gaussalgo/Canard_Wiki-augmented huggingface dataset:
John Maynard Keynes

Context: Keynes sometimes explained the mass murder that took place during the first years of communist Russia on a racial basis, as part of the "Russian and Jewish nature", rather than as a result of the communist rule. After a trip to Russia, he wrote in his Short View of Russia that there is "beastliness on the Russian and Jewish natures when, as now, they are allied together". He also wrote that "out of the cruelty and stupidity of the Old Russia nothing could ever emerge, but (...) beneath the cruelty and stupidity of the New Russia a speck of the ideal may lie hid", which together with other comments may be construed as anti-Russian and antisemitic.  Some critics, including Murray Rothbard, have sought to show that Keynes had sympathy with Nazism, and a number of writers described him as antisemitic. Keynes's private letters contain portraits and descriptions, some of which can be characterized as antisemitic, others as philosemitic. Scholars have suggested that these reflect cliches current at the time that he accepted uncritically, rather than any racism. On several occasions Keynes used his influence to help his Jewish friends, most notably when he successfully lobbied for Ludwig Wittgenstein to be allowed residency in the United Kingdom, explicitly in order to rescue him from being deported to Nazi-occupied Austria. Keynes was a supporter of Zionism, serving on committees supporting the cause.  Allegations that he was racist or had totalitarian beliefs have been rejected by Robert Skidelsky and other biographers. Professor Gordon Fletcher wrote that "the suggestion of a link between Keynes and any support of totalitarianism cannot be sustained". Once the aggressive tendencies of the Nazis towards Jews and other minorities had become apparent, Keynes made clear his loathing of Nazism. As a lifelong pacifist he had initially favoured peaceful containment of Nazi Germany, yet he began to advocate a forceful resolution while many conservatives were still arguing for appeasement. After the war started he roundly criticised the Left for losing their nerve to confront Hitler:  The intelligentsia of the Left were the loudest in demanding that the Nazi aggression should be resisted at all costs. When it comes to a showdown, scarce four weeks have passed before they remember that they are pacifists and write defeatist letters to your columns, leaving the defence of freedom and civilisation to Colonel Blimp and the Old School Tie, for whom Three Cheers. CANNOTANSWER

Question: Did John Maynard Keynes say anything else about the Jews, besides that the Russians and Jews are beastly in nature when they are allied?
Answer: On several occasions Keynes used his influence to help his Jewish friends,
Karen Horney

Context: Horney was also a pioneer in the discipline of feminine psychiatry. As one of the first female psychiatrists, she was the first known woman to present a paper regarding feminine psychiatry. The fourteen papers she wrote between 1922 and 1937 were amalgamated into a single volume titled Feminine Psychology. As a woman, she felt that the mapping out of trends in female behaviour was a neglected issue. In her essay entitled "The Problem of Feminine Masochism", Horney felt she proved that cultures and societies worldwide encouraged women to be dependent on men for their love, prestige, wealth, care and protection. She pointed out that in the society, a will to please, satiate and overvalue men had emerged. Women were regarded as objects of charm and beauty--at variance with every human being's ultimate purpose of self-actualization.  Women, according to Horney, traditionally gain value only through their children and the wider family. She touched further on this subject in her essay "The Distrust Between the Sexes" in which she compared the husband-wife relationship to a parent-child relationship--one of misunderstanding and one which breeds detrimental neuroses. Most notably, her work "The Problem of the Monogamous Ideal" was fixed upon marriage, as were six other of Horney's papers. Her essay "Maternal Conflicts" attempted to shed new light on the problems women experience when raising adolescents.  Horney believed that both men and women have a drive to be ingenious and productive. Women are able to satisfy this need normally and internally--to do this they become pregnant and give birth. Men please this need only through external ways; Horney proposed that the striking accomplishments of men in work or some other field can be viewed as compensation for their inability to give birth to children.  Horney developed her ideas to the extent that she released one of the first "self-help" books in 1946, entitled Are You Considering Psychoanalysis?. The book asserted that those, both male and female, with relatively minor neurotic problems could, in effect, be their own psychiatrists. She continually stressed that self-awareness was a part of becoming a better, stronger, richer human being. CANNOTANSWER

Question: What is feminine psychology?
Answer: Women were regarded as objects of charm and beauty--at variance with every human being's ultimate purpose of self-actualization.
Karen Horney

Context: Horney was also a pioneer in the discipline of feminine psychiatry. As one of the first female psychiatrists, she was the first known woman to present a paper regarding feminine psychiatry. The fourteen papers she wrote between 1922 and 1937 were amalgamated into a single volume titled Feminine Psychology. As a woman, she felt that the mapping out of trends in female behaviour was a neglected issue. In her essay entitled "The Problem of Feminine Masochism", Horney felt she proved that cultures and societies worldwide encouraged women to be dependent on men for their love, prestige, wealth, care and protection. She pointed out that in the society, a will to please, satiate and overvalue men had emerged. Women were regarded as objects of charm and beauty--at variance with every human being's ultimate purpose of self-actualization.  Women, according to Horney, traditionally gain value only through their children and the wider family. She touched further on this subject in her essay "The Distrust Between the Sexes" in which she compared the husband-wife relationship to a parent-child relationship--one of misunderstanding and one which breeds detrimental neuroses. Most notably, her work "The Problem of the Monogamous Ideal" was fixed upon marriage, as were six other of Horney's papers. Her essay "Maternal Conflicts" attempted to shed new light on the problems women experience when raising adolescents.  Horney believed that both men and women have a drive to be ingenious and productive. Women are able to satisfy this need normally and internally--to do this they become pregnant and give birth. Men please this need only through external ways; Horney proposed that the striking accomplishments of men in work or some other field can be viewed as compensation for their inability to give birth to children.  Horney developed her ideas to the extent that she released one of the first "self-help" books in 1946, entitled Are You Considering Psychoanalysis?. The book asserted that those, both male and female, with relatively minor neurotic problems could, in effect, be their own psychiatrists. She continually stressed that self-awareness was a part of becoming a better, stronger, richer human being. CANNOTANSWER

Question: How did Karen Horney contribute to feminine psychology?
Answer: Horney felt she proved that cultures and societies worldwide encouraged women to be dependent on men for their love, prestige, wealth, care and protection.
Karen Horney

Context: Horney was also a pioneer in the discipline of feminine psychiatry. As one of the first female psychiatrists, she was the first known woman to present a paper regarding feminine psychiatry. The fourteen papers she wrote between 1922 and 1937 were amalgamated into a single volume titled Feminine Psychology. As a woman, she felt that the mapping out of trends in female behaviour was a neglected issue. In her essay entitled "The Problem of Feminine Masochism", Horney felt she proved that cultures and societies worldwide encouraged women to be dependent on men for their love, prestige, wealth, care and protection. She pointed out that in the society, a will to please, satiate and overvalue men had emerged. Women were regarded as objects of charm and beauty--at variance with every human being's ultimate purpose of self-actualization.  Women, according to Horney, traditionally gain value only through their children and the wider family. She touched further on this subject in her essay "The Distrust Between the Sexes" in which she compared the husband-wife relationship to a parent-child relationship--one of misunderstanding and one which breeds detrimental neuroses. Most notably, her work "The Problem of the Monogamous Ideal" was fixed upon marriage, as were six other of Horney's papers. Her essay "Maternal Conflicts" attempted to shed new light on the problems women experience when raising adolescents.  Horney believed that both men and women have a drive to be ingenious and productive. Women are able to satisfy this need normally and internally--to do this they become pregnant and give birth. Men please this need only through external ways; Horney proposed that the striking accomplishments of men in work or some other field can be viewed as compensation for their inability to give birth to children.  Horney developed her ideas to the extent that she released one of the first "self-help" books in 1946, entitled Are You Considering Psychoanalysis?. The book asserted that those, both male and female, with relatively minor neurotic problems could, in effect, be their own psychiatrists. She continually stressed that self-awareness was a part of becoming a better, stronger, richer human being. CANNOTANSWER

Question: Besides encouraging women to be dependent on men, what were some of Karen Horney's other ideas regarding feminine psychology?
Answer: Horney believed that both men and women have a drive to be ingenious and productive.
Karen Horney

Context: Horney was also a pioneer in the discipline of feminine psychiatry. As one of the first female psychiatrists, she was the first known woman to present a paper regarding feminine psychiatry. The fourteen papers she wrote between 1922 and 1937 were amalgamated into a single volume titled Feminine Psychology. As a woman, she felt that the mapping out of trends in female behaviour was a neglected issue. In her essay entitled "The Problem of Feminine Masochism", Horney felt she proved that cultures and societies worldwide encouraged women to be dependent on men for their love, prestige, wealth, care and protection. She pointed out that in the society, a will to please, satiate and overvalue men had emerged. Women were regarded as objects of charm and beauty--at variance with every human being's ultimate purpose of self-actualization.  Women, according to Horney, traditionally gain value only through their children and the wider family. She touched further on this subject in her essay "The Distrust Between the Sexes" in which she compared the husband-wife relationship to a parent-child relationship--one of misunderstanding and one which breeds detrimental neuroses. Most notably, her work "The Problem of the Monogamous Ideal" was fixed upon marriage, as were six other of Horney's papers. Her essay "Maternal Conflicts" attempted to shed new light on the problems women experience when raising adolescents.  Horney believed that both men and women have a drive to be ingenious and productive. Women are able to satisfy this need normally and internally--to do this they become pregnant and give birth. Men please this need only through external ways; Horney proposed that the striking accomplishments of men in work or some other field can be viewed as compensation for their inability to give birth to children.  Horney developed her ideas to the extent that she released one of the first "self-help" books in 1946, entitled Are You Considering Psychoanalysis?. The book asserted that those, both male and female, with relatively minor neurotic problems could, in effect, be their own psychiatrists. She continually stressed that self-awareness was a part of becoming a better, stronger, richer human being. CANNOTANSWER

Question: Did Karen Horney publish any works about people's drive to be ingenious and productive?
Answer: The fourteen papers she wrote between 1922 and 1937 were amalgamated into a single volume titled Feminine Psychology.
Karen Horney

Context: Horney was also a pioneer in the discipline of feminine psychiatry. As one of the first female psychiatrists, she was the first known woman to present a paper regarding feminine psychiatry. The fourteen papers she wrote between 1922 and 1937 were amalgamated into a single volume titled Feminine Psychology. As a woman, she felt that the mapping out of trends in female behaviour was a neglected issue. In her essay entitled "The Problem of Feminine Masochism", Horney felt she proved that cultures and societies worldwide encouraged women to be dependent on men for their love, prestige, wealth, care and protection. She pointed out that in the society, a will to please, satiate and overvalue men had emerged. Women were regarded as objects of charm and beauty--at variance with every human being's ultimate purpose of self-actualization.  Women, according to Horney, traditionally gain value only through their children and the wider family. She touched further on this subject in her essay "The Distrust Between the Sexes" in which she compared the husband-wife relationship to a parent-child relationship--one of misunderstanding and one which breeds detrimental neuroses. Most notably, her work "The Problem of the Monogamous Ideal" was fixed upon marriage, as were six other of Horney's papers. Her essay "Maternal Conflicts" attempted to shed new light on the problems women experience when raising adolescents.  Horney believed that both men and women have a drive to be ingenious and productive. Women are able to satisfy this need normally and internally--to do this they become pregnant and give birth. Men please this need only through external ways; Horney proposed that the striking accomplishments of men in work or some other field can be viewed as compensation for their inability to give birth to children.  Horney developed her ideas to the extent that she released one of the first "self-help" books in 1946, entitled Are You Considering Psychoanalysis?. The book asserted that those, both male and female, with relatively minor neurotic problems could, in effect, be their own psychiatrists. She continually stressed that self-awareness was a part of becoming a better, stronger, richer human being. CANNOTANSWER

Question: Did Karen Horney lecture?
Answer: CANNOTANSWER
Karen Horney

Context: Horney was also a pioneer in the discipline of feminine psychiatry. As one of the first female psychiatrists, she was the first known woman to present a paper regarding feminine psychiatry. The fourteen papers she wrote between 1922 and 1937 were amalgamated into a single volume titled Feminine Psychology. As a woman, she felt that the mapping out of trends in female behaviour was a neglected issue. In her essay entitled "The Problem of Feminine Masochism", Horney felt she proved that cultures and societies worldwide encouraged women to be dependent on men for their love, prestige, wealth, care and protection. She pointed out that in the society, a will to please, satiate and overvalue men had emerged. Women were regarded as objects of charm and beauty--at variance with every human being's ultimate purpose of self-actualization.  Women, according to Horney, traditionally gain value only through their children and the wider family. She touched further on this subject in her essay "The Distrust Between the Sexes" in which she compared the husband-wife relationship to a parent-child relationship--one of misunderstanding and one which breeds detrimental neuroses. Most notably, her work "The Problem of the Monogamous Ideal" was fixed upon marriage, as were six other of Horney's papers. Her essay "Maternal Conflicts" attempted to shed new light on the problems women experience when raising adolescents.  Horney believed that both men and women have a drive to be ingenious and productive. Women are able to satisfy this need normally and internally--to do this they become pregnant and give birth. Men please this need only through external ways; Horney proposed that the striking accomplishments of men in work or some other field can be viewed as compensation for their inability to give birth to children.  Horney developed her ideas to the extent that she released one of the first "self-help" books in 1946, entitled Are You Considering Psychoanalysis?. The book asserted that those, both male and female, with relatively minor neurotic problems could, in effect, be their own psychiatrists. She continually stressed that self-awareness was a part of becoming a better, stronger, richer human being. CANNOTANSWER

Question: Besides men's and women's drive to be productive, what were some of Karen Horney's other contributions to feminine psychology?
Answer: Horney developed her ideas to the extent that she released one of the first "self-help" books in 1946, entitled Are You Considering Psychoanalysis?.
Bruce Lee

Context: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".  It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch.  Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims. CANNOTANSWER

Question: How did Bruce Lee get involved with the Long Beach International Karate?
Answer: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships
Bruce Lee

Context: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".  It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch.  Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims. CANNOTANSWER

Question: What did Bruce Lee do there?
Answer: performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart.
Bruce Lee

Context: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".  It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch.  Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims. CANNOTANSWER

Question: Did Bruce Lee do anything else of note there besides two-finger push-ups?
Answer: In the same Long Beach event he also performed the "One inch punch."
Bruce Lee

Context: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".  It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch.  Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims. CANNOTANSWER

Question: Who did Bruce Lee punch?
Answer: His volunteer was Bob Baker of Stockton, California.
Bruce Lee

Context: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".  It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch.  Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims. CANNOTANSWER

Question: Did Bob Baker get hurt when  punched by Bruce Lee?
Answer: Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".
Bruce Lee

Context: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".  It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch.  Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims. CANNOTANSWER

Question: Did Bruce Lee do another Long Beach event other than the one in 1964?
Answer: Lee appeared at the 1967 Long Beach International Karate Championships
Bruce Lee

Context: At the invitation of Ed Parker, Lee appeared in the 1964 Long Beach International Karate Championships and performed repetitions of two-finger push-ups (using the thumb and the index finger of one hand) with feet at approximately shoulder-width apart. In the same Long Beach event he also performed the "One inch punch." Lee stood upright, his right foot forward with knees bent slightly, in front of a standing, stationary partner. Lee's right arm was partly extended and his right fist approximately one inch (2.5 cm) away from the partner's chest. Without retracting his right arm, Lee then forcibly delivered the punch to his partner while largely maintaining his posture, sending the partner backwards and falling into a chair said to be placed behind the partner to prevent injury, though his partner's momentum soon caused him to fall to the floor. His volunteer was Bob Baker of Stockton, California. "I told Bruce not to do this type of demonstration again", Baker recalled. "When he punched me that last time, I had to stay home from work because the pain in my chest was unbearable".  It was at the 1964 championships that Lee first met Taekwondo master Jhoon Goo Rhee. The two developed a friendship - a relationship from which they benefited as martial artists. Rhee taught Lee the side kick in detail, and Lee taught Rhee the "non-telegraphic" punch.  Lee appeared at the 1967 Long Beach International Karate Championships and performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore. Lee allegedly told Moore that he was going to throw a straight punch to the face, and all he had to do was to try to block it. Lee took several steps back and asked if Moore was ready. When Moore nodded in affirmation, Lee glided towards him until he was within striking range. He then threw a straight punch directly at Moore's face, and stopped before impact. In eight attempts, Moore failed to block any of the punches. However, Moore and grandmaster Steve Mohammed claim that Lee had first told Moore that he was going to throw a straight punch to the body, which Moore blocked. Lee attempted another punch, and Moore blocked it as well. The third punch, which Lee threw to Moore's face, did not come nearly within striking distance. Moore claims that Lee never successfully struck Moore but Moore was able to strike Lee after trying on his own; Moore further claims that Bruce Lee said he was the fastest American he's ever seen and that Lee's media crew repeatedly played the one punch towards Moore's face that did not come within striking range, allegedly in an attempt to preserve Lee's superstar image. However, when viewing the video of the demonstration, it is clear that Mohammed and especially Moore were erroneous in their claims. CANNOTANSWER

Question: Did anything exciting happen at the 1967 Long Beach International Karate Championship
Answer: performed various demonstrations, including the famous "unstoppable punch" against USKA world Karate champion Vic Moore.
Neil Simon

Context: Two years later, he quit his job as a mailroom clerk in the Warner Brothers offices in Manhattan to write radio and television scripts with his brother Danny Simon, including tutelage by radio humourist Goodman Ace when Ace ran a short-lived writing workshop for CBS. They wrote for the radio series The Robert Q. Lewis Show, which led to other writing jobs. Max Liebman hired the duo for his popular television comedy series Your Show of Shows, for which he earned two Emmy Award nominations. He later wrote scripts for The Phil Silvers Show; the episodes were broadcast during 1958 and 1959.  Simon credits these two latter writing jobs for their importance to his career, stating that "between the two of them, I spent five years and learned more about what I was eventually going to do than in any other previous experience." He adds, "I knew when I walked into Your Show of Shows, that this was the most talented group of writers that up until that time had ever been assembled together." Simon describes a typical writing session with the show:  There were about seven writers, plus Sid, Carl Reiner, and Howie Morris...Mel Brooks and maybe Woody Allen would write one of the other sketches ... everyone would pitch in and rewrite, so we all had a part of it ... It was probably the most enjoyable time I ever had in writing with other people.  Simon incorporated some of their experiences into his play Laughter on the 23rd Floor (1993). A 2001 TV adaptation of the play won him two Emmy Award nominations. The first Broadway show Simon wrote was Catch a Star! (1955), collaborating on sketches with his brother, Danny. CANNOTANSWER

Question: When did Neil Simon start writing comedy for television?
Answer: Two years later, he quit his job as a mailroom clerk in the Warner Brothers offices in Manhattan to write radio and television scripts with his brother Danny Simon,
Neil Simon

Context: Two years later, he quit his job as a mailroom clerk in the Warner Brothers offices in Manhattan to write radio and television scripts with his brother Danny Simon, including tutelage by radio humourist Goodman Ace when Ace ran a short-lived writing workshop for CBS. They wrote for the radio series The Robert Q. Lewis Show, which led to other writing jobs. Max Liebman hired the duo for his popular television comedy series Your Show of Shows, for which he earned two Emmy Award nominations. He later wrote scripts for The Phil Silvers Show; the episodes were broadcast during 1958 and 1959.  Simon credits these two latter writing jobs for their importance to his career, stating that "between the two of them, I spent five years and learned more about what I was eventually going to do than in any other previous experience." He adds, "I knew when I walked into Your Show of Shows, that this was the most talented group of writers that up until that time had ever been assembled together." Simon describes a typical writing session with the show:  There were about seven writers, plus Sid, Carl Reiner, and Howie Morris...Mel Brooks and maybe Woody Allen would write one of the other sketches ... everyone would pitch in and rewrite, so we all had a part of it ... It was probably the most enjoyable time I ever had in writing with other people.  Simon incorporated some of their experiences into his play Laughter on the 23rd Floor (1993). A 2001 TV adaptation of the play won him two Emmy Award nominations. The first Broadway show Simon wrote was Catch a Star! (1955), collaborating on sketches with his brother, Danny. CANNOTANSWER

Question: What was the first script Neil Simon wrote?
Answer: They wrote for the radio series The Robert Q. Lewis Show, which led to other writing jobs.
Neil Simon

Context: Two years later, he quit his job as a mailroom clerk in the Warner Brothers offices in Manhattan to write radio and television scripts with his brother Danny Simon, including tutelage by radio humourist Goodman Ace when Ace ran a short-lived writing workshop for CBS. They wrote for the radio series The Robert Q. Lewis Show, which led to other writing jobs. Max Liebman hired the duo for his popular television comedy series Your Show of Shows, for which he earned two Emmy Award nominations. He later wrote scripts for The Phil Silvers Show; the episodes were broadcast during 1958 and 1959.  Simon credits these two latter writing jobs for their importance to his career, stating that "between the two of them, I spent five years and learned more about what I was eventually going to do than in any other previous experience." He adds, "I knew when I walked into Your Show of Shows, that this was the most talented group of writers that up until that time had ever been assembled together." Simon describes a typical writing session with the show:  There were about seven writers, plus Sid, Carl Reiner, and Howie Morris...Mel Brooks and maybe Woody Allen would write one of the other sketches ... everyone would pitch in and rewrite, so we all had a part of it ... It was probably the most enjoyable time I ever had in writing with other people.  Simon incorporated some of their experiences into his play Laughter on the 23rd Floor (1993). A 2001 TV adaptation of the play won him two Emmy Award nominations. The first Broadway show Simon wrote was Catch a Star! (1955), collaborating on sketches with his brother, Danny. CANNOTANSWER

Question: Where did Neil Simon work after the Robert Lewis Show?
Answer: CANNOTANSWER
Neil Simon

Context: Two years later, he quit his job as a mailroom clerk in the Warner Brothers offices in Manhattan to write radio and television scripts with his brother Danny Simon, including tutelage by radio humourist Goodman Ace when Ace ran a short-lived writing workshop for CBS. They wrote for the radio series The Robert Q. Lewis Show, which led to other writing jobs. Max Liebman hired the duo for his popular television comedy series Your Show of Shows, for which he earned two Emmy Award nominations. He later wrote scripts for The Phil Silvers Show; the episodes were broadcast during 1958 and 1959.  Simon credits these two latter writing jobs for their importance to his career, stating that "between the two of them, I spent five years and learned more about what I was eventually going to do than in any other previous experience." He adds, "I knew when I walked into Your Show of Shows, that this was the most talented group of writers that up until that time had ever been assembled together." Simon describes a typical writing session with the show:  There were about seven writers, plus Sid, Carl Reiner, and Howie Morris...Mel Brooks and maybe Woody Allen would write one of the other sketches ... everyone would pitch in and rewrite, so we all had a part of it ... It was probably the most enjoyable time I ever had in writing with other people.  Simon incorporated some of their experiences into his play Laughter on the 23rd Floor (1993). A 2001 TV adaptation of the play won him two Emmy Award nominations. The first Broadway show Simon wrote was Catch a Star! (1955), collaborating on sketches with his brother, Danny. CANNOTANSWER

Question: Was Neil Simon successful when writing television comedies?
Answer: Max Liebman hired the duo for his popular television comedy series Your Show of Shows, for which he earned two Emmy Award nominations.
Neil Simon

Context: Two years later, he quit his job as a mailroom clerk in the Warner Brothers offices in Manhattan to write radio and television scripts with his brother Danny Simon, including tutelage by radio humourist Goodman Ace when Ace ran a short-lived writing workshop for CBS. They wrote for the radio series The Robert Q. Lewis Show, which led to other writing jobs. Max Liebman hired the duo for his popular television comedy series Your Show of Shows, for which he earned two Emmy Award nominations. He later wrote scripts for The Phil Silvers Show; the episodes were broadcast during 1958 and 1959.  Simon credits these two latter writing jobs for their importance to his career, stating that "between the two of them, I spent five years and learned more about what I was eventually going to do than in any other previous experience." He adds, "I knew when I walked into Your Show of Shows, that this was the most talented group of writers that up until that time had ever been assembled together." Simon describes a typical writing session with the show:  There were about seven writers, plus Sid, Carl Reiner, and Howie Morris...Mel Brooks and maybe Woody Allen would write one of the other sketches ... everyone would pitch in and rewrite, so we all had a part of it ... It was probably the most enjoyable time I ever had in writing with other people.  Simon incorporated some of their experiences into his play Laughter on the 23rd Floor (1993). A 2001 TV adaptation of the play won him two Emmy Award nominations. The first Broadway show Simon wrote was Catch a Star! (1955), collaborating on sketches with his brother, Danny. CANNOTANSWER

Question: Did Neil Simon win any awards for his work?
Answer: 2001 TV adaptation of the play won him two Emmy Award nominations.