gaussalgo/Canard_Wiki-augmented huggingface dataset:
Sheila E.

Context: On May 30, 2009, Sheila E. and the E Family Band performed at Rhythm on the Vine at Gainey Vineyard in Santa Ynez, California for the Hot Latin Beats concert. Also performing at the concert was Poncho Sanchez. On December 13, 2009, Sheila E. performed at the Deryck Walcott produced Christmas Jazz held at the Plantation Restaurant in Barbados.  In 2009, Sheila E. participated and won the CMT reality show, Gone Country. This gave her an opportunity to make country music aided by the country producer, writer, and singer John Rich. Sheila E.'s first song in the country market was "Glorious Train". A video for the song debuted on CMT on March 7, 2009, following the airing of the episode of Gone Country in which Sheila E. was announced the winner.  Sheila E. performed two shows at Yoshi's in San Francisco on August 15, 2010. At her merchandise stand she sold an EP From E 2 U. It includes a song "Leader of the Band" written by Prince (uncredited, but confirmed by Sheila E.) and it features Prince on piano according to the song's introduction, where he is called by name. She toured on his 20Ten Tour and Welcome 2 America tours. In 2010, Sheila E joined forces with Avon as a celebrity judge for Avon Voices, Avon's first global, online singing talent search for women and songwriting competition for men and women. On May 25, 2011, Sheila performed alongside Marc Anthony on the tenth season finale of American Idol. On June 7, 2011, she performed on the Late Show with David Letterman as a part of the show's first "Drum Solo Week". In September 2011, The E. Family consisting of Pete Escovedo, Peter Michael Escovedo III, Juan Escovedo, and Sheila released an album Now & Forever. The album spawned the singles "Do What It Do" and "I Like It".  On February 26, 2012, Sheila performed at the 2012 Academy Awards alongside Pharrell Williams and Hans Zimmer, playing the into and out of commercial segments. On April 17, 2012, Sheila was featured with "Macy's Stars of Dance" on the Dancing with the Stars results show. On June 16, Sheila headlined the 2012 Playboy Jazz Festival at the Hollywood Bowl in Los Angeles, California. Sheila toured in 2012 alongside Sy Smith throughout Europe and the United States. Sheila joined Dave Koz on his 2012 Christmas Tour. CANNOTANSWER

Question: Besides concerts, was Sheila E. ever featured on television or radio?
Answer: On May 25, 2011, Sheila performed alongside Marc Anthony on the tenth season finale of American Idol. On June 7, 2011, she performed on the Late Show with David Letterman
Richard Stallman

Context: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues.  Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues.  These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying.  An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list:  I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages). CANNOTANSWER

Question: Can you provide information on Richard Stallman's Terminology?
Answer: Stallman places great importance on the words and labels people use to talk about the world,
Richard Stallman

Context: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues.  Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues.  These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying.  An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list:  I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages). CANNOTANSWER

Question: Was Richard Stallman very popular or very well known for placing great importance on terminology?
Answer: CANNOTANSWER
Richard Stallman

Context: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues.  Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues.  These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying.  An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list:  I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages). CANNOTANSWER

Question: Aside from placing great importance on the words and labels people use, What else was unique about Richard Stallman's terminology?
Answer: He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (
Richard Stallman

Context: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues.  Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues.  These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying.  An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list:  I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages). CANNOTANSWER

Question: Why did Richard Stallman say to avoid the terms intellectual property and piracy?
Answer: argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics
Richard Stallman

Context: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues.  Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues.  These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying.  An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list:  I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages). CANNOTANSWER

Question: Did anyone listen to what Richard Stallman said about terminology?
Answer: CANNOTANSWER
Richard Stallman

Context: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues.  Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues.  These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying.  An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list:  I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages). CANNOTANSWER

Question: What other terminology did Richard Stallman use, aside from arguing against "intellectual property"?
Answer: cautioning others to avoid other terminology while also offering suggestions for possible alternatives
Richard Stallman

Context: Stallman places great importance on the words and labels people use to talk about the world, including the relationship between software and freedom. He asks people to say free software and GNU/Linux, and to avoid the terms intellectual property and piracy (in relation to copyright). One of his criteria for giving an interview to a journalist is that the journalist agree to use his terminology throughout the article. He has been known to turn down speaking requests over some terminology issues.  Stallman argues that the term "intellectual property" is designed to confuse people, and is used to prevent intelligent discussion on the specifics of copyright, patent, trademark, and other laws by lumping together areas of law that are more dissimilar than similar. He also argues that by referring to these laws as property laws, the term biases the discussion when thinking about how to treat these issues.  These laws originated separately, evolved differently, cover different activities, have different rules, and raise different public policy issues. Copyright law was designed to promote authorship and art, and covers the details of a work of authorship or art. Patent law was intended to encourage publication of ideas, at the price of finite monopolies over these ideas - a price that may be worth paying in some fields and not in others. Trademark law was not intended to promote any business activity, but simply to enable buyers to know what they are buying.  An example of cautioning others to avoid other terminology while also offering suggestions for possible alternatives is this sentence of an e-mail by Stallman to a public mailing list:  I think it is ok for authors (please let's not call them creators, they are not gods) to ask for money for copies of their works (please let's not devalue these works by calling them content) in order to gain income (the term compensation falsely implies it is a matter of making up for some kind of damages). CANNOTANSWER

Question: Did others use Richard Stallman's suggestions?
Answer: CANNOTANSWER
Tinariwen

Context: Tinariwen was founded by Ibrahim Ag Alhabib, who at age four witnessed the execution of his father (a Tuareg rebel) during a 1963 uprising in Mali. As a child he saw a western film in which a cowboy played a guitar. Ag Alhabib built his own guitar out of a tin can, a stick and bicycle brake wire. He started to play old Tuareg and modern Arabic pop tunes. Ag Alhabib first lived in Algeria in refugee camps near Bordj Badji Mokhtar and in the deserts around the southern city of Tamanrasset, where he received a guitar from a local Arab man. Later, he resided with other Tuareg exiles in Libya and Algeria.  In the late 1970s, Ag Alhabib joined with other musicians in the Tuareg rebel community, exploring the radical chaabi protest music of Moroccan groups like Nass El Ghiwane and Jil Jilala; Algerian pop rai; and western rock and pop artists like Elvis Presley, Led Zeppelin, Carlos Santana, Dire Straits, Jimi Hendrix, Boney M, and Bob Marley. Ag Alhabib formed a group with Alhassane Ag Touhami and brothers Inteyeden Ag Ablil and Liya Ag Ablil in Tamanrasset, Algeria to play at parties and weddings. Ag Alhabib acquired his first real acoustic guitar in 1979. While the group had no official name, people began to call them Kel Tinariwen, which in the Tamashek language translates as "The People of the Deserts" or "The Desert Boys."  In 1980, Libyan ruler Muammar al-Gaddafi put out a decree inviting all young Tuareg men who were living illegally in Libya to receive full military training. Gaddafi dreamed of forming a Saharan regiment, made up of the best young Tuareg fighters, to further his territorial ambitions in Chad, Niger, and elsewhere. Ag Alhabib and his bandmates answered the call and received nine months of training. They answered a similar call in 1985, this time by leaders of the Tuareg rebel movement in Libya, and met fellow musicians Keddou Ag Ossade, Mohammed Ag Itlale (aka "Japonais"), Sweiloum, Abouhadid, and Abdallah Ag Alhousseyni. All sang and played guitar in various permutations. The musicians joined together in a collective (now known as Tinariwen) in order to create songs about the issues facing the Tuareg people, built a makeshift studio, and vowed to record music for free for anyone who supplied a blank cassette tape. The resulting homemade cassettes were traded widely throughout the Sahara region.  In 1989, the collective left Libya and moved to Ag Alhabib's home country of Mali, where he returned to his home village of Tessalit for the first time in 26 years. In 1990 the Tuareg people of Mali revolted against the government, with some members of Tinariwen participating as rebel fighters. After a peace agreement known as the Tamanrasset Accords was reached in January 1991, the musicians left the military and devoted themselves to music full-time. In 1992 some of the members of Tinariwen went to Abidjan, Cote d'Ivoire to record a cassette at JBZ studios. They played occasional gigs for far-flung Tuareg communities throughout the Sahara region, gaining word-of-mouth popularity among the Tuareg people. CANNOTANSWER

Question: What here did Tinariwen release their first song?
Answer: CANNOTANSWER
Tinariwen

Context: Tinariwen was founded by Ibrahim Ag Alhabib, who at age four witnessed the execution of his father (a Tuareg rebel) during a 1963 uprising in Mali. As a child he saw a western film in which a cowboy played a guitar. Ag Alhabib built his own guitar out of a tin can, a stick and bicycle brake wire. He started to play old Tuareg and modern Arabic pop tunes. Ag Alhabib first lived in Algeria in refugee camps near Bordj Badji Mokhtar and in the deserts around the southern city of Tamanrasset, where he received a guitar from a local Arab man. Later, he resided with other Tuareg exiles in Libya and Algeria.  In the late 1970s, Ag Alhabib joined with other musicians in the Tuareg rebel community, exploring the radical chaabi protest music of Moroccan groups like Nass El Ghiwane and Jil Jilala; Algerian pop rai; and western rock and pop artists like Elvis Presley, Led Zeppelin, Carlos Santana, Dire Straits, Jimi Hendrix, Boney M, and Bob Marley. Ag Alhabib formed a group with Alhassane Ag Touhami and brothers Inteyeden Ag Ablil and Liya Ag Ablil in Tamanrasset, Algeria to play at parties and weddings. Ag Alhabib acquired his first real acoustic guitar in 1979. While the group had no official name, people began to call them Kel Tinariwen, which in the Tamashek language translates as "The People of the Deserts" or "The Desert Boys."  In 1980, Libyan ruler Muammar al-Gaddafi put out a decree inviting all young Tuareg men who were living illegally in Libya to receive full military training. Gaddafi dreamed of forming a Saharan regiment, made up of the best young Tuareg fighters, to further his territorial ambitions in Chad, Niger, and elsewhere. Ag Alhabib and his bandmates answered the call and received nine months of training. They answered a similar call in 1985, this time by leaders of the Tuareg rebel movement in Libya, and met fellow musicians Keddou Ag Ossade, Mohammed Ag Itlale (aka "Japonais"), Sweiloum, Abouhadid, and Abdallah Ag Alhousseyni. All sang and played guitar in various permutations. The musicians joined together in a collective (now known as Tinariwen) in order to create songs about the issues facing the Tuareg people, built a makeshift studio, and vowed to record music for free for anyone who supplied a blank cassette tape. The resulting homemade cassettes were traded widely throughout the Sahara region.  In 1989, the collective left Libya and moved to Ag Alhabib's home country of Mali, where he returned to his home village of Tessalit for the first time in 26 years. In 1990 the Tuareg people of Mali revolted against the government, with some members of Tinariwen participating as rebel fighters. After a peace agreement known as the Tamanrasset Accords was reached in January 1991, the musicians left the military and devoted themselves to music full-time. In 1992 some of the members of Tinariwen went to Abidjan, Cote d'Ivoire to record a cassette at JBZ studios. They played occasional gigs for far-flung Tuareg communities throughout the Sahara region, gaining word-of-mouth popularity among the Tuareg people. CANNOTANSWER

Question: Do they have instruments in the band Tinariwen ?
Answer: built his own guitar
Stephen E. Ambrose

Context: Ambrose was the lone historian featured in the 1973-74 ITV television series, The World at War, which detailed the history of World War II.  He served as the historical consultant for the movie Saving Private Ryan. Tom Hanks, who starred in the movie, said he "pored over D-Day" and Band of Brothers in researching his role. Hanks also credited Ambrose's books with providing extensive detail, particularly regarding D-Day landings.  The HBO mini-series, Band of Brothers (2001), for which he was an executive producer, helped sustain the fresh interest in World War II that had been stimulated by the 50th anniversary of D-Day in 1994 and the 60th anniversary in 2004. Ambrose served as executive producer for Price for Peace, a documentary concerning the war in the Pacific theater during World War II, and for Moments of Truth, a TV documentary containing interviews with World War II veterans.  In addition, Ambrose served as a commentator for Lewis & Clark: The Journey of the Corps of Discovery, a documentary by Ken Burns. He provided commentary in twenty made-for TV documentaries, covering diverse topics, such as World War II, Lewis & Clark, and America's prominence in the 20th century. He also appeared as a guest on numerous TV programs or stations, including The Charlie Rose Show, C-Span programming, CNN programming, NBC's Today Show, CNBC's Hardball, and various programming on The History Channel and the National Geographic Channel. Ambrose's association with National Geographic stemmed, in part, from his designation as an Explorer-in-Residence by the Society.  In addition to his academic work and publishing, Ambrose operated a historical tour business, acting as a tour guide to European locales of World War II. Also, he served on the board of directors for American Rivers and was a member of the Lewis and Clark Bicentennial Council. CANNOTANSWER

Question: What work did Stephen E. Ambrose do in Television?
Answer: He served as the historical consultant for the movie Saving Private Ryan.
Stephen E. Ambrose

Context: Ambrose was the lone historian featured in the 1973-74 ITV television series, The World at War, which detailed the history of World War II.  He served as the historical consultant for the movie Saving Private Ryan. Tom Hanks, who starred in the movie, said he "pored over D-Day" and Band of Brothers in researching his role. Hanks also credited Ambrose's books with providing extensive detail, particularly regarding D-Day landings.  The HBO mini-series, Band of Brothers (2001), for which he was an executive producer, helped sustain the fresh interest in World War II that had been stimulated by the 50th anniversary of D-Day in 1994 and the 60th anniversary in 2004. Ambrose served as executive producer for Price for Peace, a documentary concerning the war in the Pacific theater during World War II, and for Moments of Truth, a TV documentary containing interviews with World War II veterans.  In addition, Ambrose served as a commentator for Lewis & Clark: The Journey of the Corps of Discovery, a documentary by Ken Burns. He provided commentary in twenty made-for TV documentaries, covering diverse topics, such as World War II, Lewis & Clark, and America's prominence in the 20th century. He also appeared as a guest on numerous TV programs or stations, including The Charlie Rose Show, C-Span programming, CNN programming, NBC's Today Show, CNBC's Hardball, and various programming on The History Channel and the National Geographic Channel. Ambrose's association with National Geographic stemmed, in part, from his designation as an Explorer-in-Residence by the Society.  In addition to his academic work and publishing, Ambrose operated a historical tour business, acting as a tour guide to European locales of World War II. Also, he served on the board of directors for American Rivers and was a member of the Lewis and Clark Bicentennial Council. CANNOTANSWER

Question: besides Saving Private Ryan, did Stephen E. Ambrose work as a consultant on any other films?
Answer: Ambrose served as executive producer for Price for Peace, a documentary concerning the war in the Pacific theater during World War II,
Stephen E. Ambrose

Context: Ambrose was the lone historian featured in the 1973-74 ITV television series, The World at War, which detailed the history of World War II.  He served as the historical consultant for the movie Saving Private Ryan. Tom Hanks, who starred in the movie, said he "pored over D-Day" and Band of Brothers in researching his role. Hanks also credited Ambrose's books with providing extensive detail, particularly regarding D-Day landings.  The HBO mini-series, Band of Brothers (2001), for which he was an executive producer, helped sustain the fresh interest in World War II that had been stimulated by the 50th anniversary of D-Day in 1994 and the 60th anniversary in 2004. Ambrose served as executive producer for Price for Peace, a documentary concerning the war in the Pacific theater during World War II, and for Moments of Truth, a TV documentary containing interviews with World War II veterans.  In addition, Ambrose served as a commentator for Lewis & Clark: The Journey of the Corps of Discovery, a documentary by Ken Burns. He provided commentary in twenty made-for TV documentaries, covering diverse topics, such as World War II, Lewis & Clark, and America's prominence in the 20th century. He also appeared as a guest on numerous TV programs or stations, including The Charlie Rose Show, C-Span programming, CNN programming, NBC's Today Show, CNBC's Hardball, and various programming on The History Channel and the National Geographic Channel. Ambrose's association with National Geographic stemmed, in part, from his designation as an Explorer-in-Residence by the Society.  In addition to his academic work and publishing, Ambrose operated a historical tour business, acting as a tour guide to European locales of World War II. Also, he served on the board of directors for American Rivers and was a member of the Lewis and Clark Bicentennial Council. CANNOTANSWER

Question: In addition to Price for Peace, what other films did Stephen E. Ambrose work on?
Answer: Moments of Truth, a TV documentary
Stephen E. Ambrose

Context: Ambrose was the lone historian featured in the 1973-74 ITV television series, The World at War, which detailed the history of World War II.  He served as the historical consultant for the movie Saving Private Ryan. Tom Hanks, who starred in the movie, said he "pored over D-Day" and Band of Brothers in researching his role. Hanks also credited Ambrose's books with providing extensive detail, particularly regarding D-Day landings.  The HBO mini-series, Band of Brothers (2001), for which he was an executive producer, helped sustain the fresh interest in World War II that had been stimulated by the 50th anniversary of D-Day in 1994 and the 60th anniversary in 2004. Ambrose served as executive producer for Price for Peace, a documentary concerning the war in the Pacific theater during World War II, and for Moments of Truth, a TV documentary containing interviews with World War II veterans.  In addition, Ambrose served as a commentator for Lewis & Clark: The Journey of the Corps of Discovery, a documentary by Ken Burns. He provided commentary in twenty made-for TV documentaries, covering diverse topics, such as World War II, Lewis & Clark, and America's prominence in the 20th century. He also appeared as a guest on numerous TV programs or stations, including The Charlie Rose Show, C-Span programming, CNN programming, NBC's Today Show, CNBC's Hardball, and various programming on The History Channel and the National Geographic Channel. Ambrose's association with National Geographic stemmed, in part, from his designation as an Explorer-in-Residence by the Society.  In addition to his academic work and publishing, Ambrose operated a historical tour business, acting as a tour guide to European locales of World War II. Also, he served on the board of directors for American Rivers and was a member of the Lewis and Clark Bicentennial Council. CANNOTANSWER

Question: Did Stephen E. Ambrose receive any awards for his work?
Answer: Ambrose's association with National Geographic stemmed, in part, from his designation as an Explorer-in-Residence by the Society.
Stephen E. Ambrose

Context: Ambrose was the lone historian featured in the 1973-74 ITV television series, The World at War, which detailed the history of World War II.  He served as the historical consultant for the movie Saving Private Ryan. Tom Hanks, who starred in the movie, said he "pored over D-Day" and Band of Brothers in researching his role. Hanks also credited Ambrose's books with providing extensive detail, particularly regarding D-Day landings.  The HBO mini-series, Band of Brothers (2001), for which he was an executive producer, helped sustain the fresh interest in World War II that had been stimulated by the 50th anniversary of D-Day in 1994 and the 60th anniversary in 2004. Ambrose served as executive producer for Price for Peace, a documentary concerning the war in the Pacific theater during World War II, and for Moments of Truth, a TV documentary containing interviews with World War II veterans.  In addition, Ambrose served as a commentator for Lewis & Clark: The Journey of the Corps of Discovery, a documentary by Ken Burns. He provided commentary in twenty made-for TV documentaries, covering diverse topics, such as World War II, Lewis & Clark, and America's prominence in the 20th century. He also appeared as a guest on numerous TV programs or stations, including The Charlie Rose Show, C-Span programming, CNN programming, NBC's Today Show, CNBC's Hardball, and various programming on The History Channel and the National Geographic Channel. Ambrose's association with National Geographic stemmed, in part, from his designation as an Explorer-in-Residence by the Society.  In addition to his academic work and publishing, Ambrose operated a historical tour business, acting as a tour guide to European locales of World War II. Also, he served on the board of directors for American Rivers and was a member of the Lewis and Clark Bicentennial Council. CANNOTANSWER

Question: Aside from Explorer-in-Residence by the Society, what other activities did Stephen E. Ambrose  participate in?
Answer: Ambrose operated a historical tour business,
Stephen E. Ambrose

Context: Ambrose was the lone historian featured in the 1973-74 ITV television series, The World at War, which detailed the history of World War II.  He served as the historical consultant for the movie Saving Private Ryan. Tom Hanks, who starred in the movie, said he "pored over D-Day" and Band of Brothers in researching his role. Hanks also credited Ambrose's books with providing extensive detail, particularly regarding D-Day landings.  The HBO mini-series, Band of Brothers (2001), for which he was an executive producer, helped sustain the fresh interest in World War II that had been stimulated by the 50th anniversary of D-Day in 1994 and the 60th anniversary in 2004. Ambrose served as executive producer for Price for Peace, a documentary concerning the war in the Pacific theater during World War II, and for Moments of Truth, a TV documentary containing interviews with World War II veterans.  In addition, Ambrose served as a commentator for Lewis & Clark: The Journey of the Corps of Discovery, a documentary by Ken Burns. He provided commentary in twenty made-for TV documentaries, covering diverse topics, such as World War II, Lewis & Clark, and America's prominence in the 20th century. He also appeared as a guest on numerous TV programs or stations, including The Charlie Rose Show, C-Span programming, CNN programming, NBC's Today Show, CNBC's Hardball, and various programming on The History Channel and the National Geographic Channel. Ambrose's association with National Geographic stemmed, in part, from his designation as an Explorer-in-Residence by the Society.  In addition to his academic work and publishing, Ambrose operated a historical tour business, acting as a tour guide to European locales of World War II. Also, he served on the board of directors for American Rivers and was a member of the Lewis and Clark Bicentennial Council. CANNOTANSWER

Question: When did Stephen E. Ambrose's historical tour business begin?
Answer: CANNOTANSWER
Stephen E. Ambrose

Context: Ambrose was the lone historian featured in the 1973-74 ITV television series, The World at War, which detailed the history of World War II.  He served as the historical consultant for the movie Saving Private Ryan. Tom Hanks, who starred in the movie, said he "pored over D-Day" and Band of Brothers in researching his role. Hanks also credited Ambrose's books with providing extensive detail, particularly regarding D-Day landings.  The HBO mini-series, Band of Brothers (2001), for which he was an executive producer, helped sustain the fresh interest in World War II that had been stimulated by the 50th anniversary of D-Day in 1994 and the 60th anniversary in 2004. Ambrose served as executive producer for Price for Peace, a documentary concerning the war in the Pacific theater during World War II, and for Moments of Truth, a TV documentary containing interviews with World War II veterans.  In addition, Ambrose served as a commentator for Lewis & Clark: The Journey of the Corps of Discovery, a documentary by Ken Burns. He provided commentary in twenty made-for TV documentaries, covering diverse topics, such as World War II, Lewis & Clark, and America's prominence in the 20th century. He also appeared as a guest on numerous TV programs or stations, including The Charlie Rose Show, C-Span programming, CNN programming, NBC's Today Show, CNBC's Hardball, and various programming on The History Channel and the National Geographic Channel. Ambrose's association with National Geographic stemmed, in part, from his designation as an Explorer-in-Residence by the Society.  In addition to his academic work and publishing, Ambrose operated a historical tour business, acting as a tour guide to European locales of World War II. Also, he served on the board of directors for American Rivers and was a member of the Lewis and Clark Bicentennial Council. CANNOTANSWER

Question: Were there any significant activities that took place during Stephen E. Ambrose's historical tour business?
Answer: CANNOTANSWER
Stephen E. Ambrose

Context: Ambrose was the lone historian featured in the 1973-74 ITV television series, The World at War, which detailed the history of World War II.  He served as the historical consultant for the movie Saving Private Ryan. Tom Hanks, who starred in the movie, said he "pored over D-Day" and Band of Brothers in researching his role. Hanks also credited Ambrose's books with providing extensive detail, particularly regarding D-Day landings.  The HBO mini-series, Band of Brothers (2001), for which he was an executive producer, helped sustain the fresh interest in World War II that had been stimulated by the 50th anniversary of D-Day in 1994 and the 60th anniversary in 2004. Ambrose served as executive producer for Price for Peace, a documentary concerning the war in the Pacific theater during World War II, and for Moments of Truth, a TV documentary containing interviews with World War II veterans.  In addition, Ambrose served as a commentator for Lewis & Clark: The Journey of the Corps of Discovery, a documentary by Ken Burns. He provided commentary in twenty made-for TV documentaries, covering diverse topics, such as World War II, Lewis & Clark, and America's prominence in the 20th century. He also appeared as a guest on numerous TV programs or stations, including The Charlie Rose Show, C-Span programming, CNN programming, NBC's Today Show, CNBC's Hardball, and various programming on The History Channel and the National Geographic Channel. Ambrose's association with National Geographic stemmed, in part, from his designation as an Explorer-in-Residence by the Society.  In addition to his academic work and publishing, Ambrose operated a historical tour business, acting as a tour guide to European locales of World War II. Also, he served on the board of directors for American Rivers and was a member of the Lewis and Clark Bicentennial Council. CANNOTANSWER

Question: Aside from Stephen E. Ambrose's historical tour business, any other interesting information?
Answer: Tom Hanks, who starred in the movie, said he "pored over D-Day" and Band of Brothers in researching his role.
Gorillaz

Context: The band's first release was the EP Tomorrow Comes Today, released in 2000. The band's first single was "Clint Eastwood" and was released on 5 March 2001, reaching No. 4 in the UK. It was produced by hip hop producer Dan the Automator and originally featured UK rap group Phi Life Cypher, but the version that appears on the album features American rapper Del the Funky Homosapien, known on the album as Del tha' Ghost Rapper, a spirit in the band's drummer Russel Hobbs. The Phi Life Cypher version of "Clint Eastwood" appears on the B-side album G Sides. Later that same month, their first full-length album, the self-titled Gorillaz, was released, producing four singles: "Clint Eastwood", "19-2000", "Tomorrow Comes Today", and "Rock the House". In June 2001, "19-2000" charted at No. 6 in the UK, and the song was used as the title theme for EA Sports FIFA video game FIFA Football 2002.  The end of the year brought the song "911", a collaboration between Gorillaz and hip hop group D12 (without Eminem) and Terry Hall about the September 11 attacks. Meanwhile, G Sides, a compilation of the B-sides from the Tomorrow Comes Today EP and first three singles, was released in Japan on 12 December 2001 and quickly followed with international releases in early 2002. Gorillaz performed at the 2002 Brit Awards in London on 22 February, appearing in 3D animation on four large screens along with rap accompaniment by Phi Life Cypher. The band were nominated for four Brit Awards, including Best British Group, Best British Album and British Breakthrough Act, but did not win any awards.  In November 2002, a DVD titled Phase One: Celebrity Take Down was released, giving the phase its name. The DVD contains the four Phase One promos, the abandoned video for "5/4", the Charts of Darkness documentary, the five Gorilla Bitez (comedic shorts starring the band characters), a tour of the website by the MEL 9000 server and more. The DVD's menu was designed much like the band's website and depicts an abandoned Kong Studios.  Rumours were circulating at this time that the Gorillaz team were busy preparing a film, but Hewlett said that the film project had been abandoned: "We lost all interest in doing it as soon as we started meeting with studios and talking to these Hollywood executive types, we just weren't on the same page. We said, fuck it, we'll sit on the idea until we can do it ourselves, and maybe even raise the money ourselves." CANNOTANSWER

Question: What did the album do in the charts?
Answer: No. 4 in the UK.
Gorillaz

Context: The band's first release was the EP Tomorrow Comes Today, released in 2000. The band's first single was "Clint Eastwood" and was released on 5 March 2001, reaching No. 4 in the UK. It was produced by hip hop producer Dan the Automator and originally featured UK rap group Phi Life Cypher, but the version that appears on the album features American rapper Del the Funky Homosapien, known on the album as Del tha' Ghost Rapper, a spirit in the band's drummer Russel Hobbs. The Phi Life Cypher version of "Clint Eastwood" appears on the B-side album G Sides. Later that same month, their first full-length album, the self-titled Gorillaz, was released, producing four singles: "Clint Eastwood", "19-2000", "Tomorrow Comes Today", and "Rock the House". In June 2001, "19-2000" charted at No. 6 in the UK, and the song was used as the title theme for EA Sports FIFA video game FIFA Football 2002.  The end of the year brought the song "911", a collaboration between Gorillaz and hip hop group D12 (without Eminem) and Terry Hall about the September 11 attacks. Meanwhile, G Sides, a compilation of the B-sides from the Tomorrow Comes Today EP and first three singles, was released in Japan on 12 December 2001 and quickly followed with international releases in early 2002. Gorillaz performed at the 2002 Brit Awards in London on 22 February, appearing in 3D animation on four large screens along with rap accompaniment by Phi Life Cypher. The band were nominated for four Brit Awards, including Best British Group, Best British Album and British Breakthrough Act, but did not win any awards.  In November 2002, a DVD titled Phase One: Celebrity Take Down was released, giving the phase its name. The DVD contains the four Phase One promos, the abandoned video for "5/4", the Charts of Darkness documentary, the five Gorilla Bitez (comedic shorts starring the band characters), a tour of the website by the MEL 9000 server and more. The DVD's menu was designed much like the band's website and depicts an abandoned Kong Studios.  Rumours were circulating at this time that the Gorillaz team were busy preparing a film, but Hewlett said that the film project had been abandoned: "We lost all interest in doing it as soon as we started meeting with studios and talking to these Hollywood executive types, we just weren't on the same page. We said, fuck it, we'll sit on the idea until we can do it ourselves, and maybe even raise the money ourselves." CANNOTANSWER

Question: Was "Celebrity Take Down" Gorillaz, Phase One first album?
Answer: Clint Eastwood
Gorillaz

Context: The band's first release was the EP Tomorrow Comes Today, released in 2000. The band's first single was "Clint Eastwood" and was released on 5 March 2001, reaching No. 4 in the UK. It was produced by hip hop producer Dan the Automator and originally featured UK rap group Phi Life Cypher, but the version that appears on the album features American rapper Del the Funky Homosapien, known on the album as Del tha' Ghost Rapper, a spirit in the band's drummer Russel Hobbs. The Phi Life Cypher version of "Clint Eastwood" appears on the B-side album G Sides. Later that same month, their first full-length album, the self-titled Gorillaz, was released, producing four singles: "Clint Eastwood", "19-2000", "Tomorrow Comes Today", and "Rock the House". In June 2001, "19-2000" charted at No. 6 in the UK, and the song was used as the title theme for EA Sports FIFA video game FIFA Football 2002.  The end of the year brought the song "911", a collaboration between Gorillaz and hip hop group D12 (without Eminem) and Terry Hall about the September 11 attacks. Meanwhile, G Sides, a compilation of the B-sides from the Tomorrow Comes Today EP and first three singles, was released in Japan on 12 December 2001 and quickly followed with international releases in early 2002. Gorillaz performed at the 2002 Brit Awards in London on 22 February, appearing in 3D animation on four large screens along with rap accompaniment by Phi Life Cypher. The band were nominated for four Brit Awards, including Best British Group, Best British Album and British Breakthrough Act, but did not win any awards.  In November 2002, a DVD titled Phase One: Celebrity Take Down was released, giving the phase its name. The DVD contains the four Phase One promos, the abandoned video for "5/4", the Charts of Darkness documentary, the five Gorilla Bitez (comedic shorts starring the band characters), a tour of the website by the MEL 9000 server and more. The DVD's menu was designed much like the band's website and depicts an abandoned Kong Studios.  Rumours were circulating at this time that the Gorillaz team were busy preparing a film, but Hewlett said that the film project had been abandoned: "We lost all interest in doing it as soon as we started meeting with studios and talking to these Hollywood executive types, we just weren't on the same page. We said, fuck it, we'll sit on the idea until we can do it ourselves, and maybe even raise the money ourselves." CANNOTANSWER

Question: Besides ranking No. 4 in the UK, are there any other interesting aspects about this article?
Answer: originally featured UK rap group Phi Life Cypher,