gaussalgo/Canard_Wiki-augmented huggingface dataset:
Thor Heyerdahl

Context: In 1955-1956, Heyerdahl organized the Norwegian Archaeological Expedition to Rapa Nui (Easter Island). The expedition's scientific staff included Arne Skjolsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Rapa Nui investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller.  In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonized by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation.  Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies.  As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that (almost) all Long Ears were killed in a civil war is true, as the islanders story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. CANNOTANSWER

Question: What else did the Rapa Nui dig produce in addition to the transport and erection of the moai and excavations at the Orongo and Poike sites?
Answer: two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island).
Thor Heyerdahl

Context: In 1955-1956, Heyerdahl organized the Norwegian Archaeological Expedition to Rapa Nui (Easter Island). The expedition's scientific staff included Arne Skjolsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Rapa Nui investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller.  In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonized by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation.  Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies.  As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that (almost) all Long Ears were killed in a civil war is true, as the islanders story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. CANNOTANSWER

Question: What did the Expedition to Rapa Nui do in addition to producing three scientific reports?
Answer: Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller.
Thor Heyerdahl

Context: In 1955-1956, Heyerdahl organized the Norwegian Archaeological Expedition to Rapa Nui (Easter Island). The expedition's scientific staff included Arne Skjolsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Rapa Nui investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller.  In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonized by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation.  Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies.  As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that (almost) all Long Ears were killed in a civil war is true, as the islanders story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. CANNOTANSWER

Question: What else did Heyerdahl produce in addition to his book Aku-Aku?
Answer: In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history.
Thor Heyerdahl

Context: In 1955-1956, Heyerdahl organized the Norwegian Archaeological Expedition to Rapa Nui (Easter Island). The expedition's scientific staff included Arne Skjolsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Rapa Nui investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller.  In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonized by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation.  Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies.  As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that (almost) all Long Ears were killed in a civil war is true, as the islanders story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. CANNOTANSWER

Question: What was the book "In Easter Island: The Mystery Solved" based on?
Answer: Based on native testimony and archaeological research, he claimed the island was originally colonized by Hanau eepe ("Long
Thor Heyerdahl

Context: In 1955-1956, Heyerdahl organized the Norwegian Archaeological Expedition to Rapa Nui (Easter Island). The expedition's scientific staff included Arne Skjolsvold, Carlyle Smith, Edwin Ferdon, Gonzalo Figueroa and William Mulloy. Heyerdahl and the professional archaeologists who travelled with him spent several months on Rapa Nui investigating several important archaeological sites. Highlights of the project include experiments in the carving, transport and erection of the notable moai, as well as excavations at such prominent sites as Orongo and Poike. The expedition published two large volumes of scientific reports (Reports of the Norwegian Archaeological Expedition to Easter Island and the East Pacific) and Heyerdahl later added a third (The Art of Easter Island). Heyerdahl's popular book on the subject, Aku-Aku was another international best-seller.  In Easter Island: The Mystery Solved (Random House, 1989), Heyerdahl offered a more detailed theory of the island's history. Based on native testimony and archaeological research, he claimed the island was originally colonized by Hanau eepe ("Long Ears"), from South America, and that Polynesian Hanau momoko ("Short Ears") arrived only in the mid-16th century; they may have come independently or perhaps were imported as workers. According to Heyerdahl, something happened between Admiral Roggeveen's discovery of the island in 1722 and James Cook's visit in 1774; while Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation.  Heyerdahl notes the oral tradition of an uprising of "Short Ears" against the ruling "Long Ears". The "Long Ears" dug a defensive moat on the eastern end of the island and filled it with kindling. During the uprising, Heyerdahl claimed, the "Long Ears" ignited their moat and retreated behind it, but the "Short Ears" found a way around it, came up from behind, and pushed all but two of the "Long Ears" into the fire. This moat was found by the Norwegian expedition and it was partly cut down into the rock. Layers of fire were revealed but no fragments of bodies.  As for the origin of the people of Easter Island, DNA tests have shown a connection to South America, critics conjecture that this was a result of recent events, but whether this is inherited from a person coming in later times is hard to know. If the story that (almost) all Long Ears were killed in a civil war is true, as the islanders story goes, it would be expected that the statue-building South American bloodline would have been nearly utterly destroyed, leaving for the most part the invading Polynesian bloodline. CANNOTANSWER

Question: Why did Heyerdahl claim Easter Island was originally colonized by Hanau eepe?
Answer: Roggeveen encountered white, Indian, and Polynesian people living in relative harmony and prosperity, Cook encountered a much smaller population consisting mainly of Polynesians and living in privation.
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: is santa sangre the name of a movie?
Answer: Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: Did Santa Sangre do well?
Answer: The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews.
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: When was the rainbow thief produced?
Answer: He followed in 1990 with a very different film, The Rainbow Thief.
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: Was The Rainbow Thief profitable?
Answer: CANNOTANSWER
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: did either The Rainbow Thief or Santa Sangre receive any awards?
Answer: CANNOTANSWER
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides The Rainbow Thief and Santa Sangre ?
Answer: In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City
Scott Weiland

Context: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album.  Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate."  Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova. CANNOTANSWER

Question: What was the artistry regarding Scott Weiland?
Answer: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career.
Scott Weiland

Context: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album.  Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate."  Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova. CANNOTANSWER

Question: how did Weiland's vocal and musical style evolve?
Answer: as STP continued to branch out throughout its career, so did Weiland's vocal style.
Scott Weiland

Context: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album.  Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate."  Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova. CANNOTANSWER

Question: what was STP in regards to Scott Weiland?
Answer: Stone Temple Pilots
Scott Weiland

Context: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album.  Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate."  Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova. CANNOTANSWER

Question: When did Scott Weiland join STP?
Answer: CANNOTANSWER
Scott Weiland

Context: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album.  Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate."  Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova. CANNOTANSWER

Question: Besides Weiland joining STP,Are there any other interesting aspects about this article?
Answer: Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music
Scott Weiland

Context: Weiland's vocal and musical style proved to be versatile, evolving constantly throughout his career. At the peak of Stone Temple Pilots' success in the early to mid-1990s, Weiland displayed a deep, baritone vocal style that was initially closely compared to that of Pearl Jam singer Eddie Vedder. However, as STP continued to branch out throughout its career, so did Weiland's vocal style. The band's third album, Tiny Music... Songs from the Vatican Gift Shop, had Weiland singing in a much higher, raspier tone to complement the band's more 60's rock-influenced sound on that album. Later albums showcased Weiland's influences ranging from bossa nova on Shangri-La Dee Da to blues rock and classic rock on the band's 2010 self-titled album.  Weiland's first solo record, 1998's 12 Bar Blues, represented a huge shift in Weiland's style, as the album featured a sound "rooted in glam rock, filtered through psychedelia and trip-hop." With Velvet Revolver, Weiland's vocals ranged from his classic baritone to a rawer style to complement the band's hard rock sound. A New York Post review of Velvet Revolver's 2007 album Libertad commented that "Weiland's vocals are crisp and controlled yet passionate."  Weiland's second solo album, 2008's "Happy" in Galoshes, featured a wide variety of musical genres, such as bossa nova, country, neo-psychedelia and indie rock. Weiland's 2011 solo effort, the Christmas album The Most Wonderful Time of the Year consisted entirely of Christmas music in a crooning style similar to that of David Bowie and Frank Sinatra, as well as some reggae and bossa nova. CANNOTANSWER

Question: was Weilands' album  The Most Wonderful Time of the Year successful?
Answer: CANNOTANSWER
Jessica Alba

Context: Alba expressed an interest in acting from the age of five. In 1992, the 11-year-old Alba persuaded her mother to take her to an acting competition in Beverly Hills, where the grand prize was free acting classes. Alba won the grand prize, and took her first acting lessons. An agent signed Alba nine months later. Her first appearance on film was a small role in the 1994 feature Camp Nowhere as Gail. She was originally hired for two weeks but her role turned into a two-month job when one of the prominent actresses dropped out.  Alba appeared in two national television commercials for Nintendo and J. C. Penney as a child. She was later featured in several independent films. She branched out into television in 1994 with a recurring role as the vain Jessica in three episodes of the Nickelodeon comedy series The Secret World of Alex Mack. She then performed the role of Maya in the first two seasons of the television series Flipper. Under the tutelage of her lifeguard mother, Alba learned to swim before she could walk, and she was a PADI-certified scuba diver, skills which were put to use on the show, which was filmed in Australia.  In 1998, she appeared as Melissa Hauer in a first-season episode of the Steven Bochco crime-drama Brooklyn South, as Leanne in two episodes of Beverly Hills, 90210, and as Layla in an episode of Love Boat: The Next Wave. In 1999, she appeared in the Randy Quaid comedy feature P.U.N.K.S.. After Alba graduated from high school, she studied acting with William H. Macy and his wife, Felicity Huffman, at the Atlantic Theater Company, which was developed by Macy and Pulitzer Prize-winning playwright and film director, David Mamet. Alba rose to greater prominence in Hollywood in 1999 after appearing as a member of a snobby high school clique in the Drew Barrymore romantic comedy Never Been Kissed, and as the female lead in the 1999 comedy-horror film Idle Hands, opposite Devon Sawa. CANNOTANSWER

Question: when did Jessica Alba's career start?
Answer: Her first appearance on film was a small role in the 1994 feature Camp Nowhere as Gail.
Jessica Alba

Context: Alba expressed an interest in acting from the age of five. In 1992, the 11-year-old Alba persuaded her mother to take her to an acting competition in Beverly Hills, where the grand prize was free acting classes. Alba won the grand prize, and took her first acting lessons. An agent signed Alba nine months later. Her first appearance on film was a small role in the 1994 feature Camp Nowhere as Gail. She was originally hired for two weeks but her role turned into a two-month job when one of the prominent actresses dropped out.  Alba appeared in two national television commercials for Nintendo and J. C. Penney as a child. She was later featured in several independent films. She branched out into television in 1994 with a recurring role as the vain Jessica in three episodes of the Nickelodeon comedy series The Secret World of Alex Mack. She then performed the role of Maya in the first two seasons of the television series Flipper. Under the tutelage of her lifeguard mother, Alba learned to swim before she could walk, and she was a PADI-certified scuba diver, skills which were put to use on the show, which was filmed in Australia.  In 1998, she appeared as Melissa Hauer in a first-season episode of the Steven Bochco crime-drama Brooklyn South, as Leanne in two episodes of Beverly Hills, 90210, and as Layla in an episode of Love Boat: The Next Wave. In 1999, she appeared in the Randy Quaid comedy feature P.U.N.K.S.. After Alba graduated from high school, she studied acting with William H. Macy and his wife, Felicity Huffman, at the Atlantic Theater Company, which was developed by Macy and Pulitzer Prize-winning playwright and film director, David Mamet. Alba rose to greater prominence in Hollywood in 1999 after appearing as a member of a snobby high school clique in the Drew Barrymore romantic comedy Never Been Kissed, and as the female lead in the 1999 comedy-horror film Idle Hands, opposite Devon Sawa. CANNOTANSWER

Question: how old was Jessica Alba on her first appearance on film?
Answer: CANNOTANSWER
Jessica Alba

Context: Alba expressed an interest in acting from the age of five. In 1992, the 11-year-old Alba persuaded her mother to take her to an acting competition in Beverly Hills, where the grand prize was free acting classes. Alba won the grand prize, and took her first acting lessons. An agent signed Alba nine months later. Her first appearance on film was a small role in the 1994 feature Camp Nowhere as Gail. She was originally hired for two weeks but her role turned into a two-month job when one of the prominent actresses dropped out.  Alba appeared in two national television commercials for Nintendo and J. C. Penney as a child. She was later featured in several independent films. She branched out into television in 1994 with a recurring role as the vain Jessica in three episodes of the Nickelodeon comedy series The Secret World of Alex Mack. She then performed the role of Maya in the first two seasons of the television series Flipper. Under the tutelage of her lifeguard mother, Alba learned to swim before she could walk, and she was a PADI-certified scuba diver, skills which were put to use on the show, which was filmed in Australia.  In 1998, she appeared as Melissa Hauer in a first-season episode of the Steven Bochco crime-drama Brooklyn South, as Leanne in two episodes of Beverly Hills, 90210, and as Layla in an episode of Love Boat: The Next Wave. In 1999, she appeared in the Randy Quaid comedy feature P.U.N.K.S.. After Alba graduated from high school, she studied acting with William H. Macy and his wife, Felicity Huffman, at the Atlantic Theater Company, which was developed by Macy and Pulitzer Prize-winning playwright and film director, David Mamet. Alba rose to greater prominence in Hollywood in 1999 after appearing as a member of a snobby high school clique in the Drew Barrymore romantic comedy Never Been Kissed, and as the female lead in the 1999 comedy-horror film Idle Hands, opposite Devon Sawa. CANNOTANSWER

Question: was Jessica Alba's first album a hit?
Answer: acting classes.
Jessica Alba

Context: Alba expressed an interest in acting from the age of five. In 1992, the 11-year-old Alba persuaded her mother to take her to an acting competition in Beverly Hills, where the grand prize was free acting classes. Alba won the grand prize, and took her first acting lessons. An agent signed Alba nine months later. Her first appearance on film was a small role in the 1994 feature Camp Nowhere as Gail. She was originally hired for two weeks but her role turned into a two-month job when one of the prominent actresses dropped out.  Alba appeared in two national television commercials for Nintendo and J. C. Penney as a child. She was later featured in several independent films. She branched out into television in 1994 with a recurring role as the vain Jessica in three episodes of the Nickelodeon comedy series The Secret World of Alex Mack. She then performed the role of Maya in the first two seasons of the television series Flipper. Under the tutelage of her lifeguard mother, Alba learned to swim before she could walk, and she was a PADI-certified scuba diver, skills which were put to use on the show, which was filmed in Australia.  In 1998, she appeared as Melissa Hauer in a first-season episode of the Steven Bochco crime-drama Brooklyn South, as Leanne in two episodes of Beverly Hills, 90210, and as Layla in an episode of Love Boat: The Next Wave. In 1999, she appeared in the Randy Quaid comedy feature P.U.N.K.S.. After Alba graduated from high school, she studied acting with William H. Macy and his wife, Felicity Huffman, at the Atlantic Theater Company, which was developed by Macy and Pulitzer Prize-winning playwright and film director, David Mamet. Alba rose to greater prominence in Hollywood in 1999 after appearing as a member of a snobby high school clique in the Drew Barrymore romantic comedy Never Been Kissed, and as the female lead in the 1999 comedy-horror film Idle Hands, opposite Devon Sawa. CANNOTANSWER

Question: whats a song on Jessica Alba's first album?
Answer: CANNOTANSWER
Jessica Alba

Context: Alba expressed an interest in acting from the age of five. In 1992, the 11-year-old Alba persuaded her mother to take her to an acting competition in Beverly Hills, where the grand prize was free acting classes. Alba won the grand prize, and took her first acting lessons. An agent signed Alba nine months later. Her first appearance on film was a small role in the 1994 feature Camp Nowhere as Gail. She was originally hired for two weeks but her role turned into a two-month job when one of the prominent actresses dropped out.  Alba appeared in two national television commercials for Nintendo and J. C. Penney as a child. She was later featured in several independent films. She branched out into television in 1994 with a recurring role as the vain Jessica in three episodes of the Nickelodeon comedy series The Secret World of Alex Mack. She then performed the role of Maya in the first two seasons of the television series Flipper. Under the tutelage of her lifeguard mother, Alba learned to swim before she could walk, and she was a PADI-certified scuba diver, skills which were put to use on the show, which was filmed in Australia.  In 1998, she appeared as Melissa Hauer in a first-season episode of the Steven Bochco crime-drama Brooklyn South, as Leanne in two episodes of Beverly Hills, 90210, and as Layla in an episode of Love Boat: The Next Wave. In 1999, she appeared in the Randy Quaid comedy feature P.U.N.K.S.. After Alba graduated from high school, she studied acting with William H. Macy and his wife, Felicity Huffman, at the Atlantic Theater Company, which was developed by Macy and Pulitzer Prize-winning playwright and film director, David Mamet. Alba rose to greater prominence in Hollywood in 1999 after appearing as a member of a snobby high school clique in the Drew Barrymore romantic comedy Never Been Kissed, and as the female lead in the 1999 comedy-horror film Idle Hands, opposite Devon Sawa. CANNOTANSWER

Question: what was Jessica Alba's second acting gig?
Answer: Alba appeared in two national television commercials for Nintendo and J. C. Penney as a child. She was later featured in several independent films.
Jessica Alba

Context: Alba expressed an interest in acting from the age of five. In 1992, the 11-year-old Alba persuaded her mother to take her to an acting competition in Beverly Hills, where the grand prize was free acting classes. Alba won the grand prize, and took her first acting lessons. An agent signed Alba nine months later. Her first appearance on film was a small role in the 1994 feature Camp Nowhere as Gail. She was originally hired for two weeks but her role turned into a two-month job when one of the prominent actresses dropped out.  Alba appeared in two national television commercials for Nintendo and J. C. Penney as a child. She was later featured in several independent films. She branched out into television in 1994 with a recurring role as the vain Jessica in three episodes of the Nickelodeon comedy series The Secret World of Alex Mack. She then performed the role of Maya in the first two seasons of the television series Flipper. Under the tutelage of her lifeguard mother, Alba learned to swim before she could walk, and she was a PADI-certified scuba diver, skills which were put to use on the show, which was filmed in Australia.  In 1998, she appeared as Melissa Hauer in a first-season episode of the Steven Bochco crime-drama Brooklyn South, as Leanne in two episodes of Beverly Hills, 90210, and as Layla in an episode of Love Boat: The Next Wave. In 1999, she appeared in the Randy Quaid comedy feature P.U.N.K.S.. After Alba graduated from high school, she studied acting with William H. Macy and his wife, Felicity Huffman, at the Atlantic Theater Company, which was developed by Macy and Pulitzer Prize-winning playwright and film director, David Mamet. Alba rose to greater prominence in Hollywood in 1999 after appearing as a member of a snobby high school clique in the Drew Barrymore romantic comedy Never Been Kissed, and as the female lead in the 1999 comedy-horror film Idle Hands, opposite Devon Sawa. CANNOTANSWER

Question: name one of Jessica Alba's films
Answer: 1999 after appearing as a member of a snobby high school clique in the Drew Barrymore romantic comedy Never Been Kissed,