gaussalgo/Canard_Wiki-augmented huggingface dataset:
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: Who was there when Eugene O'Neill died?
Answer: Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: Besides Parkinsons, did Eugene O'Neill have any other illness?
Answer: After suffering from multiple health problems (including depression and alcoholism
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: In addition to completing Moon,what else was going on with Eugene O'Neill?
Answer: While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s.
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: Other than Moon, did Eugene O'Neill write anything else?
Answer: The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten.
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: Aside from Eugene O'Neill illness, death, writing Moon, what else was important in this article?
Answer: In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published,
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: What else happen in year 1956, besides Carlotta arranging to publish Eugene O'Neill autobiographical play Long Day's Journey into Night?
Answer: It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957.
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: Did Eugene O'Neill autobiographical play Long Day's Journey into Night, win anything else other than Pulitzer Prize in 1957?
Answer: The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: Who did Jane Jacobs write for?
Answer: became a feature writer for the Office of War Information,
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What happened after Jane Jacobs became a feature writer for the Office of War Information?
Answer: then a reporter for Amerika,
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What is Amerika?
Answer: a publication of the U.S. State Department.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: Who did Jane Jacobs meet?
Answer: Robert Hyde Jacobs Jr.,
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What is special about Robert Hyde Jacobs Jr.?
Answer: Columbia-educated architect who was designing warplanes for Grumman.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What happened to Jane Jacobs and Robert Hyde Jacobs Jr.?
Answer: They married
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What year did Jane Jacobs and Robert Hyde Jacobs Jr. marry?
Answer: 1944.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What happened to Jane Jacobs after marrying Robert Hyde Jacobs Jr.?
Answer: Together they had a daughter, Burgin, and two sons, James and Ned.
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: What did Jane Jacobs and Robert Hyde Jacobs Jr. do after having kids?
Answer: They bought a three-story building
Jane Jacobs

Context: She became a feature writer for the Office of War Information, and then a reporter for Amerika, a publication of the U.S. State Department. While working there she met Robert Hyde Jacobs Jr., a Columbia-educated architect who was designing warplanes for Grumman. They married in 1944. Together they had a daughter, Burgin, and two sons, James and Ned. They bought a three-story building at 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.  The Jacobses rejected the rapidly growing suburbs as "parasitic", choosing to remain in Greenwich Village. They renovated their house, in the middle of a mixed residential and commercial area, and created a garden in the backyard.  Working for the State Department during the McCarthy era, Jacobs received a questionnaire about her political beliefs and loyalties. Jacobs was anti-communist, and had left the Federal Workers Union because of its apparent communist sympathies. Nevertheless, she was pro-union and purportedly appreciated the writing of Saul Alinsky; therefore she was under suspicion. On March 25, 1952, Jacobs delivered a now-famous response to Conrad E. Snow, chairman of the Loyalty Security Board at the United States Department of State. In her foreword to her answer, she said:  The other threat to the security of our tradition, I believe, lies at home. It is the current fear of radical ideas and of people who propound them. I do not agree with the extremists of either the left or the right, but I think they should be allowed to speak and to publish, both because they themselves have, and ought to have, rights, and once their rights are gone, the rights of the rest of us are hardly safe ... CANNOTANSWER

Question: Where was the building that Jane Jacobs and Robert Hyde Jacobs Jr.'s bought located?
Answer: 555 Hudson St. Jane continued to write for Amerika after the war, while Robert left Grumman and resumed work as an architect.
Extras (TV series)

Context: When the Whistle Blows is the show-within-a-show sitcom created, co-written by and starring Andy Millman. It was first mentioned in episode 1.3, as a script that Millman had written and given to Darren, who neglected to read it (in a recurring joke, he would frequently forget the name of the show, often calling it Where the Wind Blows and even confusing it with The Wind in the Willows). The script was turned into a sitcom on BBC One in the first season finale, after Millman gave the script to Patrick Stewart. Excerpts from the sitcom are featured in the second season, and many of the Extras second season plotlines revolve around Millman's experiences on and around the show.  When the Whistle Blows is set in a Wigan factory canteen. The humour is broad and lowbrow in the manner of many catchphrase-based sitcoms. The main catchphrase of the show, "Are you 'avin' a laugh?," is spoken by Millman. The show is unpopular with critics but popular with the public. It does receive a BAFTA nomination, although Millman suspects it is there simply to make up the numbers, and in the end it loses to an unspecified programme by Stephen Fry.  Millman is deeply unhappy with the show, feeling that too many people have interfered with his original ideas in the hunt for ratings. It appears that Millman originally set out to do a comedy similar to The Office, with true-to-life characters in a realistic work environment, without a studio audience or canned laughter. After being forced to collaborate and compromise many of his ideas with producers at the BBC, the show is transformed into lowest common denominator fare with each character having his/her own catchphrase which are repeated ad nauseam to the delight of its 6 million viewers. The show is further debased by the unexplained guest appearance of Coldplay's Chris Martin, in episode 2.4, which bears no relation to the plot and which Millman openly opposes, going so far as to utter the on-camera line, "Chris Martin, what are you doing in a factory in Wigan? It's mental!"  The presence of studio audiences/canned laughter, and the reliance on funny wigs, costumes and catchphrases for humour is a comment on British comedy hits such as Little Britain and The League of Gentlemen. Many people that Millman sees at the recording of the pilot wear T-shirts displaying comedy catchphrases, such as "Wassup", "It's Chico Time", "I'm a lady!", "Am I bovvered?" and "Garlic bread?." (These shirts are not shown in the US version of Extras.) Some of the reviews that the show gets refer to it as a "time warp comedy", and Millman's character talks about 1970s catchphrases such as Mr Humphreys' "I'm Free" (from Are You Being Served?) and Frank Spencer's "Ooh Betty" (from Some Mothers Do 'Ave 'Em), suggesting that it is also partly sending up 1970s British comedy. In episode 2.5, Germaine Greer suggests that When the Whistle Blows is "sub Carry On". CANNOTANSWER

Question: What is When the Whistle Blows?
Answer: When the Whistle Blows is the show-within-a-show sitcom created, co-written by and starring Andy Millman.
Extras (TV series)

Context: When the Whistle Blows is the show-within-a-show sitcom created, co-written by and starring Andy Millman. It was first mentioned in episode 1.3, as a script that Millman had written and given to Darren, who neglected to read it (in a recurring joke, he would frequently forget the name of the show, often calling it Where the Wind Blows and even confusing it with The Wind in the Willows). The script was turned into a sitcom on BBC One in the first season finale, after Millman gave the script to Patrick Stewart. Excerpts from the sitcom are featured in the second season, and many of the Extras second season plotlines revolve around Millman's experiences on and around the show.  When the Whistle Blows is set in a Wigan factory canteen. The humour is broad and lowbrow in the manner of many catchphrase-based sitcoms. The main catchphrase of the show, "Are you 'avin' a laugh?," is spoken by Millman. The show is unpopular with critics but popular with the public. It does receive a BAFTA nomination, although Millman suspects it is there simply to make up the numbers, and in the end it loses to an unspecified programme by Stephen Fry.  Millman is deeply unhappy with the show, feeling that too many people have interfered with his original ideas in the hunt for ratings. It appears that Millman originally set out to do a comedy similar to The Office, with true-to-life characters in a realistic work environment, without a studio audience or canned laughter. After being forced to collaborate and compromise many of his ideas with producers at the BBC, the show is transformed into lowest common denominator fare with each character having his/her own catchphrase which are repeated ad nauseam to the delight of its 6 million viewers. The show is further debased by the unexplained guest appearance of Coldplay's Chris Martin, in episode 2.4, which bears no relation to the plot and which Millman openly opposes, going so far as to utter the on-camera line, "Chris Martin, what are you doing in a factory in Wigan? It's mental!"  The presence of studio audiences/canned laughter, and the reliance on funny wigs, costumes and catchphrases for humour is a comment on British comedy hits such as Little Britain and The League of Gentlemen. Many people that Millman sees at the recording of the pilot wear T-shirts displaying comedy catchphrases, such as "Wassup", "It's Chico Time", "I'm a lady!", "Am I bovvered?" and "Garlic bread?." (These shirts are not shown in the US version of Extras.) Some of the reviews that the show gets refer to it as a "time warp comedy", and Millman's character talks about 1970s catchphrases such as Mr Humphreys' "I'm Free" (from Are You Being Served?) and Frank Spencer's "Ooh Betty" (from Some Mothers Do 'Ave 'Em), suggesting that it is also partly sending up 1970s British comedy. In episode 2.5, Germaine Greer suggests that When the Whistle Blows is "sub Carry On". CANNOTANSWER

Question: What was When the Whistle Blows about?
Answer: When the Whistle Blows is set in a Wigan factory canteen. The humour is broad and lowbrow in the manner of many catchphrase-based sitcoms.
Extras (TV series)

Context: When the Whistle Blows is the show-within-a-show sitcom created, co-written by and starring Andy Millman. It was first mentioned in episode 1.3, as a script that Millman had written and given to Darren, who neglected to read it (in a recurring joke, he would frequently forget the name of the show, often calling it Where the Wind Blows and even confusing it with The Wind in the Willows). The script was turned into a sitcom on BBC One in the first season finale, after Millman gave the script to Patrick Stewart. Excerpts from the sitcom are featured in the second season, and many of the Extras second season plotlines revolve around Millman's experiences on and around the show.  When the Whistle Blows is set in a Wigan factory canteen. The humour is broad and lowbrow in the manner of many catchphrase-based sitcoms. The main catchphrase of the show, "Are you 'avin' a laugh?," is spoken by Millman. The show is unpopular with critics but popular with the public. It does receive a BAFTA nomination, although Millman suspects it is there simply to make up the numbers, and in the end it loses to an unspecified programme by Stephen Fry.  Millman is deeply unhappy with the show, feeling that too many people have interfered with his original ideas in the hunt for ratings. It appears that Millman originally set out to do a comedy similar to The Office, with true-to-life characters in a realistic work environment, without a studio audience or canned laughter. After being forced to collaborate and compromise many of his ideas with producers at the BBC, the show is transformed into lowest common denominator fare with each character having his/her own catchphrase which are repeated ad nauseam to the delight of its 6 million viewers. The show is further debased by the unexplained guest appearance of Coldplay's Chris Martin, in episode 2.4, which bears no relation to the plot and which Millman openly opposes, going so far as to utter the on-camera line, "Chris Martin, what are you doing in a factory in Wigan? It's mental!"  The presence of studio audiences/canned laughter, and the reliance on funny wigs, costumes and catchphrases for humour is a comment on British comedy hits such as Little Britain and The League of Gentlemen. Many people that Millman sees at the recording of the pilot wear T-shirts displaying comedy catchphrases, such as "Wassup", "It's Chico Time", "I'm a lady!", "Am I bovvered?" and "Garlic bread?." (These shirts are not shown in the US version of Extras.) Some of the reviews that the show gets refer to it as a "time warp comedy", and Millman's character talks about 1970s catchphrases such as Mr Humphreys' "I'm Free" (from Are You Being Served?) and Frank Spencer's "Ooh Betty" (from Some Mothers Do 'Ave 'Em), suggesting that it is also partly sending up 1970s British comedy. In episode 2.5, Germaine Greer suggests that When the Whistle Blows is "sub Carry On". CANNOTANSWER

Question: How did When the Whistle Blows compare to Extras?
Answer: The show is unpopular with critics but popular with the public. It does receive a BAFTA nomination, although Millman suspects it is there simply to make up the numbers,
Extras (TV series)

Context: When the Whistle Blows is the show-within-a-show sitcom created, co-written by and starring Andy Millman. It was first mentioned in episode 1.3, as a script that Millman had written and given to Darren, who neglected to read it (in a recurring joke, he would frequently forget the name of the show, often calling it Where the Wind Blows and even confusing it with The Wind in the Willows). The script was turned into a sitcom on BBC One in the first season finale, after Millman gave the script to Patrick Stewart. Excerpts from the sitcom are featured in the second season, and many of the Extras second season plotlines revolve around Millman's experiences on and around the show.  When the Whistle Blows is set in a Wigan factory canteen. The humour is broad and lowbrow in the manner of many catchphrase-based sitcoms. The main catchphrase of the show, "Are you 'avin' a laugh?," is spoken by Millman. The show is unpopular with critics but popular with the public. It does receive a BAFTA nomination, although Millman suspects it is there simply to make up the numbers, and in the end it loses to an unspecified programme by Stephen Fry.  Millman is deeply unhappy with the show, feeling that too many people have interfered with his original ideas in the hunt for ratings. It appears that Millman originally set out to do a comedy similar to The Office, with true-to-life characters in a realistic work environment, without a studio audience or canned laughter. After being forced to collaborate and compromise many of his ideas with producers at the BBC, the show is transformed into lowest common denominator fare with each character having his/her own catchphrase which are repeated ad nauseam to the delight of its 6 million viewers. The show is further debased by the unexplained guest appearance of Coldplay's Chris Martin, in episode 2.4, which bears no relation to the plot and which Millman openly opposes, going so far as to utter the on-camera line, "Chris Martin, what are you doing in a factory in Wigan? It's mental!"  The presence of studio audiences/canned laughter, and the reliance on funny wigs, costumes and catchphrases for humour is a comment on British comedy hits such as Little Britain and The League of Gentlemen. Many people that Millman sees at the recording of the pilot wear T-shirts displaying comedy catchphrases, such as "Wassup", "It's Chico Time", "I'm a lady!", "Am I bovvered?" and "Garlic bread?." (These shirts are not shown in the US version of Extras.) Some of the reviews that the show gets refer to it as a "time warp comedy", and Millman's character talks about 1970s catchphrases such as Mr Humphreys' "I'm Free" (from Are You Being Served?) and Frank Spencer's "Ooh Betty" (from Some Mothers Do 'Ave 'Em), suggesting that it is also partly sending up 1970s British comedy. In episode 2.5, Germaine Greer suggests that When the Whistle Blows is "sub Carry On". CANNOTANSWER

Question: Does Millman ever stop working on When the Whistle Blows show?
Answer: CANNOTANSWER