gaussalgo/Canard_Wiki-augmented huggingface dataset:
Paul Anka

Context: Already locally famous as a teenage idol for his songs in English, Anka hit the Italian market with "Summer's Gone" in 1960; it was released as "Dove Sei". The record got immediate success, reaching No. 4 on Italian hit lists, opening a promising foreign career. Anka then underwent an intense collaboration with Italian musicians of the time, including composer/director Ennio Morricone, singer-songwriter Lucio Battisti, and lyricist Mogol. His official discography reports nine singles released by RCA Italiana, but the Italian charts list at least six other songs he interpreted or recorded in Italian. His top hit was "Ogni giorno" which scored No. 1 in 1962, followed by "Piangero per te" and "Ogni volta", which reached both No. 2, in 1963 and 1964. "Ogni volta" ("Every Time") was sung by Anka during the Festival di Sanremo of 1964 and then sold more than one million copies in Italy alone; it was also awarded a gold disc.  He returned to San Remo in 1968 with "La farfalla impazzita" by Battisti-Mogol. On that occasion the same title was interpreted by Italian crooner Johnny Dorelli. The pair of singers, however, were eliminated before the final stage of the competition. Anka, maybe only coincidentally, left the Italian scene shortly thereafter. In 2003 Anka came back with an exclusive concert in Bologna, organized by the Italian company Mapei during the CERSAIE exhibition. He recorded a version of "My Way" with alternate lyrics dedicated to the sponsor of the evening.  In 2006, he recorded a duet with 1960s Italian hitmaker Adriano Celentano, a new cover of "Diana", with Italian lyrics by Celentano-Mogol and with singer-songwriter Alex Britti on the guitar. The song hit No. 3. CANNOTANSWER

Question: Along with the known release in Italy, what other hit does Paul Anka have
Answer: "Ogni giorno"
Paul Anka

Context: Already locally famous as a teenage idol for his songs in English, Anka hit the Italian market with "Summer's Gone" in 1960; it was released as "Dove Sei". The record got immediate success, reaching No. 4 on Italian hit lists, opening a promising foreign career. Anka then underwent an intense collaboration with Italian musicians of the time, including composer/director Ennio Morricone, singer-songwriter Lucio Battisti, and lyricist Mogol. His official discography reports nine singles released by RCA Italiana, but the Italian charts list at least six other songs he interpreted or recorded in Italian. His top hit was "Ogni giorno" which scored No. 1 in 1962, followed by "Piangero per te" and "Ogni volta", which reached both No. 2, in 1963 and 1964. "Ogni volta" ("Every Time") was sung by Anka during the Festival di Sanremo of 1964 and then sold more than one million copies in Italy alone; it was also awarded a gold disc.  He returned to San Remo in 1968 with "La farfalla impazzita" by Battisti-Mogol. On that occasion the same title was interpreted by Italian crooner Johnny Dorelli. The pair of singers, however, were eliminated before the final stage of the competition. Anka, maybe only coincidentally, left the Italian scene shortly thereafter. In 2003 Anka came back with an exclusive concert in Bologna, organized by the Italian company Mapei during the CERSAIE exhibition. He recorded a version of "My Way" with alternate lyrics dedicated to the sponsor of the evening.  In 2006, he recorded a duet with 1960s Italian hitmaker Adriano Celentano, a new cover of "Diana", with Italian lyrics by Celentano-Mogol and with singer-songwriter Alex Britti on the guitar. The song hit No. 3. CANNOTANSWER

Question: was other hit of Paul Anka a success in Italy
Answer: which scored No. 1
Paul Anka

Context: Already locally famous as a teenage idol for his songs in English, Anka hit the Italian market with "Summer's Gone" in 1960; it was released as "Dove Sei". The record got immediate success, reaching No. 4 on Italian hit lists, opening a promising foreign career. Anka then underwent an intense collaboration with Italian musicians of the time, including composer/director Ennio Morricone, singer-songwriter Lucio Battisti, and lyricist Mogol. His official discography reports nine singles released by RCA Italiana, but the Italian charts list at least six other songs he interpreted or recorded in Italian. His top hit was "Ogni giorno" which scored No. 1 in 1962, followed by "Piangero per te" and "Ogni volta", which reached both No. 2, in 1963 and 1964. "Ogni volta" ("Every Time") was sung by Anka during the Festival di Sanremo of 1964 and then sold more than one million copies in Italy alone; it was also awarded a gold disc.  He returned to San Remo in 1968 with "La farfalla impazzita" by Battisti-Mogol. On that occasion the same title was interpreted by Italian crooner Johnny Dorelli. The pair of singers, however, were eliminated before the final stage of the competition. Anka, maybe only coincidentally, left the Italian scene shortly thereafter. In 2003 Anka came back with an exclusive concert in Bologna, organized by the Italian company Mapei during the CERSAIE exhibition. He recorded a version of "My Way" with alternate lyrics dedicated to the sponsor of the evening.  In 2006, he recorded a duet with 1960s Italian hitmaker Adriano Celentano, a new cover of "Diana", with Italian lyrics by Celentano-Mogol and with singer-songwriter Alex Britti on the guitar. The song hit No. 3. CANNOTANSWER

Question: did Paul Anka win award
Answer: awarded a gold disc.
Paul Anka

Context: Already locally famous as a teenage idol for his songs in English, Anka hit the Italian market with "Summer's Gone" in 1960; it was released as "Dove Sei". The record got immediate success, reaching No. 4 on Italian hit lists, opening a promising foreign career. Anka then underwent an intense collaboration with Italian musicians of the time, including composer/director Ennio Morricone, singer-songwriter Lucio Battisti, and lyricist Mogol. His official discography reports nine singles released by RCA Italiana, but the Italian charts list at least six other songs he interpreted or recorded in Italian. His top hit was "Ogni giorno" which scored No. 1 in 1962, followed by "Piangero per te" and "Ogni volta", which reached both No. 2, in 1963 and 1964. "Ogni volta" ("Every Time") was sung by Anka during the Festival di Sanremo of 1964 and then sold more than one million copies in Italy alone; it was also awarded a gold disc.  He returned to San Remo in 1968 with "La farfalla impazzita" by Battisti-Mogol. On that occasion the same title was interpreted by Italian crooner Johnny Dorelli. The pair of singers, however, were eliminated before the final stage of the competition. Anka, maybe only coincidentally, left the Italian scene shortly thereafter. In 2003 Anka came back with an exclusive concert in Bologna, organized by the Italian company Mapei during the CERSAIE exhibition. He recorded a version of "My Way" with alternate lyrics dedicated to the sponsor of the evening.  In 2006, he recorded a duet with 1960s Italian hitmaker Adriano Celentano, a new cover of "Diana", with Italian lyrics by Celentano-Mogol and with singer-songwriter Alex Britti on the guitar. The song hit No. 3. CANNOTANSWER

Question: who did Paul Anka work with in italy
Answer: Ennio Morricone,
Georgia O'Keeffe

Context: O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again."  Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon.  In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio.  During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s.  In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house. CANNOTANSWER

Question: What is O'Keeffe's connection to New Mexico?
Answer: O'Keeffe then spent part of nearly every year working in New Mexico.
Georgia O'Keeffe

Context: O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again."  Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon.  In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio.  During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s.  In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house. CANNOTANSWER

Question: Where did O'Keeffe live while in New Mexico?
Answer: CANNOTANSWER
Georgia O'Keeffe

Context: O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again."  Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon.  In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio.  During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s.  In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house. CANNOTANSWER

Question: What is Ghost Ranch?
Answer: "Such a beautiful, untouched lonely feeling place,
Georgia O'Keeffe

Context: O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again."  Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon.  In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio.  During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s.  In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house. CANNOTANSWER

Question: What is O'Keeffe's connection to New York?
Answer: She received a number of commissions and her works were exhibited in New York
Georgia O'Keeffe

Context: O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again."  Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon.  In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio.  During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s.  In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house. CANNOTANSWER

Question: Did O'Keeffe do any other works for advertising in addition to the work for Hawaiian Pineapple Company?
Answer: She received a number of commissions
Georgia O'Keeffe

Context: O'Keeffe then spent part of nearly every year working in New Mexico. She collected rocks and bones from the desert floor and made them and the distinctive architectural and landscape forms of the area subjects in her work. Known as a loner, O'Keeffe explored the land she loved often in her Ford Model A, which she purchased and learned to drive in 1929. She often talked about her fondness for Ghost Ranch and Northern New Mexico, as in 1943, when she explained: "Such a beautiful, untouched lonely feeling place, such a fine part of what I call the 'Faraway'. It is a place I have painted before ... even now I must do it again."  Due to exhaustion and poor health, she did not work from late 1932 until about the mid-1930s. She was a popular and reputed artist. She received a number of commissions and her works were exhibited in New York and other places. In 1936, she completed what would become one of her most well-known paintings, Summer Days, in 1936. It depicted a desert scene with a deer skull with vibrant wildflowers. Resembling Ram's Head with Hollyhock, it depicted the skull floating above the horizon.  In 1938, the advertising agency N. W. Ayer & Son approached O'Keeffe about creating two paintings for the Hawaiian Pineapple Company (now Dole Food Company) to use in their advertising. Other artists who produced paintings of Hawaii for the Hawaiian Pineapple Company's advertising include Lloyd Sexton, Jr., Millard Sheets, Yasuo Kuniyoshi, Isamu Noguchi, and Miguel Covarrubias. The offer came at a critical time in O'Keeffe's life: she was 51, and her career seemed to be stalling (critics were calling her focus on New Mexico limited, and branding her desert images "a kind of mass production"). She arrived in Honolulu February 8, 1939 aboard the SS Lurline, and spent nine weeks in Oahu, Maui, Kauai, and the island of Hawaii. By far the most productive and vivid period was on Maui, where she was given complete freedom to explore and paint. She painted flowers, landscapes, and traditional Hawaiian fishhooks. Back in New York, O'Keeffe completed a series of 20 sensual, verdant paintings. However, she did not paint the requested pineapple until the Hawaiian Pineapple Company sent a plant to her New York studio.  During the 1940s O'Keeffe had two one-woman retrospectives, the first at the Art Institute of Chicago (1943). Her second was in 1946, when she was the first woman artist to have a retrospective at the Museum of Modern Art (MoMA) in Manhattan. Whitney Museum of American Art began an effort to create the first catalogue of her work in the mid-1940s.  In the 1940s, O'Keeffe made an extensive series of paintings of what is called the "Black Place", about 150 miles west of her Ghost Ranch house. O'Keeffe said that the Black Place resembled "a mile of elephants with gray hills and white sand at their feet." She made paintings of the "White Place", a white rock formation located near her Abiquiu house. CANNOTANSWER

Question: Did O'Keeffe work with any other artists in addition to working solo?
Answer: CANNOTANSWER
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: who was victim of imprisonment
Answer: During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: when did Erich Mielke go into JVA Moabit prison
Answer: Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: did Erich Mielke ever get out of his imprisionment at JVA Moabit prison for any reason?
Answer: In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release.
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: when did Erich Mielke go back to JVA Moabit prison after parole officers and Mielke's attorneys obtained his release
Answer: Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month.
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: did Erich Mielke have any trouble in JVA Moabit prison
Answer: Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: did Erich Mielke give any trouble while there in JVA Moabit prison
Answer: CANNOTANSWER
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: where was Erich Mielke in JVA Moabit prison at
Answer: During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters.
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: did Erich Mielke have any family or friends
Answer: CANNOTANSWER
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: did anything else happen in JVA Moabit prison that stood out besides corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters
Answer: the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore"
Erich Mielke

Context: Mielke was then put on trial for ordering the shootings of East Germans who were trying to defect to the West. In November 1994, the presiding judge closed the proceedings, ruling that Mielke was not mentally fit to stand trial.  During his incarceration, at JVA Moabit corrections officers supplied Mielke with a red telephone like the one in his office at Stasi Headquarters. Although it was not connected to the outside world, Mielke enjoyed having imaginary conversations with non-existent Stasi agents. His other favorite pastime was watching game shows on television.  In 1995, parole officers and Mielke's attorneys argued that he was "totally confused" and obtained his release. At 87 years of age, Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days. Days before his release, the Public Prosecutor of Berlin announced that he was "not interested in chasing an 87 year old man anymore" and that all further prosecution of Mielke had been indefinitely suspended.  According to Koehler:  [Mielke's] bank account, which held more than 300,000 marks (about US $187,500), was confiscated. Before his arrest in 1989, the most feared man in East Germany had lived in a luxurious home with access to an indoor pool. In addition, he owned a palatial hunting villa, complete with a movie theater, trophy room, 60 servants, and a 15,000 acre hunting preserve. After he was released from prison Mielke was obliged to move into a two room, 600-square-foot flat. Like all Stasi pensioners, he would henceforth have to live on 802 marks (about US$512) a month. CANNOTANSWER

Question: did Erich Mielke do life in JVA Moabit prison
Answer: Erich Mielke was Germany's oldest prison inmate and had been incarcerated for 1,904 days.
Martha and the Vandellas

Context: Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named The Del-Phis. Ashford & Beard, along with then-lead vocalist Gloria Williams, performed at local clubs, private events, church benefits, YMCA events and school functions. They were also being coached by Maxine Powell at Detroit's Ferris Center. One of the group's first professional engagements was singing background for singer Mike Hanks.  The group originally had up to six members, shortened to four. After another member left the group, she was replaced by Alabama-born vocalist Martha Reeves, who had been a member of a rival group, the Fascinations and had also been a member of another group, the Sabre-Ettes. In 1960, the group signed their first recording contract with Checker Records, releasing the Reeves-led "I'll Let You Know". The record flopped. The group then recorded for Checkmate Records, a subsidiary of Chess Records, recording their first take of "There He Is (At My Door)". That record, featuring Williams on lead vocals, also flopped.  Briefly separated, Reeves returned to a solo career performing under the name Martha LaVaille, in hopes of getting a contract with emerging Detroit label Motown. After Motown staffer Mickey Stevenson noticed Reeves singing at a prominent Detroit club, he offered her his business card for an audition. Reeves showed up at Motown on a wrong date (Motown auditions were held at Thursdays, while Reeves showed up to Motown's Hitsville USA studios on a Tuesday). Stevenson, initially upset, told Reeves to look out for clients and other matters. Soon Reeves became Stevenson's secretary and later was responsible for helping acts audition for the label. By 1961, the group, now known as The Vels, were recording background vocals for Motown acts. Prior to her success as lead singer of The Elgins, Sandra Edwards (then going by her surname Maulett) recorded the song "Camel Walk", in 1962, which featured the Vels in background vocals. That year, the quartet began applying background vocals for emerging Motown star Marvin Gaye, singing on Gaye's first hit single, "Stubborn Kind of Fellow" After Mary Wells failed to make a scheduled recording session feigning a short illness, the Vels recorded what was initially a demo recording of "I'll Have to Let Him Go". Motown was so impressed by the group's vocals - and Martha's lead vocals in the song - that the label CEO Berry Gordy offered to give the group a contract. Figuring that being in show business was too rigorous, Williams opted out of the group. With Williams out, the remaining trio of Ashford, Beard and Reeves renamed themselves The Vandellas, after Detroit's Van Dyke Street and Reeves' favorite singer, Della Reese. CANNOTANSWER

Question: What happened in 1957 with Martha and the Vandellas?
Answer: Teenagers Rosalind Ashford and Annette Beard first became acquainted after a local music manager hired them to be members of a girl group he named The Del-Phis.