gaussalgo/Canard_Wiki-augmented huggingface dataset:
Grace Hopper

Context: Throughout much of her later career, Hopper was much in demand as a speaker at various computer-related events. She was well known for her lively and irreverent speaking style, as well as a rich treasury of early war stories. She also received the nickname "Grandma COBOL".  While she was working on a Mark II Computer at a US Navy research lab in Dahlgren, Virginia in 1947, her associates discovered a moth that was stuck in a relay; the moth impeded the operation of the relay. While neither Hopper nor her crew mentioned the phrase "debugging" in their logs, the case was held as an instance of literal "debugging." For many years, the term bug had been in use in engineering. The remains of the moth can be found in the group's log book at the Smithsonian Institution's National Museum of American History in Washington, D.C.  Grace Hopper is famous for her nanoseconds visual aid. People (such as generals and admirals) used to ask her why satellite communication took so long. She started handing out pieces of wire that were just under one foot long (11.80 inches = 300 millimeters)--the distance that light travels in one nanosecond. She gave these pieces of wire the metonym "nanoseconds." She was careful to tell her audience that the length of her nanoseconds was actually the maximum speed the signals would travel in a vacuum, and that signals would travel more slowly through the actual wires that were her teaching aids. Later she used the same pieces of wire to illustrate why computers had to be small to be fast. At many of her talks and visits, she handed out "nanoseconds" to everyone in the audience, contrasting them with a coil of wire 984 feet long, representing a microsecond. Later, while giving these lectures while working for DEC, she passed out packets of pepper, calling the individual grains of ground pepper picoseconds.  Jay Elliot described Grace Hopper as appearing to be "'all Navy', but when you reach inside, you find a 'Pirate' dying to be released". CANNOTANSWER

Question: Why did Grace Hopper start handing out wire?
Answer: (11.80 inches = 300 millimeters)--the distance that light travels in one nanosecond.
Grace Hopper

Context: Throughout much of her later career, Hopper was much in demand as a speaker at various computer-related events. She was well known for her lively and irreverent speaking style, as well as a rich treasury of early war stories. She also received the nickname "Grandma COBOL".  While she was working on a Mark II Computer at a US Navy research lab in Dahlgren, Virginia in 1947, her associates discovered a moth that was stuck in a relay; the moth impeded the operation of the relay. While neither Hopper nor her crew mentioned the phrase "debugging" in their logs, the case was held as an instance of literal "debugging." For many years, the term bug had been in use in engineering. The remains of the moth can be found in the group's log book at the Smithsonian Institution's National Museum of American History in Washington, D.C.  Grace Hopper is famous for her nanoseconds visual aid. People (such as generals and admirals) used to ask her why satellite communication took so long. She started handing out pieces of wire that were just under one foot long (11.80 inches = 300 millimeters)--the distance that light travels in one nanosecond. She gave these pieces of wire the metonym "nanoseconds." She was careful to tell her audience that the length of her nanoseconds was actually the maximum speed the signals would travel in a vacuum, and that signals would travel more slowly through the actual wires that were her teaching aids. Later she used the same pieces of wire to illustrate why computers had to be small to be fast. At many of her talks and visits, she handed out "nanoseconds" to everyone in the audience, contrasting them with a coil of wire 984 feet long, representing a microsecond. Later, while giving these lectures while working for DEC, she passed out packets of pepper, calling the individual grains of ground pepper picoseconds.  Jay Elliot described Grace Hopper as appearing to be "'all Navy', but when you reach inside, you find a 'Pirate' dying to be released". CANNOTANSWER

Question: What was Grace Hopper trying to convey to people with the wire?
Answer: Later she used the same pieces of wire to illustrate why computers had to be small to be fast.
Grace Hopper

Context: Throughout much of her later career, Hopper was much in demand as a speaker at various computer-related events. She was well known for her lively and irreverent speaking style, as well as a rich treasury of early war stories. She also received the nickname "Grandma COBOL".  While she was working on a Mark II Computer at a US Navy research lab in Dahlgren, Virginia in 1947, her associates discovered a moth that was stuck in a relay; the moth impeded the operation of the relay. While neither Hopper nor her crew mentioned the phrase "debugging" in their logs, the case was held as an instance of literal "debugging." For many years, the term bug had been in use in engineering. The remains of the moth can be found in the group's log book at the Smithsonian Institution's National Museum of American History in Washington, D.C.  Grace Hopper is famous for her nanoseconds visual aid. People (such as generals and admirals) used to ask her why satellite communication took so long. She started handing out pieces of wire that were just under one foot long (11.80 inches = 300 millimeters)--the distance that light travels in one nanosecond. She gave these pieces of wire the metonym "nanoseconds." She was careful to tell her audience that the length of her nanoseconds was actually the maximum speed the signals would travel in a vacuum, and that signals would travel more slowly through the actual wires that were her teaching aids. Later she used the same pieces of wire to illustrate why computers had to be small to be fast. At many of her talks and visits, she handed out "nanoseconds" to everyone in the audience, contrasting them with a coil of wire 984 feet long, representing a microsecond. Later, while giving these lectures while working for DEC, she passed out packets of pepper, calling the individual grains of ground pepper picoseconds.  Jay Elliot described Grace Hopper as appearing to be "'all Navy', but when you reach inside, you find a 'Pirate' dying to be released". CANNOTANSWER

Question: What other messages did Grace Hopper have for the public aside from illustrating why computers had to be small to be fast?
Answer: she passed out packets of pepper, calling the individual grains of ground pepper picoseconds.
Grace Hopper

Context: Throughout much of her later career, Hopper was much in demand as a speaker at various computer-related events. She was well known for her lively and irreverent speaking style, as well as a rich treasury of early war stories. She also received the nickname "Grandma COBOL".  While she was working on a Mark II Computer at a US Navy research lab in Dahlgren, Virginia in 1947, her associates discovered a moth that was stuck in a relay; the moth impeded the operation of the relay. While neither Hopper nor her crew mentioned the phrase "debugging" in their logs, the case was held as an instance of literal "debugging." For many years, the term bug had been in use in engineering. The remains of the moth can be found in the group's log book at the Smithsonian Institution's National Museum of American History in Washington, D.C.  Grace Hopper is famous for her nanoseconds visual aid. People (such as generals and admirals) used to ask her why satellite communication took so long. She started handing out pieces of wire that were just under one foot long (11.80 inches = 300 millimeters)--the distance that light travels in one nanosecond. She gave these pieces of wire the metonym "nanoseconds." She was careful to tell her audience that the length of her nanoseconds was actually the maximum speed the signals would travel in a vacuum, and that signals would travel more slowly through the actual wires that were her teaching aids. Later she used the same pieces of wire to illustrate why computers had to be small to be fast. At many of her talks and visits, she handed out "nanoseconds" to everyone in the audience, contrasting them with a coil of wire 984 feet long, representing a microsecond. Later, while giving these lectures while working for DEC, she passed out packets of pepper, calling the individual grains of ground pepper picoseconds.  Jay Elliot described Grace Hopper as appearing to be "'all Navy', but when you reach inside, you find a 'Pirate' dying to be released". CANNOTANSWER

Question: Was there any controversy with Grace Hopper's methods or messages?
Answer: CANNOTANSWER
Regine Velasquez

Context: After winning Ang Bagong Kampeon, Velasquez was signed to OctoArts International (now PolyEast Records). She was introduced as 'Chona' Velasquez--her nickname--and recorded the single "Love Me Again", which was released in early 1986. However, the single was commercially unsuccessful. On February 16, 1986, at the behest of another OctoArts recording artist, Pops Fernandez, Velasquez was invited to appear on her live late night musical television show, The Penthouse Live!  While she was rehearsing for the live show, the producer and talent manager Ronnie Henares showed interest and signed her. At the suggestion of Fernandez's husband and the show's co-host, Martin Nievera, Velasquez adopted the stage name "Regine".  Under Henares' management, Velasquez was introduced to the head of VIVA Records, Vicente del Rosario Jr., who signed her and started production of her debut album. Del Rosario enlisted top songwriters, including Joaquin Francisco Sanchez, Vehnee Saturno and Christine Bendebel. He and Henares, who were both serving as executive producers, planned to market Velasquez as one of their main female pop artists, hoping to attain commercial success as they had done with Nora Aunor and Sharon Cuneta. After Velasquez completed her debut album, Regine, VIVA released the lead single "Kung Maibabalik Ko Lang" in 1987. Despite a weak start, the album gained mainstream appeal after Velasquez's promotional appearances on the ABS-CBN television variety shows Triple Treat and Teen Pan Alley. The album produced two more singles--"Urong Sulong" and "Isang Lahi".  Two years after the release of her debut album, Velasquez represented the Philippines in the 1989 Asia Pacific Singing Contest. She was initially apprehensive and skeptical of the idea of participating in another competition at that stage in her career. At Henares' urging she agreed to compete and won the contest in Hong Kong, performing the songs "You'll Never Walk Alone" from the 1945 Rodgers and Hammerstein musical Carousel and "And I Am Telling You I'm Not Going" from the musical Dreamgirls. CANNOTANSWER

Question: What was Regine Velasquez's first experience singing?
Answer: After winning Ang Bagong Kampeon, Velasquez was signed to OctoArts International (now PolyEast Records).
Regine Velasquez

Context: After winning Ang Bagong Kampeon, Velasquez was signed to OctoArts International (now PolyEast Records). She was introduced as 'Chona' Velasquez--her nickname--and recorded the single "Love Me Again", which was released in early 1986. However, the single was commercially unsuccessful. On February 16, 1986, at the behest of another OctoArts recording artist, Pops Fernandez, Velasquez was invited to appear on her live late night musical television show, The Penthouse Live!  While she was rehearsing for the live show, the producer and talent manager Ronnie Henares showed interest and signed her. At the suggestion of Fernandez's husband and the show's co-host, Martin Nievera, Velasquez adopted the stage name "Regine".  Under Henares' management, Velasquez was introduced to the head of VIVA Records, Vicente del Rosario Jr., who signed her and started production of her debut album. Del Rosario enlisted top songwriters, including Joaquin Francisco Sanchez, Vehnee Saturno and Christine Bendebel. He and Henares, who were both serving as executive producers, planned to market Velasquez as one of their main female pop artists, hoping to attain commercial success as they had done with Nora Aunor and Sharon Cuneta. After Velasquez completed her debut album, Regine, VIVA released the lead single "Kung Maibabalik Ko Lang" in 1987. Despite a weak start, the album gained mainstream appeal after Velasquez's promotional appearances on the ABS-CBN television variety shows Triple Treat and Teen Pan Alley. The album produced two more singles--"Urong Sulong" and "Isang Lahi".  Two years after the release of her debut album, Velasquez represented the Philippines in the 1989 Asia Pacific Singing Contest. She was initially apprehensive and skeptical of the idea of participating in another competition at that stage in her career. At Henares' urging she agreed to compete and won the contest in Hong Kong, performing the songs "You'll Never Walk Alone" from the 1945 Rodgers and Hammerstein musical Carousel and "And I Am Telling You I'm Not Going" from the musical Dreamgirls. CANNOTANSWER

Question: How old was Regine Velasquez when she won Ang Bagong Kampeon?
Answer: CANNOTANSWER
Regine Velasquez

Context: After winning Ang Bagong Kampeon, Velasquez was signed to OctoArts International (now PolyEast Records). She was introduced as 'Chona' Velasquez--her nickname--and recorded the single "Love Me Again", which was released in early 1986. However, the single was commercially unsuccessful. On February 16, 1986, at the behest of another OctoArts recording artist, Pops Fernandez, Velasquez was invited to appear on her live late night musical television show, The Penthouse Live!  While she was rehearsing for the live show, the producer and talent manager Ronnie Henares showed interest and signed her. At the suggestion of Fernandez's husband and the show's co-host, Martin Nievera, Velasquez adopted the stage name "Regine".  Under Henares' management, Velasquez was introduced to the head of VIVA Records, Vicente del Rosario Jr., who signed her and started production of her debut album. Del Rosario enlisted top songwriters, including Joaquin Francisco Sanchez, Vehnee Saturno and Christine Bendebel. He and Henares, who were both serving as executive producers, planned to market Velasquez as one of their main female pop artists, hoping to attain commercial success as they had done with Nora Aunor and Sharon Cuneta. After Velasquez completed her debut album, Regine, VIVA released the lead single "Kung Maibabalik Ko Lang" in 1987. Despite a weak start, the album gained mainstream appeal after Velasquez's promotional appearances on the ABS-CBN television variety shows Triple Treat and Teen Pan Alley. The album produced two more singles--"Urong Sulong" and "Isang Lahi".  Two years after the release of her debut album, Velasquez represented the Philippines in the 1989 Asia Pacific Singing Contest. She was initially apprehensive and skeptical of the idea of participating in another competition at that stage in her career. At Henares' urging she agreed to compete and won the contest in Hong Kong, performing the songs "You'll Never Walk Alone" from the 1945 Rodgers and Hammerstein musical Carousel and "And I Am Telling You I'm Not Going" from the musical Dreamgirls. CANNOTANSWER

Question: What was Regine Velasquez's first work with OctoArts?
Answer: She was introduced as 'Chona' Velasquez--her nickname--and recorded the single "Love Me Again", which was released in early 1986.
Regine Velasquez

Context: After winning Ang Bagong Kampeon, Velasquez was signed to OctoArts International (now PolyEast Records). She was introduced as 'Chona' Velasquez--her nickname--and recorded the single "Love Me Again", which was released in early 1986. However, the single was commercially unsuccessful. On February 16, 1986, at the behest of another OctoArts recording artist, Pops Fernandez, Velasquez was invited to appear on her live late night musical television show, The Penthouse Live!  While she was rehearsing for the live show, the producer and talent manager Ronnie Henares showed interest and signed her. At the suggestion of Fernandez's husband and the show's co-host, Martin Nievera, Velasquez adopted the stage name "Regine".  Under Henares' management, Velasquez was introduced to the head of VIVA Records, Vicente del Rosario Jr., who signed her and started production of her debut album. Del Rosario enlisted top songwriters, including Joaquin Francisco Sanchez, Vehnee Saturno and Christine Bendebel. He and Henares, who were both serving as executive producers, planned to market Velasquez as one of their main female pop artists, hoping to attain commercial success as they had done with Nora Aunor and Sharon Cuneta. After Velasquez completed her debut album, Regine, VIVA released the lead single "Kung Maibabalik Ko Lang" in 1987. Despite a weak start, the album gained mainstream appeal after Velasquez's promotional appearances on the ABS-CBN television variety shows Triple Treat and Teen Pan Alley. The album produced two more singles--"Urong Sulong" and "Isang Lahi".  Two years after the release of her debut album, Velasquez represented the Philippines in the 1989 Asia Pacific Singing Contest. She was initially apprehensive and skeptical of the idea of participating in another competition at that stage in her career. At Henares' urging she agreed to compete and won the contest in Hong Kong, performing the songs "You'll Never Walk Alone" from the 1945 Rodgers and Hammerstein musical Carousel and "And I Am Telling You I'm Not Going" from the musical Dreamgirls. CANNOTANSWER

Question: What Regine Velasquez's single "Love Me Again" a success?
Answer: the single was commercially unsuccessful.
Regine Velasquez

Context: After winning Ang Bagong Kampeon, Velasquez was signed to OctoArts International (now PolyEast Records). She was introduced as 'Chona' Velasquez--her nickname--and recorded the single "Love Me Again", which was released in early 1986. However, the single was commercially unsuccessful. On February 16, 1986, at the behest of another OctoArts recording artist, Pops Fernandez, Velasquez was invited to appear on her live late night musical television show, The Penthouse Live!  While she was rehearsing for the live show, the producer and talent manager Ronnie Henares showed interest and signed her. At the suggestion of Fernandez's husband and the show's co-host, Martin Nievera, Velasquez adopted the stage name "Regine".  Under Henares' management, Velasquez was introduced to the head of VIVA Records, Vicente del Rosario Jr., who signed her and started production of her debut album. Del Rosario enlisted top songwriters, including Joaquin Francisco Sanchez, Vehnee Saturno and Christine Bendebel. He and Henares, who were both serving as executive producers, planned to market Velasquez as one of their main female pop artists, hoping to attain commercial success as they had done with Nora Aunor and Sharon Cuneta. After Velasquez completed her debut album, Regine, VIVA released the lead single "Kung Maibabalik Ko Lang" in 1987. Despite a weak start, the album gained mainstream appeal after Velasquez's promotional appearances on the ABS-CBN television variety shows Triple Treat and Teen Pan Alley. The album produced two more singles--"Urong Sulong" and "Isang Lahi".  Two years after the release of her debut album, Velasquez represented the Philippines in the 1989 Asia Pacific Singing Contest. She was initially apprehensive and skeptical of the idea of participating in another competition at that stage in her career. At Henares' urging she agreed to compete and won the contest in Hong Kong, performing the songs "You'll Never Walk Alone" from the 1945 Rodgers and Hammerstein musical Carousel and "And I Am Telling You I'm Not Going" from the musical Dreamgirls. CANNOTANSWER

Question: Did Regine Velasquez do any duets with other singers on the OctoArts International label?
Answer: CANNOTANSWER
Regine Velasquez

Context: After winning Ang Bagong Kampeon, Velasquez was signed to OctoArts International (now PolyEast Records). She was introduced as 'Chona' Velasquez--her nickname--and recorded the single "Love Me Again", which was released in early 1986. However, the single was commercially unsuccessful. On February 16, 1986, at the behest of another OctoArts recording artist, Pops Fernandez, Velasquez was invited to appear on her live late night musical television show, The Penthouse Live!  While she was rehearsing for the live show, the producer and talent manager Ronnie Henares showed interest and signed her. At the suggestion of Fernandez's husband and the show's co-host, Martin Nievera, Velasquez adopted the stage name "Regine".  Under Henares' management, Velasquez was introduced to the head of VIVA Records, Vicente del Rosario Jr., who signed her and started production of her debut album. Del Rosario enlisted top songwriters, including Joaquin Francisco Sanchez, Vehnee Saturno and Christine Bendebel. He and Henares, who were both serving as executive producers, planned to market Velasquez as one of their main female pop artists, hoping to attain commercial success as they had done with Nora Aunor and Sharon Cuneta. After Velasquez completed her debut album, Regine, VIVA released the lead single "Kung Maibabalik Ko Lang" in 1987. Despite a weak start, the album gained mainstream appeal after Velasquez's promotional appearances on the ABS-CBN television variety shows Triple Treat and Teen Pan Alley. The album produced two more singles--"Urong Sulong" and "Isang Lahi".  Two years after the release of her debut album, Velasquez represented the Philippines in the 1989 Asia Pacific Singing Contest. She was initially apprehensive and skeptical of the idea of participating in another competition at that stage in her career. At Henares' urging she agreed to compete and won the contest in Hong Kong, performing the songs "You'll Never Walk Alone" from the 1945 Rodgers and Hammerstein musical Carousel and "And I Am Telling You I'm Not Going" from the musical Dreamgirls. CANNOTANSWER

Question: Besides recording "Love Me Again, did Regine Velasquez have any other successes at OctoArts International?
Answer: CANNOTANSWER
Ode to Billie Joe

Context: Questions arose among listeners: what did Billie Joe and his girlfriend throw off the Tallahatchie Bridge, and why did Billie Joe commit suicide? Speculation ran rampant after the song hit the airwaves. Gentry said in a November 1967 interview that it was the question most asked of her by everyone she met. She named flowers, an engagement ring, a draft card, a bottle of LSD pills, and an aborted baby as the most often guessed items. Although she knew definitely what the item was, she would not reveal it, saying only "Suppose it was a wedding ring."  "It's in there for two reasons," she said. "First, it locks up a definite relationship between Billie Joe and the girl telling the story, the girl at the table. Second, the fact that Billie Joe was seen throwing something off the bridge - no matter what it was - provides a possible motivation as to why he jumped off the bridge the next day."  When Herman Raucher met Gentry in preparation for writing a novel and screenplay based on the song, she said that she had no idea why Billie Joe killed himself. Gentry has, however, commented elsewhere on the song, saying that its real theme was indifference:  Those questions are of secondary importance in my mind. The story of Billie Joe has two more interesting underlying themes. First, the illustration of a group of people's reactions to the life and death of Billie Joe, and its subsequent effect on their lives, is made. Second, the obvious gap between the girl and her mother is shown when both women experience a common loss (first Billie Joe, and later, Papa), and yet Mama and the girl are unable to recognize their mutual loss or share their grief.  The bridge mentioned in this song collapsed in June 1972. It crossed the Tallahatchie River at Money, about ten miles (16 km) north of Greenwood, Mississippi, and has since been replaced. The November 10, 1967, issue of Life Magazine contained a photo of Gentry crossing the original bridge. CANNOTANSWER

Question: What were the listeners views on Ode to Billie Joe?
Answer: Questions arose among listeners: what did Billie Joe and his girlfriend throw off the Tallahatchie Bridge, and why did Billie Joe commit suicide?
Ode to Billie Joe

Context: Questions arose among listeners: what did Billie Joe and his girlfriend throw off the Tallahatchie Bridge, and why did Billie Joe commit suicide? Speculation ran rampant after the song hit the airwaves. Gentry said in a November 1967 interview that it was the question most asked of her by everyone she met. She named flowers, an engagement ring, a draft card, a bottle of LSD pills, and an aborted baby as the most often guessed items. Although she knew definitely what the item was, she would not reveal it, saying only "Suppose it was a wedding ring."  "It's in there for two reasons," she said. "First, it locks up a definite relationship between Billie Joe and the girl telling the story, the girl at the table. Second, the fact that Billie Joe was seen throwing something off the bridge - no matter what it was - provides a possible motivation as to why he jumped off the bridge the next day."  When Herman Raucher met Gentry in preparation for writing a novel and screenplay based on the song, she said that she had no idea why Billie Joe killed himself. Gentry has, however, commented elsewhere on the song, saying that its real theme was indifference:  Those questions are of secondary importance in my mind. The story of Billie Joe has two more interesting underlying themes. First, the illustration of a group of people's reactions to the life and death of Billie Joe, and its subsequent effect on their lives, is made. Second, the obvious gap between the girl and her mother is shown when both women experience a common loss (first Billie Joe, and later, Papa), and yet Mama and the girl are unable to recognize their mutual loss or share their grief.  The bridge mentioned in this song collapsed in June 1972. It crossed the Tallahatchie River at Money, about ten miles (16 km) north of Greenwood, Mississippi, and has since been replaced. The November 10, 1967, issue of Life Magazine contained a photo of Gentry crossing the original bridge. CANNOTANSWER

Question: Besides the listeners views on Ode to Billie Joe, what were some other views?
Answer: She named flowers, an engagement ring, a draft card, a bottle of LSD pills, and an aborted baby as the most often guessed items.
Ode to Billie Joe

Context: Questions arose among listeners: what did Billie Joe and his girlfriend throw off the Tallahatchie Bridge, and why did Billie Joe commit suicide? Speculation ran rampant after the song hit the airwaves. Gentry said in a November 1967 interview that it was the question most asked of her by everyone she met. She named flowers, an engagement ring, a draft card, a bottle of LSD pills, and an aborted baby as the most often guessed items. Although she knew definitely what the item was, she would not reveal it, saying only "Suppose it was a wedding ring."  "It's in there for two reasons," she said. "First, it locks up a definite relationship between Billie Joe and the girl telling the story, the girl at the table. Second, the fact that Billie Joe was seen throwing something off the bridge - no matter what it was - provides a possible motivation as to why he jumped off the bridge the next day."  When Herman Raucher met Gentry in preparation for writing a novel and screenplay based on the song, she said that she had no idea why Billie Joe killed himself. Gentry has, however, commented elsewhere on the song, saying that its real theme was indifference:  Those questions are of secondary importance in my mind. The story of Billie Joe has two more interesting underlying themes. First, the illustration of a group of people's reactions to the life and death of Billie Joe, and its subsequent effect on their lives, is made. Second, the obvious gap between the girl and her mother is shown when both women experience a common loss (first Billie Joe, and later, Papa), and yet Mama and the girl are unable to recognize their mutual loss or share their grief.  The bridge mentioned in this song collapsed in June 1972. It crossed the Tallahatchie River at Money, about ten miles (16 km) north of Greenwood, Mississippi, and has since been replaced. The November 10, 1967, issue of Life Magazine contained a photo of Gentry crossing the original bridge. CANNOTANSWER

Question: What were the author views on the story of  Billie Joe?
Answer: Although she knew definitely what the item was, she would not reveal it, saying only "Suppose it was a wedding ring.
Ode to Billie Joe

Context: Questions arose among listeners: what did Billie Joe and his girlfriend throw off the Tallahatchie Bridge, and why did Billie Joe commit suicide? Speculation ran rampant after the song hit the airwaves. Gentry said in a November 1967 interview that it was the question most asked of her by everyone she met. She named flowers, an engagement ring, a draft card, a bottle of LSD pills, and an aborted baby as the most often guessed items. Although she knew definitely what the item was, she would not reveal it, saying only "Suppose it was a wedding ring."  "It's in there for two reasons," she said. "First, it locks up a definite relationship between Billie Joe and the girl telling the story, the girl at the table. Second, the fact that Billie Joe was seen throwing something off the bridge - no matter what it was - provides a possible motivation as to why he jumped off the bridge the next day."  When Herman Raucher met Gentry in preparation for writing a novel and screenplay based on the song, she said that she had no idea why Billie Joe killed himself. Gentry has, however, commented elsewhere on the song, saying that its real theme was indifference:  Those questions are of secondary importance in my mind. The story of Billie Joe has two more interesting underlying themes. First, the illustration of a group of people's reactions to the life and death of Billie Joe, and its subsequent effect on their lives, is made. Second, the obvious gap between the girl and her mother is shown when both women experience a common loss (first Billie Joe, and later, Papa), and yet Mama and the girl are unable to recognize their mutual loss or share their grief.  The bridge mentioned in this song collapsed in June 1972. It crossed the Tallahatchie River at Money, about ten miles (16 km) north of Greenwood, Mississippi, and has since been replaced. The November 10, 1967, issue of Life Magazine contained a photo of Gentry crossing the original bridge. CANNOTANSWER

Question: Aside from views on the story of Ode to Billie Joe, what are some other interesting aspects of this article?
Answer: The story of Billie Joe has two more interesting underlying themes.
Ode to Billie Joe

Context: Questions arose among listeners: what did Billie Joe and his girlfriend throw off the Tallahatchie Bridge, and why did Billie Joe commit suicide? Speculation ran rampant after the song hit the airwaves. Gentry said in a November 1967 interview that it was the question most asked of her by everyone she met. She named flowers, an engagement ring, a draft card, a bottle of LSD pills, and an aborted baby as the most often guessed items. Although she knew definitely what the item was, she would not reveal it, saying only "Suppose it was a wedding ring."  "It's in there for two reasons," she said. "First, it locks up a definite relationship between Billie Joe and the girl telling the story, the girl at the table. Second, the fact that Billie Joe was seen throwing something off the bridge - no matter what it was - provides a possible motivation as to why he jumped off the bridge the next day."  When Herman Raucher met Gentry in preparation for writing a novel and screenplay based on the song, she said that she had no idea why Billie Joe killed himself. Gentry has, however, commented elsewhere on the song, saying that its real theme was indifference:  Those questions are of secondary importance in my mind. The story of Billie Joe has two more interesting underlying themes. First, the illustration of a group of people's reactions to the life and death of Billie Joe, and its subsequent effect on their lives, is made. Second, the obvious gap between the girl and her mother is shown when both women experience a common loss (first Billie Joe, and later, Papa), and yet Mama and the girl are unable to recognize their mutual loss or share their grief.  The bridge mentioned in this song collapsed in June 1972. It crossed the Tallahatchie River at Money, about ten miles (16 km) north of Greenwood, Mississippi, and has since been replaced. The November 10, 1967, issue of Life Magazine contained a photo of Gentry crossing the original bridge. CANNOTANSWER

Question: What were two more interesting themes to the story of Billie Joe?
Answer: First, the illustration of a group of people's reactions to the life and death of Billie Joe, and its subsequent effect on their lives, is made.
Bohemian Rhapsody

Context: The New York Times commented that "the song's most distinct feature is the fatalistic lyrics". Mercury refused to explain his composition other than saying it was about relationships; the band is still protective of the song's secret. Brian May supports suggestions that the song contained veiled references to Mercury's personal traumas. He recalls "Freddie was a very complex person: flippant and funny on the surface, but he concealed insecurities and problems in squaring up his life with his childhood. He never explained the lyrics, but I think he put a lot of himself into that song." May, though, says the band had agreed that the core of a lyric was a private issue for the composer. In a BBC Three documentary about the making of "Bohemian Rhapsody", Roger Taylor maintains that the true meaning of the song is "fairly self-explanatory with just a bit of nonsense in the middle".  When the band released a Greatest Hits cassette in Iran, a leaflet in Persian was included with translation and explanations (refers to a book published in Iran called The March of the Black Queen by Sarah Sefati and Farhad Arkani, which included the whole biography of the band and complete lyrics with Persian translation (2000)). In the explanation, Queen states that "Bohemian Rhapsody" is about a young man who has accidentally killed someone and, like Faust, sold his soul to the devil. On the night before his execution, he calls for God saying, "Bismillah" ("In the name of God" in Arabic), and with the help of angels, regains his soul from Shaitan (the devil in Islam).  Despite this, critics, both journalistic and academic, have speculated over the meaning behind the song's lyrics. Some believe the lyrics describe a suicidal murderer haunted by demons or depict events just preceding an execution. The latter explanation points to Albert Camus's novel The Stranger, in which a young man confesses to an impulsive murder and has an epiphany before he is executed, as probable inspiration. Others believe the lyrics were only written to fit with the music, and have no meaning; Kenny Everett quoted Mercury as claiming the lyrics were simply "random rhyming nonsense".  Still, others interpreted them as Mercury's way of dealing with personal issues. Music scholar Sheila Whiteley observes that Mercury reached a turning point in his personal life in the year he wrote "Bohemian Rhapsody". He had been living with Mary Austin for seven years but had just embarked on his first love affair with a man. She suggests that the song provides an insight into Mercury's emotional state at the time, "living with Mary ('Mamma', as in Mother Mary) and wanting to break away ('Mamma Mia let me go')". CANNOTANSWER

Question: Who wrote the lyrics of Bohemiam Rhapsody?
Answer: Mercury reached a turning point in his personal life in the year he wrote "Bohemian Rhapsody".
Bohemian Rhapsody

Context: The New York Times commented that "the song's most distinct feature is the fatalistic lyrics". Mercury refused to explain his composition other than saying it was about relationships; the band is still protective of the song's secret. Brian May supports suggestions that the song contained veiled references to Mercury's personal traumas. He recalls "Freddie was a very complex person: flippant and funny on the surface, but he concealed insecurities and problems in squaring up his life with his childhood. He never explained the lyrics, but I think he put a lot of himself into that song." May, though, says the band had agreed that the core of a lyric was a private issue for the composer. In a BBC Three documentary about the making of "Bohemian Rhapsody", Roger Taylor maintains that the true meaning of the song is "fairly self-explanatory with just a bit of nonsense in the middle".  When the band released a Greatest Hits cassette in Iran, a leaflet in Persian was included with translation and explanations (refers to a book published in Iran called The March of the Black Queen by Sarah Sefati and Farhad Arkani, which included the whole biography of the band and complete lyrics with Persian translation (2000)). In the explanation, Queen states that "Bohemian Rhapsody" is about a young man who has accidentally killed someone and, like Faust, sold his soul to the devil. On the night before his execution, he calls for God saying, "Bismillah" ("In the name of God" in Arabic), and with the help of angels, regains his soul from Shaitan (the devil in Islam).  Despite this, critics, both journalistic and academic, have speculated over the meaning behind the song's lyrics. Some believe the lyrics describe a suicidal murderer haunted by demons or depict events just preceding an execution. The latter explanation points to Albert Camus's novel The Stranger, in which a young man confesses to an impulsive murder and has an epiphany before he is executed, as probable inspiration. Others believe the lyrics were only written to fit with the music, and have no meaning; Kenny Everett quoted Mercury as claiming the lyrics were simply "random rhyming nonsense".  Still, others interpreted them as Mercury's way of dealing with personal issues. Music scholar Sheila Whiteley observes that Mercury reached a turning point in his personal life in the year he wrote "Bohemian Rhapsody". He had been living with Mary Austin for seven years but had just embarked on his first love affair with a man. She suggests that the song provides an insight into Mercury's emotional state at the time, "living with Mary ('Mamma', as in Mother Mary) and wanting to break away ('Mamma Mia let me go')". CANNOTANSWER

Question: What was the song Bohemian Rhapsody about?
Answer: Mercury refused to explain his composition other than saying it was about relationships; the band is still protective of the song's secret.
Bohemian Rhapsody

Context: The New York Times commented that "the song's most distinct feature is the fatalistic lyrics". Mercury refused to explain his composition other than saying it was about relationships; the band is still protective of the song's secret. Brian May supports suggestions that the song contained veiled references to Mercury's personal traumas. He recalls "Freddie was a very complex person: flippant and funny on the surface, but he concealed insecurities and problems in squaring up his life with his childhood. He never explained the lyrics, but I think he put a lot of himself into that song." May, though, says the band had agreed that the core of a lyric was a private issue for the composer. In a BBC Three documentary about the making of "Bohemian Rhapsody", Roger Taylor maintains that the true meaning of the song is "fairly self-explanatory with just a bit of nonsense in the middle".  When the band released a Greatest Hits cassette in Iran, a leaflet in Persian was included with translation and explanations (refers to a book published in Iran called The March of the Black Queen by Sarah Sefati and Farhad Arkani, which included the whole biography of the band and complete lyrics with Persian translation (2000)). In the explanation, Queen states that "Bohemian Rhapsody" is about a young man who has accidentally killed someone and, like Faust, sold his soul to the devil. On the night before his execution, he calls for God saying, "Bismillah" ("In the name of God" in Arabic), and with the help of angels, regains his soul from Shaitan (the devil in Islam).  Despite this, critics, both journalistic and academic, have speculated over the meaning behind the song's lyrics. Some believe the lyrics describe a suicidal murderer haunted by demons or depict events just preceding an execution. The latter explanation points to Albert Camus's novel The Stranger, in which a young man confesses to an impulsive murder and has an epiphany before he is executed, as probable inspiration. Others believe the lyrics were only written to fit with the music, and have no meaning; Kenny Everett quoted Mercury as claiming the lyrics were simply "random rhyming nonsense".  Still, others interpreted them as Mercury's way of dealing with personal issues. Music scholar Sheila Whiteley observes that Mercury reached a turning point in his personal life in the year he wrote "Bohemian Rhapsody". He had been living with Mary Austin for seven years but had just embarked on his first love affair with a man. She suggests that the song provides an insight into Mercury's emotional state at the time, "living with Mary ('Mamma', as in Mother Mary) and wanting to break away ('Mamma Mia let me go')". CANNOTANSWER

Question: When were Bohemian Rhapsody written?
Answer: The March of the Black Queen by Sarah Sefati and Farhad Arkani, which included the whole biography of the band and complete lyrics with Persian translation (2000)).
Bohemian Rhapsody

Context: The New York Times commented that "the song's most distinct feature is the fatalistic lyrics". Mercury refused to explain his composition other than saying it was about relationships; the band is still protective of the song's secret. Brian May supports suggestions that the song contained veiled references to Mercury's personal traumas. He recalls "Freddie was a very complex person: flippant and funny on the surface, but he concealed insecurities and problems in squaring up his life with his childhood. He never explained the lyrics, but I think he put a lot of himself into that song." May, though, says the band had agreed that the core of a lyric was a private issue for the composer. In a BBC Three documentary about the making of "Bohemian Rhapsody", Roger Taylor maintains that the true meaning of the song is "fairly self-explanatory with just a bit of nonsense in the middle".  When the band released a Greatest Hits cassette in Iran, a leaflet in Persian was included with translation and explanations (refers to a book published in Iran called The March of the Black Queen by Sarah Sefati and Farhad Arkani, which included the whole biography of the band and complete lyrics with Persian translation (2000)). In the explanation, Queen states that "Bohemian Rhapsody" is about a young man who has accidentally killed someone and, like Faust, sold his soul to the devil. On the night before his execution, he calls for God saying, "Bismillah" ("In the name of God" in Arabic), and with the help of angels, regains his soul from Shaitan (the devil in Islam).  Despite this, critics, both journalistic and academic, have speculated over the meaning behind the song's lyrics. Some believe the lyrics describe a suicidal murderer haunted by demons or depict events just preceding an execution. The latter explanation points to Albert Camus's novel The Stranger, in which a young man confesses to an impulsive murder and has an epiphany before he is executed, as probable inspiration. Others believe the lyrics were only written to fit with the music, and have no meaning; Kenny Everett quoted Mercury as claiming the lyrics were simply "random rhyming nonsense".  Still, others interpreted them as Mercury's way of dealing with personal issues. Music scholar Sheila Whiteley observes that Mercury reached a turning point in his personal life in the year he wrote "Bohemian Rhapsody". He had been living with Mary Austin for seven years but had just embarked on his first love affair with a man. She suggests that the song provides an insight into Mercury's emotional state at the time, "living with Mary ('Mamma', as in Mother Mary) and wanting to break away ('Mamma Mia let me go')". CANNOTANSWER

Question: Who sings Bohemian Rhapsody?
Answer: the band
Bohemian Rhapsody

Context: The New York Times commented that "the song's most distinct feature is the fatalistic lyrics". Mercury refused to explain his composition other than saying it was about relationships; the band is still protective of the song's secret. Brian May supports suggestions that the song contained veiled references to Mercury's personal traumas. He recalls "Freddie was a very complex person: flippant and funny on the surface, but he concealed insecurities and problems in squaring up his life with his childhood. He never explained the lyrics, but I think he put a lot of himself into that song." May, though, says the band had agreed that the core of a lyric was a private issue for the composer. In a BBC Three documentary about the making of "Bohemian Rhapsody", Roger Taylor maintains that the true meaning of the song is "fairly self-explanatory with just a bit of nonsense in the middle".  When the band released a Greatest Hits cassette in Iran, a leaflet in Persian was included with translation and explanations (refers to a book published in Iran called The March of the Black Queen by Sarah Sefati and Farhad Arkani, which included the whole biography of the band and complete lyrics with Persian translation (2000)). In the explanation, Queen states that "Bohemian Rhapsody" is about a young man who has accidentally killed someone and, like Faust, sold his soul to the devil. On the night before his execution, he calls for God saying, "Bismillah" ("In the name of God" in Arabic), and with the help of angels, regains his soul from Shaitan (the devil in Islam).  Despite this, critics, both journalistic and academic, have speculated over the meaning behind the song's lyrics. Some believe the lyrics describe a suicidal murderer haunted by demons or depict events just preceding an execution. The latter explanation points to Albert Camus's novel The Stranger, in which a young man confesses to an impulsive murder and has an epiphany before he is executed, as probable inspiration. Others believe the lyrics were only written to fit with the music, and have no meaning; Kenny Everett quoted Mercury as claiming the lyrics were simply "random rhyming nonsense".  Still, others interpreted them as Mercury's way of dealing with personal issues. Music scholar Sheila Whiteley observes that Mercury reached a turning point in his personal life in the year he wrote "Bohemian Rhapsody". He had been living with Mary Austin for seven years but had just embarked on his first love affair with a man. She suggests that the song provides an insight into Mercury's emotional state at the time, "living with Mary ('Mamma', as in Mother Mary) and wanting to break away ('Mamma Mia let me go')". CANNOTANSWER

Question: When was Bohemian Rhapsody released?
Answer: which included the whole biography of the band and complete lyrics with Persian translation (2000)).