gaussalgo/Canard_Wiki-augmented huggingface dataset:
Lee de Forest

Context: One of de Forest's areas of research at Federal Telegraph was improving the reception of signals, and he came up with the idea of strengthening the audio frequency output from a grid Audion by feeding it into a second tube for additional amplification. He called this a "cascade amplifier", which eventually consisted of chaining together up to three Audions.  At this time the American Telephone and Telegraph Company was researching ways to amplify telephone signals to provide better long-distance service, and it was recognized that de Forest's device had potential as a telephone line repeater. In mid-1912 an associate, John Stone Stone, contacted AT&T to arrange for de Forest to demonstrate his invention. It was found that de Forest's "gassy" version of the Audion could not handle even the relatively low voltages used by telephone lines. (Due to the way he constructed the tubes, de Forest's Audions would cease to operate with too high a vacuum.) However, careful research by Dr. Harold D. Arnold and his team at AT&T's Western Electric subsidiary determined that by improving the tube's design, it could be more fully evacuated, and the high vacuum allowed it to successfully operate at telephone line voltages. With these changes the Audion evolved into a modern electron-discharge vacuum tube, using electron flows rather than ions. (Dr. Irving Langmuir at the General Electric Corporation made similar findings, and both he and Arnold attempted to patent the "high vacuum" construction, but the U.S. Supreme Court ruled in 1931 that this modification could not be patented).  After a delay of ten months, in July 1913 AT&T, through a third party who disguised his link to the telephone company, purchased the wire rights to seven Audion patents for $50,000. De Forest had hoped for a higher payment, but was again in bad financial shape and was unable to bargain for more. In 1915, AT&T used the innovation to conduct the first transcontinental telephone calls, in conjunction with the Panama-Pacific International Exposition at San Francisco. CANNOTANSWER

Question: What kinds of things could Lee de Forest do  with audio frequency amplification?
Answer: Telegraph Company was researching ways to amplify telephone signals
Ai Kago

Context: After Kago departed from Up-Front Agency, her mother attempted to sign her to a new talent agency in her hometown, Nara. Later that year, Josei Seven published an interview with her mother, revealing that Kago left Japan and started residing in New York City. Kago herself later revealed that she had actually not gone to New York, but rather to Los Angeles for three months because she felt like a criminal in Japan. During her stay, she met people who encouraged her, including Winona Ryder, and was able to reflect on her situation. She also considered suicide and cut her wrists.  Kago made a well-publicized return to the entertainment industry in 2008  with plans of pursuing an acting career. She began appearing in multiple Hong Kong movies, including Kung Fu Chefs. On August 25, 2008, Kago released a book entitled Kago Ai Live--Miseinen Hakusho (LIVE--Wei Cheng Nian Bai Shu ). On her blog, she described the book as "a book where I talk to young teens about their various troubles and dreams."  During 2009, Kago also focused on rebuilding her music career. On June 24, 2009, she released her first solo single "No HesitAtIon" [sic] on independent record label In Da Groove. On February 16, 2010, she held her first jazz concert at bar JZ Brat in Tokyo. Kago's first jazz album, Ai Kago meets Jazz: The First Door, was released on March 31, 2010 through P-Vine Records and Avex Marketing. In August 2010 she was invited to perform at music festival Summer Sonic. CANNOTANSWER

Question: How did Ai Kago make her return to entertainment?
Answer: her mother attempted to sign her to a new talent agency in her hometown, Nara.
Ai Kago

Context: After Kago departed from Up-Front Agency, her mother attempted to sign her to a new talent agency in her hometown, Nara. Later that year, Josei Seven published an interview with her mother, revealing that Kago left Japan and started residing in New York City. Kago herself later revealed that she had actually not gone to New York, but rather to Los Angeles for three months because she felt like a criminal in Japan. During her stay, she met people who encouraged her, including Winona Ryder, and was able to reflect on her situation. She also considered suicide and cut her wrists.  Kago made a well-publicized return to the entertainment industry in 2008  with plans of pursuing an acting career. She began appearing in multiple Hong Kong movies, including Kung Fu Chefs. On August 25, 2008, Kago released a book entitled Kago Ai Live--Miseinen Hakusho (LIVE--Wei Cheng Nian Bai Shu ). On her blog, she described the book as "a book where I talk to young teens about their various troubles and dreams."  During 2009, Kago also focused on rebuilding her music career. On June 24, 2009, she released her first solo single "No HesitAtIon" [sic] on independent record label In Da Groove. On February 16, 2010, she held her first jazz concert at bar JZ Brat in Tokyo. Kago's first jazz album, Ai Kago meets Jazz: The First Door, was released on March 31, 2010 through P-Vine Records and Avex Marketing. In August 2010 she was invited to perform at music festival Summer Sonic. CANNOTANSWER

Question: Did Ai Kago get signed?
Answer: Josei Seven published an interview with her mother,
Ai Kago

Context: After Kago departed from Up-Front Agency, her mother attempted to sign her to a new talent agency in her hometown, Nara. Later that year, Josei Seven published an interview with her mother, revealing that Kago left Japan and started residing in New York City. Kago herself later revealed that she had actually not gone to New York, but rather to Los Angeles for three months because she felt like a criminal in Japan. During her stay, she met people who encouraged her, including Winona Ryder, and was able to reflect on her situation. She also considered suicide and cut her wrists.  Kago made a well-publicized return to the entertainment industry in 2008  with plans of pursuing an acting career. She began appearing in multiple Hong Kong movies, including Kung Fu Chefs. On August 25, 2008, Kago released a book entitled Kago Ai Live--Miseinen Hakusho (LIVE--Wei Cheng Nian Bai Shu ). On her blog, she described the book as "a book where I talk to young teens about their various troubles and dreams."  During 2009, Kago also focused on rebuilding her music career. On June 24, 2009, she released her first solo single "No HesitAtIon" [sic] on independent record label In Da Groove. On February 16, 2010, she held her first jazz concert at bar JZ Brat in Tokyo. Kago's first jazz album, Ai Kago meets Jazz: The First Door, was released on March 31, 2010 through P-Vine Records and Avex Marketing. In August 2010 she was invited to perform at music festival Summer Sonic. CANNOTANSWER

Question: Did Ai Kago release anything new?
Answer: On August 25, 2008, Kago released a book entitled Kago Ai Live--Miseinen Hakusho (LIVE--Wei Cheng Nian Bai Shu ).
Ai Kago

Context: After Kago departed from Up-Front Agency, her mother attempted to sign her to a new talent agency in her hometown, Nara. Later that year, Josei Seven published an interview with her mother, revealing that Kago left Japan and started residing in New York City. Kago herself later revealed that she had actually not gone to New York, but rather to Los Angeles for three months because she felt like a criminal in Japan. During her stay, she met people who encouraged her, including Winona Ryder, and was able to reflect on her situation. She also considered suicide and cut her wrists.  Kago made a well-publicized return to the entertainment industry in 2008  with plans of pursuing an acting career. She began appearing in multiple Hong Kong movies, including Kung Fu Chefs. On August 25, 2008, Kago released a book entitled Kago Ai Live--Miseinen Hakusho (LIVE--Wei Cheng Nian Bai Shu ). On her blog, she described the book as "a book where I talk to young teens about their various troubles and dreams."  During 2009, Kago also focused on rebuilding her music career. On June 24, 2009, she released her first solo single "No HesitAtIon" [sic] on independent record label In Da Groove. On February 16, 2010, she held her first jazz concert at bar JZ Brat in Tokyo. Kago's first jazz album, Ai Kago meets Jazz: The First Door, was released on March 31, 2010 through P-Vine Records and Avex Marketing. In August 2010 she was invited to perform at music festival Summer Sonic. CANNOTANSWER

Question: Was Kago Ai Live--Miseinen Hakusho successful?
Answer: On her blog, she described the book as "a book where I talk to young teens about their various troubles and dreams."
Ai Kago

Context: After Kago departed from Up-Front Agency, her mother attempted to sign her to a new talent agency in her hometown, Nara. Later that year, Josei Seven published an interview with her mother, revealing that Kago left Japan and started residing in New York City. Kago herself later revealed that she had actually not gone to New York, but rather to Los Angeles for three months because she felt like a criminal in Japan. During her stay, she met people who encouraged her, including Winona Ryder, and was able to reflect on her situation. She also considered suicide and cut her wrists.  Kago made a well-publicized return to the entertainment industry in 2008  with plans of pursuing an acting career. She began appearing in multiple Hong Kong movies, including Kung Fu Chefs. On August 25, 2008, Kago released a book entitled Kago Ai Live--Miseinen Hakusho (LIVE--Wei Cheng Nian Bai Shu ). On her blog, she described the book as "a book where I talk to young teens about their various troubles and dreams."  During 2009, Kago also focused on rebuilding her music career. On June 24, 2009, she released her first solo single "No HesitAtIon" [sic] on independent record label In Da Groove. On February 16, 2010, she held her first jazz concert at bar JZ Brat in Tokyo. Kago's first jazz album, Ai Kago meets Jazz: The First Door, was released on March 31, 2010 through P-Vine Records and Avex Marketing. In August 2010 she was invited to perform at music festival Summer Sonic. CANNOTANSWER

Question: Did Ai Kago write any other books other than Kago Ai Live--Miseinen Hakusho?
Answer: CANNOTANSWER
Ai Kago

Context: After Kago departed from Up-Front Agency, her mother attempted to sign her to a new talent agency in her hometown, Nara. Later that year, Josei Seven published an interview with her mother, revealing that Kago left Japan and started residing in New York City. Kago herself later revealed that she had actually not gone to New York, but rather to Los Angeles for three months because she felt like a criminal in Japan. During her stay, she met people who encouraged her, including Winona Ryder, and was able to reflect on her situation. She also considered suicide and cut her wrists.  Kago made a well-publicized return to the entertainment industry in 2008  with plans of pursuing an acting career. She began appearing in multiple Hong Kong movies, including Kung Fu Chefs. On August 25, 2008, Kago released a book entitled Kago Ai Live--Miseinen Hakusho (LIVE--Wei Cheng Nian Bai Shu ). On her blog, she described the book as "a book where I talk to young teens about their various troubles and dreams."  During 2009, Kago also focused on rebuilding her music career. On June 24, 2009, she released her first solo single "No HesitAtIon" [sic] on independent record label In Da Groove. On February 16, 2010, she held her first jazz concert at bar JZ Brat in Tokyo. Kago's first jazz album, Ai Kago meets Jazz: The First Door, was released on March 31, 2010 through P-Vine Records and Avex Marketing. In August 2010 she was invited to perform at music festival Summer Sonic. CANNOTANSWER

Question: What else did Ai Kago do when she returned to entertainment other than writing a book?
Answer: During 2009, Kago also focused on rebuilding her music career.
Edward Weston

Context: Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred early in his career, since at that time the platinum papers required ultra-violet light to activate. Weston did not have an artificial ultra-violet light source, so he had to place the contact print directly in sunlight in order to expose it. This limited him to printing only on sunny days.  When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size. This process was very labor-intensive; he once wrote in his Daybooks "I am utterly exhausted tonight after a whole day in the darkroom, making eight contact negatives from the enlarged positives."  In 1924 Weston wrote this about his darkroom process, "I have returned, after several years use of Metol-Hydroquinine open-tank" developer to a three-solution Pyro developer, and I develop one at a time in a tray instead of a dozen in a tank." Each sheet of film was viewed under either a green or an orange safelight in his darkroom, allowing him to control the individual development of a negative. He continued to use this technique for the rest of his life.  Weston was known to extensively use dodging and burning to achieve the look he wanted in his prints. CANNOTANSWER

Question: What kind of photographs did Edward Weston take?
Answer: Weston always made contact prints,
Edward Weston

Context: Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred early in his career, since at that time the platinum papers required ultra-violet light to activate. Weston did not have an artificial ultra-violet light source, so he had to place the contact print directly in sunlight in order to expose it. This limited him to printing only on sunny days.  When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size. This process was very labor-intensive; he once wrote in his Daybooks "I am utterly exhausted tonight after a whole day in the darkroom, making eight contact negatives from the enlarged positives."  In 1924 Weston wrote this about his darkroom process, "I have returned, after several years use of Metol-Hydroquinine open-tank" developer to a three-solution Pyro developer, and I develop one at a time in a tray instead of a dozen in a tank." Each sheet of film was viewed under either a green or an orange safelight in his darkroom, allowing him to control the individual development of a negative. He continued to use this technique for the rest of his life.  Weston was known to extensively use dodging and burning to achieve the look he wanted in his prints. CANNOTANSWER

Question: What are contact prints?
Answer: that the print was exactly the same size as the negative.
Edward Weston

Context: Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred early in his career, since at that time the platinum papers required ultra-violet light to activate. Weston did not have an artificial ultra-violet light source, so he had to place the contact print directly in sunlight in order to expose it. This limited him to printing only on sunny days.  When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size. This process was very labor-intensive; he once wrote in his Daybooks "I am utterly exhausted tonight after a whole day in the darkroom, making eight contact negatives from the enlarged positives."  In 1924 Weston wrote this about his darkroom process, "I have returned, after several years use of Metol-Hydroquinine open-tank" developer to a three-solution Pyro developer, and I develop one at a time in a tray instead of a dozen in a tank." Each sheet of film was viewed under either a green or an orange safelight in his darkroom, allowing him to control the individual development of a negative. He continued to use this technique for the rest of his life.  Weston was known to extensively use dodging and burning to achieve the look he wanted in his prints. CANNOTANSWER

Question: Has Edward Weston taken any photos that are famous?
Answer: CANNOTANSWER
Edward Weston

Context: Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred early in his career, since at that time the platinum papers required ultra-violet light to activate. Weston did not have an artificial ultra-violet light source, so he had to place the contact print directly in sunlight in order to expose it. This limited him to printing only on sunny days.  When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size. This process was very labor-intensive; he once wrote in his Daybooks "I am utterly exhausted tonight after a whole day in the darkroom, making eight contact negatives from the enlarged positives."  In 1924 Weston wrote this about his darkroom process, "I have returned, after several years use of Metol-Hydroquinine open-tank" developer to a three-solution Pyro developer, and I develop one at a time in a tray instead of a dozen in a tank." Each sheet of film was viewed under either a green or an orange safelight in his darkroom, allowing him to control the individual development of a negative. He continued to use this technique for the rest of his life.  Weston was known to extensively use dodging and burning to achieve the look he wanted in his prints. CANNOTANSWER

Question: When did Edward Weston start photography
Answer: CANNOTANSWER
Edward Weston

Context: Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred early in his career, since at that time the platinum papers required ultra-violet light to activate. Weston did not have an artificial ultra-violet light source, so he had to place the contact print directly in sunlight in order to expose it. This limited him to printing only on sunny days.  When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size. This process was very labor-intensive; he once wrote in his Daybooks "I am utterly exhausted tonight after a whole day in the darkroom, making eight contact negatives from the enlarged positives."  In 1924 Weston wrote this about his darkroom process, "I have returned, after several years use of Metol-Hydroquinine open-tank" developer to a three-solution Pyro developer, and I develop one at a time in a tray instead of a dozen in a tank." Each sheet of film was viewed under either a green or an orange safelight in his darkroom, allowing him to control the individual development of a negative. He continued to use this technique for the rest of his life.  Weston was known to extensively use dodging and burning to achieve the look he wanted in his prints. CANNOTANSWER

Question: Did Edward Weston develop his own pictures
Answer: develop one at a time in a tray
Edward Weston

Context: Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred early in his career, since at that time the platinum papers required ultra-violet light to activate. Weston did not have an artificial ultra-violet light source, so he had to place the contact print directly in sunlight in order to expose it. This limited him to printing only on sunny days.  When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size. This process was very labor-intensive; he once wrote in his Daybooks "I am utterly exhausted tonight after a whole day in the darkroom, making eight contact negatives from the enlarged positives."  In 1924 Weston wrote this about his darkroom process, "I have returned, after several years use of Metol-Hydroquinine open-tank" developer to a three-solution Pyro developer, and I develop one at a time in a tray instead of a dozen in a tank." Each sheet of film was viewed under either a green or an orange safelight in his darkroom, allowing him to control the individual development of a negative. He continued to use this technique for the rest of his life.  Weston was known to extensively use dodging and burning to achieve the look he wanted in his prints. CANNOTANSWER

Question: How long does that take to develop pictures?
Answer: process was very labor-intensive;
Edward Weston

Context: Weston always made contact prints, meaning that the print was exactly the same size as the negative. This was essential for the platinum printing that he preferred early in his career, since at that time the platinum papers required ultra-violet light to activate. Weston did not have an artificial ultra-violet light source, so he had to place the contact print directly in sunlight in order to expose it. This limited him to printing only on sunny days.  When he wanted a print that was larger than the original negative size, he used an enlarger to create a larger inter-positive, then contact printed it to a new negative. The new larger negative was then used to make a print of that size. This process was very labor-intensive; he once wrote in his Daybooks "I am utterly exhausted tonight after a whole day in the darkroom, making eight contact negatives from the enlarged positives."  In 1924 Weston wrote this about his darkroom process, "I have returned, after several years use of Metol-Hydroquinine open-tank" developer to a three-solution Pyro developer, and I develop one at a time in a tray instead of a dozen in a tank." Each sheet of film was viewed under either a green or an orange safelight in his darkroom, allowing him to control the individual development of a negative. He continued to use this technique for the rest of his life.  Weston was known to extensively use dodging and burning to achieve the look he wanted in his prints. CANNOTANSWER

Question: Did Edward Weston ever teach anyone his skills?
Answer: CANNOTANSWER
The Doors

Context: Despite Morrison's conviction and the fallout from their appearance in New Orleans, The Doors set out to reclaim their status as a premier act with L.A. Woman in 1971. The album included rhythm guitarist Marc Benno on several tracks and prominently featured bassist Jerry Scheff, best known for his work in Elvis Presley's TCB Band. Despite a comparatively low Billboard chart peak at #9, L.A. Woman contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Paul Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors.  The title track and two singles ("Love Her Madly" and "Riders on the Storm") remain mainstays of rock radio programming, with the last of these being inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. As far as is known, this is the last clip of the Doors performing with Morrison.  On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile. CANNOTANSWER

Question: What is L.A. Woman?
Answer: album
The Doors

Context: Despite Morrison's conviction and the fallout from their appearance in New Orleans, The Doors set out to reclaim their status as a premier act with L.A. Woman in 1971. The album included rhythm guitarist Marc Benno on several tracks and prominently featured bassist Jerry Scheff, best known for his work in Elvis Presley's TCB Band. Despite a comparatively low Billboard chart peak at #9, L.A. Woman contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Paul Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors.  The title track and two singles ("Love Her Madly" and "Riders on the Storm") remain mainstays of rock radio programming, with the last of these being inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. As far as is known, this is the last clip of the Doors performing with Morrison.  On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile. CANNOTANSWER

Question: What songs are part of The Doors, L.A. Woman album?
Answer: "Love Her Madly"
The Doors

Context: Despite Morrison's conviction and the fallout from their appearance in New Orleans, The Doors set out to reclaim their status as a premier act with L.A. Woman in 1971. The album included rhythm guitarist Marc Benno on several tracks and prominently featured bassist Jerry Scheff, best known for his work in Elvis Presley's TCB Band. Despite a comparatively low Billboard chart peak at #9, L.A. Woman contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Paul Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors.  The title track and two singles ("Love Her Madly" and "Riders on the Storm") remain mainstays of rock radio programming, with the last of these being inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. As far as is known, this is the last clip of the Doors performing with Morrison.  On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile. CANNOTANSWER

Question: Did The Doors, L.A. Woman album had any hit songs?
Answer: L.A. Woman contained two Top 20 hits
The Doors

Context: Despite Morrison's conviction and the fallout from their appearance in New Orleans, The Doors set out to reclaim their status as a premier act with L.A. Woman in 1971. The album included rhythm guitarist Marc Benno on several tracks and prominently featured bassist Jerry Scheff, best known for his work in Elvis Presley's TCB Band. Despite a comparatively low Billboard chart peak at #9, L.A. Woman contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Paul Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors.  The title track and two singles ("Love Her Madly" and "Riders on the Storm") remain mainstays of rock radio programming, with the last of these being inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. As far as is known, this is the last clip of the Doors performing with Morrison.  On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile. CANNOTANSWER

Question: What are the names of The Doors, L.A. Woman album two Top 20 hits?
Answer: ("Love Her Madly" and "Riders on the Storm")
The Doors

Context: Despite Morrison's conviction and the fallout from their appearance in New Orleans, The Doors set out to reclaim their status as a premier act with L.A. Woman in 1971. The album included rhythm guitarist Marc Benno on several tracks and prominently featured bassist Jerry Scheff, best known for his work in Elvis Presley's TCB Band. Despite a comparatively low Billboard chart peak at #9, L.A. Woman contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Paul Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors.  The title track and two singles ("Love Her Madly" and "Riders on the Storm") remain mainstays of rock radio programming, with the last of these being inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. As far as is known, this is the last clip of the Doors performing with Morrison.  On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile. CANNOTANSWER

Question: Who else contributed to the making of  L.A. Woman album aside from The Doors?
Answer: rhythm guitarist Marc Benno
The Doors

Context: Despite Morrison's conviction and the fallout from their appearance in New Orleans, The Doors set out to reclaim their status as a premier act with L.A. Woman in 1971. The album included rhythm guitarist Marc Benno on several tracks and prominently featured bassist Jerry Scheff, best known for his work in Elvis Presley's TCB Band. Despite a comparatively low Billboard chart peak at #9, L.A. Woman contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Paul Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors.  The title track and two singles ("Love Her Madly" and "Riders on the Storm") remain mainstays of rock radio programming, with the last of these being inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. As far as is known, this is the last clip of the Doors performing with Morrison.  On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile. CANNOTANSWER

Question: Are there any other interesting aspects about guitarist Marc Benno in addition to the making of L.A. Woman album?
Answer: Morrison took a leave of absence from the Doors
The Doors

Context: Despite Morrison's conviction and the fallout from their appearance in New Orleans, The Doors set out to reclaim their status as a premier act with L.A. Woman in 1971. The album included rhythm guitarist Marc Benno on several tracks and prominently featured bassist Jerry Scheff, best known for his work in Elvis Presley's TCB Band. Despite a comparatively low Billboard chart peak at #9, L.A. Woman contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Paul Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors.  The title track and two singles ("Love Her Madly" and "Riders on the Storm") remain mainstays of rock radio programming, with the last of these being inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. As far as is known, this is the last clip of the Doors performing with Morrison.  On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile. CANNOTANSWER

Question: Why did Morrison took a leave of absence from The Doors?
Answer: moved to Paris
The Doors

Context: Despite Morrison's conviction and the fallout from their appearance in New Orleans, The Doors set out to reclaim their status as a premier act with L.A. Woman in 1971. The album included rhythm guitarist Marc Benno on several tracks and prominently featured bassist Jerry Scheff, best known for his work in Elvis Presley's TCB Band. Despite a comparatively low Billboard chart peak at #9, L.A. Woman contained two Top 20 hits and went on to be their second best-selling studio album, surpassed in sales only by their debut. The album explored their R&B roots, although during rehearsals they had a falling-out with Paul Rothchild, who was dissatisfied with the band's effort. Denouncing "Love Her Madly" as "cocktail lounge music", he quit and handed the production to Bruce Botnick and the Doors.  The title track and two singles ("Love Her Madly" and "Riders on the Storm") remain mainstays of rock radio programming, with the last of these being inducted into the Grammy Hall of Fame for its special significance to recorded music. In the song "L.A. Woman", Jim Morrison scrambles the letters of his own name to chant "Mr. Mojo Risin". During the sessions, a short clip of the band performing "Crawling King Snake" was filmed. As far as is known, this is the last clip of the Doors performing with Morrison.  On March 13, 1971, following the recording of L.A. Woman, Morrison took a leave of absence from the Doors and moved to Paris with Pamela Courson. He had visited the city the previous summer and was interested in moving there to become a writer in exile. CANNOTANSWER

Question: Did Morrison later return from paris to The Doors?
Answer: CANNOTANSWER
Neil Diamond

Context: During the 1990s, Diamond produced six studio albums. He covered many classics from the movies and from famous Brill Building-era songwriters. He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart. Diamond also recorded two albums of mostly new material during this period. In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special. In 1993, Diamond opened the Mark of the Quad Cities (now the iWireless Center) with two shows on May 27 and 28 to a crowd of 27,000-plus.  The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events. It was used at Boston College football and basketball games. College sporting events in other states also played it, and it was even played at sports events in other countries, such as a Hong Kong Sevens rugby tournament or a soccer match in Northern Ireland. Most notably, it became the theme song of Red Sox Nation, the fans of the Boston Red Sox. The song also came to be played during the 8th inning of every New York Mets home game.  The New York Rangers also adapted it as their own, and played it whenever they were winning at the end of the 3rd period of their games. The Pitt Panthers football team also played it after the third quarter of all home games, with the crowd cheering, "Let's go Pitt". The Carolina Panthers played it at the end of every home game they won. The Davidson College pep band likewise played it at every Davidson Wildcats men's basketball home game, in the second half. CANNOTANSWER

Question: What was Neil Diamond's first album of the 1990s?
Answer: During the 1990s, Diamond produced six studio albums.
Neil Diamond

Context: During the 1990s, Diamond produced six studio albums. He covered many classics from the movies and from famous Brill Building-era songwriters. He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart. Diamond also recorded two albums of mostly new material during this period. In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special. In 1993, Diamond opened the Mark of the Quad Cities (now the iWireless Center) with two shows on May 27 and 28 to a crowd of 27,000-plus.  The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events. It was used at Boston College football and basketball games. College sporting events in other states also played it, and it was even played at sports events in other countries, such as a Hong Kong Sevens rugby tournament or a soccer match in Northern Ireland. Most notably, it became the theme song of Red Sox Nation, the fans of the Boston Red Sox. The song also came to be played during the 8th inning of every New York Mets home game.  The New York Rangers also adapted it as their own, and played it whenever they were winning at the end of the 3rd period of their games. The Pitt Panthers football team also played it after the third quarter of all home games, with the crowd cheering, "Let's go Pitt". The Carolina Panthers played it at the end of every home game they won. The Davidson College pep band likewise played it at every Davidson Wildcats men's basketball home game, in the second half. CANNOTANSWER

Question: Can you name one of the albums Neil Diamond released in the 1990s?
Answer: CANNOTANSWER
Neil Diamond

Context: During the 1990s, Diamond produced six studio albums. He covered many classics from the movies and from famous Brill Building-era songwriters. He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart. Diamond also recorded two albums of mostly new material during this period. In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special. In 1993, Diamond opened the Mark of the Quad Cities (now the iWireless Center) with two shows on May 27 and 28 to a crowd of 27,000-plus.  The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events. It was used at Boston College football and basketball games. College sporting events in other states also played it, and it was even played at sports events in other countries, such as a Hong Kong Sevens rugby tournament or a soccer match in Northern Ireland. Most notably, it became the theme song of Red Sox Nation, the fans of the Boston Red Sox. The song also came to be played during the 8th inning of every New York Mets home game.  The New York Rangers also adapted it as their own, and played it whenever they were winning at the end of the 3rd period of their games. The Pitt Panthers football team also played it after the third quarter of all home games, with the crowd cheering, "Let's go Pitt". The Carolina Panthers played it at the end of every home game they won. The Davidson College pep band likewise played it at every Davidson Wildcats men's basketball home game, in the second half. CANNOTANSWER

Question: What was significant about the 1990s for Neil Diamond?
Answer: He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart.
Neil Diamond

Context: During the 1990s, Diamond produced six studio albums. He covered many classics from the movies and from famous Brill Building-era songwriters. He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart. Diamond also recorded two albums of mostly new material during this period. In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special. In 1993, Diamond opened the Mark of the Quad Cities (now the iWireless Center) with two shows on May 27 and 28 to a crowd of 27,000-plus.  The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events. It was used at Boston College football and basketball games. College sporting events in other states also played it, and it was even played at sports events in other countries, such as a Hong Kong Sevens rugby tournament or a soccer match in Northern Ireland. Most notably, it became the theme song of Red Sox Nation, the fans of the Boston Red Sox. The song also came to be played during the 8th inning of every New York Mets home game.  The New York Rangers also adapted it as their own, and played it whenever they were winning at the end of the 3rd period of their games. The Pitt Panthers football team also played it after the third quarter of all home games, with the crowd cheering, "Let's go Pitt". The Carolina Panthers played it at the end of every home game they won. The Davidson College pep band likewise played it at every Davidson Wildcats men's basketball home game, in the second half. CANNOTANSWER

Question: Did Neil Diamond do any touring or live performances in the 1990s?
Answer: In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special.
Neil Diamond

Context: During the 1990s, Diamond produced six studio albums. He covered many classics from the movies and from famous Brill Building-era songwriters. He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart. Diamond also recorded two albums of mostly new material during this period. In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special. In 1993, Diamond opened the Mark of the Quad Cities (now the iWireless Center) with two shows on May 27 and 28 to a crowd of 27,000-plus.  The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events. It was used at Boston College football and basketball games. College sporting events in other states also played it, and it was even played at sports events in other countries, such as a Hong Kong Sevens rugby tournament or a soccer match in Northern Ireland. Most notably, it became the theme song of Red Sox Nation, the fans of the Boston Red Sox. The song also came to be played during the 8th inning of every New York Mets home game.  The New York Rangers also adapted it as their own, and played it whenever they were winning at the end of the 3rd period of their games. The Pitt Panthers football team also played it after the third quarter of all home games, with the crowd cheering, "Let's go Pitt". The Carolina Panthers played it at the end of every home game they won. The Davidson College pep band likewise played it at every Davidson Wildcats men's basketball home game, in the second half. CANNOTANSWER

Question: What did Neil Diamond sing at the 1992 Bush special?
Answer: CANNOTANSWER
Neil Diamond

Context: During the 1990s, Diamond produced six studio albums. He covered many classics from the movies and from famous Brill Building-era songwriters. He also released two Christmas albums, the first of which peaked at No. 8 on Billboard's Album chart. Diamond also recorded two albums of mostly new material during this period. In 1992, he performed for President George H.W. Bush's final Christmas in Washington NBC special. In 1993, Diamond opened the Mark of the Quad Cities (now the iWireless Center) with two shows on May 27 and 28 to a crowd of 27,000-plus.  The 1990s saw a resurgence in Diamond's popularity. "Sweet Caroline" became a popular sing-along at sporting events. It was used at Boston College football and basketball games. College sporting events in other states also played it, and it was even played at sports events in other countries, such as a Hong Kong Sevens rugby tournament or a soccer match in Northern Ireland. Most notably, it became the theme song of Red Sox Nation, the fans of the Boston Red Sox. The song also came to be played during the 8th inning of every New York Mets home game.  The New York Rangers also adapted it as their own, and played it whenever they were winning at the end of the 3rd period of their games. The Pitt Panthers football team also played it after the third quarter of all home games, with the crowd cheering, "Let's go Pitt". The Carolina Panthers played it at the end of every home game they won. The Davidson College pep band likewise played it at every Davidson Wildcats men's basketball home game, in the second half. CANNOTANSWER

Question: What performances did Neil Diamond give in the 1990s other than the 1992 Christmas in Washington special?
Answer: In 1993, Diamond opened the Mark of the Quad Cities (now the iWireless Center) with two shows on May 27 and 28 to a crowd of 27,000-plus.