gaussalgo/Canard_Wiki-augmented huggingface dataset:
The Stooges

Context: After his first attempt at drug rehabilitation, Pop began a volatile yet ultimately successful solo career in 1977, commencing with the Bowie-produced albums The Idiot (1977) and Lust for Life (1977). Relocated to Los Angeles, California, Ron Asheton formed the short-lived band the New Order (not to be confused with the UK band New Order) with Stooges alumni Recca and Thurston before performing with the Ann Arbor-based "anti-rock" group Destroy All Monsters from 1977 to 1985. Until the Stooges' reformation, he supported himself as a working musician in various ensembles, including New Race, Dark Carnival and the Empty Set. Williamson worked with Pop as a producer and engineer during his early solo career - the Kill City and New Values albums are a product of this collaboration - but began a long break from the music industry in favor of a career in electronics engineering beginning in 1980. He received his degree from California State Polytechnic University, Pomona in 1982 and retired from Sony as vice president of technical standards in 2009. Scott Asheton performed with Sonic's Rendezvous Band and the Scott Morgan Group while pursuing various day jobs. Dave Alexander died of pulmonary edema related to his alcohol-induced pancreatitis in 1975.  In 1997, a reissue of Raw Power remixed by Pop was released. In 1999, re-issue label Rhino Handmade released the seven disc box set 1970: The Complete Fun House Sessions, composed of the entire recording sessions associated with the Fun House album. 3,000 copies were pressed, selling out in less than a year.  In 2000, indie rock music veterans J Mascis (of Dinosaur Jr) and Mike Watt (of the Minutemen and Firehose) teamed with Ron Asheton and drummer George Berz to perform Stooges covers (and other material) live. Billed as J. Mascis and the Fog, the band performed sporadically before Pop became aware of them in 2003. CANNOTANSWER

Question: Did The Stooges ever reunite?
Answer: Until the Stooges' reformation, he supported himself as a working musician in various ensembles,
J. R. Jayewardene

Context: On the economic front, Jayewardene's legacy was decisive. For thirty years after independence, Sri Lanka had struggled in vain with slow growth and high unemployment. Since Jayewardene's reforms, the island has maintained healthy growth despite the civil war.  On the ethnic question, Jayewardene's legacy is bitterly divisive. When he took office, ethnic tensions were present but the country as a whole was at peace. By the end of his tenure, Sri Lanka was facing not one but two civil wars, both featuring unprecedented levels of violence and brutality.  Though Jayewardene indeed did not take measures to stop the attack on Tamils, he was not opposed to them personally, only politically. One of his most esteemed friends was a supreme court judge of Tamil ethnicity, a member of an elite family and raised in Colombo, but who was strongly linked to his Jaffna Tamil heritage. This is but one close Tamil friend of the president's, and it is quite clear that he was not a racist but rather a man who knew how to exploit racism to win the majority.  Highly respected in Japan for his call for peace and reconciliation with post-war Japan at the Peace Conference in San Francisco in 1951, a statue of Jayewardene was erected at the Kamakura Temple in the Kanagawa Prefecture in Japan in his honor. In 1988, the J.R Jayewardene Centre was established by the J.R Jayewardene Centre Act No. 77 of 1988 by Parliament at the childhood home of J. R. Jayewardene Dharmapala Mawatha, Colombo. It serves as archive for J.R Jayewardene's personal library and papers as well as papers, records from the Presidential Secretariat and gifts he received in his tenure as President. CANNOTANSWER

Question: what was J. R. Jayewardene's legacy?
Answer: On the ethnic question, Jayewardene's legacy is bitterly divisive.
J. R. Jayewardene

Context: On the economic front, Jayewardene's legacy was decisive. For thirty years after independence, Sri Lanka had struggled in vain with slow growth and high unemployment. Since Jayewardene's reforms, the island has maintained healthy growth despite the civil war.  On the ethnic question, Jayewardene's legacy is bitterly divisive. When he took office, ethnic tensions were present but the country as a whole was at peace. By the end of his tenure, Sri Lanka was facing not one but two civil wars, both featuring unprecedented levels of violence and brutality.  Though Jayewardene indeed did not take measures to stop the attack on Tamils, he was not opposed to them personally, only politically. One of his most esteemed friends was a supreme court judge of Tamil ethnicity, a member of an elite family and raised in Colombo, but who was strongly linked to his Jaffna Tamil heritage. This is but one close Tamil friend of the president's, and it is quite clear that he was not a racist but rather a man who knew how to exploit racism to win the majority.  Highly respected in Japan for his call for peace and reconciliation with post-war Japan at the Peace Conference in San Francisco in 1951, a statue of Jayewardene was erected at the Kamakura Temple in the Kanagawa Prefecture in Japan in his honor. In 1988, the J.R Jayewardene Centre was established by the J.R Jayewardene Centre Act No. 77 of 1988 by Parliament at the childhood home of J. R. Jayewardene Dharmapala Mawatha, Colombo. It serves as archive for J.R Jayewardene's personal library and papers as well as papers, records from the Presidential Secretariat and gifts he received in his tenure as President. CANNOTANSWER

Question: What is bitterly divisive about J. R. Jayewardene's legacy?
Answer: When he took office, ethnic tensions were present but the country as a whole was at peace.
J. R. Jayewardene

Context: On the economic front, Jayewardene's legacy was decisive. For thirty years after independence, Sri Lanka had struggled in vain with slow growth and high unemployment. Since Jayewardene's reforms, the island has maintained healthy growth despite the civil war.  On the ethnic question, Jayewardene's legacy is bitterly divisive. When he took office, ethnic tensions were present but the country as a whole was at peace. By the end of his tenure, Sri Lanka was facing not one but two civil wars, both featuring unprecedented levels of violence and brutality.  Though Jayewardene indeed did not take measures to stop the attack on Tamils, he was not opposed to them personally, only politically. One of his most esteemed friends was a supreme court judge of Tamil ethnicity, a member of an elite family and raised in Colombo, but who was strongly linked to his Jaffna Tamil heritage. This is but one close Tamil friend of the president's, and it is quite clear that he was not a racist but rather a man who knew how to exploit racism to win the majority.  Highly respected in Japan for his call for peace and reconciliation with post-war Japan at the Peace Conference in San Francisco in 1951, a statue of Jayewardene was erected at the Kamakura Temple in the Kanagawa Prefecture in Japan in his honor. In 1988, the J.R Jayewardene Centre was established by the J.R Jayewardene Centre Act No. 77 of 1988 by Parliament at the childhood home of J. R. Jayewardene Dharmapala Mawatha, Colombo. It serves as archive for J.R Jayewardene's personal library and papers as well as papers, records from the Presidential Secretariat and gifts he received in his tenure as President. CANNOTANSWER

Question: Did J. R. Jayewardene help with the tensions that were present when taking office?
Answer: Though Jayewardene indeed did not take measures to stop the attack on Tamils, he was not opposed to them personally, only politically.
J. R. Jayewardene

Context: On the economic front, Jayewardene's legacy was decisive. For thirty years after independence, Sri Lanka had struggled in vain with slow growth and high unemployment. Since Jayewardene's reforms, the island has maintained healthy growth despite the civil war.  On the ethnic question, Jayewardene's legacy is bitterly divisive. When he took office, ethnic tensions were present but the country as a whole was at peace. By the end of his tenure, Sri Lanka was facing not one but two civil wars, both featuring unprecedented levels of violence and brutality.  Though Jayewardene indeed did not take measures to stop the attack on Tamils, he was not opposed to them personally, only politically. One of his most esteemed friends was a supreme court judge of Tamil ethnicity, a member of an elite family and raised in Colombo, but who was strongly linked to his Jaffna Tamil heritage. This is but one close Tamil friend of the president's, and it is quite clear that he was not a racist but rather a man who knew how to exploit racism to win the majority.  Highly respected in Japan for his call for peace and reconciliation with post-war Japan at the Peace Conference in San Francisco in 1951, a statue of Jayewardene was erected at the Kamakura Temple in the Kanagawa Prefecture in Japan in his honor. In 1988, the J.R Jayewardene Centre was established by the J.R Jayewardene Centre Act No. 77 of 1988 by Parliament at the childhood home of J. R. Jayewardene Dharmapala Mawatha, Colombo. It serves as archive for J.R Jayewardene's personal library and papers as well as papers, records from the Presidential Secretariat and gifts he received in his tenure as President. CANNOTANSWER

Question: What other legacies did J. R. Jayewardene have other than politically?
Answer: Highly respected in Japan for his call for peace and reconciliation with post-war Japan
J. R. Jayewardene

Context: On the economic front, Jayewardene's legacy was decisive. For thirty years after independence, Sri Lanka had struggled in vain with slow growth and high unemployment. Since Jayewardene's reforms, the island has maintained healthy growth despite the civil war.  On the ethnic question, Jayewardene's legacy is bitterly divisive. When he took office, ethnic tensions were present but the country as a whole was at peace. By the end of his tenure, Sri Lanka was facing not one but two civil wars, both featuring unprecedented levels of violence and brutality.  Though Jayewardene indeed did not take measures to stop the attack on Tamils, he was not opposed to them personally, only politically. One of his most esteemed friends was a supreme court judge of Tamil ethnicity, a member of an elite family and raised in Colombo, but who was strongly linked to his Jaffna Tamil heritage. This is but one close Tamil friend of the president's, and it is quite clear that he was not a racist but rather a man who knew how to exploit racism to win the majority.  Highly respected in Japan for his call for peace and reconciliation with post-war Japan at the Peace Conference in San Francisco in 1951, a statue of Jayewardene was erected at the Kamakura Temple in the Kanagawa Prefecture in Japan in his honor. In 1988, the J.R Jayewardene Centre was established by the J.R Jayewardene Centre Act No. 77 of 1988 by Parliament at the childhood home of J. R. Jayewardene Dharmapala Mawatha, Colombo. It serves as archive for J.R Jayewardene's personal library and papers as well as papers, records from the Presidential Secretariat and gifts he received in his tenure as President. CANNOTANSWER

Question: Did J. R. Jayewardene receive any honors?
Answer: a statue of Jayewardene was erected at the Kamakura Temple in the Kanagawa Prefecture in Japan in his honor.
J. R. Jayewardene

Context: On the economic front, Jayewardene's legacy was decisive. For thirty years after independence, Sri Lanka had struggled in vain with slow growth and high unemployment. Since Jayewardene's reforms, the island has maintained healthy growth despite the civil war.  On the ethnic question, Jayewardene's legacy is bitterly divisive. When he took office, ethnic tensions were present but the country as a whole was at peace. By the end of his tenure, Sri Lanka was facing not one but two civil wars, both featuring unprecedented levels of violence and brutality.  Though Jayewardene indeed did not take measures to stop the attack on Tamils, he was not opposed to them personally, only politically. One of his most esteemed friends was a supreme court judge of Tamil ethnicity, a member of an elite family and raised in Colombo, but who was strongly linked to his Jaffna Tamil heritage. This is but one close Tamil friend of the president's, and it is quite clear that he was not a racist but rather a man who knew how to exploit racism to win the majority.  Highly respected in Japan for his call for peace and reconciliation with post-war Japan at the Peace Conference in San Francisco in 1951, a statue of Jayewardene was erected at the Kamakura Temple in the Kanagawa Prefecture in Japan in his honor. In 1988, the J.R Jayewardene Centre was established by the J.R Jayewardene Centre Act No. 77 of 1988 by Parliament at the childhood home of J. R. Jayewardene Dharmapala Mawatha, Colombo. It serves as archive for J.R Jayewardene's personal library and papers as well as papers, records from the Presidential Secretariat and gifts he received in his tenure as President. CANNOTANSWER

Question: Are there any other interesting aspects about J. R. Jayewardene other than the statue at the Kamakura Temple?
Answer: In 1988, the J.R Jayewardene Centre was established by the J.R Jayewardene Centre Act No. 77 of 1988 by Parliament
Malcolm Marshall

Context: Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978. He immediately developed a career-long antipathy to Dilip Vengsarkar due to his aggressive appealing. Despite doing little of note in the three Tests he played on that tour, he did take 37 wickets in all first-class games, and Hampshire saw enough in him to take him on as their overseas player for 1979, remaining with the county until 1993. He was in West Indies' World Cup squad, but did not play a match in the tournament. Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League.  Marshall came to prominence in 1980, when in the third Test at Old Trafford he accounted for Mike Gatting, Brian Rose and Peter Willey in short order to spark an England collapse, although the match was eventually drawn despite Marshall taking 7-24. After 1980/81 he was out of the Test side for two years, but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career.  In seven successive Test series from 1982/83 to 1985/86 he took 21 or more wickets each time, in the last five of them averaging under 20. His most productive series in this period was the 1983/84 rubber against India, when he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur. A few months later he took five in an innings twice at home against Australia. At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa, still suffering international sporting isolation due to apartheid. CANNOTANSWER

Question: What was Malcolm Marshall's highest acheivement?
Answer: At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa,
Malcolm Marshall

Context: Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978. He immediately developed a career-long antipathy to Dilip Vengsarkar due to his aggressive appealing. Despite doing little of note in the three Tests he played on that tour, he did take 37 wickets in all first-class games, and Hampshire saw enough in him to take him on as their overseas player for 1979, remaining with the county until 1993. He was in West Indies' World Cup squad, but did not play a match in the tournament. Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League.  Marshall came to prominence in 1980, when in the third Test at Old Trafford he accounted for Mike Gatting, Brian Rose and Peter Willey in short order to spark an England collapse, although the match was eventually drawn despite Marshall taking 7-24. After 1980/81 he was out of the Test side for two years, but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career.  In seven successive Test series from 1982/83 to 1985/86 he took 21 or more wickets each time, in the last five of them averaging under 20. His most productive series in this period was the 1983/84 rubber against India, when he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur. A few months later he took five in an innings twice at home against Australia. At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa, still suffering international sporting isolation due to apartheid. CANNOTANSWER

Question: How did Malcolm Marshall get his start in his career?
Answer: Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978.
Malcolm Marshall

Context: Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978. He immediately developed a career-long antipathy to Dilip Vengsarkar due to his aggressive appealing. Despite doing little of note in the three Tests he played on that tour, he did take 37 wickets in all first-class games, and Hampshire saw enough in him to take him on as their overseas player for 1979, remaining with the county until 1993. He was in West Indies' World Cup squad, but did not play a match in the tournament. Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League.  Marshall came to prominence in 1980, when in the third Test at Old Trafford he accounted for Mike Gatting, Brian Rose and Peter Willey in short order to spark an England collapse, although the match was eventually drawn despite Marshall taking 7-24. After 1980/81 he was out of the Test side for two years, but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career.  In seven successive Test series from 1982/83 to 1985/86 he took 21 or more wickets each time, in the last five of them averaging under 20. His most productive series in this period was the 1983/84 rubber against India, when he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur. A few months later he took five in an innings twice at home against Australia. At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa, still suffering international sporting isolation due to apartheid. CANNOTANSWER

Question: What was Malcolm Marshall's first big success?
Answer: but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire,
Malcolm Marshall

Context: Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978. He immediately developed a career-long antipathy to Dilip Vengsarkar due to his aggressive appealing. Despite doing little of note in the three Tests he played on that tour, he did take 37 wickets in all first-class games, and Hampshire saw enough in him to take him on as their overseas player for 1979, remaining with the county until 1993. He was in West Indies' World Cup squad, but did not play a match in the tournament. Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League.  Marshall came to prominence in 1980, when in the third Test at Old Trafford he accounted for Mike Gatting, Brian Rose and Peter Willey in short order to spark an England collapse, although the match was eventually drawn despite Marshall taking 7-24. After 1980/81 he was out of the Test side for two years, but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career.  In seven successive Test series from 1982/83 to 1985/86 he took 21 or more wickets each time, in the last five of them averaging under 20. His most productive series in this period was the 1983/84 rubber against India, when he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur. A few months later he took five in an innings twice at home against Australia. At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa, still suffering international sporting isolation due to apartheid. CANNOTANSWER

Question: What was Malcolm Marshall's most noticeable aspect of international debut?
Answer: a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career.
Malcolm Marshall

Context: Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978. He immediately developed a career-long antipathy to Dilip Vengsarkar due to his aggressive appealing. Despite doing little of note in the three Tests he played on that tour, he did take 37 wickets in all first-class games, and Hampshire saw enough in him to take him on as their overseas player for 1979, remaining with the county until 1993. He was in West Indies' World Cup squad, but did not play a match in the tournament. Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League.  Marshall came to prominence in 1980, when in the third Test at Old Trafford he accounted for Mike Gatting, Brian Rose and Peter Willey in short order to spark an England collapse, although the match was eventually drawn despite Marshall taking 7-24. After 1980/81 he was out of the Test side for two years, but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career.  In seven successive Test series from 1982/83 to 1985/86 he took 21 or more wickets each time, in the last five of them averaging under 20. His most productive series in this period was the 1983/84 rubber against India, when he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur. A few months later he took five in an innings twice at home against Australia. At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa, still suffering international sporting isolation due to apartheid. CANNOTANSWER

Question: What were Malcolm Marshall's notable matches or countries played?
Answer: His most productive series in this period was the 1983/84 rubber against India,
Malcolm Marshall

Context: Marshall made his Test debut in the Second Test at Bangalore on 15 December 1978. He immediately developed a career-long antipathy to Dilip Vengsarkar due to his aggressive appealing. Despite doing little of note in the three Tests he played on that tour, he did take 37 wickets in all first-class games, and Hampshire saw enough in him to take him on as their overseas player for 1979, remaining with the county until 1993. He was in West Indies' World Cup squad, but did not play a match in the tournament. Hampshire were not doing well at the time, but nevertheless he took 47 first-class wickets, as well as picking up 5-13 against Glamorgan in the John Player League.  Marshall came to prominence in 1980, when in the third Test at Old Trafford he accounted for Mike Gatting, Brian Rose and Peter Willey in short order to spark an England collapse, although the match was eventually drawn despite Marshall taking 7-24. After 1980/81 he was out of the Test side for two years, but an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire, saw him recalled and thereafter he remained a fixture until the end of his international career.  In seven successive Test series from 1982/83 to 1985/86 he took 21 or more wickets each time, in the last five of them averaging under 20. His most productive series in this period was the 1983/84 rubber against India, when he claimed 33 wickets as well as averaging 34 with the bat and making his highest Test score of 92 at Kanpur. A few months later he took five in an innings twice at home against Australia. At the peak of his career, he turned down an offer of US$1 million to join a rebel West Indies team on a tour to South Africa, still suffering international sporting isolation due to apartheid. CANNOTANSWER

Question: What was Malcolm Marshall's highest achievement?
Answer: an excellent 1982 season when he took 134 wickets at under 16 apiece, including a career-best 8-71 against Worcestershire,
Earth Crisis

Context: Although ideologically tied to the straight edge movement, the initial musical influences of Earth Crisis were mainly from New York hardcore bands such as Agnostic Front, Cro-Mags and Sick Of It All. After the All Out War EP, they developed an increasingly technical and heavier style, citing death metal bands Napalm Death, Bolt Thrower and Obituary as prime inspirations. Buechner's vocals became rougher with each release as well, culminating in the completely gutturally screamed Gomorrah's Season Ends. Terrorizer magazine referred to this album as "heavy hardcore taken to a new level, all the blackness that was hinted at on Firestorm realized in all its formidable glory." In this period, many of their songs were built on Merrick's drum beats.  Their third studio album, Breed the Killers, maintained the previous aggressiveness and its growled vocals were "taken about as far as possible", but it followed a structure more akin to the "post-Judge hardcore of the Path of Resistance record Who Dares Wins", according to Shawn Macomber of Decibel. Dennis Merrick said: "On Breed the Killers I think we achieved the most honest representation of our sound without sounding too raw or too slick". Its follow-up, Slither, had a change of style that steered towards nu metal. Buechner declared that, rather than being influenced by other styles, they "resurrected" the sound of All Out War in a proper way, which also had melodic choruses and spoken word verses.  Their first post-reunion album, To the Death, was described by Buechner as "a mixture between Destroying the Machines and Breed the Killers." According to Stereo Killer, it was "arguably the band's heaviest offering" but with "more traditional verse/chorus/verse" material. Neutralize the Threat followed a similar path, but "with a Gomorrah's Season Ends vibe thrown in", the band stated. Scott Crouse said that he always tried "to get the perfect blend of heaviness, imagery and listenability" and that these two albums were the first to "hit that mark". Salvation of Innocents included, in addition, some clean vocals that were compared by one reviewer to the sludge metal band Crowbar, as well as "some elements of European melodic metalcore" and faster songs.  When asked what ten bands inspired Earth Crisis over the years in a 2016 interview, Scott Crouse named DYS, Judge, Corrosion of Conformity, Agnostic Front, Slayer, Sepultura, Metallica, Conviction, Zero Tolerance and Iron Maiden. CANNOTANSWER

Question: When did  Earth Crisis decide on a style?
Answer: Earth Crisis were mainly from New York hardcore bands such as Agnostic Front, Cro-Mags and Sick Of It All.
Earth Crisis

Context: Although ideologically tied to the straight edge movement, the initial musical influences of Earth Crisis were mainly from New York hardcore bands such as Agnostic Front, Cro-Mags and Sick Of It All. After the All Out War EP, they developed an increasingly technical and heavier style, citing death metal bands Napalm Death, Bolt Thrower and Obituary as prime inspirations. Buechner's vocals became rougher with each release as well, culminating in the completely gutturally screamed Gomorrah's Season Ends. Terrorizer magazine referred to this album as "heavy hardcore taken to a new level, all the blackness that was hinted at on Firestorm realized in all its formidable glory." In this period, many of their songs were built on Merrick's drum beats.  Their third studio album, Breed the Killers, maintained the previous aggressiveness and its growled vocals were "taken about as far as possible", but it followed a structure more akin to the "post-Judge hardcore of the Path of Resistance record Who Dares Wins", according to Shawn Macomber of Decibel. Dennis Merrick said: "On Breed the Killers I think we achieved the most honest representation of our sound without sounding too raw or too slick". Its follow-up, Slither, had a change of style that steered towards nu metal. Buechner declared that, rather than being influenced by other styles, they "resurrected" the sound of All Out War in a proper way, which also had melodic choruses and spoken word verses.  Their first post-reunion album, To the Death, was described by Buechner as "a mixture between Destroying the Machines and Breed the Killers." According to Stereo Killer, it was "arguably the band's heaviest offering" but with "more traditional verse/chorus/verse" material. Neutralize the Threat followed a similar path, but "with a Gomorrah's Season Ends vibe thrown in", the band stated. Scott Crouse said that he always tried "to get the perfect blend of heaviness, imagery and listenability" and that these two albums were the first to "hit that mark". Salvation of Innocents included, in addition, some clean vocals that were compared by one reviewer to the sludge metal band Crowbar, as well as "some elements of European melodic metalcore" and faster songs.  When asked what ten bands inspired Earth Crisis over the years in a 2016 interview, Scott Crouse named DYS, Judge, Corrosion of Conformity, Agnostic Front, Slayer, Sepultura, Metallica, Conviction, Zero Tolerance and Iron Maiden. CANNOTANSWER

Question: Is Earth Crisis from New York?
Answer: New York
Earth Crisis

Context: Although ideologically tied to the straight edge movement, the initial musical influences of Earth Crisis were mainly from New York hardcore bands such as Agnostic Front, Cro-Mags and Sick Of It All. After the All Out War EP, they developed an increasingly technical and heavier style, citing death metal bands Napalm Death, Bolt Thrower and Obituary as prime inspirations. Buechner's vocals became rougher with each release as well, culminating in the completely gutturally screamed Gomorrah's Season Ends. Terrorizer magazine referred to this album as "heavy hardcore taken to a new level, all the blackness that was hinted at on Firestorm realized in all its formidable glory." In this period, many of their songs were built on Merrick's drum beats.  Their third studio album, Breed the Killers, maintained the previous aggressiveness and its growled vocals were "taken about as far as possible", but it followed a structure more akin to the "post-Judge hardcore of the Path of Resistance record Who Dares Wins", according to Shawn Macomber of Decibel. Dennis Merrick said: "On Breed the Killers I think we achieved the most honest representation of our sound without sounding too raw or too slick". Its follow-up, Slither, had a change of style that steered towards nu metal. Buechner declared that, rather than being influenced by other styles, they "resurrected" the sound of All Out War in a proper way, which also had melodic choruses and spoken word verses.  Their first post-reunion album, To the Death, was described by Buechner as "a mixture between Destroying the Machines and Breed the Killers." According to Stereo Killer, it was "arguably the band's heaviest offering" but with "more traditional verse/chorus/verse" material. Neutralize the Threat followed a similar path, but "with a Gomorrah's Season Ends vibe thrown in", the band stated. Scott Crouse said that he always tried "to get the perfect blend of heaviness, imagery and listenability" and that these two albums were the first to "hit that mark". Salvation of Innocents included, in addition, some clean vocals that were compared by one reviewer to the sludge metal band Crowbar, as well as "some elements of European melodic metalcore" and faster songs.  When asked what ten bands inspired Earth Crisis over the years in a 2016 interview, Scott Crouse named DYS, Judge, Corrosion of Conformity, Agnostic Front, Slayer, Sepultura, Metallica, Conviction, Zero Tolerance and Iron Maiden. CANNOTANSWER

Question: Who inspired Earth Crisis?
Answer: DYS, Judge, Corrosion of Conformity, Agnostic Front, Slayer, Sepultura, Metallica, Conviction, Zero Tolerance and Iron Maiden.
Earth Crisis

Context: Although ideologically tied to the straight edge movement, the initial musical influences of Earth Crisis were mainly from New York hardcore bands such as Agnostic Front, Cro-Mags and Sick Of It All. After the All Out War EP, they developed an increasingly technical and heavier style, citing death metal bands Napalm Death, Bolt Thrower and Obituary as prime inspirations. Buechner's vocals became rougher with each release as well, culminating in the completely gutturally screamed Gomorrah's Season Ends. Terrorizer magazine referred to this album as "heavy hardcore taken to a new level, all the blackness that was hinted at on Firestorm realized in all its formidable glory." In this period, many of their songs were built on Merrick's drum beats.  Their third studio album, Breed the Killers, maintained the previous aggressiveness and its growled vocals were "taken about as far as possible", but it followed a structure more akin to the "post-Judge hardcore of the Path of Resistance record Who Dares Wins", according to Shawn Macomber of Decibel. Dennis Merrick said: "On Breed the Killers I think we achieved the most honest representation of our sound without sounding too raw or too slick". Its follow-up, Slither, had a change of style that steered towards nu metal. Buechner declared that, rather than being influenced by other styles, they "resurrected" the sound of All Out War in a proper way, which also had melodic choruses and spoken word verses.  Their first post-reunion album, To the Death, was described by Buechner as "a mixture between Destroying the Machines and Breed the Killers." According to Stereo Killer, it was "arguably the band's heaviest offering" but with "more traditional verse/chorus/verse" material. Neutralize the Threat followed a similar path, but "with a Gomorrah's Season Ends vibe thrown in", the band stated. Scott Crouse said that he always tried "to get the perfect blend of heaviness, imagery and listenability" and that these two albums were the first to "hit that mark". Salvation of Innocents included, in addition, some clean vocals that were compared by one reviewer to the sludge metal band Crowbar, as well as "some elements of European melodic metalcore" and faster songs.  When asked what ten bands inspired Earth Crisis over the years in a 2016 interview, Scott Crouse named DYS, Judge, Corrosion of Conformity, Agnostic Front, Slayer, Sepultura, Metallica, Conviction, Zero Tolerance and Iron Maiden. CANNOTANSWER

Question: What is the name of the lead member of Earth Crisis?
Answer: Scott Crouse
Earth Crisis

Context: Although ideologically tied to the straight edge movement, the initial musical influences of Earth Crisis were mainly from New York hardcore bands such as Agnostic Front, Cro-Mags and Sick Of It All. After the All Out War EP, they developed an increasingly technical and heavier style, citing death metal bands Napalm Death, Bolt Thrower and Obituary as prime inspirations. Buechner's vocals became rougher with each release as well, culminating in the completely gutturally screamed Gomorrah's Season Ends. Terrorizer magazine referred to this album as "heavy hardcore taken to a new level, all the blackness that was hinted at on Firestorm realized in all its formidable glory." In this period, many of their songs were built on Merrick's drum beats.  Their third studio album, Breed the Killers, maintained the previous aggressiveness and its growled vocals were "taken about as far as possible", but it followed a structure more akin to the "post-Judge hardcore of the Path of Resistance record Who Dares Wins", according to Shawn Macomber of Decibel. Dennis Merrick said: "On Breed the Killers I think we achieved the most honest representation of our sound without sounding too raw or too slick". Its follow-up, Slither, had a change of style that steered towards nu metal. Buechner declared that, rather than being influenced by other styles, they "resurrected" the sound of All Out War in a proper way, which also had melodic choruses and spoken word verses.  Their first post-reunion album, To the Death, was described by Buechner as "a mixture between Destroying the Machines and Breed the Killers." According to Stereo Killer, it was "arguably the band's heaviest offering" but with "more traditional verse/chorus/verse" material. Neutralize the Threat followed a similar path, but "with a Gomorrah's Season Ends vibe thrown in", the band stated. Scott Crouse said that he always tried "to get the perfect blend of heaviness, imagery and listenability" and that these two albums were the first to "hit that mark". Salvation of Innocents included, in addition, some clean vocals that were compared by one reviewer to the sludge metal band Crowbar, as well as "some elements of European melodic metalcore" and faster songs.  When asked what ten bands inspired Earth Crisis over the years in a 2016 interview, Scott Crouse named DYS, Judge, Corrosion of Conformity, Agnostic Front, Slayer, Sepultura, Metallica, Conviction, Zero Tolerance and Iron Maiden. CANNOTANSWER

Question: When did the follow up occur?
Answer: To the Death,
Earth Crisis

Context: Although ideologically tied to the straight edge movement, the initial musical influences of Earth Crisis were mainly from New York hardcore bands such as Agnostic Front, Cro-Mags and Sick Of It All. After the All Out War EP, they developed an increasingly technical and heavier style, citing death metal bands Napalm Death, Bolt Thrower and Obituary as prime inspirations. Buechner's vocals became rougher with each release as well, culminating in the completely gutturally screamed Gomorrah's Season Ends. Terrorizer magazine referred to this album as "heavy hardcore taken to a new level, all the blackness that was hinted at on Firestorm realized in all its formidable glory." In this period, many of their songs were built on Merrick's drum beats.  Their third studio album, Breed the Killers, maintained the previous aggressiveness and its growled vocals were "taken about as far as possible", but it followed a structure more akin to the "post-Judge hardcore of the Path of Resistance record Who Dares Wins", according to Shawn Macomber of Decibel. Dennis Merrick said: "On Breed the Killers I think we achieved the most honest representation of our sound without sounding too raw or too slick". Its follow-up, Slither, had a change of style that steered towards nu metal. Buechner declared that, rather than being influenced by other styles, they "resurrected" the sound of All Out War in a proper way, which also had melodic choruses and spoken word verses.  Their first post-reunion album, To the Death, was described by Buechner as "a mixture between Destroying the Machines and Breed the Killers." According to Stereo Killer, it was "arguably the band's heaviest offering" but with "more traditional verse/chorus/verse" material. Neutralize the Threat followed a similar path, but "with a Gomorrah's Season Ends vibe thrown in", the band stated. Scott Crouse said that he always tried "to get the perfect blend of heaviness, imagery and listenability" and that these two albums were the first to "hit that mark". Salvation of Innocents included, in addition, some clean vocals that were compared by one reviewer to the sludge metal band Crowbar, as well as "some elements of European melodic metalcore" and faster songs.  When asked what ten bands inspired Earth Crisis over the years in a 2016 interview, Scott Crouse named DYS, Judge, Corrosion of Conformity, Agnostic Front, Slayer, Sepultura, Metallica, Conviction, Zero Tolerance and Iron Maiden. CANNOTANSWER

Question: What was the name of the follow up album?
Answer: Breed the Killers,
Earth Crisis

Context: Although ideologically tied to the straight edge movement, the initial musical influences of Earth Crisis were mainly from New York hardcore bands such as Agnostic Front, Cro-Mags and Sick Of It All. After the All Out War EP, they developed an increasingly technical and heavier style, citing death metal bands Napalm Death, Bolt Thrower and Obituary as prime inspirations. Buechner's vocals became rougher with each release as well, culminating in the completely gutturally screamed Gomorrah's Season Ends. Terrorizer magazine referred to this album as "heavy hardcore taken to a new level, all the blackness that was hinted at on Firestorm realized in all its formidable glory." In this period, many of their songs were built on Merrick's drum beats.  Their third studio album, Breed the Killers, maintained the previous aggressiveness and its growled vocals were "taken about as far as possible", but it followed a structure more akin to the "post-Judge hardcore of the Path of Resistance record Who Dares Wins", according to Shawn Macomber of Decibel. Dennis Merrick said: "On Breed the Killers I think we achieved the most honest representation of our sound without sounding too raw or too slick". Its follow-up, Slither, had a change of style that steered towards nu metal. Buechner declared that, rather than being influenced by other styles, they "resurrected" the sound of All Out War in a proper way, which also had melodic choruses and spoken word verses.  Their first post-reunion album, To the Death, was described by Buechner as "a mixture between Destroying the Machines and Breed the Killers." According to Stereo Killer, it was "arguably the band's heaviest offering" but with "more traditional verse/chorus/verse" material. Neutralize the Threat followed a similar path, but "with a Gomorrah's Season Ends vibe thrown in", the band stated. Scott Crouse said that he always tried "to get the perfect blend of heaviness, imagery and listenability" and that these two albums were the first to "hit that mark". Salvation of Innocents included, in addition, some clean vocals that were compared by one reviewer to the sludge metal band Crowbar, as well as "some elements of European melodic metalcore" and faster songs.  When asked what ten bands inspired Earth Crisis over the years in a 2016 interview, Scott Crouse named DYS, Judge, Corrosion of Conformity, Agnostic Front, Slayer, Sepultura, Metallica, Conviction, Zero Tolerance and Iron Maiden. CANNOTANSWER

Question: What are the Earth Crisis band members names?
Answer: Scott Crouse
Earth Crisis

Context: Although ideologically tied to the straight edge movement, the initial musical influences of Earth Crisis were mainly from New York hardcore bands such as Agnostic Front, Cro-Mags and Sick Of It All. After the All Out War EP, they developed an increasingly technical and heavier style, citing death metal bands Napalm Death, Bolt Thrower and Obituary as prime inspirations. Buechner's vocals became rougher with each release as well, culminating in the completely gutturally screamed Gomorrah's Season Ends. Terrorizer magazine referred to this album as "heavy hardcore taken to a new level, all the blackness that was hinted at on Firestorm realized in all its formidable glory." In this period, many of their songs were built on Merrick's drum beats.  Their third studio album, Breed the Killers, maintained the previous aggressiveness and its growled vocals were "taken about as far as possible", but it followed a structure more akin to the "post-Judge hardcore of the Path of Resistance record Who Dares Wins", according to Shawn Macomber of Decibel. Dennis Merrick said: "On Breed the Killers I think we achieved the most honest representation of our sound without sounding too raw or too slick". Its follow-up, Slither, had a change of style that steered towards nu metal. Buechner declared that, rather than being influenced by other styles, they "resurrected" the sound of All Out War in a proper way, which also had melodic choruses and spoken word verses.  Their first post-reunion album, To the Death, was described by Buechner as "a mixture between Destroying the Machines and Breed the Killers." According to Stereo Killer, it was "arguably the band's heaviest offering" but with "more traditional verse/chorus/verse" material. Neutralize the Threat followed a similar path, but "with a Gomorrah's Season Ends vibe thrown in", the band stated. Scott Crouse said that he always tried "to get the perfect blend of heaviness, imagery and listenability" and that these two albums were the first to "hit that mark". Salvation of Innocents included, in addition, some clean vocals that were compared by one reviewer to the sludge metal band Crowbar, as well as "some elements of European melodic metalcore" and faster songs.  When asked what ten bands inspired Earth Crisis over the years in a 2016 interview, Scott Crouse named DYS, Judge, Corrosion of Conformity, Agnostic Front, Slayer, Sepultura, Metallica, Conviction, Zero Tolerance and Iron Maiden. CANNOTANSWER

Question: How many bands inspired Earth Crisis?
Answer: ten
Phillis Wheatley

Context: Wheatley believed that the power of poetry is immeasurable. John C. Shields notes that her poetry did not simply reflect the literature that she read but was based on her personal ideas and beliefs. Shields writes, "Wheatley had more in mind than simple conformity. It will be shown later that her allusions to the sun god and to the goddess of the morn, always appearing as they do here in close association with her quest for poetic inspiration, are of central importance to her." This poem is arranged into three stanzas of four lines in iambic tetrameter followed by a concluding couplet in iambic pentameter. The rhyme scheme is ababcc.  She used three primary elements: Christianity, classicism, and hierophantic solar worship. The hierophantic solar worship is what she brought with her from Africa; the worship of sun gods is expressed as part of her African culture. As her parents were sun worshipers, it may be why she used so many different words for the sun. For instance, she uses Aurora eight times, "Apollo seven, Phoebus twelve, and Sol twice." Shields believes that the word "light" is significant to her as it marks her African history, a past that she has left physically behind.  He notes that Sun is a homonym for Son, and that Wheatley intended a double reference to Christ. Wheatley also refers to "heav'nly muse" in two of her poems: "To a Clergy Man on the Death of his Lady" and "Isaiah LXIII," signifying her idea of the Christian deity.  Shields believes that her use of classicism set her work apart from that of her contemporaries. He writes, "Wheatley's use of classicism distinguishes her work as original and unique and deserves extended treatment." Shields sums up Wheatley's writing by characterizing it as "contemplative and reflective rather than brilliant and shimmering." CANNOTANSWER

Question: What influence did Phillis Wheatley have on poetry?
Answer: Wheatley's use of classicism distinguishes her work as original and unique and deserves extended treatment.