gaussalgo/Canard_Wiki-augmented huggingface dataset:
Depeche Mode

Context: During the touring and promotion for Speak & Spell, Clarke privately began to voice his discomfort at the direction the band was taking. He later expressed his dissatisfaction, saying "there was never enough time to do anything. Not with all the interviews and photo sessions". In November 1981, Clarke publicly announced that he was leaving Depeche Mode. It was also claimed that Clarke was sick of touring, which Gahan said years later was "bullshit to be quite honest". Gahan went on to say he "suddenly lost interest in it and he started getting letters from fans asking what kind of socks he wore".  Soon afterwards, Clarke joined up with blues singer Alison Moyet to form Yazoo (or Yaz in the United States). Initial talk of Clarke's continuing to write material for Depeche Mode ultimately amounted to nothing. According to third-party sources, Clarke offered the remaining members of Depeche Mode the track "Only You", but they declined. Clarke, however, denied in an interview that such an offer ever took place saying, "I don't know where that came from. That's not true." The song went on to become a UK Top 3 hit for Yazoo. Gore, who had written "Tora! Tora! Tora!" and the instrumental "Big Muff" for Speak & Spell, became the band's main lyricist.  In late 1981, the band placed an anonymous ad in Melody Maker looking for another musician: "Name band, synthesise, must be under twenty-one." Alan Wilder, a classically trained keyboardist from West London, responded and, after two auditions and despite being 22 years old, was hired in early 1982, initially on a trial basis as a touring member. Wilder would later be called the "Musical Director" of the band, responsible for the band's sound until his departure in 1995. As producer Flood would say, "[Alan] is sort of the craftsman, Martin's the idea man and [Dave] is the attitude."  In January 1982, the band released "See You", their first single without Clarke, which managed to beat all three Clarke-penned singles in the UK charts, reaching number six. The following tour saw the band playing their first shows in North America. Two more singles, "The Meaning of Love" and "Leave in Silence," were released ahead of the band's second studio album, on which they began work in July 1982. Daniel Miller informed Wilder that he was not needed for the recording of the album, as the core trio wanted to prove they could succeed without Vince Clarke. A Broken Frame was released that September, and the following month the band began their 1982 tour. A non-album single, "Get the Balance Right!," was released in January 1983, the first Depeche Mode track to be recorded with Wilder. CANNOTANSWER

Question: When Alan Wilder joined the Depeche Mode band, did anything about the band change?
Answer: January 1982, the band released "See You", their first single without Clarke,
Depeche Mode

Context: During the touring and promotion for Speak & Spell, Clarke privately began to voice his discomfort at the direction the band was taking. He later expressed his dissatisfaction, saying "there was never enough time to do anything. Not with all the interviews and photo sessions". In November 1981, Clarke publicly announced that he was leaving Depeche Mode. It was also claimed that Clarke was sick of touring, which Gahan said years later was "bullshit to be quite honest". Gahan went on to say he "suddenly lost interest in it and he started getting letters from fans asking what kind of socks he wore".  Soon afterwards, Clarke joined up with blues singer Alison Moyet to form Yazoo (or Yaz in the United States). Initial talk of Clarke's continuing to write material for Depeche Mode ultimately amounted to nothing. According to third-party sources, Clarke offered the remaining members of Depeche Mode the track "Only You", but they declined. Clarke, however, denied in an interview that such an offer ever took place saying, "I don't know where that came from. That's not true." The song went on to become a UK Top 3 hit for Yazoo. Gore, who had written "Tora! Tora! Tora!" and the instrumental "Big Muff" for Speak & Spell, became the band's main lyricist.  In late 1981, the band placed an anonymous ad in Melody Maker looking for another musician: "Name band, synthesise, must be under twenty-one." Alan Wilder, a classically trained keyboardist from West London, responded and, after two auditions and despite being 22 years old, was hired in early 1982, initially on a trial basis as a touring member. Wilder would later be called the "Musical Director" of the band, responsible for the band's sound until his departure in 1995. As producer Flood would say, "[Alan] is sort of the craftsman, Martin's the idea man and [Dave] is the attitude."  In January 1982, the band released "See You", their first single without Clarke, which managed to beat all three Clarke-penned singles in the UK charts, reaching number six. The following tour saw the band playing their first shows in North America. Two more singles, "The Meaning of Love" and "Leave in Silence," were released ahead of the band's second studio album, on which they began work in July 1982. Daniel Miller informed Wilder that he was not needed for the recording of the album, as the core trio wanted to prove they could succeed without Vince Clarke. A Broken Frame was released that September, and the following month the band began their 1982 tour. A non-album single, "Get the Balance Right!," was released in January 1983, the first Depeche Mode track to be recorded with Wilder. CANNOTANSWER

Question: Besides "See You", their first single without Clarke, did Depeche Mode band release other singles?
Answer: Two more singles, "The Meaning of Love" and "Leave in Silence," were released
Steve Corino

Context: After announcing that his retirement would come at the end of 2007, Corino began a retirement tour and traveled to various federations as a part of the tour. On October 6, 2007, Corino captured the B4W North American title in Morganville, New Jersey from then-champion Tommy Thunda.  On November 3, 2007, Corino survived three rounds of an 8-man, single-night tournament in Toronto, Ontario, Canada to become the Union of Independent Professional Wrestlers Heavyweight Champion. He defeated Eddie Osbourne in the first round by pinfall, Pepper Parks in the second round by referee stoppage and "Fabulous" John McChesney in the finals by pinfall following a pair of lariat clotheslines. On November 10, 2007, Corino successfully defended the B4W North American title against Jihad. On November 24 he beat Absolute Andy for the GSW Heavyweight Championship in Oberhausen, Germany which was his very last appearance in Europe.  On December 8, 2007, Corino made his final Northeast appearance for B4W. He lost the North American title to Jihad in a submission match after his protege Ricky Landell had to throw in the towel. Corino won the Platinum Pro Wrestling Heavyweight Title on December 14, 2007 after defeating "The Indy Wrestling Superstar" Erico in front of a sold out crowd in Michigan City, Indiana.  Corino's retirement tour came to an end December 28, 2007, when he wrestled his final match for the Showcase Wrestling Revolution in Montreal, Quebec, Canada. On that night he faced off with "The Prophet" Jeremy Barnoff, "The Seasoned Veteran" Brick Crawford and "Mr. Wrestling" Kevin Steen for the SWR International Championship in a fatal four way elimination match.  Corino wrestled a few try-out matches for WWE over a span of two days. Dusty Rhodes, Corino's former rival, was hopeful that WWE would sign him, but he was not offered a contract. Corino stated on his MySpace he enjoyed his time with WWE but felt he was too old school for the company. CANNOTANSWER

Question: When did Steve Corino's retirement tour start?
Answer: After announcing that his retirement would come at the end of 2007, Corino began a retirement tour
Steve Corino

Context: After announcing that his retirement would come at the end of 2007, Corino began a retirement tour and traveled to various federations as a part of the tour. On October 6, 2007, Corino captured the B4W North American title in Morganville, New Jersey from then-champion Tommy Thunda.  On November 3, 2007, Corino survived three rounds of an 8-man, single-night tournament in Toronto, Ontario, Canada to become the Union of Independent Professional Wrestlers Heavyweight Champion. He defeated Eddie Osbourne in the first round by pinfall, Pepper Parks in the second round by referee stoppage and "Fabulous" John McChesney in the finals by pinfall following a pair of lariat clotheslines. On November 10, 2007, Corino successfully defended the B4W North American title against Jihad. On November 24 he beat Absolute Andy for the GSW Heavyweight Championship in Oberhausen, Germany which was his very last appearance in Europe.  On December 8, 2007, Corino made his final Northeast appearance for B4W. He lost the North American title to Jihad in a submission match after his protege Ricky Landell had to throw in the towel. Corino won the Platinum Pro Wrestling Heavyweight Title on December 14, 2007 after defeating "The Indy Wrestling Superstar" Erico in front of a sold out crowd in Michigan City, Indiana.  Corino's retirement tour came to an end December 28, 2007, when he wrestled his final match for the Showcase Wrestling Revolution in Montreal, Quebec, Canada. On that night he faced off with "The Prophet" Jeremy Barnoff, "The Seasoned Veteran" Brick Crawford and "Mr. Wrestling" Kevin Steen for the SWR International Championship in a fatal four way elimination match.  Corino wrestled a few try-out matches for WWE over a span of two days. Dusty Rhodes, Corino's former rival, was hopeful that WWE would sign him, but he was not offered a contract. Corino stated on his MySpace he enjoyed his time with WWE but felt he was too old school for the company. CANNOTANSWER

Question: What did Steve Corino's tour consists of?
Answer: traveled to various federations as a part of the tour.
Steve Corino

Context: After announcing that his retirement would come at the end of 2007, Corino began a retirement tour and traveled to various federations as a part of the tour. On October 6, 2007, Corino captured the B4W North American title in Morganville, New Jersey from then-champion Tommy Thunda.  On November 3, 2007, Corino survived three rounds of an 8-man, single-night tournament in Toronto, Ontario, Canada to become the Union of Independent Professional Wrestlers Heavyweight Champion. He defeated Eddie Osbourne in the first round by pinfall, Pepper Parks in the second round by referee stoppage and "Fabulous" John McChesney in the finals by pinfall following a pair of lariat clotheslines. On November 10, 2007, Corino successfully defended the B4W North American title against Jihad. On November 24 he beat Absolute Andy for the GSW Heavyweight Championship in Oberhausen, Germany which was his very last appearance in Europe.  On December 8, 2007, Corino made his final Northeast appearance for B4W. He lost the North American title to Jihad in a submission match after his protege Ricky Landell had to throw in the towel. Corino won the Platinum Pro Wrestling Heavyweight Title on December 14, 2007 after defeating "The Indy Wrestling Superstar" Erico in front of a sold out crowd in Michigan City, Indiana.  Corino's retirement tour came to an end December 28, 2007, when he wrestled his final match for the Showcase Wrestling Revolution in Montreal, Quebec, Canada. On that night he faced off with "The Prophet" Jeremy Barnoff, "The Seasoned Veteran" Brick Crawford and "Mr. Wrestling" Kevin Steen for the SWR International Championship in a fatal four way elimination match.  Corino wrestled a few try-out matches for WWE over a span of two days. Dusty Rhodes, Corino's former rival, was hopeful that WWE would sign him, but he was not offered a contract. Corino stated on his MySpace he enjoyed his time with WWE but felt he was too old school for the company. CANNOTANSWER

Question: Where did Steve Corino tour?
Answer: On November 3, 2007, Corino survived three rounds of an 8-man, single-night tournament in Toronto, Ontario, Canada
Steve Corino

Context: After announcing that his retirement would come at the end of 2007, Corino began a retirement tour and traveled to various federations as a part of the tour. On October 6, 2007, Corino captured the B4W North American title in Morganville, New Jersey from then-champion Tommy Thunda.  On November 3, 2007, Corino survived three rounds of an 8-man, single-night tournament in Toronto, Ontario, Canada to become the Union of Independent Professional Wrestlers Heavyweight Champion. He defeated Eddie Osbourne in the first round by pinfall, Pepper Parks in the second round by referee stoppage and "Fabulous" John McChesney in the finals by pinfall following a pair of lariat clotheslines. On November 10, 2007, Corino successfully defended the B4W North American title against Jihad. On November 24 he beat Absolute Andy for the GSW Heavyweight Championship in Oberhausen, Germany which was his very last appearance in Europe.  On December 8, 2007, Corino made his final Northeast appearance for B4W. He lost the North American title to Jihad in a submission match after his protege Ricky Landell had to throw in the towel. Corino won the Platinum Pro Wrestling Heavyweight Title on December 14, 2007 after defeating "The Indy Wrestling Superstar" Erico in front of a sold out crowd in Michigan City, Indiana.  Corino's retirement tour came to an end December 28, 2007, when he wrestled his final match for the Showcase Wrestling Revolution in Montreal, Quebec, Canada. On that night he faced off with "The Prophet" Jeremy Barnoff, "The Seasoned Veteran" Brick Crawford and "Mr. Wrestling" Kevin Steen for the SWR International Championship in a fatal four way elimination match.  Corino wrestled a few try-out matches for WWE over a span of two days. Dusty Rhodes, Corino's former rival, was hopeful that WWE would sign him, but he was not offered a contract. Corino stated on his MySpace he enjoyed his time with WWE but felt he was too old school for the company. CANNOTANSWER

Question: Was Steve Corino's tour in Canada successful?
Answer: Corino captured the B4W North American title in Morganville, New Jersey
Steve Corino

Context: After announcing that his retirement would come at the end of 2007, Corino began a retirement tour and traveled to various federations as a part of the tour. On October 6, 2007, Corino captured the B4W North American title in Morganville, New Jersey from then-champion Tommy Thunda.  On November 3, 2007, Corino survived three rounds of an 8-man, single-night tournament in Toronto, Ontario, Canada to become the Union of Independent Professional Wrestlers Heavyweight Champion. He defeated Eddie Osbourne in the first round by pinfall, Pepper Parks in the second round by referee stoppage and "Fabulous" John McChesney in the finals by pinfall following a pair of lariat clotheslines. On November 10, 2007, Corino successfully defended the B4W North American title against Jihad. On November 24 he beat Absolute Andy for the GSW Heavyweight Championship in Oberhausen, Germany which was his very last appearance in Europe.  On December 8, 2007, Corino made his final Northeast appearance for B4W. He lost the North American title to Jihad in a submission match after his protege Ricky Landell had to throw in the towel. Corino won the Platinum Pro Wrestling Heavyweight Title on December 14, 2007 after defeating "The Indy Wrestling Superstar" Erico in front of a sold out crowd in Michigan City, Indiana.  Corino's retirement tour came to an end December 28, 2007, when he wrestled his final match for the Showcase Wrestling Revolution in Montreal, Quebec, Canada. On that night he faced off with "The Prophet" Jeremy Barnoff, "The Seasoned Veteran" Brick Crawford and "Mr. Wrestling" Kevin Steen for the SWR International Championship in a fatal four way elimination match.  Corino wrestled a few try-out matches for WWE over a span of two days. Dusty Rhodes, Corino's former rival, was hopeful that WWE would sign him, but he was not offered a contract. Corino stated on his MySpace he enjoyed his time with WWE but felt he was too old school for the company. CANNOTANSWER

Question: What year was the B4W North American title in Morganville, New Jersey that Cprionn captured?
Answer: On October 6, 2007, Corino captured the B4W North American title in Morganville, New Jersey
Alan White (Oasis drummer)

Context: In early 2004, White surprisingly left Oasis during the early recording sessions for the band's sixth album. According to Oasis' spokesperson, there were some new tracks and demos with White's performances, which were made at the end of 2003 and early 2004 as the very first demos for their upcoming album, before his departure. In an interview, Noel Gallagher alluded to White's personal problems: "He's a ******* great guy, and he's one of the best drummers I've ever met in my life, but his personal life is ******* chaos. In the end he ****** ***, and we haven't seen him since." In an interview on Radio 1 with Chris Moyles (15 August 2008), Noel Gallagher stated that White was "kicked out" of the band.  There is also evidence to suggest that White was upset that his drums were going down so low in the mix on top of the prevalence of drum loops ("Go Let It Out", "Gas Panic!", "The Hindu Times", "Better Man", "Force of Nature"). On one Q&A with Freddie Gee, he had said: "Well, I don't like that my drums get turned down with each successive mix we do of an album, but one mustn't grumble in this band."  White was replaced with Zak Starkey, The Who drummer and the son of The Beatles' Ringo Starr. Ringo particularly was cited as one of White's biggest drumming influences. Due to his departure, the band scrapped the first midway sessions and later suffered some prolonged and difficult recording for Don't Believe the Truth (2005). CANNOTANSWER

Question: What years was Alan White a drummer for oasis?
Answer: In early 2004, White surprisingly left Oasis during the early recording sessions for the band's sixth album.
Alan White (Oasis drummer)

Context: In early 2004, White surprisingly left Oasis during the early recording sessions for the band's sixth album. According to Oasis' spokesperson, there were some new tracks and demos with White's performances, which were made at the end of 2003 and early 2004 as the very first demos for their upcoming album, before his departure. In an interview, Noel Gallagher alluded to White's personal problems: "He's a ******* great guy, and he's one of the best drummers I've ever met in my life, but his personal life is ******* chaos. In the end he ****** ***, and we haven't seen him since." In an interview on Radio 1 with Chris Moyles (15 August 2008), Noel Gallagher stated that White was "kicked out" of the band.  There is also evidence to suggest that White was upset that his drums were going down so low in the mix on top of the prevalence of drum loops ("Go Let It Out", "Gas Panic!", "The Hindu Times", "Better Man", "Force of Nature"). On one Q&A with Freddie Gee, he had said: "Well, I don't like that my drums get turned down with each successive mix we do of an album, but one mustn't grumble in this band."  White was replaced with Zak Starkey, The Who drummer and the son of The Beatles' Ringo Starr. Ringo particularly was cited as one of White's biggest drumming influences. Due to his departure, the band scrapped the first midway sessions and later suffered some prolonged and difficult recording for Don't Believe the Truth (2005). CANNOTANSWER

Question: What did Alan White do after leaving Oasis?
Answer: White was replaced with Zak Starkey, The Who drummer and the son of The Beatles' Ringo Starr. Ringo
Alan White (Oasis drummer)

Context: In early 2004, White surprisingly left Oasis during the early recording sessions for the band's sixth album. According to Oasis' spokesperson, there were some new tracks and demos with White's performances, which were made at the end of 2003 and early 2004 as the very first demos for their upcoming album, before his departure. In an interview, Noel Gallagher alluded to White's personal problems: "He's a ******* great guy, and he's one of the best drummers I've ever met in my life, but his personal life is ******* chaos. In the end he ****** ***, and we haven't seen him since." In an interview on Radio 1 with Chris Moyles (15 August 2008), Noel Gallagher stated that White was "kicked out" of the band.  There is also evidence to suggest that White was upset that his drums were going down so low in the mix on top of the prevalence of drum loops ("Go Let It Out", "Gas Panic!", "The Hindu Times", "Better Man", "Force of Nature"). On one Q&A with Freddie Gee, he had said: "Well, I don't like that my drums get turned down with each successive mix we do of an album, but one mustn't grumble in this band."  White was replaced with Zak Starkey, The Who drummer and the son of The Beatles' Ringo Starr. Ringo particularly was cited as one of White's biggest drumming influences. Due to his departure, the band scrapped the first midway sessions and later suffered some prolonged and difficult recording for Don't Believe the Truth (2005). CANNOTANSWER

Question: What happened after Alan White was replaced by Ringo Star?
Answer: Due to his departure, the band scrapped the first midway sessions and later suffered some prolonged and difficult recording
Alan White (Oasis drummer)

Context: In early 2004, White surprisingly left Oasis during the early recording sessions for the band's sixth album. According to Oasis' spokesperson, there were some new tracks and demos with White's performances, which were made at the end of 2003 and early 2004 as the very first demos for their upcoming album, before his departure. In an interview, Noel Gallagher alluded to White's personal problems: "He's a ******* great guy, and he's one of the best drummers I've ever met in my life, but his personal life is ******* chaos. In the end he ****** ***, and we haven't seen him since." In an interview on Radio 1 with Chris Moyles (15 August 2008), Noel Gallagher stated that White was "kicked out" of the band.  There is also evidence to suggest that White was upset that his drums were going down so low in the mix on top of the prevalence of drum loops ("Go Let It Out", "Gas Panic!", "The Hindu Times", "Better Man", "Force of Nature"). On one Q&A with Freddie Gee, he had said: "Well, I don't like that my drums get turned down with each successive mix we do of an album, but one mustn't grumble in this band."  White was replaced with Zak Starkey, The Who drummer and the son of The Beatles' Ringo Starr. Ringo particularly was cited as one of White's biggest drumming influences. Due to his departure, the band scrapped the first midway sessions and later suffered some prolonged and difficult recording for Don't Believe the Truth (2005). CANNOTANSWER

Question: Did Oasis continue to have problems after Alan White's departure?
Answer: CANNOTANSWER
Alan White (Oasis drummer)

Context: In early 2004, White surprisingly left Oasis during the early recording sessions for the band's sixth album. According to Oasis' spokesperson, there were some new tracks and demos with White's performances, which were made at the end of 2003 and early 2004 as the very first demos for their upcoming album, before his departure. In an interview, Noel Gallagher alluded to White's personal problems: "He's a ******* great guy, and he's one of the best drummers I've ever met in my life, but his personal life is ******* chaos. In the end he ****** ***, and we haven't seen him since." In an interview on Radio 1 with Chris Moyles (15 August 2008), Noel Gallagher stated that White was "kicked out" of the band.  There is also evidence to suggest that White was upset that his drums were going down so low in the mix on top of the prevalence of drum loops ("Go Let It Out", "Gas Panic!", "The Hindu Times", "Better Man", "Force of Nature"). On one Q&A with Freddie Gee, he had said: "Well, I don't like that my drums get turned down with each successive mix we do of an album, but one mustn't grumble in this band."  White was replaced with Zak Starkey, The Who drummer and the son of The Beatles' Ringo Starr. Ringo particularly was cited as one of White's biggest drumming influences. Due to his departure, the band scrapped the first midway sessions and later suffered some prolonged and difficult recording for Don't Believe the Truth (2005). CANNOTANSWER

Question: What happened after Oasis's recording troubles?
Answer: CANNOTANSWER
Thalía

Context: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties).  In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco.  In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America. CANNOTANSWER

Question: What is the name of Thalia's first album as a solo artist?
Answer: Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia,
Thalía

Context: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties).  In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco.  In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America. CANNOTANSWER

Question: When did Thalia release the self-titled studio album Thalia?
Answer: 1990,
Thalía

Context: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties).  In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco.  In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America. CANNOTANSWER

Question: Did the album Thalia contain any hits?
Answer: From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva".
Thalía

Context: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties).  In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco.  In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America. CANNOTANSWER

Question: Did Thalia record any albums after Thalia?
Answer: 1991,
Thalía

Context: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties).  In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco.  In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America. CANNOTANSWER

Question: What album Thalia record in 1991?
Answer: Mundo de cristal,
Thalía

Context: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties).  In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco.  In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America. CANNOTANSWER

Question: Was Thalia's album Mundo de Cristal successful?
Answer: the album was certified as double gold in Thalia's native country, Mexico.
Thalía

Context: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties).  In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco.  In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America. CANNOTANSWER

Question: Did Thalia make any songs after Mundo de Cristal?
Answer: In October 1992, she released her third studio album
Thalía

Context: In 1990, Thalia returned to Mexico and released her first studio album as a solo artist, self-titled Thalia, which was produced by Alfredo Diaz Ordaz, and published by Fonovisa, Televisa's record label. From that album, she released a total of four singles that became huge radio hits : "Amarillo Azul", "Pienso en Ti", "Un Pacto Entre Los Dos" and "Saliva". The last two tracks were co-written by her and Diaz Ordaz and they were considered as provocative at the time ("Un Pacto Entre Los Dos" was even labeled as a song with occult Satan-worship lyrics by various far-right parties).  In September 1991, Thalia released her second studio album, Mundo de cristal, which marks Thalia's last project in collaboration with Alfredo Diaz Ordaz. Four songs became radio singles from the album, and all of them had big radio impact in Mexico. Due to the success of the singles, the album was certified as double gold in Thalia's native country, Mexico. In the same year, Thalia was co-presenter of the late Spanish show VIP Noche, along with Spanish presenter Emilio Aragon, produced by Telecinco.  In October 1992, she released her third studio album and her last under the same label, entitled Love, which was recorded in Spain and it was produced by Luis Carlos Esteban. The album spread six singles, that had huge radio impact: "Sangre", "Love", "No Trates de Enganarme", "Flor de Juventud", "Maria Mercedes" (official theme of the TV series), and "La Vida en Rosa" (La vie en rose), the last one being a Spanish-French cover of the classic French song originally performed by Edith Piaf. Thalia wrote the song "Sangre" inspired in Diaz Ordaz, with whom she had broken up her sentimental relation. The album was praised by the critics, as it was an artistic evolution for Thalia, who experimented for the first time in different music genres, especially electronic music. The album reached number 15 on Billboard's Latin Pop Albums in 1993. In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification, while it was a commercial success all over Latin America. CANNOTANSWER

Question: Was Thalia's third studio album also successful?
Answer: In Mexico, it sold over 200,000 copies in the first month upon its release and very soon it reached the platinum and gold certification,
Edward de Vere, 17th Earl of Oxford

Context: On 12 April 1571, de Vere attained his majority and took his seat in the House of Lords. Great expectations attended his coming of age; Sir George Buck recalled predictions that 'he was much more like ... to acquire a new erldome then to wast & lose an old erldom', a prophecy that was never fulfilled.  Although formal certification of his freedom from Burghley's control was deferred until May 1572, de Vere was finally granted the income of PS666 which his father had intended him to have earlier, but properties set aside to pay his father's debts would not come his way for another decade. During his minority as the Queen's ward, one third of his estate had already reverted to the Crown, much of which Elizabeth had long since settled on Robert Dudley. Elizabeth demanded a further payment of PS3,000 for overseeing the wardship and a further PS4,000 for suing his livery. De Vere pledged double the amount if he failed to pay when it fell due, effectively risking a total obligation of PS21,000.  By 1571, de Vere was a court favourite of Elizabeth's. In May, he participated in the three-day tilt, tourney and barrier, where although he did not win he was given chief honours in celebration of the attainment of his majority, his prowess winning admiring comments from spectators. In August, de Vere attended Paul de Foix, who had come to England to negotiate a marriage between Elizabeth and the Duke of Anjou, the future King Henry III of France. His published poetry dates from this period and, along with Edward Dyer he was one of the first courtiers to introduce vernacular verse to the court. CANNOTANSWER

Question: What was going on in Edward de Vere's life during his teenage years
Answer: By 1571, de Vere was a court favourite of Elizabeth's. In May, he participated in the three-day tilt, tourney and barrier,
Edward de Vere, 17th Earl of Oxford

Context: On 12 April 1571, de Vere attained his majority and took his seat in the House of Lords. Great expectations attended his coming of age; Sir George Buck recalled predictions that 'he was much more like ... to acquire a new erldome then to wast & lose an old erldom', a prophecy that was never fulfilled.  Although formal certification of his freedom from Burghley's control was deferred until May 1572, de Vere was finally granted the income of PS666 which his father had intended him to have earlier, but properties set aside to pay his father's debts would not come his way for another decade. During his minority as the Queen's ward, one third of his estate had already reverted to the Crown, much of which Elizabeth had long since settled on Robert Dudley. Elizabeth demanded a further payment of PS3,000 for overseeing the wardship and a further PS4,000 for suing his livery. De Vere pledged double the amount if he failed to pay when it fell due, effectively risking a total obligation of PS21,000.  By 1571, de Vere was a court favourite of Elizabeth's. In May, he participated in the three-day tilt, tourney and barrier, where although he did not win he was given chief honours in celebration of the attainment of his majority, his prowess winning admiring comments from spectators. In August, de Vere attended Paul de Foix, who had come to England to negotiate a marriage between Elizabeth and the Duke of Anjou, the future King Henry III of France. His published poetry dates from this period and, along with Edward Dyer he was one of the first courtiers to introduce vernacular verse to the court. CANNOTANSWER

Question: What is a tilt?
Answer: where although he did not win he was given chief honours in celebration of the attainment of his majority, his prowess winning admiring comments from spectators.
Edward de Vere, 17th Earl of Oxford

Context: On 12 April 1571, de Vere attained his majority and took his seat in the House of Lords. Great expectations attended his coming of age; Sir George Buck recalled predictions that 'he was much more like ... to acquire a new erldome then to wast & lose an old erldom', a prophecy that was never fulfilled.  Although formal certification of his freedom from Burghley's control was deferred until May 1572, de Vere was finally granted the income of PS666 which his father had intended him to have earlier, but properties set aside to pay his father's debts would not come his way for another decade. During his minority as the Queen's ward, one third of his estate had already reverted to the Crown, much of which Elizabeth had long since settled on Robert Dudley. Elizabeth demanded a further payment of PS3,000 for overseeing the wardship and a further PS4,000 for suing his livery. De Vere pledged double the amount if he failed to pay when it fell due, effectively risking a total obligation of PS21,000.  By 1571, de Vere was a court favourite of Elizabeth's. In May, he participated in the three-day tilt, tourney and barrier, where although he did not win he was given chief honours in celebration of the attainment of his majority, his prowess winning admiring comments from spectators. In August, de Vere attended Paul de Foix, who had come to England to negotiate a marriage between Elizabeth and the Duke of Anjou, the future King Henry III of France. His published poetry dates from this period and, along with Edward Dyer he was one of the first courtiers to introduce vernacular verse to the court. CANNOTANSWER

Question: Did Edward de Vere gain power in his country?
Answer: CANNOTANSWER