gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bobby Jones (golfer)

Context: Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play. In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston, his approach shot to the 11th hole's elevated green fell short into the deep rough of the embankment. As he took his stance to pitch onto the green, the head of his club brushed the grass and caused a slight movement of the ball. He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself. Hagen was unable to talk him out of it, and they continued play. After the round and before he signed his scorecard, officials argued with Jones but he insisted that he had violated Rule 18, moving a ball at rest after address, and took a 77 instead of the 76 he otherwise would have carded. Jones' self-imposed one-stroke penalty eventually cost him the win by a stroke in regulation, necessitating a playoff, which he then lost. Although praised by many sports writers for his gesture, Jones was reported to have said, "You might as well praise me for not robbing banks."  A similar event occurred in the next U.S. Open, played at the Scioto Country Club in Columbus, Ohio. In the second round, after his opening round put him in second place, Jones was putting on the 15th green in the face of a strong wind. After grounding his putter during address to square up the club face, the ball rolled a half turn in the wind when Jones lifted the club head to place it behind the ball. Although no one else observed this movement of the ball either, again Jones called a penalty on himself, but this time Jones went on to win the tournament, the second of his four U.S. Open victories.  The USGA's sportsmanship award is named the Bob Jones Award in his honor. CANNOTANSWER

Question: Did golfer Bobby Jones win any awards?
Answer: Jones went on to win the tournament, the second of his four U.S. Open victories.
Bobby Jones (golfer)

Context: Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play. In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston, his approach shot to the 11th hole's elevated green fell short into the deep rough of the embankment. As he took his stance to pitch onto the green, the head of his club brushed the grass and caused a slight movement of the ball. He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself. Hagen was unable to talk him out of it, and they continued play. After the round and before he signed his scorecard, officials argued with Jones but he insisted that he had violated Rule 18, moving a ball at rest after address, and took a 77 instead of the 76 he otherwise would have carded. Jones' self-imposed one-stroke penalty eventually cost him the win by a stroke in regulation, necessitating a playoff, which he then lost. Although praised by many sports writers for his gesture, Jones was reported to have said, "You might as well praise me for not robbing banks."  A similar event occurred in the next U.S. Open, played at the Scioto Country Club in Columbus, Ohio. In the second round, after his opening round put him in second place, Jones was putting on the 15th green in the face of a strong wind. After grounding his putter during address to square up the club face, the ball rolled a half turn in the wind when Jones lifted the club head to place it behind the ball. Although no one else observed this movement of the ball either, again Jones called a penalty on himself, but this time Jones went on to win the tournament, the second of his four U.S. Open victories.  The USGA's sportsmanship award is named the Bob Jones Award in his honor. CANNOTANSWER

Question: Are there any other interesting aspects about this article other than Jones's U.S. Open victories?
Answer: The USGA's sportsmanship award is named the Bob Jones Award in his honor.
Bobby Jones (golfer)

Context: Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play. In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston, his approach shot to the 11th hole's elevated green fell short into the deep rough of the embankment. As he took his stance to pitch onto the green, the head of his club brushed the grass and caused a slight movement of the ball. He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself. Hagen was unable to talk him out of it, and they continued play. After the round and before he signed his scorecard, officials argued with Jones but he insisted that he had violated Rule 18, moving a ball at rest after address, and took a 77 instead of the 76 he otherwise would have carded. Jones' self-imposed one-stroke penalty eventually cost him the win by a stroke in regulation, necessitating a playoff, which he then lost. Although praised by many sports writers for his gesture, Jones was reported to have said, "You might as well praise me for not robbing banks."  A similar event occurred in the next U.S. Open, played at the Scioto Country Club in Columbus, Ohio. In the second round, after his opening round put him in second place, Jones was putting on the 15th green in the face of a strong wind. After grounding his putter during address to square up the club face, the ball rolled a half turn in the wind when Jones lifted the club head to place it behind the ball. Although no one else observed this movement of the ball either, again Jones called a penalty on himself, but this time Jones went on to win the tournament, the second of his four U.S. Open victories.  The USGA's sportsmanship award is named the Bob Jones Award in his honor. CANNOTANSWER

Question: Why was USGA's sportsmanship award named after Bob Jones?
Answer: but this time Jones went on to win the tournament, the second of his four U.S. Open victories.
Bobby Jones (golfer)

Context: Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play. In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston, his approach shot to the 11th hole's elevated green fell short into the deep rough of the embankment. As he took his stance to pitch onto the green, the head of his club brushed the grass and caused a slight movement of the ball. He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself. Hagen was unable to talk him out of it, and they continued play. After the round and before he signed his scorecard, officials argued with Jones but he insisted that he had violated Rule 18, moving a ball at rest after address, and took a 77 instead of the 76 he otherwise would have carded. Jones' self-imposed one-stroke penalty eventually cost him the win by a stroke in regulation, necessitating a playoff, which he then lost. Although praised by many sports writers for his gesture, Jones was reported to have said, "You might as well praise me for not robbing banks."  A similar event occurred in the next U.S. Open, played at the Scioto Country Club in Columbus, Ohio. In the second round, after his opening round put him in second place, Jones was putting on the 15th green in the face of a strong wind. After grounding his putter during address to square up the club face, the ball rolled a half turn in the wind when Jones lifted the club head to place it behind the ball. Although no one else observed this movement of the ball either, again Jones called a penalty on himself, but this time Jones went on to win the tournament, the second of his four U.S. Open victories.  The USGA's sportsmanship award is named the Bob Jones Award in his honor. CANNOTANSWER

Question: What was the most notable part of Bob Jones career?
Answer: Jones went on to win the tournament, the second of his four U.S. Open victories.
Bobby Jones (golfer)

Context: Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play. In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston, his approach shot to the 11th hole's elevated green fell short into the deep rough of the embankment. As he took his stance to pitch onto the green, the head of his club brushed the grass and caused a slight movement of the ball. He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself. Hagen was unable to talk him out of it, and they continued play. After the round and before he signed his scorecard, officials argued with Jones but he insisted that he had violated Rule 18, moving a ball at rest after address, and took a 77 instead of the 76 he otherwise would have carded. Jones' self-imposed one-stroke penalty eventually cost him the win by a stroke in regulation, necessitating a playoff, which he then lost. Although praised by many sports writers for his gesture, Jones was reported to have said, "You might as well praise me for not robbing banks."  A similar event occurred in the next U.S. Open, played at the Scioto Country Club in Columbus, Ohio. In the second round, after his opening round put him in second place, Jones was putting on the 15th green in the face of a strong wind. After grounding his putter during address to square up the club face, the ball rolled a half turn in the wind when Jones lifted the club head to place it behind the ball. Although no one else observed this movement of the ball either, again Jones called a penalty on himself, but this time Jones went on to win the tournament, the second of his four U.S. Open victories.  The USGA's sportsmanship award is named the Bob Jones Award in his honor. CANNOTANSWER

Question: Who were some of Bob Jones rivals?
Answer: CANNOTANSWER
Bobby Jones (golfer)

Context: Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play. In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston, his approach shot to the 11th hole's elevated green fell short into the deep rough of the embankment. As he took his stance to pitch onto the green, the head of his club brushed the grass and caused a slight movement of the ball. He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself. Hagen was unable to talk him out of it, and they continued play. After the round and before he signed his scorecard, officials argued with Jones but he insisted that he had violated Rule 18, moving a ball at rest after address, and took a 77 instead of the 76 he otherwise would have carded. Jones' self-imposed one-stroke penalty eventually cost him the win by a stroke in regulation, necessitating a playoff, which he then lost. Although praised by many sports writers for his gesture, Jones was reported to have said, "You might as well praise me for not robbing banks."  A similar event occurred in the next U.S. Open, played at the Scioto Country Club in Columbus, Ohio. In the second round, after his opening round put him in second place, Jones was putting on the 15th green in the face of a strong wind. After grounding his putter during address to square up the club face, the ball rolled a half turn in the wind when Jones lifted the club head to place it behind the ball. Although no one else observed this movement of the ball either, again Jones called a penalty on himself, but this time Jones went on to win the tournament, the second of his four U.S. Open victories.  The USGA's sportsmanship award is named the Bob Jones Award in his honor. CANNOTANSWER

Question: What was Bob Jones most well known for?
Answer: Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play.
Bobby Jones (golfer)

Context: Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play. In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston, his approach shot to the 11th hole's elevated green fell short into the deep rough of the embankment. As he took his stance to pitch onto the green, the head of his club brushed the grass and caused a slight movement of the ball. He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself. Hagen was unable to talk him out of it, and they continued play. After the round and before he signed his scorecard, officials argued with Jones but he insisted that he had violated Rule 18, moving a ball at rest after address, and took a 77 instead of the 76 he otherwise would have carded. Jones' self-imposed one-stroke penalty eventually cost him the win by a stroke in regulation, necessitating a playoff, which he then lost. Although praised by many sports writers for his gesture, Jones was reported to have said, "You might as well praise me for not robbing banks."  A similar event occurred in the next U.S. Open, played at the Scioto Country Club in Columbus, Ohio. In the second round, after his opening round put him in second place, Jones was putting on the 15th green in the face of a strong wind. After grounding his putter during address to square up the club face, the ball rolled a half turn in the wind when Jones lifted the club head to place it behind the ball. Although no one else observed this movement of the ball either, again Jones called a penalty on himself, but this time Jones went on to win the tournament, the second of his four U.S. Open victories.  The USGA's sportsmanship award is named the Bob Jones Award in his honor. CANNOTANSWER

Question: Can you give me examples of Bob Jones sportsmanship?
Answer: In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston,
Bobby Jones (golfer)

Context: Jones was not only a consummately skilled golfer but exemplified the principles of sportsmanship and fair play. In the first round of the 1925 U.S. Open at the Worcester Country Club near Boston, his approach shot to the 11th hole's elevated green fell short into the deep rough of the embankment. As he took his stance to pitch onto the green, the head of his club brushed the grass and caused a slight movement of the ball. He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself. Hagen was unable to talk him out of it, and they continued play. After the round and before he signed his scorecard, officials argued with Jones but he insisted that he had violated Rule 18, moving a ball at rest after address, and took a 77 instead of the 76 he otherwise would have carded. Jones' self-imposed one-stroke penalty eventually cost him the win by a stroke in regulation, necessitating a playoff, which he then lost. Although praised by many sports writers for his gesture, Jones was reported to have said, "You might as well praise me for not robbing banks."  A similar event occurred in the next U.S. Open, played at the Scioto Country Club in Columbus, Ohio. In the second round, after his opening round put him in second place, Jones was putting on the 15th green in the face of a strong wind. After grounding his putter during address to square up the club face, the ball rolled a half turn in the wind when Jones lifted the club head to place it behind the ball. Although no one else observed this movement of the ball either, again Jones called a penalty on himself, but this time Jones went on to win the tournament, the second of his four U.S. Open victories.  The USGA's sportsmanship award is named the Bob Jones Award in his honor. CANNOTANSWER

Question: What did Bob Jones do in the first round of the 1925 U.S. Open at the Worcester Country Club near Boston?
Answer: He took the shot, then informed his playing partner Walter Hagen and the USGA official covering their match that he was calling a penalty on himself.
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: What is the main point of From "detachment" to "commitment"?
Answer: The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature.
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: What was the trauma in From "detachment" to "commitment"?
Answer: Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction,
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: What was Haruki Murakami's first non-fiction book?
Answer: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: When did Haruki Murakami return to Japan?
Answer: in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack.
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: Was The Wind-Up Bird Chronicle a popular book?
Answer: The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: Did Haruki Murakami write other novels besides "The Wind-Up bird Chronicle" ?
Answer: English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes.
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: Did Haruki Murakami work with any other authors in works besides The Wind Up bird Chronicle??
Answer: Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: What books did Haruki Murakami help translate?
Answer: Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation.
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: Did Haruki Murakami have any controversy between 1983 and 1990?
Answer: CANNOTANSWER
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: What else did Murakami do between 1983 and 1990 besides translate his works?
Answer: Some of his works which appeared in German turned out to be translations from English rather than from Japanese (
Haruki Murakami

Context: The Wind-Up Bird Chronicle (1995) is a novel that fuses the realistic and fantastic, and contains elements of physical violence. It is also more socially conscious than his previous work, dealing in part with the difficult topic of war crimes in Manchukuo (Northeast China). The novel won the Yomiuri Prize, awarded by one of his harshest former critics, Kenzaburo Oe, winner of the Nobel Prize for Literature in 1994.  The processing of collective trauma soon became an important theme in Murakami's writing, which had previously been more personal in nature. Murakami returned to Japan in the aftermath of the Kobe earthquake and the Aum Shinrikyo gas attack. He came to terms with these events with his first work of non-fiction, Underground, and the short story collection after the quake. Underground consists largely of interviews of victims of the gas attacks in the Tokyo subway system.  Murakami himself mentions that he changed his position from one of "detachment" to one of "commitment" after staying in the United States in 1991. "His early books, he said, originated in an individual darkness, while his later works tap into the darkness found in society and history."  English translations of many of his short stories written between 1983 and 1990 have been collected in The Elephant Vanishes. Murakami has also translated many works of F. Scott Fitzgerald, Raymond Carver, Truman Capote, John Irving, and Paul Theroux, among others, into Japanese.  Murakami took an active role in translation of his work into English, encouraging "adaptations" of his texts to American reality rather than direct translation. Some of his works which appeared in German turned out to be translations from English rather than from Japanese (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese. CANNOTANSWER

Question: What was the German translation?
Answer: (South of the Border, West of the Sun, 2000; The Wind-Up Bird Chronicle, 2000s), encouraged by Murakami himself. Both were later re-translated from Japanese.
Fightstar

Context: On 11 August 2008 Fightstar released the B-sides album Alternate Endings, with live radio sessions, covers and a previously-unreleased track. When Gut Records went into administration at the end of 2008 the band decided to release their next album, Be Human, in a joint venture with their management company (Raw Power) on the Search and Destroy label. The album was distributed by PIAS Records. Fightstar released their first single from Be Human, "The English Way", on 3 November 2008 and it topped the UK rock chart. Its video was played on Kerrang! and Scuzz T.V., and topped the MTV2 top 10. The album was co-produced by the band and Carl Bown at Treehouse Studios, Bown's Chesterfield studio. In interviews before its release, Fightstar called the new album "quite different" from their previous releases; Charlie Simpson said that they wanted to experiment with a "rock opera" sound, including strings and a choir. Simpson said that although it might be different, it would still be a Fightstar album with their trademark dark, heavy elements. The band supported Feeder for the first part of their UK tour, which began on 21 October 2008. Drummer Jason Bowld of the British metal band Pitchshifter filled in for Omar Abidi on their UK tour while Abidi recovered from a broken wrist; Abidi returned to touring with the band in early 2009. Due to the drummer's injury, Simpson played drums on six tracks of the new album while Abidi wrote the drum parts and oversaw Simpson's playing.  On 4 February 2009, Fightstar announced a 12-date UK tour supported by In Case of Fire and Laruso. Two weeks before the release of Be Human, "Mercury Summer" was released as the next single; its video debuted on the band's MySpace page on 25 February. "Mercury Summer" was well-received, reaching the A List of the Radio 1 Playlist; the band was featured on the BBC2 music show, Sound. "Mercury Summer" was added to the daytime playlist at XFM Radio and picked as Ian Camfield's Record of the Week. Emma Scott and Kerrang Radio also made "Mercury Summer" her Record of the Week. Be Human was released on 20 April 2009, reaching the highest chart peak of any Fightstar album: number 20 on the UK Albums Chart.  The band introduced "A City on Fire" during Fearne Cotton's Radio 1 show on 19 October; its video, directed by Sitcom Soldiers, premiered on 24 October. The single was released as a digital download on 20 December and peaked at numbers four and ten on the UK Rock and Indie charts, respectively. Fightstar released a deluxe edition of Be Human on 1 March 2010 with five new tracks, including "A City on Fire" and a live cover of Jordin Sparks' "Battlefield" on the iTunes edition. CANNOTANSWER

Question: What was the Alternate Endings of Fightstar?
Answer: B-sides album
Fightstar

Context: On 11 August 2008 Fightstar released the B-sides album Alternate Endings, with live radio sessions, covers and a previously-unreleased track. When Gut Records went into administration at the end of 2008 the band decided to release their next album, Be Human, in a joint venture with their management company (Raw Power) on the Search and Destroy label. The album was distributed by PIAS Records. Fightstar released their first single from Be Human, "The English Way", on 3 November 2008 and it topped the UK rock chart. Its video was played on Kerrang! and Scuzz T.V., and topped the MTV2 top 10. The album was co-produced by the band and Carl Bown at Treehouse Studios, Bown's Chesterfield studio. In interviews before its release, Fightstar called the new album "quite different" from their previous releases; Charlie Simpson said that they wanted to experiment with a "rock opera" sound, including strings and a choir. Simpson said that although it might be different, it would still be a Fightstar album with their trademark dark, heavy elements. The band supported Feeder for the first part of their UK tour, which began on 21 October 2008. Drummer Jason Bowld of the British metal band Pitchshifter filled in for Omar Abidi on their UK tour while Abidi recovered from a broken wrist; Abidi returned to touring with the band in early 2009. Due to the drummer's injury, Simpson played drums on six tracks of the new album while Abidi wrote the drum parts and oversaw Simpson's playing.  On 4 February 2009, Fightstar announced a 12-date UK tour supported by In Case of Fire and Laruso. Two weeks before the release of Be Human, "Mercury Summer" was released as the next single; its video debuted on the band's MySpace page on 25 February. "Mercury Summer" was well-received, reaching the A List of the Radio 1 Playlist; the band was featured on the BBC2 music show, Sound. "Mercury Summer" was added to the daytime playlist at XFM Radio and picked as Ian Camfield's Record of the Week. Emma Scott and Kerrang Radio also made "Mercury Summer" her Record of the Week. Be Human was released on 20 April 2009, reaching the highest chart peak of any Fightstar album: number 20 on the UK Albums Chart.  The band introduced "A City on Fire" during Fearne Cotton's Radio 1 show on 19 October; its video, directed by Sitcom Soldiers, premiered on 24 October. The single was released as a digital download on 20 December and peaked at numbers four and ten on the UK Rock and Indie charts, respectively. Fightstar released a deluxe edition of Be Human on 1 March 2010 with five new tracks, including "A City on Fire" and a live cover of Jordin Sparks' "Battlefield" on the iTunes edition. CANNOTANSWER

Question: Was Alternate Endings by Fightstar successful?
Answer: topped the UK rock chart.
Fightstar

Context: On 11 August 2008 Fightstar released the B-sides album Alternate Endings, with live radio sessions, covers and a previously-unreleased track. When Gut Records went into administration at the end of 2008 the band decided to release their next album, Be Human, in a joint venture with their management company (Raw Power) on the Search and Destroy label. The album was distributed by PIAS Records. Fightstar released their first single from Be Human, "The English Way", on 3 November 2008 and it topped the UK rock chart. Its video was played on Kerrang! and Scuzz T.V., and topped the MTV2 top 10. The album was co-produced by the band and Carl Bown at Treehouse Studios, Bown's Chesterfield studio. In interviews before its release, Fightstar called the new album "quite different" from their previous releases; Charlie Simpson said that they wanted to experiment with a "rock opera" sound, including strings and a choir. Simpson said that although it might be different, it would still be a Fightstar album with their trademark dark, heavy elements. The band supported Feeder for the first part of their UK tour, which began on 21 October 2008. Drummer Jason Bowld of the British metal band Pitchshifter filled in for Omar Abidi on their UK tour while Abidi recovered from a broken wrist; Abidi returned to touring with the band in early 2009. Due to the drummer's injury, Simpson played drums on six tracks of the new album while Abidi wrote the drum parts and oversaw Simpson's playing.  On 4 February 2009, Fightstar announced a 12-date UK tour supported by In Case of Fire and Laruso. Two weeks before the release of Be Human, "Mercury Summer" was released as the next single; its video debuted on the band's MySpace page on 25 February. "Mercury Summer" was well-received, reaching the A List of the Radio 1 Playlist; the band was featured on the BBC2 music show, Sound. "Mercury Summer" was added to the daytime playlist at XFM Radio and picked as Ian Camfield's Record of the Week. Emma Scott and Kerrang Radio also made "Mercury Summer" her Record of the Week. Be Human was released on 20 April 2009, reaching the highest chart peak of any Fightstar album: number 20 on the UK Albums Chart.  The band introduced "A City on Fire" during Fearne Cotton's Radio 1 show on 19 October; its video, directed by Sitcom Soldiers, premiered on 24 October. The single was released as a digital download on 20 December and peaked at numbers four and ten on the UK Rock and Indie charts, respectively. Fightstar released a deluxe edition of Be Human on 1 March 2010 with five new tracks, including "A City on Fire" and a live cover of Jordin Sparks' "Battlefield" on the iTunes edition. CANNOTANSWER

Question: How many records did Fightstar sell of Alternate Endings?
Answer: CANNOTANSWER