gaussalgo/Canard_Wiki-augmented huggingface dataset:
Eddie Rabbitt

Context: Rabbitt was employed as a mental hospital attendant in the late 1950s but, like his father, he fulfilled his love of music by performing at the Six Steps Down club in his hometown. He later won a talent contest and was given an hour of Saturday night radio show time to broadcast a live performance from a bar in Paterson, New Jersey. In 1964, he signed his first record deal with 20th Century Records and released the singles, "Next to the Note" and "Six Nights and Seven Days". Four years later, with $1,000.00 to his name, Rabbitt moved to Nashville where he began his career as a songwriter. During his first night in the town, Rabbitt wrote "Working My Way Up to the Bottom", which Roy Drusky recorded in 1968. To support himself, Rabbitt worked as a truck driver, soda jerk and fruit picker while in Nashville. He was ultimately hired as a staff writer for the Hill & Range Publishing Company and received a salary of $37.50 per week. As a young songwriter, Rabbitt socialized with other aspiring writers at Wally's Clubhouse, a bar in Nashville; he said that he and the other patrons had "no place else to go."  Rabbitt became successful as a songwriter in 1969 when Elvis Presley recorded his song "Kentucky Rain". The song went gold and cast Rabbitt as one of Nashville's leading young songwriters. While eating Cap'n Crunch, he penned "Pure Love", which Ronnie Milsap rode to No. 1 in 1974. This song led to a contract offer from Elektra Records.  Rabbitt signed with Elektra Records in 1975. His first single under that label, "You Get To Me" made the top 40 that year, and two songs in 1975, "Forgive and Forget" and "I Should Have Married You" nearly made the top 10. These three songs along with a recording of "Pure Love" were included on Rabbitt's self-named debut album in 1975. In 1976 his critically acclaimed Rocky Mountain Music album was released, which handed Rabbitt his first No. 1 country hit with the track "Drinkin' My Baby (Off My Mind)". In 1977 his third album, Rabbitt was released, which made the top 5 on Country Albums chart. Also in 1977 the Academy of Country Music named Rabbitt "Top New Male Vocalist of the Year". By that time he had a good reputation in Nashville, and was being compared by critics to singer Kris Kristofferson. In 1977, at Knott's Berry Farm, Eddie Rabbitt appeared at the CMA and sang several of his songs from the album Rocky Mountain Music. He won the award of Top New Male Vocalist of the Year. CANNOTANSWER

Question: Where was the talent contest with Eddie Rabbitt held?
Answer: New Jersey.
Eddie Rabbitt

Context: Rabbitt was employed as a mental hospital attendant in the late 1950s but, like his father, he fulfilled his love of music by performing at the Six Steps Down club in his hometown. He later won a talent contest and was given an hour of Saturday night radio show time to broadcast a live performance from a bar in Paterson, New Jersey. In 1964, he signed his first record deal with 20th Century Records and released the singles, "Next to the Note" and "Six Nights and Seven Days". Four years later, with $1,000.00 to his name, Rabbitt moved to Nashville where he began his career as a songwriter. During his first night in the town, Rabbitt wrote "Working My Way Up to the Bottom", which Roy Drusky recorded in 1968. To support himself, Rabbitt worked as a truck driver, soda jerk and fruit picker while in Nashville. He was ultimately hired as a staff writer for the Hill & Range Publishing Company and received a salary of $37.50 per week. As a young songwriter, Rabbitt socialized with other aspiring writers at Wally's Clubhouse, a bar in Nashville; he said that he and the other patrons had "no place else to go."  Rabbitt became successful as a songwriter in 1969 when Elvis Presley recorded his song "Kentucky Rain". The song went gold and cast Rabbitt as one of Nashville's leading young songwriters. While eating Cap'n Crunch, he penned "Pure Love", which Ronnie Milsap rode to No. 1 in 1974. This song led to a contract offer from Elektra Records.  Rabbitt signed with Elektra Records in 1975. His first single under that label, "You Get To Me" made the top 40 that year, and two songs in 1975, "Forgive and Forget" and "I Should Have Married You" nearly made the top 10. These three songs along with a recording of "Pure Love" were included on Rabbitt's self-named debut album in 1975. In 1976 his critically acclaimed Rocky Mountain Music album was released, which handed Rabbitt his first No. 1 country hit with the track "Drinkin' My Baby (Off My Mind)". In 1977 his third album, Rabbitt was released, which made the top 5 on Country Albums chart. Also in 1977 the Academy of Country Music named Rabbitt "Top New Male Vocalist of the Year". By that time he had a good reputation in Nashville, and was being compared by critics to singer Kris Kristofferson. In 1977, at Knott's Berry Farm, Eddie Rabbitt appeared at the CMA and sang several of his songs from the album Rocky Mountain Music. He won the award of Top New Male Vocalist of the Year. CANNOTANSWER

Question: What did the talent contest in New Jersey lead to?
Answer: an hour of Saturday night radio show
Eddie Rabbitt

Context: Rabbitt was employed as a mental hospital attendant in the late 1950s but, like his father, he fulfilled his love of music by performing at the Six Steps Down club in his hometown. He later won a talent contest and was given an hour of Saturday night radio show time to broadcast a live performance from a bar in Paterson, New Jersey. In 1964, he signed his first record deal with 20th Century Records and released the singles, "Next to the Note" and "Six Nights and Seven Days". Four years later, with $1,000.00 to his name, Rabbitt moved to Nashville where he began his career as a songwriter. During his first night in the town, Rabbitt wrote "Working My Way Up to the Bottom", which Roy Drusky recorded in 1968. To support himself, Rabbitt worked as a truck driver, soda jerk and fruit picker while in Nashville. He was ultimately hired as a staff writer for the Hill & Range Publishing Company and received a salary of $37.50 per week. As a young songwriter, Rabbitt socialized with other aspiring writers at Wally's Clubhouse, a bar in Nashville; he said that he and the other patrons had "no place else to go."  Rabbitt became successful as a songwriter in 1969 when Elvis Presley recorded his song "Kentucky Rain". The song went gold and cast Rabbitt as one of Nashville's leading young songwriters. While eating Cap'n Crunch, he penned "Pure Love", which Ronnie Milsap rode to No. 1 in 1974. This song led to a contract offer from Elektra Records.  Rabbitt signed with Elektra Records in 1975. His first single under that label, "You Get To Me" made the top 40 that year, and two songs in 1975, "Forgive and Forget" and "I Should Have Married You" nearly made the top 10. These three songs along with a recording of "Pure Love" were included on Rabbitt's self-named debut album in 1975. In 1976 his critically acclaimed Rocky Mountain Music album was released, which handed Rabbitt his first No. 1 country hit with the track "Drinkin' My Baby (Off My Mind)". In 1977 his third album, Rabbitt was released, which made the top 5 on Country Albums chart. Also in 1977 the Academy of Country Music named Rabbitt "Top New Male Vocalist of the Year". By that time he had a good reputation in Nashville, and was being compared by critics to singer Kris Kristofferson. In 1977, at Knott's Berry Farm, Eddie Rabbitt appeared at the CMA and sang several of his songs from the album Rocky Mountain Music. He won the award of Top New Male Vocalist of the Year. CANNOTANSWER

Question: What was the Saturday night radio show called?
Answer: time to broadcast
Eddie Rabbitt

Context: Rabbitt was employed as a mental hospital attendant in the late 1950s but, like his father, he fulfilled his love of music by performing at the Six Steps Down club in his hometown. He later won a talent contest and was given an hour of Saturday night radio show time to broadcast a live performance from a bar in Paterson, New Jersey. In 1964, he signed his first record deal with 20th Century Records and released the singles, "Next to the Note" and "Six Nights and Seven Days". Four years later, with $1,000.00 to his name, Rabbitt moved to Nashville where he began his career as a songwriter. During his first night in the town, Rabbitt wrote "Working My Way Up to the Bottom", which Roy Drusky recorded in 1968. To support himself, Rabbitt worked as a truck driver, soda jerk and fruit picker while in Nashville. He was ultimately hired as a staff writer for the Hill & Range Publishing Company and received a salary of $37.50 per week. As a young songwriter, Rabbitt socialized with other aspiring writers at Wally's Clubhouse, a bar in Nashville; he said that he and the other patrons had "no place else to go."  Rabbitt became successful as a songwriter in 1969 when Elvis Presley recorded his song "Kentucky Rain". The song went gold and cast Rabbitt as one of Nashville's leading young songwriters. While eating Cap'n Crunch, he penned "Pure Love", which Ronnie Milsap rode to No. 1 in 1974. This song led to a contract offer from Elektra Records.  Rabbitt signed with Elektra Records in 1975. His first single under that label, "You Get To Me" made the top 40 that year, and two songs in 1975, "Forgive and Forget" and "I Should Have Married You" nearly made the top 10. These three songs along with a recording of "Pure Love" were included on Rabbitt's self-named debut album in 1975. In 1976 his critically acclaimed Rocky Mountain Music album was released, which handed Rabbitt his first No. 1 country hit with the track "Drinkin' My Baby (Off My Mind)". In 1977 his third album, Rabbitt was released, which made the top 5 on Country Albums chart. Also in 1977 the Academy of Country Music named Rabbitt "Top New Male Vocalist of the Year". By that time he had a good reputation in Nashville, and was being compared by critics to singer Kris Kristofferson. In 1977, at Knott's Berry Farm, Eddie Rabbitt appeared at the CMA and sang several of his songs from the album Rocky Mountain Music. He won the award of Top New Male Vocalist of the Year. CANNOTANSWER

Question: How long did the Time to Broadcast radio show last?
Answer: an hour
Eddie Rabbitt

Context: Rabbitt was employed as a mental hospital attendant in the late 1950s but, like his father, he fulfilled his love of music by performing at the Six Steps Down club in his hometown. He later won a talent contest and was given an hour of Saturday night radio show time to broadcast a live performance from a bar in Paterson, New Jersey. In 1964, he signed his first record deal with 20th Century Records and released the singles, "Next to the Note" and "Six Nights and Seven Days". Four years later, with $1,000.00 to his name, Rabbitt moved to Nashville where he began his career as a songwriter. During his first night in the town, Rabbitt wrote "Working My Way Up to the Bottom", which Roy Drusky recorded in 1968. To support himself, Rabbitt worked as a truck driver, soda jerk and fruit picker while in Nashville. He was ultimately hired as a staff writer for the Hill & Range Publishing Company and received a salary of $37.50 per week. As a young songwriter, Rabbitt socialized with other aspiring writers at Wally's Clubhouse, a bar in Nashville; he said that he and the other patrons had "no place else to go."  Rabbitt became successful as a songwriter in 1969 when Elvis Presley recorded his song "Kentucky Rain". The song went gold and cast Rabbitt as one of Nashville's leading young songwriters. While eating Cap'n Crunch, he penned "Pure Love", which Ronnie Milsap rode to No. 1 in 1974. This song led to a contract offer from Elektra Records.  Rabbitt signed with Elektra Records in 1975. His first single under that label, "You Get To Me" made the top 40 that year, and two songs in 1975, "Forgive and Forget" and "I Should Have Married You" nearly made the top 10. These three songs along with a recording of "Pure Love" were included on Rabbitt's self-named debut album in 1975. In 1976 his critically acclaimed Rocky Mountain Music album was released, which handed Rabbitt his first No. 1 country hit with the track "Drinkin' My Baby (Off My Mind)". In 1977 his third album, Rabbitt was released, which made the top 5 on Country Albums chart. Also in 1977 the Academy of Country Music named Rabbitt "Top New Male Vocalist of the Year". By that time he had a good reputation in Nashville, and was being compared by critics to singer Kris Kristofferson. In 1977, at Knott's Berry Farm, Eddie Rabbitt appeared at the CMA and sang several of his songs from the album Rocky Mountain Music. He won the award of Top New Male Vocalist of the Year. CANNOTANSWER

Question: What did the Time to Broadcast performance lead to?
Answer: first record deal
Eddie Rabbitt

Context: Rabbitt was employed as a mental hospital attendant in the late 1950s but, like his father, he fulfilled his love of music by performing at the Six Steps Down club in his hometown. He later won a talent contest and was given an hour of Saturday night radio show time to broadcast a live performance from a bar in Paterson, New Jersey. In 1964, he signed his first record deal with 20th Century Records and released the singles, "Next to the Note" and "Six Nights and Seven Days". Four years later, with $1,000.00 to his name, Rabbitt moved to Nashville where he began his career as a songwriter. During his first night in the town, Rabbitt wrote "Working My Way Up to the Bottom", which Roy Drusky recorded in 1968. To support himself, Rabbitt worked as a truck driver, soda jerk and fruit picker while in Nashville. He was ultimately hired as a staff writer for the Hill & Range Publishing Company and received a salary of $37.50 per week. As a young songwriter, Rabbitt socialized with other aspiring writers at Wally's Clubhouse, a bar in Nashville; he said that he and the other patrons had "no place else to go."  Rabbitt became successful as a songwriter in 1969 when Elvis Presley recorded his song "Kentucky Rain". The song went gold and cast Rabbitt as one of Nashville's leading young songwriters. While eating Cap'n Crunch, he penned "Pure Love", which Ronnie Milsap rode to No. 1 in 1974. This song led to a contract offer from Elektra Records.  Rabbitt signed with Elektra Records in 1975. His first single under that label, "You Get To Me" made the top 40 that year, and two songs in 1975, "Forgive and Forget" and "I Should Have Married You" nearly made the top 10. These three songs along with a recording of "Pure Love" were included on Rabbitt's self-named debut album in 1975. In 1976 his critically acclaimed Rocky Mountain Music album was released, which handed Rabbitt his first No. 1 country hit with the track "Drinkin' My Baby (Off My Mind)". In 1977 his third album, Rabbitt was released, which made the top 5 on Country Albums chart. Also in 1977 the Academy of Country Music named Rabbitt "Top New Male Vocalist of the Year". By that time he had a good reputation in Nashville, and was being compared by critics to singer Kris Kristofferson. In 1977, at Knott's Berry Farm, Eddie Rabbitt appeared at the CMA and sang several of his songs from the album Rocky Mountain Music. He won the award of Top New Male Vocalist of the Year. CANNOTANSWER

Question: Who did Eddie Rabbitt sign with for his first record deal?
Answer: 20th Century Records
Eddie Rabbitt

Context: Rabbitt was employed as a mental hospital attendant in the late 1950s but, like his father, he fulfilled his love of music by performing at the Six Steps Down club in his hometown. He later won a talent contest and was given an hour of Saturday night radio show time to broadcast a live performance from a bar in Paterson, New Jersey. In 1964, he signed his first record deal with 20th Century Records and released the singles, "Next to the Note" and "Six Nights and Seven Days". Four years later, with $1,000.00 to his name, Rabbitt moved to Nashville where he began his career as a songwriter. During his first night in the town, Rabbitt wrote "Working My Way Up to the Bottom", which Roy Drusky recorded in 1968. To support himself, Rabbitt worked as a truck driver, soda jerk and fruit picker while in Nashville. He was ultimately hired as a staff writer for the Hill & Range Publishing Company and received a salary of $37.50 per week. As a young songwriter, Rabbitt socialized with other aspiring writers at Wally's Clubhouse, a bar in Nashville; he said that he and the other patrons had "no place else to go."  Rabbitt became successful as a songwriter in 1969 when Elvis Presley recorded his song "Kentucky Rain". The song went gold and cast Rabbitt as one of Nashville's leading young songwriters. While eating Cap'n Crunch, he penned "Pure Love", which Ronnie Milsap rode to No. 1 in 1974. This song led to a contract offer from Elektra Records.  Rabbitt signed with Elektra Records in 1975. His first single under that label, "You Get To Me" made the top 40 that year, and two songs in 1975, "Forgive and Forget" and "I Should Have Married You" nearly made the top 10. These three songs along with a recording of "Pure Love" were included on Rabbitt's self-named debut album in 1975. In 1976 his critically acclaimed Rocky Mountain Music album was released, which handed Rabbitt his first No. 1 country hit with the track "Drinkin' My Baby (Off My Mind)". In 1977 his third album, Rabbitt was released, which made the top 5 on Country Albums chart. Also in 1977 the Academy of Country Music named Rabbitt "Top New Male Vocalist of the Year". By that time he had a good reputation in Nashville, and was being compared by critics to singer Kris Kristofferson. In 1977, at Knott's Berry Farm, Eddie Rabbitt appeared at the CMA and sang several of his songs from the album Rocky Mountain Music. He won the award of Top New Male Vocalist of the Year. CANNOTANSWER

Question: Did Eddie Rabbitt  like his first record deal with 20th Century Records?
Answer: he said that he and the other patrons had "no place else to go.
Autechre

Context: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003), as well as the Gantz Graf EP (2002). The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves. Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea for the "Gantz Graf" video came during one of his LSD trips. The second Autechre Peel session EP was also released in 2002, containing four tracks broadcast in 1999, named by John Peel himself. Autechre released two collaborative albums with Andrew M. McKenzie's Hafler Trio collective during the following three years (see collaborations).  The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive. According to Sean Booth, "most of Confield came out of experiments with Max that weren't really applicable in a club environment." In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp. Booth stated in an interview around the release of Draft 7.30 that "[rhythm] doesn't seem to limit us in the way it did when we first started. Now I think we just get it, we're totally fluent in it and can be more expressive."  Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005. It roughly continued the sound of their previous two LPs, though featured compositions that mutated greatly during their duration, typically alternating between passages of ambience and heavily processed, precise beats, such as on "Ipacial Section". Its final track, "Sublimit", is at almost sixteen minutes Autechre's longest composition to feature on any of their albums until 2016's elseq 1-5. The release of Untilted was followed by a two-month tour that took the group around Europe, America and Japan, but withdrew them from studio work for an unusual length of time. The outcome of this, coupled with a forced change in studio setup, was a gap of three years between releases, longer than ever before. CANNOTANSWER

Question: Can you provide me with a little more information on Confield, Draft 7.30? What happened?
Answer: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003),
Autechre

Context: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003), as well as the Gantz Graf EP (2002). The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves. Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea for the "Gantz Graf" video came during one of his LSD trips. The second Autechre Peel session EP was also released in 2002, containing four tracks broadcast in 1999, named by John Peel himself. Autechre released two collaborative albums with Andrew M. McKenzie's Hafler Trio collective during the following three years (see collaborations).  The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive. According to Sean Booth, "most of Confield came out of experiments with Max that weren't really applicable in a club environment." In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp. Booth stated in an interview around the release of Draft 7.30 that "[rhythm] doesn't seem to limit us in the way it did when we first started. Now I think we just get it, we're totally fluent in it and can be more expressive."  Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005. It roughly continued the sound of their previous two LPs, though featured compositions that mutated greatly during their duration, typically alternating between passages of ambience and heavily processed, precise beats, such as on "Ipacial Section". Its final track, "Sublimit", is at almost sixteen minutes Autechre's longest composition to feature on any of their albums until 2016's elseq 1-5. The release of Untilted was followed by a two-month tour that took the group around Europe, America and Japan, but withdrew them from studio work for an unusual length of time. The outcome of this, coupled with a forced change in studio setup, was a gap of three years between releases, longer than ever before. CANNOTANSWER

Question: When you say drastic change in Autechre's style, was Autechre's style change a positive or negative change?
Answer: CANNOTANSWER
Autechre

Context: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003), as well as the Gantz Graf EP (2002). The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves. Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea for the "Gantz Graf" video came during one of his LSD trips. The second Autechre Peel session EP was also released in 2002, containing four tracks broadcast in 1999, named by John Peel himself. Autechre released two collaborative albums with Andrew M. McKenzie's Hafler Trio collective during the following three years (see collaborations).  The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive. According to Sean Booth, "most of Confield came out of experiments with Max that weren't really applicable in a club environment." In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp. Booth stated in an interview around the release of Draft 7.30 that "[rhythm] doesn't seem to limit us in the way it did when we first started. Now I think we just get it, we're totally fluent in it and can be more expressive."  Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005. It roughly continued the sound of their previous two LPs, though featured compositions that mutated greatly during their duration, typically alternating between passages of ambience and heavily processed, precise beats, such as on "Ipacial Section". Its final track, "Sublimit", is at almost sixteen minutes Autechre's longest composition to feature on any of their albums until 2016's elseq 1-5. The release of Untilted was followed by a two-month tour that took the group around Europe, America and Japan, but withdrew them from studio work for an unusual length of time. The outcome of this, coupled with a forced change in studio setup, was a gap of three years between releases, longer than ever before. CANNOTANSWER

Question: What lead to the drastic change in Autechre's style?
Answer: The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music
Autechre

Context: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003), as well as the Gantz Graf EP (2002). The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves. Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea for the "Gantz Graf" video came during one of his LSD trips. The second Autechre Peel session EP was also released in 2002, containing four tracks broadcast in 1999, named by John Peel himself. Autechre released two collaborative albums with Andrew M. McKenzie's Hafler Trio collective during the following three years (see collaborations).  The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive. According to Sean Booth, "most of Confield came out of experiments with Max that weren't really applicable in a club environment." In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp. Booth stated in an interview around the release of Draft 7.30 that "[rhythm] doesn't seem to limit us in the way it did when we first started. Now I think we just get it, we're totally fluent in it and can be more expressive."  Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005. It roughly continued the sound of their previous two LPs, though featured compositions that mutated greatly during their duration, typically alternating between passages of ambience and heavily processed, precise beats, such as on "Ipacial Section". Its final track, "Sublimit", is at almost sixteen minutes Autechre's longest composition to feature on any of their albums until 2016's elseq 1-5. The release of Untilted was followed by a two-month tour that took the group around Europe, America and Japan, but withdrew them from studio work for an unusual length of time. The outcome of this, coupled with a forced change in studio setup, was a gap of three years between releases, longer than ever before. CANNOTANSWER

Question: Can you tell me a little about the video by Alex Rutterford that inspired Gantz Graf?
Answer: featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves.
Autechre

Context: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003), as well as the Gantz Graf EP (2002). The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves. Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea for the "Gantz Graf" video came during one of his LSD trips. The second Autechre Peel session EP was also released in 2002, containing four tracks broadcast in 1999, named by John Peel himself. Autechre released two collaborative albums with Andrew M. McKenzie's Hafler Trio collective during the following three years (see collaborations).  The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive. According to Sean Booth, "most of Confield came out of experiments with Max that weren't really applicable in a club environment." In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp. Booth stated in an interview around the release of Draft 7.30 that "[rhythm] doesn't seem to limit us in the way it did when we first started. Now I think we just get it, we're totally fluent in it and can be more expressive."  Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005. It roughly continued the sound of their previous two LPs, though featured compositions that mutated greatly during their duration, typically alternating between passages of ambience and heavily processed, precise beats, such as on "Ipacial Section". Its final track, "Sublimit", is at almost sixteen minutes Autechre's longest composition to feature on any of their albums until 2016's elseq 1-5. The release of Untilted was followed by a two-month tour that took the group around Europe, America and Japan, but withdrew them from studio work for an unusual length of time. The outcome of this, coupled with a forced change in studio setup, was a gap of three years between releases, longer than ever before. CANNOTANSWER

Question: What happened after Alex Rutterford made the iconic video?
Answer: Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea
Autechre

Context: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003), as well as the Gantz Graf EP (2002). The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves. Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea for the "Gantz Graf" video came during one of his LSD trips. The second Autechre Peel session EP was also released in 2002, containing four tracks broadcast in 1999, named by John Peel himself. Autechre released two collaborative albums with Andrew M. McKenzie's Hafler Trio collective during the following three years (see collaborations).  The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive. According to Sean Booth, "most of Confield came out of experiments with Max that weren't really applicable in a club environment." In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp. Booth stated in an interview around the release of Draft 7.30 that "[rhythm] doesn't seem to limit us in the way it did when we first started. Now I think we just get it, we're totally fluent in it and can be more expressive."  Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005. It roughly continued the sound of their previous two LPs, though featured compositions that mutated greatly during their duration, typically alternating between passages of ambience and heavily processed, precise beats, such as on "Ipacial Section". Its final track, "Sublimit", is at almost sixteen minutes Autechre's longest composition to feature on any of their albums until 2016's elseq 1-5. The release of Untilted was followed by a two-month tour that took the group around Europe, America and Japan, but withdrew them from studio work for an unusual length of time. The outcome of this, coupled with a forced change in studio setup, was a gap of three years between releases, longer than ever before. CANNOTANSWER

Question: Besides Rutterford's unofficial video for the track "Eutow, is there any other interesting aspects?
Answer: The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive.
Autechre

Context: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003), as well as the Gantz Graf EP (2002). The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves. Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea for the "Gantz Graf" video came during one of his LSD trips. The second Autechre Peel session EP was also released in 2002, containing four tracks broadcast in 1999, named by John Peel himself. Autechre released two collaborative albums with Andrew M. McKenzie's Hafler Trio collective during the following three years (see collaborations).  The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive. According to Sean Booth, "most of Confield came out of experiments with Max that weren't really applicable in a club environment." In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp. Booth stated in an interview around the release of Draft 7.30 that "[rhythm] doesn't seem to limit us in the way it did when we first started. Now I think we just get it, we're totally fluent in it and can be more expressive."  Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005. It roughly continued the sound of their previous two LPs, though featured compositions that mutated greatly during their duration, typically alternating between passages of ambience and heavily processed, precise beats, such as on "Ipacial Section". Its final track, "Sublimit", is at almost sixteen minutes Autechre's longest composition to feature on any of their albums until 2016's elseq 1-5. The release of Untilted was followed by a two-month tour that took the group around Europe, America and Japan, but withdrew them from studio work for an unusual length of time. The outcome of this, coupled with a forced change in studio setup, was a gap of three years between releases, longer than ever before. CANNOTANSWER

Question: Is there anything that happened after the mixed reaction to Confield?
Answer: In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp.
Autechre

Context: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003), as well as the Gantz Graf EP (2002). The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves. Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea for the "Gantz Graf" video came during one of his LSD trips. The second Autechre Peel session EP was also released in 2002, containing four tracks broadcast in 1999, named by John Peel himself. Autechre released two collaborative albums with Andrew M. McKenzie's Hafler Trio collective during the following three years (see collaborations).  The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive. According to Sean Booth, "most of Confield came out of experiments with Max that weren't really applicable in a club environment." In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp. Booth stated in an interview around the release of Draft 7.30 that "[rhythm] doesn't seem to limit us in the way it did when we first started. Now I think we just get it, we're totally fluent in it and can be more expressive."  Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005. It roughly continued the sound of their previous two LPs, though featured compositions that mutated greatly during their duration, typically alternating between passages of ambience and heavily processed, precise beats, such as on "Ipacial Section". Its final track, "Sublimit", is at almost sixteen minutes Autechre's longest composition to feature on any of their albums until 2016's elseq 1-5. The release of Untilted was followed by a two-month tour that took the group around Europe, America and Japan, but withdrew them from studio work for an unusual length of time. The outcome of this, coupled with a forced change in studio setup, was a gap of three years between releases, longer than ever before. CANNOTANSWER

Question: How did others feel about 2003's Draft 7.30?
Answer: though generally positive.
Autechre

Context: The new millennium brought about a drastic change in Autechre's style, demonstrated by Confield (2001) and Draft 7.30 (2003), as well as the Gantz Graf EP (2002). The title track from Gantz Graf inspired an iconic video by British designer Alex Rutterford, featuring an object (or an agglomeration of objects) synchronized to the music as it morphs, pulsates, shakes, and finally dissolves. Rutterford, who had previously created an unofficial video for the Tri Repetae track "Eutow" as part of the Channel 4 music programme Lo-Fi in 2001, claimed the idea for the "Gantz Graf" video came during one of his LSD trips. The second Autechre Peel session EP was also released in 2002, containing four tracks broadcast in 1999, named by John Peel himself. Autechre released two collaborative albums with Andrew M. McKenzie's Hafler Trio collective during the following three years (see collaborations).  The reactions by both professional critics and fans to the release of Confield were mixed, though generally positive. According to Sean Booth, "most of Confield came out of experiments with Max that weren't really applicable in a club environment." In contrast, 2003's Draft 7.30 was seen by some as an easier record to grasp. Booth stated in an interview around the release of Draft 7.30 that "[rhythm] doesn't seem to limit us in the way it did when we first started. Now I think we just get it, we're totally fluent in it and can be more expressive."  Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005. It roughly continued the sound of their previous two LPs, though featured compositions that mutated greatly during their duration, typically alternating between passages of ambience and heavily processed, precise beats, such as on "Ipacial Section". Its final track, "Sublimit", is at almost sixteen minutes Autechre's longest composition to feature on any of their albums until 2016's elseq 1-5. The release of Untilted was followed by a two-month tour that took the group around Europe, America and Japan, but withdrew them from studio work for an unusual length of time. The outcome of this, coupled with a forced change in studio setup, was a gap of three years between releases, longer than ever before. CANNOTANSWER

Question: Besides the generally positive reviews, is there anything else that is important with Draft 7.30?
Answer: Untilted (a play on the word "untitled"), the duo's eighth album, was released in 2005.
The Stooges

Context: After his first attempt at drug rehabilitation, Pop began a volatile yet ultimately successful solo career in 1977, commencing with the Bowie-produced albums The Idiot (1977) and Lust for Life (1977). Relocated to Los Angeles, California, Ron Asheton formed the short-lived band the New Order (not to be confused with the UK band New Order) with Stooges alumni Recca and Thurston before performing with the Ann Arbor-based "anti-rock" group Destroy All Monsters from 1977 to 1985. Until the Stooges' reformation, he supported himself as a working musician in various ensembles, including New Race, Dark Carnival and the Empty Set. Williamson worked with Pop as a producer and engineer during his early solo career - the Kill City and New Values albums are a product of this collaboration - but began a long break from the music industry in favor of a career in electronics engineering beginning in 1980. He received his degree from California State Polytechnic University, Pomona in 1982 and retired from Sony as vice president of technical standards in 2009. Scott Asheton performed with Sonic's Rendezvous Band and the Scott Morgan Group while pursuing various day jobs. Dave Alexander died of pulmonary edema related to his alcohol-induced pancreatitis in 1975.  In 1997, a reissue of Raw Power remixed by Pop was released. In 1999, re-issue label Rhino Handmade released the seven disc box set 1970: The Complete Fun House Sessions, composed of the entire recording sessions associated with the Fun House album. 3,000 copies were pressed, selling out in less than a year.  In 2000, indie rock music veterans J Mascis (of Dinosaur Jr) and Mike Watt (of the Minutemen and Firehose) teamed with Ron Asheton and drummer George Berz to perform Stooges covers (and other material) live. Billed as J. Mascis and the Fog, the band performed sporadically before Pop became aware of them in 2003. CANNOTANSWER

Question: What happened after The Stooges broke up?
Answer: After his first attempt at drug rehabilitation, Pop began a volatile yet ultimately successful solo career in 1977,
The Stooges

Context: After his first attempt at drug rehabilitation, Pop began a volatile yet ultimately successful solo career in 1977, commencing with the Bowie-produced albums The Idiot (1977) and Lust for Life (1977). Relocated to Los Angeles, California, Ron Asheton formed the short-lived band the New Order (not to be confused with the UK band New Order) with Stooges alumni Recca and Thurston before performing with the Ann Arbor-based "anti-rock" group Destroy All Monsters from 1977 to 1985. Until the Stooges' reformation, he supported himself as a working musician in various ensembles, including New Race, Dark Carnival and the Empty Set. Williamson worked with Pop as a producer and engineer during his early solo career - the Kill City and New Values albums are a product of this collaboration - but began a long break from the music industry in favor of a career in electronics engineering beginning in 1980. He received his degree from California State Polytechnic University, Pomona in 1982 and retired from Sony as vice president of technical standards in 2009. Scott Asheton performed with Sonic's Rendezvous Band and the Scott Morgan Group while pursuing various day jobs. Dave Alexander died of pulmonary edema related to his alcohol-induced pancreatitis in 1975.  In 1997, a reissue of Raw Power remixed by Pop was released. In 1999, re-issue label Rhino Handmade released the seven disc box set 1970: The Complete Fun House Sessions, composed of the entire recording sessions associated with the Fun House album. 3,000 copies were pressed, selling out in less than a year.  In 2000, indie rock music veterans J Mascis (of Dinosaur Jr) and Mike Watt (of the Minutemen and Firehose) teamed with Ron Asheton and drummer George Berz to perform Stooges covers (and other material) live. Billed as J. Mascis and the Fog, the band performed sporadically before Pop became aware of them in 2003. CANNOTANSWER

Question: How did Pop begin a volatile yet ultimately successful solo career in 1977?
Answer: Relocated to Los Angeles, California, Ron Asheton formed the short-lived band the New Order
The Stooges

Context: After his first attempt at drug rehabilitation, Pop began a volatile yet ultimately successful solo career in 1977, commencing with the Bowie-produced albums The Idiot (1977) and Lust for Life (1977). Relocated to Los Angeles, California, Ron Asheton formed the short-lived band the New Order (not to be confused with the UK band New Order) with Stooges alumni Recca and Thurston before performing with the Ann Arbor-based "anti-rock" group Destroy All Monsters from 1977 to 1985. Until the Stooges' reformation, he supported himself as a working musician in various ensembles, including New Race, Dark Carnival and the Empty Set. Williamson worked with Pop as a producer and engineer during his early solo career - the Kill City and New Values albums are a product of this collaboration - but began a long break from the music industry in favor of a career in electronics engineering beginning in 1980. He received his degree from California State Polytechnic University, Pomona in 1982 and retired from Sony as vice president of technical standards in 2009. Scott Asheton performed with Sonic's Rendezvous Band and the Scott Morgan Group while pursuing various day jobs. Dave Alexander died of pulmonary edema related to his alcohol-induced pancreatitis in 1975.  In 1997, a reissue of Raw Power remixed by Pop was released. In 1999, re-issue label Rhino Handmade released the seven disc box set 1970: The Complete Fun House Sessions, composed of the entire recording sessions associated with the Fun House album. 3,000 copies were pressed, selling out in less than a year.  In 2000, indie rock music veterans J Mascis (of Dinosaur Jr) and Mike Watt (of the Minutemen and Firehose) teamed with Ron Asheton and drummer George Berz to perform Stooges covers (and other material) live. Billed as J. Mascis and the Fog, the band performed sporadically before Pop became aware of them in 2003. CANNOTANSWER

Question: Besides the The Stooges post-breakup, are there any other interesting aspects about this article?
Answer: Until the Stooges' reformation, he supported himself as a working musician in various ensembles,
The Stooges

Context: After his first attempt at drug rehabilitation, Pop began a volatile yet ultimately successful solo career in 1977, commencing with the Bowie-produced albums The Idiot (1977) and Lust for Life (1977). Relocated to Los Angeles, California, Ron Asheton formed the short-lived band the New Order (not to be confused with the UK band New Order) with Stooges alumni Recca and Thurston before performing with the Ann Arbor-based "anti-rock" group Destroy All Monsters from 1977 to 1985. Until the Stooges' reformation, he supported himself as a working musician in various ensembles, including New Race, Dark Carnival and the Empty Set. Williamson worked with Pop as a producer and engineer during his early solo career - the Kill City and New Values albums are a product of this collaboration - but began a long break from the music industry in favor of a career in electronics engineering beginning in 1980. He received his degree from California State Polytechnic University, Pomona in 1982 and retired from Sony as vice president of technical standards in 2009. Scott Asheton performed with Sonic's Rendezvous Band and the Scott Morgan Group while pursuing various day jobs. Dave Alexander died of pulmonary edema related to his alcohol-induced pancreatitis in 1975.  In 1997, a reissue of Raw Power remixed by Pop was released. In 1999, re-issue label Rhino Handmade released the seven disc box set 1970: The Complete Fun House Sessions, composed of the entire recording sessions associated with the Fun House album. 3,000 copies were pressed, selling out in less than a year.  In 2000, indie rock music veterans J Mascis (of Dinosaur Jr) and Mike Watt (of the Minutemen and Firehose) teamed with Ron Asheton and drummer George Berz to perform Stooges covers (and other material) live. Billed as J. Mascis and the Fog, the band performed sporadically before Pop became aware of them in 2003. CANNOTANSWER

Question: Where did Pop perform?
Answer: ). Relocated to Los Angeles, California,