gaussalgo/Canard_Wiki-augmented huggingface dataset:
Tarja Turunen

Context: Turunen's voice is described by critics as remarkably powerful and emotional. Sometimes it is stated that her voice is too trained or operatic for metal music, but even critics who do not like classical voices admit that her voice suits the kind of metal songs she sings unusually well.  Until the end of their collaboration, Turunen's singing was a trademark of Nightwish. She was known as the face and voice of Nightwish while bandleader Holopainen was the soul. Turunen was seen as a key to Nightwish's success. She is respected by other musicians of the metal genre and is an influence on their work; for instance, Simone Simons of Epica names her as her inspiration to study classical music and apply that vocal style to a metal band.  Turunen receives most of her media attention in Europe, especially in her home of Finland. In December 2003, she was invited by Finnish president Tarja Halonen to celebrate the Finnish Independence Day at the Presidential Palace together with other Finnish celebrities. The event is televised annually live by the state-owned broadcaster, the Finnish Broadcasting Company. In December 2007, she performed different versions of the Finnish national anthem "Maamme" (Finnish: "Our country") accompanied by the Tapiola Sinfonietta, to celebrate the 90th anniversary of Finnish independence. The concert was televised by the Finnish Broadcasting Company for 2 million Finnish viewers. In December 2013, Turunen was the invited soloist at the Christmas Peace event in the Turku Cathedral, Finland, with the presence of Finnish president Sauli Niinisto. The concert aired on Yle TV1 at the Christmas Eve. During her solo career, Turunen has sold over 100,000 certified records in Finland, which places her among the top 50 of best-selling female soloists.  In Europe, her popularity is mainly limited to the hard rock and metal scene. She had a broader exposure on November 30, 2007, when she was invited to open the farewell fight of Regina Halmich. Her performance of "I Walk Alone" was televised live by the German television station ZDF for 8.8 million viewers. Turunen will be one of the star coaches in the fourth season of The Voice of Finland in the spring of 2015 on Nelonen. After the success of the 2015 edition of The Voice of Finland, Tarja was again chosen to be one of the star coaches for the 2016 edition. CANNOTANSWER

Question: Did Tarja Turunen win any awards?
Answer: she was invited by Finnish president Tarja Halonen to celebrate the Finnish Independence Day at the Presidential Palace together with other Finnish celebrities.
Tarja Turunen

Context: Turunen's voice is described by critics as remarkably powerful and emotional. Sometimes it is stated that her voice is too trained or operatic for metal music, but even critics who do not like classical voices admit that her voice suits the kind of metal songs she sings unusually well.  Until the end of their collaboration, Turunen's singing was a trademark of Nightwish. She was known as the face and voice of Nightwish while bandleader Holopainen was the soul. Turunen was seen as a key to Nightwish's success. She is respected by other musicians of the metal genre and is an influence on their work; for instance, Simone Simons of Epica names her as her inspiration to study classical music and apply that vocal style to a metal band.  Turunen receives most of her media attention in Europe, especially in her home of Finland. In December 2003, she was invited by Finnish president Tarja Halonen to celebrate the Finnish Independence Day at the Presidential Palace together with other Finnish celebrities. The event is televised annually live by the state-owned broadcaster, the Finnish Broadcasting Company. In December 2007, she performed different versions of the Finnish national anthem "Maamme" (Finnish: "Our country") accompanied by the Tapiola Sinfonietta, to celebrate the 90th anniversary of Finnish independence. The concert was televised by the Finnish Broadcasting Company for 2 million Finnish viewers. In December 2013, Turunen was the invited soloist at the Christmas Peace event in the Turku Cathedral, Finland, with the presence of Finnish president Sauli Niinisto. The concert aired on Yle TV1 at the Christmas Eve. During her solo career, Turunen has sold over 100,000 certified records in Finland, which places her among the top 50 of best-selling female soloists.  In Europe, her popularity is mainly limited to the hard rock and metal scene. She had a broader exposure on November 30, 2007, when she was invited to open the farewell fight of Regina Halmich. Her performance of "I Walk Alone" was televised live by the German television station ZDF for 8.8 million viewers. Turunen will be one of the star coaches in the fourth season of The Voice of Finland in the spring of 2015 on Nelonen. After the success of the 2015 edition of The Voice of Finland, Tarja was again chosen to be one of the star coaches for the 2016 edition. CANNOTANSWER

Question: Did Tarja Turunen perform at any events?
Answer: In December 2013, Turunen was the invited soloist at the Christmas Peace event in the Turku Cathedral, Finland, with the presence of Finnish president Sauli Niinisto.
Tarja Turunen

Context: Turunen's voice is described by critics as remarkably powerful and emotional. Sometimes it is stated that her voice is too trained or operatic for metal music, but even critics who do not like classical voices admit that her voice suits the kind of metal songs she sings unusually well.  Until the end of their collaboration, Turunen's singing was a trademark of Nightwish. She was known as the face and voice of Nightwish while bandleader Holopainen was the soul. Turunen was seen as a key to Nightwish's success. She is respected by other musicians of the metal genre and is an influence on their work; for instance, Simone Simons of Epica names her as her inspiration to study classical music and apply that vocal style to a metal band.  Turunen receives most of her media attention in Europe, especially in her home of Finland. In December 2003, she was invited by Finnish president Tarja Halonen to celebrate the Finnish Independence Day at the Presidential Palace together with other Finnish celebrities. The event is televised annually live by the state-owned broadcaster, the Finnish Broadcasting Company. In December 2007, she performed different versions of the Finnish national anthem "Maamme" (Finnish: "Our country") accompanied by the Tapiola Sinfonietta, to celebrate the 90th anniversary of Finnish independence. The concert was televised by the Finnish Broadcasting Company for 2 million Finnish viewers. In December 2013, Turunen was the invited soloist at the Christmas Peace event in the Turku Cathedral, Finland, with the presence of Finnish president Sauli Niinisto. The concert aired on Yle TV1 at the Christmas Eve. During her solo career, Turunen has sold over 100,000 certified records in Finland, which places her among the top 50 of best-selling female soloists.  In Europe, her popularity is mainly limited to the hard rock and metal scene. She had a broader exposure on November 30, 2007, when she was invited to open the farewell fight of Regina Halmich. Her performance of "I Walk Alone" was televised live by the German television station ZDF for 8.8 million viewers. Turunen will be one of the star coaches in the fourth season of The Voice of Finland in the spring of 2015 on Nelonen. After the success of the 2015 edition of The Voice of Finland, Tarja was again chosen to be one of the star coaches for the 2016 edition. CANNOTANSWER

Question: What can you tell me about an event where Tarja Turunen performed?
Answer: The concert aired on Yle TV1 at the Christmas Eve.
REO Speedwagon

Context: The stage was now set for the height of the band's popularity. On November 21, 1980, REO Speedwagon released Hi Infidelity, which represented a change in sound, going from hard rock to more pop-oriented material. Hi Infidelity spawned four hit singles written by Richrath and Cronin, including the chart-topping "Keep On Loving You" (Cronin), plus "Take It on the Run" (#5) (Richrath), "In Your Letter" (#20) (Richrath), and "Don't Let Him Go" (#24) (Cronin), and remained on the charts for 65 weeks, 32 of which were spent in the top ten, including 15 weeks atop the Billboard 200. Hi Infidelity sold over 10 million copies and set the bar for rock bands across the country.  The band's follow-up album, Good Trouble, was released in 1982. Although it was not as successful as its predecessor, the album performed moderately well commercially, featuring the hit singles "Keep the Fire Burnin'" (U.S. #7), "Sweet Time" (U.S. #26) and the Album Rock chart hit "The Key."  The band came storming back two years later with Wheels Are Turnin', an album that included the #1 hit single "Can't Fight This Feeling" plus three more hits: "I Do' Wanna Know" (U.S. #29), "One Lonely Night" (U.S. #19), and "Live Every Moment" (U.S. #34).  REO Speedwagon toured the US in 1985, including a sold-out concert in Madison, Wisconsin in May. On July 13, on the way to a show in Milwaukee, the band made a stop in Philadelphia to play at the US leg of Live Aid, which broke a record for number of viewers. They performed "Can't Fight This Feeling" and "Roll With the Changes," which featured members of the Beach Boys, the band members' families, and Paul Shaffer on stage for backing vocals.  1987's Life as We Know It saw a decline in sales, but still managed to provide the band with the top-20 hits "That Ain't Love" (U.S. #16) and "In My Dreams" (U.S. #19). The Hits (1988) is a compilation album from REO Speedwagon. It contains new tracks "Here With Me" and "I Don't Want to Lose You." "Here with Me" cracked the top 20 on the Billboard Hot 100 and the top ten on the Adult Contemporary chart. They were the last songs recorded with Gary Richrath and Alan Gratzer CANNOTANSWER

Question: What accounted for the mainstream success of the band REO Speedwagon?
Answer: CANNOTANSWER
REO Speedwagon

Context: The stage was now set for the height of the band's popularity. On November 21, 1980, REO Speedwagon released Hi Infidelity, which represented a change in sound, going from hard rock to more pop-oriented material. Hi Infidelity spawned four hit singles written by Richrath and Cronin, including the chart-topping "Keep On Loving You" (Cronin), plus "Take It on the Run" (#5) (Richrath), "In Your Letter" (#20) (Richrath), and "Don't Let Him Go" (#24) (Cronin), and remained on the charts for 65 weeks, 32 of which were spent in the top ten, including 15 weeks atop the Billboard 200. Hi Infidelity sold over 10 million copies and set the bar for rock bands across the country.  The band's follow-up album, Good Trouble, was released in 1982. Although it was not as successful as its predecessor, the album performed moderately well commercially, featuring the hit singles "Keep the Fire Burnin'" (U.S. #7), "Sweet Time" (U.S. #26) and the Album Rock chart hit "The Key."  The band came storming back two years later with Wheels Are Turnin', an album that included the #1 hit single "Can't Fight This Feeling" plus three more hits: "I Do' Wanna Know" (U.S. #29), "One Lonely Night" (U.S. #19), and "Live Every Moment" (U.S. #34).  REO Speedwagon toured the US in 1985, including a sold-out concert in Madison, Wisconsin in May. On July 13, on the way to a show in Milwaukee, the band made a stop in Philadelphia to play at the US leg of Live Aid, which broke a record for number of viewers. They performed "Can't Fight This Feeling" and "Roll With the Changes," which featured members of the Beach Boys, the band members' families, and Paul Shaffer on stage for backing vocals.  1987's Life as We Know It saw a decline in sales, but still managed to provide the band with the top-20 hits "That Ain't Love" (U.S. #16) and "In My Dreams" (U.S. #19). The Hits (1988) is a compilation album from REO Speedwagon. It contains new tracks "Here With Me" and "I Don't Want to Lose You." "Here with Me" cracked the top 20 on the Billboard Hot 100 and the top ten on the Adult Contemporary chart. They were the last songs recorded with Gary Richrath and Alan Gratzer CANNOTANSWER

Question: REO Speedwagon's major achievements during their mainstream success?
Answer: On November 21, 1980, REO Speedwagon released Hi Infidelity, which represented a change in sound, going from hard rock to more pop-oriented material.
REO Speedwagon

Context: The stage was now set for the height of the band's popularity. On November 21, 1980, REO Speedwagon released Hi Infidelity, which represented a change in sound, going from hard rock to more pop-oriented material. Hi Infidelity spawned four hit singles written by Richrath and Cronin, including the chart-topping "Keep On Loving You" (Cronin), plus "Take It on the Run" (#5) (Richrath), "In Your Letter" (#20) (Richrath), and "Don't Let Him Go" (#24) (Cronin), and remained on the charts for 65 weeks, 32 of which were spent in the top ten, including 15 weeks atop the Billboard 200. Hi Infidelity sold over 10 million copies and set the bar for rock bands across the country.  The band's follow-up album, Good Trouble, was released in 1982. Although it was not as successful as its predecessor, the album performed moderately well commercially, featuring the hit singles "Keep the Fire Burnin'" (U.S. #7), "Sweet Time" (U.S. #26) and the Album Rock chart hit "The Key."  The band came storming back two years later with Wheels Are Turnin', an album that included the #1 hit single "Can't Fight This Feeling" plus three more hits: "I Do' Wanna Know" (U.S. #29), "One Lonely Night" (U.S. #19), and "Live Every Moment" (U.S. #34).  REO Speedwagon toured the US in 1985, including a sold-out concert in Madison, Wisconsin in May. On July 13, on the way to a show in Milwaukee, the band made a stop in Philadelphia to play at the US leg of Live Aid, which broke a record for number of viewers. They performed "Can't Fight This Feeling" and "Roll With the Changes," which featured members of the Beach Boys, the band members' families, and Paul Shaffer on stage for backing vocals.  1987's Life as We Know It saw a decline in sales, but still managed to provide the band with the top-20 hits "That Ain't Love" (U.S. #16) and "In My Dreams" (U.S. #19). The Hits (1988) is a compilation album from REO Speedwagon. It contains new tracks "Here With Me" and "I Don't Want to Lose You." "Here with Me" cracked the top 20 on the Billboard Hot 100 and the top ten on the Adult Contemporary chart. They were the last songs recorded with Gary Richrath and Alan Gratzer CANNOTANSWER

Question: Did REO SPeedwagon have any awards or recognition during their mainstream success?
Answer: CANNOTANSWER
REO Speedwagon

Context: The stage was now set for the height of the band's popularity. On November 21, 1980, REO Speedwagon released Hi Infidelity, which represented a change in sound, going from hard rock to more pop-oriented material. Hi Infidelity spawned four hit singles written by Richrath and Cronin, including the chart-topping "Keep On Loving You" (Cronin), plus "Take It on the Run" (#5) (Richrath), "In Your Letter" (#20) (Richrath), and "Don't Let Him Go" (#24) (Cronin), and remained on the charts for 65 weeks, 32 of which were spent in the top ten, including 15 weeks atop the Billboard 200. Hi Infidelity sold over 10 million copies and set the bar for rock bands across the country.  The band's follow-up album, Good Trouble, was released in 1982. Although it was not as successful as its predecessor, the album performed moderately well commercially, featuring the hit singles "Keep the Fire Burnin'" (U.S. #7), "Sweet Time" (U.S. #26) and the Album Rock chart hit "The Key."  The band came storming back two years later with Wheels Are Turnin', an album that included the #1 hit single "Can't Fight This Feeling" plus three more hits: "I Do' Wanna Know" (U.S. #29), "One Lonely Night" (U.S. #19), and "Live Every Moment" (U.S. #34).  REO Speedwagon toured the US in 1985, including a sold-out concert in Madison, Wisconsin in May. On July 13, on the way to a show in Milwaukee, the band made a stop in Philadelphia to play at the US leg of Live Aid, which broke a record for number of viewers. They performed "Can't Fight This Feeling" and "Roll With the Changes," which featured members of the Beach Boys, the band members' families, and Paul Shaffer on stage for backing vocals.  1987's Life as We Know It saw a decline in sales, but still managed to provide the band with the top-20 hits "That Ain't Love" (U.S. #16) and "In My Dreams" (U.S. #19). The Hits (1988) is a compilation album from REO Speedwagon. It contains new tracks "Here With Me" and "I Don't Want to Lose You." "Here with Me" cracked the top 20 on the Billboard Hot 100 and the top ten on the Adult Contemporary chart. They were the last songs recorded with Gary Richrath and Alan Gratzer CANNOTANSWER

Question: How many albums did REO Speedwagon sell?
Answer: CANNOTANSWER
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: Who took the famous photo of Y. A. Tittle?
Answer: Morris Berman
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: When was the famous photo of Y. A. Tittle taken?
Answer: September 20, 1964,
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: What was the famous photo of Y. A. Tittle of?
Answer: of the Pittsburgh Post-Gazette
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: What was Y. A. Tittle doing in the famous picture?
Answer: photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: Was Y. A. Tittle injured on September 20, 1964?
Answer: CANNOTANSWER
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: Aside from being taken by Morris Berman, What else happened with the photo of Y. A. Tittle?
Answer: Post-Gazette editors declined to publish the photo,
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: Why didn't Post-Gazette editors publish the photo of Y. A. Tittle?
Answer: failed to see the appeal of the image,
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: Who did publish the photo of Y. A. Tittle?
Answer: Life magazine.
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: When did Life Magazine publish the photo of Y. A. Tittle?
Answer: October 2, 1964,
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: What was the importance of the famous photo of Y. A. Tittle?
Answer: That was the end of the road,
Y. A. Tittle

Context: A photo of a dazed Tittle in the end zone taken by Morris Berman of the Pittsburgh Post-Gazette on September 20, 1964, is regarded among the most iconic images in the history of American sports and journalism. Tittle, in his 17th and final season, was photographed helmet-less, bloodied and kneeling immediately after having been knocked to the ground by John Baker of the Pittsburgh Steelers and throwing an interception that was returned for a touchdown at the old Pitt Stadium. He suffered a concussion and cracked sternum on the play, but went on to play the rest of the season.  Post-Gazette editors declined to publish the photo, looking for "action shots" instead, but Berman entered the image into contests where it took on a life of its own, winning a National Headliner Award. The photo was published in the October 2, 1964, issue of Life magazine. It is regarded as having changed the way that photographers look at sports, having shown the power of capturing a moment of reaction. It became one of three photos to hang in the lobby of the National Press Photographers Association headquarters, alongside Raising the Flag on Iwo Jima and the Hindenburg disaster. A copy now hangs in the Pro Football Hall of Fame.  After at first having failed to see the appeal of the image, Tittle eventually grew to embrace it, putting it on the back cover of his 2009 autobiography. "That was the end of the road," he told the Los Angeles Times in 2008. "It was the end of my dream. It was over." Pittsburgh player John Baker, who hit Tittle right before the picture was taken, ran for sheriff in his native Wake County, North Carolina in 1978, and used the photo as a campaign tool. He was elected and went on to serve for 24 years. Tittle also held a fundraiser to assist Baker in his bid for a fourth term in 1989. CANNOTANSWER

Question: Did Y. A. Tittle like the famous photo of himself?
Answer: Tittle eventually grew to embrace it,
Lea Salonga

Context: In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London. Unable to find a strong enough East Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead. For her audition, the then 17-year-old Salonga chose to sing Boublil and Claude-Michel Schonberg's "On My Own" from Les Miserables and was later asked to sing "Sun and Moon", impressing the audition panel. Salonga has sometimes credited "On My Own" as the starting point of her international career. She competed for the role with childhood friend and fellow Repertory Philippines performer Monique Wilson. Salonga won the lead role, while Wilson was named her understudy and given the role of the bar girl Mimi.  For her performance as Kim, Salonga won the 1990 Laurence Olivier Award for Best Performance by an Actress in a Musical. When Miss Saigon opened on Broadway in 1991, she again played the role of Kim, winning the Drama Desk, Outer Critics Circle and Theatre World Awards and becoming the first woman of Asian descent to win a Tony Award. In 1993 and 1996, she returned to play Kim on Broadway. In 1999, she was invited back to London to close the West End production, and in 2001, at the age of 29 and after finishing the Manila run of the musical, Salonga returned to Broadway to close that production.  In 1990, Salonga performed in a homecoming concert in Manila entitled A Miss Called Lea. She also received a Presidential Award of Merit from President Corazon Aquino. In 1991, she was named as one of People magazine's 50 Most Beautiful People. In 1992, she performed the singing voice of Princess Jasmine in Disney's animated film Aladdin. CANNOTANSWER

Question: Who is Miss Lea Salonga?
Answer: In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London.
Lea Salonga

Context: In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London. Unable to find a strong enough East Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead. For her audition, the then 17-year-old Salonga chose to sing Boublil and Claude-Michel Schonberg's "On My Own" from Les Miserables and was later asked to sing "Sun and Moon", impressing the audition panel. Salonga has sometimes credited "On My Own" as the starting point of her international career. She competed for the role with childhood friend and fellow Repertory Philippines performer Monique Wilson. Salonga won the lead role, while Wilson was named her understudy and given the role of the bar girl Mimi.  For her performance as Kim, Salonga won the 1990 Laurence Olivier Award for Best Performance by an Actress in a Musical. When Miss Saigon opened on Broadway in 1991, she again played the role of Kim, winning the Drama Desk, Outer Critics Circle and Theatre World Awards and becoming the first woman of Asian descent to win a Tony Award. In 1993 and 1996, she returned to play Kim on Broadway. In 1999, she was invited back to London to close the West End production, and in 2001, at the age of 29 and after finishing the Manila run of the musical, Salonga returned to Broadway to close that production.  In 1990, Salonga performed in a homecoming concert in Manila entitled A Miss Called Lea. She also received a Presidential Award of Merit from President Corazon Aquino. In 1991, she was named as one of People magazine's 50 Most Beautiful People. In 1992, she performed the singing voice of Princess Jasmine in Disney's animated film Aladdin. CANNOTANSWER

Question: How long did Lea Salonga protrat Miss Saigon positon?
Answer: When Miss Saigon opened on Broadway in 1991, she again played the role of Kim,
Lea Salonga

Context: In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London. Unable to find a strong enough East Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead. For her audition, the then 17-year-old Salonga chose to sing Boublil and Claude-Michel Schonberg's "On My Own" from Les Miserables and was later asked to sing "Sun and Moon", impressing the audition panel. Salonga has sometimes credited "On My Own" as the starting point of her international career. She competed for the role with childhood friend and fellow Repertory Philippines performer Monique Wilson. Salonga won the lead role, while Wilson was named her understudy and given the role of the bar girl Mimi.  For her performance as Kim, Salonga won the 1990 Laurence Olivier Award for Best Performance by an Actress in a Musical. When Miss Saigon opened on Broadway in 1991, she again played the role of Kim, winning the Drama Desk, Outer Critics Circle and Theatre World Awards and becoming the first woman of Asian descent to win a Tony Award. In 1993 and 1996, she returned to play Kim on Broadway. In 1999, she was invited back to London to close the West End production, and in 2001, at the age of 29 and after finishing the Manila run of the musical, Salonga returned to Broadway to close that production.  In 1990, Salonga performed in a homecoming concert in Manila entitled A Miss Called Lea. She also received a Presidential Award of Merit from President Corazon Aquino. In 1991, she was named as one of People magazine's 50 Most Beautiful People. In 1992, she performed the singing voice of Princess Jasmine in Disney's animated film Aladdin. CANNOTANSWER

Question: Are there any other interesting aspects about this article other than Miss Saigon position??
Answer: In 1991, she was named as one of People magazine's 50 Most Beautiful People.
Lea Salonga

Context: In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London. Unable to find a strong enough East Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead. For her audition, the then 17-year-old Salonga chose to sing Boublil and Claude-Michel Schonberg's "On My Own" from Les Miserables and was later asked to sing "Sun and Moon", impressing the audition panel. Salonga has sometimes credited "On My Own" as the starting point of her international career. She competed for the role with childhood friend and fellow Repertory Philippines performer Monique Wilson. Salonga won the lead role, while Wilson was named her understudy and given the role of the bar girl Mimi.  For her performance as Kim, Salonga won the 1990 Laurence Olivier Award for Best Performance by an Actress in a Musical. When Miss Saigon opened on Broadway in 1991, she again played the role of Kim, winning the Drama Desk, Outer Critics Circle and Theatre World Awards and becoming the first woman of Asian descent to win a Tony Award. In 1993 and 1996, she returned to play Kim on Broadway. In 1999, she was invited back to London to close the West End production, and in 2001, at the age of 29 and after finishing the Manila run of the musical, Salonga returned to Broadway to close that production.  In 1990, Salonga performed in a homecoming concert in Manila entitled A Miss Called Lea. She also received a Presidential Award of Merit from President Corazon Aquino. In 1991, she was named as one of People magazine's 50 Most Beautiful People. In 1992, she performed the singing voice of Princess Jasmine in Disney's animated film Aladdin. CANNOTANSWER

Question: Did Lea Salonga win any other award besidesnamed as one of People magazine's 50 Most Beautiful People?
Answer: the Drama Desk, Outer Critics Circle and Theatre World Awards
Lea Salonga

Context: In 1989 Salonga was selected to play Kim in the debut production of the musical Miss Saigon in London. Unable to find a strong enough East Asian actress/singer in the United Kingdom, the producers scoured many countries looking for the lead. For her audition, the then 17-year-old Salonga chose to sing Boublil and Claude-Michel Schonberg's "On My Own" from Les Miserables and was later asked to sing "Sun and Moon", impressing the audition panel. Salonga has sometimes credited "On My Own" as the starting point of her international career. She competed for the role with childhood friend and fellow Repertory Philippines performer Monique Wilson. Salonga won the lead role, while Wilson was named her understudy and given the role of the bar girl Mimi.  For her performance as Kim, Salonga won the 1990 Laurence Olivier Award for Best Performance by an Actress in a Musical. When Miss Saigon opened on Broadway in 1991, she again played the role of Kim, winning the Drama Desk, Outer Critics Circle and Theatre World Awards and becoming the first woman of Asian descent to win a Tony Award. In 1993 and 1996, she returned to play Kim on Broadway. In 1999, she was invited back to London to close the West End production, and in 2001, at the age of 29 and after finishing the Manila run of the musical, Salonga returned to Broadway to close that production.  In 1990, Salonga performed in a homecoming concert in Manila entitled A Miss Called Lea. She also received a Presidential Award of Merit from President Corazon Aquino. In 1991, she was named as one of People magazine's 50 Most Beautiful People. In 1992, she performed the singing voice of Princess Jasmine in Disney's animated film Aladdin. CANNOTANSWER

Question: When was Lea Salonga awarded the Drama Desk, Outer Critics Circle and Theatre World Awards?
Answer: 1991,