gaussalgo/Canard_Wiki-augmented huggingface dataset:
Keane (band)

Context: Tom Chaplin and Tim Rice-Oxley became friends when very young. Chaplin's father David was the headmaster of Vinehall School in Robertsbridge, East Sussex, (owned by Chaplin's family) for 25 years, the school all three attended until the age of 13. They later attended Tonbridge School in Kent, where Rice-Oxley met Dominic Scott; both of them discovered rapidly their liking for music. Richard Hughes, Keane's future drummer, also attended Tonbridge. Chaplin had also learned to play the flute but none of them considered music as a proper career at the time.  In 1995, while studying at University College London for a degree in classics, Rice-Oxley formed a rock band with Scott, and invited Hughes to play drums. The band, named "Lotus Eaters", started as a cover band, playing songs by the members' favourite bands, including U2, Oasis, and The Beatles, and rehearsing at home.  After listening to Rice-Oxley's piano playing during a weekend at Virginia Water, Surrey in 1997, Chris Martin invited him to join his newly formed band Coldplay. However, Rice-Oxley declined because he did not want to leave "The Lotus Eaters", stating, "I was seriously interested, but Keane were already operational and Coldplay's keyboard player idea was dropped." Because of Martin's offer, and although Hughes and Scott were originally opposed to it, Chaplin joined the band in 1997, taking Rice-Oxley's place as vocalist and adding himself as the acoustic guitarist. Chaplin's recruitment also marked a change of name from "The Lotus Eaters" to "Cherry Keane", after a friend of Chaplin's mother, whom Rice-Oxley and Chaplin knew when they were young. She took care of them and would tell them to go for their dreams. At her death from cancer, she had left money for Chaplin's family. Chaplin commented: "I used some of the money to see me through the harder times with the music." The name was shortened to Keane soon afterward.  Chaplin departed for South Africa in the summer of 1997 to work as a volunteer during his gap year. Chaplin's early experiences there would later be reflected in the band's position for the Make Poverty History campaign. Returning a year later, in July 1998, following a meeting with friend David Lloyd Seaman, Hughes' first words when the band picked up Chaplin at the airport were, "we've got a gig in ten days." With original material, Keane made their debut live appearance at the "Hope & Anchor" pub on 13 July 1998. In this same year, Chaplin went to Edinburgh University to study for a degree in art history. However, he later quit his degree and moved to London in order to pursue a full-time musical career with his friends. After their debut performance, the band went touring London's pub gig circuit throughout 1998 and 1999. CANNOTANSWER

Question: What music did Keane make?
Answer: started as a cover band,
Keane (band)

Context: Tom Chaplin and Tim Rice-Oxley became friends when very young. Chaplin's father David was the headmaster of Vinehall School in Robertsbridge, East Sussex, (owned by Chaplin's family) for 25 years, the school all three attended until the age of 13. They later attended Tonbridge School in Kent, where Rice-Oxley met Dominic Scott; both of them discovered rapidly their liking for music. Richard Hughes, Keane's future drummer, also attended Tonbridge. Chaplin had also learned to play the flute but none of them considered music as a proper career at the time.  In 1995, while studying at University College London for a degree in classics, Rice-Oxley formed a rock band with Scott, and invited Hughes to play drums. The band, named "Lotus Eaters", started as a cover band, playing songs by the members' favourite bands, including U2, Oasis, and The Beatles, and rehearsing at home.  After listening to Rice-Oxley's piano playing during a weekend at Virginia Water, Surrey in 1997, Chris Martin invited him to join his newly formed band Coldplay. However, Rice-Oxley declined because he did not want to leave "The Lotus Eaters", stating, "I was seriously interested, but Keane were already operational and Coldplay's keyboard player idea was dropped." Because of Martin's offer, and although Hughes and Scott were originally opposed to it, Chaplin joined the band in 1997, taking Rice-Oxley's place as vocalist and adding himself as the acoustic guitarist. Chaplin's recruitment also marked a change of name from "The Lotus Eaters" to "Cherry Keane", after a friend of Chaplin's mother, whom Rice-Oxley and Chaplin knew when they were young. She took care of them and would tell them to go for their dreams. At her death from cancer, she had left money for Chaplin's family. Chaplin commented: "I used some of the money to see me through the harder times with the music." The name was shortened to Keane soon afterward.  Chaplin departed for South Africa in the summer of 1997 to work as a volunteer during his gap year. Chaplin's early experiences there would later be reflected in the band's position for the Make Poverty History campaign. Returning a year later, in July 1998, following a meeting with friend David Lloyd Seaman, Hughes' first words when the band picked up Chaplin at the airport were, "we've got a gig in ten days." With original material, Keane made their debut live appearance at the "Hope & Anchor" pub on 13 July 1998. In this same year, Chaplin went to Edinburgh University to study for a degree in art history. However, he later quit his degree and moved to London in order to pursue a full-time musical career with his friends. After their debut performance, the band went touring London's pub gig circuit throughout 1998 and 1999. CANNOTANSWER

Question: Besides being a cover band,Are there any other interesting aspects about this article regarding Keane?
Answer: After listening to Rice-Oxley's piano playing during a weekend at Virginia Water, Surrey in 1997, Chris Martin invited him to join his newly formed band Coldplay.
Keane (band)

Context: Tom Chaplin and Tim Rice-Oxley became friends when very young. Chaplin's father David was the headmaster of Vinehall School in Robertsbridge, East Sussex, (owned by Chaplin's family) for 25 years, the school all three attended until the age of 13. They later attended Tonbridge School in Kent, where Rice-Oxley met Dominic Scott; both of them discovered rapidly their liking for music. Richard Hughes, Keane's future drummer, also attended Tonbridge. Chaplin had also learned to play the flute but none of them considered music as a proper career at the time.  In 1995, while studying at University College London for a degree in classics, Rice-Oxley formed a rock band with Scott, and invited Hughes to play drums. The band, named "Lotus Eaters", started as a cover band, playing songs by the members' favourite bands, including U2, Oasis, and The Beatles, and rehearsing at home.  After listening to Rice-Oxley's piano playing during a weekend at Virginia Water, Surrey in 1997, Chris Martin invited him to join his newly formed band Coldplay. However, Rice-Oxley declined because he did not want to leave "The Lotus Eaters", stating, "I was seriously interested, but Keane were already operational and Coldplay's keyboard player idea was dropped." Because of Martin's offer, and although Hughes and Scott were originally opposed to it, Chaplin joined the band in 1997, taking Rice-Oxley's place as vocalist and adding himself as the acoustic guitarist. Chaplin's recruitment also marked a change of name from "The Lotus Eaters" to "Cherry Keane", after a friend of Chaplin's mother, whom Rice-Oxley and Chaplin knew when they were young. She took care of them and would tell them to go for their dreams. At her death from cancer, she had left money for Chaplin's family. Chaplin commented: "I used some of the money to see me through the harder times with the music." The name was shortened to Keane soon afterward.  Chaplin departed for South Africa in the summer of 1997 to work as a volunteer during his gap year. Chaplin's early experiences there would later be reflected in the band's position for the Make Poverty History campaign. Returning a year later, in July 1998, following a meeting with friend David Lloyd Seaman, Hughes' first words when the band picked up Chaplin at the airport were, "we've got a gig in ten days." With original material, Keane made their debut live appearance at the "Hope & Anchor" pub on 13 July 1998. In this same year, Chaplin went to Edinburgh University to study for a degree in art history. However, he later quit his degree and moved to London in order to pursue a full-time musical career with his friends. After their debut performance, the band went touring London's pub gig circuit throughout 1998 and 1999. CANNOTANSWER

Question: Did Rice-Oxley's join Coldplay?
Answer: Rice-Oxley declined because he did not want to leave "The Lotus Eaters",
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: What did Stephen Hillenburg start his career in?
Answer: park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children.
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: What subject did Stephen Hillenburg teach when he became a teacher?
Answer: marine-biology teacher
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: Did Stephen Hillenburg teach any subjects besides marine biology alone the years?
Answer: tide-pool ecology, nautical history, diversity and adaptation.
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: Between the years that Stephen Hillenburg taught marine biology, tide-pool ecology, nautical history, diversity, and adaption, was Sponge bob created?
Answer: CANNOTANSWER
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: What year did Stephen Hillenburg start teaching?
Answer: 1984,
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: What was the name of the school Stephen Hillenburg was teaching at?
Answer: Orange County Marine Institute
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: Besides teacher, what jobs did Stephen Hillenburg have in his early career?
Answer: He created a comic called The Intertidal Zone,
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: What was Stephen Hillenburg's comic The Intertidal Zone about?
Answer: featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: How did Stephen Hillenburg come up with the idea of comics and/or Sponge-bob?
Answer: he was asked by one of the educational directors if he would be interested in creating an educational comic book
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: Did Stephen Hillenburg come up with the ideas of how Spongebob was going to look when creating The Intertidal Zone?
Answer: comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge.
Stephen Hillenburg

Context: After graduating from college, Hillenburg held various jobs in 1984, including as a park service attendant in Utah and an art director in San Francisco, before landing the job he wanted: teaching children. He hoped to work in a national park on the coast, and eventually found a job at the Orange County Marine Institute (now known as the Ocean Institute), an organization in Dana Point, California that is dedicated to educating the public about marine science and maritime history. Hillenburg was a marine-biology teacher there for three years: "We taught tide-pool ecology, nautical history, diversity and adaptation. Working there, I saw how enamored kids are with undersea life, especially with tide-pool creatures." He stayed at the Dana Point Marina and was also a staff artist. Although "[i]t was a great experience" for him, during this period, Hillenburg realized he was more interested in art than his chosen profession.  While working there, he was asked by one of the educational directors if he would be interested in creating an educational comic book about the animal life of tidal pools. He created a comic called The Intertidal Zone, which he used to teach his students. It featured anthropomorphic forms of sea life, many of which would evolve into SpongeBob SquarePants characters--including "Bob the Sponge", the comic's co-host, who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge. He tried to get the comic published, but was turned down by the publishers that he approached.  At one point during his tenure with the Orange County Marine Institute, Hillenburg started going to animation festivals such as the International Tournee of Animation and Spike and Mike's Festival of Animation where, at one of those, films made by California Institute of the Arts (colloquially called CalArts) students were shown. He determined that he wanted to pursue a career in that field. Hillenburg had planned to take a master's degree in art, but instead of "going back to school for painting", he left his job in 1987 to become an animator.  In 1989, Hillenburg enrolled in the Experimental Animation Program at CalArts. About this decision, he said: "Changing careers like that is scary, but the irony is that animation is a pretty healthy career right now and science education is more of a struggle." He studied under Jules Engel, the founding director of the program, whom he considers his "Art Dad" and mentor. Engel accepted him into the program impressed by The Intertidal Zone. Hillenburg said, "[Engel] also was a painter, so I think he saw my paintings and could easily say, 'Oh, this guy could fit in to this program.' I don't have any [prior experience in] animation really." Hillenburg graduated in 1992, earning a Master of Fine Arts in experimental animation. CANNOTANSWER

Question: Besides The Intertidal Zone's co-host, did Stephen Hillenburg get any other inspiration from the comics to the Spongebob characters?
Answer: who resembled an actual sea sponge, as opposed to his later SpongeBob SquarePants character, who resembles a kitchen sponge.
Boyz II Men

Context: Motown issued The Remix Collection, a compilation of remixes of various Boyz II Men songs from Cooleyhighharmony and II. The group itself had opposed the release of the collection, because they felt the compilation did not represent Boyz II Men's best work. After the label released the album without their permission, there was a dispute between the company and the group. Boyz II Men initiated their own recording company Stonecreek (which released material by artists such as Uncle Sam), and they arranged for Stonecreek's distribution by Epic Records, not Motown.  Boyz II Men's third studio album, Evolution, was released during 1997 to mixed reviews and sold three million copies, far below the stratospheric success of II's (12 million copies) and Cooleyhighharmony (9 million). Only one of Evolution's singles, the Jam/Lewis-penned "Four Seasons of Loneliness", reached number 1 on the Hot 100 chart. The second single, the Babyface-helmed "A Song for Mama" (the theme song to the Babyface-produced film Soul Food) was a Top 10 success, but the follow-up "Can't Let Her Go" underperformed.  The global tour began in 1997 to promote Evolution was very successful in terms of ticket sales, but behind the scenes, Boyz II Men was wracked by conflicts with their record label and internal conflicts among the members of the group. Making matters worse, health problems began to take their toll on the group as well. While on tour to support the Evolution album, Wanya Morris developed a polyp on his vocal cords, and the group was forced to postpone part of the tour until he recovered. McCary's scoliosis meant that he was unable to participate in most of the group's dance routines.  Boyz II Men were nominated for 2 Grammys in 1998: Best R&B Album for Evolution and Best R&B Vocal Performance by a Duo or Group for "A Song for Mama". CANNOTANSWER

Question: Were there any label conflicts for Boyz II Men?
Answer: After the label released the album without their permission, there was a dispute between the company and the group.
Boyz II Men

Context: Motown issued The Remix Collection, a compilation of remixes of various Boyz II Men songs from Cooleyhighharmony and II. The group itself had opposed the release of the collection, because they felt the compilation did not represent Boyz II Men's best work. After the label released the album without their permission, there was a dispute between the company and the group. Boyz II Men initiated their own recording company Stonecreek (which released material by artists such as Uncle Sam), and they arranged for Stonecreek's distribution by Epic Records, not Motown.  Boyz II Men's third studio album, Evolution, was released during 1997 to mixed reviews and sold three million copies, far below the stratospheric success of II's (12 million copies) and Cooleyhighharmony (9 million). Only one of Evolution's singles, the Jam/Lewis-penned "Four Seasons of Loneliness", reached number 1 on the Hot 100 chart. The second single, the Babyface-helmed "A Song for Mama" (the theme song to the Babyface-produced film Soul Food) was a Top 10 success, but the follow-up "Can't Let Her Go" underperformed.  The global tour began in 1997 to promote Evolution was very successful in terms of ticket sales, but behind the scenes, Boyz II Men was wracked by conflicts with their record label and internal conflicts among the members of the group. Making matters worse, health problems began to take their toll on the group as well. While on tour to support the Evolution album, Wanya Morris developed a polyp on his vocal cords, and the group was forced to postpone part of the tour until he recovered. McCary's scoliosis meant that he was unable to participate in most of the group's dance routines.  Boyz II Men were nominated for 2 Grammys in 1998: Best R&B Album for Evolution and Best R&B Vocal Performance by a Duo or Group for "A Song for Mama". CANNOTANSWER

Question: Did Boys ll men sue the label for releasing the album without the bands permission?
Answer: CANNOTANSWER
Boyz II Men

Context: Motown issued The Remix Collection, a compilation of remixes of various Boyz II Men songs from Cooleyhighharmony and II. The group itself had opposed the release of the collection, because they felt the compilation did not represent Boyz II Men's best work. After the label released the album without their permission, there was a dispute between the company and the group. Boyz II Men initiated their own recording company Stonecreek (which released material by artists such as Uncle Sam), and they arranged for Stonecreek's distribution by Epic Records, not Motown.  Boyz II Men's third studio album, Evolution, was released during 1997 to mixed reviews and sold three million copies, far below the stratospheric success of II's (12 million copies) and Cooleyhighharmony (9 million). Only one of Evolution's singles, the Jam/Lewis-penned "Four Seasons of Loneliness", reached number 1 on the Hot 100 chart. The second single, the Babyface-helmed "A Song for Mama" (the theme song to the Babyface-produced film Soul Food) was a Top 10 success, but the follow-up "Can't Let Her Go" underperformed.  The global tour began in 1997 to promote Evolution was very successful in terms of ticket sales, but behind the scenes, Boyz II Men was wracked by conflicts with their record label and internal conflicts among the members of the group. Making matters worse, health problems began to take their toll on the group as well. While on tour to support the Evolution album, Wanya Morris developed a polyp on his vocal cords, and the group was forced to postpone part of the tour until he recovered. McCary's scoliosis meant that he was unable to participate in most of the group's dance routines.  Boyz II Men were nominated for 2 Grammys in 1998: Best R&B Album for Evolution and Best R&B Vocal Performance by a Duo or Group for "A Song for Mama". CANNOTANSWER

Question: What happened to Boyz II Men after the label released the album?
Answer: Boyz II Men initiated their own recording company Stonecreek