gaussalgo/Canard_Wiki-augmented huggingface dataset:
Matthew Fontaine Maury

Context: Maury was a descendant of the Maury family, a prominent Virginia family of Huguenot ancestry that can be traced back to 15th-century France. His grandfather (the Reverend James Maury) was an inspiring teacher to a future US president, Thomas Jefferson. Maury also had Dutch-American ancestry from the "Minor" family of early Virginia.  He was born in 1806 in Spotsylvania County, Virginia, near Fredericksburg; his parents were Richard Maury and Diane Minor Maury. The family moved to Franklin, Tennessee, when he was five. He wanted to emulate the naval career of his older brother, Flag Lieutenant John Minor Maury, who, however, caught yellow fever after fighting pirates as an officer in the US Navy. As a result of John's painful death, Matthew's father, Richard, forbade him from joining the Navy. Maury strongly considered attending West Point to get a better education than the Navy could offer at that time, but instead, he obtained a naval appointment through the influence of Tennessee Representative Sam Houston, a family friend, in 1825, at the age of 19.  Maury joined the Navy as a midshipman on board the frigate Brandywine which was carrying the Marquis de La Fayette home to France, following La Fayette's famous visit to the United States. Almost immediately, Maury began to study the seas and to record methods of navigation. One of the experiences that piqued this interest was a circumnavigation of the globe on the USS Vincennes, his assigned ship and the first US warship to travel around the world. CANNOTANSWER

Question: When was Matthew Fontaine Maury appointed?
Answer: in 1825, at the age of 19.
Matthew Fontaine Maury

Context: Maury was a descendant of the Maury family, a prominent Virginia family of Huguenot ancestry that can be traced back to 15th-century France. His grandfather (the Reverend James Maury) was an inspiring teacher to a future US president, Thomas Jefferson. Maury also had Dutch-American ancestry from the "Minor" family of early Virginia.  He was born in 1806 in Spotsylvania County, Virginia, near Fredericksburg; his parents were Richard Maury and Diane Minor Maury. The family moved to Franklin, Tennessee, when he was five. He wanted to emulate the naval career of his older brother, Flag Lieutenant John Minor Maury, who, however, caught yellow fever after fighting pirates as an officer in the US Navy. As a result of John's painful death, Matthew's father, Richard, forbade him from joining the Navy. Maury strongly considered attending West Point to get a better education than the Navy could offer at that time, but instead, he obtained a naval appointment through the influence of Tennessee Representative Sam Houston, a family friend, in 1825, at the age of 19.  Maury joined the Navy as a midshipman on board the frigate Brandywine which was carrying the Marquis de La Fayette home to France, following La Fayette's famous visit to the United States. Almost immediately, Maury began to study the seas and to record methods of navigation. One of the experiences that piqued this interest was a circumnavigation of the globe on the USS Vincennes, his assigned ship and the first US warship to travel around the world. CANNOTANSWER

Question: How long was Matthew Fontaine Maury in the Navy?
Answer: CANNOTANSWER
Matthew Fontaine Maury

Context: Maury was a descendant of the Maury family, a prominent Virginia family of Huguenot ancestry that can be traced back to 15th-century France. His grandfather (the Reverend James Maury) was an inspiring teacher to a future US president, Thomas Jefferson. Maury also had Dutch-American ancestry from the "Minor" family of early Virginia.  He was born in 1806 in Spotsylvania County, Virginia, near Fredericksburg; his parents were Richard Maury and Diane Minor Maury. The family moved to Franklin, Tennessee, when he was five. He wanted to emulate the naval career of his older brother, Flag Lieutenant John Minor Maury, who, however, caught yellow fever after fighting pirates as an officer in the US Navy. As a result of John's painful death, Matthew's father, Richard, forbade him from joining the Navy. Maury strongly considered attending West Point to get a better education than the Navy could offer at that time, but instead, he obtained a naval appointment through the influence of Tennessee Representative Sam Houston, a family friend, in 1825, at the age of 19.  Maury joined the Navy as a midshipman on board the frigate Brandywine which was carrying the Marquis de La Fayette home to France, following La Fayette's famous visit to the United States. Almost immediately, Maury began to study the seas and to record methods of navigation. One of the experiences that piqued this interest was a circumnavigation of the globe on the USS Vincennes, his assigned ship and the first US warship to travel around the world. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides the earlier life of Matthew Fontaine Maury?
Answer: Maury joined the Navy as a midshipman on board the frigate Brandywine which
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: What songs did Max Martin produce with Cheiron and Denniz PoP?
Answer: Wish You Were Here
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: What artist sung Wish You Were Here?
Answer: Rednex song
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: Is there any interesting facts about Max Martin working with Cheiron and Denniz PoP?
Answer: the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996).
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: What other groups did Max Martin work with aside from Cheiron and Denniz PoP?
Answer: Ace of Base's
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: Did Max Martin produce any songs with Ace of Base?
Answer: second album, The Bridge (1995),
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: Did Max Martin ever retire from producing music for other bands?
Answer: CANNOTANSWER
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: What other interesting facts can you tell me about Max Martin aside from bands he's produced music for?
Answer: Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over."
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: What songs did Max Martin produce for the Backstreet Boys?
Answer: "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997).
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: Did Max Martin ever produce a song for other popular singers other than the Backstreet Boys?
Answer: Robyn's
Max Martin

Context: "I didn't even know what a producer did, I spent two years-day and night-in that studio trying to learn what the hell was going on." - Max Martin, 19 March 2001.  In 1993, Martin was hired by Cheiron Studios and spent some time learning the basics, before the first production collaboration between PoP and Martin: the Rednex song "Wish You Were Here" in 1994. They both worked on Ace of Base's second album, The Bridge (1995), shortly thereafter, as well as on albums by 3T, Army of Lovers and Leila K. To date, The Bridge has sold more than six million copies worldwide, including one million in the United States. When Martin eventually left his band It's Alive in late 1995, he was replaced by Anders Jansson.  In 1995, the Cheiron Studios was hired by Zomba to work on Backstreet Boys' self-titled debut album Backstreet Boys (1996). Zomba became the main working partner since the success in 1995. Martin took part in the production of "Quit Playing Games (With My Heart)" (1996), co-written with Herbie Crichlow, a single which quickly went platinum and climbed to No. 2 on the Billboard Hot 100, as well as the singles "As Long As You Love Me" (1997) and "Everybody (Backstreet's Back)" (1997). The album was not released in the U.S. until 1997, but was released overseas and caught on all across Europe, eventually selling around 8 million copies worldwide. This led to the Backstreet Boys being relaunched in their home country later on, this time more successfully. Later that year, Martin co-wrote and co-produced Robyn's hits "Show Me Love" and "Do You Know (What It Takes)" which ended up on the Billboard Hot 100 top 10.  In 1998, Cheiron Productions worked on albums by Five and Jessica Folcker. Jessica Folcker had first been hired as a backing singer for tracks with Ace of Base and Dr. Alban, and her debut album Jessica became an instant hit with singles like "Tell Me What You Like" and "How Will I Know Who You Are" which both sold platinum. After Denniz PoP died of cancer that same summer, Martin took over as director of Cheiron Studios. He soon started working with writer/producer Rami Yacoub, who continued to be his partner for many years. Martin also wrote two songs with Bryan Adams during this time, "Cloud Number Nine" and "Before The Night Is Over." CANNOTANSWER

Question: What song did Max Martin produce for Robyn's?
Answer: "Show Me Love" and "Do You Know (What It Takes)"
Herb Jeffries

Context: From Detroit, at the urging of Louis Armstrong, Jeffries moved to Chicago where he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Jeffries began his career working with Erskine Tate and his Vendome Orchestra. Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago. His break came during the 1933 Chicago World's Fair A Century of Progress International Exposition singing with the Earl Hines Orchestra on Hines' national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". By 1940, he was singing with the Duke Ellington Orchestra and then recorded with him from 1940 to 1942. His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day. His name had been Herbert Jeffrey, but the credits on the record mistakenly called him Jeffries, so he renamed himself to match the typo. "Flamingo" was later covered by a white singer, the popular vocalist Tony Martin. During his time with the Duke Ellington Orchestra as a lead vocalist, Jeffries proved his talent as a mature singer, demonstrating his wide vocal range in such songs as "I Don't Know What Kind of Blues I've Got," "The Brownskin Gal," and "Jump for Joy" (all 1941). The 1944 single "My Little Brown Book" by Ellington and his Famous Orchestra, on which Jeffries provided vocals, reached No. 4 on Billboard R&B chart. Later on, Jeffries was replaced in the Ellington's band by Al Hibbler.  In his teens, Jeffries had developed a fine voice, initially singing in higher registers. He started out his singing career as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside.  In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins and his band Honeydrippers. Then, he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again, including 1957 collection of ballads, Say It Isn't So.  In 1995, at age 81, he recorded The Bronze Buckaroo (Rides Again), a Nashville album of songs on the Warner Western label. CANNOTANSWER

Question: What genre of music did Herb Jeffries do?
Answer: Jeffries had a hit on the Billboard R&B chart
Herb Jeffries

Context: From Detroit, at the urging of Louis Armstrong, Jeffries moved to Chicago where he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Jeffries began his career working with Erskine Tate and his Vendome Orchestra. Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago. His break came during the 1933 Chicago World's Fair A Century of Progress International Exposition singing with the Earl Hines Orchestra on Hines' national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". By 1940, he was singing with the Duke Ellington Orchestra and then recorded with him from 1940 to 1942. His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day. His name had been Herbert Jeffrey, but the credits on the record mistakenly called him Jeffries, so he renamed himself to match the typo. "Flamingo" was later covered by a white singer, the popular vocalist Tony Martin. During his time with the Duke Ellington Orchestra as a lead vocalist, Jeffries proved his talent as a mature singer, demonstrating his wide vocal range in such songs as "I Don't Know What Kind of Blues I've Got," "The Brownskin Gal," and "Jump for Joy" (all 1941). The 1944 single "My Little Brown Book" by Ellington and his Famous Orchestra, on which Jeffries provided vocals, reached No. 4 on Billboard R&B chart. Later on, Jeffries was replaced in the Ellington's band by Al Hibbler.  In his teens, Jeffries had developed a fine voice, initially singing in higher registers. He started out his singing career as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside.  In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins and his band Honeydrippers. Then, he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again, including 1957 collection of ballads, Say It Isn't So.  In 1995, at age 81, he recorded The Bronze Buckaroo (Rides Again), a Nashville album of songs on the Warner Western label. CANNOTANSWER

Question: What was one title of Herb Jeffries song?
Answer: His first recordings were with Hines in 1934, including "Just to be in Carolina".
Herb Jeffries

Context: From Detroit, at the urging of Louis Armstrong, Jeffries moved to Chicago where he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Jeffries began his career working with Erskine Tate and his Vendome Orchestra. Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago. His break came during the 1933 Chicago World's Fair A Century of Progress International Exposition singing with the Earl Hines Orchestra on Hines' national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". By 1940, he was singing with the Duke Ellington Orchestra and then recorded with him from 1940 to 1942. His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day. His name had been Herbert Jeffrey, but the credits on the record mistakenly called him Jeffries, so he renamed himself to match the typo. "Flamingo" was later covered by a white singer, the popular vocalist Tony Martin. During his time with the Duke Ellington Orchestra as a lead vocalist, Jeffries proved his talent as a mature singer, demonstrating his wide vocal range in such songs as "I Don't Know What Kind of Blues I've Got," "The Brownskin Gal," and "Jump for Joy" (all 1941). The 1944 single "My Little Brown Book" by Ellington and his Famous Orchestra, on which Jeffries provided vocals, reached No. 4 on Billboard R&B chart. Later on, Jeffries was replaced in the Ellington's band by Al Hibbler.  In his teens, Jeffries had developed a fine voice, initially singing in higher registers. He started out his singing career as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside.  In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins and his band Honeydrippers. Then, he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again, including 1957 collection of ballads, Say It Isn't So.  In 1995, at age 81, he recorded The Bronze Buckaroo (Rides Again), a Nashville album of songs on the Warner Western label. CANNOTANSWER

Question: Besides "Just To Be in Carolina", did Herb Jeffries have any other hits?
Answer: His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day.
Herb Jeffries

Context: From Detroit, at the urging of Louis Armstrong, Jeffries moved to Chicago where he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Jeffries began his career working with Erskine Tate and his Vendome Orchestra. Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago. His break came during the 1933 Chicago World's Fair A Century of Progress International Exposition singing with the Earl Hines Orchestra on Hines' national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". By 1940, he was singing with the Duke Ellington Orchestra and then recorded with him from 1940 to 1942. His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day. His name had been Herbert Jeffrey, but the credits on the record mistakenly called him Jeffries, so he renamed himself to match the typo. "Flamingo" was later covered by a white singer, the popular vocalist Tony Martin. During his time with the Duke Ellington Orchestra as a lead vocalist, Jeffries proved his talent as a mature singer, demonstrating his wide vocal range in such songs as "I Don't Know What Kind of Blues I've Got," "The Brownskin Gal," and "Jump for Joy" (all 1941). The 1944 single "My Little Brown Book" by Ellington and his Famous Orchestra, on which Jeffries provided vocals, reached No. 4 on Billboard R&B chart. Later on, Jeffries was replaced in the Ellington's band by Al Hibbler.  In his teens, Jeffries had developed a fine voice, initially singing in higher registers. He started out his singing career as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside.  In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins and his band Honeydrippers. Then, he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again, including 1957 collection of ballads, Say It Isn't So.  In 1995, at age 81, he recorded The Bronze Buckaroo (Rides Again), a Nashville album of songs on the Warner Western label. CANNOTANSWER

Question: What was the name of any of Herb Jeffries albums?
Answer: The Bronze Buckaroo (Rides Again
Herb Jeffries

Context: From Detroit, at the urging of Louis Armstrong, Jeffries moved to Chicago where he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Jeffries began his career working with Erskine Tate and his Vendome Orchestra. Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago. His break came during the 1933 Chicago World's Fair A Century of Progress International Exposition singing with the Earl Hines Orchestra on Hines' national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". By 1940, he was singing with the Duke Ellington Orchestra and then recorded with him from 1940 to 1942. His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day. His name had been Herbert Jeffrey, but the credits on the record mistakenly called him Jeffries, so he renamed himself to match the typo. "Flamingo" was later covered by a white singer, the popular vocalist Tony Martin. During his time with the Duke Ellington Orchestra as a lead vocalist, Jeffries proved his talent as a mature singer, demonstrating his wide vocal range in such songs as "I Don't Know What Kind of Blues I've Got," "The Brownskin Gal," and "Jump for Joy" (all 1941). The 1944 single "My Little Brown Book" by Ellington and his Famous Orchestra, on which Jeffries provided vocals, reached No. 4 on Billboard R&B chart. Later on, Jeffries was replaced in the Ellington's band by Al Hibbler.  In his teens, Jeffries had developed a fine voice, initially singing in higher registers. He started out his singing career as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside.  In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins and his band Honeydrippers. Then, he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again, including 1957 collection of ballads, Say It Isn't So.  In 1995, at age 81, he recorded The Bronze Buckaroo (Rides Again), a Nashville album of songs on the Warner Western label. CANNOTANSWER

Question: How did Herb Jeffries album The Bronze Buckaroo (Rides Again) sell?
Answer: CANNOTANSWER
Herb Jeffries

Context: From Detroit, at the urging of Louis Armstrong, Jeffries moved to Chicago where he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Jeffries began his career working with Erskine Tate and his Vendome Orchestra. Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago. His break came during the 1933 Chicago World's Fair A Century of Progress International Exposition singing with the Earl Hines Orchestra on Hines' national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". By 1940, he was singing with the Duke Ellington Orchestra and then recorded with him from 1940 to 1942. His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day. His name had been Herbert Jeffrey, but the credits on the record mistakenly called him Jeffries, so he renamed himself to match the typo. "Flamingo" was later covered by a white singer, the popular vocalist Tony Martin. During his time with the Duke Ellington Orchestra as a lead vocalist, Jeffries proved his talent as a mature singer, demonstrating his wide vocal range in such songs as "I Don't Know What Kind of Blues I've Got," "The Brownskin Gal," and "Jump for Joy" (all 1941). The 1944 single "My Little Brown Book" by Ellington and his Famous Orchestra, on which Jeffries provided vocals, reached No. 4 on Billboard R&B chart. Later on, Jeffries was replaced in the Ellington's band by Al Hibbler.  In his teens, Jeffries had developed a fine voice, initially singing in higher registers. He started out his singing career as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside.  In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins and his band Honeydrippers. Then, he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again, including 1957 collection of ballads, Say It Isn't So.  In 1995, at age 81, he recorded The Bronze Buckaroo (Rides Again), a Nashville album of songs on the Warner Western label. CANNOTANSWER

Question: Besides releasing the song "Flamingo" in 1934, what else happened with Herb Jeffries music career
Answer: he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again,
Herb Jeffries

Context: From Detroit, at the urging of Louis Armstrong, Jeffries moved to Chicago where he performed in various clubs. One of his first gigs was in a club allegedly owned by Al Capone. Jeffries began his career working with Erskine Tate and his Vendome Orchestra. Tate signed the 19-year-old Jeffries to a contract with his Orchestra at the Savoy Ballroom in Chicago. His break came during the 1933 Chicago World's Fair A Century of Progress International Exposition singing with the Earl Hines Orchestra on Hines' national broadcasts live from the Grand Terrace Cafe. His first recordings were with Hines in 1934, including "Just to be in Carolina". By 1940, he was singing with the Duke Ellington Orchestra and then recorded with him from 1940 to 1942. His 1940 recording of "Flamingo" with Ellington, released in 1941, sold more than 14 million copies in its day. His name had been Herbert Jeffrey, but the credits on the record mistakenly called him Jeffries, so he renamed himself to match the typo. "Flamingo" was later covered by a white singer, the popular vocalist Tony Martin. During his time with the Duke Ellington Orchestra as a lead vocalist, Jeffries proved his talent as a mature singer, demonstrating his wide vocal range in such songs as "I Don't Know What Kind of Blues I've Got," "The Brownskin Gal," and "Jump for Joy" (all 1941). The 1944 single "My Little Brown Book" by Ellington and his Famous Orchestra, on which Jeffries provided vocals, reached No. 4 on Billboard R&B chart. Later on, Jeffries was replaced in the Ellington's band by Al Hibbler.  In his teens, Jeffries had developed a fine voice, initially singing in higher registers. He started out his singing career as a lyrical tenor, but, on the advice of Duke Ellington's longtime music arranger, Billy Strayhorn, he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside.  In 1945, Jeffries had a hit on the Billboard R&B chart with "Left A Good Deal In Mobile" (No. 2), on which he was accompanied by pianist Joe Liggins and his band Honeydrippers. Then, he moved to Europe and performed there for many years, including at nightclubs he owned. He was back in America by the 1950s, recording jazz records again, including 1957 collection of ballads, Say It Isn't So.  In 1995, at age 81, he recorded The Bronze Buckaroo (Rides Again), a Nashville album of songs on the Warner Western label. CANNOTANSWER

Question: Aside from Herb Jeffries moving to Europe and performing there for many years, are there any other interesting aspects about this article?
Answer: he lowered his range to mimic the vocal stylings of crooner Bing Crosby. Jeffries became a "silken, lusty baritone," according to music critic Jonny Whiteside.