gaussalgo/Canard_Wiki-augmented huggingface dataset:
Hound Dog (song)

Context: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog." CANNOTANSWER

Question: Who did the first rip off of Hound Dog?
Answer: Smiley Lewis's
Hound Dog (song)

Context: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog." CANNOTANSWER

Question: What song was Hound Dog?
Answer: Play Girl
Hound Dog (song)

Context: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog." CANNOTANSWER

Question: Who was the rip off of Hound Dog credited to?
Answer: credited to D. Bartholomew
Hound Dog (song)

Context: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog." CANNOTANSWER

Question: What label did D. Bartholomew use?
Answer: Imperial Records label
Hound Dog (song)

Context: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog." CANNOTANSWER

Question: Who else made a riff besides Bartholomew?
Answer: Jesse "Big 'Tiny'" Kennedy
Hound Dog (song)

Context: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog." CANNOTANSWER

Question: What is Big Tiny known for?
Answer: female impersonator
Hound Dog (song)

Context: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog." CANNOTANSWER

Question: What wast the riff called?
Answer: Country Boy
Hound Dog (song)

Context: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog." CANNOTANSWER

Question: What label was country boy on?
Answer: accompanied by His Orchestra that was released by RCA's Groove Records
Hound Dog (song)

Context: Two records were released that were neither cover versions of nor answers to Thornton's release, yet used a similar melody without any attribution to Leiber and Stoller. The first was Smiley Lewis's "Play Girl", credited to D. Bartholomew and released by the Imperial Records label (Imperial 45-5234) by the end of March 1953. Described as a "stomping uptempo boogie rocker", it began: "You ain't nothin' but a Play Girl / Staying out all night long". In April 1955, female impersonator Jesse "Big 'Tiny'" Kennedy recorded "Country Boy" accompanied by His Orchestra that was released by RCA's Groove Records (Groove 4G-0106) by May 21. While credited solely to Kennedy, this song has a similar melody to "Hound Dog": "'Country Boy' has a deceptively slouching flip on the 'Hound Dog' motif - this time with Tiny proclaiming proudly that he 'ain't nothing but a country boy'".  In the early 1970s Robert Loers, owner of Dutch label Redita Records, found a song with the same melody as "Hound Dog" called "(You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother, Tom, where Sun artifacts were stored.  When Juice Head first appeared on a Redita Records LP [in 1974], it was credited to Rosco Gordon. But it's not Rosco. It simply is not him. Really. Even Rosco confirmed that. It might not even be a Memphis Recording Service demo. Just substitute the words "Hound Dog" for "Juice Head" and what have you got? Of course the inspiration for this song came from Big Mama Thornton's "Hound Dog" or perhaps even from Rufus Thomas' "Bear Cat". But the song's other parent is Eddie Vinson's slowed down "Juicehead Blues" which harks to the previous decade...If indeed this originated from Sam Phillips' studio, it was nothing that Phillips needed to touch because it was another lawsuit waiting to happen."  Philip H. Ennis sees "Two Hound Dogs", which was recorded on May 10, 1955, by Bill Haley & His Comets (Decca 29552), as a response to Thornton's recording. While not an answer record in the traditional sense, the lyric characterized "Rhythm" and "Blues" as the titular "Two Hound Dogs," an apparent testament to the stature of "Hound Dog." CANNOTANSWER

Question: Who did the last riff?
Answer: You Ain't Nuttin' But a) Juicehead" on an anonymous acetate at Select-o-Hits, the Memphis distributorship owned by Sam Phillips' brother,
Camillo Golgi

Context: Central nervous system was difficult to study during Golgi's time because the cells were hard to identify. The available tissue staining techniques were useless for studying nervous tissue. While working as chief medical officer at the Hospital of the Chronically Ill, he experimented with metal impregnation of nervous tissue, using mainly silver (silver staining). In the early 1873, he discovered a method of staining nervous tissue that would stain a limited number of cells at random in their entirety. He first treated the tissue with potassium dichromate to harden it, and then with silver nitrate. Under microscope, the outline of the neuron became distinct from the surrounding tissue and cells. The silver chromate precipitate, as a reaction product, only selective stains some cellular components randomly, sparing other cell parts. The silver chromate particles create a stark black deposit on the soma (nerve cell body) as well as on the axon and all dendrites, providing an exceedingly clear and well-contrasted picture of neuron against a yellow background. This makes it easier to trace the structure of the nerve cells in the brain for the first time. Since cells are selective stained in black, he called the process la reazione nera ("the black reaction"), but today it is called Golgi's method or the Golgi stain. On 16 February 1873, he wrote to his friend Niccolo Manfredi:  I am delighted that I have found a new reaction to demonstrate, even to the blind, the structure of the interstitial stroma of the cerebral cortex.  His discovery was published in the Gazzeta Medica Italiani on 2 August 1873. CANNOTANSWER

Question: what is golgi straining
Answer: a method of staining nervous tissue that would stain a limited number of cells at random in their entirety.
Camillo Golgi

Context: Central nervous system was difficult to study during Golgi's time because the cells were hard to identify. The available tissue staining techniques were useless for studying nervous tissue. While working as chief medical officer at the Hospital of the Chronically Ill, he experimented with metal impregnation of nervous tissue, using mainly silver (silver staining). In the early 1873, he discovered a method of staining nervous tissue that would stain a limited number of cells at random in their entirety. He first treated the tissue with potassium dichromate to harden it, and then with silver nitrate. Under microscope, the outline of the neuron became distinct from the surrounding tissue and cells. The silver chromate precipitate, as a reaction product, only selective stains some cellular components randomly, sparing other cell parts. The silver chromate particles create a stark black deposit on the soma (nerve cell body) as well as on the axon and all dendrites, providing an exceedingly clear and well-contrasted picture of neuron against a yellow background. This makes it easier to trace the structure of the nerve cells in the brain for the first time. Since cells are selective stained in black, he called the process la reazione nera ("the black reaction"), but today it is called Golgi's method or the Golgi stain. On 16 February 1873, he wrote to his friend Niccolo Manfredi:  I am delighted that I have found a new reaction to demonstrate, even to the blind, the structure of the interstitial stroma of the cerebral cortex.  His discovery was published in the Gazzeta Medica Italiani on 2 August 1873. CANNOTANSWER

Question: is black reaction a sickness?
Answer: he called the process la reazione nera ("the black reaction"),
Camillo Golgi

Context: Central nervous system was difficult to study during Golgi's time because the cells were hard to identify. The available tissue staining techniques were useless for studying nervous tissue. While working as chief medical officer at the Hospital of the Chronically Ill, he experimented with metal impregnation of nervous tissue, using mainly silver (silver staining). In the early 1873, he discovered a method of staining nervous tissue that would stain a limited number of cells at random in their entirety. He first treated the tissue with potassium dichromate to harden it, and then with silver nitrate. Under microscope, the outline of the neuron became distinct from the surrounding tissue and cells. The silver chromate precipitate, as a reaction product, only selective stains some cellular components randomly, sparing other cell parts. The silver chromate particles create a stark black deposit on the soma (nerve cell body) as well as on the axon and all dendrites, providing an exceedingly clear and well-contrasted picture of neuron against a yellow background. This makes it easier to trace the structure of the nerve cells in the brain for the first time. Since cells are selective stained in black, he called the process la reazione nera ("the black reaction"), but today it is called Golgi's method or the Golgi stain. On 16 February 1873, he wrote to his friend Niccolo Manfredi:  I am delighted that I have found a new reaction to demonstrate, even to the blind, the structure of the interstitial stroma of the cerebral cortex.  His discovery was published in the Gazzeta Medica Italiani on 2 August 1873. CANNOTANSWER

Question: what year did black reaction begin?
Answer: In the early 1873, he discovered a method
Camillo Golgi

Context: Central nervous system was difficult to study during Golgi's time because the cells were hard to identify. The available tissue staining techniques were useless for studying nervous tissue. While working as chief medical officer at the Hospital of the Chronically Ill, he experimented with metal impregnation of nervous tissue, using mainly silver (silver staining). In the early 1873, he discovered a method of staining nervous tissue that would stain a limited number of cells at random in their entirety. He first treated the tissue with potassium dichromate to harden it, and then with silver nitrate. Under microscope, the outline of the neuron became distinct from the surrounding tissue and cells. The silver chromate precipitate, as a reaction product, only selective stains some cellular components randomly, sparing other cell parts. The silver chromate particles create a stark black deposit on the soma (nerve cell body) as well as on the axon and all dendrites, providing an exceedingly clear and well-contrasted picture of neuron against a yellow background. This makes it easier to trace the structure of the nerve cells in the brain for the first time. Since cells are selective stained in black, he called the process la reazione nera ("the black reaction"), but today it is called Golgi's method or the Golgi stain. On 16 February 1873, he wrote to his friend Niccolo Manfredi:  I am delighted that I have found a new reaction to demonstrate, even to the blind, the structure of the interstitial stroma of the cerebral cortex.  His discovery was published in the Gazzeta Medica Italiani on 2 August 1873. CANNOTANSWER

Question: was the method of black reaction used a lot?
Answer: CANNOTANSWER
Camillo Golgi

Context: Central nervous system was difficult to study during Golgi's time because the cells were hard to identify. The available tissue staining techniques were useless for studying nervous tissue. While working as chief medical officer at the Hospital of the Chronically Ill, he experimented with metal impregnation of nervous tissue, using mainly silver (silver staining). In the early 1873, he discovered a method of staining nervous tissue that would stain a limited number of cells at random in their entirety. He first treated the tissue with potassium dichromate to harden it, and then with silver nitrate. Under microscope, the outline of the neuron became distinct from the surrounding tissue and cells. The silver chromate precipitate, as a reaction product, only selective stains some cellular components randomly, sparing other cell parts. The silver chromate particles create a stark black deposit on the soma (nerve cell body) as well as on the axon and all dendrites, providing an exceedingly clear and well-contrasted picture of neuron against a yellow background. This makes it easier to trace the structure of the nerve cells in the brain for the first time. Since cells are selective stained in black, he called the process la reazione nera ("the black reaction"), but today it is called Golgi's method or the Golgi stain. On 16 February 1873, he wrote to his friend Niccolo Manfredi:  I am delighted that I have found a new reaction to demonstrate, even to the blind, the structure of the interstitial stroma of the cerebral cortex.  His discovery was published in the Gazzeta Medica Italiani on 2 August 1873. CANNOTANSWER

Question: what was golgis sex?
Answer: he experimented
Steven Curtis Chapman

Context: In 1992, Chapman made a successful shift into a more mainstream audience with his album The Great Adventure. The album garnered Chapman two more Grammys, for the album and for the title track video. After Sparrow Records was purchased by EMI/Liberty, they began to market the album to a broader audience, pushing it to gold status in 1993. The success of the album prompted Chapman to record one of his concerts and release it as The Live Adventure, both as a video and a CD. This continuation won Chapman more GMA Awards, and also a new award from American Songwriter magazine for Songwriter and Artist of the Year.  Chapman continued to enjoy success with albums like Heaven in the Real World, Signs of Life, and Speechless. In 2001, with the release of Declaration, Chapman got more attention in the Top 200. That album, along with 2003's All About Love, peaked in the Top 15. The follow-up, All Things New, made it to No. 22.  Chapman has also released four Christmas albums, beginning with 1995's The Music of Christmas. In 2003 he released Christmas Is All in the Heart exclusively through Hallmark Gold Crown Stores and in 2005, he released All I Really Want for Christmas and finally Joy was released in 2012.  In the Christian video game, Dance Praise, four songs from Chapman are included: "All About Love", "Dive", "Live Out Loud", and "Only Getting Started". The Dance Praise expansion pack, Dance Praise Expansion Pack Volume 1: Modern Worship, adds the following songs to the game: "Children of the Burning Heart", "Let Us Pray", "See the Glory", "Fingerprints of God", and "I Do Believe".  Chapman also hosts the Gospel Music Channel show, "The Best of the Dove Awards". CANNOTANSWER

Question: Are there any other interesting aspects about this article about Steven Curtis Chapman?
Answer: In 1992, Chapman made a successful shift into a more mainstream audience with his album The Great Adventure.
Steven Curtis Chapman

Context: In 1992, Chapman made a successful shift into a more mainstream audience with his album The Great Adventure. The album garnered Chapman two more Grammys, for the album and for the title track video. After Sparrow Records was purchased by EMI/Liberty, they began to market the album to a broader audience, pushing it to gold status in 1993. The success of the album prompted Chapman to record one of his concerts and release it as The Live Adventure, both as a video and a CD. This continuation won Chapman more GMA Awards, and also a new award from American Songwriter magazine for Songwriter and Artist of the Year.  Chapman continued to enjoy success with albums like Heaven in the Real World, Signs of Life, and Speechless. In 2001, with the release of Declaration, Chapman got more attention in the Top 200. That album, along with 2003's All About Love, peaked in the Top 15. The follow-up, All Things New, made it to No. 22.  Chapman has also released four Christmas albums, beginning with 1995's The Music of Christmas. In 2003 he released Christmas Is All in the Heart exclusively through Hallmark Gold Crown Stores and in 2005, he released All I Really Want for Christmas and finally Joy was released in 2012.  In the Christian video game, Dance Praise, four songs from Chapman are included: "All About Love", "Dive", "Live Out Loud", and "Only Getting Started". The Dance Praise expansion pack, Dance Praise Expansion Pack Volume 1: Modern Worship, adds the following songs to the game: "Children of the Burning Heart", "Let Us Pray", "See the Glory", "Fingerprints of God", and "I Do Believe".  Chapman also hosts the Gospel Music Channel show, "The Best of the Dove Awards". CANNOTANSWER

Question: How did the album, The Great Adventure, do on the charts?
Answer: The album garnered Chapman two more Grammys, for the album and for the title track video.
Steven Curtis Chapman

Context: In 1992, Chapman made a successful shift into a more mainstream audience with his album The Great Adventure. The album garnered Chapman two more Grammys, for the album and for the title track video. After Sparrow Records was purchased by EMI/Liberty, they began to market the album to a broader audience, pushing it to gold status in 1993. The success of the album prompted Chapman to record one of his concerts and release it as The Live Adventure, both as a video and a CD. This continuation won Chapman more GMA Awards, and also a new award from American Songwriter magazine for Songwriter and Artist of the Year.  Chapman continued to enjoy success with albums like Heaven in the Real World, Signs of Life, and Speechless. In 2001, with the release of Declaration, Chapman got more attention in the Top 200. That album, along with 2003's All About Love, peaked in the Top 15. The follow-up, All Things New, made it to No. 22.  Chapman has also released four Christmas albums, beginning with 1995's The Music of Christmas. In 2003 he released Christmas Is All in the Heart exclusively through Hallmark Gold Crown Stores and in 2005, he released All I Really Want for Christmas and finally Joy was released in 2012.  In the Christian video game, Dance Praise, four songs from Chapman are included: "All About Love", "Dive", "Live Out Loud", and "Only Getting Started". The Dance Praise expansion pack, Dance Praise Expansion Pack Volume 1: Modern Worship, adds the following songs to the game: "Children of the Burning Heart", "Let Us Pray", "See the Glory", "Fingerprints of God", and "I Do Believe".  Chapman also hosts the Gospel Music Channel show, "The Best of the Dove Awards". CANNOTANSWER

Question: What was the title track of The Great Adventure?
Answer: CANNOTANSWER
Steven Curtis Chapman

Context: In 1992, Chapman made a successful shift into a more mainstream audience with his album The Great Adventure. The album garnered Chapman two more Grammys, for the album and for the title track video. After Sparrow Records was purchased by EMI/Liberty, they began to market the album to a broader audience, pushing it to gold status in 1993. The success of the album prompted Chapman to record one of his concerts and release it as The Live Adventure, both as a video and a CD. This continuation won Chapman more GMA Awards, and also a new award from American Songwriter magazine for Songwriter and Artist of the Year.  Chapman continued to enjoy success with albums like Heaven in the Real World, Signs of Life, and Speechless. In 2001, with the release of Declaration, Chapman got more attention in the Top 200. That album, along with 2003's All About Love, peaked in the Top 15. The follow-up, All Things New, made it to No. 22.  Chapman has also released four Christmas albums, beginning with 1995's The Music of Christmas. In 2003 he released Christmas Is All in the Heart exclusively through Hallmark Gold Crown Stores and in 2005, he released All I Really Want for Christmas and finally Joy was released in 2012.  In the Christian video game, Dance Praise, four songs from Chapman are included: "All About Love", "Dive", "Live Out Loud", and "Only Getting Started". The Dance Praise expansion pack, Dance Praise Expansion Pack Volume 1: Modern Worship, adds the following songs to the game: "Children of the Burning Heart", "Let Us Pray", "See the Glory", "Fingerprints of God", and "I Do Believe".  Chapman also hosts the Gospel Music Channel show, "The Best of the Dove Awards". CANNOTANSWER

Question: Did Steven Curtis Chapman tour during the release of The Great Adventure?
Answer: CANNOTANSWER
Steven Curtis Chapman

Context: In 1992, Chapman made a successful shift into a more mainstream audience with his album The Great Adventure. The album garnered Chapman two more Grammys, for the album and for the title track video. After Sparrow Records was purchased by EMI/Liberty, they began to market the album to a broader audience, pushing it to gold status in 1993. The success of the album prompted Chapman to record one of his concerts and release it as The Live Adventure, both as a video and a CD. This continuation won Chapman more GMA Awards, and also a new award from American Songwriter magazine for Songwriter and Artist of the Year.  Chapman continued to enjoy success with albums like Heaven in the Real World, Signs of Life, and Speechless. In 2001, with the release of Declaration, Chapman got more attention in the Top 200. That album, along with 2003's All About Love, peaked in the Top 15. The follow-up, All Things New, made it to No. 22.  Chapman has also released four Christmas albums, beginning with 1995's The Music of Christmas. In 2003 he released Christmas Is All in the Heart exclusively through Hallmark Gold Crown Stores and in 2005, he released All I Really Want for Christmas and finally Joy was released in 2012.  In the Christian video game, Dance Praise, four songs from Chapman are included: "All About Love", "Dive", "Live Out Loud", and "Only Getting Started". The Dance Praise expansion pack, Dance Praise Expansion Pack Volume 1: Modern Worship, adds the following songs to the game: "Children of the Burning Heart", "Let Us Pray", "See the Glory", "Fingerprints of God", and "I Do Believe".  Chapman also hosts the Gospel Music Channel show, "The Best of the Dove Awards". CANNOTANSWER

Question: When did Steven Curtis Chapman release his next album after The Great Adventure?
Answer: In 2001, with the release of Declaration, Chapman got more attention in the Top 200.
Steven Curtis Chapman

Context: In 1992, Chapman made a successful shift into a more mainstream audience with his album The Great Adventure. The album garnered Chapman two more Grammys, for the album and for the title track video. After Sparrow Records was purchased by EMI/Liberty, they began to market the album to a broader audience, pushing it to gold status in 1993. The success of the album prompted Chapman to record one of his concerts and release it as The Live Adventure, both as a video and a CD. This continuation won Chapman more GMA Awards, and also a new award from American Songwriter magazine for Songwriter and Artist of the Year.  Chapman continued to enjoy success with albums like Heaven in the Real World, Signs of Life, and Speechless. In 2001, with the release of Declaration, Chapman got more attention in the Top 200. That album, along with 2003's All About Love, peaked in the Top 15. The follow-up, All Things New, made it to No. 22.  Chapman has also released four Christmas albums, beginning with 1995's The Music of Christmas. In 2003 he released Christmas Is All in the Heart exclusively through Hallmark Gold Crown Stores and in 2005, he released All I Really Want for Christmas and finally Joy was released in 2012.  In the Christian video game, Dance Praise, four songs from Chapman are included: "All About Love", "Dive", "Live Out Loud", and "Only Getting Started". The Dance Praise expansion pack, Dance Praise Expansion Pack Volume 1: Modern Worship, adds the following songs to the game: "Children of the Burning Heart", "Let Us Pray", "See the Glory", "Fingerprints of God", and "I Do Believe".  Chapman also hosts the Gospel Music Channel show, "The Best of the Dove Awards". CANNOTANSWER

Question: Did Steven Curtis Chapman have any hit singles?
Answer: CANNOTANSWER
Eileen J. Garrett

Context: On 7 October 1930 it was claimed by spiritualists that Garrett made contact with the spirit of Herbert Carmichael Irwin at a seance held with Harry Price at the National Laboratory of Psychical Research two days after the R101 disaster, while attempting to contact the then recently deceased Arthur Conan Doyle, and discussed possible causes of the accident. The event "attracted worldwide attention", thanks to the presence of a reporter. Major Oliver Villiers, a friend of Brancker, Scott, Irwin, Colmore and others aboard the airship, participated in further seances with Garrett, at which he claimed to have contacted both Irwin and other victims. Price did not come to any definite conclusion about Garrett and the seances:  It is not my intention to discuss if the medium were really controlled by the discarnate entity of Irwin, or whether the utterances emanated from her subconscious mind or those of the sitters. "Spirit" or "trance personality" would be equally interesting explanations - and equally remarkable. There is no real evidence for either hypothesis. But it is not my intention to discuss hypotheses, but rather to put on record the detailed account of a remarkably interesting and thought-provoking experiment.  In 1978, paranormal writer John G. Fuller wrote a book claiming that Irwin had spoken through Garrett. This claim has been questioned. Magician John Booth analyzed the mediumship of Garrett and the paranormal claims of R101 and considered her to be a fraud. According to Booth, Garrett's notes and writings show she followed the building of the R101 and she may have been given aircraft blueprints from a technician from the aerodrome.  However, Melvin Harris a researcher who studied the original scripts from the case, wrote that no secret accomplice was needed as the information described in Garrett's seances were "either commonplace, easily absorbed bits and pieces, or plain gobbledegook. The so-called secret information just doesn't exist." Harris discovered that the original scripts of the seances did not contain any secret information and spiritualist writers such as Fuller had fabricated and misinterpreted content from these scripts. When experts and veteran pilots were shown the scripts they declared the information to be incorrect and technically empty.  Archie Jarman who had interviewed witnesses wrote an 80,000-word report on the case concluded the seance information was valueless and that we should "best forget the psychic side of R-101; it's a dead duck-- absolutely!" CANNOTANSWER

Question: What sort of controversy did Eileen J. Garrett  have?
Answer: wrote that no secret accomplice was needed as the information described in Garrett's seances were "either commonplace, easily absorbed bits and pieces, or plain gobbledegook.
Eileen J. Garrett

Context: On 7 October 1930 it was claimed by spiritualists that Garrett made contact with the spirit of Herbert Carmichael Irwin at a seance held with Harry Price at the National Laboratory of Psychical Research two days after the R101 disaster, while attempting to contact the then recently deceased Arthur Conan Doyle, and discussed possible causes of the accident. The event "attracted worldwide attention", thanks to the presence of a reporter. Major Oliver Villiers, a friend of Brancker, Scott, Irwin, Colmore and others aboard the airship, participated in further seances with Garrett, at which he claimed to have contacted both Irwin and other victims. Price did not come to any definite conclusion about Garrett and the seances:  It is not my intention to discuss if the medium were really controlled by the discarnate entity of Irwin, or whether the utterances emanated from her subconscious mind or those of the sitters. "Spirit" or "trance personality" would be equally interesting explanations - and equally remarkable. There is no real evidence for either hypothesis. But it is not my intention to discuss hypotheses, but rather to put on record the detailed account of a remarkably interesting and thought-provoking experiment.  In 1978, paranormal writer John G. Fuller wrote a book claiming that Irwin had spoken through Garrett. This claim has been questioned. Magician John Booth analyzed the mediumship of Garrett and the paranormal claims of R101 and considered her to be a fraud. According to Booth, Garrett's notes and writings show she followed the building of the R101 and she may have been given aircraft blueprints from a technician from the aerodrome.  However, Melvin Harris a researcher who studied the original scripts from the case, wrote that no secret accomplice was needed as the information described in Garrett's seances were "either commonplace, easily absorbed bits and pieces, or plain gobbledegook. The so-called secret information just doesn't exist." Harris discovered that the original scripts of the seances did not contain any secret information and spiritualist writers such as Fuller had fabricated and misinterpreted content from these scripts. When experts and veteran pilots were shown the scripts they declared the information to be incorrect and technically empty.  Archie Jarman who had interviewed witnesses wrote an 80,000-word report on the case concluded the seance information was valueless and that we should "best forget the psychic side of R-101; it's a dead duck-- absolutely!" CANNOTANSWER

Question: Who wrote Garrett's seances.
Answer: Melvin Harris a researcher who studied the original scripts from the case,