gaussalgo/Canard_Wiki-augmented huggingface dataset:
Gerald Ford

Context: After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one."  During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory.  Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman".  In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". CANNOTANSWER

Question: What office did Gerald Ford run for?
Answer: Ford was a member of the House of Representatives
Gerald Ford

Context: After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one."  During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory.  Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman".  In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". CANNOTANSWER

Question: Who did Gerald Ford run against?
Answer: urged him to take on Bartel J. Jonkman,
Gerald Ford

Context: After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one."  During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory.  Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman".  In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". CANNOTANSWER

Question: Did Gerald Ford win by a large margin?
Answer: To sit up there and be the head honcho of 434 other people and have the responsibility,
Gerald Ford

Context: After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one."  During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory.  Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman".  In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". CANNOTANSWER

Question: Did Gerald Ford make any major decisions while in the House of Representatives?
Answer: Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy."
Gerald Ford

Context: After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one."  During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory.  Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman".  In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". CANNOTANSWER

Question: Was Gerald Ford re-elected to the House of Representatives?
Answer: Ford declined offers to run for either the Senate or the Michigan governorship.
Gerald Ford

Context: After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one."  During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory.  Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman".  In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". CANNOTANSWER

Question: What did Gerald Ford do after declining to run for the Senate and Michigan governorship?
Answer: Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement.
Gerald Ford

Context: After returning to Grand Rapids in 1946, Ford became active in local Republican politics, and supporters urged him to take on Bartel J. Jonkman, the incumbent Republican congressman. Military service had changed his view of the world. "I came back a converted internationalist", Ford wrote, "and of course our congressman at that time was an avowed, dedicated isolationist. And I thought he ought to be replaced. Nobody thought I could win. I ended up winning two to one."  During his first campaign in 1948, Ford visited voters at their doorsteps and as they left the factories where they worked. Ford also visited local farms where, in one instance, a wager resulted in Ford spending two weeks milking cows following his election victory.  Ford was a member of the House of Representatives for 25 years, holding the Grand Rapids congressional district seat from 1949 to 1973. It was a tenure largely notable for its modesty. As an editorial in The New York Times described him, Ford "saw himself as a negotiator and a reconciler, and the record shows it: he did not write a single piece of major legislation in his entire career." Appointed to the House Appropriations Committee two years after being elected, he was a prominent member of the Defense Appropriations Subcommittee. Ford described his philosophy as "a moderate in domestic affairs, an internationalist in foreign affairs, and a conservative in fiscal policy." Ford was known to his colleagues in the House as a "Congressman's Congressman".  In the early 1950s, Ford declined offers to run for either the Senate or the Michigan governorship. Rather, his ambition was to become Speaker of the House, which he called "the ultimate achievement. To sit up there and be the head honcho of 434 other people and have the responsibility, aside from the achievement, of trying to run the greatest legislative body in the history of mankind ... I think I got that ambition within a year or two after I was in the House of Representatives". CANNOTANSWER

Question: Did Gerald Ford ever become the Speaker of the House?
Answer: I think I got that ambition within a year or two after I was in the House of Representatives".
Vivien Leigh

Context: Leigh next sought the role of Blanche DuBois in the West End stage production of Tennessee Williams's A Streetcar Named Desire and was cast after Williams and the play's producer Irene Mayer Selznick saw her in The School for Scandal and Antigone; Olivier was contracted to direct. The play contained a rape scene and references to promiscuity and homosexuality, and was destined to be controversial; the media discussion about its suitability added to Leigh's anxiety. Nevertheless, she believed strongly in the importance of the work.  When the West End production of Streetcar opened in October 1949, J. B. Priestley denounced the play and Leigh's performance; and the critic Kenneth Tynan, who was to make a habit of dismissing her stage performances, commented that Leigh was badly miscast because British actors were "too well-bred to emote effectively on stage". Olivier and Leigh were chagrined that part of the commercial success of the play lay in audience members attending to see what they believed would be a salacious story, rather than the Greek tragedy that they envisioned. The play also had strong supporters, among them Noel Coward, who described Leigh as "magnificent".  After 326 performances, Leigh finished her run, and she was soon assigned to reprise her role as Blanche DuBois in the film version of the play. Her irreverent and often bawdy sense of humour allowed her to establish a rapport with Brando, but she had an initial difficulty in working with director Elia Kazan, who was displeased with the direction that Olivier had taken in shaping the character of Blanche. Kazan had favoured Jessica Tandy and later, Olivia de Havilland over Leigh, but knew she had been a success on the London stage as Blanche. He later commented that he did not hold her in high regard as an actress, believing that "she had a small talent." As work progressed, however, he became "full of admiration" for "the greatest determination to excel of any actress I've known. She'd have crawled over broken glass if she thought it would help her performance." Leigh found the role gruelling and commented to the Los Angeles Times, "I had nine months in the theatre of Blanche DuBois. Now she's in command of me." Olivier accompanied her to Hollywood where he was to co-star with Jennifer Jones in William Wyler's Carrie (1952).  Leigh's performance in A Streetcar Named Desire won glowing reviews, as well as a second Academy Award for Best Actress, a British Academy of Film and Television Arts (BAFTA) Award for Best British Actress, and a New York Film Critics Circle Award for Best Actress. Tennessee Williams commented that Leigh brought to the role "everything that I intended, and much that I had never dreamed of". Leigh herself had mixed feelings about her association with the character; in later years, she said that playing Blanche DuBois "tipped me over into madness". CANNOTANSWER

Question: What did Vivien Leigh do?
Answer: Actress,
Vivien Leigh

Context: Leigh next sought the role of Blanche DuBois in the West End stage production of Tennessee Williams's A Streetcar Named Desire and was cast after Williams and the play's producer Irene Mayer Selznick saw her in The School for Scandal and Antigone; Olivier was contracted to direct. The play contained a rape scene and references to promiscuity and homosexuality, and was destined to be controversial; the media discussion about its suitability added to Leigh's anxiety. Nevertheless, she believed strongly in the importance of the work.  When the West End production of Streetcar opened in October 1949, J. B. Priestley denounced the play and Leigh's performance; and the critic Kenneth Tynan, who was to make a habit of dismissing her stage performances, commented that Leigh was badly miscast because British actors were "too well-bred to emote effectively on stage". Olivier and Leigh were chagrined that part of the commercial success of the play lay in audience members attending to see what they believed would be a salacious story, rather than the Greek tragedy that they envisioned. The play also had strong supporters, among them Noel Coward, who described Leigh as "magnificent".  After 326 performances, Leigh finished her run, and she was soon assigned to reprise her role as Blanche DuBois in the film version of the play. Her irreverent and often bawdy sense of humour allowed her to establish a rapport with Brando, but she had an initial difficulty in working with director Elia Kazan, who was displeased with the direction that Olivier had taken in shaping the character of Blanche. Kazan had favoured Jessica Tandy and later, Olivia de Havilland over Leigh, but knew she had been a success on the London stage as Blanche. He later commented that he did not hold her in high regard as an actress, believing that "she had a small talent." As work progressed, however, he became "full of admiration" for "the greatest determination to excel of any actress I've known. She'd have crawled over broken glass if she thought it would help her performance." Leigh found the role gruelling and commented to the Los Angeles Times, "I had nine months in the theatre of Blanche DuBois. Now she's in command of me." Olivier accompanied her to Hollywood where he was to co-star with Jennifer Jones in William Wyler's Carrie (1952).  Leigh's performance in A Streetcar Named Desire won glowing reviews, as well as a second Academy Award for Best Actress, a British Academy of Film and Television Arts (BAFTA) Award for Best British Actress, and a New York Film Critics Circle Award for Best Actress. Tennessee Williams commented that Leigh brought to the role "everything that I intended, and much that I had never dreamed of". Leigh herself had mixed feelings about her association with the character; in later years, she said that playing Blanche DuBois "tipped me over into madness". CANNOTANSWER

Question: What role Vivien Leigh played in A Streetcar Named Desire
Answer: Blanche DuBois
Vivien Leigh

Context: Leigh next sought the role of Blanche DuBois in the West End stage production of Tennessee Williams's A Streetcar Named Desire and was cast after Williams and the play's producer Irene Mayer Selznick saw her in The School for Scandal and Antigone; Olivier was contracted to direct. The play contained a rape scene and references to promiscuity and homosexuality, and was destined to be controversial; the media discussion about its suitability added to Leigh's anxiety. Nevertheless, she believed strongly in the importance of the work.  When the West End production of Streetcar opened in October 1949, J. B. Priestley denounced the play and Leigh's performance; and the critic Kenneth Tynan, who was to make a habit of dismissing her stage performances, commented that Leigh was badly miscast because British actors were "too well-bred to emote effectively on stage". Olivier and Leigh were chagrined that part of the commercial success of the play lay in audience members attending to see what they believed would be a salacious story, rather than the Greek tragedy that they envisioned. The play also had strong supporters, among them Noel Coward, who described Leigh as "magnificent".  After 326 performances, Leigh finished her run, and she was soon assigned to reprise her role as Blanche DuBois in the film version of the play. Her irreverent and often bawdy sense of humour allowed her to establish a rapport with Brando, but she had an initial difficulty in working with director Elia Kazan, who was displeased with the direction that Olivier had taken in shaping the character of Blanche. Kazan had favoured Jessica Tandy and later, Olivia de Havilland over Leigh, but knew she had been a success on the London stage as Blanche. He later commented that he did not hold her in high regard as an actress, believing that "she had a small talent." As work progressed, however, he became "full of admiration" for "the greatest determination to excel of any actress I've known. She'd have crawled over broken glass if she thought it would help her performance." Leigh found the role gruelling and commented to the Los Angeles Times, "I had nine months in the theatre of Blanche DuBois. Now she's in command of me." Olivier accompanied her to Hollywood where he was to co-star with Jennifer Jones in William Wyler's Carrie (1952).  Leigh's performance in A Streetcar Named Desire won glowing reviews, as well as a second Academy Award for Best Actress, a British Academy of Film and Television Arts (BAFTA) Award for Best British Actress, and a New York Film Critics Circle Award for Best Actress. Tennessee Williams commented that Leigh brought to the role "everything that I intended, and much that I had never dreamed of". Leigh herself had mixed feelings about her association with the character; in later years, she said that playing Blanche DuBois "tipped me over into madness". CANNOTANSWER

Question: Besides A Streetcar Named Desire Did Vivien Leigh do any other films?
Answer: The School for Scandal and Antigone;
Vivien Leigh

Context: Leigh next sought the role of Blanche DuBois in the West End stage production of Tennessee Williams's A Streetcar Named Desire and was cast after Williams and the play's producer Irene Mayer Selznick saw her in The School for Scandal and Antigone; Olivier was contracted to direct. The play contained a rape scene and references to promiscuity and homosexuality, and was destined to be controversial; the media discussion about its suitability added to Leigh's anxiety. Nevertheless, she believed strongly in the importance of the work.  When the West End production of Streetcar opened in October 1949, J. B. Priestley denounced the play and Leigh's performance; and the critic Kenneth Tynan, who was to make a habit of dismissing her stage performances, commented that Leigh was badly miscast because British actors were "too well-bred to emote effectively on stage". Olivier and Leigh were chagrined that part of the commercial success of the play lay in audience members attending to see what they believed would be a salacious story, rather than the Greek tragedy that they envisioned. The play also had strong supporters, among them Noel Coward, who described Leigh as "magnificent".  After 326 performances, Leigh finished her run, and she was soon assigned to reprise her role as Blanche DuBois in the film version of the play. Her irreverent and often bawdy sense of humour allowed her to establish a rapport with Brando, but she had an initial difficulty in working with director Elia Kazan, who was displeased with the direction that Olivier had taken in shaping the character of Blanche. Kazan had favoured Jessica Tandy and later, Olivia de Havilland over Leigh, but knew she had been a success on the London stage as Blanche. He later commented that he did not hold her in high regard as an actress, believing that "she had a small talent." As work progressed, however, he became "full of admiration" for "the greatest determination to excel of any actress I've known. She'd have crawled over broken glass if she thought it would help her performance." Leigh found the role gruelling and commented to the Los Angeles Times, "I had nine months in the theatre of Blanche DuBois. Now she's in command of me." Olivier accompanied her to Hollywood where he was to co-star with Jennifer Jones in William Wyler's Carrie (1952).  Leigh's performance in A Streetcar Named Desire won glowing reviews, as well as a second Academy Award for Best Actress, a British Academy of Film and Television Arts (BAFTA) Award for Best British Actress, and a New York Film Critics Circle Award for Best Actress. Tennessee Williams commented that Leigh brought to the role "everything that I intended, and much that I had never dreamed of". Leigh herself had mixed feelings about her association with the character; in later years, she said that playing Blanche DuBois "tipped me over into madness". CANNOTANSWER

Question: Aside from Vivien Leigh role in A Streetcar Named Desire, are there any other interesting aspects about this article?
Answer: The play also had strong supporters, among them Noel Coward, who described Leigh as "magnificent".
Vivien Leigh

Context: Leigh next sought the role of Blanche DuBois in the West End stage production of Tennessee Williams's A Streetcar Named Desire and was cast after Williams and the play's producer Irene Mayer Selznick saw her in The School for Scandal and Antigone; Olivier was contracted to direct. The play contained a rape scene and references to promiscuity and homosexuality, and was destined to be controversial; the media discussion about its suitability added to Leigh's anxiety. Nevertheless, she believed strongly in the importance of the work.  When the West End production of Streetcar opened in October 1949, J. B. Priestley denounced the play and Leigh's performance; and the critic Kenneth Tynan, who was to make a habit of dismissing her stage performances, commented that Leigh was badly miscast because British actors were "too well-bred to emote effectively on stage". Olivier and Leigh were chagrined that part of the commercial success of the play lay in audience members attending to see what they believed would be a salacious story, rather than the Greek tragedy that they envisioned. The play also had strong supporters, among them Noel Coward, who described Leigh as "magnificent".  After 326 performances, Leigh finished her run, and she was soon assigned to reprise her role as Blanche DuBois in the film version of the play. Her irreverent and often bawdy sense of humour allowed her to establish a rapport with Brando, but she had an initial difficulty in working with director Elia Kazan, who was displeased with the direction that Olivier had taken in shaping the character of Blanche. Kazan had favoured Jessica Tandy and later, Olivia de Havilland over Leigh, but knew she had been a success on the London stage as Blanche. He later commented that he did not hold her in high regard as an actress, believing that "she had a small talent." As work progressed, however, he became "full of admiration" for "the greatest determination to excel of any actress I've known. She'd have crawled over broken glass if she thought it would help her performance." Leigh found the role gruelling and commented to the Los Angeles Times, "I had nine months in the theatre of Blanche DuBois. Now she's in command of me." Olivier accompanied her to Hollywood where he was to co-star with Jennifer Jones in William Wyler's Carrie (1952).  Leigh's performance in A Streetcar Named Desire won glowing reviews, as well as a second Academy Award for Best Actress, a British Academy of Film and Television Arts (BAFTA) Award for Best British Actress, and a New York Film Critics Circle Award for Best Actress. Tennessee Williams commented that Leigh brought to the role "everything that I intended, and much that I had never dreamed of". Leigh herself had mixed feelings about her association with the character; in later years, she said that playing Blanche DuBois "tipped me over into madness". CANNOTANSWER

Question: Did Vivien Leigh get any awards for her role in A Streetcar Named Desire
Answer: Academy Award for Best Actress, a British Academy of Film and Television Arts (BAFTA) Award for Best British Actress, and a New York Film Critics Circle Award for Best Actress.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: How did Fleet Foxes come to be?
Answer: Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: What year did Fleet Foxes form?
Answer: Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: When did Fleet Foxes release their first album?
Answer: the band set about making their first album in early 2007,
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Are there any other interesting aspects about this article other than how Fleet Foxes came to be, when they formed and when they released their first album?
Answer: Originally going by the name "The Pineapples
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Why did Fleet Foxes decide to use a different name?
Answer: a name clash with another local band prompted a change
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Did Fleet Foxes have a band manager?
Answer: CANNOTANSWER
Fleet Foxes

Context: Robin Pecknold and Skyler Skjelset both attended Lake Washington High School in Kirkland, a suburb of Seattle, and soon became close friends. Pecknold and Skjelset bonded over a mutual appreciation of Bob Dylan and Neil Young and began making music together. Their parents influenced their musical tastes early on--Skjelset's mother Peggi was a keen listener to both Dylan and Hank Williams while Pecknold's father Greg was a member of The Fathoms, a local 1960s soul group. The two shared an interest in the music of Dylan and Brian Wilson. Pecknold played bass for Seattle's Dolour on a US tour in 2005, shortly before forming the first incarnation of Fleet Foxes.  Originally going by the name "The Pineapples", a name clash with another local band prompted a change and Pecknold decided upon "Fleet Foxes", suggesting that it was "evocative of some weird English activity like fox hunting". Pecknold took up the role of principal songwriter, both singing and playing guitar, while Skjelset played lead guitar. The original lineup was filled out by Casey Wescott on keyboards and backing vocals, Bryn Lumsden on bass and Nicholas Peterson on drums and backing vocals. Pecknold's late-sixties pop style caught the attention of the Seattle producer Phil Ek and he helped them record their first demo in 2006, the self-released Fleet Foxes EP. Ek was impressed with the band's songwriting, and on hearing Pecknold for the first time, noted, "It was obvious he had talent coming out of his ass." By late 2006 the Seattle press began to take notice of the band; Tom Scanlon of the Seattle Times stated that he was impressed with the band's lyrics and musical maturity. By the end of the year, Lumsden had been replaced on bass by Craig Curran, who would also handle many of the band's vocal harmonies.  With growing popularity on the local circuit, the band set about making their first album in early 2007, spending time in the studio with producer Ek in addition to recording material at home. However, funds for recording were tight, so the band members cobbled together what funds they had, which limited the time they had in the studio, and so the majority of the tracks were recorded in various band members' apartments, other spaces, or the basement of Pecknold's parents' house. CANNOTANSWER

Question: Besides changing band name from "The Pineapples," did anything else significant happen with Fleet Foxes during 2005-2007?
Answer: By late 2006 the Seattle press began to take notice of the band;