gaussalgo/Canard_Wiki-augmented huggingface dataset:
Ada Lovelace

Context: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:  [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.  This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.  According to the historian of computing and Babbage specialist Doron Swade:  Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper. CANNOTANSWER

Question: Any special recognition or works for Ada Lovelace?
Answer: CANNOTANSWER
Ada Lovelace

Context: In her notes, Lovelace emphasised the difference between the Analytical Engine and previous calculating machines, particularly its ability to be programmed to solve problems of any complexity. She realised the potential of the device extended far beyond mere number crunching. In her notes, she wrote:  [The Analytical Engine] might act upon other things besides number, were objects found whose mutual fundamental relations could be expressed by those of the abstract science of operations, and which should be also susceptible of adaptations to the action of the operating notation and mechanism of the engine...Supposing, for instance, that the fundamental relations of pitched sounds in the science of harmony and of musical composition were susceptible of such expression and adaptations, the engine might compose elaborate and scientific pieces of music of any degree of complexity or extent.  This analysis was an important development from previous ideas about the capabilities of computing devices and anticipated the implications of modern computing one hundred years before they were realised. Walter Isaacson ascribes Lovelace's insight regarding the application of computing to any process based on logical symbols to an observation about textiles: "When she saw some mechanical looms that used punchcards to direct the weaving of beautiful patterns, it reminded her of how Babbage's engine used punched cards to make calculations." This insight is seen as significant by writers such as Betty Toole and Benjamin Woolley, as well as the programmer John Graham-Cumming, whose project Plan 28 has the aim of constructing the first complete Analytical Engine.  According to the historian of computing and Babbage specialist Doron Swade:  Ada saw something that Babbage in some sense failed to see. In Babbage's world his engines were bound by number...What Lovelace saw--what Ada Byron saw--was that number could represent entities other than quantity. So once you had a machine for manipulating numbers, if those numbers represented other things, letters, musical notes, then the machine could manipulate symbols of which number was one instance, according to rules. It is this fundamental transition from a machine which is a number cruncher to a machine for manipulating symbols according to rules that is the fundamental transition from calculation to computation--to general-purpose computation--and looking back from the present high ground of modern computing, if we are looking and sifting history for that transition, then that transition was made explicitly by Ada in that 1843 paper. CANNOTANSWER

Question: What work did Ada Lovelace do?
Answer: CANNOTANSWER
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: When was Georgette Heyer born?
Answer: Heyer was born in Wimbledon, London, in 1902.
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: Did Georgette Heyer have siblings?
Answer: Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her.
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: any information about Georgette Heyer's parents?
Answer: Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music.
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: Where did Georgette Heyer grow up?
Answer: For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914.
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: what did Georgette Heyer's father do?
Answer: During the war, her father served as a requisitions officer for the British Army in France.
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: what did Georgette Heyer do for a living in early life?
Answer: Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books.
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: Did Georgette Heyer write any books?
Answer: When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: Did Georgette Heyer's brother Boris like her stories?
Answer: CANNOTANSWER
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: were Georgette Heyer's stories published?
Answer: agent found a publisher for her book, and The Black Moth,
Georgette Heyer

Context: Heyer was born in Wimbledon, London, in 1902. She was named after her father, George Heyer. Her mother, Sylvia Watkins, studied both cello and piano and was one of the top three students in her class at the Royal College of Music. Heyer's paternal grandfather had emigrated from Russia, while her maternal grandparents owned tugboats on the River Thames.  Heyer was the eldest of three children; her brothers George Boris (known as Boris) and Frank were four and nine years younger than her. For part of her childhood, the family lived in Paris but they returned to England shortly after World War I broke out in 1914. Although the family's surname had been pronounced "higher", the advent of war led her father to switch to the pronunciation "hair" so they would not be mistaken for Germans. During the war, her father served as a requisitions officer for the British Army in France. After the war ended he was appointed a Member of the Order of the British Empire (MBE). He left the army in 1920 with the rank of captain, taught at King's College London and sometimes wrote for The Granta.  George Heyer strongly encouraged his children to read and never forbade any book. Georgette read widely and often met with her friends Joanna Cannan and Carola Oman to discuss books. Heyer and Oman later shared their works-in-progress with each other and offered criticism.  When she was 17, Heyer began a serial story to amuse her brother Boris, who suffered from a form of haemophilia and was often weak. Her father enjoyed listening to her story and asked her to prepare it for publication. His agent found a publisher for her book, and The Black Moth, about the adventures of a young man who took responsibility for his brother's card-cheating, was released in 1921. According to her biographer Jane Aiken Hodge, the novel contained many of the elements that would become standard for Heyer's novels, the "saturnine male lead, the marriage in danger, the extravagant wife, and the group of idle, entertaining young men". The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine. CANNOTANSWER

Question: were there other stories by Georgette Heyer, besides The Black Moth?
Answer: The following year one of her contemporary short stories, "A Proposal to Cicely", was published in Happy Magazine.
Adam Clayton

Context: As a bass player, Clayton's most recognizable basslines include "New Year's Day", which evolved out of an attempt to play Visage's song "Fade to Grey", and "With or Without You". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style.  When Clayton first joined the fledgling U2, he did not have formal training in the bass. In the band's early years, he generally played simple parts in 4/4 time, usually strings of steady 8th notes. Bono said of Clayton's early bass playing, "Adam used to pretend he could play bass. He came round and started using words like 'action' and 'fret' and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he's talking about. And then one day, we discovered he wasn't playing the right notes. That's what's wrong, y'know?" His style has remained subtle and primarily supportive, but gradually become more sophisticated by integrating elements of Motown R&B and reggae and by offering more variety in his basslines.  Clayton has sung on some occasions, including on the song "Endless Deep", the B-side to the single "Two Hearts Beat As One" from 1983. Clayton also sang backup vocals on "I Will Follow" during live performances in 1983 and 1984. He also spoke the last verse of "Your Blue Room". Clayton can be heard speaking on "Tomorrow ('96 Version)" (a rerecording of "Tomorrow" that he arranged) a song from U2's 1981 album October. He plays the guitar on a few occasions, most notably the song "40", where he and guitarist The Edge switch instruments. He also plays the keyboards on "City of Blinding Lights" and "Iris (Hold Me Close)". CANNOTANSWER

Question: What was notable about Adam Clayton's style?
Answer: ". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style.
Adam Clayton

Context: As a bass player, Clayton's most recognizable basslines include "New Year's Day", which evolved out of an attempt to play Visage's song "Fade to Grey", and "With or Without You". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style.  When Clayton first joined the fledgling U2, he did not have formal training in the bass. In the band's early years, he generally played simple parts in 4/4 time, usually strings of steady 8th notes. Bono said of Clayton's early bass playing, "Adam used to pretend he could play bass. He came round and started using words like 'action' and 'fret' and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he's talking about. And then one day, we discovered he wasn't playing the right notes. That's what's wrong, y'know?" His style has remained subtle and primarily supportive, but gradually become more sophisticated by integrating elements of Motown R&B and reggae and by offering more variety in his basslines.  Clayton has sung on some occasions, including on the song "Endless Deep", the B-side to the single "Two Hearts Beat As One" from 1983. Clayton also sang backup vocals on "I Will Follow" during live performances in 1983 and 1984. He also spoke the last verse of "Your Blue Room". Clayton can be heard speaking on "Tomorrow ('96 Version)" (a rerecording of "Tomorrow" that he arranged) a song from U2's 1981 album October. He plays the guitar on a few occasions, most notably the song "40", where he and guitarist The Edge switch instruments. He also plays the keyboards on "City of Blinding Lights" and "Iris (Hold Me Close)". CANNOTANSWER

Question: Besides Adam Clayton's Motown and reggae influences, and cites artists such as Paul Simonon, does Clayton have other influences?
Answer: As a bass player, Clayton's most recognizable basslines include "New Year's Day", which evolved out of an attempt to play Visage's song "Fade to Grey",
Adam Clayton

Context: As a bass player, Clayton's most recognizable basslines include "New Year's Day", which evolved out of an attempt to play Visage's song "Fade to Grey", and "With or Without You". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style.  When Clayton first joined the fledgling U2, he did not have formal training in the bass. In the band's early years, he generally played simple parts in 4/4 time, usually strings of steady 8th notes. Bono said of Clayton's early bass playing, "Adam used to pretend he could play bass. He came round and started using words like 'action' and 'fret' and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he's talking about. And then one day, we discovered he wasn't playing the right notes. That's what's wrong, y'know?" His style has remained subtle and primarily supportive, but gradually become more sophisticated by integrating elements of Motown R&B and reggae and by offering more variety in his basslines.  Clayton has sung on some occasions, including on the song "Endless Deep", the B-side to the single "Two Hearts Beat As One" from 1983. Clayton also sang backup vocals on "I Will Follow" during live performances in 1983 and 1984. He also spoke the last verse of "Your Blue Room". Clayton can be heard speaking on "Tomorrow ('96 Version)" (a rerecording of "Tomorrow" that he arranged) a song from U2's 1981 album October. He plays the guitar on a few occasions, most notably the song "40", where he and guitarist The Edge switch instruments. He also plays the keyboards on "City of Blinding Lights" and "Iris (Hold Me Close)". CANNOTANSWER

Question: Besides Adam Clayton's influences, are there any interesting aspects about the article?
Answer: When Clayton first joined the fledgling U2, he did not have formal training in the bass.
Adam Clayton

Context: As a bass player, Clayton's most recognizable basslines include "New Year's Day", which evolved out of an attempt to play Visage's song "Fade to Grey", and "With or Without You". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style.  When Clayton first joined the fledgling U2, he did not have formal training in the bass. In the band's early years, he generally played simple parts in 4/4 time, usually strings of steady 8th notes. Bono said of Clayton's early bass playing, "Adam used to pretend he could play bass. He came round and started using words like 'action' and 'fret' and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he's talking about. And then one day, we discovered he wasn't playing the right notes. That's what's wrong, y'know?" His style has remained subtle and primarily supportive, but gradually become more sophisticated by integrating elements of Motown R&B and reggae and by offering more variety in his basslines.  Clayton has sung on some occasions, including on the song "Endless Deep", the B-side to the single "Two Hearts Beat As One" from 1983. Clayton also sang backup vocals on "I Will Follow" during live performances in 1983 and 1984. He also spoke the last verse of "Your Blue Room". Clayton can be heard speaking on "Tomorrow ('96 Version)" (a rerecording of "Tomorrow" that he arranged) a song from U2's 1981 album October. He plays the guitar on a few occasions, most notably the song "40", where he and guitarist The Edge switch instruments. He also plays the keyboards on "City of Blinding Lights" and "Iris (Hold Me Close)". CANNOTANSWER

Question: When did Adam Clayton get formal training?
Answer: In the band's early years, he generally played simple parts in 4/4 time, usually strings of steady 8th notes. Bono said of Clayton's early bass playing,
Adam Clayton

Context: As a bass player, Clayton's most recognizable basslines include "New Year's Day", which evolved out of an attempt to play Visage's song "Fade to Grey", and "With or Without You". His style includes Motown and reggae influences, and cites artists such as Paul Simonon of The Clash as influences on his musical style.  When Clayton first joined the fledgling U2, he did not have formal training in the bass. In the band's early years, he generally played simple parts in 4/4 time, usually strings of steady 8th notes. Bono said of Clayton's early bass playing, "Adam used to pretend he could play bass. He came round and started using words like 'action' and 'fret' and he had us baffled. He had the only amplifier, so we never argued with him. We thought this guy must be a musician; he knows what he's talking about. And then one day, we discovered he wasn't playing the right notes. That's what's wrong, y'know?" His style has remained subtle and primarily supportive, but gradually become more sophisticated by integrating elements of Motown R&B and reggae and by offering more variety in his basslines.  Clayton has sung on some occasions, including on the song "Endless Deep", the B-side to the single "Two Hearts Beat As One" from 1983. Clayton also sang backup vocals on "I Will Follow" during live performances in 1983 and 1984. He also spoke the last verse of "Your Blue Room". Clayton can be heard speaking on "Tomorrow ('96 Version)" (a rerecording of "Tomorrow" that he arranged) a song from U2's 1981 album October. He plays the guitar on a few occasions, most notably the song "40", where he and guitarist The Edge switch instruments. He also plays the keyboards on "City of Blinding Lights" and "Iris (Hold Me Close)". CANNOTANSWER

Question: Did Adam Clayton ever take on another role besides bass playing?
Answer: He plays the guitar on a few occasions, most notably the song "40", where he and guitarist The Edge switch instruments.
Johnny Unitas

Context: The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0.  Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers.  Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

Question: How did the Colts do during the 1964 season?
Answer: the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game,
Johnny Unitas

Context: The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0.  Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers.  Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

Question: What was the Colts overall score for the 1964 season?
Answer: CANNOTANSWER
Johnny Unitas

Context: The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0.  Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers.  Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

Question: How did Unitas do during the 1964 season?
Answer: the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing,
Johnny Unitas

Context: The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0.  Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers.  Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

Question: Did Unitas receive any recognition for Colt's success in the 1964 season?
Answer: He was named the NFL's Most Valuable Player by the AP and UPI for a second time.
Johnny Unitas

Context: The 1964 season would see the Colts return to the top of the Western Conference. After dropping their season opener to the Minnesota Vikings, the Colts ran off 10 straight victories to finish with a 12-2 record. The season was one of Unitas' best as he finished with 2,824 yards passing, a league-best 9.26 yards per pass attempt, 19 touchdown passes and only 6 interceptions. He was named the NFL's Most Valuable Player by the AP and UPI for a second time. However, the season would end on a disappointing note for the Colts as they were upset by the Cleveland Browns in the 1964 NFL Championship Game, losing 27-0.  Unitas resumed his torrid passing in 1965, as he threw for 2,530 yards, 23 touchdowns and finished with a league-high and career best 97.1 passer rating. But he was lost for the balance of the season due to a knee injury in a week 12 loss to the Bears. More postseason heartbreak would follow in 1965. The Colts and Packers finished in a tie for first place in the Western Conference and a one-game playoff was played in Green Bay to decide who would be the conference representative in the 1965 NFL Championship Game. The Colts lost in overtime 13-10 due in large part to a game-tying field goal by Don Chandler that many say was incorrectly ruled good. Backup quarterback Gary Cuozzo also suffered a season-ending injury the following week and it would be running back Tom Matte who filled in as the emergency QB for the regular-season finale and the playoff loss to the Packers.  Unitas, healthy once more, threw for 2748 yards and 22 touchdowns in 1966 in a return to Pro Bowl form. However, he posted a league-high 24 interceptions. CANNOTANSWER

Question: Did Unitas have any shortcomings during the 1964 season?
Answer: CANNOTANSWER