gaussalgo/Canard_Wiki-augmented huggingface dataset:
Henryk Górecki

Context: The first public performances of Gorecki's music in Katowice in February 1958 programmed works clearly displaying the influence of Szymanowski and Bartok. The Silesian State Philharmonic in Katowice held a concert devoted entirely to the 24-year-old Gorecki's music. The event led to a commission to write for the Warsaw Autumn Festival. The Epitafium ("Epitaph") he submitted marked a new phase in his development as a composer, and was described as representing "the most colourful and vibrant expression of the new Polish wave". The Festival announced the composer's arrival on the international scene, and he quickly became a favorite of the West's avant-garde musical elite. Writing in 1991, the music critic James Wierzbicki described how that at this time "Gorecki was seen as a Polish heir to the new aesthetic of post-Webernian serialism; with his taut structures, lean orchestrations and painstaking concern for the logical ordering of pitches".  Gorecki wrote his First Symphony in 1959, and graduated with honours from the Academy the following year. At the 1960 Warsaw Autumn Festival, his Scontri, written for orchestra, caused a sensation among critics due to its use of sharp contrasts and harsh articulations. By 1961, Gorecki was at the forefront of the Polish avant-garde, having absorbed the modernism of Anton Webern, Iannis Xenakis and Pierre Boulez, and his Symphony No. 1 gained international acclaim at the Paris Biennial Festival of Youth. Gorecki moved to Paris to continue his studies, and while there was influenced by contemporaries including Olivier Messiaen, Roman Palester, and Karlheinz Stockhausen.  He began to lecture at the Academy of Music in Katowice in 1968, where he taught score-reading, orchestration and composition. In 1972, he was promoted to assistant professor, and developed a fearsome reputation among his students for his often blunt personality. According to the Polish composer Rafal Augustyn, "When I began to study under Gorecki it felt as if someone had dumped a pail of ice-cold water over my head. He could be ruthless in his opinions. The weak fell by the wayside but those who graduated under him became, without exception, respected composers". Gorecki admits, "For quite a few years, I was a pedagogue, a teacher in the music academy, and my students would ask me many, many things, including how to write and what to write. I always answered this way: If you can live without music for 2 or 3 days, then don't write...It might be better to spend time with a girl or with a beer...If you cannot live without music, then write." Due to his commitments as a teacher and also because of bouts of ill health, he composed only intermittently during this period. CANNOTANSWER

Question: Did Henryk Gorecki perform in any festivals?
Answer: led to a commission to write for the Warsaw Autumn Festival.
Henryk Górecki

Context: The first public performances of Gorecki's music in Katowice in February 1958 programmed works clearly displaying the influence of Szymanowski and Bartok. The Silesian State Philharmonic in Katowice held a concert devoted entirely to the 24-year-old Gorecki's music. The event led to a commission to write for the Warsaw Autumn Festival. The Epitafium ("Epitaph") he submitted marked a new phase in his development as a composer, and was described as representing "the most colourful and vibrant expression of the new Polish wave". The Festival announced the composer's arrival on the international scene, and he quickly became a favorite of the West's avant-garde musical elite. Writing in 1991, the music critic James Wierzbicki described how that at this time "Gorecki was seen as a Polish heir to the new aesthetic of post-Webernian serialism; with his taut structures, lean orchestrations and painstaking concern for the logical ordering of pitches".  Gorecki wrote his First Symphony in 1959, and graduated with honours from the Academy the following year. At the 1960 Warsaw Autumn Festival, his Scontri, written for orchestra, caused a sensation among critics due to its use of sharp contrasts and harsh articulations. By 1961, Gorecki was at the forefront of the Polish avant-garde, having absorbed the modernism of Anton Webern, Iannis Xenakis and Pierre Boulez, and his Symphony No. 1 gained international acclaim at the Paris Biennial Festival of Youth. Gorecki moved to Paris to continue his studies, and while there was influenced by contemporaries including Olivier Messiaen, Roman Palester, and Karlheinz Stockhausen.  He began to lecture at the Academy of Music in Katowice in 1968, where he taught score-reading, orchestration and composition. In 1972, he was promoted to assistant professor, and developed a fearsome reputation among his students for his often blunt personality. According to the Polish composer Rafal Augustyn, "When I began to study under Gorecki it felt as if someone had dumped a pail of ice-cold water over my head. He could be ruthless in his opinions. The weak fell by the wayside but those who graduated under him became, without exception, respected composers". Gorecki admits, "For quite a few years, I was a pedagogue, a teacher in the music academy, and my students would ask me many, many things, including how to write and what to write. I always answered this way: If you can live without music for 2 or 3 days, then don't write...It might be better to spend time with a girl or with a beer...If you cannot live without music, then write." Due to his commitments as a teacher and also because of bouts of ill health, he composed only intermittently during this period. CANNOTANSWER

Question: Aside from information about Henryk Gorecki's early performances, are there any other interesting aspects about this article?
Answer: Gorecki wrote his First Symphony in 1959, and graduated with honours from the Academy the following year.
Henryk Górecki

Context: The first public performances of Gorecki's music in Katowice in February 1958 programmed works clearly displaying the influence of Szymanowski and Bartok. The Silesian State Philharmonic in Katowice held a concert devoted entirely to the 24-year-old Gorecki's music. The event led to a commission to write for the Warsaw Autumn Festival. The Epitafium ("Epitaph") he submitted marked a new phase in his development as a composer, and was described as representing "the most colourful and vibrant expression of the new Polish wave". The Festival announced the composer's arrival on the international scene, and he quickly became a favorite of the West's avant-garde musical elite. Writing in 1991, the music critic James Wierzbicki described how that at this time "Gorecki was seen as a Polish heir to the new aesthetic of post-Webernian serialism; with his taut structures, lean orchestrations and painstaking concern for the logical ordering of pitches".  Gorecki wrote his First Symphony in 1959, and graduated with honours from the Academy the following year. At the 1960 Warsaw Autumn Festival, his Scontri, written for orchestra, caused a sensation among critics due to its use of sharp contrasts and harsh articulations. By 1961, Gorecki was at the forefront of the Polish avant-garde, having absorbed the modernism of Anton Webern, Iannis Xenakis and Pierre Boulez, and his Symphony No. 1 gained international acclaim at the Paris Biennial Festival of Youth. Gorecki moved to Paris to continue his studies, and while there was influenced by contemporaries including Olivier Messiaen, Roman Palester, and Karlheinz Stockhausen.  He began to lecture at the Academy of Music in Katowice in 1968, where he taught score-reading, orchestration and composition. In 1972, he was promoted to assistant professor, and developed a fearsome reputation among his students for his often blunt personality. According to the Polish composer Rafal Augustyn, "When I began to study under Gorecki it felt as if someone had dumped a pail of ice-cold water over my head. He could be ruthless in his opinions. The weak fell by the wayside but those who graduated under him became, without exception, respected composers". Gorecki admits, "For quite a few years, I was a pedagogue, a teacher in the music academy, and my students would ask me many, many things, including how to write and what to write. I always answered this way: If you can live without music for 2 or 3 days, then don't write...It might be better to spend time with a girl or with a beer...If you cannot live without music, then write." Due to his commitments as a teacher and also because of bouts of ill health, he composed only intermittently during this period. CANNOTANSWER

Question: Did Henryk Gorecki win any awards?
Answer: CANNOTANSWER
Rohingya people

Context: Those who identify as Rohingyas typically reside in the northernmost townships of Arakan bordering Bangladesh where they form 80-98% of the population. A typical Rohingya family has four or five surviving children but numbers up to twenty eight have been recorded in rare cases. Rohingyas have 46% more children than Myanmar's national average. As of 2014, about 1.3 million Rohingyas live in Myanmar and an estimated 1 million overseas. They form 40% of Rakhine State's population or 60% if overseas population is included. As of December 2016, 1 in 7 stateless persons worldwide are Rohingya per United Nations figures, and the Rohingya are the world's largest stateless community.  Prior to the 2015 Rohingya refugee crisis and the military crackdown in 2016 and 2017, the Rohingya population in Myanmar was around 1.1 to 1.3 million They reside mainly in the northern Rakhine townships, where they form 80-98% of the population. Many Rohingyas have fled to southeastern Bangladesh, where there are over 900,000 refugees, as well as to India, Thailand, Malaysia, Indonesia, Saudi Arabia and Pakistan. More than 100,000 Rohingyas in Myanmar live in camps for internally displaced persons, and the authorities do not allow them to leave.  The following table shows the statistics of Muslim population in Arakan. The data is for all Muslims in Arakan (Rakhine), regardless of ethnicity. The data for Burmese 1802 census is taken from a book by J. S. Furnivall. The British censuses classified immigrants from Chittagong as Bengalis. There were a small number of immigrants from other parts of India. The 1941 census was lost during the war. The 1983 census conducted under the Ne Win's government omitted people in volatile regions. It is unclear how many were missed. British era censuses can be found at Digital Library of India. CANNOTANSWER

Question: What are some of the demographics of the Rohingya people?
Answer: Those who identify as Rohingyas typically reside in the northernmost townships of Arakan bordering Bangladesh where they form 80-98% of the population.
Rohingya people

Context: Those who identify as Rohingyas typically reside in the northernmost townships of Arakan bordering Bangladesh where they form 80-98% of the population. A typical Rohingya family has four or five surviving children but numbers up to twenty eight have been recorded in rare cases. Rohingyas have 46% more children than Myanmar's national average. As of 2014, about 1.3 million Rohingyas live in Myanmar and an estimated 1 million overseas. They form 40% of Rakhine State's population or 60% if overseas population is included. As of December 2016, 1 in 7 stateless persons worldwide are Rohingya per United Nations figures, and the Rohingya are the world's largest stateless community.  Prior to the 2015 Rohingya refugee crisis and the military crackdown in 2016 and 2017, the Rohingya population in Myanmar was around 1.1 to 1.3 million They reside mainly in the northern Rakhine townships, where they form 80-98% of the population. Many Rohingyas have fled to southeastern Bangladesh, where there are over 900,000 refugees, as well as to India, Thailand, Malaysia, Indonesia, Saudi Arabia and Pakistan. More than 100,000 Rohingyas in Myanmar live in camps for internally displaced persons, and the authorities do not allow them to leave.  The following table shows the statistics of Muslim population in Arakan. The data is for all Muslims in Arakan (Rakhine), regardless of ethnicity. The data for Burmese 1802 census is taken from a book by J. S. Furnivall. The British censuses classified immigrants from Chittagong as Bengalis. There were a small number of immigrants from other parts of India. The 1941 census was lost during the war. The 1983 census conducted under the Ne Win's government omitted people in volatile regions. It is unclear how many were missed. British era censuses can be found at Digital Library of India. CANNOTANSWER

Question: What else is notable about the Rohingya people other than the borders?
Answer: A typical Rohingya family has four or five surviving children but numbers up to twenty eight have been recorded in rare cases.
Rohingya people

Context: Those who identify as Rohingyas typically reside in the northernmost townships of Arakan bordering Bangladesh where they form 80-98% of the population. A typical Rohingya family has four or five surviving children but numbers up to twenty eight have been recorded in rare cases. Rohingyas have 46% more children than Myanmar's national average. As of 2014, about 1.3 million Rohingyas live in Myanmar and an estimated 1 million overseas. They form 40% of Rakhine State's population or 60% if overseas population is included. As of December 2016, 1 in 7 stateless persons worldwide are Rohingya per United Nations figures, and the Rohingya are the world's largest stateless community.  Prior to the 2015 Rohingya refugee crisis and the military crackdown in 2016 and 2017, the Rohingya population in Myanmar was around 1.1 to 1.3 million They reside mainly in the northern Rakhine townships, where they form 80-98% of the population. Many Rohingyas have fled to southeastern Bangladesh, where there are over 900,000 refugees, as well as to India, Thailand, Malaysia, Indonesia, Saudi Arabia and Pakistan. More than 100,000 Rohingyas in Myanmar live in camps for internally displaced persons, and the authorities do not allow them to leave.  The following table shows the statistics of Muslim population in Arakan. The data is for all Muslims in Arakan (Rakhine), regardless of ethnicity. The data for Burmese 1802 census is taken from a book by J. S. Furnivall. The British censuses classified immigrants from Chittagong as Bengalis. There were a small number of immigrants from other parts of India. The 1941 census was lost during the war. The 1983 census conducted under the Ne Win's government omitted people in volatile regions. It is unclear how many were missed. British era censuses can be found at Digital Library of India. CANNOTANSWER

Question: What other interesting demographics are discussed about the Rohingya people other than their family size?
Answer: Rohingyas have 46% more children than Myanmar's national average. As of 2014, about 1.3 million Rohingyas live in Myanmar and an estimated 1 million overseas.
Rohingya people

Context: Those who identify as Rohingyas typically reside in the northernmost townships of Arakan bordering Bangladesh where they form 80-98% of the population. A typical Rohingya family has four or five surviving children but numbers up to twenty eight have been recorded in rare cases. Rohingyas have 46% more children than Myanmar's national average. As of 2014, about 1.3 million Rohingyas live in Myanmar and an estimated 1 million overseas. They form 40% of Rakhine State's population or 60% if overseas population is included. As of December 2016, 1 in 7 stateless persons worldwide are Rohingya per United Nations figures, and the Rohingya are the world's largest stateless community.  Prior to the 2015 Rohingya refugee crisis and the military crackdown in 2016 and 2017, the Rohingya population in Myanmar was around 1.1 to 1.3 million They reside mainly in the northern Rakhine townships, where they form 80-98% of the population. Many Rohingyas have fled to southeastern Bangladesh, where there are over 900,000 refugees, as well as to India, Thailand, Malaysia, Indonesia, Saudi Arabia and Pakistan. More than 100,000 Rohingyas in Myanmar live in camps for internally displaced persons, and the authorities do not allow them to leave.  The following table shows the statistics of Muslim population in Arakan. The data is for all Muslims in Arakan (Rakhine), regardless of ethnicity. The data for Burmese 1802 census is taken from a book by J. S. Furnivall. The British censuses classified immigrants from Chittagong as Bengalis. There were a small number of immigrants from other parts of India. The 1941 census was lost during the war. The 1983 census conducted under the Ne Win's government omitted people in volatile regions. It is unclear how many were missed. British era censuses can be found at Digital Library of India. CANNOTANSWER

Question: What else is significant about the Rohingya people other than than having more children than Myanmar's national average?
Answer: They form 40% of Rakhine State's population or 60% if overseas population is included. As of December 2016, 1 in 7 stateless persons worldwide are Rohingya per United Nations figures,
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: What did Goldfrapp do in 2005?
Answer: Supernature, Goldfrapp's third album, was released in August 2005.
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: What did Goldfrapp do in 2006?
Answer: In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature.
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: What songs are on the Supernature album by Goldfrapp?
Answer: "Ooh La La", the album's lead single,
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: other than Ooh La La, are there any other songs on the Supernature album?
Answer: "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: How many songs are on Goldfrapp's Supernature album?
Answer: CANNOTANSWER
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: What aspect about Goldfrapp's activities in 2005-06 interest you?
Answer: As of February 2008, it had sold one million copies worldwide.
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: Which of Goldfrapp's albums sold more than one million copies worldwide?
Answer: Supernature, Goldfrapp's third album,
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: What song is the highest rated on Goldfrapp's album Supernature?
Answer: "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single.
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: Besides "Ooh La La" what other Goldfrapp songs are in the UK top five singles?
Answer: "Number 1" was released as the album's second single.
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: Who produced Goldfrapp's album Supernature?
Answer: CANNOTANSWER
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: Who from the band Goldfrapp is in Supernature?
Answer: The album comprises pop and electronic dance music prominently featured on Black Cherry,
Goldfrapp

Context: Supernature, Goldfrapp's third album, was released in August 2005. The album comprises pop and electronic dance music prominently featured on Black Cherry, but focuses more on subtle hooks instead of the large choruses that made up its predecessor. The band never intended to create dance music, however, previous releases were popular across nightclubs in North America and as a result, they decided to write a more dance-oriented album. Supernature debuted at number two on the UK Albums Chart and was certified platinum in the UK. As of February 2008, it had sold one million copies worldwide. The album received a Grammy Award nomination in 2007 for Best Electronic/Dance Album and "Ooh La La" was nominated for Best Dance Recording. The song was used for the iPhone 5S's commercial in 2013.  "Ooh La La", the album's lead single, became Goldfrapp's first UK top five single. The song was chosen as the lead single "because it was up and in your face and carried on the theme of the glammy, discoey beat from the last album". "Ooh La La" became the first song performed by the band to feature the electric guitar and was cited as a highlight of the album by Allmusic. "Number 1" was released as the album's second single. Constructed around a synthesiser and bass arrangement, it was written about the importance of relationships. The album's third single "Ride a White Horse" was inspired by the disco era and reached number 15 in the UK. "Fly Me Away" was released as the album's fourth single, but did not perform as well as its predecessors.  In 2006, Goldfrapp released We Are Glitter, a North American-only compilation of remixes from Supernature. It included a Flaming Lips remix of "Satin Chic", the band's favourite song from the album. CANNOTANSWER

Question: Is Supernature by Goldfrapp a pop and electronic dance music album?
Answer: The album comprises pop and electronic dance music
Carousel (musical)

Context: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015. CANNOTANSWER

Question: What was important about the musical Carousel?
Answer: The cast album of the 1945 Broadway production was issued on 78s,
Carousel (musical)

Context: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015. CANNOTANSWER

Question: What kind of music was used in the musical Carousel?
Answer: The 1987 version featured a mix of opera and musical stars,
Carousel (musical)

Context: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015. CANNOTANSWER

Question: How was music incorporated into the production of the musical Carousel?
Answer: the 1945 recording that a number of songs had to be abridged to fit the 78 format,
Carousel (musical)

Context: The cast album of the 1945 Broadway production was issued on 78s, and the score was significantly cut--as was the 1950 London cast recording. Theatre historian John Kenrick notes of the 1945 recording that a number of songs had to be abridged to fit the 78 format, but that there is a small part of "Soliloquy" found on no other recording, as Rodgers cut it from the score immediately after the studio recording was made.  A number of songs were cut for the 1956 film, but two of the deleted numbers had been recorded and were ultimately retained on the soundtrack album. The expanded CD version of the soundtrack, issued in 2001, contains all of the singing recorded for the film, including the cut portions, and nearly all of the dance music. The recording of the 1965 Lincoln Center revival featured Raitt reprising the role of Billy. Studio recordings of Carousel's songs were released in 1956 (with Robert Merrill as Billy, Patrice Munsel as Julie, and Florence Henderson as Carrie), 1962 and 1987. The 1987 version featured a mix of opera and musical stars, including Samuel Ramey, Barbara Cook and Sarah Brightman. Kenrick recommends the 1962 studio recording for its outstanding cast, including Alfred Drake, Roberta Peters, Claramae Turner, Lee Venora, and Norman Treigle.  Both the London (1993) and New York (1994) cast albums of the Hytner production contain portions of dialogue that, according to Hischak, speak to the power of Michael Hayden's portrayal of Billy. Kenrick judges the 1994 recording the best all-around performance of Carousel on disc, despite uneven singing by Hayden, due to Sally Murphy's Julie and the strong supporting cast (calling Audra McDonald the best Carrie he has heard). The Stratford Festival issued a recording in 2015. CANNOTANSWER

Question: What songs did the cast sing in the musical Carousel?
Answer: CANNOTANSWER