gaussalgo/Canard_Wiki-augmented huggingface dataset:
Darius Rucker

Context: Rucker has been the lead singer of Hootie & the Blowfish since its formation in 1986. He met fellow band members Mark Bryan, Jim "Soni" Sonefeld, and Dean Felber while attending the University of South Carolina. Bryan heard Rucker singing in the shower, and the two became a duo, playing R.E.M. covers at a local venue. They later recruited Felber and finally Sonefeld joined in 1989. As a member of Hootie & the Blowfish, Rucker has recorded six studio albums: Cracked Rear View - 1994, Fairweather Johnson - 1996, Musical Chairs - 1998, Scattered, Smothered & Covered - 2000, Hootie & the Blowfish and Looking for Lucky - 2005, also charting within the top 40 of the Billboard Hot 100 six times. All six albums feature songs that Rucker, Bryan and Felber wrote. As the frontman, Rucker began to be called simply "Hootie" in the media, though the band title combines the nicknames of his college friends. Before his rise to fame, he lived in the basement of the Sigma Phi Epsilon house at the University of South Carolina, attempting to launch his career through the college bar scene.  Rucker's signature contribution to the band is his baritone voice, which Rolling Stone has called "ingratiating," TIME has called "low, gruff, [and] charismatic," and Entertainment Weekly has characterized as a "barrelhouse growl." Rucker said they "flipped" the formula of the all black band with a white frontman, like Frank Sinatra performing with Count Basie. Musically, he has sometimes been criticized or spoofed for not being "black enough". Saturday Night Live ran a sketch of Tim Meadows playing Rucker leading beer-drinking, white fraternity members in a counter-march to Louis Farrakhan's Million Man March. He also received death threats for singing the Hootie song "Drowning," a protest song against the flying of the Confederate flag above the South Carolina statehouse.  Shortly after gaining a measure of fame, Felber and Rucker (who consider themselves best friends) moved into an apartment in Columbia, South Carolina. With Rucker's recognition as the frontman of a successful band came increased opportunities. In October 1995, he was asked to sing the national anthem at the World Series. Frank Sinatra invited him to sing at his 80th birthday party; he sang "The Lady Is a Tramp." That same week, he made a voice cameo in an episode of the sitcom Friends. He also joined Nanci Griffith on the song "Gulf Coast Highway" for her 1997 album Blue Roses from the Moons, and sang backing vocals on Radney Foster's 1999 album See What You Want to See. He encouraged Atlantic Records to agree to a deal with Edwin McCain and made a guest appearance on McCain's debut album, Honor Among Thieves.  In regard to the future of Hootie & the Blowfish, Rucker was quoted by CBS news as stating in late 2011, "I don't think we'll ever break up totally. We're Hootie & the Blowfish. ... We'll make another record and do another tour someday. I don't know when, but it will happen. There's one more in us." CANNOTANSWER

Question: When did Hoottie and the Blowfish start?
Answer: Rucker has been the lead singer of Hootie & the Blowfish since its formation in 1986.
Darius Rucker

Context: Rucker has been the lead singer of Hootie & the Blowfish since its formation in 1986. He met fellow band members Mark Bryan, Jim "Soni" Sonefeld, and Dean Felber while attending the University of South Carolina. Bryan heard Rucker singing in the shower, and the two became a duo, playing R.E.M. covers at a local venue. They later recruited Felber and finally Sonefeld joined in 1989. As a member of Hootie & the Blowfish, Rucker has recorded six studio albums: Cracked Rear View - 1994, Fairweather Johnson - 1996, Musical Chairs - 1998, Scattered, Smothered & Covered - 2000, Hootie & the Blowfish and Looking for Lucky - 2005, also charting within the top 40 of the Billboard Hot 100 six times. All six albums feature songs that Rucker, Bryan and Felber wrote. As the frontman, Rucker began to be called simply "Hootie" in the media, though the band title combines the nicknames of his college friends. Before his rise to fame, he lived in the basement of the Sigma Phi Epsilon house at the University of South Carolina, attempting to launch his career through the college bar scene.  Rucker's signature contribution to the band is his baritone voice, which Rolling Stone has called "ingratiating," TIME has called "low, gruff, [and] charismatic," and Entertainment Weekly has characterized as a "barrelhouse growl." Rucker said they "flipped" the formula of the all black band with a white frontman, like Frank Sinatra performing with Count Basie. Musically, he has sometimes been criticized or spoofed for not being "black enough". Saturday Night Live ran a sketch of Tim Meadows playing Rucker leading beer-drinking, white fraternity members in a counter-march to Louis Farrakhan's Million Man March. He also received death threats for singing the Hootie song "Drowning," a protest song against the flying of the Confederate flag above the South Carolina statehouse.  Shortly after gaining a measure of fame, Felber and Rucker (who consider themselves best friends) moved into an apartment in Columbia, South Carolina. With Rucker's recognition as the frontman of a successful band came increased opportunities. In October 1995, he was asked to sing the national anthem at the World Series. Frank Sinatra invited him to sing at his 80th birthday party; he sang "The Lady Is a Tramp." That same week, he made a voice cameo in an episode of the sitcom Friends. He also joined Nanci Griffith on the song "Gulf Coast Highway" for her 1997 album Blue Roses from the Moons, and sang backing vocals on Radney Foster's 1999 album See What You Want to See. He encouraged Atlantic Records to agree to a deal with Edwin McCain and made a guest appearance on McCain's debut album, Honor Among Thieves.  In regard to the future of Hootie & the Blowfish, Rucker was quoted by CBS news as stating in late 2011, "I don't think we'll ever break up totally. We're Hootie & the Blowfish. ... We'll make another record and do another tour someday. I don't know when, but it will happen. There's one more in us." CANNOTANSWER

Question: Where did Hoottie and the Blowfish originate?
Answer: while attending the University of South Carolina.
Darius Rucker

Context: Rucker has been the lead singer of Hootie & the Blowfish since its formation in 1986. He met fellow band members Mark Bryan, Jim "Soni" Sonefeld, and Dean Felber while attending the University of South Carolina. Bryan heard Rucker singing in the shower, and the two became a duo, playing R.E.M. covers at a local venue. They later recruited Felber and finally Sonefeld joined in 1989. As a member of Hootie & the Blowfish, Rucker has recorded six studio albums: Cracked Rear View - 1994, Fairweather Johnson - 1996, Musical Chairs - 1998, Scattered, Smothered & Covered - 2000, Hootie & the Blowfish and Looking for Lucky - 2005, also charting within the top 40 of the Billboard Hot 100 six times. All six albums feature songs that Rucker, Bryan and Felber wrote. As the frontman, Rucker began to be called simply "Hootie" in the media, though the band title combines the nicknames of his college friends. Before his rise to fame, he lived in the basement of the Sigma Phi Epsilon house at the University of South Carolina, attempting to launch his career through the college bar scene.  Rucker's signature contribution to the band is his baritone voice, which Rolling Stone has called "ingratiating," TIME has called "low, gruff, [and] charismatic," and Entertainment Weekly has characterized as a "barrelhouse growl." Rucker said they "flipped" the formula of the all black band with a white frontman, like Frank Sinatra performing with Count Basie. Musically, he has sometimes been criticized or spoofed for not being "black enough". Saturday Night Live ran a sketch of Tim Meadows playing Rucker leading beer-drinking, white fraternity members in a counter-march to Louis Farrakhan's Million Man March. He also received death threats for singing the Hootie song "Drowning," a protest song against the flying of the Confederate flag above the South Carolina statehouse.  Shortly after gaining a measure of fame, Felber and Rucker (who consider themselves best friends) moved into an apartment in Columbia, South Carolina. With Rucker's recognition as the frontman of a successful band came increased opportunities. In October 1995, he was asked to sing the national anthem at the World Series. Frank Sinatra invited him to sing at his 80th birthday party; he sang "The Lady Is a Tramp." That same week, he made a voice cameo in an episode of the sitcom Friends. He also joined Nanci Griffith on the song "Gulf Coast Highway" for her 1997 album Blue Roses from the Moons, and sang backing vocals on Radney Foster's 1999 album See What You Want to See. He encouraged Atlantic Records to agree to a deal with Edwin McCain and made a guest appearance on McCain's debut album, Honor Among Thieves.  In regard to the future of Hootie & the Blowfish, Rucker was quoted by CBS news as stating in late 2011, "I don't think we'll ever break up totally. We're Hootie & the Blowfish. ... We'll make another record and do another tour someday. I don't know when, but it will happen. There's one more in us." CANNOTANSWER

Question: Besides Darius Rucker, who are the other members Hoottie and the Blowfish?
Answer: members Mark Bryan, Jim "Soni" Sonefeld, and Dean Felber
Darius Rucker

Context: Rucker has been the lead singer of Hootie & the Blowfish since its formation in 1986. He met fellow band members Mark Bryan, Jim "Soni" Sonefeld, and Dean Felber while attending the University of South Carolina. Bryan heard Rucker singing in the shower, and the two became a duo, playing R.E.M. covers at a local venue. They later recruited Felber and finally Sonefeld joined in 1989. As a member of Hootie & the Blowfish, Rucker has recorded six studio albums: Cracked Rear View - 1994, Fairweather Johnson - 1996, Musical Chairs - 1998, Scattered, Smothered & Covered - 2000, Hootie & the Blowfish and Looking for Lucky - 2005, also charting within the top 40 of the Billboard Hot 100 six times. All six albums feature songs that Rucker, Bryan and Felber wrote. As the frontman, Rucker began to be called simply "Hootie" in the media, though the band title combines the nicknames of his college friends. Before his rise to fame, he lived in the basement of the Sigma Phi Epsilon house at the University of South Carolina, attempting to launch his career through the college bar scene.  Rucker's signature contribution to the band is his baritone voice, which Rolling Stone has called "ingratiating," TIME has called "low, gruff, [and] charismatic," and Entertainment Weekly has characterized as a "barrelhouse growl." Rucker said they "flipped" the formula of the all black band with a white frontman, like Frank Sinatra performing with Count Basie. Musically, he has sometimes been criticized or spoofed for not being "black enough". Saturday Night Live ran a sketch of Tim Meadows playing Rucker leading beer-drinking, white fraternity members in a counter-march to Louis Farrakhan's Million Man March. He also received death threats for singing the Hootie song "Drowning," a protest song against the flying of the Confederate flag above the South Carolina statehouse.  Shortly after gaining a measure of fame, Felber and Rucker (who consider themselves best friends) moved into an apartment in Columbia, South Carolina. With Rucker's recognition as the frontman of a successful band came increased opportunities. In October 1995, he was asked to sing the national anthem at the World Series. Frank Sinatra invited him to sing at his 80th birthday party; he sang "The Lady Is a Tramp." That same week, he made a voice cameo in an episode of the sitcom Friends. He also joined Nanci Griffith on the song "Gulf Coast Highway" for her 1997 album Blue Roses from the Moons, and sang backing vocals on Radney Foster's 1999 album See What You Want to See. He encouraged Atlantic Records to agree to a deal with Edwin McCain and made a guest appearance on McCain's debut album, Honor Among Thieves.  In regard to the future of Hootie & the Blowfish, Rucker was quoted by CBS news as stating in late 2011, "I don't think we'll ever break up totally. We're Hootie & the Blowfish. ... We'll make another record and do another tour someday. I don't know when, but it will happen. There's one more in us." CANNOTANSWER

Question: What instrument does Mark Bryan play?
Answer: Bryan heard Rucker singing in the shower, and the two became a duo,
Darius Rucker

Context: Rucker has been the lead singer of Hootie & the Blowfish since its formation in 1986. He met fellow band members Mark Bryan, Jim "Soni" Sonefeld, and Dean Felber while attending the University of South Carolina. Bryan heard Rucker singing in the shower, and the two became a duo, playing R.E.M. covers at a local venue. They later recruited Felber and finally Sonefeld joined in 1989. As a member of Hootie & the Blowfish, Rucker has recorded six studio albums: Cracked Rear View - 1994, Fairweather Johnson - 1996, Musical Chairs - 1998, Scattered, Smothered & Covered - 2000, Hootie & the Blowfish and Looking for Lucky - 2005, also charting within the top 40 of the Billboard Hot 100 six times. All six albums feature songs that Rucker, Bryan and Felber wrote. As the frontman, Rucker began to be called simply "Hootie" in the media, though the band title combines the nicknames of his college friends. Before his rise to fame, he lived in the basement of the Sigma Phi Epsilon house at the University of South Carolina, attempting to launch his career through the college bar scene.  Rucker's signature contribution to the band is his baritone voice, which Rolling Stone has called "ingratiating," TIME has called "low, gruff, [and] charismatic," and Entertainment Weekly has characterized as a "barrelhouse growl." Rucker said they "flipped" the formula of the all black band with a white frontman, like Frank Sinatra performing with Count Basie. Musically, he has sometimes been criticized or spoofed for not being "black enough". Saturday Night Live ran a sketch of Tim Meadows playing Rucker leading beer-drinking, white fraternity members in a counter-march to Louis Farrakhan's Million Man March. He also received death threats for singing the Hootie song "Drowning," a protest song against the flying of the Confederate flag above the South Carolina statehouse.  Shortly after gaining a measure of fame, Felber and Rucker (who consider themselves best friends) moved into an apartment in Columbia, South Carolina. With Rucker's recognition as the frontman of a successful band came increased opportunities. In October 1995, he was asked to sing the national anthem at the World Series. Frank Sinatra invited him to sing at his 80th birthday party; he sang "The Lady Is a Tramp." That same week, he made a voice cameo in an episode of the sitcom Friends. He also joined Nanci Griffith on the song "Gulf Coast Highway" for her 1997 album Blue Roses from the Moons, and sang backing vocals on Radney Foster's 1999 album See What You Want to See. He encouraged Atlantic Records to agree to a deal with Edwin McCain and made a guest appearance on McCain's debut album, Honor Among Thieves.  In regard to the future of Hootie & the Blowfish, Rucker was quoted by CBS news as stating in late 2011, "I don't think we'll ever break up totally. We're Hootie & the Blowfish. ... We'll make another record and do another tour someday. I don't know when, but it will happen. There's one more in us." CANNOTANSWER

Question: What was the first single of Hootie & the Blowfish?
Answer: Cracked Rear View - 1994,
Darius Rucker

Context: Rucker has been the lead singer of Hootie & the Blowfish since its formation in 1986. He met fellow band members Mark Bryan, Jim "Soni" Sonefeld, and Dean Felber while attending the University of South Carolina. Bryan heard Rucker singing in the shower, and the two became a duo, playing R.E.M. covers at a local venue. They later recruited Felber and finally Sonefeld joined in 1989. As a member of Hootie & the Blowfish, Rucker has recorded six studio albums: Cracked Rear View - 1994, Fairweather Johnson - 1996, Musical Chairs - 1998, Scattered, Smothered & Covered - 2000, Hootie & the Blowfish and Looking for Lucky - 2005, also charting within the top 40 of the Billboard Hot 100 six times. All six albums feature songs that Rucker, Bryan and Felber wrote. As the frontman, Rucker began to be called simply "Hootie" in the media, though the band title combines the nicknames of his college friends. Before his rise to fame, he lived in the basement of the Sigma Phi Epsilon house at the University of South Carolina, attempting to launch his career through the college bar scene.  Rucker's signature contribution to the band is his baritone voice, which Rolling Stone has called "ingratiating," TIME has called "low, gruff, [and] charismatic," and Entertainment Weekly has characterized as a "barrelhouse growl." Rucker said they "flipped" the formula of the all black band with a white frontman, like Frank Sinatra performing with Count Basie. Musically, he has sometimes been criticized or spoofed for not being "black enough". Saturday Night Live ran a sketch of Tim Meadows playing Rucker leading beer-drinking, white fraternity members in a counter-march to Louis Farrakhan's Million Man March. He also received death threats for singing the Hootie song "Drowning," a protest song against the flying of the Confederate flag above the South Carolina statehouse.  Shortly after gaining a measure of fame, Felber and Rucker (who consider themselves best friends) moved into an apartment in Columbia, South Carolina. With Rucker's recognition as the frontman of a successful band came increased opportunities. In October 1995, he was asked to sing the national anthem at the World Series. Frank Sinatra invited him to sing at his 80th birthday party; he sang "The Lady Is a Tramp." That same week, he made a voice cameo in an episode of the sitcom Friends. He also joined Nanci Griffith on the song "Gulf Coast Highway" for her 1997 album Blue Roses from the Moons, and sang backing vocals on Radney Foster's 1999 album See What You Want to See. He encouraged Atlantic Records to agree to a deal with Edwin McCain and made a guest appearance on McCain's debut album, Honor Among Thieves.  In regard to the future of Hootie & the Blowfish, Rucker was quoted by CBS news as stating in late 2011, "I don't think we'll ever break up totally. We're Hootie & the Blowfish. ... We'll make another record and do another tour someday. I don't know when, but it will happen. There's one more in us." CANNOTANSWER

Question: How did Hootie & the Blowfish's single Cracked Rear View perform on the charts?
Answer: charting within the top 40 of the Billboard Hot 100 six times.
Gloria Estefan

Context: Starting in 1977, Miami Sound Machine began recording and releasing various albums and 45s on the Audiofon Records label in Miami. The first album from 1977 was entitled Live Again/Renacer and was released with two different covers. After several more releases on the Audiofon label as well as the RCA Victor label and Miami Sound Machine's own label MSM Records, the band was signed to Discos CBS International and released several albums, 45s, and 12"s beginning with the 1978 self-titled album Miami Sound Machine. Growing in popularity in both the U.S. and around the world, the group would continue recording and issuing various works for Discos CBS International through 1985.  In 1984, Miami Sound Machine released their first Epic/Columbia album, Eyes of Innocence, which contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love". Their more successful follow-up album Primitive Love was released in 1985 launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. No. 10), "Words Get in the Way" (U.S. No. 5), and "Bad Boy" (U.S. No. 8), as well as "Falling in Love (Uh-Oh)" (U.S. No. 25) which became follow up hits in the U.S. and around the world. "Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the film Top Gun.  Their next album, 1987's Let It Loose, went multi-platinum, with three million copies sold in the US alone. It featured the following hits: "Anything for You" (No. 1 Hot 100), "1-2-3" (No. 3 Hot 100), "Betcha Say That" (No. 36 Hot 100), "Rhythm Is Gonna Get You" (No. 5 Hot 100), and "Can't Stay Away from You" (No. 6 Hot 100). "Can't Stay Away From You", "Anything for You", and "1-2-3" were all No. 1 Adult Contemporary hits as well. In that same year, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine.  In 1989, the group's name was dropped, and Estefan has been credited as a solo artist ever since. In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged as Anything for You. CANNOTANSWER

Question: What was Gloria Estefan do up to in the mid 1970s?
Answer: Starting in 1977, Miami Sound Machine began recording and releasing various albums and 45s on the Audiofon Records label in Miami.
Gloria Estefan

Context: Starting in 1977, Miami Sound Machine began recording and releasing various albums and 45s on the Audiofon Records label in Miami. The first album from 1977 was entitled Live Again/Renacer and was released with two different covers. After several more releases on the Audiofon label as well as the RCA Victor label and Miami Sound Machine's own label MSM Records, the band was signed to Discos CBS International and released several albums, 45s, and 12"s beginning with the 1978 self-titled album Miami Sound Machine. Growing in popularity in both the U.S. and around the world, the group would continue recording and issuing various works for Discos CBS International through 1985.  In 1984, Miami Sound Machine released their first Epic/Columbia album, Eyes of Innocence, which contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love". Their more successful follow-up album Primitive Love was released in 1985 launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. No. 10), "Words Get in the Way" (U.S. No. 5), and "Bad Boy" (U.S. No. 8), as well as "Falling in Love (Uh-Oh)" (U.S. No. 25) which became follow up hits in the U.S. and around the world. "Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the film Top Gun.  Their next album, 1987's Let It Loose, went multi-platinum, with three million copies sold in the US alone. It featured the following hits: "Anything for You" (No. 1 Hot 100), "1-2-3" (No. 3 Hot 100), "Betcha Say That" (No. 36 Hot 100), "Rhythm Is Gonna Get You" (No. 5 Hot 100), and "Can't Stay Away from You" (No. 6 Hot 100). "Can't Stay Away From You", "Anything for You", and "1-2-3" were all No. 1 Adult Contemporary hits as well. In that same year, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine.  In 1989, the group's name was dropped, and Estefan has been credited as a solo artist ever since. In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged as Anything for You. CANNOTANSWER

Question: Were Gloria Estefan successful with Miami Sound Machine?
Answer: several more releases
Gloria Estefan

Context: Starting in 1977, Miami Sound Machine began recording and releasing various albums and 45s on the Audiofon Records label in Miami. The first album from 1977 was entitled Live Again/Renacer and was released with two different covers. After several more releases on the Audiofon label as well as the RCA Victor label and Miami Sound Machine's own label MSM Records, the band was signed to Discos CBS International and released several albums, 45s, and 12"s beginning with the 1978 self-titled album Miami Sound Machine. Growing in popularity in both the U.S. and around the world, the group would continue recording and issuing various works for Discos CBS International through 1985.  In 1984, Miami Sound Machine released their first Epic/Columbia album, Eyes of Innocence, which contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love". Their more successful follow-up album Primitive Love was released in 1985 launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. No. 10), "Words Get in the Way" (U.S. No. 5), and "Bad Boy" (U.S. No. 8), as well as "Falling in Love (Uh-Oh)" (U.S. No. 25) which became follow up hits in the U.S. and around the world. "Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the film Top Gun.  Their next album, 1987's Let It Loose, went multi-platinum, with three million copies sold in the US alone. It featured the following hits: "Anything for You" (No. 1 Hot 100), "1-2-3" (No. 3 Hot 100), "Betcha Say That" (No. 36 Hot 100), "Rhythm Is Gonna Get You" (No. 5 Hot 100), and "Can't Stay Away from You" (No. 6 Hot 100). "Can't Stay Away From You", "Anything for You", and "1-2-3" were all No. 1 Adult Contemporary hits as well. In that same year, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine.  In 1989, the group's name was dropped, and Estefan has been credited as a solo artist ever since. In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged as Anything for You. CANNOTANSWER

Question: What was the  biggest hit of Gloria Estefan?
Answer: Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks
Gloria Estefan

Context: Starting in 1977, Miami Sound Machine began recording and releasing various albums and 45s on the Audiofon Records label in Miami. The first album from 1977 was entitled Live Again/Renacer and was released with two different covers. After several more releases on the Audiofon label as well as the RCA Victor label and Miami Sound Machine's own label MSM Records, the band was signed to Discos CBS International and released several albums, 45s, and 12"s beginning with the 1978 self-titled album Miami Sound Machine. Growing in popularity in both the U.S. and around the world, the group would continue recording and issuing various works for Discos CBS International through 1985.  In 1984, Miami Sound Machine released their first Epic/Columbia album, Eyes of Innocence, which contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love". Their more successful follow-up album Primitive Love was released in 1985 launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. No. 10), "Words Get in the Way" (U.S. No. 5), and "Bad Boy" (U.S. No. 8), as well as "Falling in Love (Uh-Oh)" (U.S. No. 25) which became follow up hits in the U.S. and around the world. "Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the film Top Gun.  Their next album, 1987's Let It Loose, went multi-platinum, with three million copies sold in the US alone. It featured the following hits: "Anything for You" (No. 1 Hot 100), "1-2-3" (No. 3 Hot 100), "Betcha Say That" (No. 36 Hot 100), "Rhythm Is Gonna Get You" (No. 5 Hot 100), and "Can't Stay Away from You" (No. 6 Hot 100). "Can't Stay Away From You", "Anything for You", and "1-2-3" were all No. 1 Adult Contemporary hits as well. In that same year, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine.  In 1989, the group's name was dropped, and Estefan has been credited as a solo artist ever since. In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged as Anything for You. CANNOTANSWER

Question: Did Gloria Estefan go on tour?
Answer: CANNOTANSWER
Gloria Estefan

Context: Starting in 1977, Miami Sound Machine began recording and releasing various albums and 45s on the Audiofon Records label in Miami. The first album from 1977 was entitled Live Again/Renacer and was released with two different covers. After several more releases on the Audiofon label as well as the RCA Victor label and Miami Sound Machine's own label MSM Records, the band was signed to Discos CBS International and released several albums, 45s, and 12"s beginning with the 1978 self-titled album Miami Sound Machine. Growing in popularity in both the U.S. and around the world, the group would continue recording and issuing various works for Discos CBS International through 1985.  In 1984, Miami Sound Machine released their first Epic/Columbia album, Eyes of Innocence, which contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love". Their more successful follow-up album Primitive Love was released in 1985 launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. No. 10), "Words Get in the Way" (U.S. No. 5), and "Bad Boy" (U.S. No. 8), as well as "Falling in Love (Uh-Oh)" (U.S. No. 25) which became follow up hits in the U.S. and around the world. "Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the film Top Gun.  Their next album, 1987's Let It Loose, went multi-platinum, with three million copies sold in the US alone. It featured the following hits: "Anything for You" (No. 1 Hot 100), "1-2-3" (No. 3 Hot 100), "Betcha Say That" (No. 36 Hot 100), "Rhythm Is Gonna Get You" (No. 5 Hot 100), and "Can't Stay Away from You" (No. 6 Hot 100). "Can't Stay Away From You", "Anything for You", and "1-2-3" were all No. 1 Adult Contemporary hits as well. In that same year, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine.  In 1989, the group's name was dropped, and Estefan has been credited as a solo artist ever since. In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged as Anything for You. CANNOTANSWER

Question: What else happened during in mid 1970's besides the release of Words Get in the Way?
Answer: Miami Sound Machine released their first Epic/Columbia album,
Gloria Estefan

Context: Starting in 1977, Miami Sound Machine began recording and releasing various albums and 45s on the Audiofon Records label in Miami. The first album from 1977 was entitled Live Again/Renacer and was released with two different covers. After several more releases on the Audiofon label as well as the RCA Victor label and Miami Sound Machine's own label MSM Records, the band was signed to Discos CBS International and released several albums, 45s, and 12"s beginning with the 1978 self-titled album Miami Sound Machine. Growing in popularity in both the U.S. and around the world, the group would continue recording and issuing various works for Discos CBS International through 1985.  In 1984, Miami Sound Machine released their first Epic/Columbia album, Eyes of Innocence, which contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love". Their more successful follow-up album Primitive Love was released in 1985 launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. No. 10), "Words Get in the Way" (U.S. No. 5), and "Bad Boy" (U.S. No. 8), as well as "Falling in Love (Uh-Oh)" (U.S. No. 25) which became follow up hits in the U.S. and around the world. "Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the film Top Gun.  Their next album, 1987's Let It Loose, went multi-platinum, with three million copies sold in the US alone. It featured the following hits: "Anything for You" (No. 1 Hot 100), "1-2-3" (No. 3 Hot 100), "Betcha Say That" (No. 36 Hot 100), "Rhythm Is Gonna Get You" (No. 5 Hot 100), and "Can't Stay Away from You" (No. 6 Hot 100). "Can't Stay Away From You", "Anything for You", and "1-2-3" were all No. 1 Adult Contemporary hits as well. In that same year, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine.  In 1989, the group's name was dropped, and Estefan has been credited as a solo artist ever since. In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged as Anything for You. CANNOTANSWER

Question: Which was the first Epic/Columbia album released by Miami Sound Machine?
Answer: Eyes of Innocence,
Gloria Estefan

Context: Starting in 1977, Miami Sound Machine began recording and releasing various albums and 45s on the Audiofon Records label in Miami. The first album from 1977 was entitled Live Again/Renacer and was released with two different covers. After several more releases on the Audiofon label as well as the RCA Victor label and Miami Sound Machine's own label MSM Records, the band was signed to Discos CBS International and released several albums, 45s, and 12"s beginning with the 1978 self-titled album Miami Sound Machine. Growing in popularity in both the U.S. and around the world, the group would continue recording and issuing various works for Discos CBS International through 1985.  In 1984, Miami Sound Machine released their first Epic/Columbia album, Eyes of Innocence, which contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love". Their more successful follow-up album Primitive Love was released in 1985 launching three Top 10 hits on the Billboard Hot 100: "Conga" (U.S. No. 10), "Words Get in the Way" (U.S. No. 5), and "Bad Boy" (U.S. No. 8), as well as "Falling in Love (Uh-Oh)" (U.S. No. 25) which became follow up hits in the U.S. and around the world. "Words Get in the Way" reached No. 1 on the US Hot Adult Contemporary Tracks chart, establishing that the group could perform pop ballads as successfully as dance tunes. The song "Hot Summer Nights" was also released that year and was part of the film Top Gun.  Their next album, 1987's Let It Loose, went multi-platinum, with three million copies sold in the US alone. It featured the following hits: "Anything for You" (No. 1 Hot 100), "1-2-3" (No. 3 Hot 100), "Betcha Say That" (No. 36 Hot 100), "Rhythm Is Gonna Get You" (No. 5 Hot 100), and "Can't Stay Away from You" (No. 6 Hot 100). "Can't Stay Away From You", "Anything for You", and "1-2-3" were all No. 1 Adult Contemporary hits as well. In that same year, Estefan took top billing and the band's name changed to Gloria Estefan and Miami Sound Machine.  In 1989, the group's name was dropped, and Estefan has been credited as a solo artist ever since. In 1988, after the worldwide chart success of single "Anything for You", her Let it Loose album was repackaged as Anything for You. CANNOTANSWER

Question: How did the album Eyes of Innocence do?
Answer: contained the dance hit "Dr. Beat" as well as the ballad "I Need Your Love".
Mumtaz Mahal

Context: Upon his accession to the throne in 1628, Shah Jahan designated Mumtaz as his chief empress with the title of 'Malika-i-Jahan' ("Queen of the World") and 'Malika-uz-Zamani' ("Queen of the Age"). Mumtaz's tenure as empress was brief (spanning a period of only three years due to her untimely death), nonetheless Shah Jahan bestowed her with luxuries that no other empress was given before her. For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose water fountains of its own. Each wife of the Mughal emperor was given regular monthly allowance for her gastos (housekeeping or travelling expenses). The highest allowance on record is 10 lakh rupees per year given to Mumtaz Mahal under Shah Jahan.  Shah Jahan consulted Mumtaz in both private matters and the affairs of the state and she served as his close confidante and trusted adviser. At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land -- his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.  A great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress' favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage. CANNOTANSWER

Question: What was special about the mughal empress?
Answer: Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men.
Mumtaz Mahal

Context: Upon his accession to the throne in 1628, Shah Jahan designated Mumtaz as his chief empress with the title of 'Malika-i-Jahan' ("Queen of the World") and 'Malika-uz-Zamani' ("Queen of the Age"). Mumtaz's tenure as empress was brief (spanning a period of only three years due to her untimely death), nonetheless Shah Jahan bestowed her with luxuries that no other empress was given before her. For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose water fountains of its own. Each wife of the Mughal emperor was given regular monthly allowance for her gastos (housekeeping or travelling expenses). The highest allowance on record is 10 lakh rupees per year given to Mumtaz Mahal under Shah Jahan.  Shah Jahan consulted Mumtaz in both private matters and the affairs of the state and she served as his close confidante and trusted adviser. At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land -- his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.  A great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress' favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage. CANNOTANSWER

Question: Are there any other interesting aspects about Mumtaz Mahal and the Mughal Empress other than what made the Mughal Empress special?
Answer: Shah Jahan bestowed her with luxuries that no other empress was given before her.
Mumtaz Mahal

Context: Upon his accession to the throne in 1628, Shah Jahan designated Mumtaz as his chief empress with the title of 'Malika-i-Jahan' ("Queen of the World") and 'Malika-uz-Zamani' ("Queen of the Age"). Mumtaz's tenure as empress was brief (spanning a period of only three years due to her untimely death), nonetheless Shah Jahan bestowed her with luxuries that no other empress was given before her. For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose water fountains of its own. Each wife of the Mughal emperor was given regular monthly allowance for her gastos (housekeeping or travelling expenses). The highest allowance on record is 10 lakh rupees per year given to Mumtaz Mahal under Shah Jahan.  Shah Jahan consulted Mumtaz in both private matters and the affairs of the state and she served as his close confidante and trusted adviser. At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land -- his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.  A great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress' favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage. CANNOTANSWER

Question: Did Mumtaz Mahal and Mughal empress marry?
Answer: Each wife of the Mughal emperor
Mumtaz Mahal

Context: Upon his accession to the throne in 1628, Shah Jahan designated Mumtaz as his chief empress with the title of 'Malika-i-Jahan' ("Queen of the World") and 'Malika-uz-Zamani' ("Queen of the Age"). Mumtaz's tenure as empress was brief (spanning a period of only three years due to her untimely death), nonetheless Shah Jahan bestowed her with luxuries that no other empress was given before her. For example, no other empress' residence was as decorated as Khas Mahal (part of Agra Fort), where Mumtaz lived with Shah Jahan. It was decorated with pure gold and precious stones and had rose water fountains of its own. Each wife of the Mughal emperor was given regular monthly allowance for her gastos (housekeeping or travelling expenses). The highest allowance on record is 10 lakh rupees per year given to Mumtaz Mahal under Shah Jahan.  Shah Jahan consulted Mumtaz in both private matters and the affairs of the state and she served as his close confidante and trusted adviser. At her intercession, he forgave enemies or commuted death sentences. His trust in her was so great that he gave her the highest honour of the land -- his imperial seal, the Mehr Uzaz, which validated imperial decrees. Mumtaz was portrayed as having no aspirations to political power, in contrast to her aunt, Empress Nur Jahan, the chief consort of Emperor Jahangir, who had wielded considerable influence in the previous reign.  A great influence on him, often intervening on behalf of the poor and destitute, she also enjoyed watching elephant and combat fights performed for the court. Mumtaz also patronized a number of poets, scholars and other talented persons. A noted Sanskrit poet, Vansidhara Mishra, was the Empress' favourite. On the recommendation of her principal lady-in-waiting, Sati-un-Nissa, Mumtaz Mahal provided pensions and donations to the daughters of poor scholars, theologians, and pious men. It was quite common for women of noble birth to commission architecture in the Mughal Empire, so Mumtaz devoted some time to a riverside garden in Agra, which is now known as Zahara Bagh. It is the only architectural foundation which can be connected to her patronage. CANNOTANSWER

Question: Did Mumtaz Mahal and Mughal empress have any children?
Answer: CANNOTANSWER
Harriet Tubman

Context: By 1840, Tubman's father, Ben, was manumitted from slavery at the age of 45, as stipulated in a former owner's will, though his actual age was closer to 55. He continued working as a timber estimator and foreman for the Thompson family, who had held him as a slave. Several years later, Tubman contacted a white attorney and paid him five dollars to investigate her mother's legal status. The lawyer discovered that a former owner had issued instructions that Rit, like her husband, would be manumitted at the age of 45. The record showed that a similar provision would apply to Rit's children, and that any children born after she reached 45 years of age were legally free, but the Pattison and Brodess families had ignored this stipulation when they inherited the slaves. Challenging it legally was an impossible task for Tubman.  Around 1844, she married a free black man named John Tubman. Although little is known about him or their time together, the union was complicated because of her slave status. Since the mother's status dictated that of children, any children born to Harriet and John would be enslaved. Such blended marriages - free people of color marrying enslaved people - were not uncommon on the Eastern Shore of Maryland, where by this time, half the black population was free. Most African-American families had both free and enslaved members. Larson suggests that they might have planned to buy Tubman's freedom.  Tubman changed her name from Araminta to Harriet soon after her marriage, though the exact timing is unclear. Larson suggests this happened right after the wedding, and Clinton suggests that it coincided with Tubman's plans to escape from slavery. She adopted her mother's name, possibly as part of a religious conversion, or to honor another relative. CANNOTANSWER

Question: How many times did Harriet Tubman get married?
Answer: she married a free black man named John Tubman.
Harriet Tubman

Context: By 1840, Tubman's father, Ben, was manumitted from slavery at the age of 45, as stipulated in a former owner's will, though his actual age was closer to 55. He continued working as a timber estimator and foreman for the Thompson family, who had held him as a slave. Several years later, Tubman contacted a white attorney and paid him five dollars to investigate her mother's legal status. The lawyer discovered that a former owner had issued instructions that Rit, like her husband, would be manumitted at the age of 45. The record showed that a similar provision would apply to Rit's children, and that any children born after she reached 45 years of age were legally free, but the Pattison and Brodess families had ignored this stipulation when they inherited the slaves. Challenging it legally was an impossible task for Tubman.  Around 1844, she married a free black man named John Tubman. Although little is known about him or their time together, the union was complicated because of her slave status. Since the mother's status dictated that of children, any children born to Harriet and John would be enslaved. Such blended marriages - free people of color marrying enslaved people - were not uncommon on the Eastern Shore of Maryland, where by this time, half the black population was free. Most African-American families had both free and enslaved members. Larson suggests that they might have planned to buy Tubman's freedom.  Tubman changed her name from Araminta to Harriet soon after her marriage, though the exact timing is unclear. Larson suggests this happened right after the wedding, and Clinton suggests that it coincided with Tubman's plans to escape from slavery. She adopted her mother's name, possibly as part of a religious conversion, or to honor another relative. CANNOTANSWER

Question: When did Harriet Tubman get married to John Tubman?
Answer: Around 1844,