gaussalgo/Canard_Wiki-augmented huggingface dataset:
Fall Out Boy

Context: Fall Out Boy have been instrumental in the careers of other artists, such as Panic! at the Disco, whom Pete Wentz signed to his record label, Decaydance Records, in late 2004. Several artists, such as You Me at Six and Taylor Swift, have created or performed covers of Fall Out Boy songs as a homage to the band.  The Fall Out Boy band members were the first inductees to the "Hall of Wood" at the 2015 MtvU Woodie Awards and performed a medley of five songs at the ceremony. This honor is given to artists who have used MTV Woodie Awards as a "launching pad" in achieving chart topping success within their musical careers, thus influencing up and coming bands. The award also recognizes bands "sticking to their roots" and "maintaining their loyal fan base". The group had won the Woodie Award for Streaming for "Grand Theft Autumn" at the first ceremony in 2004.  In a list of the 50 greatest pop-punk albums of all time, Rolling Stone placed Fall Out Boy's 2003 album Take This To Your Grave as the fifth greatest, citing it as "[ushering] in a whole new, genre-blurring scene, in which heavy riffs and a screamo aesthetic mingled with old-fashioned teen heartbreak". In a similar list, Kerrang! magazine placed Take This To Your Grave at number 11 out of 51, describing it as a "blueprint for both break-up records and timeless pop-punk".  In 2017, Fall Out Boy were announced as the first winners of Rock Sound's Hall of Fame Award as part of the Rock Sound Awards. In an interview accompanying the band's win, Patrick Stump stated one reason for the band's success is Sugar, We're Goin Down, explaining that the "song changed my life, I have a music career in a large part due to that song". In 2009, Phoenix New Times writer Martin Cizmar had described Sugar, We're Goin Down as possibly "the most listened-to emo track of all time". CANNOTANSWER

Question: What's the biggest award Fall Out Boy have won?
Answer: 2017, Fall Out Boy were announced as the first winners of Rock Sound's Hall of Fame Award as part of the Rock Sound Awards.
Fall Out Boy

Context: Fall Out Boy have been instrumental in the careers of other artists, such as Panic! at the Disco, whom Pete Wentz signed to his record label, Decaydance Records, in late 2004. Several artists, such as You Me at Six and Taylor Swift, have created or performed covers of Fall Out Boy songs as a homage to the band.  The Fall Out Boy band members were the first inductees to the "Hall of Wood" at the 2015 MtvU Woodie Awards and performed a medley of five songs at the ceremony. This honor is given to artists who have used MTV Woodie Awards as a "launching pad" in achieving chart topping success within their musical careers, thus influencing up and coming bands. The award also recognizes bands "sticking to their roots" and "maintaining their loyal fan base". The group had won the Woodie Award for Streaming for "Grand Theft Autumn" at the first ceremony in 2004.  In a list of the 50 greatest pop-punk albums of all time, Rolling Stone placed Fall Out Boy's 2003 album Take This To Your Grave as the fifth greatest, citing it as "[ushering] in a whole new, genre-blurring scene, in which heavy riffs and a screamo aesthetic mingled with old-fashioned teen heartbreak". In a similar list, Kerrang! magazine placed Take This To Your Grave at number 11 out of 51, describing it as a "blueprint for both break-up records and timeless pop-punk".  In 2017, Fall Out Boy were announced as the first winners of Rock Sound's Hall of Fame Award as part of the Rock Sound Awards. In an interview accompanying the band's win, Patrick Stump stated one reason for the band's success is Sugar, We're Goin Down, explaining that the "song changed my life, I have a music career in a large part due to that song". In 2009, Phoenix New Times writer Martin Cizmar had described Sugar, We're Goin Down as possibly "the most listened-to emo track of all time". CANNOTANSWER

Question: What was the most recent recognition of Fall Out Boy?
Answer: In 2009, Phoenix New Times writer Martin Cizmar had described Sugar, We're Goin Down as possibly "the most listened-to emo track of all time".
Víctor Jara

Context: After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life.  In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda.  In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda"). CANNOTANSWER

Question: What did Jara's artistic work consist of?
Answer: CANNOTANSWER
Víctor Jara

Context: After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life.  In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda.  In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda"). CANNOTANSWER

Question: What type of art did Jara pursue?
Answer: CANNOTANSWER
Víctor Jara

Context: After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life.  In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda.  In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda"). CANNOTANSWER

Question: Are there any other interesting aspects about this article on Víctor Jara other than Jara's artistic work?
Answer: After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater.
Víctor Jara

Context: After joining the choir at the University of Chile in Santiago, Jara was convinced by a choir-mate to pursue a career in theater. He subsequently joined the university's theater program and earned a scholarship for talent. He appeared in several of the university's plays, gravitating toward those with social themes, such as Russian playwright Maxim Gorky's The Lower Depths, a depiction of the hardships of lower-class life.  In 1957, he met Violeta Parra, a singer who had steered folk music in Chile away from the rote reproduction of rural materials toward modern song composition rooted in traditional forms, and who had established musical community centers called penas to incorporate folk music into the everyday life of modern Chileans. Jara absorbed these lessons and began singing with a group called Cuncumen, with whom he continued his explorations of Chile's traditional music. He was deeply influenced by the folk music of Chile and other Latin American countries, and by artists such as Parra, Atahualpa Yupanqui, and the poet Pablo Neruda.  In the 1960s, Jara started specializing in folk music and sang at Santiago's La Pena de Los Parra, owned by Angel Parra. Through these activities, he became involved in the Nueva Cancion movement of Latin American folk music. He released his first album, Canto a lo humano, in 1966, and by 1970, he had left his theater work in favor of a career in music. His songs were inspired by a combination of traditional folk music and left-wing political activism. From this period, some of his best-known songs are "Plegaria a un Labrador" ("Prayer to a Worker") and "Te Recuerdo Amanda" ("I Remember You Amanda"). CANNOTANSWER

Question: Did Víctor Jara star in any successful plays?
Answer: CANNOTANSWER
New York Dolls

Context: Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways.  Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia.  The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert. CANNOTANSWER

Question: How did the New York Dolls get together?
Answer: In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls.
New York Dolls

Context: Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways.  Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia.  The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert. CANNOTANSWER

Question: How did the New York Dolls come up with their name?
Answer: across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band.
New York Dolls

Context: Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways.  Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia.  The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert. CANNOTANSWER

Question: Were there any other band members in the New York Dolls besides Sylvain?
Answer: Sylvain Sylvain and Billy Murcia,
New York Dolls

Context: Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways.  Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia.  The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert. CANNOTANSWER

Question: What venues did the New York Dolls play at in the beginning?
Answer: a homeless shelter, the Endicott Hotel.
New York Dolls

Context: Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways.  Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia.  The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert. CANNOTANSWER

Question: Did the New York Dolls cut any albums?
Answer: An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls.
New York Dolls

Context: Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways.  Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia.  The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert. CANNOTANSWER

Question: Was Dawn of the Dolls successful?
Answer: CANNOTANSWER
New York Dolls

Context: Sylvain Sylvain and Billy Murcia, who went to junior high school and high school together, started playing in a band called "the Pox" in 1967. After the frontman quit, Murcia and Sylvain started a clothing business called Truth and Soul and Sylvain took a job at A Different Drummer, a men's boutique that was across the street from the New York Doll Hospital, a doll repair shop. Sylvain said that the shop inspired the name for their future band. In 1970 they formed a band again and recruited Johnny Thunders to join on bass, though Sylvain ended up teaching him to play guitar. They called themselves the Dolls. When Sylvain left the band to spend a few months in London, Thunders and Murcia went their separate ways.  Thunders was eventually recruited by Kane and Rick Rivets, who had been playing together in the Bronx. At Thunders' suggestion, Murcia replaced the original drummer. Thunders played lead guitar and sang for the band Actress. An October 1971 rehearsal tape recorded by Rivets was released as Dawn of the Dolls. When Thunders decided that he no longer wanted to be the front man, David Johansen joined the band. Initially, the group was composed of singer David Johansen, guitarists Johnny Thunders and Rick Rivets (who was replaced by Sylvain Sylvain after a few months), bass guitarist Arthur "Killer" Kane and drummer Billy Murcia.  The original lineup's first performance was on Christmas Eve 1971 at a homeless shelter, the Endicott Hotel. After getting a manager and attracting some music industry interest, the New York Dolls got a break when Rod Stewart invited them to open for him at a London concert. CANNOTANSWER

Question: What was the New York Dolls' big break?
Answer: CANNOTANSWER
Charles Barkley

Context: Barkley was invited by Bob Knight to try out for United States men's basketball team for the 1984 Summer Olympics. He made it all the way to final cuts, but wasn't selected for the team, despite outplaying almost all of the front-court players there. According to Knight, Barkley was cut because of poor defense.  Barkley competed in the 1992 and 1996 Olympic Games and won two gold medals as a member of the United States men's basketball team. International rules which had previously prevented NBA players from playing in the Olympics were changed in 1992, allowing Barkley and fellow NBA players to compete in the Olympics for the first time. The result was the "Dream Team", which went 6-0 in the Olympic qualifying tournament and 8-0 against Olympic opponents. The team averaged an Olympic record 117.3 points a game and won games by an average of 43.8 points. Barkley led the team with 18.0 points on 71.1% field goal shooting and set a then-Olympic single game scoring record with 30 points in a 127-83 victory over Brazil. He also set a U.S. Men's Olympic record for highest three-point field goal percentage with 87.5% and added 4.1 rebounds and 2.6 steals per game. Barkley was also part of an ugly moment in the 1992 Olympics when he intentionally elbowed Angola player Herlander Coimbra in the chest during a 116-48 rout of that team.  At the 1996 Atlanta Summer Olympic Games, Barkley led the team in scoring, rebounds, and field goal percentage. He averaged 12.4 points on 81.6% field goal shooting, setting a U.S. Men's Olympic record. In addition, he also contributed 6.6 rebounds per game. Under Barkley's leadership, the team once again compiled a perfect 8-0 record and captured gold medal honors. CANNOTANSWER

Question: When did Charles Barkley enter the Olympics?
Answer: Barkley competed in the 1992 and 1996 Olympic Games
Charles Barkley

Context: Barkley was invited by Bob Knight to try out for United States men's basketball team for the 1984 Summer Olympics. He made it all the way to final cuts, but wasn't selected for the team, despite outplaying almost all of the front-court players there. According to Knight, Barkley was cut because of poor defense.  Barkley competed in the 1992 and 1996 Olympic Games and won two gold medals as a member of the United States men's basketball team. International rules which had previously prevented NBA players from playing in the Olympics were changed in 1992, allowing Barkley and fellow NBA players to compete in the Olympics for the first time. The result was the "Dream Team", which went 6-0 in the Olympic qualifying tournament and 8-0 against Olympic opponents. The team averaged an Olympic record 117.3 points a game and won games by an average of 43.8 points. Barkley led the team with 18.0 points on 71.1% field goal shooting and set a then-Olympic single game scoring record with 30 points in a 127-83 victory over Brazil. He also set a U.S. Men's Olympic record for highest three-point field goal percentage with 87.5% and added 4.1 rebounds and 2.6 steals per game. Barkley was also part of an ugly moment in the 1992 Olympics when he intentionally elbowed Angola player Herlander Coimbra in the chest during a 116-48 rout of that team.  At the 1996 Atlanta Summer Olympic Games, Barkley led the team in scoring, rebounds, and field goal percentage. He averaged 12.4 points on 81.6% field goal shooting, setting a U.S. Men's Olympic record. In addition, he also contributed 6.6 rebounds per game. Under Barkley's leadership, the team once again compiled a perfect 8-0 record and captured gold medal honors. CANNOTANSWER

Question: What did Barkley train for?
Answer: Barkley was invited by Bob Knight to try out for United States men's basketball team for the 1984 Summer
Charles Barkley

Context: Barkley was invited by Bob Knight to try out for United States men's basketball team for the 1984 Summer Olympics. He made it all the way to final cuts, but wasn't selected for the team, despite outplaying almost all of the front-court players there. According to Knight, Barkley was cut because of poor defense.  Barkley competed in the 1992 and 1996 Olympic Games and won two gold medals as a member of the United States men's basketball team. International rules which had previously prevented NBA players from playing in the Olympics were changed in 1992, allowing Barkley and fellow NBA players to compete in the Olympics for the first time. The result was the "Dream Team", which went 6-0 in the Olympic qualifying tournament and 8-0 against Olympic opponents. The team averaged an Olympic record 117.3 points a game and won games by an average of 43.8 points. Barkley led the team with 18.0 points on 71.1% field goal shooting and set a then-Olympic single game scoring record with 30 points in a 127-83 victory over Brazil. He also set a U.S. Men's Olympic record for highest three-point field goal percentage with 87.5% and added 4.1 rebounds and 2.6 steals per game. Barkley was also part of an ugly moment in the 1992 Olympics when he intentionally elbowed Angola player Herlander Coimbra in the chest during a 116-48 rout of that team.  At the 1996 Atlanta Summer Olympic Games, Barkley led the team in scoring, rebounds, and field goal percentage. He averaged 12.4 points on 81.6% field goal shooting, setting a U.S. Men's Olympic record. In addition, he also contributed 6.6 rebounds per game. Under Barkley's leadership, the team once again compiled a perfect 8-0 record and captured gold medal honors. CANNOTANSWER

Question: How was the tryout for the US Men's Basketball team?
Answer: He made it all the way to final cuts, but wasn't selected for the team,
Charles Barkley

Context: Barkley was invited by Bob Knight to try out for United States men's basketball team for the 1984 Summer Olympics. He made it all the way to final cuts, but wasn't selected for the team, despite outplaying almost all of the front-court players there. According to Knight, Barkley was cut because of poor defense.  Barkley competed in the 1992 and 1996 Olympic Games and won two gold medals as a member of the United States men's basketball team. International rules which had previously prevented NBA players from playing in the Olympics were changed in 1992, allowing Barkley and fellow NBA players to compete in the Olympics for the first time. The result was the "Dream Team", which went 6-0 in the Olympic qualifying tournament and 8-0 against Olympic opponents. The team averaged an Olympic record 117.3 points a game and won games by an average of 43.8 points. Barkley led the team with 18.0 points on 71.1% field goal shooting and set a then-Olympic single game scoring record with 30 points in a 127-83 victory over Brazil. He also set a U.S. Men's Olympic record for highest three-point field goal percentage with 87.5% and added 4.1 rebounds and 2.6 steals per game. Barkley was also part of an ugly moment in the 1992 Olympics when he intentionally elbowed Angola player Herlander Coimbra in the chest during a 116-48 rout of that team.  At the 1996 Atlanta Summer Olympic Games, Barkley led the team in scoring, rebounds, and field goal percentage. He averaged 12.4 points on 81.6% field goal shooting, setting a U.S. Men's Olympic record. In addition, he also contributed 6.6 rebounds per game. Under Barkley's leadership, the team once again compiled a perfect 8-0 record and captured gold medal honors. CANNOTANSWER

Question: Why wasn't Barkley selected for the US Men's Basketball team?
Answer: According to Knight, Barkley was cut because of poor defense.
Charles Barkley

Context: Barkley was invited by Bob Knight to try out for United States men's basketball team for the 1984 Summer Olympics. He made it all the way to final cuts, but wasn't selected for the team, despite outplaying almost all of the front-court players there. According to Knight, Barkley was cut because of poor defense.  Barkley competed in the 1992 and 1996 Olympic Games and won two gold medals as a member of the United States men's basketball team. International rules which had previously prevented NBA players from playing in the Olympics were changed in 1992, allowing Barkley and fellow NBA players to compete in the Olympics for the first time. The result was the "Dream Team", which went 6-0 in the Olympic qualifying tournament and 8-0 against Olympic opponents. The team averaged an Olympic record 117.3 points a game and won games by an average of 43.8 points. Barkley led the team with 18.0 points on 71.1% field goal shooting and set a then-Olympic single game scoring record with 30 points in a 127-83 victory over Brazil. He also set a U.S. Men's Olympic record for highest three-point field goal percentage with 87.5% and added 4.1 rebounds and 2.6 steals per game. Barkley was also part of an ugly moment in the 1992 Olympics when he intentionally elbowed Angola player Herlander Coimbra in the chest during a 116-48 rout of that team.  At the 1996 Atlanta Summer Olympic Games, Barkley led the team in scoring, rebounds, and field goal percentage. He averaged 12.4 points on 81.6% field goal shooting, setting a U.S. Men's Olympic record. In addition, he also contributed 6.6 rebounds per game. Under Barkley's leadership, the team once again compiled a perfect 8-0 record and captured gold medal honors. CANNOTANSWER

Question: Did Barkley win any type of recognition for being in the Olympics at all?
Answer: CANNOTANSWER
Charles Barkley

Context: Barkley was invited by Bob Knight to try out for United States men's basketball team for the 1984 Summer Olympics. He made it all the way to final cuts, but wasn't selected for the team, despite outplaying almost all of the front-court players there. According to Knight, Barkley was cut because of poor defense.  Barkley competed in the 1992 and 1996 Olympic Games and won two gold medals as a member of the United States men's basketball team. International rules which had previously prevented NBA players from playing in the Olympics were changed in 1992, allowing Barkley and fellow NBA players to compete in the Olympics for the first time. The result was the "Dream Team", which went 6-0 in the Olympic qualifying tournament and 8-0 against Olympic opponents. The team averaged an Olympic record 117.3 points a game and won games by an average of 43.8 points. Barkley led the team with 18.0 points on 71.1% field goal shooting and set a then-Olympic single game scoring record with 30 points in a 127-83 victory over Brazil. He also set a U.S. Men's Olympic record for highest three-point field goal percentage with 87.5% and added 4.1 rebounds and 2.6 steals per game. Barkley was also part of an ugly moment in the 1992 Olympics when he intentionally elbowed Angola player Herlander Coimbra in the chest during a 116-48 rout of that team.  At the 1996 Atlanta Summer Olympic Games, Barkley led the team in scoring, rebounds, and field goal percentage. He averaged 12.4 points on 81.6% field goal shooting, setting a U.S. Men's Olympic record. In addition, he also contributed 6.6 rebounds per game. Under Barkley's leadership, the team once again compiled a perfect 8-0 record and captured gold medal honors. CANNOTANSWER

Question: Are there any other interesting aspects about this article other than Barkley being cut?
Answer: Barkley was also part of an ugly moment in the 1992 Olympics when he intentionally elbowed Angola player Herlander Coimbra in the chest during a 116-48 rout of that team.
Ted DiBiase

Context: DiBiase entered All Japan Pro Wrestling (AJPW) in 1983. He won the NWA United National Championship on October 14, 1983 in a tournament defeating Jerry Lawler by forfeit. Two months later on January 28, 1984, DiBiase lost the title to Michael Hayes. DiBiase's mother Helen Hild died two months later in March 4, 1984.  In August 1985, DiBiase formed a tag team with fellow gaijin: Stan Hansen and the two became the PWF Tag Team Champions when Hansen chose DiBiase to replace Bruiser Brody who left for New Japan Pro Wrestling (NJPW). Later that year, DiBiase and Hansen entered the 1985 World's Strongest Tag Determination League and would emerge victorious finishing in first place with 7 points.  On July 3, 1987, DiBiase and Hansen would lose the PWF Tag Team Championship to Jumbo Tsuruta and Tiger Mask, ending their two-year reign as champions. Eight days later on July 11, DiBiase and Hansen regain the titles for a second time, but would be stripped of the titles shortly after due to DiBiase leaving AJPW for the WWF.  In September 1993, DiBiase returned to AJPW and reformed his team with Hansen. The two immediately saw success as they defeated The Holy Demon Army on September 3, 1993 for the World Tag Team Championship. Two months later on November 13, 1993, DiBiase and Hansen would be stripped of the titles so they could be put on the line for the 1993 World's Strongest Tag Determination League. DiBiase would enter the tournament, but would only wrestle one match on November 14 where he and Hansen defeated Tracey Smothers and Richard Slinger before he suffered neck and back injuries which forced him out of the tournament (Giant Baba ended up replacing him). CANNOTANSWER

Question: what were Ted DiBiase's accomplishments in 1983?
Answer: He won the NWA United National Championship on October 14, 1983 in a tournament defeating Jerry Lawler by forfeit.
Ted DiBiase

Context: DiBiase entered All Japan Pro Wrestling (AJPW) in 1983. He won the NWA United National Championship on October 14, 1983 in a tournament defeating Jerry Lawler by forfeit. Two months later on January 28, 1984, DiBiase lost the title to Michael Hayes. DiBiase's mother Helen Hild died two months later in March 4, 1984.  In August 1985, DiBiase formed a tag team with fellow gaijin: Stan Hansen and the two became the PWF Tag Team Champions when Hansen chose DiBiase to replace Bruiser Brody who left for New Japan Pro Wrestling (NJPW). Later that year, DiBiase and Hansen entered the 1985 World's Strongest Tag Determination League and would emerge victorious finishing in first place with 7 points.  On July 3, 1987, DiBiase and Hansen would lose the PWF Tag Team Championship to Jumbo Tsuruta and Tiger Mask, ending their two-year reign as champions. Eight days later on July 11, DiBiase and Hansen regain the titles for a second time, but would be stripped of the titles shortly after due to DiBiase leaving AJPW for the WWF.  In September 1993, DiBiase returned to AJPW and reformed his team with Hansen. The two immediately saw success as they defeated The Holy Demon Army on September 3, 1993 for the World Tag Team Championship. Two months later on November 13, 1993, DiBiase and Hansen would be stripped of the titles so they could be put on the line for the 1993 World's Strongest Tag Determination League. DiBiase would enter the tournament, but would only wrestle one match on November 14 where he and Hansen defeated Tracey Smothers and Richard Slinger before he suffered neck and back injuries which forced him out of the tournament (Giant Baba ended up replacing him). CANNOTANSWER

Question: what more followedthe NWA United National Championship on October 14, 1983 in a tournament defeating Jerry Lawler by forfeit victory?
Answer: Two months later on January 28, 1984, DiBiase lost the title to Michael Hayes.
Ted DiBiase

Context: DiBiase entered All Japan Pro Wrestling (AJPW) in 1983. He won the NWA United National Championship on October 14, 1983 in a tournament defeating Jerry Lawler by forfeit. Two months later on January 28, 1984, DiBiase lost the title to Michael Hayes. DiBiase's mother Helen Hild died two months later in March 4, 1984.  In August 1985, DiBiase formed a tag team with fellow gaijin: Stan Hansen and the two became the PWF Tag Team Champions when Hansen chose DiBiase to replace Bruiser Brody who left for New Japan Pro Wrestling (NJPW). Later that year, DiBiase and Hansen entered the 1985 World's Strongest Tag Determination League and would emerge victorious finishing in first place with 7 points.  On July 3, 1987, DiBiase and Hansen would lose the PWF Tag Team Championship to Jumbo Tsuruta and Tiger Mask, ending their two-year reign as champions. Eight days later on July 11, DiBiase and Hansen regain the titles for a second time, but would be stripped of the titles shortly after due to DiBiase leaving AJPW for the WWF.  In September 1993, DiBiase returned to AJPW and reformed his team with Hansen. The two immediately saw success as they defeated The Holy Demon Army on September 3, 1993 for the World Tag Team Championship. Two months later on November 13, 1993, DiBiase and Hansen would be stripped of the titles so they could be put on the line for the 1993 World's Strongest Tag Determination League. DiBiase would enter the tournament, but would only wrestle one match on November 14 where he and Hansen defeated Tracey Smothers and Richard Slinger before he suffered neck and back injuries which forced him out of the tournament (Giant Baba ended up replacing him). CANNOTANSWER

Question: when did Ted DiBiase fight again?
Answer: In August 1985, DiBiase formed a tag team with fellow gaijin: Stan Hansen and the two became the PWF Tag Team Champions
Ted DiBiase

Context: DiBiase entered All Japan Pro Wrestling (AJPW) in 1983. He won the NWA United National Championship on October 14, 1983 in a tournament defeating Jerry Lawler by forfeit. Two months later on January 28, 1984, DiBiase lost the title to Michael Hayes. DiBiase's mother Helen Hild died two months later in March 4, 1984.  In August 1985, DiBiase formed a tag team with fellow gaijin: Stan Hansen and the two became the PWF Tag Team Champions when Hansen chose DiBiase to replace Bruiser Brody who left for New Japan Pro Wrestling (NJPW). Later that year, DiBiase and Hansen entered the 1985 World's Strongest Tag Determination League and would emerge victorious finishing in first place with 7 points.  On July 3, 1987, DiBiase and Hansen would lose the PWF Tag Team Championship to Jumbo Tsuruta and Tiger Mask, ending their two-year reign as champions. Eight days later on July 11, DiBiase and Hansen regain the titles for a second time, but would be stripped of the titles shortly after due to DiBiase leaving AJPW for the WWF.  In September 1993, DiBiase returned to AJPW and reformed his team with Hansen. The two immediately saw success as they defeated The Holy Demon Army on September 3, 1993 for the World Tag Team Championship. Two months later on November 13, 1993, DiBiase and Hansen would be stripped of the titles so they could be put on the line for the 1993 World's Strongest Tag Determination League. DiBiase would enter the tournament, but would only wrestle one match on November 14 where he and Hansen defeated Tracey Smothers and Richard Slinger before he suffered neck and back injuries which forced him out of the tournament (Giant Baba ended up replacing him). CANNOTANSWER

Question: what was the highlight of PWF Tag Team Champions's performance?
Answer: DiBiase and Hansen entered the 1985 World's Strongest Tag Determination League and would emerge victorious finishing in first place with 7 points.
Ted DiBiase

Context: DiBiase entered All Japan Pro Wrestling (AJPW) in 1983. He won the NWA United National Championship on October 14, 1983 in a tournament defeating Jerry Lawler by forfeit. Two months later on January 28, 1984, DiBiase lost the title to Michael Hayes. DiBiase's mother Helen Hild died two months later in March 4, 1984.  In August 1985, DiBiase formed a tag team with fellow gaijin: Stan Hansen and the two became the PWF Tag Team Champions when Hansen chose DiBiase to replace Bruiser Brody who left for New Japan Pro Wrestling (NJPW). Later that year, DiBiase and Hansen entered the 1985 World's Strongest Tag Determination League and would emerge victorious finishing in first place with 7 points.  On July 3, 1987, DiBiase and Hansen would lose the PWF Tag Team Championship to Jumbo Tsuruta and Tiger Mask, ending their two-year reign as champions. Eight days later on July 11, DiBiase and Hansen regain the titles for a second time, but would be stripped of the titles shortly after due to DiBiase leaving AJPW for the WWF.  In September 1993, DiBiase returned to AJPW and reformed his team with Hansen. The two immediately saw success as they defeated The Holy Demon Army on September 3, 1993 for the World Tag Team Championship. Two months later on November 13, 1993, DiBiase and Hansen would be stripped of the titles so they could be put on the line for the 1993 World's Strongest Tag Determination League. DiBiase would enter the tournament, but would only wrestle one match on November 14 where he and Hansen defeated Tracey Smothers and Richard Slinger before he suffered neck and back injuries which forced him out of the tournament (Giant Baba ended up replacing him). CANNOTANSWER

Question: what happened in 1987?
Answer: On July 3, 1987, DiBiase and Hansen would lose the PWF Tag Team Championship to Jumbo Tsuruta and Tiger Mask, ending their two-year reign
Ted DiBiase

Context: DiBiase entered All Japan Pro Wrestling (AJPW) in 1983. He won the NWA United National Championship on October 14, 1983 in a tournament defeating Jerry Lawler by forfeit. Two months later on January 28, 1984, DiBiase lost the title to Michael Hayes. DiBiase's mother Helen Hild died two months later in March 4, 1984.  In August 1985, DiBiase formed a tag team with fellow gaijin: Stan Hansen and the two became the PWF Tag Team Champions when Hansen chose DiBiase to replace Bruiser Brody who left for New Japan Pro Wrestling (NJPW). Later that year, DiBiase and Hansen entered the 1985 World's Strongest Tag Determination League and would emerge victorious finishing in first place with 7 points.  On July 3, 1987, DiBiase and Hansen would lose the PWF Tag Team Championship to Jumbo Tsuruta and Tiger Mask, ending their two-year reign as champions. Eight days later on July 11, DiBiase and Hansen regain the titles for a second time, but would be stripped of the titles shortly after due to DiBiase leaving AJPW for the WWF.  In September 1993, DiBiase returned to AJPW and reformed his team with Hansen. The two immediately saw success as they defeated The Holy Demon Army on September 3, 1993 for the World Tag Team Championship. Two months later on November 13, 1993, DiBiase and Hansen would be stripped of the titles so they could be put on the line for the 1993 World's Strongest Tag Determination League. DiBiase would enter the tournament, but would only wrestle one match on November 14 where he and Hansen defeated Tracey Smothers and Richard Slinger before he suffered neck and back injuries which forced him out of the tournament (Giant Baba ended up replacing him). CANNOTANSWER

Question: what was significant about 1993?
Answer: In September 1993, DiBiase returned to AJPW and reformed his team with Hansen.
Ted DiBiase

Context: DiBiase entered All Japan Pro Wrestling (AJPW) in 1983. He won the NWA United National Championship on October 14, 1983 in a tournament defeating Jerry Lawler by forfeit. Two months later on January 28, 1984, DiBiase lost the title to Michael Hayes. DiBiase's mother Helen Hild died two months later in March 4, 1984.  In August 1985, DiBiase formed a tag team with fellow gaijin: Stan Hansen and the two became the PWF Tag Team Champions when Hansen chose DiBiase to replace Bruiser Brody who left for New Japan Pro Wrestling (NJPW). Later that year, DiBiase and Hansen entered the 1985 World's Strongest Tag Determination League and would emerge victorious finishing in first place with 7 points.  On July 3, 1987, DiBiase and Hansen would lose the PWF Tag Team Championship to Jumbo Tsuruta and Tiger Mask, ending their two-year reign as champions. Eight days later on July 11, DiBiase and Hansen regain the titles for a second time, but would be stripped of the titles shortly after due to DiBiase leaving AJPW for the WWF.  In September 1993, DiBiase returned to AJPW and reformed his team with Hansen. The two immediately saw success as they defeated The Holy Demon Army on September 3, 1993 for the World Tag Team Championship. Two months later on November 13, 1993, DiBiase and Hansen would be stripped of the titles so they could be put on the line for the 1993 World's Strongest Tag Determination League. DiBiase would enter the tournament, but would only wrestle one match on November 14 where he and Hansen defeated Tracey Smothers and Richard Slinger before he suffered neck and back injuries which forced him out of the tournament (Giant Baba ended up replacing him). CANNOTANSWER

Question: what is the most interesting aspect of In September 1993?
Answer: DiBiase and Hansen regain the titles for a second time, but would be stripped of the titles shortly after due to DiBiase leaving AJPW for the WWF.