gaussalgo/Canard_Wiki-augmented huggingface dataset:
Margaret Cho

Context: In 2005, Cho released her second book, I Have Chosen to Stay and Fight, a compilation of essays and prose about global politics, human rights, and other topical issues. Cho launched a national book tour in support of the collection. An audio reading of the book was also released. A DVD of a live taping of her Assassin tour was released in conjunction with the book. The same year, Cho started promoting and touring with her new show, Assassin. The show became her fourth live concert film and premiered on the gay and lesbian premium cable network Here! TV in September 2005. In this DVD, she notably includes herself when talking about gays, saying "we" and "our community." Posters for Assassin featured Cho in paratrooper gear and holding a microphone in the style of an automatic rifle, a reference to the infamous 1974 photo of heiress Patty Hearst.  Cho launched "The Sensuous Woman," a burlesque-style variety show tour, in Los Angeles on August 10, 2007, with tour dates scheduled through November 3, as of October 10. Scheduled tour stops meant to follow Los Angeles were Chicago, Illinois and New York City. On August 10, 2007 the San Francisco Chronicle reviewed the show, Cho's work, key events in her personal life and characterized the show thus: "In fact, as bawdy and bad-behaving as the cast gets, the whole show feels more like a crazy family reunion than a performance."  Also in 2007, Cho appeared in The Dresden Dolls' video of their song "Shores of California," which was MCed by Amanda Palmer and in The Cliks's video for "Eyes in the Back of My Head," in which she appeared as Lucas Silveira's lover. She also provided the character voice for a character named Condie Ling on the Logo animated series Rick & Steve: The Happiest Gay Couple in All the World. Her episodes began airing in 2007.  The premiere performance of Cho's "Beautiful" tour was on February 28, 2008, in Sydney, Australia as part of the Gay and Lesbian Mardi Gras Festival. Cho was also the Chief of Parade for the festival's annual parade along Oxford Street on March 1. During her stay in Sydney, Cho was filmed shopping for parade outfits in a drag store with Kathy Griffin and Cyndi Lauper for Griffin's Bravo series My Life on the D-List. The episode featuring Cho aired on June 26, 2008.  Cho and her family and friends appeared in an episode of NBC's series Celebrity Family Feud, which premiered on June 24, 2008. Later that summer, she appeared in her own semi-scripted reality sitcom for VH1, The Cho Show, which premiered on August 21, 2008 and lasted one season. She next appeared in the supporting cast of the series Drop Dead Diva, which debuted in July 2009. CANNOTANSWER

Question: Does the article about Margaret Cho say what happened in 2005?
Answer: Cho started promoting and touring with her new show, Assassin.
Margaret Cho

Context: In 2005, Cho released her second book, I Have Chosen to Stay and Fight, a compilation of essays and prose about global politics, human rights, and other topical issues. Cho launched a national book tour in support of the collection. An audio reading of the book was also released. A DVD of a live taping of her Assassin tour was released in conjunction with the book. The same year, Cho started promoting and touring with her new show, Assassin. The show became her fourth live concert film and premiered on the gay and lesbian premium cable network Here! TV in September 2005. In this DVD, she notably includes herself when talking about gays, saying "we" and "our community." Posters for Assassin featured Cho in paratrooper gear and holding a microphone in the style of an automatic rifle, a reference to the infamous 1974 photo of heiress Patty Hearst.  Cho launched "The Sensuous Woman," a burlesque-style variety show tour, in Los Angeles on August 10, 2007, with tour dates scheduled through November 3, as of October 10. Scheduled tour stops meant to follow Los Angeles were Chicago, Illinois and New York City. On August 10, 2007 the San Francisco Chronicle reviewed the show, Cho's work, key events in her personal life and characterized the show thus: "In fact, as bawdy and bad-behaving as the cast gets, the whole show feels more like a crazy family reunion than a performance."  Also in 2007, Cho appeared in The Dresden Dolls' video of their song "Shores of California," which was MCed by Amanda Palmer and in The Cliks's video for "Eyes in the Back of My Head," in which she appeared as Lucas Silveira's lover. She also provided the character voice for a character named Condie Ling on the Logo animated series Rick & Steve: The Happiest Gay Couple in All the World. Her episodes began airing in 2007.  The premiere performance of Cho's "Beautiful" tour was on February 28, 2008, in Sydney, Australia as part of the Gay and Lesbian Mardi Gras Festival. Cho was also the Chief of Parade for the festival's annual parade along Oxford Street on March 1. During her stay in Sydney, Cho was filmed shopping for parade outfits in a drag store with Kathy Griffin and Cyndi Lauper for Griffin's Bravo series My Life on the D-List. The episode featuring Cho aired on June 26, 2008.  Cho and her family and friends appeared in an episode of NBC's series Celebrity Family Feud, which premiered on June 24, 2008. Later that summer, she appeared in her own semi-scripted reality sitcom for VH1, The Cho Show, which premiered on August 21, 2008 and lasted one season. She next appeared in the supporting cast of the series Drop Dead Diva, which debuted in July 2009. CANNOTANSWER

Question: What happened with Cho´s time with Assassin?
Answer: The show became her fourth live concert film and premiered on the gay and lesbian premium cable network Here! TV in September 2005.
Margaret Cho

Context: In 2005, Cho released her second book, I Have Chosen to Stay and Fight, a compilation of essays and prose about global politics, human rights, and other topical issues. Cho launched a national book tour in support of the collection. An audio reading of the book was also released. A DVD of a live taping of her Assassin tour was released in conjunction with the book. The same year, Cho started promoting and touring with her new show, Assassin. The show became her fourth live concert film and premiered on the gay and lesbian premium cable network Here! TV in September 2005. In this DVD, she notably includes herself when talking about gays, saying "we" and "our community." Posters for Assassin featured Cho in paratrooper gear and holding a microphone in the style of an automatic rifle, a reference to the infamous 1974 photo of heiress Patty Hearst.  Cho launched "The Sensuous Woman," a burlesque-style variety show tour, in Los Angeles on August 10, 2007, with tour dates scheduled through November 3, as of October 10. Scheduled tour stops meant to follow Los Angeles were Chicago, Illinois and New York City. On August 10, 2007 the San Francisco Chronicle reviewed the show, Cho's work, key events in her personal life and characterized the show thus: "In fact, as bawdy and bad-behaving as the cast gets, the whole show feels more like a crazy family reunion than a performance."  Also in 2007, Cho appeared in The Dresden Dolls' video of their song "Shores of California," which was MCed by Amanda Palmer and in The Cliks's video for "Eyes in the Back of My Head," in which she appeared as Lucas Silveira's lover. She also provided the character voice for a character named Condie Ling on the Logo animated series Rick & Steve: The Happiest Gay Couple in All the World. Her episodes began airing in 2007.  The premiere performance of Cho's "Beautiful" tour was on February 28, 2008, in Sydney, Australia as part of the Gay and Lesbian Mardi Gras Festival. Cho was also the Chief of Parade for the festival's annual parade along Oxford Street on March 1. During her stay in Sydney, Cho was filmed shopping for parade outfits in a drag store with Kathy Griffin and Cyndi Lauper for Griffin's Bravo series My Life on the D-List. The episode featuring Cho aired on June 26, 2008.  Cho and her family and friends appeared in an episode of NBC's series Celebrity Family Feud, which premiered on June 24, 2008. Later that summer, she appeared in her own semi-scripted reality sitcom for VH1, The Cho Show, which premiered on August 21, 2008 and lasted one season. She next appeared in the supporting cast of the series Drop Dead Diva, which debuted in July 2009. CANNOTANSWER

Question: What did Margaret  Cho do in 2006?
Answer: CANNOTANSWER
Margaret Cho

Context: In 2005, Cho released her second book, I Have Chosen to Stay and Fight, a compilation of essays and prose about global politics, human rights, and other topical issues. Cho launched a national book tour in support of the collection. An audio reading of the book was also released. A DVD of a live taping of her Assassin tour was released in conjunction with the book. The same year, Cho started promoting and touring with her new show, Assassin. The show became her fourth live concert film and premiered on the gay and lesbian premium cable network Here! TV in September 2005. In this DVD, she notably includes herself when talking about gays, saying "we" and "our community." Posters for Assassin featured Cho in paratrooper gear and holding a microphone in the style of an automatic rifle, a reference to the infamous 1974 photo of heiress Patty Hearst.  Cho launched "The Sensuous Woman," a burlesque-style variety show tour, in Los Angeles on August 10, 2007, with tour dates scheduled through November 3, as of October 10. Scheduled tour stops meant to follow Los Angeles were Chicago, Illinois and New York City. On August 10, 2007 the San Francisco Chronicle reviewed the show, Cho's work, key events in her personal life and characterized the show thus: "In fact, as bawdy and bad-behaving as the cast gets, the whole show feels more like a crazy family reunion than a performance."  Also in 2007, Cho appeared in The Dresden Dolls' video of their song "Shores of California," which was MCed by Amanda Palmer and in The Cliks's video for "Eyes in the Back of My Head," in which she appeared as Lucas Silveira's lover. She also provided the character voice for a character named Condie Ling on the Logo animated series Rick & Steve: The Happiest Gay Couple in All the World. Her episodes began airing in 2007.  The premiere performance of Cho's "Beautiful" tour was on February 28, 2008, in Sydney, Australia as part of the Gay and Lesbian Mardi Gras Festival. Cho was also the Chief of Parade for the festival's annual parade along Oxford Street on March 1. During her stay in Sydney, Cho was filmed shopping for parade outfits in a drag store with Kathy Griffin and Cyndi Lauper for Griffin's Bravo series My Life on the D-List. The episode featuring Cho aired on June 26, 2008.  Cho and her family and friends appeared in an episode of NBC's series Celebrity Family Feud, which premiered on June 24, 2008. Later that summer, she appeared in her own semi-scripted reality sitcom for VH1, The Cho Show, which premiered on August 21, 2008 and lasted one season. She next appeared in the supporting cast of the series Drop Dead Diva, which debuted in July 2009. CANNOTANSWER

Question: What television shows Margaret  Cho was on?
Answer: Cho and her family and friends appeared in an episode of NBC's series Celebrity Family Feud, which premiered on June 24, 2008.
Margaret Cho

Context: In 2005, Cho released her second book, I Have Chosen to Stay and Fight, a compilation of essays and prose about global politics, human rights, and other topical issues. Cho launched a national book tour in support of the collection. An audio reading of the book was also released. A DVD of a live taping of her Assassin tour was released in conjunction with the book. The same year, Cho started promoting and touring with her new show, Assassin. The show became her fourth live concert film and premiered on the gay and lesbian premium cable network Here! TV in September 2005. In this DVD, she notably includes herself when talking about gays, saying "we" and "our community." Posters for Assassin featured Cho in paratrooper gear and holding a microphone in the style of an automatic rifle, a reference to the infamous 1974 photo of heiress Patty Hearst.  Cho launched "The Sensuous Woman," a burlesque-style variety show tour, in Los Angeles on August 10, 2007, with tour dates scheduled through November 3, as of October 10. Scheduled tour stops meant to follow Los Angeles were Chicago, Illinois and New York City. On August 10, 2007 the San Francisco Chronicle reviewed the show, Cho's work, key events in her personal life and characterized the show thus: "In fact, as bawdy and bad-behaving as the cast gets, the whole show feels more like a crazy family reunion than a performance."  Also in 2007, Cho appeared in The Dresden Dolls' video of their song "Shores of California," which was MCed by Amanda Palmer and in The Cliks's video for "Eyes in the Back of My Head," in which she appeared as Lucas Silveira's lover. She also provided the character voice for a character named Condie Ling on the Logo animated series Rick & Steve: The Happiest Gay Couple in All the World. Her episodes began airing in 2007.  The premiere performance of Cho's "Beautiful" tour was on February 28, 2008, in Sydney, Australia as part of the Gay and Lesbian Mardi Gras Festival. Cho was also the Chief of Parade for the festival's annual parade along Oxford Street on March 1. During her stay in Sydney, Cho was filmed shopping for parade outfits in a drag store with Kathy Griffin and Cyndi Lauper for Griffin's Bravo series My Life on the D-List. The episode featuring Cho aired on June 26, 2008.  Cho and her family and friends appeared in an episode of NBC's series Celebrity Family Feud, which premiered on June 24, 2008. Later that summer, she appeared in her own semi-scripted reality sitcom for VH1, The Cho Show, which premiered on August 21, 2008 and lasted one season. She next appeared in the supporting cast of the series Drop Dead Diva, which debuted in July 2009. CANNOTANSWER

Question: Besides, the NBC´s series Celebrity Family Feud, what were Margaret Cho other projects?
Answer: she appeared in her own semi-scripted reality sitcom for VH1, The Cho Show, which premiered on August 21, 2008 and lasted one season.
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: What was Jello Biafra accused of doing?
Answer: for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist.
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: Where was Jello Biafra accused of distributing harmful material?
Answer: Los Angeles
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: Did the Los Angeles court find Jello Biafra guilty of distributing harmful material?
Answer: The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped.
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: What year was Jello Biafra's case?
Answer: In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: What did Jello Biafra do after the case?
Answer: The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs;
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: Who was Jello Biafra's lawyer?
Answer: CANNOTANSWER
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: Did Jello Biafra have to pay any money because of the lawsuit?
Answer: CANNOTANSWER
Jello Biafra

Context: In April 1986, police officers raided his house in response to complaints by the Parents Music Resource Center (PMRC). In June 1986, L.A. deputy city attorney Michael Guarino, working under City Attorney James Hahn, brought Biafra to trial in Los Angeles for distributing "harmful material to minors" in the Dead Kennedys album Frankenchrist. However, the dispute was about neither the music nor the lyrics from the album, but rather the print of the H. R. Giger poster Landscape XX (Penis Landscape) included with the album. Biafra believes the trial was politically motivated; it was often reported that the PMRC took Biafra to court as a cost-effective way of sending a message out to other musicians with content considered offensive in their music.  Music author Reebee Garofalo argued that Biafra and Alternative Tentacles may have been targeted because the label was a "small, self-managed and self-supported company that could ill afford a protracted legal battle." Facing the possible sentence of a year in jail and a $2,000 fine, Biafra, Dirk Dirksen, and Suzanne Stefanac founded the No More Censorship Defense Fund, a benefit featuring several punk rock bands, to help pay for his legal fees, which neither he nor his record label could afford. The jury deadlocked 5 to 7 in favor of acquittal, prompting a mistrial; despite a motion to re-try the case, the judge ordered all charges dropped. The Dead Kennedys disbanded during the trial, in December 1986, due to the mounting legal costs; in the wake of their disbandment, Biafra made a career of his spoken word performances.  Biafra has a cameo role in the 1988 film Tapeheads. He plays an FBI agent who arrests the two protagonists (played by Tim Robbins and John Cusack). While arresting them his character asks "Remember what we did to Jello Biafra?" lampooning the obscenity prosecution.  On March 25, 2005, Biafra appeared on the U.S. radio program This American Life, "Episode 285: Know Your Enemy", which featured a phone call between Jello Biafra and Michael Guarino, the prosecutor in the Frankenchrist trial. CANNOTANSWER

Question: Was Jello Biafra living in California when he was charge with the crime of distributing harmful materials?
Answer: CANNOTANSWER
Ada Lovelace

Context: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:  [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.  This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.  According to the historian of computing and Babbage specialist Doron Swade:  Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper. CANNOTANSWER

Question: What are the main accomplishments during Ada Lovelace's time?
Answer: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines,
Ada Lovelace

Context: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:  [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.  This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.  According to the historian of computing and Babbage specialist Doron Swade:  Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper. CANNOTANSWER

Question: What is noteworthy about of Ada Lovelace's life?
Answer: She realised the potential of the device extended far beyond mere number crunching.
Ada Lovelace

Context: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:  [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.  This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.  According to the historian of computing and Babbage specialist Doron Swade:  Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper. CANNOTANSWER

Question: And how did Ada Lovelace proceed with potential of the device extended far beyond mere number crunching.?
Answer: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations.
Ada Lovelace

Context: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:  [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.  This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.  According to the historian of computing and Babbage specialist Doron Swade:  Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper. CANNOTANSWER

Question: Anything particularly interesting potential of the device extended far beyond mere number crunching.?
Answer: What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity.
Ada Lovelace

Context: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:  [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.  This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.  According to the historian of computing and Babbage specialist Doron Swade:  Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper. CANNOTANSWER

Question: Did Ada Lovelace win any awards?
Answer: CANNOTANSWER