gaussalgo/Canard_Wiki-augmented huggingface dataset:
Tony Orlando

Context: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.  Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2.  New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn. CANNOTANSWER

Question: Where did Tony Orlando live later?
Answer: In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.
Tony Orlando

Context: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.  Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2.  New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn. CANNOTANSWER

Question: Who was Tony Orlando's father?
Answer: the son of a Greek father
Tony Orlando

Context: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.  Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2.  New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn. CANNOTANSWER

Question: Who was Tony Orlando's mother?
Answer: Puerto Rican mother.
Tony Orlando

Context: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.  Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2.  New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn. CANNOTANSWER

Question: Where did Tony Orlando attend school?
Answer: CANNOTANSWER
Tony Orlando

Context: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.  Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2.  New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn. CANNOTANSWER

Question: Who were Tony Orlando's influences?
Answer: CANNOTANSWER
Tony Orlando

Context: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.  Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2.  New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn. CANNOTANSWER

Question: What did Tony Orlando do in his early career?
Answer: Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15,
Tony Orlando

Context: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.  Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2.  New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn. CANNOTANSWER

Question: Did Tony Orlando release any albums with The Five Gents?
Answer: with whom he recorded demo tapes.
Tony Orlando

Context: Tony Orlando was born Michael Anthony Orlando Cassavitis on April 3, 1944, the son of a Greek father and a Puerto Rican mother. He spent his earliest years in Hell's Kitchen, New York. In his teenage years, the family moved to Union City, New Jersey and later Hasbrouck Heights, New Jersey.  Orlando's musical career started with The Five Gents, a doo-wop group he formed in 1959 at age 15, with whom he recorded demo tapes. He got the attention of music publisher and producer Don Kirshner, who hired him to songwrite in an office across from New York's Brill Building, along with Carole King, Neil Sedaka, Toni Wine, Barry Mann, Bobby Darin, Connie Francis, and Tom and Jerry, who didn't make it in the office until they changed their name to Simon and Garfunkel. Kirshner also hired Orlando to record songwriter demos as a solo artist, and his first success came at the age of 16 when he charted in the US and UK with the hits "Bless You" and "Halfway To Paradise." He also appeared at the Brooklyn Paramount Theater with DJ Murray the K. Orlando also had four records that "Bubbled Under" the Hot 100: "Chills" in 1962, "Shirley" and "I'll Be There" in 1963, and "I Was A Boy (When You Needed A Man)" as by Billy Shields in April 1969. Gerry Goffin and Jack Keller wrote a doo-wop version of Stephen Foster's song "Beautiful Dreamer" for Orlando. Released as a single in 1962, the song was picked up by the Beatles who included it in their set lists on the Beatles Winter 1963 Helen Shapiro Tour; a recorded version was released on their 2013 album On Air - Live at the BBC Volume 2.  New Colony Six recorded an Orlando composition, "I'm Just Waitin' (Anticipatin' For Her To Show Up)", which charted locally in Chicago and "Bubbled Under" the Hot 100 in July 1967. That year, Clive Davis hired Orlando as general manager of Columbia Records publishing subsidiary April-Blackwood Music. By the late 1960s, Orlando had worked his way up to vice president of a larger publishing company, CBS Music, where he signed, co-wrote with and produced Barry Manilow (under the name "Featherbed") and worked with James Taylor, the Grateful Dead, Laura Nyro and other artists. In the summer of 1969 he recorded with the studio group Wind and had a #28 hit that year with "Make Believe" on producer Bo Gentry's Life Records. Orlando was experiencing success, primarily as a music executive, and Davis pretended not to notice when Orlando accepted a $3,000 advance and sang lead vocals on a song called "Candida" as a favor for two producer friends. If the record failed, Orlando didn't want it to affect his reputation, so he used a pseudonym: Dawn. CANNOTANSWER

Question: What songs were sung on the tapes?
Answer: CANNOTANSWER
Bill Clinton

Context: Clinton was born William Jefferson Blythe III on August 19, 1946, at Julia Chester Hospital in Hope, Arkansas. He was the son of William Jefferson Blythe Jr. (1918-1946), a traveling salesman who had died in an automobile accident three months before his birth, and Virginia Dell Cassidy (later Virginia Kelley: 1923-1994). His parents had married on September 4, 1943, but this union later proved to be bigamous, as Blythe was still married to his third wife. Soon after Bill was born, Virginia traveled to New Orleans to study nursing. She left her son in Hope with her parents Eldridge and Edith Cassidy, who owned and ran a small grocery store. At a time when the southern United States was racially segregated, Clinton's grandparents sold goods on credit to people of all races. In 1950, Bill's mother returned from nursing school and married Roger Clinton Sr., who owned an automobile dealership in Hot Springs, Arkansas, with his brother and Earl T. Ricks. The family moved to Hot Springs in 1950.  Although he immediately assumed use of his stepfather's surname, it was not until Clinton turned 15 that he formally adopted the surname Clinton as a gesture toward his stepfather. Clinton said that he remembered his stepfather as a gambler and an alcoholic who regularly abused his mother and half-brother, Roger Clinton Jr., to the point where he intervened multiple times with the threat of violence to protect them.  In Hot Springs, Clinton attended St. John's Catholic Elementary School, Ramble Elementary School, and Hot Springs High School, where he was an active student leader, avid reader, and musician. Clinton was in the chorus and played the tenor saxophone, winning first chair in the state band's saxophone section. He briefly considered dedicating his life to music, but as he noted in his autobiography My Life:  Clinton began an interest in law at Hot Springs High, when he took up the challenge to argue the defense of the ancient Roman Senator Catiline in a mock trial in his Latin class. After a vigorous defense that made use of his "budding rhetorical and political skills", he told the Latin teacher Elizabeth Buck that it "made him realize that someday he would study law".  Clinton has identified two influential moments in his life, both occurring in 1963, that contributed to his decision to become a public figure. One was his visit as a Boys Nation senator to the White House to meet President John F. Kennedy. The other was watching Martin Luther King Jr.'s 1963 I Have a Dream speech on TV, which impressed him enough that he later memorized it. CANNOTANSWER

Question: Where did Bill Clinton begin his career?
Answer: Clinton has identified two influential moments in his life, both occurring in 1963, that contributed to his decision to become a public figure.
Bill Clinton

Context: Clinton was born William Jefferson Blythe III on August 19, 1946, at Julia Chester Hospital in Hope, Arkansas. He was the son of William Jefferson Blythe Jr. (1918-1946), a traveling salesman who had died in an automobile accident three months before his birth, and Virginia Dell Cassidy (later Virginia Kelley: 1923-1994). His parents had married on September 4, 1943, but this union later proved to be bigamous, as Blythe was still married to his third wife. Soon after Bill was born, Virginia traveled to New Orleans to study nursing. She left her son in Hope with her parents Eldridge and Edith Cassidy, who owned and ran a small grocery store. At a time when the southern United States was racially segregated, Clinton's grandparents sold goods on credit to people of all races. In 1950, Bill's mother returned from nursing school and married Roger Clinton Sr., who owned an automobile dealership in Hot Springs, Arkansas, with his brother and Earl T. Ricks. The family moved to Hot Springs in 1950.  Although he immediately assumed use of his stepfather's surname, it was not until Clinton turned 15 that he formally adopted the surname Clinton as a gesture toward his stepfather. Clinton said that he remembered his stepfather as a gambler and an alcoholic who regularly abused his mother and half-brother, Roger Clinton Jr., to the point where he intervened multiple times with the threat of violence to protect them.  In Hot Springs, Clinton attended St. John's Catholic Elementary School, Ramble Elementary School, and Hot Springs High School, where he was an active student leader, avid reader, and musician. Clinton was in the chorus and played the tenor saxophone, winning first chair in the state band's saxophone section. He briefly considered dedicating his life to music, but as he noted in his autobiography My Life:  Clinton began an interest in law at Hot Springs High, when he took up the challenge to argue the defense of the ancient Roman Senator Catiline in a mock trial in his Latin class. After a vigorous defense that made use of his "budding rhetorical and political skills", he told the Latin teacher Elizabeth Buck that it "made him realize that someday he would study law".  Clinton has identified two influential moments in his life, both occurring in 1963, that contributed to his decision to become a public figure. One was his visit as a Boys Nation senator to the White House to meet President John F. Kennedy. The other was watching Martin Luther King Jr.'s 1963 I Have a Dream speech on TV, which impressed him enough that he later memorized it. CANNOTANSWER

Question: Where did Bill Clinton meet Hillary?
Answer: CANNOTANSWER
Bill Clinton

Context: Clinton was born William Jefferson Blythe III on August 19, 1946, at Julia Chester Hospital in Hope, Arkansas. He was the son of William Jefferson Blythe Jr. (1918-1946), a traveling salesman who had died in an automobile accident three months before his birth, and Virginia Dell Cassidy (later Virginia Kelley: 1923-1994). His parents had married on September 4, 1943, but this union later proved to be bigamous, as Blythe was still married to his third wife. Soon after Bill was born, Virginia traveled to New Orleans to study nursing. She left her son in Hope with her parents Eldridge and Edith Cassidy, who owned and ran a small grocery store. At a time when the southern United States was racially segregated, Clinton's grandparents sold goods on credit to people of all races. In 1950, Bill's mother returned from nursing school and married Roger Clinton Sr., who owned an automobile dealership in Hot Springs, Arkansas, with his brother and Earl T. Ricks. The family moved to Hot Springs in 1950.  Although he immediately assumed use of his stepfather's surname, it was not until Clinton turned 15 that he formally adopted the surname Clinton as a gesture toward his stepfather. Clinton said that he remembered his stepfather as a gambler and an alcoholic who regularly abused his mother and half-brother, Roger Clinton Jr., to the point where he intervened multiple times with the threat of violence to protect them.  In Hot Springs, Clinton attended St. John's Catholic Elementary School, Ramble Elementary School, and Hot Springs High School, where he was an active student leader, avid reader, and musician. Clinton was in the chorus and played the tenor saxophone, winning first chair in the state band's saxophone section. He briefly considered dedicating his life to music, but as he noted in his autobiography My Life:  Clinton began an interest in law at Hot Springs High, when he took up the challenge to argue the defense of the ancient Roman Senator Catiline in a mock trial in his Latin class. After a vigorous defense that made use of his "budding rhetorical and political skills", he told the Latin teacher Elizabeth Buck that it "made him realize that someday he would study law".  Clinton has identified two influential moments in his life, both occurring in 1963, that contributed to his decision to become a public figure. One was his visit as a Boys Nation senator to the White House to meet President John F. Kennedy. The other was watching Martin Luther King Jr.'s 1963 I Have a Dream speech on TV, which impressed him enough that he later memorized it. CANNOTANSWER

Question: What is significant about Bill's early life?
Answer: use of his stepfather's surname, it was not until Clinton turned 15 that he formally adopted the surname Clinton
Bill Clinton

Context: Clinton was born William Jefferson Blythe III on August 19, 1946, at Julia Chester Hospital in Hope, Arkansas. He was the son of William Jefferson Blythe Jr. (1918-1946), a traveling salesman who had died in an automobile accident three months before his birth, and Virginia Dell Cassidy (later Virginia Kelley: 1923-1994). His parents had married on September 4, 1943, but this union later proved to be bigamous, as Blythe was still married to his third wife. Soon after Bill was born, Virginia traveled to New Orleans to study nursing. She left her son in Hope with her parents Eldridge and Edith Cassidy, who owned and ran a small grocery store. At a time when the southern United States was racially segregated, Clinton's grandparents sold goods on credit to people of all races. In 1950, Bill's mother returned from nursing school and married Roger Clinton Sr., who owned an automobile dealership in Hot Springs, Arkansas, with his brother and Earl T. Ricks. The family moved to Hot Springs in 1950.  Although he immediately assumed use of his stepfather's surname, it was not until Clinton turned 15 that he formally adopted the surname Clinton as a gesture toward his stepfather. Clinton said that he remembered his stepfather as a gambler and an alcoholic who regularly abused his mother and half-brother, Roger Clinton Jr., to the point where he intervened multiple times with the threat of violence to protect them.  In Hot Springs, Clinton attended St. John's Catholic Elementary School, Ramble Elementary School, and Hot Springs High School, where he was an active student leader, avid reader, and musician. Clinton was in the chorus and played the tenor saxophone, winning first chair in the state band's saxophone section. He briefly considered dedicating his life to music, but as he noted in his autobiography My Life:  Clinton began an interest in law at Hot Springs High, when he took up the challenge to argue the defense of the ancient Roman Senator Catiline in a mock trial in his Latin class. After a vigorous defense that made use of his "budding rhetorical and political skills", he told the Latin teacher Elizabeth Buck that it "made him realize that someday he would study law".  Clinton has identified two influential moments in his life, both occurring in 1963, that contributed to his decision to become a public figure. One was his visit as a Boys Nation senator to the White House to meet President John F. Kennedy. The other was watching Martin Luther King Jr.'s 1963 I Have a Dream speech on TV, which impressed him enough that he later memorized it. CANNOTANSWER

Question: Where did Bill Clinton attend school?
Answer: In Hot Springs, Clinton attended St. John's Catholic Elementary School, Ramble Elementary School, and Hot Springs High School,
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: Was "Come Get It" Aaron Carter's first album produced?
Answer: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label.
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: When did Aaron Carter make his acting debut?
Answer: In March 2001, he made his acting debut,
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: What was Aaron Carter's first acting job?
Answer: guest starring on an episode of the Disney Channel series Lizzie McGuire.
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: When was Aaron Carter's album "Oh Aaron" released?
Answer: August 7, 2001
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: What were some of the hits on the Aaron Carter's "Oh Aaron" album?
Answer: featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets.
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: Besides Oh Aaron Did Aaron Carter perform any other recordings with any other siblings?
Answer: CANNOTANSWER
Aaron Carter

Context: Carter's next album, Aaron's Party (Come Get It) was released in the United States on September 26, 2000 under the Jive label. The album sold more than three million copies in the United States and was certified 3x platinum by RIAA. The album included the hit singles, "I Want Candy", "Aaron's Party (Come Get It)", "That's How I Beat Shaq" and "Bounce", which songs received airplay on Disney and Nickelodeon. He also made several guest appearances on Nickelodeon and performed as opening act in several concerts for Britney Spears and the Backstreet Boys. In December of that year the album went platinum and he began dating teen actress Hilary Duff.  In March 2001, he made his acting debut, guest starring on an episode of the Disney Channel series Lizzie McGuire. That same month, he and fellow teen star Samantha Mumba performed a concert in MGM studios live on Disney Channel, titled Aaron Carter and Samantha Mumba in Concert. Aaron's part of the concert was released to DVD that same month as Aaron's Party: Live in Concert. In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.  At the age of 13, Carter recorded the album Oh Aaron, which was released on August 7, 2001 and featured his first duet recording with his brother, Nick, and a duet with the new group at the time, No Secrets. Play Along Toys also created an Aaron Carter action figure in conjunction with the album's release. Oh Aaron also went platinum that same year and a live concert at Baton Rouge, Louisiana, was released to DVD as Oh Aaron: Live In Concert. CANNOTANSWER

Question: Did Aaron Carter have any additional acting jobs after LIzzie McGuire?
Answer: In April 2001, he made his Broadway debut, playing JoJo the Who in Seussical the Musical by Lynn Ahrens and Stephen Flaherty.
Kurt Gödel

Context: At the age of 18, Godel joined his brother in Vienna and entered the University of Vienna. By that time, he had already mastered university-level mathematics. Although initially intending to study theoretical physics, he also attended courses on mathematics and philosophy. During this time, he adopted ideas of mathematical realism. He read Kant's Metaphysische Anfangsgrunde der Naturwissenschaft, and participated in the Vienna Circle with Moritz Schlick, Hans Hahn, and Rudolf Carnap. Godel then studied number theory, but when he took part in a seminar run by Moritz Schlick which studied Bertrand Russell's book Introduction to Mathematical Philosophy, he became interested in mathematical logic. According to Godel, mathematical logic was "a science prior to all others, which contains the ideas and principles underlying all sciences."  Attending a lecture by David Hilbert in Bologna on completeness and consistency of mathematical systems may have set Godel's life course. In 1928, Hilbert and Wilhelm Ackermann published Grundzuge der theoretischen Logik (Principles of Mathematical Logic), an introduction to first-order logic in which the problem of completeness was posed: Are the axioms of a formal system sufficient to derive every statement that is true in all models of the system?  This became the topic that Godel chose for his doctoral work. In 1929, at the age of 23, he completed his doctoral dissertation under Hans Hahn's supervision. In it, he established the completeness of the first-order predicate calculus (Godel's completeness theorem). He was awarded his doctorate in 1930. His thesis, along with some additional work, was published by the Vienna Academy of Science. CANNOTANSWER

Question: What subjects did Kurt Godel study in Vienna?
Answer: mathematics and philosophy.