gaussalgo/Canard_Wiki-augmented huggingface dataset:
Clay Aiken

Context: Aiken was born into a Baptist family. As a toddler, in 1980, he attended Leesville Baptist Church every week. According to his book, Learning to Sing: Hearing the Music in Your Life, he was involved in Bible school, choir, and the youth group. The book made The New York Times Best Seller List in 2004, debuting at number two. It was written with Allison Glock and published by Random House. Barely mentioning American Idol, Aiken instead turned his focus to the people who had the most influence in his life - his mother, grandparents, siblings, teachers, and friends - and to the importance of religion in his life. He describes himself as a proud Southern Baptist who journeyed away from those roots in his late teens in search of a religion with more liberal social policies. He then returned to that church because of family and social ties although he remains at odds with the church on some issues.  When asked in a PBS Kids interview to name his idols, he responded, "When people ask me what three people I'd like to have dinner with, living or dead, I say Jesus Christ, Mr. Rogers, and Jimmy Carter."  While not self-identified as a Christian music artist, Aiken was featured in Christian Music Planet as an "American Idol Christian" in 2004, and in a cover story, "Clay Aiken's Balancing Act", in the January/February 2005 issue. His pre-Idol demo albums included several selections of Contemporary Christian Music (or CCM) and gospel songs. A performance of the Commodores' "Jesus is Love" at the American Music Awards in 2003 earned Aiken and Ruben Studdard a standing ovation. Aiken has sung a few CCM songs at his pop concerts, and has made Christmas albums, Christmas television specials and performances, and Christmas tours essential elements of his career.  Aiken makes it clear that he is aware not everyone shares his religious beliefs and it is not his intention to press these beliefs on others. When he worked as a camp counselor at the YMCA, he challenged other camp faculty by insisting that singing "overtly Christian songs" was inappropriate, as some of the kids were Jewish. "I stood firm... no child is going to have a spiritual crisis on my watch." His public philosophy, geared towards inclusion and service to others, reflects his stance that decisions about religion should be made at home. CANNOTANSWER

Question: What was Clay Aiken fifth album called?
Answer: CANNOTANSWER
Clay Aiken

Context: Aiken was born into a Baptist family. As a toddler, in 1980, he attended Leesville Baptist Church every week. According to his book, Learning to Sing: Hearing the Music in Your Life, he was involved in Bible school, choir, and the youth group. The book made The New York Times Best Seller List in 2004, debuting at number two. It was written with Allison Glock and published by Random House. Barely mentioning American Idol, Aiken instead turned his focus to the people who had the most influence in his life - his mother, grandparents, siblings, teachers, and friends - and to the importance of religion in his life. He describes himself as a proud Southern Baptist who journeyed away from those roots in his late teens in search of a religion with more liberal social policies. He then returned to that church because of family and social ties although he remains at odds with the church on some issues.  When asked in a PBS Kids interview to name his idols, he responded, "When people ask me what three people I'd like to have dinner with, living or dead, I say Jesus Christ, Mr. Rogers, and Jimmy Carter."  While not self-identified as a Christian music artist, Aiken was featured in Christian Music Planet as an "American Idol Christian" in 2004, and in a cover story, "Clay Aiken's Balancing Act", in the January/February 2005 issue. His pre-Idol demo albums included several selections of Contemporary Christian Music (or CCM) and gospel songs. A performance of the Commodores' "Jesus is Love" at the American Music Awards in 2003 earned Aiken and Ruben Studdard a standing ovation. Aiken has sung a few CCM songs at his pop concerts, and has made Christmas albums, Christmas television specials and performances, and Christmas tours essential elements of his career.  Aiken makes it clear that he is aware not everyone shares his religious beliefs and it is not his intention to press these beliefs on others. When he worked as a camp counselor at the YMCA, he challenged other camp faculty by insisting that singing "overtly Christian songs" was inappropriate, as some of the kids were Jewish. "I stood firm... no child is going to have a spiritual crisis on my watch." His public philosophy, geared towards inclusion and service to others, reflects his stance that decisions about religion should be made at home. CANNOTANSWER

Question: Did Clay Aiken ever end up leaving RCA records?
Answer: CANNOTANSWER
Maldivians

Context: As a result of some political activities which occurred in the South during the early 1960s, the term Suvadivian has been adopted by some authors to refer to the southern group of Maldivians. From 1959 to 1963 there was a short-lived breakaway government named United Suvadive Republic which was formed by the Southerners, from which the name originated though there are no such native names. The names Suvadive and Suvadivian suggest that the origin of the names lye in the ancient name for the three southernmost atolls of Huvadhu, Fuvahmulah and Addu which was Suvadiva.  The Suvadivians, living in the three southernmost atolls of the equatorial zone (Huvadhu, Fuvahmulah and Addu atolls) number approximately 60,000 and constitute about 20% of the total population of Maldivians. According to researchers, this group of Maldivians have the closest proximity to the original Maldivian people in terms of linguistics as well as on ethnic grounds. The reason behind this suggested by researchers and proven from historical records is that there were less interference from the outside world to this group. Unlike the other group of Maldivians, this group was not affected by the Portuguese rule in the Maldives as it does not exceed the Suvadiva channel. Also there were no interference from traders and travellers as much as in the case of the other.  Each of the 3 atolls of the Suvadiva region speak their own distinctive forms of the Maldivian language (Huvadhu bas, Mulaku bas and Addu bas), which are much different from the rest and as suggested by researchers, having a closer affinity to what may have been the original. Thus, the native features of the original Maldivian people are preserved in this group greater than any other group of Maldivians. CANNOTANSWER

Question: What is the relation between Maldivians and Southern group of Maldivians?
Answer: According to researchers, this group of Maldivians have the closest proximity to the original Maldivian people in terms of linguistics as well as on ethnic grounds.
Maldivians

Context: As a result of some political activities which occurred in the South during the early 1960s, the term Suvadivian has been adopted by some authors to refer to the southern group of Maldivians. From 1959 to 1963 there was a short-lived breakaway government named United Suvadive Republic which was formed by the Southerners, from which the name originated though there are no such native names. The names Suvadive and Suvadivian suggest that the origin of the names lye in the ancient name for the three southernmost atolls of Huvadhu, Fuvahmulah and Addu which was Suvadiva.  The Suvadivians, living in the three southernmost atolls of the equatorial zone (Huvadhu, Fuvahmulah and Addu atolls) number approximately 60,000 and constitute about 20% of the total population of Maldivians. According to researchers, this group of Maldivians have the closest proximity to the original Maldivian people in terms of linguistics as well as on ethnic grounds. The reason behind this suggested by researchers and proven from historical records is that there were less interference from the outside world to this group. Unlike the other group of Maldivians, this group was not affected by the Portuguese rule in the Maldives as it does not exceed the Suvadiva channel. Also there were no interference from traders and travellers as much as in the case of the other.  Each of the 3 atolls of the Suvadiva region speak their own distinctive forms of the Maldivian language (Huvadhu bas, Mulaku bas and Addu bas), which are much different from the rest and as suggested by researchers, having a closer affinity to what may have been the original. Thus, the native features of the original Maldivian people are preserved in this group greater than any other group of Maldivians. CANNOTANSWER

Question: Do researchers have other part of Maldivians that they talk about besides linguistics and ethnic grounds?
Answer: CANNOTANSWER
Maldivians

Context: As a result of some political activities which occurred in the South during the early 1960s, the term Suvadivian has been adopted by some authors to refer to the southern group of Maldivians. From 1959 to 1963 there was a short-lived breakaway government named United Suvadive Republic which was formed by the Southerners, from which the name originated though there are no such native names. The names Suvadive and Suvadivian suggest that the origin of the names lye in the ancient name for the three southernmost atolls of Huvadhu, Fuvahmulah and Addu which was Suvadiva.  The Suvadivians, living in the three southernmost atolls of the equatorial zone (Huvadhu, Fuvahmulah and Addu atolls) number approximately 60,000 and constitute about 20% of the total population of Maldivians. According to researchers, this group of Maldivians have the closest proximity to the original Maldivian people in terms of linguistics as well as on ethnic grounds. The reason behind this suggested by researchers and proven from historical records is that there were less interference from the outside world to this group. Unlike the other group of Maldivians, this group was not affected by the Portuguese rule in the Maldives as it does not exceed the Suvadiva channel. Also there were no interference from traders and travellers as much as in the case of the other.  Each of the 3 atolls of the Suvadiva region speak their own distinctive forms of the Maldivian language (Huvadhu bas, Mulaku bas and Addu bas), which are much different from the rest and as suggested by researchers, having a closer affinity to what may have been the original. Thus, the native features of the original Maldivian people are preserved in this group greater than any other group of Maldivians. CANNOTANSWER

Question: Besides the relation between Maldivians and Southern group of Maldivians, are there any other interesting aspects about this article?
Answer: Each of the 3 atolls of the Suvadiva region speak their own distinctive forms of the Maldivian language
Maldivians

Context: As a result of some political activities which occurred in the South during the early 1960s, the term Suvadivian has been adopted by some authors to refer to the southern group of Maldivians. From 1959 to 1963 there was a short-lived breakaway government named United Suvadive Republic which was formed by the Southerners, from which the name originated though there are no such native names. The names Suvadive and Suvadivian suggest that the origin of the names lye in the ancient name for the three southernmost atolls of Huvadhu, Fuvahmulah and Addu which was Suvadiva.  The Suvadivians, living in the three southernmost atolls of the equatorial zone (Huvadhu, Fuvahmulah and Addu atolls) number approximately 60,000 and constitute about 20% of the total population of Maldivians. According to researchers, this group of Maldivians have the closest proximity to the original Maldivian people in terms of linguistics as well as on ethnic grounds. The reason behind this suggested by researchers and proven from historical records is that there were less interference from the outside world to this group. Unlike the other group of Maldivians, this group was not affected by the Portuguese rule in the Maldives as it does not exceed the Suvadiva channel. Also there were no interference from traders and travellers as much as in the case of the other.  Each of the 3 atolls of the Suvadiva region speak their own distinctive forms of the Maldivian language (Huvadhu bas, Mulaku bas and Addu bas), which are much different from the rest and as suggested by researchers, having a closer affinity to what may have been the original. Thus, the native features of the original Maldivian people are preserved in this group greater than any other group of Maldivians. CANNOTANSWER

Question: Which Maldivians are inhabited in each atoll?
Answer: Huvadhu, Fuvahmulah and Addu
Maldivians

Context: As a result of some political activities which occurred in the South during the early 1960s, the term Suvadivian has been adopted by some authors to refer to the southern group of Maldivians. From 1959 to 1963 there was a short-lived breakaway government named United Suvadive Republic which was formed by the Southerners, from which the name originated though there are no such native names. The names Suvadive and Suvadivian suggest that the origin of the names lye in the ancient name for the three southernmost atolls of Huvadhu, Fuvahmulah and Addu which was Suvadiva.  The Suvadivians, living in the three southernmost atolls of the equatorial zone (Huvadhu, Fuvahmulah and Addu atolls) number approximately 60,000 and constitute about 20% of the total population of Maldivians. According to researchers, this group of Maldivians have the closest proximity to the original Maldivian people in terms of linguistics as well as on ethnic grounds. The reason behind this suggested by researchers and proven from historical records is that there were less interference from the outside world to this group. Unlike the other group of Maldivians, this group was not affected by the Portuguese rule in the Maldives as it does not exceed the Suvadiva channel. Also there were no interference from traders and travellers as much as in the case of the other.  Each of the 3 atolls of the Suvadiva region speak their own distinctive forms of the Maldivian language (Huvadhu bas, Mulaku bas and Addu bas), which are much different from the rest and as suggested by researchers, having a closer affinity to what may have been the original. Thus, the native features of the original Maldivian people are preserved in this group greater than any other group of Maldivians. CANNOTANSWER

Question: What relation do the Maldivians have together?
Answer: number approximately 60,000 and constitute about 20% of the total population of Maldivians.
As I Lay Dying (band)

Context: After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel.  Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy.  As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003.  In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboard's Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbanger's Ball. CANNOTANSWER

Question: Where did As I Lay Dying's fifth record stream?
Answer: CANNOTANSWER
As I Lay Dying (band)

Context: After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel.  Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy.  As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003.  In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboard's Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbanger's Ball. CANNOTANSWER

Question: What was the name of one of As I Lay Dying's songs?
Answer: "94 Hours" and "Forever"
As I Lay Dying (band)

Context: After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel.  Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy.  As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003.  In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboard's Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbanger's Ball. CANNOTANSWER

Question: When was As I Lay Dying's compilation released?
Answer: CANNOTANSWER
As I Lay Dying (band)

Context: After leaving the band Society's Finest, in which he played guitar, vocalist Tim Lambesis formed As I Lay Dying in 2000. Starting out as a duet with drummer Jordan Mancino, they first met as a band in February 2001. They both were in the hardcore punk band Point of Recognition. The band's name came from the novel of the same name by William Faulkner that was published in 1930; although the band's lyrics and music are not directly inspired by the novel.  Shortly after the band's formation, Pluto Records offered As I Lay Dying a recording contract and, after accepting the offer, the band entered the studio one month later to record their first album Beneath the Encasing of Ashes, released in June 2001. The band then recorded five songs for a split album, again through Pluto Records, with San Diego post-hardcore band American Tragedy.  As I Lay Dying realized it needed to expand to a five-piece band to include another guitarist and a bass guitarist. Mancino commented "we started going on tour and we needed obviously more people than that." As Lambesis and Mancino were the only permanent members, the band recruited friends to perform with them and subsequently underwent several lineup changes: bass guitarist Noah Chase departed in 2001, while Brandon Hays, and his subsequent replacement Aaron Kennedy, departed in 2003. During early 2003, when As I Lay Dying's Pluto Records contract expired, the band pursued deals with other record labels. After extensive touring and an increase in popularity, As I Lay Dying was offered a record deal with Metal Blade Records in March 2003.  In July 2003, the band's second studio album Frail Words Collapse was released. Produced by Lambesis, the album peaked at No. 30 on Billboard's Independent Albums chart and No. 41 on the Top Heatseekers chart. William York of Allmusic thought the band "doesn't really add anything new to the mix from a musical standpoint" with the release, while also praising it for being "solid enough and well executed" with "adequate" production. Sherwin Frias of Jesus Freak Hideout had similar sentiments and commented "As I Lay Dying didn't exactly break many boundaries in making this record", but praised that each song is "executed so well (and with such precision) that nary a song misses its target." Touring then occurred to promote the album, with support from bands Himsa, Shadows Fall, The Black Dahlia Murder, Killswitch Engage, In Flames, Sworn Enemy, and Hatebreed. Music videos for the songs "94 Hours" and "Forever" received rotation on networks such as Fuse and MTV2's Headbanger's Ball. CANNOTANSWER

Question: What happened to As I Lay Dying in 2010?
Answer: CANNOTANSWER
Peter Cook

Context: In late 1989, Cook married for the third time, to Malaysian-born property developer Chiew Lin Chong (1945-2016) in Torbay, Devon. She provided him with some stability in his personal life and he reduced his drinking, to the extent that for a time he was teetotal. He lived alone in a small 18th-century house in Perrins Walk, Hampstead, while his wife kept her own property only 100 yards away.  Cook returned to the BBC as Sir Arthur Streeb-Greebling for an appearance with Ludovic Kennedy in A Life in Pieces. The 12 interviews saw Sir Arthur recount his life based on the Twelve Days of Christmas. Unscripted interviews with Cook as Streeb-Greebling and satirist Chris Morris were recorded in late 1993 and broadcast as Why Bother? on BBC Radio 3. Morris described them:  It was a very different style of improvisation from what I'd been used to, working with people like Steve Coogan, Doon Mackichan and Rebecca Front, because those On the Hour and The Day Today things were about trying to establish a character within a situation, and Peter Cook was really doing 'knight's move' and 'double knight's move' thinking to construct jokes or ridiculous scenes flipping back on themselves, and it was amazing. I mean, I held out no great hopes that he wouldn't be a boozy old sack of lard with his hair falling out and scarcely able to get a sentence out, because he hadn't given much evidence that that wouldn't be the case. But, in fact, he stumbled in with a Safeways bag full of Kestrel lager and loads of fags and then proceeded to skip about mentally with the agility of a grasshopper. Really quite extraordinary.  On 17 December 1993, Cook appeared on Clive Anderson Talks Back as four characters - biscuit tester and alien abductee Norman House, football manager and motivational speaker Alan Latchley, judge Sir James Beauchamp and rock legend Eric Daley. The following day he appeared on BBC2 performing links for Arena's "Radio Night". He also appeared, on 26 December, in the 1993 Christmas special of One Foot in the Grave ("One Foot in the Algarve"), playing a muckraking tabloid photographer. Before the end of the next year his mother died, and a grief-stricken Cook returned to heavy drinking. He made his last TV appearance on the show Pebble Mill at One in November 1994. CANNOTANSWER

Question: What was the revival of Peter Cook?
Answer: Cook returned to the BBC as Sir Arthur Streeb-Greebling for an appearance with Ludovic Kennedy in A Life in Pieces.
Peter Cook

Context: In late 1989, Cook married for the third time, to Malaysian-born property developer Chiew Lin Chong (1945-2016) in Torbay, Devon. She provided him with some stability in his personal life and he reduced his drinking, to the extent that for a time he was teetotal. He lived alone in a small 18th-century house in Perrins Walk, Hampstead, while his wife kept her own property only 100 yards away.  Cook returned to the BBC as Sir Arthur Streeb-Greebling for an appearance with Ludovic Kennedy in A Life in Pieces. The 12 interviews saw Sir Arthur recount his life based on the Twelve Days of Christmas. Unscripted interviews with Cook as Streeb-Greebling and satirist Chris Morris were recorded in late 1993 and broadcast as Why Bother? on BBC Radio 3. Morris described them:  It was a very different style of improvisation from what I'd been used to, working with people like Steve Coogan, Doon Mackichan and Rebecca Front, because those On the Hour and The Day Today things were about trying to establish a character within a situation, and Peter Cook was really doing 'knight's move' and 'double knight's move' thinking to construct jokes or ridiculous scenes flipping back on themselves, and it was amazing. I mean, I held out no great hopes that he wouldn't be a boozy old sack of lard with his hair falling out and scarcely able to get a sentence out, because he hadn't given much evidence that that wouldn't be the case. But, in fact, he stumbled in with a Safeways bag full of Kestrel lager and loads of fags and then proceeded to skip about mentally with the agility of a grasshopper. Really quite extraordinary.  On 17 December 1993, Cook appeared on Clive Anderson Talks Back as four characters - biscuit tester and alien abductee Norman House, football manager and motivational speaker Alan Latchley, judge Sir James Beauchamp and rock legend Eric Daley. The following day he appeared on BBC2 performing links for Arena's "Radio Night". He also appeared, on 26 December, in the 1993 Christmas special of One Foot in the Grave ("One Foot in the Algarve"), playing a muckraking tabloid photographer. Before the end of the next year his mother died, and a grief-stricken Cook returned to heavy drinking. He made his last TV appearance on the show Pebble Mill at One in November 1994. CANNOTANSWER

Question: Was Peter Cook's return to the BBC successful?
Answer: CANNOTANSWER
Peter Cook

Context: In late 1989, Cook married for the third time, to Malaysian-born property developer Chiew Lin Chong (1945-2016) in Torbay, Devon. She provided him with some stability in his personal life and he reduced his drinking, to the extent that for a time he was teetotal. He lived alone in a small 18th-century house in Perrins Walk, Hampstead, while his wife kept her own property only 100 yards away.  Cook returned to the BBC as Sir Arthur Streeb-Greebling for an appearance with Ludovic Kennedy in A Life in Pieces. The 12 interviews saw Sir Arthur recount his life based on the Twelve Days of Christmas. Unscripted interviews with Cook as Streeb-Greebling and satirist Chris Morris were recorded in late 1993 and broadcast as Why Bother? on BBC Radio 3. Morris described them:  It was a very different style of improvisation from what I'd been used to, working with people like Steve Coogan, Doon Mackichan and Rebecca Front, because those On the Hour and The Day Today things were about trying to establish a character within a situation, and Peter Cook was really doing 'knight's move' and 'double knight's move' thinking to construct jokes or ridiculous scenes flipping back on themselves, and it was amazing. I mean, I held out no great hopes that he wouldn't be a boozy old sack of lard with his hair falling out and scarcely able to get a sentence out, because he hadn't given much evidence that that wouldn't be the case. But, in fact, he stumbled in with a Safeways bag full of Kestrel lager and loads of fags and then proceeded to skip about mentally with the agility of a grasshopper. Really quite extraordinary.  On 17 December 1993, Cook appeared on Clive Anderson Talks Back as four characters - biscuit tester and alien abductee Norman House, football manager and motivational speaker Alan Latchley, judge Sir James Beauchamp and rock legend Eric Daley. The following day he appeared on BBC2 performing links for Arena's "Radio Night". He also appeared, on 26 December, in the 1993 Christmas special of One Foot in the Grave ("One Foot in the Algarve"), playing a muckraking tabloid photographer. Before the end of the next year his mother died, and a grief-stricken Cook returned to heavy drinking. He made his last TV appearance on the show Pebble Mill at One in November 1994. CANNOTANSWER

Question: Besides Peter Cook returning to the BBC as Sir Arthur Streeb-Greebling, what else was interesting about the revival?
Answer: On 17 December 1993, Cook appeared on Clive Anderson Talks Back as four characters
Peter Cook

Context: In late 1989, Cook married for the third time, to Malaysian-born property developer Chiew Lin Chong (1945-2016) in Torbay, Devon. She provided him with some stability in his personal life and he reduced his drinking, to the extent that for a time he was teetotal. He lived alone in a small 18th-century house in Perrins Walk, Hampstead, while his wife kept her own property only 100 yards away.  Cook returned to the BBC as Sir Arthur Streeb-Greebling for an appearance with Ludovic Kennedy in A Life in Pieces. The 12 interviews saw Sir Arthur recount his life based on the Twelve Days of Christmas. Unscripted interviews with Cook as Streeb-Greebling and satirist Chris Morris were recorded in late 1993 and broadcast as Why Bother? on BBC Radio 3. Morris described them:  It was a very different style of improvisation from what I'd been used to, working with people like Steve Coogan, Doon Mackichan and Rebecca Front, because those On the Hour and The Day Today things were about trying to establish a character within a situation, and Peter Cook was really doing 'knight's move' and 'double knight's move' thinking to construct jokes or ridiculous scenes flipping back on themselves, and it was amazing. I mean, I held out no great hopes that he wouldn't be a boozy old sack of lard with his hair falling out and scarcely able to get a sentence out, because he hadn't given much evidence that that wouldn't be the case. But, in fact, he stumbled in with a Safeways bag full of Kestrel lager and loads of fags and then proceeded to skip about mentally with the agility of a grasshopper. Really quite extraordinary.  On 17 December 1993, Cook appeared on Clive Anderson Talks Back as four characters - biscuit tester and alien abductee Norman House, football manager and motivational speaker Alan Latchley, judge Sir James Beauchamp and rock legend Eric Daley. The following day he appeared on BBC2 performing links for Arena's "Radio Night". He also appeared, on 26 December, in the 1993 Christmas special of One Foot in the Grave ("One Foot in the Algarve"), playing a muckraking tabloid photographer. Before the end of the next year his mother died, and a grief-stricken Cook returned to heavy drinking. He made his last TV appearance on the show Pebble Mill at One in November 1994. CANNOTANSWER

Question: What were the four characters on Clive Anderson Talks Back that Peter Cook played?
Answer: biscuit tester and alien abductee Norman House, football manager and motivational speaker Alan Latchley, judge Sir James Beauchamp and rock legend Eric Daley.
Peter Cook

Context: In late 1989, Cook married for the third time, to Malaysian-born property developer Chiew Lin Chong (1945-2016) in Torbay, Devon. She provided him with some stability in his personal life and he reduced his drinking, to the extent that for a time he was teetotal. He lived alone in a small 18th-century house in Perrins Walk, Hampstead, while his wife kept her own property only 100 yards away.  Cook returned to the BBC as Sir Arthur Streeb-Greebling for an appearance with Ludovic Kennedy in A Life in Pieces. The 12 interviews saw Sir Arthur recount his life based on the Twelve Days of Christmas. Unscripted interviews with Cook as Streeb-Greebling and satirist Chris Morris were recorded in late 1993 and broadcast as Why Bother? on BBC Radio 3. Morris described them:  It was a very different style of improvisation from what I'd been used to, working with people like Steve Coogan, Doon Mackichan and Rebecca Front, because those On the Hour and The Day Today things were about trying to establish a character within a situation, and Peter Cook was really doing 'knight's move' and 'double knight's move' thinking to construct jokes or ridiculous scenes flipping back on themselves, and it was amazing. I mean, I held out no great hopes that he wouldn't be a boozy old sack of lard with his hair falling out and scarcely able to get a sentence out, because he hadn't given much evidence that that wouldn't be the case. But, in fact, he stumbled in with a Safeways bag full of Kestrel lager and loads of fags and then proceeded to skip about mentally with the agility of a grasshopper. Really quite extraordinary.  On 17 December 1993, Cook appeared on Clive Anderson Talks Back as four characters - biscuit tester and alien abductee Norman House, football manager and motivational speaker Alan Latchley, judge Sir James Beauchamp and rock legend Eric Daley. The following day he appeared on BBC2 performing links for Arena's "Radio Night". He also appeared, on 26 December, in the 1993 Christmas special of One Foot in the Grave ("One Foot in the Algarve"), playing a muckraking tabloid photographer. Before the end of the next year his mother died, and a grief-stricken Cook returned to heavy drinking. He made his last TV appearance on the show Pebble Mill at One in November 1994. CANNOTANSWER

Question: Besides Peter Cook's roles on the BBC, are there any other interesting aspects about this article?
Answer: He lived alone in a small 18th-century house in Perrins Walk, Hampstead, while his wife kept her own property only 100 yards away.
James Levine

Context: Levine was born in Cincinnati, Ohio, to a Jewish, musical family. His maternal grandfather was a composer and a cantor in a synagogue, his father (Lawrence) was a violinist who led dance bands under the name "Larry Lee" before entering his father's clothing business, and his mother (Helen Goldstein Levine) was briefly an actress on Broadway, performing as "Helen Golden". He has a brother Tom who is two years younger, who followed him to New York City from Cincinnati in 1974, and with whom he is very close. He employs Tom as his business assistant (looking after all of his affairs, arranging his rehearsal schedules, fielding queries, scouting out where he will live, meeting with accountants, and accompanying Levine on trips to Europe), and his brother is a painter as well. He also has a younger sister, Janet, who is a marriage counselor.  He began to play the piano as a small child. On February 21, 1954, at the age of 10, Levine made his concert debut as soloist playing Felix Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra in Ohio.  Levine subsequently studied music with Walter Levin, first violinist in the LaSalle Quartet. In 1956 he took piano lessons with Rudolf Serkin at the Marlboro Music School, in Vermont. In the following year he began to study piano with Rosina Lhevinne at the Aspen Music School. He graduated from Walnut Hills High School, an acclaimed magnet school in Cincinnati. He entered the Juilliard School of Music in New York City in 1961, and took courses in conducting with Jean Morel. He graduated from the Juilliard School in 1964, and joined the American Conductors project connected with the Baltimore Symphony Orchestra.  Levine lives in The San Remo on Central Park West in New York City. CANNOTANSWER

Question: What was James Levine's early years like?
Answer: He began to play the piano as a small child.
James Levine

Context: Levine was born in Cincinnati, Ohio, to a Jewish, musical family. His maternal grandfather was a composer and a cantor in a synagogue, his father (Lawrence) was a violinist who led dance bands under the name "Larry Lee" before entering his father's clothing business, and his mother (Helen Goldstein Levine) was briefly an actress on Broadway, performing as "Helen Golden". He has a brother Tom who is two years younger, who followed him to New York City from Cincinnati in 1974, and with whom he is very close. He employs Tom as his business assistant (looking after all of his affairs, arranging his rehearsal schedules, fielding queries, scouting out where he will live, meeting with accountants, and accompanying Levine on trips to Europe), and his brother is a painter as well. He also has a younger sister, Janet, who is a marriage counselor.  He began to play the piano as a small child. On February 21, 1954, at the age of 10, Levine made his concert debut as soloist playing Felix Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra in Ohio.  Levine subsequently studied music with Walter Levin, first violinist in the LaSalle Quartet. In 1956 he took piano lessons with Rudolf Serkin at the Marlboro Music School, in Vermont. In the following year he began to study piano with Rosina Lhevinne at the Aspen Music School. He graduated from Walnut Hills High School, an acclaimed magnet school in Cincinnati. He entered the Juilliard School of Music in New York City in 1961, and took courses in conducting with Jean Morel. He graduated from the Juilliard School in 1964, and joined the American Conductors project connected with the Baltimore Symphony Orchestra.  Levine lives in The San Remo on Central Park West in New York City. CANNOTANSWER

Question: What age did James Levine start to play piano?
Answer: CANNOTANSWER
James Levine

Context: Levine was born in Cincinnati, Ohio, to a Jewish, musical family. His maternal grandfather was a composer and a cantor in a synagogue, his father (Lawrence) was a violinist who led dance bands under the name "Larry Lee" before entering his father's clothing business, and his mother (Helen Goldstein Levine) was briefly an actress on Broadway, performing as "Helen Golden". He has a brother Tom who is two years younger, who followed him to New York City from Cincinnati in 1974, and with whom he is very close. He employs Tom as his business assistant (looking after all of his affairs, arranging his rehearsal schedules, fielding queries, scouting out where he will live, meeting with accountants, and accompanying Levine on trips to Europe), and his brother is a painter as well. He also has a younger sister, Janet, who is a marriage counselor.  He began to play the piano as a small child. On February 21, 1954, at the age of 10, Levine made his concert debut as soloist playing Felix Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra in Ohio.  Levine subsequently studied music with Walter Levin, first violinist in the LaSalle Quartet. In 1956 he took piano lessons with Rudolf Serkin at the Marlboro Music School, in Vermont. In the following year he began to study piano with Rosina Lhevinne at the Aspen Music School. He graduated from Walnut Hills High School, an acclaimed magnet school in Cincinnati. He entered the Juilliard School of Music in New York City in 1961, and took courses in conducting with Jean Morel. He graduated from the Juilliard School in 1964, and joined the American Conductors project connected with the Baltimore Symphony Orchestra.  Levine lives in The San Remo on Central Park West in New York City. CANNOTANSWER

Question: Was James Levine married?
Answer: CANNOTANSWER
James Levine

Context: Levine was born in Cincinnati, Ohio, to a Jewish, musical family. His maternal grandfather was a composer and a cantor in a synagogue, his father (Lawrence) was a violinist who led dance bands under the name "Larry Lee" before entering his father's clothing business, and his mother (Helen Goldstein Levine) was briefly an actress on Broadway, performing as "Helen Golden". He has a brother Tom who is two years younger, who followed him to New York City from Cincinnati in 1974, and with whom he is very close. He employs Tom as his business assistant (looking after all of his affairs, arranging his rehearsal schedules, fielding queries, scouting out where he will live, meeting with accountants, and accompanying Levine on trips to Europe), and his brother is a painter as well. He also has a younger sister, Janet, who is a marriage counselor.  He began to play the piano as a small child. On February 21, 1954, at the age of 10, Levine made his concert debut as soloist playing Felix Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra in Ohio.  Levine subsequently studied music with Walter Levin, first violinist in the LaSalle Quartet. In 1956 he took piano lessons with Rudolf Serkin at the Marlboro Music School, in Vermont. In the following year he began to study piano with Rosina Lhevinne at the Aspen Music School. He graduated from Walnut Hills High School, an acclaimed magnet school in Cincinnati. He entered the Juilliard School of Music in New York City in 1961, and took courses in conducting with Jean Morel. He graduated from the Juilliard School in 1964, and joined the American Conductors project connected with the Baltimore Symphony Orchestra.  Levine lives in The San Remo on Central Park West in New York City. CANNOTANSWER

Question: Other than James Levine playing piano, are there any other interesting aspects about this article?
Answer: Levine was born in Cincinnati, Ohio,
James Levine

Context: Levine was born in Cincinnati, Ohio, to a Jewish, musical family. His maternal grandfather was a composer and a cantor in a synagogue, his father (Lawrence) was a violinist who led dance bands under the name "Larry Lee" before entering his father's clothing business, and his mother (Helen Goldstein Levine) was briefly an actress on Broadway, performing as "Helen Golden". He has a brother Tom who is two years younger, who followed him to New York City from Cincinnati in 1974, and with whom he is very close. He employs Tom as his business assistant (looking after all of his affairs, arranging his rehearsal schedules, fielding queries, scouting out where he will live, meeting with accountants, and accompanying Levine on trips to Europe), and his brother is a painter as well. He also has a younger sister, Janet, who is a marriage counselor.  He began to play the piano as a small child. On February 21, 1954, at the age of 10, Levine made his concert debut as soloist playing Felix Mendelssohn's Piano Concerto No. 2 at a youth concert of the Cincinnati Symphony Orchestra in Ohio.  Levine subsequently studied music with Walter Levin, first violinist in the LaSalle Quartet. In 1956 he took piano lessons with Rudolf Serkin at the Marlboro Music School, in Vermont. In the following year he began to study piano with Rosina Lhevinne at the Aspen Music School. He graduated from Walnut Hills High School, an acclaimed magnet school in Cincinnati. He entered the Juilliard School of Music in New York City in 1961, and took courses in conducting with Jean Morel. He graduated from the Juilliard School in 1964, and joined the American Conductors project connected with the Baltimore Symphony Orchestra.  Levine lives in The San Remo on Central Park West in New York City. CANNOTANSWER

Question: What year was James Levine born?
Answer: CANNOTANSWER