gaussalgo/Canard_Wiki-augmented huggingface dataset:
James Randi

Context: In 1996, Randi established the James Randi Educational Foundation. Randi and his colleagues publish in JREF's blog, Swift. Topics have included the interesting mathematics of the one-seventh area triangle, a classic geometric puzzle. In his weekly commentary, Randi often gives examples of what he considers the nonsense that he deals with every day.  Beginning in 2003, the JREF annually hosted The Amaz!ng Meeting, a gathering of scientists, skeptics, and atheists. The last meeting was in 2015, coinciding with Randi's retirement from the JREF.  James Randi began a series of conferences known as "The Amazing Meeting" - TAM - which quickly became the largest gathering of skeptics in the world, drawing audiences from Asia, Europe, South America, and the UK. It also attracted large percentage of younger folks. Randi has been regularly featured on many podcasts, including The Skeptics Society's official podcast Skepticality and the Center for Inquiry's official podcast Point of Inquiry. From September 2006 onwards, he has occasionally contributed to The Skeptics' Guide to the Universe podcast with a column titled "Randi Speaks." In addition, The Amazing Show is a podcast in which Randi shares various anecdotes in an interview format.  In 2014 Part2Filmworks released An Honest Liar, a feature film documentary, written by Tyler Measom and Greg O'Toole, and directed and produced by Measom and Justin Weinstein. The film, which was funded through Kickstarter, focuses on Randi's life, his investigations, and his relationship with longtime partner Jose Alvarez, a.k.a. Deyvi Pena. The film was screened at the Tribeca Film Festival, at Toronto's Hot Docs film festival, and at the June 2014 AFI Docs Festival in Silver Spring, Maryland and Washington, D.C., where it won the Audience Award for Best Feature. It has since been captioned in ten different languages, shown worldwide, and was also positively received by critics. The film was featured on the PBS Independent Lens series, shown in the U.S. and Canada, on March 28, 2016.  In 2017, he appeared in animated form on Holy Koolaid, in which he discussed the challenge of finding the balance between connecting sincerely with his audience and at the same time tricking/fooling them with an artful ruse and indicated that this is a balance many magicians struggle with. CANNOTANSWER

Question: Does the James Randi Educational Foundation (JREF) contribute to any charitable causes?
Answer: CANNOTANSWER
James Randi

Context: In 1996, Randi established the James Randi Educational Foundation. Randi and his colleagues publish in JREF's blog, Swift. Topics have included the interesting mathematics of the one-seventh area triangle, a classic geometric puzzle. In his weekly commentary, Randi often gives examples of what he considers the nonsense that he deals with every day.  Beginning in 2003, the JREF annually hosted The Amaz!ng Meeting, a gathering of scientists, skeptics, and atheists. The last meeting was in 2015, coinciding with Randi's retirement from the JREF.  James Randi began a series of conferences known as "The Amazing Meeting" - TAM - which quickly became the largest gathering of skeptics in the world, drawing audiences from Asia, Europe, South America, and the UK. It also attracted large percentage of younger folks. Randi has been regularly featured on many podcasts, including The Skeptics Society's official podcast Skepticality and the Center for Inquiry's official podcast Point of Inquiry. From September 2006 onwards, he has occasionally contributed to The Skeptics' Guide to the Universe podcast with a column titled "Randi Speaks." In addition, The Amazing Show is a podcast in which Randi shares various anecdotes in an interview format.  In 2014 Part2Filmworks released An Honest Liar, a feature film documentary, written by Tyler Measom and Greg O'Toole, and directed and produced by Measom and Justin Weinstein. The film, which was funded through Kickstarter, focuses on Randi's life, his investigations, and his relationship with longtime partner Jose Alvarez, a.k.a. Deyvi Pena. The film was screened at the Tribeca Film Festival, at Toronto's Hot Docs film festival, and at the June 2014 AFI Docs Festival in Silver Spring, Maryland and Washington, D.C., where it won the Audience Award for Best Feature. It has since been captioned in ten different languages, shown worldwide, and was also positively received by critics. The film was featured on the PBS Independent Lens series, shown in the U.S. and Canada, on March 28, 2016.  In 2017, he appeared in animated form on Holy Koolaid, in which he discussed the challenge of finding the balance between connecting sincerely with his audience and at the same time tricking/fooling them with an artful ruse and indicated that this is a balance many magicians struggle with. CANNOTANSWER

Question: Is the James Randi Educational Foundation (JREF) still in existence today?
Answer: CANNOTANSWER
Mr. Tambourine Man

Context: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015.  The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror.  A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981. CANNOTANSWER

Question: What do you think Dylan's marijuana use to create the song?
Answer: CANNOTANSWER
Mr. Tambourine Man

Context: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015.  The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror.  A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981. CANNOTANSWER

Question: Why did people think the song Mr. Tambourine Man was about drugs?
Answer: CANNOTANSWER
Mr. Tambourine Man

Context: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015.  The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror.  A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981. CANNOTANSWER

Question: Besides, the fact that People think Mr. Tambourine is about grus, are there any other interesting aspects about this article?
Answer: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967
Mr. Tambourine Man

Context: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015.  The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror.  A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981. CANNOTANSWER

Question: Who wrote the song Mr. Tamborine Man?
Answer: Bob Dylan's
Mr. Tambourine Man

Context: The Bringing it All Back Home version of "Mr. Tambourine Man" was included on Bob Dylan's Greatest Hits in 1967 and several later Dylan compilation albums, including Biograph, Masterpieces, and The Essential Bob Dylan. The two June 1964 recordings, one with Ramblin' Jack Elliott and the other at Witmark Music, have been released on The Bootleg Series Vol. 7: No Direction Home and The Bootleg Series Vol. 9: The Witmark Demos 1962-1964, respectively. Outtakes from the January 15, 1965 recording session were released on The Bootleg Series Vol. 12: The Cutting Edge 1965-1966 in 2015.  The song has been in Dylan's live concert repertoire ever since it was written, usually as a solo acoustic song, and live performances have appeared on various concert albums and DVDs. An early performance, recorded during a songs workshop at the Newport Folk Festival on July 24, 1964 is included in both Murray Lerner's film The Other Side of the Mirror and the DVD release of Martin Scorsese's documentary No Direction Home. A live performance at New York's Philharmonic Hall dating from October 31, 1964, appeared on The Bootleg Series Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall. During his appearance at the Newport Folk Festival on July 25, 1965, after he was heckled by acoustic folk music fans during his electric set, Dylan returned to play acoustic versions of "Mr. Tambourine Man" and "It's All Over Now, Baby Blue"; this performance of "Mr. Tambourine Man" is also included in The Other Side of the Mirror.  A live version from Dylan's famous May 17, 1966, concert in Manchester, England (popularly but mistakenly known as the Royal Albert Hall Concert) is included on The Bootleg Series Vol. 4: Bob Dylan Live 1966, The "Royal Albert Hall" Concert. Dylan's August 31, 1969 performance of the song at the Isle of Wight Festival appears on Isle of Wight Live, part of the 4-CD deluxe edition of The Bootleg Series Vol. 10: Another Self Portrait (1969-1971). Dylan also played the song as part of his evening set at the August 1, 1971, Concert for Bangladesh, a benefit concert organized by George Harrison and Ravi Shankar. That performance is included on The Concert For Bangladesh album, although it was excluded from the film of the concert. Another live version, from the Rolling Thunder Revue tour of 1975, is on The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue, while electric band versions from 1978 and 1981 appear, respectively, on Bob Dylan at Budokan and the Deluxe Edition of The Bootleg Series Vol. 13: Trouble No More 1979-1981. CANNOTANSWER

Question: Who influenced the movie which inspired Bob Dylan?
Answer: CANNOTANSWER
Martin Kaymer

Context: Entering the 2011 season, Kaymer turned down a chance to become a full PGA Tour member; he had gained exempt status with his win in the PGA Championship. He stated he would concentrate on the European Tour for 2011, but would play several U.S. events as well.  In January, Kaymer claimed his third Abu Dhabi HSBC Golf Championship title in four years and displaced Tiger Woods as number two in the world rankings.  After his runner-up finish at the 2011 WGC-Accenture Match Play Championship, Kaymer overtook Lee Westwood as the number one golfer in the world, making him only the second German (after Bernhard Langer) to be the top-ranked golfer in the world. At the time he was the second youngest to reach world number one behind Tiger Woods, soon surpassed by Rory McIlroy in March 2012, who gained the top ranking at age 22. In April, he relinquished his number one ranking after eight weeks to Westwood, who won the Indonesian Masters.  After reaching the number one ranking, Kaymer decided to undergo a swing change to be able to move the ball both ways. Frustrated with his disappointing results at the Masters, Kaymer looked to better shape a draw, a shot he thought he needed to be able to contend at Augusta. Kaymer missed the cut at the Masters for the fourth time in 2011 and later admitted that changing his swing for Augusta was a "big mistake." The rest of 2011 was relatively inconsistent for Kaymer.  In November 2011, Kaymer won his first WGC title at the WGC-HSBC Champions event in Shanghai, China. He entered the final round trailing Fredrik Jacobson by five strokes, then shot a final round 9-under 63 to take the title by three strokes from Jacobson. After parring his opening six holes, Kaymer birdied nine of the remaining twelve, with four straight birdies at the start of the back nine. This was the biggest comeback win ever in the history of the WGC events, and the lowest final round by a WGC winner, topping a 64 set by Hunter Mahan in 2010. Kaymer became the tenth player to have won both a major and a WGC event, and the win took him back to world number four. CANNOTANSWER

Question: What sport did Martin Kaymer play?
Answer: golfer
Martin Kaymer

Context: Entering the 2011 season, Kaymer turned down a chance to become a full PGA Tour member; he had gained exempt status with his win in the PGA Championship. He stated he would concentrate on the European Tour for 2011, but would play several U.S. events as well.  In January, Kaymer claimed his third Abu Dhabi HSBC Golf Championship title in four years and displaced Tiger Woods as number two in the world rankings.  After his runner-up finish at the 2011 WGC-Accenture Match Play Championship, Kaymer overtook Lee Westwood as the number one golfer in the world, making him only the second German (after Bernhard Langer) to be the top-ranked golfer in the world. At the time he was the second youngest to reach world number one behind Tiger Woods, soon surpassed by Rory McIlroy in March 2012, who gained the top ranking at age 22. In April, he relinquished his number one ranking after eight weeks to Westwood, who won the Indonesian Masters.  After reaching the number one ranking, Kaymer decided to undergo a swing change to be able to move the ball both ways. Frustrated with his disappointing results at the Masters, Kaymer looked to better shape a draw, a shot he thought he needed to be able to contend at Augusta. Kaymer missed the cut at the Masters for the fourth time in 2011 and later admitted that changing his swing for Augusta was a "big mistake." The rest of 2011 was relatively inconsistent for Kaymer.  In November 2011, Kaymer won his first WGC title at the WGC-HSBC Champions event in Shanghai, China. He entered the final round trailing Fredrik Jacobson by five strokes, then shot a final round 9-under 63 to take the title by three strokes from Jacobson. After parring his opening six holes, Kaymer birdied nine of the remaining twelve, with four straight birdies at the start of the back nine. This was the biggest comeback win ever in the history of the WGC events, and the lowest final round by a WGC winner, topping a 64 set by Hunter Mahan in 2010. Kaymer became the tenth player to have won both a major and a WGC event, and the win took him back to world number four. CANNOTANSWER

Question: What happen to golfer Martin Kaymer in 2011?
Answer: Entering the 2011 season, Kaymer turned down a chance to become a full PGA Tour member;
Martin Kaymer

Context: Entering the 2011 season, Kaymer turned down a chance to become a full PGA Tour member; he had gained exempt status with his win in the PGA Championship. He stated he would concentrate on the European Tour for 2011, but would play several U.S. events as well.  In January, Kaymer claimed his third Abu Dhabi HSBC Golf Championship title in four years and displaced Tiger Woods as number two in the world rankings.  After his runner-up finish at the 2011 WGC-Accenture Match Play Championship, Kaymer overtook Lee Westwood as the number one golfer in the world, making him only the second German (after Bernhard Langer) to be the top-ranked golfer in the world. At the time he was the second youngest to reach world number one behind Tiger Woods, soon surpassed by Rory McIlroy in March 2012, who gained the top ranking at age 22. In April, he relinquished his number one ranking after eight weeks to Westwood, who won the Indonesian Masters.  After reaching the number one ranking, Kaymer decided to undergo a swing change to be able to move the ball both ways. Frustrated with his disappointing results at the Masters, Kaymer looked to better shape a draw, a shot he thought he needed to be able to contend at Augusta. Kaymer missed the cut at the Masters for the fourth time in 2011 and later admitted that changing his swing for Augusta was a "big mistake." The rest of 2011 was relatively inconsistent for Kaymer.  In November 2011, Kaymer won his first WGC title at the WGC-HSBC Champions event in Shanghai, China. He entered the final round trailing Fredrik Jacobson by five strokes, then shot a final round 9-under 63 to take the title by three strokes from Jacobson. After parring his opening six holes, Kaymer birdied nine of the remaining twelve, with four straight birdies at the start of the back nine. This was the biggest comeback win ever in the history of the WGC events, and the lowest final round by a WGC winner, topping a 64 set by Hunter Mahan in 2010. Kaymer became the tenth player to have won both a major and a WGC event, and the win took him back to world number four. CANNOTANSWER

Question: Why did Martin Kaymer turn down a chance to become a full PGA Tour member?
Answer: Championship. He stated he would concentrate on the European Tour for 2011, but would play several U.S. events as well.
Martin Kaymer

Context: Entering the 2011 season, Kaymer turned down a chance to become a full PGA Tour member; he had gained exempt status with his win in the PGA Championship. He stated he would concentrate on the European Tour for 2011, but would play several U.S. events as well.  In January, Kaymer claimed his third Abu Dhabi HSBC Golf Championship title in four years and displaced Tiger Woods as number two in the world rankings.  After his runner-up finish at the 2011 WGC-Accenture Match Play Championship, Kaymer overtook Lee Westwood as the number one golfer in the world, making him only the second German (after Bernhard Langer) to be the top-ranked golfer in the world. At the time he was the second youngest to reach world number one behind Tiger Woods, soon surpassed by Rory McIlroy in March 2012, who gained the top ranking at age 22. In April, he relinquished his number one ranking after eight weeks to Westwood, who won the Indonesian Masters.  After reaching the number one ranking, Kaymer decided to undergo a swing change to be able to move the ball both ways. Frustrated with his disappointing results at the Masters, Kaymer looked to better shape a draw, a shot he thought he needed to be able to contend at Augusta. Kaymer missed the cut at the Masters for the fourth time in 2011 and later admitted that changing his swing for Augusta was a "big mistake." The rest of 2011 was relatively inconsistent for Kaymer.  In November 2011, Kaymer won his first WGC title at the WGC-HSBC Champions event in Shanghai, China. He entered the final round trailing Fredrik Jacobson by five strokes, then shot a final round 9-under 63 to take the title by three strokes from Jacobson. After parring his opening six holes, Kaymer birdied nine of the remaining twelve, with four straight birdies at the start of the back nine. This was the biggest comeback win ever in the history of the WGC events, and the lowest final round by a WGC winner, topping a 64 set by Hunter Mahan in 2010. Kaymer became the tenth player to have won both a major and a WGC event, and the win took him back to world number four. CANNOTANSWER

Question: Aside from Martin Kaymer turning down a chance to become a full PGA Tour member, are there any other interesting aspects about this article?
Answer: After his runner-up finish at the 2011 WGC-Accenture Match Play Championship, Kaymer overtook Lee Westwood as the number one golfer in the world,
Martin Kaymer

Context: Entering the 2011 season, Kaymer turned down a chance to become a full PGA Tour member; he had gained exempt status with his win in the PGA Championship. He stated he would concentrate on the European Tour for 2011, but would play several U.S. events as well.  In January, Kaymer claimed his third Abu Dhabi HSBC Golf Championship title in four years and displaced Tiger Woods as number two in the world rankings.  After his runner-up finish at the 2011 WGC-Accenture Match Play Championship, Kaymer overtook Lee Westwood as the number one golfer in the world, making him only the second German (after Bernhard Langer) to be the top-ranked golfer in the world. At the time he was the second youngest to reach world number one behind Tiger Woods, soon surpassed by Rory McIlroy in March 2012, who gained the top ranking at age 22. In April, he relinquished his number one ranking after eight weeks to Westwood, who won the Indonesian Masters.  After reaching the number one ranking, Kaymer decided to undergo a swing change to be able to move the ball both ways. Frustrated with his disappointing results at the Masters, Kaymer looked to better shape a draw, a shot he thought he needed to be able to contend at Augusta. Kaymer missed the cut at the Masters for the fourth time in 2011 and later admitted that changing his swing for Augusta was a "big mistake." The rest of 2011 was relatively inconsistent for Kaymer.  In November 2011, Kaymer won his first WGC title at the WGC-HSBC Champions event in Shanghai, China. He entered the final round trailing Fredrik Jacobson by five strokes, then shot a final round 9-under 63 to take the title by three strokes from Jacobson. After parring his opening six holes, Kaymer birdied nine of the remaining twelve, with four straight birdies at the start of the back nine. This was the biggest comeback win ever in the history of the WGC events, and the lowest final round by a WGC winner, topping a 64 set by Hunter Mahan in 2010. Kaymer became the tenth player to have won both a major and a WGC event, and the win took him back to world number four. CANNOTANSWER

Question: What else did Martin Kaymer do that stood out, besides overtaking Lee Westwood as the number one golfer in the world in 2011?
Answer: In January, Kaymer claimed his third Abu Dhabi HSBC Golf Championship title in four years and displaced Tiger Woods as number two in the world rankings.
Martin Kaymer

Context: Entering the 2011 season, Kaymer turned down a chance to become a full PGA Tour member; he had gained exempt status with his win in the PGA Championship. He stated he would concentrate on the European Tour for 2011, but would play several U.S. events as well.  In January, Kaymer claimed his third Abu Dhabi HSBC Golf Championship title in four years and displaced Tiger Woods as number two in the world rankings.  After his runner-up finish at the 2011 WGC-Accenture Match Play Championship, Kaymer overtook Lee Westwood as the number one golfer in the world, making him only the second German (after Bernhard Langer) to be the top-ranked golfer in the world. At the time he was the second youngest to reach world number one behind Tiger Woods, soon surpassed by Rory McIlroy in March 2012, who gained the top ranking at age 22. In April, he relinquished his number one ranking after eight weeks to Westwood, who won the Indonesian Masters.  After reaching the number one ranking, Kaymer decided to undergo a swing change to be able to move the ball both ways. Frustrated with his disappointing results at the Masters, Kaymer looked to better shape a draw, a shot he thought he needed to be able to contend at Augusta. Kaymer missed the cut at the Masters for the fourth time in 2011 and later admitted that changing his swing for Augusta was a "big mistake." The rest of 2011 was relatively inconsistent for Kaymer.  In November 2011, Kaymer won his first WGC title at the WGC-HSBC Champions event in Shanghai, China. He entered the final round trailing Fredrik Jacobson by five strokes, then shot a final round 9-under 63 to take the title by three strokes from Jacobson. After parring his opening six holes, Kaymer birdied nine of the remaining twelve, with four straight birdies at the start of the back nine. This was the biggest comeback win ever in the history of the WGC events, and the lowest final round by a WGC winner, topping a 64 set by Hunter Mahan in 2010. Kaymer became the tenth player to have won both a major and a WGC event, and the win took him back to world number four. CANNOTANSWER

Question: What was some of Martin Kaymer's golf scores?
Answer: CANNOTANSWER
R.E.M.

Context: In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing and played its first show on April 5, 1980, at a friend's birthday party held in a converted Episcopal church in Athens. After considering names like "Twisted Kites", "Cans of Piss", and "Negro Wives", the band settled on "R.E.M." (which is an acronym for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.  The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.  During the summer of 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. The single was released on the local independent record label Hib-Tone with an initial pressing of one thousand copies, which quickly sold out. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. CANNOTANSWER

Question: How did the band R.E.M. form?
Answer: Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia.
R.E.M.

Context: In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing and played its first show on April 5, 1980, at a friend's birthday party held in a converted Episcopal church in Athens. After considering names like "Twisted Kites", "Cans of Piss", and "Negro Wives", the band settled on "R.E.M." (which is an acronym for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.  The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.  During the summer of 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. The single was released on the local independent record label Hib-Tone with an initial pressing of one thousand copies, which quickly sold out. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. CANNOTANSWER

Question: What was R.E.M.'s first song?
Answer: "Radio Free Europe",
R.E.M.

Context: In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing and played its first show on April 5, 1980, at a friend's birthday party held in a converted Episcopal church in Athens. After considering names like "Twisted Kites", "Cans of Piss", and "Negro Wives", the band settled on "R.E.M." (which is an acronym for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.  The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.  During the summer of 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. The single was released on the local independent record label Hib-Tone with an initial pressing of one thousand copies, which quickly sold out. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. CANNOTANSWER

Question: How did R.E.M.'s song "Radio Free Europe" do on the charts?
Answer: CANNOTANSWER
R.E.M.

Context: In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing and played its first show on April 5, 1980, at a friend's birthday party held in a converted Episcopal church in Athens. After considering names like "Twisted Kites", "Cans of Piss", and "Negro Wives", the band settled on "R.E.M." (which is an acronym for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.  The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.  During the summer of 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. The single was released on the local independent record label Hib-Tone with an initial pressing of one thousand copies, which quickly sold out. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. CANNOTANSWER

Question: What was R.E.M.'s first album titled?
Answer: CANNOTANSWER
R.E.M.

Context: In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing and played its first show on April 5, 1980, at a friend's birthday party held in a converted Episcopal church in Athens. After considering names like "Twisted Kites", "Cans of Piss", and "Negro Wives", the band settled on "R.E.M." (which is an acronym for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.  The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.  During the summer of 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. The single was released on the local independent record label Hib-Tone with an initial pressing of one thousand copies, which quickly sold out. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. CANNOTANSWER

Question: Is there anything interesting about the formation of R.E.M.?
Answer: In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked.
R.E.M.

Context: In January 1980, Michael Stipe met Peter Buck in Wuxtry Records, the Athens record store where Buck worked. The pair discovered that they shared similar tastes in music, particularly in punk rock and protopunk artists like Patti Smith, Television, and the Velvet Underground. Stipe said, "It turns out that I was buying all the records that [Buck] was saving for himself." Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia. The quartet agreed to collaborate on several songs; Stipe later commented that "there was never any grand plan behind any of it". Their still-unnamed band spent a few months rehearsing and played its first show on April 5, 1980, at a friend's birthday party held in a converted Episcopal church in Athens. After considering names like "Twisted Kites", "Cans of Piss", and "Negro Wives", the band settled on "R.E.M." (which is an acronym for rapid eye movement, the dream stage of sleep), which Stipe selected at random from a dictionary.  The band members eventually dropped out of school to focus on their developing group. They found a manager in Jefferson Holt, a record store clerk who was so impressed by an R.E.M. performance in his hometown of Chapel Hill, North Carolina, that he moved to Athens. R.E.M.'s success was almost immediate in Athens and surrounding areas; the band drew progressively larger crowds for shows, which caused some resentment in the Athens music scene. Over the next year and a half, R.E.M. toured throughout the Southern United States. Touring was arduous because a touring circuit for alternative rock bands did not then exist. The group toured in an old blue van driven by Holt, and lived on a food allowance of $2 each per day.  During the summer of 1981, R.E.M. recorded its first single, "Radio Free Europe", at producer Mitch Easter's Drive-In Studios in Winston-Salem, North Carolina. The single was released on the local independent record label Hib-Tone with an initial pressing of one thousand copies, which quickly sold out. Despite its limited pressing, the single garnered critical acclaim, and was listed as one of the ten best singles of the year by The New York Times. CANNOTANSWER

Question: Were the members of R.E.M. all students at the time the band formed?
Answer: Stipe and Buck then met fellow University of Georgia students Mike Mills and Bill Berry, who had played music together since high school and lived together in Georgia.