gaussalgo/Canard_Wiki-augmented huggingface dataset:
Robert Schumann

Context: Schumann was born in Zwickau, in the Kingdom of Saxony, the fifth and last child of Johanna Christiane (nee Schnabel) and August Schumann. Schumann began to compose before the age of seven, but his boyhood was spent in the cultivation of literature as much as music - undoubtedly influenced by his father, a bookseller, publisher, and novelist.  Schumann began receiving general musical and piano instruction at the age of seven from Johann Gottfried Kuntzsch, a teacher at the Zwickau high school. The boy immediately developed a love of music and worked at creating musical compositions himself, without the aid of Kuntzsch. Even though he often disregarded the principles of musical composition, he created works regarded as admirable for his age. The Universal Journal of Music 1850 supplement included a biographical sketch of Schumann that noted, "It has been related that Schumann, as a child, possessed rare taste and talent for portraying feelings and characteristic traits in melody, - ay, he could sketch the different dispositions of his intimate friends by certain figures and passages on the piano so exactly and comically that everyone burst into loud laughter at the similitude of the portrait."  At age 14, Schumann wrote an essay on the aesthetics of music and also contributed to a volume, edited by his father, titled Portraits of Famous Men. While still at school in Zwickau, he read the works of the German poet-philosophers Schiller and Goethe, as well as Byron and the Greek tragedians. His most powerful and permanent literary inspiration was Jean Paul, a German writer whose influence is seen in Schumann's youthful novels Juniusabende, completed in 1826, and Selene.  Schumann's interest in music was sparked by seeing a performance of Ignaz Moscheles playing at Karlsbad, and he later developed an interest in the works of Beethoven, Schubert and Mendelssohn. His father, who had encouraged the boy's musical aspirations, died in 1826 when Schumann was 16. Neither his mother nor his guardian thereafter encouraged a career in music. In 1828 Schumann left school, and after a tour during which he met Heinrich Heine in Munich, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 his law studies continued in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. CANNOTANSWER

Question: In addition to playing piano, did Robert Schumann play any other instruments?
Answer: CANNOTANSWER
Robert Schumann

Context: Schumann was born in Zwickau, in the Kingdom of Saxony, the fifth and last child of Johanna Christiane (nee Schnabel) and August Schumann. Schumann began to compose before the age of seven, but his boyhood was spent in the cultivation of literature as much as music - undoubtedly influenced by his father, a bookseller, publisher, and novelist.  Schumann began receiving general musical and piano instruction at the age of seven from Johann Gottfried Kuntzsch, a teacher at the Zwickau high school. The boy immediately developed a love of music and worked at creating musical compositions himself, without the aid of Kuntzsch. Even though he often disregarded the principles of musical composition, he created works regarded as admirable for his age. The Universal Journal of Music 1850 supplement included a biographical sketch of Schumann that noted, "It has been related that Schumann, as a child, possessed rare taste and talent for portraying feelings and characteristic traits in melody, - ay, he could sketch the different dispositions of his intimate friends by certain figures and passages on the piano so exactly and comically that everyone burst into loud laughter at the similitude of the portrait."  At age 14, Schumann wrote an essay on the aesthetics of music and also contributed to a volume, edited by his father, titled Portraits of Famous Men. While still at school in Zwickau, he read the works of the German poet-philosophers Schiller and Goethe, as well as Byron and the Greek tragedians. His most powerful and permanent literary inspiration was Jean Paul, a German writer whose influence is seen in Schumann's youthful novels Juniusabende, completed in 1826, and Selene.  Schumann's interest in music was sparked by seeing a performance of Ignaz Moscheles playing at Karlsbad, and he later developed an interest in the works of Beethoven, Schubert and Mendelssohn. His father, who had encouraged the boy's musical aspirations, died in 1826 when Schumann was 16. Neither his mother nor his guardian thereafter encouraged a career in music. In 1828 Schumann left school, and after a tour during which he met Heinrich Heine in Munich, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 his law studies continued in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. CANNOTANSWER

Question: Together with music, what else did Robert Schumann do in childhood?
Answer: Even though he often disregarded the principles of musical composition, he created works regarded as admirable for his age.
Robert Schumann

Context: Schumann was born in Zwickau, in the Kingdom of Saxony, the fifth and last child of Johanna Christiane (nee Schnabel) and August Schumann. Schumann began to compose before the age of seven, but his boyhood was spent in the cultivation of literature as much as music - undoubtedly influenced by his father, a bookseller, publisher, and novelist.  Schumann began receiving general musical and piano instruction at the age of seven from Johann Gottfried Kuntzsch, a teacher at the Zwickau high school. The boy immediately developed a love of music and worked at creating musical compositions himself, without the aid of Kuntzsch. Even though he often disregarded the principles of musical composition, he created works regarded as admirable for his age. The Universal Journal of Music 1850 supplement included a biographical sketch of Schumann that noted, "It has been related that Schumann, as a child, possessed rare taste and talent for portraying feelings and characteristic traits in melody, - ay, he could sketch the different dispositions of his intimate friends by certain figures and passages on the piano so exactly and comically that everyone burst into loud laughter at the similitude of the portrait."  At age 14, Schumann wrote an essay on the aesthetics of music and also contributed to a volume, edited by his father, titled Portraits of Famous Men. While still at school in Zwickau, he read the works of the German poet-philosophers Schiller and Goethe, as well as Byron and the Greek tragedians. His most powerful and permanent literary inspiration was Jean Paul, a German writer whose influence is seen in Schumann's youthful novels Juniusabende, completed in 1826, and Selene.  Schumann's interest in music was sparked by seeing a performance of Ignaz Moscheles playing at Karlsbad, and he later developed an interest in the works of Beethoven, Schubert and Mendelssohn. His father, who had encouraged the boy's musical aspirations, died in 1826 when Schumann was 16. Neither his mother nor his guardian thereafter encouraged a career in music. In 1828 Schumann left school, and after a tour during which he met Heinrich Heine in Munich, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 his law studies continued in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. CANNOTANSWER

Question: Did people think Robert Schumann had talent as a child?
Answer: "It has been related that Schumann, as a child, possessed rare taste and talent for portraying feelings and characteristic traits in melody,
Robert Schumann

Context: Schumann was born in Zwickau, in the Kingdom of Saxony, the fifth and last child of Johanna Christiane (nee Schnabel) and August Schumann. Schumann began to compose before the age of seven, but his boyhood was spent in the cultivation of literature as much as music - undoubtedly influenced by his father, a bookseller, publisher, and novelist.  Schumann began receiving general musical and piano instruction at the age of seven from Johann Gottfried Kuntzsch, a teacher at the Zwickau high school. The boy immediately developed a love of music and worked at creating musical compositions himself, without the aid of Kuntzsch. Even though he often disregarded the principles of musical composition, he created works regarded as admirable for his age. The Universal Journal of Music 1850 supplement included a biographical sketch of Schumann that noted, "It has been related that Schumann, as a child, possessed rare taste and talent for portraying feelings and characteristic traits in melody, - ay, he could sketch the different dispositions of his intimate friends by certain figures and passages on the piano so exactly and comically that everyone burst into loud laughter at the similitude of the portrait."  At age 14, Schumann wrote an essay on the aesthetics of music and also contributed to a volume, edited by his father, titled Portraits of Famous Men. While still at school in Zwickau, he read the works of the German poet-philosophers Schiller and Goethe, as well as Byron and the Greek tragedians. His most powerful and permanent literary inspiration was Jean Paul, a German writer whose influence is seen in Schumann's youthful novels Juniusabende, completed in 1826, and Selene.  Schumann's interest in music was sparked by seeing a performance of Ignaz Moscheles playing at Karlsbad, and he later developed an interest in the works of Beethoven, Schubert and Mendelssohn. His father, who had encouraged the boy's musical aspirations, died in 1826 when Schumann was 16. Neither his mother nor his guardian thereafter encouraged a career in music. In 1828 Schumann left school, and after a tour during which he met Heinrich Heine in Munich, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 his law studies continued in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. CANNOTANSWER

Question: Other than traits in melody, what else happened as a youth?
Answer: At age 14, Schumann wrote an essay on the aesthetics of music and also contributed to a volume, edited by his father, titled Portraits of Famous Men.
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: What family issues was Alejandro Jodorowsky facing
Answer: Jodorowsky divorced his wife.
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: What year did Jodorowsky divorce his wife
Answer: 1982
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: What year did Jodorowsky begin working again
Answer: 1989,
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: What film did Jodorowsky start working on
Answer: Santa Sangre (Holy Blood
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: What is the film Santa Sangre (Holy Blood) compared to
Answer: Psycho
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: In addition to the film Psycho, what other movie is Santa Sangre (Holy Blood) compared to
Answer: The Hands of Orlac
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: What is the movie Santa Sangre (Holy Blood) about
Answer: as an adult let his own arms act as hers, and so was forced to commit murders at her whim.
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: Who acted in the film Santa Sangre (Holy Blood)
Answer: Several of Jodorowsky's sons were recruited as actors.
Alejandro Jodorowsky

Context: In 1982 Jodorowsky divorced his wife.  In 1989, Jodorowsky completed the Mexican-Italian production Santa Sangre (Holy Blood). The film received limited theatrical distribution, putting Jodorowsky back on the cultural map despite its mixed critical reviews. Santa Sangre was a surrealistic slasher film with a plot like a mix of Alfred Hitchcock's Psycho with Robert Wiene's "The Hands of Orlac". It featured a protagonist who, as a child, saw his mother lose both her arms, and as an adult let his own arms act as hers, and so was forced to commit murders at her whim. Several of Jodorowsky's sons were recruited as actors.  He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky a chance to work with the "movie stars" Peter O'Toole and Omar Sharif, the executive producer, Alexander Salkind, effectively curtailed most of Jodorowsky's artistic inclinations, threatening to fire him on the spot if anything in the script was changed (Salkind's wife, Berta Dominguez D., wrote the screenplay).  That same year (1990), Jodorowsky and his family returned to live in France.  In 1995, Alejandro's son, Teo, died in an accident while his father was busy preparing for a trip to Mexico City to promote his new book. Upon arriving in Mexico City, he gave a lecture at the Julio Castillo Theatre where once again he met Ejo Takata, who at this time had moved into a poor suburb of the city where he had continued to teach meditation and Zen. Takata would die two years later, and Jodorowsky would never get to see his old friend again. CANNOTANSWER

Question: What did Jodorowsky do after filming Santa Sangre (Holy Blood)
Answer: He followed in 1990 with a very different film, The Rainbow Thief. Though it gave Jodorowsky
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: What happened to Gisele Bundchen in her career beginnings?
Answer: Bundchen travelled to London in 1997, where she auditioned for 42 shows.
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: Did Gisele Bündchen get a role in any of the shows Gisele Bündchen auditioned for in 1997?
Answer: She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show.
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: How well did Alexander McQueen's Spring 1998 "Rain" ready-to-wear show go?
Answer: CANNOTANSWER
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: Other than Alexander McQueen's Spring 1998 "Rain" ready-to-wear show, what else happened during Gisele Bündchen's career beginnings?
Answer: As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: Did Gisele Bündchen fame keep rising?
Answer: She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers.
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: Besides winning the VH1/Vogue Model of the Year for 1999 and getting three consecutive Vogue covers, did Gisele Bündchen do anything else?
Answer: Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: Aside from Alexander McQueen's Spring 1998 "Rain" ready-to-wear show, winning the VH1/Vogue Model of the Year for 1999, and getting three consecutive Vogue covers, is there anything else important that you would like to share about the start of Gisele Bündchen's career?
Answer: CANNOTANSWER
Gisele Bündchen

Context: Bundchen travelled to London in 1997, where she auditioned for 42 shows. She got her big break when chosen for her ability to walk in towering heels on a slippery runway for Alexander McQueen's spring 1998 "rain" ready-to-wear show. Echoing similar accolades for Elle Macpherson a decade earlier, McQueen dubbed Bundchen "the Body", immediately boosting her bookings. In 1998, she posed for Missoni, Chloe, Dolce & Gabbana, Valentino, Gianfranco Ferre, Ralph Lauren, and Versace campaigns. She made the cover of the French edition of Vogue, and fashion magazine i-D featured her on its cover, profiling "A Girl Called Gisele." The Vogue online encyclopedia of models states, "As the year 2000 approached, Gisele Bundchen was the world's hottest model, opening up a new category in the popular imagination: the Brazilian bombshell."  She appeared on the cover of Vogue in July, November and December 1999. She won the VH1/Vogue Model of the Year for 1999, and a January 2000 cover gave her three consecutive Vogue covers. In 2000, she became the fourth model to appear on the cover of the music magazine Rolling Stone when she was named "The Most Beautiful Girl in the World". Bundchen has appeared on the covers of many top fashion magazines, including W, Harper's Bazaar, Elle, Allure, as well as style and lifestyle publications such as The Face, Arena, Citizen K, Flair, GQ, Esquire, and Marie Claire, and in the Pirelli Calendar in 2001 and 2006. She has also been seen in TIME, Vanity Fair, Forbes, Newsweek, and Veja. Bundchen has appeared on more than 1,200 magazine covers throughout the world. She simultaneously featured on the covers of both the US and British editions of Vogue in January 2000.  Take the case of 18-year-old Gisele Bundchen, a.k.a. Gisele, fashion's new uber- (not super-) model. Gisele is currently shooting five massive advertising campaigns, starring on the cover of W, and playing the muse to t/bersnappers Steven Meisel and Mario Testino. In short, Gisele is huge. CANNOTANSWER

Question: Did Gisele Bündchen have any downfalls?
Answer: CANNOTANSWER
Carousel (musical)

Context: A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones. It follows the musical's story fairly closely, although a prologue, set in the Starkeeper's heaven, was added. The film was released only a few months after the release of the film version of Oklahoma!. It garnered some good reviews, and the soundtrack recording was a best seller. As the same stars appeared in both pictures, however, the two films were often compared, generally to the disadvantage of Carousel. Thomas Hischak, in The Rodgers and Hammerstein Encyclopedia, later wondered "if the smaller number of Carousel stage revivals is the product of this often-lumbering [film] musical".  There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella.  The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall. Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger, John Cullum as the Starkeeper, and Kate Burton as Mrs. Mullin. Tiler Peck danced the role of Louise to choreography by Warren Carlyle. The production was directed by John Rando. Charles Isherwood of The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear." It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013. CANNOTANSWER

Question: Which version of Carousel (musical) came out first? (film tv or concert?)
Answer: musical
Carousel (musical)

Context: A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones. It follows the musical's story fairly closely, although a prologue, set in the Starkeeper's heaven, was added. The film was released only a few months after the release of the film version of Oklahoma!. It garnered some good reviews, and the soundtrack recording was a best seller. As the same stars appeared in both pictures, however, the two films were often compared, generally to the disadvantage of Carousel. Thomas Hischak, in The Rodgers and Hammerstein Encyclopedia, later wondered "if the smaller number of Carousel stage revivals is the product of this often-lumbering [film] musical".  There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella.  The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall. Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger, John Cullum as the Starkeeper, and Kate Burton as Mrs. Mullin. Tiler Peck danced the role of Louise to choreography by Warren Carlyle. The production was directed by John Rando. Charles Isherwood of The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear." It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013. CANNOTANSWER

Question: What year did the Carousel (musical) come out?
Answer: CANNOTANSWER
Carousel (musical)

Context: A film version of the musical was made in 1956, starring Gordon MacRae and Shirley Jones. It follows the musical's story fairly closely, although a prologue, set in the Starkeeper's heaven, was added. The film was released only a few months after the release of the film version of Oklahoma!. It garnered some good reviews, and the soundtrack recording was a best seller. As the same stars appeared in both pictures, however, the two films were often compared, generally to the disadvantage of Carousel. Thomas Hischak, in The Rodgers and Hammerstein Encyclopedia, later wondered "if the smaller number of Carousel stage revivals is the product of this often-lumbering [film] musical".  There was also an abridged (100 minute) 1967 network television version that starred Robert Goulet, with choreography by Edward Villella.  The New York Philharmonic presented a staged concert version of the musical from February 28 to March 2, 2013, at Avery Fisher Hall. Kelli O'Hara played Julie, with Nathan Gunn as Billy, Stephanie Blythe as Nettie, Jessie Mueller as Carrie, Jason Danieley as Enoch, Shuler Hensley as Jigger, John Cullum as the Starkeeper, and Kate Burton as Mrs. Mullin. Tiler Peck danced the role of Louise to choreography by Warren Carlyle. The production was directed by John Rando. Charles Isherwood of The New York Times wrote, "this is as gorgeously sung a production of this sublime 1945 Broadway musical as you are ever likely to hear." It was broadcast as part of the PBS Live from Lincoln Center series, premiering on April 26, 2013. CANNOTANSWER

Question: Which version of Carousel (musical) came out after the musical?
Answer: A film version of the musical was made in 1956,