gaussalgo/Canard_Wiki-augmented huggingface dataset:
Tom Seaver

Context: Seaver and the Mets were stunned on January 20, 1984 when he was claimed in a free-agent compensation draft by the Chicago White Sox. The team (especially GM Frank Cashen) had incorrectly assumed that no one would pursue a high-salaried, 39-year-old starting pitcher, and left him off the protected list. Faced with either reporting to the White Sox or retiring, Seaver chose the former. The result for the Mets was an opening in the starting rotation that allowed Dwight Gooden to be part of the team.  Seaver pitched two and a half seasons in Chicago and recorded his last shutout on July 19, 1985 against the visiting Indians. In an anomaly, Seaver won two games on May 9, 1984; he pitched the 25th and final inning of a game suspended the day before, picking up the win in relief against the Milwaukee Brewers, before starting and winning the day's regularly scheduled game, also facing the Brewers.  After Seaver's 298th win, a reporter had pointed out to White Sox catcher Carlton Fisk that following his upcoming start in Boston, Seaver's next scheduled start would be in New York, and that the possibility existed that he might achieve the mark there. Fisk emphatically stated that Seaver would win in Boston, and then would win his 300th.  On August 4, 1985, Seaver recorded his 300th victory at Yankee Stadium against the Yankees, throwing a complete game 4-1 victory. Don Baylor was the tying run at the plate; he hit a fly ball to left field for the final out of the game. Coincidentally, it was Phil Rizzuto Day - Seaver would later become Rizzuto's broadcast partner for Yankee games. Lindsey Nelson, a Mets radio and TV announcer during Seaver's Mets days, called the final out for Yankees TV flagship WPIX. CANNOTANSWER

Question: Who was Tom Seaver who won 300 wins?
Answer: Seaver pitched two and a half seasons in Chicago and recorded his last shutout on July 19, 1985 against the visiting Indians.
Tom Seaver

Context: Seaver and the Mets were stunned on January 20, 1984 when he was claimed in a free-agent compensation draft by the Chicago White Sox. The team (especially GM Frank Cashen) had incorrectly assumed that no one would pursue a high-salaried, 39-year-old starting pitcher, and left him off the protected list. Faced with either reporting to the White Sox or retiring, Seaver chose the former. The result for the Mets was an opening in the starting rotation that allowed Dwight Gooden to be part of the team.  Seaver pitched two and a half seasons in Chicago and recorded his last shutout on July 19, 1985 against the visiting Indians. In an anomaly, Seaver won two games on May 9, 1984; he pitched the 25th and final inning of a game suspended the day before, picking up the win in relief against the Milwaukee Brewers, before starting and winning the day's regularly scheduled game, also facing the Brewers.  After Seaver's 298th win, a reporter had pointed out to White Sox catcher Carlton Fisk that following his upcoming start in Boston, Seaver's next scheduled start would be in New York, and that the possibility existed that he might achieve the mark there. Fisk emphatically stated that Seaver would win in Boston, and then would win his 300th.  On August 4, 1985, Seaver recorded his 300th victory at Yankee Stadium against the Yankees, throwing a complete game 4-1 victory. Don Baylor was the tying run at the plate; he hit a fly ball to left field for the final out of the game. Coincidentally, it was Phil Rizzuto Day - Seaver would later become Rizzuto's broadcast partner for Yankee games. Lindsey Nelson, a Mets radio and TV announcer during Seaver's Mets days, called the final out for Yankees TV flagship WPIX. CANNOTANSWER

Question: How many consecutive strikeouts did Tom Seaver have, after Chicago and last shutout against visiting Indians?
Answer: Seaver won two games on May 9, 1984;
Tom Seaver

Context: Seaver and the Mets were stunned on January 20, 1984 when he was claimed in a free-agent compensation draft by the Chicago White Sox. The team (especially GM Frank Cashen) had incorrectly assumed that no one would pursue a high-salaried, 39-year-old starting pitcher, and left him off the protected list. Faced with either reporting to the White Sox or retiring, Seaver chose the former. The result for the Mets was an opening in the starting rotation that allowed Dwight Gooden to be part of the team.  Seaver pitched two and a half seasons in Chicago and recorded his last shutout on July 19, 1985 against the visiting Indians. In an anomaly, Seaver won two games on May 9, 1984; he pitched the 25th and final inning of a game suspended the day before, picking up the win in relief against the Milwaukee Brewers, before starting and winning the day's regularly scheduled game, also facing the Brewers.  After Seaver's 298th win, a reporter had pointed out to White Sox catcher Carlton Fisk that following his upcoming start in Boston, Seaver's next scheduled start would be in New York, and that the possibility existed that he might achieve the mark there. Fisk emphatically stated that Seaver would win in Boston, and then would win his 300th.  On August 4, 1985, Seaver recorded his 300th victory at Yankee Stadium against the Yankees, throwing a complete game 4-1 victory. Don Baylor was the tying run at the plate; he hit a fly ball to left field for the final out of the game. Coincidentally, it was Phil Rizzuto Day - Seaver would later become Rizzuto's broadcast partner for Yankee games. Lindsey Nelson, a Mets radio and TV announcer during Seaver's Mets days, called the final out for Yankees TV flagship WPIX. CANNOTANSWER

Question: Who was Tom Seaver compared to?
Answer: CANNOTANSWER
From First to Last

Context: The band went to Radio Star Studios in Weed, California to record their second album, produced by Ross Robinson. As their previous bassist Weisberg had been formally asked to leave the band due to internal conflicts, producer Ross Robinson asked Wes Borland, former Limp Bizkit guitarist, to play bass on the album. Borland later played several tours with the band. The album was released on March 21, 2006. It opened on the Billboard albums chart at No. 25, with first-week sales of over 33,000. Shortly thereafter in April, they signed to major label Capitol Records after bidding between that label and Warner Bros..  From mid March to mid May the band toured alongside Fall Out Boy, Hawthorne Heights and The All-American Rejects for the "Black Clouds and Underdogs Tour" in support of their release Heroine.  FFTL then did a short European Tour with various bands. The band then played several dates on the 2006 Vans Warped Tour, but were forced to drop out due to surgical removal of a nodule on Moore's vocal cords. He received his second nodule surgery in early July (his first being in May 2005). Following his recovery, From First to Last went out on the "World Championship Tour" supporting Atreyu along with Every Time I Die and Chiodos. While on that tour, Moore once again had vocal cord problems and had to leave the tour. The band had planned to have guitarists Good and Richter cover Moore's vocal duties for the duration of the tour until singer of Chiodos, Craig Owens, insisted that he provide lead vocals for their sets. Atreyu eventually forced From First to Last to drop the tour. The band later explained, "Our plan to enable us to play the rest of the tour was disregarded and as our crew was setting up for the show in Worcester, MA we were informed that we were being kicked off of the tour. Understand that it was not our choice to leave this tour... we were forced to leave." Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour."  Borland toured with From First To Last roughly since early 2006. He announced plans for a Fall 2006 tour that never went through due to Black Light Burns needing to find a new record label after Borland left Geffen Records. Borland has discussed plans to write and perform on the next From First To Last album, but he left the band due to Black Light Burns' busy schedule started to pick up, leaving no room for work with From First to Last. CANNOTANSWER

Question: When was heroine released?
Answer: The album was released on March 21, 2006.
From First to Last

Context: The band went to Radio Star Studios in Weed, California to record their second album, produced by Ross Robinson. As their previous bassist Weisberg had been formally asked to leave the band due to internal conflicts, producer Ross Robinson asked Wes Borland, former Limp Bizkit guitarist, to play bass on the album. Borland later played several tours with the band. The album was released on March 21, 2006. It opened on the Billboard albums chart at No. 25, with first-week sales of over 33,000. Shortly thereafter in April, they signed to major label Capitol Records after bidding between that label and Warner Bros..  From mid March to mid May the band toured alongside Fall Out Boy, Hawthorne Heights and The All-American Rejects for the "Black Clouds and Underdogs Tour" in support of their release Heroine.  FFTL then did a short European Tour with various bands. The band then played several dates on the 2006 Vans Warped Tour, but were forced to drop out due to surgical removal of a nodule on Moore's vocal cords. He received his second nodule surgery in early July (his first being in May 2005). Following his recovery, From First to Last went out on the "World Championship Tour" supporting Atreyu along with Every Time I Die and Chiodos. While on that tour, Moore once again had vocal cord problems and had to leave the tour. The band had planned to have guitarists Good and Richter cover Moore's vocal duties for the duration of the tour until singer of Chiodos, Craig Owens, insisted that he provide lead vocals for their sets. Atreyu eventually forced From First to Last to drop the tour. The band later explained, "Our plan to enable us to play the rest of the tour was disregarded and as our crew was setting up for the show in Worcester, MA we were informed that we were being kicked off of the tour. Understand that it was not our choice to leave this tour... we were forced to leave." Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour."  Borland toured with From First To Last roughly since early 2006. He announced plans for a Fall 2006 tour that never went through due to Black Light Burns needing to find a new record label after Borland left Geffen Records. Borland has discussed plans to write and perform on the next From First To Last album, but he left the band due to Black Light Burns' busy schedule started to pick up, leaving no room for work with From First to Last. CANNOTANSWER

Question: What songs were on the "Heroine" album?
Answer: CANNOTANSWER
From First to Last

Context: The band went to Radio Star Studios in Weed, California to record their second album, produced by Ross Robinson. As their previous bassist Weisberg had been formally asked to leave the band due to internal conflicts, producer Ross Robinson asked Wes Borland, former Limp Bizkit guitarist, to play bass on the album. Borland later played several tours with the band. The album was released on March 21, 2006. It opened on the Billboard albums chart at No. 25, with first-week sales of over 33,000. Shortly thereafter in April, they signed to major label Capitol Records after bidding between that label and Warner Bros..  From mid March to mid May the band toured alongside Fall Out Boy, Hawthorne Heights and The All-American Rejects for the "Black Clouds and Underdogs Tour" in support of their release Heroine.  FFTL then did a short European Tour with various bands. The band then played several dates on the 2006 Vans Warped Tour, but were forced to drop out due to surgical removal of a nodule on Moore's vocal cords. He received his second nodule surgery in early July (his first being in May 2005). Following his recovery, From First to Last went out on the "World Championship Tour" supporting Atreyu along with Every Time I Die and Chiodos. While on that tour, Moore once again had vocal cord problems and had to leave the tour. The band had planned to have guitarists Good and Richter cover Moore's vocal duties for the duration of the tour until singer of Chiodos, Craig Owens, insisted that he provide lead vocals for their sets. Atreyu eventually forced From First to Last to drop the tour. The band later explained, "Our plan to enable us to play the rest of the tour was disregarded and as our crew was setting up for the show in Worcester, MA we were informed that we were being kicked off of the tour. Understand that it was not our choice to leave this tour... we were forced to leave." Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour."  Borland toured with From First To Last roughly since early 2006. He announced plans for a Fall 2006 tour that never went through due to Black Light Burns needing to find a new record label after Borland left Geffen Records. Borland has discussed plans to write and perform on the next From First To Last album, but he left the band due to Black Light Burns' busy schedule started to pick up, leaving no room for work with From First to Last. CANNOTANSWER

Question: Was the "Heroine" album successful?
Answer: It opened on the Billboard albums chart at No. 25, with first-week sales of over 33,000.
From First to Last

Context: The band went to Radio Star Studios in Weed, California to record their second album, produced by Ross Robinson. As their previous bassist Weisberg had been formally asked to leave the band due to internal conflicts, producer Ross Robinson asked Wes Borland, former Limp Bizkit guitarist, to play bass on the album. Borland later played several tours with the band. The album was released on March 21, 2006. It opened on the Billboard albums chart at No. 25, with first-week sales of over 33,000. Shortly thereafter in April, they signed to major label Capitol Records after bidding between that label and Warner Bros..  From mid March to mid May the band toured alongside Fall Out Boy, Hawthorne Heights and The All-American Rejects for the "Black Clouds and Underdogs Tour" in support of their release Heroine.  FFTL then did a short European Tour with various bands. The band then played several dates on the 2006 Vans Warped Tour, but were forced to drop out due to surgical removal of a nodule on Moore's vocal cords. He received his second nodule surgery in early July (his first being in May 2005). Following his recovery, From First to Last went out on the "World Championship Tour" supporting Atreyu along with Every Time I Die and Chiodos. While on that tour, Moore once again had vocal cord problems and had to leave the tour. The band had planned to have guitarists Good and Richter cover Moore's vocal duties for the duration of the tour until singer of Chiodos, Craig Owens, insisted that he provide lead vocals for their sets. Atreyu eventually forced From First to Last to drop the tour. The band later explained, "Our plan to enable us to play the rest of the tour was disregarded and as our crew was setting up for the show in Worcester, MA we were informed that we were being kicked off of the tour. Understand that it was not our choice to leave this tour... we were forced to leave." Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour."  Borland toured with From First To Last roughly since early 2006. He announced plans for a Fall 2006 tour that never went through due to Black Light Burns needing to find a new record label after Borland left Geffen Records. Borland has discussed plans to write and perform on the next From First To Last album, but he left the band due to Black Light Burns' busy schedule started to pick up, leaving no room for work with From First to Last. CANNOTANSWER

Question: What band members worked on the "Heroine" album?
Answer: producer Ross Robinson asked Wes Borland, former Limp Bizkit guitarist, to play bass on the album.
From First to Last

Context: The band went to Radio Star Studios in Weed, California to record their second album, produced by Ross Robinson. As their previous bassist Weisberg had been formally asked to leave the band due to internal conflicts, producer Ross Robinson asked Wes Borland, former Limp Bizkit guitarist, to play bass on the album. Borland later played several tours with the band. The album was released on March 21, 2006. It opened on the Billboard albums chart at No. 25, with first-week sales of over 33,000. Shortly thereafter in April, they signed to major label Capitol Records after bidding between that label and Warner Bros..  From mid March to mid May the band toured alongside Fall Out Boy, Hawthorne Heights and The All-American Rejects for the "Black Clouds and Underdogs Tour" in support of their release Heroine.  FFTL then did a short European Tour with various bands. The band then played several dates on the 2006 Vans Warped Tour, but were forced to drop out due to surgical removal of a nodule on Moore's vocal cords. He received his second nodule surgery in early July (his first being in May 2005). Following his recovery, From First to Last went out on the "World Championship Tour" supporting Atreyu along with Every Time I Die and Chiodos. While on that tour, Moore once again had vocal cord problems and had to leave the tour. The band had planned to have guitarists Good and Richter cover Moore's vocal duties for the duration of the tour until singer of Chiodos, Craig Owens, insisted that he provide lead vocals for their sets. Atreyu eventually forced From First to Last to drop the tour. The band later explained, "Our plan to enable us to play the rest of the tour was disregarded and as our crew was setting up for the show in Worcester, MA we were informed that we were being kicked off of the tour. Understand that it was not our choice to leave this tour... we were forced to leave." Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour."  Borland toured with From First To Last roughly since early 2006. He announced plans for a Fall 2006 tour that never went through due to Black Light Burns needing to find a new record label after Borland left Geffen Records. Borland has discussed plans to write and perform on the next From First To Last album, but he left the band due to Black Light Burns' busy schedule started to pick up, leaving no room for work with From First to Last. CANNOTANSWER

Question: What other band members were included in the production besides Wes Borland?
Answer: The band had planned to have guitarists Good and Richter cover Moore's vocal duties
From First to Last

Context: The band went to Radio Star Studios in Weed, California to record their second album, produced by Ross Robinson. As their previous bassist Weisberg had been formally asked to leave the band due to internal conflicts, producer Ross Robinson asked Wes Borland, former Limp Bizkit guitarist, to play bass on the album. Borland later played several tours with the band. The album was released on March 21, 2006. It opened on the Billboard albums chart at No. 25, with first-week sales of over 33,000. Shortly thereafter in April, they signed to major label Capitol Records after bidding between that label and Warner Bros..  From mid March to mid May the band toured alongside Fall Out Boy, Hawthorne Heights and The All-American Rejects for the "Black Clouds and Underdogs Tour" in support of their release Heroine.  FFTL then did a short European Tour with various bands. The band then played several dates on the 2006 Vans Warped Tour, but were forced to drop out due to surgical removal of a nodule on Moore's vocal cords. He received his second nodule surgery in early July (his first being in May 2005). Following his recovery, From First to Last went out on the "World Championship Tour" supporting Atreyu along with Every Time I Die and Chiodos. While on that tour, Moore once again had vocal cord problems and had to leave the tour. The band had planned to have guitarists Good and Richter cover Moore's vocal duties for the duration of the tour until singer of Chiodos, Craig Owens, insisted that he provide lead vocals for their sets. Atreyu eventually forced From First to Last to drop the tour. The band later explained, "Our plan to enable us to play the rest of the tour was disregarded and as our crew was setting up for the show in Worcester, MA we were informed that we were being kicked off of the tour. Understand that it was not our choice to leave this tour... we were forced to leave." Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour."  Borland toured with From First To Last roughly since early 2006. He announced plans for a Fall 2006 tour that never went through due to Black Light Burns needing to find a new record label after Borland left Geffen Records. Borland has discussed plans to write and perform on the next From First To Last album, but he left the band due to Black Light Burns' busy schedule started to pick up, leaving no room for work with From First to Last. CANNOTANSWER

Question: Did From First to Last perform any shows?
Answer: The band then played several dates on the 2006 Vans Warped Tour, but were forced to drop out due to surgical removal of a nodule on Moore's vocal cords.
From First to Last

Context: The band went to Radio Star Studios in Weed, California to record their second album, produced by Ross Robinson. As their previous bassist Weisberg had been formally asked to leave the band due to internal conflicts, producer Ross Robinson asked Wes Borland, former Limp Bizkit guitarist, to play bass on the album. Borland later played several tours with the band. The album was released on March 21, 2006. It opened on the Billboard albums chart at No. 25, with first-week sales of over 33,000. Shortly thereafter in April, they signed to major label Capitol Records after bidding between that label and Warner Bros..  From mid March to mid May the band toured alongside Fall Out Boy, Hawthorne Heights and The All-American Rejects for the "Black Clouds and Underdogs Tour" in support of their release Heroine.  FFTL then did a short European Tour with various bands. The band then played several dates on the 2006 Vans Warped Tour, but were forced to drop out due to surgical removal of a nodule on Moore's vocal cords. He received his second nodule surgery in early July (his first being in May 2005). Following his recovery, From First to Last went out on the "World Championship Tour" supporting Atreyu along with Every Time I Die and Chiodos. While on that tour, Moore once again had vocal cord problems and had to leave the tour. The band had planned to have guitarists Good and Richter cover Moore's vocal duties for the duration of the tour until singer of Chiodos, Craig Owens, insisted that he provide lead vocals for their sets. Atreyu eventually forced From First to Last to drop the tour. The band later explained, "Our plan to enable us to play the rest of the tour was disregarded and as our crew was setting up for the show in Worcester, MA we were informed that we were being kicked off of the tour. Understand that it was not our choice to leave this tour... we were forced to leave." Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour."  Borland toured with From First To Last roughly since early 2006. He announced plans for a Fall 2006 tour that never went through due to Black Light Burns needing to find a new record label after Borland left Geffen Records. Borland has discussed plans to write and perform on the next From First To Last album, but he left the band due to Black Light Burns' busy schedule started to pick up, leaving no room for work with From First to Last. CANNOTANSWER

Question: Did From First to Last perform at any other venues besides the 2006 Vans Warped Tour?
Answer: Atreyu then returned a statement about the controversy concerning From First to Last's departure, saying, "They couldn't perform as FFTL and are no longer on this tour."
Captain Marvel (DC Comics)

Context: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries. In 1987, Captain Marvel appeared as a member of the Justice League in Keith Giffen's and J. M. DeMatteis' relaunch of that title. That same year (spinning off from Legends), he was given his own miniseries titled Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story. Roy Thomas, a veteran comic book writer and editor, had been lured from Marvel Comics to DC in 1981 with the specific contractual obligation that he would become the main writer of Shazam! and the Justice Society of America characters. Before the Crisis, Thomas wrote several of the DC Comics Presents stories featuring the Marvel Family.  The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities.  This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988), in which a Neo-Nazi version of Captain Mazi was introduced. At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold well and multiple artists were assigned to and worked on the book, it never saw publication due to editorial disputes between DC Comics and Roy Thomas. As a result, Thomas' intended revival of the Marvel Family with a new punk-styled Mary Bromfield/Mary Marvel (aka "Spike") who was not Billy's sister, and an African-American take on Freddy Freeman/Captain Marvel Jr., did not see print. Thomas departed DC in 1989, not long after his removal from the Shazam! project.  Other attempts at reviving Shazam! were initiated over the next three years, including a reboot project by John Byrne, illustrator of Legends and writer/artist on the Superman reboot miniseries The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the Wizard Shazam, and Black Adam did appear in DC's War of the Gods miniseries in 1991. By this time, DC had finally ceased the fee-per-use licensing agreement with Fawcett Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters. CANNOTANSWER

Question: What happened to Captain Marvel in the late 1980s?
Answer: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries.
Captain Marvel (DC Comics)

Context: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries. In 1987, Captain Marvel appeared as a member of the Justice League in Keith Giffen's and J. M. DeMatteis' relaunch of that title. That same year (spinning off from Legends), he was given his own miniseries titled Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story. Roy Thomas, a veteran comic book writer and editor, had been lured from Marvel Comics to DC in 1981 with the specific contractual obligation that he would become the main writer of Shazam! and the Justice Society of America characters. Before the Crisis, Thomas wrote several of the DC Comics Presents stories featuring the Marvel Family.  The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities.  This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988), in which a Neo-Nazi version of Captain Mazi was introduced. At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold well and multiple artists were assigned to and worked on the book, it never saw publication due to editorial disputes between DC Comics and Roy Thomas. As a result, Thomas' intended revival of the Marvel Family with a new punk-styled Mary Bromfield/Mary Marvel (aka "Spike") who was not Billy's sister, and an African-American take on Freddy Freeman/Captain Marvel Jr., did not see print. Thomas departed DC in 1989, not long after his removal from the Shazam! project.  Other attempts at reviving Shazam! were initiated over the next three years, including a reboot project by John Byrne, illustrator of Legends and writer/artist on the Superman reboot miniseries The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the Wizard Shazam, and Black Adam did appear in DC's War of the Gods miniseries in 1991. By this time, DC had finally ceased the fee-per-use licensing agreement with Fawcett Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters. CANNOTANSWER

Question: What did Captain Marvel do in the Legends miniseries?
Answer: re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story.
Captain Marvel (DC Comics)

Context: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries. In 1987, Captain Marvel appeared as a member of the Justice League in Keith Giffen's and J. M. DeMatteis' relaunch of that title. That same year (spinning off from Legends), he was given his own miniseries titled Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story. Roy Thomas, a veteran comic book writer and editor, had been lured from Marvel Comics to DC in 1981 with the specific contractual obligation that he would become the main writer of Shazam! and the Justice Society of America characters. Before the Crisis, Thomas wrote several of the DC Comics Presents stories featuring the Marvel Family.  The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities.  This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988), in which a Neo-Nazi version of Captain Mazi was introduced. At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold well and multiple artists were assigned to and worked on the book, it never saw publication due to editorial disputes between DC Comics and Roy Thomas. As a result, Thomas' intended revival of the Marvel Family with a new punk-styled Mary Bromfield/Mary Marvel (aka "Spike") who was not Billy's sister, and an African-American take on Freddy Freeman/Captain Marvel Jr., did not see print. Thomas departed DC in 1989, not long after his removal from the Shazam! project.  Other attempts at reviving Shazam! were initiated over the next three years, including a reboot project by John Byrne, illustrator of Legends and writer/artist on the Superman reboot miniseries The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the Wizard Shazam, and Black Adam did appear in DC's War of the Gods miniseries in 1991. By this time, DC had finally ceased the fee-per-use licensing agreement with Fawcett Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters. CANNOTANSWER

Question: Besides relaunching the Captain Marvel mythos, what else did Captain Marvel do after the Legends miniseries?
Answer: Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain.
Captain Marvel (DC Comics)

Context: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries. In 1987, Captain Marvel appeared as a member of the Justice League in Keith Giffen's and J. M. DeMatteis' relaunch of that title. That same year (spinning off from Legends), he was given his own miniseries titled Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story. Roy Thomas, a veteran comic book writer and editor, had been lured from Marvel Comics to DC in 1981 with the specific contractual obligation that he would become the main writer of Shazam! and the Justice Society of America characters. Before the Crisis, Thomas wrote several of the DC Comics Presents stories featuring the Marvel Family.  The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities.  This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988), in which a Neo-Nazi version of Captain Mazi was introduced. At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold well and multiple artists were assigned to and worked on the book, it never saw publication due to editorial disputes between DC Comics and Roy Thomas. As a result, Thomas' intended revival of the Marvel Family with a new punk-styled Mary Bromfield/Mary Marvel (aka "Spike") who was not Billy's sister, and an African-American take on Freddy Freeman/Captain Marvel Jr., did not see print. Thomas departed DC in 1989, not long after his removal from the Shazam! project.  Other attempts at reviving Shazam! were initiated over the next three years, including a reboot project by John Byrne, illustrator of Legends and writer/artist on the Superman reboot miniseries The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the Wizard Shazam, and Black Adam did appear in DC's War of the Gods miniseries in 1991. By this time, DC had finally ceased the fee-per-use licensing agreement with Fawcett Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters. CANNOTANSWER

Question: Does the Billy Batson character get developed in the 1980s?
Answer: This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction
Captain Marvel (DC Comics)

Context: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries. In 1987, Captain Marvel appeared as a member of the Justice League in Keith Giffen's and J. M. DeMatteis' relaunch of that title. That same year (spinning off from Legends), he was given his own miniseries titled Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story. Roy Thomas, a veteran comic book writer and editor, had been lured from Marvel Comics to DC in 1981 with the specific contractual obligation that he would become the main writer of Shazam! and the Justice Society of America characters. Before the Crisis, Thomas wrote several of the DC Comics Presents stories featuring the Marvel Family.  The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities.  This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988), in which a Neo-Nazi version of Captain Mazi was introduced. At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold well and multiple artists were assigned to and worked on the book, it never saw publication due to editorial disputes between DC Comics and Roy Thomas. As a result, Thomas' intended revival of the Marvel Family with a new punk-styled Mary Bromfield/Mary Marvel (aka "Spike") who was not Billy's sister, and an African-American take on Freddy Freeman/Captain Marvel Jr., did not see print. Thomas departed DC in 1989, not long after his removal from the Shazam! project.  Other attempts at reviving Shazam! were initiated over the next three years, including a reboot project by John Byrne, illustrator of Legends and writer/artist on the Superman reboot miniseries The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the Wizard Shazam, and Black Adam did appear in DC's War of the Gods miniseries in 1991. By this time, DC had finally ceased the fee-per-use licensing agreement with Fawcett Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters. CANNOTANSWER

Question: What was the traditional depiction of Billy Batson?
Answer: instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities.
Captain Marvel (DC Comics)

Context: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries. In 1987, Captain Marvel appeared as a member of the Justice League in Keith Giffen's and J. M. DeMatteis' relaunch of that title. That same year (spinning off from Legends), he was given his own miniseries titled Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story. Roy Thomas, a veteran comic book writer and editor, had been lured from Marvel Comics to DC in 1981 with the specific contractual obligation that he would become the main writer of Shazam! and the Justice Society of America characters. Before the Crisis, Thomas wrote several of the DC Comics Presents stories featuring the Marvel Family.  The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities.  This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988), in which a Neo-Nazi version of Captain Mazi was introduced. At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold well and multiple artists were assigned to and worked on the book, it never saw publication due to editorial disputes between DC Comics and Roy Thomas. As a result, Thomas' intended revival of the Marvel Family with a new punk-styled Mary Bromfield/Mary Marvel (aka "Spike") who was not Billy's sister, and an African-American take on Freddy Freeman/Captain Marvel Jr., did not see print. Thomas departed DC in 1989, not long after his removal from the Shazam! project.  Other attempts at reviving Shazam! were initiated over the next three years, including a reboot project by John Byrne, illustrator of Legends and writer/artist on the Superman reboot miniseries The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the Wizard Shazam, and Black Adam did appear in DC's War of the Gods miniseries in 1991. By this time, DC had finally ceased the fee-per-use licensing agreement with Fawcett Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters. CANNOTANSWER

Question: Besides the traditional depiction of Batson, did anything else happen for Captain Marvel in the late 1980s?
Answer: This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988),
Captain Marvel (DC Comics)

Context: The first post-Crisis appearance of Captain Marvel was in the 1986 Legends miniseries. In 1987, Captain Marvel appeared as a member of the Justice League in Keith Giffen's and J. M. DeMatteis' relaunch of that title. That same year (spinning off from Legends), he was given his own miniseries titled Shazam!: The New Beginning. With this four-issue miniseries, writers Roy and Dann Thomas and artist Tom Mandrake attempted to re-launch the Captain Marvel mythos and bring the wizard Shazam, Dr. Sivana, Uncle Dudley, and Black Adam into the modern DC Universe with an altered origin story. Roy Thomas, a veteran comic book writer and editor, had been lured from Marvel Comics to DC in 1981 with the specific contractual obligation that he would become the main writer of Shazam! and the Justice Society of America characters. Before the Crisis, Thomas wrote several of the DC Comics Presents stories featuring the Marvel Family.  The most notable change that the Thomases, Giffen, and DeMatteis introduced into the Captain Marvel mythos was that the personality of young Billy Batson is retained when he transforms into the Captain. This change would remain for most future uses of the character as justification for his sunny, Golden-Age personality in the darker modern-day comic book world, instead of the traditional depiction used prior to 1986, which tended to treat Captain Marvel and Billy as two separate personalities.  This revised version of Captain Marvel also appeared in one story-arc featured in the short-lived anthology Action Comics Weekly #623-626 (October 25, 1988 - November 15, 1988), in which a Neo-Nazi version of Captain Mazi was introduced. At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold well and multiple artists were assigned to and worked on the book, it never saw publication due to editorial disputes between DC Comics and Roy Thomas. As a result, Thomas' intended revival of the Marvel Family with a new punk-styled Mary Bromfield/Mary Marvel (aka "Spike") who was not Billy's sister, and an African-American take on Freddy Freeman/Captain Marvel Jr., did not see print. Thomas departed DC in 1989, not long after his removal from the Shazam! project.  Other attempts at reviving Shazam! were initiated over the next three years, including a reboot project by John Byrne, illustrator of Legends and writer/artist on the Superman reboot miniseries The Man of Steel (1986). None of these versions saw print, though Captain Marvel, the Wizard Shazam, and Black Adam did appear in DC's War of the Gods miniseries in 1991. By this time, DC had finally ceased the fee-per-use licensing agreement with Fawcett Publications and purchased the full rights to Captain Marvel and the other Fawcett Comics characters. CANNOTANSWER

Question: Besides Captain Marvel,was there any other comic books of Captain Marvel in the 1980s?
Answer: At the end of the arc, it was announced that this would lead to a new Shazam! ongoing series. Though New Beginning had sold
The Drew Carey Show

Context: The show finished its first season (1995-1996) barely in the Top 50, placing 48th in the Nielsen ratings, with an average rating of 10.1. The second season did considerably better, making it into the Top 20 finishing its second season (1996-1997) 18th in the Nielsen ratings with an average rating of 11.5. Viewership increased 13.9% from season one.  The show finished its third season (1997-1998) at a higher place in the ratings, placing 16th with an average rating of 11.1 during the season; however, the ratings share was a drop of 3.5% from the second season. During its fourth season (1998-1999), the series finished the season in the Nielsen ratings higher in the Top 20 making it to 14th place but with an average rating of 9.9, a decrease of 10.8% from the third season.  The show finished its fifth season (1999-2000) 24th in the Nielsen ratings, the first time since season one that the show was not in the Top 20, with an average rating of 9.5, a decrease of 4% from the fourth season. This was a smaller drop than many other series experienced, given the erosion of network audiences. This was also a smaller drop than the previous season. The show's sixth season (2000-2001) finished 41st with an average rating of 8.23, a decrease of 13.4 percent from the fifth season.  ABC signed a new contract to keep the show on through a ninth season, even though the show had yet to enter its seventh season (2001-2002) at that time. The season saw one of the show's biggest drops in ratings, finishing 57th with an average rating of 5.9, a significant drop of 28.3% from the sixth season. The show finished its eighth season (2002-2003) season 119th with an average rating of 3.29, a drop of 44.23 percent from the seventh season. This caused ABC to put the series on hiatus, airing the rest of the season in the summer of 2003. Unable to get out of the contract, ABC was forced to allow the show to film a ninth season, paying three million dollars per episode. Not doing well enough to receive a time slot on ABC's fall schedule in 2003, the show had its ninth and final season burned off during the summer of 2004. The series finale was viewed by a little over 5 million viewers. CANNOTANSWER

Question: Did The Drew Carey Show have good ratings in the beginning?
Answer: The show finished its first season (1995-1996) barely in the Top 50, placing 48th in the Nielsen ratings, with an average rating of 10.1.