gaussalgo/Canard_Wiki-augmented huggingface dataset:
Women in Syria

Context: With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD). Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda. Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed.  The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava. One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well. For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds.  The legal efforts to reduce cases of underage marriage, polygamy and honor killings are underpinned by comprehensive public awareness campaigns. In every town and village, a women's house is established. These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm. These services include counseling, family mediation, legal support, and coordinating safe houses for women and children. Classes on economic independence and social empowerment programs are also held at women's houses.  All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female. An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike.  The PYD's political agenda of "trying to break the honor-based religious and tribal rules that confine women" is controversial in conservative quarters of society. CANNOTANSWER

Question: Has the progressive Democratic Union Party PYD in Rojeva been successful?
Answer: CANNOTANSWER
Women in Syria

Context: With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD). Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda. Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed.  The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava. One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well. For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds.  The legal efforts to reduce cases of underage marriage, polygamy and honor killings are underpinned by comprehensive public awareness campaigns. In every town and village, a women's house is established. These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm. These services include counseling, family mediation, legal support, and coordinating safe houses for women and children. Classes on economic independence and social empowerment programs are also held at women's houses.  All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female. An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike.  The PYD's political agenda of "trying to break the honor-based religious and tribal rules that confine women" is controversial in conservative quarters of society. CANNOTANSWER

Question: Besides enhancing women's rights, what else does the progressive Democratic Union Party PYD in Rojeva do?
Answer: CANNOTANSWER
Women in Syria

Context: With the Syrian Civil War, the Kurdish populated area in Northern Syria has gained de facto autonomy as the Federation of Northern Syria - Rojava, with the leading political actor being the progressive Democratic Union Party (PYD). Kurdish women have several armed and non-armed organizations in Rojava, and enhancing women's rights is a major focus of the political and societal agenda. Kurdish female fighters in the Women's Protection Units (YPJ) played a key role during the Siege of Kobani and in rescuing Yazidis trapped on Mount Sinjar, and their achievements have attracted international attention as a rare example of strong female achievement in a region in which women are heavily repressed.  The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava. One notable example for amendment is personal status law, in Syria still Sharia-based, where Rojava introduced civil law and proclaims absolute equality of women under the law and a ban on forced marriage as well as polygamy was introduced, while underage marriage was outlawed as well. For the first time in Syrian history, civil marriage is being allowed and promoted, a significant move towards a secular open society and intermarriage between people of different religious backgrounds.  The legal efforts to reduce cases of underage marriage, polygamy and honor killings are underpinned by comprehensive public awareness campaigns. In every town and village, a women's house is established. These are community centers run by women, providing services to survivors of domestic violence, sexual assault and other forms of harm. These services include counseling, family mediation, legal support, and coordinating safe houses for women and children. Classes on economic independence and social empowerment programs are also held at women's houses.  All administrative organs in Rojava are required to have male and female co-chairs, and forty percent of the members of any governing body in Rojava must be female. An estimated 25 percent of the Asayish police force of the Rojava cantons are women, and joining the Asayish is described in international media as a huge act of personal and societal liberation from an extremely patriarchical background, for ethnic Kurdish and ethnic Arab women alike.  The PYD's political agenda of "trying to break the honor-based religious and tribal rules that confine women" is controversial in conservative quarters of society. CANNOTANSWER

Question: Is there conflict in the north Syria?
Answer: The civil laws of Syria are valid in Rojava, as far as they do not conflict with the Constitution of Rojava.
Canadian comics

Context: Canadian cartoonists often found it hard to succeed in the field of comic strips without moving to the US, but in 1921, Jimmy Frise, one of Ernest Hemingway's drinking buddies during the journalist's days in Toronto, sold Life's Little Comedies to the Toronto Star's Star Weekly. This strip was later retitled Birdseye Center, and became the longest-running strip in English Canadian history. In 1947, Frise brought the strip to the Montreal Standard, where it was renamed Juniper Junction. Nova Scotia-born artist J. R. Williams single-panel strip about rural and small-town life, Out Our Way, began in 1922 and was syndicated in 700 newspapers at its peak.  Two new comic strips appeared on the same day in 1929 in American newspapers and fed the public's desire for escapist entertainment at the dawn of the Great Depression. They were the first non-humorous adventure strips, and both were adaptations. One was Buck Rogers; the other, Tarzan, by Halifax native Hal Foster, who had worked as illustrator for catalogues from Eaton's and the Hudson's Bay Company before moving to the US in his late 20s. Other adventure strips soon followed and paved the way for the genre diversity that was seen in comic strips in the 1930s. In 1937, Foster began his own strip, Prince Valiant, which has become his best-known work for Foster's dextrous, realistic artwork. After struggling to support himself at various Toronto-based publications, Richard Taylor, under the pen name "Ric", became a regular at The New Yorker and relocated to the US, where the pay and opportunities for cartoonists were better.  The Toronto Telegram began to run Men of the Mounted in 1933, the first home-grown adventure strip, written by Ted McCall and drawn by Harry Hall. McCall later penned the strip Robin Hood and Company, which made its appearance in comic books when McCall founded Anglo-American Publishing in 1941. CANNOTANSWER

Question: What was one of the first successes in comics during the 1920's and 1930's?
Answer: in 1921, Jimmy Frise, one of Ernest Hemingway's drinking buddies during the journalist's days in Toronto, sold Life's Little Comedies
Canadian comics

Context: Canadian cartoonists often found it hard to succeed in the field of comic strips without moving to the US, but in 1921, Jimmy Frise, one of Ernest Hemingway's drinking buddies during the journalist's days in Toronto, sold Life's Little Comedies to the Toronto Star's Star Weekly. This strip was later retitled Birdseye Center, and became the longest-running strip in English Canadian history. In 1947, Frise brought the strip to the Montreal Standard, where it was renamed Juniper Junction. Nova Scotia-born artist J. R. Williams single-panel strip about rural and small-town life, Out Our Way, began in 1922 and was syndicated in 700 newspapers at its peak.  Two new comic strips appeared on the same day in 1929 in American newspapers and fed the public's desire for escapist entertainment at the dawn of the Great Depression. They were the first non-humorous adventure strips, and both were adaptations. One was Buck Rogers; the other, Tarzan, by Halifax native Hal Foster, who had worked as illustrator for catalogues from Eaton's and the Hudson's Bay Company before moving to the US in his late 20s. Other adventure strips soon followed and paved the way for the genre diversity that was seen in comic strips in the 1930s. In 1937, Foster began his own strip, Prince Valiant, which has become his best-known work for Foster's dextrous, realistic artwork. After struggling to support himself at various Toronto-based publications, Richard Taylor, under the pen name "Ric", became a regular at The New Yorker and relocated to the US, where the pay and opportunities for cartoonists were better.  The Toronto Telegram began to run Men of the Mounted in 1933, the first home-grown adventure strip, written by Ted McCall and drawn by Harry Hall. McCall later penned the strip Robin Hood and Company, which made its appearance in comic books when McCall founded Anglo-American Publishing in 1941. CANNOTANSWER

Question: Who did Jimmy Frise sell Life's Little Comedies to?
Answer: to the Toronto Star's Star Weekly.
Canadian comics

Context: Canadian cartoonists often found it hard to succeed in the field of comic strips without moving to the US, but in 1921, Jimmy Frise, one of Ernest Hemingway's drinking buddies during the journalist's days in Toronto, sold Life's Little Comedies to the Toronto Star's Star Weekly. This strip was later retitled Birdseye Center, and became the longest-running strip in English Canadian history. In 1947, Frise brought the strip to the Montreal Standard, where it was renamed Juniper Junction. Nova Scotia-born artist J. R. Williams single-panel strip about rural and small-town life, Out Our Way, began in 1922 and was syndicated in 700 newspapers at its peak.  Two new comic strips appeared on the same day in 1929 in American newspapers and fed the public's desire for escapist entertainment at the dawn of the Great Depression. They were the first non-humorous adventure strips, and both were adaptations. One was Buck Rogers; the other, Tarzan, by Halifax native Hal Foster, who had worked as illustrator for catalogues from Eaton's and the Hudson's Bay Company before moving to the US in his late 20s. Other adventure strips soon followed and paved the way for the genre diversity that was seen in comic strips in the 1930s. In 1937, Foster began his own strip, Prince Valiant, which has become his best-known work for Foster's dextrous, realistic artwork. After struggling to support himself at various Toronto-based publications, Richard Taylor, under the pen name "Ric", became a regular at The New Yorker and relocated to the US, where the pay and opportunities for cartoonists were better.  The Toronto Telegram began to run Men of the Mounted in 1933, the first home-grown adventure strip, written by Ted McCall and drawn by Harry Hall. McCall later penned the strip Robin Hood and Company, which made its appearance in comic books when McCall founded Anglo-American Publishing in 1941. CANNOTANSWER

Question: What was the most successful comic strip during the 1920's?
Answer: J. R. Williams single-panel strip about rural and small-town life, Out Our Way, began in 1922 and was syndicated in 700 newspapers at its peak.
Canadian comics

Context: Canadian cartoonists often found it hard to succeed in the field of comic strips without moving to the US, but in 1921, Jimmy Frise, one of Ernest Hemingway's drinking buddies during the journalist's days in Toronto, sold Life's Little Comedies to the Toronto Star's Star Weekly. This strip was later retitled Birdseye Center, and became the longest-running strip in English Canadian history. In 1947, Frise brought the strip to the Montreal Standard, where it was renamed Juniper Junction. Nova Scotia-born artist J. R. Williams single-panel strip about rural and small-town life, Out Our Way, began in 1922 and was syndicated in 700 newspapers at its peak.  Two new comic strips appeared on the same day in 1929 in American newspapers and fed the public's desire for escapist entertainment at the dawn of the Great Depression. They were the first non-humorous adventure strips, and both were adaptations. One was Buck Rogers; the other, Tarzan, by Halifax native Hal Foster, who had worked as illustrator for catalogues from Eaton's and the Hudson's Bay Company before moving to the US in his late 20s. Other adventure strips soon followed and paved the way for the genre diversity that was seen in comic strips in the 1930s. In 1937, Foster began his own strip, Prince Valiant, which has become his best-known work for Foster's dextrous, realistic artwork. After struggling to support himself at various Toronto-based publications, Richard Taylor, under the pen name "Ric", became a regular at The New Yorker and relocated to the US, where the pay and opportunities for cartoonists were better.  The Toronto Telegram began to run Men of the Mounted in 1933, the first home-grown adventure strip, written by Ted McCall and drawn by Harry Hall. McCall later penned the strip Robin Hood and Company, which made its appearance in comic books when McCall founded Anglo-American Publishing in 1941. CANNOTANSWER

Question: Were 1920's comic strips primarily political?
Answer: They were the first non-humorous adventure strips,
Syd Barrett

Context: While Pink Floyd began by playing cover versions of American R&B songs, by 1966 they had carved out their own style of improvised rock and roll, which drew as much from improvised jazz. After Bob Klose departed from the band, the band's direction changed. However, the change was not instantaneous, with more improvising on the guitars and keyboards. Mason reflected, "It always felt to me that most of the ideas were emanating from Syd at the time."  At this time, Barrett's reading reputedly included: Grimm's Fairy Tales, Tolkien's The Hobbit and Lord of the Rings, Carlos Castaneda's The Teachings of Don Juan, and The I-Ching. During this period, Barrett wrote most of the songs for Pink Floyd's first album, and also songs that would later appear on his solo albums. In 1966, a new rock concert venue, the UFO (pronounced as "you-foe"), opened in London and quickly became a haven for British psychedelic music. Pink Floyd, the house band, was its most popular attraction and after making appearances at the rival Roundhouse, became the most popular musical group of the "London Underground" psychedelic music scene.  By the end of 1966, Pink Floyd had gained a reliable management team in Andrew King and Peter Jenner. Towards the end of October 1966, Pink Floyd, with King and Jenner, set up Blackhill Enterprises, to manage the group's finances. Blackhill was staffed by lodgers Jenner found in his Edbrooke Road house, and among others, Barrett's flatmate, Peter Wynne Wilson (who became road manager, however, since he had more experience in lighting, he was also lighting assistant). King and Jenner wanted to prepare some demo recordings for a possible record deal, so at the end of October, they booked a session at Thompson Private Recording Studio, in Hemel Hempstead. King said of the demos: "That was the first time I realised they were going to write all their own material, Syd just turned into a songwriter, it seemed like overnight."  King and Jenner befriended American expatriate Joe Boyd, the promoter of the UFO Club, who was making a name for himself as one of the more important entrepreneurs on the British music scene. The newly hired booking agent, Bryan Morrison, and Boyd had proposed sending in better quality recordings. From Morrison's agency the band played a gig outside London for the first time. In November, the band performed the first (of many) strangely named concerts: Philadelic Music for Simian Hominids, a multimedia event arranged by the group's former landlord, Mike Leonard, at Hornsey College of Art. They performed at the Free School for the following two weeks, before performing at the Psychodelphia Versus Ian Smith event at the Roundhouse in December, arranged by the Majority Rule for Rhodesia Campaign, and an Oxfam benefit at the Albert Hall (the band's biggest venue up to this point). CANNOTANSWER

Question: What did Syd Barrett do in London Underground?
Answer: became the most popular musical group of the "London Underground" psychedelic music scene.
Syd Barrett

Context: While Pink Floyd began by playing cover versions of American R&B songs, by 1966 they had carved out their own style of improvised rock and roll, which drew as much from improvised jazz. After Bob Klose departed from the band, the band's direction changed. However, the change was not instantaneous, with more improvising on the guitars and keyboards. Mason reflected, "It always felt to me that most of the ideas were emanating from Syd at the time."  At this time, Barrett's reading reputedly included: Grimm's Fairy Tales, Tolkien's The Hobbit and Lord of the Rings, Carlos Castaneda's The Teachings of Don Juan, and The I-Ching. During this period, Barrett wrote most of the songs for Pink Floyd's first album, and also songs that would later appear on his solo albums. In 1966, a new rock concert venue, the UFO (pronounced as "you-foe"), opened in London and quickly became a haven for British psychedelic music. Pink Floyd, the house band, was its most popular attraction and after making appearances at the rival Roundhouse, became the most popular musical group of the "London Underground" psychedelic music scene.  By the end of 1966, Pink Floyd had gained a reliable management team in Andrew King and Peter Jenner. Towards the end of October 1966, Pink Floyd, with King and Jenner, set up Blackhill Enterprises, to manage the group's finances. Blackhill was staffed by lodgers Jenner found in his Edbrooke Road house, and among others, Barrett's flatmate, Peter Wynne Wilson (who became road manager, however, since he had more experience in lighting, he was also lighting assistant). King and Jenner wanted to prepare some demo recordings for a possible record deal, so at the end of October, they booked a session at Thompson Private Recording Studio, in Hemel Hempstead. King said of the demos: "That was the first time I realised they were going to write all their own material, Syd just turned into a songwriter, it seemed like overnight."  King and Jenner befriended American expatriate Joe Boyd, the promoter of the UFO Club, who was making a name for himself as one of the more important entrepreneurs on the British music scene. The newly hired booking agent, Bryan Morrison, and Boyd had proposed sending in better quality recordings. From Morrison's agency the band played a gig outside London for the first time. In November, the band performed the first (of many) strangely named concerts: Philadelic Music for Simian Hominids, a multimedia event arranged by the group's former landlord, Mike Leonard, at Hornsey College of Art. They performed at the Free School for the following two weeks, before performing at the Psychodelphia Versus Ian Smith event at the Roundhouse in December, arranged by the Majority Rule for Rhodesia Campaign, and an Oxfam benefit at the Albert Hall (the band's biggest venue up to this point). CANNOTANSWER

Question: How did London Underground become the most popular musical group?
Answer: In 1966, a new rock concert venue, the UFO (pronounced as "you-foe"), opened in London and quickly became a haven for British psychedelic music.
Syd Barrett

Context: While Pink Floyd began by playing cover versions of American R&B songs, by 1966 they had carved out their own style of improvised rock and roll, which drew as much from improvised jazz. After Bob Klose departed from the band, the band's direction changed. However, the change was not instantaneous, with more improvising on the guitars and keyboards. Mason reflected, "It always felt to me that most of the ideas were emanating from Syd at the time."  At this time, Barrett's reading reputedly included: Grimm's Fairy Tales, Tolkien's The Hobbit and Lord of the Rings, Carlos Castaneda's The Teachings of Don Juan, and The I-Ching. During this period, Barrett wrote most of the songs for Pink Floyd's first album, and also songs that would later appear on his solo albums. In 1966, a new rock concert venue, the UFO (pronounced as "you-foe"), opened in London and quickly became a haven for British psychedelic music. Pink Floyd, the house band, was its most popular attraction and after making appearances at the rival Roundhouse, became the most popular musical group of the "London Underground" psychedelic music scene.  By the end of 1966, Pink Floyd had gained a reliable management team in Andrew King and Peter Jenner. Towards the end of October 1966, Pink Floyd, with King and Jenner, set up Blackhill Enterprises, to manage the group's finances. Blackhill was staffed by lodgers Jenner found in his Edbrooke Road house, and among others, Barrett's flatmate, Peter Wynne Wilson (who became road manager, however, since he had more experience in lighting, he was also lighting assistant). King and Jenner wanted to prepare some demo recordings for a possible record deal, so at the end of October, they booked a session at Thompson Private Recording Studio, in Hemel Hempstead. King said of the demos: "That was the first time I realised they were going to write all their own material, Syd just turned into a songwriter, it seemed like overnight."  King and Jenner befriended American expatriate Joe Boyd, the promoter of the UFO Club, who was making a name for himself as one of the more important entrepreneurs on the British music scene. The newly hired booking agent, Bryan Morrison, and Boyd had proposed sending in better quality recordings. From Morrison's agency the band played a gig outside London for the first time. In November, the band performed the first (of many) strangely named concerts: Philadelic Music for Simian Hominids, a multimedia event arranged by the group's former landlord, Mike Leonard, at Hornsey College of Art. They performed at the Free School for the following two weeks, before performing at the Psychodelphia Versus Ian Smith event at the Roundhouse in December, arranged by the Majority Rule for Rhodesia Campaign, and an Oxfam benefit at the Albert Hall (the band's biggest venue up to this point). CANNOTANSWER

Question: What did London Underground have to do with Syd Barrett?
Answer: Pink Floyd, the house band, was its most popular attraction and
Syd Barrett

Context: While Pink Floyd began by playing cover versions of American R&B songs, by 1966 they had carved out their own style of improvised rock and roll, which drew as much from improvised jazz. After Bob Klose departed from the band, the band's direction changed. However, the change was not instantaneous, with more improvising on the guitars and keyboards. Mason reflected, "It always felt to me that most of the ideas were emanating from Syd at the time."  At this time, Barrett's reading reputedly included: Grimm's Fairy Tales, Tolkien's The Hobbit and Lord of the Rings, Carlos Castaneda's The Teachings of Don Juan, and The I-Ching. During this period, Barrett wrote most of the songs for Pink Floyd's first album, and also songs that would later appear on his solo albums. In 1966, a new rock concert venue, the UFO (pronounced as "you-foe"), opened in London and quickly became a haven for British psychedelic music. Pink Floyd, the house band, was its most popular attraction and after making appearances at the rival Roundhouse, became the most popular musical group of the "London Underground" psychedelic music scene.  By the end of 1966, Pink Floyd had gained a reliable management team in Andrew King and Peter Jenner. Towards the end of October 1966, Pink Floyd, with King and Jenner, set up Blackhill Enterprises, to manage the group's finances. Blackhill was staffed by lodgers Jenner found in his Edbrooke Road house, and among others, Barrett's flatmate, Peter Wynne Wilson (who became road manager, however, since he had more experience in lighting, he was also lighting assistant). King and Jenner wanted to prepare some demo recordings for a possible record deal, so at the end of October, they booked a session at Thompson Private Recording Studio, in Hemel Hempstead. King said of the demos: "That was the first time I realised they were going to write all their own material, Syd just turned into a songwriter, it seemed like overnight."  King and Jenner befriended American expatriate Joe Boyd, the promoter of the UFO Club, who was making a name for himself as one of the more important entrepreneurs on the British music scene. The newly hired booking agent, Bryan Morrison, and Boyd had proposed sending in better quality recordings. From Morrison's agency the band played a gig outside London for the first time. In November, the band performed the first (of many) strangely named concerts: Philadelic Music for Simian Hominids, a multimedia event arranged by the group's former landlord, Mike Leonard, at Hornsey College of Art. They performed at the Free School for the following two weeks, before performing at the Psychodelphia Versus Ian Smith event at the Roundhouse in December, arranged by the Majority Rule for Rhodesia Campaign, and an Oxfam benefit at the Albert Hall (the band's biggest venue up to this point). CANNOTANSWER

Question: Did Syd Barrett create any more albums besides albums with London Underground?
Answer: and after making appearances at the rival Roundhouse, became the most popular musical group of the "London Underground" psychedelic music scene.
Syd Barrett

Context: While Pink Floyd began by playing cover versions of American R&B songs, by 1966 they had carved out their own style of improvised rock and roll, which drew as much from improvised jazz. After Bob Klose departed from the band, the band's direction changed. However, the change was not instantaneous, with more improvising on the guitars and keyboards. Mason reflected, "It always felt to me that most of the ideas were emanating from Syd at the time."  At this time, Barrett's reading reputedly included: Grimm's Fairy Tales, Tolkien's The Hobbit and Lord of the Rings, Carlos Castaneda's The Teachings of Don Juan, and The I-Ching. During this period, Barrett wrote most of the songs for Pink Floyd's first album, and also songs that would later appear on his solo albums. In 1966, a new rock concert venue, the UFO (pronounced as "you-foe"), opened in London and quickly became a haven for British psychedelic music. Pink Floyd, the house band, was its most popular attraction and after making appearances at the rival Roundhouse, became the most popular musical group of the "London Underground" psychedelic music scene.  By the end of 1966, Pink Floyd had gained a reliable management team in Andrew King and Peter Jenner. Towards the end of October 1966, Pink Floyd, with King and Jenner, set up Blackhill Enterprises, to manage the group's finances. Blackhill was staffed by lodgers Jenner found in his Edbrooke Road house, and among others, Barrett's flatmate, Peter Wynne Wilson (who became road manager, however, since he had more experience in lighting, he was also lighting assistant). King and Jenner wanted to prepare some demo recordings for a possible record deal, so at the end of October, they booked a session at Thompson Private Recording Studio, in Hemel Hempstead. King said of the demos: "That was the first time I realised they were going to write all their own material, Syd just turned into a songwriter, it seemed like overnight."  King and Jenner befriended American expatriate Joe Boyd, the promoter of the UFO Club, who was making a name for himself as one of the more important entrepreneurs on the British music scene. The newly hired booking agent, Bryan Morrison, and Boyd had proposed sending in better quality recordings. From Morrison's agency the band played a gig outside London for the first time. In November, the band performed the first (of many) strangely named concerts: Philadelic Music for Simian Hominids, a multimedia event arranged by the group's former landlord, Mike Leonard, at Hornsey College of Art. They performed at the Free School for the following two weeks, before performing at the Psychodelphia Versus Ian Smith event at the Roundhouse in December, arranged by the Majority Rule for Rhodesia Campaign, and an Oxfam benefit at the Albert Hall (the band's biggest venue up to this point). CANNOTANSWER

Question: Did a London Underground album reach bill board charts?
Answer: CANNOTANSWER
Muhammad Ali Jinnah

Context: Until the late 1930s, most Muslims of the British Raj expected, upon independence, to be part of a unitary state encompassing all of British India, as did the Hindus and others who advocated self-government. Despite this, other nationalist proposals were being made. In a speech given at Allahabad to a League session in 1930, Sir Muhammad Iqbal called for a state for Muslims in British India. Choudhary Rahmat Ali published a pamphlet in 1933 advocating a state "Pakistan" in the Indus Valley, with other names given to Muslim-majority areas elsewhere in India. Jinnah and Iqbal corresponded in 1936 and 1937; in subsequent years, Jinnah credited Iqbal as his mentor, and used Iqbal's imagery and rhetoric in his speeches.  Although many leaders of the Congress sought a strong central government for an Indian state, some Muslim politicians, including Jinnah, were unwilling to accept this without powerful protections for their community. Other Muslims supported the Congress, which officially advocated a secular state upon independence, though the traditionalist wing (including politicians such as Madan Mohan Malaviya and Vallabhbhai Patel) believed that an independent India should enact laws such as banning the killing of cows and making Hindi a national language. The failure of the Congress leadership to disavow Hindu communalists worried Congress-supporting Muslims. Nevertheless, the Congress enjoyed considerable Muslim support up to about 1937.  Events which separated the communities included the failed attempt to form a coalition government including the Congress and the League in the United Provinces following the 1937 election. According to historian Ian Talbot, "The provincial Congress governments made no effort to understand and respect their Muslim populations' cultural and religious sensibilities. The Muslim League's claims that it alone could safeguard Muslim interests thus received a major boost. Significantly it was only after this period of Congress rule that it [the League] took up the demand for a Pakistan state ..."  Balraj Puri in his journal article about Jinnah suggests that the Muslim League president, after the 1937 vote, turned to the idea of partition in "sheer desperation". Historian Akbar S. Ahmed suggests that Jinnah abandoned hope of reconciliation with the Congress as he "rediscover[ed] his own Islamic roots, his own sense of identity, of culture and history, which would come increasingly to the fore in the final years of his life". Jinnah also increasingly adopted Muslim dress in the late 1930s. In the wake of the 1937 balloting, Jinnah demanded that the question of power sharing be settled on an all-India basis, and that he, as president of the League, be accepted as the sole spokesman for the Muslim community. CANNOTANSWER

Question: What was Muhammad Ali Jinnah's Background to Independence?
Answer: Until the late 1930s, most Muslims of the British Raj expected, upon independence, to be part of a unitary state encompassing all of British India,
Muhammad Ali Jinnah

Context: Until the late 1930s, most Muslims of the British Raj expected, upon independence, to be part of a unitary state encompassing all of British India, as did the Hindus and others who advocated self-government. Despite this, other nationalist proposals were being made. In a speech given at Allahabad to a League session in 1930, Sir Muhammad Iqbal called for a state for Muslims in British India. Choudhary Rahmat Ali published a pamphlet in 1933 advocating a state "Pakistan" in the Indus Valley, with other names given to Muslim-majority areas elsewhere in India. Jinnah and Iqbal corresponded in 1936 and 1937; in subsequent years, Jinnah credited Iqbal as his mentor, and used Iqbal's imagery and rhetoric in his speeches.  Although many leaders of the Congress sought a strong central government for an Indian state, some Muslim politicians, including Jinnah, were unwilling to accept this without powerful protections for their community. Other Muslims supported the Congress, which officially advocated a secular state upon independence, though the traditionalist wing (including politicians such as Madan Mohan Malaviya and Vallabhbhai Patel) believed that an independent India should enact laws such as banning the killing of cows and making Hindi a national language. The failure of the Congress leadership to disavow Hindu communalists worried Congress-supporting Muslims. Nevertheless, the Congress enjoyed considerable Muslim support up to about 1937.  Events which separated the communities included the failed attempt to form a coalition government including the Congress and the League in the United Provinces following the 1937 election. According to historian Ian Talbot, "The provincial Congress governments made no effort to understand and respect their Muslim populations' cultural and religious sensibilities. The Muslim League's claims that it alone could safeguard Muslim interests thus received a major boost. Significantly it was only after this period of Congress rule that it [the League] took up the demand for a Pakistan state ..."  Balraj Puri in his journal article about Jinnah suggests that the Muslim League president, after the 1937 vote, turned to the idea of partition in "sheer desperation". Historian Akbar S. Ahmed suggests that Jinnah abandoned hope of reconciliation with the Congress as he "rediscover[ed] his own Islamic roots, his own sense of identity, of culture and history, which would come increasingly to the fore in the final years of his life". Jinnah also increasingly adopted Muslim dress in the late 1930s. In the wake of the 1937 balloting, Jinnah demanded that the question of power sharing be settled on an all-India basis, and that he, as president of the League, be accepted as the sole spokesman for the Muslim community. CANNOTANSWER

Question: Did the state encompass all of British India?
Answer: In a speech given at Allahabad to a League session in 1930, Sir Muhammad Iqbal called for a state for Muslims in British India.
Muhammad Ali Jinnah

Context: Until the late 1930s, most Muslims of the British Raj expected, upon independence, to be part of a unitary state encompassing all of British India, as did the Hindus and others who advocated self-government. Despite this, other nationalist proposals were being made. In a speech given at Allahabad to a League session in 1930, Sir Muhammad Iqbal called for a state for Muslims in British India. Choudhary Rahmat Ali published a pamphlet in 1933 advocating a state "Pakistan" in the Indus Valley, with other names given to Muslim-majority areas elsewhere in India. Jinnah and Iqbal corresponded in 1936 and 1937; in subsequent years, Jinnah credited Iqbal as his mentor, and used Iqbal's imagery and rhetoric in his speeches.  Although many leaders of the Congress sought a strong central government for an Indian state, some Muslim politicians, including Jinnah, were unwilling to accept this without powerful protections for their community. Other Muslims supported the Congress, which officially advocated a secular state upon independence, though the traditionalist wing (including politicians such as Madan Mohan Malaviya and Vallabhbhai Patel) believed that an independent India should enact laws such as banning the killing of cows and making Hindi a national language. The failure of the Congress leadership to disavow Hindu communalists worried Congress-supporting Muslims. Nevertheless, the Congress enjoyed considerable Muslim support up to about 1937.  Events which separated the communities included the failed attempt to form a coalition government including the Congress and the League in the United Provinces following the 1937 election. According to historian Ian Talbot, "The provincial Congress governments made no effort to understand and respect their Muslim populations' cultural and religious sensibilities. The Muslim League's claims that it alone could safeguard Muslim interests thus received a major boost. Significantly it was only after this period of Congress rule that it [the League] took up the demand for a Pakistan state ..."  Balraj Puri in his journal article about Jinnah suggests that the Muslim League president, after the 1937 vote, turned to the idea of partition in "sheer desperation". Historian Akbar S. Ahmed suggests that Jinnah abandoned hope of reconciliation with the Congress as he "rediscover[ed] his own Islamic roots, his own sense of identity, of culture and history, which would come increasingly to the fore in the final years of his life". Jinnah also increasingly adopted Muslim dress in the late 1930s. In the wake of the 1937 balloting, Jinnah demanded that the question of power sharing be settled on an all-India basis, and that he, as president of the League, be accepted as the sole spokesman for the Muslim community. CANNOTANSWER

Question: What happened after the speech?
Answer: Choudhary Rahmat Ali published a pamphlet in 1933 advocating a state "Pakistan"
Muhammad Ali Jinnah

Context: Until the late 1930s, most Muslims of the British Raj expected, upon independence, to be part of a unitary state encompassing all of British India, as did the Hindus and others who advocated self-government. Despite this, other nationalist proposals were being made. In a speech given at Allahabad to a League session in 1930, Sir Muhammad Iqbal called for a state for Muslims in British India. Choudhary Rahmat Ali published a pamphlet in 1933 advocating a state "Pakistan" in the Indus Valley, with other names given to Muslim-majority areas elsewhere in India. Jinnah and Iqbal corresponded in 1936 and 1937; in subsequent years, Jinnah credited Iqbal as his mentor, and used Iqbal's imagery and rhetoric in his speeches.  Although many leaders of the Congress sought a strong central government for an Indian state, some Muslim politicians, including Jinnah, were unwilling to accept this without powerful protections for their community. Other Muslims supported the Congress, which officially advocated a secular state upon independence, though the traditionalist wing (including politicians such as Madan Mohan Malaviya and Vallabhbhai Patel) believed that an independent India should enact laws such as banning the killing of cows and making Hindi a national language. The failure of the Congress leadership to disavow Hindu communalists worried Congress-supporting Muslims. Nevertheless, the Congress enjoyed considerable Muslim support up to about 1937.  Events which separated the communities included the failed attempt to form a coalition government including the Congress and the League in the United Provinces following the 1937 election. According to historian Ian Talbot, "The provincial Congress governments made no effort to understand and respect their Muslim populations' cultural and religious sensibilities. The Muslim League's claims that it alone could safeguard Muslim interests thus received a major boost. Significantly it was only after this period of Congress rule that it [the League] took up the demand for a Pakistan state ..."  Balraj Puri in his journal article about Jinnah suggests that the Muslim League president, after the 1937 vote, turned to the idea of partition in "sheer desperation". Historian Akbar S. Ahmed suggests that Jinnah abandoned hope of reconciliation with the Congress as he "rediscover[ed] his own Islamic roots, his own sense of identity, of culture and history, which would come increasingly to the fore in the final years of his life". Jinnah also increasingly adopted Muslim dress in the late 1930s. In the wake of the 1937 balloting, Jinnah demanded that the question of power sharing be settled on an all-India basis, and that he, as president of the League, be accepted as the sole spokesman for the Muslim community. CANNOTANSWER

Question: How was the pamphlet received?
Answer: Although many leaders of the Congress sought a strong central government for an Indian state, some Muslim politicians, including Jinnah, were unwilling to accept this
Queens of the Stone Age

Context: Foo Fighters frontman and former Nirvana drummer, Dave Grohl, joined in late 2001 to record drums for their third album. Songs for the Deaf was released in August 2002, again featuring Lanegan, along with former A Perfect Circle guitarist Troy Van Leeuwen to the touring line-up following the album's release. Also featured on Songs for the Deaf for the final track "Mosquito Song" were former A Perfect Circle bassist Paz Lenchantin on viola and piano, and Dean Ween on guitar.  This record was supposed to sound bizarre--like lightning in a bottle. We also were extremely fucked up. It even sounds that way to me, like a crazy person. The radio interludes are supposed to be like the drive from L.A. to Joshua Tree, a drive that makes you feel like you're letting go--more David Lynch with every mile.  Songs for the Deaf was a critical hit and was certified gold in 2003, with sales of over 900,000. The singles "No One Knows" and "Go with the Flow" became hits on radio and MTV, with the former just outside the Billboard Top 40. "No One Knows" and "Go with the Flow" were also featured on the first iterations of the popular video games Guitar Hero and Rock Band (respectively).  The Songs for the Deaf tour culminated in a string of headline dates in Australia in January 2004. Grohl returned to his other projects and was replaced on the European leg of the tour by former Danzig drummer Joey Castillo, who joined the band full-time. After the tour, Homme fired Oliveri, as he was convinced that Oliveri had been physically abusive to his girlfriend: "A couple years ago, I spoke to Nick about a rumor I heard. I said, 'If I ever find out that this is true, I can't know you, man.'" Homme considered breaking up the band after firing Oliveri, but found a new determination to continue. Oliveri countered in the press that the band had been "poisoned by hunger for power" and that without him, they were "Queens Lite." He later softened his opinion and said: "My relationship with Josh is good. The new Queens record kicks ass." The two reportedly are still friends and as of October 2006, Oliveri was interested in rejoining the band. Oliveri later contributed to a Queens of the Stone Age for the first time in nine years, contributing backing vocals to the band's sixth album, ...Like Clockwork. CANNOTANSWER

Question: Why did Oliveri leave the band Queens of the Stone Age ?
Answer: After the tour, Homme fired Oliveri, as he was convinced that Oliveri had been physically abusive to his girlfriend: "
Queens of the Stone Age

Context: Foo Fighters frontman and former Nirvana drummer, Dave Grohl, joined in late 2001 to record drums for their third album. Songs for the Deaf was released in August 2002, again featuring Lanegan, along with former A Perfect Circle guitarist Troy Van Leeuwen to the touring line-up following the album's release. Also featured on Songs for the Deaf for the final track "Mosquito Song" were former A Perfect Circle bassist Paz Lenchantin on viola and piano, and Dean Ween on guitar.  This record was supposed to sound bizarre--like lightning in a bottle. We also were extremely fucked up. It even sounds that way to me, like a crazy person. The radio interludes are supposed to be like the drive from L.A. to Joshua Tree, a drive that makes you feel like you're letting go--more David Lynch with every mile.  Songs for the Deaf was a critical hit and was certified gold in 2003, with sales of over 900,000. The singles "No One Knows" and "Go with the Flow" became hits on radio and MTV, with the former just outside the Billboard Top 40. "No One Knows" and "Go with the Flow" were also featured on the first iterations of the popular video games Guitar Hero and Rock Band (respectively).  The Songs for the Deaf tour culminated in a string of headline dates in Australia in January 2004. Grohl returned to his other projects and was replaced on the European leg of the tour by former Danzig drummer Joey Castillo, who joined the band full-time. After the tour, Homme fired Oliveri, as he was convinced that Oliveri had been physically abusive to his girlfriend: "A couple years ago, I spoke to Nick about a rumor I heard. I said, 'If I ever find out that this is true, I can't know you, man.'" Homme considered breaking up the band after firing Oliveri, but found a new determination to continue. Oliveri countered in the press that the band had been "poisoned by hunger for power" and that without him, they were "Queens Lite." He later softened his opinion and said: "My relationship with Josh is good. The new Queens record kicks ass." The two reportedly are still friends and as of October 2006, Oliveri was interested in rejoining the band. Oliveri later contributed to a Queens of the Stone Age for the first time in nine years, contributing backing vocals to the band's sixth album, ...Like Clockwork. CANNOTANSWER

Question: What kind of mainstream exposure did Queens of the Stone Age have?
Answer: Songs for the Deaf was a critical hit and was certified gold in 2003, with sales of over 900,000.