gaussalgo/Canard_Wiki-augmented huggingface dataset:
Bart Starr

Context: Immediately after his retirement as a player, Starr served as the Packers' quarterbacks coach and called plays in 1972 under head coach Dan Devine, when the Packers won the NFC Central division title at 10-4 with Scott Hunter under center. He pursued business interests and was then a broadcaster for CBS for two seasons. When Devine left for Notre Dame after the 1974 season, Starr was hired as head coach of the Packers on Christmas Eve. Upon taking the job, he recognized the long odds of a Hall of Fame player becoming a successful head coach. Initially given a three-year contract, he led the Packers for nine years, the first five as his own general manager.  His regular season record was a disappointing 52-76-2 (.408), with a playoff record of 1-1. Posting a 5-3-1 record in the strike-shortened season of 1982, Starr's Packers made their first playoff appearance in ten years (and their last for another 11 years). They defeated the St. Louis Cardinals 41-16 in the expanded wild card round of 16 teams on January 8, 1983, then lost to the Dallas Cowboys 37-26 in the divisional round the following week. He tallied only three other non-losing seasons as Packers coach. After a disappointing 8-8 finish the following year, Starr was dismissed in favor of his former teammate Forrest Gregg, who previously led the Cincinnati Bengals to Super Bowl XVI in the 1981 season and coached the Cleveland Browns before.  On January 13, 1984, Starr was named the head coach of the Arizona Firebirds, a proposed expansion team for the NFL. The NFL never granted the would-be ownership group of the Firebirds a team. CANNOTANSWER

Question: Other than Packers' quarterbacks coach, are there any other interesting aspects about this article?
Answer: On January 13, 1984, Starr was named the head coach
Bart Starr

Context: Immediately after his retirement as a player, Starr served as the Packers' quarterbacks coach and called plays in 1972 under head coach Dan Devine, when the Packers won the NFC Central division title at 10-4 with Scott Hunter under center. He pursued business interests and was then a broadcaster for CBS for two seasons. When Devine left for Notre Dame after the 1974 season, Starr was hired as head coach of the Packers on Christmas Eve. Upon taking the job, he recognized the long odds of a Hall of Fame player becoming a successful head coach. Initially given a three-year contract, he led the Packers for nine years, the first five as his own general manager.  His regular season record was a disappointing 52-76-2 (.408), with a playoff record of 1-1. Posting a 5-3-1 record in the strike-shortened season of 1982, Starr's Packers made their first playoff appearance in ten years (and their last for another 11 years). They defeated the St. Louis Cardinals 41-16 in the expanded wild card round of 16 teams on January 8, 1983, then lost to the Dallas Cowboys 37-26 in the divisional round the following week. He tallied only three other non-losing seasons as Packers coach. After a disappointing 8-8 finish the following year, Starr was dismissed in favor of his former teammate Forrest Gregg, who previously led the Cincinnati Bengals to Super Bowl XVI in the 1981 season and coached the Cleveland Browns before.  On January 13, 1984, Starr was named the head coach of the Arizona Firebirds, a proposed expansion team for the NFL. The NFL never granted the would-be ownership group of the Firebirds a team. CANNOTANSWER

Question: who did Star work with?
Answer: Arizona Firebirds, a proposed expansion team
Bart Starr

Context: Immediately after his retirement as a player, Starr served as the Packers' quarterbacks coach and called plays in 1972 under head coach Dan Devine, when the Packers won the NFC Central division title at 10-4 with Scott Hunter under center. He pursued business interests and was then a broadcaster for CBS for two seasons. When Devine left for Notre Dame after the 1974 season, Starr was hired as head coach of the Packers on Christmas Eve. Upon taking the job, he recognized the long odds of a Hall of Fame player becoming a successful head coach. Initially given a three-year contract, he led the Packers for nine years, the first five as his own general manager.  His regular season record was a disappointing 52-76-2 (.408), with a playoff record of 1-1. Posting a 5-3-1 record in the strike-shortened season of 1982, Starr's Packers made their first playoff appearance in ten years (and their last for another 11 years). They defeated the St. Louis Cardinals 41-16 in the expanded wild card round of 16 teams on January 8, 1983, then lost to the Dallas Cowboys 37-26 in the divisional round the following week. He tallied only three other non-losing seasons as Packers coach. After a disappointing 8-8 finish the following year, Starr was dismissed in favor of his former teammate Forrest Gregg, who previously led the Cincinnati Bengals to Super Bowl XVI in the 1981 season and coached the Cleveland Browns before.  On January 13, 1984, Starr was named the head coach of the Arizona Firebirds, a proposed expansion team for the NFL. The NFL never granted the would-be ownership group of the Firebirds a team. CANNOTANSWER

Question: what position did Starr play for Arizon Firebirds?
Answer: Packers' quarterbacks coach and called plays
Fleet Foxes

Context: Pecknold said that he would have liked the album to be released in 2009; however, the band's touring schedule delayed rehearsals of the new songs until February 2009. These sessions took place in a rented house outside Seattle, but were mostly scrapped, losing the band $60,000 of their own money. Further delays ensued because the drummer, Tillman, was scheduled to play a solo tour in Europe and North America throughout the 2009-10 winter. Pecknold later sent some demos to producer Phil Ek and expressed the hope that the second LP would emerge in late 2010.  In December 2009, Pecknold said he wanted the new LP to sound "less poppy, less upbeat and more groove-based". He referenced the 12-string guitar sound from Roy Harper's folk album Stormcock, saying, "That will be the primary sonic distancing from the last record." He wanted the band to record very quickly, with "vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling." The band eventually began recording in April 2010 in various locations (including West Hurley, New York) and decided to scrap the earlier idea of a fast recording (though according to the band many of the initial vocals were done in one take). The album features a new six-piece band line up, with the addition of the former Blood Brothers bassist Morgan Henderson on upright bass and woodwind instruments.  The album, Helplessness Blues, was released on May 3, 2011 with a cover illustrated by the Seattle artist Toby Liebowitz and painted by Christopher Alderson. The title track was released via free download on January 31, 2011, and the album's fourth track, "Battery Kinzie", was premiered in the UK on Zane Lowe's radio show on March 22, 2011. The Sub Pop record label released a downloadable music video of the track "Grown Ocean", with footage of the album's recording, on its website in support of the album. A 12" vinyl double A-side single of "Helplessness Blues" and "Grown Ocean" was released for Record Store Day on April 16, 2011. On November 1, 2011, Pecknold's brother, Sean Pecknold, released the official music video for "The Shrine / An Argument".  On January 18, 2012, after the band had finished touring for the album, drummer Tillman announced that he had left the band. He would go on to reinvent himself and record several albums as Father John Misty, notable for his ironic sense of humor in lyrics and media as well as often criticizing both the record industry and society in interviews and on stage.  Helplessness Blues was nominated as Best Folk Album at the 2012 Grammy Awards, held February 12, 2012. CANNOTANSWER

Question: What was Fleet Foxes second album?
Answer: Helplessness Blues,
Fleet Foxes

Context: Pecknold said that he would have liked the album to be released in 2009; however, the band's touring schedule delayed rehearsals of the new songs until February 2009. These sessions took place in a rented house outside Seattle, but were mostly scrapped, losing the band $60,000 of their own money. Further delays ensued because the drummer, Tillman, was scheduled to play a solo tour in Europe and North America throughout the 2009-10 winter. Pecknold later sent some demos to producer Phil Ek and expressed the hope that the second LP would emerge in late 2010.  In December 2009, Pecknold said he wanted the new LP to sound "less poppy, less upbeat and more groove-based". He referenced the 12-string guitar sound from Roy Harper's folk album Stormcock, saying, "That will be the primary sonic distancing from the last record." He wanted the band to record very quickly, with "vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling." The band eventually began recording in April 2010 in various locations (including West Hurley, New York) and decided to scrap the earlier idea of a fast recording (though according to the band many of the initial vocals were done in one take). The album features a new six-piece band line up, with the addition of the former Blood Brothers bassist Morgan Henderson on upright bass and woodwind instruments.  The album, Helplessness Blues, was released on May 3, 2011 with a cover illustrated by the Seattle artist Toby Liebowitz and painted by Christopher Alderson. The title track was released via free download on January 31, 2011, and the album's fourth track, "Battery Kinzie", was premiered in the UK on Zane Lowe's radio show on March 22, 2011. The Sub Pop record label released a downloadable music video of the track "Grown Ocean", with footage of the album's recording, on its website in support of the album. A 12" vinyl double A-side single of "Helplessness Blues" and "Grown Ocean" was released for Record Store Day on April 16, 2011. On November 1, 2011, Pecknold's brother, Sean Pecknold, released the official music video for "The Shrine / An Argument".  On January 18, 2012, after the band had finished touring for the album, drummer Tillman announced that he had left the band. He would go on to reinvent himself and record several albums as Father John Misty, notable for his ironic sense of humor in lyrics and media as well as often criticizing both the record industry and society in interviews and on stage.  Helplessness Blues was nominated as Best Folk Album at the 2012 Grammy Awards, held February 12, 2012. CANNOTANSWER

Question: when was Fleet Foxes second album released?
Answer: May 3, 2011
Fleet Foxes

Context: Pecknold said that he would have liked the album to be released in 2009; however, the band's touring schedule delayed rehearsals of the new songs until February 2009. These sessions took place in a rented house outside Seattle, but were mostly scrapped, losing the band $60,000 of their own money. Further delays ensued because the drummer, Tillman, was scheduled to play a solo tour in Europe and North America throughout the 2009-10 winter. Pecknold later sent some demos to producer Phil Ek and expressed the hope that the second LP would emerge in late 2010.  In December 2009, Pecknold said he wanted the new LP to sound "less poppy, less upbeat and more groove-based". He referenced the 12-string guitar sound from Roy Harper's folk album Stormcock, saying, "That will be the primary sonic distancing from the last record." He wanted the band to record very quickly, with "vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling." The band eventually began recording in April 2010 in various locations (including West Hurley, New York) and decided to scrap the earlier idea of a fast recording (though according to the band many of the initial vocals were done in one take). The album features a new six-piece band line up, with the addition of the former Blood Brothers bassist Morgan Henderson on upright bass and woodwind instruments.  The album, Helplessness Blues, was released on May 3, 2011 with a cover illustrated by the Seattle artist Toby Liebowitz and painted by Christopher Alderson. The title track was released via free download on January 31, 2011, and the album's fourth track, "Battery Kinzie", was premiered in the UK on Zane Lowe's radio show on March 22, 2011. The Sub Pop record label released a downloadable music video of the track "Grown Ocean", with footage of the album's recording, on its website in support of the album. A 12" vinyl double A-side single of "Helplessness Blues" and "Grown Ocean" was released for Record Store Day on April 16, 2011. On November 1, 2011, Pecknold's brother, Sean Pecknold, released the official music video for "The Shrine / An Argument".  On January 18, 2012, after the band had finished touring for the album, drummer Tillman announced that he had left the band. He would go on to reinvent himself and record several albums as Father John Misty, notable for his ironic sense of humor in lyrics and media as well as often criticizing both the record industry and society in interviews and on stage.  Helplessness Blues was nominated as Best Folk Album at the 2012 Grammy Awards, held February 12, 2012. CANNOTANSWER

Question: Was Fleet Foxes second album a success?
Answer: CANNOTANSWER
Fleet Foxes

Context: Pecknold said that he would have liked the album to be released in 2009; however, the band's touring schedule delayed rehearsals of the new songs until February 2009. These sessions took place in a rented house outside Seattle, but were mostly scrapped, losing the band $60,000 of their own money. Further delays ensued because the drummer, Tillman, was scheduled to play a solo tour in Europe and North America throughout the 2009-10 winter. Pecknold later sent some demos to producer Phil Ek and expressed the hope that the second LP would emerge in late 2010.  In December 2009, Pecknold said he wanted the new LP to sound "less poppy, less upbeat and more groove-based". He referenced the 12-string guitar sound from Roy Harper's folk album Stormcock, saying, "That will be the primary sonic distancing from the last record." He wanted the band to record very quickly, with "vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling." The band eventually began recording in April 2010 in various locations (including West Hurley, New York) and decided to scrap the earlier idea of a fast recording (though according to the band many of the initial vocals were done in one take). The album features a new six-piece band line up, with the addition of the former Blood Brothers bassist Morgan Henderson on upright bass and woodwind instruments.  The album, Helplessness Blues, was released on May 3, 2011 with a cover illustrated by the Seattle artist Toby Liebowitz and painted by Christopher Alderson. The title track was released via free download on January 31, 2011, and the album's fourth track, "Battery Kinzie", was premiered in the UK on Zane Lowe's radio show on March 22, 2011. The Sub Pop record label released a downloadable music video of the track "Grown Ocean", with footage of the album's recording, on its website in support of the album. A 12" vinyl double A-side single of "Helplessness Blues" and "Grown Ocean" was released for Record Store Day on April 16, 2011. On November 1, 2011, Pecknold's brother, Sean Pecknold, released the official music video for "The Shrine / An Argument".  On January 18, 2012, after the band had finished touring for the album, drummer Tillman announced that he had left the band. He would go on to reinvent himself and record several albums as Father John Misty, notable for his ironic sense of humor in lyrics and media as well as often criticizing both the record industry and society in interviews and on stage.  Helplessness Blues was nominated as Best Folk Album at the 2012 Grammy Awards, held February 12, 2012. CANNOTANSWER

Question: did Fleet Foxes tour?
Answer: On January 18, 2012, after the band had finished touring for the album, drummer
Fleet Foxes

Context: Pecknold said that he would have liked the album to be released in 2009; however, the band's touring schedule delayed rehearsals of the new songs until February 2009. These sessions took place in a rented house outside Seattle, but were mostly scrapped, losing the band $60,000 of their own money. Further delays ensued because the drummer, Tillman, was scheduled to play a solo tour in Europe and North America throughout the 2009-10 winter. Pecknold later sent some demos to producer Phil Ek and expressed the hope that the second LP would emerge in late 2010.  In December 2009, Pecknold said he wanted the new LP to sound "less poppy, less upbeat and more groove-based". He referenced the 12-string guitar sound from Roy Harper's folk album Stormcock, saying, "That will be the primary sonic distancing from the last record." He wanted the band to record very quickly, with "vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling." The band eventually began recording in April 2010 in various locations (including West Hurley, New York) and decided to scrap the earlier idea of a fast recording (though according to the band many of the initial vocals were done in one take). The album features a new six-piece band line up, with the addition of the former Blood Brothers bassist Morgan Henderson on upright bass and woodwind instruments.  The album, Helplessness Blues, was released on May 3, 2011 with a cover illustrated by the Seattle artist Toby Liebowitz and painted by Christopher Alderson. The title track was released via free download on January 31, 2011, and the album's fourth track, "Battery Kinzie", was premiered in the UK on Zane Lowe's radio show on March 22, 2011. The Sub Pop record label released a downloadable music video of the track "Grown Ocean", with footage of the album's recording, on its website in support of the album. A 12" vinyl double A-side single of "Helplessness Blues" and "Grown Ocean" was released for Record Store Day on April 16, 2011. On November 1, 2011, Pecknold's brother, Sean Pecknold, released the official music video for "The Shrine / An Argument".  On January 18, 2012, after the band had finished touring for the album, drummer Tillman announced that he had left the band. He would go on to reinvent himself and record several albums as Father John Misty, notable for his ironic sense of humor in lyrics and media as well as often criticizing both the record industry and society in interviews and on stage.  Helplessness Blues was nominated as Best Folk Album at the 2012 Grammy Awards, held February 12, 2012. CANNOTANSWER

Question: why did Tillman leave?
Answer: criticizing both the record industry and society in interviews and on stage.
P.O.D.

Context: In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band. They had said "God worked it out because Truby decided to leave the band the same day Curiel asked to rejoin." Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!.  On February 2, 2007 the band made a new record deal with INO Records.  On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled "Condescending", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled "Addicted". They also revealed the title of their new album to be When Angels & Serpents Dance. On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade where they revealed a new song entitled "I'll Be Ready", originally thought to be entitled "When Babylon Come For I," for a crowd of 42,000.  The album cover was officially revealed on December 10, 2007. The title track was released for free download on their site in January 2008. The first single "Addicted" was released on February 19 and peaked at No. 30 on the Mainstream Rock chart. The album was released on April 8, 2008 entitled When Angels & Serpents Dance. On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening. The band also played on August 16, 2008 at the Angel Stadium of Anaheim's annual Harvest Crusade. During September 2008 P.O.D played alongside Redline, Behind Crimson Eyes, Alter Bridge and Disturbed as part of the Music As a Weapon tour 2008 in Australia. CANNOTANSWER

Question: Did anyone ever leave the band P.O.D.?
Answer: it was officially announced, on December 30, 2006, that Jason Truby had left the band.
P.O.D.

Context: In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band. They had said "God worked it out because Truby decided to leave the band the same day Curiel asked to rejoin." Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!.  On February 2, 2007 the band made a new record deal with INO Records.  On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled "Condescending", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled "Addicted". They also revealed the title of their new album to be When Angels & Serpents Dance. On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade where they revealed a new song entitled "I'll Be Ready", originally thought to be entitled "When Babylon Come For I," for a crowd of 42,000.  The album cover was officially revealed on December 10, 2007. The title track was released for free download on their site in January 2008. The first single "Addicted" was released on February 19 and peaked at No. 30 on the Mainstream Rock chart. The album was released on April 8, 2008 entitled When Angels & Serpents Dance. On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening. The band also played on August 16, 2008 at the Angel Stadium of Anaheim's annual Harvest Crusade. During September 2008 P.O.D played alongside Redline, Behind Crimson Eyes, Alter Bridge and Disturbed as part of the Music As a Weapon tour 2008 in Australia. CANNOTANSWER

Question: What happened in February 2007 with the band P.O.D.?
Answer: !.  On February 2, 2007 the band made a new record deal with INO Records.
P.O.D.

Context: In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band. They had said "God worked it out because Truby decided to leave the band the same day Curiel asked to rejoin." Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!.  On February 2, 2007 the band made a new record deal with INO Records.  On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled "Condescending", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled "Addicted". They also revealed the title of their new album to be When Angels & Serpents Dance. On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade where they revealed a new song entitled "I'll Be Ready", originally thought to be entitled "When Babylon Come For I," for a crowd of 42,000.  The album cover was officially revealed on December 10, 2007. The title track was released for free download on their site in January 2008. The first single "Addicted" was released on February 19 and peaked at No. 30 on the Mainstream Rock chart. The album was released on April 8, 2008 entitled When Angels & Serpents Dance. On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening. The band also played on August 16, 2008 at the Angel Stadium of Anaheim's annual Harvest Crusade. During September 2008 P.O.D played alongside Redline, Behind Crimson Eyes, Alter Bridge and Disturbed as part of the Music As a Weapon tour 2008 in Australia. CANNOTANSWER

Question: When did "When Angels & Serpents Dance" by P.O.D. release?
Answer: The album was released on April 8, 2008
P.O.D.

Context: In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band. They had said "God worked it out because Truby decided to leave the band the same day Curiel asked to rejoin." Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!.  On February 2, 2007 the band made a new record deal with INO Records.  On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled "Condescending", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled "Addicted". They also revealed the title of their new album to be When Angels & Serpents Dance. On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade where they revealed a new song entitled "I'll Be Ready", originally thought to be entitled "When Babylon Come For I," for a crowd of 42,000.  The album cover was officially revealed on December 10, 2007. The title track was released for free download on their site in January 2008. The first single "Addicted" was released on February 19 and peaked at No. 30 on the Mainstream Rock chart. The album was released on April 8, 2008 entitled When Angels & Serpents Dance. On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening. The band also played on August 16, 2008 at the Angel Stadium of Anaheim's annual Harvest Crusade. During September 2008 P.O.D played alongside Redline, Behind Crimson Eyes, Alter Bridge and Disturbed as part of the Music As a Weapon tour 2008 in Australia. CANNOTANSWER

Question: Did P.O.D. ever play live music in 2007?
Answer: On June 1, 2007, at the Rockbox in San Diego, the band performed
P.O.D.

Context: In a statement made by the band's manager on their MySpace page, it was officially announced, on December 30, 2006, that Jason Truby had left the band. They had said "God worked it out because Truby decided to leave the band the same day Curiel asked to rejoin." Curiel performed with the band for the first time since his departure on the 2006 New Year's Eve episode of Jimmy Kimmel Live!.  On February 2, 2007 the band made a new record deal with INO Records.  On June 1, 2007, at the Rockbox in San Diego, the band performed and revealed a new song entitled "Condescending", along with another new song performed on June 16, 2007, at the Journeys Backyard BBQ tour entitled "Addicted". They also revealed the title of their new album to be When Angels & Serpents Dance. On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade where they revealed a new song entitled "I'll Be Ready", originally thought to be entitled "When Babylon Come For I," for a crowd of 42,000.  The album cover was officially revealed on December 10, 2007. The title track was released for free download on their site in January 2008. The first single "Addicted" was released on February 19 and peaked at No. 30 on the Mainstream Rock chart. The album was released on April 8, 2008 entitled When Angels & Serpents Dance. On July 28, 2008, the group played a free public performance at the Orange County Choppers headquarters in Newburgh, NY, with OCC The Band opening. The band also played on August 16, 2008 at the Angel Stadium of Anaheim's annual Harvest Crusade. During September 2008 P.O.D played alongside Redline, Behind Crimson Eyes, Alter Bridge and Disturbed as part of the Music As a Weapon tour 2008 in Australia. CANNOTANSWER

Question: Did P.O.D. perform anymore in 2007?
Answer: On August 4, 2007, the band played at Angel Stadium of Anaheim's annual Harvest Crusade
Principalía

Context: From the beginning of the colonial period in the Philippine, the Spanish government built on the traditional pre-conquest socio-political organization of the barangay and co-opted the traditional indigenous princes and their nobles, thereby ruling indirectly. The barangays in some coastal places in Panay, Manila, Cebu, Jolo, and Butuan, with cosmopolitan cultures and trade relations with other countries in Asia, were already established principalities (Kinadatuan) before the coming of the Spaniards. In other regions, even though the majority of these barangays were not large settlements, yet they had organized societies dominated by the same type of recognized aristocracy and lordships (with birthright claim to allegiance from followers), as those found in more established, richer and more developed principalities. The aristocratic group in these pre-colonial societies was called the datu class. Its members were presumably the descendants of the first settlers on the land or, in the case of later arrivals, of those who were datus at the time of migration or conquest.  The duty of the datus was to rule and govern their subjects and followers, and to assist them in their interests and necessities. What the chiefs received from their followers was: to be held by them in great veneration and respect; and they were served in their wars and voyages, and in their tilling, sowing, fishing, and the building of their houses. The natives attended to these duties very promptly, whenever summoned by their chief. They also paid their chief tribute (which they called buwis) in varying quantities, in the crops that they gathered. The descendants of such chiefs, and their relatives, even though they did not inherit the Lordship, were held in the same respect and consideration, and were all regarded as nobles and as persons exempt from the services rendered by the others, or the plebeians (timawas). The same right of nobility and chieftainship was preserved for the women, just as for the men.  Some of these principalities and lordships have remained, even until the present, in unHispanicized  and mostly Lumad and Muslim parts of the Philippines, in some regions of Mindanao. CANNOTANSWER

Question: What were the pre-colonial principalities?
Answer: From the beginning of the colonial period in the Philippine, the Spanish government built on the traditional pre-conquest socio-political organization of the barangay
Principalía

Context: From the beginning of the colonial period in the Philippine, the Spanish government built on the traditional pre-conquest socio-political organization of the barangay and co-opted the traditional indigenous princes and their nobles, thereby ruling indirectly. The barangays in some coastal places in Panay, Manila, Cebu, Jolo, and Butuan, with cosmopolitan cultures and trade relations with other countries in Asia, were already established principalities (Kinadatuan) before the coming of the Spaniards. In other regions, even though the majority of these barangays were not large settlements, yet they had organized societies dominated by the same type of recognized aristocracy and lordships (with birthright claim to allegiance from followers), as those found in more established, richer and more developed principalities. The aristocratic group in these pre-colonial societies was called the datu class. Its members were presumably the descendants of the first settlers on the land or, in the case of later arrivals, of those who were datus at the time of migration or conquest.  The duty of the datus was to rule and govern their subjects and followers, and to assist them in their interests and necessities. What the chiefs received from their followers was: to be held by them in great veneration and respect; and they were served in their wars and voyages, and in their tilling, sowing, fishing, and the building of their houses. The natives attended to these duties very promptly, whenever summoned by their chief. They also paid their chief tribute (which they called buwis) in varying quantities, in the crops that they gathered. The descendants of such chiefs, and their relatives, even though they did not inherit the Lordship, were held in the same respect and consideration, and were all regarded as nobles and as persons exempt from the services rendered by the others, or the plebeians (timawas). The same right of nobility and chieftainship was preserved for the women, just as for the men.  Some of these principalities and lordships have remained, even until the present, in unHispanicized  and mostly Lumad and Muslim parts of the Philippines, in some regions of Mindanao. CANNOTANSWER

Question: How did the Spanish government building on the traditional pre-conquest socio-political organization of the barangay affect them?
Answer: In other regions, even though the majority of these barangays were not large settlements, yet they had organized societies
Principalía

Context: From the beginning of the colonial period in the Philippine, the Spanish government built on the traditional pre-conquest socio-political organization of the barangay and co-opted the traditional indigenous princes and their nobles, thereby ruling indirectly. The barangays in some coastal places in Panay, Manila, Cebu, Jolo, and Butuan, with cosmopolitan cultures and trade relations with other countries in Asia, were already established principalities (Kinadatuan) before the coming of the Spaniards. In other regions, even though the majority of these barangays were not large settlements, yet they had organized societies dominated by the same type of recognized aristocracy and lordships (with birthright claim to allegiance from followers), as those found in more established, richer and more developed principalities. The aristocratic group in these pre-colonial societies was called the datu class. Its members were presumably the descendants of the first settlers on the land or, in the case of later arrivals, of those who were datus at the time of migration or conquest.  The duty of the datus was to rule and govern their subjects and followers, and to assist them in their interests and necessities. What the chiefs received from their followers was: to be held by them in great veneration and respect; and they were served in their wars and voyages, and in their tilling, sowing, fishing, and the building of their houses. The natives attended to these duties very promptly, whenever summoned by their chief. They also paid their chief tribute (which they called buwis) in varying quantities, in the crops that they gathered. The descendants of such chiefs, and their relatives, even though they did not inherit the Lordship, were held in the same respect and consideration, and were all regarded as nobles and as persons exempt from the services rendered by the others, or the plebeians (timawas). The same right of nobility and chieftainship was preserved for the women, just as for the men.  Some of these principalities and lordships have remained, even until the present, in unHispanicized  and mostly Lumad and Muslim parts of the Philippines, in some regions of Mindanao. CANNOTANSWER

Question: What are some interesting aspects about this article on Principalía, Pre-colonial principalities?
Answer: The duty of the datus was to rule and govern their subjects and followers, and to assist them in their interests and necessities. What the chiefs received
Principalía

Context: From the beginning of the colonial period in the Philippine, the Spanish government built on the traditional pre-conquest socio-political organization of the barangay and co-opted the traditional indigenous princes and their nobles, thereby ruling indirectly. The barangays in some coastal places in Panay, Manila, Cebu, Jolo, and Butuan, with cosmopolitan cultures and trade relations with other countries in Asia, were already established principalities (Kinadatuan) before the coming of the Spaniards. In other regions, even though the majority of these barangays were not large settlements, yet they had organized societies dominated by the same type of recognized aristocracy and lordships (with birthright claim to allegiance from followers), as those found in more established, richer and more developed principalities. The aristocratic group in these pre-colonial societies was called the datu class. Its members were presumably the descendants of the first settlers on the land or, in the case of later arrivals, of those who were datus at the time of migration or conquest.  The duty of the datus was to rule and govern their subjects and followers, and to assist them in their interests and necessities. What the chiefs received from their followers was: to be held by them in great veneration and respect; and they were served in their wars and voyages, and in their tilling, sowing, fishing, and the building of their houses. The natives attended to these duties very promptly, whenever summoned by their chief. They also paid their chief tribute (which they called buwis) in varying quantities, in the crops that they gathered. The descendants of such chiefs, and their relatives, even though they did not inherit the Lordship, were held in the same respect and consideration, and were all regarded as nobles and as persons exempt from the services rendered by the others, or the plebeians (timawas). The same right of nobility and chieftainship was preserved for the women, just as for the men.  Some of these principalities and lordships have remained, even until the present, in unHispanicized  and mostly Lumad and Muslim parts of the Philippines, in some regions of Mindanao. CANNOTANSWER

Question: What did the barangay chiefs receive?
Answer: the chiefs received from their followers was: to be held by them in great veneration and respect; and they were served in their
Principalía

Context: From the beginning of the colonial period in the Philippine, the Spanish government built on the traditional pre-conquest socio-political organization of the barangay and co-opted the traditional indigenous princes and their nobles, thereby ruling indirectly. The barangays in some coastal places in Panay, Manila, Cebu, Jolo, and Butuan, with cosmopolitan cultures and trade relations with other countries in Asia, were already established principalities (Kinadatuan) before the coming of the Spaniards. In other regions, even though the majority of these barangays were not large settlements, yet they had organized societies dominated by the same type of recognized aristocracy and lordships (with birthright claim to allegiance from followers), as those found in more established, richer and more developed principalities. The aristocratic group in these pre-colonial societies was called the datu class. Its members were presumably the descendants of the first settlers on the land or, in the case of later arrivals, of those who were datus at the time of migration or conquest.  The duty of the datus was to rule and govern their subjects and followers, and to assist them in their interests and necessities. What the chiefs received from their followers was: to be held by them in great veneration and respect; and they were served in their wars and voyages, and in their tilling, sowing, fishing, and the building of their houses. The natives attended to these duties very promptly, whenever summoned by their chief. They also paid their chief tribute (which they called buwis) in varying quantities, in the crops that they gathered. The descendants of such chiefs, and their relatives, even though they did not inherit the Lordship, were held in the same respect and consideration, and were all regarded as nobles and as persons exempt from the services rendered by the others, or the plebeians (timawas). The same right of nobility and chieftainship was preserved for the women, just as for the men.  Some of these principalities and lordships have remained, even until the present, in unHispanicized  and mostly Lumad and Muslim parts of the Philippines, in some regions of Mindanao. CANNOTANSWER

Question: What were the barangay chiefs serving for?
Answer: were served in their wars and voyages, and in their tilling, sowing, fishing, and the building of their houses. The natives attended
Principalía

Context: From the beginning of the colonial period in the Philippine, the Spanish government built on the traditional pre-conquest socio-political organization of the barangay and co-opted the traditional indigenous princes and their nobles, thereby ruling indirectly. The barangays in some coastal places in Panay, Manila, Cebu, Jolo, and Butuan, with cosmopolitan cultures and trade relations with other countries in Asia, were already established principalities (Kinadatuan) before the coming of the Spaniards. In other regions, even though the majority of these barangays were not large settlements, yet they had organized societies dominated by the same type of recognized aristocracy and lordships (with birthright claim to allegiance from followers), as those found in more established, richer and more developed principalities. The aristocratic group in these pre-colonial societies was called the datu class. Its members were presumably the descendants of the first settlers on the land or, in the case of later arrivals, of those who were datus at the time of migration or conquest.  The duty of the datus was to rule and govern their subjects and followers, and to assist them in their interests and necessities. What the chiefs received from their followers was: to be held by them in great veneration and respect; and they were served in their wars and voyages, and in their tilling, sowing, fishing, and the building of their houses. The natives attended to these duties very promptly, whenever summoned by their chief. They also paid their chief tribute (which they called buwis) in varying quantities, in the crops that they gathered. The descendants of such chiefs, and their relatives, even though they did not inherit the Lordship, were held in the same respect and consideration, and were all regarded as nobles and as persons exempt from the services rendered by the others, or the plebeians (timawas). The same right of nobility and chieftainship was preserved for the women, just as for the men.  Some of these principalities and lordships have remained, even until the present, in unHispanicized  and mostly Lumad and Muslim parts of the Philippines, in some regions of Mindanao. CANNOTANSWER

Question: Where did the barangay natives attend?
Answer: attended to these duties very promptly, whenever summoned by their chief. They also paid their chief
Principalía

Context: From the beginning of the colonial period in the Philippine, the Spanish government built on the traditional pre-conquest socio-political organization of the barangay and co-opted the traditional indigenous princes and their nobles, thereby ruling indirectly. The barangays in some coastal places in Panay, Manila, Cebu, Jolo, and Butuan, with cosmopolitan cultures and trade relations with other countries in Asia, were already established principalities (Kinadatuan) before the coming of the Spaniards. In other regions, even though the majority of these barangays were not large settlements, yet they had organized societies dominated by the same type of recognized aristocracy and lordships (with birthright claim to allegiance from followers), as those found in more established, richer and more developed principalities. The aristocratic group in these pre-colonial societies was called the datu class. Its members were presumably the descendants of the first settlers on the land or, in the case of later arrivals, of those who were datus at the time of migration or conquest.  The duty of the datus was to rule and govern their subjects and followers, and to assist them in their interests and necessities. What the chiefs received from their followers was: to be held by them in great veneration and respect; and they were served in their wars and voyages, and in their tilling, sowing, fishing, and the building of their houses. The natives attended to these duties very promptly, whenever summoned by their chief. They also paid their chief tribute (which they called buwis) in varying quantities, in the crops that they gathered. The descendants of such chiefs, and their relatives, even though they did not inherit the Lordship, were held in the same respect and consideration, and were all regarded as nobles and as persons exempt from the services rendered by the others, or the plebeians (timawas). The same right of nobility and chieftainship was preserved for the women, just as for the men.  Some of these principalities and lordships have remained, even until the present, in unHispanicized  and mostly Lumad and Muslim parts of the Philippines, in some regions of Mindanao. CANNOTANSWER

Question: How much did the barangay natives pay their chief?
Answer: paid their chief tribute (which they called buwis) in varying quantities, in the crops that they gathered. The descendants of such chiefs,