gaussalgo/Canard_Wiki-augmented huggingface dataset:
Algonquin Round Table

Context: Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff.  No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play."  The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood.  With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances. CANNOTANSWER

Question: Where did No Sirree begin?
Answer: at the studio of Neysa McMein,
Algonquin Round Table

Context: Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff.  No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play."  The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood.  With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances. CANNOTANSWER

Question: What were some of the acts in No Sirree!?
Answer: Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley
Algonquin Round Table

Context: Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff.  No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play."  The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood.  With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances. CANNOTANSWER

Question: Who were some of the actors in No Sirree!??
Answer: Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon;
Algonquin Round Table

Context: Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff.  No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play."  The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood.  With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances. CANNOTANSWER

Question: Did any parodies to No Sirree! do well?
Answer: The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley
Algonquin Round Table

Context: Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff.  No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play."  The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood.  With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances. CANNOTANSWER

Question: Was No Sirree! a success?
Answer: CANNOTANSWER
Algonquin Round Table

Context: Given the literary and theatrical activities of the Round Table members, it was perhaps inevitable that they would write and stage their own revue. No Sirree!, staged for one night only in April 1922, was a take-off of a then-popular European touring revue called La Chauve-Souris, directed by Nikita Balieff.  No Sirree! had its genesis at the studio of Neysa McMein, which served as something of a salon for Round Tablers away from the Algonquin. Acts included: "Opening Chorus" featuring Woollcott, Toohey, Kaufman, Connelly, Adams and Benchley with violinist Jascha Heifetz providing offstage, off-key accompaniment; "He Who Gets Flapped", a musical number featuring the song "The Everlastin' Ingenue Blues" written by Dorothy Parker and performed by Robert Sherwood accompanied by "chorus girls" including Tallulah Bankhead, Helen Hayes, Ruth Gillmore, Lenore Ulric and Mary Brandon; "Zowie, or the Curse of an Akins Heart"; "The Greasy Hag, an O'Neill Play in One Act" with Kaufman, Connelly and Woollcott; and "Mr. Whim Passes By--An A. A. Milne Play."  The only item of note to emerge from No Sirree! was Robert Benchley's contribution, The Treasurer's Report. Benchley's disjointed parody so delighted those in attendance that Irving Berlin hired Benchley in 1923 to deliver the Report as part of Berlin's Music Box Revue for $500 a week. In 1928, Report was later made into a short sound film in the Fox Movietone sound-on-film system by Fox Film Corporation. The film marked the beginning of a second career for Benchley in Hollywood.  With the success of No Sirree! the Round Tablers hoped to duplicate it with an "official" Vicious Circle production open to the public with material performed by professional actors. Kaufman and Connelly funded the revue, named The Forty-niners. The revue opened in November 1922 and was a failure, running for just 15 performances. CANNOTANSWER

Question: Did No Sirree! have any revues ?
Answer: Kaufman and Connelly funded the revue, named The Forty-niners.
Bill O'Reilly (political commentator)

Context: O'Reilly's early television news career included reporting and anchoring positions at WNEP-TV in Scranton, Pennsylvania, where he also reported the weather. At WFAA-TV in Dallas, O'Reilly was awarded the Dallas Press Club Award for excellence in investigative reporting. He then moved to KMGH-TV in Denver, where he won a local Emmy Award for his coverage of a skyjacking. O'Reilly also worked for KATU in Portland, Oregon, from 1984 to 1985, WFSB in Hartford, Connecticut, and WNEV-TV (now WHDH-TV) in Boston.  In 1980, O'Reilly anchored the local news-feature program 7:30 Magazine at WCBS-TV in New York. Soon after, as a WCBS News anchor and correspondent, he won his second local Emmy, for an investigation of corrupt city marshals.  In 1982, he became a CBS News correspondent, covering the wars in El Salvador on location, and in the Falkland Islands from his base in Buenos Aires, Argentina. O'Reilly left CBS over a dispute concerning the uncredited use in a report by Bob Schieffer of footage of a riot in response to the military junta's surrender, shot by O'Reilly's crew in Buenos Aires shortly after the conclusion of the war.  In 1986, O'Reilly joined ABC News as a correspondent. He had delivered a eulogy for his friend Joe Spencer, an ABC News correspondent who died in a helicopter crash on January 22, 1986, en route to covering the Hormel meatpacker strike. ABC News president Roone Arledge, who attended Spencer's funeral, decided to hire O'Reilly after hearing the eulogy. At ABC, O'Reilly hosted daytime news briefs that previewed stories to be reported on the day's World News Tonight and worked as a general assignment reporter for ABC News programs, including Good Morning America, Nightline, and World News Tonight. CANNOTANSWER

Question: How did political commentator Bill O'Reilly get started in his career?
Answer: O'Reilly's early television news career included reporting and anchoring positions at WNEP-TV in Scranton, Pennsylvania, where he also reported the weather.
Bill O'Reilly (political commentator)

Context: O'Reilly's early television news career included reporting and anchoring positions at WNEP-TV in Scranton, Pennsylvania, where he also reported the weather. At WFAA-TV in Dallas, O'Reilly was awarded the Dallas Press Club Award for excellence in investigative reporting. He then moved to KMGH-TV in Denver, where he won a local Emmy Award for his coverage of a skyjacking. O'Reilly also worked for KATU in Portland, Oregon, from 1984 to 1985, WFSB in Hartford, Connecticut, and WNEV-TV (now WHDH-TV) in Boston.  In 1980, O'Reilly anchored the local news-feature program 7:30 Magazine at WCBS-TV in New York. Soon after, as a WCBS News anchor and correspondent, he won his second local Emmy, for an investigation of corrupt city marshals.  In 1982, he became a CBS News correspondent, covering the wars in El Salvador on location, and in the Falkland Islands from his base in Buenos Aires, Argentina. O'Reilly left CBS over a dispute concerning the uncredited use in a report by Bob Schieffer of footage of a riot in response to the military junta's surrender, shot by O'Reilly's crew in Buenos Aires shortly after the conclusion of the war.  In 1986, O'Reilly joined ABC News as a correspondent. He had delivered a eulogy for his friend Joe Spencer, an ABC News correspondent who died in a helicopter crash on January 22, 1986, en route to covering the Hormel meatpacker strike. ABC News president Roone Arledge, who attended Spencer's funeral, decided to hire O'Reilly after hearing the eulogy. At ABC, O'Reilly hosted daytime news briefs that previewed stories to be reported on the day's World News Tonight and worked as a general assignment reporter for ABC News programs, including Good Morning America, Nightline, and World News Tonight. CANNOTANSWER

Question: How did political commentator Bill O'Reilly get his big break?
Answer: ABC News president Roone Arledge, who attended Spencer's funeral, decided to hire O'Reilly after hearing the eulogy.
Bill O'Reilly (political commentator)

Context: O'Reilly's early television news career included reporting and anchoring positions at WNEP-TV in Scranton, Pennsylvania, where he also reported the weather. At WFAA-TV in Dallas, O'Reilly was awarded the Dallas Press Club Award for excellence in investigative reporting. He then moved to KMGH-TV in Denver, where he won a local Emmy Award for his coverage of a skyjacking. O'Reilly also worked for KATU in Portland, Oregon, from 1984 to 1985, WFSB in Hartford, Connecticut, and WNEV-TV (now WHDH-TV) in Boston.  In 1980, O'Reilly anchored the local news-feature program 7:30 Magazine at WCBS-TV in New York. Soon after, as a WCBS News anchor and correspondent, he won his second local Emmy, for an investigation of corrupt city marshals.  In 1982, he became a CBS News correspondent, covering the wars in El Salvador on location, and in the Falkland Islands from his base in Buenos Aires, Argentina. O'Reilly left CBS over a dispute concerning the uncredited use in a report by Bob Schieffer of footage of a riot in response to the military junta's surrender, shot by O'Reilly's crew in Buenos Aires shortly after the conclusion of the war.  In 1986, O'Reilly joined ABC News as a correspondent. He had delivered a eulogy for his friend Joe Spencer, an ABC News correspondent who died in a helicopter crash on January 22, 1986, en route to covering the Hormel meatpacker strike. ABC News president Roone Arledge, who attended Spencer's funeral, decided to hire O'Reilly after hearing the eulogy. At ABC, O'Reilly hosted daytime news briefs that previewed stories to be reported on the day's World News Tonight and worked as a general assignment reporter for ABC News programs, including Good Morning America, Nightline, and World News Tonight. CANNOTANSWER

Question: What year was political commentator Bill O'Reilly hired at WNEP-TV?
Answer: In 1986, O'Reilly joined ABC News as a correspondent.
Bill O'Reilly (political commentator)

Context: O'Reilly's early television news career included reporting and anchoring positions at WNEP-TV in Scranton, Pennsylvania, where he also reported the weather. At WFAA-TV in Dallas, O'Reilly was awarded the Dallas Press Club Award for excellence in investigative reporting. He then moved to KMGH-TV in Denver, where he won a local Emmy Award for his coverage of a skyjacking. O'Reilly also worked for KATU in Portland, Oregon, from 1984 to 1985, WFSB in Hartford, Connecticut, and WNEV-TV (now WHDH-TV) in Boston.  In 1980, O'Reilly anchored the local news-feature program 7:30 Magazine at WCBS-TV in New York. Soon after, as a WCBS News anchor and correspondent, he won his second local Emmy, for an investigation of corrupt city marshals.  In 1982, he became a CBS News correspondent, covering the wars in El Salvador on location, and in the Falkland Islands from his base in Buenos Aires, Argentina. O'Reilly left CBS over a dispute concerning the uncredited use in a report by Bob Schieffer of footage of a riot in response to the military junta's surrender, shot by O'Reilly's crew in Buenos Aires shortly after the conclusion of the war.  In 1986, O'Reilly joined ABC News as a correspondent. He had delivered a eulogy for his friend Joe Spencer, an ABC News correspondent who died in a helicopter crash on January 22, 1986, en route to covering the Hormel meatpacker strike. ABC News president Roone Arledge, who attended Spencer's funeral, decided to hire O'Reilly after hearing the eulogy. At ABC, O'Reilly hosted daytime news briefs that previewed stories to be reported on the day's World News Tonight and worked as a general assignment reporter for ABC News programs, including Good Morning America, Nightline, and World News Tonight. CANNOTANSWER

Question: Did political commentator Bill O'Reilly have a family when he started his career?
Answer: CANNOTANSWER
Bill O'Reilly (political commentator)

Context: O'Reilly's early television news career included reporting and anchoring positions at WNEP-TV in Scranton, Pennsylvania, where he also reported the weather. At WFAA-TV in Dallas, O'Reilly was awarded the Dallas Press Club Award for excellence in investigative reporting. He then moved to KMGH-TV in Denver, where he won a local Emmy Award for his coverage of a skyjacking. O'Reilly also worked for KATU in Portland, Oregon, from 1984 to 1985, WFSB in Hartford, Connecticut, and WNEV-TV (now WHDH-TV) in Boston.  In 1980, O'Reilly anchored the local news-feature program 7:30 Magazine at WCBS-TV in New York. Soon after, as a WCBS News anchor and correspondent, he won his second local Emmy, for an investigation of corrupt city marshals.  In 1982, he became a CBS News correspondent, covering the wars in El Salvador on location, and in the Falkland Islands from his base in Buenos Aires, Argentina. O'Reilly left CBS over a dispute concerning the uncredited use in a report by Bob Schieffer of footage of a riot in response to the military junta's surrender, shot by O'Reilly's crew in Buenos Aires shortly after the conclusion of the war.  In 1986, O'Reilly joined ABC News as a correspondent. He had delivered a eulogy for his friend Joe Spencer, an ABC News correspondent who died in a helicopter crash on January 22, 1986, en route to covering the Hormel meatpacker strike. ABC News president Roone Arledge, who attended Spencer's funeral, decided to hire O'Reilly after hearing the eulogy. At ABC, O'Reilly hosted daytime news briefs that previewed stories to be reported on the day's World News Tonight and worked as a general assignment reporter for ABC News programs, including Good Morning America, Nightline, and World News Tonight. CANNOTANSWER

Question: In addition to political commentator Bill O'Reilly joining ABC News in 1986, what else did you find interesting?
Answer: he won his second local Emmy, for an investigation of corrupt city marshals.
Bill O'Reilly (political commentator)

Context: O'Reilly's early television news career included reporting and anchoring positions at WNEP-TV in Scranton, Pennsylvania, where he also reported the weather. At WFAA-TV in Dallas, O'Reilly was awarded the Dallas Press Club Award for excellence in investigative reporting. He then moved to KMGH-TV in Denver, where he won a local Emmy Award for his coverage of a skyjacking. O'Reilly also worked for KATU in Portland, Oregon, from 1984 to 1985, WFSB in Hartford, Connecticut, and WNEV-TV (now WHDH-TV) in Boston.  In 1980, O'Reilly anchored the local news-feature program 7:30 Magazine at WCBS-TV in New York. Soon after, as a WCBS News anchor and correspondent, he won his second local Emmy, for an investigation of corrupt city marshals.  In 1982, he became a CBS News correspondent, covering the wars in El Salvador on location, and in the Falkland Islands from his base in Buenos Aires, Argentina. O'Reilly left CBS over a dispute concerning the uncredited use in a report by Bob Schieffer of footage of a riot in response to the military junta's surrender, shot by O'Reilly's crew in Buenos Aires shortly after the conclusion of the war.  In 1986, O'Reilly joined ABC News as a correspondent. He had delivered a eulogy for his friend Joe Spencer, an ABC News correspondent who died in a helicopter crash on January 22, 1986, en route to covering the Hormel meatpacker strike. ABC News president Roone Arledge, who attended Spencer's funeral, decided to hire O'Reilly after hearing the eulogy. At ABC, O'Reilly hosted daytime news briefs that previewed stories to be reported on the day's World News Tonight and worked as a general assignment reporter for ABC News programs, including Good Morning America, Nightline, and World News Tonight. CANNOTANSWER

Question: What did political commentator Bill O'Reilly win his first emmy for?
Answer: KMGH-TV in Denver, where he won a local Emmy Award for his coverage of a skyjacking.
Bill O'Reilly (political commentator)

Context: O'Reilly's early television news career included reporting and anchoring positions at WNEP-TV in Scranton, Pennsylvania, where he also reported the weather. At WFAA-TV in Dallas, O'Reilly was awarded the Dallas Press Club Award for excellence in investigative reporting. He then moved to KMGH-TV in Denver, where he won a local Emmy Award for his coverage of a skyjacking. O'Reilly also worked for KATU in Portland, Oregon, from 1984 to 1985, WFSB in Hartford, Connecticut, and WNEV-TV (now WHDH-TV) in Boston.  In 1980, O'Reilly anchored the local news-feature program 7:30 Magazine at WCBS-TV in New York. Soon after, as a WCBS News anchor and correspondent, he won his second local Emmy, for an investigation of corrupt city marshals.  In 1982, he became a CBS News correspondent, covering the wars in El Salvador on location, and in the Falkland Islands from his base in Buenos Aires, Argentina. O'Reilly left CBS over a dispute concerning the uncredited use in a report by Bob Schieffer of footage of a riot in response to the military junta's surrender, shot by O'Reilly's crew in Buenos Aires shortly after the conclusion of the war.  In 1986, O'Reilly joined ABC News as a correspondent. He had delivered a eulogy for his friend Joe Spencer, an ABC News correspondent who died in a helicopter crash on January 22, 1986, en route to covering the Hormel meatpacker strike. ABC News president Roone Arledge, who attended Spencer's funeral, decided to hire O'Reilly after hearing the eulogy. At ABC, O'Reilly hosted daytime news briefs that previewed stories to be reported on the day's World News Tonight and worked as a general assignment reporter for ABC News programs, including Good Morning America, Nightline, and World News Tonight. CANNOTANSWER

Question: How did political commentator Bill O'Reilly feel about his Emmy wins?
Answer: CANNOTANSWER
Bill O'Reilly (political commentator)

Context: O'Reilly's early television news career included reporting and anchoring positions at WNEP-TV in Scranton, Pennsylvania, where he also reported the weather. At WFAA-TV in Dallas, O'Reilly was awarded the Dallas Press Club Award for excellence in investigative reporting. He then moved to KMGH-TV in Denver, where he won a local Emmy Award for his coverage of a skyjacking. O'Reilly also worked for KATU in Portland, Oregon, from 1984 to 1985, WFSB in Hartford, Connecticut, and WNEV-TV (now WHDH-TV) in Boston.  In 1980, O'Reilly anchored the local news-feature program 7:30 Magazine at WCBS-TV in New York. Soon after, as a WCBS News anchor and correspondent, he won his second local Emmy, for an investigation of corrupt city marshals.  In 1982, he became a CBS News correspondent, covering the wars in El Salvador on location, and in the Falkland Islands from his base in Buenos Aires, Argentina. O'Reilly left CBS over a dispute concerning the uncredited use in a report by Bob Schieffer of footage of a riot in response to the military junta's surrender, shot by O'Reilly's crew in Buenos Aires shortly after the conclusion of the war.  In 1986, O'Reilly joined ABC News as a correspondent. He had delivered a eulogy for his friend Joe Spencer, an ABC News correspondent who died in a helicopter crash on January 22, 1986, en route to covering the Hormel meatpacker strike. ABC News president Roone Arledge, who attended Spencer's funeral, decided to hire O'Reilly after hearing the eulogy. At ABC, O'Reilly hosted daytime news briefs that previewed stories to be reported on the day's World News Tonight and worked as a general assignment reporter for ABC News programs, including Good Morning America, Nightline, and World News Tonight. CANNOTANSWER

Question: Did political commentator Bill O'Reilly win a third Emmy?
Answer: CANNOTANSWER
Slayer

Context: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures.  Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States.  In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay. CANNOTANSWER

Question: What record label was Slayer with?
Answer: Def Jam Records, a largely hip hop-based label.
Slayer

Context: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures.  Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States.  In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay. CANNOTANSWER

Question: Did Slayer play hip-hop?
Answer: ditched in favor of stripped down, hardcore punk influenced song structures.
Slayer

Context: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures.  Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States.  In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay. CANNOTANSWER

Question: When did Reign in Blood by Slayer come out?
Answer: The album was distributed by Geffen Records on October 7, 1986.
Slayer

Context: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures.  Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States.  In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay. CANNOTANSWER

Question: How was Reign in Blood by Slayer received?
Answer: the album received virtually no radio airplay, it became the band's first to enter the Billboard 200,
Slayer

Context: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures.  Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States.  In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay. CANNOTANSWER

Question: Did Slayer tour?
Answer: Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe.
Slayer

Context: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures.  Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States.  In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay. CANNOTANSWER

Question: Did Slayer have any hit songs?
Answer: CANNOTANSWER
Slayer

Context: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures.  Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States.  In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay. CANNOTANSWER

Question: Anything you found interesting about the Slayer article?
Answer: the band was not happy with the final product,
Slayer

Context: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures.  Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States.  In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay. CANNOTANSWER

Question: Why wasn't Slayer happy with the final product for Reign in Blood?
Answer: Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit,"
Slayer

Context: Following the success of Hell Awaits, Slayer was offered a recording contract with Russell Simmons and Rick Rubin's newly founded Def Jam Records, a largely hip hop-based label. The band accepted and with an experienced producer and major label recording budget, the band underwent a sonic makeover for their third album Reign in Blood resulting in shorter, faster songs with clearer production. Gone were the complex arrangements and long songs featured on Hell Awaits, ditched in favor of stripped down, hardcore punk influenced song structures.  Def Jam's distributor, Columbia Records, refused to release the album due to the song "Angel of Death" which detailed Holocaust concentration camps and the human experiments conducted by Nazi physician Josef Mengele. The album was distributed by Geffen Records on October 7, 1986. However, due to the controversy, Reign in Blood did not appear on Geffen Records' release schedule. Although the album received virtually no radio airplay, it became the band's first to enter the Billboard 200, debuting at number 94, and the band's first album certified gold in the United States.  In October 1986, Slayer embarked on the Reign in Pain world tour, with Overkill in the US, and Malice in Europe. The band was added as the opening act on W.A.S.P.'s US tour, but just one month in, drummer Lombardo left the band: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid." To continue with the tour, Slayer enlisted Tony Scaglione of Whiplash. However, Lombardo was convinced by his wife to return in 1987. At the insistence of Rubin, Slayer recorded a cover version of Iron Butterfly's "In-A-Gadda-Da-Vida" for the film Less Than Zero. Although the band was not happy with the final product, Hanneman deeming it "a poor representation of Slayer" and King labeling it "a hunk of shit," it was one of their first songs to garner radio airplay. CANNOTANSWER

Question: Any other quotes from the band, besides King labeling Reign of Blood by Slayer "a hunk of shit"?
Answer: "I wasn't making any money. I figured if we were gonna be doing this professionally, on a major label, I wanted my rent and utilities paid."