gaussalgo/Canard_Wiki-augmented huggingface dataset:
Talking Heads

Context: After releasing four albums in barely four years, the group went into hiatus, and nearly three years passed before their next release, although Frantz and Weymouth continued to record with the Tom Tom Club. In the meantime, Talking Heads released a live album The Name of This Band Is Talking Heads, toured the United States and Europe as an eight-piece group, and parted ways with Eno, who went on to produce albums with U2.  1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's only American Top 10 hit, "Burning Down the House". Once again, a striking video was inescapable owing to its heavy rotation on MTV. The following tour was documented in Jonathan Demme's Stop Making Sense, which generated another live album of the same name. The tour in support of Speaking in Tongues was their last.  Three more albums followed: 1985's Little Creatures (which featured the hit singles "And She Was" and "Road to Nowhere"), 1986's True Stories (Talking Heads covering all the soundtrack songs of Byrne's musical comedy film, in which the band also appeared), and 1988's Naked. Little Creatures offered a much more American pop-rock sound as opposed to previous efforts. Similar in genre, True Stories hatched one of the group's most successful hits, "Wild Wild Life", and the accordion-driven track "Radio Head", which became the etymon of the band of the same name. Naked explored politics, sex, and death, and showed heavy African influence with polyrhythmic styles like those seen on Remain in Light. During that time, the group was falling increasingly under David Byrne's control and, after Naked, the band went on "hiatus".  It took until December 1991 for an official announcement to be made that Talking Heads had broken up. Their final release was "Sax and Violins", an original song that had appeared earlier that year on the soundtrack to Wim Wenders' Until the End of the World. During this breakup period, Byrne continued his solo career, releasing Rei Momo in 1989 and The Forest in 1991. This period also saw a revived flourish from both Tom Tom Club (Boom Boom Chi Boom Boom and Dark Sneak Love Action) and Harrison (Casual Gods and Walk on Water), who toured together in the summer of 1990. CANNOTANSWER

Question: Was there anything major that happened in the 1980s regarding the Talking Heads?
Answer: 1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's only American Top 10 hit, "Burning Down the House".
Talking Heads

Context: After releasing four albums in barely four years, the group went into hiatus, and nearly three years passed before their next release, although Frantz and Weymouth continued to record with the Tom Tom Club. In the meantime, Talking Heads released a live album The Name of This Band Is Talking Heads, toured the United States and Europe as an eight-piece group, and parted ways with Eno, who went on to produce albums with U2.  1983 saw the release of Speaking in Tongues, a commercial breakthrough that produced the band's only American Top 10 hit, "Burning Down the House". Once again, a striking video was inescapable owing to its heavy rotation on MTV. The following tour was documented in Jonathan Demme's Stop Making Sense, which generated another live album of the same name. The tour in support of Speaking in Tongues was their last.  Three more albums followed: 1985's Little Creatures (which featured the hit singles "And She Was" and "Road to Nowhere"), 1986's True Stories (Talking Heads covering all the soundtrack songs of Byrne's musical comedy film, in which the band also appeared), and 1988's Naked. Little Creatures offered a much more American pop-rock sound as opposed to previous efforts. Similar in genre, True Stories hatched one of the group's most successful hits, "Wild Wild Life", and the accordion-driven track "Radio Head", which became the etymon of the band of the same name. Naked explored politics, sex, and death, and showed heavy African influence with polyrhythmic styles like those seen on Remain in Light. During that time, the group was falling increasingly under David Byrne's control and, after Naked, the band went on "hiatus".  It took until December 1991 for an official announcement to be made that Talking Heads had broken up. Their final release was "Sax and Violins", an original song that had appeared earlier that year on the soundtrack to Wim Wenders' Until the End of the World. During this breakup period, Byrne continued his solo career, releasing Rei Momo in 1989 and The Forest in 1991. This period also saw a revived flourish from both Tom Tom Club (Boom Boom Chi Boom Boom and Dark Sneak Love Action) and Harrison (Casual Gods and Walk on Water), who toured together in the summer of 1990. CANNOTANSWER

Question: Other than their release of Speaking in Tounges, what else happened in the 1980's regarding the Talking Heads?
Answer: 1985's Little Creatures (which featured the hit singles "And She Was" and "Road to Nowhere"),
The Doors

Context: The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent hard rock sound, the album's opener was "Roadhouse Blues". The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and the Lovin' Spoonful's John Sebastian on harmonica).  July 1970 saw the release of the Doors' first live album, Absolutely Live.  The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside Jimi Hendrix, the Who, Joni Mitchell, Jethro Tull, Taste, Leonard Cohen, Miles Davis, Emerson, Lake & Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love. CANNOTANSWER

Question: What is Morrison Hotel?
Answer: The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album.
The Doors

Context: The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent hard rock sound, the album's opener was "Roadhouse Blues". The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and the Lovin' Spoonful's John Sebastian on harmonica).  July 1970 saw the release of the Doors' first live album, Absolutely Live.  The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside Jimi Hendrix, the Who, Joni Mitchell, Jethro Tull, Taste, Leonard Cohen, Miles Davis, Emerson, Lake & Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love. CANNOTANSWER

Question: Was the The Doors album Morrison Hotel a success?
Answer: The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press.
The Doors

Context: The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent hard rock sound, the album's opener was "Roadhouse Blues". The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and the Lovin' Spoonful's John Sebastian on harmonica).  July 1970 saw the release of the Doors' first live album, Absolutely Live.  The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside Jimi Hendrix, the Who, Joni Mitchell, Jethro Tull, Taste, Leonard Cohen, Miles Davis, Emerson, Lake & Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love. CANNOTANSWER

Question: Were there singles released from the album Morrison Hotel?
Answer: "The Spy" and "Roadhouse Blues
The Doors

Context: The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent hard rock sound, the album's opener was "Roadhouse Blues". The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and the Lovin' Spoonful's John Sebastian on harmonica).  July 1970 saw the release of the Doors' first live album, Absolutely Live.  The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside Jimi Hendrix, the Who, Joni Mitchell, Jethro Tull, Taste, Leonard Cohen, Miles Davis, Emerson, Lake & Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love. CANNOTANSWER

Question: Were The Doors' singles "The Spy" and "Roadhouse Blues" successful?
Answer: CANNOTANSWER
The Doors

Context: The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent hard rock sound, the album's opener was "Roadhouse Blues". The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and the Lovin' Spoonful's John Sebastian on harmonica).  July 1970 saw the release of the Doors' first live album, Absolutely Live.  The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside Jimi Hendrix, the Who, Joni Mitchell, Jethro Tull, Taste, Leonard Cohen, Miles Davis, Emerson, Lake & Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love. CANNOTANSWER

Question: Who was the record company for Morrison Hotel?
Answer: CANNOTANSWER
The Doors

Context: The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent hard rock sound, the album's opener was "Roadhouse Blues". The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and the Lovin' Spoonful's John Sebastian on harmonica).  July 1970 saw the release of the Doors' first live album, Absolutely Live.  The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside Jimi Hendrix, the Who, Joni Mitchell, Jethro Tull, Taste, Leonard Cohen, Miles Davis, Emerson, Lake & Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love. CANNOTANSWER

Question: What was Absolutely Live?
Answer: July 1970 saw the release of the Doors' first live album, Absolutely Live.
The Doors

Context: The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent hard rock sound, the album's opener was "Roadhouse Blues". The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and the Lovin' Spoonful's John Sebastian on harmonica).  July 1970 saw the release of the Doors' first live album, Absolutely Live.  The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside Jimi Hendrix, the Who, Joni Mitchell, Jethro Tull, Taste, Leonard Cohen, Miles Davis, Emerson, Lake & Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love. CANNOTANSWER

Question: Did The Doors' album, Absolutely Live do well?
Answer: Two songs from the show were featured in the 1995 documentary Message to Love.
The Doors

Context: The Doors staged a return to form with their 1970 LP Morrison Hotel, their fifth album. Featuring a consistent hard rock sound, the album's opener was "Roadhouse Blues". The record reached No. 4 in the United States and revived their status among their core fanbase and the rock press. Dave Marsh, the editor of Creem magazine, said of the album: "the most horrifying rock and roll I have ever heard. When they're good, they're simply unbeatable. I know this is the best record I've listened to ... so far". Rock Magazine called it "without any doubt their ballsiest (and best) album to date". Circus magazine praised it as "possibly the best album yet from the Doors" and "good hard, evil rock, and one of the best albums released this decade". The album also saw Jim Morrison returning as main songwriter, writing or co-writing all of the album's tracks. The 40th Anniversary CD reissue of Morrison Hotel contains outtakes and alternate takes, including different versions of "The Spy" and "Roadhouse Blues" (with Lonnie Mack on bass guitar and the Lovin' Spoonful's John Sebastian on harmonica).  July 1970 saw the release of the Doors' first live album, Absolutely Live.  The band continued to perform at arenas throughout the summer. Morrison faced trial in Miami in August, but the group made it to the Isle of Wight Festival on August 29. They performed alongside Jimi Hendrix, the Who, Joni Mitchell, Jethro Tull, Taste, Leonard Cohen, Miles Davis, Emerson, Lake & Palmer and Sly and the Family Stone. Two songs from the show were featured in the 1995 documentary Message to Love. CANNOTANSWER

Question: How did The Doors' album, Absolutely Live do on the album charts?
Answer: CANNOTANSWER
West Side Story

Context: The original Australian production opened in October 1960 at the Princess Theatre in Melbourne, before touring to the Tivoli Theatre in Sydney in February 1961. Subsequent Australian national tours have been staged in 1983, 1994 and 2010.  In 1961, a tour of Israel, Africa and the Near East was mounted. In February 1962, the West End (H. M. Tennent) production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki. Robert Jeffrey took over from David Holliday as Tony and Jill Martin played Maria. In 1977, Amor Sin Barreras was produced in Mexico City by Alfonso Rosas Prigo, & Ruben Boido, Direction by Ruben Boido, presented at the Hidalgo Theater. Gualberto Castro played the part of Tony; Maria Medina was Maria, among other cast members was Macaria. From 1982-1984 a tour of South America, Israel and Europe was mounted with talent from New York. The Director/Choreographers for that production were Jay Norman and Lee Theodore, veterans of the original Broadway cast. The Japanese Takarazuka Revue has performed the show twice. It was produced by the Moon Troupe in 1998 and again in 1999 by the Star Troupe. A Hong Kong production was produced in 2000 with Cantonese lyrics, featuring Hong Kong rock star Paul Wong as Tony. It was staged at the outdoor plaza of Hong Kong Cultural Centre. Canada's Stratford Shakespeare Festival performed West Side Story in 1999, starring Tyley Ross as Tony and Ma-Anne Dionisio as Maria, and again in 2009,  The Austrian Bregenz Festival presented West Side Story in a German translation by Marcel Prawy in 2003 and 2004, directed by the Francesca Zambello, followed by a German tour. A French language adaptation, translated by Philippe Gobeille, opened in Montreal, Quebec in March 2008. A Philippine version played in 2008 at the Meralco Theatre. It featured Christian Bautista as Tony, Karylle and Joanna Ampil as Maria. Also in 2008, an adaptation played in Portugal, directed by Filipe La Feria, with the name West Side Story - Amor Sem Barreiras, in the Politeama Theater, in Lisbon, with Ricardo Soler as Tony and Lucia Moniz and Anabela splitting the role of Anita.  An international tour (2005-2010), directed and choreographed by Joey McKneely played in Tokyo, Paris, Austria, Switzerland, Germany, Singapore, Sao Paulo, France, Taiwan, China, Italy, Rotterdam and Madrid. In 2011, a Lima production was produced by "Preludio Asociacion Cultural" with Marco Zunino as Tony, Rossana Fernandez-Maldonado as Maria, Jesus Neyra as Bernardo, Tati Alcantara as Anita and Joaquin de Orbegoso as Riff. CANNOTANSWER

Question: What are some locations of the West Side Story international productions?
Answer: The original Australian production opened in October 1960 at the Princess Theatre in Melbourne, before touring to the Tivoli Theatre in Sydney in February 1961.
West Side Story

Context: The original Australian production opened in October 1960 at the Princess Theatre in Melbourne, before touring to the Tivoli Theatre in Sydney in February 1961. Subsequent Australian national tours have been staged in 1983, 1994 and 2010.  In 1961, a tour of Israel, Africa and the Near East was mounted. In February 1962, the West End (H. M. Tennent) production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki. Robert Jeffrey took over from David Holliday as Tony and Jill Martin played Maria. In 1977, Amor Sin Barreras was produced in Mexico City by Alfonso Rosas Prigo, & Ruben Boido, Direction by Ruben Boido, presented at the Hidalgo Theater. Gualberto Castro played the part of Tony; Maria Medina was Maria, among other cast members was Macaria. From 1982-1984 a tour of South America, Israel and Europe was mounted with talent from New York. The Director/Choreographers for that production were Jay Norman and Lee Theodore, veterans of the original Broadway cast. The Japanese Takarazuka Revue has performed the show twice. It was produced by the Moon Troupe in 1998 and again in 1999 by the Star Troupe. A Hong Kong production was produced in 2000 with Cantonese lyrics, featuring Hong Kong rock star Paul Wong as Tony. It was staged at the outdoor plaza of Hong Kong Cultural Centre. Canada's Stratford Shakespeare Festival performed West Side Story in 1999, starring Tyley Ross as Tony and Ma-Anne Dionisio as Maria, and again in 2009,  The Austrian Bregenz Festival presented West Side Story in a German translation by Marcel Prawy in 2003 and 2004, directed by the Francesca Zambello, followed by a German tour. A French language adaptation, translated by Philippe Gobeille, opened in Montreal, Quebec in March 2008. A Philippine version played in 2008 at the Meralco Theatre. It featured Christian Bautista as Tony, Karylle and Joanna Ampil as Maria. Also in 2008, an adaptation played in Portugal, directed by Filipe La Feria, with the name West Side Story - Amor Sem Barreiras, in the Politeama Theater, in Lisbon, with Ricardo Soler as Tony and Lucia Moniz and Anabela splitting the role of Anita.  An international tour (2005-2010), directed and choreographed by Joey McKneely played in Tokyo, Paris, Austria, Switzerland, Germany, Singapore, Sao Paulo, France, Taiwan, China, Italy, Rotterdam and Madrid. In 2011, a Lima production was produced by "Preludio Asociacion Cultural" with Marco Zunino as Tony, Rossana Fernandez-Maldonado as Maria, Jesus Neyra as Bernardo, Tati Alcantara as Anita and Joaquin de Orbegoso as Riff. CANNOTANSWER

Question: Other than the Princess Theatre in Melbourne, what is another location of the West Side Story international productions?
Answer: CANNOTANSWER
West Side Story

Context: The original Australian production opened in October 1960 at the Princess Theatre in Melbourne, before touring to the Tivoli Theatre in Sydney in February 1961. Subsequent Australian national tours have been staged in 1983, 1994 and 2010.  In 1961, a tour of Israel, Africa and the Near East was mounted. In February 1962, the West End (H. M. Tennent) production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki. Robert Jeffrey took over from David Holliday as Tony and Jill Martin played Maria. In 1977, Amor Sin Barreras was produced in Mexico City by Alfonso Rosas Prigo, & Ruben Boido, Direction by Ruben Boido, presented at the Hidalgo Theater. Gualberto Castro played the part of Tony; Maria Medina was Maria, among other cast members was Macaria. From 1982-1984 a tour of South America, Israel and Europe was mounted with talent from New York. The Director/Choreographers for that production were Jay Norman and Lee Theodore, veterans of the original Broadway cast. The Japanese Takarazuka Revue has performed the show twice. It was produced by the Moon Troupe in 1998 and again in 1999 by the Star Troupe. A Hong Kong production was produced in 2000 with Cantonese lyrics, featuring Hong Kong rock star Paul Wong as Tony. It was staged at the outdoor plaza of Hong Kong Cultural Centre. Canada's Stratford Shakespeare Festival performed West Side Story in 1999, starring Tyley Ross as Tony and Ma-Anne Dionisio as Maria, and again in 2009,  The Austrian Bregenz Festival presented West Side Story in a German translation by Marcel Prawy in 2003 and 2004, directed by the Francesca Zambello, followed by a German tour. A French language adaptation, translated by Philippe Gobeille, opened in Montreal, Quebec in March 2008. A Philippine version played in 2008 at the Meralco Theatre. It featured Christian Bautista as Tony, Karylle and Joanna Ampil as Maria. Also in 2008, an adaptation played in Portugal, directed by Filipe La Feria, with the name West Side Story - Amor Sem Barreiras, in the Politeama Theater, in Lisbon, with Ricardo Soler as Tony and Lucia Moniz and Anabela splitting the role of Anita.  An international tour (2005-2010), directed and choreographed by Joey McKneely played in Tokyo, Paris, Austria, Switzerland, Germany, Singapore, Sao Paulo, France, Taiwan, China, Italy, Rotterdam and Madrid. In 2011, a Lima production was produced by "Preludio Asociacion Cultural" with Marco Zunino as Tony, Rossana Fernandez-Maldonado as Maria, Jesus Neyra as Bernardo, Tati Alcantara as Anita and Joaquin de Orbegoso as Riff. CANNOTANSWER

Question: Other than the location in Melbourn, are there any other interesting aspects about the article on the West Side Story international productions?
Answer: Subsequent Australian national tours have been staged in 1983, 1994 and 2010.
West Side Story

Context: The original Australian production opened in October 1960 at the Princess Theatre in Melbourne, before touring to the Tivoli Theatre in Sydney in February 1961. Subsequent Australian national tours have been staged in 1983, 1994 and 2010.  In 1961, a tour of Israel, Africa and the Near East was mounted. In February 1962, the West End (H. M. Tennent) production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki. Robert Jeffrey took over from David Holliday as Tony and Jill Martin played Maria. In 1977, Amor Sin Barreras was produced in Mexico City by Alfonso Rosas Prigo, & Ruben Boido, Direction by Ruben Boido, presented at the Hidalgo Theater. Gualberto Castro played the part of Tony; Maria Medina was Maria, among other cast members was Macaria. From 1982-1984 a tour of South America, Israel and Europe was mounted with talent from New York. The Director/Choreographers for that production were Jay Norman and Lee Theodore, veterans of the original Broadway cast. The Japanese Takarazuka Revue has performed the show twice. It was produced by the Moon Troupe in 1998 and again in 1999 by the Star Troupe. A Hong Kong production was produced in 2000 with Cantonese lyrics, featuring Hong Kong rock star Paul Wong as Tony. It was staged at the outdoor plaza of Hong Kong Cultural Centre. Canada's Stratford Shakespeare Festival performed West Side Story in 1999, starring Tyley Ross as Tony and Ma-Anne Dionisio as Maria, and again in 2009,  The Austrian Bregenz Festival presented West Side Story in a German translation by Marcel Prawy in 2003 and 2004, directed by the Francesca Zambello, followed by a German tour. A French language adaptation, translated by Philippe Gobeille, opened in Montreal, Quebec in March 2008. A Philippine version played in 2008 at the Meralco Theatre. It featured Christian Bautista as Tony, Karylle and Joanna Ampil as Maria. Also in 2008, an adaptation played in Portugal, directed by Filipe La Feria, with the name West Side Story - Amor Sem Barreiras, in the Politeama Theater, in Lisbon, with Ricardo Soler as Tony and Lucia Moniz and Anabela splitting the role of Anita.  An international tour (2005-2010), directed and choreographed by Joey McKneely played in Tokyo, Paris, Austria, Switzerland, Germany, Singapore, Sao Paulo, France, Taiwan, China, Italy, Rotterdam and Madrid. In 2011, a Lima production was produced by "Preludio Asociacion Cultural" with Marco Zunino as Tony, Rossana Fernandez-Maldonado as Maria, Jesus Neyra as Bernardo, Tati Alcantara as Anita and Joaquin de Orbegoso as Riff. CANNOTANSWER

Question: There are no other international production locations of West Side Story other than Australia?
Answer: An international tour (2005-2010), directed and choreographed by Joey McKneely played in Tokyo, Paris, Austria, Switzerland, Germany,
West Side Story

Context: The original Australian production opened in October 1960 at the Princess Theatre in Melbourne, before touring to the Tivoli Theatre in Sydney in February 1961. Subsequent Australian national tours have been staged in 1983, 1994 and 2010.  In 1961, a tour of Israel, Africa and the Near East was mounted. In February 1962, the West End (H. M. Tennent) production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki. Robert Jeffrey took over from David Holliday as Tony and Jill Martin played Maria. In 1977, Amor Sin Barreras was produced in Mexico City by Alfonso Rosas Prigo, & Ruben Boido, Direction by Ruben Boido, presented at the Hidalgo Theater. Gualberto Castro played the part of Tony; Maria Medina was Maria, among other cast members was Macaria. From 1982-1984 a tour of South America, Israel and Europe was mounted with talent from New York. The Director/Choreographers for that production were Jay Norman and Lee Theodore, veterans of the original Broadway cast. The Japanese Takarazuka Revue has performed the show twice. It was produced by the Moon Troupe in 1998 and again in 1999 by the Star Troupe. A Hong Kong production was produced in 2000 with Cantonese lyrics, featuring Hong Kong rock star Paul Wong as Tony. It was staged at the outdoor plaza of Hong Kong Cultural Centre. Canada's Stratford Shakespeare Festival performed West Side Story in 1999, starring Tyley Ross as Tony and Ma-Anne Dionisio as Maria, and again in 2009,  The Austrian Bregenz Festival presented West Side Story in a German translation by Marcel Prawy in 2003 and 2004, directed by the Francesca Zambello, followed by a German tour. A French language adaptation, translated by Philippe Gobeille, opened in Montreal, Quebec in March 2008. A Philippine version played in 2008 at the Meralco Theatre. It featured Christian Bautista as Tony, Karylle and Joanna Ampil as Maria. Also in 2008, an adaptation played in Portugal, directed by Filipe La Feria, with the name West Side Story - Amor Sem Barreiras, in the Politeama Theater, in Lisbon, with Ricardo Soler as Tony and Lucia Moniz and Anabela splitting the role of Anita.  An international tour (2005-2010), directed and choreographed by Joey McKneely played in Tokyo, Paris, Austria, Switzerland, Germany, Singapore, Sao Paulo, France, Taiwan, China, Italy, Rotterdam and Madrid. In 2011, a Lima production was produced by "Preludio Asociacion Cultural" with Marco Zunino as Tony, Rossana Fernandez-Maldonado as Maria, Jesus Neyra as Bernardo, Tati Alcantara as Anita and Joaquin de Orbegoso as Riff. CANNOTANSWER

Question: Along with Tokyo, Paris, Austria, Switzerland, Germany, are the productions of West Side Story popular in other areas of the world
Answer: CANNOTANSWER
West Side Story

Context: The original Australian production opened in October 1960 at the Princess Theatre in Melbourne, before touring to the Tivoli Theatre in Sydney in February 1961. Subsequent Australian national tours have been staged in 1983, 1994 and 2010.  In 1961, a tour of Israel, Africa and the Near East was mounted. In February 1962, the West End (H. M. Tennent) production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki. Robert Jeffrey took over from David Holliday as Tony and Jill Martin played Maria. In 1977, Amor Sin Barreras was produced in Mexico City by Alfonso Rosas Prigo, & Ruben Boido, Direction by Ruben Boido, presented at the Hidalgo Theater. Gualberto Castro played the part of Tony; Maria Medina was Maria, among other cast members was Macaria. From 1982-1984 a tour of South America, Israel and Europe was mounted with talent from New York. The Director/Choreographers for that production were Jay Norman and Lee Theodore, veterans of the original Broadway cast. The Japanese Takarazuka Revue has performed the show twice. It was produced by the Moon Troupe in 1998 and again in 1999 by the Star Troupe. A Hong Kong production was produced in 2000 with Cantonese lyrics, featuring Hong Kong rock star Paul Wong as Tony. It was staged at the outdoor plaza of Hong Kong Cultural Centre. Canada's Stratford Shakespeare Festival performed West Side Story in 1999, starring Tyley Ross as Tony and Ma-Anne Dionisio as Maria, and again in 2009,  The Austrian Bregenz Festival presented West Side Story in a German translation by Marcel Prawy in 2003 and 2004, directed by the Francesca Zambello, followed by a German tour. A French language adaptation, translated by Philippe Gobeille, opened in Montreal, Quebec in March 2008. A Philippine version played in 2008 at the Meralco Theatre. It featured Christian Bautista as Tony, Karylle and Joanna Ampil as Maria. Also in 2008, an adaptation played in Portugal, directed by Filipe La Feria, with the name West Side Story - Amor Sem Barreiras, in the Politeama Theater, in Lisbon, with Ricardo Soler as Tony and Lucia Moniz and Anabela splitting the role of Anita.  An international tour (2005-2010), directed and choreographed by Joey McKneely played in Tokyo, Paris, Austria, Switzerland, Germany, Singapore, Sao Paulo, France, Taiwan, China, Italy, Rotterdam and Madrid. In 2011, a Lima production was produced by "Preludio Asociacion Cultural" with Marco Zunino as Tony, Rossana Fernandez-Maldonado as Maria, Jesus Neyra as Bernardo, Tati Alcantara as Anita and Joaquin de Orbegoso as Riff. CANNOTANSWER

Question: Who starred in some of the international productions of West Side Story?
Answer: In 2011, a Lima production was produced by "Preludio Asociacion Cultural" with Marco Zunino as Tony, Rossana Fernandez-Maldonado as Maria,
West Side Story

Context: The original Australian production opened in October 1960 at the Princess Theatre in Melbourne, before touring to the Tivoli Theatre in Sydney in February 1961. Subsequent Australian national tours have been staged in 1983, 1994 and 2010.  In 1961, a tour of Israel, Africa and the Near East was mounted. In February 1962, the West End (H. M. Tennent) production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki. Robert Jeffrey took over from David Holliday as Tony and Jill Martin played Maria. In 1977, Amor Sin Barreras was produced in Mexico City by Alfonso Rosas Prigo, & Ruben Boido, Direction by Ruben Boido, presented at the Hidalgo Theater. Gualberto Castro played the part of Tony; Maria Medina was Maria, among other cast members was Macaria. From 1982-1984 a tour of South America, Israel and Europe was mounted with talent from New York. The Director/Choreographers for that production were Jay Norman and Lee Theodore, veterans of the original Broadway cast. The Japanese Takarazuka Revue has performed the show twice. It was produced by the Moon Troupe in 1998 and again in 1999 by the Star Troupe. A Hong Kong production was produced in 2000 with Cantonese lyrics, featuring Hong Kong rock star Paul Wong as Tony. It was staged at the outdoor plaza of Hong Kong Cultural Centre. Canada's Stratford Shakespeare Festival performed West Side Story in 1999, starring Tyley Ross as Tony and Ma-Anne Dionisio as Maria, and again in 2009,  The Austrian Bregenz Festival presented West Side Story in a German translation by Marcel Prawy in 2003 and 2004, directed by the Francesca Zambello, followed by a German tour. A French language adaptation, translated by Philippe Gobeille, opened in Montreal, Quebec in March 2008. A Philippine version played in 2008 at the Meralco Theatre. It featured Christian Bautista as Tony, Karylle and Joanna Ampil as Maria. Also in 2008, an adaptation played in Portugal, directed by Filipe La Feria, with the name West Side Story - Amor Sem Barreiras, in the Politeama Theater, in Lisbon, with Ricardo Soler as Tony and Lucia Moniz and Anabela splitting the role of Anita.  An international tour (2005-2010), directed and choreographed by Joey McKneely played in Tokyo, Paris, Austria, Switzerland, Germany, Singapore, Sao Paulo, France, Taiwan, China, Italy, Rotterdam and Madrid. In 2011, a Lima production was produced by "Preludio Asociacion Cultural" with Marco Zunino as Tony, Rossana Fernandez-Maldonado as Maria, Jesus Neyra as Bernardo, Tati Alcantara as Anita and Joaquin de Orbegoso as Riff. CANNOTANSWER

Question: What were some theatres that put on the international productions of West Side Story?
Answer: Princess Theatre in Melbourne,
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: What illness did Eugene O'Neill have?
Answer: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: When did Eugene O'Neill die?
Answer: O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65.
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: Other than Eugene O'Neill illness and death, is there any other interesting aspects about this article?
Answer: Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation
Eugene O'Neill

Context: After suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that way. While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s. Only two of these, A Touch of the Poet and More Stately Mansions, were ever completed. As his health worsened, O'Neill lost inspiration for the project and wrote three largely autobiographical plays, The Iceman Cometh, Long Day's Journey into Night, and A Moon for the Misbegotten. He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.  O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Shelton Hall) on Bay State Road in Boston, on November 27, 1953, at the age of 65. As he was dying, he whispered his last words: "I knew it. I knew it. Born in a hotel room and died in a hotel room." Dr. Harry Kozol, the lead prosecuting expert of the Patty Hearst trial, treated O'Neill during these last years of illness. He also was present for O'Neill's death and announced the fact to the public.  O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.  In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years after his death. It was produced on stage to tremendous critical acclaim and won the Pulitzer Prize in 1957. This last play is widely considered to be his finest. Other posthumously-published works include A Touch of the Poet (1958) and More Stately Mansions (1967).  The United States Postal Service honored O'Neill with a Prominent Americans series (1965-1978) $1 postage stamp. CANNOTANSWER

Question: When was the last time Eugene O'Neill wrote?
Answer: He managed to complete Moon for the Misbegotten in 1943, just before leaving Tao House and losing his ability to write.