gaussalgo/Canard_Wiki-augmented huggingface dataset:
Haruki Murakami

Context: Most of Haruki Murakami's works use first-person narrative in the tradition of the Japanese I Novel. He states that because family plays a significant role in traditional Japanese literature, any main character who is independent becomes a man who values freedom and solitude over intimacy. Also notable is Murakami's unique humor, as seen in his 2000 short story collection, After the Quake. In the story "Superfrog Saves Tokyo", the protagonist is confronted with a 6-foot tall frog that talks about the destruction of Tokyo over a cup of tea. In spite of the story's sober tone, Murakami feels the reader should be entertained once the seriousness of a subject has been broached. Another notable feature of Murakami's stories are the comments that come from the main characters as to how strange the story presents itself. Murakami explains that his characters experience what he experiences as he writes, which could be compared to a movie set where the walls and props are all fake.  Many of his novels have themes and titles that invoke classical music, such as the three books making up The Wind-Up Bird Chronicle: The Thieving Magpie (after Rossini's opera), Bird as Prophet (after a piano piece by Robert Schumann usually known in English as The Prophet Bird), and The Bird-Catcher (a character in Mozart's opera The Magic Flute). Some of his novels take their titles from songs: Dance, Dance, Dance (after The Dells' 1957 B-side song, although it is often thought it was titled after the Beach Boys' 1964 tune), Norwegian Wood (after The Beatles' song) and South of the Border, West of the Sun (after the song "South of the Border").  Some analyses see aspects of shamanism in his writing. In a 2000 article, Susan Fisher connected Japanese folk religion or Japanese shamanism with some elements of The Wind-Up Bird Chronicle, such as a descent into a dry well. At an October 2013 symposium held at the University of Hawaii, associate professor of Japanese Nobuko Ochner opined "there were many descriptions of traveling in a parallel world as well as characters who have some connection to shamanism" in Murakami's works. CANNOTANSWER

Question: Does Haruki Murakam reference popular culture in his writing of shamanism?
Answer: CANNOTANSWER
Fred Allen

Context: Allen gave vaudeville itself a timeline of 1875-1925 in Much Ado About Me, but he actually left vaudeville a few years earlier, moving to work in such Shubert Brothers stage productions as The Passing Show in 1922. The show played well in its runup to Broadway but lasted only ten weeks at the Winter Garden Theatre. Allen did, however, take something far more lasting from the show: one of the show's chorus girls, Portland Hoffa, who became his wife in 1927 and remained with him until his death.  He also took good notices for his comic work in several of the productions, particularly Vogues and Greenwich Village Follies, and continued to develop his comic writing, even writing a column for Variety called "Near Fun." A salary dispute ended the column; Allen wanted only $60 a week to give up his theater work to become a full-time columnist, but his editor tried a sleight-of-hand based on the paper's ad rates to deny him. He spent his summer in Boston, honed his comic and writing skills even further, worked in a respectfully received duo that billed themselves as Fink and Smith, and played a few of the dying vaudeville houses.  Allen returned to New York to the pleasant surprise that Portland Hoffa was taking instruction to convert to Roman Catholicism. After the couple married, Allen began writing material for them to use together ("With a vaudeville act, Portland and I could be together, even if we couldn't find any work"), and the couple divided their time between the show business circuit, Allen's New England family home and Old Orchard Beach, Maine, in summers. CANNOTANSWER

Question: What did Fred Allen have to do with Broadway?
Answer: as The Passing Show in 1922. The show played well in its runup to Broadway but lasted only ten weeks at the Winter Garden Theatre.
Fred Allen

Context: Allen gave vaudeville itself a timeline of 1875-1925 in Much Ado About Me, but he actually left vaudeville a few years earlier, moving to work in such Shubert Brothers stage productions as The Passing Show in 1922. The show played well in its runup to Broadway but lasted only ten weeks at the Winter Garden Theatre. Allen did, however, take something far more lasting from the show: one of the show's chorus girls, Portland Hoffa, who became his wife in 1927 and remained with him until his death.  He also took good notices for his comic work in several of the productions, particularly Vogues and Greenwich Village Follies, and continued to develop his comic writing, even writing a column for Variety called "Near Fun." A salary dispute ended the column; Allen wanted only $60 a week to give up his theater work to become a full-time columnist, but his editor tried a sleight-of-hand based on the paper's ad rates to deny him. He spent his summer in Boston, honed his comic and writing skills even further, worked in a respectfully received duo that billed themselves as Fink and Smith, and played a few of the dying vaudeville houses.  Allen returned to New York to the pleasant surprise that Portland Hoffa was taking instruction to convert to Roman Catholicism. After the couple married, Allen began writing material for them to use together ("With a vaudeville act, Portland and I could be together, even if we couldn't find any work"), and the couple divided their time between the show business circuit, Allen's New England family home and Old Orchard Beach, Maine, in summers. CANNOTANSWER

Question: How long did Broadway run?
Answer: lasted only ten weeks
Fred Allen

Context: Allen gave vaudeville itself a timeline of 1875-1925 in Much Ado About Me, but he actually left vaudeville a few years earlier, moving to work in such Shubert Brothers stage productions as The Passing Show in 1922. The show played well in its runup to Broadway but lasted only ten weeks at the Winter Garden Theatre. Allen did, however, take something far more lasting from the show: one of the show's chorus girls, Portland Hoffa, who became his wife in 1927 and remained with him until his death.  He also took good notices for his comic work in several of the productions, particularly Vogues and Greenwich Village Follies, and continued to develop his comic writing, even writing a column for Variety called "Near Fun." A salary dispute ended the column; Allen wanted only $60 a week to give up his theater work to become a full-time columnist, but his editor tried a sleight-of-hand based on the paper's ad rates to deny him. He spent his summer in Boston, honed his comic and writing skills even further, worked in a respectfully received duo that billed themselves as Fink and Smith, and played a few of the dying vaudeville houses.  Allen returned to New York to the pleasant surprise that Portland Hoffa was taking instruction to convert to Roman Catholicism. After the couple married, Allen began writing material for them to use together ("With a vaudeville act, Portland and I could be together, even if we couldn't find any work"), and the couple divided their time between the show business circuit, Allen's New England family home and Old Orchard Beach, Maine, in summers. CANNOTANSWER

Question: Was Broadway a hit?
Answer: The show played well in its runup to Broadway
Fred Allen

Context: Allen gave vaudeville itself a timeline of 1875-1925 in Much Ado About Me, but he actually left vaudeville a few years earlier, moving to work in such Shubert Brothers stage productions as The Passing Show in 1922. The show played well in its runup to Broadway but lasted only ten weeks at the Winter Garden Theatre. Allen did, however, take something far more lasting from the show: one of the show's chorus girls, Portland Hoffa, who became his wife in 1927 and remained with him until his death.  He also took good notices for his comic work in several of the productions, particularly Vogues and Greenwich Village Follies, and continued to develop his comic writing, even writing a column for Variety called "Near Fun." A salary dispute ended the column; Allen wanted only $60 a week to give up his theater work to become a full-time columnist, but his editor tried a sleight-of-hand based on the paper's ad rates to deny him. He spent his summer in Boston, honed his comic and writing skills even further, worked in a respectfully received duo that billed themselves as Fink and Smith, and played a few of the dying vaudeville houses.  Allen returned to New York to the pleasant surprise that Portland Hoffa was taking instruction to convert to Roman Catholicism. After the couple married, Allen began writing material for them to use together ("With a vaudeville act, Portland and I could be together, even if we couldn't find any work"), and the couple divided their time between the show business circuit, Allen's New England family home and Old Orchard Beach, Maine, in summers. CANNOTANSWER

Question: What show was a run up to Broadway?
Answer: He also took good notices for his comic work in several of the productions, particularly Vogues and Greenwich Village Follies,
Fred Allen

Context: Allen gave vaudeville itself a timeline of 1875-1925 in Much Ado About Me, but he actually left vaudeville a few years earlier, moving to work in such Shubert Brothers stage productions as The Passing Show in 1922. The show played well in its runup to Broadway but lasted only ten weeks at the Winter Garden Theatre. Allen did, however, take something far more lasting from the show: one of the show's chorus girls, Portland Hoffa, who became his wife in 1927 and remained with him until his death.  He also took good notices for his comic work in several of the productions, particularly Vogues and Greenwich Village Follies, and continued to develop his comic writing, even writing a column for Variety called "Near Fun." A salary dispute ended the column; Allen wanted only $60 a week to give up his theater work to become a full-time columnist, but his editor tried a sleight-of-hand based on the paper's ad rates to deny him. He spent his summer in Boston, honed his comic and writing skills even further, worked in a respectfully received duo that billed themselves as Fink and Smith, and played a few of the dying vaudeville houses.  Allen returned to New York to the pleasant surprise that Portland Hoffa was taking instruction to convert to Roman Catholicism. After the couple married, Allen began writing material for them to use together ("With a vaudeville act, Portland and I could be together, even if we couldn't find any work"), and the couple divided their time between the show business circuit, Allen's New England family home and Old Orchard Beach, Maine, in summers. CANNOTANSWER

Question: Besides Fred Allen having took good notices for his comic work in several of the productions, what else do you find interesting about Broadway?
Answer: He also took good notices for his comic work in several of the productions, particularly Vogues and Greenwich Village Follies, and continued to develop his comic writing,
Fred Allen

Context: Allen gave vaudeville itself a timeline of 1875-1925 in Much Ado About Me, but he actually left vaudeville a few years earlier, moving to work in such Shubert Brothers stage productions as The Passing Show in 1922. The show played well in its runup to Broadway but lasted only ten weeks at the Winter Garden Theatre. Allen did, however, take something far more lasting from the show: one of the show's chorus girls, Portland Hoffa, who became his wife in 1927 and remained with him until his death.  He also took good notices for his comic work in several of the productions, particularly Vogues and Greenwich Village Follies, and continued to develop his comic writing, even writing a column for Variety called "Near Fun." A salary dispute ended the column; Allen wanted only $60 a week to give up his theater work to become a full-time columnist, but his editor tried a sleight-of-hand based on the paper's ad rates to deny him. He spent his summer in Boston, honed his comic and writing skills even further, worked in a respectfully received duo that billed themselves as Fink and Smith, and played a few of the dying vaudeville houses.  Allen returned to New York to the pleasant surprise that Portland Hoffa was taking instruction to convert to Roman Catholicism. After the couple married, Allen began writing material for them to use together ("With a vaudeville act, Portland and I could be together, even if we couldn't find any work"), and the couple divided their time between the show business circuit, Allen's New England family home and Old Orchard Beach, Maine, in summers. CANNOTANSWER

Question: Besides Vogues and Greenwich Village Follies, what other comic writing did Fred Allen do?
Answer: writing a column for Variety called "Near Fun.
Fred Allen

Context: Allen gave vaudeville itself a timeline of 1875-1925 in Much Ado About Me, but he actually left vaudeville a few years earlier, moving to work in such Shubert Brothers stage productions as The Passing Show in 1922. The show played well in its runup to Broadway but lasted only ten weeks at the Winter Garden Theatre. Allen did, however, take something far more lasting from the show: one of the show's chorus girls, Portland Hoffa, who became his wife in 1927 and remained with him until his death.  He also took good notices for his comic work in several of the productions, particularly Vogues and Greenwich Village Follies, and continued to develop his comic writing, even writing a column for Variety called "Near Fun." A salary dispute ended the column; Allen wanted only $60 a week to give up his theater work to become a full-time columnist, but his editor tried a sleight-of-hand based on the paper's ad rates to deny him. He spent his summer in Boston, honed his comic and writing skills even further, worked in a respectfully received duo that billed themselves as Fink and Smith, and played a few of the dying vaudeville houses.  Allen returned to New York to the pleasant surprise that Portland Hoffa was taking instruction to convert to Roman Catholicism. After the couple married, Allen began writing material for them to use together ("With a vaudeville act, Portland and I could be together, even if we couldn't find any work"), and the couple divided their time between the show business circuit, Allen's New England family home and Old Orchard Beach, Maine, in summers. CANNOTANSWER

Question: Did Fred Allen get any awards?
Answer: CANNOTANSWER
Idlewild (band)

Context: Jones released his debut solo album, A Sentimental Education, in 2009. In 2010, Jones founded The Fruit Tree Foundation, alongside Emma Pollock (The Delgados), in order to raise awareness of mental health problems. Jones released his second solo album, A Generation Innocence, in August 2012; however, while writing for the second album, Jones encountered a hurdle at the halfway mark, as he discovered that he was not satisfied with any of the material that he had written thus far. In 2011, Jones explained, "I was a bit fed up with the whole folk music thing - I mean every man and his dog was doing the faux folk thing"--Jones then proceeded to learn the drums and eventually formed the band, The Birthday Suit, to record the material that he had created in the period following the drumming diversion.  In late 2011, Jones formed The Birthday Suit and described the band as "essentially a solo project ... It's an ever-changing bistro of musicians." The band released its debut album, The Eleventh Hour, in October 2011. The Birthday Suit's second studio album, A Conversation Well Rehearsed was released on 3 December 2012. The album was listed in 19th place in the Clean Slate Music website's "Top 21 Albums of 2012" list, although the website wrote that the second album "doesn't carry the punch" of the band's debut album.  In 2006, Woomble worked with several musicians including Kate Rusby, his wife Ailidh Lennon, songwriter Karine Polwart (to whom he presented the Horizon Award at the BBC Folk Awards 2005, and with whom he performed at Celtic Connections) and Idlewild guitarist Rod Jones on his debut solo album My Secret is My Silence, produced by John McCusker. The album was released in July 2006, and Woomble toured the United Kingdom in support of the album's release. My Secret is my Silence reached number one in the UK Folk Charts, and a year later, on 10 July 2007, My Secret is my Silence was released in the United States on 7-10 Music. Woomble's follow-up album, Before the Ruin, written and recorded with Kris Drever and John McCusker, was released on 15 September 2008 through Navigator Records. In March 2011, Woomble released his second solo album, The Impossible Song & Other Songs. CANNOTANSWER

Question: Did any of Idlewild's band members do any solo work?
Answer: Jones released his debut solo album, A Sentimental Education, in 2009.
Idlewild (band)

Context: Jones released his debut solo album, A Sentimental Education, in 2009. In 2010, Jones founded The Fruit Tree Foundation, alongside Emma Pollock (The Delgados), in order to raise awareness of mental health problems. Jones released his second solo album, A Generation Innocence, in August 2012; however, while writing for the second album, Jones encountered a hurdle at the halfway mark, as he discovered that he was not satisfied with any of the material that he had written thus far. In 2011, Jones explained, "I was a bit fed up with the whole folk music thing - I mean every man and his dog was doing the faux folk thing"--Jones then proceeded to learn the drums and eventually formed the band, The Birthday Suit, to record the material that he had created in the period following the drumming diversion.  In late 2011, Jones formed The Birthday Suit and described the band as "essentially a solo project ... It's an ever-changing bistro of musicians." The band released its debut album, The Eleventh Hour, in October 2011. The Birthday Suit's second studio album, A Conversation Well Rehearsed was released on 3 December 2012. The album was listed in 19th place in the Clean Slate Music website's "Top 21 Albums of 2012" list, although the website wrote that the second album "doesn't carry the punch" of the band's debut album.  In 2006, Woomble worked with several musicians including Kate Rusby, his wife Ailidh Lennon, songwriter Karine Polwart (to whom he presented the Horizon Award at the BBC Folk Awards 2005, and with whom he performed at Celtic Connections) and Idlewild guitarist Rod Jones on his debut solo album My Secret is My Silence, produced by John McCusker. The album was released in July 2006, and Woomble toured the United Kingdom in support of the album's release. My Secret is my Silence reached number one in the UK Folk Charts, and a year later, on 10 July 2007, My Secret is my Silence was released in the United States on 7-10 Music. Woomble's follow-up album, Before the Ruin, written and recorded with Kris Drever and John McCusker, was released on 15 September 2008 through Navigator Records. In March 2011, Woomble released his second solo album, The Impossible Song & Other Songs. CANNOTANSWER

Question: Did any other members of Idlewild do any solo work other than Jones?
Answer: In 2006, Woomble worked with several musicians including Kate Rusby, his wife Ailidh Lennon, songwriter Karine Polwart (
Idlewild (band)

Context: Jones released his debut solo album, A Sentimental Education, in 2009. In 2010, Jones founded The Fruit Tree Foundation, alongside Emma Pollock (The Delgados), in order to raise awareness of mental health problems. Jones released his second solo album, A Generation Innocence, in August 2012; however, while writing for the second album, Jones encountered a hurdle at the halfway mark, as he discovered that he was not satisfied with any of the material that he had written thus far. In 2011, Jones explained, "I was a bit fed up with the whole folk music thing - I mean every man and his dog was doing the faux folk thing"--Jones then proceeded to learn the drums and eventually formed the band, The Birthday Suit, to record the material that he had created in the period following the drumming diversion.  In late 2011, Jones formed The Birthday Suit and described the band as "essentially a solo project ... It's an ever-changing bistro of musicians." The band released its debut album, The Eleventh Hour, in October 2011. The Birthday Suit's second studio album, A Conversation Well Rehearsed was released on 3 December 2012. The album was listed in 19th place in the Clean Slate Music website's "Top 21 Albums of 2012" list, although the website wrote that the second album "doesn't carry the punch" of the band's debut album.  In 2006, Woomble worked with several musicians including Kate Rusby, his wife Ailidh Lennon, songwriter Karine Polwart (to whom he presented the Horizon Award at the BBC Folk Awards 2005, and with whom he performed at Celtic Connections) and Idlewild guitarist Rod Jones on his debut solo album My Secret is My Silence, produced by John McCusker. The album was released in July 2006, and Woomble toured the United Kingdom in support of the album's release. My Secret is my Silence reached number one in the UK Folk Charts, and a year later, on 10 July 2007, My Secret is my Silence was released in the United States on 7-10 Music. Woomble's follow-up album, Before the Ruin, written and recorded with Kris Drever and John McCusker, was released on 15 September 2008 through Navigator Records. In March 2011, Woomble released his second solo album, The Impossible Song & Other Songs. CANNOTANSWER

Question: Were the solo songs that Woomble from Idlewild made with musicians including Kate Rusby, his wife Ailidh Lennon, and songwriter Karine Polwart in 2006 ever released on an album?
Answer: Jones released his second solo album, A Generation Innocence, in August 2012;
Idlewild (band)

Context: Jones released his debut solo album, A Sentimental Education, in 2009. In 2010, Jones founded The Fruit Tree Foundation, alongside Emma Pollock (The Delgados), in order to raise awareness of mental health problems. Jones released his second solo album, A Generation Innocence, in August 2012; however, while writing for the second album, Jones encountered a hurdle at the halfway mark, as he discovered that he was not satisfied with any of the material that he had written thus far. In 2011, Jones explained, "I was a bit fed up with the whole folk music thing - I mean every man and his dog was doing the faux folk thing"--Jones then proceeded to learn the drums and eventually formed the band, The Birthday Suit, to record the material that he had created in the period following the drumming diversion.  In late 2011, Jones formed The Birthday Suit and described the band as "essentially a solo project ... It's an ever-changing bistro of musicians." The band released its debut album, The Eleventh Hour, in October 2011. The Birthday Suit's second studio album, A Conversation Well Rehearsed was released on 3 December 2012. The album was listed in 19th place in the Clean Slate Music website's "Top 21 Albums of 2012" list, although the website wrote that the second album "doesn't carry the punch" of the band's debut album.  In 2006, Woomble worked with several musicians including Kate Rusby, his wife Ailidh Lennon, songwriter Karine Polwart (to whom he presented the Horizon Award at the BBC Folk Awards 2005, and with whom he performed at Celtic Connections) and Idlewild guitarist Rod Jones on his debut solo album My Secret is My Silence, produced by John McCusker. The album was released in July 2006, and Woomble toured the United Kingdom in support of the album's release. My Secret is my Silence reached number one in the UK Folk Charts, and a year later, on 10 July 2007, My Secret is my Silence was released in the United States on 7-10 Music. Woomble's follow-up album, Before the Ruin, written and recorded with Kris Drever and John McCusker, was released on 15 September 2008 through Navigator Records. In March 2011, Woomble released his second solo album, The Impossible Song & Other Songs. CANNOTANSWER

Question: Did any band member of Idlewild give a reason for doing solo work?
Answer: In 2011, Jones explained, "I was a bit fed up with the whole folk music thing
Idlewild (band)

Context: Jones released his debut solo album, A Sentimental Education, in 2009. In 2010, Jones founded The Fruit Tree Foundation, alongside Emma Pollock (The Delgados), in order to raise awareness of mental health problems. Jones released his second solo album, A Generation Innocence, in August 2012; however, while writing for the second album, Jones encountered a hurdle at the halfway mark, as he discovered that he was not satisfied with any of the material that he had written thus far. In 2011, Jones explained, "I was a bit fed up with the whole folk music thing - I mean every man and his dog was doing the faux folk thing"--Jones then proceeded to learn the drums and eventually formed the band, The Birthday Suit, to record the material that he had created in the period following the drumming diversion.  In late 2011, Jones formed The Birthday Suit and described the band as "essentially a solo project ... It's an ever-changing bistro of musicians." The band released its debut album, The Eleventh Hour, in October 2011. The Birthday Suit's second studio album, A Conversation Well Rehearsed was released on 3 December 2012. The album was listed in 19th place in the Clean Slate Music website's "Top 21 Albums of 2012" list, although the website wrote that the second album "doesn't carry the punch" of the band's debut album.  In 2006, Woomble worked with several musicians including Kate Rusby, his wife Ailidh Lennon, songwriter Karine Polwart (to whom he presented the Horizon Award at the BBC Folk Awards 2005, and with whom he performed at Celtic Connections) and Idlewild guitarist Rod Jones on his debut solo album My Secret is My Silence, produced by John McCusker. The album was released in July 2006, and Woomble toured the United Kingdom in support of the album's release. My Secret is my Silence reached number one in the UK Folk Charts, and a year later, on 10 July 2007, My Secret is my Silence was released in the United States on 7-10 Music. Woomble's follow-up album, Before the Ruin, written and recorded with Kris Drever and John McCusker, was released on 15 September 2008 through Navigator Records. In March 2011, Woomble released his second solo album, The Impossible Song & Other Songs. CANNOTANSWER

Question: Were any specific musical instruments used Idlewild?
Answer: Jones then proceeded to learn the drums and eventually formed the band, The Birthday Suit,
Idlewild (band)

Context: Jones released his debut solo album, A Sentimental Education, in 2009. In 2010, Jones founded The Fruit Tree Foundation, alongside Emma Pollock (The Delgados), in order to raise awareness of mental health problems. Jones released his second solo album, A Generation Innocence, in August 2012; however, while writing for the second album, Jones encountered a hurdle at the halfway mark, as he discovered that he was not satisfied with any of the material that he had written thus far. In 2011, Jones explained, "I was a bit fed up with the whole folk music thing - I mean every man and his dog was doing the faux folk thing"--Jones then proceeded to learn the drums and eventually formed the band, The Birthday Suit, to record the material that he had created in the period following the drumming diversion.  In late 2011, Jones formed The Birthday Suit and described the band as "essentially a solo project ... It's an ever-changing bistro of musicians." The band released its debut album, The Eleventh Hour, in October 2011. The Birthday Suit's second studio album, A Conversation Well Rehearsed was released on 3 December 2012. The album was listed in 19th place in the Clean Slate Music website's "Top 21 Albums of 2012" list, although the website wrote that the second album "doesn't carry the punch" of the band's debut album.  In 2006, Woomble worked with several musicians including Kate Rusby, his wife Ailidh Lennon, songwriter Karine Polwart (to whom he presented the Horizon Award at the BBC Folk Awards 2005, and with whom he performed at Celtic Connections) and Idlewild guitarist Rod Jones on his debut solo album My Secret is My Silence, produced by John McCusker. The album was released in July 2006, and Woomble toured the United Kingdom in support of the album's release. My Secret is my Silence reached number one in the UK Folk Charts, and a year later, on 10 July 2007, My Secret is my Silence was released in the United States on 7-10 Music. Woomble's follow-up album, Before the Ruin, written and recorded with Kris Drever and John McCusker, was released on 15 September 2008 through Navigator Records. In March 2011, Woomble released his second solo album, The Impossible Song & Other Songs. CANNOTANSWER

Question: In what years did Jones and Woomble from Idlewild do some of the solo work?
Answer: In late 2011, Jones formed The Birthday Suit and described the band as "essentially a solo project ... It's an ever-changing bistro of musicians.
Exile (American band)

Context: The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year. Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album.  In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit. The following year, Mike Chapman, an Australian who had established himself as a record producer in the UK, came to the United States in search of an experienced group who wrote their own material. Chapman heard an Exile demo and went to their next concert. Chapman evidently enjoyed what he saw. He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records. The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978. It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months.  Their follow up single, "You Thrill Me," also from the Mixed Emotions LP did not fare as well, although it did reach the Top 40 for one week on 3 February 1979. The band toured with Aerosmith, Heart, Dave Mason, Boston, Seals & Crofts and other hot pop acts of the late seventies throughout the United States, Europe and Africa.  All There Is, the group's second Warner Bros. Records album, recorded a year later with a distinct disco beat, yielded a foreign hit, "The Part Of Me That Needs You Most." This single did particularly well in Europe and South Africa. Don't Leave Me This Way, their third album, produced by Peter Coleman, yielded two more singles, "Take Me Down" and "Smooth Sailing." Once again, it did well in Europe and South Africa although their popularity in the United States waned.  Numerous personnel changes took place in 1979. Perhaps most significantly, Stokley would leave the group that year, forcing remaining members guitarist/vocalist J.P. Pennington, keyboardist Buzz Cornelison, keyboardist/vocalist Marlon Hargis, bassist/vocalist Sonny Lemaire and drummers Steve Goetzman and Gary Freeman to search for a new lead singer. A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington. By the early 1980s, other lineup changes took place, including the exit of original member Buzz Cornelison, plus keyboardist Mark Gray, who co-wrote "The Closer You Get" and "Take Me Down", both of which became hits for the group Alabama, played a short stint from 1980 to 1982. CANNOTANSWER

Question: What was Coldplay's first song?
Answer: In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit.
Exile (American band)

Context: The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year. Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album.  In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit. The following year, Mike Chapman, an Australian who had established himself as a record producer in the UK, came to the United States in search of an experienced group who wrote their own material. Chapman heard an Exile demo and went to their next concert. Chapman evidently enjoyed what he saw. He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records. The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978. It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months.  Their follow up single, "You Thrill Me," also from the Mixed Emotions LP did not fare as well, although it did reach the Top 40 for one week on 3 February 1979. The band toured with Aerosmith, Heart, Dave Mason, Boston, Seals & Crofts and other hot pop acts of the late seventies throughout the United States, Europe and Africa.  All There Is, the group's second Warner Bros. Records album, recorded a year later with a distinct disco beat, yielded a foreign hit, "The Part Of Me That Needs You Most." This single did particularly well in Europe and South Africa. Don't Leave Me This Way, their third album, produced by Peter Coleman, yielded two more singles, "Take Me Down" and "Smooth Sailing." Once again, it did well in Europe and South Africa although their popularity in the United States waned.  Numerous personnel changes took place in 1979. Perhaps most significantly, Stokley would leave the group that year, forcing remaining members guitarist/vocalist J.P. Pennington, keyboardist Buzz Cornelison, keyboardist/vocalist Marlon Hargis, bassist/vocalist Sonny Lemaire and drummers Steve Goetzman and Gary Freeman to search for a new lead singer. A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington. By the early 1980s, other lineup changes took place, including the exit of original member Buzz Cornelison, plus keyboardist Mark Gray, who co-wrote "The Closer You Get" and "Take Me Down", both of which became hits for the group Alabama, played a short stint from 1980 to 1982. CANNOTANSWER

Question: When should you release a single?
Answer: The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973
Exile (American band)

Context: The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year. Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album.  In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit. The following year, Mike Chapman, an Australian who had established himself as a record producer in the UK, came to the United States in search of an experienced group who wrote their own material. Chapman heard an Exile demo and went to their next concert. Chapman evidently enjoyed what he saw. He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records. The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978. It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months.  Their follow up single, "You Thrill Me," also from the Mixed Emotions LP did not fare as well, although it did reach the Top 40 for one week on 3 February 1979. The band toured with Aerosmith, Heart, Dave Mason, Boston, Seals & Crofts and other hot pop acts of the late seventies throughout the United States, Europe and Africa.  All There Is, the group's second Warner Bros. Records album, recorded a year later with a distinct disco beat, yielded a foreign hit, "The Part Of Me That Needs You Most." This single did particularly well in Europe and South Africa. Don't Leave Me This Way, their third album, produced by Peter Coleman, yielded two more singles, "Take Me Down" and "Smooth Sailing." Once again, it did well in Europe and South Africa although their popularity in the United States waned.  Numerous personnel changes took place in 1979. Perhaps most significantly, Stokley would leave the group that year, forcing remaining members guitarist/vocalist J.P. Pennington, keyboardist Buzz Cornelison, keyboardist/vocalist Marlon Hargis, bassist/vocalist Sonny Lemaire and drummers Steve Goetzman and Gary Freeman to search for a new lead singer. A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington. By the early 1980s, other lineup changes took place, including the exit of original member Buzz Cornelison, plus keyboardist Mark Gray, who co-wrote "The Closer You Get" and "Take Me Down", both of which became hits for the group Alabama, played a short stint from 1980 to 1982. CANNOTANSWER

Question: How did Alice in Chains get their name?
Answer: CANNOTANSWER
Exile (American band)

Context: The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year. Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album.  In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit. The following year, Mike Chapman, an Australian who had established himself as a record producer in the UK, came to the United States in search of an experienced group who wrote their own material. Chapman heard an Exile demo and went to their next concert. Chapman evidently enjoyed what he saw. He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records. The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978. It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months.  Their follow up single, "You Thrill Me," also from the Mixed Emotions LP did not fare as well, although it did reach the Top 40 for one week on 3 February 1979. The band toured with Aerosmith, Heart, Dave Mason, Boston, Seals & Crofts and other hot pop acts of the late seventies throughout the United States, Europe and Africa.  All There Is, the group's second Warner Bros. Records album, recorded a year later with a distinct disco beat, yielded a foreign hit, "The Part Of Me That Needs You Most." This single did particularly well in Europe and South Africa. Don't Leave Me This Way, their third album, produced by Peter Coleman, yielded two more singles, "Take Me Down" and "Smooth Sailing." Once again, it did well in Europe and South Africa although their popularity in the United States waned.  Numerous personnel changes took place in 1979. Perhaps most significantly, Stokley would leave the group that year, forcing remaining members guitarist/vocalist J.P. Pennington, keyboardist Buzz Cornelison, keyboardist/vocalist Marlon Hargis, bassist/vocalist Sonny Lemaire and drummers Steve Goetzman and Gary Freeman to search for a new lead singer. A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington. By the early 1980s, other lineup changes took place, including the exit of original member Buzz Cornelison, plus keyboardist Mark Gray, who co-wrote "The Closer You Get" and "Take Me Down", both of which became hits for the group Alabama, played a short stint from 1980 to 1982. CANNOTANSWER

Question: Did tool come out with a new album?
Answer: He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records.
Exile (American band)

Context: The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year. Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album.  In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit. The following year, Mike Chapman, an Australian who had established himself as a record producer in the UK, came to the United States in search of an experienced group who wrote their own material. Chapman heard an Exile demo and went to their next concert. Chapman evidently enjoyed what he saw. He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records. The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978. It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months.  Their follow up single, "You Thrill Me," also from the Mixed Emotions LP did not fare as well, although it did reach the Top 40 for one week on 3 February 1979. The band toured with Aerosmith, Heart, Dave Mason, Boston, Seals & Crofts and other hot pop acts of the late seventies throughout the United States, Europe and Africa.  All There Is, the group's second Warner Bros. Records album, recorded a year later with a distinct disco beat, yielded a foreign hit, "The Part Of Me That Needs You Most." This single did particularly well in Europe and South Africa. Don't Leave Me This Way, their third album, produced by Peter Coleman, yielded two more singles, "Take Me Down" and "Smooth Sailing." Once again, it did well in Europe and South Africa although their popularity in the United States waned.  Numerous personnel changes took place in 1979. Perhaps most significantly, Stokley would leave the group that year, forcing remaining members guitarist/vocalist J.P. Pennington, keyboardist Buzz Cornelison, keyboardist/vocalist Marlon Hargis, bassist/vocalist Sonny Lemaire and drummers Steve Goetzman and Gary Freeman to search for a new lead singer. A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington. By the early 1980s, other lineup changes took place, including the exit of original member Buzz Cornelison, plus keyboardist Mark Gray, who co-wrote "The Closer You Get" and "Take Me Down", both of which became hits for the group Alabama, played a short stint from 1980 to 1982. CANNOTANSWER

Question: Was mixed emotions a success?
Answer: The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978.
Exile (American band)

Context: The band changed musical styles throughout the late 1960s and early 1970s. They shortened their name to Exile in 1973 and released their eponymous debut album through Wooden Nickel Records that same year. Singles released from the album proved unsuccessful, and it would be a good five years before the band released a full-length follow-up album.  In 1977, the band released the single "Try it On" on Atco Records, and it became a minor hit. The following year, Mike Chapman, an Australian who had established himself as a record producer in the UK, came to the United States in search of an experienced group who wrote their own material. Chapman heard an Exile demo and went to their next concert. Chapman evidently enjoyed what he saw. He and Exile decided to collaborate and together they produced the Mixed Emotions album on Warner/Curb Records. The first single release from that album was Kiss You All Over. The single reached Billboard's Top 40 on 5 August 1978. It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months.  Their follow up single, "You Thrill Me," also from the Mixed Emotions LP did not fare as well, although it did reach the Top 40 for one week on 3 February 1979. The band toured with Aerosmith, Heart, Dave Mason, Boston, Seals & Crofts and other hot pop acts of the late seventies throughout the United States, Europe and Africa.  All There Is, the group's second Warner Bros. Records album, recorded a year later with a distinct disco beat, yielded a foreign hit, "The Part Of Me That Needs You Most." This single did particularly well in Europe and South Africa. Don't Leave Me This Way, their third album, produced by Peter Coleman, yielded two more singles, "Take Me Down" and "Smooth Sailing." Once again, it did well in Europe and South Africa although their popularity in the United States waned.  Numerous personnel changes took place in 1979. Perhaps most significantly, Stokley would leave the group that year, forcing remaining members guitarist/vocalist J.P. Pennington, keyboardist Buzz Cornelison, keyboardist/vocalist Marlon Hargis, bassist/vocalist Sonny Lemaire and drummers Steve Goetzman and Gary Freeman to search for a new lead singer. A young singer, Les Taylor, accepted an invitation to join the group and shared lead vocal duties with Pennington. By the early 1980s, other lineup changes took place, including the exit of original member Buzz Cornelison, plus keyboardist Mark Gray, who co-wrote "The Closer You Get" and "Take Me Down", both of which became hits for the group Alabama, played a short stint from 1980 to 1982. CANNOTANSWER

Question: Who has the most number 1 hits ever?
Answer: It remained on the chart for seventeen weeks and was No. 1 for four weeks in September. It was a best-seller for six months.