gaussalgo/Canard_Wiki-augmented huggingface dataset:
Marc Chagall

Context: In Russia at that time, Jewish children were not allowed to attend regular Russian schools or universities. Their movement within the city was also restricted. Chagall therefore received his primary education at the local Jewish religious school, where he studied Hebrew and the Bible. At the age of 13, his mother tried to enroll him in a Russian high school, and he recalled, "But in that school, they don't take Jews. Without a moment's hesitation, my courageous mother walks up to a professor." She offered the headmaster 50 roubles to let him attend, which he accepted.  A turning point of his artistic life came when he first noticed a fellow student drawing. Baal-Teshuva writes that for the young Chagall, watching someone draw "was like a vision, a revelation in black and white". Chagall would later say that there was no art of any kind in his family's home and the concept was totally alien to him. When Chagall asked the schoolmate how he learned to draw, his friend replied, "Go and find a book in the library, idiot, choose any picture you like, and just copy it". He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist.  He eventually confided to his mother, "I want to be a painter", although she could not yet understand his sudden interest in art or why he would choose a vocation that "seemed so impractical", writes Goodman. The young Chagall explained, "There's a place in town; if I'm admitted and if I complete the course, I'll come out a regular artist. I'd be so happy!" It was 1906, and he had noticed the studio of Yehuda (Yuri) Pen, a realist artist who also operated a small drawing school in Vitebsk, which included the future artists El Lissitzky and Ossip Zadkine. Due to Chagall's youth and lack of income, Pen offered to teach him free of charge. However, after a few months at the school, Chagall realized that academic portrait painting did not suit his desires. CANNOTANSWER

Question: How did not allowing Jews enroll in Russian schools lead to the wrong?
Answer: She offered the headmaster 50 roubles to let him attend, which he accepted.
Marc Chagall

Context: In Russia at that time, Jewish children were not allowed to attend regular Russian schools or universities. Their movement within the city was also restricted. Chagall therefore received his primary education at the local Jewish religious school, where he studied Hebrew and the Bible. At the age of 13, his mother tried to enroll him in a Russian high school, and he recalled, "But in that school, they don't take Jews. Without a moment's hesitation, my courageous mother walks up to a professor." She offered the headmaster 50 roubles to let him attend, which he accepted.  A turning point of his artistic life came when he first noticed a fellow student drawing. Baal-Teshuva writes that for the young Chagall, watching someone draw "was like a vision, a revelation in black and white". Chagall would later say that there was no art of any kind in his family's home and the concept was totally alien to him. When Chagall asked the schoolmate how he learned to draw, his friend replied, "Go and find a book in the library, idiot, choose any picture you like, and just copy it". He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist.  He eventually confided to his mother, "I want to be a painter", although she could not yet understand his sudden interest in art or why he would choose a vocation that "seemed so impractical", writes Goodman. The young Chagall explained, "There's a place in town; if I'm admitted and if I complete the course, I'll come out a regular artist. I'd be so happy!" It was 1906, and he had noticed the studio of Yehuda (Yuri) Pen, a realist artist who also operated a small drawing school in Vitebsk, which included the future artists El Lissitzky and Ossip Zadkine. Due to Chagall's youth and lack of income, Pen offered to teach him free of charge. However, after a few months at the school, Chagall realized that academic portrait painting did not suit his desires. CANNOTANSWER

Question: What did Chagall's mother offering headmaster 50 roubles make Chagall do?
Answer: She offered the headmaster 50 roubles to let him attend, which he accepted.
Marc Chagall

Context: In Russia at that time, Jewish children were not allowed to attend regular Russian schools or universities. Their movement within the city was also restricted. Chagall therefore received his primary education at the local Jewish religious school, where he studied Hebrew and the Bible. At the age of 13, his mother tried to enroll him in a Russian high school, and he recalled, "But in that school, they don't take Jews. Without a moment's hesitation, my courageous mother walks up to a professor." She offered the headmaster 50 roubles to let him attend, which he accepted.  A turning point of his artistic life came when he first noticed a fellow student drawing. Baal-Teshuva writes that for the young Chagall, watching someone draw "was like a vision, a revelation in black and white". Chagall would later say that there was no art of any kind in his family's home and the concept was totally alien to him. When Chagall asked the schoolmate how he learned to draw, his friend replied, "Go and find a book in the library, idiot, choose any picture you like, and just copy it". He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist.  He eventually confided to his mother, "I want to be a painter", although she could not yet understand his sudden interest in art or why he would choose a vocation that "seemed so impractical", writes Goodman. The young Chagall explained, "There's a place in town; if I'm admitted and if I complete the course, I'll come out a regular artist. I'd be so happy!" It was 1906, and he had noticed the studio of Yehuda (Yuri) Pen, a realist artist who also operated a small drawing school in Vitebsk, which included the future artists El Lissitzky and Ossip Zadkine. Due to Chagall's youth and lack of income, Pen offered to teach him free of charge. However, after a few months at the school, Chagall realized that academic portrait painting did not suit his desires. CANNOTANSWER

Question: What did offering headmaster money lead Chagall to believe?
Answer: He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist.
Marc Chagall

Context: In Russia at that time, Jewish children were not allowed to attend regular Russian schools or universities. Their movement within the city was also restricted. Chagall therefore received his primary education at the local Jewish religious school, where he studied Hebrew and the Bible. At the age of 13, his mother tried to enroll him in a Russian high school, and he recalled, "But in that school, they don't take Jews. Without a moment's hesitation, my courageous mother walks up to a professor." She offered the headmaster 50 roubles to let him attend, which he accepted.  A turning point of his artistic life came when he first noticed a fellow student drawing. Baal-Teshuva writes that for the young Chagall, watching someone draw "was like a vision, a revelation in black and white". Chagall would later say that there was no art of any kind in his family's home and the concept was totally alien to him. When Chagall asked the schoolmate how he learned to draw, his friend replied, "Go and find a book in the library, idiot, choose any picture you like, and just copy it". He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist.  He eventually confided to his mother, "I want to be a painter", although she could not yet understand his sudden interest in art or why he would choose a vocation that "seemed so impractical", writes Goodman. The young Chagall explained, "There's a place in town; if I'm admitted and if I complete the course, I'll come out a regular artist. I'd be so happy!" It was 1906, and he had noticed the studio of Yehuda (Yuri) Pen, a realist artist who also operated a small drawing school in Vitebsk, which included the future artists El Lissitzky and Ossip Zadkine. Due to Chagall's youth and lack of income, Pen offered to teach him free of charge. However, after a few months at the school, Chagall realized that academic portrait painting did not suit his desires. CANNOTANSWER

Question: What did copying images from books lead to Chagall's dream?
Answer: He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist.
Marc Chagall

Context: In Russia at that time, Jewish children were not allowed to attend regular Russian schools or universities. Their movement within the city was also restricted. Chagall therefore received his primary education at the local Jewish religious school, where he studied Hebrew and the Bible. At the age of 13, his mother tried to enroll him in a Russian high school, and he recalled, "But in that school, they don't take Jews. Without a moment's hesitation, my courageous mother walks up to a professor." She offered the headmaster 50 roubles to let him attend, which he accepted.  A turning point of his artistic life came when he first noticed a fellow student drawing. Baal-Teshuva writes that for the young Chagall, watching someone draw "was like a vision, a revelation in black and white". Chagall would later say that there was no art of any kind in his family's home and the concept was totally alien to him. When Chagall asked the schoolmate how he learned to draw, his friend replied, "Go and find a book in the library, idiot, choose any picture you like, and just copy it". He soon began copying images from books and found the experience so rewarding he then decided he wanted to become an artist.  He eventually confided to his mother, "I want to be a painter", although she could not yet understand his sudden interest in art or why he would choose a vocation that "seemed so impractical", writes Goodman. The young Chagall explained, "There's a place in town; if I'm admitted and if I complete the course, I'll come out a regular artist. I'd be so happy!" It was 1906, and he had noticed the studio of Yehuda (Yuri) Pen, a realist artist who also operated a small drawing school in Vitebsk, which included the future artists El Lissitzky and Ossip Zadkine. Due to Chagall's youth and lack of income, Pen offered to teach him free of charge. However, after a few months at the school, Chagall realized that academic portrait painting did not suit his desires. CANNOTANSWER

Question: What did deciding to become an artist reach Chagall to do?
Answer: He eventually confided to his mother, "I want to be a painter",
Adam Gilchrist

Context: Outside cricket, Gilchrist is an ambassador for the charity World Vision in India, a country in which he is popular due to his cricketing achievements, and sponsors a boy whose father has died. He was approached in early 2005 by the US baseball franchise, the Boston Red Sox, with a view to him playing for them when his cricket career ended. However, he was selected for the 2007 Cricket World Cup and announced his retirement from Test and One-Day cricket in early 2008.  In March 2008, Gilchrist joined the Nine Network. Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition. He made his debut on the program in March 2008, and commentates on Nine's cricket coverage during the Australian summer. In 2013 Gilchrist joined Ricky Ponting and various other names in cricket to commentate for Channel Ten in the third series of the Big Bash League.  As Amway Australia Ambassador, Gilchrist has played a role in many of their charity events. In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.  Gilchrist has been the chair of the National Australia Day Council since 2008. In 2008, Gilchrist supported debate on whether Australia Day should be moved to a new date because the current date marks European settlement and is offensive to many Aboriginal Australians. Gilchrist is considered to have left-wing views; Australian captain Ricky Ponting commented in his annual Captain's Diary that his deputy had a penchant for reading Karl Marx while on tour.  Gilchrist has had a number of company directorships outside of cricket. His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex. The appointment to TFS Corporation was not without controversy when as a board member of TFS he was named as a plaintiff suing his own TFS shareholders for defamation CANNOTANSWER

Question: Did Adam Gilchrist donate to a lot of charities?
Answer: In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.
Adam Gilchrist

Context: Outside cricket, Gilchrist is an ambassador for the charity World Vision in India, a country in which he is popular due to his cricketing achievements, and sponsors a boy whose father has died. He was approached in early 2005 by the US baseball franchise, the Boston Red Sox, with a view to him playing for them when his cricket career ended. However, he was selected for the 2007 Cricket World Cup and announced his retirement from Test and One-Day cricket in early 2008.  In March 2008, Gilchrist joined the Nine Network. Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition. He made his debut on the program in March 2008, and commentates on Nine's cricket coverage during the Australian summer. In 2013 Gilchrist joined Ricky Ponting and various other names in cricket to commentate for Channel Ten in the third series of the Big Bash League.  As Amway Australia Ambassador, Gilchrist has played a role in many of their charity events. In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.  Gilchrist has been the chair of the National Australia Day Council since 2008. In 2008, Gilchrist supported debate on whether Australia Day should be moved to a new date because the current date marks European settlement and is offensive to many Aboriginal Australians. Gilchrist is considered to have left-wing views; Australian captain Ricky Ponting commented in his annual Captain's Diary that his deputy had a penchant for reading Karl Marx while on tour.  Gilchrist has had a number of company directorships outside of cricket. His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex. The appointment to TFS Corporation was not without controversy when as a board member of TFS he was named as a plaintiff suing his own TFS shareholders for defamation CANNOTANSWER

Question: What type of political work did Adam Gilchrist do?
Answer: Gilchrist has been the chair of the National Australia Day Council since 2008.
Adam Gilchrist

Context: Outside cricket, Gilchrist is an ambassador for the charity World Vision in India, a country in which he is popular due to his cricketing achievements, and sponsors a boy whose father has died. He was approached in early 2005 by the US baseball franchise, the Boston Red Sox, with a view to him playing for them when his cricket career ended. However, he was selected for the 2007 Cricket World Cup and announced his retirement from Test and One-Day cricket in early 2008.  In March 2008, Gilchrist joined the Nine Network. Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition. He made his debut on the program in March 2008, and commentates on Nine's cricket coverage during the Australian summer. In 2013 Gilchrist joined Ricky Ponting and various other names in cricket to commentate for Channel Ten in the third series of the Big Bash League.  As Amway Australia Ambassador, Gilchrist has played a role in many of their charity events. In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.  Gilchrist has been the chair of the National Australia Day Council since 2008. In 2008, Gilchrist supported debate on whether Australia Day should be moved to a new date because the current date marks European settlement and is offensive to many Aboriginal Australians. Gilchrist is considered to have left-wing views; Australian captain Ricky Ponting commented in his annual Captain's Diary that his deputy had a penchant for reading Karl Marx while on tour.  Gilchrist has had a number of company directorships outside of cricket. His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex. The appointment to TFS Corporation was not without controversy when as a board member of TFS he was named as a plaintiff suing his own TFS shareholders for defamation CANNOTANSWER

Question: Does Adam Gilchrist have a business degree?
Answer: CANNOTANSWER
Adam Gilchrist

Context: Outside cricket, Gilchrist is an ambassador for the charity World Vision in India, a country in which he is popular due to his cricketing achievements, and sponsors a boy whose father has died. He was approached in early 2005 by the US baseball franchise, the Boston Red Sox, with a view to him playing for them when his cricket career ended. However, he was selected for the 2007 Cricket World Cup and announced his retirement from Test and One-Day cricket in early 2008.  In March 2008, Gilchrist joined the Nine Network. Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition. He made his debut on the program in March 2008, and commentates on Nine's cricket coverage during the Australian summer. In 2013 Gilchrist joined Ricky Ponting and various other names in cricket to commentate for Channel Ten in the third series of the Big Bash League.  As Amway Australia Ambassador, Gilchrist has played a role in many of their charity events. In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.  Gilchrist has been the chair of the National Australia Day Council since 2008. In 2008, Gilchrist supported debate on whether Australia Day should be moved to a new date because the current date marks European settlement and is offensive to many Aboriginal Australians. Gilchrist is considered to have left-wing views; Australian captain Ricky Ponting commented in his annual Captain's Diary that his deputy had a penchant for reading Karl Marx while on tour.  Gilchrist has had a number of company directorships outside of cricket. His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex. The appointment to TFS Corporation was not without controversy when as a board member of TFS he was named as a plaintiff suing his own TFS shareholders for defamation CANNOTANSWER

Question: What type of media has Adam Gilchrist been in?
Answer: In March 2008, Gilchrist joined the Nine Network.
Adam Gilchrist

Context: Outside cricket, Gilchrist is an ambassador for the charity World Vision in India, a country in which he is popular due to his cricketing achievements, and sponsors a boy whose father has died. He was approached in early 2005 by the US baseball franchise, the Boston Red Sox, with a view to him playing for them when his cricket career ended. However, he was selected for the 2007 Cricket World Cup and announced his retirement from Test and One-Day cricket in early 2008.  In March 2008, Gilchrist joined the Nine Network. Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition. He made his debut on the program in March 2008, and commentates on Nine's cricket coverage during the Australian summer. In 2013 Gilchrist joined Ricky Ponting and various other names in cricket to commentate for Channel Ten in the third series of the Big Bash League.  As Amway Australia Ambassador, Gilchrist has played a role in many of their charity events. In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.  Gilchrist has been the chair of the National Australia Day Council since 2008. In 2008, Gilchrist supported debate on whether Australia Day should be moved to a new date because the current date marks European settlement and is offensive to many Aboriginal Australians. Gilchrist is considered to have left-wing views; Australian captain Ricky Ponting commented in his annual Captain's Diary that his deputy had a penchant for reading Karl Marx while on tour.  Gilchrist has had a number of company directorships outside of cricket. His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex. The appointment to TFS Corporation was not without controversy when as a board member of TFS he was named as a plaintiff suing his own TFS shareholders for defamation CANNOTANSWER

Question: What is the Nine network?
Answer: Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition.
Adam Gilchrist

Context: Outside cricket, Gilchrist is an ambassador for the charity World Vision in India, a country in which he is popular due to his cricketing achievements, and sponsors a boy whose father has died. He was approached in early 2005 by the US baseball franchise, the Boston Red Sox, with a view to him playing for them when his cricket career ended. However, he was selected for the 2007 Cricket World Cup and announced his retirement from Test and One-Day cricket in early 2008.  In March 2008, Gilchrist joined the Nine Network. Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition. He made his debut on the program in March 2008, and commentates on Nine's cricket coverage during the Australian summer. In 2013 Gilchrist joined Ricky Ponting and various other names in cricket to commentate for Channel Ten in the third series of the Big Bash League.  As Amway Australia Ambassador, Gilchrist has played a role in many of their charity events. In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.  Gilchrist has been the chair of the National Australia Day Council since 2008. In 2008, Gilchrist supported debate on whether Australia Day should be moved to a new date because the current date marks European settlement and is offensive to many Aboriginal Australians. Gilchrist is considered to have left-wing views; Australian captain Ricky Ponting commented in his annual Captain's Diary that his deputy had a penchant for reading Karl Marx while on tour.  Gilchrist has had a number of company directorships outside of cricket. His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex. The appointment to TFS Corporation was not without controversy when as a board member of TFS he was named as a plaintiff suing his own TFS shareholders for defamation CANNOTANSWER

Question: Is Adam Gilchrist still a part of the Nine Network?
Answer: CANNOTANSWER
Adam Gilchrist

Context: Outside cricket, Gilchrist is an ambassador for the charity World Vision in India, a country in which he is popular due to his cricketing achievements, and sponsors a boy whose father has died. He was approached in early 2005 by the US baseball franchise, the Boston Red Sox, with a view to him playing for them when his cricket career ended. However, he was selected for the 2007 Cricket World Cup and announced his retirement from Test and One-Day cricket in early 2008.  In March 2008, Gilchrist joined the Nine Network. Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition. He made his debut on the program in March 2008, and commentates on Nine's cricket coverage during the Australian summer. In 2013 Gilchrist joined Ricky Ponting and various other names in cricket to commentate for Channel Ten in the third series of the Big Bash League.  As Amway Australia Ambassador, Gilchrist has played a role in many of their charity events. In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.  Gilchrist has been the chair of the National Australia Day Council since 2008. In 2008, Gilchrist supported debate on whether Australia Day should be moved to a new date because the current date marks European settlement and is offensive to many Aboriginal Australians. Gilchrist is considered to have left-wing views; Australian captain Ricky Ponting commented in his annual Captain's Diary that his deputy had a penchant for reading Karl Marx while on tour.  Gilchrist has had a number of company directorships outside of cricket. His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex. The appointment to TFS Corporation was not without controversy when as a board member of TFS he was named as a plaintiff suing his own TFS shareholders for defamation CANNOTANSWER

Question: What has Adam Gilchrist done in business?
Answer: Gilchrist has had a number of company directorships outside of cricket.
Adam Gilchrist

Context: Outside cricket, Gilchrist is an ambassador for the charity World Vision in India, a country in which he is popular due to his cricketing achievements, and sponsors a boy whose father has died. He was approached in early 2005 by the US baseball franchise, the Boston Red Sox, with a view to him playing for them when his cricket career ended. However, he was selected for the 2007 Cricket World Cup and announced his retirement from Test and One-Day cricket in early 2008.  In March 2008, Gilchrist joined the Nine Network. Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition. He made his debut on the program in March 2008, and commentates on Nine's cricket coverage during the Australian summer. In 2013 Gilchrist joined Ricky Ponting and various other names in cricket to commentate for Channel Ten in the third series of the Big Bash League.  As Amway Australia Ambassador, Gilchrist has played a role in many of their charity events. In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.  Gilchrist has been the chair of the National Australia Day Council since 2008. In 2008, Gilchrist supported debate on whether Australia Day should be moved to a new date because the current date marks European settlement and is offensive to many Aboriginal Australians. Gilchrist is considered to have left-wing views; Australian captain Ricky Ponting commented in his annual Captain's Diary that his deputy had a penchant for reading Karl Marx while on tour.  Gilchrist has had a number of company directorships outside of cricket. His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex. The appointment to TFS Corporation was not without controversy when as a board member of TFS he was named as a plaintiff suing his own TFS shareholders for defamation CANNOTANSWER

Question: What company directorships has Adam Gilchrist had?
Answer: His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex.
Adam Gilchrist

Context: Outside cricket, Gilchrist is an ambassador for the charity World Vision in India, a country in which he is popular due to his cricketing achievements, and sponsors a boy whose father has died. He was approached in early 2005 by the US baseball franchise, the Boston Red Sox, with a view to him playing for them when his cricket career ended. However, he was selected for the 2007 Cricket World Cup and announced his retirement from Test and One-Day cricket in early 2008.  In March 2008, Gilchrist joined the Nine Network. Gilchrist has appeared as one of a panel of revolving co-hosts for the revived Wide World of Sports Weekend Edition. He made his debut on the program in March 2008, and commentates on Nine's cricket coverage during the Australian summer. In 2013 Gilchrist joined Ricky Ponting and various other names in cricket to commentate for Channel Ten in the third series of the Big Bash League.  As Amway Australia Ambassador, Gilchrist has played a role in many of their charity events. In August 2010, he presented the Freedom Wheels program, an initiative to provide modified bikes to kids with disabilities, a cheque for $20,000.  Gilchrist has been the chair of the National Australia Day Council since 2008. In 2008, Gilchrist supported debate on whether Australia Day should be moved to a new date because the current date marks European settlement and is offensive to many Aboriginal Australians. Gilchrist is considered to have left-wing views; Australian captain Ricky Ponting commented in his annual Captain's Diary that his deputy had a penchant for reading Karl Marx while on tour.  Gilchrist has had a number of company directorships outside of cricket. His appointment to the board of ASX listed sandalwood company TFS Corporation, committee member of Commonwealth Business Forum in Perth  and director of Travelex. The appointment to TFS Corporation was not without controversy when as a board member of TFS he was named as a plaintiff suing his own TFS shareholders for defamation CANNOTANSWER

Question: Has Adam Gilchrist donated to any charities other than Freedom Wheels?
Answer: CANNOTANSWER
Olivier Messiaen

Context: Messiaen's next work was the large-scale La Transfiguration de Notre Seigneur Jesus-Christ. The composition occupied him from 1965 to 1969 and the musicians employed include a 100-voice ten-part choir, seven solo instruments and large orchestra. Its fourteen movements are a meditation on the story of Christ's Transfiguration. Shortly after its completion, Messiaen received a commission from Alice Tully for a work to celebrate the U.S. bicentennial. He arranged a visit to the US in spring 1972, and was inspired by Bryce Canyon in Utah, where he observed the canyon's distinctive colours and birdsong. The twelve-movement orchestral piece Des canyons aux etoiles... was the result, first performed in 1974 in New York.  In 1971, he was asked to compose a piece for the Paris Opera. While reluctant to undertake such a major project, he was persuaded in 1975 to accept the commission and began work on his Saint-Francois d'Assise. The composition was intensive (he also wrote his own libretto) and occupied him from 1975 to 1979; the orchestration was carried out from 1979 until 1983. Messiaen preferred to describe the final work as a "spectacle" rather than an opera. It was first performed in 1983. Some commentators at the time thought that the opera would be his valediction (at times Messiaen himself believed so), but he continued to compose. In 1984 he published a major collection of organ pieces, Livre du Saint Sacrement; other works include birdsong pieces for solo piano, and works for piano with orchestra.  In the summer of 1978, Messiaen retired from teaching at the Conservatoire. He was promoted to the highest rank of the Legion d'honneur, the Grand-Croix, in 1987. An operation prevented his participation in the celebration of his 70th birthday in 1978, but in 1988 tributes for Messiaen's 80th included a complete performance in London's Royal Festival Hall of St. Francois, which the composer attended, and Erato's publication of a seventeen-CD collection of Messiaen's music including a disc of the composer in conversation with Claude Samuel.  Although in considerable pain near the end of his life (requiring repeated surgery on his back) he was able to fulfil a commission from the New York Philharmonic Orchestra, Eclairs sur l'au-dela..., which was premiered six months after his death. He died in Paris on April 27, 1992.  On going through his papers, Loriod discovered that, in the last months of his life, he had been composing a concerto for four musicians he felt particularly grateful to, namely herself, the cellist Mstislav Rostropovich, the oboist Heinz Holliger and the flautist Catherine Cantin (hence the title Concert a quatre). Four of the five intended movements were substantially complete; Yvonne Loriod undertook the orchestration of the second half of the first movement and of the whole of the fourth with advice from George Benjamin. It was premiered by the dedicatees in September 1994. CANNOTANSWER

Question: what does st. francis have to do with olivier messiaen?
Answer: In 1971, he was asked to compose a piece for the Paris Opera.
Olivier Messiaen

Context: Messiaen's next work was the large-scale La Transfiguration de Notre Seigneur Jesus-Christ. The composition occupied him from 1965 to 1969 and the musicians employed include a 100-voice ten-part choir, seven solo instruments and large orchestra. Its fourteen movements are a meditation on the story of Christ's Transfiguration. Shortly after its completion, Messiaen received a commission from Alice Tully for a work to celebrate the U.S. bicentennial. He arranged a visit to the US in spring 1972, and was inspired by Bryce Canyon in Utah, where he observed the canyon's distinctive colours and birdsong. The twelve-movement orchestral piece Des canyons aux etoiles... was the result, first performed in 1974 in New York.  In 1971, he was asked to compose a piece for the Paris Opera. While reluctant to undertake such a major project, he was persuaded in 1975 to accept the commission and began work on his Saint-Francois d'Assise. The composition was intensive (he also wrote his own libretto) and occupied him from 1975 to 1979; the orchestration was carried out from 1979 until 1983. Messiaen preferred to describe the final work as a "spectacle" rather than an opera. It was first performed in 1983. Some commentators at the time thought that the opera would be his valediction (at times Messiaen himself believed so), but he continued to compose. In 1984 he published a major collection of organ pieces, Livre du Saint Sacrement; other works include birdsong pieces for solo piano, and works for piano with orchestra.  In the summer of 1978, Messiaen retired from teaching at the Conservatoire. He was promoted to the highest rank of the Legion d'honneur, the Grand-Croix, in 1987. An operation prevented his participation in the celebration of his 70th birthday in 1978, but in 1988 tributes for Messiaen's 80th included a complete performance in London's Royal Festival Hall of St. Francois, which the composer attended, and Erato's publication of a seventeen-CD collection of Messiaen's music including a disc of the composer in conversation with Claude Samuel.  Although in considerable pain near the end of his life (requiring repeated surgery on his back) he was able to fulfil a commission from the New York Philharmonic Orchestra, Eclairs sur l'au-dela..., which was premiered six months after his death. He died in Paris on April 27, 1992.  On going through his papers, Loriod discovered that, in the last months of his life, he had been composing a concerto for four musicians he felt particularly grateful to, namely herself, the cellist Mstislav Rostropovich, the oboist Heinz Holliger and the flautist Catherine Cantin (hence the title Concert a quatre). Four of the five intended movements were substantially complete; Yvonne Loriod undertook the orchestration of the second half of the first movement and of the whole of the fourth with advice from George Benjamin. It was premiered by the dedicatees in September 1994. CANNOTANSWER

Question: What was the piece Olivier Messiaen composed?
Answer: While reluctant to undertake such a major project, he was persuaded in 1975 to accept the commission and began work on his Saint-Francois d'Assise.
Olivier Messiaen

Context: Messiaen's next work was the large-scale La Transfiguration de Notre Seigneur Jesus-Christ. The composition occupied him from 1965 to 1969 and the musicians employed include a 100-voice ten-part choir, seven solo instruments and large orchestra. Its fourteen movements are a meditation on the story of Christ's Transfiguration. Shortly after its completion, Messiaen received a commission from Alice Tully for a work to celebrate the U.S. bicentennial. He arranged a visit to the US in spring 1972, and was inspired by Bryce Canyon in Utah, where he observed the canyon's distinctive colours and birdsong. The twelve-movement orchestral piece Des canyons aux etoiles... was the result, first performed in 1974 in New York.  In 1971, he was asked to compose a piece for the Paris Opera. While reluctant to undertake such a major project, he was persuaded in 1975 to accept the commission and began work on his Saint-Francois d'Assise. The composition was intensive (he also wrote his own libretto) and occupied him from 1975 to 1979; the orchestration was carried out from 1979 until 1983. Messiaen preferred to describe the final work as a "spectacle" rather than an opera. It was first performed in 1983. Some commentators at the time thought that the opera would be his valediction (at times Messiaen himself believed so), but he continued to compose. In 1984 he published a major collection of organ pieces, Livre du Saint Sacrement; other works include birdsong pieces for solo piano, and works for piano with orchestra.  In the summer of 1978, Messiaen retired from teaching at the Conservatoire. He was promoted to the highest rank of the Legion d'honneur, the Grand-Croix, in 1987. An operation prevented his participation in the celebration of his 70th birthday in 1978, but in 1988 tributes for Messiaen's 80th included a complete performance in London's Royal Festival Hall of St. Francois, which the composer attended, and Erato's publication of a seventeen-CD collection of Messiaen's music including a disc of the composer in conversation with Claude Samuel.  Although in considerable pain near the end of his life (requiring repeated surgery on his back) he was able to fulfil a commission from the New York Philharmonic Orchestra, Eclairs sur l'au-dela..., which was premiered six months after his death. He died in Paris on April 27, 1992.  On going through his papers, Loriod discovered that, in the last months of his life, he had been composing a concerto for four musicians he felt particularly grateful to, namely herself, the cellist Mstislav Rostropovich, the oboist Heinz Holliger and the flautist Catherine Cantin (hence the title Concert a quatre). Four of the five intended movements were substantially complete; Yvonne Loriod undertook the orchestration of the second half of the first movement and of the whole of the fourth with advice from George Benjamin. It was premiered by the dedicatees in September 1994. CANNOTANSWER

Question: what are the canyons?
Answer: work to celebrate the U.S. bicentennial. He arranged a visit to the US in spring 1972, and was inspired by Bryce Canyon in Utah, where he observed the canyon's
Olivier Messiaen

Context: Messiaen's next work was the large-scale La Transfiguration de Notre Seigneur Jesus-Christ. The composition occupied him from 1965 to 1969 and the musicians employed include a 100-voice ten-part choir, seven solo instruments and large orchestra. Its fourteen movements are a meditation on the story of Christ's Transfiguration. Shortly after its completion, Messiaen received a commission from Alice Tully for a work to celebrate the U.S. bicentennial. He arranged a visit to the US in spring 1972, and was inspired by Bryce Canyon in Utah, where he observed the canyon's distinctive colours and birdsong. The twelve-movement orchestral piece Des canyons aux etoiles... was the result, first performed in 1974 in New York.  In 1971, he was asked to compose a piece for the Paris Opera. While reluctant to undertake such a major project, he was persuaded in 1975 to accept the commission and began work on his Saint-Francois d'Assise. The composition was intensive (he also wrote his own libretto) and occupied him from 1975 to 1979; the orchestration was carried out from 1979 until 1983. Messiaen preferred to describe the final work as a "spectacle" rather than an opera. It was first performed in 1983. Some commentators at the time thought that the opera would be his valediction (at times Messiaen himself believed so), but he continued to compose. In 1984 he published a major collection of organ pieces, Livre du Saint Sacrement; other works include birdsong pieces for solo piano, and works for piano with orchestra.  In the summer of 1978, Messiaen retired from teaching at the Conservatoire. He was promoted to the highest rank of the Legion d'honneur, the Grand-Croix, in 1987. An operation prevented his participation in the celebration of his 70th birthday in 1978, but in 1988 tributes for Messiaen's 80th included a complete performance in London's Royal Festival Hall of St. Francois, which the composer attended, and Erato's publication of a seventeen-CD collection of Messiaen's music including a disc of the composer in conversation with Claude Samuel.  Although in considerable pain near the end of his life (requiring repeated surgery on his back) he was able to fulfil a commission from the New York Philharmonic Orchestra, Eclairs sur l'au-dela..., which was premiered six months after his death. He died in Paris on April 27, 1992.  On going through his papers, Loriod discovered that, in the last months of his life, he had been composing a concerto for four musicians he felt particularly grateful to, namely herself, the cellist Mstislav Rostropovich, the oboist Heinz Holliger and the flautist Catherine Cantin (hence the title Concert a quatre). Four of the five intended movements were substantially complete; Yvonne Loriod undertook the orchestration of the second half of the first movement and of the whole of the fourth with advice from George Benjamin. It was premiered by the dedicatees in September 1994. CANNOTANSWER

Question: how did the canyons influence Olivier Messiaen's work?
Answer: he observed the canyon's distinctive colours and birdsong.
Olivier Messiaen

Context: Messiaen's next work was the large-scale La Transfiguration de Notre Seigneur Jesus-Christ. The composition occupied him from 1965 to 1969 and the musicians employed include a 100-voice ten-part choir, seven solo instruments and large orchestra. Its fourteen movements are a meditation on the story of Christ's Transfiguration. Shortly after its completion, Messiaen received a commission from Alice Tully for a work to celebrate the U.S. bicentennial. He arranged a visit to the US in spring 1972, and was inspired by Bryce Canyon in Utah, where he observed the canyon's distinctive colours and birdsong. The twelve-movement orchestral piece Des canyons aux etoiles... was the result, first performed in 1974 in New York.  In 1971, he was asked to compose a piece for the Paris Opera. While reluctant to undertake such a major project, he was persuaded in 1975 to accept the commission and began work on his Saint-Francois d'Assise. The composition was intensive (he also wrote his own libretto) and occupied him from 1975 to 1979; the orchestration was carried out from 1979 until 1983. Messiaen preferred to describe the final work as a "spectacle" rather than an opera. It was first performed in 1983. Some commentators at the time thought that the opera would be his valediction (at times Messiaen himself believed so), but he continued to compose. In 1984 he published a major collection of organ pieces, Livre du Saint Sacrement; other works include birdsong pieces for solo piano, and works for piano with orchestra.  In the summer of 1978, Messiaen retired from teaching at the Conservatoire. He was promoted to the highest rank of the Legion d'honneur, the Grand-Croix, in 1987. An operation prevented his participation in the celebration of his 70th birthday in 1978, but in 1988 tributes for Messiaen's 80th included a complete performance in London's Royal Festival Hall of St. Francois, which the composer attended, and Erato's publication of a seventeen-CD collection of Messiaen's music including a disc of the composer in conversation with Claude Samuel.  Although in considerable pain near the end of his life (requiring repeated surgery on his back) he was able to fulfil a commission from the New York Philharmonic Orchestra, Eclairs sur l'au-dela..., which was premiered six months after his death. He died in Paris on April 27, 1992.  On going through his papers, Loriod discovered that, in the last months of his life, he had been composing a concerto for four musicians he felt particularly grateful to, namely herself, the cellist Mstislav Rostropovich, the oboist Heinz Holliger and the flautist Catherine Cantin (hence the title Concert a quatre). Four of the five intended movements were substantially complete; Yvonne Loriod undertook the orchestration of the second half of the first movement and of the whole of the fourth with advice from George Benjamin. It was premiered by the dedicatees in September 1994. CANNOTANSWER

Question: what does transfiguration have to do with Olivier Messiaen?
Answer: Messiaen's next work was the large-scale La Transfiguration de Notre Seigneur Jesus-Christ.