gaussalgo/Canard_Wiki-augmented huggingface dataset:
Joan Leslie

Context: By 1946, Leslie was growing increasingly dissatisfied with the roles offered to her by the studio. She sought more serious and mature roles and wanted to break out of her ingenue image which was partly due to her young age. Her decision was also based on moral and religious grounds. With the help of her lawyer Oscar Cummings, she took Warner Brothers to court in order to get released from her contract.  In 1947, the Catholic Theatre Guild gave Leslie an award because of her "consistent refusal to use her talents and art in film productions of objectionable character."  As a result of this, Jack Warner used his influence to blacklist her from other major Hollywood studios. In 1947, she signed a two-picture contract with the poverty row studio Eagle-Lion Films. The first one was Repeat Performance (1947), a film noir in which she played a Broadway actress. The other was Northwest Stampede (1948) in which she performed with James Craig.  After her contract with Eagle-Lion Films expired, she was cast in The Skipper Surprised His Wife (1950), appearing with Robert Walker. The film was distributed by MGM, the studio in which she began her film career in 1936.  In the early 1950s, Leslie chose to focus on raising her daughters, which resulted in a more irregular film career. In 1952, she signed a short-term deal with Republic Pictures, the low-budget studio which primarily produced western pictures. One of the films she made for Republic was Flight Nurse (1953). Leslie's character, Polly Davis, was based on the successful flight nurse Lillian Kinkella Keil's career in the Air Force. It was described by the newspaper Kingsport Times-News as a thrilling film that "honors the courageous women who performed miracles of mercy above the clouds in evacuation of wounded GIs from Korean battlefields." Her last film was The Revolt of Mamie Stover (1956). However, she continued making sporadic appearances in television shows while her children were at school. She retired from acting in 1991, after appearing in the TV film Fire in the Dark. CANNOTANSWER

Question: Did Joan Leslie work with a certain studio or many?
Answer: In 1947, she signed a two-picture contract with the poverty row studio Eagle-Lion Films.
Joan Leslie

Context: By 1946, Leslie was growing increasingly dissatisfied with the roles offered to her by the studio. She sought more serious and mature roles and wanted to break out of her ingenue image which was partly due to her young age. Her decision was also based on moral and religious grounds. With the help of her lawyer Oscar Cummings, she took Warner Brothers to court in order to get released from her contract.  In 1947, the Catholic Theatre Guild gave Leslie an award because of her "consistent refusal to use her talents and art in film productions of objectionable character."  As a result of this, Jack Warner used his influence to blacklist her from other major Hollywood studios. In 1947, she signed a two-picture contract with the poverty row studio Eagle-Lion Films. The first one was Repeat Performance (1947), a film noir in which she played a Broadway actress. The other was Northwest Stampede (1948) in which she performed with James Craig.  After her contract with Eagle-Lion Films expired, she was cast in The Skipper Surprised His Wife (1950), appearing with Robert Walker. The film was distributed by MGM, the studio in which she began her film career in 1936.  In the early 1950s, Leslie chose to focus on raising her daughters, which resulted in a more irregular film career. In 1952, she signed a short-term deal with Republic Pictures, the low-budget studio which primarily produced western pictures. One of the films she made for Republic was Flight Nurse (1953). Leslie's character, Polly Davis, was based on the successful flight nurse Lillian Kinkella Keil's career in the Air Force. It was described by the newspaper Kingsport Times-News as a thrilling film that "honors the courageous women who performed miracles of mercy above the clouds in evacuation of wounded GIs from Korean battlefields." Her last film was The Revolt of Mamie Stover (1956). However, she continued making sporadic appearances in television shows while her children were at school. She retired from acting in 1991, after appearing in the TV film Fire in the Dark. CANNOTANSWER

Question: What is an interesting fact regarding Joan Leslie later career?
Answer: With the help of her lawyer Oscar Cummings, she took Warner Brothers to court in order to get released from her contract.
Joan Leslie

Context: By 1946, Leslie was growing increasingly dissatisfied with the roles offered to her by the studio. She sought more serious and mature roles and wanted to break out of her ingenue image which was partly due to her young age. Her decision was also based on moral and religious grounds. With the help of her lawyer Oscar Cummings, she took Warner Brothers to court in order to get released from her contract.  In 1947, the Catholic Theatre Guild gave Leslie an award because of her "consistent refusal to use her talents and art in film productions of objectionable character."  As a result of this, Jack Warner used his influence to blacklist her from other major Hollywood studios. In 1947, she signed a two-picture contract with the poverty row studio Eagle-Lion Films. The first one was Repeat Performance (1947), a film noir in which she played a Broadway actress. The other was Northwest Stampede (1948) in which she performed with James Craig.  After her contract with Eagle-Lion Films expired, she was cast in The Skipper Surprised His Wife (1950), appearing with Robert Walker. The film was distributed by MGM, the studio in which she began her film career in 1936.  In the early 1950s, Leslie chose to focus on raising her daughters, which resulted in a more irregular film career. In 1952, she signed a short-term deal with Republic Pictures, the low-budget studio which primarily produced western pictures. One of the films she made for Republic was Flight Nurse (1953). Leslie's character, Polly Davis, was based on the successful flight nurse Lillian Kinkella Keil's career in the Air Force. It was described by the newspaper Kingsport Times-News as a thrilling film that "honors the courageous women who performed miracles of mercy above the clouds in evacuation of wounded GIs from Korean battlefields." Her last film was The Revolt of Mamie Stover (1956). However, she continued making sporadic appearances in television shows while her children were at school. She retired from acting in 1991, after appearing in the TV film Fire in the Dark. CANNOTANSWER

Question: Why did Joan Leslie want to be released from her contract?
Answer: She sought more serious and mature roles and wanted to break out of her ingenue image which was partly due to her young age.
Joan Leslie

Context: By 1946, Leslie was growing increasingly dissatisfied with the roles offered to her by the studio. She sought more serious and mature roles and wanted to break out of her ingenue image which was partly due to her young age. Her decision was also based on moral and religious grounds. With the help of her lawyer Oscar Cummings, she took Warner Brothers to court in order to get released from her contract.  In 1947, the Catholic Theatre Guild gave Leslie an award because of her "consistent refusal to use her talents and art in film productions of objectionable character."  As a result of this, Jack Warner used his influence to blacklist her from other major Hollywood studios. In 1947, she signed a two-picture contract with the poverty row studio Eagle-Lion Films. The first one was Repeat Performance (1947), a film noir in which she played a Broadway actress. The other was Northwest Stampede (1948) in which she performed with James Craig.  After her contract with Eagle-Lion Films expired, she was cast in The Skipper Surprised His Wife (1950), appearing with Robert Walker. The film was distributed by MGM, the studio in which she began her film career in 1936.  In the early 1950s, Leslie chose to focus on raising her daughters, which resulted in a more irregular film career. In 1952, she signed a short-term deal with Republic Pictures, the low-budget studio which primarily produced western pictures. One of the films she made for Republic was Flight Nurse (1953). Leslie's character, Polly Davis, was based on the successful flight nurse Lillian Kinkella Keil's career in the Air Force. It was described by the newspaper Kingsport Times-News as a thrilling film that "honors the courageous women who performed miracles of mercy above the clouds in evacuation of wounded GIs from Korean battlefields." Her last film was The Revolt of Mamie Stover (1956). However, she continued making sporadic appearances in television shows while her children were at school. She retired from acting in 1991, after appearing in the TV film Fire in the Dark. CANNOTANSWER

Question: How did Warner Bros react to Joan Leslie lawsuit?
Answer: As a result of this, Jack Warner used his influence to blacklist her from other major Hollywood studios.
Joan Leslie

Context: By 1946, Leslie was growing increasingly dissatisfied with the roles offered to her by the studio. She sought more serious and mature roles and wanted to break out of her ingenue image which was partly due to her young age. Her decision was also based on moral and religious grounds. With the help of her lawyer Oscar Cummings, she took Warner Brothers to court in order to get released from her contract.  In 1947, the Catholic Theatre Guild gave Leslie an award because of her "consistent refusal to use her talents and art in film productions of objectionable character."  As a result of this, Jack Warner used his influence to blacklist her from other major Hollywood studios. In 1947, she signed a two-picture contract with the poverty row studio Eagle-Lion Films. The first one was Repeat Performance (1947), a film noir in which she played a Broadway actress. The other was Northwest Stampede (1948) in which she performed with James Craig.  After her contract with Eagle-Lion Films expired, she was cast in The Skipper Surprised His Wife (1950), appearing with Robert Walker. The film was distributed by MGM, the studio in which she began her film career in 1936.  In the early 1950s, Leslie chose to focus on raising her daughters, which resulted in a more irregular film career. In 1952, she signed a short-term deal with Republic Pictures, the low-budget studio which primarily produced western pictures. One of the films she made for Republic was Flight Nurse (1953). Leslie's character, Polly Davis, was based on the successful flight nurse Lillian Kinkella Keil's career in the Air Force. It was described by the newspaper Kingsport Times-News as a thrilling film that "honors the courageous women who performed miracles of mercy above the clouds in evacuation of wounded GIs from Korean battlefields." Her last film was The Revolt of Mamie Stover (1956). However, she continued making sporadic appearances in television shows while her children were at school. She retired from acting in 1991, after appearing in the TV film Fire in the Dark. CANNOTANSWER

Question: Did blacklist hurt Joan Leslie career?
Answer: she signed a two-picture contract with the poverty row studio Eagle-Lion Films.
Cheri Honkala

Context: Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."  She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation. CANNOTANSWER

Question: Which books feature Cheri Honkala ?
Answer: David Zucchino's book, The Myth of the Welfare Queen
Cheri Honkala

Context: Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."  She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation. CANNOTANSWER

Question: How does David Zucchino describe Cheri Honkala in The Myth of the Welfare Queen ?
Answer: She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."
Cheri Honkala

Context: Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."  She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation. CANNOTANSWER

Question: What other publications feature Cheri Honkala besides The Myth of the Welfare Queen?
Answer: Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign
Cheri Honkala

Context: Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."  She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation. CANNOTANSWER

Question: Who wrote "Using Economic Human Rights in the Movement to End Poverty" ?
Answer: Mary Bricker-Jenkins,
Cheri Honkala

Context: Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."  She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Mary Bricker-Jenkins writing a book ?
Answer: One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004,
Cheri Honkala

Context: Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."  She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation. CANNOTANSWER

Question: Who else photographed Honkala besides Richard Avedon ?
Answer: Honkala has been extensively documented by photographer Harvey Finkle.
Cheri Honkala

Context: Honkala was one of two women profiled in Pulitzer Prize-winning journalist David Zucchino's book, The Myth of the Welfare Queen (1999). According to one review, Honkala, as depicted in the book, "helps create a tent city to protest welfare cuts, joins the occupation of an abandoned church and the takeover by protesters of empty houses owned by HUD. She tirelessly seeks publicity for her cause, battles with bureaucrats, and rallies and comforts fellow protesters."  She was the subject of Chapter 6, "Using Economic Human Rights in the Movement to End Poverty: The Kensington Welfare Rights Union and the Poor People's Economic Human Right Campaign" by Mary Bricker-Jenkins, Carrie Young and Honkala, in the book Challenges in Human Rights: A Social Work Perspective, edited by Elizabeth Reichert (2007). She was also briefly profiled in Katherine Martin's book Women of Courage: Inspiring Stories from the Women who Lived Them (1999).  Since the mid-1990s Honkala has been extensively documented by photographer Harvey Finkle. A YouTube video was created consisting of many of Finkle's photos of Honkala and of other poor people. She also wrote the introduction to Finkle's book of photographs of the urban poor, Urban Nomads: A Poor People's Movement (1997). One of the last photos taken by the late photographer Richard Avedon (1923-2004) was a portrait of Honkala for the series Democracy 2004, which appeared in an October 2004 issue of The New Yorker magazine.  Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation. CANNOTANSWER

Question: Was Honkala featured in any magazines ?
Answer: Interviews and articles on Honkala have appeared in numerous print and online publications, including The Village Voice, The Philadelphia Inquirer, Philadelphia Weekly, Yes! magazine, Salon, Truthdig and The Nation.
Tamar Braxton

Context: Tamar Estine Braxton was born in Severn, Maryland on March 17, 1977 to Michael and Evelyn Braxton. The youngest of the Braxtons' six children, Tamar started singing as a toddler. The Braxton children would eventually enter in their church choir, where their father Michael Braxton was a pastor. Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989. In 1990, they released their first single, "Good Life". "Good Life" was unsuccessful only peaking at No. 79 on the Billboard Hot R&B/Hip-Hop Singles chart. At the time of the single's release, the members' age differences created a problem with marketing. Subsequently, The Braxtons were dropped from Arista Records.  In 1991, during a showcase with L.A. Reid and Kenneth "Babyface" Edmonds, who were in the process of forming LaFace Records, Toni Braxton, minus her four sisters, was chosen and signed as the label's first female solo artist. At the time, the remaining members were told that LaFace was not looking for another girl group since it had just signed TLC. After Toni's departure from the group, the remaining Braxtons members became backup singers for Toni's first tour, music videos, and promotional appearances. Traci, Towanda, Trina, and Tamar were featured in the music video for Toni Braxton's third single, "Seven Whole Days", from her self-titled debut album.  In 1993, LaFace Records A&R Vice President, Bryant Reid, signed The Braxtons to LaFace. However, the group never released an album or single for the label. When Reid moved on to work for Atlantic Records, he convinced executives at LaFace to allow him take the group to Atlantic also. It was reported in Vibe magazine that in 1995, Traci Braxton had left the group to pursue a career as a youth counselor. However, it was not confirmed until a 2011 promotional appearance on The Mo'Nique Show, that Traci was not allowed to sign with Atlantic because of her pregnancy at the time.  In 1996, Tamar, Trina, and Towanda returned with a new album entitled So Many Ways, which peaked at No. 26 on the Billboard R&B/Hip-Hop Albums chart. At the time of its release, Reid told Billboard Magazine, "I had a vision for them then that was about young sophistication with sex appeal." The trio also performed a remixed version of "So Many Ways" with rapper Jay-Z on September 9, 1996 at the Soul Train Lady of Soul Awards. So Many Ways went on to peak at No. 83 on the Billboard Hot 100 chart and number 32 on the UK Singles Chart. Braxton and her fellow The Braxtons members served as the opening act for Toni Braxton on the European Leg of her Secrets Tour in 1997. The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998. CANNOTANSWER

Question: When was Tamar Braxton born?
Answer: March 17, 1977
Tamar Braxton

Context: Tamar Estine Braxton was born in Severn, Maryland on March 17, 1977 to Michael and Evelyn Braxton. The youngest of the Braxtons' six children, Tamar started singing as a toddler. The Braxton children would eventually enter in their church choir, where their father Michael Braxton was a pastor. Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989. In 1990, they released their first single, "Good Life". "Good Life" was unsuccessful only peaking at No. 79 on the Billboard Hot R&B/Hip-Hop Singles chart. At the time of the single's release, the members' age differences created a problem with marketing. Subsequently, The Braxtons were dropped from Arista Records.  In 1991, during a showcase with L.A. Reid and Kenneth "Babyface" Edmonds, who were in the process of forming LaFace Records, Toni Braxton, minus her four sisters, was chosen and signed as the label's first female solo artist. At the time, the remaining members were told that LaFace was not looking for another girl group since it had just signed TLC. After Toni's departure from the group, the remaining Braxtons members became backup singers for Toni's first tour, music videos, and promotional appearances. Traci, Towanda, Trina, and Tamar were featured in the music video for Toni Braxton's third single, "Seven Whole Days", from her self-titled debut album.  In 1993, LaFace Records A&R Vice President, Bryant Reid, signed The Braxtons to LaFace. However, the group never released an album or single for the label. When Reid moved on to work for Atlantic Records, he convinced executives at LaFace to allow him take the group to Atlantic also. It was reported in Vibe magazine that in 1995, Traci Braxton had left the group to pursue a career as a youth counselor. However, it was not confirmed until a 2011 promotional appearance on The Mo'Nique Show, that Traci was not allowed to sign with Atlantic because of her pregnancy at the time.  In 1996, Tamar, Trina, and Towanda returned with a new album entitled So Many Ways, which peaked at No. 26 on the Billboard R&B/Hip-Hop Albums chart. At the time of its release, Reid told Billboard Magazine, "I had a vision for them then that was about young sophistication with sex appeal." The trio also performed a remixed version of "So Many Ways" with rapper Jay-Z on September 9, 1996 at the Soul Train Lady of Soul Awards. So Many Ways went on to peak at No. 83 on the Billboard Hot 100 chart and number 32 on the UK Singles Chart. Braxton and her fellow The Braxtons members served as the opening act for Toni Braxton on the European Leg of her Secrets Tour in 1997. The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998. CANNOTANSWER

Question: Who were Tamar Braxton parents?
Answer: Michael and Evelyn Braxton.
Tamar Braxton

Context: Tamar Estine Braxton was born in Severn, Maryland on March 17, 1977 to Michael and Evelyn Braxton. The youngest of the Braxtons' six children, Tamar started singing as a toddler. The Braxton children would eventually enter in their church choir, where their father Michael Braxton was a pastor. Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989. In 1990, they released their first single, "Good Life". "Good Life" was unsuccessful only peaking at No. 79 on the Billboard Hot R&B/Hip-Hop Singles chart. At the time of the single's release, the members' age differences created a problem with marketing. Subsequently, The Braxtons were dropped from Arista Records.  In 1991, during a showcase with L.A. Reid and Kenneth "Babyface" Edmonds, who were in the process of forming LaFace Records, Toni Braxton, minus her four sisters, was chosen and signed as the label's first female solo artist. At the time, the remaining members were told that LaFace was not looking for another girl group since it had just signed TLC. After Toni's departure from the group, the remaining Braxtons members became backup singers for Toni's first tour, music videos, and promotional appearances. Traci, Towanda, Trina, and Tamar were featured in the music video for Toni Braxton's third single, "Seven Whole Days", from her self-titled debut album.  In 1993, LaFace Records A&R Vice President, Bryant Reid, signed The Braxtons to LaFace. However, the group never released an album or single for the label. When Reid moved on to work for Atlantic Records, he convinced executives at LaFace to allow him take the group to Atlantic also. It was reported in Vibe magazine that in 1995, Traci Braxton had left the group to pursue a career as a youth counselor. However, it was not confirmed until a 2011 promotional appearance on The Mo'Nique Show, that Traci was not allowed to sign with Atlantic because of her pregnancy at the time.  In 1996, Tamar, Trina, and Towanda returned with a new album entitled So Many Ways, which peaked at No. 26 on the Billboard R&B/Hip-Hop Albums chart. At the time of its release, Reid told Billboard Magazine, "I had a vision for them then that was about young sophistication with sex appeal." The trio also performed a remixed version of "So Many Ways" with rapper Jay-Z on September 9, 1996 at the Soul Train Lady of Soul Awards. So Many Ways went on to peak at No. 83 on the Billboard Hot 100 chart and number 32 on the UK Singles Chart. Braxton and her fellow The Braxtons members served as the opening act for Toni Braxton on the European Leg of her Secrets Tour in 1997. The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998. CANNOTANSWER

Question: Where did Tamar Braxton grow up?
Answer: Severn, Maryland
Tamar Braxton

Context: Tamar Estine Braxton was born in Severn, Maryland on March 17, 1977 to Michael and Evelyn Braxton. The youngest of the Braxtons' six children, Tamar started singing as a toddler. The Braxton children would eventually enter in their church choir, where their father Michael Braxton was a pastor. Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989. In 1990, they released their first single, "Good Life". "Good Life" was unsuccessful only peaking at No. 79 on the Billboard Hot R&B/Hip-Hop Singles chart. At the time of the single's release, the members' age differences created a problem with marketing. Subsequently, The Braxtons were dropped from Arista Records.  In 1991, during a showcase with L.A. Reid and Kenneth "Babyface" Edmonds, who were in the process of forming LaFace Records, Toni Braxton, minus her four sisters, was chosen and signed as the label's first female solo artist. At the time, the remaining members were told that LaFace was not looking for another girl group since it had just signed TLC. After Toni's departure from the group, the remaining Braxtons members became backup singers for Toni's first tour, music videos, and promotional appearances. Traci, Towanda, Trina, and Tamar were featured in the music video for Toni Braxton's third single, "Seven Whole Days", from her self-titled debut album.  In 1993, LaFace Records A&R Vice President, Bryant Reid, signed The Braxtons to LaFace. However, the group never released an album or single for the label. When Reid moved on to work for Atlantic Records, he convinced executives at LaFace to allow him take the group to Atlantic also. It was reported in Vibe magazine that in 1995, Traci Braxton had left the group to pursue a career as a youth counselor. However, it was not confirmed until a 2011 promotional appearance on The Mo'Nique Show, that Traci was not allowed to sign with Atlantic because of her pregnancy at the time.  In 1996, Tamar, Trina, and Towanda returned with a new album entitled So Many Ways, which peaked at No. 26 on the Billboard R&B/Hip-Hop Albums chart. At the time of its release, Reid told Billboard Magazine, "I had a vision for them then that was about young sophistication with sex appeal." The trio also performed a remixed version of "So Many Ways" with rapper Jay-Z on September 9, 1996 at the Soul Train Lady of Soul Awards. So Many Ways went on to peak at No. 83 on the Billboard Hot 100 chart and number 32 on the UK Singles Chart. Braxton and her fellow The Braxtons members served as the opening act for Toni Braxton on the European Leg of her Secrets Tour in 1997. The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998. CANNOTANSWER

Question: When did Tamar Braxton start singing?
Answer: Tamar started singing as a toddler.
Tamar Braxton

Context: Tamar Estine Braxton was born in Severn, Maryland on March 17, 1977 to Michael and Evelyn Braxton. The youngest of the Braxtons' six children, Tamar started singing as a toddler. The Braxton children would eventually enter in their church choir, where their father Michael Braxton was a pastor. Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records in 1989. In 1990, they released their first single, "Good Life". "Good Life" was unsuccessful only peaking at No. 79 on the Billboard Hot R&B/Hip-Hop Singles chart. At the time of the single's release, the members' age differences created a problem with marketing. Subsequently, The Braxtons were dropped from Arista Records.  In 1991, during a showcase with L.A. Reid and Kenneth "Babyface" Edmonds, who were in the process of forming LaFace Records, Toni Braxton, minus her four sisters, was chosen and signed as the label's first female solo artist. At the time, the remaining members were told that LaFace was not looking for another girl group since it had just signed TLC. After Toni's departure from the group, the remaining Braxtons members became backup singers for Toni's first tour, music videos, and promotional appearances. Traci, Towanda, Trina, and Tamar were featured in the music video for Toni Braxton's third single, "Seven Whole Days", from her self-titled debut album.  In 1993, LaFace Records A&R Vice President, Bryant Reid, signed The Braxtons to LaFace. However, the group never released an album or single for the label. When Reid moved on to work for Atlantic Records, he convinced executives at LaFace to allow him take the group to Atlantic also. It was reported in Vibe magazine that in 1995, Traci Braxton had left the group to pursue a career as a youth counselor. However, it was not confirmed until a 2011 promotional appearance on The Mo'Nique Show, that Traci was not allowed to sign with Atlantic because of her pregnancy at the time.  In 1996, Tamar, Trina, and Towanda returned with a new album entitled So Many Ways, which peaked at No. 26 on the Billboard R&B/Hip-Hop Albums chart. At the time of its release, Reid told Billboard Magazine, "I had a vision for them then that was about young sophistication with sex appeal." The trio also performed a remixed version of "So Many Ways" with rapper Jay-Z on September 9, 1996 at the Soul Train Lady of Soul Awards. So Many Ways went on to peak at No. 83 on the Billboard Hot 100 chart and number 32 on the UK Singles Chart. Braxton and her fellow The Braxtons members served as the opening act for Toni Braxton on the European Leg of her Secrets Tour in 1997. The Braxtons decided to part ways as a group after lead singer Tamar Braxton left to pursue a solo career with DreamWorks Records in 1998. CANNOTANSWER

Question: How did Tamar Braxton start her career?
Answer: Sisters Toni, Traci, Towanda, Trina, and Tamar Braxton signed their first record deal with Arista Records
Malayali

Context: According to the Indian census of 2001, there were 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 96.7% of the total population of the state. There were a further 701,673 (2.1% of the total number) in Karnataka, 557,705 (1.7%) in Tamil Nadu and 406,358 (1.2%) in Maharashtra. The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. In all, Malayalis made up 3.22% of the total Indian population in 2001. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages.  Large numbers of Malayalis have settled in Bangalore, Mangalore, Delhi, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad, Pune, and Chennai (Madras). A large number of Malayalis have also emigrated to the Middle East, the United States, and Europe. Accessed November 22, 2014.</ref> including a large number of professionals. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Muscat, Doha, Dubai, Abu Dhabi, Kuwait and European region mainly in London.  World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. CANNOTANSWER

Question: Where is Malayali located?
Answer: 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India,
Malayali

Context: According to the Indian census of 2001, there were 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 96.7% of the total population of the state. There were a further 701,673 (2.1% of the total number) in Karnataka, 557,705 (1.7%) in Tamil Nadu and 406,358 (1.2%) in Maharashtra. The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. In all, Malayalis made up 3.22% of the total Indian population in 2001. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages.  Large numbers of Malayalis have settled in Bangalore, Mangalore, Delhi, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad, Pune, and Chennai (Madras). A large number of Malayalis have also emigrated to the Middle East, the United States, and Europe. Accessed November 22, 2014.</ref> including a large number of professionals. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Muscat, Doha, Dubai, Abu Dhabi, Kuwait and European region mainly in London.  World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. CANNOTANSWER

Question: What other languages are spoken in Malayali, besides Malayalam?
Answer: 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan.
Malayali

Context: According to the Indian census of 2001, there were 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 96.7% of the total population of the state. There were a further 701,673 (2.1% of the total number) in Karnataka, 557,705 (1.7%) in Tamil Nadu and 406,358 (1.2%) in Maharashtra. The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. In all, Malayalis made up 3.22% of the total Indian population in 2001. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages.  Large numbers of Malayalis have settled in Bangalore, Mangalore, Delhi, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad, Pune, and Chennai (Madras). A large number of Malayalis have also emigrated to the Middle East, the United States, and Europe. Accessed November 22, 2014.</ref> including a large number of professionals. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Muscat, Doha, Dubai, Abu Dhabi, Kuwait and European region mainly in London.  World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. CANNOTANSWER

Question: What else is Malayali known for, aside from 33,105,420 people speaking the standard dialects?
Answer: World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora.
Malayali

Context: According to the Indian census of 2001, there were 30,803,747 speakers of Malayalam in Kerala, making up 93.2% of the total number of Malayalam speakers in India, and 96.7% of the total population of the state. There were a further 701,673 (2.1% of the total number) in Karnataka, 557,705 (1.7%) in Tamil Nadu and 406,358 (1.2%) in Maharashtra. The number of Malayalam speakers in Lakshadweep is 51,100, which is only 0.15% of the total number, but is as much as about 84% of the population of Lakshadweep. In all, Malayalis made up 3.22% of the total Indian population in 2001. Of the total 33,066,392 Malayalam speakers in India in 2001, 33,015,420 spoke the standard dialects, 19,643 spoke the Yerava dialect and 31,329 spoke non-standard regional variations like Eranadan. As per the 1991 census data, 28.85% of all Malayalam speakers in India spoke a second language and 19.64% of the total knew three or more languages.  Large numbers of Malayalis have settled in Bangalore, Mangalore, Delhi, Coimbatore, Hyderabad, Mumbai (Bombay), Ahmedabad, Pune, and Chennai (Madras). A large number of Malayalis have also emigrated to the Middle East, the United States, and Europe. Accessed November 22, 2014.</ref> including a large number of professionals. There were 7,093 Malayalam speakers in Australia in 2006. The 2001 Canadian census reported 7,070 people who listed Malayalam as their mother tongue, mostly in the Greater Toronto Area and Southern Ontario. In 2010, the Census of Population of Singapore reported that there were 26,348 Malayalees in Singapore. The 2006 New Zealand census reported 2,139 speakers. 134 Malayalam speaking households were reported in 1956 in Fiji. There is also a considerable Malayali population in the Persian Gulf regions, especially in Bahrain, Muscat, Doha, Dubai, Abu Dhabi, Kuwait and European region mainly in London.  World Malayalee Council, the organisation working with the Malayali diaspora across the Globe has embarked upon a project for making a data bank of the diaspora. CANNOTANSWER

Question: Was the World Malayalee Council ever successful in making a data bank of the diaspora?
Answer: CANNOTANSWER