gaussalgo/Canard_Wiki-augmented huggingface dataset:
Jimmy Buffett

Context: Buffett wrote the soundtrack for, and co-produced and played a role in, the 2006 film Hoot, directed by Wil Shriner and based on the book by Carl Hiaasen, which focused on issues important to Buffett, such as conservation. The film was not a critical or commercial success. Among his other film music credits are the theme song to the short-lived 1993 CBS television series Johnny Bago; "Turning Around" for the 1985 film Summer Rental starring John Candy; "I Don't Know (Spicoli's Theme)" for the film Fast Times at Ridgemont High; "Hello, Texas" for the 1980 John Travolta film Urban Cowboy; and "If I Have To Eat Someone (It Might As Well Be You)" for the animated film FernGully: The Last Rainforest, which was sung in the film by rap artist Tone Loc.  In addition, Buffett has made several cameo appearances, including in Repo Man, Hook, Cobb, Hoot, Congo, and From the Earth to the Moon. He also made cameo appearances as himself in Rancho Deluxe (for which he also wrote the music) and in FM. He made a guest appearance in the season two of Hawaii Five-0 on CBS in 2011. Buffett reportedly was offered a cameo role in Pirates of the Caribbean: The Curse of the Black Pearl, but declined the offer. In 1997, Buffett collaborated with novelist Herman Wouk on a musical production based on Wouk's 1965 novel Don't Stop the Carnival. In the South Park episode "Tonsil Trouble", an animated version of Buffett (but not voiced by Buffett) was seen singing "AIDSburger in Paradise" and "CureBurger in Paradise". Jimmy has also appeared on the Sesame Street special, Elmopalooza, singing "Caribbean Amphibian" with the popular Muppet, Kermit the Frog. Buffett appeared in an episode of Hawaii Five-0 in November 2011. He played a helicopter pilot named Frank Bama, a character from his novel Where Is Joe Merchant?. Another character mentioned that he preferred "margaritas"; Buffett's character replied, "Can't argue with you there." He reprised the role with a brief cameo visiting McGarret on the March 30, 2018 episode "E Ho'oko Kuleana".  Buffett made a cameo in the 2015 film Jurassic World, where he is seen holding two margaritas while the dinosaurs are set loose in the park.  In 2017, Buffett was the musical guest on the NCIS: New Orleans episode "Rogue Nation", playing the song "I Will Play for Gumbo" in Dwayne Pride's (Scott Bakula) newly rebuilt bar. CANNOTANSWER

Question: Did Jimmy Buffett want to be a tv star?
Answer: CANNOTANSWER
Jimmy Buffett

Context: Buffett wrote the soundtrack for, and co-produced and played a role in, the 2006 film Hoot, directed by Wil Shriner and based on the book by Carl Hiaasen, which focused on issues important to Buffett, such as conservation. The film was not a critical or commercial success. Among his other film music credits are the theme song to the short-lived 1993 CBS television series Johnny Bago; "Turning Around" for the 1985 film Summer Rental starring John Candy; "I Don't Know (Spicoli's Theme)" for the film Fast Times at Ridgemont High; "Hello, Texas" for the 1980 John Travolta film Urban Cowboy; and "If I Have To Eat Someone (It Might As Well Be You)" for the animated film FernGully: The Last Rainforest, which was sung in the film by rap artist Tone Loc.  In addition, Buffett has made several cameo appearances, including in Repo Man, Hook, Cobb, Hoot, Congo, and From the Earth to the Moon. He also made cameo appearances as himself in Rancho Deluxe (for which he also wrote the music) and in FM. He made a guest appearance in the season two of Hawaii Five-0 on CBS in 2011. Buffett reportedly was offered a cameo role in Pirates of the Caribbean: The Curse of the Black Pearl, but declined the offer. In 1997, Buffett collaborated with novelist Herman Wouk on a musical production based on Wouk's 1965 novel Don't Stop the Carnival. In the South Park episode "Tonsil Trouble", an animated version of Buffett (but not voiced by Buffett) was seen singing "AIDSburger in Paradise" and "CureBurger in Paradise". Jimmy has also appeared on the Sesame Street special, Elmopalooza, singing "Caribbean Amphibian" with the popular Muppet, Kermit the Frog. Buffett appeared in an episode of Hawaii Five-0 in November 2011. He played a helicopter pilot named Frank Bama, a character from his novel Where Is Joe Merchant?. Another character mentioned that he preferred "margaritas"; Buffett's character replied, "Can't argue with you there." He reprised the role with a brief cameo visiting McGarret on the March 30, 2018 episode "E Ho'oko Kuleana".  Buffett made a cameo in the 2015 film Jurassic World, where he is seen holding two margaritas while the dinosaurs are set loose in the park.  In 2017, Buffett was the musical guest on the NCIS: New Orleans episode "Rogue Nation", playing the song "I Will Play for Gumbo" in Dwayne Pride's (Scott Bakula) newly rebuilt bar. CANNOTANSWER

Question: When was Jimmy Buffett most recently on television?
Answer: In 2017,
Jimmy Buffett

Context: Buffett wrote the soundtrack for, and co-produced and played a role in, the 2006 film Hoot, directed by Wil Shriner and based on the book by Carl Hiaasen, which focused on issues important to Buffett, such as conservation. The film was not a critical or commercial success. Among his other film music credits are the theme song to the short-lived 1993 CBS television series Johnny Bago; "Turning Around" for the 1985 film Summer Rental starring John Candy; "I Don't Know (Spicoli's Theme)" for the film Fast Times at Ridgemont High; "Hello, Texas" for the 1980 John Travolta film Urban Cowboy; and "If I Have To Eat Someone (It Might As Well Be You)" for the animated film FernGully: The Last Rainforest, which was sung in the film by rap artist Tone Loc.  In addition, Buffett has made several cameo appearances, including in Repo Man, Hook, Cobb, Hoot, Congo, and From the Earth to the Moon. He also made cameo appearances as himself in Rancho Deluxe (for which he also wrote the music) and in FM. He made a guest appearance in the season two of Hawaii Five-0 on CBS in 2011. Buffett reportedly was offered a cameo role in Pirates of the Caribbean: The Curse of the Black Pearl, but declined the offer. In 1997, Buffett collaborated with novelist Herman Wouk on a musical production based on Wouk's 1965 novel Don't Stop the Carnival. In the South Park episode "Tonsil Trouble", an animated version of Buffett (but not voiced by Buffett) was seen singing "AIDSburger in Paradise" and "CureBurger in Paradise". Jimmy has also appeared on the Sesame Street special, Elmopalooza, singing "Caribbean Amphibian" with the popular Muppet, Kermit the Frog. Buffett appeared in an episode of Hawaii Five-0 in November 2011. He played a helicopter pilot named Frank Bama, a character from his novel Where Is Joe Merchant?. Another character mentioned that he preferred "margaritas"; Buffett's character replied, "Can't argue with you there." He reprised the role with a brief cameo visiting McGarret on the March 30, 2018 episode "E Ho'oko Kuleana".  Buffett made a cameo in the 2015 film Jurassic World, where he is seen holding two margaritas while the dinosaurs are set loose in the park.  In 2017, Buffett was the musical guest on the NCIS: New Orleans episode "Rogue Nation", playing the song "I Will Play for Gumbo" in Dwayne Pride's (Scott Bakula) newly rebuilt bar. CANNOTANSWER

Question: What televsion show was Jimmy Buffett on in 2017?
Answer: Buffett was the musical guest on the NCIS: New Orleans
Jimmy Buffett

Context: Buffett wrote the soundtrack for, and co-produced and played a role in, the 2006 film Hoot, directed by Wil Shriner and based on the book by Carl Hiaasen, which focused on issues important to Buffett, such as conservation. The film was not a critical or commercial success. Among his other film music credits are the theme song to the short-lived 1993 CBS television series Johnny Bago; "Turning Around" for the 1985 film Summer Rental starring John Candy; "I Don't Know (Spicoli's Theme)" for the film Fast Times at Ridgemont High; "Hello, Texas" for the 1980 John Travolta film Urban Cowboy; and "If I Have To Eat Someone (It Might As Well Be You)" for the animated film FernGully: The Last Rainforest, which was sung in the film by rap artist Tone Loc.  In addition, Buffett has made several cameo appearances, including in Repo Man, Hook, Cobb, Hoot, Congo, and From the Earth to the Moon. He also made cameo appearances as himself in Rancho Deluxe (for which he also wrote the music) and in FM. He made a guest appearance in the season two of Hawaii Five-0 on CBS in 2011. Buffett reportedly was offered a cameo role in Pirates of the Caribbean: The Curse of the Black Pearl, but declined the offer. In 1997, Buffett collaborated with novelist Herman Wouk on a musical production based on Wouk's 1965 novel Don't Stop the Carnival. In the South Park episode "Tonsil Trouble", an animated version of Buffett (but not voiced by Buffett) was seen singing "AIDSburger in Paradise" and "CureBurger in Paradise". Jimmy has also appeared on the Sesame Street special, Elmopalooza, singing "Caribbean Amphibian" with the popular Muppet, Kermit the Frog. Buffett appeared in an episode of Hawaii Five-0 in November 2011. He played a helicopter pilot named Frank Bama, a character from his novel Where Is Joe Merchant?. Another character mentioned that he preferred "margaritas"; Buffett's character replied, "Can't argue with you there." He reprised the role with a brief cameo visiting McGarret on the March 30, 2018 episode "E Ho'oko Kuleana".  Buffett made a cameo in the 2015 film Jurassic World, where he is seen holding two margaritas while the dinosaurs are set loose in the park.  In 2017, Buffett was the musical guest on the NCIS: New Orleans episode "Rogue Nation", playing the song "I Will Play for Gumbo" in Dwayne Pride's (Scott Bakula) newly rebuilt bar. CANNOTANSWER

Question: Has Jimmy Buffett ever played on Late Night television?
Answer: CANNOTANSWER
Hey Jude

Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off. CANNOTANSWER

Question: Who handled the mixing for the song Hey Jude?
Answer: Scott, Martin and the Beatles mixed the finished recording at Abbey Road.
Hey Jude

Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off. CANNOTANSWER

Question: When was the song Hey Jude mixed?
Answer: 8 August.
Hey Jude

Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off. CANNOTANSWER

Question: Who is Scott that helped mix the song Hey Jude?
Answer: Scott had recently replaced as the Beatles' principal recording engineer.
Hey Jude

Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off. CANNOTANSWER

Question: How did the Beatles respond to the final mix of the song Hey Jude?
Answer: Lennon gleefully crowed, 'but I insisted we leave it
Hey Jude

Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off. CANNOTANSWER

Question: How did Paul McCartney respond to the mix of the song Hey Jude?
Answer: CANNOTANSWER
Hey Jude

Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off. CANNOTANSWER

Question: Were there any big changes made to the music of the song Hey Jude for the mix?
Answer: In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears.
Hey Jude

Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off. CANNOTANSWER

Question: How long did it take to mix the song Hey Jude?
Answer: A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.
Hey Jude

Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off. CANNOTANSWER

Question: Was there anything in the song Hey Jude that caused a controversy?
Answer: Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11.
Hey Jude

Context: Scott, Martin and the Beatles mixed the finished recording at Abbey Road. The transfer of the Trident master tape to acetate proved problematic due to the recording sounding murky when played back on EMI's equipment. The issue was resolved with the help of Geoff Emerick, whom Scott had recently replaced as the Beatles' principal recording engineer. Emerick happened to be visiting Abbey Road, having recently refused to work with the Beatles any longer, due to the tension and abuse that had become commonplace at their recording sessions. A stereo mix of "Hey Jude" was then completed on 2 August and the mono version on 8 August.  Everett writes that the song's "most commented-on feature" is its considerable length, at 7:11. The precedent for issuing such a long track on a single had recently been set by Richard Harris' hit recording of "MacArthur Park", the composer of which, Jimmy Webb, was a visitor to the studio around this time. According to Webb, Martin admitted to him that "Hey Jude" was only allowed to run over seven minutes because of the success of "MacArthur Park".  In the song's final bridge section, at 2:58, the spoken phrase "Fucking hell!" appears. Scott admits that although he was told about it, he could not hear the words originally. Lennon attributed the expletive to McCartney, according to Emerick, who reports Lennon's comment in his autobiography: "'Paul hit a clunker on the piano and said a naughty word,' Lennon gleefully crowed, 'but I insisted we leave it in [at Trident], buried just low enough so that it can barely be heard. Most people won't ever spot it ... but we'll know it's there.'" Womack considers that the expletive was actually uttered by Lennon. Malcolm Toft, the mix engineer on the Trident recording, also attributes it to Lennon. In Toft's recollection, Lennon was overdubbing his harmony vocal when, in reaction to the volume being too loud in his headphones, he first called out "Whoa!" then, two seconds later, swore as he pulled the headphones off. CANNOTANSWER

Question: Who is Everett that writes that Hey Jude's "most commented-on feature" is its considerable length, at 7:11?
Answer: its considerable length,
Scott Weiland

Context: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007.  In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat."  Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic.  Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011.  In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. CANNOTANSWER

Question: Was Scott Weiland married?
Answer: Weiland married Janina Castaneda on September 17, 1994;
Scott Weiland

Context: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007.  In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat."  Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic.  Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011.  In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. CANNOTANSWER

Question: How did Scott Weiland meet his wife?
Answer: CANNOTANSWER
Scott Weiland

Context: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007.  In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat."  Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic.  Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011.  In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. CANNOTANSWER

Question: Was Scott Weiland in a happy marriage?
Answer: the couple divorced in 2000.
Scott Weiland

Context: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007.  In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat."  Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic.  Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011.  In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. CANNOTANSWER

Question: Why did Scott Weiland divorce from his wife?
Answer: CANNOTANSWER
Scott Weiland

Context: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007.  In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat."  Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic.  Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011.  In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. CANNOTANSWER

Question: Was Scott Weiland married more than once?
Answer: He married model Mary Forsberg on May 20, 2000. They had two children,
Scott Weiland

Context: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007.  In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat."  Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic.  Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011.  In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. CANNOTANSWER

Question: What are Scott Weiland's children's names?
Answer: Noah (born 2000) and Lucy (born 2002).
Scott Weiland

Context: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007.  In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat."  Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic.  Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011.  In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. CANNOTANSWER

Question: Did Scott Weiland divorce from his second wife?
Answer: Weiland and Forsberg divorced in 2007.
Scott Weiland

Context: Weiland married Janina Castaneda on September 17, 1994; the couple divorced in 2000. He married model Mary Forsberg on May 20, 2000. They had two children, Noah (born 2000) and Lucy (born 2002). Weiland and Forsberg divorced in 2007.  In 2005, Weiland and his son Noah were featured on comedian David Spade's The Showbiz Show with David Spade during a comedy sketch about discouraging music file sharing. Noah has a line during the sketch in which he asks a little girl, "Please buy my daddy's album so I can have food to eat."  Weiland was a Notre Dame Fighting Irish football fan, as his stepfather is an alumnus. In September 2006, Weiland performed at the University of Notre Dame's Legends Restaurant on the night before a football game. He sang several of his solo songs as well as "Interstate Love Song" and a cover of Pink Floyd's "Wish You Were Here". In a 2007 interview with Blender magazine, Weiland mentioned that he was raised a Catholic.  Mary Forsberg Weiland's autobiography Fall to Pieces was co-written with Larkin Warren and released in 2009. Scott Weiland's autobiography, Not Dead & Not for Sale, co-written with David Ritz, was released May 17, 2011.  In a November 2012 interview with Rolling Stone, Weiland revealed that he was engaged to photographer Jamie Wachtel whom he met during the 2011 filming of his music video for the song, "I'll Be Home for Christmas". Weiland and Wachtel married on June 22, 2013, at their Los Angeles home. CANNOTANSWER

Question: Was Scott Weiland married a third time?
Answer: CANNOTANSWER
Peter Shilton

Context: Shilton was selected by Ramsey for the match, walking out behind captain Martin Peters to earn his 15th cap. Aside from one incident, Shilton spent most of the game watching the opposing goalkeeper Jan Tomaszewski as he kept shot after shot out of Poland's net.  When the ball finally did get into the net it was at Shilton's end. Midway through the second half, Norman Hunter trod on the ball near the touchline and Poland broke away, with Grzegorz Lato feeding the ball across to the onrushing Jan Domarski.  As Domarski moved to hit the ball first time, Shilton got into position to attempt to block the shot. Domarski's drive, struck beyond defender Emlyn Hughes' challenge, was low and not well hit but was aimed inside the near goalpost and very close to Shilton. Shilton needed to deal with the shot but dived late, leaving the shot too close to his body, and Poland scored. Shilton later said he was trying to make "the perfect save" and forgot that his first priority was to keep the ball out of the net rather than make sure he held on to it. Shilton also claimed in his autobiography that this was the only mistake he made in his 125 caps for England.  England equalised swiftly through a penalty from Allan Clarke, with Shilton turning his back on the ball at the opposite end because he could not bear to look, but Tomaszewski's continued heroics kept England out to the final whistle, and England failed to qualify for the World Cup. Poland would go on to finish third in the competition.  As the season came to an end, Leicester reached the FA Cup semi-finals where Shilton was beaten -- in a replay after the initial game ended goalless -- by a lobbed volley from Liverpool's Kevin Keegan. CANNOTANSWER

Question: In relation to Peter Shilton, what was the mistake against Poland?
Answer: Shilton needed to deal with the shot but dived late, leaving the shot too close to his body, and Poland scored.
Peter Shilton

Context: Shilton was selected by Ramsey for the match, walking out behind captain Martin Peters to earn his 15th cap. Aside from one incident, Shilton spent most of the game watching the opposing goalkeeper Jan Tomaszewski as he kept shot after shot out of Poland's net.  When the ball finally did get into the net it was at Shilton's end. Midway through the second half, Norman Hunter trod on the ball near the touchline and Poland broke away, with Grzegorz Lato feeding the ball across to the onrushing Jan Domarski.  As Domarski moved to hit the ball first time, Shilton got into position to attempt to block the shot. Domarski's drive, struck beyond defender Emlyn Hughes' challenge, was low and not well hit but was aimed inside the near goalpost and very close to Shilton. Shilton needed to deal with the shot but dived late, leaving the shot too close to his body, and Poland scored. Shilton later said he was trying to make "the perfect save" and forgot that his first priority was to keep the ball out of the net rather than make sure he held on to it. Shilton also claimed in his autobiography that this was the only mistake he made in his 125 caps for England.  England equalised swiftly through a penalty from Allan Clarke, with Shilton turning his back on the ball at the opposite end because he could not bear to look, but Tomaszewski's continued heroics kept England out to the final whistle, and England failed to qualify for the World Cup. Poland would go on to finish third in the competition.  As the season came to an end, Leicester reached the FA Cup semi-finals where Shilton was beaten -- in a replay after the initial game ended goalless -- by a lobbed volley from Liverpool's Kevin Keegan. CANNOTANSWER

Question: What was the outcome of the match in which Peter Shilton dived late causing Poland to score??
Answer: Poland scored.
Peter Shilton

Context: Shilton was selected by Ramsey for the match, walking out behind captain Martin Peters to earn his 15th cap. Aside from one incident, Shilton spent most of the game watching the opposing goalkeeper Jan Tomaszewski as he kept shot after shot out of Poland's net.  When the ball finally did get into the net it was at Shilton's end. Midway through the second half, Norman Hunter trod on the ball near the touchline and Poland broke away, with Grzegorz Lato feeding the ball across to the onrushing Jan Domarski.  As Domarski moved to hit the ball first time, Shilton got into position to attempt to block the shot. Domarski's drive, struck beyond defender Emlyn Hughes' challenge, was low and not well hit but was aimed inside the near goalpost and very close to Shilton. Shilton needed to deal with the shot but dived late, leaving the shot too close to his body, and Poland scored. Shilton later said he was trying to make "the perfect save" and forgot that his first priority was to keep the ball out of the net rather than make sure he held on to it. Shilton also claimed in his autobiography that this was the only mistake he made in his 125 caps for England.  England equalised swiftly through a penalty from Allan Clarke, with Shilton turning his back on the ball at the opposite end because he could not bear to look, but Tomaszewski's continued heroics kept England out to the final whistle, and England failed to qualify for the World Cup. Poland would go on to finish third in the competition.  As the season came to an end, Leicester reached the FA Cup semi-finals where Shilton was beaten -- in a replay after the initial game ended goalless -- by a lobbed volley from Liverpool's Kevin Keegan. CANNOTANSWER

Question: Did England lose the match with Poland?
Answer: England failed to qualify for the World Cup. Poland would go on to finish third in the competition.