gaussalgo/Canard_Wiki-augmented huggingface dataset:
Jack London

Context: London wrote from a socialist viewpoint, which is evident in his novel The Iron Heel. Neither a theorist nor an intellectual socialist, London's socialism grew out of his life experience. As London explained in his essay, "How I Became a Socialist", his views were influenced by his experience with people at the bottom of the social pit. His optimism and individualism faded, and he vowed never to do more hard physical work than necessary. He wrote that his individualism was hammered out of him, and he was politically reborn. He often closed his letters "Yours for the Revolution."  London joined the Socialist Labor Party in April 1896. In the same year, the San Francisco Chronicle published a story about the twenty-year-old London giving nightly speeches in Oakland's City Hall Park, an activity he was arrested for a year later. In 1901, he left the Socialist Labor Party and joined the new Socialist Party of America. He ran unsuccessfully as the high-profile Socialist candidate for mayor of Oakland in 1901 (receiving 245 votes) and 1905 (improving to 981 votes), toured the country lecturing on socialism in 1906, and published two collections of essays about socialism: The War of the Classes (1905) and Revolution, and other Essays (1906).  Stasz notes that "London regarded the Wobblies as a welcome addition to the Socialist cause, although he never joined them in going so far as to recommend sabotage." Stasz mentions a personal meeting between London and Big Bill Haywood in 1912.  In his late (1913) book The Cruise of the Snark, London writes about appeals to him for membership of the Snark's crew from office workers and other "toilers" who longed for escape from the cities, and of being cheated by workmen.  In his Glen Ellen ranch years, London felt some ambivalence toward socialism and complained about the "inefficient Italian labourers" in his employ. In 1916, he resigned from the Glen Ellen chapter of the Socialist Party, but stated emphatically he did so "because of its lack of fire and fight, and its loss of emphasis on the class struggle." In an unflattering portrait of London's ranch days, California cultural historian Kevin Starr refers to this period as "post-socialist" and says "... by 1911 ... London was more bored by the class struggle than he cared to admit." CANNOTANSWER

Question: What did Jack London do after he left the Socialist Labor Party?
Answer: In an unflattering portrait of London's ranch days, California cultural historian Kevin Starr refers to this period as "post-socialist"
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: Tell me about Stan Kenton's career?
Answer: Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937.
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: What is Arnheim?
Answer: Gus Arnheim's group,
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: What did Stan Kenton do after being in Arnheim's group?
Answer: Kenton went back to study with private teachers on both the piano and in composition.
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: Where did Stan Kenton study after being in Arnheim's group?
Answer: with private teachers
Stan Kenton

Context: In April 1936 Gus Arnheim was reorganizing his band into the style of Benny Goodman's groups and Kenton was to take the piano chair. This is where Kenton would make his first recordings when Arnheim made 14 sides for the Brunswick label in summer of 1937. Once he departed from Gus Arnheim's group, Kenton went back to study with private teachers on both the piano and in composition. In 1938 Kenton would join Vido Musso in a short-lived band but a very educational experience for him.  From the core of this group come the line up of the first Stan Kenton groups of the 1940s. Kenton would also go on to working with the NBC House Band and in various Hollywood studios and clubs. Producer George Avakian took notice of Kenton during this time while he worked as the pianist and Assistant Musical Director at the Earl Carroll Theatre Restaurant in Hollywood. Kenton started to get the idea of running his own band from this experience; he created a rehearsal band of his own which eventually become his group in the 1940s.  In June 1941, Kenton formed his first orchestra. Kenton worked in the early days with his own groups as much more of an arranger than a featured pianist. Although there were no "name" musicians in his first band (with the possible exception of bassist Howard Rumsey and trumpeter Chico Alvarez), Kenton spent the summer of 1941 playing regularly before an audience at the Rendezvous Ballroom in Balboa Beach, CA. Influenced by Benny Carter and Jimmie Lunceford, the Stan Kenton Orchestra struggled for a time after its initial success. Its Decca recordings were not big sellers and a stint as Bob Hope's backup radio band during the 1943-44 season was an unhappy experience; Les Brown permanently took Kenton's place.  Kenton's first appearance in New York was in February 1942 at the Roseland Ballroom, with the marquee featuring an endorsement by Fred Astaire. By late 1943, with a contract with the newly formed Capitol Records, a popular record in "Eager Beaver", and growing recognition, the Stan Kenton Orchestra was gradually catching on; it developed into one of the best-known West Coast ensembles of the 1940s. Its soloists during the war years included Art Pepper, briefly Stan Getz, altoist Boots Mussulli, and singer Anita O'Day. By 1945, the band had evolved. The songwriter Joe Greene provided the lyrics for hit songs like "And Her Tears Flowed Like Wine" and "Don't Let the Sun Catch You Cryin'". Pete Rugolo became the chief arranger (extending Kenton's ideas), Bob Cooper and Vido Musso offered very different tenor styles, and June Christy was Kenton's new singer; her hits (including "Tampico" and Greene's "Across the Alley from the Alamo") made it possible for Kenton to finance his more ambitious projects. CANNOTANSWER

Question: Are there any other interesting aspects about this article besides Stan Kenton's career?
Answer: In June 1941, Kenton formed his first orchestra.
Robert Owen

Context: Owen embraced socialism in 1817, a turning point in his life, and began making specific efforts to implement what he described as his "New View of Society." Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws. In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country, the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns. Although Owen attributed the immediate causes of misery to the wars, he also argued that the underlying cause of distress was the competition of human labour with machinery and recommended the establishment of self-sufficient communities.  Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2), with all of them living in one large building that had a public kitchen and dining halls. (The size of his proposed community is likely to have been influenced by the size of the village of New Lanark.) Owen also recommended that each family should have its own private apartments and the responsibility for the care of their children until they reached the age of three. Thereafter, children would be raised by the community-at-large, but their parents would have access to them at mealtimes and on other occasions. Owen further suggested that these socialistic communities might be established by individuals, parishes, counties, or other governmental units. In every case there would be effective supervision by qualified persons. The work and the enjoyment of its results should be experienced communally. Owen believed that his idea would be the best form for the re-organisation of society in general. He called his vision for a socialistic utopia the "New Moral World."  Owen's utopian model changed little during his lifetime. His fully developed model considered an association of 500 to 3,000 people as the optimum number for a good working community. While mainly agricultural, it would possess the best machinery, offer a variety of employment, and, as far as possible, be self-contained. Owen further explained that as the number of these communities increased, "unions of them federatively united shall be formed in circle of tens, hundreds and thousands" linked in a common interest. CANNOTANSWER

Question: What were Robert Owen's models for socialism?
Answer: Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2
Robert Owen

Context: Owen embraced socialism in 1817, a turning point in his life, and began making specific efforts to implement what he described as his "New View of Society." Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws. In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country, the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns. Although Owen attributed the immediate causes of misery to the wars, he also argued that the underlying cause of distress was the competition of human labour with machinery and recommended the establishment of self-sufficient communities.  Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2), with all of them living in one large building that had a public kitchen and dining halls. (The size of his proposed community is likely to have been influenced by the size of the village of New Lanark.) Owen also recommended that each family should have its own private apartments and the responsibility for the care of their children until they reached the age of three. Thereafter, children would be raised by the community-at-large, but their parents would have access to them at mealtimes and on other occasions. Owen further suggested that these socialistic communities might be established by individuals, parishes, counties, or other governmental units. In every case there would be effective supervision by qualified persons. The work and the enjoyment of its results should be experienced communally. Owen believed that his idea would be the best form for the re-organisation of society in general. He called his vision for a socialistic utopia the "New Moral World."  Owen's utopian model changed little during his lifetime. His fully developed model considered an association of 500 to 3,000 people as the optimum number for a good working community. While mainly agricultural, it would possess the best machinery, offer a variety of employment, and, as far as possible, be self-contained. Owen further explained that as the number of these communities increased, "unions of them federatively united shall be formed in circle of tens, hundreds and thousands" linked in a common interest. CANNOTANSWER

Question: Were there philosophers Robert Owen based his thinking on?
Answer: CANNOTANSWER
Robert Owen

Context: Owen embraced socialism in 1817, a turning point in his life, and began making specific efforts to implement what he described as his "New View of Society." Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws. In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country, the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns. Although Owen attributed the immediate causes of misery to the wars, he also argued that the underlying cause of distress was the competition of human labour with machinery and recommended the establishment of self-sufficient communities.  Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2), with all of them living in one large building that had a public kitchen and dining halls. (The size of his proposed community is likely to have been influenced by the size of the village of New Lanark.) Owen also recommended that each family should have its own private apartments and the responsibility for the care of their children until they reached the age of three. Thereafter, children would be raised by the community-at-large, but their parents would have access to them at mealtimes and on other occasions. Owen further suggested that these socialistic communities might be established by individuals, parishes, counties, or other governmental units. In every case there would be effective supervision by qualified persons. The work and the enjoyment of its results should be experienced communally. Owen believed that his idea would be the best form for the re-organisation of society in general. He called his vision for a socialistic utopia the "New Moral World."  Owen's utopian model changed little during his lifetime. His fully developed model considered an association of 500 to 3,000 people as the optimum number for a good working community. While mainly agricultural, it would possess the best machinery, offer a variety of employment, and, as far as possible, be self-contained. Owen further explained that as the number of these communities increased, "unions of them federatively united shall be formed in circle of tens, hundreds and thousands" linked in a common interest. CANNOTANSWER

Question: What is models for socialism?
Answer: began making specific efforts to implement what he described as his "New View of Society."
Robert Owen

Context: Owen embraced socialism in 1817, a turning point in his life, and began making specific efforts to implement what he described as his "New View of Society." Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws. In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country, the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns. Although Owen attributed the immediate causes of misery to the wars, he also argued that the underlying cause of distress was the competition of human labour with machinery and recommended the establishment of self-sufficient communities.  Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2), with all of them living in one large building that had a public kitchen and dining halls. (The size of his proposed community is likely to have been influenced by the size of the village of New Lanark.) Owen also recommended that each family should have its own private apartments and the responsibility for the care of their children until they reached the age of three. Thereafter, children would be raised by the community-at-large, but their parents would have access to them at mealtimes and on other occasions. Owen further suggested that these socialistic communities might be established by individuals, parishes, counties, or other governmental units. In every case there would be effective supervision by qualified persons. The work and the enjoyment of its results should be experienced communally. Owen believed that his idea would be the best form for the re-organisation of society in general. He called his vision for a socialistic utopia the "New Moral World."  Owen's utopian model changed little during his lifetime. His fully developed model considered an association of 500 to 3,000 people as the optimum number for a good working community. While mainly agricultural, it would possess the best machinery, offer a variety of employment, and, as far as possible, be self-contained. Owen further explained that as the number of these communities increased, "unions of them federatively united shall be formed in circle of tens, hundreds and thousands" linked in a common interest. CANNOTANSWER

Question: Is Models for socialism a book?
Answer: Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws.
Robert Owen

Context: Owen embraced socialism in 1817, a turning point in his life, and began making specific efforts to implement what he described as his "New View of Society." Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws. In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country, the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns. Although Owen attributed the immediate causes of misery to the wars, he also argued that the underlying cause of distress was the competition of human labour with machinery and recommended the establishment of self-sufficient communities.  Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2), with all of them living in one large building that had a public kitchen and dining halls. (The size of his proposed community is likely to have been influenced by the size of the village of New Lanark.) Owen also recommended that each family should have its own private apartments and the responsibility for the care of their children until they reached the age of three. Thereafter, children would be raised by the community-at-large, but their parents would have access to them at mealtimes and on other occasions. Owen further suggested that these socialistic communities might be established by individuals, parishes, counties, or other governmental units. In every case there would be effective supervision by qualified persons. The work and the enjoyment of its results should be experienced communally. Owen believed that his idea would be the best form for the re-organisation of society in general. He called his vision for a socialistic utopia the "New Moral World."  Owen's utopian model changed little during his lifetime. His fully developed model considered an association of 500 to 3,000 people as the optimum number for a good working community. While mainly agricultural, it would possess the best machinery, offer a variety of employment, and, as far as possible, be self-contained. Owen further explained that as the number of these communities increased, "unions of them federatively united shall be formed in circle of tens, hundreds and thousands" linked in a common interest. CANNOTANSWER

Question: What was Robert Owen's position on the Poor Laws?
Answer: In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country,
Robert Owen

Context: Owen embraced socialism in 1817, a turning point in his life, and began making specific efforts to implement what he described as his "New View of Society." Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws. In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country, the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns. Although Owen attributed the immediate causes of misery to the wars, he also argued that the underlying cause of distress was the competition of human labour with machinery and recommended the establishment of self-sufficient communities.  Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2), with all of them living in one large building that had a public kitchen and dining halls. (The size of his proposed community is likely to have been influenced by the size of the village of New Lanark.) Owen also recommended that each family should have its own private apartments and the responsibility for the care of their children until they reached the age of three. Thereafter, children would be raised by the community-at-large, but their parents would have access to them at mealtimes and on other occasions. Owen further suggested that these socialistic communities might be established by individuals, parishes, counties, or other governmental units. In every case there would be effective supervision by qualified persons. The work and the enjoyment of its results should be experienced communally. Owen believed that his idea would be the best form for the re-organisation of society in general. He called his vision for a socialistic utopia the "New Moral World."  Owen's utopian model changed little during his lifetime. His fully developed model considered an association of 500 to 3,000 people as the optimum number for a good working community. While mainly agricultural, it would possess the best machinery, offer a variety of employment, and, as far as possible, be self-contained. Owen further explained that as the number of these communities increased, "unions of them federatively united shall be formed in circle of tens, hundreds and thousands" linked in a common interest. CANNOTANSWER

Question: What reforms did Robert Owen propose?
Answer: recommended the establishment of self-sufficient communities.
Robert Owen

Context: Owen embraced socialism in 1817, a turning point in his life, and began making specific efforts to implement what he described as his "New View of Society." Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws. In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country, the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns. Although Owen attributed the immediate causes of misery to the wars, he also argued that the underlying cause of distress was the competition of human labour with machinery and recommended the establishment of self-sufficient communities.  Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2), with all of them living in one large building that had a public kitchen and dining halls. (The size of his proposed community is likely to have been influenced by the size of the village of New Lanark.) Owen also recommended that each family should have its own private apartments and the responsibility for the care of their children until they reached the age of three. Thereafter, children would be raised by the community-at-large, but their parents would have access to them at mealtimes and on other occasions. Owen further suggested that these socialistic communities might be established by individuals, parishes, counties, or other governmental units. In every case there would be effective supervision by qualified persons. The work and the enjoyment of its results should be experienced communally. Owen believed that his idea would be the best form for the re-organisation of society in general. He called his vision for a socialistic utopia the "New Moral World."  Owen's utopian model changed little during his lifetime. His fully developed model considered an association of 500 to 3,000 people as the optimum number for a good working community. While mainly agricultural, it would possess the best machinery, offer a variety of employment, and, as far as possible, be self-contained. Owen further explained that as the number of these communities increased, "unions of them federatively united shall be formed in circle of tens, hundreds and thousands" linked in a common interest. CANNOTANSWER

Question: When did Robert Owen establish a community?
Answer: CANNOTANSWER
Robert Owen

Context: Owen embraced socialism in 1817, a turning point in his life, and began making specific efforts to implement what he described as his "New View of Society." Owen outlined his position in a report to the committee of the House of Commons regarding the country's Poor Laws. In addition, when misery and trade stagnation after the Napoleonic Wars were capturing the attention of the country, the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns. Although Owen attributed the immediate causes of misery to the wars, he also argued that the underlying cause of distress was the competition of human labour with machinery and recommended the establishment of self-sufficient communities.  Owen proposed that communities of about 1,200 people should be settled on land from 1,000 to 1,500 acres (4 to 6 km2), with all of them living in one large building that had a public kitchen and dining halls. (The size of his proposed community is likely to have been influenced by the size of the village of New Lanark.) Owen also recommended that each family should have its own private apartments and the responsibility for the care of their children until they reached the age of three. Thereafter, children would be raised by the community-at-large, but their parents would have access to them at mealtimes and on other occasions. Owen further suggested that these socialistic communities might be established by individuals, parishes, counties, or other governmental units. In every case there would be effective supervision by qualified persons. The work and the enjoyment of its results should be experienced communally. Owen believed that his idea would be the best form for the re-organisation of society in general. He called his vision for a socialistic utopia the "New Moral World."  Owen's utopian model changed little during his lifetime. His fully developed model considered an association of 500 to 3,000 people as the optimum number for a good working community. While mainly agricultural, it would possess the best machinery, offer a variety of employment, and, as far as possible, be self-contained. Owen further explained that as the number of these communities increased, "unions of them federatively united shall be formed in circle of tens, hundreds and thousands" linked in a common interest. CANNOTANSWER

Question: How did the members of the House of Commons respond to Robert Owen's ideas?
Answer: the British government invited Owen to offer his advice on what could be done to alleviate the industrial concerns.
Elliott Smith

Context: Smith graduated from Hampshire College in Amherst, Massachusetts in 1991 with a degree in philosophy and political science. "Went straight through in four years", he explained to Under the Radar in 2003. "I guess it proved to myself that I could do something I really didn't want to for four years. Except I did like what I was studying. At the time it seemed like, 'This is your one and only chance to go to college and you had just better do it because some day you might wish that you did.' Plus, the whole reason I applied in the first place was because of my girlfriend, and I had gotten accepted already even though we had broken up before the first day." After he graduated, he "worked in a bakery back in Portland with a bachelor's degree in philosophy and legal theory".  While at Hampshire, Smith formed the band Heatmiser with classmate Neil Gust. After Smith graduated from Hampshire, the band added drummer Tony Lash and bassist Brandt Peterson and began performing around Portland in 1992. The group released the albums Dead Air (1993) and Cop and Speeder (1994) as well as the Yellow No. 5 EP (1994) on Frontier Records. They were then signed to Virgin Records to release what became their final album, Mic City Sons (1996).  Around this time, Smith and Gust worked a number of odd jobs around Portland, including installing drywall, spreading gravel, transplanting bamboo trees, and painting the roof of a warehouse with heat reflective paint. The pair were also on unemployment benefits for some time, which they considered an "artist grant".  Smith had begun his solo career while still in Heatmiser, and the success of his first two releases created distance and tension with his band. Heatmiser disbanded prior to the release of Mic City Sons, prompting Virgin to put the album out inauspiciously through its independent arm, Caroline Records. A clause in Heatmiser's record contract with Virgin meant that Smith was still bound to it as an individual. The contract was later bought out by DreamWorks prior to the recording of his fourth album, XO. CANNOTANSWER

Question: Was the music group Heatmiser popular?
Answer: The pair were also on unemployment benefits for some time,
Elliott Smith

Context: Smith graduated from Hampshire College in Amherst, Massachusetts in 1991 with a degree in philosophy and political science. "Went straight through in four years", he explained to Under the Radar in 2003. "I guess it proved to myself that I could do something I really didn't want to for four years. Except I did like what I was studying. At the time it seemed like, 'This is your one and only chance to go to college and you had just better do it because some day you might wish that you did.' Plus, the whole reason I applied in the first place was because of my girlfriend, and I had gotten accepted already even though we had broken up before the first day." After he graduated, he "worked in a bakery back in Portland with a bachelor's degree in philosophy and legal theory".  While at Hampshire, Smith formed the band Heatmiser with classmate Neil Gust. After Smith graduated from Hampshire, the band added drummer Tony Lash and bassist Brandt Peterson and began performing around Portland in 1992. The group released the albums Dead Air (1993) and Cop and Speeder (1994) as well as the Yellow No. 5 EP (1994) on Frontier Records. They were then signed to Virgin Records to release what became their final album, Mic City Sons (1996).  Around this time, Smith and Gust worked a number of odd jobs around Portland, including installing drywall, spreading gravel, transplanting bamboo trees, and painting the roof of a warehouse with heat reflective paint. The pair were also on unemployment benefits for some time, which they considered an "artist grant".  Smith had begun his solo career while still in Heatmiser, and the success of his first two releases created distance and tension with his band. Heatmiser disbanded prior to the release of Mic City Sons, prompting Virgin to put the album out inauspiciously through its independent arm, Caroline Records. A clause in Heatmiser's record contract with Virgin meant that Smith was still bound to it as an individual. The contract was later bought out by DreamWorks prior to the recording of his fourth album, XO. CANNOTANSWER

Question: What type of music did Heatmiser play?
Answer: CANNOTANSWER
Elliott Smith

Context: Smith graduated from Hampshire College in Amherst, Massachusetts in 1991 with a degree in philosophy and political science. "Went straight through in four years", he explained to Under the Radar in 2003. "I guess it proved to myself that I could do something I really didn't want to for four years. Except I did like what I was studying. At the time it seemed like, 'This is your one and only chance to go to college and you had just better do it because some day you might wish that you did.' Plus, the whole reason I applied in the first place was because of my girlfriend, and I had gotten accepted already even though we had broken up before the first day." After he graduated, he "worked in a bakery back in Portland with a bachelor's degree in philosophy and legal theory".  While at Hampshire, Smith formed the band Heatmiser with classmate Neil Gust. After Smith graduated from Hampshire, the band added drummer Tony Lash and bassist Brandt Peterson and began performing around Portland in 1992. The group released the albums Dead Air (1993) and Cop and Speeder (1994) as well as the Yellow No. 5 EP (1994) on Frontier Records. They were then signed to Virgin Records to release what became their final album, Mic City Sons (1996).  Around this time, Smith and Gust worked a number of odd jobs around Portland, including installing drywall, spreading gravel, transplanting bamboo trees, and painting the roof of a warehouse with heat reflective paint. The pair were also on unemployment benefits for some time, which they considered an "artist grant".  Smith had begun his solo career while still in Heatmiser, and the success of his first two releases created distance and tension with his band. Heatmiser disbanded prior to the release of Mic City Sons, prompting Virgin to put the album out inauspiciously through its independent arm, Caroline Records. A clause in Heatmiser's record contract with Virgin meant that Smith was still bound to it as an individual. The contract was later bought out by DreamWorks prior to the recording of his fourth album, XO. CANNOTANSWER

Question: What were Heatmiser's most famous songs?
Answer: CANNOTANSWER
Elliott Smith

Context: Smith graduated from Hampshire College in Amherst, Massachusetts in 1991 with a degree in philosophy and political science. "Went straight through in four years", he explained to Under the Radar in 2003. "I guess it proved to myself that I could do something I really didn't want to for four years. Except I did like what I was studying. At the time it seemed like, 'This is your one and only chance to go to college and you had just better do it because some day you might wish that you did.' Plus, the whole reason I applied in the first place was because of my girlfriend, and I had gotten accepted already even though we had broken up before the first day." After he graduated, he "worked in a bakery back in Portland with a bachelor's degree in philosophy and legal theory".  While at Hampshire, Smith formed the band Heatmiser with classmate Neil Gust. After Smith graduated from Hampshire, the band added drummer Tony Lash and bassist Brandt Peterson and began performing around Portland in 1992. The group released the albums Dead Air (1993) and Cop and Speeder (1994) as well as the Yellow No. 5 EP (1994) on Frontier Records. They were then signed to Virgin Records to release what became their final album, Mic City Sons (1996).  Around this time, Smith and Gust worked a number of odd jobs around Portland, including installing drywall, spreading gravel, transplanting bamboo trees, and painting the roof of a warehouse with heat reflective paint. The pair were also on unemployment benefits for some time, which they considered an "artist grant".  Smith had begun his solo career while still in Heatmiser, and the success of his first two releases created distance and tension with his band. Heatmiser disbanded prior to the release of Mic City Sons, prompting Virgin to put the album out inauspiciously through its independent arm, Caroline Records. A clause in Heatmiser's record contract with Virgin meant that Smith was still bound to it as an individual. The contract was later bought out by DreamWorks prior to the recording of his fourth album, XO. CANNOTANSWER

Question: What is interesting or notable about the group Heatmiser?
Answer: Smith had begun his solo career while still in Heatmiser,
Elliott Smith

Context: Smith graduated from Hampshire College in Amherst, Massachusetts in 1991 with a degree in philosophy and political science. "Went straight through in four years", he explained to Under the Radar in 2003. "I guess it proved to myself that I could do something I really didn't want to for four years. Except I did like what I was studying. At the time it seemed like, 'This is your one and only chance to go to college and you had just better do it because some day you might wish that you did.' Plus, the whole reason I applied in the first place was because of my girlfriend, and I had gotten accepted already even though we had broken up before the first day." After he graduated, he "worked in a bakery back in Portland with a bachelor's degree in philosophy and legal theory".  While at Hampshire, Smith formed the band Heatmiser with classmate Neil Gust. After Smith graduated from Hampshire, the band added drummer Tony Lash and bassist Brandt Peterson and began performing around Portland in 1992. The group released the albums Dead Air (1993) and Cop and Speeder (1994) as well as the Yellow No. 5 EP (1994) on Frontier Records. They were then signed to Virgin Records to release what became their final album, Mic City Sons (1996).  Around this time, Smith and Gust worked a number of odd jobs around Portland, including installing drywall, spreading gravel, transplanting bamboo trees, and painting the roof of a warehouse with heat reflective paint. The pair were also on unemployment benefits for some time, which they considered an "artist grant".  Smith had begun his solo career while still in Heatmiser, and the success of his first two releases created distance and tension with his band. Heatmiser disbanded prior to the release of Mic City Sons, prompting Virgin to put the album out inauspiciously through its independent arm, Caroline Records. A clause in Heatmiser's record contract with Virgin meant that Smith was still bound to it as an individual. The contract was later bought out by DreamWorks prior to the recording of his fourth album, XO. CANNOTANSWER

Question: What did Elliott Smith do after leaving Heatmiser?
Answer: Heatmiser disbanded prior to the release of Mic City Sons,