gaussalgo/Canard_Wiki-augmented huggingface dataset:
Terrance Dicks

Context: In 1968, Dicks was hired as assistant script editor on the popular BBC science-fiction TV series Doctor Who. He was appointed head script editor the following year, and earned his first writing credit for the programme when he and Hulke co-wrote the 10-part serial The War Games, which concluded the series' sixth season and the Second Doctor's (Patrick Troughton) tenure. Dicks had, however, been the uncredited co-writer of the earlier serial The Seeds of Death, having extensively re-written Brian Hayles' original scripts.  Dicks went on to form a highly productive working relationship with incoming Doctor Who producer Barry Letts, serving as script editor on all of Letts' five seasons as head of the programme from 1970 to 1974. In 1972, Dicks embarked on a parallel career as an author with the publication of his first book, The Making of Doctor Who (a history of the production of the TV series), which was co-written by Hulke.  After stepping down as script editor, Dicks continued his association with Doctor Who, writing four scripts for his successor, Robert Holmes: these were Robot (1975, Tom Baker's first outing as the Fourth Doctor), The Brain of Morbius (1976, for which Dicks was credited under the pseudonym "Robin Bland" after his displeasure at Holmes' re-writes prompted him to request that it be shown "under some bland pseudonym"), Horror of Fang Rock (1977) and State of Decay (1980).  State of Decay was in fact a re-written version of a story originally titled The Vampire Mutations, which had been due for production during season 15 until the BBC decided that the vampiric theme would clash with the plot of its new adaptation of Bram Stoker's Count Dracula, which was due for transmission at roughly the same time, and replaced it with Horror of Fang Rock. Dicks penned his final Doctor Who script in 1983, when he wrote the programme's 20th anniversary special episode, The Five Doctors.  Dicks' other work for Doctor Who includes two stage plays, Doctor Who and the Daleks in the Seven Keys to Doomsday (1974) and Doctor Who - The Ultimate Adventure (1989), and an audio drama for Big Finish Productions titled Comeback (2002), which was the first to feature former Doctor's companion Sarah Jane Smith in a significant capacity. CANNOTANSWER

Question: The section is entitled Doctor Who so I am askin what is Doctor Who?
Answer: CANNOTANSWER
Terrance Dicks

Context: In 1968, Dicks was hired as assistant script editor on the popular BBC science-fiction TV series Doctor Who. He was appointed head script editor the following year, and earned his first writing credit for the programme when he and Hulke co-wrote the 10-part serial The War Games, which concluded the series' sixth season and the Second Doctor's (Patrick Troughton) tenure. Dicks had, however, been the uncredited co-writer of the earlier serial The Seeds of Death, having extensively re-written Brian Hayles' original scripts.  Dicks went on to form a highly productive working relationship with incoming Doctor Who producer Barry Letts, serving as script editor on all of Letts' five seasons as head of the programme from 1970 to 1974. In 1972, Dicks embarked on a parallel career as an author with the publication of his first book, The Making of Doctor Who (a history of the production of the TV series), which was co-written by Hulke.  After stepping down as script editor, Dicks continued his association with Doctor Who, writing four scripts for his successor, Robert Holmes: these were Robot (1975, Tom Baker's first outing as the Fourth Doctor), The Brain of Morbius (1976, for which Dicks was credited under the pseudonym "Robin Bland" after his displeasure at Holmes' re-writes prompted him to request that it be shown "under some bland pseudonym"), Horror of Fang Rock (1977) and State of Decay (1980).  State of Decay was in fact a re-written version of a story originally titled The Vampire Mutations, which had been due for production during season 15 until the BBC decided that the vampiric theme would clash with the plot of its new adaptation of Bram Stoker's Count Dracula, which was due for transmission at roughly the same time, and replaced it with Horror of Fang Rock. Dicks penned his final Doctor Who script in 1983, when he wrote the programme's 20th anniversary special episode, The Five Doctors.  Dicks' other work for Doctor Who includes two stage plays, Doctor Who and the Daleks in the Seven Keys to Doomsday (1974) and Doctor Who - The Ultimate Adventure (1989), and an audio drama for Big Finish Productions titled Comeback (2002), which was the first to feature former Doctor's companion Sarah Jane Smith in a significant capacity. CANNOTANSWER

Question: Are there any other interesting aspects about this article together with Doctor who?
Answer: In 1968, Dicks was hired as assistant script editor on the popular BBC science-fiction TV series Doctor Who.
Terrance Dicks

Context: In 1968, Dicks was hired as assistant script editor on the popular BBC science-fiction TV series Doctor Who. He was appointed head script editor the following year, and earned his first writing credit for the programme when he and Hulke co-wrote the 10-part serial The War Games, which concluded the series' sixth season and the Second Doctor's (Patrick Troughton) tenure. Dicks had, however, been the uncredited co-writer of the earlier serial The Seeds of Death, having extensively re-written Brian Hayles' original scripts.  Dicks went on to form a highly productive working relationship with incoming Doctor Who producer Barry Letts, serving as script editor on all of Letts' five seasons as head of the programme from 1970 to 1974. In 1972, Dicks embarked on a parallel career as an author with the publication of his first book, The Making of Doctor Who (a history of the production of the TV series), which was co-written by Hulke.  After stepping down as script editor, Dicks continued his association with Doctor Who, writing four scripts for his successor, Robert Holmes: these were Robot (1975, Tom Baker's first outing as the Fourth Doctor), The Brain of Morbius (1976, for which Dicks was credited under the pseudonym "Robin Bland" after his displeasure at Holmes' re-writes prompted him to request that it be shown "under some bland pseudonym"), Horror of Fang Rock (1977) and State of Decay (1980).  State of Decay was in fact a re-written version of a story originally titled The Vampire Mutations, which had been due for production during season 15 until the BBC decided that the vampiric theme would clash with the plot of its new adaptation of Bram Stoker's Count Dracula, which was due for transmission at roughly the same time, and replaced it with Horror of Fang Rock. Dicks penned his final Doctor Who script in 1983, when he wrote the programme's 20th anniversary special episode, The Five Doctors.  Dicks' other work for Doctor Who includes two stage plays, Doctor Who and the Daleks in the Seven Keys to Doomsday (1974) and Doctor Who - The Ultimate Adventure (1989), and an audio drama for Big Finish Productions titled Comeback (2002), which was the first to feature former Doctor's companion Sarah Jane Smith in a significant capacity. CANNOTANSWER

Question: How long did Dicks work on the series?
Answer: CANNOTANSWER
Terrance Dicks

Context: In 1968, Dicks was hired as assistant script editor on the popular BBC science-fiction TV series Doctor Who. He was appointed head script editor the following year, and earned his first writing credit for the programme when he and Hulke co-wrote the 10-part serial The War Games, which concluded the series' sixth season and the Second Doctor's (Patrick Troughton) tenure. Dicks had, however, been the uncredited co-writer of the earlier serial The Seeds of Death, having extensively re-written Brian Hayles' original scripts.  Dicks went on to form a highly productive working relationship with incoming Doctor Who producer Barry Letts, serving as script editor on all of Letts' five seasons as head of the programme from 1970 to 1974. In 1972, Dicks embarked on a parallel career as an author with the publication of his first book, The Making of Doctor Who (a history of the production of the TV series), which was co-written by Hulke.  After stepping down as script editor, Dicks continued his association with Doctor Who, writing four scripts for his successor, Robert Holmes: these were Robot (1975, Tom Baker's first outing as the Fourth Doctor), The Brain of Morbius (1976, for which Dicks was credited under the pseudonym "Robin Bland" after his displeasure at Holmes' re-writes prompted him to request that it be shown "under some bland pseudonym"), Horror of Fang Rock (1977) and State of Decay (1980).  State of Decay was in fact a re-written version of a story originally titled The Vampire Mutations, which had been due for production during season 15 until the BBC decided that the vampiric theme would clash with the plot of its new adaptation of Bram Stoker's Count Dracula, which was due for transmission at roughly the same time, and replaced it with Horror of Fang Rock. Dicks penned his final Doctor Who script in 1983, when he wrote the programme's 20th anniversary special episode, The Five Doctors.  Dicks' other work for Doctor Who includes two stage plays, Doctor Who and the Daleks in the Seven Keys to Doomsday (1974) and Doctor Who - The Ultimate Adventure (1989), and an audio drama for Big Finish Productions titled Comeback (2002), which was the first to feature former Doctor's companion Sarah Jane Smith in a significant capacity. CANNOTANSWER

Question: Has Dicks been quotes as saying anything about his time on Doctor Who?
Answer: CANNOTANSWER
Lord Voldemort

Context: Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance.  Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died, just hours after giving birth. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who takes sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of "Muggles", his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world.  In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to attack Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. CANNOTANSWER

Question: Does Lord Voldemort appear in Harry Potter and the Half-Blood Prince?
Answer: Voldemort does not appear in Harry Potter and the Half-Blood Prince,
Lord Voldemort

Context: Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance.  Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died, just hours after giving birth. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who takes sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of "Muggles", his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world.  In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to attack Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. CANNOTANSWER

Question: Was in Harry Potter and the Half-Blood Princ any flashbacks?
Answer: In a series of flashbacks, using the pensieve as a plot device,
Lord Voldemort

Context: Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance.  Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died, just hours after giving birth. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who takes sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of "Muggles", his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world.  In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to attack Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. CANNOTANSWER

Question: Who was the author of Harry Potter and the Half-Blood Prince?
Answer: Rowling
Lord Voldemort

Context: Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance.  Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died, just hours after giving birth. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who takes sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of "Muggles", his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world.  In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to attack Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. CANNOTANSWER

Question: Did Lord Voldemort have to assault anyone in Harry Potter and the Half-Blood Prince?
Answer: He murders Amelia Bones of the Department of Magical Law Enforcement,
Lord Voldemort

Context: Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance.  Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died, just hours after giving birth. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who takes sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of "Muggles", his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world.  In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to attack Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. CANNOTANSWER

Question: Did Lord Voldemort have to fight any hogwarts in Harry Potter and the Half-Blood Prince?
Answer: In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts,
Lord Voldemort

Context: Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance.  Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died, just hours after giving birth. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who takes sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of "Muggles", his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world.  In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to attack Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. CANNOTANSWER

Question: Did the hogwarts have a professor in Harry Potter and the Half-Blood Princ?
Answer: Hogwarts professor (and re-doubled agent) Severus Snape
Lord Voldemort

Context: Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance.  Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died, just hours after giving birth. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who takes sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of "Muggles", his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world.  In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to attack Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. CANNOTANSWER

Question: What was the witches name in Harry Potter and the Half-Blood Prince?
Answer: Merope Gaunt
Lord Voldemort

Context: Voldemort does not appear in Harry Potter and the Half-Blood Prince, although his presence and actions are felt: he once again declares war, and begins to rise to power once more. He murders Amelia Bones of the Department of Magical Law Enforcement, and begins to target members of the Order of the Phoenix, including Emmeline Vance.  Rowling uses several chapters as exposition to establish Voldemort's backstory. In a series of flashbacks, using the pensieve as a plot device, she reveals that Voldemort was the son of the witch Merope Gaunt and a Muggle called Tom Riddle. Riddle abandoned Merope before their child's birth, soon after which Merope died, just hours after giving birth. After living in an orphanage, young Riddle met Dumbledore, who told him he was a wizard and arranged for him to attend Hogwarts. Riddle was outwardly a model student, but was in reality a psychopath who takes sadistic pleasure in using his powers to harm and control people. He eventually murdered his father and grandparents as revenge for abandoning him. The book also discusses Riddle's hatred of "Muggles", his obsession with Horcruxes, and his desire to split his soul to achieve immortality. Rowling stated Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world.  In the main plot of the book, Voldemort's next step is to engineer an assault on Hogwarts, and to attack Dumbledore. This is accomplished by Draco Malfoy, who arranges transportation of Death Eaters into Hogwarts by a pair of Vanishing Cabinets, which bypass the extensive protective enchantments placed around the school. The cabinets allow Voldemort's Death Eaters to enter Hogwarts, where battle commences and Dumbledore is cornered. Hogwarts professor (and re-doubled agent) Severus Snape uses the Killing Curse against Dumbledore when Draco could not force himself to do so. CANNOTANSWER

Question: Was there a love potion in Harry Potter and the Half-Blood Prince?
Answer: Voldemort's conception under the influence of a love potion symbolises the prejudicial circumstances under which he was brought into the world.
Chris Jericho

Context: On August 10, Jericho defeated Stevie Ray to win the World Television Championship (Stevie Ray substituting for the champion Booker T). Soon afterward, Jericho repeatedly called out WCW World Heavyweight Champion Goldberg in an attempt to begin a feud with him, but never actually wrestled him. Jericho cites Eric Bischoff, Goldberg and Hulk Hogan's refusal to book Jericho in a pay-per-view squash match loss against Goldberg, which Jericho felt would be a big draw, as a major reason for leaving the company.  On November 30, Jericho lost the World Television Championship to Konnan. In early 1999, Jericho began a feud with Perry Saturn. The feud saw Jericho and Saturn instigating bizarre stipulation matches, such as at Souled Out, where Jericho defeated Saturn in a "loser must wear a dress" match. At SuperBrawl IX, Jericho and Saturn wrestled in a "dress" match which Jericho won. Saturn finally defeated Jericho at Uncensored in a Dog Collar match. Jericho alternated between WCW and a number of Japanese tours before he signed a contract with the World Wrestling Federation (WWF) on June 30. Jericho's final WCW match came during a Peoria, Illinois house show July 21, where he and Eddie Guerrero lost to Billy Kidman and Rey Mysterio Jr. in a tag team match.  Fifteen years after Jericho's departure from WCW, his best known entrance music within the company, "One Crazed Anarchist", lent its name to the title of the second single from his band Fozzy's 2014 album, Do You Wanna Start a War. CANNOTANSWER

Question: Who did Chris Jericho defeat to become the World Television Champion?
Answer: On August 10, Jericho defeated Stevie Ray to win the World Television Championship (Stevie Ray substituting for the champion Booker T).
Chris Jericho

Context: On August 10, Jericho defeated Stevie Ray to win the World Television Championship (Stevie Ray substituting for the champion Booker T). Soon afterward, Jericho repeatedly called out WCW World Heavyweight Champion Goldberg in an attempt to begin a feud with him, but never actually wrestled him. Jericho cites Eric Bischoff, Goldberg and Hulk Hogan's refusal to book Jericho in a pay-per-view squash match loss against Goldberg, which Jericho felt would be a big draw, as a major reason for leaving the company.  On November 30, Jericho lost the World Television Championship to Konnan. In early 1999, Jericho began a feud with Perry Saturn. The feud saw Jericho and Saturn instigating bizarre stipulation matches, such as at Souled Out, where Jericho defeated Saturn in a "loser must wear a dress" match. At SuperBrawl IX, Jericho and Saturn wrestled in a "dress" match which Jericho won. Saturn finally defeated Jericho at Uncensored in a Dog Collar match. Jericho alternated between WCW and a number of Japanese tours before he signed a contract with the World Wrestling Federation (WWF) on June 30. Jericho's final WCW match came during a Peoria, Illinois house show July 21, where he and Eddie Guerrero lost to Billy Kidman and Rey Mysterio Jr. in a tag team match.  Fifteen years after Jericho's departure from WCW, his best known entrance music within the company, "One Crazed Anarchist", lent its name to the title of the second single from his band Fozzy's 2014 album, Do You Wanna Start a War. CANNOTANSWER

Question: Which wrestling league was Jericho in during World Television Champion period?
Answer: CANNOTANSWER
Chris Jericho

Context: On August 10, Jericho defeated Stevie Ray to win the World Television Championship (Stevie Ray substituting for the champion Booker T). Soon afterward, Jericho repeatedly called out WCW World Heavyweight Champion Goldberg in an attempt to begin a feud with him, but never actually wrestled him. Jericho cites Eric Bischoff, Goldberg and Hulk Hogan's refusal to book Jericho in a pay-per-view squash match loss against Goldberg, which Jericho felt would be a big draw, as a major reason for leaving the company.  On November 30, Jericho lost the World Television Championship to Konnan. In early 1999, Jericho began a feud with Perry Saturn. The feud saw Jericho and Saturn instigating bizarre stipulation matches, such as at Souled Out, where Jericho defeated Saturn in a "loser must wear a dress" match. At SuperBrawl IX, Jericho and Saturn wrestled in a "dress" match which Jericho won. Saturn finally defeated Jericho at Uncensored in a Dog Collar match. Jericho alternated between WCW and a number of Japanese tours before he signed a contract with the World Wrestling Federation (WWF) on June 30. Jericho's final WCW match came during a Peoria, Illinois house show July 21, where he and Eddie Guerrero lost to Billy Kidman and Rey Mysterio Jr. in a tag team match.  Fifteen years after Jericho's departure from WCW, his best known entrance music within the company, "One Crazed Anarchist", lent its name to the title of the second single from his band Fozzy's 2014 album, Do You Wanna Start a War. CANNOTANSWER

Question: Besides World Television Champion, what is another notable match that Chris Jericho was in during the 1998 to 1999 time period?
Answer: On November 30, Jericho lost the World Television Championship to Konnan.
Chris Jericho

Context: On August 10, Jericho defeated Stevie Ray to win the World Television Championship (Stevie Ray substituting for the champion Booker T). Soon afterward, Jericho repeatedly called out WCW World Heavyweight Champion Goldberg in an attempt to begin a feud with him, but never actually wrestled him. Jericho cites Eric Bischoff, Goldberg and Hulk Hogan's refusal to book Jericho in a pay-per-view squash match loss against Goldberg, which Jericho felt would be a big draw, as a major reason for leaving the company.  On November 30, Jericho lost the World Television Championship to Konnan. In early 1999, Jericho began a feud with Perry Saturn. The feud saw Jericho and Saturn instigating bizarre stipulation matches, such as at Souled Out, where Jericho defeated Saturn in a "loser must wear a dress" match. At SuperBrawl IX, Jericho and Saturn wrestled in a "dress" match which Jericho won. Saturn finally defeated Jericho at Uncensored in a Dog Collar match. Jericho alternated between WCW and a number of Japanese tours before he signed a contract with the World Wrestling Federation (WWF) on June 30. Jericho's final WCW match came during a Peoria, Illinois house show July 21, where he and Eddie Guerrero lost to Billy Kidman and Rey Mysterio Jr. in a tag team match.  Fifteen years after Jericho's departure from WCW, his best known entrance music within the company, "One Crazed Anarchist", lent its name to the title of the second single from his band Fozzy's 2014 album, Do You Wanna Start a War. CANNOTANSWER

Question: Where did World Television Championship match that Chris Jericho lost to Konnan take place?
Answer: CANNOTANSWER
Chris Jericho

Context: On August 10, Jericho defeated Stevie Ray to win the World Television Championship (Stevie Ray substituting for the champion Booker T). Soon afterward, Jericho repeatedly called out WCW World Heavyweight Champion Goldberg in an attempt to begin a feud with him, but never actually wrestled him. Jericho cites Eric Bischoff, Goldberg and Hulk Hogan's refusal to book Jericho in a pay-per-view squash match loss against Goldberg, which Jericho felt would be a big draw, as a major reason for leaving the company.  On November 30, Jericho lost the World Television Championship to Konnan. In early 1999, Jericho began a feud with Perry Saturn. The feud saw Jericho and Saturn instigating bizarre stipulation matches, such as at Souled Out, where Jericho defeated Saturn in a "loser must wear a dress" match. At SuperBrawl IX, Jericho and Saturn wrestled in a "dress" match which Jericho won. Saturn finally defeated Jericho at Uncensored in a Dog Collar match. Jericho alternated between WCW and a number of Japanese tours before he signed a contract with the World Wrestling Federation (WWF) on June 30. Jericho's final WCW match came during a Peoria, Illinois house show July 21, where he and Eddie Guerrero lost to Billy Kidman and Rey Mysterio Jr. in a tag team match.  Fifteen years after Jericho's departure from WCW, his best known entrance music within the company, "One Crazed Anarchist", lent its name to the title of the second single from his band Fozzy's 2014 album, Do You Wanna Start a War. CANNOTANSWER

Question: Did Chris Jericho ever regain World Television Championship?
Answer: Jericho alternated between WCW and a number of Japanese tours before he signed a contract with the World Wrestling Federation (WWF)
Chris Jericho

Context: On August 10, Jericho defeated Stevie Ray to win the World Television Championship (Stevie Ray substituting for the champion Booker T). Soon afterward, Jericho repeatedly called out WCW World Heavyweight Champion Goldberg in an attempt to begin a feud with him, but never actually wrestled him. Jericho cites Eric Bischoff, Goldberg and Hulk Hogan's refusal to book Jericho in a pay-per-view squash match loss against Goldberg, which Jericho felt would be a big draw, as a major reason for leaving the company.  On November 30, Jericho lost the World Television Championship to Konnan. In early 1999, Jericho began a feud with Perry Saturn. The feud saw Jericho and Saturn instigating bizarre stipulation matches, such as at Souled Out, where Jericho defeated Saturn in a "loser must wear a dress" match. At SuperBrawl IX, Jericho and Saturn wrestled in a "dress" match which Jericho won. Saturn finally defeated Jericho at Uncensored in a Dog Collar match. Jericho alternated between WCW and a number of Japanese tours before he signed a contract with the World Wrestling Federation (WWF) on June 30. Jericho's final WCW match came during a Peoria, Illinois house show July 21, where he and Eddie Guerrero lost to Billy Kidman and Rey Mysterio Jr. in a tag team match.  Fifteen years after Jericho's departure from WCW, his best known entrance music within the company, "One Crazed Anarchist", lent its name to the title of the second single from his band Fozzy's 2014 album, Do You Wanna Start a War. CANNOTANSWER

Question: Did Chris Jericho participate in any tag team matches in the 1998 to 1999 period?
Answer: Illinois house show July 21, where he and Eddie Guerrero lost to Billy Kidman and Rey Mysterio Jr. in a tag team match.
Richard Dawkins

Context: In his book, The Selfish Gene, Dawkins coined the word meme (the behavioural equivalent of a gene) as a way to encourage readers to think about how Darwinian principles might be extended beyond the realm of genes. It was intended as an extension of his "replicators" argument, but it took on a life of its own in the hands of other authors, such as Daniel Dennett and Susan Blackmore. These popularisations then led to the emergence of memetics, a field from which Dawkins has distanced himself.  Dawkins's meme refers to any cultural entity that an observer might consider a replicator of a certain idea or set of ideas. He hypothesised that people could view many cultural entities as capable of such replication, generally through communication and contact with humans, who have evolved as efficient (although not perfect) copiers of information and behaviour. Because memes are not always copied perfectly, they might become refined, combined, or otherwise modified with other ideas; this results in new memes, which may themselves prove more or less efficient replicators than their predecessors, thus providing a framework for a hypothesis of cultural evolution based on memes, a notion that is analogous to the theory of biological evolution based on genes.  Although Dawkins invented the term meme, he has not claimed that the idea was entirely novel, and there have been other expressions for similar ideas in the past. For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon. In 1904, Semon published Die Mneme (which appeared in English in 1924 as The Mneme). This book discusses the cultural transmission of experiences, with insights parallel to those of Dawkins. Laurent also found the term, mneme, used in Maurice Maeterlinck's The Life of the White Ant (1926), and has highlighted the similarities to Dawkins's concept. James Gleick describes Dawkins's concept of the meme as "his most famous memorable invention, far more influential than his selfish genes or his later proselytising against religiosity". CANNOTANSWER

Question: How was Richard Dawkins responsible for the term meme?
Answer: In his book, The Selfish Gene, Dawkins coined the word meme
Richard Dawkins

Context: In his book, The Selfish Gene, Dawkins coined the word meme (the behavioural equivalent of a gene) as a way to encourage readers to think about how Darwinian principles might be extended beyond the realm of genes. It was intended as an extension of his "replicators" argument, but it took on a life of its own in the hands of other authors, such as Daniel Dennett and Susan Blackmore. These popularisations then led to the emergence of memetics, a field from which Dawkins has distanced himself.  Dawkins's meme refers to any cultural entity that an observer might consider a replicator of a certain idea or set of ideas. He hypothesised that people could view many cultural entities as capable of such replication, generally through communication and contact with humans, who have evolved as efficient (although not perfect) copiers of information and behaviour. Because memes are not always copied perfectly, they might become refined, combined, or otherwise modified with other ideas; this results in new memes, which may themselves prove more or less efficient replicators than their predecessors, thus providing a framework for a hypothesis of cultural evolution based on memes, a notion that is analogous to the theory of biological evolution based on genes.  Although Dawkins invented the term meme, he has not claimed that the idea was entirely novel, and there have been other expressions for similar ideas in the past. For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon. In 1904, Semon published Die Mneme (which appeared in English in 1924 as The Mneme). This book discusses the cultural transmission of experiences, with insights parallel to those of Dawkins. Laurent also found the term, mneme, used in Maurice Maeterlinck's The Life of the White Ant (1926), and has highlighted the similarities to Dawkins's concept. James Gleick describes Dawkins's concept of the meme as "his most famous memorable invention, far more influential than his selfish genes or his later proselytising against religiosity". CANNOTANSWER

Question: What was Richard Dawkins referring to with "meme"?
Answer: Dawkins's meme refers to any cultural entity that an observer might consider a replicator of a certain idea or set of ideas.
Richard Dawkins

Context: In his book, The Selfish Gene, Dawkins coined the word meme (the behavioural equivalent of a gene) as a way to encourage readers to think about how Darwinian principles might be extended beyond the realm of genes. It was intended as an extension of his "replicators" argument, but it took on a life of its own in the hands of other authors, such as Daniel Dennett and Susan Blackmore. These popularisations then led to the emergence of memetics, a field from which Dawkins has distanced himself.  Dawkins's meme refers to any cultural entity that an observer might consider a replicator of a certain idea or set of ideas. He hypothesised that people could view many cultural entities as capable of such replication, generally through communication and contact with humans, who have evolved as efficient (although not perfect) copiers of information and behaviour. Because memes are not always copied perfectly, they might become refined, combined, or otherwise modified with other ideas; this results in new memes, which may themselves prove more or less efficient replicators than their predecessors, thus providing a framework for a hypothesis of cultural evolution based on memes, a notion that is analogous to the theory of biological evolution based on genes.  Although Dawkins invented the term meme, he has not claimed that the idea was entirely novel, and there have been other expressions for similar ideas in the past. For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon. In 1904, Semon published Die Mneme (which appeared in English in 1924 as The Mneme). This book discusses the cultural transmission of experiences, with insights parallel to those of Dawkins. Laurent also found the term, mneme, used in Maurice Maeterlinck's The Life of the White Ant (1926), and has highlighted the similarities to Dawkins's concept. James Gleick describes Dawkins's concept of the meme as "his most famous memorable invention, far more influential than his selfish genes or his later proselytising against religiosity". CANNOTANSWER

Question: What is the book, The Selfish Gene?
Answer: CANNOTANSWER
Richard Dawkins

Context: In his book, The Selfish Gene, Dawkins coined the word meme (the behavioural equivalent of a gene) as a way to encourage readers to think about how Darwinian principles might be extended beyond the realm of genes. It was intended as an extension of his "replicators" argument, but it took on a life of its own in the hands of other authors, such as Daniel Dennett and Susan Blackmore. These popularisations then led to the emergence of memetics, a field from which Dawkins has distanced himself.  Dawkins's meme refers to any cultural entity that an observer might consider a replicator of a certain idea or set of ideas. He hypothesised that people could view many cultural entities as capable of such replication, generally through communication and contact with humans, who have evolved as efficient (although not perfect) copiers of information and behaviour. Because memes are not always copied perfectly, they might become refined, combined, or otherwise modified with other ideas; this results in new memes, which may themselves prove more or less efficient replicators than their predecessors, thus providing a framework for a hypothesis of cultural evolution based on memes, a notion that is analogous to the theory of biological evolution based on genes.  Although Dawkins invented the term meme, he has not claimed that the idea was entirely novel, and there have been other expressions for similar ideas in the past. For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon. In 1904, Semon published Die Mneme (which appeared in English in 1924 as The Mneme). This book discusses the cultural transmission of experiences, with insights parallel to those of Dawkins. Laurent also found the term, mneme, used in Maurice Maeterlinck's The Life of the White Ant (1926), and has highlighted the similarities to Dawkins's concept. James Gleick describes Dawkins's concept of the meme as "his most famous memorable invention, far more influential than his selfish genes or his later proselytising against religiosity". CANNOTANSWER

Question: Besides Richard Dawkins coining the term meme, are there any other interesting aspects about this article?
Answer: Although Dawkins invented the term meme, he has not claimed that the idea was entirely novel,
Richard Dawkins

Context: In his book, The Selfish Gene, Dawkins coined the word meme (the behavioural equivalent of a gene) as a way to encourage readers to think about how Darwinian principles might be extended beyond the realm of genes. It was intended as an extension of his "replicators" argument, but it took on a life of its own in the hands of other authors, such as Daniel Dennett and Susan Blackmore. These popularisations then led to the emergence of memetics, a field from which Dawkins has distanced himself.  Dawkins's meme refers to any cultural entity that an observer might consider a replicator of a certain idea or set of ideas. He hypothesised that people could view many cultural entities as capable of such replication, generally through communication and contact with humans, who have evolved as efficient (although not perfect) copiers of information and behaviour. Because memes are not always copied perfectly, they might become refined, combined, or otherwise modified with other ideas; this results in new memes, which may themselves prove more or less efficient replicators than their predecessors, thus providing a framework for a hypothesis of cultural evolution based on memes, a notion that is analogous to the theory of biological evolution based on genes.  Although Dawkins invented the term meme, he has not claimed that the idea was entirely novel, and there have been other expressions for similar ideas in the past. For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon. In 1904, Semon published Die Mneme (which appeared in English in 1924 as The Mneme). This book discusses the cultural transmission of experiences, with insights parallel to those of Dawkins. Laurent also found the term, mneme, used in Maurice Maeterlinck's The Life of the White Ant (1926), and has highlighted the similarities to Dawkins's concept. James Gleick describes Dawkins's concept of the meme as "his most famous memorable invention, far more influential than his selfish genes or his later proselytising against religiosity". CANNOTANSWER

Question: Why didn't Richard Dawkins claim that the term meme was a novel idea?
Answer: For instance, John Laurent has suggested that the term may have derived from the work of the little-known German biologist Richard Semon.