gaussalgo/Canard_Wiki-augmented huggingface dataset:
William Beveridge

Context: After leaving university, Beveridge initially became a lawyer. He became interested in the social services and wrote about the subject for the Morning Post newspaper. His interest in the causes of unemployment began in 1903 when he worked at Toynbee Hall, a settlement house in London. There he worked closely with Sidney Webb and Beatrice Webb and was influenced by their theories of social reform, becoming active in promoting old age pensions, free school meals, and campaigning for a national system of labour exchanges.  In 1908, now considered to be the United Kingdom's leading authority on unemployment insurance, he was introduced by Beatrice Webb to Winston Churchill, who had recently been promoted to the Cabinet as President of the Board of Trade. Churchill invited Beveridge to join the Board of Trade, and he organised the implementation of the national system of labour exchanges and National Insurance to combat unemployment and poverty. During the First World War he was involved in mobilising and controlling manpower. After the war, he was knighted and made permanent secretary to the Ministry of Food.  In 1919 he left the civil service to become director of the London School of Economics and Political Science. Over the next few years he served on several commissions and committees on social policy. He was so highly influenced by the Fabian Society socialists - in particular by Beatrice Webb, with whom he worked on the 1909 Poor Laws report - that he could readily be considered one of their number. He published academic economic works including his early work on unemployment (1909) and a large historical study of prices and wages (1939). The Fabians made him a director of the LSE in 1919, a post he retained until 1937. During his time as Director, he jousted with Edwin Cannan and Lionel Robbins, who were trying to steer the LSE away from its Fabian roots.  In 1933 he helped set up the Academic Assistance Council. This helped prominent academics who had been dismissed from their posts on grounds of race, religion or political position to escape Nazi persecution. In 1937, Beveridge was appointed Master of University College, Oxford. CANNOTANSWER

Question: Which school did William Beveridge attended?
Answer: CANNOTANSWER
George Gershwin

Context: On September 26, 1898, George was born as second son to Morris and Rose Bruskin Gershwine in their second-floor apartment on Brooklyn's Snediker Avenue. His birth certificate identifies him as Jacob Gershwine, with the surname pronounced 'Gersh-vin' in the Russian and Yiddish immigrant community. He had just one given name, contrary to the American practice of giving children both a first and middle name. He was named after his grandfather, a one time Russian army mechanic. He soon became known as George, and changed the spelling of his surname to 'Gershwin' about the time he became a professional musician; other family members followed suit. After Ira and George, another boy Arthur Gershwin (1900-1981), and a girl Frances Gershwin (1906-1999) were born into the family.  The family lived in many different residences, as their father changed dwellings with each new enterprise in which he became involved. Mostly, they grew up around the Yiddish Theater District. George and Ira frequented the local Yiddish theaters, with George occasionally appearing onstage as an extra.  George lived a usual childhood existence for children of New York tenements: running around with his boyhood friends, roller skating and misbehaving in the streets. Remarkably, until 1908, he cared nothing for music, when as a ten year old he was intrigued upon hearing his friend Maxie Rosenzweig's, violin recital. The sound, and the way his friend played, captured him. At around the same time, George's parents had bought a piano, for lessons, for his older brother Ira, but to his parents' surprise, and Ira's relief, it was George who spent more time playing it.  Although his younger sister Frances was the first in the family to make a living through her musical talents, she married young and devoted herself to being a mother and housewife, thus surrendering any serious time to musical endeavors. Having given up her performing career, she settled upon painting as a creative outlet, which had also been a hobby George briefly pursued. Arthur Gershwin followed in the paths of George and Ira, also becoming a composer of songs, musicals, and short piano works.  With a degree of frustration, George tried various piano teachers for some two (circa. 1911) before finally being introduced to Charles Hambitzer by Jack Miller (circa. 1913), the pianist in the Beethoven Symphony Orchestra. Until his death in 1918, Hambitzer remained Gershwin's musical mentor and taught him conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestral concerts. Following such concerts, young Gershwin would essentially try to play, on the piano at home, the music he had heard from recall, and without sheet music. As a matter of course, Gershwin later studied with the classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell, thus formalizing his classical music training. CANNOTANSWER

Question: Where does George Gershwin lineage descend from
Answer: His birth certificate identifies him as Jacob Gershwine, with the surname pronounced 'Gersh-vin' in the Russian and Yiddish immigrant community.
George Gershwin

Context: On September 26, 1898, George was born as second son to Morris and Rose Bruskin Gershwine in their second-floor apartment on Brooklyn's Snediker Avenue. His birth certificate identifies him as Jacob Gershwine, with the surname pronounced 'Gersh-vin' in the Russian and Yiddish immigrant community. He had just one given name, contrary to the American practice of giving children both a first and middle name. He was named after his grandfather, a one time Russian army mechanic. He soon became known as George, and changed the spelling of his surname to 'Gershwin' about the time he became a professional musician; other family members followed suit. After Ira and George, another boy Arthur Gershwin (1900-1981), and a girl Frances Gershwin (1906-1999) were born into the family.  The family lived in many different residences, as their father changed dwellings with each new enterprise in which he became involved. Mostly, they grew up around the Yiddish Theater District. George and Ira frequented the local Yiddish theaters, with George occasionally appearing onstage as an extra.  George lived a usual childhood existence for children of New York tenements: running around with his boyhood friends, roller skating and misbehaving in the streets. Remarkably, until 1908, he cared nothing for music, when as a ten year old he was intrigued upon hearing his friend Maxie Rosenzweig's, violin recital. The sound, and the way his friend played, captured him. At around the same time, George's parents had bought a piano, for lessons, for his older brother Ira, but to his parents' surprise, and Ira's relief, it was George who spent more time playing it.  Although his younger sister Frances was the first in the family to make a living through her musical talents, she married young and devoted herself to being a mother and housewife, thus surrendering any serious time to musical endeavors. Having given up her performing career, she settled upon painting as a creative outlet, which had also been a hobby George briefly pursued. Arthur Gershwin followed in the paths of George and Ira, also becoming a composer of songs, musicals, and short piano works.  With a degree of frustration, George tried various piano teachers for some two (circa. 1911) before finally being introduced to Charles Hambitzer by Jack Miller (circa. 1913), the pianist in the Beethoven Symphony Orchestra. Until his death in 1918, Hambitzer remained Gershwin's musical mentor and taught him conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestral concerts. Following such concerts, young Gershwin would essentially try to play, on the piano at home, the music he had heard from recall, and without sheet music. As a matter of course, Gershwin later studied with the classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell, thus formalizing his classical music training. CANNOTANSWER

Question: Are there any other interesting aspects about this article on George Gershwin other than his name pronunciation?
Answer: He was named after his grandfather,
George Gershwin

Context: On September 26, 1898, George was born as second son to Morris and Rose Bruskin Gershwine in their second-floor apartment on Brooklyn's Snediker Avenue. His birth certificate identifies him as Jacob Gershwine, with the surname pronounced 'Gersh-vin' in the Russian and Yiddish immigrant community. He had just one given name, contrary to the American practice of giving children both a first and middle name. He was named after his grandfather, a one time Russian army mechanic. He soon became known as George, and changed the spelling of his surname to 'Gershwin' about the time he became a professional musician; other family members followed suit. After Ira and George, another boy Arthur Gershwin (1900-1981), and a girl Frances Gershwin (1906-1999) were born into the family.  The family lived in many different residences, as their father changed dwellings with each new enterprise in which he became involved. Mostly, they grew up around the Yiddish Theater District. George and Ira frequented the local Yiddish theaters, with George occasionally appearing onstage as an extra.  George lived a usual childhood existence for children of New York tenements: running around with his boyhood friends, roller skating and misbehaving in the streets. Remarkably, until 1908, he cared nothing for music, when as a ten year old he was intrigued upon hearing his friend Maxie Rosenzweig's, violin recital. The sound, and the way his friend played, captured him. At around the same time, George's parents had bought a piano, for lessons, for his older brother Ira, but to his parents' surprise, and Ira's relief, it was George who spent more time playing it.  Although his younger sister Frances was the first in the family to make a living through her musical talents, she married young and devoted herself to being a mother and housewife, thus surrendering any serious time to musical endeavors. Having given up her performing career, she settled upon painting as a creative outlet, which had also been a hobby George briefly pursued. Arthur Gershwin followed in the paths of George and Ira, also becoming a composer of songs, musicals, and short piano works.  With a degree of frustration, George tried various piano teachers for some two (circa. 1911) before finally being introduced to Charles Hambitzer by Jack Miller (circa. 1913), the pianist in the Beethoven Symphony Orchestra. Until his death in 1918, Hambitzer remained Gershwin's musical mentor and taught him conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestral concerts. Following such concerts, young Gershwin would essentially try to play, on the piano at home, the music he had heard from recall, and without sheet music. As a matter of course, Gershwin later studied with the classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell, thus formalizing his classical music training. CANNOTANSWER

Question: Does George Gershwin have any other known linage other than Russian and Yiddish?
Answer: CANNOTANSWER
George Gershwin

Context: On September 26, 1898, George was born as second son to Morris and Rose Bruskin Gershwine in their second-floor apartment on Brooklyn's Snediker Avenue. His birth certificate identifies him as Jacob Gershwine, with the surname pronounced 'Gersh-vin' in the Russian and Yiddish immigrant community. He had just one given name, contrary to the American practice of giving children both a first and middle name. He was named after his grandfather, a one time Russian army mechanic. He soon became known as George, and changed the spelling of his surname to 'Gershwin' about the time he became a professional musician; other family members followed suit. After Ira and George, another boy Arthur Gershwin (1900-1981), and a girl Frances Gershwin (1906-1999) were born into the family.  The family lived in many different residences, as their father changed dwellings with each new enterprise in which he became involved. Mostly, they grew up around the Yiddish Theater District. George and Ira frequented the local Yiddish theaters, with George occasionally appearing onstage as an extra.  George lived a usual childhood existence for children of New York tenements: running around with his boyhood friends, roller skating and misbehaving in the streets. Remarkably, until 1908, he cared nothing for music, when as a ten year old he was intrigued upon hearing his friend Maxie Rosenzweig's, violin recital. The sound, and the way his friend played, captured him. At around the same time, George's parents had bought a piano, for lessons, for his older brother Ira, but to his parents' surprise, and Ira's relief, it was George who spent more time playing it.  Although his younger sister Frances was the first in the family to make a living through her musical talents, she married young and devoted herself to being a mother and housewife, thus surrendering any serious time to musical endeavors. Having given up her performing career, she settled upon painting as a creative outlet, which had also been a hobby George briefly pursued. Arthur Gershwin followed in the paths of George and Ira, also becoming a composer of songs, musicals, and short piano works.  With a degree of frustration, George tried various piano teachers for some two (circa. 1911) before finally being introduced to Charles Hambitzer by Jack Miller (circa. 1913), the pianist in the Beethoven Symphony Orchestra. Until his death in 1918, Hambitzer remained Gershwin's musical mentor and taught him conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestral concerts. Following such concerts, young Gershwin would essentially try to play, on the piano at home, the music he had heard from recall, and without sheet music. As a matter of course, Gershwin later studied with the classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell, thus formalizing his classical music training. CANNOTANSWER

Question: What side of George Gershwin's family is Russian
Answer: He was named after his grandfather, a one time Russian army mechanic.
George Gershwin

Context: On September 26, 1898, George was born as second son to Morris and Rose Bruskin Gershwine in their second-floor apartment on Brooklyn's Snediker Avenue. His birth certificate identifies him as Jacob Gershwine, with the surname pronounced 'Gersh-vin' in the Russian and Yiddish immigrant community. He had just one given name, contrary to the American practice of giving children both a first and middle name. He was named after his grandfather, a one time Russian army mechanic. He soon became known as George, and changed the spelling of his surname to 'Gershwin' about the time he became a professional musician; other family members followed suit. After Ira and George, another boy Arthur Gershwin (1900-1981), and a girl Frances Gershwin (1906-1999) were born into the family.  The family lived in many different residences, as their father changed dwellings with each new enterprise in which he became involved. Mostly, they grew up around the Yiddish Theater District. George and Ira frequented the local Yiddish theaters, with George occasionally appearing onstage as an extra.  George lived a usual childhood existence for children of New York tenements: running around with his boyhood friends, roller skating and misbehaving in the streets. Remarkably, until 1908, he cared nothing for music, when as a ten year old he was intrigued upon hearing his friend Maxie Rosenzweig's, violin recital. The sound, and the way his friend played, captured him. At around the same time, George's parents had bought a piano, for lessons, for his older brother Ira, but to his parents' surprise, and Ira's relief, it was George who spent more time playing it.  Although his younger sister Frances was the first in the family to make a living through her musical talents, she married young and devoted herself to being a mother and housewife, thus surrendering any serious time to musical endeavors. Having given up her performing career, she settled upon painting as a creative outlet, which had also been a hobby George briefly pursued. Arthur Gershwin followed in the paths of George and Ira, also becoming a composer of songs, musicals, and short piano works.  With a degree of frustration, George tried various piano teachers for some two (circa. 1911) before finally being introduced to Charles Hambitzer by Jack Miller (circa. 1913), the pianist in the Beethoven Symphony Orchestra. Until his death in 1918, Hambitzer remained Gershwin's musical mentor and taught him conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestral concerts. Following such concerts, young Gershwin would essentially try to play, on the piano at home, the music he had heard from recall, and without sheet music. As a matter of course, Gershwin later studied with the classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell, thus formalizing his classical music training. CANNOTANSWER

Question: can you tell me more about George Gershwin's yiddish ancestors?
Answer: CANNOTANSWER
George Gershwin

Context: On September 26, 1898, George was born as second son to Morris and Rose Bruskin Gershwine in their second-floor apartment on Brooklyn's Snediker Avenue. His birth certificate identifies him as Jacob Gershwine, with the surname pronounced 'Gersh-vin' in the Russian and Yiddish immigrant community. He had just one given name, contrary to the American practice of giving children both a first and middle name. He was named after his grandfather, a one time Russian army mechanic. He soon became known as George, and changed the spelling of his surname to 'Gershwin' about the time he became a professional musician; other family members followed suit. After Ira and George, another boy Arthur Gershwin (1900-1981), and a girl Frances Gershwin (1906-1999) were born into the family.  The family lived in many different residences, as their father changed dwellings with each new enterprise in which he became involved. Mostly, they grew up around the Yiddish Theater District. George and Ira frequented the local Yiddish theaters, with George occasionally appearing onstage as an extra.  George lived a usual childhood existence for children of New York tenements: running around with his boyhood friends, roller skating and misbehaving in the streets. Remarkably, until 1908, he cared nothing for music, when as a ten year old he was intrigued upon hearing his friend Maxie Rosenzweig's, violin recital. The sound, and the way his friend played, captured him. At around the same time, George's parents had bought a piano, for lessons, for his older brother Ira, but to his parents' surprise, and Ira's relief, it was George who spent more time playing it.  Although his younger sister Frances was the first in the family to make a living through her musical talents, she married young and devoted herself to being a mother and housewife, thus surrendering any serious time to musical endeavors. Having given up her performing career, she settled upon painting as a creative outlet, which had also been a hobby George briefly pursued. Arthur Gershwin followed in the paths of George and Ira, also becoming a composer of songs, musicals, and short piano works.  With a degree of frustration, George tried various piano teachers for some two (circa. 1911) before finally being introduced to Charles Hambitzer by Jack Miller (circa. 1913), the pianist in the Beethoven Symphony Orchestra. Until his death in 1918, Hambitzer remained Gershwin's musical mentor and taught him conventional piano technique, introduced him to music of the European classical tradition, and encouraged him to attend orchestral concerts. Following such concerts, young Gershwin would essentially try to play, on the piano at home, the music he had heard from recall, and without sheet music. As a matter of course, Gershwin later studied with the classical composer Rubin Goldmark and avant-garde composer-theorist Henry Cowell, thus formalizing his classical music training. CANNOTANSWER

Question: Were there any ancestors of significance in George Gershwin's lineage?
Answer: CANNOTANSWER
Dick Enberg

Context: In the late 1960s, Enberg began a full-time sportscasting career in Los Angeles, working for KTLA television (anchoring a nightly sports report and calling UCLA Bruins basketball) and KMPC radio (calling Los Angeles Rams football and California Angels baseball). After every Angels victory, he would wrap up his broadcast with, "And the halo shines tonight," in reference to the "Big A" scoreboard at Anaheim Stadium and the halo at the top, which would light up for everyone in the area to see, particularly from the adjacent freeway. Enberg was named California Sportscaster of the Year four times during this period.  In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium.  In 1968, Enberg was recommended by UCLA athletic director J.D. Morgan to be the national broadcaster for the syndicated TVS Television Network to cover the "Game of the Century" between the Houston Cougars, led by Elvin Hayes and the UCLA Bruins, led by Lew Alcindor (later Kareem Abdul-Jabbar). The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience and stands as a seminal contest in the evolution of nationally televised evening college basketball broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley. In 1973, Enberg traveled to Beijing, China to host the groundbreaking TVS Television Network telecast of the USA vs. China basketball game. It was the first team sporting event ever played between China and the USA.  In the 1970s, Enberg called the 1979 NCAA Championship game between Michigan State, led by Magic Johnson, and Indiana State, led by Larry Bird. He also hosted the syndicated television game show Sports Challenge, and co-produced the Emmy Award-winning sports-history series The Way It Was for PBS.  In the 1970 opening conference game in Pauley Pavilion, Oregon went into a stall against the UCLA Bruins. Enberg had run out of statistics and began to fill his radio broadcast with small talk. The movie Butch Cassidy and the Sundance Kid had just been released, and Enberg was humming the tune to "Raindrops Keep Fallin' on My Head", but did not know the words. Two nights later, in a home game against Oregon State, many UCLA students brought the lyrics to the song. Enberg promised that he would sing the song if UCLA won the conference championship. He sang the song following the final game of the season. The event was recorded in the Los Angeles Times and was later recounted in the book Pauley Pavilion: College Basketball's Showplace by David Smale. During the 2006 NCAA Men's Basketball Championship broadcast, there was a short feature on the event. CANNOTANSWER

Question: What did Dick Enberg do while in Los Angeles?
Answer: 1960s, Enberg began a full-time sportscasting career in Los Angeles,
Dick Enberg

Context: In the late 1960s, Enberg began a full-time sportscasting career in Los Angeles, working for KTLA television (anchoring a nightly sports report and calling UCLA Bruins basketball) and KMPC radio (calling Los Angeles Rams football and California Angels baseball). After every Angels victory, he would wrap up his broadcast with, "And the halo shines tonight," in reference to the "Big A" scoreboard at Anaheim Stadium and the halo at the top, which would light up for everyone in the area to see, particularly from the adjacent freeway. Enberg was named California Sportscaster of the Year four times during this period.  In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium.  In 1968, Enberg was recommended by UCLA athletic director J.D. Morgan to be the national broadcaster for the syndicated TVS Television Network to cover the "Game of the Century" between the Houston Cougars, led by Elvin Hayes and the UCLA Bruins, led by Lew Alcindor (later Kareem Abdul-Jabbar). The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience and stands as a seminal contest in the evolution of nationally televised evening college basketball broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley. In 1973, Enberg traveled to Beijing, China to host the groundbreaking TVS Television Network telecast of the USA vs. China basketball game. It was the first team sporting event ever played between China and the USA.  In the 1970s, Enberg called the 1979 NCAA Championship game between Michigan State, led by Magic Johnson, and Indiana State, led by Larry Bird. He also hosted the syndicated television game show Sports Challenge, and co-produced the Emmy Award-winning sports-history series The Way It Was for PBS.  In the 1970 opening conference game in Pauley Pavilion, Oregon went into a stall against the UCLA Bruins. Enberg had run out of statistics and began to fill his radio broadcast with small talk. The movie Butch Cassidy and the Sundance Kid had just been released, and Enberg was humming the tune to "Raindrops Keep Fallin' on My Head", but did not know the words. Two nights later, in a home game against Oregon State, many UCLA students brought the lyrics to the song. Enberg promised that he would sing the song if UCLA won the conference championship. He sang the song following the final game of the season. The event was recorded in the Los Angeles Times and was later recounted in the book Pauley Pavilion: College Basketball's Showplace by David Smale. During the 2006 NCAA Men's Basketball Championship broadcast, there was a short feature on the event. CANNOTANSWER

Question: What station affiliate was Dick Enberg a sportscaster for?
Answer: and KMPC radio
Dick Enberg

Context: In the late 1960s, Enberg began a full-time sportscasting career in Los Angeles, working for KTLA television (anchoring a nightly sports report and calling UCLA Bruins basketball) and KMPC radio (calling Los Angeles Rams football and California Angels baseball). After every Angels victory, he would wrap up his broadcast with, "And the halo shines tonight," in reference to the "Big A" scoreboard at Anaheim Stadium and the halo at the top, which would light up for everyone in the area to see, particularly from the adjacent freeway. Enberg was named California Sportscaster of the Year four times during this period.  In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium.  In 1968, Enberg was recommended by UCLA athletic director J.D. Morgan to be the national broadcaster for the syndicated TVS Television Network to cover the "Game of the Century" between the Houston Cougars, led by Elvin Hayes and the UCLA Bruins, led by Lew Alcindor (later Kareem Abdul-Jabbar). The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience and stands as a seminal contest in the evolution of nationally televised evening college basketball broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley. In 1973, Enberg traveled to Beijing, China to host the groundbreaking TVS Television Network telecast of the USA vs. China basketball game. It was the first team sporting event ever played between China and the USA.  In the 1970s, Enberg called the 1979 NCAA Championship game between Michigan State, led by Magic Johnson, and Indiana State, led by Larry Bird. He also hosted the syndicated television game show Sports Challenge, and co-produced the Emmy Award-winning sports-history series The Way It Was for PBS.  In the 1970 opening conference game in Pauley Pavilion, Oregon went into a stall against the UCLA Bruins. Enberg had run out of statistics and began to fill his radio broadcast with small talk. The movie Butch Cassidy and the Sundance Kid had just been released, and Enberg was humming the tune to "Raindrops Keep Fallin' on My Head", but did not know the words. Two nights later, in a home game against Oregon State, many UCLA students brought the lyrics to the song. Enberg promised that he would sing the song if UCLA won the conference championship. He sang the song following the final game of the season. The event was recorded in the Los Angeles Times and was later recounted in the book Pauley Pavilion: College Basketball's Showplace by David Smale. During the 2006 NCAA Men's Basketball Championship broadcast, there was a short feature on the event. CANNOTANSWER

Question: How long did Dick Enberg work for KMPC?
Answer: CANNOTANSWER
Dick Enberg

Context: In the late 1960s, Enberg began a full-time sportscasting career in Los Angeles, working for KTLA television (anchoring a nightly sports report and calling UCLA Bruins basketball) and KMPC radio (calling Los Angeles Rams football and California Angels baseball). After every Angels victory, he would wrap up his broadcast with, "And the halo shines tonight," in reference to the "Big A" scoreboard at Anaheim Stadium and the halo at the top, which would light up for everyone in the area to see, particularly from the adjacent freeway. Enberg was named California Sportscaster of the Year four times during this period.  In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium.  In 1968, Enberg was recommended by UCLA athletic director J.D. Morgan to be the national broadcaster for the syndicated TVS Television Network to cover the "Game of the Century" between the Houston Cougars, led by Elvin Hayes and the UCLA Bruins, led by Lew Alcindor (later Kareem Abdul-Jabbar). The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience and stands as a seminal contest in the evolution of nationally televised evening college basketball broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley. In 1973, Enberg traveled to Beijing, China to host the groundbreaking TVS Television Network telecast of the USA vs. China basketball game. It was the first team sporting event ever played between China and the USA.  In the 1970s, Enberg called the 1979 NCAA Championship game between Michigan State, led by Magic Johnson, and Indiana State, led by Larry Bird. He also hosted the syndicated television game show Sports Challenge, and co-produced the Emmy Award-winning sports-history series The Way It Was for PBS.  In the 1970 opening conference game in Pauley Pavilion, Oregon went into a stall against the UCLA Bruins. Enberg had run out of statistics and began to fill his radio broadcast with small talk. The movie Butch Cassidy and the Sundance Kid had just been released, and Enberg was humming the tune to "Raindrops Keep Fallin' on My Head", but did not know the words. Two nights later, in a home game against Oregon State, many UCLA students brought the lyrics to the song. Enberg promised that he would sing the song if UCLA won the conference championship. He sang the song following the final game of the season. The event was recorded in the Los Angeles Times and was later recounted in the book Pauley Pavilion: College Basketball's Showplace by David Smale. During the 2006 NCAA Men's Basketball Championship broadcast, there was a short feature on the event. CANNOTANSWER

Question: Did Dick Enberg have any signature phrases while working at the radio station in Los Angeles?
Answer: The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience
Dick Enberg

Context: In the late 1960s, Enberg began a full-time sportscasting career in Los Angeles, working for KTLA television (anchoring a nightly sports report and calling UCLA Bruins basketball) and KMPC radio (calling Los Angeles Rams football and California Angels baseball). After every Angels victory, he would wrap up his broadcast with, "And the halo shines tonight," in reference to the "Big A" scoreboard at Anaheim Stadium and the halo at the top, which would light up for everyone in the area to see, particularly from the adjacent freeway. Enberg was named California Sportscaster of the Year four times during this period.  In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium.  In 1968, Enberg was recommended by UCLA athletic director J.D. Morgan to be the national broadcaster for the syndicated TVS Television Network to cover the "Game of the Century" between the Houston Cougars, led by Elvin Hayes and the UCLA Bruins, led by Lew Alcindor (later Kareem Abdul-Jabbar). The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience and stands as a seminal contest in the evolution of nationally televised evening college basketball broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley. In 1973, Enberg traveled to Beijing, China to host the groundbreaking TVS Television Network telecast of the USA vs. China basketball game. It was the first team sporting event ever played between China and the USA.  In the 1970s, Enberg called the 1979 NCAA Championship game between Michigan State, led by Magic Johnson, and Indiana State, led by Larry Bird. He also hosted the syndicated television game show Sports Challenge, and co-produced the Emmy Award-winning sports-history series The Way It Was for PBS.  In the 1970 opening conference game in Pauley Pavilion, Oregon went into a stall against the UCLA Bruins. Enberg had run out of statistics and began to fill his radio broadcast with small talk. The movie Butch Cassidy and the Sundance Kid had just been released, and Enberg was humming the tune to "Raindrops Keep Fallin' on My Head", but did not know the words. Two nights later, in a home game against Oregon State, many UCLA students brought the lyrics to the song. Enberg promised that he would sing the song if UCLA won the conference championship. He sang the song following the final game of the season. The event was recorded in the Los Angeles Times and was later recounted in the book Pauley Pavilion: College Basketball's Showplace by David Smale. During the 2006 NCAA Men's Basketball Championship broadcast, there was a short feature on the event. CANNOTANSWER

Question: Besides working at the radio station, Did Dick Enberg do any other work while in Los Angeles?
Answer: In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium.
Dick Enberg

Context: In the late 1960s, Enberg began a full-time sportscasting career in Los Angeles, working for KTLA television (anchoring a nightly sports report and calling UCLA Bruins basketball) and KMPC radio (calling Los Angeles Rams football and California Angels baseball). After every Angels victory, he would wrap up his broadcast with, "And the halo shines tonight," in reference to the "Big A" scoreboard at Anaheim Stadium and the halo at the top, which would light up for everyone in the area to see, particularly from the adjacent freeway. Enberg was named California Sportscaster of the Year four times during this period.  In the 1960s, Enberg announced boxing matches at L.A.'s Olympic Auditorium.  In 1968, Enberg was recommended by UCLA athletic director J.D. Morgan to be the national broadcaster for the syndicated TVS Television Network to cover the "Game of the Century" between the Houston Cougars, led by Elvin Hayes and the UCLA Bruins, led by Lew Alcindor (later Kareem Abdul-Jabbar). The "Prime Time" nationally televised game demonstrated that college basketball had a national "Prime Time" audience and stands as a seminal contest in the evolution of nationally televised evening college basketball broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley. In 1973, Enberg traveled to Beijing, China to host the groundbreaking TVS Television Network telecast of the USA vs. China basketball game. It was the first team sporting event ever played between China and the USA.  In the 1970s, Enberg called the 1979 NCAA Championship game between Michigan State, led by Magic Johnson, and Indiana State, led by Larry Bird. He also hosted the syndicated television game show Sports Challenge, and co-produced the Emmy Award-winning sports-history series The Way It Was for PBS.  In the 1970 opening conference game in Pauley Pavilion, Oregon went into a stall against the UCLA Bruins. Enberg had run out of statistics and began to fill his radio broadcast with small talk. The movie Butch Cassidy and the Sundance Kid had just been released, and Enberg was humming the tune to "Raindrops Keep Fallin' on My Head", but did not know the words. Two nights later, in a home game against Oregon State, many UCLA students brought the lyrics to the song. Enberg promised that he would sing the song if UCLA won the conference championship. He sang the song following the final game of the season. The event was recorded in the Los Angeles Times and was later recounted in the book Pauley Pavilion: College Basketball's Showplace by David Smale. During the 2006 NCAA Men's Basketball Championship broadcast, there was a short feature on the event. CANNOTANSWER

Question: Besides Dick Enberg's full-time sportscasting career in Los Angeles and his signature phrases, were there any other interesting aspects about this article?
Answer: broadcasts. Enberg continued to call the occasional UCLA game for TVS through the early 1970s, usually teaming with Rod Hundley.
Ilya Bryzgalov

Context: With the re-signing of Giguere to a four-year contract in the off-season and the acquisition of Jonas Hiller from Switzerland, the Ducks attempted to trade Bryzgalov, but were unable to. General Manager Brian Burke claimed he had a deal worked out at the 2007 NHL Entry Draft, but could not finish it. As a result, on 16 November 2007, Bryzgalov was placed on waivers and claimed by the Phoenix Coyotes the following day, on 17 November. In his first game with the team that same day, Bryzgalov made 27 saves for his third career shutout in a 1-0 win over the Los Angeles Kings. Phoenix promptly signed him to a three-year contract extension and he went on to record 26 wins in 55 games for the Coyotes as they battled for a playoff spot, establishing himself as the club's starting goaltender.  Bryzgalov again recorded 26 wins for the Coyotes during the 2008-09 season, though the Coyotes did not qualify for the playoffs. But the 2009-10 season would be a different story for Bryzgalov and the Coyotes, who would qualify for the playoffs for the first time since 2002 on the back of Bryzgalov's 42 victories. The fourth-seeded Coyotes would face-off against the veteran Detroit Red Wings in the Western Conference Quarter-Finals. The series proved to be a see-saw battle that eventually saw Detroit prevail in seven games. Bryzgalov averaged 3.43 goals against per game during the series.  Despite the uncertainty surrounding the Coyotes during the 2010-11 season, Bryzgalov's 36 wins helped them to the sixth seed in the Western Conference and a return trip to the playoffs. Once again, the Coyotes faced the Red Wings. Despite Bryzgalov's strong play throughout the regular season, he struggled in the playoff rematch with Detroit, averaging 4.36 goals against per game as the Red Wings swept the Coyotes in four straight games. Set to become an unrestricted free agent in the off-season, the Coyotes did not meet Bryzgalov's asking price for a contract extension. On 6 June 2011, Bryzgalov's negotiation rights were traded to the Philadelphia Flyers for a third-round pick in the 2012 NHL Entry Draft, forward Matt Clackson, and future considerations. Bryzgalov averaged 33 victories a season the past four seasons with the Coyotes. CANNOTANSWER

Question: Who is IIya Bryzgalov?
Answer: CANNOTANSWER
Ilya Bryzgalov

Context: With the re-signing of Giguere to a four-year contract in the off-season and the acquisition of Jonas Hiller from Switzerland, the Ducks attempted to trade Bryzgalov, but were unable to. General Manager Brian Burke claimed he had a deal worked out at the 2007 NHL Entry Draft, but could not finish it. As a result, on 16 November 2007, Bryzgalov was placed on waivers and claimed by the Phoenix Coyotes the following day, on 17 November. In his first game with the team that same day, Bryzgalov made 27 saves for his third career shutout in a 1-0 win over the Los Angeles Kings. Phoenix promptly signed him to a three-year contract extension and he went on to record 26 wins in 55 games for the Coyotes as they battled for a playoff spot, establishing himself as the club's starting goaltender.  Bryzgalov again recorded 26 wins for the Coyotes during the 2008-09 season, though the Coyotes did not qualify for the playoffs. But the 2009-10 season would be a different story for Bryzgalov and the Coyotes, who would qualify for the playoffs for the first time since 2002 on the back of Bryzgalov's 42 victories. The fourth-seeded Coyotes would face-off against the veteran Detroit Red Wings in the Western Conference Quarter-Finals. The series proved to be a see-saw battle that eventually saw Detroit prevail in seven games. Bryzgalov averaged 3.43 goals against per game during the series.  Despite the uncertainty surrounding the Coyotes during the 2010-11 season, Bryzgalov's 36 wins helped them to the sixth seed in the Western Conference and a return trip to the playoffs. Once again, the Coyotes faced the Red Wings. Despite Bryzgalov's strong play throughout the regular season, he struggled in the playoff rematch with Detroit, averaging 4.36 goals against per game as the Red Wings swept the Coyotes in four straight games. Set to become an unrestricted free agent in the off-season, the Coyotes did not meet Bryzgalov's asking price for a contract extension. On 6 June 2011, Bryzgalov's negotiation rights were traded to the Philadelphia Flyers for a third-round pick in the 2012 NHL Entry Draft, forward Matt Clackson, and future considerations. Bryzgalov averaged 33 victories a season the past four seasons with the Coyotes. CANNOTANSWER

Question: What sport did Ilya Bryzgalov play?
Answer: NHL
Ilya Bryzgalov

Context: With the re-signing of Giguere to a four-year contract in the off-season and the acquisition of Jonas Hiller from Switzerland, the Ducks attempted to trade Bryzgalov, but were unable to. General Manager Brian Burke claimed he had a deal worked out at the 2007 NHL Entry Draft, but could not finish it. As a result, on 16 November 2007, Bryzgalov was placed on waivers and claimed by the Phoenix Coyotes the following day, on 17 November. In his first game with the team that same day, Bryzgalov made 27 saves for his third career shutout in a 1-0 win over the Los Angeles Kings. Phoenix promptly signed him to a three-year contract extension and he went on to record 26 wins in 55 games for the Coyotes as they battled for a playoff spot, establishing himself as the club's starting goaltender.  Bryzgalov again recorded 26 wins for the Coyotes during the 2008-09 season, though the Coyotes did not qualify for the playoffs. But the 2009-10 season would be a different story for Bryzgalov and the Coyotes, who would qualify for the playoffs for the first time since 2002 on the back of Bryzgalov's 42 victories. The fourth-seeded Coyotes would face-off against the veteran Detroit Red Wings in the Western Conference Quarter-Finals. The series proved to be a see-saw battle that eventually saw Detroit prevail in seven games. Bryzgalov averaged 3.43 goals against per game during the series.  Despite the uncertainty surrounding the Coyotes during the 2010-11 season, Bryzgalov's 36 wins helped them to the sixth seed in the Western Conference and a return trip to the playoffs. Once again, the Coyotes faced the Red Wings. Despite Bryzgalov's strong play throughout the regular season, he struggled in the playoff rematch with Detroit, averaging 4.36 goals against per game as the Red Wings swept the Coyotes in four straight games. Set to become an unrestricted free agent in the off-season, the Coyotes did not meet Bryzgalov's asking price for a contract extension. On 6 June 2011, Bryzgalov's negotiation rights were traded to the Philadelphia Flyers for a third-round pick in the 2012 NHL Entry Draft, forward Matt Clackson, and future considerations. Bryzgalov averaged 33 victories a season the past four seasons with the Coyotes. CANNOTANSWER

Question: Who did  Ilya Bryzgalov play for in the NHL?
Answer: Phoenix Coyotes
Ilya Bryzgalov

Context: With the re-signing of Giguere to a four-year contract in the off-season and the acquisition of Jonas Hiller from Switzerland, the Ducks attempted to trade Bryzgalov, but were unable to. General Manager Brian Burke claimed he had a deal worked out at the 2007 NHL Entry Draft, but could not finish it. As a result, on 16 November 2007, Bryzgalov was placed on waivers and claimed by the Phoenix Coyotes the following day, on 17 November. In his first game with the team that same day, Bryzgalov made 27 saves for his third career shutout in a 1-0 win over the Los Angeles Kings. Phoenix promptly signed him to a three-year contract extension and he went on to record 26 wins in 55 games for the Coyotes as they battled for a playoff spot, establishing himself as the club's starting goaltender.  Bryzgalov again recorded 26 wins for the Coyotes during the 2008-09 season, though the Coyotes did not qualify for the playoffs. But the 2009-10 season would be a different story for Bryzgalov and the Coyotes, who would qualify for the playoffs for the first time since 2002 on the back of Bryzgalov's 42 victories. The fourth-seeded Coyotes would face-off against the veteran Detroit Red Wings in the Western Conference Quarter-Finals. The series proved to be a see-saw battle that eventually saw Detroit prevail in seven games. Bryzgalov averaged 3.43 goals against per game during the series.  Despite the uncertainty surrounding the Coyotes during the 2010-11 season, Bryzgalov's 36 wins helped them to the sixth seed in the Western Conference and a return trip to the playoffs. Once again, the Coyotes faced the Red Wings. Despite Bryzgalov's strong play throughout the regular season, he struggled in the playoff rematch with Detroit, averaging 4.36 goals against per game as the Red Wings swept the Coyotes in four straight games. Set to become an unrestricted free agent in the off-season, the Coyotes did not meet Bryzgalov's asking price for a contract extension. On 6 June 2011, Bryzgalov's negotiation rights were traded to the Philadelphia Flyers for a third-round pick in the 2012 NHL Entry Draft, forward Matt Clackson, and future considerations. Bryzgalov averaged 33 victories a season the past four seasons with the Coyotes. CANNOTANSWER

Question: How did the team  Phoenix Coyotes do score wise with  Ilya Bryzgalov playing?
Answer: Despite the uncertainty surrounding the Coyotes during the 2010-11 season, Bryzgalov's 36 wins helped them to the sixth seed in the Western Conference and a return trip to the playoffs.