gaussalgo/Canard_Wiki-augmented huggingface dataset:
Phillip Phillips

Context: After winning American Idol, Phillips went on the American Idol LIVE Tour from July to September with the rest of the Top 10 finishers of season 11. He performed the National Anthem at the opening game of the 2012 World Series on October 24, 2012. On November 15, he joined forces with the PS22 chorus of Staten Island for a concert to raise money for those affected by Hurricane Sandy. He also performed at the National Christmas Tree Lighting ceremony on December 6, 2012.  Phillips' coronation song, "Home," was a great success with sales of over 5 million copies in the US. It has been used in NBC's coverage of the Olympics, L.A. Marathon, various commercials, film trailers, and TV shows. He performed "Home" on the PBS Independence Day celebration TV special, A Capitol 4th. He appeared at the 83rd MLB All-Star Game held at Kansas City on July 10 and sang his coronation song. On October 9, 2012, he joined other musicians in the One World concert held in Syracuse University to honor the Dalai Lama. He also performed "Home" on the CNN Heroes special aired on December 2, 2012, and the CBS's A Home for the Holidays on December 19, 2012.  Phillip has performed on The Today Show and Good Morning America Concert Series, Late Show with David Letterman, Jimmy Kimmel Live!, The Tonight Show With Jay Leno, The Ellen DeGeneres Show, Live With Kelly, The View, Conan. He has also appeared on the American Music Awards and Billboard Music Awards.  Phillip Phillips made the Forbes Highest Earning American Idol list each of the three years he was qualified. For the list published in January 2014 and January 2015, he ranked #3. For the list published January 2016, he ranked #4 CANNOTANSWER

Question: How did Phillip Phillips music career start?
Answer: After winning American Idol, Phillips went on the American Idol LIVE Tour from July to September with the rest of the Top 10 finishers of season 11.
Phillip Phillips

Context: After winning American Idol, Phillips went on the American Idol LIVE Tour from July to September with the rest of the Top 10 finishers of season 11. He performed the National Anthem at the opening game of the 2012 World Series on October 24, 2012. On November 15, he joined forces with the PS22 chorus of Staten Island for a concert to raise money for those affected by Hurricane Sandy. He also performed at the National Christmas Tree Lighting ceremony on December 6, 2012.  Phillips' coronation song, "Home," was a great success with sales of over 5 million copies in the US. It has been used in NBC's coverage of the Olympics, L.A. Marathon, various commercials, film trailers, and TV shows. He performed "Home" on the PBS Independence Day celebration TV special, A Capitol 4th. He appeared at the 83rd MLB All-Star Game held at Kansas City on July 10 and sang his coronation song. On October 9, 2012, he joined other musicians in the One World concert held in Syracuse University to honor the Dalai Lama. He also performed "Home" on the CNN Heroes special aired on December 2, 2012, and the CBS's A Home for the Holidays on December 19, 2012.  Phillip has performed on The Today Show and Good Morning America Concert Series, Late Show with David Letterman, Jimmy Kimmel Live!, The Tonight Show With Jay Leno, The Ellen DeGeneres Show, Live With Kelly, The View, Conan. He has also appeared on the American Music Awards and Billboard Music Awards.  Phillip Phillips made the Forbes Highest Earning American Idol list each of the three years he was qualified. For the list published in January 2014 and January 2015, he ranked #3. For the list published January 2016, he ranked #4 CANNOTANSWER

Question: What did Phillip Phillips do next after American Idol?
Answer: He performed the National Anthem at the opening game of the 2012 World Series on October 24, 2012.
Phillip Phillips

Context: After winning American Idol, Phillips went on the American Idol LIVE Tour from July to September with the rest of the Top 10 finishers of season 11. He performed the National Anthem at the opening game of the 2012 World Series on October 24, 2012. On November 15, he joined forces with the PS22 chorus of Staten Island for a concert to raise money for those affected by Hurricane Sandy. He also performed at the National Christmas Tree Lighting ceremony on December 6, 2012.  Phillips' coronation song, "Home," was a great success with sales of over 5 million copies in the US. It has been used in NBC's coverage of the Olympics, L.A. Marathon, various commercials, film trailers, and TV shows. He performed "Home" on the PBS Independence Day celebration TV special, A Capitol 4th. He appeared at the 83rd MLB All-Star Game held at Kansas City on July 10 and sang his coronation song. On October 9, 2012, he joined other musicians in the One World concert held in Syracuse University to honor the Dalai Lama. He also performed "Home" on the CNN Heroes special aired on December 2, 2012, and the CBS's A Home for the Holidays on December 19, 2012.  Phillip has performed on The Today Show and Good Morning America Concert Series, Late Show with David Letterman, Jimmy Kimmel Live!, The Tonight Show With Jay Leno, The Ellen DeGeneres Show, Live With Kelly, The View, Conan. He has also appeared on the American Music Awards and Billboard Music Awards.  Phillip Phillips made the Forbes Highest Earning American Idol list each of the three years he was qualified. For the list published in January 2014 and January 2015, he ranked #3. For the list published January 2016, he ranked #4 CANNOTANSWER

Question: Did Phillip Phillips record any songs?
Answer: Phillips' coronation song, "Home," was a great success with sales of over 5 million copies in the US. It has been used in NBC's coverage of the Olympics,
Phillip Phillips

Context: After winning American Idol, Phillips went on the American Idol LIVE Tour from July to September with the rest of the Top 10 finishers of season 11. He performed the National Anthem at the opening game of the 2012 World Series on October 24, 2012. On November 15, he joined forces with the PS22 chorus of Staten Island for a concert to raise money for those affected by Hurricane Sandy. He also performed at the National Christmas Tree Lighting ceremony on December 6, 2012.  Phillips' coronation song, "Home," was a great success with sales of over 5 million copies in the US. It has been used in NBC's coverage of the Olympics, L.A. Marathon, various commercials, film trailers, and TV shows. He performed "Home" on the PBS Independence Day celebration TV special, A Capitol 4th. He appeared at the 83rd MLB All-Star Game held at Kansas City on July 10 and sang his coronation song. On October 9, 2012, he joined other musicians in the One World concert held in Syracuse University to honor the Dalai Lama. He also performed "Home" on the CNN Heroes special aired on December 2, 2012, and the CBS's A Home for the Holidays on December 19, 2012.  Phillip has performed on The Today Show and Good Morning America Concert Series, Late Show with David Letterman, Jimmy Kimmel Live!, The Tonight Show With Jay Leno, The Ellen DeGeneres Show, Live With Kelly, The View, Conan. He has also appeared on the American Music Awards and Billboard Music Awards.  Phillip Phillips made the Forbes Highest Earning American Idol list each of the three years he was qualified. For the list published in January 2014 and January 2015, he ranked #3. For the list published January 2016, he ranked #4 CANNOTANSWER

Question: Has Phillip Phillips toured at all during his music career?
Answer: Phillip has performed on The Today Show and Good Morning America Concert Series, Late Show with David Letterman, Jimmy Kimmel Live!,
Phillip Phillips

Context: After winning American Idol, Phillips went on the American Idol LIVE Tour from July to September with the rest of the Top 10 finishers of season 11. He performed the National Anthem at the opening game of the 2012 World Series on October 24, 2012. On November 15, he joined forces with the PS22 chorus of Staten Island for a concert to raise money for those affected by Hurricane Sandy. He also performed at the National Christmas Tree Lighting ceremony on December 6, 2012.  Phillips' coronation song, "Home," was a great success with sales of over 5 million copies in the US. It has been used in NBC's coverage of the Olympics, L.A. Marathon, various commercials, film trailers, and TV shows. He performed "Home" on the PBS Independence Day celebration TV special, A Capitol 4th. He appeared at the 83rd MLB All-Star Game held at Kansas City on July 10 and sang his coronation song. On October 9, 2012, he joined other musicians in the One World concert held in Syracuse University to honor the Dalai Lama. He also performed "Home" on the CNN Heroes special aired on December 2, 2012, and the CBS's A Home for the Holidays on December 19, 2012.  Phillip has performed on The Today Show and Good Morning America Concert Series, Late Show with David Letterman, Jimmy Kimmel Live!, The Tonight Show With Jay Leno, The Ellen DeGeneres Show, Live With Kelly, The View, Conan. He has also appeared on the American Music Awards and Billboard Music Awards.  Phillip Phillips made the Forbes Highest Earning American Idol list each of the three years he was qualified. For the list published in January 2014 and January 2015, he ranked #3. For the list published January 2016, he ranked #4 CANNOTANSWER

Question: Other than  Phillip Phillips's music career, are there any other interesting aspects about this article?
Answer: Phillip Phillips made the Forbes Highest Earning American Idol list each of the three years he was qualified.
Phillip Phillips

Context: After winning American Idol, Phillips went on the American Idol LIVE Tour from July to September with the rest of the Top 10 finishers of season 11. He performed the National Anthem at the opening game of the 2012 World Series on October 24, 2012. On November 15, he joined forces with the PS22 chorus of Staten Island for a concert to raise money for those affected by Hurricane Sandy. He also performed at the National Christmas Tree Lighting ceremony on December 6, 2012.  Phillips' coronation song, "Home," was a great success with sales of over 5 million copies in the US. It has been used in NBC's coverage of the Olympics, L.A. Marathon, various commercials, film trailers, and TV shows. He performed "Home" on the PBS Independence Day celebration TV special, A Capitol 4th. He appeared at the 83rd MLB All-Star Game held at Kansas City on July 10 and sang his coronation song. On October 9, 2012, he joined other musicians in the One World concert held in Syracuse University to honor the Dalai Lama. He also performed "Home" on the CNN Heroes special aired on December 2, 2012, and the CBS's A Home for the Holidays on December 19, 2012.  Phillip has performed on The Today Show and Good Morning America Concert Series, Late Show with David Letterman, Jimmy Kimmel Live!, The Tonight Show With Jay Leno, The Ellen DeGeneres Show, Live With Kelly, The View, Conan. He has also appeared on the American Music Awards and Billboard Music Awards.  Phillip Phillips made the Forbes Highest Earning American Idol list each of the three years he was qualified. For the list published in January 2014 and January 2015, he ranked #3. For the list published January 2016, he ranked #4 CANNOTANSWER

Question: Besides American Idol Has Phillip Phillips done any other performances of note?
Answer: He has also appeared on the American Music Awards and Billboard Music Awards.
Phillip Phillips

Context: After winning American Idol, Phillips went on the American Idol LIVE Tour from July to September with the rest of the Top 10 finishers of season 11. He performed the National Anthem at the opening game of the 2012 World Series on October 24, 2012. On November 15, he joined forces with the PS22 chorus of Staten Island for a concert to raise money for those affected by Hurricane Sandy. He also performed at the National Christmas Tree Lighting ceremony on December 6, 2012.  Phillips' coronation song, "Home," was a great success with sales of over 5 million copies in the US. It has been used in NBC's coverage of the Olympics, L.A. Marathon, various commercials, film trailers, and TV shows. He performed "Home" on the PBS Independence Day celebration TV special, A Capitol 4th. He appeared at the 83rd MLB All-Star Game held at Kansas City on July 10 and sang his coronation song. On October 9, 2012, he joined other musicians in the One World concert held in Syracuse University to honor the Dalai Lama. He also performed "Home" on the CNN Heroes special aired on December 2, 2012, and the CBS's A Home for the Holidays on December 19, 2012.  Phillip has performed on The Today Show and Good Morning America Concert Series, Late Show with David Letterman, Jimmy Kimmel Live!, The Tonight Show With Jay Leno, The Ellen DeGeneres Show, Live With Kelly, The View, Conan. He has also appeared on the American Music Awards and Billboard Music Awards.  Phillip Phillips made the Forbes Highest Earning American Idol list each of the three years he was qualified. For the list published in January 2014 and January 2015, he ranked #3. For the list published January 2016, he ranked #4 CANNOTANSWER

Question: Other than Homes , Has Phillip Phillips done any other recordings?
Answer: On October 9, 2012, he joined other musicians in the One World concert held in Syracuse University to honor the Dalai Lama.
Phillip Phillips

Context: After winning American Idol, Phillips went on the American Idol LIVE Tour from July to September with the rest of the Top 10 finishers of season 11. He performed the National Anthem at the opening game of the 2012 World Series on October 24, 2012. On November 15, he joined forces with the PS22 chorus of Staten Island for a concert to raise money for those affected by Hurricane Sandy. He also performed at the National Christmas Tree Lighting ceremony on December 6, 2012.  Phillips' coronation song, "Home," was a great success with sales of over 5 million copies in the US. It has been used in NBC's coverage of the Olympics, L.A. Marathon, various commercials, film trailers, and TV shows. He performed "Home" on the PBS Independence Day celebration TV special, A Capitol 4th. He appeared at the 83rd MLB All-Star Game held at Kansas City on July 10 and sang his coronation song. On October 9, 2012, he joined other musicians in the One World concert held in Syracuse University to honor the Dalai Lama. He also performed "Home" on the CNN Heroes special aired on December 2, 2012, and the CBS's A Home for the Holidays on December 19, 2012.  Phillip has performed on The Today Show and Good Morning America Concert Series, Late Show with David Letterman, Jimmy Kimmel Live!, The Tonight Show With Jay Leno, The Ellen DeGeneres Show, Live With Kelly, The View, Conan. He has also appeared on the American Music Awards and Billboard Music Awards.  Phillip Phillips made the Forbes Highest Earning American Idol list each of the three years he was qualified. For the list published in January 2014 and January 2015, he ranked #3. For the list published January 2016, he ranked #4 CANNOTANSWER

Question: Together with Phillip Phillips, Who were the other musicians?
Answer: CANNOTANSWER
Scott Walker (politician)

Context: On April 2, 2012, Walker signed a law to fund evaluation of the reading skills of kindergartners as part of an initiative to ensure that students are reading at or above grade level by 3rd grade. The law also created a system for evaluating teachers and principals based in part on the performance of their students. It specified that student performance metrics must be based on objective measures, including their performance on standardized tests.  Walker approved a two-year freeze of tuition at the University of Wisconsin System in the 2013 budget. In 2014, he proposed a two-year extension of the freeze based on expected cash balances for the system in excess of $1 billion.  On February 3, 2015, Walker delivered a budget proposal to the Wisconsin Legislature, in which he recommended placing the University of Wisconsin system under the direction of a "private authority", governed by the Board of Regents (all the governor's appointees). The budget proposal called for a 13% reduction in state funding for the university system.  The budget proposal also called for re-writing the Wisconsin Idea, replacing the university's fundamental commitment to the "search for truth" with the goal of workforce readiness. Walker faced broad criticism for the changes and at first blamed the rewriting of the Wisconsin Idea on a "drafting error." Politifact and the Milwaukee Journal Sentinel later reported that Walker's administration had insisted to University of Wisconsin officials on scrapping the Wisconsin Idea, the guiding principle for the state's universities for more than a century. Walker then acknowledged that UW System officials had raised objections about the proposal and had been told the changes were not open to debate. CANNOTANSWER

Question: What kind of education did Scott Walker have?
Answer: CANNOTANSWER
Scott Walker (politician)

Context: On April 2, 2012, Walker signed a law to fund evaluation of the reading skills of kindergartners as part of an initiative to ensure that students are reading at or above grade level by 3rd grade. The law also created a system for evaluating teachers and principals based in part on the performance of their students. It specified that student performance metrics must be based on objective measures, including their performance on standardized tests.  Walker approved a two-year freeze of tuition at the University of Wisconsin System in the 2013 budget. In 2014, he proposed a two-year extension of the freeze based on expected cash balances for the system in excess of $1 billion.  On February 3, 2015, Walker delivered a budget proposal to the Wisconsin Legislature, in which he recommended placing the University of Wisconsin system under the direction of a "private authority", governed by the Board of Regents (all the governor's appointees). The budget proposal called for a 13% reduction in state funding for the university system.  The budget proposal also called for re-writing the Wisconsin Idea, replacing the university's fundamental commitment to the "search for truth" with the goal of workforce readiness. Walker faced broad criticism for the changes and at first blamed the rewriting of the Wisconsin Idea on a "drafting error." Politifact and the Milwaukee Journal Sentinel later reported that Walker's administration had insisted to University of Wisconsin officials on scrapping the Wisconsin Idea, the guiding principle for the state's universities for more than a century. Walker then acknowledged that UW System officials had raised objections about the proposal and had been told the changes were not open to debate. CANNOTANSWER

Question: Other than Scott Walker involvement in education, are there any other interesting aspects about Walker's political career?
Answer: signed a law to fund evaluation of the reading skills of kindergartners as part of an initiative to ensure that students are reading at or above grade level
Scott Walker (politician)

Context: On April 2, 2012, Walker signed a law to fund evaluation of the reading skills of kindergartners as part of an initiative to ensure that students are reading at or above grade level by 3rd grade. The law also created a system for evaluating teachers and principals based in part on the performance of their students. It specified that student performance metrics must be based on objective measures, including their performance on standardized tests.  Walker approved a two-year freeze of tuition at the University of Wisconsin System in the 2013 budget. In 2014, he proposed a two-year extension of the freeze based on expected cash balances for the system in excess of $1 billion.  On February 3, 2015, Walker delivered a budget proposal to the Wisconsin Legislature, in which he recommended placing the University of Wisconsin system under the direction of a "private authority", governed by the Board of Regents (all the governor's appointees). The budget proposal called for a 13% reduction in state funding for the university system.  The budget proposal also called for re-writing the Wisconsin Idea, replacing the university's fundamental commitment to the "search for truth" with the goal of workforce readiness. Walker faced broad criticism for the changes and at first blamed the rewriting of the Wisconsin Idea on a "drafting error." Politifact and the Milwaukee Journal Sentinel later reported that Walker's administration had insisted to University of Wisconsin officials on scrapping the Wisconsin Idea, the guiding principle for the state's universities for more than a century. Walker then acknowledged that UW System officials had raised objections about the proposal and had been told the changes were not open to debate. CANNOTANSWER

Question: Besides the law to fund evaluation of kindergartner's reading skills, what other programs Scott Walker sign?
Answer: Walker approved a two-year freeze of tuition at the University of Wisconsin System in the 2013 budget.
Scott Walker (politician)

Context: On April 2, 2012, Walker signed a law to fund evaluation of the reading skills of kindergartners as part of an initiative to ensure that students are reading at or above grade level by 3rd grade. The law also created a system for evaluating teachers and principals based in part on the performance of their students. It specified that student performance metrics must be based on objective measures, including their performance on standardized tests.  Walker approved a two-year freeze of tuition at the University of Wisconsin System in the 2013 budget. In 2014, he proposed a two-year extension of the freeze based on expected cash balances for the system in excess of $1 billion.  On February 3, 2015, Walker delivered a budget proposal to the Wisconsin Legislature, in which he recommended placing the University of Wisconsin system under the direction of a "private authority", governed by the Board of Regents (all the governor's appointees). The budget proposal called for a 13% reduction in state funding for the university system.  The budget proposal also called for re-writing the Wisconsin Idea, replacing the university's fundamental commitment to the "search for truth" with the goal of workforce readiness. Walker faced broad criticism for the changes and at first blamed the rewriting of the Wisconsin Idea on a "drafting error." Politifact and the Milwaukee Journal Sentinel later reported that Walker's administration had insisted to University of Wisconsin officials on scrapping the Wisconsin Idea, the guiding principle for the state's universities for more than a century. Walker then acknowledged that UW System officials had raised objections about the proposal and had been told the changes were not open to debate. CANNOTANSWER

Question: Did Scott Walker win any awards for his work in education?
Answer: CANNOTANSWER
Sam & Dave

Context: Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church. Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded "Lord Teach Me" in the 1950s. Sam recorded "Nitey-Nite"/"Caveman Rock" in 1954 with the doo-wop group The Majestics, and later sang with the gospel groups The Gales and The Mellonaires. Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles, and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1960s.  Sam & Dave met working the gospel music circuit, and later in small clubs in Miami during amateur nights in 1961 according to Dave. They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel-inspired call-and-response. Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records.  After two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 45s from 1962-1964 (two were re-releases of Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in many ways to R&B recordings by Sam Cooke, Jackie Wilson and Little Willie John. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses.  In summer 1964, Stone introduced the duo to Atlantic Records' Jerry Wexler, who signed them to Atlantic. Wexler asked Memphis, Tennessee-based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records artists. According to Wexler's autobiography Rhythms & Blues, "Their live act was filled with animation, harmony and seeming goodwill. I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops' Levi Stubbs-sounding voice, the preacher promising hellfire." CANNOTANSWER

Question: When did Sam & Dave meet?
Answer: in 1961
Sam & Dave

Context: Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church. Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded "Lord Teach Me" in the 1950s. Sam recorded "Nitey-Nite"/"Caveman Rock" in 1954 with the doo-wop group The Majestics, and later sang with the gospel groups The Gales and The Mellonaires. Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles, and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1960s.  Sam & Dave met working the gospel music circuit, and later in small clubs in Miami during amateur nights in 1961 according to Dave. They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel-inspired call-and-response. Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records.  After two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 45s from 1962-1964 (two were re-releases of Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in many ways to R&B recordings by Sam Cooke, Jackie Wilson and Little Willie John. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses.  In summer 1964, Stone introduced the duo to Atlantic Records' Jerry Wexler, who signed them to Atlantic. Wexler asked Memphis, Tennessee-based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records artists. According to Wexler's autobiography Rhythms & Blues, "Their live act was filled with animation, harmony and seeming goodwill. I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops' Levi Stubbs-sounding voice, the preacher promising hellfire." CANNOTANSWER

Question: How did Sam & Dave meet?
Answer: working the gospel music circuit, and later in small clubs in Miami during amateur nights
Sam & Dave

Context: Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church. Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded "Lord Teach Me" in the 1950s. Sam recorded "Nitey-Nite"/"Caveman Rock" in 1954 with the doo-wop group The Majestics, and later sang with the gospel groups The Gales and The Mellonaires. Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles, and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1960s.  Sam & Dave met working the gospel music circuit, and later in small clubs in Miami during amateur nights in 1961 according to Dave. They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel-inspired call-and-response. Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records.  After two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 45s from 1962-1964 (two were re-releases of Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in many ways to R&B recordings by Sam Cooke, Jackie Wilson and Little Willie John. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses.  In summer 1964, Stone introduced the duo to Atlantic Records' Jerry Wexler, who signed them to Atlantic. Wexler asked Memphis, Tennessee-based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records artists. According to Wexler's autobiography Rhythms & Blues, "Their live act was filled with animation, harmony and seeming goodwill. I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops' Levi Stubbs-sounding voice, the preacher promising hellfire." CANNOTANSWER

Question: What did Sam & Dave do early in their career?
Answer: two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone,
Sam & Dave

Context: Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church. Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded "Lord Teach Me" in the 1950s. Sam recorded "Nitey-Nite"/"Caveman Rock" in 1954 with the doo-wop group The Majestics, and later sang with the gospel groups The Gales and The Mellonaires. Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles, and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1960s.  Sam & Dave met working the gospel music circuit, and later in small clubs in Miami during amateur nights in 1961 according to Dave. They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel-inspired call-and-response. Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records.  After two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 45s from 1962-1964 (two were re-releases of Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in many ways to R&B recordings by Sam Cooke, Jackie Wilson and Little Willie John. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses.  In summer 1964, Stone introduced the duo to Atlantic Records' Jerry Wexler, who signed them to Atlantic. Wexler asked Memphis, Tennessee-based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records artists. According to Wexler's autobiography Rhythms & Blues, "Their live act was filled with animation, harmony and seeming goodwill. I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops' Levi Stubbs-sounding voice, the preacher promising hellfire." CANNOTANSWER

Question: Did the two singles do well?
Answer: few of the singles received regional airplay, but did not achieve national chart success.
Sam & Dave

Context: Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church. Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded "Lord Teach Me" in the 1950s. Sam recorded "Nitey-Nite"/"Caveman Rock" in 1954 with the doo-wop group The Majestics, and later sang with the gospel groups The Gales and The Mellonaires. Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles, and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1960s.  Sam & Dave met working the gospel music circuit, and later in small clubs in Miami during amateur nights in 1961 according to Dave. They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel-inspired call-and-response. Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records.  After two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 45s from 1962-1964 (two were re-releases of Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in many ways to R&B recordings by Sam Cooke, Jackie Wilson and Little Willie John. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses.  In summer 1964, Stone introduced the duo to Atlantic Records' Jerry Wexler, who signed them to Atlantic. Wexler asked Memphis, Tennessee-based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records artists. According to Wexler's autobiography Rhythms & Blues, "Their live act was filled with animation, harmony and seeming goodwill. I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops' Levi Stubbs-sounding voice, the preacher promising hellfire." CANNOTANSWER

Question: Did Sam & Dave produce an album?
Answer: CANNOTANSWER
Sam & Dave

Context: Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church. Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded "Lord Teach Me" in the 1950s. Sam recorded "Nitey-Nite"/"Caveman Rock" in 1954 with the doo-wop group The Majestics, and later sang with the gospel groups The Gales and The Mellonaires. Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles, and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1960s.  Sam & Dave met working the gospel music circuit, and later in small clubs in Miami during amateur nights in 1961 according to Dave. They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel-inspired call-and-response. Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records.  After two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 45s from 1962-1964 (two were re-releases of Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in many ways to R&B recordings by Sam Cooke, Jackie Wilson and Little Willie John. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses.  In summer 1964, Stone introduced the duo to Atlantic Records' Jerry Wexler, who signed them to Atlantic. Wexler asked Memphis, Tennessee-based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records artists. According to Wexler's autobiography Rhythms & Blues, "Their live act was filled with animation, harmony and seeming goodwill. I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops' Levi Stubbs-sounding voice, the preacher promising hellfire." CANNOTANSWER

Question: Besides Sam & Dave two singles in early 1962, are there any other interesting aspects about this article?
Answer: some of which were produced by Henry Glover, were similar in many ways to R&B recordings by Sam Cooke,
Sam & Dave

Context: Sam Moore and Dave Prater's early musical backgrounds involved listening to and singing gospel music in their homes and churches, and in Dave's case, also singing gospel in the choir in his church. Dave later sang with his older brother JT Prater in the gospel group The Sensational Hummingbirds, who recorded "Lord Teach Me" in the 1950s. Sam recorded "Nitey-Nite"/"Caveman Rock" in 1954 with the doo-wop group The Majestics, and later sang with the gospel groups The Gales and The Mellonaires. Moore and Prater listed Jackie Wilson and Sam Cooke as influences on their styles, and Moore was also influenced by Little Willie John, whom he and Dave opened for often in the early 1960s.  Sam & Dave met working the gospel music circuit, and later in small clubs in Miami during amateur nights in 1961 according to Dave. They sang together one night at the King of Hearts club, and started working together immediately thereafter, developing a live act featuring gospel-inspired call-and-response. Soul singer and record producer Steve Alaimo discovered them while performing during the same show with them at the King of Hearts nightclub in Miami and signed them to Marlin Records.  After two singles in early 1962 were released on the local Marlin label owned by Miami's Henry Stone, Stone helped sign them to Roulette Records in New York City. They released six 45s from 1962-1964 (two were re-releases of Marlin recordings) with Roulette, and one single on Stone and Alaimo's Alston Label. A few of the singles received regional airplay, but did not achieve national chart success. The songs, some of which were produced by Steve Alaimo and some of which were produced by Henry Glover, were similar in many ways to R&B recordings by Sam Cooke, Jackie Wilson and Little Willie John. Prater was the lead vocalist on most of these singles, with Moore singing harmony and alternate verses.  In summer 1964, Stone introduced the duo to Atlantic Records' Jerry Wexler, who signed them to Atlantic. Wexler asked Memphis, Tennessee-based Stax Records, which Atlantic distributed nationally, to work with Sam & Dave. Wexler wanted the Southern roots and gospel style of their live performances, so the pair were loaned to Stax to record, although they remained Atlantic Records artists. According to Wexler's autobiography Rhythms & Blues, "Their live act was filled with animation, harmony and seeming goodwill. I put Sam in the sweet tradition of Sam Cooke or Solomon Burke, while Dave had an ominous Four Tops' Levi Stubbs-sounding voice, the preacher promising hellfire." CANNOTANSWER

Question: Aside from Henry Glover, did Sam & Dave work with anyone else?
Answer: CANNOTANSWER
Paul Anka

Context: Already locally famous as a teenage idol for his songs in English, Anka hit the Italian market with "Summer's Gone" in 1960; it was released as "Dove Sei". The record got immediate success, reaching No. 4 on Italian hit lists, opening a promising foreign career. Anka then underwent an intense collaboration with Italian musicians of the time, including composer/director Ennio Morricone, singer-songwriter Lucio Battisti, and lyricist Mogol. His official discography reports nine singles released by RCA Italiana, but the Italian charts list at least six other songs he interpreted or recorded in Italian. His top hit was "Ogni giorno" which scored No. 1 in 1962, followed by "Piangero per te" and "Ogni volta", which reached both No. 2, in 1963 and 1964. "Ogni volta" ("Every Time") was sung by Anka during the Festival di Sanremo of 1964 and then sold more than one million copies in Italy alone; it was also awarded a gold disc.  He returned to San Remo in 1968 with "La farfalla impazzita" by Battisti-Mogol. On that occasion the same title was interpreted by Italian crooner Johnny Dorelli. The pair of singers, however, were eliminated before the final stage of the competition. Anka, maybe only coincidentally, left the Italian scene shortly thereafter. In 2003 Anka came back with an exclusive concert in Bologna, organized by the Italian company Mapei during the CERSAIE exhibition. He recorded a version of "My Way" with alternate lyrics dedicated to the sponsor of the evening.  In 2006, he recorded a duet with 1960s Italian hitmaker Adriano Celentano, a new cover of "Diana", with Italian lyrics by Celentano-Mogol and with singer-songwriter Alex Britti on the guitar. The song hit No. 3. CANNOTANSWER

Question: when did Paul Anka get to italy
Answer: 1960;
Paul Anka

Context: Already locally famous as a teenage idol for his songs in English, Anka hit the Italian market with "Summer's Gone" in 1960; it was released as "Dove Sei". The record got immediate success, reaching No. 4 on Italian hit lists, opening a promising foreign career. Anka then underwent an intense collaboration with Italian musicians of the time, including composer/director Ennio Morricone, singer-songwriter Lucio Battisti, and lyricist Mogol. His official discography reports nine singles released by RCA Italiana, but the Italian charts list at least six other songs he interpreted or recorded in Italian. His top hit was "Ogni giorno" which scored No. 1 in 1962, followed by "Piangero per te" and "Ogni volta", which reached both No. 2, in 1963 and 1964. "Ogni volta" ("Every Time") was sung by Anka during the Festival di Sanremo of 1964 and then sold more than one million copies in Italy alone; it was also awarded a gold disc.  He returned to San Remo in 1968 with "La farfalla impazzita" by Battisti-Mogol. On that occasion the same title was interpreted by Italian crooner Johnny Dorelli. The pair of singers, however, were eliminated before the final stage of the competition. Anka, maybe only coincidentally, left the Italian scene shortly thereafter. In 2003 Anka came back with an exclusive concert in Bologna, organized by the Italian company Mapei during the CERSAIE exhibition. He recorded a version of "My Way" with alternate lyrics dedicated to the sponsor of the evening.  In 2006, he recorded a duet with 1960s Italian hitmaker Adriano Celentano, a new cover of "Diana", with Italian lyrics by Celentano-Mogol and with singer-songwriter Alex Britti on the guitar. The song hit No. 3. CANNOTANSWER

Question: what album did Paul Anka release in Italy
Answer: Anka hit the Italian market with "Summer's Gone"
Paul Anka

Context: Already locally famous as a teenage idol for his songs in English, Anka hit the Italian market with "Summer's Gone" in 1960; it was released as "Dove Sei". The record got immediate success, reaching No. 4 on Italian hit lists, opening a promising foreign career. Anka then underwent an intense collaboration with Italian musicians of the time, including composer/director Ennio Morricone, singer-songwriter Lucio Battisti, and lyricist Mogol. His official discography reports nine singles released by RCA Italiana, but the Italian charts list at least six other songs he interpreted or recorded in Italian. His top hit was "Ogni giorno" which scored No. 1 in 1962, followed by "Piangero per te" and "Ogni volta", which reached both No. 2, in 1963 and 1964. "Ogni volta" ("Every Time") was sung by Anka during the Festival di Sanremo of 1964 and then sold more than one million copies in Italy alone; it was also awarded a gold disc.  He returned to San Remo in 1968 with "La farfalla impazzita" by Battisti-Mogol. On that occasion the same title was interpreted by Italian crooner Johnny Dorelli. The pair of singers, however, were eliminated before the final stage of the competition. Anka, maybe only coincidentally, left the Italian scene shortly thereafter. In 2003 Anka came back with an exclusive concert in Bologna, organized by the Italian company Mapei during the CERSAIE exhibition. He recorded a version of "My Way" with alternate lyrics dedicated to the sponsor of the evening.  In 2006, he recorded a duet with 1960s Italian hitmaker Adriano Celentano, a new cover of "Diana", with Italian lyrics by Celentano-Mogol and with singer-songwriter Alex Britti on the guitar. The song hit No. 3. CANNOTANSWER

Question: was Paul Anka release in Italy a success
Answer: reaching No. 4