gaussalgo/Canard_Wiki-augmented huggingface dataset:
Joaquin Phoenix

Context: In 2006, Phoenix was invited to join the Academy of Motion Picture Arts and Sciences.  In 2007, Phoenix reunited with director James Gray for the film We Own the Night, which he also produced. In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from Russian mafia hit men. The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide. Critic Peter Travers described Phoenix as "electrifying and then some", and he was awarded the People's Choice Award for Favorite Leading Man for the performance. For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it, Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident. The film failed at the box office  and received negative reviews from critics, with film critic Peter Travers writing "Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera."  Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor. Two Lovers premiered in competition at the 2008 Cannes Film Festival in May, receiving largely positive reviews, especially Phoenix who was praised by film critics David Edelstein who wrote "He [Phoenix] is, once again, stupendous, and stupendous in a way he has never been before" and Roger Ebert describing his performance as "perfect pitch". Two Lovers grossed $16 million worldwide.  Phoenix's mockumentary film I'm Still Here (2010) premiered at the 67th Venice International Film Festival on September 6, 2010. The film was directed by Phoenix's then brother-in-law Casey Affleck and was also written by Affleck and Phoenix himself. The film purports to follow the life of Phoenix, from the announcement of his retirement from acting, through his transition into a career as a hip hop artist. Filming officially began on January 16, 2009 at a Las Vegas nightclub. Throughout the filming period, Phoenix remained in character for public appearances, giving many the impression that he was genuinely pursuing a new career. Although widely suspected to be a "mockumentary," the fact that the events of the film had been deliberately staged was not disclosed until after the film had been released. The film received mixed reviews and failed at the box office. After the releasing of the film, Phoenix took a self-imposed break from acting. CANNOTANSWER

Question: What was the film We Own the Night about?
Answer: In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from
Joaquin Phoenix

Context: In 2006, Phoenix was invited to join the Academy of Motion Picture Arts and Sciences.  In 2007, Phoenix reunited with director James Gray for the film We Own the Night, which he also produced. In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from Russian mafia hit men. The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide. Critic Peter Travers described Phoenix as "electrifying and then some", and he was awarded the People's Choice Award for Favorite Leading Man for the performance. For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it, Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident. The film failed at the box office  and received negative reviews from critics, with film critic Peter Travers writing "Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera."  Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor. Two Lovers premiered in competition at the 2008 Cannes Film Festival in May, receiving largely positive reviews, especially Phoenix who was praised by film critics David Edelstein who wrote "He [Phoenix] is, once again, stupendous, and stupendous in a way he has never been before" and Roger Ebert describing his performance as "perfect pitch". Two Lovers grossed $16 million worldwide.  Phoenix's mockumentary film I'm Still Here (2010) premiered at the 67th Venice International Film Festival on September 6, 2010. The film was directed by Phoenix's then brother-in-law Casey Affleck and was also written by Affleck and Phoenix himself. The film purports to follow the life of Phoenix, from the announcement of his retirement from acting, through his transition into a career as a hip hop artist. Filming officially began on January 16, 2009 at a Las Vegas nightclub. Throughout the filming period, Phoenix remained in character for public appearances, giving many the impression that he was genuinely pursuing a new career. Although widely suspected to be a "mockumentary," the fact that the events of the film had been deliberately staged was not disclosed until after the film had been released. The film received mixed reviews and failed at the box office. After the releasing of the film, Phoenix took a self-imposed break from acting. CANNOTANSWER

Question: Did the film We Own the Night do well?
Answer: The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide.
Joaquin Phoenix

Context: In 2006, Phoenix was invited to join the Academy of Motion Picture Arts and Sciences.  In 2007, Phoenix reunited with director James Gray for the film We Own the Night, which he also produced. In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from Russian mafia hit men. The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide. Critic Peter Travers described Phoenix as "electrifying and then some", and he was awarded the People's Choice Award for Favorite Leading Man for the performance. For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it, Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident. The film failed at the box office  and received negative reviews from critics, with film critic Peter Travers writing "Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera."  Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor. Two Lovers premiered in competition at the 2008 Cannes Film Festival in May, receiving largely positive reviews, especially Phoenix who was praised by film critics David Edelstein who wrote "He [Phoenix] is, once again, stupendous, and stupendous in a way he has never been before" and Roger Ebert describing his performance as "perfect pitch". Two Lovers grossed $16 million worldwide.  Phoenix's mockumentary film I'm Still Here (2010) premiered at the 67th Venice International Film Festival on September 6, 2010. The film was directed by Phoenix's then brother-in-law Casey Affleck and was also written by Affleck and Phoenix himself. The film purports to follow the life of Phoenix, from the announcement of his retirement from acting, through his transition into a career as a hip hop artist. Filming officially began on January 16, 2009 at a Las Vegas nightclub. Throughout the filming period, Phoenix remained in character for public appearances, giving many the impression that he was genuinely pursuing a new career. Although widely suspected to be a "mockumentary," the fact that the events of the film had been deliberately staged was not disclosed until after the film had been released. The film received mixed reviews and failed at the box office. After the releasing of the film, Phoenix took a self-imposed break from acting. CANNOTANSWER

Question: Did Joaquin Phoenix work on any more movies?
Answer: For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it,
Joaquin Phoenix

Context: In 2006, Phoenix was invited to join the Academy of Motion Picture Arts and Sciences.  In 2007, Phoenix reunited with director James Gray for the film We Own the Night, which he also produced. In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from Russian mafia hit men. The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide. Critic Peter Travers described Phoenix as "electrifying and then some", and he was awarded the People's Choice Award for Favorite Leading Man for the performance. For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it, Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident. The film failed at the box office  and received negative reviews from critics, with film critic Peter Travers writing "Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera."  Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor. Two Lovers premiered in competition at the 2008 Cannes Film Festival in May, receiving largely positive reviews, especially Phoenix who was praised by film critics David Edelstein who wrote "He [Phoenix] is, once again, stupendous, and stupendous in a way he has never been before" and Roger Ebert describing his performance as "perfect pitch". Two Lovers grossed $16 million worldwide.  Phoenix's mockumentary film I'm Still Here (2010) premiered at the 67th Venice International Film Festival on September 6, 2010. The film was directed by Phoenix's then brother-in-law Casey Affleck and was also written by Affleck and Phoenix himself. The film purports to follow the life of Phoenix, from the announcement of his retirement from acting, through his transition into a career as a hip hop artist. Filming officially began on January 16, 2009 at a Las Vegas nightclub. Throughout the filming period, Phoenix remained in character for public appearances, giving many the impression that he was genuinely pursuing a new career. Although widely suspected to be a "mockumentary," the fact that the events of the film had been deliberately staged was not disclosed until after the film had been released. The film received mixed reviews and failed at the box office. After the releasing of the film, Phoenix took a self-imposed break from acting. CANNOTANSWER

Question: Who did Joaquin Phoenix play in his role in the film Reservation Road?
Answer: Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident.
Joaquin Phoenix

Context: In 2006, Phoenix was invited to join the Academy of Motion Picture Arts and Sciences.  In 2007, Phoenix reunited with director James Gray for the film We Own the Night, which he also produced. In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from Russian mafia hit men. The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide. Critic Peter Travers described Phoenix as "electrifying and then some", and he was awarded the People's Choice Award for Favorite Leading Man for the performance. For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it, Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident. The film failed at the box office  and received negative reviews from critics, with film critic Peter Travers writing "Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera."  Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor. Two Lovers premiered in competition at the 2008 Cannes Film Festival in May, receiving largely positive reviews, especially Phoenix who was praised by film critics David Edelstein who wrote "He [Phoenix] is, once again, stupendous, and stupendous in a way he has never been before" and Roger Ebert describing his performance as "perfect pitch". Two Lovers grossed $16 million worldwide.  Phoenix's mockumentary film I'm Still Here (2010) premiered at the 67th Venice International Film Festival on September 6, 2010. The film was directed by Phoenix's then brother-in-law Casey Affleck and was also written by Affleck and Phoenix himself. The film purports to follow the life of Phoenix, from the announcement of his retirement from acting, through his transition into a career as a hip hop artist. Filming officially began on January 16, 2009 at a Las Vegas nightclub. Throughout the filming period, Phoenix remained in character for public appearances, giving many the impression that he was genuinely pursuing a new career. Although widely suspected to be a "mockumentary," the fact that the events of the film had been deliberately staged was not disclosed until after the film had been released. The film received mixed reviews and failed at the box office. After the releasing of the film, Phoenix took a self-imposed break from acting. CANNOTANSWER

Question: Did the film Reservation Road perform well in theaters?
Answer: The film failed at the box office  and received negative reviews from critics, with film critic Peter Travers writing "
Joaquin Phoenix

Context: In 2006, Phoenix was invited to join the Academy of Motion Picture Arts and Sciences.  In 2007, Phoenix reunited with director James Gray for the film We Own the Night, which he also produced. In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from Russian mafia hit men. The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide. Critic Peter Travers described Phoenix as "electrifying and then some", and he was awarded the People's Choice Award for Favorite Leading Man for the performance. For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it, Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident. The film failed at the box office  and received negative reviews from critics, with film critic Peter Travers writing "Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera."  Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor. Two Lovers premiered in competition at the 2008 Cannes Film Festival in May, receiving largely positive reviews, especially Phoenix who was praised by film critics David Edelstein who wrote "He [Phoenix] is, once again, stupendous, and stupendous in a way he has never been before" and Roger Ebert describing his performance as "perfect pitch". Two Lovers grossed $16 million worldwide.  Phoenix's mockumentary film I'm Still Here (2010) premiered at the 67th Venice International Film Festival on September 6, 2010. The film was directed by Phoenix's then brother-in-law Casey Affleck and was also written by Affleck and Phoenix himself. The film purports to follow the life of Phoenix, from the announcement of his retirement from acting, through his transition into a career as a hip hop artist. Filming officially began on January 16, 2009 at a Las Vegas nightclub. Throughout the filming period, Phoenix remained in character for public appearances, giving many the impression that he was genuinely pursuing a new career. Although widely suspected to be a "mockumentary," the fact that the events of the film had been deliberately staged was not disclosed until after the film had been released. The film received mixed reviews and failed at the box office. After the releasing of the film, Phoenix took a self-imposed break from acting. CANNOTANSWER

Question: Did Joaquin Phoenix make any more movies?
Answer: Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a
Joaquin Phoenix

Context: In 2006, Phoenix was invited to join the Academy of Motion Picture Arts and Sciences.  In 2007, Phoenix reunited with director James Gray for the film We Own the Night, which he also produced. In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from Russian mafia hit men. The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide. Critic Peter Travers described Phoenix as "electrifying and then some", and he was awarded the People's Choice Award for Favorite Leading Man for the performance. For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it, Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident. The film failed at the box office  and received negative reviews from critics, with film critic Peter Travers writing "Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera."  Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor. Two Lovers premiered in competition at the 2008 Cannes Film Festival in May, receiving largely positive reviews, especially Phoenix who was praised by film critics David Edelstein who wrote "He [Phoenix] is, once again, stupendous, and stupendous in a way he has never been before" and Roger Ebert describing his performance as "perfect pitch". Two Lovers grossed $16 million worldwide.  Phoenix's mockumentary film I'm Still Here (2010) premiered at the 67th Venice International Film Festival on September 6, 2010. The film was directed by Phoenix's then brother-in-law Casey Affleck and was also written by Affleck and Phoenix himself. The film purports to follow the life of Phoenix, from the announcement of his retirement from acting, through his transition into a career as a hip hop artist. Filming officially began on January 16, 2009 at a Las Vegas nightclub. Throughout the filming period, Phoenix remained in character for public appearances, giving many the impression that he was genuinely pursuing a new career. Although widely suspected to be a "mockumentary," the fact that the events of the film had been deliberately staged was not disclosed until after the film had been released. The film received mixed reviews and failed at the box office. After the releasing of the film, Phoenix took a self-imposed break from acting. CANNOTANSWER

Question: What was the film Two Lovers about?
Answer: In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from
Joaquin Phoenix

Context: In 2006, Phoenix was invited to join the Academy of Motion Picture Arts and Sciences.  In 2007, Phoenix reunited with director James Gray for the film We Own the Night, which he also produced. In the film, Phoenix played a New York nightclub manager who tries to save his brother and father from Russian mafia hit men. The film premiered at the 2007 Cannes Film Festival, receiving mixed reviews from critics and grossed a total of $54.5 million worldwide. Critic Peter Travers described Phoenix as "electrifying and then some", and he was awarded the People's Choice Award for Favorite Leading Man for the performance. For his second film of 2007, Phoenix also reunited with director Terry George for the film Reservation Road. In it, Phoenix played a father obsessed with finding out who killed his son in a hit-and-run accident. The film failed at the box office  and received negative reviews from critics, with film critic Peter Travers writing "Even the best actors -- and I'd rank Joaquin Phoenix and Mark Ruffalo among their generation's finest -- can't save a movie that aims for tragedy but stalls at soap opera."  Phoenix made his third collaboration with director James Gray in the film Two Lovers (2008), where he played a bachelor torn between the family friend his parents wish he would marry and his beautiful but volatile new neighbor. Two Lovers premiered in competition at the 2008 Cannes Film Festival in May, receiving largely positive reviews, especially Phoenix who was praised by film critics David Edelstein who wrote "He [Phoenix] is, once again, stupendous, and stupendous in a way he has never been before" and Roger Ebert describing his performance as "perfect pitch". Two Lovers grossed $16 million worldwide.  Phoenix's mockumentary film I'm Still Here (2010) premiered at the 67th Venice International Film Festival on September 6, 2010. The film was directed by Phoenix's then brother-in-law Casey Affleck and was also written by Affleck and Phoenix himself. The film purports to follow the life of Phoenix, from the announcement of his retirement from acting, through his transition into a career as a hip hop artist. Filming officially began on January 16, 2009 at a Las Vegas nightclub. Throughout the filming period, Phoenix remained in character for public appearances, giving many the impression that he was genuinely pursuing a new career. Although widely suspected to be a "mockumentary," the fact that the events of the film had been deliberately staged was not disclosed until after the film had been released. The film received mixed reviews and failed at the box office. After the releasing of the film, Phoenix took a self-imposed break from acting. CANNOTANSWER

Question: How did the film Two Lovers do for Joaquin Phoenix?
Answer: The film failed at the box office  and received negative reviews
Grace Slick

Context: After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life. Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love? A Rock-and-Roll Memoir. Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography. Hesitant at first (because she thought "it was way too cute. Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography. An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book. Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the album The Best of Hot Tuna. Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her musical career. A notable exception is the cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace."  Slick is not bound by any specific style or medium in her production of visual art and has no interest in developing one. She uses acrylic paints, saying oil takes too long to dry, canvas, pen, ink, scratchboard, pastels, and pencil. Many of her works are mixed media. Her styles range from the children's bookish "Alice in Wonderland" themes to the realism of the rock and roll portraits and scratchboards of animals to the minimalist ink wash styled nudes to a variety of other subjects and styles.  The best-selling prints and originals are her various renditions of the white rabbit and the portraits of her colleagues in the music industry. In 2006, the popularity of her "Alice in Wonderland" works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the "Wonderland" motif.  While critics have variously panned and praised her work, Slick seems indifferent to the criticism. She views her visual artistry as just another extension of the artistic temperament that landed her in the music scene in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people.  Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year. While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying. At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased. CANNOTANSWER

Question: Did Grace Slick release any visual art pieces?
Answer: After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals,
Grace Slick

Context: After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life. Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love? A Rock-and-Roll Memoir. Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography. Hesitant at first (because she thought "it was way too cute. Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography. An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book. Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the album The Best of Hot Tuna. Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her musical career. A notable exception is the cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace."  Slick is not bound by any specific style or medium in her production of visual art and has no interest in developing one. She uses acrylic paints, saying oil takes too long to dry, canvas, pen, ink, scratchboard, pastels, and pencil. Many of her works are mixed media. Her styles range from the children's bookish "Alice in Wonderland" themes to the realism of the rock and roll portraits and scratchboards of animals to the minimalist ink wash styled nudes to a variety of other subjects and styles.  The best-selling prints and originals are her various renditions of the white rabbit and the portraits of her colleagues in the music industry. In 2006, the popularity of her "Alice in Wonderland" works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the "Wonderland" motif.  While critics have variously panned and praised her work, Slick seems indifferent to the criticism. She views her visual artistry as just another extension of the artistic temperament that landed her in the music scene in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people.  Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year. While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying. At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased. CANNOTANSWER

Question: What did Grace Slick submit to be included in the autobiography?
Answer: color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography.
Grace Slick

Context: After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life. Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love? A Rock-and-Roll Memoir. Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography. Hesitant at first (because she thought "it was way too cute. Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography. An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book. Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the album The Best of Hot Tuna. Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her musical career. A notable exception is the cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace."  Slick is not bound by any specific style or medium in her production of visual art and has no interest in developing one. She uses acrylic paints, saying oil takes too long to dry, canvas, pen, ink, scratchboard, pastels, and pencil. Many of her works are mixed media. Her styles range from the children's bookish "Alice in Wonderland" themes to the realism of the rock and roll portraits and scratchboards of animals to the minimalist ink wash styled nudes to a variety of other subjects and styles.  The best-selling prints and originals are her various renditions of the white rabbit and the portraits of her colleagues in the music industry. In 2006, the popularity of her "Alice in Wonderland" works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the "Wonderland" motif.  While critics have variously panned and praised her work, Slick seems indifferent to the criticism. She views her visual artistry as just another extension of the artistic temperament that landed her in the music scene in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people.  Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year. While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying. At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased. CANNOTANSWER

Question: What did critics have to say about Grace Slick's work?
Answer: While critics have variously panned and praised her work, Slick seems indifferent to the criticism.
Grace Slick

Context: After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life. Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love? A Rock-and-Roll Memoir. Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography. Hesitant at first (because she thought "it was way too cute. Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography. An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book. Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the album The Best of Hot Tuna. Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her musical career. A notable exception is the cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace."  Slick is not bound by any specific style or medium in her production of visual art and has no interest in developing one. She uses acrylic paints, saying oil takes too long to dry, canvas, pen, ink, scratchboard, pastels, and pencil. Many of her works are mixed media. Her styles range from the children's bookish "Alice in Wonderland" themes to the realism of the rock and roll portraits and scratchboards of animals to the minimalist ink wash styled nudes to a variety of other subjects and styles.  The best-selling prints and originals are her various renditions of the white rabbit and the portraits of her colleagues in the music industry. In 2006, the popularity of her "Alice in Wonderland" works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the "Wonderland" motif.  While critics have variously panned and praised her work, Slick seems indifferent to the criticism. She views her visual artistry as just another extension of the artistic temperament that landed her in the music scene in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people.  Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year. While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying. At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased. CANNOTANSWER

Question: How did Grace Slick respond to the criticism of her work?
Answer: Slick seems indifferent to the criticism.
Grace Slick

Context: After retiring, and after a house fire, divorce, and breakup, Slick began drawing and painting animals, mainly to amuse herself and because doing so made her happy during a difficult period in her life. Soon thereafter, she was approached about writing her memoir, which ultimately became Somebody to Love? A Rock-and-Roll Memoir. Her agent saw her artwork and asked her to do some portraits of some of her various contemporaries from the rock-and-roll genre to be included in the autobiography. Hesitant at first (because she thought "it was way too cute. Rock-n-Roll draws Rock-n-Roll"), she eventually agreed because she found she enjoyed it, and color renditions of Janis Joplin, Jimi Hendrix, and Jerry Garcia appeared in the completed autobiography. An "Alice in Wonderland"-themed painting and various other sketches are scattered throughout the book. Her paintings of Jorma Kaukonen and Jack Casady were used for the cover art of the album The Best of Hot Tuna. Though Slick has been drawing and painting since she was a child, she admits to not being able to multitask, so did not do much of it while she was focusing on her musical career. A notable exception is the cover art of her first solo album, Manhole, which she signed "Child Type Odd Art by Grace."  Slick is not bound by any specific style or medium in her production of visual art and has no interest in developing one. She uses acrylic paints, saying oil takes too long to dry, canvas, pen, ink, scratchboard, pastels, and pencil. Many of her works are mixed media. Her styles range from the children's bookish "Alice in Wonderland" themes to the realism of the rock and roll portraits and scratchboards of animals to the minimalist ink wash styled nudes to a variety of other subjects and styles.  The best-selling prints and originals are her various renditions of the white rabbit and the portraits of her colleagues in the music industry. In 2006, the popularity of her "Alice in Wonderland" works led to a partnership with Dark Horse Comics, Inc. that resulted in the release of stationery and journals with the "Wonderland" motif.  While critics have variously panned and praised her work, Slick seems indifferent to the criticism. She views her visual artistry as just another extension of the artistic temperament that landed her in the music scene in the first place, as it allows her to continue to produce art in a way that does not require the physical demands of appearing on a stage nightly or traveling with a large group of people.  Slick attends many of her art gallery shows across the United States, sometimes attending over 30 shows in a year. While she says she enjoys talking with the people who come to her art shows, she is not a fan of the traveling involved, particularly the flying. At most of her art shows, those who purchase a piece of her art get a photo with Slick, an opportunity to chat, and a personalized autograph on the back of the piece that has been purchased. CANNOTANSWER

Question: Why does Grace Slick attend so many of her own art shows?
Answer: she enjoys talking with the people who come to her art shows,
Sage (comics)

Context: Years later, Sage meets up again with Xavier, who at the time is recruiting the original X-Men. Instead of being chosen for the first X-Men class, she is instead sent to spy on the Hellfire Club as Tessa, and to keep watch on Sebastian Shaw, something which returns to haunt her in the following years.  While working at the Hellfire Club she encounters Psylocke, Jean Grey, and Emma Frost, who at this point is the White Queen. While she is able to successfully warn Psylocke away from the Hellfire Club, Tessa is later remorseful that she is unable to similarly prevent the corruption of Phoenix into the Black Queen. This transformation is a key factor in the creation of Dark Phoenix.  Sometime during Tessa's time with the Hellfire Club, Sebastian Shaw and Emma Frost dare the man known as Elias Bogan to wager in a game of poker. Though he holds no official rank in the Inner Circle, the telepathic Bogan is one of the Club's most important and powerful members; his patronage guarantees success in the organization. By the terms of the wager, if Shaw lost, Frost would "belong" to Bogan, but if Bogan's agent lost, then his fortune would be turned over to Shaw. Thanks to Tessa's advice and analytical skills, Bogan loses the game and is forced to honor the wager. Having never lost before, Bogan harbors a grudge against Tessa.  During the X-Men's initial conflicts with the Hellfire Club, Tessa primarily maintains a background role and is seen as only Shaw's unusually intelligent assistant. Hints of her more complex role are indicated when she and Xavier are kidnapped by Donald Pierce, a renegade member of the club, with grudges against both organizations. Based on the interactions between Xavier and Tessa, it is unclear whether he is helping to maintain her cover or whether he feels as if he has lost his agent, since the interaction between the two is kept impersonal. The two are rescued by the nascent team of New Mutants, and Tessa takes Pierce into custody on behalf of the Hellfire Club.  Tessa's next notable interaction with Xavier's students happens months later when the X-Men and Hellfire Club are hunting down Rachel Summers after her attempted murder of Selene, the newly installed Black Queen. In the middle of their fight, both teams are taken by surprise by Nimrod, a mutant-hunting robot from the future. Recognizing the more immediate threat, the two groups join forces and are able to severely damage Nimrod. The X-Men and Hellfire Club each sustain heavy losses and are forced to flee the scene quickly. Tessa offers Storm and the X-Men temporary sanctuary with the Club, which later results in Magneto and Storm jointly accepting the role of White King in the Inner Circle. CANNOTANSWER

Question: What was the Hellfire Club?
Answer: Instead of being chosen for the first X-Men class, she is instead sent to spy on the Hellfire Club as Tessa,
Sage (comics)

Context: Years later, Sage meets up again with Xavier, who at the time is recruiting the original X-Men. Instead of being chosen for the first X-Men class, she is instead sent to spy on the Hellfire Club as Tessa, and to keep watch on Sebastian Shaw, something which returns to haunt her in the following years.  While working at the Hellfire Club she encounters Psylocke, Jean Grey, and Emma Frost, who at this point is the White Queen. While she is able to successfully warn Psylocke away from the Hellfire Club, Tessa is later remorseful that she is unable to similarly prevent the corruption of Phoenix into the Black Queen. This transformation is a key factor in the creation of Dark Phoenix.  Sometime during Tessa's time with the Hellfire Club, Sebastian Shaw and Emma Frost dare the man known as Elias Bogan to wager in a game of poker. Though he holds no official rank in the Inner Circle, the telepathic Bogan is one of the Club's most important and powerful members; his patronage guarantees success in the organization. By the terms of the wager, if Shaw lost, Frost would "belong" to Bogan, but if Bogan's agent lost, then his fortune would be turned over to Shaw. Thanks to Tessa's advice and analytical skills, Bogan loses the game and is forced to honor the wager. Having never lost before, Bogan harbors a grudge against Tessa.  During the X-Men's initial conflicts with the Hellfire Club, Tessa primarily maintains a background role and is seen as only Shaw's unusually intelligent assistant. Hints of her more complex role are indicated when she and Xavier are kidnapped by Donald Pierce, a renegade member of the club, with grudges against both organizations. Based on the interactions between Xavier and Tessa, it is unclear whether he is helping to maintain her cover or whether he feels as if he has lost his agent, since the interaction between the two is kept impersonal. The two are rescued by the nascent team of New Mutants, and Tessa takes Pierce into custody on behalf of the Hellfire Club.  Tessa's next notable interaction with Xavier's students happens months later when the X-Men and Hellfire Club are hunting down Rachel Summers after her attempted murder of Selene, the newly installed Black Queen. In the middle of their fight, both teams are taken by surprise by Nimrod, a mutant-hunting robot from the future. Recognizing the more immediate threat, the two groups join forces and are able to severely damage Nimrod. The X-Men and Hellfire Club each sustain heavy losses and are forced to flee the scene quickly. Tessa offers Storm and the X-Men temporary sanctuary with the Club, which later results in Magneto and Storm jointly accepting the role of White King in the Inner Circle. CANNOTANSWER

Question: Why was Sage sent to spy on Hellfire Club?
Answer: Years later, Sage meets up again with Xavier, who at the time is recruiting the original X-Men. Instead of being chosen for the first X-Men class,
Sage (comics)

Context: Years later, Sage meets up again with Xavier, who at the time is recruiting the original X-Men. Instead of being chosen for the first X-Men class, she is instead sent to spy on the Hellfire Club as Tessa, and to keep watch on Sebastian Shaw, something which returns to haunt her in the following years.  While working at the Hellfire Club she encounters Psylocke, Jean Grey, and Emma Frost, who at this point is the White Queen. While she is able to successfully warn Psylocke away from the Hellfire Club, Tessa is later remorseful that she is unable to similarly prevent the corruption of Phoenix into the Black Queen. This transformation is a key factor in the creation of Dark Phoenix.  Sometime during Tessa's time with the Hellfire Club, Sebastian Shaw and Emma Frost dare the man known as Elias Bogan to wager in a game of poker. Though he holds no official rank in the Inner Circle, the telepathic Bogan is one of the Club's most important and powerful members; his patronage guarantees success in the organization. By the terms of the wager, if Shaw lost, Frost would "belong" to Bogan, but if Bogan's agent lost, then his fortune would be turned over to Shaw. Thanks to Tessa's advice and analytical skills, Bogan loses the game and is forced to honor the wager. Having never lost before, Bogan harbors a grudge against Tessa.  During the X-Men's initial conflicts with the Hellfire Club, Tessa primarily maintains a background role and is seen as only Shaw's unusually intelligent assistant. Hints of her more complex role are indicated when she and Xavier are kidnapped by Donald Pierce, a renegade member of the club, with grudges against both organizations. Based on the interactions between Xavier and Tessa, it is unclear whether he is helping to maintain her cover or whether he feels as if he has lost his agent, since the interaction between the two is kept impersonal. The two are rescued by the nascent team of New Mutants, and Tessa takes Pierce into custody on behalf of the Hellfire Club.  Tessa's next notable interaction with Xavier's students happens months later when the X-Men and Hellfire Club are hunting down Rachel Summers after her attempted murder of Selene, the newly installed Black Queen. In the middle of their fight, both teams are taken by surprise by Nimrod, a mutant-hunting robot from the future. Recognizing the more immediate threat, the two groups join forces and are able to severely damage Nimrod. The X-Men and Hellfire Club each sustain heavy losses and are forced to flee the scene quickly. Tessa offers Storm and the X-Men temporary sanctuary with the Club, which later results in Magneto and Storm jointly accepting the role of White King in the Inner Circle. CANNOTANSWER

Question: Why was Xavier recruiting the original X-Men?
Answer: CANNOTANSWER