gaussalgo/Canard_Wiki-augmented huggingface dataset:
Stirling Moss

Context: During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances. In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg). In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman on Face to Face; Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement... a man who could live so close to the edge of death and danger, and trust entirely to his own judgement. This appealed to me". Moss also appeared as himself in the 1964 film The Beauty Jungle, and was one of several celebrities with cameo appearances in the 1967 version of the James Bond film Casino Royale. He played Evelyn Tremble's (Peter Sellers) driver.  For many years during and after his career, the rhetorical phrase "Who do you think you are, Stirling Moss?" was supposedly the standard question all British policemen asked speeding motorists. Moss relates he himself was once stopped for speeding and asked just that; he reports the traffic officer had some difficulty believing him. As related in the book The Life and Times of Private Eye, Moss was the subject of a less than respectful cartoon biography in the magazine Private Eye. The cartoon, drawn by Willie Rushton, showed him continually crashing, having his driving licence revoked and finally "hosting television programmes on subjects he knows nothing about". It also made reference to the amnesia Moss suffered from as a result of head injuries sustained in the crash at Goodwood in 1962. According to the book, Moss responded by offering to buy the original of the cartoon, an outcome the book describes as "depressingly common" for its satirical cartoons about famous people.  Moss is the narrator of the popular children's series Roary the Racing Car which stars Peter Kay, a role he took on, having been approached by both David Jenkins, who had the original idea, and Keith Chapman, the latter the creator of Bob the Builder, as he saw the TV show as a way of introducing motorsport to the next generation.  He is one of the few drivers of his era to create a brand from his name for licensing purposes, which was launched when his website was revamped in 2009 with improved content. Moss is also a supporter of the UK Independence Party. CANNOTANSWER

Question: In what other media besides the Book The Life and Times of Private Eye did Stirling Moss appear?
Answer: Moss is the narrator of the popular children's series Roary the Racing Car
Stirling Moss

Context: During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances. In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg). In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman on Face to Face; Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement... a man who could live so close to the edge of death and danger, and trust entirely to his own judgement. This appealed to me". Moss also appeared as himself in the 1964 film The Beauty Jungle, and was one of several celebrities with cameo appearances in the 1967 version of the James Bond film Casino Royale. He played Evelyn Tremble's (Peter Sellers) driver.  For many years during and after his career, the rhetorical phrase "Who do you think you are, Stirling Moss?" was supposedly the standard question all British policemen asked speeding motorists. Moss relates he himself was once stopped for speeding and asked just that; he reports the traffic officer had some difficulty believing him. As related in the book The Life and Times of Private Eye, Moss was the subject of a less than respectful cartoon biography in the magazine Private Eye. The cartoon, drawn by Willie Rushton, showed him continually crashing, having his driving licence revoked and finally "hosting television programmes on subjects he knows nothing about". It also made reference to the amnesia Moss suffered from as a result of head injuries sustained in the crash at Goodwood in 1962. According to the book, Moss responded by offering to buy the original of the cartoon, an outcome the book describes as "depressingly common" for its satirical cartoons about famous people.  Moss is the narrator of the popular children's series Roary the Racing Car which stars Peter Kay, a role he took on, having been approached by both David Jenkins, who had the original idea, and Keith Chapman, the latter the creator of Bob the Builder, as he saw the TV show as a way of introducing motorsport to the next generation.  He is one of the few drivers of his era to create a brand from his name for licensing purposes, which was launched when his website was revamped in 2009 with improved content. Moss is also a supporter of the UK Independence Party. CANNOTANSWER

Question: When did Stirling Moss become the narator of Roary the Racing Car?
Answer: having been approached by both David Jenkins, who had the original idea, and Keith Chapman, the latter the creator of Bob the Builder,
Stirling Moss

Context: During his driving career, Moss was one of the most recognised celebrities in Britain, leading to many media appearances. In March 1958, Moss was a guest challenger on the TV panel show What's My Line? (episode with Anita Ekberg). In 1959 he was the subject of the TV programme This Is Your Life. On June 12 the following year he was interviewed by John Freeman on Face to Face; Freeman later said that he had thought before the interview that Moss was a playboy, but in their meeting he showed "cold, precise, clinical judgement... a man who could live so close to the edge of death and danger, and trust entirely to his own judgement. This appealed to me". Moss also appeared as himself in the 1964 film The Beauty Jungle, and was one of several celebrities with cameo appearances in the 1967 version of the James Bond film Casino Royale. He played Evelyn Tremble's (Peter Sellers) driver.  For many years during and after his career, the rhetorical phrase "Who do you think you are, Stirling Moss?" was supposedly the standard question all British policemen asked speeding motorists. Moss relates he himself was once stopped for speeding and asked just that; he reports the traffic officer had some difficulty believing him. As related in the book The Life and Times of Private Eye, Moss was the subject of a less than respectful cartoon biography in the magazine Private Eye. The cartoon, drawn by Willie Rushton, showed him continually crashing, having his driving licence revoked and finally "hosting television programmes on subjects he knows nothing about". It also made reference to the amnesia Moss suffered from as a result of head injuries sustained in the crash at Goodwood in 1962. According to the book, Moss responded by offering to buy the original of the cartoon, an outcome the book describes as "depressingly common" for its satirical cartoons about famous people.  Moss is the narrator of the popular children's series Roary the Racing Car which stars Peter Kay, a role he took on, having been approached by both David Jenkins, who had the original idea, and Keith Chapman, the latter the creator of Bob the Builder, as he saw the TV show as a way of introducing motorsport to the next generation.  He is one of the few drivers of his era to create a brand from his name for licensing purposes, which was launched when his website was revamped in 2009 with improved content. Moss is also a supporter of the UK Independence Party. CANNOTANSWER

Question: Did Stirling Moss stay on Roary the Racing Car or did Stirling Moss continue with other ventures other than Roary the Racing Car?
Answer: CANNOTANSWER
Celtic art

Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival". CANNOTANSWER

Question: Where does Celtic art come from?
Answer: Celtic art is associated with the peoples known as Celts;
Celtic art

Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival". CANNOTANSWER

Question: What are the influences for Celtic art?
Answer: Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture
Celtic art

Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival". CANNOTANSWER

Question: What was the Hallstatt culture in regards to Celtic art?
Answer: CANNOTANSWER
Celtic art

Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival". CANNOTANSWER

Question: What are popular pieces of Celtic Art?
Answer: CANNOTANSWER
Celtic art

Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival". CANNOTANSWER

Question: In addition to Celtic art being associated with the people known as celts, are there any other interesting aspects about this article?
Answer: The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae).
Celtic art

Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival". CANNOTANSWER

Question: What does the word "Celt" mean?
Answer: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic.
Celtic art

Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival". CANNOTANSWER

Question: What time period was Celtic art made?
Answer: pre-history through to the modern period,
Celtic art

Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival". CANNOTANSWER

Question: What did you find interesting in this article about Celtic art?
Answer: Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic
Celtic art

Context: The ancient peoples now called "Celts" spoke a group of languages that had a common origin in the Indo-European language known as Common Celtic or Proto-Celtic. This shared linguistic origin was once widely accepted by scholars to indicate peoples with a common genetic origin in southwest Europe, who had spread their culture by emigration and invasion. Archaeologists identified various cultural traits of these peoples, including styles of art, and traced the culture to the earlier Hallstatt culture and La Tene culture. More recent genetic studies have indicated that various Celtic groups do not all have shared ancestry, and have suggested a diffusion and spread of the culture without necessarily involving significant movement of peoples. The extent to which "Celtic" language, culture and genetics coincided and interacted during prehistoric periods remains very uncertain and controversial.  Celtic art is associated with the peoples known as Celts; those who spoke the Celtic languages in Europe from pre-history through to the modern period, as well as the art of ancient peoples whose language is uncertain, but have cultural and stylistic similarities with speakers of Celtic languages.  The term "Celt" was used in classical times as a synonym for the Gauls (Keltoi, Celtae). Its English form is modern, attested from 1607. In the late 17th century the work of scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples, from which point the term was applied not just to continental Celts but those in Britain and Ireland. Then in the 18th century the interest in "primitivism", which led to the idea of the "noble savage", brought a wave of enthusiasm for all things Celtic and Druidic. The "Irish revival" came after the Catholic Emancipation Act of 1829 as a conscious attempt to demonstrate an Irish national identity, and with its counterpart in other countries subsequently became the "Celtic Revival". CANNOTANSWER

Question: Where else does Celtic art come from, aside from the ancient people now called "Celts"?
Answer: scholars such as Edward Lhuyd brought academic attention to the historic links between Gaulish and the Brythonic--and Goidelic--speaking peoples,
Thích Quảng Đức

Context: In a country where surveys of the religious composition at the time estimated the Buddhist majority to be between 70 and 90 percent, President Diem was a member of the Catholic minority, and pursued discriminatory policies favoring Catholics for public service and military promotions, as well as in the allocation of land, business arrangements and tax concessions. Diem once told a high-ranking officer, forgetting that the officer was from a Buddhist family, "Put your Catholic officers in sensitive places. They can be trusted." Many officers in the Army of the Republic of Vietnam converted to Roman Catholicism as their military prospects depended on it. Additionally, the distribution of firearms to village self-defense militias saw weapons given only to Roman Catholics, with some Buddhists in the army being denied promotion if they refused to convert to Roman Catholicism.  Some Roman Catholic priests ran their own private armies, and there were forced conversions and looting, shelling, and demolition of pagodas in some areas, to which the government turned a blind eye. Some Buddhist villages converted en masse to receive aid or avoid being forcibly resettled by Diem's regime. The "private" status that was imposed on Buddhism by the French, which required official permission to be obtained by those wishing to conduct public Buddhist activities, was not repealed by Diem. Catholics were also de facto exempt from corvee labor, which the government obliged all citizens to perform, and United States aid was distributed disproportionately to Catholic majority villages by Diem's regime.  The Roman Catholic Church was the largest landowner in the country and enjoyed special exemptions in property acquisition, and land owned by the Roman Catholic Church was exempt from land reform. The white and gold Vatican flag was regularly flown at all major public events in South Vietnam, and Diem dedicated his country to the Virgin Mary in 1959.  Buddhist discontent erupted following a ban in early May on flying the Buddhist flag in Hue on Vesak, the birthday of Gautama Buddha. Just days before, Catholics had been encouraged to fly the Vatican flag at a celebration for Archbishop Ngo Dinh Thuc of Hue, Diem's elder brother. A large crowd of Buddhists protested the ban, defying the government by flying Buddhist flags on the Buddhist holy day of Vesak and marching on the government broadcasting station. Government forces fired into the crowd of protesters, killing nine people. Diem's refusal to take responsibility -- he blamed the Viet Cong for the deaths -- led to further Buddhist protests and calls for religious equality. As Diem remained unwilling to comply with Buddhist demands, the frequency of protests increased. CANNOTANSWER

Question: What was Thích Quảng Đức's religious background?
Answer: Buddhist
Thích Quảng Đức

Context: In a country where surveys of the religious composition at the time estimated the Buddhist majority to be between 70 and 90 percent, President Diem was a member of the Catholic minority, and pursued discriminatory policies favoring Catholics for public service and military promotions, as well as in the allocation of land, business arrangements and tax concessions. Diem once told a high-ranking officer, forgetting that the officer was from a Buddhist family, "Put your Catholic officers in sensitive places. They can be trusted." Many officers in the Army of the Republic of Vietnam converted to Roman Catholicism as their military prospects depended on it. Additionally, the distribution of firearms to village self-defense militias saw weapons given only to Roman Catholics, with some Buddhists in the army being denied promotion if they refused to convert to Roman Catholicism.  Some Roman Catholic priests ran their own private armies, and there were forced conversions and looting, shelling, and demolition of pagodas in some areas, to which the government turned a blind eye. Some Buddhist villages converted en masse to receive aid or avoid being forcibly resettled by Diem's regime. The "private" status that was imposed on Buddhism by the French, which required official permission to be obtained by those wishing to conduct public Buddhist activities, was not repealed by Diem. Catholics were also de facto exempt from corvee labor, which the government obliged all citizens to perform, and United States aid was distributed disproportionately to Catholic majority villages by Diem's regime.  The Roman Catholic Church was the largest landowner in the country and enjoyed special exemptions in property acquisition, and land owned by the Roman Catholic Church was exempt from land reform. The white and gold Vatican flag was regularly flown at all major public events in South Vietnam, and Diem dedicated his country to the Virgin Mary in 1959.  Buddhist discontent erupted following a ban in early May on flying the Buddhist flag in Hue on Vesak, the birthday of Gautama Buddha. Just days before, Catholics had been encouraged to fly the Vatican flag at a celebration for Archbishop Ngo Dinh Thuc of Hue, Diem's elder brother. A large crowd of Buddhists protested the ban, defying the government by flying Buddhist flags on the Buddhist holy day of Vesak and marching on the government broadcasting station. Government forces fired into the crowd of protesters, killing nine people. Diem's refusal to take responsibility -- he blamed the Viet Cong for the deaths -- led to further Buddhist protests and calls for religious equality. As Diem remained unwilling to comply with Buddhist demands, the frequency of protests increased. CANNOTANSWER

Question: Was most of Thích Quảng Đức's country also buddhist?
Answer: the religious composition at the time estimated the Buddhist majority to be between 70 and 90 percent,
Thích Quảng Đức

Context: In a country where surveys of the religious composition at the time estimated the Buddhist majority to be between 70 and 90 percent, President Diem was a member of the Catholic minority, and pursued discriminatory policies favoring Catholics for public service and military promotions, as well as in the allocation of land, business arrangements and tax concessions. Diem once told a high-ranking officer, forgetting that the officer was from a Buddhist family, "Put your Catholic officers in sensitive places. They can be trusted." Many officers in the Army of the Republic of Vietnam converted to Roman Catholicism as their military prospects depended on it. Additionally, the distribution of firearms to village self-defense militias saw weapons given only to Roman Catholics, with some Buddhists in the army being denied promotion if they refused to convert to Roman Catholicism.  Some Roman Catholic priests ran their own private armies, and there were forced conversions and looting, shelling, and demolition of pagodas in some areas, to which the government turned a blind eye. Some Buddhist villages converted en masse to receive aid or avoid being forcibly resettled by Diem's regime. The "private" status that was imposed on Buddhism by the French, which required official permission to be obtained by those wishing to conduct public Buddhist activities, was not repealed by Diem. Catholics were also de facto exempt from corvee labor, which the government obliged all citizens to perform, and United States aid was distributed disproportionately to Catholic majority villages by Diem's regime.  The Roman Catholic Church was the largest landowner in the country and enjoyed special exemptions in property acquisition, and land owned by the Roman Catholic Church was exempt from land reform. The white and gold Vatican flag was regularly flown at all major public events in South Vietnam, and Diem dedicated his country to the Virgin Mary in 1959.  Buddhist discontent erupted following a ban in early May on flying the Buddhist flag in Hue on Vesak, the birthday of Gautama Buddha. Just days before, Catholics had been encouraged to fly the Vatican flag at a celebration for Archbishop Ngo Dinh Thuc of Hue, Diem's elder brother. A large crowd of Buddhists protested the ban, defying the government by flying Buddhist flags on the Buddhist holy day of Vesak and marching on the government broadcasting station. Government forces fired into the crowd of protesters, killing nine people. Diem's refusal to take responsibility -- he blamed the Viet Cong for the deaths -- led to further Buddhist protests and calls for religious equality. As Diem remained unwilling to comply with Buddhist demands, the frequency of protests increased. CANNOTANSWER

Question: If Buddhists were the majority in Thích Quảng Đức's country, then why were they being persecuted?
Answer: President Diem was a member of the Catholic minority, and pursued discriminatory policies favoring Catholics for public service and military promotions,
Thích Quảng Đức

Context: In a country where surveys of the religious composition at the time estimated the Buddhist majority to be between 70 and 90 percent, President Diem was a member of the Catholic minority, and pursued discriminatory policies favoring Catholics for public service and military promotions, as well as in the allocation of land, business arrangements and tax concessions. Diem once told a high-ranking officer, forgetting that the officer was from a Buddhist family, "Put your Catholic officers in sensitive places. They can be trusted." Many officers in the Army of the Republic of Vietnam converted to Roman Catholicism as their military prospects depended on it. Additionally, the distribution of firearms to village self-defense militias saw weapons given only to Roman Catholics, with some Buddhists in the army being denied promotion if they refused to convert to Roman Catholicism.  Some Roman Catholic priests ran their own private armies, and there were forced conversions and looting, shelling, and demolition of pagodas in some areas, to which the government turned a blind eye. Some Buddhist villages converted en masse to receive aid or avoid being forcibly resettled by Diem's regime. The "private" status that was imposed on Buddhism by the French, which required official permission to be obtained by those wishing to conduct public Buddhist activities, was not repealed by Diem. Catholics were also de facto exempt from corvee labor, which the government obliged all citizens to perform, and United States aid was distributed disproportionately to Catholic majority villages by Diem's regime.  The Roman Catholic Church was the largest landowner in the country and enjoyed special exemptions in property acquisition, and land owned by the Roman Catholic Church was exempt from land reform. The white and gold Vatican flag was regularly flown at all major public events in South Vietnam, and Diem dedicated his country to the Virgin Mary in 1959.  Buddhist discontent erupted following a ban in early May on flying the Buddhist flag in Hue on Vesak, the birthday of Gautama Buddha. Just days before, Catholics had been encouraged to fly the Vatican flag at a celebration for Archbishop Ngo Dinh Thuc of Hue, Diem's elder brother. A large crowd of Buddhists protested the ban, defying the government by flying Buddhist flags on the Buddhist holy day of Vesak and marching on the government broadcasting station. Government forces fired into the crowd of protesters, killing nine people. Diem's refusal to take responsibility -- he blamed the Viet Cong for the deaths -- led to further Buddhist protests and calls for religious equality. As Diem remained unwilling to comply with Buddhist demands, the frequency of protests increased. CANNOTANSWER

Question: How did the people react to President Diem pursuing discriminatory policies favoring catholics in Thích Quảng Đức's country?
Answer: Some Buddhist villages converted en masse to receive aid or avoid being forcibly resettled by Diem's regime.
Thích Quảng Đức

Context: In a country where surveys of the religious composition at the time estimated the Buddhist majority to be between 70 and 90 percent, President Diem was a member of the Catholic minority, and pursued discriminatory policies favoring Catholics for public service and military promotions, as well as in the allocation of land, business arrangements and tax concessions. Diem once told a high-ranking officer, forgetting that the officer was from a Buddhist family, "Put your Catholic officers in sensitive places. They can be trusted." Many officers in the Army of the Republic of Vietnam converted to Roman Catholicism as their military prospects depended on it. Additionally, the distribution of firearms to village self-defense militias saw weapons given only to Roman Catholics, with some Buddhists in the army being denied promotion if they refused to convert to Roman Catholicism.  Some Roman Catholic priests ran their own private armies, and there were forced conversions and looting, shelling, and demolition of pagodas in some areas, to which the government turned a blind eye. Some Buddhist villages converted en masse to receive aid or avoid being forcibly resettled by Diem's regime. The "private" status that was imposed on Buddhism by the French, which required official permission to be obtained by those wishing to conduct public Buddhist activities, was not repealed by Diem. Catholics were also de facto exempt from corvee labor, which the government obliged all citizens to perform, and United States aid was distributed disproportionately to Catholic majority villages by Diem's regime.  The Roman Catholic Church was the largest landowner in the country and enjoyed special exemptions in property acquisition, and land owned by the Roman Catholic Church was exempt from land reform. The white and gold Vatican flag was regularly flown at all major public events in South Vietnam, and Diem dedicated his country to the Virgin Mary in 1959.  Buddhist discontent erupted following a ban in early May on flying the Buddhist flag in Hue on Vesak, the birthday of Gautama Buddha. Just days before, Catholics had been encouraged to fly the Vatican flag at a celebration for Archbishop Ngo Dinh Thuc of Hue, Diem's elder brother. A large crowd of Buddhists protested the ban, defying the government by flying Buddhist flags on the Buddhist holy day of Vesak and marching on the government broadcasting station. Government forces fired into the crowd of protesters, killing nine people. Diem's refusal to take responsibility -- he blamed the Viet Cong for the deaths -- led to further Buddhist protests and calls for religious equality. As Diem remained unwilling to comply with Buddhist demands, the frequency of protests increased. CANNOTANSWER

Question: So did Catholics then become the majority in Thích Quảng Đức's country?
Answer: The Roman Catholic Church was the largest landowner in the country and enjoyed special exemptions in property acquisition,
Thích Quảng Đức

Context: In a country where surveys of the religious composition at the time estimated the Buddhist majority to be between 70 and 90 percent, President Diem was a member of the Catholic minority, and pursued discriminatory policies favoring Catholics for public service and military promotions, as well as in the allocation of land, business arrangements and tax concessions. Diem once told a high-ranking officer, forgetting that the officer was from a Buddhist family, "Put your Catholic officers in sensitive places. They can be trusted." Many officers in the Army of the Republic of Vietnam converted to Roman Catholicism as their military prospects depended on it. Additionally, the distribution of firearms to village self-defense militias saw weapons given only to Roman Catholics, with some Buddhists in the army being denied promotion if they refused to convert to Roman Catholicism.  Some Roman Catholic priests ran their own private armies, and there were forced conversions and looting, shelling, and demolition of pagodas in some areas, to which the government turned a blind eye. Some Buddhist villages converted en masse to receive aid or avoid being forcibly resettled by Diem's regime. The "private" status that was imposed on Buddhism by the French, which required official permission to be obtained by those wishing to conduct public Buddhist activities, was not repealed by Diem. Catholics were also de facto exempt from corvee labor, which the government obliged all citizens to perform, and United States aid was distributed disproportionately to Catholic majority villages by Diem's regime.  The Roman Catholic Church was the largest landowner in the country and enjoyed special exemptions in property acquisition, and land owned by the Roman Catholic Church was exempt from land reform. The white and gold Vatican flag was regularly flown at all major public events in South Vietnam, and Diem dedicated his country to the Virgin Mary in 1959.  Buddhist discontent erupted following a ban in early May on flying the Buddhist flag in Hue on Vesak, the birthday of Gautama Buddha. Just days before, Catholics had been encouraged to fly the Vatican flag at a celebration for Archbishop Ngo Dinh Thuc of Hue, Diem's elder brother. A large crowd of Buddhists protested the ban, defying the government by flying Buddhist flags on the Buddhist holy day of Vesak and marching on the government broadcasting station. Government forces fired into the crowd of protesters, killing nine people. Diem's refusal to take responsibility -- he blamed the Viet Cong for the deaths -- led to further Buddhist protests and calls for religious equality. As Diem remained unwilling to comply with Buddhist demands, the frequency of protests increased. CANNOTANSWER

Question: Besides Roman Catholic Church being the largest landowner in Thích Quảng Đức's country, Is there anything else interesting from this article?
Answer: Buddhist discontent erupted following a ban in early May on flying the Buddhist flag in Hue on Vesak, the birthday of Gautama Buddha.
Thích Quảng Đức

Context: In a country where surveys of the religious composition at the time estimated the Buddhist majority to be between 70 and 90 percent, President Diem was a member of the Catholic minority, and pursued discriminatory policies favoring Catholics for public service and military promotions, as well as in the allocation of land, business arrangements and tax concessions. Diem once told a high-ranking officer, forgetting that the officer was from a Buddhist family, "Put your Catholic officers in sensitive places. They can be trusted." Many officers in the Army of the Republic of Vietnam converted to Roman Catholicism as their military prospects depended on it. Additionally, the distribution of firearms to village self-defense militias saw weapons given only to Roman Catholics, with some Buddhists in the army being denied promotion if they refused to convert to Roman Catholicism.  Some Roman Catholic priests ran their own private armies, and there were forced conversions and looting, shelling, and demolition of pagodas in some areas, to which the government turned a blind eye. Some Buddhist villages converted en masse to receive aid or avoid being forcibly resettled by Diem's regime. The "private" status that was imposed on Buddhism by the French, which required official permission to be obtained by those wishing to conduct public Buddhist activities, was not repealed by Diem. Catholics were also de facto exempt from corvee labor, which the government obliged all citizens to perform, and United States aid was distributed disproportionately to Catholic majority villages by Diem's regime.  The Roman Catholic Church was the largest landowner in the country and enjoyed special exemptions in property acquisition, and land owned by the Roman Catholic Church was exempt from land reform. The white and gold Vatican flag was regularly flown at all major public events in South Vietnam, and Diem dedicated his country to the Virgin Mary in 1959.  Buddhist discontent erupted following a ban in early May on flying the Buddhist flag in Hue on Vesak, the birthday of Gautama Buddha. Just days before, Catholics had been encouraged to fly the Vatican flag at a celebration for Archbishop Ngo Dinh Thuc of Hue, Diem's elder brother. A large crowd of Buddhists protested the ban, defying the government by flying Buddhist flags on the Buddhist holy day of Vesak and marching on the government broadcasting station. Government forces fired into the crowd of protesters, killing nine people. Diem's refusal to take responsibility -- he blamed the Viet Cong for the deaths -- led to further Buddhist protests and calls for religious equality. As Diem remained unwilling to comply with Buddhist demands, the frequency of protests increased. CANNOTANSWER

Question: Did buddhists in Thích Quảng Đức's country protest or do anything to fight the ban on the Buddhist flag?
Answer: A large crowd of Buddhists protested the ban, defying the government by flying Buddhist flags on the Buddhist holy day of Vesak and marching on the government broadcasting station.