Sun Ra

Context: In 1934 Blount was offered his first full-time musical job by Ethel Harper--his biology teacher from the high school, who had organized a band to pursue a career as a singer. Blount joined a musicians' trade union and toured with Harper's group through the US Southeast and Midwest. When Harper left the group mid-tour to move to New York (she later was a member of the modestly successful singing group the Ginger Snaps), Blount took over leadership of the group, renaming it the Sonny Blount Orchestra. They continued touring for several months before dissolving as unprofitable. Though the first edition of the Sonny Blount Orchestra was not financially successful, they earned positive notice from fans and other musicians. Blount afterward found steady employment as a musician in Birmingham.  Birmingham clubs often featured exotic trappings, such as vivid lighting and murals with tropical or oasis scenes. Some believe these influenced the elements Sun Ra incorporated in his later stage shows. Playing for the big bands gave black musicians a sense of pride and togetherness, and they were highly regarded in the black community. They were expected to be disciplined and presentable, and in the segregated South, black musicians had wide acceptance in white society. They often played for elite white society audiences (though they were typically forbidden from associating with the audience).  In 1936, Whatley's intercession led to Blount's being awarded a scholarship at Alabama Agricultural and Mechanical University. He was a music education major, studying composition, orchestration, and music theory. He dropped out after a year.  Sun Ra soon left college because, he claimed, he had a visionary experience as a college student that had a major, long-term influence on him. In 1936 or 1937, in the midst of deep religious concentration, Sun Ra claimed that a bright light appeared around him, and, as he later said:  My whole body changed into something else. I could see through myself. And I went up... I wasn't in human form... I landed on a planet that I identified as Saturn... they teleported me and I was down on [a] stage with them. They wanted to talk with me. They had one little antenna on each ear. A little antenna over each eye. They talked to me. They told me to stop [attending college] because there was going to be great trouble in schools... the world was going into complete chaos... I would speak [through music], and the world would listen. That's what they told me.  Sun Ra said that this experience occurred in 1936 or 1937. According to Szwed, the musician's closest associates cannot date the story any earlier than 1952. (Sun Ra also said that the incident happened when he was living in Chicago, where he did not settle until the late 1940s). Sun Ra discussed the vision, with no substantive variation, to the end of his life. His trip to Saturn allegedly occurred a full decade before flying saucers entered public consciousness with the 1947 encounter of Kenneth Arnold. It was earlier than other public accounts: about 15 years before George Adamski wrote about contact with benevolent beings; and almost 20 years before the 1961 case of Barney and Betty Hill, who recounted sinister UFO abductions. Szwed says that, "even if this story is revisionist autobiography... Sonny was pulling together several strains of his life. He was both prophesizing his future and explaining his past with a single act of personal mythology."  In October 1942 Blount received a selective service notification that he had been drafted into the Military of the United States. He quickly declared himself a conscientious objector, citing religious objections to war and killing, his financial support of his great-aunt Ida, and his chronic hernia. The local draft board rejected his claim. In an appeal to the national draft board, Blount wrote that the lack of black men on the draft appeal board "smacks of Hitlerism." Sonny's refusal to join the military deeply embarrassed his family, and many relatives ostracized him. He was eventually approved for alternate service at Civilian Public Service camp in Pennsylvania--but he did not appear at the camp as required on December 8, 1942. Shortly after, he was arrested in Alabama.  In court, Blount said that alternate service was unacceptable; he debated the judge on points of law and Biblical interpretation. Though sympathetic, the judge ruled that Blount was violating the law and was at risk for being drafted into the U.S. military. Blount responded that if inducted, he would use military weapons and training to kill the first high-ranking military officer possible. The judge sentenced Blount to jail (pending draft board and CPS rulings), and then said, "I've never seen a nigger like you before." Blount replied, "No, and you never will again."  In January 1943 Blount wrote to the United States Marshals Service from the Walker County, Alabama jail in Jasper. He said he was facing a nervous breakdown from the stress of imprisonment, that he was suicidal, and that he was in constant fear of sexual assault. When his conscientious objector status was reaffirmed in February 1943, he was escorted to Pennsylvania. He did forestry work as assigned during the day and was allowed to play piano at night. Psychiatrists there described him as "a psychopathic personality [and] sexually perverted," but also as "a well-educated colored intellectual."  In March 1943, the draft board reclassified Blount as 4-F because of his hernia, and he returned to Birmingham, embittered and angered. He formed a new band and soon was playing professionally. After his beloved great-aunt Ida died in 1945, Blount felt no reason to stay in Birmingham. He dissolved the band, and moved to Chicago--part of the Second Great Migration, southern African Americans who moved north during and after World War II. CANNOTANSWER

Question: Are there any other interesting aspects about Sun Ra's draft and wartime experiences other than when Sun Ra was drafted, why Sun Ra was angry, and the wartime experiences of Sun Ra?
Answer: Sun Ra said that this experience occurred in 1936 or 1937. According to Szwed, the musician's closest associates cannot date the story any earlier than 1952.