gaussalgo/Canard_Wiki-augmented huggingface dataset:
Idlewild (band)

Context: The band continued to play more gigs while working on their next album. Meanwhile, Woomble started writing a column for Scottish newspaper The Sunday Herald and released an album with Kris Drever and John McCusker, entitled Before the Ruin, in September 2008.  In December 2008 the band played five shows at King Tut's Wah Wah Hut, playing each of their studio albums in full. Roddy Woomble noted that the band were "going to try to play every track [they'd] ever written - including B-sides - which has to be more than 100 songs." In February 2009, they announced that they would be staging a similar residency at Dingwalls in Camden, London.  A new song, "City Hall", appeared in a setlist, and the band entered the studio in January 2009. On his online diary, Roddy Woomble noted that he had: "been trying to work on lyrics for the new Idlewild record. At the moment it has the possibility of being about anything, so I've been trying to narrow that down a bit. I've been re-reading Jack Kerouac's novels and following this US election, and keeping up with all the new US groups, so maybe it'll take on a Stars and stripes theme. It'll probably end up being about mountains and Islands though."  On 21 November the band sent an email to fans on the mailing list offering them a chance to preorder the new album (along with "exclusive packaging & including at least one bonus track") to be "shipped within weeks of completion". All fans who bought the album this way would also have their name appear in the CD booklet and on a roll call on the band's official website. On 9 May 2009, Roddy confirmed in his online diary that the new album would be entitled Post Electric Blues. The album was performed in full on 19 May.  Initial emails indicated a release date to fans who had pre-ordered the album of mid-April, but the album was eventually mailed out on 10 June 2009. Fans who pre-ordered the album were also allowed to download their choice of live tracks that the band had recorded at the King Tut's series of shows. The album was officially released in October, preceded by the single "Readers & Writers". In April 2010, Roddy Woomble announced that the band would enter a hiatus following the band's tour in support of Post Electric Blues. However this comment only referred to the writing and recording of new material as Woomble later suggested. Idlewild announced their first American tour since 2005 and a short UK tour in support of the EMI re-release of 100 Broken Windows. During the UK shows (as well as a New York and Los Angeles show) the album was to be played in its entirety. However, due to an injury to Rod Jones, the American dates were cancelled. The 100 Broken Windows reissue was released on 8 November 2010 and featured a second disc of B-Sides and unreleased material. CANNOTANSWER

Question: Where was Idlewild performing during 2008-2010?
Answer: In December 2008 the band played five shows at King Tut's Wah Wah Hut,
Idlewild (band)

Context: The band continued to play more gigs while working on their next album. Meanwhile, Woomble started writing a column for Scottish newspaper The Sunday Herald and released an album with Kris Drever and John McCusker, entitled Before the Ruin, in September 2008.  In December 2008 the band played five shows at King Tut's Wah Wah Hut, playing each of their studio albums in full. Roddy Woomble noted that the band were "going to try to play every track [they'd] ever written - including B-sides - which has to be more than 100 songs." In February 2009, they announced that they would be staging a similar residency at Dingwalls in Camden, London.  A new song, "City Hall", appeared in a setlist, and the band entered the studio in January 2009. On his online diary, Roddy Woomble noted that he had: "been trying to work on lyrics for the new Idlewild record. At the moment it has the possibility of being about anything, so I've been trying to narrow that down a bit. I've been re-reading Jack Kerouac's novels and following this US election, and keeping up with all the new US groups, so maybe it'll take on a Stars and stripes theme. It'll probably end up being about mountains and Islands though."  On 21 November the band sent an email to fans on the mailing list offering them a chance to preorder the new album (along with "exclusive packaging & including at least one bonus track") to be "shipped within weeks of completion". All fans who bought the album this way would also have their name appear in the CD booklet and on a roll call on the band's official website. On 9 May 2009, Roddy confirmed in his online diary that the new album would be entitled Post Electric Blues. The album was performed in full on 19 May.  Initial emails indicated a release date to fans who had pre-ordered the album of mid-April, but the album was eventually mailed out on 10 June 2009. Fans who pre-ordered the album were also allowed to download their choice of live tracks that the band had recorded at the King Tut's series of shows. The album was officially released in October, preceded by the single "Readers & Writers". In April 2010, Roddy Woomble announced that the band would enter a hiatus following the band's tour in support of Post Electric Blues. However this comment only referred to the writing and recording of new material as Woomble later suggested. Idlewild announced their first American tour since 2005 and a short UK tour in support of the EMI re-release of 100 Broken Windows. During the UK shows (as well as a New York and Los Angeles show) the album was to be played in its entirety. However, due to an injury to Rod Jones, the American dates were cancelled. The 100 Broken Windows reissue was released on 8 November 2010 and featured a second disc of B-Sides and unreleased material. CANNOTANSWER

Question: How was the turn out at Idlewild's December 2008 shows at King Tut's Wah Wah Hut?
Answer: CANNOTANSWER
Idlewild (band)

Context: The band continued to play more gigs while working on their next album. Meanwhile, Woomble started writing a column for Scottish newspaper The Sunday Herald and released an album with Kris Drever and John McCusker, entitled Before the Ruin, in September 2008.  In December 2008 the band played five shows at King Tut's Wah Wah Hut, playing each of their studio albums in full. Roddy Woomble noted that the band were "going to try to play every track [they'd] ever written - including B-sides - which has to be more than 100 songs." In February 2009, they announced that they would be staging a similar residency at Dingwalls in Camden, London.  A new song, "City Hall", appeared in a setlist, and the band entered the studio in January 2009. On his online diary, Roddy Woomble noted that he had: "been trying to work on lyrics for the new Idlewild record. At the moment it has the possibility of being about anything, so I've been trying to narrow that down a bit. I've been re-reading Jack Kerouac's novels and following this US election, and keeping up with all the new US groups, so maybe it'll take on a Stars and stripes theme. It'll probably end up being about mountains and Islands though."  On 21 November the band sent an email to fans on the mailing list offering them a chance to preorder the new album (along with "exclusive packaging & including at least one bonus track") to be "shipped within weeks of completion". All fans who bought the album this way would also have their name appear in the CD booklet and on a roll call on the band's official website. On 9 May 2009, Roddy confirmed in his online diary that the new album would be entitled Post Electric Blues. The album was performed in full on 19 May.  Initial emails indicated a release date to fans who had pre-ordered the album of mid-April, but the album was eventually mailed out on 10 June 2009. Fans who pre-ordered the album were also allowed to download their choice of live tracks that the band had recorded at the King Tut's series of shows. The album was officially released in October, preceded by the single "Readers & Writers". In April 2010, Roddy Woomble announced that the band would enter a hiatus following the band's tour in support of Post Electric Blues. However this comment only referred to the writing and recording of new material as Woomble later suggested. Idlewild announced their first American tour since 2005 and a short UK tour in support of the EMI re-release of 100 Broken Windows. During the UK shows (as well as a New York and Los Angeles show) the album was to be played in its entirety. However, due to an injury to Rod Jones, the American dates were cancelled. The 100 Broken Windows reissue was released on 8 November 2010 and featured a second disc of B-Sides and unreleased material. CANNOTANSWER

Question: Where else did Idlewild play besides King Tut's Wah Wah Hut in 2008-2010?
Answer: In February 2009, they announced that they would be staging a similar residency at Dingwalls in Camden, London.
Idlewild (band)

Context: The band continued to play more gigs while working on their next album. Meanwhile, Woomble started writing a column for Scottish newspaper The Sunday Herald and released an album with Kris Drever and John McCusker, entitled Before the Ruin, in September 2008.  In December 2008 the band played five shows at King Tut's Wah Wah Hut, playing each of their studio albums in full. Roddy Woomble noted that the band were "going to try to play every track [they'd] ever written - including B-sides - which has to be more than 100 songs." In February 2009, they announced that they would be staging a similar residency at Dingwalls in Camden, London.  A new song, "City Hall", appeared in a setlist, and the band entered the studio in January 2009. On his online diary, Roddy Woomble noted that he had: "been trying to work on lyrics for the new Idlewild record. At the moment it has the possibility of being about anything, so I've been trying to narrow that down a bit. I've been re-reading Jack Kerouac's novels and following this US election, and keeping up with all the new US groups, so maybe it'll take on a Stars and stripes theme. It'll probably end up being about mountains and Islands though."  On 21 November the band sent an email to fans on the mailing list offering them a chance to preorder the new album (along with "exclusive packaging & including at least one bonus track") to be "shipped within weeks of completion". All fans who bought the album this way would also have their name appear in the CD booklet and on a roll call on the band's official website. On 9 May 2009, Roddy confirmed in his online diary that the new album would be entitled Post Electric Blues. The album was performed in full on 19 May.  Initial emails indicated a release date to fans who had pre-ordered the album of mid-April, but the album was eventually mailed out on 10 June 2009. Fans who pre-ordered the album were also allowed to download their choice of live tracks that the band had recorded at the King Tut's series of shows. The album was officially released in October, preceded by the single "Readers & Writers". In April 2010, Roddy Woomble announced that the band would enter a hiatus following the band's tour in support of Post Electric Blues. However this comment only referred to the writing and recording of new material as Woomble later suggested. Idlewild announced their first American tour since 2005 and a short UK tour in support of the EMI re-release of 100 Broken Windows. During the UK shows (as well as a New York and Los Angeles show) the album was to be played in its entirety. However, due to an injury to Rod Jones, the American dates were cancelled. The 100 Broken Windows reissue was released on 8 November 2010 and featured a second disc of B-Sides and unreleased material. CANNOTANSWER

Question: What are some memorable events from when Idlewild were performing together?
Answer: Roddy Woomble noted that the band were "going to try to play every track [they'd] ever written - including B-sides - which has to be more than 100 songs."
Idlewild (band)

Context: The band continued to play more gigs while working on their next album. Meanwhile, Woomble started writing a column for Scottish newspaper The Sunday Herald and released an album with Kris Drever and John McCusker, entitled Before the Ruin, in September 2008.  In December 2008 the band played five shows at King Tut's Wah Wah Hut, playing each of their studio albums in full. Roddy Woomble noted that the band were "going to try to play every track [they'd] ever written - including B-sides - which has to be more than 100 songs." In February 2009, they announced that they would be staging a similar residency at Dingwalls in Camden, London.  A new song, "City Hall", appeared in a setlist, and the band entered the studio in January 2009. On his online diary, Roddy Woomble noted that he had: "been trying to work on lyrics for the new Idlewild record. At the moment it has the possibility of being about anything, so I've been trying to narrow that down a bit. I've been re-reading Jack Kerouac's novels and following this US election, and keeping up with all the new US groups, so maybe it'll take on a Stars and stripes theme. It'll probably end up being about mountains and Islands though."  On 21 November the band sent an email to fans on the mailing list offering them a chance to preorder the new album (along with "exclusive packaging & including at least one bonus track") to be "shipped within weeks of completion". All fans who bought the album this way would also have their name appear in the CD booklet and on a roll call on the band's official website. On 9 May 2009, Roddy confirmed in his online diary that the new album would be entitled Post Electric Blues. The album was performed in full on 19 May.  Initial emails indicated a release date to fans who had pre-ordered the album of mid-April, but the album was eventually mailed out on 10 June 2009. Fans who pre-ordered the album were also allowed to download their choice of live tracks that the band had recorded at the King Tut's series of shows. The album was officially released in October, preceded by the single "Readers & Writers". In April 2010, Roddy Woomble announced that the band would enter a hiatus following the band's tour in support of Post Electric Blues. However this comment only referred to the writing and recording of new material as Woomble later suggested. Idlewild announced their first American tour since 2005 and a short UK tour in support of the EMI re-release of 100 Broken Windows. During the UK shows (as well as a New York and Los Angeles show) the album was to be played in its entirety. However, due to an injury to Rod Jones, the American dates were cancelled. The 100 Broken Windows reissue was released on 8 November 2010 and featured a second disc of B-Sides and unreleased material. CANNOTANSWER

Question: Did Idlewild achieve their goal of playing ever track they'd ever written - including B-sides?
Answer: CANNOTANSWER
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: When did the Animal Style art develop?
Answer: animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III.
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: What distinguished the three styles of animal art from each other?
Answer: Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century.
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: What was unique about Style II?
Answer: Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs,
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: What was Style III art like?
Answer: Salin Style III is found mainly in Scandinavia, and may also be called Viking art.
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: Did a lot of the Animal Style art survive?
Answer: CANNOTANSWER
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: Aside from Animal Style art, are there any other interesting aspects about Migration Period Art, Animal Style?
Answer: The animal becomes subsumed into ornamental patterns, typically using interlace.
Migration Period art

Context: The study of Northern European, or "Germanic", zoomorphic decoration was pioneered by Bernhard Salin in a work published in 1904. He classified animal art of the period roughly from 400 to 900 into three phases: Styles I, II and III. The origins of these different phases are still the subject of considerable debate; the development of trends in late-Roman popular art in the provinces is one element, and the older traditions of nomadic Asiatic steppe peoples another. The first two styles are found very widely across Europe in the art of the "barbarian" peoples of the Migration Period.  Style I. First appears in northwest Europe, it became a noticeable new style with the introduction of the chip carving technique applied to bronze and silver in the 5th century. It is characterized by animals whose bodies are divided into sections, and typically appear at the fringes of designs whose main emphasis is on abstract patterns.  Style II. After about 560-570 Style I was in decline and Salin's Style II began to replace it. Style II's animals are whole beasts, but their bodies are elongated into "ribbons" which intertwined into symmetrical shapes with no pretence of naturalism, and rarely any legs, so that they tend to be described as serpents, although the heads often have characteristics of other types of animal. The animal becomes subsumed into ornamental patterns, typically using interlace. Thus two bears are facing each other in perfect symmetry ("confronted"), forming the shape of a heart. Examples of Style II can be found on the gold purse lid.  After about 700 localised styles develop, and it is no longer very useful to talk of a general Germanic style. Salin Style III is found mainly in Scandinavia, and may also be called Viking art. CANNOTANSWER

Question: What type of materials did the Vikings use to create ornamental patterns?
Answer: Examples of Style II can be found on the gold purse lid.
Hubert Humphrey

Context: Humphrey and his running mate, Ed Muskie, who had not entered any of the 13 state primary elections, went on to win the Democratic nomination at the party convention in Chicago, Illinois even though 80 percent of the primary voters had been for anti-war candidates, the delegates had defeated the peace plank by 1,567 3/4  to 1,041 1/4 . Unfortunately for Humphrey and his campaign, in Grant Park, just five miles south of International Amphitheater convention hall (closed 1999), and at other sites near downtown Chicago, there were gatherings and protests by the thousands of antiwar demonstrators, many of whom favored McCarthy, George McGovern, or other "anti-war" candidates. These protesters - most of them young college students - were attacked and beaten on live television by Chicago police, actions which merely amplified the growing feelings of unrest in the general public.  Humphrey's inaction during these activities along with President Johnson and Chicago Mayor Richard Daley's behind the scenes convention influencing, public backlash from securing the presidential nomination without entering a single primary, as well as Humphrey refusal to meet McCarthy half way on his demands, resulting in McCarthy's lack of full endorsement of Humphrey, highlighted turmoil in the Democratic party's base that proved to be too much for Humphrey to overcome in time for the general election. The combination of the unpopularity of Johnson, the Chicago demonstrations, and the discouragement of liberals and African-Americans when both Robert F. Kennedy and Martin Luther King Jr. were assassinated during the election year, were all contributing factors that caused him to eventually lose the election to former Vice President Nixon.  Although he lost the election by less than 1% of the popular vote, 43.4% for Nixon (31,783,783 votes) to 42.7% (31,271,839 votes) for Humphrey, with 13.5% (9,901,118 votes) for George Wallace, Humphrey carried just 13 states with 191 electoral college votes. Richard Nixon carried 32 states and 301 electoral votes, and Wallace carried 5 states in the South and 46 electoral votes (270 were needed to win). In his concession speech, Humphrey said: "I have done my best. I have lost, Mr. Nixon has won. The democratic process has worked its will." CANNOTANSWER

Question: Who was the running mate of Hubert Humphrey?
Answer: Ed Muskie,
Hubert Humphrey

Context: Humphrey and his running mate, Ed Muskie, who had not entered any of the 13 state primary elections, went on to win the Democratic nomination at the party convention in Chicago, Illinois even though 80 percent of the primary voters had been for anti-war candidates, the delegates had defeated the peace plank by 1,567 3/4  to 1,041 1/4 . Unfortunately for Humphrey and his campaign, in Grant Park, just five miles south of International Amphitheater convention hall (closed 1999), and at other sites near downtown Chicago, there were gatherings and protests by the thousands of antiwar demonstrators, many of whom favored McCarthy, George McGovern, or other "anti-war" candidates. These protesters - most of them young college students - were attacked and beaten on live television by Chicago police, actions which merely amplified the growing feelings of unrest in the general public.  Humphrey's inaction during these activities along with President Johnson and Chicago Mayor Richard Daley's behind the scenes convention influencing, public backlash from securing the presidential nomination without entering a single primary, as well as Humphrey refusal to meet McCarthy half way on his demands, resulting in McCarthy's lack of full endorsement of Humphrey, highlighted turmoil in the Democratic party's base that proved to be too much for Humphrey to overcome in time for the general election. The combination of the unpopularity of Johnson, the Chicago demonstrations, and the discouragement of liberals and African-Americans when both Robert F. Kennedy and Martin Luther King Jr. were assassinated during the election year, were all contributing factors that caused him to eventually lose the election to former Vice President Nixon.  Although he lost the election by less than 1% of the popular vote, 43.4% for Nixon (31,783,783 votes) to 42.7% (31,271,839 votes) for Humphrey, with 13.5% (9,901,118 votes) for George Wallace, Humphrey carried just 13 states with 191 electoral college votes. Richard Nixon carried 32 states and 301 electoral votes, and Wallace carried 5 states in the South and 46 electoral votes (270 were needed to win). In his concession speech, Humphrey said: "I have done my best. I have lost, Mr. Nixon has won. The democratic process has worked its will." CANNOTANSWER

Question: Who were the protesters in the Chicago riots?
Answer: antiwar demonstrators,
Hubert Humphrey

Context: Humphrey and his running mate, Ed Muskie, who had not entered any of the 13 state primary elections, went on to win the Democratic nomination at the party convention in Chicago, Illinois even though 80 percent of the primary voters had been for anti-war candidates, the delegates had defeated the peace plank by 1,567 3/4  to 1,041 1/4 . Unfortunately for Humphrey and his campaign, in Grant Park, just five miles south of International Amphitheater convention hall (closed 1999), and at other sites near downtown Chicago, there were gatherings and protests by the thousands of antiwar demonstrators, many of whom favored McCarthy, George McGovern, or other "anti-war" candidates. These protesters - most of them young college students - were attacked and beaten on live television by Chicago police, actions which merely amplified the growing feelings of unrest in the general public.  Humphrey's inaction during these activities along with President Johnson and Chicago Mayor Richard Daley's behind the scenes convention influencing, public backlash from securing the presidential nomination without entering a single primary, as well as Humphrey refusal to meet McCarthy half way on his demands, resulting in McCarthy's lack of full endorsement of Humphrey, highlighted turmoil in the Democratic party's base that proved to be too much for Humphrey to overcome in time for the general election. The combination of the unpopularity of Johnson, the Chicago demonstrations, and the discouragement of liberals and African-Americans when both Robert F. Kennedy and Martin Luther King Jr. were assassinated during the election year, were all contributing factors that caused him to eventually lose the election to former Vice President Nixon.  Although he lost the election by less than 1% of the popular vote, 43.4% for Nixon (31,783,783 votes) to 42.7% (31,271,839 votes) for Humphrey, with 13.5% (9,901,118 votes) for George Wallace, Humphrey carried just 13 states with 191 electoral college votes. Richard Nixon carried 32 states and 301 electoral votes, and Wallace carried 5 states in the South and 46 electoral votes (270 were needed to win). In his concession speech, Humphrey said: "I have done my best. I have lost, Mr. Nixon has won. The democratic process has worked its will." CANNOTANSWER

Question: Where did Hubert Humphrey win the Democratic nomination?
Answer: Chicago, Illinois
Hubert Humphrey

Context: Humphrey and his running mate, Ed Muskie, who had not entered any of the 13 state primary elections, went on to win the Democratic nomination at the party convention in Chicago, Illinois even though 80 percent of the primary voters had been for anti-war candidates, the delegates had defeated the peace plank by 1,567 3/4  to 1,041 1/4 . Unfortunately for Humphrey and his campaign, in Grant Park, just five miles south of International Amphitheater convention hall (closed 1999), and at other sites near downtown Chicago, there were gatherings and protests by the thousands of antiwar demonstrators, many of whom favored McCarthy, George McGovern, or other "anti-war" candidates. These protesters - most of them young college students - were attacked and beaten on live television by Chicago police, actions which merely amplified the growing feelings of unrest in the general public.  Humphrey's inaction during these activities along with President Johnson and Chicago Mayor Richard Daley's behind the scenes convention influencing, public backlash from securing the presidential nomination without entering a single primary, as well as Humphrey refusal to meet McCarthy half way on his demands, resulting in McCarthy's lack of full endorsement of Humphrey, highlighted turmoil in the Democratic party's base that proved to be too much for Humphrey to overcome in time for the general election. The combination of the unpopularity of Johnson, the Chicago demonstrations, and the discouragement of liberals and African-Americans when both Robert F. Kennedy and Martin Luther King Jr. were assassinated during the election year, were all contributing factors that caused him to eventually lose the election to former Vice President Nixon.  Although he lost the election by less than 1% of the popular vote, 43.4% for Nixon (31,783,783 votes) to 42.7% (31,271,839 votes) for Humphrey, with 13.5% (9,901,118 votes) for George Wallace, Humphrey carried just 13 states with 191 electoral college votes. Richard Nixon carried 32 states and 301 electoral votes, and Wallace carried 5 states in the South and 46 electoral votes (270 were needed to win). In his concession speech, Humphrey said: "I have done my best. I have lost, Mr. Nixon has won. The democratic process has worked its will." CANNOTANSWER

Question: What are the factors that caused Hubert Humphrey to lose the election to Nixon?
Answer: Humphrey's inaction during these activities along with President Johnson and Chicago Mayor Richard Daley's behind the scenes convention influencing,
Rabindranath Tagore

Context: Dutta and Robinson describe this phase of Tagore's life as being one of a "peripatetic litterateur". It affirmed his opinion that human divisions were shallow. During a May 1932 visit to a Bedouin encampment in the Iraqi desert, the tribal chief told him that "Our prophet has said that a true Muslim is he by whose words and deeds not the least of his brother-men may ever come to any harm ..." Tagore confided in his diary: "I was startled into recognizing in his words the voice of essential humanity." To the end Tagore scrutinised orthodoxy--and in 1934, he struck. That year, an earthquake hit Bihar and killed thousands. Gandhi hailed it as seismic karma, as divine retribution avenging the oppression of Dalits. Tagore rebuked him for his seemingly ignominious implications. He mourned the perennial poverty of Calcutta and the socioeconomic decline of Bengal, and detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film Apur Sansar. Fifteen new volumes appeared, among them prose-poem works Punashcha (1932), Shes Saptak (1935), and Patraput (1936). Experimentation continued in his prose-songs and dance-dramas-- Chitra (1914), Shyama (1939), and Chandalika (1938)-- and in his novels-- Dui Bon (1933), Malancha (1934), and Char Adhyay (1934).  Tagore's remit expanded to science in his last years, as hinted in Visva-Parichay, a 1937 collection of essays. His respect for scientific laws and his exploration of biology, physics, and astronomy informed his poetry, which exhibited extensive naturalism and verisimilitude. He wove the process of science, the narratives of scientists, into stories in Se (1937), Tin Sangi (1940), and Galpasalpa (1941). His last five years were marked by chronic pain and two long periods of illness. These began when Tagore lost consciousness in late 1937; he remained comatose and near death for a time. This was followed in late 1940 by a similar spell, from which he never recovered. Poetry from these valetudinary years is among his finest. A period of prolonged agony ended with Tagore's death on 7 August 1941, aged eighty; he was in an upstairs room of the Jorasanko mansion he was raised in. The date is still mourned. A. K. Sen, brother of the first chief election commissioner, received dictation from Tagore on 30 July 1941, a day prior to a scheduled operation: his last poem.  I'm lost in the middle of my birthday. I want my friends, their touch, with the earth's last love. I will take life's final offering, I will take the human's last blessing. Today my sack is empty. I have given completely whatever I had to give. In return if I receive anything--some love, some forgiveness--then I will take it with me when I step on the boat that crosses to the festival of the wordless end. CANNOTANSWER

Question: What are the poetic writings of Rabindranath Tagore?
Answer: Fifteen new volumes appeared, among them prose-poem works Punashcha (1932),
Rabindranath Tagore

Context: Dutta and Robinson describe this phase of Tagore's life as being one of a "peripatetic litterateur". It affirmed his opinion that human divisions were shallow. During a May 1932 visit to a Bedouin encampment in the Iraqi desert, the tribal chief told him that "Our prophet has said that a true Muslim is he by whose words and deeds not the least of his brother-men may ever come to any harm ..." Tagore confided in his diary: "I was startled into recognizing in his words the voice of essential humanity." To the end Tagore scrutinised orthodoxy--and in 1934, he struck. That year, an earthquake hit Bihar and killed thousands. Gandhi hailed it as seismic karma, as divine retribution avenging the oppression of Dalits. Tagore rebuked him for his seemingly ignominious implications. He mourned the perennial poverty of Calcutta and the socioeconomic decline of Bengal, and detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film Apur Sansar. Fifteen new volumes appeared, among them prose-poem works Punashcha (1932), Shes Saptak (1935), and Patraput (1936). Experimentation continued in his prose-songs and dance-dramas-- Chitra (1914), Shyama (1939), and Chandalika (1938)-- and in his novels-- Dui Bon (1933), Malancha (1934), and Char Adhyay (1934).  Tagore's remit expanded to science in his last years, as hinted in Visva-Parichay, a 1937 collection of essays. His respect for scientific laws and his exploration of biology, physics, and astronomy informed his poetry, which exhibited extensive naturalism and verisimilitude. He wove the process of science, the narratives of scientists, into stories in Se (1937), Tin Sangi (1940), and Galpasalpa (1941). His last five years were marked by chronic pain and two long periods of illness. These began when Tagore lost consciousness in late 1937; he remained comatose and near death for a time. This was followed in late 1940 by a similar spell, from which he never recovered. Poetry from these valetudinary years is among his finest. A period of prolonged agony ended with Tagore's death on 7 August 1941, aged eighty; he was in an upstairs room of the Jorasanko mansion he was raised in. The date is still mourned. A. K. Sen, brother of the first chief election commissioner, received dictation from Tagore on 30 July 1941, a day prior to a scheduled operation: his last poem.  I'm lost in the middle of my birthday. I want my friends, their touch, with the earth's last love. I will take life's final offering, I will take the human's last blessing. Today my sack is empty. I have given completely whatever I had to give. In return if I receive anything--some love, some forgiveness--then I will take it with me when I step on the boat that crosses to the festival of the wordless end. CANNOTANSWER

Question: Did Rabindranath Tagore receive a Nobel Prize?
Answer: CANNOTANSWER
Rabindranath Tagore

Context: Dutta and Robinson describe this phase of Tagore's life as being one of a "peripatetic litterateur". It affirmed his opinion that human divisions were shallow. During a May 1932 visit to a Bedouin encampment in the Iraqi desert, the tribal chief told him that "Our prophet has said that a true Muslim is he by whose words and deeds not the least of his brother-men may ever come to any harm ..." Tagore confided in his diary: "I was startled into recognizing in his words the voice of essential humanity." To the end Tagore scrutinised orthodoxy--and in 1934, he struck. That year, an earthquake hit Bihar and killed thousands. Gandhi hailed it as seismic karma, as divine retribution avenging the oppression of Dalits. Tagore rebuked him for his seemingly ignominious implications. He mourned the perennial poverty of Calcutta and the socioeconomic decline of Bengal, and detailed these newly plebeian aesthetics in an unrhymed hundred-line poem whose technique of searing double-vision foreshadowed Satyajit Ray's film Apur Sansar. Fifteen new volumes appeared, among them prose-poem works Punashcha (1932), Shes Saptak (1935), and Patraput (1936). Experimentation continued in his prose-songs and dance-dramas-- Chitra (1914), Shyama (1939), and Chandalika (1938)-- and in his novels-- Dui Bon (1933), Malancha (1934), and Char Adhyay (1934).  Tagore's remit expanded to science in his last years, as hinted in Visva-Parichay, a 1937 collection of essays. His respect for scientific laws and his exploration of biology, physics, and astronomy informed his poetry, which exhibited extensive naturalism and verisimilitude. He wove the process of science, the narratives of scientists, into stories in Se (1937), Tin Sangi (1940), and Galpasalpa (1941). His last five years were marked by chronic pain and two long periods of illness. These began when Tagore lost consciousness in late 1937; he remained comatose and near death for a time. This was followed in late 1940 by a similar spell, from which he never recovered. Poetry from these valetudinary years is among his finest. A period of prolonged agony ended with Tagore's death on 7 August 1941, aged eighty; he was in an upstairs room of the Jorasanko mansion he was raised in. The date is still mourned. A. K. Sen, brother of the first chief election commissioner, received dictation from Tagore on 30 July 1941, a day prior to a scheduled operation: his last poem.  I'm lost in the middle of my birthday. I want my friends, their touch, with the earth's last love. I will take life's final offering, I will take the human's last blessing. Today my sack is empty. I have given completely whatever I had to give. In return if I receive anything--some love, some forgiveness--then I will take it with me when I step on the boat that crosses to the festival of the wordless end. CANNOTANSWER

Question: Give some of Rabindranath Tagore's writings.
Answer: Shes Saptak (1935), and Patraput (1936).