gaussalgo/Canard_Wiki-augmented huggingface dataset:
Taylor Swift

Context: Swift uses her life experiences as an inspiration in her work. In her songs, Swift often addresses the "anonymous crushes of her high school years" and celebrities. Swift frequently criticizes ex-boyfriends, an aspect of her songwriting downplayed by The Village Voice: "Being told What Songs Mean is like having a really pushy professor. And it imperils a true appreciation of Swift's talent, which is not confessional, but dramatic." However, New York believes the media scrutiny over her decision to "mine her personal life for music ... is sexist, inasmuch as it's not asked of her male peers". The singer herself has said that not all her songs are factual and that they are sometimes based on observations. Aside from her liner note clues, Swift tries not to talk about song subjects specifically "because these are real people. You try to give insight as to where you were coming from as a writer without completely throwing somebody under the bus".  For a female to write about her feelings, and then be portrayed as some clingy, insane, desperate girlfriend in need of making you marry her and have kids with her, I think that's taking something that potentially should be celebrated--a woman writing about her feelings in a confessional way--that's taking it and turning it and twisting it into something that is frankly a little sexist.  The Guardian has praised Swift for writing about teenage years "with a kind of wistful, sepia-toned nostalgia" over the course of her first two albums. New York has remarked that many singer-songwriters have made great records as teens, but "none made great records so explicitly about their teens". The magazine has also compared her work to Brian Wilson. In Fearless, Swift featured fairy tale imagery and explored the disconnect "between fairy tales and the reality of love". Her later albums address more adult relationships. In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions. Swift frequently includes "a tossed-off phrase to suggest large and serious things that won't fit in the song, things that enhance or subvert the surface narrative".  Rolling Stone describes Swift as "a songwriting savant with an intuitive gift for verse-chorus-bridge architecture". According to The Village Voice, she uses third-verse point of view reversals frequently. In terms of imagery, repetition is evident in Swift's songwriting. In The Guardian's words, "she spends so much time kissin' in the rain that it seems a miracle she hasn't developed trenchfoot". Slant Magazine adds, "to Swift's credit, she explores new lyrical motifs over the course of [her fourth] album". Although reviews of Swift's work are "almost uniformly positive", The New Yorker has said she is generally portrayed "more as a skilled technician than as a Dylanesque visionary". CANNOTANSWER

Question: What kind of observations does Taylor Swift base her songs on?
Answer: In addition to romance and love, Swift's songs have discussed parent-child relationships, friendships, alienation, fame, and career ambitions.
Hakeem Olajuwon

Context: "The best footwork I've ever seen from a big man"  --Pete Newell  Olajuwon established himself as an unusually skilled offensive player for a big man, perfecting a set of fakes and spin moves that became known as his trademark Dream Shake. Executed with uncanny speed and power, they are still regarded as the pinnacle of "big man" footwork. Shaquille O'Neal stated: "Hakeem has five moves, then four countermoves - that gives him 20 moves." Olajuwon himself traced the move back to the soccer-playing days of his youth. "The Dream Shake was actually one of my soccer moves which I translated to basketball. It would accomplish one of three things: one, to misdirect the opponent and make him go the opposite way; two, to freeze the opponent and leave him devastated in his tracks; three, to shake off the opponent and giving him no chance to contest the shot." The Dream Shake was very difficult to defend, much like Kareem Abdul-Jabbar's sky-hook.  One notable Dream Shake happened in Game 2 of the 1995 Western Conference Finals against the Spurs. With David Robinson guarding him, Olajuwon performed a cross-over, drove to the basket and faked a layup. Robinson, an excellent defender, kept up with Olajuwon and remained planted. Olajuwon spun counterclockwise and faked a jump shot. Robinson, who was voted the 1995 NBA MVP, fell for the fake and jumped to block the shot. With Robinson in the air, Olajuwon performed an up-and-under move and made an easy layup.  Olajuwon has referred to basketball as a science, and described his signature move in vivid detail: "When the point guard throws me the ball, I jump to get the ball. But this jump is the set-up for the second move, the baseline move. I call it the 'touch landing.' The defender is waiting for me to come down because I jumped but I'm gone before I land. Defenders say 'Wow, he's quick,' but they don't know that where I'm going is predetermined. He's basing it on quickness, but the jump is to set him up. Before I come down, I make my move. When you jump, you turn as you land. Boom! The defender can't react because he's waiting for you to come down to defend you. Now, the first time when you showed that quickness, he has to react to that quickness, so you can fake baseline and go the other way with your jump hook. All this is part of the Dream Shake. The Dream Shake is you dribble and then you jump; now you don't have a pivot foot. When I dribble I move it so when I come here, I jump. By jumping, I don't have a pivot foot now. I dribble so now I can use either foot. I can go this way or this way. So he's frozen, he doesn't know which way I'm going to go. That is the shake. You put him in the mix and you jump stop and now you have choice of pivot foot. He doesn't know where you're gonna turn and when." CANNOTANSWER

Question: What is Dream Shake?
Answer: Olajuwon established himself as an unusually skilled offensive player for a big man, perfecting a set of fakes and spin moves that became known as his trademark Dream Shake.
Hakeem Olajuwon

Context: "The best footwork I've ever seen from a big man"  --Pete Newell  Olajuwon established himself as an unusually skilled offensive player for a big man, perfecting a set of fakes and spin moves that became known as his trademark Dream Shake. Executed with uncanny speed and power, they are still regarded as the pinnacle of "big man" footwork. Shaquille O'Neal stated: "Hakeem has five moves, then four countermoves - that gives him 20 moves." Olajuwon himself traced the move back to the soccer-playing days of his youth. "The Dream Shake was actually one of my soccer moves which I translated to basketball. It would accomplish one of three things: one, to misdirect the opponent and make him go the opposite way; two, to freeze the opponent and leave him devastated in his tracks; three, to shake off the opponent and giving him no chance to contest the shot." The Dream Shake was very difficult to defend, much like Kareem Abdul-Jabbar's sky-hook.  One notable Dream Shake happened in Game 2 of the 1995 Western Conference Finals against the Spurs. With David Robinson guarding him, Olajuwon performed a cross-over, drove to the basket and faked a layup. Robinson, an excellent defender, kept up with Olajuwon and remained planted. Olajuwon spun counterclockwise and faked a jump shot. Robinson, who was voted the 1995 NBA MVP, fell for the fake and jumped to block the shot. With Robinson in the air, Olajuwon performed an up-and-under move and made an easy layup.  Olajuwon has referred to basketball as a science, and described his signature move in vivid detail: "When the point guard throws me the ball, I jump to get the ball. But this jump is the set-up for the second move, the baseline move. I call it the 'touch landing.' The defender is waiting for me to come down because I jumped but I'm gone before I land. Defenders say 'Wow, he's quick,' but they don't know that where I'm going is predetermined. He's basing it on quickness, but the jump is to set him up. Before I come down, I make my move. When you jump, you turn as you land. Boom! The defender can't react because he's waiting for you to come down to defend you. Now, the first time when you showed that quickness, he has to react to that quickness, so you can fake baseline and go the other way with your jump hook. All this is part of the Dream Shake. The Dream Shake is you dribble and then you jump; now you don't have a pivot foot. When I dribble I move it so when I come here, I jump. By jumping, I don't have a pivot foot now. I dribble so now I can use either foot. I can go this way or this way. So he's frozen, he doesn't know which way I'm going to go. That is the shake. You put him in the mix and you jump stop and now you have choice of pivot foot. He doesn't know where you're gonna turn and when." CANNOTANSWER

Question: What did the moves consist of that became known as the Dream Shake
Answer: Shaquille O'Neal stated: "Hakeem has five moves, then four countermoves - that gives him 20 moves."
Hakeem Olajuwon

Context: "The best footwork I've ever seen from a big man"  --Pete Newell  Olajuwon established himself as an unusually skilled offensive player for a big man, perfecting a set of fakes and spin moves that became known as his trademark Dream Shake. Executed with uncanny speed and power, they are still regarded as the pinnacle of "big man" footwork. Shaquille O'Neal stated: "Hakeem has five moves, then four countermoves - that gives him 20 moves." Olajuwon himself traced the move back to the soccer-playing days of his youth. "The Dream Shake was actually one of my soccer moves which I translated to basketball. It would accomplish one of three things: one, to misdirect the opponent and make him go the opposite way; two, to freeze the opponent and leave him devastated in his tracks; three, to shake off the opponent and giving him no chance to contest the shot." The Dream Shake was very difficult to defend, much like Kareem Abdul-Jabbar's sky-hook.  One notable Dream Shake happened in Game 2 of the 1995 Western Conference Finals against the Spurs. With David Robinson guarding him, Olajuwon performed a cross-over, drove to the basket and faked a layup. Robinson, an excellent defender, kept up with Olajuwon and remained planted. Olajuwon spun counterclockwise and faked a jump shot. Robinson, who was voted the 1995 NBA MVP, fell for the fake and jumped to block the shot. With Robinson in the air, Olajuwon performed an up-and-under move and made an easy layup.  Olajuwon has referred to basketball as a science, and described his signature move in vivid detail: "When the point guard throws me the ball, I jump to get the ball. But this jump is the set-up for the second move, the baseline move. I call it the 'touch landing.' The defender is waiting for me to come down because I jumped but I'm gone before I land. Defenders say 'Wow, he's quick,' but they don't know that where I'm going is predetermined. He's basing it on quickness, but the jump is to set him up. Before I come down, I make my move. When you jump, you turn as you land. Boom! The defender can't react because he's waiting for you to come down to defend you. Now, the first time when you showed that quickness, he has to react to that quickness, so you can fake baseline and go the other way with your jump hook. All this is part of the Dream Shake. The Dream Shake is you dribble and then you jump; now you don't have a pivot foot. When I dribble I move it so when I come here, I jump. By jumping, I don't have a pivot foot now. I dribble so now I can use either foot. I can go this way or this way. So he's frozen, he doesn't know which way I'm going to go. That is the shake. You put him in the mix and you jump stop and now you have choice of pivot foot. He doesn't know where you're gonna turn and when." CANNOTANSWER

Question: Did the dream shake moves always work against Hakeem Olajuwon's opponents?
Answer: The Dream Shake was very difficult to defend, much like Kareem Abdul-Jabbar's sky-hook.
Hakeem Olajuwon

Context: "The best footwork I've ever seen from a big man"  --Pete Newell  Olajuwon established himself as an unusually skilled offensive player for a big man, perfecting a set of fakes and spin moves that became known as his trademark Dream Shake. Executed with uncanny speed and power, they are still regarded as the pinnacle of "big man" footwork. Shaquille O'Neal stated: "Hakeem has five moves, then four countermoves - that gives him 20 moves." Olajuwon himself traced the move back to the soccer-playing days of his youth. "The Dream Shake was actually one of my soccer moves which I translated to basketball. It would accomplish one of three things: one, to misdirect the opponent and make him go the opposite way; two, to freeze the opponent and leave him devastated in his tracks; three, to shake off the opponent and giving him no chance to contest the shot." The Dream Shake was very difficult to defend, much like Kareem Abdul-Jabbar's sky-hook.  One notable Dream Shake happened in Game 2 of the 1995 Western Conference Finals against the Spurs. With David Robinson guarding him, Olajuwon performed a cross-over, drove to the basket and faked a layup. Robinson, an excellent defender, kept up with Olajuwon and remained planted. Olajuwon spun counterclockwise and faked a jump shot. Robinson, who was voted the 1995 NBA MVP, fell for the fake and jumped to block the shot. With Robinson in the air, Olajuwon performed an up-and-under move and made an easy layup.  Olajuwon has referred to basketball as a science, and described his signature move in vivid detail: "When the point guard throws me the ball, I jump to get the ball. But this jump is the set-up for the second move, the baseline move. I call it the 'touch landing.' The defender is waiting for me to come down because I jumped but I'm gone before I land. Defenders say 'Wow, he's quick,' but they don't know that where I'm going is predetermined. He's basing it on quickness, but the jump is to set him up. Before I come down, I make my move. When you jump, you turn as you land. Boom! The defender can't react because he's waiting for you to come down to defend you. Now, the first time when you showed that quickness, he has to react to that quickness, so you can fake baseline and go the other way with your jump hook. All this is part of the Dream Shake. The Dream Shake is you dribble and then you jump; now you don't have a pivot foot. When I dribble I move it so when I come here, I jump. By jumping, I don't have a pivot foot now. I dribble so now I can use either foot. I can go this way or this way. So he's frozen, he doesn't know which way I'm going to go. That is the shake. You put him in the mix and you jump stop and now you have choice of pivot foot. He doesn't know where you're gonna turn and when." CANNOTANSWER

Question: When did Hakeem Olajuwon begin using the Dream Shake?
Answer: One notable Dream Shake happened in Game 2 of the 1995 Western Conference Finals against the Spurs.
Hakeem Olajuwon

Context: "The best footwork I've ever seen from a big man"  --Pete Newell  Olajuwon established himself as an unusually skilled offensive player for a big man, perfecting a set of fakes and spin moves that became known as his trademark Dream Shake. Executed with uncanny speed and power, they are still regarded as the pinnacle of "big man" footwork. Shaquille O'Neal stated: "Hakeem has five moves, then four countermoves - that gives him 20 moves." Olajuwon himself traced the move back to the soccer-playing days of his youth. "The Dream Shake was actually one of my soccer moves which I translated to basketball. It would accomplish one of three things: one, to misdirect the opponent and make him go the opposite way; two, to freeze the opponent and leave him devastated in his tracks; three, to shake off the opponent and giving him no chance to contest the shot." The Dream Shake was very difficult to defend, much like Kareem Abdul-Jabbar's sky-hook.  One notable Dream Shake happened in Game 2 of the 1995 Western Conference Finals against the Spurs. With David Robinson guarding him, Olajuwon performed a cross-over, drove to the basket and faked a layup. Robinson, an excellent defender, kept up with Olajuwon and remained planted. Olajuwon spun counterclockwise and faked a jump shot. Robinson, who was voted the 1995 NBA MVP, fell for the fake and jumped to block the shot. With Robinson in the air, Olajuwon performed an up-and-under move and made an easy layup.  Olajuwon has referred to basketball as a science, and described his signature move in vivid detail: "When the point guard throws me the ball, I jump to get the ball. But this jump is the set-up for the second move, the baseline move. I call it the 'touch landing.' The defender is waiting for me to come down because I jumped but I'm gone before I land. Defenders say 'Wow, he's quick,' but they don't know that where I'm going is predetermined. He's basing it on quickness, but the jump is to set him up. Before I come down, I make my move. When you jump, you turn as you land. Boom! The defender can't react because he's waiting for you to come down to defend you. Now, the first time when you showed that quickness, he has to react to that quickness, so you can fake baseline and go the other way with your jump hook. All this is part of the Dream Shake. The Dream Shake is you dribble and then you jump; now you don't have a pivot foot. When I dribble I move it so when I come here, I jump. By jumping, I don't have a pivot foot now. I dribble so now I can use either foot. I can go this way or this way. So he's frozen, he doesn't know which way I'm going to go. That is the shake. You put him in the mix and you jump stop and now you have choice of pivot foot. He doesn't know where you're gonna turn and when." CANNOTANSWER

Question: Has anyone else used the Dream Shake other than Hakeem Olajuwon?
Answer: CANNOTANSWER
Hakeem Olajuwon

Context: "The best footwork I've ever seen from a big man"  --Pete Newell  Olajuwon established himself as an unusually skilled offensive player for a big man, perfecting a set of fakes and spin moves that became known as his trademark Dream Shake. Executed with uncanny speed and power, they are still regarded as the pinnacle of "big man" footwork. Shaquille O'Neal stated: "Hakeem has five moves, then four countermoves - that gives him 20 moves." Olajuwon himself traced the move back to the soccer-playing days of his youth. "The Dream Shake was actually one of my soccer moves which I translated to basketball. It would accomplish one of three things: one, to misdirect the opponent and make him go the opposite way; two, to freeze the opponent and leave him devastated in his tracks; three, to shake off the opponent and giving him no chance to contest the shot." The Dream Shake was very difficult to defend, much like Kareem Abdul-Jabbar's sky-hook.  One notable Dream Shake happened in Game 2 of the 1995 Western Conference Finals against the Spurs. With David Robinson guarding him, Olajuwon performed a cross-over, drove to the basket and faked a layup. Robinson, an excellent defender, kept up with Olajuwon and remained planted. Olajuwon spun counterclockwise and faked a jump shot. Robinson, who was voted the 1995 NBA MVP, fell for the fake and jumped to block the shot. With Robinson in the air, Olajuwon performed an up-and-under move and made an easy layup.  Olajuwon has referred to basketball as a science, and described his signature move in vivid detail: "When the point guard throws me the ball, I jump to get the ball. But this jump is the set-up for the second move, the baseline move. I call it the 'touch landing.' The defender is waiting for me to come down because I jumped but I'm gone before I land. Defenders say 'Wow, he's quick,' but they don't know that where I'm going is predetermined. He's basing it on quickness, but the jump is to set him up. Before I come down, I make my move. When you jump, you turn as you land. Boom! The defender can't react because he's waiting for you to come down to defend you. Now, the first time when you showed that quickness, he has to react to that quickness, so you can fake baseline and go the other way with your jump hook. All this is part of the Dream Shake. The Dream Shake is you dribble and then you jump; now you don't have a pivot foot. When I dribble I move it so when I come here, I jump. By jumping, I don't have a pivot foot now. I dribble so now I can use either foot. I can go this way or this way. So he's frozen, he doesn't know which way I'm going to go. That is the shake. You put him in the mix and you jump stop and now you have choice of pivot foot. He doesn't know where you're gonna turn and when." CANNOTANSWER

Question: What else can you tell me about the Dream Shake other than how the Dream Shake was used by Hakeem Olajuwon?
Answer: Olajuwon has referred to basketball as a science, and described his signature move in vivid detail: "
Hakeem Olajuwon

Context: "The best footwork I've ever seen from a big man"  --Pete Newell  Olajuwon established himself as an unusually skilled offensive player for a big man, perfecting a set of fakes and spin moves that became known as his trademark Dream Shake. Executed with uncanny speed and power, they are still regarded as the pinnacle of "big man" footwork. Shaquille O'Neal stated: "Hakeem has five moves, then four countermoves - that gives him 20 moves." Olajuwon himself traced the move back to the soccer-playing days of his youth. "The Dream Shake was actually one of my soccer moves which I translated to basketball. It would accomplish one of three things: one, to misdirect the opponent and make him go the opposite way; two, to freeze the opponent and leave him devastated in his tracks; three, to shake off the opponent and giving him no chance to contest the shot." The Dream Shake was very difficult to defend, much like Kareem Abdul-Jabbar's sky-hook.  One notable Dream Shake happened in Game 2 of the 1995 Western Conference Finals against the Spurs. With David Robinson guarding him, Olajuwon performed a cross-over, drove to the basket and faked a layup. Robinson, an excellent defender, kept up with Olajuwon and remained planted. Olajuwon spun counterclockwise and faked a jump shot. Robinson, who was voted the 1995 NBA MVP, fell for the fake and jumped to block the shot. With Robinson in the air, Olajuwon performed an up-and-under move and made an easy layup.  Olajuwon has referred to basketball as a science, and described his signature move in vivid detail: "When the point guard throws me the ball, I jump to get the ball. But this jump is the set-up for the second move, the baseline move. I call it the 'touch landing.' The defender is waiting for me to come down because I jumped but I'm gone before I land. Defenders say 'Wow, he's quick,' but they don't know that where I'm going is predetermined. He's basing it on quickness, but the jump is to set him up. Before I come down, I make my move. When you jump, you turn as you land. Boom! The defender can't react because he's waiting for you to come down to defend you. Now, the first time when you showed that quickness, he has to react to that quickness, so you can fake baseline and go the other way with your jump hook. All this is part of the Dream Shake. The Dream Shake is you dribble and then you jump; now you don't have a pivot foot. When I dribble I move it so when I come here, I jump. By jumping, I don't have a pivot foot now. I dribble so now I can use either foot. I can go this way or this way. So he's frozen, he doesn't know which way I'm going to go. That is the shake. You put him in the mix and you jump stop and now you have choice of pivot foot. He doesn't know where you're gonna turn and when." CANNOTANSWER

Question: How does Hakeem Olajuwon see Basketball as a science?
Answer: "When the point guard throws me the ball, I jump to get the ball. But this jump is the set-up for the second move, the baseline move.
Hakeem Olajuwon

Context: "The best footwork I've ever seen from a big man"  --Pete Newell  Olajuwon established himself as an unusually skilled offensive player for a big man, perfecting a set of fakes and spin moves that became known as his trademark Dream Shake. Executed with uncanny speed and power, they are still regarded as the pinnacle of "big man" footwork. Shaquille O'Neal stated: "Hakeem has five moves, then four countermoves - that gives him 20 moves." Olajuwon himself traced the move back to the soccer-playing days of his youth. "The Dream Shake was actually one of my soccer moves which I translated to basketball. It would accomplish one of three things: one, to misdirect the opponent and make him go the opposite way; two, to freeze the opponent and leave him devastated in his tracks; three, to shake off the opponent and giving him no chance to contest the shot." The Dream Shake was very difficult to defend, much like Kareem Abdul-Jabbar's sky-hook.  One notable Dream Shake happened in Game 2 of the 1995 Western Conference Finals against the Spurs. With David Robinson guarding him, Olajuwon performed a cross-over, drove to the basket and faked a layup. Robinson, an excellent defender, kept up with Olajuwon and remained planted. Olajuwon spun counterclockwise and faked a jump shot. Robinson, who was voted the 1995 NBA MVP, fell for the fake and jumped to block the shot. With Robinson in the air, Olajuwon performed an up-and-under move and made an easy layup.  Olajuwon has referred to basketball as a science, and described his signature move in vivid detail: "When the point guard throws me the ball, I jump to get the ball. But this jump is the set-up for the second move, the baseline move. I call it the 'touch landing.' The defender is waiting for me to come down because I jumped but I'm gone before I land. Defenders say 'Wow, he's quick,' but they don't know that where I'm going is predetermined. He's basing it on quickness, but the jump is to set him up. Before I come down, I make my move. When you jump, you turn as you land. Boom! The defender can't react because he's waiting for you to come down to defend you. Now, the first time when you showed that quickness, he has to react to that quickness, so you can fake baseline and go the other way with your jump hook. All this is part of the Dream Shake. The Dream Shake is you dribble and then you jump; now you don't have a pivot foot. When I dribble I move it so when I come here, I jump. By jumping, I don't have a pivot foot now. I dribble so now I can use either foot. I can go this way or this way. So he's frozen, he doesn't know which way I'm going to go. That is the shake. You put him in the mix and you jump stop and now you have choice of pivot foot. He doesn't know where you're gonna turn and when." CANNOTANSWER

Question: Has anyone ever used the dream shake to defend against Hakeem Olajuwon?
Answer: Robinson, an excellent defender, kept up with Olajuwon and remained planted.
Pavel Bure

Context: At age 16, Bure began his professional hockey career playing for CSKA Moscow. He was invited to the senior club's training camp for the 1987-88 season. Although he was deemed too young, and not yet ready, for the Soviet League, Bure earned minimal playing time filling in for absent regulars. He made his debut in September 1987, and played five games for the senior team, scoring his only goal in his first game.  Bure joined the club full-time in 1988-89 and amassed 17 goals, a Soviet League record for rookies. The record would last for 18 years until Alexei Cherepanov scored 18 goals in 2006-07. Bure added 9 assists for 26 points to earn the league's rookie of the year honours. His individual success helped CSKA Moscow capture their thirteenth consecutive Soviet championship and twelfth consecutive IIHF European Cup in 1989 (they repeated as European champions the following year).  As a member CSKA, Bure joined a lineup that featured several future NHL players, including linemates Sergei Fedorov and Alexander Mogilny, as well as Igor Larionov, Viacheslav Fetisov, Sergei Makarov, and Vladimir Konstantinov. The combination of Bure, Fedorov and Mogilny formed a promising combination for head coach Viktor Tikhonov, with expectations to replace the previous top Soviet line, the K-L-M combination of Vladimir Krutov, Larionov and Makarov. The trio was short-lived, as Mogilny defected to play for the Buffalo Sabres in 1989, and Fedorov joined the Detroit Red Wings the following year.  In his third and final season with the Red Army, Bure tied for the lead in team-scoring with Valeri Kamensky, tallying 46 points. His 35 goals was second in the league, one goal behind Ramil Yuldashev of Sokil Kyiv. Bure turned down a three-year contract extension in August 1991, which resulted in him being left off the roster of the Soviet team for the Canada Cup. CANNOTANSWER

Question: What is CSKA?
Answer: CANNOTANSWER
Pavel Bure

Context: At age 16, Bure began his professional hockey career playing for CSKA Moscow. He was invited to the senior club's training camp for the 1987-88 season. Although he was deemed too young, and not yet ready, for the Soviet League, Bure earned minimal playing time filling in for absent regulars. He made his debut in September 1987, and played five games for the senior team, scoring his only goal in his first game.  Bure joined the club full-time in 1988-89 and amassed 17 goals, a Soviet League record for rookies. The record would last for 18 years until Alexei Cherepanov scored 18 goals in 2006-07. Bure added 9 assists for 26 points to earn the league's rookie of the year honours. His individual success helped CSKA Moscow capture their thirteenth consecutive Soviet championship and twelfth consecutive IIHF European Cup in 1989 (they repeated as European champions the following year).  As a member CSKA, Bure joined a lineup that featured several future NHL players, including linemates Sergei Fedorov and Alexander Mogilny, as well as Igor Larionov, Viacheslav Fetisov, Sergei Makarov, and Vladimir Konstantinov. The combination of Bure, Fedorov and Mogilny formed a promising combination for head coach Viktor Tikhonov, with expectations to replace the previous top Soviet line, the K-L-M combination of Vladimir Krutov, Larionov and Makarov. The trio was short-lived, as Mogilny defected to play for the Buffalo Sabres in 1989, and Fedorov joined the Detroit Red Wings the following year.  In his third and final season with the Red Army, Bure tied for the lead in team-scoring with Valeri Kamensky, tallying 46 points. His 35 goals was second in the league, one goal behind Ramil Yuldashev of Sokil Kyiv. Bure turned down a three-year contract extension in August 1991, which resulted in him being left off the roster of the Soviet team for the Canada Cup. CANNOTANSWER

Question: What did Pavel Bure do with CSKA?
Answer: professional hockey
Pavel Bure

Context: At age 16, Bure began his professional hockey career playing for CSKA Moscow. He was invited to the senior club's training camp for the 1987-88 season. Although he was deemed too young, and not yet ready, for the Soviet League, Bure earned minimal playing time filling in for absent regulars. He made his debut in September 1987, and played five games for the senior team, scoring his only goal in his first game.  Bure joined the club full-time in 1988-89 and amassed 17 goals, a Soviet League record for rookies. The record would last for 18 years until Alexei Cherepanov scored 18 goals in 2006-07. Bure added 9 assists for 26 points to earn the league's rookie of the year honours. His individual success helped CSKA Moscow capture their thirteenth consecutive Soviet championship and twelfth consecutive IIHF European Cup in 1989 (they repeated as European champions the following year).  As a member CSKA, Bure joined a lineup that featured several future NHL players, including linemates Sergei Fedorov and Alexander Mogilny, as well as Igor Larionov, Viacheslav Fetisov, Sergei Makarov, and Vladimir Konstantinov. The combination of Bure, Fedorov and Mogilny formed a promising combination for head coach Viktor Tikhonov, with expectations to replace the previous top Soviet line, the K-L-M combination of Vladimir Krutov, Larionov and Makarov. The trio was short-lived, as Mogilny defected to play for the Buffalo Sabres in 1989, and Fedorov joined the Detroit Red Wings the following year.  In his third and final season with the Red Army, Bure tied for the lead in team-scoring with Valeri Kamensky, tallying 46 points. His 35 goals was second in the league, one goal behind Ramil Yuldashev of Sokil Kyiv. Bure turned down a three-year contract extension in August 1991, which resulted in him being left off the roster of the Soviet team for the Canada Cup. CANNOTANSWER

Question: Did Pavel Bure win in professional hockey?
Answer: His individual success helped CSKA Moscow capture their thirteenth consecutive Soviet championship and twelfth consecutive IIHF European Cup in 1989 (
Pavel Bure

Context: At age 16, Bure began his professional hockey career playing for CSKA Moscow. He was invited to the senior club's training camp for the 1987-88 season. Although he was deemed too young, and not yet ready, for the Soviet League, Bure earned minimal playing time filling in for absent regulars. He made his debut in September 1987, and played five games for the senior team, scoring his only goal in his first game.  Bure joined the club full-time in 1988-89 and amassed 17 goals, a Soviet League record for rookies. The record would last for 18 years until Alexei Cherepanov scored 18 goals in 2006-07. Bure added 9 assists for 26 points to earn the league's rookie of the year honours. His individual success helped CSKA Moscow capture their thirteenth consecutive Soviet championship and twelfth consecutive IIHF European Cup in 1989 (they repeated as European champions the following year).  As a member CSKA, Bure joined a lineup that featured several future NHL players, including linemates Sergei Fedorov and Alexander Mogilny, as well as Igor Larionov, Viacheslav Fetisov, Sergei Makarov, and Vladimir Konstantinov. The combination of Bure, Fedorov and Mogilny formed a promising combination for head coach Viktor Tikhonov, with expectations to replace the previous top Soviet line, the K-L-M combination of Vladimir Krutov, Larionov and Makarov. The trio was short-lived, as Mogilny defected to play for the Buffalo Sabres in 1989, and Fedorov joined the Detroit Red Wings the following year.  In his third and final season with the Red Army, Bure tied for the lead in team-scoring with Valeri Kamensky, tallying 46 points. His 35 goals was second in the league, one goal behind Ramil Yuldashev of Sokil Kyiv. Bure turned down a three-year contract extension in August 1991, which resulted in him being left off the roster of the Soviet team for the Canada Cup. CANNOTANSWER

Question: Did  Pavel Bure receive any special recognition or awards?
Answer: Bure added 9 assists for 26 points to earn the league's rookie of the year honours.
Pavel Bure

Context: At age 16, Bure began his professional hockey career playing for CSKA Moscow. He was invited to the senior club's training camp for the 1987-88 season. Although he was deemed too young, and not yet ready, for the Soviet League, Bure earned minimal playing time filling in for absent regulars. He made his debut in September 1987, and played five games for the senior team, scoring his only goal in his first game.  Bure joined the club full-time in 1988-89 and amassed 17 goals, a Soviet League record for rookies. The record would last for 18 years until Alexei Cherepanov scored 18 goals in 2006-07. Bure added 9 assists for 26 points to earn the league's rookie of the year honours. His individual success helped CSKA Moscow capture their thirteenth consecutive Soviet championship and twelfth consecutive IIHF European Cup in 1989 (they repeated as European champions the following year).  As a member CSKA, Bure joined a lineup that featured several future NHL players, including linemates Sergei Fedorov and Alexander Mogilny, as well as Igor Larionov, Viacheslav Fetisov, Sergei Makarov, and Vladimir Konstantinov. The combination of Bure, Fedorov and Mogilny formed a promising combination for head coach Viktor Tikhonov, with expectations to replace the previous top Soviet line, the K-L-M combination of Vladimir Krutov, Larionov and Makarov. The trio was short-lived, as Mogilny defected to play for the Buffalo Sabres in 1989, and Fedorov joined the Detroit Red Wings the following year.  In his third and final season with the Red Army, Bure tied for the lead in team-scoring with Valeri Kamensky, tallying 46 points. His 35 goals was second in the league, one goal behind Ramil Yuldashev of Sokil Kyiv. Bure turned down a three-year contract extension in August 1991, which resulted in him being left off the roster of the Soviet team for the Canada Cup. CANNOTANSWER

Question: What was  Pavel Bure doing in 1991?
Answer: Bure turned down a three-year contract extension in August 1991, which resulted in him being left off the roster of the Soviet team for the Canada Cup.
Pavel Bure

Context: At age 16, Bure began his professional hockey career playing for CSKA Moscow. He was invited to the senior club's training camp for the 1987-88 season. Although he was deemed too young, and not yet ready, for the Soviet League, Bure earned minimal playing time filling in for absent regulars. He made his debut in September 1987, and played five games for the senior team, scoring his only goal in his first game.  Bure joined the club full-time in 1988-89 and amassed 17 goals, a Soviet League record for rookies. The record would last for 18 years until Alexei Cherepanov scored 18 goals in 2006-07. Bure added 9 assists for 26 points to earn the league's rookie of the year honours. His individual success helped CSKA Moscow capture their thirteenth consecutive Soviet championship and twelfth consecutive IIHF European Cup in 1989 (they repeated as European champions the following year).  As a member CSKA, Bure joined a lineup that featured several future NHL players, including linemates Sergei Fedorov and Alexander Mogilny, as well as Igor Larionov, Viacheslav Fetisov, Sergei Makarov, and Vladimir Konstantinov. The combination of Bure, Fedorov and Mogilny formed a promising combination for head coach Viktor Tikhonov, with expectations to replace the previous top Soviet line, the K-L-M combination of Vladimir Krutov, Larionov and Makarov. The trio was short-lived, as Mogilny defected to play for the Buffalo Sabres in 1989, and Fedorov joined the Detroit Red Wings the following year.  In his third and final season with the Red Army, Bure tied for the lead in team-scoring with Valeri Kamensky, tallying 46 points. His 35 goals was second in the league, one goal behind Ramil Yuldashev of Sokil Kyiv. Bure turned down a three-year contract extension in August 1991, which resulted in him being left off the roster of the Soviet team for the Canada Cup. CANNOTANSWER

Question: Did  Pavel Bure have any injuries?
Answer: CANNOTANSWER
Pavel Bure

Context: At age 16, Bure began his professional hockey career playing for CSKA Moscow. He was invited to the senior club's training camp for the 1987-88 season. Although he was deemed too young, and not yet ready, for the Soviet League, Bure earned minimal playing time filling in for absent regulars. He made his debut in September 1987, and played five games for the senior team, scoring his only goal in his first game.  Bure joined the club full-time in 1988-89 and amassed 17 goals, a Soviet League record for rookies. The record would last for 18 years until Alexei Cherepanov scored 18 goals in 2006-07. Bure added 9 assists for 26 points to earn the league's rookie of the year honours. His individual success helped CSKA Moscow capture their thirteenth consecutive Soviet championship and twelfth consecutive IIHF European Cup in 1989 (they repeated as European champions the following year).  As a member CSKA, Bure joined a lineup that featured several future NHL players, including linemates Sergei Fedorov and Alexander Mogilny, as well as Igor Larionov, Viacheslav Fetisov, Sergei Makarov, and Vladimir Konstantinov. The combination of Bure, Fedorov and Mogilny formed a promising combination for head coach Viktor Tikhonov, with expectations to replace the previous top Soviet line, the K-L-M combination of Vladimir Krutov, Larionov and Makarov. The trio was short-lived, as Mogilny defected to play for the Buffalo Sabres in 1989, and Fedorov joined the Detroit Red Wings the following year.  In his third and final season with the Red Army, Bure tied for the lead in team-scoring with Valeri Kamensky, tallying 46 points. His 35 goals was second in the league, one goal behind Ramil Yuldashev of Sokil Kyiv. Bure turned down a three-year contract extension in August 1991, which resulted in him being left off the roster of the Soviet team for the Canada Cup. CANNOTANSWER

Question: What is significant during August 1991?
Answer: The combination of Bure, Fedorov and Mogilny formed a promising combination for head coach Viktor Tikhonov, with expectations to replace the previous top Soviet line,
Pavel Bure

Context: At age 16, Bure began his professional hockey career playing for CSKA Moscow. He was invited to the senior club's training camp for the 1987-88 season. Although he was deemed too young, and not yet ready, for the Soviet League, Bure earned minimal playing time filling in for absent regulars. He made his debut in September 1987, and played five games for the senior team, scoring his only goal in his first game.  Bure joined the club full-time in 1988-89 and amassed 17 goals, a Soviet League record for rookies. The record would last for 18 years until Alexei Cherepanov scored 18 goals in 2006-07. Bure added 9 assists for 26 points to earn the league's rookie of the year honours. His individual success helped CSKA Moscow capture their thirteenth consecutive Soviet championship and twelfth consecutive IIHF European Cup in 1989 (they repeated as European champions the following year).  As a member CSKA, Bure joined a lineup that featured several future NHL players, including linemates Sergei Fedorov and Alexander Mogilny, as well as Igor Larionov, Viacheslav Fetisov, Sergei Makarov, and Vladimir Konstantinov. The combination of Bure, Fedorov and Mogilny formed a promising combination for head coach Viktor Tikhonov, with expectations to replace the previous top Soviet line, the K-L-M combination of Vladimir Krutov, Larionov and Makarov. The trio was short-lived, as Mogilny defected to play for the Buffalo Sabres in 1989, and Fedorov joined the Detroit Red Wings the following year.  In his third and final season with the Red Army, Bure tied for the lead in team-scoring with Valeri Kamensky, tallying 46 points. His 35 goals was second in the league, one goal behind Ramil Yuldashev of Sokil Kyiv. Bure turned down a three-year contract extension in August 1991, which resulted in him being left off the roster of the Soviet team for the Canada Cup. CANNOTANSWER

Question: Did  Pavel Bure retire?
Answer: CANNOTANSWER
Raymond Berry

Context: Berry overcame several physical ailments during his football career, a fact he became famous for, but one that according to Berry was often exaggerated by the media. He was skinny and injury prone, such that when his college teammates saw him for the first time they sarcastically dubbed him, "Jack Armstrong, the All-American Boy". Reportedly, because one leg was shorter than the other, Berry had to wear padding inside his shoe in order to walk properly. However, according to Berry, this was not entirely true. In actuality, bruised nerves near the sacroiliac joint occasionally caused misalignment in his back, which in turn affected his legs and caused one to become slightly shorter; it was not a permanent condition. To alleviate this, he wore a back brace for 13 years in the NFL. That he required specialized shoes was a myth, which Berry says was perpetuated by an overzealous information director with the Colts when Berry tried to compensate for his condition by putting something in his shoe during training camp.  Due to his poor eyesight, Berry wore contact lenses when he played. Because the lenses would often slip when he did rapid eye movements toward the ball, he tried many different lenses, which led sportswriters to believe he must have had major eye problems. "I tried all kinds of lenses till we got what we wanted," he said. "I even had tinted lenses for sunny days, so I could watch the ball come right across the sun."  Berry was famous for his attention to detail and preparation, which he used to overcome his physical limitations. Considered slow for a wide receiver, he ran the 40-yard dash in 4.8 seconds. Rather than speed, he was renowned for his precise pass patterns and sure hands; he rarely dropped passes, and he fumbled only once in his career. He would squeeze Silly Putty constantly to strengthen his hands. He and Unitas regularly worked after practice and developed the timing and knowledge of each other's abilities that made each more effective. The reason for this, according to Berry, was that the two did not think on the same wavelength. "Every season we had to start all over on our timing, especially the long ball," said Berry. "He knew he had to release the ball when I was eighteen yards from scrimmage for me to receive it thirty-eight yards out. I knew I had to make my break in those first eighteen yards and get free within 2.8 seconds." He also relied on shifty moves, and by his count, he had 88 different moves to get open, all of which he practiced every week.  Even in his adult years, Berry was soft-spoken and reserved. He preferred not to draw attention to himself, and was described by sportswriter Jim Murray as "polite as a deacon, as quiet as a monk." Both as a player and as a coach, he was studious, serious, and orderly; "He was too straight and narrow--but a great guy, a hell of a guy," former Colts teammate Art Donovan said of Berry. "He was a little peculiar, to say the least." CANNOTANSWER

Question: Any interesting information about Raymond Berry?
Answer: Berry overcame several physical ailments during his football career, a fact he became famous for,