gaussalgo/Canard_Wiki-augmented huggingface dataset:
John Maulbetsch

Context: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line."  While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.  Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out."  When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough." CANNOTANSWER

Question: What was John Maulbetsch studying?
Answer: CANNOTANSWER
John Maulbetsch

Context: Maulbetsch's breakthrough came on October 31, 1914, in front of 30,000 fans at Harvard. The game was one of the most anticipated matches of the year. A special train brought Michigan fans to Cambridge, Massachusetts, and hundreds of Michigan alumni from the East were on hand as "reinforcements." Though Harvard prevailed, 7-0, Maulbetsch was the big story in papers across the country. Writers from Ring Lardner to Damon Runyon told the story of Maulbetsch's performance. Lardner said: "If anyone tells you the East plays the best brand of football, Maulbetsch shot that theory full of holes." According to Runyon, the Wolverines used "the mighty Maulbetsch as their battering ram", and he "gained enough ground against Harvard to bury a German army corps." Football writer Frank G. Menke said: "No westerner ever created half the stir in the east as did this Michigander . . . His peculiar, baffling style of attack, backed by phenomenal strength almost always earned for him gains of 5 to 20 yards every time he was called upon to carry the ball." Another writer noted Maulbetsch's skill as a "line breaker" as he "carried the ball repeatedly through the Harvard line and into the secondary defense with bullet-like rushes that upset tackler after tackler." Maulbetsch was responsible for four-fifths of Michigan's ground gains, and on several occasions his dives reportedly "had so much power that he dove right through a double line of crimson players and went sprawling on the ground twelve to twenty feet clear of the double line."  While every report indicates that Maulbetsch had a big day, the accounts vary dramatically as to exactly how many yards he gained. Frank Menke reported after the game that Maulbetsch gained 300 yards. A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.  Despite Maulbetsch's efforts, Michigan was never able to punch the ball across the goal line. Many blamed Michigan's quarterback who switched to another back every time after Maulbetsch "took the ball to the shadow of the Crimson goal posts." In answer to the question why Michigan was unable to score, Frank Menke said: "Ask the fellow who quarterbacked for Michigan that day. His actions were too mystifying for the spectators to figure out."  When Harvard reneged on an agreement to play a game in Ann Arbor in 1915, sports writers concluded it was to avoid facing Maulbetsch again. Said one reporter: "When faih Hahvahd [sic] saw what Maulbetsch did in the first clash, it decided it cared to see no more of him. He was too rough." CANNOTANSWER

Question: Did John Maulbetsch win any accomplishments such as a championship game?
Answer: A 1938 newspaper account said he "gained 350 yards from scrimmage." Yet, his 1951 obituary indicated he gained 133 yards in 30 attempts.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What is the pine tar incident?
Answer: Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What happened after Martin cited to umpires a rule stating that foreign substance on a bat could extend 18 inches or less from the knob?
Answer: The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What did George Brett do in reaction to the measurement pine tar on Brett's bat?
Answer: The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What did Brett do when McClelland ended the game as a Yankee win?
Answer: an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What were the consequences for Brett needing to be physically restrained?
Answer: The Royals protested the game, and American League president Lee MacPhail upheld the protest,
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What was the resolution to the Royals protested game?
Answer: Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What was the impact of the resumed game and Royals win?
Answer: In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What else changed as a result of the Pine Tar Incident in addition to Brett's American League Championship win?
Answer: CANNOTANSWER
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: Did Brett continue to play after his American League Championship win following the Pine Tar Incident?
Answer: He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: What else did Brett do in addition to his MVP playoff series in 1985?
Answer: The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history.
George Brett

Context: On July 24, 1983, the Royals played the Yankees at Yankee Stadium. In the top of the ninth inning with two out, Brett hit a go-ahead two-run homer off of Goose Gossage to put the Royals up 5-4. Upon Brett crossing the plate, Yankees manager Billy Martin cited to the umpires a rule that stated that any foreign substance on a bat could extend no further than 18 inches from the knob. The umpires measured the amount of pine tar, a legal substance used by hitters to improve their grip, on Brett's bat; the pine tar extended about 24 inches. The home plate umpire, Tim McClelland, signaled Brett out, ending the game as a Yankees win. In a now famous image, an enraged Brett charged out of the dugout sprinting directly toward McClelland and had to be physically restrained by two umpires and a Royals coach.  The Royals protested the game, and American League president Lee MacPhail upheld the protest, reasoning that the bat should have been excluded from future use but the home run should not have been nullified. Amid much controversy, the game was resumed on August 18 from the point of Brett's home run and ended with a Royals win.  In 1985, Brett had another brilliant season in which he helped propel the Royals to their second American League Championship. He batted .335 with 30 home runs and 112 RBI, finishing in the top 10 of the league in 10 different offensive categories. Defensively, he won his only Gold Glove, which broke Buddy Bell's six-year run of the award. In the final week of the regular season, he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories, as the Royals closed the gap and won the division title at the end. He was MVP of the 1985 playoffs against the Toronto Blue Jays, with an incredible Game 3. With KC down in the series two games to none, Brett went 4-for-4, homering in his first two at bats against Doyle Alexander, and doubled to the same spot in right field in his third at bat, leading the Royals' comeback. Brett then batted .370 in the World Series against the St. Louis Cardinals including a four-hit performance in Game 7. The Royals again rallied from a 3-1 deficit to become World Series Champions for the first time in Royals history. CANNOTANSWER

Question: Is there anything else significant in addition to Brett's World Series win following the Pine Tar Incident?
Answer: he went 9-for-20 at the plate with 7 runs, 5 homers, and 9 RBI in six crucial games, five of them victories,
Color Me Badd

Context: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990. CANNOTANSWER

Question: How did Color Me Badd get together?
Answer: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s
Color Me Badd

Context: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990. CANNOTANSWER

Question: How did Color Me Badd decide on the band name?
Answer: The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6.
Color Me Badd

Context: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990. CANNOTANSWER

Question: How did Color Me Badd meet the other band members?
Answer: The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City.
Color Me Badd

Context: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990. CANNOTANSWER

Question: Did Color Me Badd tour?
Answer: They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show,
Color Me Badd

Context: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990. CANNOTANSWER

Question: When did Color Me Badd start getting successful?
Answer: They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988.
Color Me Badd

Context: Thornton and Abrams became friends in junior high school, and Watters and Calderon became friends in grade school. The four met in the mid-1980s while attending Northwest Classen High School in Oklahoma City. They were all members of the school choir. The group originally formed in 1985 as Take One, but changed their name to Color Me Badd to avoid confusion with an a cappella band named Take 6. Watters selected the name, after a horse at the racetrack named Color Me Bad. They aimed to be a vocal group in the vein of New Edition and New Kids on the Block. They first performed together in a school talent show, influenced by doo-wop a cappella groups of the past, such as Sam Cooke, The Temptations and the Four Tops.  The group came up with a plan to spontaneously audition for any big name acts playing in Oklahoma City. They met Robert Bell of Kool & the Gang on May 27, 1987, when they were in Oklahoma City for a performance. They auditioned for him and he introduced them to his then-road manager, Adil Bayyan, who would become Color Me Badd's manager and convince them to move to New York City to pursue a record deal. They also sang for Huey Lewis and the News, Sheila E. and Ronnie Milsap, and opened for Tony! Toni! Tone! in Oklahoma City in 1988. One afternoon in 1989, Thornton saw Jon Bon Jovi in a movie theater and called the other band members to join him. They waited for him to leave the theater and then sung the 1961 doo-wop hit "Daddy's Home" a cappella for him. Bon Jovi invited them to be his band's opening act the following night, to perform in front of 20,000 audience members.  They moved to New York City on September 23, 1989. In 1990, they bumped into Tony! Toni! Tone!, who got them into the ASCAP Music Awards. There, Color Me Badd approached producers Jimmy Jam and Terry Lewis and started singing for them. The producers advised that, being a multicultural group, they write a half-English, half-Spanish song. They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee. Giant Records executive Cassandra Mills heard a tape of the band singing the song, and they signed with Giant on August 11, 1990. CANNOTANSWER

Question: Did Color Me Badd have any hit songs?
Answer: They wrote "I Adore Mi Amor" back in Oklahoma City with their producer and friend Hamza Lee.