gaussalgo/Canard_Wiki-augmented huggingface dataset:
August Strindberg

Context: Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba. CANNOTANSWER

Question: What did August Strindberg do to help ordinary citizens?
Answer: scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots
August Strindberg

Context: Influenced by the history of the Paris Commune, during 1871, young Strindberg embraced the view, that politics is a conflict between the upper and lower classes. He was admired by many as a far-left writer. He was a socialist (or perhaps more of an anarchist, meaning a libertarian socialist, which he himself claimed on at least one occasion). Strindberg's political opinions nevertheless changed considerably within this category over the years, and he was never primarily a political writer. Nor did he often campaign for any one issue, preferring instead to scorn his enemies manifesto-style - the military, the church, the monarchy, the politicians, the stingy publishers, the incompetent reviewers, the narrow-minded, the idiots - and he was not loyal to any party or ideology. Many of his works, however, had at least some politics and sometimes an abundance of it. They often displayed that life and the prevailing system were profoundly unjust and injurious to ordinary citizens.  The changing nature of his political positions shows in his changing stance on the women's rights issue. Early on, Strindberg was sympathetic to women of 19th-century Sweden, calling for women's suffrage as early as 1884. However, during other periods he had strongly misogynistic opinions, calling for lawmakers to reconsider the emancipation of these "half-apes ... mad ... criminal, instinctively evil animals." This is controversial in contemporary assessments of Strindberg, as have his antisemitic descriptions of Jews (and, in particular, Jewish enemies of his in Swedish cultural life) in some works (e.g., Det nya riket), particularly during the early 1880s. Strindberg's antisemitic pronouncements, just like his opinions of women, have been debated, and also seem to have varied considerably. Many of these attitudes, passions and behaviours may have been developed for literary reasons and ended as soon as he had exploited them in books.  In satirizing Swedish society - in particular the upper classes, the cultural and political establishment, and his many personal and professional foes - he could be very confrontational, with scarcely concealed caricatures of political opponents. This could take the form of brutal character disparagement or mockery, and while the presentation was generally skilful, it was not necessarily subtle.  His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson"). Because of his political views, Strindberg was promoted strongly in socialist countries in Central and Eastern Europe, as well as in the Soviet Union and Cuba. CANNOTANSWER

Question: Besides the fact August helped ordinary citizens, are there any other interesting aspects about this article?
Answer: His daughter Karin Strindberg married a Russian Bolshevik of partially Swedish ancestry, Vladimir Smirnov ("Paulsson").
Brahmabandhav Upadhyay

Context: While Bramhabandhab was in Brahmosamaj, he initiated a boys' school in Sindh in the year 1888. He also taught for some time in Union Academy, which was established 1887 as the "Bengalee Boys High School" founded in Shimla under the chairmanship of Sir Nripendra Nath Sircar. He brought out a monthly journal titled The Twentieth Century in association with Nagendranath Gupta (1861-1940).  Brahmabandhab and his disciple Animananda started a school in Kolkata in 1901 . Aim of the school was to teach and propagate the Vedic and Vedantic ideas of life along with modern education among the elite class of the society. Rabindranath tagore was very much attracted to this idea of reviving the old Indian ideal of paedagogy, and offered them to shift their school to Santiniketan in his father's estate. This way Tagore's school at Shantiniketan was conceived, which later became known and famous as Viswa Varati. There were three teachers, namely Reba Chand, Jagadananda Roy and Shibdhan Vidyarnab, apart from Rabindranath and Brahmabandhab, and there were five students, namely, Rathindranath Tagore, Gourgobinda Gupta, Premkumar Gupta, Ashok Kumar Gupta and Sudhir Chandra Nun. This collaboration could not continue for long and in 1902 Brahmabandhab and Animananda left Shantiniketan.  During 1902 to 1903 Brahmabandhab toured Europe. He lectured in Oxford and Chembridge Universities and preached Vedantism. When he came back, he saw Bengal as a hot seat of political activities, and he too fervently plunged into the political doldrums. he was gradually coming to the conclusion that before India could become Catholic, she must be politically free. His journal "Sofia" soon became the strongest critique of the British imperialism. CANNOTANSWER

Question: what social activities was Brahmabandhav Upadhyay involved in?
Answer: Brahmabandhab and his disciple Animananda started a school in Kolkata in 1901
Brahmabandhav Upadhyay

Context: While Bramhabandhab was in Brahmosamaj, he initiated a boys' school in Sindh in the year 1888. He also taught for some time in Union Academy, which was established 1887 as the "Bengalee Boys High School" founded in Shimla under the chairmanship of Sir Nripendra Nath Sircar. He brought out a monthly journal titled The Twentieth Century in association with Nagendranath Gupta (1861-1940).  Brahmabandhab and his disciple Animananda started a school in Kolkata in 1901 . Aim of the school was to teach and propagate the Vedic and Vedantic ideas of life along with modern education among the elite class of the society. Rabindranath tagore was very much attracted to this idea of reviving the old Indian ideal of paedagogy, and offered them to shift their school to Santiniketan in his father's estate. This way Tagore's school at Shantiniketan was conceived, which later became known and famous as Viswa Varati. There were three teachers, namely Reba Chand, Jagadananda Roy and Shibdhan Vidyarnab, apart from Rabindranath and Brahmabandhab, and there were five students, namely, Rathindranath Tagore, Gourgobinda Gupta, Premkumar Gupta, Ashok Kumar Gupta and Sudhir Chandra Nun. This collaboration could not continue for long and in 1902 Brahmabandhab and Animananda left Shantiniketan.  During 1902 to 1903 Brahmabandhab toured Europe. He lectured in Oxford and Chembridge Universities and preached Vedantism. When he came back, he saw Bengal as a hot seat of political activities, and he too fervently plunged into the political doldrums. he was gradually coming to the conclusion that before India could become Catholic, she must be politically free. His journal "Sofia" soon became the strongest critique of the British imperialism. CANNOTANSWER

Question: what was the school that Brahmabandhab and his disciple Animananda start called?
Answer: Viswa Varati.
Brahmabandhav Upadhyay

Context: While Bramhabandhab was in Brahmosamaj, he initiated a boys' school in Sindh in the year 1888. He also taught for some time in Union Academy, which was established 1887 as the "Bengalee Boys High School" founded in Shimla under the chairmanship of Sir Nripendra Nath Sircar. He brought out a monthly journal titled The Twentieth Century in association with Nagendranath Gupta (1861-1940).  Brahmabandhab and his disciple Animananda started a school in Kolkata in 1901 . Aim of the school was to teach and propagate the Vedic and Vedantic ideas of life along with modern education among the elite class of the society. Rabindranath tagore was very much attracted to this idea of reviving the old Indian ideal of paedagogy, and offered them to shift their school to Santiniketan in his father's estate. This way Tagore's school at Shantiniketan was conceived, which later became known and famous as Viswa Varati. There were three teachers, namely Reba Chand, Jagadananda Roy and Shibdhan Vidyarnab, apart from Rabindranath and Brahmabandhab, and there were five students, namely, Rathindranath Tagore, Gourgobinda Gupta, Premkumar Gupta, Ashok Kumar Gupta and Sudhir Chandra Nun. This collaboration could not continue for long and in 1902 Brahmabandhab and Animananda left Shantiniketan.  During 1902 to 1903 Brahmabandhab toured Europe. He lectured in Oxford and Chembridge Universities and preached Vedantism. When he came back, he saw Bengal as a hot seat of political activities, and he too fervently plunged into the political doldrums. he was gradually coming to the conclusion that before India could become Catholic, she must be politically free. His journal "Sofia" soon became the strongest critique of the British imperialism. CANNOTANSWER

Question: was the Viswa Varati school a success?
Answer: CANNOTANSWER
Brahmabandhav Upadhyay

Context: While Bramhabandhab was in Brahmosamaj, he initiated a boys' school in Sindh in the year 1888. He also taught for some time in Union Academy, which was established 1887 as the "Bengalee Boys High School" founded in Shimla under the chairmanship of Sir Nripendra Nath Sircar. He brought out a monthly journal titled The Twentieth Century in association with Nagendranath Gupta (1861-1940).  Brahmabandhab and his disciple Animananda started a school in Kolkata in 1901 . Aim of the school was to teach and propagate the Vedic and Vedantic ideas of life along with modern education among the elite class of the society. Rabindranath tagore was very much attracted to this idea of reviving the old Indian ideal of paedagogy, and offered them to shift their school to Santiniketan in his father's estate. This way Tagore's school at Shantiniketan was conceived, which later became known and famous as Viswa Varati. There were three teachers, namely Reba Chand, Jagadananda Roy and Shibdhan Vidyarnab, apart from Rabindranath and Brahmabandhab, and there were five students, namely, Rathindranath Tagore, Gourgobinda Gupta, Premkumar Gupta, Ashok Kumar Gupta and Sudhir Chandra Nun. This collaboration could not continue for long and in 1902 Brahmabandhab and Animananda left Shantiniketan.  During 1902 to 1903 Brahmabandhab toured Europe. He lectured in Oxford and Chembridge Universities and preached Vedantism. When he came back, he saw Bengal as a hot seat of political activities, and he too fervently plunged into the political doldrums. he was gradually coming to the conclusion that before India could become Catholic, she must be politically free. His journal "Sofia" soon became the strongest critique of the British imperialism. CANNOTANSWER

Question: what other activites was Brahmabandhav Upadhyay involved in other than starting Viswa Varati?
Answer: He lectured in Oxford and Chembridge Universities and preached Vedantism.
Brahmabandhav Upadhyay

Context: While Bramhabandhab was in Brahmosamaj, he initiated a boys' school in Sindh in the year 1888. He also taught for some time in Union Academy, which was established 1887 as the "Bengalee Boys High School" founded in Shimla under the chairmanship of Sir Nripendra Nath Sircar. He brought out a monthly journal titled The Twentieth Century in association with Nagendranath Gupta (1861-1940).  Brahmabandhab and his disciple Animananda started a school in Kolkata in 1901 . Aim of the school was to teach and propagate the Vedic and Vedantic ideas of life along with modern education among the elite class of the society. Rabindranath tagore was very much attracted to this idea of reviving the old Indian ideal of paedagogy, and offered them to shift their school to Santiniketan in his father's estate. This way Tagore's school at Shantiniketan was conceived, which later became known and famous as Viswa Varati. There were three teachers, namely Reba Chand, Jagadananda Roy and Shibdhan Vidyarnab, apart from Rabindranath and Brahmabandhab, and there were five students, namely, Rathindranath Tagore, Gourgobinda Gupta, Premkumar Gupta, Ashok Kumar Gupta and Sudhir Chandra Nun. This collaboration could not continue for long and in 1902 Brahmabandhab and Animananda left Shantiniketan.  During 1902 to 1903 Brahmabandhab toured Europe. He lectured in Oxford and Chembridge Universities and preached Vedantism. When he came back, he saw Bengal as a hot seat of political activities, and he too fervently plunged into the political doldrums. he was gradually coming to the conclusion that before India could become Catholic, she must be politically free. His journal "Sofia" soon became the strongest critique of the British imperialism. CANNOTANSWER

Question: did Brahmabandhav Upadhyay do work anywhere else other than  Oxford and Chembridge Universities and Vedantism?
Answer: CANNOTANSWER
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: How did Alison Krauss get her start in Bluegrass music
Answer: Krauss made her recording debut in 1985 on the independent album, Different Strokes,
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: What were some of the singles released with the Different Strokes album?
Answer: Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: Did the Different Strokes album win any awards
Answer: CANNOTANSWER
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: Aside from Different Strokes, were there any other albums produced during 1985-1991
Answer: she released her debut album Too Late to Cry with Union Station as her backup band.
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: What singles were released from the album Too Late to Cry
Answer: The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag",
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: Did Alison Krauss win any awards during 1985-1991
Answer: It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart.
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: Did Alison Krauss win more than one award?
Answer: The album also was a notable point in her career as she earned her first Grammy Award,
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: What did Alison Krauss do after she won her grammy award?
Answer: "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling"
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: What album were the "Steel Rails" and "I've Got That Old Feeling" songs on?
Answer: solo album I've Got That Old Feeling in 1990.
Alison Krauss

Context: Krauss made her recording debut in 1985 on the independent album, Different Strokes, featuring her brother Viktor Krauss, Swamp Weiss and Jim Hoiles. From the age of 12 she performed with bassist and songwriter John Pennell in a band called "Silver Rail", replacing their previous fiddler Andrea Zonn. Pennell later changed the band's name to Union Station after another band was discovered with the name Silver Rail. Pennell remains one of her favorite songwriters and wrote some of her early work including the popular "Every Time You Say Goodbye".  Later that year, she signed to Rounder Records, and in 1987, at 16, she released her debut album Too Late to Cry with Union Station as her backup band.  Krauss' debut solo album was quickly followed by her first group album with Union Station in 1989, Two Highways. The album includes the traditional tunes "Wild Bill Jones" and "Beaumont Rag", along with a bluegrass interpretation of The Allman Brothers' "Midnight Rider".  Krauss' contract with Rounder required her to alternate between releasing a solo album and an album with Union Station, and she released the solo album I've Got That Old Feeling in 1990. It was her first album to rise onto the Billboard charts, peaking in the top seventy-five on the country chart. The album also was a notable point in her career as she earned her first Grammy Award, the single "Steel Rails" was her first single tracked by Billboard, and the title single "I've Got That Old Feeling" was the first song for which she recorded a music video. CANNOTANSWER

Question: Did Alison Krauss record any albums after the "Ive got that old feeling" album?
Answer: CANNOTANSWER
Pink Floyd

Context: In 1975, Pink Floyd bought a three-storey group of church halls at 35 Britannia Row in Islington and began converting the building into a recording studio and storage space. In 1976, they recorded their tenth album, Animals, in their newly finished 24-track studio. The concept of Animals originated with Waters, loosely based on George Orwell's political fable, Animal Farm. The album's lyrics described different classes of society as dogs, pigs, and sheep. Hipgnosis received credit for the packaging of Animals; however, Waters designed the final concept, choosing an image of the ageing Battersea Power Station, over which they superimposed an image of a pig.  The division of royalties was a source of conflict between band members, who earned royalties on a per-song basis. Although Gilmour was largely responsible for "Dogs", which took up almost the entire first side of the album, he received less than Waters, who contributed the much shorter two-part "Pigs on the Wing". Wright commented: "It was partly my fault because I didn't push my material ... but Dave did have something to offer, and only managed to get a couple of things on there." Mason recalled: "Roger was in full flow with the ideas, but he was really keeping Dave down, and frustrating him deliberately." Gilmour, distracted by the birth of his first child, contributed little else toward the album. Similarly, neither Mason nor Wright contributed much toward Animals; Wright had marital problems, and his relationship with Waters was also suffering. Animals is the first Pink Floyd album that does not include a writing credit for Wright, who commented: "Animals... wasn't a fun record to make ... this was when Roger really started to believe that he was the sole writer for the band ... that it was only because of him that [we] were still going ... when he started to develop his ego trips, the person he would have his conflicts with would be me."  Released in January 1977, the album peaked on the UK chart at number two, and the US chart at number three. NME described the album as "one of the most extreme, relentless, harrowing and downright iconoclastic hunks of music", and Melody Maker's Karl Dallas called it "[an] uncomfortable taste of reality in a medium that has become in recent years, increasingly soporific".  Pink Floyd performed much of the album's material during their "In the Flesh" tour. It was the band's first experience playing large stadiums, whose size caused unease in the band. Waters began arriving at each venue alone, departing immediately after the performance. On one occasion, Wright flew back to England, threatening to leave the band. At the Montreal Olympic Stadium, a group of noisy and enthusiastic fans in the front row of the audience irritated Waters so much that he spat at one of them. The end of the tour marked a low point for Gilmour, who felt that the band achieved the success they had sought, with nothing left for them to accomplish. CANNOTANSWER

Question: What is Animals?
Answer: In 1976, they recorded their tenth album, Animals, in their newly finished 24-track studio.
Pink Floyd

Context: In 1975, Pink Floyd bought a three-storey group of church halls at 35 Britannia Row in Islington and began converting the building into a recording studio and storage space. In 1976, they recorded their tenth album, Animals, in their newly finished 24-track studio. The concept of Animals originated with Waters, loosely based on George Orwell's political fable, Animal Farm. The album's lyrics described different classes of society as dogs, pigs, and sheep. Hipgnosis received credit for the packaging of Animals; however, Waters designed the final concept, choosing an image of the ageing Battersea Power Station, over which they superimposed an image of a pig.  The division of royalties was a source of conflict between band members, who earned royalties on a per-song basis. Although Gilmour was largely responsible for "Dogs", which took up almost the entire first side of the album, he received less than Waters, who contributed the much shorter two-part "Pigs on the Wing". Wright commented: "It was partly my fault because I didn't push my material ... but Dave did have something to offer, and only managed to get a couple of things on there." Mason recalled: "Roger was in full flow with the ideas, but he was really keeping Dave down, and frustrating him deliberately." Gilmour, distracted by the birth of his first child, contributed little else toward the album. Similarly, neither Mason nor Wright contributed much toward Animals; Wright had marital problems, and his relationship with Waters was also suffering. Animals is the first Pink Floyd album that does not include a writing credit for Wright, who commented: "Animals... wasn't a fun record to make ... this was when Roger really started to believe that he was the sole writer for the band ... that it was only because of him that [we] were still going ... when he started to develop his ego trips, the person he would have his conflicts with would be me."  Released in January 1977, the album peaked on the UK chart at number two, and the US chart at number three. NME described the album as "one of the most extreme, relentless, harrowing and downright iconoclastic hunks of music", and Melody Maker's Karl Dallas called it "[an] uncomfortable taste of reality in a medium that has become in recent years, increasingly soporific".  Pink Floyd performed much of the album's material during their "In the Flesh" tour. It was the band's first experience playing large stadiums, whose size caused unease in the band. Waters began arriving at each venue alone, departing immediately after the performance. On one occasion, Wright flew back to England, threatening to leave the band. At the Montreal Olympic Stadium, a group of noisy and enthusiastic fans in the front row of the audience irritated Waters so much that he spat at one of them. The end of the tour marked a low point for Gilmour, who felt that the band achieved the success they had sought, with nothing left for them to accomplish. CANNOTANSWER

Question: Was Animals a success?
Answer: Released in January 1977, the album peaked on the UK chart at number two, and the US chart at number three.
Pink Floyd

Context: In 1975, Pink Floyd bought a three-storey group of church halls at 35 Britannia Row in Islington and began converting the building into a recording studio and storage space. In 1976, they recorded their tenth album, Animals, in their newly finished 24-track studio. The concept of Animals originated with Waters, loosely based on George Orwell's political fable, Animal Farm. The album's lyrics described different classes of society as dogs, pigs, and sheep. Hipgnosis received credit for the packaging of Animals; however, Waters designed the final concept, choosing an image of the ageing Battersea Power Station, over which they superimposed an image of a pig.  The division of royalties was a source of conflict between band members, who earned royalties on a per-song basis. Although Gilmour was largely responsible for "Dogs", which took up almost the entire first side of the album, he received less than Waters, who contributed the much shorter two-part "Pigs on the Wing". Wright commented: "It was partly my fault because I didn't push my material ... but Dave did have something to offer, and only managed to get a couple of things on there." Mason recalled: "Roger was in full flow with the ideas, but he was really keeping Dave down, and frustrating him deliberately." Gilmour, distracted by the birth of his first child, contributed little else toward the album. Similarly, neither Mason nor Wright contributed much toward Animals; Wright had marital problems, and his relationship with Waters was also suffering. Animals is the first Pink Floyd album that does not include a writing credit for Wright, who commented: "Animals... wasn't a fun record to make ... this was when Roger really started to believe that he was the sole writer for the band ... that it was only because of him that [we] were still going ... when he started to develop his ego trips, the person he would have his conflicts with would be me."  Released in January 1977, the album peaked on the UK chart at number two, and the US chart at number three. NME described the album as "one of the most extreme, relentless, harrowing and downright iconoclastic hunks of music", and Melody Maker's Karl Dallas called it "[an] uncomfortable taste of reality in a medium that has become in recent years, increasingly soporific".  Pink Floyd performed much of the album's material during their "In the Flesh" tour. It was the band's first experience playing large stadiums, whose size caused unease in the band. Waters began arriving at each venue alone, departing immediately after the performance. On one occasion, Wright flew back to England, threatening to leave the band. At the Montreal Olympic Stadium, a group of noisy and enthusiastic fans in the front row of the audience irritated Waters so much that he spat at one of them. The end of the tour marked a low point for Gilmour, who felt that the band achieved the success they had sought, with nothing left for them to accomplish. CANNOTANSWER

Question: Did Pink Floyd go on tour for Animals?
Answer: Pink Floyd performed much of the album's material during their "In the Flesh" tour.
Pink Floyd

Context: In 1975, Pink Floyd bought a three-storey group of church halls at 35 Britannia Row in Islington and began converting the building into a recording studio and storage space. In 1976, they recorded their tenth album, Animals, in their newly finished 24-track studio. The concept of Animals originated with Waters, loosely based on George Orwell's political fable, Animal Farm. The album's lyrics described different classes of society as dogs, pigs, and sheep. Hipgnosis received credit for the packaging of Animals; however, Waters designed the final concept, choosing an image of the ageing Battersea Power Station, over which they superimposed an image of a pig.  The division of royalties was a source of conflict between band members, who earned royalties on a per-song basis. Although Gilmour was largely responsible for "Dogs", which took up almost the entire first side of the album, he received less than Waters, who contributed the much shorter two-part "Pigs on the Wing". Wright commented: "It was partly my fault because I didn't push my material ... but Dave did have something to offer, and only managed to get a couple of things on there." Mason recalled: "Roger was in full flow with the ideas, but he was really keeping Dave down, and frustrating him deliberately." Gilmour, distracted by the birth of his first child, contributed little else toward the album. Similarly, neither Mason nor Wright contributed much toward Animals; Wright had marital problems, and his relationship with Waters was also suffering. Animals is the first Pink Floyd album that does not include a writing credit for Wright, who commented: "Animals... wasn't a fun record to make ... this was when Roger really started to believe that he was the sole writer for the band ... that it was only because of him that [we] were still going ... when he started to develop his ego trips, the person he would have his conflicts with would be me."  Released in January 1977, the album peaked on the UK chart at number two, and the US chart at number three. NME described the album as "one of the most extreme, relentless, harrowing and downright iconoclastic hunks of music", and Melody Maker's Karl Dallas called it "[an] uncomfortable taste of reality in a medium that has become in recent years, increasingly soporific".  Pink Floyd performed much of the album's material during their "In the Flesh" tour. It was the band's first experience playing large stadiums, whose size caused unease in the band. Waters began arriving at each venue alone, departing immediately after the performance. On one occasion, Wright flew back to England, threatening to leave the band. At the Montreal Olympic Stadium, a group of noisy and enthusiastic fans in the front row of the audience irritated Waters so much that he spat at one of them. The end of the tour marked a low point for Gilmour, who felt that the band achieved the success they had sought, with nothing left for them to accomplish. CANNOTANSWER

Question: Did Pink Floyd ever think about breaking up?
Answer: On one occasion, Wright flew back to England, threatening to leave the band.
Charles Barkley

Context: Barkley played collegiate basketball at Auburn for three seasons. Although he struggled to control his weight, he excelled as a player and led the SEC in rebounding each year. He became a popular crowd-pleaser, exciting the fans with dunks and blocked shots that belied his lack of height and overweight frame. It was not uncommon to see the hefty Barkley grab a defensive rebound and, instead of passing, dribble the entire length of the court and finish at the opposite end with a two-handed dunk. His physical size and skills ultimately earned him the nickname "The Round Mound of Rebound".  During his college career, Barkley played the center position, despite being shorter than the average center. His height, officially listed as 6 ft 6 in (1.98 m), is stated as 6 ft 4 in (1.93 m) in his book, I May Be Wrong but I Doubt It. He became a member of Auburn's All-Century team and still holds the Auburn record for career field goal percentage with 62.6%. He received numerous awards, including Southeastern Conference (SEC) Player of the Year (1984), three All-SEC selections and one Second Team All-American selection. Later, Barkley was named the SEC Player of the Decade for the 1980s by the Birmingham Post-Herald.  In Barkley's three-year college career, he averaged 14.8 points on 68.2% field goal shooting, 9.6 rebounds, 1.6 assists and 1.7 blocks per game. In 1984, he made his only appearance in the NCAA Tournament and finished with 23 points on 80% field goal shooting, 17 rebounds, 4 assists, 2 steals, and 2 blocks. Auburn retired Barkley's No. 34 jersey on March 3, 2001.  In 2010, Barkley admitted that he asked for, and had been given, money from sports agents during his career at Auburn. Barkley called the sums he had requested from agents as being "chump change", and went on to say, "Why can't an agent lend me some money and I'll pay him back when I graduate?" According to Barkley, he paid back all of the money he had borrowed after signing his first NBA contract. CANNOTANSWER

Question: Where did Charles Barkley go to college?
Answer: Barkley played collegiate basketball at Auburn for three seasons.