gaussalgo/Canard_Wiki-augmented huggingface dataset:
Travis Tritt

Context: In 1991, Tritt received a second Horizon Award nomination, which he won that year. He also released his second album, It's All About to Change. The album went on to become his best-selling, with a triple-platinum certification from the RIAA for shipments of three million copies. All four of its singles reached the top five on the country music charts. "Here's a Quarter (Call Someone Who Cares)" and the Marty Stuart duet "The Whiskey Ain't Workin'," respectively the first and third singles, both reached number two, with the number-one "Anymore" in between. "Nothing Short of Dying" was the fourth single, with a peak at number four on Billboard; both it and "The Whiskey Ain't Working" went to Number One on Radio & Records. "Bible Belt," another cut from the album (recorded in collaboration with Little Feat), appeared in the 1992 film My Cousin Vinny (the lyrics for the song, however, were changed for the version played in the movie to match the story line). Although not released as a single, it peaked at number 72 country based on unsolicited airplay and was the b-side to "Nothing Short of Dying." "Bible Belt" was inspired by a youth pastor whom Tritt knew in his childhood.  Stuart offered "The Whiskey Ain't Workin' Anymore" to Tritt backstage at the CMA awards show, and they recorded it as a duet through the suggestion of Tritt's record producer, Gregg Brown. The duet won both artists the next year's Grammy Award for Best Country Collaboration with Vocals. Tritt and Stuart charted a second duet, "This One's Gonna Hurt You (For a Long, Long Time)," which went to number seven in mid-1992 and appeared on Stuart's album This One's Gonna Hurt You. This song won the 1992 CMA award for Vocal Event of the Year.  In June 1992, Tritt received media attention when he criticized Billy Ray Cyrus' "Achy Breaky Heart" at a Fan Fair interview, saying that he did not think that Cyrus' song made a "statement". The following January, Cyrus responded at the American Music Awards by making reference to Tritt's "Here's a Quarter". Tritt later apologized to Cyrus, but said that he defended his opinion on the song. CANNOTANSWER

Question: Were there any hit singles from the album It's All About to Change by Travis Tritt?
Answer: All four of its singles reached the top five on the country music charts.
Travis Tritt

Context: In 1991, Tritt received a second Horizon Award nomination, which he won that year. He also released his second album, It's All About to Change. The album went on to become his best-selling, with a triple-platinum certification from the RIAA for shipments of three million copies. All four of its singles reached the top five on the country music charts. "Here's a Quarter (Call Someone Who Cares)" and the Marty Stuart duet "The Whiskey Ain't Workin'," respectively the first and third singles, both reached number two, with the number-one "Anymore" in between. "Nothing Short of Dying" was the fourth single, with a peak at number four on Billboard; both it and "The Whiskey Ain't Working" went to Number One on Radio & Records. "Bible Belt," another cut from the album (recorded in collaboration with Little Feat), appeared in the 1992 film My Cousin Vinny (the lyrics for the song, however, were changed for the version played in the movie to match the story line). Although not released as a single, it peaked at number 72 country based on unsolicited airplay and was the b-side to "Nothing Short of Dying." "Bible Belt" was inspired by a youth pastor whom Tritt knew in his childhood.  Stuart offered "The Whiskey Ain't Workin' Anymore" to Tritt backstage at the CMA awards show, and they recorded it as a duet through the suggestion of Tritt's record producer, Gregg Brown. The duet won both artists the next year's Grammy Award for Best Country Collaboration with Vocals. Tritt and Stuart charted a second duet, "This One's Gonna Hurt You (For a Long, Long Time)," which went to number seven in mid-1992 and appeared on Stuart's album This One's Gonna Hurt You. This song won the 1992 CMA award for Vocal Event of the Year.  In June 1992, Tritt received media attention when he criticized Billy Ray Cyrus' "Achy Breaky Heart" at a Fan Fair interview, saying that he did not think that Cyrus' song made a "statement". The following January, Cyrus responded at the American Music Awards by making reference to Tritt's "Here's a Quarter". Tritt later apologized to Cyrus, but said that he defended his opinion on the song. CANNOTANSWER

Question: Did the album It's All About To Change by Travis Tritt win any awards?
Answer: CANNOTANSWER
R. Kelly

Context: January 2009, after separating in fall of 2005, Kelly finalized divorce to ex-wife Andrea Kelly. The couple had been married for 11 years.  On June 3, 2009, Kelly released his first ever mixtape, The Demo Tape (Gangsta Grillz) presented by DJ Skee and DJ Drama as a way to reintroduce himself to fans.  While at the Velvet Room in Atlanta in February 2009, Kelly announced that he was out there working on the album and that it would be called Untitled. The album was given a September 29, 2009 release date, but was delayed until October 13, 2009. The album release was again delayed and was released under Jive Records on December 1, 2009. It got mixed to positive reviews from critics. The single "Number One", which features Keri Hilson, peaked at #8 on the US R&B Chart.  Kelly performed for the first time in Africa headlining the Arise African Fashion Awards in Johannesburg, South Africa on June 20, 2009. Kelly scheduled to perform in Cape Town before heading to Nigeria as part of the annual ThisDay music and fashion festival in July. Kelly also performed in Kampala, Uganda in January 2010. He also scheduled to perform in London as part of his first international tour in eight years, but he did not make his London concert. "I'm very excited about my first visit to Africa, I've dreamed about this for a long time and it's finally here," Kelly said in a statement. "It will be one of the highlights of not only my career but my life. I can't wait to perform in front of my fans in Africa -- who have been some of the best in the world."  In December 2009, Kelly teamed up with biographer David Ritz and Tavis Smiley's SmileyBooks publications to write his memoirs entitled Soulacoaster. SmileyBooks publisher and founder, Tavis Smiley stated that the memoir's main focus won't be on Kelly's trials and tribulations. Smiley was quoted saying "If anyone thinks this bookis going to fixate on [R. Kelly's trials], they are going to be sadly mistaken. It is going to be a holistic look at his life thus far and the life and legacy that he's building." CANNOTANSWER

Question: Can you tell me about R. Kelly, Untitled and Africa?
Answer: in February 2009, Kelly announced that he was out there working on the album and that it would be called Untitled.
R. Kelly

Context: January 2009, after separating in fall of 2005, Kelly finalized divorce to ex-wife Andrea Kelly. The couple had been married for 11 years.  On June 3, 2009, Kelly released his first ever mixtape, The Demo Tape (Gangsta Grillz) presented by DJ Skee and DJ Drama as a way to reintroduce himself to fans.  While at the Velvet Room in Atlanta in February 2009, Kelly announced that he was out there working on the album and that it would be called Untitled. The album was given a September 29, 2009 release date, but was delayed until October 13, 2009. The album release was again delayed and was released under Jive Records on December 1, 2009. It got mixed to positive reviews from critics. The single "Number One", which features Keri Hilson, peaked at #8 on the US R&B Chart.  Kelly performed for the first time in Africa headlining the Arise African Fashion Awards in Johannesburg, South Africa on June 20, 2009. Kelly scheduled to perform in Cape Town before heading to Nigeria as part of the annual ThisDay music and fashion festival in July. Kelly also performed in Kampala, Uganda in January 2010. He also scheduled to perform in London as part of his first international tour in eight years, but he did not make his London concert. "I'm very excited about my first visit to Africa, I've dreamed about this for a long time and it's finally here," Kelly said in a statement. "It will be one of the highlights of not only my career but my life. I can't wait to perform in front of my fans in Africa -- who have been some of the best in the world."  In December 2009, Kelly teamed up with biographer David Ritz and Tavis Smiley's SmileyBooks publications to write his memoirs entitled Soulacoaster. SmileyBooks publisher and founder, Tavis Smiley stated that the memoir's main focus won't be on Kelly's trials and tribulations. Smiley was quoted saying "If anyone thinks this bookis going to fixate on [R. Kelly's trials], they are going to be sadly mistaken. It is going to be a holistic look at his life thus far and the life and legacy that he's building." CANNOTANSWER

Question: How long did it take R. Kelly to work on Untitled and Africa?
Answer: was released under Jive Records on December 1, 2009.
R. Kelly

Context: January 2009, after separating in fall of 2005, Kelly finalized divorce to ex-wife Andrea Kelly. The couple had been married for 11 years.  On June 3, 2009, Kelly released his first ever mixtape, The Demo Tape (Gangsta Grillz) presented by DJ Skee and DJ Drama as a way to reintroduce himself to fans.  While at the Velvet Room in Atlanta in February 2009, Kelly announced that he was out there working on the album and that it would be called Untitled. The album was given a September 29, 2009 release date, but was delayed until October 13, 2009. The album release was again delayed and was released under Jive Records on December 1, 2009. It got mixed to positive reviews from critics. The single "Number One", which features Keri Hilson, peaked at #8 on the US R&B Chart.  Kelly performed for the first time in Africa headlining the Arise African Fashion Awards in Johannesburg, South Africa on June 20, 2009. Kelly scheduled to perform in Cape Town before heading to Nigeria as part of the annual ThisDay music and fashion festival in July. Kelly also performed in Kampala, Uganda in January 2010. He also scheduled to perform in London as part of his first international tour in eight years, but he did not make his London concert. "I'm very excited about my first visit to Africa, I've dreamed about this for a long time and it's finally here," Kelly said in a statement. "It will be one of the highlights of not only my career but my life. I can't wait to perform in front of my fans in Africa -- who have been some of the best in the world."  In December 2009, Kelly teamed up with biographer David Ritz and Tavis Smiley's SmileyBooks publications to write his memoirs entitled Soulacoaster. SmileyBooks publisher and founder, Tavis Smiley stated that the memoir's main focus won't be on Kelly's trials and tribulations. Smiley was quoted saying "If anyone thinks this bookis going to fixate on [R. Kelly's trials], they are going to be sadly mistaken. It is going to be a holistic look at his life thus far and the life and legacy that he's building." CANNOTANSWER

Question: Was Untitled and Africa a popular album?
Answer: The single "Number One", which features Keri Hilson, peaked at #8 on the US R&B Chart.
R. Kelly

Context: January 2009, after separating in fall of 2005, Kelly finalized divorce to ex-wife Andrea Kelly. The couple had been married for 11 years.  On June 3, 2009, Kelly released his first ever mixtape, The Demo Tape (Gangsta Grillz) presented by DJ Skee and DJ Drama as a way to reintroduce himself to fans.  While at the Velvet Room in Atlanta in February 2009, Kelly announced that he was out there working on the album and that it would be called Untitled. The album was given a September 29, 2009 release date, but was delayed until October 13, 2009. The album release was again delayed and was released under Jive Records on December 1, 2009. It got mixed to positive reviews from critics. The single "Number One", which features Keri Hilson, peaked at #8 on the US R&B Chart.  Kelly performed for the first time in Africa headlining the Arise African Fashion Awards in Johannesburg, South Africa on June 20, 2009. Kelly scheduled to perform in Cape Town before heading to Nigeria as part of the annual ThisDay music and fashion festival in July. Kelly also performed in Kampala, Uganda in January 2010. He also scheduled to perform in London as part of his first international tour in eight years, but he did not make his London concert. "I'm very excited about my first visit to Africa, I've dreamed about this for a long time and it's finally here," Kelly said in a statement. "It will be one of the highlights of not only my career but my life. I can't wait to perform in front of my fans in Africa -- who have been some of the best in the world."  In December 2009, Kelly teamed up with biographer David Ritz and Tavis Smiley's SmileyBooks publications to write his memoirs entitled Soulacoaster. SmileyBooks publisher and founder, Tavis Smiley stated that the memoir's main focus won't be on Kelly's trials and tribulations. Smiley was quoted saying "If anyone thinks this bookis going to fixate on [R. Kelly's trials], they are going to be sadly mistaken. It is going to be a holistic look at his life thus far and the life and legacy that he's building." CANNOTANSWER

Question: For how long did Untitled and Africa stay on the charts?
Answer: CANNOTANSWER
R. Kelly

Context: January 2009, after separating in fall of 2005, Kelly finalized divorce to ex-wife Andrea Kelly. The couple had been married for 11 years.  On June 3, 2009, Kelly released his first ever mixtape, The Demo Tape (Gangsta Grillz) presented by DJ Skee and DJ Drama as a way to reintroduce himself to fans.  While at the Velvet Room in Atlanta in February 2009, Kelly announced that he was out there working on the album and that it would be called Untitled. The album was given a September 29, 2009 release date, but was delayed until October 13, 2009. The album release was again delayed and was released under Jive Records on December 1, 2009. It got mixed to positive reviews from critics. The single "Number One", which features Keri Hilson, peaked at #8 on the US R&B Chart.  Kelly performed for the first time in Africa headlining the Arise African Fashion Awards in Johannesburg, South Africa on June 20, 2009. Kelly scheduled to perform in Cape Town before heading to Nigeria as part of the annual ThisDay music and fashion festival in July. Kelly also performed in Kampala, Uganda in January 2010. He also scheduled to perform in London as part of his first international tour in eight years, but he did not make his London concert. "I'm very excited about my first visit to Africa, I've dreamed about this for a long time and it's finally here," Kelly said in a statement. "It will be one of the highlights of not only my career but my life. I can't wait to perform in front of my fans in Africa -- who have been some of the best in the world."  In December 2009, Kelly teamed up with biographer David Ritz and Tavis Smiley's SmileyBooks publications to write his memoirs entitled Soulacoaster. SmileyBooks publisher and founder, Tavis Smiley stated that the memoir's main focus won't be on Kelly's trials and tribulations. Smiley was quoted saying "If anyone thinks this bookis going to fixate on [R. Kelly's trials], they are going to be sadly mistaken. It is going to be a holistic look at his life thus far and the life and legacy that he's building." CANNOTANSWER

Question: How many copies of the album Untitled and Africa was sold once released?
Answer: CANNOTANSWER
R. Kelly

Context: January 2009, after separating in fall of 2005, Kelly finalized divorce to ex-wife Andrea Kelly. The couple had been married for 11 years.  On June 3, 2009, Kelly released his first ever mixtape, The Demo Tape (Gangsta Grillz) presented by DJ Skee and DJ Drama as a way to reintroduce himself to fans.  While at the Velvet Room in Atlanta in February 2009, Kelly announced that he was out there working on the album and that it would be called Untitled. The album was given a September 29, 2009 release date, but was delayed until October 13, 2009. The album release was again delayed and was released under Jive Records on December 1, 2009. It got mixed to positive reviews from critics. The single "Number One", which features Keri Hilson, peaked at #8 on the US R&B Chart.  Kelly performed for the first time in Africa headlining the Arise African Fashion Awards in Johannesburg, South Africa on June 20, 2009. Kelly scheduled to perform in Cape Town before heading to Nigeria as part of the annual ThisDay music and fashion festival in July. Kelly also performed in Kampala, Uganda in January 2010. He also scheduled to perform in London as part of his first international tour in eight years, but he did not make his London concert. "I'm very excited about my first visit to Africa, I've dreamed about this for a long time and it's finally here," Kelly said in a statement. "It will be one of the highlights of not only my career but my life. I can't wait to perform in front of my fans in Africa -- who have been some of the best in the world."  In December 2009, Kelly teamed up with biographer David Ritz and Tavis Smiley's SmileyBooks publications to write his memoirs entitled Soulacoaster. SmileyBooks publisher and founder, Tavis Smiley stated that the memoir's main focus won't be on Kelly's trials and tribulations. Smiley was quoted saying "If anyone thinks this bookis going to fixate on [R. Kelly's trials], they are going to be sadly mistaken. It is going to be a holistic look at his life thus far and the life and legacy that he's building." CANNOTANSWER

Question: What stands out about R. Kelly Untitled and Africa album?
Answer: CANNOTANSWER
Fred Rogers

Context: During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc., noted that he did not object to home recordings of his television programs, for instance, by families in order to watch them together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recordings or believed that devices to facilitate it should be taxed or regulated.  When the case reached the Supreme Court in 1983, the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence "that many [television] producers are willing to allow private time-shifting to continue" and even quoted his testimony in a footnote:  Some public stations, as well as commercial stations, program the Neighborhood at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the Neighborhood off-the-air, and I'm speaking for the Neighborhood because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been "You are an important person just the way you are. You can make healthy decisions." Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important. CANNOTANSWER

Question: What did Rogers have to do with the VCR?
Answer: Rogers was involved in supporting the manufacturers of VCRs in court.
Fred Rogers

Context: During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc., noted that he did not object to home recordings of his television programs, for instance, by families in order to watch them together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recordings or believed that devices to facilitate it should be taxed or regulated.  When the case reached the Supreme Court in 1983, the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence "that many [television] producers are willing to allow private time-shifting to continue" and even quoted his testimony in a footnote:  Some public stations, as well as commercial stations, program the Neighborhood at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the Neighborhood off-the-air, and I'm speaking for the Neighborhood because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been "You are an important person just the way you are. You can make healthy decisions." Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important. CANNOTANSWER

Question: Why did Fred Rogers go to court?
Answer: who objected to home recordings or believed that devices to facilitate it should be taxed or regulated.
Fred Rogers

Context: During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc., noted that he did not object to home recordings of his television programs, for instance, by families in order to watch them together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recordings or believed that devices to facilitate it should be taxed or regulated.  When the case reached the Supreme Court in 1983, the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence "that many [television] producers are willing to allow private time-shifting to continue" and even quoted his testimony in a footnote:  Some public stations, as well as commercial stations, program the Neighborhood at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the Neighborhood off-the-air, and I'm speaking for the Neighborhood because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been "You are an important person just the way you are. You can make healthy decisions." Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important. CANNOTANSWER

Question: Did Fred Rogers win in court?
Answer: CANNOTANSWER
Fred Rogers

Context: During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc., noted that he did not object to home recordings of his television programs, for instance, by families in order to watch them together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recordings or believed that devices to facilitate it should be taxed or regulated.  When the case reached the Supreme Court in 1983, the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence "that many [television] producers are willing to allow private time-shifting to continue" and even quoted his testimony in a footnote:  Some public stations, as well as commercial stations, program the Neighborhood at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the Neighborhood off-the-air, and I'm speaking for the Neighborhood because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been "You are an important person just the way you are. You can make healthy decisions." Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important. CANNOTANSWER

Question: Other than Fred Rogers taking VCR to court, are there any other interesting facts in this article?
Answer: The Court stated that his views were a notable piece of evidence
Fred Rogers

Context: During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc., noted that he did not object to home recordings of his television programs, for instance, by families in order to watch them together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recordings or believed that devices to facilitate it should be taxed or regulated.  When the case reached the Supreme Court in 1983, the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence "that many [television] producers are willing to allow private time-shifting to continue" and even quoted his testimony in a footnote:  Some public stations, as well as commercial stations, program the Neighborhood at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the Neighborhood off-the-air, and I'm speaking for the Neighborhood because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been "You are an important person just the way you are. You can make healthy decisions." Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important. CANNOTANSWER

Question: When was the Fred Rogers v. VCR court case?
Answer: When the case reached the Supreme Court in 1983,
Fred Rogers

Context: During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc., noted that he did not object to home recordings of his television programs, for instance, by families in order to watch them together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recordings or believed that devices to facilitate it should be taxed or regulated.  When the case reached the Supreme Court in 1983, the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence "that many [television] producers are willing to allow private time-shifting to continue" and even quoted his testimony in a footnote:  Some public stations, as well as commercial stations, program the Neighborhood at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the Neighborhood off-the-air, and I'm speaking for the Neighborhood because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been "You are an important person just the way you are. You can make healthy decisions." Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important. CANNOTANSWER

Question: What was the result of the Supreme Court case?
Answer: the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright.
Fred Rogers

Context: During the controversy surrounding the introduction of the household VCR, Rogers was involved in supporting the manufacturers of VCRs in court. His 1979 testimony, in the case Sony Corp. of America v. Universal City Studios, Inc., noted that he did not object to home recordings of his television programs, for instance, by families in order to watch them together at a later time. This testimony contrasted with the views of others in the television industry who objected to home recordings or believed that devices to facilitate it should be taxed or regulated.  When the case reached the Supreme Court in 1983, the majority decision considered the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright. The Court stated that his views were a notable piece of evidence "that many [television] producers are willing to allow private time-shifting to continue" and even quoted his testimony in a footnote:  Some public stations, as well as commercial stations, program the Neighborhood at hours when some children cannot use it ... I have always felt that with the advent of all of this new technology that allows people to tape the Neighborhood off-the-air, and I'm speaking for the Neighborhood because that's what I produce, that they then become much more active in the programming of their family's television life. Very frankly, I am opposed to people being programmed by others. My whole approach in broadcasting has always been "You are an important person just the way you are. You can make healthy decisions." Maybe I'm going on too long, but I just feel that anything that allows a person to be more active in the control of his or her life, in a healthy way, is important. CANNOTANSWER

Question: Other than the majority decision considering the testimony of Rogers when it held that the Betamax video recorder did not infringe copyright, is there anything else notable about the case?
Answer: Very frankly, I am opposed to people being programmed by others.
Sandy Denny

Context: After making the Saga albums with Alex Campbell and Johnny Silvo, Denny looked for a band that would allow her to stretch herself as a vocalist, reach a wider audience, and have the opportunity to display her songwriting. She said, "I wanted to do something more with my voice." After working briefly with the Strawbs, Denny remained unconvinced that they could provide that opportunity, and so she ended her relationship with the band.  Fairport Convention conducted auditions in May 1968 for a replacement singer following the departure of Judy Dyble after their debut album, and Denny became the obvious choice. According to group member Simon Nicol, her personality and musicianship made her stand out from the other auditionees "like a clean glass in a sink full of dirty dishes".  Beginning with What We Did on Our Holidays, the first of three albums she made with the band in the late sixties, Denny is credited with encouraging Fairport Convention to explore the traditional British folk repertoire, and is thus regarded as a key figure in the development of British folk rock. She brought with her the traditional repertoire she had refined in the clubs, including "A Sailor's Life" featured on their second album together Unhalfbricking. Framing Denny's performance of this song with their own electric improvisations, her bandmates discovered what then proved to be the inspiration for an entire album, the influential Liege & Lief (1969).  Denny left Fairport Convention in December 1969 to develop her own songwriting more fully. To this end, she formed her own band, Fotheringay, which included her future husband, Australian Trevor Lucas, formerly of the group Eclection.  They created one self-titled album, which included an eight-minute version of the traditional "Banks of the Nile", and several Denny originals, among them "The Sea" and "Nothing More". The latter marked her first composition on the piano, which was to become her primary instrument from then on. Fotheringay started to record a second album in late 1970, but it remained unfinished after Denny announced that she was leaving the group and producer Joe Boyd left to take up a job at Warner Brothers in California. Denny would later blame Boyd's hostility towards the group for its demise. CANNOTANSWER

Question: When was Sandy Denny in the band Fairport Convention?
Answer: Denny became the obvious choice.
Sandy Denny

Context: After making the Saga albums with Alex Campbell and Johnny Silvo, Denny looked for a band that would allow her to stretch herself as a vocalist, reach a wider audience, and have the opportunity to display her songwriting. She said, "I wanted to do something more with my voice." After working briefly with the Strawbs, Denny remained unconvinced that they could provide that opportunity, and so she ended her relationship with the band.  Fairport Convention conducted auditions in May 1968 for a replacement singer following the departure of Judy Dyble after their debut album, and Denny became the obvious choice. According to group member Simon Nicol, her personality and musicianship made her stand out from the other auditionees "like a clean glass in a sink full of dirty dishes".  Beginning with What We Did on Our Holidays, the first of three albums she made with the band in the late sixties, Denny is credited with encouraging Fairport Convention to explore the traditional British folk repertoire, and is thus regarded as a key figure in the development of British folk rock. She brought with her the traditional repertoire she had refined in the clubs, including "A Sailor's Life" featured on their second album together Unhalfbricking. Framing Denny's performance of this song with their own electric improvisations, her bandmates discovered what then proved to be the inspiration for an entire album, the influential Liege & Lief (1969).  Denny left Fairport Convention in December 1969 to develop her own songwriting more fully. To this end, she formed her own band, Fotheringay, which included her future husband, Australian Trevor Lucas, formerly of the group Eclection.  They created one self-titled album, which included an eight-minute version of the traditional "Banks of the Nile", and several Denny originals, among them "The Sea" and "Nothing More". The latter marked her first composition on the piano, which was to become her primary instrument from then on. Fotheringay started to record a second album in late 1970, but it remained unfinished after Denny announced that she was leaving the group and producer Joe Boyd left to take up a job at Warner Brothers in California. Denny would later blame Boyd's hostility towards the group for its demise. CANNOTANSWER

Question: Who else was in Fairport Convention other than Denny?
Answer: Simon Nicol,
Sandy Denny

Context: After making the Saga albums with Alex Campbell and Johnny Silvo, Denny looked for a band that would allow her to stretch herself as a vocalist, reach a wider audience, and have the opportunity to display her songwriting. She said, "I wanted to do something more with my voice." After working briefly with the Strawbs, Denny remained unconvinced that they could provide that opportunity, and so she ended her relationship with the band.  Fairport Convention conducted auditions in May 1968 for a replacement singer following the departure of Judy Dyble after their debut album, and Denny became the obvious choice. According to group member Simon Nicol, her personality and musicianship made her stand out from the other auditionees "like a clean glass in a sink full of dirty dishes".  Beginning with What We Did on Our Holidays, the first of three albums she made with the band in the late sixties, Denny is credited with encouraging Fairport Convention to explore the traditional British folk repertoire, and is thus regarded as a key figure in the development of British folk rock. She brought with her the traditional repertoire she had refined in the clubs, including "A Sailor's Life" featured on their second album together Unhalfbricking. Framing Denny's performance of this song with their own electric improvisations, her bandmates discovered what then proved to be the inspiration for an entire album, the influential Liege & Lief (1969).  Denny left Fairport Convention in December 1969 to develop her own songwriting more fully. To this end, she formed her own band, Fotheringay, which included her future husband, Australian Trevor Lucas, formerly of the group Eclection.  They created one self-titled album, which included an eight-minute version of the traditional "Banks of the Nile", and several Denny originals, among them "The Sea" and "Nothing More". The latter marked her first composition on the piano, which was to become her primary instrument from then on. Fotheringay started to record a second album in late 1970, but it remained unfinished after Denny announced that she was leaving the group and producer Joe Boyd left to take up a job at Warner Brothers in California. Denny would later blame Boyd's hostility towards the group for its demise. CANNOTANSWER

Question: Did Fairport Convention release an album?
Answer: three albums
Sandy Denny

Context: After making the Saga albums with Alex Campbell and Johnny Silvo, Denny looked for a band that would allow her to stretch herself as a vocalist, reach a wider audience, and have the opportunity to display her songwriting. She said, "I wanted to do something more with my voice." After working briefly with the Strawbs, Denny remained unconvinced that they could provide that opportunity, and so she ended her relationship with the band.  Fairport Convention conducted auditions in May 1968 for a replacement singer following the departure of Judy Dyble after their debut album, and Denny became the obvious choice. According to group member Simon Nicol, her personality and musicianship made her stand out from the other auditionees "like a clean glass in a sink full of dirty dishes".  Beginning with What We Did on Our Holidays, the first of three albums she made with the band in the late sixties, Denny is credited with encouraging Fairport Convention to explore the traditional British folk repertoire, and is thus regarded as a key figure in the development of British folk rock. She brought with her the traditional repertoire she had refined in the clubs, including "A Sailor's Life" featured on their second album together Unhalfbricking. Framing Denny's performance of this song with their own electric improvisations, her bandmates discovered what then proved to be the inspiration for an entire album, the influential Liege & Lief (1969).  Denny left Fairport Convention in December 1969 to develop her own songwriting more fully. To this end, she formed her own band, Fotheringay, which included her future husband, Australian Trevor Lucas, formerly of the group Eclection.  They created one self-titled album, which included an eight-minute version of the traditional "Banks of the Nile", and several Denny originals, among them "The Sea" and "Nothing More". The latter marked her first composition on the piano, which was to become her primary instrument from then on. Fotheringay started to record a second album in late 1970, but it remained unfinished after Denny announced that she was leaving the group and producer Joe Boyd left to take up a job at Warner Brothers in California. Denny would later blame Boyd's hostility towards the group for its demise. CANNOTANSWER

Question: When was the first Fairport Convention album released?
Answer: What We Did on Our Holidays,
Sandy Denny

Context: After making the Saga albums with Alex Campbell and Johnny Silvo, Denny looked for a band that would allow her to stretch herself as a vocalist, reach a wider audience, and have the opportunity to display her songwriting. She said, "I wanted to do something more with my voice." After working briefly with the Strawbs, Denny remained unconvinced that they could provide that opportunity, and so she ended her relationship with the band.  Fairport Convention conducted auditions in May 1968 for a replacement singer following the departure of Judy Dyble after their debut album, and Denny became the obvious choice. According to group member Simon Nicol, her personality and musicianship made her stand out from the other auditionees "like a clean glass in a sink full of dirty dishes".  Beginning with What We Did on Our Holidays, the first of three albums she made with the band in the late sixties, Denny is credited with encouraging Fairport Convention to explore the traditional British folk repertoire, and is thus regarded as a key figure in the development of British folk rock. She brought with her the traditional repertoire she had refined in the clubs, including "A Sailor's Life" featured on their second album together Unhalfbricking. Framing Denny's performance of this song with their own electric improvisations, her bandmates discovered what then proved to be the inspiration for an entire album, the influential Liege & Lief (1969).  Denny left Fairport Convention in December 1969 to develop her own songwriting more fully. To this end, she formed her own band, Fotheringay, which included her future husband, Australian Trevor Lucas, formerly of the group Eclection.  They created one self-titled album, which included an eight-minute version of the traditional "Banks of the Nile", and several Denny originals, among them "The Sea" and "Nothing More". The latter marked her first composition on the piano, which was to become her primary instrument from then on. Fotheringay started to record a second album in late 1970, but it remained unfinished after Denny announced that she was leaving the group and producer Joe Boyd left to take up a job at Warner Brothers in California. Denny would later blame Boyd's hostility towards the group for its demise. CANNOTANSWER

Question: What was the name of the second Fairport Convention album?
Answer: Unhalfbricking.
Sandy Denny

Context: After making the Saga albums with Alex Campbell and Johnny Silvo, Denny looked for a band that would allow her to stretch herself as a vocalist, reach a wider audience, and have the opportunity to display her songwriting. She said, "I wanted to do something more with my voice." After working briefly with the Strawbs, Denny remained unconvinced that they could provide that opportunity, and so she ended her relationship with the band.  Fairport Convention conducted auditions in May 1968 for a replacement singer following the departure of Judy Dyble after their debut album, and Denny became the obvious choice. According to group member Simon Nicol, her personality and musicianship made her stand out from the other auditionees "like a clean glass in a sink full of dirty dishes".  Beginning with What We Did on Our Holidays, the first of three albums she made with the band in the late sixties, Denny is credited with encouraging Fairport Convention to explore the traditional British folk repertoire, and is thus regarded as a key figure in the development of British folk rock. She brought with her the traditional repertoire she had refined in the clubs, including "A Sailor's Life" featured on their second album together Unhalfbricking. Framing Denny's performance of this song with their own electric improvisations, her bandmates discovered what then proved to be the inspiration for an entire album, the influential Liege & Lief (1969).  Denny left Fairport Convention in December 1969 to develop her own songwriting more fully. To this end, she formed her own band, Fotheringay, which included her future husband, Australian Trevor Lucas, formerly of the group Eclection.  They created one self-titled album, which included an eight-minute version of the traditional "Banks of the Nile", and several Denny originals, among them "The Sea" and "Nothing More". The latter marked her first composition on the piano, which was to become her primary instrument from then on. Fotheringay started to record a second album in late 1970, but it remained unfinished after Denny announced that she was leaving the group and producer Joe Boyd left to take up a job at Warner Brothers in California. Denny would later blame Boyd's hostility towards the group for its demise. CANNOTANSWER

Question: What was the name of the third Fairport Convention album?
Answer: Liege & Lief
Sandy Denny

Context: After making the Saga albums with Alex Campbell and Johnny Silvo, Denny looked for a band that would allow her to stretch herself as a vocalist, reach a wider audience, and have the opportunity to display her songwriting. She said, "I wanted to do something more with my voice." After working briefly with the Strawbs, Denny remained unconvinced that they could provide that opportunity, and so she ended her relationship with the band.  Fairport Convention conducted auditions in May 1968 for a replacement singer following the departure of Judy Dyble after their debut album, and Denny became the obvious choice. According to group member Simon Nicol, her personality and musicianship made her stand out from the other auditionees "like a clean glass in a sink full of dirty dishes".  Beginning with What We Did on Our Holidays, the first of three albums she made with the band in the late sixties, Denny is credited with encouraging Fairport Convention to explore the traditional British folk repertoire, and is thus regarded as a key figure in the development of British folk rock. She brought with her the traditional repertoire she had refined in the clubs, including "A Sailor's Life" featured on their second album together Unhalfbricking. Framing Denny's performance of this song with their own electric improvisations, her bandmates discovered what then proved to be the inspiration for an entire album, the influential Liege & Lief (1969).  Denny left Fairport Convention in December 1969 to develop her own songwriting more fully. To this end, she formed her own band, Fotheringay, which included her future husband, Australian Trevor Lucas, formerly of the group Eclection.  They created one self-titled album, which included an eight-minute version of the traditional "Banks of the Nile", and several Denny originals, among them "The Sea" and "Nothing More". The latter marked her first composition on the piano, which was to become her primary instrument from then on. Fotheringay started to record a second album in late 1970, but it remained unfinished after Denny announced that she was leaving the group and producer Joe Boyd left to take up a job at Warner Brothers in California. Denny would later blame Boyd's hostility towards the group for its demise. CANNOTANSWER

Question: When did Denny join Fotheringay?
Answer: Denny left Fairport Convention in December 1969 to develop her own songwriting more fully.