gaussalgo/Canard_Wiki-augmented huggingface dataset:
Erich Mielke

Context: In February 1992, Mielke was put on trial for the first degree murders of Captains Anlauf and Lenck as well as the attempted murder of Senior Sergeant Willig. The evidence for Mielke's guilt was drawn from the original police files, the 1934 trial transcripts, and a handwritten memoir in which Mielke had admitted that, "the Bulowplatz Affair," had been his reason for fleeing Germany. All had been found in Mielke's house safe during a police search in 1990. Mielke was believed to have kept the files for purposes of "blackmailing Honecker and other East German leaders." Former Associated Press reporter and White House Press Secretary John Koehler also testified about how Mielke had boasted of his involvement in the Bulowplatz murders during a confrontation at Leipzig in 1965.  During his trial, Mielke appeared increasingly senile, admitting his identity but otherwise remaining silent, taking naps, and showing little interest in the proceedings. In a widely publicized incident, Mielke appeared to mistake the presiding judge for a prison barber. When a journalist for Der Spiegel attempted to interview him in Plotzensee Prison, Mielke responded, "I want to go back to my bed" (German: "Ich mochte in mein Bett zuruck."). Opinion was divided whether Mielke was suffering from senile dementia or was pretending in order to evade prosecution.  After twenty months of one-and-a-half hour daily sessions, Erich Mielke was convicted on two counts of murder and one of attempted murder. On 26 October 1993, a panel of three judges and two jurors sentenced him to six years' imprisonment. In pronouncing sentence, Judge Theodor Seidel, told Mielke that he "will go down in history as one of the most fearsome dictators and police ministers of the 20th century." CANNOTANSWER

Question: In what city did the Bulowplatz trial take place?
Answer: Plotzensee
New York Dolls

Context: By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear on stage and a communist flag as backdrop. The Dolls did a 5-concert tour of New York's five boroughs, supported by Television and Pure Hell. The Little Hippodrome (Manhattan) show was recorded and released by Fan Club records in 1982 as Red Patent Leather. It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau credited as executive producer. Due to Kane being unable to play that night, roadie Peter Jordan played bass, though he was credited as having played "second bass". Jordan filled in for Kane when he was too inebriated to play.  In March and April McClaren took the band on a tour of South Carolina and Florida. Jordan replaced Kane for most of those shows. Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up  The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine. One of the shows was documented on the album Tokyo Dolls Live (Fan Club/New Rose). The material is similar to that on Red Patent Leather, but notable for a radically re-arranged "Frankenstein" and a cover of Big Joe Turner's "Flip Flop Fly." The album is undated and has no production credit, but was issued circa 1986.  After their return to New York, the Dolls resumed playing shows in the US and Canada. Their show at the Beacon Theater, on New Year's Eve, 1975 met with great critical acclaim. After a drunken argument with Sylvain, Robison was fired and replaced by pianist/keyboardist Bobbie Blaine . The group played its last show December 30, 1976 , CANNOTANSWER

Question: Why did the New York Dolls dissolve?
Answer: Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up
New York Dolls

Context: By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear on stage and a communist flag as backdrop. The Dolls did a 5-concert tour of New York's five boroughs, supported by Television and Pure Hell. The Little Hippodrome (Manhattan) show was recorded and released by Fan Club records in 1982 as Red Patent Leather. It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau credited as executive producer. Due to Kane being unable to play that night, roadie Peter Jordan played bass, though he was credited as having played "second bass". Jordan filled in for Kane when he was too inebriated to play.  In March and April McClaren took the band on a tour of South Carolina and Florida. Jordan replaced Kane for most of those shows. Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up  The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine. One of the shows was documented on the album Tokyo Dolls Live (Fan Club/New Rose). The material is similar to that on Red Patent Leather, but notable for a radically re-arranged "Frankenstein" and a cover of Big Joe Turner's "Flip Flop Fly." The album is undated and has no production credit, but was issued circa 1986.  After their return to New York, the Dolls resumed playing shows in the US and Canada. Their show at the Beacon Theater, on New Year's Eve, 1975 met with great critical acclaim. After a drunken argument with Sylvain, Robison was fired and replaced by pianist/keyboardist Bobbie Blaine . The group played its last show December 30, 1976 , CANNOTANSWER

Question: What was the argument about when the New York Dolls broke up?
Answer: CANNOTANSWER
New York Dolls

Context: By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear on stage and a communist flag as backdrop. The Dolls did a 5-concert tour of New York's five boroughs, supported by Television and Pure Hell. The Little Hippodrome (Manhattan) show was recorded and released by Fan Club records in 1982 as Red Patent Leather. It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau credited as executive producer. Due to Kane being unable to play that night, roadie Peter Jordan played bass, though he was credited as having played "second bass". Jordan filled in for Kane when he was too inebriated to play.  In March and April McClaren took the band on a tour of South Carolina and Florida. Jordan replaced Kane for most of those shows. Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up  The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine. One of the shows was documented on the album Tokyo Dolls Live (Fan Club/New Rose). The material is similar to that on Red Patent Leather, but notable for a radically re-arranged "Frankenstein" and a cover of Big Joe Turner's "Flip Flop Fly." The album is undated and has no production credit, but was issued circa 1986.  After their return to New York, the Dolls resumed playing shows in the US and Canada. Their show at the Beacon Theater, on New Year's Eve, 1975 met with great critical acclaim. After a drunken argument with Sylvain, Robison was fired and replaced by pianist/keyboardist Bobbie Blaine . The group played its last show December 30, 1976 , CANNOTANSWER

Question: When did Thunders leave The New York Dolls?
Answer: In March and April McClaren took the band on a tour of South Carolina and Florida.
New York Dolls

Context: By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear on stage and a communist flag as backdrop. The Dolls did a 5-concert tour of New York's five boroughs, supported by Television and Pure Hell. The Little Hippodrome (Manhattan) show was recorded and released by Fan Club records in 1982 as Red Patent Leather. It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau credited as executive producer. Due to Kane being unable to play that night, roadie Peter Jordan played bass, though he was credited as having played "second bass". Jordan filled in for Kane when he was too inebriated to play.  In March and April McClaren took the band on a tour of South Carolina and Florida. Jordan replaced Kane for most of those shows. Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up  The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine. One of the shows was documented on the album Tokyo Dolls Live (Fan Club/New Rose). The material is similar to that on Red Patent Leather, but notable for a radically re-arranged "Frankenstein" and a cover of Big Joe Turner's "Flip Flop Fly." The album is undated and has no production credit, but was issued circa 1986.  After their return to New York, the Dolls resumed playing shows in the US and Canada. Their show at the Beacon Theater, on New Year's Eve, 1975 met with great critical acclaim. After a drunken argument with Sylvain, Robison was fired and replaced by pianist/keyboardist Bobbie Blaine . The group played its last show December 30, 1976 , CANNOTANSWER

Question: How long did the New York Dolls tour last?
Answer: March and April
New York Dolls

Context: By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear on stage and a communist flag as backdrop. The Dolls did a 5-concert tour of New York's five boroughs, supported by Television and Pure Hell. The Little Hippodrome (Manhattan) show was recorded and released by Fan Club records in 1982 as Red Patent Leather. It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau credited as executive producer. Due to Kane being unable to play that night, roadie Peter Jordan played bass, though he was credited as having played "second bass". Jordan filled in for Kane when he was too inebriated to play.  In March and April McClaren took the band on a tour of South Carolina and Florida. Jordan replaced Kane for most of those shows. Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up  The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine. One of the shows was documented on the album Tokyo Dolls Live (Fan Club/New Rose). The material is similar to that on Red Patent Leather, but notable for a radically re-arranged "Frankenstein" and a cover of Big Joe Turner's "Flip Flop Fly." The album is undated and has no production credit, but was issued circa 1986.  After their return to New York, the Dolls resumed playing shows in the US and Canada. Their show at the Beacon Theater, on New Year's Eve, 1975 met with great critical acclaim. After a drunken argument with Sylvain, Robison was fired and replaced by pianist/keyboardist Bobbie Blaine . The group played its last show December 30, 1976 , CANNOTANSWER

Question: Did the band the New York Dolls continue after the tour?
Answer: The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen,
New York Dolls

Context: By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear on stage and a communist flag as backdrop. The Dolls did a 5-concert tour of New York's five boroughs, supported by Television and Pure Hell. The Little Hippodrome (Manhattan) show was recorded and released by Fan Club records in 1982 as Red Patent Leather. It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau credited as executive producer. Due to Kane being unable to play that night, roadie Peter Jordan played bass, though he was credited as having played "second bass". Jordan filled in for Kane when he was too inebriated to play.  In March and April McClaren took the band on a tour of South Carolina and Florida. Jordan replaced Kane for most of those shows. Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up  The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine. One of the shows was documented on the album Tokyo Dolls Live (Fan Club/New Rose). The material is similar to that on Red Patent Leather, but notable for a radically re-arranged "Frankenstein" and a cover of Big Joe Turner's "Flip Flop Fly." The album is undated and has no production credit, but was issued circa 1986.  After their return to New York, the Dolls resumed playing shows in the US and Canada. Their show at the Beacon Theater, on New Year's Eve, 1975 met with great critical acclaim. After a drunken argument with Sylvain, Robison was fired and replaced by pianist/keyboardist Bobbie Blaine . The group played its last show December 30, 1976 , CANNOTANSWER

Question: How long was the New York Dolls tour in Japan?
Answer: August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine.
New York Dolls

Context: By 1975 the Dolls were playing smaller venues than they had been previously. Drug and alcohol abuse by Thunders, Nolan and Kane as well as artistic differences added to the tensions among members. In late February or early March Malcolm McLaren became their informal manager. He got the band red leather outfits to wear on stage and a communist flag as backdrop. The Dolls did a 5-concert tour of New York's five boroughs, supported by Television and Pure Hell. The Little Hippodrome (Manhattan) show was recorded and released by Fan Club records in 1982 as Red Patent Leather. It was originally a bootleg album that was later remixed by Sylvain, with former manager Marty Thau credited as executive producer. Due to Kane being unable to play that night, roadie Peter Jordan played bass, though he was credited as having played "second bass". Jordan filled in for Kane when he was too inebriated to play.  In March and April McClaren took the band on a tour of South Carolina and Florida. Jordan replaced Kane for most of those shows. Thunders and Nolan left after an argument with Johansen. Blackie Lawless replaced Thunders for the remainder of the tour after which the band broke up  The band reformed in July for an August tour of Japan with Jeff Beck and Felix Pappalardi. Johansen, Sylvain and Jordan were joined by former Elephant's Memory keyboardist Chris Robison and drummer Tony Machine. One of the shows was documented on the album Tokyo Dolls Live (Fan Club/New Rose). The material is similar to that on Red Patent Leather, but notable for a radically re-arranged "Frankenstein" and a cover of Big Joe Turner's "Flip Flop Fly." The album is undated and has no production credit, but was issued circa 1986.  After their return to New York, the Dolls resumed playing shows in the US and Canada. Their show at the Beacon Theater, on New Year's Eve, 1975 met with great critical acclaim. After a drunken argument with Sylvain, Robison was fired and replaced by pianist/keyboardist Bobbie Blaine . The group played its last show December 30, 1976 , CANNOTANSWER

Question: When did the band the New York Dolls break up for good?
Answer: The group played its last show December 30, 1976 ,
Izzy Stradlin

Context: In 2003, Stradlin recorded his sixth album, Like a Dog, with guitarist Rick Richards, drummer Taz Bentley, and bassist JT Longoria. It was originally scheduled for a late 2003 release, with just under one thousand promo copies made. However, the album was not released until October 2005, when Stradlin--prompted by a fan petition--made it available through internet order. The following year, Stradlin re-released Ride On, River, On Down the Road, and Like a Dog through iTunes.  In May 2006, thirteen years after his last performance with Guns N' Roses, Stradlin made a guest appearance at the band's show at the Hammerstein Ballroom in New York; he played on "Patience", "Think About You", and "Nightrain". He then performed with Guns N' Roses for 13 shows during the band's summer European tour. Stradlin said, "Axl [Rose] and I connected via cell phone this year, I stopped by. It was nice to reconnect with an old friend/war buddy/fellow musician. I told him later I'd like to join the fun in some way and he said I was welcome to come and play something, so I did! Took me about three weeks to recover from the six weeks of touring!" In December, he played three shows with the group at the Gibson Amphitheatre in Universal City, California.  Stradlin released his seventh album, Miami, through iTunes in May 2007. It again featured Rick Richards, Taz Bentley, and JT Longoria, as well as keyboardist Joey Huffman. Guitarist Richards described the album as being "a bit of a departure from Like a Dog but still quite a rocker." In July, a remixed version of Miami was released through iTunes; Stradlin called the new mix "much louder and more powerful sounding." In November of that year, he released a second iTunes-only album, Fire, the Acoustic Album, which also featured Richards, Bentley, and Longoria.  Stradlin's next iTunes release, Concrete, came out in July 2008. In addition to his regular collaborators, Stradlin also invited Duff McKagan to play bass on three songs, including the title track. Stradlin then released two more albums through iTunes: Smoke, which came out in December 2009, and Wave of Heat, which followed in July 2010 and again featured McKagan, who appears on seven tracks. Also in 2010, Stradlin appeared as a guest on Slash's first solo album, Slash; he performs rhythm guitar on the first track, "Ghost". CANNOTANSWER

Question: When did Izzy Stradlin go solo?
Answer: In 2003, Stradlin recorded his sixth album, Like a Dog, with guitarist Rick Richards, drummer Taz Bentley, and bassist JT Longoria.
Izzy Stradlin

Context: In 2003, Stradlin recorded his sixth album, Like a Dog, with guitarist Rick Richards, drummer Taz Bentley, and bassist JT Longoria. It was originally scheduled for a late 2003 release, with just under one thousand promo copies made. However, the album was not released until October 2005, when Stradlin--prompted by a fan petition--made it available through internet order. The following year, Stradlin re-released Ride On, River, On Down the Road, and Like a Dog through iTunes.  In May 2006, thirteen years after his last performance with Guns N' Roses, Stradlin made a guest appearance at the band's show at the Hammerstein Ballroom in New York; he played on "Patience", "Think About You", and "Nightrain". He then performed with Guns N' Roses for 13 shows during the band's summer European tour. Stradlin said, "Axl [Rose] and I connected via cell phone this year, I stopped by. It was nice to reconnect with an old friend/war buddy/fellow musician. I told him later I'd like to join the fun in some way and he said I was welcome to come and play something, so I did! Took me about three weeks to recover from the six weeks of touring!" In December, he played three shows with the group at the Gibson Amphitheatre in Universal City, California.  Stradlin released his seventh album, Miami, through iTunes in May 2007. It again featured Rick Richards, Taz Bentley, and JT Longoria, as well as keyboardist Joey Huffman. Guitarist Richards described the album as being "a bit of a departure from Like a Dog but still quite a rocker." In July, a remixed version of Miami was released through iTunes; Stradlin called the new mix "much louder and more powerful sounding." In November of that year, he released a second iTunes-only album, Fire, the Acoustic Album, which also featured Richards, Bentley, and Longoria.  Stradlin's next iTunes release, Concrete, came out in July 2008. In addition to his regular collaborators, Stradlin also invited Duff McKagan to play bass on three songs, including the title track. Stradlin then released two more albums through iTunes: Smoke, which came out in December 2009, and Wave of Heat, which followed in July 2010 and again featured McKagan, who appears on seven tracks. Also in 2010, Stradlin appeared as a guest on Slash's first solo album, Slash; he performs rhythm guitar on the first track, "Ghost". CANNOTANSWER

Question: Was Izzy Stradlin's album successful?
Answer: However, the album was not released until October 2005, when Stradlin--prompted by a fan petition--made it available through internet order.
Izzy Stradlin

Context: In 2003, Stradlin recorded his sixth album, Like a Dog, with guitarist Rick Richards, drummer Taz Bentley, and bassist JT Longoria. It was originally scheduled for a late 2003 release, with just under one thousand promo copies made. However, the album was not released until October 2005, when Stradlin--prompted by a fan petition--made it available through internet order. The following year, Stradlin re-released Ride On, River, On Down the Road, and Like a Dog through iTunes.  In May 2006, thirteen years after his last performance with Guns N' Roses, Stradlin made a guest appearance at the band's show at the Hammerstein Ballroom in New York; he played on "Patience", "Think About You", and "Nightrain". He then performed with Guns N' Roses for 13 shows during the band's summer European tour. Stradlin said, "Axl [Rose] and I connected via cell phone this year, I stopped by. It was nice to reconnect with an old friend/war buddy/fellow musician. I told him later I'd like to join the fun in some way and he said I was welcome to come and play something, so I did! Took me about three weeks to recover from the six weeks of touring!" In December, he played three shows with the group at the Gibson Amphitheatre in Universal City, California.  Stradlin released his seventh album, Miami, through iTunes in May 2007. It again featured Rick Richards, Taz Bentley, and JT Longoria, as well as keyboardist Joey Huffman. Guitarist Richards described the album as being "a bit of a departure from Like a Dog but still quite a rocker." In July, a remixed version of Miami was released through iTunes; Stradlin called the new mix "much louder and more powerful sounding." In November of that year, he released a second iTunes-only album, Fire, the Acoustic Album, which also featured Richards, Bentley, and Longoria.  Stradlin's next iTunes release, Concrete, came out in July 2008. In addition to his regular collaborators, Stradlin also invited Duff McKagan to play bass on three songs, including the title track. Stradlin then released two more albums through iTunes: Smoke, which came out in December 2009, and Wave of Heat, which followed in July 2010 and again featured McKagan, who appears on seven tracks. Also in 2010, Stradlin appeared as a guest on Slash's first solo album, Slash; he performs rhythm guitar on the first track, "Ghost". CANNOTANSWER

Question: What did Izzy Stradlin do next?
Answer: The following year, Stradlin re-released Ride On, River, On Down the Road, and Like a Dog through iTunes.
Izzy Stradlin

Context: In 2003, Stradlin recorded his sixth album, Like a Dog, with guitarist Rick Richards, drummer Taz Bentley, and bassist JT Longoria. It was originally scheduled for a late 2003 release, with just under one thousand promo copies made. However, the album was not released until October 2005, when Stradlin--prompted by a fan petition--made it available through internet order. The following year, Stradlin re-released Ride On, River, On Down the Road, and Like a Dog through iTunes.  In May 2006, thirteen years after his last performance with Guns N' Roses, Stradlin made a guest appearance at the band's show at the Hammerstein Ballroom in New York; he played on "Patience", "Think About You", and "Nightrain". He then performed with Guns N' Roses for 13 shows during the band's summer European tour. Stradlin said, "Axl [Rose] and I connected via cell phone this year, I stopped by. It was nice to reconnect with an old friend/war buddy/fellow musician. I told him later I'd like to join the fun in some way and he said I was welcome to come and play something, so I did! Took me about three weeks to recover from the six weeks of touring!" In December, he played three shows with the group at the Gibson Amphitheatre in Universal City, California.  Stradlin released his seventh album, Miami, through iTunes in May 2007. It again featured Rick Richards, Taz Bentley, and JT Longoria, as well as keyboardist Joey Huffman. Guitarist Richards described the album as being "a bit of a departure from Like a Dog but still quite a rocker." In July, a remixed version of Miami was released through iTunes; Stradlin called the new mix "much louder and more powerful sounding." In November of that year, he released a second iTunes-only album, Fire, the Acoustic Album, which also featured Richards, Bentley, and Longoria.  Stradlin's next iTunes release, Concrete, came out in July 2008. In addition to his regular collaborators, Stradlin also invited Duff McKagan to play bass on three songs, including the title track. Stradlin then released two more albums through iTunes: Smoke, which came out in December 2009, and Wave of Heat, which followed in July 2010 and again featured McKagan, who appears on seven tracks. Also in 2010, Stradlin appeared as a guest on Slash's first solo album, Slash; he performs rhythm guitar on the first track, "Ghost". CANNOTANSWER

Question: When did Izzy Stradlin return to Guns N Roses?
Answer: In May 2006, thirteen years after his last performance with Guns N' Roses, Stradlin made a guest appearance at the band's show at the Hammerstein Ballroom in New York;
Izzy Stradlin

Context: In 2003, Stradlin recorded his sixth album, Like a Dog, with guitarist Rick Richards, drummer Taz Bentley, and bassist JT Longoria. It was originally scheduled for a late 2003 release, with just under one thousand promo copies made. However, the album was not released until October 2005, when Stradlin--prompted by a fan petition--made it available through internet order. The following year, Stradlin re-released Ride On, River, On Down the Road, and Like a Dog through iTunes.  In May 2006, thirteen years after his last performance with Guns N' Roses, Stradlin made a guest appearance at the band's show at the Hammerstein Ballroom in New York; he played on "Patience", "Think About You", and "Nightrain". He then performed with Guns N' Roses for 13 shows during the band's summer European tour. Stradlin said, "Axl [Rose] and I connected via cell phone this year, I stopped by. It was nice to reconnect with an old friend/war buddy/fellow musician. I told him later I'd like to join the fun in some way and he said I was welcome to come and play something, so I did! Took me about three weeks to recover from the six weeks of touring!" In December, he played three shows with the group at the Gibson Amphitheatre in Universal City, California.  Stradlin released his seventh album, Miami, through iTunes in May 2007. It again featured Rick Richards, Taz Bentley, and JT Longoria, as well as keyboardist Joey Huffman. Guitarist Richards described the album as being "a bit of a departure from Like a Dog but still quite a rocker." In July, a remixed version of Miami was released through iTunes; Stradlin called the new mix "much louder and more powerful sounding." In November of that year, he released a second iTunes-only album, Fire, the Acoustic Album, which also featured Richards, Bentley, and Longoria.  Stradlin's next iTunes release, Concrete, came out in July 2008. In addition to his regular collaborators, Stradlin also invited Duff McKagan to play bass on three songs, including the title track. Stradlin then released two more albums through iTunes: Smoke, which came out in December 2009, and Wave of Heat, which followed in July 2010 and again featured McKagan, who appears on seven tracks. Also in 2010, Stradlin appeared as a guest on Slash's first solo album, Slash; he performs rhythm guitar on the first track, "Ghost". CANNOTANSWER

Question: Besides playing with Guns and Roses, did Izzy Stradlin release any other solo albums?
Answer: Stradlin released his seventh album, Miami, through iTunes in May 2007.
Nikolai Yezhov

Context: Yezhov was appointed People's Commissar for Water Transport on April 6, 1938. Though he retained his other posts, his role as grand inquisitor and extractor of confessions gradually diminished as Stalin retreated from the worst excesses of the Great Purge.  By saddling him with the extra job, Stalin killed two birds with one stone: Yezhov could correct the water transportation situation with tough Chekist methods, and his transfer to the terra incognita of economic tasks would leave him less time for the NKVD and weaken his position there, thus creating the possibility that in due course he could be removed from the leadership of the punitive apparatus and replaced by fresh people.  Contrary to Stalin's expectations, the vast number of party officials and military officers lost during Yezhov's purges had been only partially made good by replacement with trusted Stalinist functionaries, and he eventually recognized that the disruption was severely affecting the country's ability to coordinate industrial production and defend its borders from the growing threat of Nazi Germany. Yezhov had accomplished Stalin's intended task for the Great Purge: the public liquidation of the last of his Old Bolshevik political rivals and the elimination of any possibility of "disloyal elements" or "fifth columnists" within the Soviet military and government prior to the onset of war with Germany. From Stalin's perspective, Yezhov (like Yagoda) had served his purpose but had seen too much and wielded too much power to be allowed to live. The defection to Japan of the Far Eastern NKVD chief, Genrikh Lyushkov on June 13, 1938, rightly worried Yezhov, who had protected Lyushkov from the purges and feared he would be blamed. CANNOTANSWER

Question: how long was Nikolai Yezhov in power before the fall from power?
Answer: the possibility that in due course he could be removed from the leadership of the punitive apparatus and replaced by fresh people.
Nikolai Yezhov

Context: Yezhov was appointed People's Commissar for Water Transport on April 6, 1938. Though he retained his other posts, his role as grand inquisitor and extractor of confessions gradually diminished as Stalin retreated from the worst excesses of the Great Purge.  By saddling him with the extra job, Stalin killed two birds with one stone: Yezhov could correct the water transportation situation with tough Chekist methods, and his transfer to the terra incognita of economic tasks would leave him less time for the NKVD and weaken his position there, thus creating the possibility that in due course he could be removed from the leadership of the punitive apparatus and replaced by fresh people.  Contrary to Stalin's expectations, the vast number of party officials and military officers lost during Yezhov's purges had been only partially made good by replacement with trusted Stalinist functionaries, and he eventually recognized that the disruption was severely affecting the country's ability to coordinate industrial production and defend its borders from the growing threat of Nazi Germany. Yezhov had accomplished Stalin's intended task for the Great Purge: the public liquidation of the last of his Old Bolshevik political rivals and the elimination of any possibility of "disloyal elements" or "fifth columnists" within the Soviet military and government prior to the onset of war with Germany. From Stalin's perspective, Yezhov (like Yagoda) had served his purpose but had seen too much and wielded too much power to be allowed to live. The defection to Japan of the Far Eastern NKVD chief, Genrikh Lyushkov on June 13, 1938, rightly worried Yezhov, who had protected Lyushkov from the purges and feared he would be blamed. CANNOTANSWER

Question: where was Nikolai Yezhov in power / where did Nikolai Yezhov rule?
Answer: too much power to be allowed to live. The defection to Japan of the Far Eastern NKVD chief, Genrikh Lyushkov on June 13, 1938,
Nikolai Yezhov

Context: Yezhov was appointed People's Commissar for Water Transport on April 6, 1938. Though he retained his other posts, his role as grand inquisitor and extractor of confessions gradually diminished as Stalin retreated from the worst excesses of the Great Purge.  By saddling him with the extra job, Stalin killed two birds with one stone: Yezhov could correct the water transportation situation with tough Chekist methods, and his transfer to the terra incognita of economic tasks would leave him less time for the NKVD and weaken his position there, thus creating the possibility that in due course he could be removed from the leadership of the punitive apparatus and replaced by fresh people.  Contrary to Stalin's expectations, the vast number of party officials and military officers lost during Yezhov's purges had been only partially made good by replacement with trusted Stalinist functionaries, and he eventually recognized that the disruption was severely affecting the country's ability to coordinate industrial production and defend its borders from the growing threat of Nazi Germany. Yezhov had accomplished Stalin's intended task for the Great Purge: the public liquidation of the last of his Old Bolshevik political rivals and the elimination of any possibility of "disloyal elements" or "fifth columnists" within the Soviet military and government prior to the onset of war with Germany. From Stalin's perspective, Yezhov (like Yagoda) had served his purpose but had seen too much and wielded too much power to be allowed to live. The defection to Japan of the Far Eastern NKVD chief, Genrikh Lyushkov on June 13, 1938, rightly worried Yezhov, who had protected Lyushkov from the purges and feared he would be blamed. CANNOTANSWER

Question: how old was Nikolai Yezhov when he fell from power?
Answer: June 13, 1938, rightly worried Yezhov, who had protected Lyushkov from the purges and feared he would be blamed.
Nikolai Yezhov

Context: Yezhov was appointed People's Commissar for Water Transport on April 6, 1938. Though he retained his other posts, his role as grand inquisitor and extractor of confessions gradually diminished as Stalin retreated from the worst excesses of the Great Purge.  By saddling him with the extra job, Stalin killed two birds with one stone: Yezhov could correct the water transportation situation with tough Chekist methods, and his transfer to the terra incognita of economic tasks would leave him less time for the NKVD and weaken his position there, thus creating the possibility that in due course he could be removed from the leadership of the punitive apparatus and replaced by fresh people.  Contrary to Stalin's expectations, the vast number of party officials and military officers lost during Yezhov's purges had been only partially made good by replacement with trusted Stalinist functionaries, and he eventually recognized that the disruption was severely affecting the country's ability to coordinate industrial production and defend its borders from the growing threat of Nazi Germany. Yezhov had accomplished Stalin's intended task for the Great Purge: the public liquidation of the last of his Old Bolshevik political rivals and the elimination of any possibility of "disloyal elements" or "fifth columnists" within the Soviet military and government prior to the onset of war with Germany. From Stalin's perspective, Yezhov (like Yagoda) had served his purpose but had seen too much and wielded too much power to be allowed to live. The defection to Japan of the Far Eastern NKVD chief, Genrikh Lyushkov on June 13, 1938, rightly worried Yezhov, who had protected Lyushkov from the purges and feared he would be blamed. CANNOTANSWER

Question: were people happy that Nikolai Yezhov fell from power?
Answer: who had protected Lyushkov from the purges and feared he would be blamed.
Chuck Schuldiner

Context: Schuldiner was born on May 13, 1967, on Long Island, New York to a Jewish father of Austrian descent and a mother from the American South, a convert to Judaism. Both of his parents were teachers. In 1968, his family moved to Florida.  Schuldiner was the youngest of three children: he had an older brother named Frank and an older sister named Bethann. He started playing guitar at the age of 9; his 16-year-old brother had died and his parents bought him a guitar, thinking it would help with his grief. He took classical lessons for less than a year in which his teacher taught him "Mary had a Little Lamb", which he did not like very much, and almost stopped completely, until his parents saw an electric guitar at a yard sale and bought it for him. The young Schuldiner immediately took to the instrument. After getting amps, he never stopped playing, writing and teaching himself. Schuldiner was known to spend the weekend in the garage or his room playing his guitar, but was limited to three hours on weekdays when school was in session. Schuldiner first played in public in his early teens.  Schuldiner was originally inspired by Metallica, Iron Maiden, Kiss and classical jazz, among others. He was particularly interested in the metal movement known as NWOBHM - New Wave of British Heavy Metal - and cited bands of that genre among his favorites. He frequently cited French band Sortilege as his personal favorite metal group. Slayer, Celtic Frost, Possessed, Mercyful Fate/King Diamond and Metallica were later influences he would apply more to his own band. Later in his career, Schuldiner frequently cited progressive metal bands such as Watchtower, Coroner and Queensryche as influences. The official Schuldiner website, Empty Words, quotes Schuldiner's mother making the claim that he enjoyed all forms of music except country and rap. He also enjoyed jazz and classical music in addition to metal and British alternative acts such as Lush.  Schuldiner performed well in school before becoming bored with education, and eventually dropped out. He later regretted this decision. He has stated that if he had not become a musician, he would have liked to have become a veterinarian or a cook. CANNOTANSWER

Question: Where was Chuck Schuldiner born?
Answer: Long Island, New York
Chuck Schuldiner

Context: Schuldiner was born on May 13, 1967, on Long Island, New York to a Jewish father of Austrian descent and a mother from the American South, a convert to Judaism. Both of his parents were teachers. In 1968, his family moved to Florida.  Schuldiner was the youngest of three children: he had an older brother named Frank and an older sister named Bethann. He started playing guitar at the age of 9; his 16-year-old brother had died and his parents bought him a guitar, thinking it would help with his grief. He took classical lessons for less than a year in which his teacher taught him "Mary had a Little Lamb", which he did not like very much, and almost stopped completely, until his parents saw an electric guitar at a yard sale and bought it for him. The young Schuldiner immediately took to the instrument. After getting amps, he never stopped playing, writing and teaching himself. Schuldiner was known to spend the weekend in the garage or his room playing his guitar, but was limited to three hours on weekdays when school was in session. Schuldiner first played in public in his early teens.  Schuldiner was originally inspired by Metallica, Iron Maiden, Kiss and classical jazz, among others. He was particularly interested in the metal movement known as NWOBHM - New Wave of British Heavy Metal - and cited bands of that genre among his favorites. He frequently cited French band Sortilege as his personal favorite metal group. Slayer, Celtic Frost, Possessed, Mercyful Fate/King Diamond and Metallica were later influences he would apply more to his own band. Later in his career, Schuldiner frequently cited progressive metal bands such as Watchtower, Coroner and Queensryche as influences. The official Schuldiner website, Empty Words, quotes Schuldiner's mother making the claim that he enjoyed all forms of music except country and rap. He also enjoyed jazz and classical music in addition to metal and British alternative acts such as Lush.  Schuldiner performed well in school before becoming bored with education, and eventually dropped out. He later regretted this decision. He has stated that if he had not become a musician, he would have liked to have become a veterinarian or a cook. CANNOTANSWER

Question: Is there any mention of Chuck Schuldiner's parents?
Answer: Jewish father of Austrian descent and a mother from the American South, a convert to Judaism.
Chuck Schuldiner

Context: Schuldiner was born on May 13, 1967, on Long Island, New York to a Jewish father of Austrian descent and a mother from the American South, a convert to Judaism. Both of his parents were teachers. In 1968, his family moved to Florida.  Schuldiner was the youngest of three children: he had an older brother named Frank and an older sister named Bethann. He started playing guitar at the age of 9; his 16-year-old brother had died and his parents bought him a guitar, thinking it would help with his grief. He took classical lessons for less than a year in which his teacher taught him "Mary had a Little Lamb", which he did not like very much, and almost stopped completely, until his parents saw an electric guitar at a yard sale and bought it for him. The young Schuldiner immediately took to the instrument. After getting amps, he never stopped playing, writing and teaching himself. Schuldiner was known to spend the weekend in the garage or his room playing his guitar, but was limited to three hours on weekdays when school was in session. Schuldiner first played in public in his early teens.  Schuldiner was originally inspired by Metallica, Iron Maiden, Kiss and classical jazz, among others. He was particularly interested in the metal movement known as NWOBHM - New Wave of British Heavy Metal - and cited bands of that genre among his favorites. He frequently cited French band Sortilege as his personal favorite metal group. Slayer, Celtic Frost, Possessed, Mercyful Fate/King Diamond and Metallica were later influences he would apply more to his own band. Later in his career, Schuldiner frequently cited progressive metal bands such as Watchtower, Coroner and Queensryche as influences. The official Schuldiner website, Empty Words, quotes Schuldiner's mother making the claim that he enjoyed all forms of music except country and rap. He also enjoyed jazz and classical music in addition to metal and British alternative acts such as Lush.  Schuldiner performed well in school before becoming bored with education, and eventually dropped out. He later regretted this decision. He has stated that if he had not become a musician, he would have liked to have become a veterinarian or a cook. CANNOTANSWER

Question: Did Chuck Schuldiner have any siblings?
Answer: Schuldiner was the youngest of three children:
Chuck Schuldiner

Context: Schuldiner was born on May 13, 1967, on Long Island, New York to a Jewish father of Austrian descent and a mother from the American South, a convert to Judaism. Both of his parents were teachers. In 1968, his family moved to Florida.  Schuldiner was the youngest of three children: he had an older brother named Frank and an older sister named Bethann. He started playing guitar at the age of 9; his 16-year-old brother had died and his parents bought him a guitar, thinking it would help with his grief. He took classical lessons for less than a year in which his teacher taught him "Mary had a Little Lamb", which he did not like very much, and almost stopped completely, until his parents saw an electric guitar at a yard sale and bought it for him. The young Schuldiner immediately took to the instrument. After getting amps, he never stopped playing, writing and teaching himself. Schuldiner was known to spend the weekend in the garage or his room playing his guitar, but was limited to three hours on weekdays when school was in session. Schuldiner first played in public in his early teens.  Schuldiner was originally inspired by Metallica, Iron Maiden, Kiss and classical jazz, among others. He was particularly interested in the metal movement known as NWOBHM - New Wave of British Heavy Metal - and cited bands of that genre among his favorites. He frequently cited French band Sortilege as his personal favorite metal group. Slayer, Celtic Frost, Possessed, Mercyful Fate/King Diamond and Metallica were later influences he would apply more to his own band. Later in his career, Schuldiner frequently cited progressive metal bands such as Watchtower, Coroner and Queensryche as influences. The official Schuldiner website, Empty Words, quotes Schuldiner's mother making the claim that he enjoyed all forms of music except country and rap. He also enjoyed jazz and classical music in addition to metal and British alternative acts such as Lush.  Schuldiner performed well in school before becoming bored with education, and eventually dropped out. He later regretted this decision. He has stated that if he had not become a musician, he would have liked to have become a veterinarian or a cook. CANNOTANSWER

Question: When did Chuck Schuldiner start playing music?
Answer: He started playing guitar at the age of 9;