gaussalgo/Canard_Wiki-augmented huggingface dataset:
Abenaki

Context: In New Hampshire the Abenaki, along with other Native American groups, have proposed legislation for recognition as a minority group. This bill was debated in 2010 in the state legislature. The bill would create a state commission on Native American relations, which would act as an advisory group to the governor and the state government in general. The Abenaki want to gain formal state recognition as a people.  Some people have opposed the bill, as they fear it may lead to Abenaki land claims for property now owned and occupied by European Americans. Others worry that the Abenaki may use recognition as a step toward opening a casino. But, the bill specifically says that "this act shall not be interpreted to provide any Native American or Abenaki person with any other special rights or privileges that the state does not confer on or grant to other state residents." New Hampshire has considered expanding gambling separate from the Native Americans.  The council would be under the Department of Cultural Resources, so it would be in the same department as the State Council on the Arts. The bill would allow for the creation and sale of goods to be labeled as Native-made, to create a source of income for the Natives in New Hampshire.  The numerous groups of Natives in the state have created a New Hampshire Inter-tribal Council, which holds statewide meetings and powwows. Dedicated to preserving the culture of the Natives in New Hampshire, the group is one of the chief supporters of the HB 1610; the Abenaki, the main tribe in the state, are the only people named specifically in the bill. CANNOTANSWER

Question: What was the outcome of the Abenaki's bill?
Answer: CANNOTANSWER
Abenaki

Context: In New Hampshire the Abenaki, along with other Native American groups, have proposed legislation for recognition as a minority group. This bill was debated in 2010 in the state legislature. The bill would create a state commission on Native American relations, which would act as an advisory group to the governor and the state government in general. The Abenaki want to gain formal state recognition as a people.  Some people have opposed the bill, as they fear it may lead to Abenaki land claims for property now owned and occupied by European Americans. Others worry that the Abenaki may use recognition as a step toward opening a casino. But, the bill specifically says that "this act shall not be interpreted to provide any Native American or Abenaki person with any other special rights or privileges that the state does not confer on or grant to other state residents." New Hampshire has considered expanding gambling separate from the Native Americans.  The council would be under the Department of Cultural Resources, so it would be in the same department as the State Council on the Arts. The bill would allow for the creation and sale of goods to be labeled as Native-made, to create a source of income for the Natives in New Hampshire.  The numerous groups of Natives in the state have created a New Hampshire Inter-tribal Council, which holds statewide meetings and powwows. Dedicated to preserving the culture of the Natives in New Hampshire, the group is one of the chief supporters of the HB 1610; the Abenaki, the main tribe in the state, are the only people named specifically in the bill. CANNOTANSWER

Question: What years were hard for the Abenaki?
Answer: CANNOTANSWER
Graham McKenzie

Context: McKenzie grew up in a sporting family. His father, Eric McKenzie, was an opening batsman who played once for Western Australia, against the touring South African cricket team in 1931-32. His uncle, Douglas McKenzie, was a batsman who represented Western Australia on several occasions, scoring 88 in his last game against Lindsay Hassett's Services team in 1945-46. Douglas went on to become President of the Western Australian Cricket Association. Both Douglas and Eric also represented Western Australia in field hockey.  In his youth, McKenzie was an all rounder, batting right-handed and bowling off spin. Aged twelve, he gained selection for Western Australia in the 1953-54 under-14 interstate competition held at Adelaide, but the team withdrew after a polio epidemic in Western Australia. The next season, he captained the state when the competition was held in Perth, leading his team to the championship.  McKenzie attended John Curtin High School, where he performed well with both bat and ball in the school's first XI. At sixteen he was made his first grade debut for Claremont-Cottesloe as a batsman, but after unproductive performances was dropped to the second XI. The following year in 1958-59, he continued in second grade and took up fast bowling, taking 50 wickets at an average of 14.50 after his team had a pace bowling shortage. He was recalled to the First XI in 1959-60. He finished the season with 515 runs at an average of 39.46 and 49 wickets at an average of 11.21. His efforts were rewarded in when the state selectors handed him a debut for the penultimate match of the Sheffield Shield season against Victoria in Melbourne. He went wicketless and scored 22 and 41. He took his first wickets in the final match against South Australia at Perth with 3/69. At season's end, his captain Ken Meuleman advised McKenzie to concentrate on his fast bowling. CANNOTANSWER

Question: What was Graham McKenzie's early years like?
Answer: McKenzie grew up in a sporting family.
Graham McKenzie

Context: McKenzie grew up in a sporting family. His father, Eric McKenzie, was an opening batsman who played once for Western Australia, against the touring South African cricket team in 1931-32. His uncle, Douglas McKenzie, was a batsman who represented Western Australia on several occasions, scoring 88 in his last game against Lindsay Hassett's Services team in 1945-46. Douglas went on to become President of the Western Australian Cricket Association. Both Douglas and Eric also represented Western Australia in field hockey.  In his youth, McKenzie was an all rounder, batting right-handed and bowling off spin. Aged twelve, he gained selection for Western Australia in the 1953-54 under-14 interstate competition held at Adelaide, but the team withdrew after a polio epidemic in Western Australia. The next season, he captained the state when the competition was held in Perth, leading his team to the championship.  McKenzie attended John Curtin High School, where he performed well with both bat and ball in the school's first XI. At sixteen he was made his first grade debut for Claremont-Cottesloe as a batsman, but after unproductive performances was dropped to the second XI. The following year in 1958-59, he continued in second grade and took up fast bowling, taking 50 wickets at an average of 14.50 after his team had a pace bowling shortage. He was recalled to the First XI in 1959-60. He finished the season with 515 runs at an average of 39.46 and 49 wickets at an average of 11.21. His efforts were rewarded in when the state selectors handed him a debut for the penultimate match of the Sheffield Shield season against Victoria in Melbourne. He went wicketless and scored 22 and 41. He took his first wickets in the final match against South Australia at Perth with 3/69. At season's end, his captain Ken Meuleman advised McKenzie to concentrate on his fast bowling. CANNOTANSWER

Question: What type of sports did Graham McKenzie's family play?
Answer: His father, Eric McKenzie, was an opening batsman who played once for Western Australia,
Graham McKenzie

Context: McKenzie grew up in a sporting family. His father, Eric McKenzie, was an opening batsman who played once for Western Australia, against the touring South African cricket team in 1931-32. His uncle, Douglas McKenzie, was a batsman who represented Western Australia on several occasions, scoring 88 in his last game against Lindsay Hassett's Services team in 1945-46. Douglas went on to become President of the Western Australian Cricket Association. Both Douglas and Eric also represented Western Australia in field hockey.  In his youth, McKenzie was an all rounder, batting right-handed and bowling off spin. Aged twelve, he gained selection for Western Australia in the 1953-54 under-14 interstate competition held at Adelaide, but the team withdrew after a polio epidemic in Western Australia. The next season, he captained the state when the competition was held in Perth, leading his team to the championship.  McKenzie attended John Curtin High School, where he performed well with both bat and ball in the school's first XI. At sixteen he was made his first grade debut for Claremont-Cottesloe as a batsman, but after unproductive performances was dropped to the second XI. The following year in 1958-59, he continued in second grade and took up fast bowling, taking 50 wickets at an average of 14.50 after his team had a pace bowling shortage. He was recalled to the First XI in 1959-60. He finished the season with 515 runs at an average of 39.46 and 49 wickets at an average of 11.21. His efforts were rewarded in when the state selectors handed him a debut for the penultimate match of the Sheffield Shield season against Victoria in Melbourne. He went wicketless and scored 22 and 41. He took his first wickets in the final match against South Australia at Perth with 3/69. At season's end, his captain Ken Meuleman advised McKenzie to concentrate on his fast bowling. CANNOTANSWER

Question: Did Graham McKenzie take after his father?
Answer: In his youth, McKenzie was an all rounder, batting right-handed and bowling off spin.
Graham McKenzie

Context: McKenzie grew up in a sporting family. His father, Eric McKenzie, was an opening batsman who played once for Western Australia, against the touring South African cricket team in 1931-32. His uncle, Douglas McKenzie, was a batsman who represented Western Australia on several occasions, scoring 88 in his last game against Lindsay Hassett's Services team in 1945-46. Douglas went on to become President of the Western Australian Cricket Association. Both Douglas and Eric also represented Western Australia in field hockey.  In his youth, McKenzie was an all rounder, batting right-handed and bowling off spin. Aged twelve, he gained selection for Western Australia in the 1953-54 under-14 interstate competition held at Adelaide, but the team withdrew after a polio epidemic in Western Australia. The next season, he captained the state when the competition was held in Perth, leading his team to the championship.  McKenzie attended John Curtin High School, where he performed well with both bat and ball in the school's first XI. At sixteen he was made his first grade debut for Claremont-Cottesloe as a batsman, but after unproductive performances was dropped to the second XI. The following year in 1958-59, he continued in second grade and took up fast bowling, taking 50 wickets at an average of 14.50 after his team had a pace bowling shortage. He was recalled to the First XI in 1959-60. He finished the season with 515 runs at an average of 39.46 and 49 wickets at an average of 11.21. His efforts were rewarded in when the state selectors handed him a debut for the penultimate match of the Sheffield Shield season against Victoria in Melbourne. He went wicketless and scored 22 and 41. He took his first wickets in the final match against South Australia at Perth with 3/69. At season's end, his captain Ken Meuleman advised McKenzie to concentrate on his fast bowling. CANNOTANSWER

Question: What age was Graham McKenzie when McKanzie played as batsman?
Answer: Aged twelve,
Béla Fleck and the Flecktones

Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister". CANNOTANSWER

Question: What did the Flecktones record?
Answer: Their debut album, Bela Fleck and the Flecktones (
Béla Fleck and the Flecktones

Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister". CANNOTANSWER

Question: When was the Flecktones debut album released?
Answer: 1989
Béla Fleck and the Flecktones

Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister". CANNOTANSWER

Question: How did the Flecktones debut album do on the music charts?
Answer: received a Grammy nomination for Best Contemporary Jazz Album,
Béla Fleck and the Flecktones

Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister". CANNOTANSWER

Question: What is the name of a song from the Flecktones debut album?
Answer: CANNOTANSWER
Béla Fleck and the Flecktones

Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister". CANNOTANSWER

Question: Did the Flecktones collaborate along with any other musical artists in their debut recording?
Answer: Howard Levy left the band in December 1992.
Béla Fleck and the Flecktones

Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister". CANNOTANSWER

Question: What is the name of another album that the Flecktones made besides their debut?
Answer: their second album, Flight of the Cosmic Hippo
Béla Fleck and the Flecktones

Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister". CANNOTANSWER

Question: What year was Flight of the Cosmic Hippo released?
Answer: 1991
Béla Fleck and the Flecktones

Context: Their debut album, Bela Fleck and the Flecktones (Warner Bros, 1989), received a Grammy nomination for Best Contemporary Jazz Album, as did their second album, Flight of the Cosmic Hippo (Warner Bros., 1991), which also received a nomination for Best Instrumental Composition for the song "Blu-Blop". Their second album contained the Flecktones's version of "The Star Spangled Banner". Their next album had another cartoon cover and the palindromic title UFO TOFU (Warner Bros., 1992). The song "Bonnie & Slyde" had Fleck playing banjo atypically with a slide, an idea suggested to him by slide guitarist Bonnie Raitt.  UFO Tofu would be the last album the Flecktones recorded with their original lineup until Rocket Science in 2011. Howard Levy left the band in December 1992. While the departure of Levy was tough for the band, it was not unexpected. During their 1992 tour it became evident to the band that Levy was not happy with the rigors of touring and wanted to spend more time with his wife and children.  The remaining trio, consisting of Fleck and the Wooten brothers, recorded their fourth album, Three Flew Over the Cuckoo's Nest. "'Once we started rehearsing, everything was fine,' said Fleck. 'We started finding ways to sound good, and it was real exciting.'" Without Levy, the Flecktones as usual spent most of 1993 on the road and released Three Flew Over the Cuckoo's Nest in September of that year.  In July 1996 the Flecktones released their fifth album, and first live album, Live Art. Devoted fans who had been seeing the band for several years were clamoring for an album to capture the experience of live Flecktones, and this album fit the bill. The trio took home a Grammy for Best Pop Instrumental Performance in 1997 for the track "Sinister Minister". CANNOTANSWER

Question: What is the name of a record company that the Flecktones were with?
Answer: Warner Bros.,
Dan Brown

Context: After graduating from Amherst, Brown dabbled with a musical career, creating effects with a synthesizer, and self-producing a children's cassette entitled SynthAnimals, which included a collection of tracks such as "Happy Frogs" and "Suzuki Elephants"; it sold a few hundred copies. He then formed his own record company called Dalliance, and in 1990 self-published a CD entitled Perspective, targeted to the adult market, which also sold a few hundred copies. In 1991 he moved to Hollywood to pursue a career as singer-songwriter and pianist. To support himself, he taught classes at Beverly Hills Preparatory School.  He also joined the National Academy of Songwriters, and participated in many of its events. It was there that he met Blythe Newlon, a woman 12 years his senior, who was the Academy's Director of Artist Development. Though it was not officially part of her job, she took on the seemingly unusual task of helping to promote Brown's projects; she wrote press releases, set up promotional events, and put him in contact with people who could be helpful to his career. She and Brown also developed a personal relationship, though this was not known to all of their associates until 1993, when Brown moved back to New Hampshire, and it was learned that Newlon would accompany him. They married in 1997, at Pea Porridge Pond, near Conway, New Hampshire.  In 1994 Brown released a CD titled Angels & Demons. Its artwork was the same ambigram by artist John Langdon which he later used for the novel Angels & Demons. The liner notes also again credited his wife for her involvement, thanking her "for being my tireless cowriter, coproducer, second engineer, significant other, and therapist". The CD included songs such as "Here in These Fields" and the religious ballad, "All I Believe".  Brown and his wife, Blythe, moved to his home town in New Hampshire in 1993. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K-8th grade with about 250 students, in Hampton Falls. CANNOTANSWER

Question: When did Dan Brown become a songwriter?
Answer: In 1991 he moved to Hollywood to pursue a career as singer-songwriter and pianist.
Dan Brown

Context: After graduating from Amherst, Brown dabbled with a musical career, creating effects with a synthesizer, and self-producing a children's cassette entitled SynthAnimals, which included a collection of tracks such as "Happy Frogs" and "Suzuki Elephants"; it sold a few hundred copies. He then formed his own record company called Dalliance, and in 1990 self-published a CD entitled Perspective, targeted to the adult market, which also sold a few hundred copies. In 1991 he moved to Hollywood to pursue a career as singer-songwriter and pianist. To support himself, he taught classes at Beverly Hills Preparatory School.  He also joined the National Academy of Songwriters, and participated in many of its events. It was there that he met Blythe Newlon, a woman 12 years his senior, who was the Academy's Director of Artist Development. Though it was not officially part of her job, she took on the seemingly unusual task of helping to promote Brown's projects; she wrote press releases, set up promotional events, and put him in contact with people who could be helpful to his career. She and Brown also developed a personal relationship, though this was not known to all of their associates until 1993, when Brown moved back to New Hampshire, and it was learned that Newlon would accompany him. They married in 1997, at Pea Porridge Pond, near Conway, New Hampshire.  In 1994 Brown released a CD titled Angels & Demons. Its artwork was the same ambigram by artist John Langdon which he later used for the novel Angels & Demons. The liner notes also again credited his wife for her involvement, thanking her "for being my tireless cowriter, coproducer, second engineer, significant other, and therapist". The CD included songs such as "Here in These Fields" and the religious ballad, "All I Believe".  Brown and his wife, Blythe, moved to his home town in New Hampshire in 1993. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K-8th grade with about 250 students, in Hampton Falls. CANNOTANSWER

Question: What was Dan Brown's first published song?
Answer: in 1990 self-published a CD entitled Perspective,
Dan Brown

Context: After graduating from Amherst, Brown dabbled with a musical career, creating effects with a synthesizer, and self-producing a children's cassette entitled SynthAnimals, which included a collection of tracks such as "Happy Frogs" and "Suzuki Elephants"; it sold a few hundred copies. He then formed his own record company called Dalliance, and in 1990 self-published a CD entitled Perspective, targeted to the adult market, which also sold a few hundred copies. In 1991 he moved to Hollywood to pursue a career as singer-songwriter and pianist. To support himself, he taught classes at Beverly Hills Preparatory School.  He also joined the National Academy of Songwriters, and participated in many of its events. It was there that he met Blythe Newlon, a woman 12 years his senior, who was the Academy's Director of Artist Development. Though it was not officially part of her job, she took on the seemingly unusual task of helping to promote Brown's projects; she wrote press releases, set up promotional events, and put him in contact with people who could be helpful to his career. She and Brown also developed a personal relationship, though this was not known to all of their associates until 1993, when Brown moved back to New Hampshire, and it was learned that Newlon would accompany him. They married in 1997, at Pea Porridge Pond, near Conway, New Hampshire.  In 1994 Brown released a CD titled Angels & Demons. Its artwork was the same ambigram by artist John Langdon which he later used for the novel Angels & Demons. The liner notes also again credited his wife for her involvement, thanking her "for being my tireless cowriter, coproducer, second engineer, significant other, and therapist". The CD included songs such as "Here in These Fields" and the religious ballad, "All I Believe".  Brown and his wife, Blythe, moved to his home town in New Hampshire in 1993. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K-8th grade with about 250 students, in Hampton Falls. CANNOTANSWER

Question: Was Dan Brown's Perspective (CD) successful?
Answer: sold a few hundred copies.
Dan Brown

Context: After graduating from Amherst, Brown dabbled with a musical career, creating effects with a synthesizer, and self-producing a children's cassette entitled SynthAnimals, which included a collection of tracks such as "Happy Frogs" and "Suzuki Elephants"; it sold a few hundred copies. He then formed his own record company called Dalliance, and in 1990 self-published a CD entitled Perspective, targeted to the adult market, which also sold a few hundred copies. In 1991 he moved to Hollywood to pursue a career as singer-songwriter and pianist. To support himself, he taught classes at Beverly Hills Preparatory School.  He also joined the National Academy of Songwriters, and participated in many of its events. It was there that he met Blythe Newlon, a woman 12 years his senior, who was the Academy's Director of Artist Development. Though it was not officially part of her job, she took on the seemingly unusual task of helping to promote Brown's projects; she wrote press releases, set up promotional events, and put him in contact with people who could be helpful to his career. She and Brown also developed a personal relationship, though this was not known to all of their associates until 1993, when Brown moved back to New Hampshire, and it was learned that Newlon would accompany him. They married in 1997, at Pea Porridge Pond, near Conway, New Hampshire.  In 1994 Brown released a CD titled Angels & Demons. Its artwork was the same ambigram by artist John Langdon which he later used for the novel Angels & Demons. The liner notes also again credited his wife for her involvement, thanking her "for being my tireless cowriter, coproducer, second engineer, significant other, and therapist". The CD included songs such as "Here in These Fields" and the religious ballad, "All I Believe".  Brown and his wife, Blythe, moved to his home town in New Hampshire in 1993. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K-8th grade with about 250 students, in Hampton Falls. CANNOTANSWER

Question: What did Dan Brown write after Perspective?
Answer: In 1994 Brown released a CD titled Angels & Demons.
Dan Brown

Context: After graduating from Amherst, Brown dabbled with a musical career, creating effects with a synthesizer, and self-producing a children's cassette entitled SynthAnimals, which included a collection of tracks such as "Happy Frogs" and "Suzuki Elephants"; it sold a few hundred copies. He then formed his own record company called Dalliance, and in 1990 self-published a CD entitled Perspective, targeted to the adult market, which also sold a few hundred copies. In 1991 he moved to Hollywood to pursue a career as singer-songwriter and pianist. To support himself, he taught classes at Beverly Hills Preparatory School.  He also joined the National Academy of Songwriters, and participated in many of its events. It was there that he met Blythe Newlon, a woman 12 years his senior, who was the Academy's Director of Artist Development. Though it was not officially part of her job, she took on the seemingly unusual task of helping to promote Brown's projects; she wrote press releases, set up promotional events, and put him in contact with people who could be helpful to his career. She and Brown also developed a personal relationship, though this was not known to all of their associates until 1993, when Brown moved back to New Hampshire, and it was learned that Newlon would accompany him. They married in 1997, at Pea Porridge Pond, near Conway, New Hampshire.  In 1994 Brown released a CD titled Angels & Demons. Its artwork was the same ambigram by artist John Langdon which he later used for the novel Angels & Demons. The liner notes also again credited his wife for her involvement, thanking her "for being my tireless cowriter, coproducer, second engineer, significant other, and therapist". The CD included songs such as "Here in These Fields" and the religious ballad, "All I Believe".  Brown and his wife, Blythe, moved to his home town in New Hampshire in 1993. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K-8th grade with about 250 students, in Hampton Falls. CANNOTANSWER

Question: Was Angels & Demons by Dan Brown successful?
Answer: sold a few hundred copies.
Dan Brown

Context: After graduating from Amherst, Brown dabbled with a musical career, creating effects with a synthesizer, and self-producing a children's cassette entitled SynthAnimals, which included a collection of tracks such as "Happy Frogs" and "Suzuki Elephants"; it sold a few hundred copies. He then formed his own record company called Dalliance, and in 1990 self-published a CD entitled Perspective, targeted to the adult market, which also sold a few hundred copies. In 1991 he moved to Hollywood to pursue a career as singer-songwriter and pianist. To support himself, he taught classes at Beverly Hills Preparatory School.  He also joined the National Academy of Songwriters, and participated in many of its events. It was there that he met Blythe Newlon, a woman 12 years his senior, who was the Academy's Director of Artist Development. Though it was not officially part of her job, she took on the seemingly unusual task of helping to promote Brown's projects; she wrote press releases, set up promotional events, and put him in contact with people who could be helpful to his career. She and Brown also developed a personal relationship, though this was not known to all of their associates until 1993, when Brown moved back to New Hampshire, and it was learned that Newlon would accompany him. They married in 1997, at Pea Porridge Pond, near Conway, New Hampshire.  In 1994 Brown released a CD titled Angels & Demons. Its artwork was the same ambigram by artist John Langdon which he later used for the novel Angels & Demons. The liner notes also again credited his wife for her involvement, thanking her "for being my tireless cowriter, coproducer, second engineer, significant other, and therapist". The CD included songs such as "Here in These Fields" and the religious ballad, "All I Believe".  Brown and his wife, Blythe, moved to his home town in New Hampshire in 1993. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K-8th grade with about 250 students, in Hampton Falls. CANNOTANSWER

Question: Did Dan Brown release any more music after Angels & Demons?
Answer: Brown and his wife, Blythe, moved to his home town in New Hampshire in 1993. Brown became an English teacher
Dan Brown

Context: After graduating from Amherst, Brown dabbled with a musical career, creating effects with a synthesizer, and self-producing a children's cassette entitled SynthAnimals, which included a collection of tracks such as "Happy Frogs" and "Suzuki Elephants"; it sold a few hundred copies. He then formed his own record company called Dalliance, and in 1990 self-published a CD entitled Perspective, targeted to the adult market, which also sold a few hundred copies. In 1991 he moved to Hollywood to pursue a career as singer-songwriter and pianist. To support himself, he taught classes at Beverly Hills Preparatory School.  He also joined the National Academy of Songwriters, and participated in many of its events. It was there that he met Blythe Newlon, a woman 12 years his senior, who was the Academy's Director of Artist Development. Though it was not officially part of her job, she took on the seemingly unusual task of helping to promote Brown's projects; she wrote press releases, set up promotional events, and put him in contact with people who could be helpful to his career. She and Brown also developed a personal relationship, though this was not known to all of their associates until 1993, when Brown moved back to New Hampshire, and it was learned that Newlon would accompany him. They married in 1997, at Pea Porridge Pond, near Conway, New Hampshire.  In 1994 Brown released a CD titled Angels & Demons. Its artwork was the same ambigram by artist John Langdon which he later used for the novel Angels & Demons. The liner notes also again credited his wife for her involvement, thanking her "for being my tireless cowriter, coproducer, second engineer, significant other, and therapist". The CD included songs such as "Here in These Fields" and the religious ballad, "All I Believe".  Brown and his wife, Blythe, moved to his home town in New Hampshire in 1993. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K-8th grade with about 250 students, in Hampton Falls. CANNOTANSWER

Question: Where did Dan Brown teach in New Hampshire?
Answer: Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School,
Dan Brown

Context: After graduating from Amherst, Brown dabbled with a musical career, creating effects with a synthesizer, and self-producing a children's cassette entitled SynthAnimals, which included a collection of tracks such as "Happy Frogs" and "Suzuki Elephants"; it sold a few hundred copies. He then formed his own record company called Dalliance, and in 1990 self-published a CD entitled Perspective, targeted to the adult market, which also sold a few hundred copies. In 1991 he moved to Hollywood to pursue a career as singer-songwriter and pianist. To support himself, he taught classes at Beverly Hills Preparatory School.  He also joined the National Academy of Songwriters, and participated in many of its events. It was there that he met Blythe Newlon, a woman 12 years his senior, who was the Academy's Director of Artist Development. Though it was not officially part of her job, she took on the seemingly unusual task of helping to promote Brown's projects; she wrote press releases, set up promotional events, and put him in contact with people who could be helpful to his career. She and Brown also developed a personal relationship, though this was not known to all of their associates until 1993, when Brown moved back to New Hampshire, and it was learned that Newlon would accompany him. They married in 1997, at Pea Porridge Pond, near Conway, New Hampshire.  In 1994 Brown released a CD titled Angels & Demons. Its artwork was the same ambigram by artist John Langdon which he later used for the novel Angels & Demons. The liner notes also again credited his wife for her involvement, thanking her "for being my tireless cowriter, coproducer, second engineer, significant other, and therapist". The CD included songs such as "Here in These Fields" and the religious ballad, "All I Believe".  Brown and his wife, Blythe, moved to his home town in New Hampshire in 1993. Brown became an English teacher at his alma mater Phillips Exeter, and gave Spanish classes to 6th, 7th, and 8th graders at Lincoln Akerman School, a small school for K-8th grade with about 250 students, in Hampton Falls. CANNOTANSWER

Question: How long did Dan Brown teach at Lincoln Akerman School?
Answer: CANNOTANSWER
Journey (band)

Context: With Cain on board, the band began writing material that would eventually lead up to Journey's biggest studio album, "Escape". Recording sessions began in April 1981, and lasted until the middle of June. Escape was released on July 31, 1981, and immediately the album became a mainstream success. The album, which has thus far sold nine times platinum, went to number one on the album charts later that year, and included three top-ten hits: "Who's Cryin' Now", "Don't Stop Believin'" and "Open Arms". The last is Journey's highest-charting single to date, staying at No. 2 for six consecutive weeks and ranking at No.34 on Billboard's 1982 year-end Hot 100. MTV videotaped one of their two sold-out shows in Houston on November 6, 1981, in front of over 20,000 fans.  Capitalizing on their success, the band recorded radio commercials for Budweiser and sold rights to their likenesses and music for use in two video games: the Journey arcade game by Bally/Midway and Journey Escape by Data Age for the Atari 2600.  This success was met with criticism. The 1983 Rolling Stone Record Guide gave each of the band's albums only one star, with Dave Marsh writing that "Journey was a dead end for San Francisco area rock." Marsh later would anoint Escape as one of the worst number-one albums of all time.  Journey's next album, Frontiers (1983), continued their commercial success, reaching No. 2 on the album charts, selling nearly six million copies. The album generated four Top 40 hits, "Separate Ways (Worlds Apart)", which reached No. 8, "Faithfully", which reached No. 12, "Send Her My Love" and "After the Fall", both of which reached No. 23. By this time, Journey had become one of the top touring and recording bands in the world. During the subsequent stadium tour, the band contracted with NFL Films to record a video documentary of their life on the road, Frontiers and Beyond. Scenes from the documentary were shot at JFK Stadium in Philadelphia, Pennsylvania with more than 80,000 fans in attendance. CANNOTANSWER

Question: What happened to the band Journey  in 1981 that was important?
Answer: With Cain on board, the band began writing material that would eventually lead up to Journey's biggest studio album, "Escape".