gaussalgo/Canard_Wiki-augmented huggingface dataset:
Anwar al-Awlaki

Context: In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said:  the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow.  Lawyers for Specially Designated Global Terrorists must obtain a special license from the US Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010.  On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which US citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the US Constitution committed to the political branches.  On May 5, 2011, the US tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. CANNOTANSWER

Question: Why did Anwar al-Awlaki's father create the lawsuit
Answer: to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list.
Anwar al-Awlaki

Context: In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said:  the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow.  Lawyers for Specially Designated Global Terrorists must obtain a special license from the US Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010.  On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which US citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the US Constitution committed to the political branches.  On May 5, 2011, the US tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. CANNOTANSWER

Question: Why did Anwar al-Awlaki's father want to remove him from the list?
Answer: the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world.
Anwar al-Awlaki

Context: In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said:  the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow.  Lawyers for Specially Designated Global Terrorists must obtain a special license from the US Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010.  On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which US citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the US Constitution committed to the political branches.  On May 5, 2011, the US tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. CANNOTANSWER

Question: What was the outcome of the lawsuit against the US?
Answer: Judge John D. Bates dismissed the lawsuit in an 83-page ruling,
Anwar al-Awlaki

Context: In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said:  the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow.  Lawyers for Specially Designated Global Terrorists must obtain a special license from the US Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010.  On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which US citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the US Constitution committed to the political branches.  On May 5, 2011, the US tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. CANNOTANSWER

Question: When was lawsuit against the US dismissed?
Answer: CANNOTANSWER
Anwar al-Awlaki

Context: In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said:  the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow.  Lawyers for Specially Designated Global Terrorists must obtain a special license from the US Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010.  On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which US citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the US Constitution committed to the political branches.  On May 5, 2011, the US tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. CANNOTANSWER

Question: What else can you tell me about the lawsuit against the US other than its dismissal?
Answer: the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine
Anwar al-Awlaki

Context: In July 2010, al-Awlaki's father, Nasser al-Awlaki, contacted the Center for Constitutional Rights and the American Civil Liberties Union to represent his son in a lawsuit that sought to remove Anwar from the targeted killing list. ACLU's Jameel Jaffer said:  the United States is not at war in Yemen, and the government doesn't have a blank check to kill terrorism suspects wherever they are in the world. Among the arguments we'll be making is that, outside actual war zones, the authority to use lethal force is narrowly circumscribed, and preserving the rule of law depends on keeping this authority narrow.  Lawyers for Specially Designated Global Terrorists must obtain a special license from the US Treasury Department before they can represent their clients in court. The lawyers were granted the license on August 4, 2010.  On August 30, 2010, the groups filed a "targeted killing" lawsuit, naming President Obama, CIA Director Leon Panetta, and Secretary of Defense Robert Gates as defendants. They sought an injunction preventing the targeted killing of al-Awlaki, and also sought to require the government to disclose the standards under which US citizens may be "targeted for death". Judge John D. Bates dismissed the lawsuit in an 83-page ruling, holding that the father did not have legal standing to bring the lawsuit, and that his claims were judicially unreviewable under the political question doctrine inasmuch as he was questioning a decision that the US Constitution committed to the political branches.  On May 5, 2011, the US tried but failed to kill al-Awlaki by firing a missile from an unmanned drone at a car in Yemen. A Yemeni security official said that two al-Qaeda operatives in the car died. CANNOTANSWER

Question: What was the father's name of Anwar al-Awlaki?
Answer: Nasser al-Awlaki,
Hedwig and the Angry Inch (musical)

Context: In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli playing Hedwig. This was the first adaptation where there were two actors simultaneously playing Hedwig onstage. The play was translated by Jonas Calmon Klabin and directed by Evandro Mesquita, with musical direction by Danilo Timm and Evandro Mesquita. Eline Porto played Yitzhak, Alexandre Griva on the drums, Fabrizio Iorio on the keyboards, Patrick Laplan on the bass, and Pedro Nogueira playing the guitar.  The musical previews ran from August 10 to September 3, 2010 and the full show ran from September 15 to November 6, 2010, totaling 46 performances.  The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances, now with actors Pierre Baitelli and Felipe Carvalhido playing Hedwig. Eline Porto played Yitzhak, Diego Andrade on the drums, Fabrizio Iorio on the keyboards, Melvin Ribeiro on the bass, and Pedro Nogueira playing the guitar. Nominated for Best Actor (Pierre Baitelli) and Best Musical direction (Danilo Timm and Evandro Mesquita) at the Premio Shell de Teatro. Winner of Best Actor (Pierre Baitelli and nominated for Best Production (Oz), Best Director (Evandro Mesquita), and Best Actress (Eline Porto) at the Premio Arte Qualidade Brasil. Also, one nomination for Best Musical in a Brazilian adaptation for the Premio Contigo de Teatro.  This same production performed again in Rio de Janeiro from April 4-22, 2012, and a tour to Curitiba, performing April 26-29, 2012, for a total of 16 performances. On November 24, 2012, John Cameron Mitchell performed a concert with the Brazilian Hedwig cast and guests and there were another two performances of Hedwig in Rio, November 23 and 25, and 4 performances in Fortaleza, November 29, 30, December 1 and 2, 2012. There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances. CANNOTANSWER

Question: Was the musical Hedwig and the Angry Itch performed in Brazil?
Answer: In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli
Hedwig and the Angry Inch (musical)

Context: In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli playing Hedwig. This was the first adaptation where there were two actors simultaneously playing Hedwig onstage. The play was translated by Jonas Calmon Klabin and directed by Evandro Mesquita, with musical direction by Danilo Timm and Evandro Mesquita. Eline Porto played Yitzhak, Alexandre Griva on the drums, Fabrizio Iorio on the keyboards, Patrick Laplan on the bass, and Pedro Nogueira playing the guitar.  The musical previews ran from August 10 to September 3, 2010 and the full show ran from September 15 to November 6, 2010, totaling 46 performances.  The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances, now with actors Pierre Baitelli and Felipe Carvalhido playing Hedwig. Eline Porto played Yitzhak, Diego Andrade on the drums, Fabrizio Iorio on the keyboards, Melvin Ribeiro on the bass, and Pedro Nogueira playing the guitar. Nominated for Best Actor (Pierre Baitelli) and Best Musical direction (Danilo Timm and Evandro Mesquita) at the Premio Shell de Teatro. Winner of Best Actor (Pierre Baitelli and nominated for Best Production (Oz), Best Director (Evandro Mesquita), and Best Actress (Eline Porto) at the Premio Arte Qualidade Brasil. Also, one nomination for Best Musical in a Brazilian adaptation for the Premio Contigo de Teatro.  This same production performed again in Rio de Janeiro from April 4-22, 2012, and a tour to Curitiba, performing April 26-29, 2012, for a total of 16 performances. On November 24, 2012, John Cameron Mitchell performed a concert with the Brazilian Hedwig cast and guests and there were another two performances of Hedwig in Rio, November 23 and 25, and 4 performances in Fortaleza, November 29, 30, December 1 and 2, 2012. There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances. CANNOTANSWER

Question: Was the musical Hedwig and the Angry Itch performed in any other locations besides Brazil?
Answer: The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances,
Hedwig and the Angry Inch (musical)

Context: In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli playing Hedwig. This was the first adaptation where there were two actors simultaneously playing Hedwig onstage. The play was translated by Jonas Calmon Klabin and directed by Evandro Mesquita, with musical direction by Danilo Timm and Evandro Mesquita. Eline Porto played Yitzhak, Alexandre Griva on the drums, Fabrizio Iorio on the keyboards, Patrick Laplan on the bass, and Pedro Nogueira playing the guitar.  The musical previews ran from August 10 to September 3, 2010 and the full show ran from September 15 to November 6, 2010, totaling 46 performances.  The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances, now with actors Pierre Baitelli and Felipe Carvalhido playing Hedwig. Eline Porto played Yitzhak, Diego Andrade on the drums, Fabrizio Iorio on the keyboards, Melvin Ribeiro on the bass, and Pedro Nogueira playing the guitar. Nominated for Best Actor (Pierre Baitelli) and Best Musical direction (Danilo Timm and Evandro Mesquita) at the Premio Shell de Teatro. Winner of Best Actor (Pierre Baitelli and nominated for Best Production (Oz), Best Director (Evandro Mesquita), and Best Actress (Eline Porto) at the Premio Arte Qualidade Brasil. Also, one nomination for Best Musical in a Brazilian adaptation for the Premio Contigo de Teatro.  This same production performed again in Rio de Janeiro from April 4-22, 2012, and a tour to Curitiba, performing April 26-29, 2012, for a total of 16 performances. On November 24, 2012, John Cameron Mitchell performed a concert with the Brazilian Hedwig cast and guests and there were another two performances of Hedwig in Rio, November 23 and 25, and 4 performances in Fortaleza, November 29, 30, December 1 and 2, 2012. There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances. CANNOTANSWER

Question: How long was the musical Hedwig and the Angry Itch touring in Brazil?
Answer: There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances.
Hedwig and the Angry Inch (musical)

Context: In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli playing Hedwig. This was the first adaptation where there were two actors simultaneously playing Hedwig onstage. The play was translated by Jonas Calmon Klabin and directed by Evandro Mesquita, with musical direction by Danilo Timm and Evandro Mesquita. Eline Porto played Yitzhak, Alexandre Griva on the drums, Fabrizio Iorio on the keyboards, Patrick Laplan on the bass, and Pedro Nogueira playing the guitar.  The musical previews ran from August 10 to September 3, 2010 and the full show ran from September 15 to November 6, 2010, totaling 46 performances.  The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances, now with actors Pierre Baitelli and Felipe Carvalhido playing Hedwig. Eline Porto played Yitzhak, Diego Andrade on the drums, Fabrizio Iorio on the keyboards, Melvin Ribeiro on the bass, and Pedro Nogueira playing the guitar. Nominated for Best Actor (Pierre Baitelli) and Best Musical direction (Danilo Timm and Evandro Mesquita) at the Premio Shell de Teatro. Winner of Best Actor (Pierre Baitelli and nominated for Best Production (Oz), Best Director (Evandro Mesquita), and Best Actress (Eline Porto) at the Premio Arte Qualidade Brasil. Also, one nomination for Best Musical in a Brazilian adaptation for the Premio Contigo de Teatro.  This same production performed again in Rio de Janeiro from April 4-22, 2012, and a tour to Curitiba, performing April 26-29, 2012, for a total of 16 performances. On November 24, 2012, John Cameron Mitchell performed a concert with the Brazilian Hedwig cast and guests and there were another two performances of Hedwig in Rio, November 23 and 25, and 4 performances in Fortaleza, November 29, 30, December 1 and 2, 2012. There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances. CANNOTANSWER

Question: Was the musical Hedwig and the Angry Itch popular in Brazil?
Answer: CANNOTANSWER
Hedwig and the Angry Inch (musical)

Context: In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli playing Hedwig. This was the first adaptation where there were two actors simultaneously playing Hedwig onstage. The play was translated by Jonas Calmon Klabin and directed by Evandro Mesquita, with musical direction by Danilo Timm and Evandro Mesquita. Eline Porto played Yitzhak, Alexandre Griva on the drums, Fabrizio Iorio on the keyboards, Patrick Laplan on the bass, and Pedro Nogueira playing the guitar.  The musical previews ran from August 10 to September 3, 2010 and the full show ran from September 15 to November 6, 2010, totaling 46 performances.  The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances, now with actors Pierre Baitelli and Felipe Carvalhido playing Hedwig. Eline Porto played Yitzhak, Diego Andrade on the drums, Fabrizio Iorio on the keyboards, Melvin Ribeiro on the bass, and Pedro Nogueira playing the guitar. Nominated for Best Actor (Pierre Baitelli) and Best Musical direction (Danilo Timm and Evandro Mesquita) at the Premio Shell de Teatro. Winner of Best Actor (Pierre Baitelli and nominated for Best Production (Oz), Best Director (Evandro Mesquita), and Best Actress (Eline Porto) at the Premio Arte Qualidade Brasil. Also, one nomination for Best Musical in a Brazilian adaptation for the Premio Contigo de Teatro.  This same production performed again in Rio de Janeiro from April 4-22, 2012, and a tour to Curitiba, performing April 26-29, 2012, for a total of 16 performances. On November 24, 2012, John Cameron Mitchell performed a concert with the Brazilian Hedwig cast and guests and there were another two performances of Hedwig in Rio, November 23 and 25, and 4 performances in Fortaleza, November 29, 30, December 1 and 2, 2012. There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances. CANNOTANSWER

Question: When was the last year that the musical Hedwig and the Angry Itch was in Brazil?
Answer: 2014
Hedwig and the Angry Inch (musical)

Context: In August 2010, a Brazilian adaptation of Hedwig and the Angry Inch premiered in Rio de Janeiro, with Paulo Vilhena and Pierre Baitelli playing Hedwig. This was the first adaptation where there were two actors simultaneously playing Hedwig onstage. The play was translated by Jonas Calmon Klabin and directed by Evandro Mesquita, with musical direction by Danilo Timm and Evandro Mesquita. Eline Porto played Yitzhak, Alexandre Griva on the drums, Fabrizio Iorio on the keyboards, Patrick Laplan on the bass, and Pedro Nogueira playing the guitar.  The musical previews ran from August 10 to September 3, 2010 and the full show ran from September 15 to November 6, 2010, totaling 46 performances.  The same production reopened in Sao Paulo on August 26, 2011, and ran until October 16, 2011, for a total of 25 performances, now with actors Pierre Baitelli and Felipe Carvalhido playing Hedwig. Eline Porto played Yitzhak, Diego Andrade on the drums, Fabrizio Iorio on the keyboards, Melvin Ribeiro on the bass, and Pedro Nogueira playing the guitar. Nominated for Best Actor (Pierre Baitelli) and Best Musical direction (Danilo Timm and Evandro Mesquita) at the Premio Shell de Teatro. Winner of Best Actor (Pierre Baitelli and nominated for Best Production (Oz), Best Director (Evandro Mesquita), and Best Actress (Eline Porto) at the Premio Arte Qualidade Brasil. Also, one nomination for Best Musical in a Brazilian adaptation for the Premio Contigo de Teatro.  This same production performed again in Rio de Janeiro from April 4-22, 2012, and a tour to Curitiba, performing April 26-29, 2012, for a total of 16 performances. On November 24, 2012, John Cameron Mitchell performed a concert with the Brazilian Hedwig cast and guests and there were another two performances of Hedwig in Rio, November 23 and 25, and 4 performances in Fortaleza, November 29, 30, December 1 and 2, 2012. There were another 7 performances scheduled for February 2014 in Brasilia and Recife, finalizing the Brazilian Hedwig project with a total of 100 performances. CANNOTANSWER

Question: What else can you tell me about the musical Hedwig and the Angry Itch other than it was there last in 2014?
Answer: On November 24, 2012, John Cameron Mitchell performed a concert with the Brazilian Hedwig cast and guests
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: How did Roberto Orci begin his career as a screenwriter?
Answer: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys,
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: How was the TV series Hercules received by critics and fans?
Answer: CANNOTANSWER
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: In addition to the Hercules series, what other collaboration did Roberto Orci and Kurtzman do?
Answer: they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series.
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: Besides Roberto Orci's series Hercules, are there any other interesting aspects about this article?
Answer: Orci and Kurtzman received their break in writing for films in 2004,
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: What films did Roberto Orci and Kurtzman write for in 2004?
Answer: the Michael Bay film The Island,
Roberto Orci

Context: Orci and Kurtzman began their writing collaboration on the television series Hercules: The Legendary Journeys, after being hired by Sam Raimi. After actor Kevin Sorbo suffered a stroke, the duo were required to come up with inventive ideas to minimize his appearances on screen. Due to this work, they became show runners at the age of 24. They were also involved in the sister-series to Hercules, Xena: Warrior Princess. They sought to move to writing for a network-based television series, but found this difficult. After receiving a series of negative responses, they met with J. J. Abrams who was starting work on Alias at the time. The meeting went well, and resulted in them working on the series. They would go on to work together again on the Fox science fiction series Fringe where all three were listed as co-creators.  Orci and Kurtzman received their break in writing for films in 2004, with the Michael Bay film The Island, for which they developed the spec script by Caspian Tredwell-Owen. When Kurtzman and Orci first met Bay, he asked the pair "Why should I trust you?", to which Orci replied "You shouldn't yet. Let's see what happens." While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers, after producer Steven Spielberg asked them to come in for a meeting. The movie took in $710 million at the box office.  Following their work on that film, the duo were brought in to revise the script for Zack Snyder's Watchmen, in an uncredited capacity. They worked once more with Abrams, on Mission: Impossible III. When they collaborated once more with Bay for Transformers: Revenge of the Fallen, they were under significant time pressures due to the 2007-08 Writers Guild of America strike. Kurtzman and Orci had two weeks to outline the film, and after the strike Bay had them moved into the Hotel Casa del Mar. The hotel was six blocks away from his office, enabling Bay to conduct surprise inspections.  In the period between 2005 and 2011, the films written by Kurtzman and Orci grossed more than $3 billion, leading to Forbes describing them as "Hollywood's secret weapons". The busyness of their screenwriting careers required them to collaborate with other writers due to the number of projects they were involved in. For example, on Transformers: Revenge of the Fallen, they teamed up with Ehren Kruger, who took over from them on the writing duties for the Transfomers franchise from Transformers: Dark of the Moon onwards. CANNOTANSWER

Question: What success did Roberto Orci and Kurtzman see with The Island?
Answer: While the film was not an overwhelming success, they were brought back for Bay's following film, Transformers,
Daniel Barenboim

Context: Daniel Barenboim was born in 1942 in Buenos Aires, Argentina, to Argentinian-Jewish parents Aida (nee Schuster) and Enrique Barenboim. He started piano lessons at the age of five with his mother, continuing to study with his father, who remained his only teacher. On 19 August 1950, at the age of seven, he gave his first formal concert in his hometown, Buenos Aires.  In 1952, Barenboim's family moved to Israel. Two years later, in the summer of 1954, his parents took him to Salzburg to take part in Igor Markevitch's conducting classes. During that summer he also met and played for Wilhelm Furtwangler, who has remained a central musical influence and ideal for Barenboim. Furtwangler called the young Barenboim a "phenomenon" and invited him to perform the Beethoven First Piano Concerto with the Berlin Philharmonic, but Barenboim's father considered it too soon after the Second World War for a child of Jewish parents to be performing in Berlin. In 1955 Barenboim studied harmony and composition with Nadia Boulanger in Paris.  On 15 June 1967, Barenboim and British cellist Jacqueline du Pre were married in Jerusalem at a Western Wall ceremony, Du Pre having converted to Judaism. Acting as one of the witnesses was the conductor Zubin Mehta, a long-time friend of Barenboim. Since "I was not Jewish I had to temporarily be renamed Moshe Cohen, which made me a 'kosher witness'," Mehta recalled. Du Pre retired from music in 1973, after being diagnosed with multiple sclerosis (MS). The marriage lasted until du Pre's death in 1987.  In the early 1980s, Barenboim began an affair with the Russian pianist Elena Bashkirova, with whom he had two sons born in Paris before du Pre's death: David Arthur, born 1983, and Michael, born 1985. Barenboim worked to keep his relationship with Bashkirova hidden from du Pre, and believed he had succeeded. He and Bashkirova married in 1988. Both sons are part of the music world: David is a manager-writer for the German hip-hop band Level 8, and Michael Barenboim is a classical violinist. CANNOTANSWER

Question: When was Daniel born?
Answer: 1942
Daniel Barenboim

Context: Daniel Barenboim was born in 1942 in Buenos Aires, Argentina, to Argentinian-Jewish parents Aida (nee Schuster) and Enrique Barenboim. He started piano lessons at the age of five with his mother, continuing to study with his father, who remained his only teacher. On 19 August 1950, at the age of seven, he gave his first formal concert in his hometown, Buenos Aires.  In 1952, Barenboim's family moved to Israel. Two years later, in the summer of 1954, his parents took him to Salzburg to take part in Igor Markevitch's conducting classes. During that summer he also met and played for Wilhelm Furtwangler, who has remained a central musical influence and ideal for Barenboim. Furtwangler called the young Barenboim a "phenomenon" and invited him to perform the Beethoven First Piano Concerto with the Berlin Philharmonic, but Barenboim's father considered it too soon after the Second World War for a child of Jewish parents to be performing in Berlin. In 1955 Barenboim studied harmony and composition with Nadia Boulanger in Paris.  On 15 June 1967, Barenboim and British cellist Jacqueline du Pre were married in Jerusalem at a Western Wall ceremony, Du Pre having converted to Judaism. Acting as one of the witnesses was the conductor Zubin Mehta, a long-time friend of Barenboim. Since "I was not Jewish I had to temporarily be renamed Moshe Cohen, which made me a 'kosher witness'," Mehta recalled. Du Pre retired from music in 1973, after being diagnosed with multiple sclerosis (MS). The marriage lasted until du Pre's death in 1987.  In the early 1980s, Barenboim began an affair with the Russian pianist Elena Bashkirova, with whom he had two sons born in Paris before du Pre's death: David Arthur, born 1983, and Michael, born 1985. Barenboim worked to keep his relationship with Bashkirova hidden from du Pre, and believed he had succeeded. He and Bashkirova married in 1988. Both sons are part of the music world: David is a manager-writer for the German hip-hop band Level 8, and Michael Barenboim is a classical violinist. CANNOTANSWER

Question: Where was Daniel born?
Answer: Buenos Aires, Argentina,
Daniel Barenboim

Context: Daniel Barenboim was born in 1942 in Buenos Aires, Argentina, to Argentinian-Jewish parents Aida (nee Schuster) and Enrique Barenboim. He started piano lessons at the age of five with his mother, continuing to study with his father, who remained his only teacher. On 19 August 1950, at the age of seven, he gave his first formal concert in his hometown, Buenos Aires.  In 1952, Barenboim's family moved to Israel. Two years later, in the summer of 1954, his parents took him to Salzburg to take part in Igor Markevitch's conducting classes. During that summer he also met and played for Wilhelm Furtwangler, who has remained a central musical influence and ideal for Barenboim. Furtwangler called the young Barenboim a "phenomenon" and invited him to perform the Beethoven First Piano Concerto with the Berlin Philharmonic, but Barenboim's father considered it too soon after the Second World War for a child of Jewish parents to be performing in Berlin. In 1955 Barenboim studied harmony and composition with Nadia Boulanger in Paris.  On 15 June 1967, Barenboim and British cellist Jacqueline du Pre were married in Jerusalem at a Western Wall ceremony, Du Pre having converted to Judaism. Acting as one of the witnesses was the conductor Zubin Mehta, a long-time friend of Barenboim. Since "I was not Jewish I had to temporarily be renamed Moshe Cohen, which made me a 'kosher witness'," Mehta recalled. Du Pre retired from music in 1973, after being diagnosed with multiple sclerosis (MS). The marriage lasted until du Pre's death in 1987.  In the early 1980s, Barenboim began an affair with the Russian pianist Elena Bashkirova, with whom he had two sons born in Paris before du Pre's death: David Arthur, born 1983, and Michael, born 1985. Barenboim worked to keep his relationship with Bashkirova hidden from du Pre, and believed he had succeeded. He and Bashkirova married in 1988. Both sons are part of the music world: David is a manager-writer for the German hip-hop band Level 8, and Michael Barenboim is a classical violinist. CANNOTANSWER

Question: How was Daniel's relationship with his parents?
Answer: He started piano lessons at the age of five with his mother, continuing to study with his father,