gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bloc Party

Context: Bloc Party's debut album, Silent Alarm, was released in February 2005 and was met with universal critical acclaim. It was voted 'Album of the Year' for 2005 by NME, and reached number 3 on the UK Albums Chart before being certified platinum. The first single from the album, "So Here We Are/Positive Tension", made the top 5 on the UK Top 40 chart. Further singles "Banquet" (which reached number 13 in NME's 'Top 50 Singles of 2005'), "Helicopter", and "Pioneers", whilst failing to repeat this success, still managed to reach the UK top 20. The animated video for "Pioneers," made by the Shoreditch-based Minivegas design agency, was top of the NME video charts for four weeks. NME tagged them as "art-rock" at that time but the band felt it was too limited.  The band received positive reviews from critics in the United States and they toured there heavily in the 18 months that followed the release of Silent Alarm. In early 2006, they finished their tour with sold out shows in Los Angeles, Miami and Berkeley. The album went on to sell more than 350,000 copies in North America and over a million worldwide. After this success, the established electronic group, The Chemical Brothers, soon collaborated with Okereke for "Believe", a track on their Push the Button album. An album of remixes of tracks from Silent Alarm had also been released at the end of August 2005 in the UK. This remix album, entitled Silent Alarm Remixed, retained the album's original track list and includes remixes from the likes of Ladytron, M83, Death from Above 1979, Four Tet, and Mogwai.  During July 2005, Bloc Party recorded two new tracks with Silent Alarm producer Paul Epworth. The songs were released as a single with a B-side, titled "Two More Years", to coincide with the band's October 2005 UK tour. The tour was also accompanied by a re-issue of Silent Alarm, which included "Two More Years" and former single "Little Thoughts" as bonus tracks. A remix of "Banquet" by The Streets, as well as a music video for the song, were included in the "Two More Years" single. Bloc Party also contributed the track "The Present" to the Help!: A Day in the Life compilation, the profits of which benefited the War Child charity. CANNOTANSWER

Question: How many copies of Silent Alarm were sold?
Answer: The album went on to sell more than 350,000 copies in North America and over a million worldwide.
Jacques Cousteau

Context: In 1946, Cousteau and Tailliez showed the film Epaves ("Shipwrecks") to Admiral Lemonnier, who gave them the responsibility of setting up the Groupement de Recherches Sous-marines (GRS) (Underwater Research Group) of the French Navy in Toulon. A little later it became the GERS (Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group), then the COMISMER ("COMmandement des Interventions Sous la MER", = "Undersea Interventions Command"), and finally more recently the CEPHISMER. In 1947, Chief Petty Officer Maurice Fargues became the first diver to die using an aqualung, while attempting a new depth record with the GERS near Toulon.  In 1948, between missions of mine clearance, underwater exploration and technological and physiological tests, Cousteau undertook a first campaign in the Mediterranean on board the sloop Elie Monnier, with Philippe Tailliez, Frederic Dumas, Jean Alinat and the scenario writer Marcel Ichac. The small team also undertook the exploration of the Roman wreck of Mahdia (Tunisia). It was the first underwater archaeology operation using autonomous diving, opening the way for scientific underwater archaeology. Cousteau and Marcel Ichac brought back from there the Carnets diving film (presented and preceded with the Cannes Film Festival 1951).  Cousteau and the Elie Monnier then took part in the rescue of Professor Jacques Piccard's bathyscaphe, the FNRS-2, during the 1949 expedition to Dakar. Thanks to this rescue, the French Navy was able to reuse the sphere of the bathyscaphe to construct the FNRS-3.  The adventures of this period are told in the two books The Silent World (1953, by Cousteau and Dumas) and Plongees sans cable (1954, by Philippe Tailliez). CANNOTANSWER

Question: What is GERS?
Answer: Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group
Jacques Cousteau

Context: In 1946, Cousteau and Tailliez showed the film Epaves ("Shipwrecks") to Admiral Lemonnier, who gave them the responsibility of setting up the Groupement de Recherches Sous-marines (GRS) (Underwater Research Group) of the French Navy in Toulon. A little later it became the GERS (Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group), then the COMISMER ("COMmandement des Interventions Sous la MER", = "Undersea Interventions Command"), and finally more recently the CEPHISMER. In 1947, Chief Petty Officer Maurice Fargues became the first diver to die using an aqualung, while attempting a new depth record with the GERS near Toulon.  In 1948, between missions of mine clearance, underwater exploration and technological and physiological tests, Cousteau undertook a first campaign in the Mediterranean on board the sloop Elie Monnier, with Philippe Tailliez, Frederic Dumas, Jean Alinat and the scenario writer Marcel Ichac. The small team also undertook the exploration of the Roman wreck of Mahdia (Tunisia). It was the first underwater archaeology operation using autonomous diving, opening the way for scientific underwater archaeology. Cousteau and Marcel Ichac brought back from there the Carnets diving film (presented and preceded with the Cannes Film Festival 1951).  Cousteau and the Elie Monnier then took part in the rescue of Professor Jacques Piccard's bathyscaphe, the FNRS-2, during the 1949 expedition to Dakar. Thanks to this rescue, the French Navy was able to reuse the sphere of the bathyscaphe to construct the FNRS-3.  The adventures of this period are told in the two books The Silent World (1953, by Cousteau and Dumas) and Plongees sans cable (1954, by Philippe Tailliez). CANNOTANSWER

Question: What did the Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group do?
Answer: Underwater Research Group
Jacques Cousteau

Context: In 1946, Cousteau and Tailliez showed the film Epaves ("Shipwrecks") to Admiral Lemonnier, who gave them the responsibility of setting up the Groupement de Recherches Sous-marines (GRS) (Underwater Research Group) of the French Navy in Toulon. A little later it became the GERS (Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group), then the COMISMER ("COMmandement des Interventions Sous la MER", = "Undersea Interventions Command"), and finally more recently the CEPHISMER. In 1947, Chief Petty Officer Maurice Fargues became the first diver to die using an aqualung, while attempting a new depth record with the GERS near Toulon.  In 1948, between missions of mine clearance, underwater exploration and technological and physiological tests, Cousteau undertook a first campaign in the Mediterranean on board the sloop Elie Monnier, with Philippe Tailliez, Frederic Dumas, Jean Alinat and the scenario writer Marcel Ichac. The small team also undertook the exploration of the Roman wreck of Mahdia (Tunisia). It was the first underwater archaeology operation using autonomous diving, opening the way for scientific underwater archaeology. Cousteau and Marcel Ichac brought back from there the Carnets diving film (presented and preceded with the Cannes Film Festival 1951).  Cousteau and the Elie Monnier then took part in the rescue of Professor Jacques Piccard's bathyscaphe, the FNRS-2, during the 1949 expedition to Dakar. Thanks to this rescue, the French Navy was able to reuse the sphere of the bathyscaphe to construct the FNRS-3.  The adventures of this period are told in the two books The Silent World (1953, by Cousteau and Dumas) and Plongees sans cable (1954, by Philippe Tailliez). CANNOTANSWER

Question: Are there any interesting aspects about this article in addition to explaining what GERS is?
Answer: Chief Petty Officer Maurice Fargues became the first diver to die using an aqualung,
Jacques Cousteau

Context: In 1946, Cousteau and Tailliez showed the film Epaves ("Shipwrecks") to Admiral Lemonnier, who gave them the responsibility of setting up the Groupement de Recherches Sous-marines (GRS) (Underwater Research Group) of the French Navy in Toulon. A little later it became the GERS (Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group), then the COMISMER ("COMmandement des Interventions Sous la MER", = "Undersea Interventions Command"), and finally more recently the CEPHISMER. In 1947, Chief Petty Officer Maurice Fargues became the first diver to die using an aqualung, while attempting a new depth record with the GERS near Toulon.  In 1948, between missions of mine clearance, underwater exploration and technological and physiological tests, Cousteau undertook a first campaign in the Mediterranean on board the sloop Elie Monnier, with Philippe Tailliez, Frederic Dumas, Jean Alinat and the scenario writer Marcel Ichac. The small team also undertook the exploration of the Roman wreck of Mahdia (Tunisia). It was the first underwater archaeology operation using autonomous diving, opening the way for scientific underwater archaeology. Cousteau and Marcel Ichac brought back from there the Carnets diving film (presented and preceded with the Cannes Film Festival 1951).  Cousteau and the Elie Monnier then took part in the rescue of Professor Jacques Piccard's bathyscaphe, the FNRS-2, during the 1949 expedition to Dakar. Thanks to this rescue, the French Navy was able to reuse the sphere of the bathyscaphe to construct the FNRS-3.  The adventures of this period are told in the two books The Silent World (1953, by Cousteau and Dumas) and Plongees sans cable (1954, by Philippe Tailliez). CANNOTANSWER

Question: What is an aqualung?
Answer: CANNOTANSWER
Jacques Cousteau

Context: In 1946, Cousteau and Tailliez showed the film Epaves ("Shipwrecks") to Admiral Lemonnier, who gave them the responsibility of setting up the Groupement de Recherches Sous-marines (GRS) (Underwater Research Group) of the French Navy in Toulon. A little later it became the GERS (Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group), then the COMISMER ("COMmandement des Interventions Sous la MER", = "Undersea Interventions Command"), and finally more recently the CEPHISMER. In 1947, Chief Petty Officer Maurice Fargues became the first diver to die using an aqualung, while attempting a new depth record with the GERS near Toulon.  In 1948, between missions of mine clearance, underwater exploration and technological and physiological tests, Cousteau undertook a first campaign in the Mediterranean on board the sloop Elie Monnier, with Philippe Tailliez, Frederic Dumas, Jean Alinat and the scenario writer Marcel Ichac. The small team also undertook the exploration of the Roman wreck of Mahdia (Tunisia). It was the first underwater archaeology operation using autonomous diving, opening the way for scientific underwater archaeology. Cousteau and Marcel Ichac brought back from there the Carnets diving film (presented and preceded with the Cannes Film Festival 1951).  Cousteau and the Elie Monnier then took part in the rescue of Professor Jacques Piccard's bathyscaphe, the FNRS-2, during the 1949 expedition to Dakar. Thanks to this rescue, the French Navy was able to reuse the sphere of the bathyscaphe to construct the FNRS-3.  The adventures of this period are told in the two books The Silent World (1953, by Cousteau and Dumas) and Plongees sans cable (1954, by Philippe Tailliez). CANNOTANSWER

Question: How did Chief Petty Officer Maurice Fargues die?
Answer: attempting a new depth record with the GERS near Toulon.
Jacques Cousteau

Context: In 1946, Cousteau and Tailliez showed the film Epaves ("Shipwrecks") to Admiral Lemonnier, who gave them the responsibility of setting up the Groupement de Recherches Sous-marines (GRS) (Underwater Research Group) of the French Navy in Toulon. A little later it became the GERS (Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group), then the COMISMER ("COMmandement des Interventions Sous la MER", = "Undersea Interventions Command"), and finally more recently the CEPHISMER. In 1947, Chief Petty Officer Maurice Fargues became the first diver to die using an aqualung, while attempting a new depth record with the GERS near Toulon.  In 1948, between missions of mine clearance, underwater exploration and technological and physiological tests, Cousteau undertook a first campaign in the Mediterranean on board the sloop Elie Monnier, with Philippe Tailliez, Frederic Dumas, Jean Alinat and the scenario writer Marcel Ichac. The small team also undertook the exploration of the Roman wreck of Mahdia (Tunisia). It was the first underwater archaeology operation using autonomous diving, opening the way for scientific underwater archaeology. Cousteau and Marcel Ichac brought back from there the Carnets diving film (presented and preceded with the Cannes Film Festival 1951).  Cousteau and the Elie Monnier then took part in the rescue of Professor Jacques Piccard's bathyscaphe, the FNRS-2, during the 1949 expedition to Dakar. Thanks to this rescue, the French Navy was able to reuse the sphere of the bathyscaphe to construct the FNRS-3.  The adventures of this period are told in the two books The Silent World (1953, by Cousteau and Dumas) and Plongees sans cable (1954, by Philippe Tailliez). CANNOTANSWER

Question: Was there any other incidents using the GERS besides the death of Chief Petty Officer Maurice Fargues?
Answer: Cousteau and the Elie Monnier then took part in the rescue of Professor Jacques Piccard's bathyscaphe, the FNRS-2, during the 1949 expedition to Dakar.
Jacques Cousteau

Context: In 1946, Cousteau and Tailliez showed the film Epaves ("Shipwrecks") to Admiral Lemonnier, who gave them the responsibility of setting up the Groupement de Recherches Sous-marines (GRS) (Underwater Research Group) of the French Navy in Toulon. A little later it became the GERS (Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group), then the COMISMER ("COMmandement des Interventions Sous la MER", = "Undersea Interventions Command"), and finally more recently the CEPHISMER. In 1947, Chief Petty Officer Maurice Fargues became the first diver to die using an aqualung, while attempting a new depth record with the GERS near Toulon.  In 1948, between missions of mine clearance, underwater exploration and technological and physiological tests, Cousteau undertook a first campaign in the Mediterranean on board the sloop Elie Monnier, with Philippe Tailliez, Frederic Dumas, Jean Alinat and the scenario writer Marcel Ichac. The small team also undertook the exploration of the Roman wreck of Mahdia (Tunisia). It was the first underwater archaeology operation using autonomous diving, opening the way for scientific underwater archaeology. Cousteau and Marcel Ichac brought back from there the Carnets diving film (presented and preceded with the Cannes Film Festival 1951).  Cousteau and the Elie Monnier then took part in the rescue of Professor Jacques Piccard's bathyscaphe, the FNRS-2, during the 1949 expedition to Dakar. Thanks to this rescue, the French Navy was able to reuse the sphere of the bathyscaphe to construct the FNRS-3.  The adventures of this period are told in the two books The Silent World (1953, by Cousteau and Dumas) and Plongees sans cable (1954, by Philippe Tailliez). CANNOTANSWER

Question: Who was Elie Monnier?
Answer: Cousteau undertook a first campaign in the Mediterranean on board the sloop Elie Monnier,
Jacques Cousteau

Context: In 1946, Cousteau and Tailliez showed the film Epaves ("Shipwrecks") to Admiral Lemonnier, who gave them the responsibility of setting up the Groupement de Recherches Sous-marines (GRS) (Underwater Research Group) of the French Navy in Toulon. A little later it became the GERS (Groupe d'Etudes et de Recherches Sous-Marines, = Underwater Studies and Research Group), then the COMISMER ("COMmandement des Interventions Sous la MER", = "Undersea Interventions Command"), and finally more recently the CEPHISMER. In 1947, Chief Petty Officer Maurice Fargues became the first diver to die using an aqualung, while attempting a new depth record with the GERS near Toulon.  In 1948, between missions of mine clearance, underwater exploration and technological and physiological tests, Cousteau undertook a first campaign in the Mediterranean on board the sloop Elie Monnier, with Philippe Tailliez, Frederic Dumas, Jean Alinat and the scenario writer Marcel Ichac. The small team also undertook the exploration of the Roman wreck of Mahdia (Tunisia). It was the first underwater archaeology operation using autonomous diving, opening the way for scientific underwater archaeology. Cousteau and Marcel Ichac brought back from there the Carnets diving film (presented and preceded with the Cannes Film Festival 1951).  Cousteau and the Elie Monnier then took part in the rescue of Professor Jacques Piccard's bathyscaphe, the FNRS-2, during the 1949 expedition to Dakar. Thanks to this rescue, the French Navy was able to reuse the sphere of the bathyscaphe to construct the FNRS-3.  The adventures of this period are told in the two books The Silent World (1953, by Cousteau and Dumas) and Plongees sans cable (1954, by Philippe Tailliez). CANNOTANSWER

Question: How long was the campaign on the Elie Monnier?
Answer: CANNOTANSWER
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: What was Harry Houdini's Mirror challenge?
Answer: challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart,
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: Who challenged Houdini to escape special handcuffs?
Answer: London Daily Mirror newspaper
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: Who was Nathaniel Hart to Harry Houdini?
Answer: a locksmith from Birmingham,
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: What was special about the handcuffs that Nathaniel Hart made?
Answer: five years to make.
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: When did Harry Houdini complete the mirror challenge?
Answer: March 17
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: Where did Harry Houdini do the mirror challenge?
Answer: London's Hippodrome theater.
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: How much money did Harry Houdini earn for his performance in doing the mirror challenge?
Answer: CANNOTANSWER
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: What recognition did Harry Houdini get for performing the mirror challenge?
Answer: After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: How was Harry Houdini bested during the mirror challenge?
Answer: found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini
Harry Houdini

Context: In 1904, the London Daily Mirror newspaper challenged Houdini to escape from special handcuffs that it claimed had taken Nathaniel Hart, a locksmith from Birmingham, five years to make. Houdini accepted the challenge for March 17 during a matinee performance at London's Hippodrome theater. It was reported that 4000 people and more than 100 journalists turned out for the much-hyped event. The escape attempt dragged on for over an hour, during which Houdini emerged from his "ghost house" (a small screen used to conceal the method of his escape) several times. On one occasion he asked if the cuffs could be removed so he could take off his coat. The Mirror representative, Frank Parker, refused, saying Houdini could gain an advantage if he saw how the cuffs were unlocked. Houdini promptly took out a pen-knife and, holding the knife in his teeth, used it to cut his coat from his body. Some 56 minutes later, Houdini's wife appeared on stage and gave him a kiss. Many thought that in her mouth was the key to unlock the special handcuffs. However, it has since been suggested that Bess did not in fact enter the stage at all, and that this theory is unlikely due to the size of the 6-inch key Houdini then went back behind the curtain. After an hour and ten minutes, Houdini emerged free. As he was paraded on the shoulders of the cheering crowd, he broke down and wept. Houdini later said it was the most difficult escape of his career.  After Houdini's death, his friend Martin Beck was quoted in Will Goldston's book, Sensational Tales of Mystery Men, as admitting that Houdini was bested that day and had appealed to his wife, Bess, for help. Goldston goes on to claim that Bess begged the key from the Mirror representative, then slipped it to Houdini in a glass of water. It was stated in the book The Secret Life of Houdini that the key required to open the specially designed Mirror handcuffs was 6 inches long, and could not have been smuggled to Houdini in a glass of water. Goldston offered no proof of his account, and many modern biographers have found evidence (notably in the custom design of the handcuffs) that the Mirror challenge may have been arranged by Houdini and that his long struggle to escape was pure showmanship.  This escape was discussed in depth on the Travel Channel's Mysteries at the Museum in an interview with Houdini expert, magician and escape artist Dorothy Dietrich of Scranton's Houdini Museum.  A full-sized design of the same Mirror Handcuffs, as well as a replica of the Bramah style key for it, is on display to the public at The Houdini Museum in Scranton, Pennsylvania. This set of cuffs is believed to be one of only six in the world, some of which are not on display. CANNOTANSWER

Question: What evidence did investigators find about how Harry Houdini did the mirror challenge?
Answer: notably in the custom design of the handcuffs