gaussalgo/Canard_Wiki-augmented huggingface dataset:
Emma Roberts

Context: In 2008, she had her voiceover debut when she voiced the English version of the character Wilma in the CGI-animated family film The Flight Before Christmas. In 2009, Roberts starred alongside Jake T. Austin in Hotel for Dogs, based on the novel by Lois Duncan. The film premiered in January 2009, and took fifth place in its opening weekend with over $17 million. The film has to-date grossed over $114 million, and received generally mixed reviews from critics. Roberts starred as the lead in the film Wild Child, about a rebellious teen from Malibu, California sent to a boarding school in England. Roberts described her character as "pretty much your typical spoiled-brat Malibu socialite who gets shipped off to a British boarding school." Roberts also appeared in the independent film Lymelife with Alec Baldwin, which was premiered at the 2008 Toronto International Film Festival.  In 2010, Roberts co-starred as Grace in the film Valentine's Day in which her aunt, Julia Roberts also appeared, although they were never together on-screen. She also appeared that year in Twelve and It's Kind of a Funny Story. The following year, she co-starred in the film adaptation of Memoirs of a Teenage Amnesiac. She also starred alongside Freddie Highmore in the romantic comedy The Art of Getting By. In 2011, she played the role of Jill Roberts in the Wes Craven film Scream 4.  In 2013, Roberts co-starred with John Cusack and Evan Peters in Adult World. Roberts played a recent college graduate who works at an adult bookstore to make ends meet. She has said that most of her lines were ad-libbed so her reactions in the film were completely genuine. Her performance was praised by both Andrew O'Hehir of Salon and Stephanie Zacharek of The Village Voice, who praised Roberts' performance as "both breezy and carefully tuned". Roberts appears in a supporting role in Dustin Lance Black's Virginia, which received a limited theatrical release in May 2012 after a two and a half year delay. She next appeared in the 2012 film Celeste and Jesse Forever, parodying pop stars such as Kesha with her performance as Riley Banks, an incurious blonde singer. Roberts said in an interview that her role as Banks tempted her to write an album of songs using her character as an alter ego. CANNOTANSWER

Question: Was the movie 'Adult World' successful?
Answer: Her performance was praised by both Andrew O'Hehir of Salon and Stephanie Zacharek of The Village Voice,
Emma Roberts

Context: In 2008, she had her voiceover debut when she voiced the English version of the character Wilma in the CGI-animated family film The Flight Before Christmas. In 2009, Roberts starred alongside Jake T. Austin in Hotel for Dogs, based on the novel by Lois Duncan. The film premiered in January 2009, and took fifth place in its opening weekend with over $17 million. The film has to-date grossed over $114 million, and received generally mixed reviews from critics. Roberts starred as the lead in the film Wild Child, about a rebellious teen from Malibu, California sent to a boarding school in England. Roberts described her character as "pretty much your typical spoiled-brat Malibu socialite who gets shipped off to a British boarding school." Roberts also appeared in the independent film Lymelife with Alec Baldwin, which was premiered at the 2008 Toronto International Film Festival.  In 2010, Roberts co-starred as Grace in the film Valentine's Day in which her aunt, Julia Roberts also appeared, although they were never together on-screen. She also appeared that year in Twelve and It's Kind of a Funny Story. The following year, she co-starred in the film adaptation of Memoirs of a Teenage Amnesiac. She also starred alongside Freddie Highmore in the romantic comedy The Art of Getting By. In 2011, she played the role of Jill Roberts in the Wes Craven film Scream 4.  In 2013, Roberts co-starred with John Cusack and Evan Peters in Adult World. Roberts played a recent college graduate who works at an adult bookstore to make ends meet. She has said that most of her lines were ad-libbed so her reactions in the film were completely genuine. Her performance was praised by both Andrew O'Hehir of Salon and Stephanie Zacharek of The Village Voice, who praised Roberts' performance as "both breezy and carefully tuned". Roberts appears in a supporting role in Dustin Lance Black's Virginia, which received a limited theatrical release in May 2012 after a two and a half year delay. She next appeared in the 2012 film Celeste and Jesse Forever, parodying pop stars such as Kesha with her performance as Riley Banks, an incurious blonde singer. Roberts said in an interview that her role as Banks tempted her to write an album of songs using her character as an alter ego. CANNOTANSWER

Question: Did Emma Roberts have any awards or award nominations between 2008-2012?
Answer: CANNOTANSWER
Emma Roberts

Context: In 2008, she had her voiceover debut when she voiced the English version of the character Wilma in the CGI-animated family film The Flight Before Christmas. In 2009, Roberts starred alongside Jake T. Austin in Hotel for Dogs, based on the novel by Lois Duncan. The film premiered in January 2009, and took fifth place in its opening weekend with over $17 million. The film has to-date grossed over $114 million, and received generally mixed reviews from critics. Roberts starred as the lead in the film Wild Child, about a rebellious teen from Malibu, California sent to a boarding school in England. Roberts described her character as "pretty much your typical spoiled-brat Malibu socialite who gets shipped off to a British boarding school." Roberts also appeared in the independent film Lymelife with Alec Baldwin, which was premiered at the 2008 Toronto International Film Festival.  In 2010, Roberts co-starred as Grace in the film Valentine's Day in which her aunt, Julia Roberts also appeared, although they were never together on-screen. She also appeared that year in Twelve and It's Kind of a Funny Story. The following year, she co-starred in the film adaptation of Memoirs of a Teenage Amnesiac. She also starred alongside Freddie Highmore in the romantic comedy The Art of Getting By. In 2011, she played the role of Jill Roberts in the Wes Craven film Scream 4.  In 2013, Roberts co-starred with John Cusack and Evan Peters in Adult World. Roberts played a recent college graduate who works at an adult bookstore to make ends meet. She has said that most of her lines were ad-libbed so her reactions in the film were completely genuine. Her performance was praised by both Andrew O'Hehir of Salon and Stephanie Zacharek of The Village Voice, who praised Roberts' performance as "both breezy and carefully tuned". Roberts appears in a supporting role in Dustin Lance Black's Virginia, which received a limited theatrical release in May 2012 after a two and a half year delay. She next appeared in the 2012 film Celeste and Jesse Forever, parodying pop stars such as Kesha with her performance as Riley Banks, an incurious blonde singer. Roberts said in an interview that her role as Banks tempted her to write an album of songs using her character as an alter ego. CANNOTANSWER

Question: re there any other interesting aspects about this article besides the films Emma
Answer: She next appeared in the 2012 film Celeste and Jesse Forever, parodying pop stars such as Kesha with her performance as Riley Banks,
Vangelis

Context: When Vangelis was twelve years old he became interested in jazz music, and with the social movement to rock and roll. At fifteen years old he started to form early school bands, not to cover other musicians, but to have fun, resulting in the early 1960s being one of the founders of pop rock group The Forminx (or the Formynx), which became popular in Greece. Based in Athens, the five-piece band played a mixture of cover versions and their own material, the latter written mostly by Vangelis (with lyrics by DJ and record producer Nico Mastorakis) but still sung in English. The Forminx released nine hit singles and a Christmas EP before disbanding in 1966 at the peak of their success. A film being made about them at the time, which was initially directed by Theo Angelopoulos, was never fully completed, and the songs, composed for the movie, were never released. Vangelis spent the next two years mostly studio-bound, writing and producing for other Greek artists.  Around the time of the student riots in 1968, Vangelis founded progressive rock band Aphrodite's Child together with Demis Roussos, Loukas Sideras, and Anargyros "Silver" Koulouris. After an unsuccessful attempt to enter the UK, they found a home in Paris where they recorded their first single, a hit across much of Europe called "Rain and Tears". Other singles followed, including two albums, which, in total, sold over 20 million copies. The record sales led the record company to request a third album, and Vangelis went on to conceive the double-album 666, based on Revelation, the last book in the Bible. It is often listed as one of the best progressive rock albums. One of the many remarkable features of this album is Irene Papas's guest participation (vocal on "Infinity"). Tensions between members during the recording of 666 eventually caused the split of the band in 1971, but the album was still released in 1972. Despite the split, Vangelis has since produced several albums and singles for Demis Roussos, who, in turn, contributed vocals to the Blade Runner soundtrack. He often recalls on music industry:  I moved into the record industry. I was under the impression that in order to be alive and to be able to create what I had in mind I had to become successful. I realised that success and pure creativity are not very compatible... Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success. CANNOTANSWER

Question: When did Vangelis joined the Aphrodites child?
Answer: Vangelis founded progressive rock band Aphrodite's Child together with Demis Roussos,
Vangelis

Context: When Vangelis was twelve years old he became interested in jazz music, and with the social movement to rock and roll. At fifteen years old he started to form early school bands, not to cover other musicians, but to have fun, resulting in the early 1960s being one of the founders of pop rock group The Forminx (or the Formynx), which became popular in Greece. Based in Athens, the five-piece band played a mixture of cover versions and their own material, the latter written mostly by Vangelis (with lyrics by DJ and record producer Nico Mastorakis) but still sung in English. The Forminx released nine hit singles and a Christmas EP before disbanding in 1966 at the peak of their success. A film being made about them at the time, which was initially directed by Theo Angelopoulos, was never fully completed, and the songs, composed for the movie, were never released. Vangelis spent the next two years mostly studio-bound, writing and producing for other Greek artists.  Around the time of the student riots in 1968, Vangelis founded progressive rock band Aphrodite's Child together with Demis Roussos, Loukas Sideras, and Anargyros "Silver" Koulouris. After an unsuccessful attempt to enter the UK, they found a home in Paris where they recorded their first single, a hit across much of Europe called "Rain and Tears". Other singles followed, including two albums, which, in total, sold over 20 million copies. The record sales led the record company to request a third album, and Vangelis went on to conceive the double-album 666, based on Revelation, the last book in the Bible. It is often listed as one of the best progressive rock albums. One of the many remarkable features of this album is Irene Papas's guest participation (vocal on "Infinity"). Tensions between members during the recording of 666 eventually caused the split of the band in 1971, but the album was still released in 1972. Despite the split, Vangelis has since produced several albums and singles for Demis Roussos, who, in turn, contributed vocals to the Blade Runner soundtrack. He often recalls on music industry:  I moved into the record industry. I was under the impression that in order to be alive and to be able to create what I had in mind I had to become successful. I realised that success and pure creativity are not very compatible... Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success. CANNOTANSWER

Question: When was Aphrodites child founded?
Answer: 1960s being one of the founders of pop rock group
Vangelis

Context: When Vangelis was twelve years old he became interested in jazz music, and with the social movement to rock and roll. At fifteen years old he started to form early school bands, not to cover other musicians, but to have fun, resulting in the early 1960s being one of the founders of pop rock group The Forminx (or the Formynx), which became popular in Greece. Based in Athens, the five-piece band played a mixture of cover versions and their own material, the latter written mostly by Vangelis (with lyrics by DJ and record producer Nico Mastorakis) but still sung in English. The Forminx released nine hit singles and a Christmas EP before disbanding in 1966 at the peak of their success. A film being made about them at the time, which was initially directed by Theo Angelopoulos, was never fully completed, and the songs, composed for the movie, were never released. Vangelis spent the next two years mostly studio-bound, writing and producing for other Greek artists.  Around the time of the student riots in 1968, Vangelis founded progressive rock band Aphrodite's Child together with Demis Roussos, Loukas Sideras, and Anargyros "Silver" Koulouris. After an unsuccessful attempt to enter the UK, they found a home in Paris where they recorded their first single, a hit across much of Europe called "Rain and Tears". Other singles followed, including two albums, which, in total, sold over 20 million copies. The record sales led the record company to request a third album, and Vangelis went on to conceive the double-album 666, based on Revelation, the last book in the Bible. It is often listed as one of the best progressive rock albums. One of the many remarkable features of this album is Irene Papas's guest participation (vocal on "Infinity"). Tensions between members during the recording of 666 eventually caused the split of the band in 1971, but the album was still released in 1972. Despite the split, Vangelis has since produced several albums and singles for Demis Roussos, who, in turn, contributed vocals to the Blade Runner soundtrack. He often recalls on music industry:  I moved into the record industry. I was under the impression that in order to be alive and to be able to create what I had in mind I had to become successful. I realised that success and pure creativity are not very compatible... Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success. CANNOTANSWER

Question: Where did Vengelis work again?
Answer: UK,
Vangelis

Context: When Vangelis was twelve years old he became interested in jazz music, and with the social movement to rock and roll. At fifteen years old he started to form early school bands, not to cover other musicians, but to have fun, resulting in the early 1960s being one of the founders of pop rock group The Forminx (or the Formynx), which became popular in Greece. Based in Athens, the five-piece band played a mixture of cover versions and their own material, the latter written mostly by Vangelis (with lyrics by DJ and record producer Nico Mastorakis) but still sung in English. The Forminx released nine hit singles and a Christmas EP before disbanding in 1966 at the peak of their success. A film being made about them at the time, which was initially directed by Theo Angelopoulos, was never fully completed, and the songs, composed for the movie, were never released. Vangelis spent the next two years mostly studio-bound, writing and producing for other Greek artists.  Around the time of the student riots in 1968, Vangelis founded progressive rock band Aphrodite's Child together with Demis Roussos, Loukas Sideras, and Anargyros "Silver" Koulouris. After an unsuccessful attempt to enter the UK, they found a home in Paris where they recorded their first single, a hit across much of Europe called "Rain and Tears". Other singles followed, including two albums, which, in total, sold over 20 million copies. The record sales led the record company to request a third album, and Vangelis went on to conceive the double-album 666, based on Revelation, the last book in the Bible. It is often listed as one of the best progressive rock albums. One of the many remarkable features of this album is Irene Papas's guest participation (vocal on "Infinity"). Tensions between members during the recording of 666 eventually caused the split of the band in 1971, but the album was still released in 1972. Despite the split, Vangelis has since produced several albums and singles for Demis Roussos, who, in turn, contributed vocals to the Blade Runner soundtrack. He often recalls on music industry:  I moved into the record industry. I was under the impression that in order to be alive and to be able to create what I had in mind I had to become successful. I realised that success and pure creativity are not very compatible... Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success. CANNOTANSWER

Question: What Award did Aphrodite receive?
Answer: CANNOTANSWER
Vangelis

Context: When Vangelis was twelve years old he became interested in jazz music, and with the social movement to rock and roll. At fifteen years old he started to form early school bands, not to cover other musicians, but to have fun, resulting in the early 1960s being one of the founders of pop rock group The Forminx (or the Formynx), which became popular in Greece. Based in Athens, the five-piece band played a mixture of cover versions and their own material, the latter written mostly by Vangelis (with lyrics by DJ and record producer Nico Mastorakis) but still sung in English. The Forminx released nine hit singles and a Christmas EP before disbanding in 1966 at the peak of their success. A film being made about them at the time, which was initially directed by Theo Angelopoulos, was never fully completed, and the songs, composed for the movie, were never released. Vangelis spent the next two years mostly studio-bound, writing and producing for other Greek artists.  Around the time of the student riots in 1968, Vangelis founded progressive rock band Aphrodite's Child together with Demis Roussos, Loukas Sideras, and Anargyros "Silver" Koulouris. After an unsuccessful attempt to enter the UK, they found a home in Paris where they recorded their first single, a hit across much of Europe called "Rain and Tears". Other singles followed, including two albums, which, in total, sold over 20 million copies. The record sales led the record company to request a third album, and Vangelis went on to conceive the double-album 666, based on Revelation, the last book in the Bible. It is often listed as one of the best progressive rock albums. One of the many remarkable features of this album is Irene Papas's guest participation (vocal on "Infinity"). Tensions between members during the recording of 666 eventually caused the split of the band in 1971, but the album was still released in 1972. Despite the split, Vangelis has since produced several albums and singles for Demis Roussos, who, in turn, contributed vocals to the Blade Runner soundtrack. He often recalls on music industry:  I moved into the record industry. I was under the impression that in order to be alive and to be able to create what I had in mind I had to become successful. I realised that success and pure creativity are not very compatible... Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success. CANNOTANSWER

Question: Any interesting information about the article other than Vangelis founding Aphrodites child?
Answer: CANNOTANSWER
Vangelis

Context: When Vangelis was twelve years old he became interested in jazz music, and with the social movement to rock and roll. At fifteen years old he started to form early school bands, not to cover other musicians, but to have fun, resulting in the early 1960s being one of the founders of pop rock group The Forminx (or the Formynx), which became popular in Greece. Based in Athens, the five-piece band played a mixture of cover versions and their own material, the latter written mostly by Vangelis (with lyrics by DJ and record producer Nico Mastorakis) but still sung in English. The Forminx released nine hit singles and a Christmas EP before disbanding in 1966 at the peak of their success. A film being made about them at the time, which was initially directed by Theo Angelopoulos, was never fully completed, and the songs, composed for the movie, were never released. Vangelis spent the next two years mostly studio-bound, writing and producing for other Greek artists.  Around the time of the student riots in 1968, Vangelis founded progressive rock band Aphrodite's Child together with Demis Roussos, Loukas Sideras, and Anargyros "Silver" Koulouris. After an unsuccessful attempt to enter the UK, they found a home in Paris where they recorded their first single, a hit across much of Europe called "Rain and Tears". Other singles followed, including two albums, which, in total, sold over 20 million copies. The record sales led the record company to request a third album, and Vangelis went on to conceive the double-album 666, based on Revelation, the last book in the Bible. It is often listed as one of the best progressive rock albums. One of the many remarkable features of this album is Irene Papas's guest participation (vocal on "Infinity"). Tensions between members during the recording of 666 eventually caused the split of the band in 1971, but the album was still released in 1972. Despite the split, Vangelis has since produced several albums and singles for Demis Roussos, who, in turn, contributed vocals to the Blade Runner soundtrack. He often recalls on music industry:  I moved into the record industry. I was under the impression that in order to be alive and to be able to create what I had in mind I had to become successful. I realised that success and pure creativity are not very compatible... Instead of being able to move forward freely and do what you really wish, you find yourself stuck and obliged to repeat yourself and your previous success. CANNOTANSWER

Question: Is there anything else other than Vangelis founding Aphrodites child?
Answer: CANNOTANSWER
Donna Haraway

Context: Haraway also writes about the history of science and biology. In Primate Visions: Gender, Race, and Nature in the World of Modern Science (1990), she focused on the metaphors and narratives that direct the science of primatology. She asserted that there is a tendency to masculinize the stories about "reproductive competition and sex between aggressive males and receptive females [that] facilitate some and preclude other types of conclusions". She contended that female primatologists focus on different observations that require more communication and basic survival activities, offering very different perspectives of the origins of nature and culture than the currently accepted ones. Drawing on examples of Western narratives and ideologies of gender, race and class, Haraway questioned the most fundamental constructions of scientific human nature stories based on primates. In Primate Visions, she wrote:  "My hope has been that the always oblique and sometimes perverse focusing would facilitate revisionings of fundamental, persistent western narratives about difference, especially racial and sexual difference; about reproduction, especially in terms of the multiplicities of generators and offspring; and about survival, especially about survival imagined in the boundary conditions of both the origins and ends of history, as told within western traditions of that complex genre".  Haraway's aim for science is "to reveal the limits and impossibility of its 'objectivity' and to consider some recent revisions offered by feminist primatologists". Haraway presents an alternative perspective to the accepted ideologies that continue to shape the way scientific human nature stories are created. Haraway urges feminists to be more involved in the world of technoscience and to be credited for that involvement. In a 1997 publication, she remarked:  I want feminists to be enrolled more tightly in the meaning-making processes of technoscientific world-building. I also want feminist--activists, cultural producers, scientists, engineers, and scholars (all overlapping categories) -- to be recognized for the articulations and enrollment we have been making all along within technoscience, in spite of the ignorance of most "mainstream" scholars in their characterization (or lack of characterizations) of feminism in relation to both technoscientific practice and technoscience studies. CANNOTANSWER

Question: What were primate visions?
Answer: Haraway also writes about the history of science and biology. In Primate Visions:
Donna Haraway

Context: Haraway also writes about the history of science and biology. In Primate Visions: Gender, Race, and Nature in the World of Modern Science (1990), she focused on the metaphors and narratives that direct the science of primatology. She asserted that there is a tendency to masculinize the stories about "reproductive competition and sex between aggressive males and receptive females [that] facilitate some and preclude other types of conclusions". She contended that female primatologists focus on different observations that require more communication and basic survival activities, offering very different perspectives of the origins of nature and culture than the currently accepted ones. Drawing on examples of Western narratives and ideologies of gender, race and class, Haraway questioned the most fundamental constructions of scientific human nature stories based on primates. In Primate Visions, she wrote:  "My hope has been that the always oblique and sometimes perverse focusing would facilitate revisionings of fundamental, persistent western narratives about difference, especially racial and sexual difference; about reproduction, especially in terms of the multiplicities of generators and offspring; and about survival, especially about survival imagined in the boundary conditions of both the origins and ends of history, as told within western traditions of that complex genre".  Haraway's aim for science is "to reveal the limits and impossibility of its 'objectivity' and to consider some recent revisions offered by feminist primatologists". Haraway presents an alternative perspective to the accepted ideologies that continue to shape the way scientific human nature stories are created. Haraway urges feminists to be more involved in the world of technoscience and to be credited for that involvement. In a 1997 publication, she remarked:  I want feminists to be enrolled more tightly in the meaning-making processes of technoscientific world-building. I also want feminist--activists, cultural producers, scientists, engineers, and scholars (all overlapping categories) -- to be recognized for the articulations and enrollment we have been making all along within technoscience, in spite of the ignorance of most "mainstream" scholars in their characterization (or lack of characterizations) of feminism in relation to both technoscientific practice and technoscience studies. CANNOTANSWER

Question: What was written by Donna Haraway in primate visions?
Answer: she focused on the metaphors and narratives that direct the science of primatology.
Donna Haraway

Context: Haraway also writes about the history of science and biology. In Primate Visions: Gender, Race, and Nature in the World of Modern Science (1990), she focused on the metaphors and narratives that direct the science of primatology. She asserted that there is a tendency to masculinize the stories about "reproductive competition and sex between aggressive males and receptive females [that] facilitate some and preclude other types of conclusions". She contended that female primatologists focus on different observations that require more communication and basic survival activities, offering very different perspectives of the origins of nature and culture than the currently accepted ones. Drawing on examples of Western narratives and ideologies of gender, race and class, Haraway questioned the most fundamental constructions of scientific human nature stories based on primates. In Primate Visions, she wrote:  "My hope has been that the always oblique and sometimes perverse focusing would facilitate revisionings of fundamental, persistent western narratives about difference, especially racial and sexual difference; about reproduction, especially in terms of the multiplicities of generators and offspring; and about survival, especially about survival imagined in the boundary conditions of both the origins and ends of history, as told within western traditions of that complex genre".  Haraway's aim for science is "to reveal the limits and impossibility of its 'objectivity' and to consider some recent revisions offered by feminist primatologists". Haraway presents an alternative perspective to the accepted ideologies that continue to shape the way scientific human nature stories are created. Haraway urges feminists to be more involved in the world of technoscience and to be credited for that involvement. In a 1997 publication, she remarked:  I want feminists to be enrolled more tightly in the meaning-making processes of technoscientific world-building. I also want feminist--activists, cultural producers, scientists, engineers, and scholars (all overlapping categories) -- to be recognized for the articulations and enrollment we have been making all along within technoscience, in spite of the ignorance of most "mainstream" scholars in their characterization (or lack of characterizations) of feminism in relation to both technoscientific practice and technoscience studies. CANNOTANSWER

Question: How did Donna Haraway focused on the metaphors and narratives that direct the science of primatology?
Answer: She asserted that there is a tendency to masculinize the stories about "reproductive competition and sex between aggressive males and receptive females
Donna Haraway

Context: Haraway also writes about the history of science and biology. In Primate Visions: Gender, Race, and Nature in the World of Modern Science (1990), she focused on the metaphors and narratives that direct the science of primatology. She asserted that there is a tendency to masculinize the stories about "reproductive competition and sex between aggressive males and receptive females [that] facilitate some and preclude other types of conclusions". She contended that female primatologists focus on different observations that require more communication and basic survival activities, offering very different perspectives of the origins of nature and culture than the currently accepted ones. Drawing on examples of Western narratives and ideologies of gender, race and class, Haraway questioned the most fundamental constructions of scientific human nature stories based on primates. In Primate Visions, she wrote:  "My hope has been that the always oblique and sometimes perverse focusing would facilitate revisionings of fundamental, persistent western narratives about difference, especially racial and sexual difference; about reproduction, especially in terms of the multiplicities of generators and offspring; and about survival, especially about survival imagined in the boundary conditions of both the origins and ends of history, as told within western traditions of that complex genre".  Haraway's aim for science is "to reveal the limits and impossibility of its 'objectivity' and to consider some recent revisions offered by feminist primatologists". Haraway presents an alternative perspective to the accepted ideologies that continue to shape the way scientific human nature stories are created. Haraway urges feminists to be more involved in the world of technoscience and to be credited for that involvement. In a 1997 publication, she remarked:  I want feminists to be enrolled more tightly in the meaning-making processes of technoscientific world-building. I also want feminist--activists, cultural producers, scientists, engineers, and scholars (all overlapping categories) -- to be recognized for the articulations and enrollment we have been making all along within technoscience, in spite of the ignorance of most "mainstream" scholars in their characterization (or lack of characterizations) of feminism in relation to both technoscientific practice and technoscience studies. CANNOTANSWER

Question: What else did Haraway write about in primate visions other than history of science and biology?
Answer: Drawing on examples of Western narratives and ideologies of gender, race and class, Haraway questioned the most fundamental constructions
Tyson Chandler

Context: Tyson Chandler was selected 2nd overall by the Los Angeles Clippers, who immediately traded his rights to the Chicago Bulls for former NBA Rookie of the Year Award recipient Elton Brand. The Bulls intended to pair Chandler with fellow high school phenomenon Eddy Curry in the front court. However, while both players had stretches of success during their time with the Bulls, they rarely coincided. In Chandler's case, back problems were a recurring issue throughout his career, particularly during the 2003-04 season. During the early part of his career, Chandler feuded with Brendan Haywood of the Washington Wizards and Amar'e Stoudemire of the Phoenix Suns. Later, although the feuds became less frequent, Chandler struggled with foul trouble, which limited his playing time.  Chandler also played a major role in the Bulls' playoff run in the 2004-05 season. Finding a role as a fourth-quarter defensive specialist, with notable game-saving blocks against stars like Paul Pierce and Carmelo Anthony, he was rewarded with a long-term deal to remain with the Chicago Bulls for the next six years, reportedly worth close to $63 million. With Curry's departure after the 2004-05 season, Chandler became the last member of the Bulls left from the Jerry Krause era.  During the 2005-2006 season, Chandler's biggest impact was on defense, but he struggled again with foul problems and averaged only 5.3 points per game. Due in part to his sub-par playoff performance and the Bulls' signing of four-time Defensive Player of the Year Ben Wallace in the off-season after the 2005-2006 season, Bulls GM John Paxson began to consider moving Chandler. On July 5, 2006, the Bulls and the Hornets verbally agreed to a trade that would send Chandler to the New Orleans Hornets in exchange for J. R. Smith and P.J. Brown. The deal was finalized the following week. CANNOTANSWER

Question: when did Tyson Chandler join the Chicago bulls?
Answer: Chandler also played a major role in the Bulls' playoff run in the 2004-05 season.
Tyson Chandler

Context: Tyson Chandler was selected 2nd overall by the Los Angeles Clippers, who immediately traded his rights to the Chicago Bulls for former NBA Rookie of the Year Award recipient Elton Brand. The Bulls intended to pair Chandler with fellow high school phenomenon Eddy Curry in the front court. However, while both players had stretches of success during their time with the Bulls, they rarely coincided. In Chandler's case, back problems were a recurring issue throughout his career, particularly during the 2003-04 season. During the early part of his career, Chandler feuded with Brendan Haywood of the Washington Wizards and Amar'e Stoudemire of the Phoenix Suns. Later, although the feuds became less frequent, Chandler struggled with foul trouble, which limited his playing time.  Chandler also played a major role in the Bulls' playoff run in the 2004-05 season. Finding a role as a fourth-quarter defensive specialist, with notable game-saving blocks against stars like Paul Pierce and Carmelo Anthony, he was rewarded with a long-term deal to remain with the Chicago Bulls for the next six years, reportedly worth close to $63 million. With Curry's departure after the 2004-05 season, Chandler became the last member of the Bulls left from the Jerry Krause era.  During the 2005-2006 season, Chandler's biggest impact was on defense, but he struggled again with foul problems and averaged only 5.3 points per game. Due in part to his sub-par playoff performance and the Bulls' signing of four-time Defensive Player of the Year Ben Wallace in the off-season after the 2005-2006 season, Bulls GM John Paxson began to consider moving Chandler. On July 5, 2006, the Bulls and the Hornets verbally agreed to a trade that would send Chandler to the New Orleans Hornets in exchange for J. R. Smith and P.J. Brown. The deal was finalized the following week. CANNOTANSWER

Question: How did Tyson Chandler play a major role in the 2004-2005 season on the Chicago Bulls team?
Answer: role as a fourth-quarter defensive specialist, with notable game-saving blocks
Tyson Chandler

Context: Tyson Chandler was selected 2nd overall by the Los Angeles Clippers, who immediately traded his rights to the Chicago Bulls for former NBA Rookie of the Year Award recipient Elton Brand. The Bulls intended to pair Chandler with fellow high school phenomenon Eddy Curry in the front court. However, while both players had stretches of success during their time with the Bulls, they rarely coincided. In Chandler's case, back problems were a recurring issue throughout his career, particularly during the 2003-04 season. During the early part of his career, Chandler feuded with Brendan Haywood of the Washington Wizards and Amar'e Stoudemire of the Phoenix Suns. Later, although the feuds became less frequent, Chandler struggled with foul trouble, which limited his playing time.  Chandler also played a major role in the Bulls' playoff run in the 2004-05 season. Finding a role as a fourth-quarter defensive specialist, with notable game-saving blocks against stars like Paul Pierce and Carmelo Anthony, he was rewarded with a long-term deal to remain with the Chicago Bulls for the next six years, reportedly worth close to $63 million. With Curry's departure after the 2004-05 season, Chandler became the last member of the Bulls left from the Jerry Krause era.  During the 2005-2006 season, Chandler's biggest impact was on defense, but he struggled again with foul problems and averaged only 5.3 points per game. Due in part to his sub-par playoff performance and the Bulls' signing of four-time Defensive Player of the Year Ben Wallace in the off-season after the 2005-2006 season, Bulls GM John Paxson began to consider moving Chandler. On July 5, 2006, the Bulls and the Hornets verbally agreed to a trade that would send Chandler to the New Orleans Hornets in exchange for J. R. Smith and P.J. Brown. The deal was finalized the following week. CANNOTANSWER

Question: Did Tyson Chandler break any records in addition to his notable game-saving blocks while playing for the Chicago Bulls?
Answer: Chandler struggled with foul trouble, which limited his playing time.
Tyson Chandler

Context: Tyson Chandler was selected 2nd overall by the Los Angeles Clippers, who immediately traded his rights to the Chicago Bulls for former NBA Rookie of the Year Award recipient Elton Brand. The Bulls intended to pair Chandler with fellow high school phenomenon Eddy Curry in the front court. However, while both players had stretches of success during their time with the Bulls, they rarely coincided. In Chandler's case, back problems were a recurring issue throughout his career, particularly during the 2003-04 season. During the early part of his career, Chandler feuded with Brendan Haywood of the Washington Wizards and Amar'e Stoudemire of the Phoenix Suns. Later, although the feuds became less frequent, Chandler struggled with foul trouble, which limited his playing time.  Chandler also played a major role in the Bulls' playoff run in the 2004-05 season. Finding a role as a fourth-quarter defensive specialist, with notable game-saving blocks against stars like Paul Pierce and Carmelo Anthony, he was rewarded with a long-term deal to remain with the Chicago Bulls for the next six years, reportedly worth close to $63 million. With Curry's departure after the 2004-05 season, Chandler became the last member of the Bulls left from the Jerry Krause era.  During the 2005-2006 season, Chandler's biggest impact was on defense, but he struggled again with foul problems and averaged only 5.3 points per game. Due in part to his sub-par playoff performance and the Bulls' signing of four-time Defensive Player of the Year Ben Wallace in the off-season after the 2005-2006 season, Bulls GM John Paxson began to consider moving Chandler. On July 5, 2006, the Bulls and the Hornets verbally agreed to a trade that would send Chandler to the New Orleans Hornets in exchange for J. R. Smith and P.J. Brown. The deal was finalized the following week. CANNOTANSWER

Question: In addition to the Chicago Bulls, did Tyson Chandler play for another team?
Answer: Los Angeles Clippers,
Tyson Chandler

Context: Tyson Chandler was selected 2nd overall by the Los Angeles Clippers, who immediately traded his rights to the Chicago Bulls for former NBA Rookie of the Year Award recipient Elton Brand. The Bulls intended to pair Chandler with fellow high school phenomenon Eddy Curry in the front court. However, while both players had stretches of success during their time with the Bulls, they rarely coincided. In Chandler's case, back problems were a recurring issue throughout his career, particularly during the 2003-04 season. During the early part of his career, Chandler feuded with Brendan Haywood of the Washington Wizards and Amar'e Stoudemire of the Phoenix Suns. Later, although the feuds became less frequent, Chandler struggled with foul trouble, which limited his playing time.  Chandler also played a major role in the Bulls' playoff run in the 2004-05 season. Finding a role as a fourth-quarter defensive specialist, with notable game-saving blocks against stars like Paul Pierce and Carmelo Anthony, he was rewarded with a long-term deal to remain with the Chicago Bulls for the next six years, reportedly worth close to $63 million. With Curry's departure after the 2004-05 season, Chandler became the last member of the Bulls left from the Jerry Krause era.  During the 2005-2006 season, Chandler's biggest impact was on defense, but he struggled again with foul problems and averaged only 5.3 points per game. Due in part to his sub-par playoff performance and the Bulls' signing of four-time Defensive Player of the Year Ben Wallace in the off-season after the 2005-2006 season, Bulls GM John Paxson began to consider moving Chandler. On July 5, 2006, the Bulls and the Hornets verbally agreed to a trade that would send Chandler to the New Orleans Hornets in exchange for J. R. Smith and P.J. Brown. The deal was finalized the following week. CANNOTANSWER

Question: How long did Tyson Chandler play for the Los Angeles Clippers?
Answer: the 2003-04 season.
Tyson Chandler

Context: Tyson Chandler was selected 2nd overall by the Los Angeles Clippers, who immediately traded his rights to the Chicago Bulls for former NBA Rookie of the Year Award recipient Elton Brand. The Bulls intended to pair Chandler with fellow high school phenomenon Eddy Curry in the front court. However, while both players had stretches of success during their time with the Bulls, they rarely coincided. In Chandler's case, back problems were a recurring issue throughout his career, particularly during the 2003-04 season. During the early part of his career, Chandler feuded with Brendan Haywood of the Washington Wizards and Amar'e Stoudemire of the Phoenix Suns. Later, although the feuds became less frequent, Chandler struggled with foul trouble, which limited his playing time.  Chandler also played a major role in the Bulls' playoff run in the 2004-05 season. Finding a role as a fourth-quarter defensive specialist, with notable game-saving blocks against stars like Paul Pierce and Carmelo Anthony, he was rewarded with a long-term deal to remain with the Chicago Bulls for the next six years, reportedly worth close to $63 million. With Curry's departure after the 2004-05 season, Chandler became the last member of the Bulls left from the Jerry Krause era.  During the 2005-2006 season, Chandler's biggest impact was on defense, but he struggled again with foul problems and averaged only 5.3 points per game. Due in part to his sub-par playoff performance and the Bulls' signing of four-time Defensive Player of the Year Ben Wallace in the off-season after the 2005-2006 season, Bulls GM John Paxson began to consider moving Chandler. On July 5, 2006, the Bulls and the Hornets verbally agreed to a trade that would send Chandler to the New Orleans Hornets in exchange for J. R. Smith and P.J. Brown. The deal was finalized the following week. CANNOTANSWER

Question: Besides the Los Angeles Clippers and the Chicago Bulls did Tyson Chandler play for any other teams ?
Answer: CANNOTANSWER
Tyson Chandler

Context: Tyson Chandler was selected 2nd overall by the Los Angeles Clippers, who immediately traded his rights to the Chicago Bulls for former NBA Rookie of the Year Award recipient Elton Brand. The Bulls intended to pair Chandler with fellow high school phenomenon Eddy Curry in the front court. However, while both players had stretches of success during their time with the Bulls, they rarely coincided. In Chandler's case, back problems were a recurring issue throughout his career, particularly during the 2003-04 season. During the early part of his career, Chandler feuded with Brendan Haywood of the Washington Wizards and Amar'e Stoudemire of the Phoenix Suns. Later, although the feuds became less frequent, Chandler struggled with foul trouble, which limited his playing time.  Chandler also played a major role in the Bulls' playoff run in the 2004-05 season. Finding a role as a fourth-quarter defensive specialist, with notable game-saving blocks against stars like Paul Pierce and Carmelo Anthony, he was rewarded with a long-term deal to remain with the Chicago Bulls for the next six years, reportedly worth close to $63 million. With Curry's departure after the 2004-05 season, Chandler became the last member of the Bulls left from the Jerry Krause era.  During the 2005-2006 season, Chandler's biggest impact was on defense, but he struggled again with foul problems and averaged only 5.3 points per game. Due in part to his sub-par playoff performance and the Bulls' signing of four-time Defensive Player of the Year Ben Wallace in the off-season after the 2005-2006 season, Bulls GM John Paxson began to consider moving Chandler. On July 5, 2006, the Bulls and the Hornets verbally agreed to a trade that would send Chandler to the New Orleans Hornets in exchange for J. R. Smith and P.J. Brown. The deal was finalized the following week. CANNOTANSWER

Question: During Tyson Chandlers career with the Los Angeles Clippers and Chicago Bulls, are there any interesting aspects?
Answer: Chandler became the last member of the Bulls left from the Jerry Krause era.