disequilibrium", about which many population geneticists have been unenthusiastic.)  In 1966, he and Jack Hubby published a paper that revolutionized population genetics. They used protein gel electrophoresis to survey dozens of loci in the fruit fly Drosophila pseudoobscura, and reported that a large fraction of the loci were polymorphic, and that at the average locus there was about a 15% chance that the individual was heterozygous. (Harry Harris reported similar results for humans at about the same time.) Previous work with gel electrophoresis had been reports of variation in single loci and did not give any sense of how common variation was.  Lewontin and Hubby's paper also discussed the possible explanation of the high levels of variability by either balancing selection or neutral mutation. Although they did not commit themselves to advocating neutrality, this was the first clear statement of the neutral theory for levels of variability within species. Lewontin and Hubby's paper had great impact--the discovery of high levels of molecular variability gave population geneticists ample material to work on, and gave them access to variation at single loci. The possible theoretical explanations of this rampant polymorphism became the focus of most population genetics work thereafter. Martin Kreitman was later to do a pioneering survey of population-level variability in DNA sequences while a Ph.D. student in Lewontin's lab. CANNOTANSWER

Question: Was the information Richard Lewontin did in his studies received well?
Answer: This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s.
Richard Lewontin

Context: Lewontin has worked in both theoretical and experimental population genetics. A hallmark of his work has been an interest in new technology. He was the first person to do a computer simulation of the behavior of a single gene locus (previous simulation work having been of models with multiple loci). In 1960 he and Ken-Ichi Kojima were the first population geneticists to give the equations for change of haplotype frequencies with interacting natural selection at two loci. This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s. Their paper gave a theoretical derivation of the equilibria expected, and also investigated the dynamics of the model by computer iteration. Lewontin later introduced the D' measure of linkage disequilibrium. (He also introduced the term "linkage disequilibrium", about which many population geneticists have been unenthusiastic.)  In 1966, he and Jack Hubby published a paper that revolutionized population genetics. They used protein gel electrophoresis to survey dozens of loci in the fruit fly Drosophila pseudoobscura, and reported that a large fraction of the loci were polymorphic, and that at the average locus there was about a 15% chance that the individual was heterozygous. (Harry Harris reported similar results for humans at about the same time.) Previous work with gel electrophoresis had been reports of variation in single loci and did not give any sense of how common variation was.  Lewontin and Hubby's paper also discussed the possible explanation of the high levels of variability by either balancing selection or neutral mutation. Although they did not commit themselves to advocating neutrality, this was the first clear statement of the neutral theory for levels of variability within species. Lewontin and Hubby's paper had great impact--the discovery of high levels of molecular variability gave population geneticists ample material to work on, and gave them access to variation at single loci. The possible theoretical explanations of this rampant polymorphism became the focus of most population genetics work thereafter. Martin Kreitman was later to do a pioneering survey of population-level variability in DNA sequences while a Ph.D. student in Lewontin's lab. CANNOTANSWER

Question: Did Richard Lewontin's theoretical work on two-locus selection get criticized?
Answer: Their paper gave a theoretical derivation of the equilibria expected,
Richard Lewontin

Context: Lewontin has worked in both theoretical and experimental population genetics. A hallmark of his work has been an interest in new technology. He was the first person to do a computer simulation of the behavior of a single gene locus (previous simulation work having been of models with multiple loci). In 1960 he and Ken-Ichi Kojima were the first population geneticists to give the equations for change of haplotype frequencies with interacting natural selection at two loci. This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s. Their paper gave a theoretical derivation of the equilibria expected, and also investigated the dynamics of the model by computer iteration. Lewontin later introduced the D' measure of linkage disequilibrium. (He also introduced the term "linkage disequilibrium", about which many population geneticists have been unenthusiastic.)  In 1966, he and Jack Hubby published a paper that revolutionized population genetics. They used protein gel electrophoresis to survey dozens of loci in the fruit fly Drosophila pseudoobscura, and reported that a large fraction of the loci were polymorphic, and that at the average locus there was about a 15% chance that the individual was heterozygous. (Harry Harris reported similar results for humans at about the same time.) Previous work with gel electrophoresis had been reports of variation in single loci and did not give any sense of how common variation was.  Lewontin and Hubby's paper also discussed the possible explanation of the high levels of variability by either balancing selection or neutral mutation. Although they did not commit themselves to advocating neutrality, this was the first clear statement of the neutral theory for levels of variability within species. Lewontin and Hubby's paper had great impact--the discovery of high levels of molecular variability gave population geneticists ample material to work on, and gave them access to variation at single loci. The possible theoretical explanations of this rampant polymorphism became the focus of most population genetics work thereafter. Martin Kreitman was later to do a pioneering survey of population-level variability in DNA sequences while a Ph.D. student in Lewontin's lab. CANNOTANSWER

Question: Besides Richard Lewontin's theoretical work on two-locus selection are there any other interesting aspects about this article?
Answer: Lewontin and Hubby's paper also discussed the possible explanation of the high levels of variability by either balancing selection or neutral mutation.
Richard Lewontin

Context: Lewontin has worked in both theoretical and experimental population genetics. A hallmark of his work has been an interest in new technology. He was the first person to do a computer simulation of the behavior of a single gene locus (previous simulation work having been of models with multiple loci). In 1960 he and Ken-Ichi Kojima were the first population geneticists to give the equations for change of haplotype frequencies with interacting natural selection at two loci. This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s. Their paper gave a theoretical derivation of the equilibria expected, and also investigated the dynamics of the model by computer iteration. Lewontin later introduced the D' measure of linkage disequilibrium. (He also introduced the term "linkage disequilibrium", about which many population geneticists have been unenthusiastic.)  In 1966, he and Jack Hubby published a paper that revolutionized population genetics. They used protein gel electrophoresis to survey dozens of loci in the fruit fly Drosophila pseudoobscura, and reported that a large fraction of the loci were polymorphic, and that at the average locus there was about a 15% chance that the individual was heterozygous. (Harry Harris reported similar results for humans at about the same time.) Previous work with gel electrophoresis had been reports of variation in single loci and did not give any sense of how common variation was.  Lewontin and Hubby's paper also discussed the possible explanation of the high levels of variability by either balancing selection or neutral mutation. Although they did not commit themselves to advocating neutrality, this was the first clear statement of the neutral theory for levels of variability within species. Lewontin and Hubby's paper had great impact--the discovery of high levels of molecular variability gave population geneticists ample material to work on, and gave them access to variation at single loci. The possible theoretical explanations of this rampant polymorphism became the focus of most population genetics work thereafter. Martin Kreitman was later to do a pioneering survey of population-level variability in DNA sequences while a Ph.D. student in Lewontin's lab. CANNOTANSWER

Question: Did Richard Lewontin and Hubby's work recieve any awards?
Answer: CANNOTANSWER
Richard Lewontin

Context: Lewontin has worked in both theoretical and experimental population genetics. A hallmark of his work has been an interest in new technology. He was the first person to do a computer simulation of the behavior of a single gene locus (previous simulation work having been of models with multiple loci). In 1960 he and Ken-Ichi Kojima were the first population geneticists to give the equations for change of haplotype frequencies with interacting natural selection at two loci. This set off a wave of theoretical work on two-locus selection in the 1960s and 1970s. Their paper gave a theoretical derivation of the equilibria expected, and also investigated the dynamics of the model by computer iteration. Lewontin later introduced the D' measure of linkage disequilibrium. (He also introduced the term "linkage disequilibrium", about which many population geneticists have been unenthusiastic.)  In 1966, he and Jack Hubby published a paper that revolutionized population genetics. They used protein gel electrophoresis to survey dozens of loci in the fruit fly Drosophila pseudoobscura, and reported that a large fraction of the loci were polymorphic, and that at the average locus there was about a 15% chance that the individual was heterozygous. (Harry Harris reported similar results for humans at about the same time.) Previous work with gel electrophoresis had been reports of variation in single loci and did not give any sense of how common variation was.  Lewontin and Hubby's paper also discussed the possible explanation of the high levels of variability by either balancing selection or neutral mutation. Although they did not commit themselves to advocating neutrality, this was the first clear statement of the neutral theory for levels of variability within species. Lewontin and Hubby's paper had great impact--the discovery of high levels of molecular variability gave population geneticists ample material to work on, and gave them access to variation at single loci. The possible theoretical explanations of this rampant polymorphism became the focus of most population genetics work thereafter. Martin Kreitman was later to do a pioneering survey of population-level variability in DNA sequences while a Ph.D. student in Lewontin's lab. CANNOTANSWER

Question: Who did Richard Lewontin work with?
Answer: Martin Kreitman
Future Islands

Context: Sam Herring and Gerrit Welmers grew up in Morehead City, North Carolina two streets away from each other, and attended the same middle school in Newport, North Carolina. They became friends around 1998, when they were in 8th grade. Herring had started making hip-hop music when he was 13 or 14, while Gerrit was a skater with interests in metal and punk music who bought his first guitar at age 14. Having different musical backgrounds, they did not consider making music together during high-school. William Cashion started playing guitar when he was around 13, having had a couple of bands as a teenager in Raleigh, where he commuted to High School from Wendell, North Carolina. In 2012 he enrolled in the painting and drawing program at ECU and had drawing classes with Sam Herring.  The idea to form a band came while Cashion was helping Herring study for an art history exam. They invited local record shop personality Adam Beeby to play rhythmic keyboards and fellow art student Kymia Nawabi for percussion and backing vocals. After a tumultuous debut on Valentine's Day February 14, 2003 at Soccer Moms' House, Herring also invited Welmers to join the band. Only Cashion and Welmers already played a musical instrument--the guitar--but Cashion took the bass and Welmers the keyboards, for a Kraftwerk-inspired sound.  Sam Herring played Locke Ernst-Frost an arrogant narcissistic artist from Germany, Ohio, dressed in a 70's-inspired white suit with slicked-back hair, and a heavy German accent. The character's name originally was meant to be Oarlock Ernest Frost but it got shortened as a reference to John Locke the religious poet, Max Ernst, the artist and Robert Frost, the American poet.  The band quickly gained a local reputation and started touring the underground venues in the Southwest, playing shows with North Carolina acts like Valient Thorr and Baltimore artists such as Height, Videohippos, OCDJ, Nuclear Power Pants, Santa Dads, Ecstatic Sunshine, Blood Baby, Ponytail and electronic musician Dan Deacon whom they met during a show on May 26, 2004.  Nawabi who was already a senior when Cashion, Herring and Welmers were freshmen, left the band to prepare for her graduation project in June-July 2003. When Adam Beeby had to leave Greenville in September 2005, the remaining members dissolved the band. CANNOTANSWER

Question: What was Future Islands' original gimmick?
Answer: dressed in a 70's-inspired white suit with slicked-back hair, and a heavy German accent.
Future Islands

Context: Sam Herring and Gerrit Welmers grew up in Morehead City, North Carolina two streets away from each other, and attended the same middle school in Newport, North Carolina. They became friends around 1998, when they were in 8th grade. Herring had started making hip-hop music when he was 13 or 14, while Gerrit was a skater with interests in metal and punk music who bought his first guitar at age 14. Having different musical backgrounds, they did not consider making music together during high-school. William Cashion started playing guitar when he was around 13, having had a couple of bands as a teenager in Raleigh, where he commuted to High School from Wendell, North Carolina. In 2012 he enrolled in the painting and drawing program at ECU and had drawing classes with Sam Herring.  The idea to form a band came while Cashion was helping Herring study for an art history exam. They invited local record shop personality Adam Beeby to play rhythmic keyboards and fellow art student Kymia Nawabi for percussion and backing vocals. After a tumultuous debut on Valentine's Day February 14, 2003 at Soccer Moms' House, Herring also invited Welmers to join the band. Only Cashion and Welmers already played a musical instrument--the guitar--but Cashion took the bass and Welmers the keyboards, for a Kraftwerk-inspired sound.  Sam Herring played Locke Ernst-Frost an arrogant narcissistic artist from Germany, Ohio, dressed in a 70's-inspired white suit with slicked-back hair, and a heavy German accent. The character's name originally was meant to be Oarlock Ernest Frost but it got shortened as a reference to John Locke the religious poet, Max Ernst, the artist and Robert Frost, the American poet.  The band quickly gained a local reputation and started touring the underground venues in the Southwest, playing shows with North Carolina acts like Valient Thorr and Baltimore artists such as Height, Videohippos, OCDJ, Nuclear Power Pants, Santa Dads, Ecstatic Sunshine, Blood Baby, Ponytail and electronic musician Dan Deacon whom they met during a show on May 26, 2004.  Nawabi who was already a senior when Cashion, Herring and Welmers were freshmen, left the band to prepare for her graduation project in June-July 2003. When Adam Beeby had to leave Greenville in September 2005, the remaining members dissolved the band. CANNOTANSWER

Question: Why did Future Islands end up disbanding?
Answer: Nawabi who was already a senior when Cashion, Herring and Welmers were freshmen, left the band to prepare for her graduation project in June-July 2003.
Future Islands

Context: Sam Herring and Gerrit Welmers grew up in Morehead City, North Carolina two streets away from each other, and attended the same middle school in Newport, North Carolina. They became friends around 1998, when they were in 8th grade. Herring had started making hip-hop music when he was 13 or 14, while Gerrit was a skater with interests in metal and punk music who bought his first guitar at age 14. Having different musical backgrounds, they did not consider making music together during high-school. William Cashion started playing guitar when he was around 13, having had a couple of bands as a teenager in Raleigh, where he commuted to High School from Wendell, North Carolina. In 2012 he enrolled in the painting and drawing program at ECU and had drawing classes with Sam Herring.  The idea to form a band came while Cashion was helping Herring study for an art history exam. They invited local record shop personality Adam Beeby to play rhythmic keyboards and fellow art student Kymia Nawabi for percussion and backing vocals. After a tumultuous debut on Valentine's Day February 14, 2003 at Soccer Moms' House, Herring also invited Welmers to join the band. Only Cashion and Welmers already played a musical instrument--the guitar--but Cashion took the bass and Welmers the keyboards, for a Kraftwerk-inspired sound.  Sam Herring played Locke Ernst-Frost an arrogant narcissistic artist from Germany, Ohio, dressed in a 70's-inspired white suit with slicked-back hair, and a heavy German accent. The character's name originally was meant to be Oarlock Ernest Frost but it got shortened as a reference to John Locke the religious poet, Max Ernst, the artist and Robert Frost, the American poet.  The band quickly gained a local reputation and started touring the underground venues in the Southwest, playing shows with North Carolina acts like Valient Thorr and Baltimore artists such as Height, Videohippos, OCDJ, Nuclear Power Pants, Santa Dads, Ecstatic Sunshine, Blood Baby, Ponytail and electronic musician Dan Deacon whom they met during a show on May 26, 2004.  Nawabi who was already a senior when Cashion, Herring and Welmers were freshmen, left the band to prepare for her graduation project in June-July 2003. When Adam Beeby had to leave Greenville in September 2005, the remaining members dissolved the band. CANNOTANSWER

Question: Were the members of Future Islands all college students Future Islands started?
Answer: The idea to form a band came while Cashion was helping Herring study for an art history exam.
Future Islands

Context: Sam Herring and Gerrit Welmers grew up in Morehead City, North Carolina two streets away from each other, and attended the same middle school in Newport, North Carolina. They became friends around 1998, when they were in 8th grade. Herring had started making hip-hop music when he was 13 or 14, while Gerrit was a skater with interests in metal and punk music who bought his first guitar at age 14. Having different musical backgrounds, they did not consider making music together during high-school. William Cashion started playing guitar when he was around 13, having had a couple of bands as a teenager in Raleigh, where he commuted to High School from Wendell, North Carolina. In 2012 he enrolled in the painting and drawing program at ECU and had drawing classes with Sam Herring.  The idea to form a band came while Cashion was helping Herring study for an art history exam. They invited local record shop personality Adam Beeby to play rhythmic keyboards and fellow art student Kymia Nawabi for percussion and backing vocals. After a tumultuous debut on Valentine's Day February 14, 2003 at Soccer Moms' House, Herring also invited Welmers to join the band. Only Cashion and Welmers already played a musical instrument--the guitar--but Cashion took the bass and Welmers the keyboards, for a Kraftwerk-inspired sound.  Sam Herring played Locke Ernst-Frost an arrogant narcissistic artist from Germany, Ohio, dressed in a 70's-inspired white suit with slicked-back hair, and a heavy German accent. The character's name originally was meant to be Oarlock Ernest Frost but it got shortened as a reference to John Locke the religious poet, Max Ernst, the artist and Robert Frost, the American poet.  The band quickly gained a local reputation and started touring the underground venues in the Southwest, playing shows with North Carolina acts like Valient Thorr and Baltimore artists such as Height, Videohippos, OCDJ, Nuclear Power Pants, Santa Dads, Ecstatic Sunshine, Blood Baby, Ponytail and electronic musician Dan Deacon whom they met during a show on May 26, 2004.  Nawabi who was already a senior when Cashion, Herring and Welmers were freshmen, left the band to prepare for her graduation project in June-July 2003. When Adam Beeby had to leave Greenville in September 2005, the remaining members dissolved the band. CANNOTANSWER

Question: Did the members of Future Islands all graduate college?
Answer: Nawabi who was already a senior when Cashion, Herring and Welmers were freshmen,