gaussalgo/Canard_Wiki-augmented huggingface dataset:
New Order (band)

Context: The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record."  New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music.  The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence". CANNOTANSWER

Question: what was one of the songs on the album Movement?
Answer: The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place".
New Order (band)

Context: The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record."  New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music.  The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence". CANNOTANSWER

Question: what year was Movement released?
Answer: 1981,
New Order (band)

Context: The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record."  New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music.  The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence". CANNOTANSWER

Question: did Movement sell well?
Answer: CANNOTANSWER
New Order (band)

Context: The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record."  New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music.  The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence". CANNOTANSWER

Question: who was one of the singers on Movement?
Answer: CANNOTANSWER
New Order (band)

Context: The initial release as New Order was the single "Ceremony", backed with "In a Lonely Place". These two songs were written in the weeks before Curtis took his own life. With the release of Movement in November 1981, New Order initially started on a similar route as their previous incarnation, performing dark, melodic songs, albeit with an increased use of synthesisers. The band viewed the period as a low point, as they were still reeling from Curtis' death. Hook commented that the only positive thing to come out of the Movement sessions was that producer Martin Hannett had showed the band how to use a mixing board, which allowed them to produce records by themselves from then on. More recently, Hook indicated a change of heart: "I think Movement gets a raw deal in general really - for me, when you consider the circumstances in which it was written, it is a fantastic record."  New Order visited New York City again in 1981, where the band were introduced to post-disco, freestyle and electro. The band had taken to listening to Italian disco to cheer themselves up, while Morris taught himself drum programming. The singles that followed, "Everything's Gone Green" and "Temptation", saw a change in direction toward dance music.  The Hacienda, Factory Records' own nightclub (largely funded by New Order) opened in May 1982 in Manchester and was even issued a Factory catalogue number: FAC51. The opening of UK's first ever superclub was marked by a nearly 23-minute instrumental piece originally entitled "Prime 5 8 6", but released 15 years later as "Video 5 8 6". Composed primarily by Sumner and Morris, "Prime 5 8 6"/"Video 5 8 6" was an early version of "5 8 6" that contained rhythm elements that would later surface on "Blue Monday" and "Ultraviolence". CANNOTANSWER

Question: how many tracks were on Movement?
Answer: CANNOTANSWER
Skid Row (American band)

Context: After the Slave to the Grind promotional tour, an EP of covers B-Side Ourselves was released in September 1992. Before a third album could be recorded, Skid Row took an extended hiatus in 1993 on McGhee's recommendation to wait for the grunge movement to fade away. For some time, Skid Row parted ways with Wagener, possibly due to the music taking a different direction for the follow-up to Slave to the Grind. In 1994, the band returned to the studio with producer Bob Rock to record its third album. Subhuman Race was released in March 1995, and charted in the top 40 on the American charts. Although it did not achieve the success of its predecessors, it charted one single in the US and received positive reviews.  At that point, the band shifted to performing at smaller venues and its videos were rarely played on MTV, partly because of the rise in popularity of grunge and subsequent decline of many 1980s heavy metal styles. Skid Row was the opening act for Van Halen on its North American leg of the tour. Eventually, Bach left the band in late 1996 after an argument with Bolan who turned down an opening slot on the Kiss reunion tour even though Bach already booked it. Other band members told Bach that Skid Row was too big for an opening act and that they were not going to do the show. Bach then left a message on a bandmate's answering machine telling them the band was never too big to open for Kiss.  Bolan had a side project, a punk band Prunella Scales who was playing at the same time as the planned Kiss show. The rift between Bach and the other band members subsequently led to him leaving Skid Row. Four years later, Skid Row was one of the opening acts for the 2000 Kiss Farewell Tour. In 1998 Skid Row released the compilation 40 Seasons: The Best of Skid Row. After Bach's departure, the remaining members continued as Ozone Monday with singer Shawn McCabe of Mars Needs Women. In 1998 and 1999, the group opened up for Kiss and Motley Crue under the new moniker. CANNOTANSWER

Question: Was Subhuman race an album?
Answer: In 1994, the band returned to the studio with producer Bob Rock to record its third album. Subhuman Race
Skid Row (American band)

Context: After the Slave to the Grind promotional tour, an EP of covers B-Side Ourselves was released in September 1992. Before a third album could be recorded, Skid Row took an extended hiatus in 1993 on McGhee's recommendation to wait for the grunge movement to fade away. For some time, Skid Row parted ways with Wagener, possibly due to the music taking a different direction for the follow-up to Slave to the Grind. In 1994, the band returned to the studio with producer Bob Rock to record its third album. Subhuman Race was released in March 1995, and charted in the top 40 on the American charts. Although it did not achieve the success of its predecessors, it charted one single in the US and received positive reviews.  At that point, the band shifted to performing at smaller venues and its videos were rarely played on MTV, partly because of the rise in popularity of grunge and subsequent decline of many 1980s heavy metal styles. Skid Row was the opening act for Van Halen on its North American leg of the tour. Eventually, Bach left the band in late 1996 after an argument with Bolan who turned down an opening slot on the Kiss reunion tour even though Bach already booked it. Other band members told Bach that Skid Row was too big for an opening act and that they were not going to do the show. Bach then left a message on a bandmate's answering machine telling them the band was never too big to open for Kiss.  Bolan had a side project, a punk band Prunella Scales who was playing at the same time as the planned Kiss show. The rift between Bach and the other band members subsequently led to him leaving Skid Row. Four years later, Skid Row was one of the opening acts for the 2000 Kiss Farewell Tour. In 1998 Skid Row released the compilation 40 Seasons: The Best of Skid Row. After Bach's departure, the remaining members continued as Ozone Monday with singer Shawn McCabe of Mars Needs Women. In 1998 and 1999, the group opened up for Kiss and Motley Crue under the new moniker. CANNOTANSWER

Question: What was Spli with Bach for Skid Row?
Answer: Eventually, Bach left the band in late 1996 after an argument with Bolan
Skid Row (American band)

Context: After the Slave to the Grind promotional tour, an EP of covers B-Side Ourselves was released in September 1992. Before a third album could be recorded, Skid Row took an extended hiatus in 1993 on McGhee's recommendation to wait for the grunge movement to fade away. For some time, Skid Row parted ways with Wagener, possibly due to the music taking a different direction for the follow-up to Slave to the Grind. In 1994, the band returned to the studio with producer Bob Rock to record its third album. Subhuman Race was released in March 1995, and charted in the top 40 on the American charts. Although it did not achieve the success of its predecessors, it charted one single in the US and received positive reviews.  At that point, the band shifted to performing at smaller venues and its videos were rarely played on MTV, partly because of the rise in popularity of grunge and subsequent decline of many 1980s heavy metal styles. Skid Row was the opening act for Van Halen on its North American leg of the tour. Eventually, Bach left the band in late 1996 after an argument with Bolan who turned down an opening slot on the Kiss reunion tour even though Bach already booked it. Other band members told Bach that Skid Row was too big for an opening act and that they were not going to do the show. Bach then left a message on a bandmate's answering machine telling them the band was never too big to open for Kiss.  Bolan had a side project, a punk band Prunella Scales who was playing at the same time as the planned Kiss show. The rift between Bach and the other band members subsequently led to him leaving Skid Row. Four years later, Skid Row was one of the opening acts for the 2000 Kiss Farewell Tour. In 1998 Skid Row released the compilation 40 Seasons: The Best of Skid Row. After Bach's departure, the remaining members continued as Ozone Monday with singer Shawn McCabe of Mars Needs Women. In 1998 and 1999, the group opened up for Kiss and Motley Crue under the new moniker. CANNOTANSWER

Question: What was the Bach's argument with Bolan in 1996 over?
Answer: Bolan who turned down an opening slot on the Kiss reunion tour even though Bach already booked it.
Skid Row (American band)

Context: After the Slave to the Grind promotional tour, an EP of covers B-Side Ourselves was released in September 1992. Before a third album could be recorded, Skid Row took an extended hiatus in 1993 on McGhee's recommendation to wait for the grunge movement to fade away. For some time, Skid Row parted ways with Wagener, possibly due to the music taking a different direction for the follow-up to Slave to the Grind. In 1994, the band returned to the studio with producer Bob Rock to record its third album. Subhuman Race was released in March 1995, and charted in the top 40 on the American charts. Although it did not achieve the success of its predecessors, it charted one single in the US and received positive reviews.  At that point, the band shifted to performing at smaller venues and its videos were rarely played on MTV, partly because of the rise in popularity of grunge and subsequent decline of many 1980s heavy metal styles. Skid Row was the opening act for Van Halen on its North American leg of the tour. Eventually, Bach left the band in late 1996 after an argument with Bolan who turned down an opening slot on the Kiss reunion tour even though Bach already booked it. Other band members told Bach that Skid Row was too big for an opening act and that they were not going to do the show. Bach then left a message on a bandmate's answering machine telling them the band was never too big to open for Kiss.  Bolan had a side project, a punk band Prunella Scales who was playing at the same time as the planned Kiss show. The rift between Bach and the other band members subsequently led to him leaving Skid Row. Four years later, Skid Row was one of the opening acts for the 2000 Kiss Farewell Tour. In 1998 Skid Row released the compilation 40 Seasons: The Best of Skid Row. After Bach's departure, the remaining members continued as Ozone Monday with singer Shawn McCabe of Mars Needs Women. In 1998 and 1999, the group opened up for Kiss and Motley Crue under the new moniker. CANNOTANSWER

Question: What was Skid Row's first album?
Answer: CANNOTANSWER
Skid Row (American band)

Context: After the Slave to the Grind promotional tour, an EP of covers B-Side Ourselves was released in September 1992. Before a third album could be recorded, Skid Row took an extended hiatus in 1993 on McGhee's recommendation to wait for the grunge movement to fade away. For some time, Skid Row parted ways with Wagener, possibly due to the music taking a different direction for the follow-up to Slave to the Grind. In 1994, the band returned to the studio with producer Bob Rock to record its third album. Subhuman Race was released in March 1995, and charted in the top 40 on the American charts. Although it did not achieve the success of its predecessors, it charted one single in the US and received positive reviews.  At that point, the band shifted to performing at smaller venues and its videos were rarely played on MTV, partly because of the rise in popularity of grunge and subsequent decline of many 1980s heavy metal styles. Skid Row was the opening act for Van Halen on its North American leg of the tour. Eventually, Bach left the band in late 1996 after an argument with Bolan who turned down an opening slot on the Kiss reunion tour even though Bach already booked it. Other band members told Bach that Skid Row was too big for an opening act and that they were not going to do the show. Bach then left a message on a bandmate's answering machine telling them the band was never too big to open for Kiss.  Bolan had a side project, a punk band Prunella Scales who was playing at the same time as the planned Kiss show. The rift between Bach and the other band members subsequently led to him leaving Skid Row. Four years later, Skid Row was one of the opening acts for the 2000 Kiss Farewell Tour. In 1998 Skid Row released the compilation 40 Seasons: The Best of Skid Row. After Bach's departure, the remaining members continued as Ozone Monday with singer Shawn McCabe of Mars Needs Women. In 1998 and 1999, the group opened up for Kiss and Motley Crue under the new moniker. CANNOTANSWER

Question: Did Bach still appear on Kiss's tour?
Answer: Four years later, Skid Row was one of the opening acts for the 2000 Kiss Farewell Tour.
Skid Row (American band)

Context: After the Slave to the Grind promotional tour, an EP of covers B-Side Ourselves was released in September 1992. Before a third album could be recorded, Skid Row took an extended hiatus in 1993 on McGhee's recommendation to wait for the grunge movement to fade away. For some time, Skid Row parted ways with Wagener, possibly due to the music taking a different direction for the follow-up to Slave to the Grind. In 1994, the band returned to the studio with producer Bob Rock to record its third album. Subhuman Race was released in March 1995, and charted in the top 40 on the American charts. Although it did not achieve the success of its predecessors, it charted one single in the US and received positive reviews.  At that point, the band shifted to performing at smaller venues and its videos were rarely played on MTV, partly because of the rise in popularity of grunge and subsequent decline of many 1980s heavy metal styles. Skid Row was the opening act for Van Halen on its North American leg of the tour. Eventually, Bach left the band in late 1996 after an argument with Bolan who turned down an opening slot on the Kiss reunion tour even though Bach already booked it. Other band members told Bach that Skid Row was too big for an opening act and that they were not going to do the show. Bach then left a message on a bandmate's answering machine telling them the band was never too big to open for Kiss.  Bolan had a side project, a punk band Prunella Scales who was playing at the same time as the planned Kiss show. The rift between Bach and the other band members subsequently led to him leaving Skid Row. Four years later, Skid Row was one of the opening acts for the 2000 Kiss Farewell Tour. In 1998 Skid Row released the compilation 40 Seasons: The Best of Skid Row. After Bach's departure, the remaining members continued as Ozone Monday with singer Shawn McCabe of Mars Needs Women. In 1998 and 1999, the group opened up for Kiss and Motley Crue under the new moniker. CANNOTANSWER

Question: Was Bach back with Skid Row?
Answer: After Bach's departure, the remaining members continued as Ozone Monday with singer Shawn McCabe of Mars Needs Women.
Skid Row (American band)

Context: After the Slave to the Grind promotional tour, an EP of covers B-Side Ourselves was released in September 1992. Before a third album could be recorded, Skid Row took an extended hiatus in 1993 on McGhee's recommendation to wait for the grunge movement to fade away. For some time, Skid Row parted ways with Wagener, possibly due to the music taking a different direction for the follow-up to Slave to the Grind. In 1994, the band returned to the studio with producer Bob Rock to record its third album. Subhuman Race was released in March 1995, and charted in the top 40 on the American charts. Although it did not achieve the success of its predecessors, it charted one single in the US and received positive reviews.  At that point, the band shifted to performing at smaller venues and its videos were rarely played on MTV, partly because of the rise in popularity of grunge and subsequent decline of many 1980s heavy metal styles. Skid Row was the opening act for Van Halen on its North American leg of the tour. Eventually, Bach left the band in late 1996 after an argument with Bolan who turned down an opening slot on the Kiss reunion tour even though Bach already booked it. Other band members told Bach that Skid Row was too big for an opening act and that they were not going to do the show. Bach then left a message on a bandmate's answering machine telling them the band was never too big to open for Kiss.  Bolan had a side project, a punk band Prunella Scales who was playing at the same time as the planned Kiss show. The rift between Bach and the other band members subsequently led to him leaving Skid Row. Four years later, Skid Row was one of the opening acts for the 2000 Kiss Farewell Tour. In 1998 Skid Row released the compilation 40 Seasons: The Best of Skid Row. After Bach's departure, the remaining members continued as Ozone Monday with singer Shawn McCabe of Mars Needs Women. In 1998 and 1999, the group opened up for Kiss and Motley Crue under the new moniker. CANNOTANSWER

Question: Did Skid Row work with any other bands after Bach's departure other than Mars Needs Women?
Answer: CANNOTANSWER
The Darkness (band)

Context: The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.  The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album.  According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records. CANNOTANSWER

Question: What is the history of The Darkness band?
Answer: The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire.
The Darkness (band)

Context: The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.  The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album.  According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records. CANNOTANSWER

Question: How successful was The Darkness band?
Answer: and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.
The Darkness (band)

Context: The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.  The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album.  According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records. CANNOTANSWER

Question: How did the Carling Homecoming gig end up?
Answer: CANNOTANSWER
The Darkness (band)

Context: The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.  The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album.  According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records. CANNOTANSWER

Question: What are some important aspects other than the Carling Homecoming gig to the history of The Darkness?
Answer: The band already had music industry interest from their days as Empire through connections with Sue Whitehouse,
The Darkness (band)

Context: The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.  The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album.  According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records. CANNOTANSWER

Question: Who is Sue Whitehouse?
Answer: The Darkness were directed by manager Sue Whitehouse,
The Darkness (band)

Context: The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.  The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album.  According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records. CANNOTANSWER

Question: Did Sue Whitehouse help The Darkness become successful?
Answer: According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band,
The Darkness (band)

Context: The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.  The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album.  According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records. CANNOTANSWER

Question: Is there anything else other than The Darkness' Carling Homecoming gig and Sue Whitehouse that's interesting about the article regarding the history?
Answer: Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002.
The Darkness (band)

Context: The Darkness were directed by manager Sue Whitehouse, who had managed them since Justin Hawkins' time as a creator of music jingles and their original band days as Empire. The Darkness were renowned for their live show, and such was the popularity of the band, they had a Carling Homecoming gig booked for the London Astoria before they had even signed a record deal.  The band already had music industry interest from their days as Empire through connections with Sue Whitehouse, who was based at Savage & Best in Camden. Joe Taylor, Aled Jones and Paul Scaife at The Tip Sheet first heard about the band through a post on The Tip Sheet message board, and featured Love Is Only A Feeling in January 2002. They started Record of the Day, and featured the song again around the time of SXSW in March 2003. They wanted to feature Friday Night too but they were told the band was saving it for an album.  According to A&R Nick Raphael in an interview with HitQuarters, there was no initial clamour to sign the band, "There couldn't have been less of a buzz, and only two record labels showed any interest in them." He believes the reason for lack of interest was that "The business as a whole thought they were uncool. In fact, people were saying that they were a joke and that they weren't real." However, throughout their career critics around the world would label them as a "joke band." As part of Sony Music UK, Raphael had attempted to sign them but the band instead opted to go with Atlantic Records. CANNOTANSWER

Question: What happened after Love Is Only A Feeling featured?
Answer: They started Record of the Day, and featured the song again around the time of SXSW in March 2003.
George Bernard Shaw

Context: On 5 September 1882 Shaw attended a meeting at the Memorial Hall, Farringdon, addressed by the political economist Henry George. Shaw then read George's book Progress and Poverty, which awakened his interest in economics. He began attending meetings of the Social Democratic Federation (SDF), where he discovered the writings of Karl Marx, and thereafter spent much of 1883 reading Das Kapital. He was not impressed by the SDF's founder, H. M. Hyndman, whom he found autocratic, ill-tempered and lacking leadership qualities. Shaw doubted the ability of the SDF to harness the working classes into an effective radical movement and did not join it--he preferred, he said, to work with his intellectual equals.  After reading a tract, Why Are The Many Poor?, issued by the recently formed Fabian Society, Shaw went to the society's next advertised meeting, on 16 May 1884. He became a member in September, and before the year's end had provided the society with its first manifesto, published as Fabian Tract No. 2. He joined the society's executive committee in January 1885, and later that year recruited Webb and also Annie Besant, a fine orator.  From 1885 to 1889 Shaw attended the fortnightly meetings of the British Economic Association; it was, Holroyd observes, "the closest Shaw had ever come to university education." This experience changed his political ideas; he moved away from Marxism and became an apostle of gradualism. When in 1886-87 the Fabians debated whether to embrace anarchism, as advocated by Charlotte Wilson, Besant and others, Shaw joined the majority in rejecting this approach. After a rally in Trafalgar Square addressed by Besant was violently broken up by the authorities on 13 November 1887 ("Bloody Sunday"), Shaw became convinced of the folly of attempting to challenge police power. Thereafter he largely accepted the principle of "permeation" as advocated by Webb: the notion whereby socialism could best be achieved by infiltration of people and ideas into existing political parties.  Throughout the 1880s the Fabian Society remained small, its message of moderation frequently unheard among more strident voices. Its profile was raised in 1889 with the publication of Fabian Essays in Socialism, edited by Shaw who also provided two of the essays. The second of these, "Transition", details the case for gradualism and permeation, asserting that "the necessity for cautious and gradual change must be obvious to everyone". In 1890 Shaw produced Tract No. 13, What Socialism Is, a revision of an earlier tract in which Charlotte Wilson had defined socialism in anarchistic terms. In Shaw's new version, readers were assured that "socialism can be brought about in a perfectly constitutional manner by democratic institutions". CANNOTANSWER

Question: What were George Bernard Shaw's first political activities?
Answer: He began attending meetings of the Social Democratic Federation (SDF),
George Bernard Shaw

Context: On 5 September 1882 Shaw attended a meeting at the Memorial Hall, Farringdon, addressed by the political economist Henry George. Shaw then read George's book Progress and Poverty, which awakened his interest in economics. He began attending meetings of the Social Democratic Federation (SDF), where he discovered the writings of Karl Marx, and thereafter spent much of 1883 reading Das Kapital. He was not impressed by the SDF's founder, H. M. Hyndman, whom he found autocratic, ill-tempered and lacking leadership qualities. Shaw doubted the ability of the SDF to harness the working classes into an effective radical movement and did not join it--he preferred, he said, to work with his intellectual equals.  After reading a tract, Why Are The Many Poor?, issued by the recently formed Fabian Society, Shaw went to the society's next advertised meeting, on 16 May 1884. He became a member in September, and before the year's end had provided the society with its first manifesto, published as Fabian Tract No. 2. He joined the society's executive committee in January 1885, and later that year recruited Webb and also Annie Besant, a fine orator.  From 1885 to 1889 Shaw attended the fortnightly meetings of the British Economic Association; it was, Holroyd observes, "the closest Shaw had ever come to university education." This experience changed his political ideas; he moved away from Marxism and became an apostle of gradualism. When in 1886-87 the Fabians debated whether to embrace anarchism, as advocated by Charlotte Wilson, Besant and others, Shaw joined the majority in rejecting this approach. After a rally in Trafalgar Square addressed by Besant was violently broken up by the authorities on 13 November 1887 ("Bloody Sunday"), Shaw became convinced of the folly of attempting to challenge police power. Thereafter he largely accepted the principle of "permeation" as advocated by Webb: the notion whereby socialism could best be achieved by infiltration of people and ideas into existing political parties.  Throughout the 1880s the Fabian Society remained small, its message of moderation frequently unheard among more strident voices. Its profile was raised in 1889 with the publication of Fabian Essays in Socialism, edited by Shaw who also provided two of the essays. The second of these, "Transition", details the case for gradualism and permeation, asserting that "the necessity for cautious and gradual change must be obvious to everyone". In 1890 Shaw produced Tract No. 13, What Socialism Is, a revision of an earlier tract in which Charlotte Wilson had defined socialism in anarchistic terms. In Shaw's new version, readers were assured that "socialism can be brought about in a perfectly constitutional manner by democratic institutions". CANNOTANSWER

Question: Was George Bernard Shaw an active member of the Social Democratic Federation?
Answer: CANNOTANSWER
George Bernard Shaw

Context: On 5 September 1882 Shaw attended a meeting at the Memorial Hall, Farringdon, addressed by the political economist Henry George. Shaw then read George's book Progress and Poverty, which awakened his interest in economics. He began attending meetings of the Social Democratic Federation (SDF), where he discovered the writings of Karl Marx, and thereafter spent much of 1883 reading Das Kapital. He was not impressed by the SDF's founder, H. M. Hyndman, whom he found autocratic, ill-tempered and lacking leadership qualities. Shaw doubted the ability of the SDF to harness the working classes into an effective radical movement and did not join it--he preferred, he said, to work with his intellectual equals.  After reading a tract, Why Are The Many Poor?, issued by the recently formed Fabian Society, Shaw went to the society's next advertised meeting, on 16 May 1884. He became a member in September, and before the year's end had provided the society with its first manifesto, published as Fabian Tract No. 2. He joined the society's executive committee in January 1885, and later that year recruited Webb and also Annie Besant, a fine orator.  From 1885 to 1889 Shaw attended the fortnightly meetings of the British Economic Association; it was, Holroyd observes, "the closest Shaw had ever come to university education." This experience changed his political ideas; he moved away from Marxism and became an apostle of gradualism. When in 1886-87 the Fabians debated whether to embrace anarchism, as advocated by Charlotte Wilson, Besant and others, Shaw joined the majority in rejecting this approach. After a rally in Trafalgar Square addressed by Besant was violently broken up by the authorities on 13 November 1887 ("Bloody Sunday"), Shaw became convinced of the folly of attempting to challenge police power. Thereafter he largely accepted the principle of "permeation" as advocated by Webb: the notion whereby socialism could best be achieved by infiltration of people and ideas into existing political parties.  Throughout the 1880s the Fabian Society remained small, its message of moderation frequently unheard among more strident voices. Its profile was raised in 1889 with the publication of Fabian Essays in Socialism, edited by Shaw who also provided two of the essays. The second of these, "Transition", details the case for gradualism and permeation, asserting that "the necessity for cautious and gradual change must be obvious to everyone". In 1890 Shaw produced Tract No. 13, What Socialism Is, a revision of an earlier tract in which Charlotte Wilson had defined socialism in anarchistic terms. In Shaw's new version, readers were assured that "socialism can be brought about in a perfectly constitutional manner by democratic institutions". CANNOTANSWER

Question: Is there any additional information about George Bernard Shaw's time with the SDF?
Answer: Shaw doubted the ability of the SDF to harness the working classes into an effective radical movement and did not join it