gaussalgo/Canard_Wiki-augmented huggingface dataset:
Sue Townsend

Context: Townsend left school at the age of 14 and worked in a variety of jobs including packer for Birds Eye, a petrol station attendant and a receptionist. Working at a petrol station allowed her the chance to read between serving customers.  She married Keith Townsend, a sheet metal worker at 18; the couple had three children under five by the time Townsend was 23 (Sean, Daniel and Victoria), at which point the marriage ended and she became a single parent. In this position, Townsend and her children endured considerable hardship. In Mr Bevan's Dream: Why Britain Needs Its Welfare State (1989), a short book in the Counterblasts series, she recounts an experience from when her eldest child was five. Because the Department of Social Security was unable to give her even 50p to tide them over, she was obliged to feed herself and her children on a tin of peas and an Oxo cube as an evening meal. Townsend would collect used Corona bottles, to redeem the 4p return fee by which to feed her children.  Aged 13, her son questioned one Sunday why they didn't go to animal parks on weekends like other families. She later recounted that it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner. Townsend then chose to research the world of teenagers, and started attending youth clubs as a volunteer organiser. This led to her training as a youth worker.  While employed as a supervisor at an adventure playground, she observed a man making canoes nearby and, because he was married, put off talking to him; it was a year before he asked her for a date. It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth. Subsequently, she became pregnant twice more, but underwent abortions. Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences. CANNOTANSWER

Question: How long were Sue and Keith Townsend married?
Answer: Townsend was 23 (Sean, Daniel and Victoria), at which point the marriage ended and she became a single parent.
Sue Townsend

Context: Townsend left school at the age of 14 and worked in a variety of jobs including packer for Birds Eye, a petrol station attendant and a receptionist. Working at a petrol station allowed her the chance to read between serving customers.  She married Keith Townsend, a sheet metal worker at 18; the couple had three children under five by the time Townsend was 23 (Sean, Daniel and Victoria), at which point the marriage ended and she became a single parent. In this position, Townsend and her children endured considerable hardship. In Mr Bevan's Dream: Why Britain Needs Its Welfare State (1989), a short book in the Counterblasts series, she recounts an experience from when her eldest child was five. Because the Department of Social Security was unable to give her even 50p to tide them over, she was obliged to feed herself and her children on a tin of peas and an Oxo cube as an evening meal. Townsend would collect used Corona bottles, to redeem the 4p return fee by which to feed her children.  Aged 13, her son questioned one Sunday why they didn't go to animal parks on weekends like other families. She later recounted that it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner. Townsend then chose to research the world of teenagers, and started attending youth clubs as a volunteer organiser. This led to her training as a youth worker.  While employed as a supervisor at an adventure playground, she observed a man making canoes nearby and, because he was married, put off talking to him; it was a year before he asked her for a date. It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth. Subsequently, she became pregnant twice more, but underwent abortions. Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences. CANNOTANSWER

Question: What did Sue Townsend do for a job when her marriage ended?
Answer: While employed as a supervisor at an adventure playground, she observed a man making canoes nearby
Sue Townsend

Context: Townsend left school at the age of 14 and worked in a variety of jobs including packer for Birds Eye, a petrol station attendant and a receptionist. Working at a petrol station allowed her the chance to read between serving customers.  She married Keith Townsend, a sheet metal worker at 18; the couple had three children under five by the time Townsend was 23 (Sean, Daniel and Victoria), at which point the marriage ended and she became a single parent. In this position, Townsend and her children endured considerable hardship. In Mr Bevan's Dream: Why Britain Needs Its Welfare State (1989), a short book in the Counterblasts series, she recounts an experience from when her eldest child was five. Because the Department of Social Security was unable to give her even 50p to tide them over, she was obliged to feed herself and her children on a tin of peas and an Oxo cube as an evening meal. Townsend would collect used Corona bottles, to redeem the 4p return fee by which to feed her children.  Aged 13, her son questioned one Sunday why they didn't go to animal parks on weekends like other families. She later recounted that it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner. Townsend then chose to research the world of teenagers, and started attending youth clubs as a volunteer organiser. This led to her training as a youth worker.  While employed as a supervisor at an adventure playground, she observed a man making canoes nearby and, because he was married, put off talking to him; it was a year before he asked her for a date. It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth. Subsequently, she became pregnant twice more, but underwent abortions. Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences. CANNOTANSWER

Question: How did a man making canoes influence Sue Townsend?
Answer: because he was married, put off talking to him; it was a year before he asked her for a date.
Sue Townsend

Context: Townsend left school at the age of 14 and worked in a variety of jobs including packer for Birds Eye, a petrol station attendant and a receptionist. Working at a petrol station allowed her the chance to read between serving customers.  She married Keith Townsend, a sheet metal worker at 18; the couple had three children under five by the time Townsend was 23 (Sean, Daniel and Victoria), at which point the marriage ended and she became a single parent. In this position, Townsend and her children endured considerable hardship. In Mr Bevan's Dream: Why Britain Needs Its Welfare State (1989), a short book in the Counterblasts series, she recounts an experience from when her eldest child was five. Because the Department of Social Security was unable to give her even 50p to tide them over, she was obliged to feed herself and her children on a tin of peas and an Oxo cube as an evening meal. Townsend would collect used Corona bottles, to redeem the 4p return fee by which to feed her children.  Aged 13, her son questioned one Sunday why they didn't go to animal parks on weekends like other families. She later recounted that it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner. Townsend then chose to research the world of teenagers, and started attending youth clubs as a volunteer organiser. This led to her training as a youth worker.  While employed as a supervisor at an adventure playground, she observed a man making canoes nearby and, because he was married, put off talking to him; it was a year before he asked her for a date. It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth. Subsequently, she became pregnant twice more, but underwent abortions. Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences. CANNOTANSWER

Question: What was the man's name who asked Sue Townsend for a date?
Answer: It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth.
Sue Townsend

Context: Townsend left school at the age of 14 and worked in a variety of jobs including packer for Birds Eye, a petrol station attendant and a receptionist. Working at a petrol station allowed her the chance to read between serving customers.  She married Keith Townsend, a sheet metal worker at 18; the couple had three children under five by the time Townsend was 23 (Sean, Daniel and Victoria), at which point the marriage ended and she became a single parent. In this position, Townsend and her children endured considerable hardship. In Mr Bevan's Dream: Why Britain Needs Its Welfare State (1989), a short book in the Counterblasts series, she recounts an experience from when her eldest child was five. Because the Department of Social Security was unable to give her even 50p to tide them over, she was obliged to feed herself and her children on a tin of peas and an Oxo cube as an evening meal. Townsend would collect used Corona bottles, to redeem the 4p return fee by which to feed her children.  Aged 13, her son questioned one Sunday why they didn't go to animal parks on weekends like other families. She later recounted that it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner. Townsend then chose to research the world of teenagers, and started attending youth clubs as a volunteer organiser. This led to her training as a youth worker.  While employed as a supervisor at an adventure playground, she observed a man making canoes nearby and, because he was married, put off talking to him; it was a year before he asked her for a date. It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth. Subsequently, she became pregnant twice more, but underwent abortions. Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences. CANNOTANSWER

Question: How old was Sue Townsend when she married her future second husband Colin Broadway?
Answer: CANNOTANSWER
Sue Townsend

Context: Townsend left school at the age of 14 and worked in a variety of jobs including packer for Birds Eye, a petrol station attendant and a receptionist. Working at a petrol station allowed her the chance to read between serving customers.  She married Keith Townsend, a sheet metal worker at 18; the couple had three children under five by the time Townsend was 23 (Sean, Daniel and Victoria), at which point the marriage ended and she became a single parent. In this position, Townsend and her children endured considerable hardship. In Mr Bevan's Dream: Why Britain Needs Its Welfare State (1989), a short book in the Counterblasts series, she recounts an experience from when her eldest child was five. Because the Department of Social Security was unable to give her even 50p to tide them over, she was obliged to feed herself and her children on a tin of peas and an Oxo cube as an evening meal. Townsend would collect used Corona bottles, to redeem the 4p return fee by which to feed her children.  Aged 13, her son questioned one Sunday why they didn't go to animal parks on weekends like other families. She later recounted that it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner. Townsend then chose to research the world of teenagers, and started attending youth clubs as a volunteer organiser. This led to her training as a youth worker.  While employed as a supervisor at an adventure playground, she observed a man making canoes nearby and, because he was married, put off talking to him; it was a year before he asked her for a date. It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth. Subsequently, she became pregnant twice more, but underwent abortions. Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences. CANNOTANSWER

Question: Did Sue Townsend work after she married Colin Broadway?
Answer: Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences.
Sue Townsend

Context: Townsend left school at the age of 14 and worked in a variety of jobs including packer for Birds Eye, a petrol station attendant and a receptionist. Working at a petrol station allowed her the chance to read between serving customers.  She married Keith Townsend, a sheet metal worker at 18; the couple had three children under five by the time Townsend was 23 (Sean, Daniel and Victoria), at which point the marriage ended and she became a single parent. In this position, Townsend and her children endured considerable hardship. In Mr Bevan's Dream: Why Britain Needs Its Welfare State (1989), a short book in the Counterblasts series, she recounts an experience from when her eldest child was five. Because the Department of Social Security was unable to give her even 50p to tide them over, she was obliged to feed herself and her children on a tin of peas and an Oxo cube as an evening meal. Townsend would collect used Corona bottles, to redeem the 4p return fee by which to feed her children.  Aged 13, her son questioned one Sunday why they didn't go to animal parks on weekends like other families. She later recounted that it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner. Townsend then chose to research the world of teenagers, and started attending youth clubs as a volunteer organiser. This led to her training as a youth worker.  While employed as a supervisor at an adventure playground, she observed a man making canoes nearby and, because he was married, put off talking to him; it was a year before he asked her for a date. It was at a canoeing course she met her future second husband, Colin Broadway, who was the father of her fourth child, Elizabeth. Subsequently, she became pregnant twice more, but underwent abortions. Ultimately, Townsend came to believe that termination is wrong. Ghost Children (1997) is a novel which draws on these experiences. CANNOTANSWER

Question: Besides Ghost Children, what other books did Sue Townsend write?
Answer: it was the start of her writing which became the Adrian Mole books, looking at life through the clinical eyes of a teenager but in a comedic manner.
A Night at the Opera (Queen album)

Context: "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song.  The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful".  During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions.  Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.  After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US. CANNOTANSWER

Question: Who wrote Bohemian Rhapsoday?
Answer: "Bohemian Rhapsody" was written by Mercury
A Night at the Opera (Queen album)

Context: "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song.  The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful".  During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions.  Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.  After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US. CANNOTANSWER

Question: Was there a particular method Mercury used to write the song Bohemian Rhapsoday?
Answer: All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (
A Night at the Opera (Queen album)

Context: "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song.  The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful".  During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions.  Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.  After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US. CANNOTANSWER

Question: Was the song Bohemian Rhapsoday popular when the song first came out?
Answer: the song became immensely popular, topping charts worldwide
A Night at the Opera (Queen album)

Context: "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song.  The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful".  During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions.  Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.  After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US. CANNOTANSWER

Question: How long did Bohemian Rhapsoday stay on the charts?
Answer: it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.
A Night at the Opera (Queen album)

Context: "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song.  The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful".  During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions.  Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.  After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US. CANNOTANSWER

Question: What did the critics say about Bohemian Rhapsoday?
Answer: Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially,
A Night at the Opera (Queen album)

Context: "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song.  The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful".  During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions.  Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.  After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US. CANNOTANSWER

Question: What are with all the crazy names in the song Bohemian Rhapsoday?
Answer: The interlude is full of "obscure classical characters:
A Night at the Opera (Queen album)

Context: "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song.  The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful".  During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions.  Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.  After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US. CANNOTANSWER

Question: Was the song Bohemian Rhapsoday ever re-released?
Answer: the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US.
A Night at the Opera (Queen album)

Context: "Bohemian Rhapsody" was written by Mercury with the first guitar solo composed by May. All piano, bass and drum parts, as well as the vocal arrangements, were thought up by Mercury on a daily basis and written down "in blocks" (using note names instead of sheets) on a phonebook. The other members recorded their respective instruments with no concept of how their tracks would be utilised in the final mix. The famous operatic section was originally intended to be only a short interlude of "Galileos" that connected the ballad and hard rock portions of the song.  The interlude is full of "obscure classical characters: Scaramouche, a clown from the commedia dell'arte; astronomer Galileo; Figaro, the principal character in Beaumarchais' The Barber of Seville and The Marriage of Figaro...Beelzebub; identified in the Christian New Testament as Satan, Prince of Demons, but in Arabic as "Lord of the Flies". Also in Arabic the word Bismillah', which is a noun from a phrase in the Qur'an; "Bismi-llahi r-rahmani r-rahiim", meaning "In the name of God, most gracious, most merciful".  During the recording, the song became affectionately known as "Fred's Thing" to the band, and the title only emerged during the final sessions.  Despite being twice as long as the average single in 1975 and garnering mixed critical reviews initially, the song became immensely popular, topping charts worldwide (where it remained for an unprecedented nine weeks in the UK) and is widely regarded as one of the most significant rock songs in history.  After Freddie Mercury's death, the song was rereleased as a double A-side to "These Are The Days Of Our Lives" on 9 December 1991 in the UK and September 5, 1991, in US. CANNOTANSWER

Question: Why did Queen re-release Bohemian Rhapsoday?
Answer: CANNOTANSWER
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: Who created the idea for Family Guy show?
Answer: Creator Seth MacFarlane
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: What was Dan Povenmire's involvement with Family Guy?
Answer: Povenmire later became a director on Family Guy, starting with the season two episode,
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: What was Dan Povenmire's work on the Family Guy as a director?
Answer: season two episode, "Road to Rhode Island".
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: Did Dan Povenmire do anything else besides directing for Family Guy?
Answer: Creator Seth MacFarlane granted Povenmire substantial creative freedom.
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: What did Dan Povenmire do with director's freedom?
Answer: Povenmire brought realism and material from his own experiences to the visual direction of Family Guy.
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: What personal experiences did Dan Povenmire use as director?
Answer: ), Povenmire drew on his childhood in the Deep South to create
Dan Povenmire

Context: Povenmire later became a director on Family Guy, starting with the season two episode, "Road to Rhode Island". Creator Seth MacFarlane granted Povenmire substantial creative freedom. Povenmire recalled that MacFarlane would tell him "We've got two minutes to fill. Give me some visual gags. Do whatever you want. I trust you." Povenmire praised MacFarlane's management style for letting him "have [...] fun."  Povenmire brought realism and material from his own experiences to the visual direction of Family Guy. For "One if By Clam, Two if By Sea" (August 1, 2001), several characters demonstrate Fosse-like moves in prison. To correctly depict the moves, Povenmire asked color artist Cynthia MacIntosh, who had been a professional dancer, to strike poses so he could properly illustrate the sequence. In the episode "To Love and Die in Dixie" (November 15, 2001), Povenmire drew on his childhood in the Deep South to create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.  "Brian Wallows and Peter's Swallows" (January 17, 2002), a Family Guy episode which Povenmire directed, won the Emmy Award for Best Song. Creator MacFarlane, the recipient of the award, noted that Povenmire deserved to have received the award for the contribution the visuals made to the episode's win. Povenmire jokingly responded "That's a nice sentiment and all, but did he offer to give me his? No! And it's not like he doesn't already have two of his own just sitting in his house!" Povenmire was nominated for an Annie Award for Directing in an Animated Television Production for the episode "PTV" (November 6, 2005) but lost out to a fellow Family Guy director Peter Shin, who had directed the episode "North by North Quahog". Povenmire and several others were also nominated for their work on "PTV" in the Outstanding Animated Program (for Programming Less Than One Hour) category at the Primetime Emmy Awards. Povenmire also received the same nomination for "Road to Rhode Island."  During Family Guy's brief cancellation, Povenmire was offered a job as storyboard director of the series SpongeBob SquarePants. He wrote various musical numbers for the series, including "The Campfire Song Song" in "The Camping Episode" (April 3, 2004). CANNOTANSWER

Question: What did Dan Povenmire create from the Family Guy experience?
Answer: create and sequence a background scene in which the redneck character nonchalantly kicks a corpse into the nearby river.