gaussalgo/Canard_Wiki-augmented huggingface dataset:
Lenape

Context: At the time of sustained European contact in the 16th centuries and 17th centuries, the Lenape were a powerful Native American nation who inhabited a region on the mid-Atlantic coast spanning the latitudes of southern Massachusetts to the southern extent of Delaware in what anthropologists call the Northeastern Woodlands. Although never politically unified, the confederation of the Delaware roughly encompassed the area around and between the Delaware and lower Hudson rivers, and included the western part of Long Island in present-day New York. Some of their place names, such as Manhattan ("the island of many hills"), Raritan, and Tappan were adopted by Dutch and English colonists to identify the Lenape people that lived there. Based on the historical record of the mid-17th century, it has been estimated that most Lenape polities consisted of several hundred people but it is conceivable that some had been considerably larger prior to close contact, given the wars between the Susquehannocks and the Iroquois, both of whom were armed by the Dutch fur traders, while the Lenape were at odds with the Dutch and so lost that particular arms race.  During the Beaver Wars in the first half of the 17th century, European colonists were careful to keep firearms from the coastally located Delaware, while rival Iroquoian peoples such as the Susquehannocks and Confederation of the Iroquois became comparatively well armed. Subsequently, the Lenape became subjugated and made tributary to first the Susquehannocks, then the Iroquois, even needing their rivals' (superiors') agreement to initiate treaties such as land sales. Like most tribes, Lenape communities were weakened by newly introduced diseases originating in Europe, mainly smallpox but also cholera, influenza and dysentery, and recurrent violent racial conflict with Europeans. Iroquoian peoples occasionally fought the Lenape. As the 18th century progressed, many surviving Lenape moved west--into the (relatively empty) upper Ohio River basin.  Smallpox devastated Native American communities even located far from European settlements by the 1640s. The Lenape and Susquehannocks fought a war in the middle of the 17th century that left the Delaware a tributary state even as the Susquehannocks had defeated the Province of Maryland between 1642-50s. CANNOTANSWER

Question: How were the Lenape involved in the Beaver Wars?
Answer: the Lenape became subjugated
Lil Wayne

Context: Instead of a follow-up solo album, Lil Wayne reached his audience through a plethora of mixtapes and guest appearances on a variety of pop and hip-hop singles. Of his many mixtapes, Dedication 2 and Da Drought 3 received the most media exposure and critical review. Dedication 2, released in 2006, paired Lil Wayne with DJ Drama and contained the acclaimed socially conscious track "Georgia Bush", in which Lil Wayne critiqued former US president George W. Bush's response to the effects of Hurricane Katrina on the city of New Orleans. Da Drought 3 was released the following year and was available for free legal download. It contained Lil Wayne rapping over a variety of beats from recent hits by other musicians. A number of prominent hip-hop magazines such as XXL and Vibe covered the mixtape. Christian Hoard of Rolling Stone magazine considered the mixtapes Da Drought 3 and The Drought Is Over 2 (The Carter 3 Sessions) "among the best albums of 2007."  Despite no album release for two years, Lil Wayne appeared in numerous singles as a featured performer, including "Gimme That" by Chris Brown, "Make It Rain" by Fat Joe, "You" by Lloyd, and "We Takin' Over" by DJ Khaled (also featuring Akon, T.I., Rick Ross, Fat Joe, and Birdman), "Duffle Bag Boy" by Playaz Circle, "Sweetest Girl (Dollar Bill)" by Wyclef Jean (also featuring Akon), and the remix to "I'm So Hood" by DJ Khaled (also featuring T-Pain, Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Fat Joe, Birdman, and Rick Ross). All these singles charted within the top 20 spots on the Billboard Hot 100, Hot Rap Tracks, and Hot R&B/Hip-Hop Songs charts. On Birdman's 2007 album 5 * Stunna, Lil Wayne appeared on the singles "100 Million" and "I Run This" among several other tracks. Wayne also appeared on tracks from albums Getback by Little Brother, American Gangster by Jay-Z, and Graduation by Kanye West and Insomniac by Enrique Iglesias. "Make it Rain", a Scott Storch production that peaked at number 13 on the Hot 100 and number two on the Hot Rap Tracks chart, was nominated for the Grammy Award for Best Rap Performance by a Duo or Group for 2008.  Vibe magazine ranked a list of 77 of Lil Wayne's songs from 2007 and ranked his verse in DJ Khaled's "We Takin Over" as his best of 2007, with "Dough Is What I Got" (a freestyle over the beat of Jay-Z's "Show Me What You Got") from Da Drought 3 the second song. At the end of 2007, an MTV poll selected Lil Wayne as "Hottest MC in the Game", The New Yorker magazine ranked him "Rapper of the Year", and GQ magazine named him "Workaholic of the Year". In 2008 he was named "Best MC" by Rolling Stone. Another article, built around Lil Wayne's 2007 mixtape work, cites his creative practice as an example of post performance creative practice. CANNOTANSWER

Question: Was Lil' Wayne releasing mixtapes between 2006-2007?
Answer: Of his many mixtapes, Dedication 2 and Da Drought 3 received the most media exposure and critical review.
Lil Wayne

Context: Instead of a follow-up solo album, Lil Wayne reached his audience through a plethora of mixtapes and guest appearances on a variety of pop and hip-hop singles. Of his many mixtapes, Dedication 2 and Da Drought 3 received the most media exposure and critical review. Dedication 2, released in 2006, paired Lil Wayne with DJ Drama and contained the acclaimed socially conscious track "Georgia Bush", in which Lil Wayne critiqued former US president George W. Bush's response to the effects of Hurricane Katrina on the city of New Orleans. Da Drought 3 was released the following year and was available for free legal download. It contained Lil Wayne rapping over a variety of beats from recent hits by other musicians. A number of prominent hip-hop magazines such as XXL and Vibe covered the mixtape. Christian Hoard of Rolling Stone magazine considered the mixtapes Da Drought 3 and The Drought Is Over 2 (The Carter 3 Sessions) "among the best albums of 2007."  Despite no album release for two years, Lil Wayne appeared in numerous singles as a featured performer, including "Gimme That" by Chris Brown, "Make It Rain" by Fat Joe, "You" by Lloyd, and "We Takin' Over" by DJ Khaled (also featuring Akon, T.I., Rick Ross, Fat Joe, and Birdman), "Duffle Bag Boy" by Playaz Circle, "Sweetest Girl (Dollar Bill)" by Wyclef Jean (also featuring Akon), and the remix to "I'm So Hood" by DJ Khaled (also featuring T-Pain, Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Fat Joe, Birdman, and Rick Ross). All these singles charted within the top 20 spots on the Billboard Hot 100, Hot Rap Tracks, and Hot R&B/Hip-Hop Songs charts. On Birdman's 2007 album 5 * Stunna, Lil Wayne appeared on the singles "100 Million" and "I Run This" among several other tracks. Wayne also appeared on tracks from albums Getback by Little Brother, American Gangster by Jay-Z, and Graduation by Kanye West and Insomniac by Enrique Iglesias. "Make it Rain", a Scott Storch production that peaked at number 13 on the Hot 100 and number two on the Hot Rap Tracks chart, was nominated for the Grammy Award for Best Rap Performance by a Duo or Group for 2008.  Vibe magazine ranked a list of 77 of Lil Wayne's songs from 2007 and ranked his verse in DJ Khaled's "We Takin Over" as his best of 2007, with "Dough Is What I Got" (a freestyle over the beat of Jay-Z's "Show Me What You Got") from Da Drought 3 the second song. At the end of 2007, an MTV poll selected Lil Wayne as "Hottest MC in the Game", The New Yorker magazine ranked him "Rapper of the Year", and GQ magazine named him "Workaholic of the Year". In 2008 he was named "Best MC" by Rolling Stone. Another article, built around Lil Wayne's 2007 mixtape work, cites his creative practice as an example of post performance creative practice. CANNOTANSWER

Question: When did Lil' Wayne's mixtape Dedication 2 release?
Answer: Dedication 2, released in 2006,
Lil Wayne

Context: Instead of a follow-up solo album, Lil Wayne reached his audience through a plethora of mixtapes and guest appearances on a variety of pop and hip-hop singles. Of his many mixtapes, Dedication 2 and Da Drought 3 received the most media exposure and critical review. Dedication 2, released in 2006, paired Lil Wayne with DJ Drama and contained the acclaimed socially conscious track "Georgia Bush", in which Lil Wayne critiqued former US president George W. Bush's response to the effects of Hurricane Katrina on the city of New Orleans. Da Drought 3 was released the following year and was available for free legal download. It contained Lil Wayne rapping over a variety of beats from recent hits by other musicians. A number of prominent hip-hop magazines such as XXL and Vibe covered the mixtape. Christian Hoard of Rolling Stone magazine considered the mixtapes Da Drought 3 and The Drought Is Over 2 (The Carter 3 Sessions) "among the best albums of 2007."  Despite no album release for two years, Lil Wayne appeared in numerous singles as a featured performer, including "Gimme That" by Chris Brown, "Make It Rain" by Fat Joe, "You" by Lloyd, and "We Takin' Over" by DJ Khaled (also featuring Akon, T.I., Rick Ross, Fat Joe, and Birdman), "Duffle Bag Boy" by Playaz Circle, "Sweetest Girl (Dollar Bill)" by Wyclef Jean (also featuring Akon), and the remix to "I'm So Hood" by DJ Khaled (also featuring T-Pain, Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Fat Joe, Birdman, and Rick Ross). All these singles charted within the top 20 spots on the Billboard Hot 100, Hot Rap Tracks, and Hot R&B/Hip-Hop Songs charts. On Birdman's 2007 album 5 * Stunna, Lil Wayne appeared on the singles "100 Million" and "I Run This" among several other tracks. Wayne also appeared on tracks from albums Getback by Little Brother, American Gangster by Jay-Z, and Graduation by Kanye West and Insomniac by Enrique Iglesias. "Make it Rain", a Scott Storch production that peaked at number 13 on the Hot 100 and number two on the Hot Rap Tracks chart, was nominated for the Grammy Award for Best Rap Performance by a Duo or Group for 2008.  Vibe magazine ranked a list of 77 of Lil Wayne's songs from 2007 and ranked his verse in DJ Khaled's "We Takin Over" as his best of 2007, with "Dough Is What I Got" (a freestyle over the beat of Jay-Z's "Show Me What You Got") from Da Drought 3 the second song. At the end of 2007, an MTV poll selected Lil Wayne as "Hottest MC in the Game", The New Yorker magazine ranked him "Rapper of the Year", and GQ magazine named him "Workaholic of the Year". In 2008 he was named "Best MC" by Rolling Stone. Another article, built around Lil Wayne's 2007 mixtape work, cites his creative practice as an example of post performance creative practice. CANNOTANSWER

Question: What was on Lil' Wayne's album Dedication 2?
Answer: contained the acclaimed socially conscious track "Georgia Bush", in which Lil Wayne critiqued former US president George W. Bush's response
Lil Wayne

Context: Instead of a follow-up solo album, Lil Wayne reached his audience through a plethora of mixtapes and guest appearances on a variety of pop and hip-hop singles. Of his many mixtapes, Dedication 2 and Da Drought 3 received the most media exposure and critical review. Dedication 2, released in 2006, paired Lil Wayne with DJ Drama and contained the acclaimed socially conscious track "Georgia Bush", in which Lil Wayne critiqued former US president George W. Bush's response to the effects of Hurricane Katrina on the city of New Orleans. Da Drought 3 was released the following year and was available for free legal download. It contained Lil Wayne rapping over a variety of beats from recent hits by other musicians. A number of prominent hip-hop magazines such as XXL and Vibe covered the mixtape. Christian Hoard of Rolling Stone magazine considered the mixtapes Da Drought 3 and The Drought Is Over 2 (The Carter 3 Sessions) "among the best albums of 2007."  Despite no album release for two years, Lil Wayne appeared in numerous singles as a featured performer, including "Gimme That" by Chris Brown, "Make It Rain" by Fat Joe, "You" by Lloyd, and "We Takin' Over" by DJ Khaled (also featuring Akon, T.I., Rick Ross, Fat Joe, and Birdman), "Duffle Bag Boy" by Playaz Circle, "Sweetest Girl (Dollar Bill)" by Wyclef Jean (also featuring Akon), and the remix to "I'm So Hood" by DJ Khaled (also featuring T-Pain, Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Fat Joe, Birdman, and Rick Ross). All these singles charted within the top 20 spots on the Billboard Hot 100, Hot Rap Tracks, and Hot R&B/Hip-Hop Songs charts. On Birdman's 2007 album 5 * Stunna, Lil Wayne appeared on the singles "100 Million" and "I Run This" among several other tracks. Wayne also appeared on tracks from albums Getback by Little Brother, American Gangster by Jay-Z, and Graduation by Kanye West and Insomniac by Enrique Iglesias. "Make it Rain", a Scott Storch production that peaked at number 13 on the Hot 100 and number two on the Hot Rap Tracks chart, was nominated for the Grammy Award for Best Rap Performance by a Duo or Group for 2008.  Vibe magazine ranked a list of 77 of Lil Wayne's songs from 2007 and ranked his verse in DJ Khaled's "We Takin Over" as his best of 2007, with "Dough Is What I Got" (a freestyle over the beat of Jay-Z's "Show Me What You Got") from Da Drought 3 the second song. At the end of 2007, an MTV poll selected Lil Wayne as "Hottest MC in the Game", The New Yorker magazine ranked him "Rapper of the Year", and GQ magazine named him "Workaholic of the Year". In 2008 he was named "Best MC" by Rolling Stone. Another article, built around Lil Wayne's 2007 mixtape work, cites his creative practice as an example of post performance creative practice. CANNOTANSWER

Question: What was Bush's response to what was mentioned in "Georgia Bush"?
Answer: response to the effects of Hurricane Katrina on the city of New Orleans.
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: Who was Lorraine Gordon?
Answer: Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records.
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: Who introduced Thelonious Monk to Lorraine Gordon?
Answer: Ike Quebec introduced Monk to Lorraine Gordon
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: Did Thelonious Monk join Blue Note Records after being introduced to Lorraine Gordon and Alfred Lion?
Answer: Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: Did Thelonious Monk and Lorraine Gordon start dating?
Answer: Monk married Nellie Smith the same year,
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: Besides helping join Blue Note Records, how else was Lorraine Gordon important to Thelonious Monk?
Answer: Gordon preached his genius to the jazz world with unrelenting passion.
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: How did Lorraine Gordon get Thelonious Monk noticed?
Answer: The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: Did Thelonious Monk ever record for Blue Note under his own name?
Answer: CANNOTANSWER
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: Aside from her work in getting Thelonious Monk noticed, what else was important about Lorraine Gordon?
Answer: Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card.
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: Why was Thelonious Monk's friend arrested?
Answer: They found narcotics in the car, presumed to have belonged to Powell.
Thelonious Monk

Context: In 1947, Ike Quebec introduced Monk to Lorraine Gordon and her first husband, Alfred Lion, the founder of Blue Note Records. From then on, Gordon preached his genius to the jazz world with unrelenting passion. Shortly after meeting Gordon and Lion, Monk made his first recordings as the Coleman Hawkins Quartet leader for Blue Note (later anthologized on Genius of Modern Music, Vol. 1), which showcased his talents as a composer of original melodies for improvisation. Monk married Nellie Smith the same year, and in 1949 the couple had a son, T. S. Monk (called Toot), who became a jazz drummer. A daughter, Barbara (affectionately known as Boo-Boo), was born in 1953 and died of cancer in 1984.  In her autobiography, Gordon spoke of the utter lack of interest in Monk's recordings, which translated to poor sales. "I went to Harlem and those record stores didn't want Monk or me. I'll never forget one particular owner, I can still see him and his store on Seventh Avenue and 125th Street. 'He can't play lady, what are you doing up here? The guy has two left hands.' 'You just wait,' I'd say. 'This man's a genius, you don't know anything.'"  Due to Monk's reticence, Gordon became his mouthpiece to the public. In February 1948, she wrote to Ralph Ingersoll, the editor of the newspaper PM, and described Monk as "a genius living here in the heart of New York, whom nobody knows." As a result, one of PM's best writers visited Monk to do a feature on him, but Monk wouldn't speak to the reporter unless Gordon was in the room with him. In September of the same year, Lorraine approached Max Gordon, the owner and founder of the Village Vanguard jazz club, and secured Monk his first gig there. Monk was showcased at the club for a week, but not a single person came.  In August 1951, New York City police searched a parked car occupied by Monk and his friend Bud Powell. They found narcotics in the car, presumed to have belonged to Powell. Monk refused to testify against his friend, so the police confiscated his New York City Cabaret Card. Without this, Monk was unable to play in any New York venue where liquor was served, and this severely restricted his ability to perform for several years. Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs. CANNOTANSWER

Question: Did Thelonious Monk have to move so Monk could play somewhere?
Answer: Monk spent most of the early and mid-1950s composing, recording at Blue Note, and performing at theaters and out-of-town gigs.
Willie Dixon

Context: Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.  Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.  In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records. CANNOTANSWER

Question: What was Dixon like in adulthood?
Answer: A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds,
Willie Dixon

Context: Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.  Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.  In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records. CANNOTANSWER

Question: What was Dixon's profession?
Answer: he took up boxing,
Willie Dixon

Context: Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.  Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.  In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records. CANNOTANSWER

Question: Was Dixon good at boxing?
Answer: at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937.
Willie Dixon

Context: Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.  Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.  In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records. CANNOTANSWER

Question: What happened with Dixon's boxing career?
Answer: He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.
Willie Dixon

Context: Dixon left Mississippi for Chicago in 1936. A man of considerable stature, standing 6 and a half feet tall and weighing over 250 pounds, he took up boxing, at which he was successful, winning the Illinois State Golden Gloves Heavyweight Championship (Novice Division) in 1937. He became a professional boxer and worked briefly as Joe Louis's sparring partner, but after four fights he left boxing in a dispute with his manager over money.  Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but it was Caston that persuaded him to pursue music seriously. Caston built him his first bass, made of a tin can and one string. Dixon's experience singing bass made the instrument familiar. He also learned to play the guitar.  In 1939, Dixon was a founding member of the Five Breezes, with Caston, Joe Bell, Gene Gilmore and Willie Hawthorne. The group blended blues, jazz, and vocal harmonies, in the mode of the Ink Spots. Dixon's progress on the upright bass came to an abrupt halt with the advent of World War II, when he refused induction into military service as a conscientious objector and was imprisoned for ten months. He refused to go to war because he would not fight for a nation in which institutionalized racism and racist laws were prevalent. After the war, he formed a group named the Four Jumps of Jive. He then reunited with Caston, forming the Big Three Trio, which went on to record for Columbia Records. CANNOTANSWER

Question: What did Dixon do next in his life?
Answer: Dixon met Leonard Caston at a boxing gym, where they would harmonize at times. Dixon performed in several vocal groups in Chicago, but