gaussalgo/Canard_Wiki-augmented huggingface dataset:
Asif Ali Zardari

Context: In April 1993, he became one of the 18 cabinet ministers in the caretaker government that succeeded Nawaz Sharif's first abridged premiership. The caretaker government lasted until the July elections. After Bhutto's election, he served as her Investment Minister, chief of the intelligence bureau, and the head of the Federal Investigation Agency. In February 1994, Benazir sent Zardari to meet with Saddam Hussein in Iraq to deliver medicine in exchange for three detained Pakistanis arrested on the ambiguous Kuwait-Iraq border. In April 1994, Zardari denied allegations that he was wielding unregulated influence as a spouse and acting as "de-facto Prime Minister". In March 1995, he was appointed chairman of the new Environment Protection Council.  During the beginning of the second Bhutto Administration, a Bhutto family feud between Benazir and her mother, Nusrat Bhutto, surfaced over the political future of Murtaza Bhutto, Nusrat's son and Benazir's younger brother. Benazir thanked Zardari for his support. In September 1996, Murtaza and seven others died in a shootout with police in Karachi, while the city was undergoing a three-year civil war. At Murtaza's funeral, Nusrat accused Benazir and Zardari of being responsible and vowed to pursue prosecution. Ghinwa Bhutto, Murtaza's widow, also accused Zardari of being behind his killing. President Farooq Leghari, who would dismiss the Bhutto government seven weeks after Murtaza's death, also suspected Benazir and Zardari's involvement. Several of Pakistan's leading newspapers alleged that Zardari wanted his brother-in-law out of the way because of Murtaza's activities as head of a breakaway faction of the PPP.  In November 1996, Bhutto's government was dismissed by Leghari primarily because of corruption and Murtaza's death. Zardari was arrested in Lahore while attempting to flee the country to Dubai. CANNOTANSWER

Question: Along with the Bhutto administration did Asif Ali Zardari do during a three-year civil war in Karachi?
Answer: he served as her Investment Minister,
Asif Ali Zardari

Context: In April 1993, he became one of the 18 cabinet ministers in the caretaker government that succeeded Nawaz Sharif's first abridged premiership. The caretaker government lasted until the July elections. After Bhutto's election, he served as her Investment Minister, chief of the intelligence bureau, and the head of the Federal Investigation Agency. In February 1994, Benazir sent Zardari to meet with Saddam Hussein in Iraq to deliver medicine in exchange for three detained Pakistanis arrested on the ambiguous Kuwait-Iraq border. In April 1994, Zardari denied allegations that he was wielding unregulated influence as a spouse and acting as "de-facto Prime Minister". In March 1995, he was appointed chairman of the new Environment Protection Council.  During the beginning of the second Bhutto Administration, a Bhutto family feud between Benazir and her mother, Nusrat Bhutto, surfaced over the political future of Murtaza Bhutto, Nusrat's son and Benazir's younger brother. Benazir thanked Zardari for his support. In September 1996, Murtaza and seven others died in a shootout with police in Karachi, while the city was undergoing a three-year civil war. At Murtaza's funeral, Nusrat accused Benazir and Zardari of being responsible and vowed to pursue prosecution. Ghinwa Bhutto, Murtaza's widow, also accused Zardari of being behind his killing. President Farooq Leghari, who would dismiss the Bhutto government seven weeks after Murtaza's death, also suspected Benazir and Zardari's involvement. Several of Pakistan's leading newspapers alleged that Zardari wanted his brother-in-law out of the way because of Murtaza's activities as head of a breakaway faction of the PPP.  In November 1996, Bhutto's government was dismissed by Leghari primarily because of corruption and Murtaza's death. Zardari was arrested in Lahore while attempting to flee the country to Dubai. CANNOTANSWER

Question: Was Asif Ali Zardari well liked?
Answer: In March 1995, he was appointed chairman of the new Environment Protection Council.
Mia Hamm

Context: In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001-2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova.  During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1-0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a 6-12-3 record.  Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute.  During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a 9-8-4 record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2-1 in overtime to win the Founders Cup on August 24, 2003. CANNOTANSWER

Question: Who was the first team Mia Hamm played against as part of the Washington Freedom?
Answer: During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C.,
Mia Hamm

Context: In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001-2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova.  During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1-0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a 6-12-3 record.  Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute.  During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a 9-8-4 record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2-1 in overtime to win the Founders Cup on August 24, 2003. CANNOTANSWER

Question: Did the Washington Freedom win against the Bay Area CyberRays in the league's inaugural match?
Answer: The Freedom won 1-0.
Mia Hamm

Context: In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001-2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova.  During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1-0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a 6-12-3 record.  Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute.  During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a 9-8-4 record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2-1 in overtime to win the Founders Cup on August 24, 2003. CANNOTANSWER

Question: How did Mia Hamm do in the Washington Freedom's inaugural game against the Bay Area CyberRays?
Answer: Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted
Mia Hamm

Context: In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001-2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova.  During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1-0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a 6-12-3 record.  Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute.  During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a 9-8-4 record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2-1 in overtime to win the Founders Cup on August 24, 2003. CANNOTANSWER

Question: Was the inaugural game between the Washington Freedom and the Bay Area CyberRays on television?
Answer: the Turner Network Television (TNT) broadcast reached 393,087 households:
Mia Hamm

Context: In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001-2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova.  During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1-0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a 6-12-3 record.  Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute.  During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a 9-8-4 record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2-1 in overtime to win the Founders Cup on August 24, 2003. CANNOTANSWER

Question: Did Mia Hamm suffer any injuries in the inaugural game when playing for the Washington Freedom?
Answer: Hamm suffered a knee injury in November 2001
Mia Hamm

Context: In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001-2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova.  During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1-0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a 6-12-3 record.  Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute.  During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a 9-8-4 record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2-1 in overtime to win the Founders Cup on August 24, 2003. CANNOTANSWER

Question: Did the Washington Freedom team do well without the injured Mia Hamm?
Answer: The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs.
Mia Hamm

Context: In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001-2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova.  During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1-0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a 6-12-3 record.  Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute.  During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a 9-8-4 record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2-1 in overtime to win the Founders Cup on August 24, 2003. CANNOTANSWER

Question: How did Mia Hamm do in the 2003 season?
Answer: Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first.
Mia Hamm

Context: In 2001, Hamm was a founding player in the first professional women's soccer league in the United States, the Women's United Soccer Association (WUSA), and played for the Washington Freedom from 2001-2003. Throughout the league's history, Hamm was hailed as the star of the league and used heavily in marketing and promotion. In a poll of 1,000 advertising executives conducted in 2001, she was voted "the most appealing female athlete", garnering almost twice as many votes as the runner-up Anna Kournikova.  During the league's inaugural match between the Freedom and Bay Area CyberRays at RFK Stadium in Washington, D.C., Hamm was fouled in the penalty area resulting in a penalty kick that her teammate Pretinha converted to mark the first goal scored in the league. The Freedom won 1-0. In addition to the 34,148 fans in attendance being greater than any MLS game that weekend, the Turner Network Television (TNT) broadcast reached 393,087 households: more than two MLS games broadcast on ESPN and ESPN2. Playing as a midfielder and forward, Hamm played in 19 of the Freedom's 21 matches during the 2001 season. She led the team in goals (6) and assists (4). The Freedom finished in seventh place during the regular season with a 6-12-3 record.  Hamm suffered a knee injury in November 2001 that kept her off the pitch for several months of early 2002. Despite playing only half the 2002 season with the Freedom, she finished the season with eight goals. The team finished in third place during the 2002 season with a 11-5-5 record and advanced to the playoffs. After winning the semi-final against the Philadelphia Charge 1-0, the team was defeated 3-2 by the Carolina Courage in the 2002 WUSA Founders Cup. Hamm scored the Freedom's second goal in the 64th minute.  During the 2003 season, Hamm started in 16 of the 19 games in which she played. Her 11 goals ranked second on the team behind Abby Wambach's 13 while her 11 assists ranked first. The Freedom finished in fourth place during the regular season with a 9-8-4 record and secured a berth in the playoffs. Hamm finished her club career as a WUSA champion when the Freedom defeated the Atlanta Beat 2-1 in overtime to win the Founders Cup on August 24, 2003. CANNOTANSWER

Question: Did Mia Hamm start on some games for the Washington Freedom?
Answer: Hamm started in 16 of the 19 games in which she played.
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: What is Haruki Murakami's writing style?
Answer: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel.
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: Along with Japanese I Novel, what else is notable about Haruki Murakami's writing style?
Answer: He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy.
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: What themes are in Haruki Murakami's writing?
Answer: Many of his novels have themes and titles that invoke classical music,
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: Besides classical music, what else do Haruki Murakami's novels invoke?
Answer: Some of his novels take their titles from songs:
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: What songs do Haruki Murakami's novels invoke?
Answer: Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: In addition to "South of the Border", what other books did Haruki Murakami write?
Answer: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: Aside from Bird as Prophet, are there any other books with titles from music?
Answer: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune),
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: In addition to the Beach Boys, did anything else influence Haruki Murakamis writing style?
Answer: Some analyses see aspects of shamanism in his writing.
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: What aspects of shamanism are in Haruki Murakam's writing?
Answer: such as a descent into a dry well.
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: Along with shamanism what other religious references are there in Haruki Murakam's writing?
Answer: there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism