gaussalgo/Canard_Wiki-augmented huggingface dataset:
The Smashing Pumpkins

Context: After the breakup of his gothic rock band the Marked, singer and guitarist Billy Corgan left St. Petersburg, Florida, to return to his native city of Chicago, where he took a job in a record store and formed the idea of a new band to be called the Smashing Pumpkins. While working there, he met guitarist James Iha. Adorning themselves with paisley and other psychedelic trappings, the two began writing songs together (with the aid of a drum machine) that were heavily influenced by The Cure and New Order. The duo performed live for the first time on July 9, 1988 at the Polish bar Chicago 21. This performance included only Corgan on bass and Iha on guitar with a drum machine. Shortly thereafter, Corgan met D'arcy Wretzky after a show by the Dan Reed Network where they argued the merits of the band. After finding out Wretzky played bass guitar, Corgan recruited her into the lineup and the now-trio played a show at the Avalon Nightclub. After this show, Cabaret Metro owner Joe Shanahan agreed to book the band on the condition that they replace the drum machine with a live drummer.  Jazz drummer Jimmy Chamberlin was recommended by a friend of Corgan's. Chamberlin knew little of alternative music and immediately changed the sound of the nascent band. As Corgan recalled of the period, "We were completely into the sad-rock, Cure kind of thing. It took about two or three practices before I realized that the power in his playing was something that enabled us to rock harder than we could ever have imagined." On October 5, 1988, the complete band took the stage for the first time at the Cabaret Metro.  In 1989 the Smashing Pumpkins made their first appearance on record with the compilation album Light Into Dark, which featured several Chicago alternative bands. The group released its first single, "I Am One", in 1990 on local Chicago label Limited Potential. The single sold out and they released a follow-up, "Tristessa", on Sub Pop, after which they signed to Caroline Records. The band recorded their 1991 debut studio album Gish with producer Butch Vig at his Smart Studios in Madison, Wisconsin for $20,000. In order to gain the consistency he desired, Corgan often played all instruments excluding drums, which created tension in the band. The music fused heavy metal guitars, psychedelia, and dream pop, garnering them comparisons to Jane's Addiction. Gish became a minor success, with the single "Rhinoceros" receiving some airplay on modern rock radio. After releasing the Lull EP in October 1991 on Caroline Records, the band formally signed with Virgin Records, which was affiliated with Caroline. The band supported the album with a tour that included opening for bands such as the Red Hot Chili Peppers, Jane's Addiction, and Guns N' Roses. During the tour, Iha and Wretzky went through a messy breakup, Chamberlin became addicted to narcotics and alcohol, and Corgan entered a deep depression, writing some songs for the upcoming album in the parking garage where he lived at the time. CANNOTANSWER

Question: Who was in The Smashing Pumpkins during their big break?
Answer: guitarist James Iha.
The Smashing Pumpkins

Context: After the breakup of his gothic rock band the Marked, singer and guitarist Billy Corgan left St. Petersburg, Florida, to return to his native city of Chicago, where he took a job in a record store and formed the idea of a new band to be called the Smashing Pumpkins. While working there, he met guitarist James Iha. Adorning themselves with paisley and other psychedelic trappings, the two began writing songs together (with the aid of a drum machine) that were heavily influenced by The Cure and New Order. The duo performed live for the first time on July 9, 1988 at the Polish bar Chicago 21. This performance included only Corgan on bass and Iha on guitar with a drum machine. Shortly thereafter, Corgan met D'arcy Wretzky after a show by the Dan Reed Network where they argued the merits of the band. After finding out Wretzky played bass guitar, Corgan recruited her into the lineup and the now-trio played a show at the Avalon Nightclub. After this show, Cabaret Metro owner Joe Shanahan agreed to book the band on the condition that they replace the drum machine with a live drummer.  Jazz drummer Jimmy Chamberlin was recommended by a friend of Corgan's. Chamberlin knew little of alternative music and immediately changed the sound of the nascent band. As Corgan recalled of the period, "We were completely into the sad-rock, Cure kind of thing. It took about two or three practices before I realized that the power in his playing was something that enabled us to rock harder than we could ever have imagined." On October 5, 1988, the complete band took the stage for the first time at the Cabaret Metro.  In 1989 the Smashing Pumpkins made their first appearance on record with the compilation album Light Into Dark, which featured several Chicago alternative bands. The group released its first single, "I Am One", in 1990 on local Chicago label Limited Potential. The single sold out and they released a follow-up, "Tristessa", on Sub Pop, after which they signed to Caroline Records. The band recorded their 1991 debut studio album Gish with producer Butch Vig at his Smart Studios in Madison, Wisconsin for $20,000. In order to gain the consistency he desired, Corgan often played all instruments excluding drums, which created tension in the band. The music fused heavy metal guitars, psychedelia, and dream pop, garnering them comparisons to Jane's Addiction. Gish became a minor success, with the single "Rhinoceros" receiving some airplay on modern rock radio. After releasing the Lull EP in October 1991 on Caroline Records, the band formally signed with Virgin Records, which was affiliated with Caroline. The band supported the album with a tour that included opening for bands such as the Red Hot Chili Peppers, Jane's Addiction, and Guns N' Roses. During the tour, Iha and Wretzky went through a messy breakup, Chamberlin became addicted to narcotics and alcohol, and Corgan entered a deep depression, writing some songs for the upcoming album in the parking garage where he lived at the time. CANNOTANSWER

Question: Did any other people join the band later on other than James Iha?
Answer: Shortly thereafter, Corgan met D'arcy Wretzky
The Smashing Pumpkins

Context: After the breakup of his gothic rock band the Marked, singer and guitarist Billy Corgan left St. Petersburg, Florida, to return to his native city of Chicago, where he took a job in a record store and formed the idea of a new band to be called the Smashing Pumpkins. While working there, he met guitarist James Iha. Adorning themselves with paisley and other psychedelic trappings, the two began writing songs together (with the aid of a drum machine) that were heavily influenced by The Cure and New Order. The duo performed live for the first time on July 9, 1988 at the Polish bar Chicago 21. This performance included only Corgan on bass and Iha on guitar with a drum machine. Shortly thereafter, Corgan met D'arcy Wretzky after a show by the Dan Reed Network where they argued the merits of the band. After finding out Wretzky played bass guitar, Corgan recruited her into the lineup and the now-trio played a show at the Avalon Nightclub. After this show, Cabaret Metro owner Joe Shanahan agreed to book the band on the condition that they replace the drum machine with a live drummer.  Jazz drummer Jimmy Chamberlin was recommended by a friend of Corgan's. Chamberlin knew little of alternative music and immediately changed the sound of the nascent band. As Corgan recalled of the period, "We were completely into the sad-rock, Cure kind of thing. It took about two or three practices before I realized that the power in his playing was something that enabled us to rock harder than we could ever have imagined." On October 5, 1988, the complete band took the stage for the first time at the Cabaret Metro.  In 1989 the Smashing Pumpkins made their first appearance on record with the compilation album Light Into Dark, which featured several Chicago alternative bands. The group released its first single, "I Am One", in 1990 on local Chicago label Limited Potential. The single sold out and they released a follow-up, "Tristessa", on Sub Pop, after which they signed to Caroline Records. The band recorded their 1991 debut studio album Gish with producer Butch Vig at his Smart Studios in Madison, Wisconsin for $20,000. In order to gain the consistency he desired, Corgan often played all instruments excluding drums, which created tension in the band. The music fused heavy metal guitars, psychedelia, and dream pop, garnering them comparisons to Jane's Addiction. Gish became a minor success, with the single "Rhinoceros" receiving some airplay on modern rock radio. After releasing the Lull EP in October 1991 on Caroline Records, the band formally signed with Virgin Records, which was affiliated with Caroline. The band supported the album with a tour that included opening for bands such as the Red Hot Chili Peppers, Jane's Addiction, and Guns N' Roses. During the tour, Iha and Wretzky went through a messy breakup, Chamberlin became addicted to narcotics and alcohol, and Corgan entered a deep depression, writing some songs for the upcoming album in the parking garage where he lived at the time. CANNOTANSWER

Question: What instrument did D'arcy Wretzky play?
Answer: CANNOTANSWER
Ken Kesey

Context: When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further. This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey's unproduced screenplay, The Further Inquiry) was the group's attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, "The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat." A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney's Magic Trip in 2011.  After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey's residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.  Kesey was arrested in La Honda, California, for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend's car. He returned to the United States eight months later. On January 17, 1966, Kesey was sentenced to six months to be served at the San Mateo County jail in Redwood City, California. Two nights later, he was arrested again, this time with Carolyn Adams, while smoking marijuana on the rooftop of Stewart Brand's Telegraph Hill home in San Francisco. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life. He wrote many articles, books (mostly collections of his articles), and short stories during that time. CANNOTANSWER

Question: Do you think Gene Hackman would have been a better choice than Jack Nicholason In Merry Pranksters?
Answer: CANNOTANSWER
Ken Kesey

Context: When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further. This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey's unproduced screenplay, The Further Inquiry) was the group's attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, "The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat." A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney's Magic Trip in 2011.  After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey's residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.  Kesey was arrested in La Honda, California, for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend's car. He returned to the United States eight months later. On January 17, 1966, Kesey was sentenced to six months to be served at the San Mateo County jail in Redwood City, California. Two nights later, he was arrested again, this time with Carolyn Adams, while smoking marijuana on the rooftop of Stewart Brand's Telegraph Hill home in San Francisco. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life. He wrote many articles, books (mostly collections of his articles), and short stories during that time. CANNOTANSWER

Question: Did you ever see Merry Pranksters or read the book?
Answer: CANNOTANSWER
Ken Kesey

Context: When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further. This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey's unproduced screenplay, The Further Inquiry) was the group's attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, "The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat." A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney's Magic Trip in 2011.  After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey's residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.  Kesey was arrested in La Honda, California, for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend's car. He returned to the United States eight months later. On January 17, 1966, Kesey was sentenced to six months to be served at the San Mateo County jail in Redwood City, California. Two nights later, he was arrested again, this time with Carolyn Adams, while smoking marijuana on the rooftop of Stewart Brand's Telegraph Hill home in San Francisco. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life. He wrote many articles, books (mostly collections of his articles), and short stories during that time. CANNOTANSWER

Question: What is Merry Pranksters about?
Answer: Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further.
Ken Kesey

Context: When the publication of his second novel, Sometimes a Great Notion in 1964, required his presence in New York, Kesey, Neal Cassady, and others in a group of friends they called the Merry Pranksters took a cross-country trip in a school bus nicknamed Further. This trip, described in The Electric Kool-Aid Acid Test (and later in Kesey's unproduced screenplay, The Further Inquiry) was the group's attempt to create art out of everyday life, and to experience roadway America while high on LSD. In an interview after arriving in New York, Kesey is quoted as saying, "The sense of communication in this country has damn near atrophied. But we found as we went along it got easier to make contact with people. If people could just understand it is possible to be different without being a threat." A huge amount of footage was filmed on 16mm cameras during the trip which remained largely unseen until the release of Alex Gibney's Magic Trip in 2011.  After the bus trip, the Pranksters threw parties they called Acid Tests around the San Francisco Bay Area from 1965 to 1966. Many of the Pranksters lived at Kesey's residence in La Honda. In New York, Cassady introduced Kesey to Jack Kerouac and Allen Ginsberg, who then turned them on to Timothy Leary. Sometimes a Great Notion inspired a 1970 film starring and directed by Paul Newman; it was nominated for two Academy Awards, and in 1972 was the first film shown by the new television network HBO, in Wilkes-Barre, Pennsylvania.  Kesey was arrested in La Honda, California, for possession of marijuana in 1965. In an attempt to mislead police, he faked suicide by having friends leave his truck on a cliffside road near Eureka, along with an elaborate suicide note, written by the Pranksters. Kesey fled to Mexico in the back of a friend's car. He returned to the United States eight months later. On January 17, 1966, Kesey was sentenced to six months to be served at the San Mateo County jail in Redwood City, California. Two nights later, he was arrested again, this time with Carolyn Adams, while smoking marijuana on the rooftop of Stewart Brand's Telegraph Hill home in San Francisco. On his release, he moved back to the family farm in Pleasant Hill, Oregon, in the Willamette Valley, where he spent the rest of his life. He wrote many articles, books (mostly collections of his articles), and short stories during that time. CANNOTANSWER

Question: Why was the school bus in Merry Pranksters given the name Further?
Answer: CANNOTANSWER
Glenn Frey

Context: After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s. CANNOTANSWER

Question: when did Glenn Frey begin his solo career?
Answer: After the Eagles disbanded, Frey achieved solo success in the 1980s,
Glenn Frey

Context: After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s. CANNOTANSWER

Question: Did Glenn Frey collaborate with anyone, after the Eagles disbanded?
Answer: In 1984, he recorded in collaboration with Harold Faltermeyer
Glenn Frey

Context: After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s. CANNOTANSWER

Question: What was the song that Glenn Frey recorded with Harold Faltermeyer?
Answer: worldwide hit, "The Heat Is On",
Glenn Frey

Context: After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s. CANNOTANSWER

Question: In addition to "The Heat Is On", what other songs did Glenn Frey do during his solo career?
Answer: "You Belong to the City" (
Glenn Frey

Context: After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s. CANNOTANSWER

Question: Was "You Belong to the City" a popular song?
Answer: top of the U.S. album charts for 11 weeks in 1985
Glenn Frey

Context: After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s. CANNOTANSWER

Question: Aside from making the US album charts, what else notable happened during Glenn Frey's solo career?
Answer: His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100.
Glenn Frey

Context: After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s. CANNOTANSWER

Question: What was Glenn Frey's last solo hit?
Answer: "Drivin' Wheel".
Glenn Frey

Context: After the Eagles disbanded, Frey achieved solo success in the 1980s, especially with two No. 2 hits. In 1984, he recorded in collaboration with Harold Faltermeyer the worldwide hit, "The Heat Is On", the main theme from the Eddie Murphy action comedy film Beverly Hills Cop; then, Frey performed "You Belong to the City" (from the television series Miami Vice, the soundtrack of which stayed on top of the U.S. album charts for 11 weeks in 1985). His other contribution to the soundtrack, "Smuggler's Blues", hit No. 12 on the Billboard Hot 100. During his solo career, Frey had 12 charting songs in the U.S. Top 100. Eleven of those were written with Jack Tempchin who also wrote "Peaceful Easy Feeling".  Frey was the first choice to record "Shakedown", the theme for the film Beverly Hills Cop II. Frey did not like the lyrics and then came down with laryngitis, so the song was given to Bob Seger. After the song went to number one, Frey called to congratulate Seger, saying "At least we kept the money in Michigan!"  Frey also contributed the song "Flip City" to the Ghostbusters II soundtrack, and "Part of Me, Part of You" to the soundtrack for Thelma & Louise. In 2005, he appeared on B.B. King & Friends: 80 on the track "Drivin' Wheel".  In the late 1990s, Frey founded a record company, Mission Records, with attorney Peter Lopez. Frey never released any of his own work on the label and the company has since disbanded.  On May 8, 2012, he released his first solo album in 20 years, After Hours, featuring covers of pop standards from the 1940s to the 1960s. CANNOTANSWER

Question: What year Glenn Frey's last solo hit?
Answer: 2005,
Lou Reed

Context: Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol.  Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks.  1976's Coney Island Baby still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978) was released in the midst of the punk scene he had helped to inspire. Reed took on a watchful, competitive and sometimes dismissive attitude towards punk. Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands, and a cover illustration and interview of Reed appeared in the first issue of Punk by Legs McNeil.  In 1978 Reed released his third live album, Live: Take No Prisoners, which some critics thought was his "bravest work yet," while others considered it his "silliest." Rolling Stone described it as "one of the funniest live albums ever recorded" and compared Reed's monologues with those of Lenny Bruce. Reed felt it was his best album to date.  The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony. From around 1979 Reed began to wean himself off drugs. CANNOTANSWER

Question: What was Lou Reed's addiction?
Answer: Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol.
Lou Reed

Context: Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol.  Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks.  1976's Coney Island Baby still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978) was released in the midst of the punk scene he had helped to inspire. Reed took on a watchful, competitive and sometimes dismissive attitude towards punk. Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands, and a cover illustration and interview of Reed appeared in the first issue of Punk by Legs McNeil.  In 1978 Reed released his third live album, Live: Take No Prisoners, which some critics thought was his "bravest work yet," while others considered it his "silliest." Rolling Stone described it as "one of the funniest live albums ever recorded" and compared Reed's monologues with those of Lenny Bruce. Reed felt it was his best album to date.  The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony. From around 1979 Reed began to wean himself off drugs. CANNOTANSWER

Question: When did Lou Reed get over with?
Answer: From around 1979 Reed began to wean himself off drugs.
Lou Reed

Context: Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol.  Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks.  1976's Coney Island Baby still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978) was released in the midst of the punk scene he had helped to inspire. Reed took on a watchful, competitive and sometimes dismissive attitude towards punk. Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands, and a cover illustration and interview of Reed appeared in the first issue of Punk by Legs McNeil.  In 1978 Reed released his third live album, Live: Take No Prisoners, which some critics thought was his "bravest work yet," while others considered it his "silliest." Rolling Stone described it as "one of the funniest live albums ever recorded" and compared Reed's monologues with those of Lenny Bruce. Reed felt it was his best album to date.  The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony. From around 1979 Reed began to wean himself off drugs. CANNOTANSWER

Question: What happened to Lou Reed next after weaning himself off drugs.
Answer: The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony.
Lou Reed

Context: Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol.  Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks.  1976's Coney Island Baby still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978) was released in the midst of the punk scene he had helped to inspire. Reed took on a watchful, competitive and sometimes dismissive attitude towards punk. Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands, and a cover illustration and interview of Reed appeared in the first issue of Punk by Legs McNeil.  In 1978 Reed released his third live album, Live: Take No Prisoners, which some critics thought was his "bravest work yet," while others considered it his "silliest." Rolling Stone described it as "one of the funniest live albums ever recorded" and compared Reed's monologues with those of Lenny Bruce. Reed felt it was his best album to date.  The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony. From around 1979 Reed began to wean himself off drugs. CANNOTANSWER

Question: Besides Reed appearing in Paul Simon's film One-Trick Pony, are there any other interesting aspects about the article?
Answer: Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt,
Lou Reed

Context: Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol.  Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks.  1976's Coney Island Baby still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978) was released in the midst of the punk scene he had helped to inspire. Reed took on a watchful, competitive and sometimes dismissive attitude towards punk. Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands, and a cover illustration and interview of Reed appeared in the first issue of Punk by Legs McNeil.  In 1978 Reed released his third live album, Live: Take No Prisoners, which some critics thought was his "bravest work yet," while others considered it his "silliest." Rolling Stone described it as "one of the funniest live albums ever recorded" and compared Reed's monologues with those of Lenny Bruce. Reed felt it was his best album to date.  The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony. From around 1979 Reed began to wean himself off drugs. CANNOTANSWER

Question: What was Lou Reed's commercial decline?
Answer: an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort,
Lou Reed

Context: Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol.  Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks.  1976's Coney Island Baby still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978) was released in the midst of the punk scene he had helped to inspire. Reed took on a watchful, competitive and sometimes dismissive attitude towards punk. Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands, and a cover illustration and interview of Reed appeared in the first issue of Punk by Legs McNeil.  In 1978 Reed released his third live album, Live: Take No Prisoners, which some critics thought was his "bravest work yet," while others considered it his "silliest." Rolling Stone described it as "one of the funniest live albums ever recorded" and compared Reed's monologues with those of Lenny Bruce. Reed felt it was his best album to date.  The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony. From around 1979 Reed began to wean himself off drugs. CANNOTANSWER

Question: How did Lou Reed's commercial decline go?
Answer: Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks.
Lou Reed

Context: Throughout the 1970s Reed was a heavy user of methamphetamine and alcohol.  Metal Machine Music (1975) was an hour of modulated feedback and guitar effects. Critics interpreted it as a gesture of contempt, an attempt to break his contract with RCA or to alienate his less sophisticated fans. Reed claimed that the album was a genuine artistic effort, even suggesting that quotations of classical music could be found buried in the feedback. Lester Bangs declared it "genius", though also psychologically disturbing. The album was reportedly returned to stores by the thousands and was withdrawn after a few weeks.  1976's Coney Island Baby still drew on the underbelly of city life. At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby" and appearing in the photos on the cover of Reed's 1977 "best of" album, Walk on the Wild Side: The Best of Lou Reed. Rock and Roll Heart was his 1976 debut for his new record label Arista, and Street Hassle (1978) was released in the midst of the punk scene he had helped to inspire. Reed took on a watchful, competitive and sometimes dismissive attitude towards punk. Aware that he had inspired them, he regularly attended shows at CBGB to track the artistic and commercial development of numerous punk bands, and a cover illustration and interview of Reed appeared in the first issue of Punk by Legs McNeil.  In 1978 Reed released his third live album, Live: Take No Prisoners, which some critics thought was his "bravest work yet," while others considered it his "silliest." Rolling Stone described it as "one of the funniest live albums ever recorded" and compared Reed's monologues with those of Lenny Bruce. Reed felt it was his best album to date.  The Bells (1979) featured jazz trumpeter Don Cherry. Around this period Reed also appeared as a sleazy record producer in Paul Simon's film One-Trick Pony. From around 1979 Reed began to wean himself off drugs. CANNOTANSWER

Question: Besides Lou Reed's commercial decline what else stood out?
Answer: At this time his lover was a transgender woman, Rachel, mentioned in the dedication of "Coney Island Baby"