gaussalgo/Canard_Wiki-augmented huggingface dataset:
KAT-TUN

Context: On March 22, KAT-TUN released their debut single "Real Face", accompanied by an album, Best of KAT-TUN and a DVD Real Face Film. These were released on their own label J-One Records. The group also went on a nationwide tour, Live of KAT-TUN "Real Face", in support of the album. Within the first week, Best of KAT-TUN, "Real Face" and Real Face Film topped all three Oricon weekly charts by selling 556,548 copies, 754,234 copies and 374,202 copies respectively. They became the second artists to do so, the first being Ayumi Hamasaki. With these numbers, KAT-TUN holds the record for the highest weekly single debut sales (previously held by Arashi with their debut single "Arashi" of 557,000 copies sold in 1999). In addition, "Real Face" topped the Oricon charts for three weeks straight, becoming the first debut single to do so in Japan in 8 years 8 months since KinKi Kids' debut single "Garasu no Shonen." The single sold over a million copies in nine weeks, making "Real Face" the highest selling single for the year 2006.  In March 2006, KAT-TUN became the first group to hold their own performances in Japan's most popular stadium, Tokyo Dome, before debuting. They performed to 110,000 people over two days and about 630,000 people in total during the tour. About three months after releasing "Real Face", KAT-TUN released their second single, "Signal", on July 19.  On October 12, member Akanishi announced a hiatus from the group in order to study linguistics abroad in the United States, leaving KAT-TUN as a five-member group for six months. The remaining members continued activities by releasing their third single, "Bokura no Machi de" as the theme song to members Kamenashi and Tanaka's drama, Tatta Hitotsu no Koi and their second album, Cartoon KAT-TUN II You on December 7.  KAT-TUN is the first group in Japan to have all three singles from debut to exceed 500,000 in yearly sales, taking first, fifth and thirteenth place on the Oricon yearly singles chart. CANNOTANSWER

Question: What songs were on Real Face?
Answer: They became the second artists to do so, the first being Ayumi Hamasaki.
KAT-TUN

Context: On March 22, KAT-TUN released their debut single "Real Face", accompanied by an album, Best of KAT-TUN and a DVD Real Face Film. These were released on their own label J-One Records. The group also went on a nationwide tour, Live of KAT-TUN "Real Face", in support of the album. Within the first week, Best of KAT-TUN, "Real Face" and Real Face Film topped all three Oricon weekly charts by selling 556,548 copies, 754,234 copies and 374,202 copies respectively. They became the second artists to do so, the first being Ayumi Hamasaki. With these numbers, KAT-TUN holds the record for the highest weekly single debut sales (previously held by Arashi with their debut single "Arashi" of 557,000 copies sold in 1999). In addition, "Real Face" topped the Oricon charts for three weeks straight, becoming the first debut single to do so in Japan in 8 years 8 months since KinKi Kids' debut single "Garasu no Shonen." The single sold over a million copies in nine weeks, making "Real Face" the highest selling single for the year 2006.  In March 2006, KAT-TUN became the first group to hold their own performances in Japan's most popular stadium, Tokyo Dome, before debuting. They performed to 110,000 people over two days and about 630,000 people in total during the tour. About three months after releasing "Real Face", KAT-TUN released their second single, "Signal", on July 19.  On October 12, member Akanishi announced a hiatus from the group in order to study linguistics abroad in the United States, leaving KAT-TUN as a five-member group for six months. The remaining members continued activities by releasing their third single, "Bokura no Machi de" as the theme song to members Kamenashi and Tanaka's drama, Tatta Hitotsu no Koi and their second album, Cartoon KAT-TUN II You on December 7.  KAT-TUN is the first group in Japan to have all three singles from debut to exceed 500,000 in yearly sales, taking first, fifth and thirteenth place on the Oricon yearly singles chart. CANNOTANSWER

Question: Besides Real Face, what other albums did KAT-TUN make?
Answer: label J-One
KAT-TUN

Context: On March 22, KAT-TUN released their debut single "Real Face", accompanied by an album, Best of KAT-TUN and a DVD Real Face Film. These were released on their own label J-One Records. The group also went on a nationwide tour, Live of KAT-TUN "Real Face", in support of the album. Within the first week, Best of KAT-TUN, "Real Face" and Real Face Film topped all three Oricon weekly charts by selling 556,548 copies, 754,234 copies and 374,202 copies respectively. They became the second artists to do so, the first being Ayumi Hamasaki. With these numbers, KAT-TUN holds the record for the highest weekly single debut sales (previously held by Arashi with their debut single "Arashi" of 557,000 copies sold in 1999). In addition, "Real Face" topped the Oricon charts for three weeks straight, becoming the first debut single to do so in Japan in 8 years 8 months since KinKi Kids' debut single "Garasu no Shonen." The single sold over a million copies in nine weeks, making "Real Face" the highest selling single for the year 2006.  In March 2006, KAT-TUN became the first group to hold their own performances in Japan's most popular stadium, Tokyo Dome, before debuting. They performed to 110,000 people over two days and about 630,000 people in total during the tour. About three months after releasing "Real Face", KAT-TUN released their second single, "Signal", on July 19.  On October 12, member Akanishi announced a hiatus from the group in order to study linguistics abroad in the United States, leaving KAT-TUN as a five-member group for six months. The remaining members continued activities by releasing their third single, "Bokura no Machi de" as the theme song to members Kamenashi and Tanaka's drama, Tatta Hitotsu no Koi and their second album, Cartoon KAT-TUN II You on December 7.  KAT-TUN is the first group in Japan to have all three singles from debut to exceed 500,000 in yearly sales, taking first, fifth and thirteenth place on the Oricon yearly singles chart. CANNOTANSWER

Question: Did label J-one win any awards?
Answer: Real Face Film topped all three Oricon
KAT-TUN

Context: On March 22, KAT-TUN released their debut single "Real Face", accompanied by an album, Best of KAT-TUN and a DVD Real Face Film. These were released on their own label J-One Records. The group also went on a nationwide tour, Live of KAT-TUN "Real Face", in support of the album. Within the first week, Best of KAT-TUN, "Real Face" and Real Face Film topped all three Oricon weekly charts by selling 556,548 copies, 754,234 copies and 374,202 copies respectively. They became the second artists to do so, the first being Ayumi Hamasaki. With these numbers, KAT-TUN holds the record for the highest weekly single debut sales (previously held by Arashi with their debut single "Arashi" of 557,000 copies sold in 1999). In addition, "Real Face" topped the Oricon charts for three weeks straight, becoming the first debut single to do so in Japan in 8 years 8 months since KinKi Kids' debut single "Garasu no Shonen." The single sold over a million copies in nine weeks, making "Real Face" the highest selling single for the year 2006.  In March 2006, KAT-TUN became the first group to hold their own performances in Japan's most popular stadium, Tokyo Dome, before debuting. They performed to 110,000 people over two days and about 630,000 people in total during the tour. About three months after releasing "Real Face", KAT-TUN released their second single, "Signal", on July 19.  On October 12, member Akanishi announced a hiatus from the group in order to study linguistics abroad in the United States, leaving KAT-TUN as a five-member group for six months. The remaining members continued activities by releasing their third single, "Bokura no Machi de" as the theme song to members Kamenashi and Tanaka's drama, Tatta Hitotsu no Koi and their second album, Cartoon KAT-TUN II You on December 7.  KAT-TUN is the first group in Japan to have all three singles from debut to exceed 500,000 in yearly sales, taking first, fifth and thirteenth place on the Oricon yearly singles chart. CANNOTANSWER

Question: Besides Real Face Film, did KAT-TUN win any other awards?
Answer: respectively. They became the second artists to do so, the first being Ayumi Hamasaki.
KAT-TUN

Context: On March 22, KAT-TUN released their debut single "Real Face", accompanied by an album, Best of KAT-TUN and a DVD Real Face Film. These were released on their own label J-One Records. The group also went on a nationwide tour, Live of KAT-TUN "Real Face", in support of the album. Within the first week, Best of KAT-TUN, "Real Face" and Real Face Film topped all three Oricon weekly charts by selling 556,548 copies, 754,234 copies and 374,202 copies respectively. They became the second artists to do so, the first being Ayumi Hamasaki. With these numbers, KAT-TUN holds the record for the highest weekly single debut sales (previously held by Arashi with their debut single "Arashi" of 557,000 copies sold in 1999). In addition, "Real Face" topped the Oricon charts for three weeks straight, becoming the first debut single to do so in Japan in 8 years 8 months since KinKi Kids' debut single "Garasu no Shonen." The single sold over a million copies in nine weeks, making "Real Face" the highest selling single for the year 2006.  In March 2006, KAT-TUN became the first group to hold their own performances in Japan's most popular stadium, Tokyo Dome, before debuting. They performed to 110,000 people over two days and about 630,000 people in total during the tour. About three months after releasing "Real Face", KAT-TUN released their second single, "Signal", on July 19.  On October 12, member Akanishi announced a hiatus from the group in order to study linguistics abroad in the United States, leaving KAT-TUN as a five-member group for six months. The remaining members continued activities by releasing their third single, "Bokura no Machi de" as the theme song to members Kamenashi and Tanaka's drama, Tatta Hitotsu no Koi and their second album, Cartoon KAT-TUN II You on December 7.  KAT-TUN is the first group in Japan to have all three singles from debut to exceed 500,000 in yearly sales, taking first, fifth and thirteenth place on the Oricon yearly singles chart. CANNOTANSWER

Question: Did KAT-TUN have any hit songs?
Answer: In March 2006, KAT-TUN became the first group to hold their own performances in Japan's most popular stadium,
KAT-TUN

Context: On March 22, KAT-TUN released their debut single "Real Face", accompanied by an album, Best of KAT-TUN and a DVD Real Face Film. These were released on their own label J-One Records. The group also went on a nationwide tour, Live of KAT-TUN "Real Face", in support of the album. Within the first week, Best of KAT-TUN, "Real Face" and Real Face Film topped all three Oricon weekly charts by selling 556,548 copies, 754,234 copies and 374,202 copies respectively. They became the second artists to do so, the first being Ayumi Hamasaki. With these numbers, KAT-TUN holds the record for the highest weekly single debut sales (previously held by Arashi with their debut single "Arashi" of 557,000 copies sold in 1999). In addition, "Real Face" topped the Oricon charts for three weeks straight, becoming the first debut single to do so in Japan in 8 years 8 months since KinKi Kids' debut single "Garasu no Shonen." The single sold over a million copies in nine weeks, making "Real Face" the highest selling single for the year 2006.  In March 2006, KAT-TUN became the first group to hold their own performances in Japan's most popular stadium, Tokyo Dome, before debuting. They performed to 110,000 people over two days and about 630,000 people in total during the tour. About three months after releasing "Real Face", KAT-TUN released their second single, "Signal", on July 19.  On October 12, member Akanishi announced a hiatus from the group in order to study linguistics abroad in the United States, leaving KAT-TUN as a five-member group for six months. The remaining members continued activities by releasing their third single, "Bokura no Machi de" as the theme song to members Kamenashi and Tanaka's drama, Tatta Hitotsu no Koi and their second album, Cartoon KAT-TUN II You on December 7.  KAT-TUN is the first group in Japan to have all three singles from debut to exceed 500,000 in yearly sales, taking first, fifth and thirteenth place on the Oricon yearly singles chart. CANNOTANSWER

Question: Did KAT-TUN perform any where else besides Japan's most popular stadium?
Answer: KAT-TUN is the first group in Japan to have all three singles from debut to exceed 500,000 in yearly sales,
KAT-TUN

Context: On March 22, KAT-TUN released their debut single "Real Face", accompanied by an album, Best of KAT-TUN and a DVD Real Face Film. These were released on their own label J-One Records. The group also went on a nationwide tour, Live of KAT-TUN "Real Face", in support of the album. Within the first week, Best of KAT-TUN, "Real Face" and Real Face Film topped all three Oricon weekly charts by selling 556,548 copies, 754,234 copies and 374,202 copies respectively. They became the second artists to do so, the first being Ayumi Hamasaki. With these numbers, KAT-TUN holds the record for the highest weekly single debut sales (previously held by Arashi with their debut single "Arashi" of 557,000 copies sold in 1999). In addition, "Real Face" topped the Oricon charts for three weeks straight, becoming the first debut single to do so in Japan in 8 years 8 months since KinKi Kids' debut single "Garasu no Shonen." The single sold over a million copies in nine weeks, making "Real Face" the highest selling single for the year 2006.  In March 2006, KAT-TUN became the first group to hold their own performances in Japan's most popular stadium, Tokyo Dome, before debuting. They performed to 110,000 people over two days and about 630,000 people in total during the tour. About three months after releasing "Real Face", KAT-TUN released their second single, "Signal", on July 19.  On October 12, member Akanishi announced a hiatus from the group in order to study linguistics abroad in the United States, leaving KAT-TUN as a five-member group for six months. The remaining members continued activities by releasing their third single, "Bokura no Machi de" as the theme song to members Kamenashi and Tanaka's drama, Tatta Hitotsu no Koi and their second album, Cartoon KAT-TUN II You on December 7.  KAT-TUN is the first group in Japan to have all three singles from debut to exceed 500,000 in yearly sales, taking first, fifth and thirteenth place on the Oricon yearly singles chart. CANNOTANSWER

Question: Besides KAT-TUN exceeding 500,000 in yearly sales, are there any other interesting aspects about KAT-TUN, 2006: Debut and Real Face?
Answer: and thirteenth place on the Oricon yearly singles chart.
KAT-TUN

Context: On March 22, KAT-TUN released their debut single "Real Face", accompanied by an album, Best of KAT-TUN and a DVD Real Face Film. These were released on their own label J-One Records. The group also went on a nationwide tour, Live of KAT-TUN "Real Face", in support of the album. Within the first week, Best of KAT-TUN, "Real Face" and Real Face Film topped all three Oricon weekly charts by selling 556,548 copies, 754,234 copies and 374,202 copies respectively. They became the second artists to do so, the first being Ayumi Hamasaki. With these numbers, KAT-TUN holds the record for the highest weekly single debut sales (previously held by Arashi with their debut single "Arashi" of 557,000 copies sold in 1999). In addition, "Real Face" topped the Oricon charts for three weeks straight, becoming the first debut single to do so in Japan in 8 years 8 months since KinKi Kids' debut single "Garasu no Shonen." The single sold over a million copies in nine weeks, making "Real Face" the highest selling single for the year 2006.  In March 2006, KAT-TUN became the first group to hold their own performances in Japan's most popular stadium, Tokyo Dome, before debuting. They performed to 110,000 people over two days and about 630,000 people in total during the tour. About three months after releasing "Real Face", KAT-TUN released their second single, "Signal", on July 19.  On October 12, member Akanishi announced a hiatus from the group in order to study linguistics abroad in the United States, leaving KAT-TUN as a five-member group for six months. The remaining members continued activities by releasing their third single, "Bokura no Machi de" as the theme song to members Kamenashi and Tanaka's drama, Tatta Hitotsu no Koi and their second album, Cartoon KAT-TUN II You on December 7.  KAT-TUN is the first group in Japan to have all three singles from debut to exceed 500,000 in yearly sales, taking first, fifth and thirteenth place on the Oricon yearly singles chart. CANNOTANSWER

Question: Did KAT-TUN do anything for the community?
Answer: On October 12, member Akanishi announced a hiatus from the group in order
Cito Gaston

Context: As a coach and manager, Gaston was considered a player's manager. He was a soft-spoken and steady influence during years that saw a large group of talented, high-salaried players grace the Blue Jays uniform. The franchise led the Major Leagues in attendance each year from 1989 to 1992, setting new records each of the latter three years, riding high from a dedicated fan base and a new stadium to play in when Gaston took the helm. The Jays opened the SkyDome a few weeks after Gaston became manager and the financial success translated into major free agent signings, including pitcher Jack Morris, outfielder Dave Winfield, and designated hitter Paul Molitor. They also retained core All-Stars such as Joe Carter, Devon White, Roberto Alomar, and John Olerud. Joe Carter credits Gaston for the team's championships:  Cito knows how to work with each individual, treating everyone like a human being. He knows exactly what to say, when to say it, what to do and how to go about doing it. When you have a manager like that, it makes you want to play for the guy. We'd go to war for him. What Cito has done for the Blue Jays can't be taken lightly.  Gaston had worked with players at an individual level as a hitting instructor and transferred this to the job of manager. He was known for his open communication with his players. He was a successful game strategist, effectively handling National League rules during World Series games in Atlanta and Philadelphia. In the six games the Blue Jays played in those places during World Series play, the Jays went 4-2, including the title clincher in Game 6 of the 1992 World Series in Atlanta. The 1992 World Series victory was widely recognized as the first for a non-American team, and Gaston was the first ever African-American manager to win a World Series. The Blue Jays followed their 1992 success with a repeat victory in the 1993 World Series. CANNOTANSWER

Question: Who did Cito Gaston play for?
Answer: Blue Jays
Cito Gaston

Context: As a coach and manager, Gaston was considered a player's manager. He was a soft-spoken and steady influence during years that saw a large group of talented, high-salaried players grace the Blue Jays uniform. The franchise led the Major Leagues in attendance each year from 1989 to 1992, setting new records each of the latter three years, riding high from a dedicated fan base and a new stadium to play in when Gaston took the helm. The Jays opened the SkyDome a few weeks after Gaston became manager and the financial success translated into major free agent signings, including pitcher Jack Morris, outfielder Dave Winfield, and designated hitter Paul Molitor. They also retained core All-Stars such as Joe Carter, Devon White, Roberto Alomar, and John Olerud. Joe Carter credits Gaston for the team's championships:  Cito knows how to work with each individual, treating everyone like a human being. He knows exactly what to say, when to say it, what to do and how to go about doing it. When you have a manager like that, it makes you want to play for the guy. We'd go to war for him. What Cito has done for the Blue Jays can't be taken lightly.  Gaston had worked with players at an individual level as a hitting instructor and transferred this to the job of manager. He was known for his open communication with his players. He was a successful game strategist, effectively handling National League rules during World Series games in Atlanta and Philadelphia. In the six games the Blue Jays played in those places during World Series play, the Jays went 4-2, including the title clincher in Game 6 of the 1992 World Series in Atlanta. The 1992 World Series victory was widely recognized as the first for a non-American team, and Gaston was the first ever African-American manager to win a World Series. The Blue Jays followed their 1992 success with a repeat victory in the 1993 World Series. CANNOTANSWER

Question: What did Blue Jays win?
Answer: World Series
Cito Gaston

Context: As a coach and manager, Gaston was considered a player's manager. He was a soft-spoken and steady influence during years that saw a large group of talented, high-salaried players grace the Blue Jays uniform. The franchise led the Major Leagues in attendance each year from 1989 to 1992, setting new records each of the latter three years, riding high from a dedicated fan base and a new stadium to play in when Gaston took the helm. The Jays opened the SkyDome a few weeks after Gaston became manager and the financial success translated into major free agent signings, including pitcher Jack Morris, outfielder Dave Winfield, and designated hitter Paul Molitor. They also retained core All-Stars such as Joe Carter, Devon White, Roberto Alomar, and John Olerud. Joe Carter credits Gaston for the team's championships:  Cito knows how to work with each individual, treating everyone like a human being. He knows exactly what to say, when to say it, what to do and how to go about doing it. When you have a manager like that, it makes you want to play for the guy. We'd go to war for him. What Cito has done for the Blue Jays can't be taken lightly.  Gaston had worked with players at an individual level as a hitting instructor and transferred this to the job of manager. He was known for his open communication with his players. He was a successful game strategist, effectively handling National League rules during World Series games in Atlanta and Philadelphia. In the six games the Blue Jays played in those places during World Series play, the Jays went 4-2, including the title clincher in Game 6 of the 1992 World Series in Atlanta. The 1992 World Series victory was widely recognized as the first for a non-American team, and Gaston was the first ever African-American manager to win a World Series. The Blue Jays followed their 1992 success with a repeat victory in the 1993 World Series. CANNOTANSWER

Question: What happened in World Series?
Answer: In the six games the Blue Jays played in those places during World Series play, the Jays went 4-2, including the title clincher in Game 6
Cito Gaston

Context: As a coach and manager, Gaston was considered a player's manager. He was a soft-spoken and steady influence during years that saw a large group of talented, high-salaried players grace the Blue Jays uniform. The franchise led the Major Leagues in attendance each year from 1989 to 1992, setting new records each of the latter three years, riding high from a dedicated fan base and a new stadium to play in when Gaston took the helm. The Jays opened the SkyDome a few weeks after Gaston became manager and the financial success translated into major free agent signings, including pitcher Jack Morris, outfielder Dave Winfield, and designated hitter Paul Molitor. They also retained core All-Stars such as Joe Carter, Devon White, Roberto Alomar, and John Olerud. Joe Carter credits Gaston for the team's championships:  Cito knows how to work with each individual, treating everyone like a human being. He knows exactly what to say, when to say it, what to do and how to go about doing it. When you have a manager like that, it makes you want to play for the guy. We'd go to war for him. What Cito has done for the Blue Jays can't be taken lightly.  Gaston had worked with players at an individual level as a hitting instructor and transferred this to the job of manager. He was known for his open communication with his players. He was a successful game strategist, effectively handling National League rules during World Series games in Atlanta and Philadelphia. In the six games the Blue Jays played in those places during World Series play, the Jays went 4-2, including the title clincher in Game 6 of the 1992 World Series in Atlanta. The 1992 World Series victory was widely recognized as the first for a non-American team, and Gaston was the first ever African-American manager to win a World Series. The Blue Jays followed their 1992 success with a repeat victory in the 1993 World Series. CANNOTANSWER

Question: In addition to Cito Gaston playing for Blue Jays, what else did Cito do?
Answer: Gaston had worked with players at an individual level as a hitting instructor and transferred this to the job of manager.
Cito Gaston

Context: As a coach and manager, Gaston was considered a player's manager. He was a soft-spoken and steady influence during years that saw a large group of talented, high-salaried players grace the Blue Jays uniform. The franchise led the Major Leagues in attendance each year from 1989 to 1992, setting new records each of the latter three years, riding high from a dedicated fan base and a new stadium to play in when Gaston took the helm. The Jays opened the SkyDome a few weeks after Gaston became manager and the financial success translated into major free agent signings, including pitcher Jack Morris, outfielder Dave Winfield, and designated hitter Paul Molitor. They also retained core All-Stars such as Joe Carter, Devon White, Roberto Alomar, and John Olerud. Joe Carter credits Gaston for the team's championships:  Cito knows how to work with each individual, treating everyone like a human being. He knows exactly what to say, when to say it, what to do and how to go about doing it. When you have a manager like that, it makes you want to play for the guy. We'd go to war for him. What Cito has done for the Blue Jays can't be taken lightly.  Gaston had worked with players at an individual level as a hitting instructor and transferred this to the job of manager. He was known for his open communication with his players. He was a successful game strategist, effectively handling National League rules during World Series games in Atlanta and Philadelphia. In the six games the Blue Jays played in those places during World Series play, the Jays went 4-2, including the title clincher in Game 6 of the 1992 World Series in Atlanta. The 1992 World Series victory was widely recognized as the first for a non-American team, and Gaston was the first ever African-American manager to win a World Series. The Blue Jays followed their 1992 success with a repeat victory in the 1993 World Series. CANNOTANSWER

Question: What job did Cito Gaston do?
Answer: Gaston had worked with players at an individual level as a hitting instructor and transferred this to the job of manager.
Men at Work

Context: During 1984 the band took a break as members pursued other interests. Upon reconvening later that year, tensions during rehearsals between Hay and Speiser over songwriting and the band's management led to a split in the band. Both Rees and Speiser were told they were "not required", as Hay, Ham and Strykert used session musicians to record their third album, Two Hearts (23 April 1985). Studio musicians included Jeremy Alsop on bass guitar (ex-Ram Band, Pyramid, Broderick Smith Band); and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band). Two Hearts was produced by Hay and Ham. It was a critical and commercial failure compared to their previous albums and only peaked at No. 16 in Australia, and No. 50 on the US chart. Strykert had left during its production.  Four tracks were released as singles, "Everything I Need" (May 1985), "Man with Two Hearts", "Maria" (August), and "Hard Luck Story" (October); only the lead single charted in Australia (No. 37) and the US (No. 47). The album relied heavily on drum machines and synthesisers, and reduced the presence of Ham's saxophone, giving it a different feel compared to its predecessors. Hay and Ham hired new bandmates, to tour in support of Two Hearts, with Alsop and Kennedy joined by James Black on guitar and keyboards (Mondo Rock, The Black Sorrows). Soon after a third guitarist, Colin Bayley (Mi-Sex), was added and Kennedy was replaced on drums by Chad Wackerman (Frank Zappa). Australian singers Kate Ceberano and Renee Geyer had also worked on the album and performed live as guest vocalists.  On 13 July 1985 Men at Work performed three tracks for the Oz for Africa concert (part of the global Live Aid program)--"Maria", "Overkill", and an unreleased one, "The Longest Night". They were broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. "Maria" and "Overkill" were also broadcast by American Broadcasting Company (ABC) during their Live Aid telecast. Ham left during the band's time touring behind the album. The final Men at Work performances during 1985 had jazz saxophonist Paul Williamson (The Black Sorrows), replacing Ham. By early 1986 the band was defunct and Hay started recording his first solo album, Looking for Jack (January 1987), which had Alsop and Wackerman as session musicians. CANNOTANSWER

Question: What is Two Hearts?
Answer: Four tracks were released as singles, "Everything I Need" (May 1985), "Man with Two Hearts", "Maria" (August), and "Hard Luck Story" (October); only the lead single charted in Australia (
Men at Work

Context: During 1984 the band took a break as members pursued other interests. Upon reconvening later that year, tensions during rehearsals between Hay and Speiser over songwriting and the band's management led to a split in the band. Both Rees and Speiser were told they were "not required", as Hay, Ham and Strykert used session musicians to record their third album, Two Hearts (23 April 1985). Studio musicians included Jeremy Alsop on bass guitar (ex-Ram Band, Pyramid, Broderick Smith Band); and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band). Two Hearts was produced by Hay and Ham. It was a critical and commercial failure compared to their previous albums and only peaked at No. 16 in Australia, and No. 50 on the US chart. Strykert had left during its production.  Four tracks were released as singles, "Everything I Need" (May 1985), "Man with Two Hearts", "Maria" (August), and "Hard Luck Story" (October); only the lead single charted in Australia (No. 37) and the US (No. 47). The album relied heavily on drum machines and synthesisers, and reduced the presence of Ham's saxophone, giving it a different feel compared to its predecessors. Hay and Ham hired new bandmates, to tour in support of Two Hearts, with Alsop and Kennedy joined by James Black on guitar and keyboards (Mondo Rock, The Black Sorrows). Soon after a third guitarist, Colin Bayley (Mi-Sex), was added and Kennedy was replaced on drums by Chad Wackerman (Frank Zappa). Australian singers Kate Ceberano and Renee Geyer had also worked on the album and performed live as guest vocalists.  On 13 July 1985 Men at Work performed three tracks for the Oz for Africa concert (part of the global Live Aid program)--"Maria", "Overkill", and an unreleased one, "The Longest Night". They were broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. "Maria" and "Overkill" were also broadcast by American Broadcasting Company (ABC) during their Live Aid telecast. Ham left during the band's time touring behind the album. The final Men at Work performances during 1985 had jazz saxophonist Paul Williamson (The Black Sorrows), replacing Ham. By early 1986 the band was defunct and Hay started recording his first solo album, Looking for Jack (January 1987), which had Alsop and Wackerman as session musicians. CANNOTANSWER

Question: Of the four songs which single hit the charts?
Answer: CANNOTANSWER
Men at Work

Context: During 1984 the band took a break as members pursued other interests. Upon reconvening later that year, tensions during rehearsals between Hay and Speiser over songwriting and the band's management led to a split in the band. Both Rees and Speiser were told they were "not required", as Hay, Ham and Strykert used session musicians to record their third album, Two Hearts (23 April 1985). Studio musicians included Jeremy Alsop on bass guitar (ex-Ram Band, Pyramid, Broderick Smith Band); and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band). Two Hearts was produced by Hay and Ham. It was a critical and commercial failure compared to their previous albums and only peaked at No. 16 in Australia, and No. 50 on the US chart. Strykert had left during its production.  Four tracks were released as singles, "Everything I Need" (May 1985), "Man with Two Hearts", "Maria" (August), and "Hard Luck Story" (October); only the lead single charted in Australia (No. 37) and the US (No. 47). The album relied heavily on drum machines and synthesisers, and reduced the presence of Ham's saxophone, giving it a different feel compared to its predecessors. Hay and Ham hired new bandmates, to tour in support of Two Hearts, with Alsop and Kennedy joined by James Black on guitar and keyboards (Mondo Rock, The Black Sorrows). Soon after a third guitarist, Colin Bayley (Mi-Sex), was added and Kennedy was replaced on drums by Chad Wackerman (Frank Zappa). Australian singers Kate Ceberano and Renee Geyer had also worked on the album and performed live as guest vocalists.  On 13 July 1985 Men at Work performed three tracks for the Oz for Africa concert (part of the global Live Aid program)--"Maria", "Overkill", and an unreleased one, "The Longest Night". They were broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. "Maria" and "Overkill" were also broadcast by American Broadcasting Company (ABC) during their Live Aid telecast. Ham left during the band's time touring behind the album. The final Men at Work performances during 1985 had jazz saxophonist Paul Williamson (The Black Sorrows), replacing Ham. By early 1986 the band was defunct and Hay started recording his first solo album, Looking for Jack (January 1987), which had Alsop and Wackerman as session musicians. CANNOTANSWER

Question: When did the band break up?
Answer: Ham left during the band's time touring behind the album.
Men at Work

Context: During 1984 the band took a break as members pursued other interests. Upon reconvening later that year, tensions during rehearsals between Hay and Speiser over songwriting and the band's management led to a split in the band. Both Rees and Speiser were told they were "not required", as Hay, Ham and Strykert used session musicians to record their third album, Two Hearts (23 April 1985). Studio musicians included Jeremy Alsop on bass guitar (ex-Ram Band, Pyramid, Broderick Smith Band); and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band). Two Hearts was produced by Hay and Ham. It was a critical and commercial failure compared to their previous albums and only peaked at No. 16 in Australia, and No. 50 on the US chart. Strykert had left during its production.  Four tracks were released as singles, "Everything I Need" (May 1985), "Man with Two Hearts", "Maria" (August), and "Hard Luck Story" (October); only the lead single charted in Australia (No. 37) and the US (No. 47). The album relied heavily on drum machines and synthesisers, and reduced the presence of Ham's saxophone, giving it a different feel compared to its predecessors. Hay and Ham hired new bandmates, to tour in support of Two Hearts, with Alsop and Kennedy joined by James Black on guitar and keyboards (Mondo Rock, The Black Sorrows). Soon after a third guitarist, Colin Bayley (Mi-Sex), was added and Kennedy was replaced on drums by Chad Wackerman (Frank Zappa). Australian singers Kate Ceberano and Renee Geyer had also worked on the album and performed live as guest vocalists.  On 13 July 1985 Men at Work performed three tracks for the Oz for Africa concert (part of the global Live Aid program)--"Maria", "Overkill", and an unreleased one, "The Longest Night". They were broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. "Maria" and "Overkill" were also broadcast by American Broadcasting Company (ABC) during their Live Aid telecast. Ham left during the band's time touring behind the album. The final Men at Work performances during 1985 had jazz saxophonist Paul Williamson (The Black Sorrows), replacing Ham. By early 1986 the band was defunct and Hay started recording his first solo album, Looking for Jack (January 1987), which had Alsop and Wackerman as session musicians. CANNOTANSWER

Question: Is there additional information on the breakup?
Answer: By early 1986 the band was defunct and Hay started recording his first solo album, Looking for Jack (January 1987), which had Alsop and Wackerman as session musicians.
Men at Work

Context: During 1984 the band took a break as members pursued other interests. Upon reconvening later that year, tensions during rehearsals between Hay and Speiser over songwriting and the band's management led to a split in the band. Both Rees and Speiser were told they were "not required", as Hay, Ham and Strykert used session musicians to record their third album, Two Hearts (23 April 1985). Studio musicians included Jeremy Alsop on bass guitar (ex-Ram Band, Pyramid, Broderick Smith Band); and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band). Two Hearts was produced by Hay and Ham. It was a critical and commercial failure compared to their previous albums and only peaked at No. 16 in Australia, and No. 50 on the US chart. Strykert had left during its production.  Four tracks were released as singles, "Everything I Need" (May 1985), "Man with Two Hearts", "Maria" (August), and "Hard Luck Story" (October); only the lead single charted in Australia (No. 37) and the US (No. 47). The album relied heavily on drum machines and synthesisers, and reduced the presence of Ham's saxophone, giving it a different feel compared to its predecessors. Hay and Ham hired new bandmates, to tour in support of Two Hearts, with Alsop and Kennedy joined by James Black on guitar and keyboards (Mondo Rock, The Black Sorrows). Soon after a third guitarist, Colin Bayley (Mi-Sex), was added and Kennedy was replaced on drums by Chad Wackerman (Frank Zappa). Australian singers Kate Ceberano and Renee Geyer had also worked on the album and performed live as guest vocalists.  On 13 July 1985 Men at Work performed three tracks for the Oz for Africa concert (part of the global Live Aid program)--"Maria", "Overkill", and an unreleased one, "The Longest Night". They were broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. "Maria" and "Overkill" were also broadcast by American Broadcasting Company (ABC) during their Live Aid telecast. Ham left during the band's time touring behind the album. The final Men at Work performances during 1985 had jazz saxophonist Paul Williamson (The Black Sorrows), replacing Ham. By early 1986 the band was defunct and Hay started recording his first solo album, Looking for Jack (January 1987), which had Alsop and Wackerman as session musicians. CANNOTANSWER

Question: Why did Ham leave during the tour?
Answer: CANNOTANSWER
Men at Work

Context: During 1984 the band took a break as members pursued other interests. Upon reconvening later that year, tensions during rehearsals between Hay and Speiser over songwriting and the band's management led to a split in the band. Both Rees and Speiser were told they were "not required", as Hay, Ham and Strykert used session musicians to record their third album, Two Hearts (23 April 1985). Studio musicians included Jeremy Alsop on bass guitar (ex-Ram Band, Pyramid, Broderick Smith Band); and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band). Two Hearts was produced by Hay and Ham. It was a critical and commercial failure compared to their previous albums and only peaked at No. 16 in Australia, and No. 50 on the US chart. Strykert had left during its production.  Four tracks were released as singles, "Everything I Need" (May 1985), "Man with Two Hearts", "Maria" (August), and "Hard Luck Story" (October); only the lead single charted in Australia (No. 37) and the US (No. 47). The album relied heavily on drum machines and synthesisers, and reduced the presence of Ham's saxophone, giving it a different feel compared to its predecessors. Hay and Ham hired new bandmates, to tour in support of Two Hearts, with Alsop and Kennedy joined by James Black on guitar and keyboards (Mondo Rock, The Black Sorrows). Soon after a third guitarist, Colin Bayley (Mi-Sex), was added and Kennedy was replaced on drums by Chad Wackerman (Frank Zappa). Australian singers Kate Ceberano and Renee Geyer had also worked on the album and performed live as guest vocalists.  On 13 July 1985 Men at Work performed three tracks for the Oz for Africa concert (part of the global Live Aid program)--"Maria", "Overkill", and an unreleased one, "The Longest Night". They were broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. "Maria" and "Overkill" were also broadcast by American Broadcasting Company (ABC) during their Live Aid telecast. Ham left during the band's time touring behind the album. The final Men at Work performances during 1985 had jazz saxophonist Paul Williamson (The Black Sorrows), replacing Ham. By early 1986 the band was defunct and Hay started recording his first solo album, Looking for Jack (January 1987), which had Alsop and Wackerman as session musicians. CANNOTANSWER

Question: What album  was Men at Work touring for at the time?
Answer: Ham and Strykert used session musicians to record their third album, Two Hearts (23 April 1985
Men at Work

Context: During 1984 the band took a break as members pursued other interests. Upon reconvening later that year, tensions during rehearsals between Hay and Speiser over songwriting and the band's management led to a split in the band. Both Rees and Speiser were told they were "not required", as Hay, Ham and Strykert used session musicians to record their third album, Two Hearts (23 April 1985). Studio musicians included Jeremy Alsop on bass guitar (ex-Ram Band, Pyramid, Broderick Smith Band); and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band). Two Hearts was produced by Hay and Ham. It was a critical and commercial failure compared to their previous albums and only peaked at No. 16 in Australia, and No. 50 on the US chart. Strykert had left during its production.  Four tracks were released as singles, "Everything I Need" (May 1985), "Man with Two Hearts", "Maria" (August), and "Hard Luck Story" (October); only the lead single charted in Australia (No. 37) and the US (No. 47). The album relied heavily on drum machines and synthesisers, and reduced the presence of Ham's saxophone, giving it a different feel compared to its predecessors. Hay and Ham hired new bandmates, to tour in support of Two Hearts, with Alsop and Kennedy joined by James Black on guitar and keyboards (Mondo Rock, The Black Sorrows). Soon after a third guitarist, Colin Bayley (Mi-Sex), was added and Kennedy was replaced on drums by Chad Wackerman (Frank Zappa). Australian singers Kate Ceberano and Renee Geyer had also worked on the album and performed live as guest vocalists.  On 13 July 1985 Men at Work performed three tracks for the Oz for Africa concert (part of the global Live Aid program)--"Maria", "Overkill", and an unreleased one, "The Longest Night". They were broadcast in Australia (on both Seven Network and Nine Network) and on MTV in the US. "Maria" and "Overkill" were also broadcast by American Broadcasting Company (ABC) during their Live Aid telecast. Ham left during the band's time touring behind the album. The final Men at Work performances during 1985 had jazz saxophonist Paul Williamson (The Black Sorrows), replacing Ham. By early 1986 the band was defunct and Hay started recording his first solo album, Looking for Jack (January 1987), which had Alsop and Wackerman as session musicians. CANNOTANSWER

Question: Besides Ham and Strykert who else was involved in the recording of Two Hearts?
Answer: Studio musicians included Jeremy Alsop on bass guitar (ex-Ram Band, Pyramid, Broderick Smith Band); and Mark Kennedy on drums (Spectrum, Ayers Rock, Marcia Hines Band).
Tony Orlando

Context: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.  Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2.  New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn. CANNOTANSWER

Question: Where was Tony Orlando born?
Answer: He spent his earliest years in Hell's Kitchen, New York.