gaussalgo/Canard_Wiki-augmented huggingface dataset:
E. T. A. Hoffmann

Context: From 1796 Hoffmann obtained employment as a clerk for his uncle, Johann Ludwig Doerffer, who lived in Glogau with his daughter Minna. After passing further examinations he visited Dresden, where he was amazed by the paintings in the gallery, particularly those of Correggio and Raphael. During the summer of 1798, his uncle was promoted to a court in Berlin, and the three of them moved there in August--Hoffmann's first residence in a large city. It was there that Hoffmann first attempted to promote himself as a composer, writing an operetta called Die Maske and sending a copy to Queen Luise of Prussia. The official reply advised to him to write to the director of the Royal Theatre, a man named Iffland. By the time the latter responded, Hoffmann had passed his third round of examinations and had already left for Posen (Poznan) in South Prussia in the company of his old friend Hippel, with a brief stop in Dresden to show him the gallery.  From June 1800 to 1803 he worked in Prussian provinces in the area of Greater Poland and Masovia. This was the first time he had lived without supervision by members of his family, and he started to become "what school principals, parsons, uncles, and aunts call dissolute."  His first job, at Posen, was endangered after Carnival on Shrove Tuesday 1802, when caricatures of military officers were distributed at a ball. It was immediately deduced who had drawn them, and complaints were made to authorities in Berlin, who were reluctant to punish the promising young official. The problem was solved by "promoting" Hoffmann to Plock in New East Prussia, the former capital of Poland (1079-1138), where administrative offices were relocated from Thorn (Torun). He visited the place to arrange lodging, before returning to Posen where he married "Mischa" (Maria, or Marianna Tekla Michalina Rorer, whose Polish surname was Trzcinska). They moved to Plock in August 1802.  Hoffmann despaired because of his exile, and drew caricatures of himself drowning in mud alongside ragged villagers. He did make use, however, of his isolation, by writing and composing. He started a diary on 1 October 1803. An essay on the theatre was published in Kotzebue's periodical, Die Freimuthige, and he entered a competition in the same magazine to write a play. Hoffmann's was called Der Preis ("The Prize"), and was itself about a competition to write a play. There were fourteen entries, but none was judged worthy of the award: 100 Friedrichs d'or. Nevertheless, his entry was singled out for praise. This was one of the few good times of a sad period of his life, which saw the deaths of his uncle J. L. Hoffmann in Berlin, his Aunt Sophie, and Cora Hatt in Konigsberg.  At the beginning of 1804 he obtained a post at Warsaw. On his way there, he passed through his hometown and met one of Cora Hatt's daughters. He was never to return to Konigsberg. CANNOTANSWER

Question: Did Hoffman and Mischa have any children?
Answer: CANNOTANSWER
E. T. A. Hoffmann

Context: From 1796 Hoffmann obtained employment as a clerk for his uncle, Johann Ludwig Doerffer, who lived in Glogau with his daughter Minna. After passing further examinations he visited Dresden, where he was amazed by the paintings in the gallery, particularly those of Correggio and Raphael. During the summer of 1798, his uncle was promoted to a court in Berlin, and the three of them moved there in August--Hoffmann's first residence in a large city. It was there that Hoffmann first attempted to promote himself as a composer, writing an operetta called Die Maske and sending a copy to Queen Luise of Prussia. The official reply advised to him to write to the director of the Royal Theatre, a man named Iffland. By the time the latter responded, Hoffmann had passed his third round of examinations and had already left for Posen (Poznan) in South Prussia in the company of his old friend Hippel, with a brief stop in Dresden to show him the gallery.  From June 1800 to 1803 he worked in Prussian provinces in the area of Greater Poland and Masovia. This was the first time he had lived without supervision by members of his family, and he started to become "what school principals, parsons, uncles, and aunts call dissolute."  His first job, at Posen, was endangered after Carnival on Shrove Tuesday 1802, when caricatures of military officers were distributed at a ball. It was immediately deduced who had drawn them, and complaints were made to authorities in Berlin, who were reluctant to punish the promising young official. The problem was solved by "promoting" Hoffmann to Plock in New East Prussia, the former capital of Poland (1079-1138), where administrative offices were relocated from Thorn (Torun). He visited the place to arrange lodging, before returning to Posen where he married "Mischa" (Maria, or Marianna Tekla Michalina Rorer, whose Polish surname was Trzcinska). They moved to Plock in August 1802.  Hoffmann despaired because of his exile, and drew caricatures of himself drowning in mud alongside ragged villagers. He did make use, however, of his isolation, by writing and composing. He started a diary on 1 October 1803. An essay on the theatre was published in Kotzebue's periodical, Die Freimuthige, and he entered a competition in the same magazine to write a play. Hoffmann's was called Der Preis ("The Prize"), and was itself about a competition to write a play. There were fourteen entries, but none was judged worthy of the award: 100 Friedrichs d'or. Nevertheless, his entry was singled out for praise. This was one of the few good times of a sad period of his life, which saw the deaths of his uncle J. L. Hoffmann in Berlin, his Aunt Sophie, and Cora Hatt in Konigsberg.  At the beginning of 1804 he obtained a post at Warsaw. On his way there, he passed through his hometown and met one of Cora Hatt's daughters. He was never to return to Konigsberg. CANNOTANSWER

Question: What happened after Hoffman got married?
Answer: They moved to Plock in August 1802.
E. T. A. Hoffmann

Context: From 1796 Hoffmann obtained employment as a clerk for his uncle, Johann Ludwig Doerffer, who lived in Glogau with his daughter Minna. After passing further examinations he visited Dresden, where he was amazed by the paintings in the gallery, particularly those of Correggio and Raphael. During the summer of 1798, his uncle was promoted to a court in Berlin, and the three of them moved there in August--Hoffmann's first residence in a large city. It was there that Hoffmann first attempted to promote himself as a composer, writing an operetta called Die Maske and sending a copy to Queen Luise of Prussia. The official reply advised to him to write to the director of the Royal Theatre, a man named Iffland. By the time the latter responded, Hoffmann had passed his third round of examinations and had already left for Posen (Poznan) in South Prussia in the company of his old friend Hippel, with a brief stop in Dresden to show him the gallery.  From June 1800 to 1803 he worked in Prussian provinces in the area of Greater Poland and Masovia. This was the first time he had lived without supervision by members of his family, and he started to become "what school principals, parsons, uncles, and aunts call dissolute."  His first job, at Posen, was endangered after Carnival on Shrove Tuesday 1802, when caricatures of military officers were distributed at a ball. It was immediately deduced who had drawn them, and complaints were made to authorities in Berlin, who were reluctant to punish the promising young official. The problem was solved by "promoting" Hoffmann to Plock in New East Prussia, the former capital of Poland (1079-1138), where administrative offices were relocated from Thorn (Torun). He visited the place to arrange lodging, before returning to Posen where he married "Mischa" (Maria, or Marianna Tekla Michalina Rorer, whose Polish surname was Trzcinska). They moved to Plock in August 1802.  Hoffmann despaired because of his exile, and drew caricatures of himself drowning in mud alongside ragged villagers. He did make use, however, of his isolation, by writing and composing. He started a diary on 1 October 1803. An essay on the theatre was published in Kotzebue's periodical, Die Freimuthige, and he entered a competition in the same magazine to write a play. Hoffmann's was called Der Preis ("The Prize"), and was itself about a competition to write a play. There were fourteen entries, but none was judged worthy of the award: 100 Friedrichs d'or. Nevertheless, his entry was singled out for praise. This was one of the few good times of a sad period of his life, which saw the deaths of his uncle J. L. Hoffmann in Berlin, his Aunt Sophie, and Cora Hatt in Konigsberg.  At the beginning of 1804 he obtained a post at Warsaw. On his way there, he passed through his hometown and met one of Cora Hatt's daughters. He was never to return to Konigsberg. CANNOTANSWER

Question: Who was Cora Hatt's daughter?
Answer: CANNOTANSWER
E. T. A. Hoffmann

Context: From 1796 Hoffmann obtained employment as a clerk for his uncle, Johann Ludwig Doerffer, who lived in Glogau with his daughter Minna. After passing further examinations he visited Dresden, where he was amazed by the paintings in the gallery, particularly those of Correggio and Raphael. During the summer of 1798, his uncle was promoted to a court in Berlin, and the three of them moved there in August--Hoffmann's first residence in a large city. It was there that Hoffmann first attempted to promote himself as a composer, writing an operetta called Die Maske and sending a copy to Queen Luise of Prussia. The official reply advised to him to write to the director of the Royal Theatre, a man named Iffland. By the time the latter responded, Hoffmann had passed his third round of examinations and had already left for Posen (Poznan) in South Prussia in the company of his old friend Hippel, with a brief stop in Dresden to show him the gallery.  From June 1800 to 1803 he worked in Prussian provinces in the area of Greater Poland and Masovia. This was the first time he had lived without supervision by members of his family, and he started to become "what school principals, parsons, uncles, and aunts call dissolute."  His first job, at Posen, was endangered after Carnival on Shrove Tuesday 1802, when caricatures of military officers were distributed at a ball. It was immediately deduced who had drawn them, and complaints were made to authorities in Berlin, who were reluctant to punish the promising young official. The problem was solved by "promoting" Hoffmann to Plock in New East Prussia, the former capital of Poland (1079-1138), where administrative offices were relocated from Thorn (Torun). He visited the place to arrange lodging, before returning to Posen where he married "Mischa" (Maria, or Marianna Tekla Michalina Rorer, whose Polish surname was Trzcinska). They moved to Plock in August 1802.  Hoffmann despaired because of his exile, and drew caricatures of himself drowning in mud alongside ragged villagers. He did make use, however, of his isolation, by writing and composing. He started a diary on 1 October 1803. An essay on the theatre was published in Kotzebue's periodical, Die Freimuthige, and he entered a competition in the same magazine to write a play. Hoffmann's was called Der Preis ("The Prize"), and was itself about a competition to write a play. There were fourteen entries, but none was judged worthy of the award: 100 Friedrichs d'or. Nevertheless, his entry was singled out for praise. This was one of the few good times of a sad period of his life, which saw the deaths of his uncle J. L. Hoffmann in Berlin, his Aunt Sophie, and Cora Hatt in Konigsberg.  At the beginning of 1804 he obtained a post at Warsaw. On his way there, he passed through his hometown and met one of Cora Hatt's daughters. He was never to return to Konigsberg. CANNOTANSWER

Question: What post did Hoffman get?
Answer: daughters. He was never to return to Konigsberg.
Bleeding Through

Context: The band planned to write and record their seventh studio album once they returned from touring. They planned to release the yet to be titled album anywhere from mid to late 2011, which bassist Ryan Wombacher explained in a November 2010 interview:  Maybe mid-year; safe to say towards the end but not at the end, maybe like eight months or something like that. Best thing about it is we're going to do it whenever we want to do it. There is no deadline right now, we don't have any dates set, we don't have the studio, we're going to do the record ourselves. So we will literally go in and record it and it will be probably be done before we sign a contract.  On November 14, 2011, the band announced that the name of their new record would be called "The Great Fire". On November 30, 2011, the band announced that "The Great Fire" was complete, although no release date has been stated. On December 14, 2011, the band revealed The Great Fire's release date as January 31, 2012.  On January 3, 2013 the band announced their upcoming tour in Europe would be their last, leading to rumors that the band would be breaking up. This was later confirmed by a post on the band's Facebook page that they would be finished at the end of the year. The band also stated that they would like to set up an Australian tour during the summer and singer Brandan Schieppati stated in a reply to an Instagram comment that the band would have a final U.S. tour possibly starting in September. November 2013 the band announced final west coast dates will take place in 2014.  Former guitarist and founding member Scott Danough played with the band on the final tours in Australia, Europe and the U.S. He was added to the band's current lineup as of July 2014 on their Facebook page, which is led to believe he has rejoined Bleeding Through. The first show to kick off 2014 was their final appearance at New England Hardcore & Metal Fest at the Palladium in Worcester Massachusetts on April 17. The line up was made up of Brandan Schieppati, Scott Danough, Ryan Wombacher, Marta Peterson, Derek Youngsma and Dave Nassie's final appearance with the band in 2014. In May, the final nine west coast dates were announced with Winds of Plague and Scars of Tomorrow. A majority of the shows the band played were sold out. It was later announced in June that the first three of the west coast dates would be the "This Is Love This Is Murderous" line up which included Brian Leppke on guitar since he hasn't toured with Bleeding Through since 2010. Sacramento, Portland and Seattle shows featured Declaration era ex member Jona Weinhofen on guitar. In July another show on August 2 was added at Chain Reaction because the August 3 show sold out fast. The final show was on August 3. Brandan Schieppati's podcast he made it clear the final shows were very emotional and he realized how well they all played together. He said something may come from the band in the future. CANNOTANSWER

Question: What is the Great Fire in relation to Bleeding Through?
Answer: On November 14, 2011, the band announced that the name of their new record would be called "The Great Fire".
Bleeding Through

Context: The band planned to write and record their seventh studio album once they returned from touring. They planned to release the yet to be titled album anywhere from mid to late 2011, which bassist Ryan Wombacher explained in a November 2010 interview:  Maybe mid-year; safe to say towards the end but not at the end, maybe like eight months or something like that. Best thing about it is we're going to do it whenever we want to do it. There is no deadline right now, we don't have any dates set, we don't have the studio, we're going to do the record ourselves. So we will literally go in and record it and it will be probably be done before we sign a contract.  On November 14, 2011, the band announced that the name of their new record would be called "The Great Fire". On November 30, 2011, the band announced that "The Great Fire" was complete, although no release date has been stated. On December 14, 2011, the band revealed The Great Fire's release date as January 31, 2012.  On January 3, 2013 the band announced their upcoming tour in Europe would be their last, leading to rumors that the band would be breaking up. This was later confirmed by a post on the band's Facebook page that they would be finished at the end of the year. The band also stated that they would like to set up an Australian tour during the summer and singer Brandan Schieppati stated in a reply to an Instagram comment that the band would have a final U.S. tour possibly starting in September. November 2013 the band announced final west coast dates will take place in 2014.  Former guitarist and founding member Scott Danough played with the band on the final tours in Australia, Europe and the U.S. He was added to the band's current lineup as of July 2014 on their Facebook page, which is led to believe he has rejoined Bleeding Through. The first show to kick off 2014 was their final appearance at New England Hardcore & Metal Fest at the Palladium in Worcester Massachusetts on April 17. The line up was made up of Brandan Schieppati, Scott Danough, Ryan Wombacher, Marta Peterson, Derek Youngsma and Dave Nassie's final appearance with the band in 2014. In May, the final nine west coast dates were announced with Winds of Plague and Scars of Tomorrow. A majority of the shows the band played were sold out. It was later announced in June that the first three of the west coast dates would be the "This Is Love This Is Murderous" line up which included Brian Leppke on guitar since he hasn't toured with Bleeding Through since 2010. Sacramento, Portland and Seattle shows featured Declaration era ex member Jona Weinhofen on guitar. In July another show on August 2 was added at Chain Reaction because the August 3 show sold out fast. The final show was on August 3. Brandan Schieppati's podcast he made it clear the final shows were very emotional and he realized how well they all played together. He said something may come from the band in the future. CANNOTANSWER

Question: Did Bleeding Through have any hit singles on The Great Fire album?
Answer: On January 3, 2013 the band announced their upcoming tour in Europe would be their last,
Bleeding Through

Context: The band planned to write and record their seventh studio album once they returned from touring. They planned to release the yet to be titled album anywhere from mid to late 2011, which bassist Ryan Wombacher explained in a November 2010 interview:  Maybe mid-year; safe to say towards the end but not at the end, maybe like eight months or something like that. Best thing about it is we're going to do it whenever we want to do it. There is no deadline right now, we don't have any dates set, we don't have the studio, we're going to do the record ourselves. So we will literally go in and record it and it will be probably be done before we sign a contract.  On November 14, 2011, the band announced that the name of their new record would be called "The Great Fire". On November 30, 2011, the band announced that "The Great Fire" was complete, although no release date has been stated. On December 14, 2011, the band revealed The Great Fire's release date as January 31, 2012.  On January 3, 2013 the band announced their upcoming tour in Europe would be their last, leading to rumors that the band would be breaking up. This was later confirmed by a post on the band's Facebook page that they would be finished at the end of the year. The band also stated that they would like to set up an Australian tour during the summer and singer Brandan Schieppati stated in a reply to an Instagram comment that the band would have a final U.S. tour possibly starting in September. November 2013 the band announced final west coast dates will take place in 2014.  Former guitarist and founding member Scott Danough played with the band on the final tours in Australia, Europe and the U.S. He was added to the band's current lineup as of July 2014 on their Facebook page, which is led to believe he has rejoined Bleeding Through. The first show to kick off 2014 was their final appearance at New England Hardcore & Metal Fest at the Palladium in Worcester Massachusetts on April 17. The line up was made up of Brandan Schieppati, Scott Danough, Ryan Wombacher, Marta Peterson, Derek Youngsma and Dave Nassie's final appearance with the band in 2014. In May, the final nine west coast dates were announced with Winds of Plague and Scars of Tomorrow. A majority of the shows the band played were sold out. It was later announced in June that the first three of the west coast dates would be the "This Is Love This Is Murderous" line up which included Brian Leppke on guitar since he hasn't toured with Bleeding Through since 2010. Sacramento, Portland and Seattle shows featured Declaration era ex member Jona Weinhofen on guitar. In July another show on August 2 was added at Chain Reaction because the August 3 show sold out fast. The final show was on August 3. Brandan Schieppati's podcast he made it clear the final shows were very emotional and he realized how well they all played together. He said something may come from the band in the future. CANNOTANSWER

Question: What happened on Bleeding Through's 2013 tour in Europe?
Answer: leading to rumors that the band would be breaking up. This was later confirmed by a post on the band's Facebook page
Bleeding Through

Context: The band planned to write and record their seventh studio album once they returned from touring. They planned to release the yet to be titled album anywhere from mid to late 2011, which bassist Ryan Wombacher explained in a November 2010 interview:  Maybe mid-year; safe to say towards the end but not at the end, maybe like eight months or something like that. Best thing about it is we're going to do it whenever we want to do it. There is no deadline right now, we don't have any dates set, we don't have the studio, we're going to do the record ourselves. So we will literally go in and record it and it will be probably be done before we sign a contract.  On November 14, 2011, the band announced that the name of their new record would be called "The Great Fire". On November 30, 2011, the band announced that "The Great Fire" was complete, although no release date has been stated. On December 14, 2011, the band revealed The Great Fire's release date as January 31, 2012.  On January 3, 2013 the band announced their upcoming tour in Europe would be their last, leading to rumors that the band would be breaking up. This was later confirmed by a post on the band's Facebook page that they would be finished at the end of the year. The band also stated that they would like to set up an Australian tour during the summer and singer Brandan Schieppati stated in a reply to an Instagram comment that the band would have a final U.S. tour possibly starting in September. November 2013 the band announced final west coast dates will take place in 2014.  Former guitarist and founding member Scott Danough played with the band on the final tours in Australia, Europe and the U.S. He was added to the band's current lineup as of July 2014 on their Facebook page, which is led to believe he has rejoined Bleeding Through. The first show to kick off 2014 was their final appearance at New England Hardcore & Metal Fest at the Palladium in Worcester Massachusetts on April 17. The line up was made up of Brandan Schieppati, Scott Danough, Ryan Wombacher, Marta Peterson, Derek Youngsma and Dave Nassie's final appearance with the band in 2014. In May, the final nine west coast dates were announced with Winds of Plague and Scars of Tomorrow. A majority of the shows the band played were sold out. It was later announced in June that the first three of the west coast dates would be the "This Is Love This Is Murderous" line up which included Brian Leppke on guitar since he hasn't toured with Bleeding Through since 2010. Sacramento, Portland and Seattle shows featured Declaration era ex member Jona Weinhofen on guitar. In July another show on August 2 was added at Chain Reaction because the August 3 show sold out fast. The final show was on August 3. Brandan Schieppati's podcast he made it clear the final shows were very emotional and he realized how well they all played together. He said something may come from the band in the future. CANNOTANSWER

Question: Was Bleeding Through's final tour a success?
Answer: November 2013 the band announced final west coast dates will take place in 2014.
The Mighty Boosh

Context: Fielding first met Barratt after seeing him perform his solo stand-up routine at the Hellfire Comedy Club in the Wycombe Swan Theatre, in High Wycombe, Buckinghamshire. The pair soon found that they shared comic interests, formed a double act, and "decided to be the new Goodies". After their first performance together at a bar, De Hems, in London in April 1998, Barratt and Fielding developed their zookeeper characters - Howard Moon and Vince Noir, respectively - in a series of sketches for Paramount Comedy's Unnatural Acts. Here they also met American Rich Fulcher, who became Bob Fossil. Fielding's friend Dave Brown and Fielding's brother Michael also became regular collaborators. Richard Ayoade was another original cast member, playing adventurer Dixon Bainbridge, but Matt Berry replaced him in the first television series, since Ayoade was under contract with Channel 4. Ayoade returned in the second and third series as a belligerent shaman named Saboo. Noel Fielding and Michael Fielding have each separately stated that the name "Mighty Boosh" was originally a phrase used by a friend of Michael's to describe the hair that Michael had as a child.  The Boosh produced 3 stage shows - The Mighty Boosh (1998), Arctic Boosh (1999) and Autoboosh (2000) - all of which were taken to the Edinburgh Fringe. With the success of Autoboosh, a radio series was commissioned by the BBC. Produced by Danny Wallace, The Boosh was first broadcast in 2001 on BBC London Live, later transferring to BBC Radio 4, from which the team were given a half-hour television pilot of the same name.  The first 8-part series, directed by Paul King, was then commissioned for BBC Three and broadcast in 2004, with a second of 6 episodes the next year. The second series moved away from the zoo setting to show Howard, Vince, Naboo the shaman and Bollo the talking ape living in a flat in Dalston. In 2006, the Boosh returned to theatre with The Mighty Boosh Live, which featured a new story entitled "The Ruby of Kukundu".  After two years away from television, the Boosh returned in November 2007. Set in Naboo's second-hand shop below the flat, the third series drew approximately 1 million viewers with its first episode, and in light of its success, BBC Three broadcast an entire night of The Mighty Boosh on 22 March 2008, which included a new documentary and 6 of Barratt and Fielding's favourite episodes from all 3 series. J. G. Quintel has said that The Mighty Boosh was a large influence on his animated series Regular Show.  In June 2013, it was confirmed that The Mighty Boosh would reunite for a US festival called Festival Supreme in October 2013. CANNOTANSWER

Question: What is notable about The Mighty Boosh history?
Answer: Fielding first met Barratt after seeing him perform his solo stand-up routine at the Hellfire Comedy Club
The Mighty Boosh

Context: Fielding first met Barratt after seeing him perform his solo stand-up routine at the Hellfire Comedy Club in the Wycombe Swan Theatre, in High Wycombe, Buckinghamshire. The pair soon found that they shared comic interests, formed a double act, and "decided to be the new Goodies". After their first performance together at a bar, De Hems, in London in April 1998, Barratt and Fielding developed their zookeeper characters - Howard Moon and Vince Noir, respectively - in a series of sketches for Paramount Comedy's Unnatural Acts. Here they also met American Rich Fulcher, who became Bob Fossil. Fielding's friend Dave Brown and Fielding's brother Michael also became regular collaborators. Richard Ayoade was another original cast member, playing adventurer Dixon Bainbridge, but Matt Berry replaced him in the first television series, since Ayoade was under contract with Channel 4. Ayoade returned in the second and third series as a belligerent shaman named Saboo. Noel Fielding and Michael Fielding have each separately stated that the name "Mighty Boosh" was originally a phrase used by a friend of Michael's to describe the hair that Michael had as a child.  The Boosh produced 3 stage shows - The Mighty Boosh (1998), Arctic Boosh (1999) and Autoboosh (2000) - all of which were taken to the Edinburgh Fringe. With the success of Autoboosh, a radio series was commissioned by the BBC. Produced by Danny Wallace, The Boosh was first broadcast in 2001 on BBC London Live, later transferring to BBC Radio 4, from which the team were given a half-hour television pilot of the same name.  The first 8-part series, directed by Paul King, was then commissioned for BBC Three and broadcast in 2004, with a second of 6 episodes the next year. The second series moved away from the zoo setting to show Howard, Vince, Naboo the shaman and Bollo the talking ape living in a flat in Dalston. In 2006, the Boosh returned to theatre with The Mighty Boosh Live, which featured a new story entitled "The Ruby of Kukundu".  After two years away from television, the Boosh returned in November 2007. Set in Naboo's second-hand shop below the flat, the third series drew approximately 1 million viewers with its first episode, and in light of its success, BBC Three broadcast an entire night of The Mighty Boosh on 22 March 2008, which included a new documentary and 6 of Barratt and Fielding's favourite episodes from all 3 series. J. G. Quintel has said that The Mighty Boosh was a large influence on his animated series Regular Show.  In June 2013, it was confirmed that The Mighty Boosh would reunite for a US festival called Festival Supreme in October 2013. CANNOTANSWER

Question: What happened after Hellfire Comedy club?
Answer: The pair soon found that they shared comic interests, formed a double act,
The Mighty Boosh

Context: Fielding first met Barratt after seeing him perform his solo stand-up routine at the Hellfire Comedy Club in the Wycombe Swan Theatre, in High Wycombe, Buckinghamshire. The pair soon found that they shared comic interests, formed a double act, and "decided to be the new Goodies". After their first performance together at a bar, De Hems, in London in April 1998, Barratt and Fielding developed their zookeeper characters - Howard Moon and Vince Noir, respectively - in a series of sketches for Paramount Comedy's Unnatural Acts. Here they also met American Rich Fulcher, who became Bob Fossil. Fielding's friend Dave Brown and Fielding's brother Michael also became regular collaborators. Richard Ayoade was another original cast member, playing adventurer Dixon Bainbridge, but Matt Berry replaced him in the first television series, since Ayoade was under contract with Channel 4. Ayoade returned in the second and third series as a belligerent shaman named Saboo. Noel Fielding and Michael Fielding have each separately stated that the name "Mighty Boosh" was originally a phrase used by a friend of Michael's to describe the hair that Michael had as a child.  The Boosh produced 3 stage shows - The Mighty Boosh (1998), Arctic Boosh (1999) and Autoboosh (2000) - all of which were taken to the Edinburgh Fringe. With the success of Autoboosh, a radio series was commissioned by the BBC. Produced by Danny Wallace, The Boosh was first broadcast in 2001 on BBC London Live, later transferring to BBC Radio 4, from which the team were given a half-hour television pilot of the same name.  The first 8-part series, directed by Paul King, was then commissioned for BBC Three and broadcast in 2004, with a second of 6 episodes the next year. The second series moved away from the zoo setting to show Howard, Vince, Naboo the shaman and Bollo the talking ape living in a flat in Dalston. In 2006, the Boosh returned to theatre with The Mighty Boosh Live, which featured a new story entitled "The Ruby of Kukundu".  After two years away from television, the Boosh returned in November 2007. Set in Naboo's second-hand shop below the flat, the third series drew approximately 1 million viewers with its first episode, and in light of its success, BBC Three broadcast an entire night of The Mighty Boosh on 22 March 2008, which included a new documentary and 6 of Barratt and Fielding's favourite episodes from all 3 series. J. G. Quintel has said that The Mighty Boosh was a large influence on his animated series Regular Show.  In June 2013, it was confirmed that The Mighty Boosh would reunite for a US festival called Festival Supreme in October 2013. CANNOTANSWER

Question: What did Fielding and Barratt do after their double act?
Answer: After their first performance together at a bar, De Hems, in London in April 1998, Barratt and Fielding developed their zookeeper characters -
The Mighty Boosh

Context: Fielding first met Barratt after seeing him perform his solo stand-up routine at the Hellfire Comedy Club in the Wycombe Swan Theatre, in High Wycombe, Buckinghamshire. The pair soon found that they shared comic interests, formed a double act, and "decided to be the new Goodies". After their first performance together at a bar, De Hems, in London in April 1998, Barratt and Fielding developed their zookeeper characters - Howard Moon and Vince Noir, respectively - in a series of sketches for Paramount Comedy's Unnatural Acts. Here they also met American Rich Fulcher, who became Bob Fossil. Fielding's friend Dave Brown and Fielding's brother Michael also became regular collaborators. Richard Ayoade was another original cast member, playing adventurer Dixon Bainbridge, but Matt Berry replaced him in the first television series, since Ayoade was under contract with Channel 4. Ayoade returned in the second and third series as a belligerent shaman named Saboo. Noel Fielding and Michael Fielding have each separately stated that the name "Mighty Boosh" was originally a phrase used by a friend of Michael's to describe the hair that Michael had as a child.  The Boosh produced 3 stage shows - The Mighty Boosh (1998), Arctic Boosh (1999) and Autoboosh (2000) - all of which were taken to the Edinburgh Fringe. With the success of Autoboosh, a radio series was commissioned by the BBC. Produced by Danny Wallace, The Boosh was first broadcast in 2001 on BBC London Live, later transferring to BBC Radio 4, from which the team were given a half-hour television pilot of the same name.  The first 8-part series, directed by Paul King, was then commissioned for BBC Three and broadcast in 2004, with a second of 6 episodes the next year. The second series moved away from the zoo setting to show Howard, Vince, Naboo the shaman and Bollo the talking ape living in a flat in Dalston. In 2006, the Boosh returned to theatre with The Mighty Boosh Live, which featured a new story entitled "The Ruby of Kukundu".  After two years away from television, the Boosh returned in November 2007. Set in Naboo's second-hand shop below the flat, the third series drew approximately 1 million viewers with its first episode, and in light of its success, BBC Three broadcast an entire night of The Mighty Boosh on 22 March 2008, which included a new documentary and 6 of Barratt and Fielding's favourite episodes from all 3 series. J. G. Quintel has said that The Mighty Boosh was a large influence on his animated series Regular Show.  In June 2013, it was confirmed that The Mighty Boosh would reunite for a US festival called Festival Supreme in October 2013. CANNOTANSWER

Question: What were Fielding and Barrats characters?
Answer: Howard Moon and Vince Noir, respectively -
Thomas Eakins

Context: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.  Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes.  At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes.  It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879. CANNOTANSWER

Question: When did Thomas Eakin's early career start?
Answer: 1871;
Thomas Eakins

Context: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.  Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes.  At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes.  It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879. CANNOTANSWER

Question: What kind of works did Eakins produce in 1871?
Answer: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all,
Thomas Eakins

Context: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.  Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes.  At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes.  It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879. CANNOTANSWER

Question: What was Eakins most popular early career work?
Answer: most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling).
Thomas Eakins

Context: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.  Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes.  At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes.  It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879. CANNOTANSWER

Question: What is a Single Scull?
Answer: Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.
Thomas Eakins

Context: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.  Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes.  At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes.  It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879. CANNOTANSWER

Question: Why was The Champion Single Sculling a popular painting?
Answer: Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city".
Thomas Eakins

Context: Eakins' first works upon his return from Europe included a large group of rowing scenes, eleven oils and watercolors in all, of which the first and most famous is Max Schmitt in a Single Scull (1871; also known as The Champion Single Sculling). Both his subject and his technique drew attention. His selection of a contemporary sport was "a shock to the artistic conventionalities of the city". Eakins placed himself in the painting, in a scull behind Schmitt, his name inscribed on the boat.  Typically, the work entailed critical observation of the painting's subject, as well as preparatory drawings of the figure and perspective plans of the scull in the water. Its preparation and composition indicates the importance of Eakins' academic training in Paris. It was a completely original conception, true to Eakins' firsthand experience, and an almost startlingly successful image for the artist, who had struggled with his first outdoor composition less than a year before. His first known sale was the watercolor The Sculler (1874). Most critics judged the rowing pictures successful and auspicious, but after the initial flourish, Eakins never revisited the subject of rowing and went on to other sports themes.  At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors, often with his father, his sisters or friends as the subjects. Home Scene (1871), Elizabeth at the Piano (1875), The Chess Players (1876), and Elizabeth Crowell and her Dog (1874), each dark in tonality, focus on the unsentimental characterization of individuals adopting natural attitudes in their homes.  It was in this vein that in 1872 he painted his first large scale portrait, Kathrin, in which the subject, Kathrin Crowell, is seen in dim light, playing with a kitten. In 1874 Eakins and Crowell became engaged; they were still engaged five years later, when Crowell died of meningitis in 1879. CANNOTANSWER

Question: What other works did Eakins create in his early career other than the Champion Single Sculling?
Answer: At the same time that he made these initial ventures into outdoor themes, Eakins produced a series of domestic Victorian interiors,