gaussalgo/Canard_Wiki-augmented huggingface dataset:
Stephen E. Ambrose

Context: In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book.  Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense:  I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation.  I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from.  A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose. CANNOTANSWER

Question: Did Stephen E. Ambrose get in trouble for plagiarizing?
Answer: CANNOTANSWER
Stephen E. Ambrose

Context: In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book.  Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense:  I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation.  I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from.  A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose. CANNOTANSWER

Question: Did Stephen E. Ambrose plagiarize any other times other than in his book The Wild Blue?
Answer: A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation.
Stephen E. Ambrose

Context: In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book.  Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense:  I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation.  I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from.  A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose. CANNOTANSWER

Question: Were there any consequences the Forbes investigation of Stephen E. Ambrose's work which found cases of plagiarism?
Answer: CANNOTANSWER
Stephen E. Ambrose

Context: In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book.  Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense:  I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation.  I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from.  A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose. CANNOTANSWER

Question: Are there any other interesting aspects about Stephen E. Ambrose other than the Forbes investigation?
Answer: Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning:
Stephen E. Ambrose

Context: In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book.  Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense:  I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation.  I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from.  A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose. CANNOTANSWER

Question: Who was Fred Barnes that reported Stephen E. Ambrose's plagiarism in Wings of Morning?
Answer: Fred Barnes reported in The Weekly Standard
Stephen E. Ambrose

Context: In 2002, Ambrose was accused of plagiarizing several passages in his book The Wild Blue. Fred Barnes reported in The Weekly Standard that Ambrose had taken passages from Wings of Morning: The Story of the Last American Bomber Shot Down over Germany in World War II, by Thomas Childers, a history professor at the University of Pennsylvania. Ambrose had footnoted sources, but had not enclosed in quotation marks numerous passages from Childers's book.  Ambrose asserted that only a few sentences in all his numerous books were the work of other authors. He offered this defense:  I tell stories. I don't discuss my documents. I discuss the story. It almost gets to the point where, how much is the reader going to take? I am not writing a Ph.D. dissertation.  I wish I had put the quotation marks in, but I didn't. I am not out there stealing other people's writings. If I am writing up a passage and it is a story I want to tell and this story fits and a part of it is from other people's writing, I just type it up that way and put it in a footnote. I just want to know where the hell it came from.  A Forbes investigation of his work found cases of plagiarism involving passages in at least six books, with a similar pattern going all the way back to his doctoral dissertation. The History News Network lists seven of Ambrose's more than 40 works--The Wild Blue, Undaunted Courage, Nothing Like It In the World, Nixon: Ruin and Recovery, Citizen Soldiers, The Supreme Commander, and Crazy Horse and Custer--contained content from twelve authors without appropriate attribution from Ambrose. CANNOTANSWER

Question: Anything else interesting about Stephen E. Ambrose other than what Fred Barnes reported in The Weekly Standard?
Answer: Ambrose asserted that only a few sentences in all his numerous books were the work of other authors.
Ramzan Kadyrov

Context: In 2006, the production of Chechnya's industry increased by 11.9%. In 2007, the rate of growth was 26.4%.  In February 2010, head of the British delegation of the Human Rights Group Lord Judd, formerly "bitterly critical of the Russian authorities for the situation in Chechnya", pointed out a striking change for the better in the Russian North Caucasus republic. Judd said that changes which occurred since his visit as a member of PACE delegation in 2000 were "so overwhelming that sometimes you forget about what happened here until quite recently".  According to a 2016 report by Russian opposition leader Ilya Yashin, Kadyrov collected enormous wealth, primarily through theft of federal subsidies for Chechnya. Between 2001 and 2014 Chechnya has received over 464 billion roubles in subsidies, grants and donations with federal subsidies accounting for 80% of the republic's budget (and this does not include funds allocated for infrastructure managed at federal level such as roads). However, the administration of Chechnya is being criticized for spending public funds for their personal benefit--in 2010 Dmitry Medvedev noted that "federal funds often do not reach people; we know where they disappear; it is obvious-they are being stolen". For example, the fleet of official vehicles in Chechnya accounts for half of all official vehicles in all Northern Caucasus republics. Public funds are being funnelled through Akhmad Kadyrov Foundation, which--while being registered as a charity--has never produced or published any financial reports as required by Russian law. These violations are ignored by Russian Ministry of Justice, which in many cases has enforced them very strictly against other charities. The foundation operates a building company that services most of the publicly procured infrastructure projects in the republic and also collects a fee from all working citizens of Chechnya, ranging from 10 to 30% of their earnings, raising 3-4 billion roubles per year this way. Kadyrov himself declares annual income of 4.84 million roubles (2015), which is inconsistent with his lavish life-style, luxury vehicles, watches, race horses and mansions. CANNOTANSWER

Question: What was Ramzan Kadyrov and the chechen recovery?
Answer: In 2006, the production of Chechnya's industry increased by 11.9%. In 2007, the rate of growth was 26.4%.
Ramzan Kadyrov

Context: In 2006, the production of Chechnya's industry increased by 11.9%. In 2007, the rate of growth was 26.4%.  In February 2010, head of the British delegation of the Human Rights Group Lord Judd, formerly "bitterly critical of the Russian authorities for the situation in Chechnya", pointed out a striking change for the better in the Russian North Caucasus republic. Judd said that changes which occurred since his visit as a member of PACE delegation in 2000 were "so overwhelming that sometimes you forget about what happened here until quite recently".  According to a 2016 report by Russian opposition leader Ilya Yashin, Kadyrov collected enormous wealth, primarily through theft of federal subsidies for Chechnya. Between 2001 and 2014 Chechnya has received over 464 billion roubles in subsidies, grants and donations with federal subsidies accounting for 80% of the republic's budget (and this does not include funds allocated for infrastructure managed at federal level such as roads). However, the administration of Chechnya is being criticized for spending public funds for their personal benefit--in 2010 Dmitry Medvedev noted that "federal funds often do not reach people; we know where they disappear; it is obvious-they are being stolen". For example, the fleet of official vehicles in Chechnya accounts for half of all official vehicles in all Northern Caucasus republics. Public funds are being funnelled through Akhmad Kadyrov Foundation, which--while being registered as a charity--has never produced or published any financial reports as required by Russian law. These violations are ignored by Russian Ministry of Justice, which in many cases has enforced them very strictly against other charities. The foundation operates a building company that services most of the publicly procured infrastructure projects in the republic and also collects a fee from all working citizens of Chechnya, ranging from 10 to 30% of their earnings, raising 3-4 billion roubles per year this way. Kadyrov himself declares annual income of 4.84 million roubles (2015), which is inconsistent with his lavish life-style, luxury vehicles, watches, race horses and mansions. CANNOTANSWER

Question: What caused the increase of production in Chechnya's industry in 2006 and 2007?
Answer: According to a 2016 report by Russian opposition leader Ilya Yashin, Kadyrov collected enormous wealth, primarily through theft of federal subsidies for Chechnya.
Ramzan Kadyrov

Context: In 2006, the production of Chechnya's industry increased by 11.9%. In 2007, the rate of growth was 26.4%.  In February 2010, head of the British delegation of the Human Rights Group Lord Judd, formerly "bitterly critical of the Russian authorities for the situation in Chechnya", pointed out a striking change for the better in the Russian North Caucasus republic. Judd said that changes which occurred since his visit as a member of PACE delegation in 2000 were "so overwhelming that sometimes you forget about what happened here until quite recently".  According to a 2016 report by Russian opposition leader Ilya Yashin, Kadyrov collected enormous wealth, primarily through theft of federal subsidies for Chechnya. Between 2001 and 2014 Chechnya has received over 464 billion roubles in subsidies, grants and donations with federal subsidies accounting for 80% of the republic's budget (and this does not include funds allocated for infrastructure managed at federal level such as roads). However, the administration of Chechnya is being criticized for spending public funds for their personal benefit--in 2010 Dmitry Medvedev noted that "federal funds often do not reach people; we know where they disappear; it is obvious-they are being stolen". For example, the fleet of official vehicles in Chechnya accounts for half of all official vehicles in all Northern Caucasus republics. Public funds are being funnelled through Akhmad Kadyrov Foundation, which--while being registered as a charity--has never produced or published any financial reports as required by Russian law. These violations are ignored by Russian Ministry of Justice, which in many cases has enforced them very strictly against other charities. The foundation operates a building company that services most of the publicly procured infrastructure projects in the republic and also collects a fee from all working citizens of Chechnya, ranging from 10 to 30% of their earnings, raising 3-4 billion roubles per year this way. Kadyrov himself declares annual income of 4.84 million roubles (2015), which is inconsistent with his lavish life-style, luxury vehicles, watches, race horses and mansions. CANNOTANSWER

Question: Was anyone ever arrested in relation to Ramzan Kadyrov's accusation of collecting wealth through theft of federal subsidies?
Answer: These violations are ignored by Russian Ministry of Justice, which in many cases has enforced them very strictly against other charities.
Ramzan Kadyrov

Context: In 2006, the production of Chechnya's industry increased by 11.9%. In 2007, the rate of growth was 26.4%.  In February 2010, head of the British delegation of the Human Rights Group Lord Judd, formerly "bitterly critical of the Russian authorities for the situation in Chechnya", pointed out a striking change for the better in the Russian North Caucasus republic. Judd said that changes which occurred since his visit as a member of PACE delegation in 2000 were "so overwhelming that sometimes you forget about what happened here until quite recently".  According to a 2016 report by Russian opposition leader Ilya Yashin, Kadyrov collected enormous wealth, primarily through theft of federal subsidies for Chechnya. Between 2001 and 2014 Chechnya has received over 464 billion roubles in subsidies, grants and donations with federal subsidies accounting for 80% of the republic's budget (and this does not include funds allocated for infrastructure managed at federal level such as roads). However, the administration of Chechnya is being criticized for spending public funds for their personal benefit--in 2010 Dmitry Medvedev noted that "federal funds often do not reach people; we know where they disappear; it is obvious-they are being stolen". For example, the fleet of official vehicles in Chechnya accounts for half of all official vehicles in all Northern Caucasus republics. Public funds are being funnelled through Akhmad Kadyrov Foundation, which--while being registered as a charity--has never produced or published any financial reports as required by Russian law. These violations are ignored by Russian Ministry of Justice, which in many cases has enforced them very strictly against other charities. The foundation operates a building company that services most of the publicly procured infrastructure projects in the republic and also collects a fee from all working citizens of Chechnya, ranging from 10 to 30% of their earnings, raising 3-4 billion roubles per year this way. Kadyrov himself declares annual income of 4.84 million roubles (2015), which is inconsistent with his lavish life-style, luxury vehicles, watches, race horses and mansions. CANNOTANSWER

Question: What was the reconstruction of Chechnya?
Answer: Chechnya has received over 464 billion roubles in subsidies, grants and donations with federal subsidies accounting for 80% of the republic's budget
Ramzan Kadyrov

Context: In 2006, the production of Chechnya's industry increased by 11.9%. In 2007, the rate of growth was 26.4%.  In February 2010, head of the British delegation of the Human Rights Group Lord Judd, formerly "bitterly critical of the Russian authorities for the situation in Chechnya", pointed out a striking change for the better in the Russian North Caucasus republic. Judd said that changes which occurred since his visit as a member of PACE delegation in 2000 were "so overwhelming that sometimes you forget about what happened here until quite recently".  According to a 2016 report by Russian opposition leader Ilya Yashin, Kadyrov collected enormous wealth, primarily through theft of federal subsidies for Chechnya. Between 2001 and 2014 Chechnya has received over 464 billion roubles in subsidies, grants and donations with federal subsidies accounting for 80% of the republic's budget (and this does not include funds allocated for infrastructure managed at federal level such as roads). However, the administration of Chechnya is being criticized for spending public funds for their personal benefit--in 2010 Dmitry Medvedev noted that "federal funds often do not reach people; we know where they disappear; it is obvious-they are being stolen". For example, the fleet of official vehicles in Chechnya accounts for half of all official vehicles in all Northern Caucasus republics. Public funds are being funnelled through Akhmad Kadyrov Foundation, which--while being registered as a charity--has never produced or published any financial reports as required by Russian law. These violations are ignored by Russian Ministry of Justice, which in many cases has enforced them very strictly against other charities. The foundation operates a building company that services most of the publicly procured infrastructure projects in the republic and also collects a fee from all working citizens of Chechnya, ranging from 10 to 30% of their earnings, raising 3-4 billion roubles per year this way. Kadyrov himself declares annual income of 4.84 million roubles (2015), which is inconsistent with his lavish life-style, luxury vehicles, watches, race horses and mansions. CANNOTANSWER

Question: How long did the reconstruction take in Chechnya?
Answer: CANNOTANSWER
Mel Blanc

Context: Blanc began his radio career at the age of 19 in 1927, when he made his acting debut on the KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to Los Angeles in 1932, where he met Estelle Rosenbaum (1909-2003), whom he married a year later, before returning to Portland. He moved to KEX in 1933 to produce and co-host his Cobweb and Nuts show with his wife Estelle, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.  With his wife's encouragement, Blanc returned to Los Angeles and joined Warner Bros.-owned KFWB in Hollywood in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show.  Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny's Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk, and the train announcer. The first role came from a mishap when the recording of the automobile's sounds failed to play on cue, prompting Blanc to take the microphone and improvise the sounds himself. The audience reacted so positively that Benny decided to dispense with the recording altogether and have Blanc continue in that role. One of Blanc's most memorable characters from Benny's radio (and later TV) programs was "Sy, the Little Mexican", who spoke one word at a time. The famous "Si ... Sy ... Sue ... sew" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny. Blanc continued to work with him on radio until the series ended in 1955 and followed the program into television from Benny's 1950 debut episode through guest spots on NBC specials in the 1970s. They last appeared together on a Johnny Carson Tonight Show in January 1974. A few months later, Blanc spoke highly of Benny on a Tom Snyder Tomorrow show special aired the night of the comedian's death.  By 1946, Blanc appeared on over 15 radio programs in supporting roles. His success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie.  Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, and as August Moon on Point Sublime. During World War II, he appeared as Private Sad Sack on various radio shows, including G.I. Journal. Blanc recorded a song titled "Big Bear Lake". CANNOTANSWER

Question: What did Mel Blanc do on the radio?
Answer: KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention.
Mel Blanc

Context: Blanc began his radio career at the age of 19 in 1927, when he made his acting debut on the KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to Los Angeles in 1932, where he met Estelle Rosenbaum (1909-2003), whom he married a year later, before returning to Portland. He moved to KEX in 1933 to produce and co-host his Cobweb and Nuts show with his wife Estelle, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.  With his wife's encouragement, Blanc returned to Los Angeles and joined Warner Bros.-owned KFWB in Hollywood in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show.  Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny's Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk, and the train announcer. The first role came from a mishap when the recording of the automobile's sounds failed to play on cue, prompting Blanc to take the microphone and improvise the sounds himself. The audience reacted so positively that Benny decided to dispense with the recording altogether and have Blanc continue in that role. One of Blanc's most memorable characters from Benny's radio (and later TV) programs was "Sy, the Little Mexican", who spoke one word at a time. The famous "Si ... Sy ... Sue ... sew" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny. Blanc continued to work with him on radio until the series ended in 1955 and followed the program into television from Benny's 1950 debut episode through guest spots on NBC specials in the 1970s. They last appeared together on a Johnny Carson Tonight Show in January 1974. A few months later, Blanc spoke highly of Benny on a Tom Snyder Tomorrow show special aired the night of the comedian's death.  By 1946, Blanc appeared on over 15 radio programs in supporting roles. His success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie.  Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, and as August Moon on Point Sublime. During World War II, he appeared as Private Sad Sack on various radio shows, including G.I. Journal. Blanc recorded a song titled "Big Bear Lake". CANNOTANSWER

Question: Did Mel Blanc get any awards for his work in radio?
Answer: CANNOTANSWER
Mel Blanc

Context: Blanc began his radio career at the age of 19 in 1927, when he made his acting debut on the KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to Los Angeles in 1932, where he met Estelle Rosenbaum (1909-2003), whom he married a year later, before returning to Portland. He moved to KEX in 1933 to produce and co-host his Cobweb and Nuts show with his wife Estelle, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.  With his wife's encouragement, Blanc returned to Los Angeles and joined Warner Bros.-owned KFWB in Hollywood in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show.  Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny's Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk, and the train announcer. The first role came from a mishap when the recording of the automobile's sounds failed to play on cue, prompting Blanc to take the microphone and improvise the sounds himself. The audience reacted so positively that Benny decided to dispense with the recording altogether and have Blanc continue in that role. One of Blanc's most memorable characters from Benny's radio (and later TV) programs was "Sy, the Little Mexican", who spoke one word at a time. The famous "Si ... Sy ... Sue ... sew" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny. Blanc continued to work with him on radio until the series ended in 1955 and followed the program into television from Benny's 1950 debut episode through guest spots on NBC specials in the 1970s. They last appeared together on a Johnny Carson Tonight Show in January 1974. A few months later, Blanc spoke highly of Benny on a Tom Snyder Tomorrow show special aired the night of the comedian's death.  By 1946, Blanc appeared on over 15 radio programs in supporting roles. His success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie.  Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, and as August Moon on Point Sublime. During World War II, he appeared as Private Sad Sack on various radio shows, including G.I. Journal. Blanc recorded a song titled "Big Bear Lake". CANNOTANSWER

Question: Besides his radio work, where else did Mel Blanc perform?
Answer: Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen,
Mel Blanc

Context: Blanc began his radio career at the age of 19 in 1927, when he made his acting debut on the KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to Los Angeles in 1932, where he met Estelle Rosenbaum (1909-2003), whom he married a year later, before returning to Portland. He moved to KEX in 1933 to produce and co-host his Cobweb and Nuts show with his wife Estelle, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.  With his wife's encouragement, Blanc returned to Los Angeles and joined Warner Bros.-owned KFWB in Hollywood in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show.  Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny's Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk, and the train announcer. The first role came from a mishap when the recording of the automobile's sounds failed to play on cue, prompting Blanc to take the microphone and improvise the sounds himself. The audience reacted so positively that Benny decided to dispense with the recording altogether and have Blanc continue in that role. One of Blanc's most memorable characters from Benny's radio (and later TV) programs was "Sy, the Little Mexican", who spoke one word at a time. The famous "Si ... Sy ... Sue ... sew" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny. Blanc continued to work with him on radio until the series ended in 1955 and followed the program into television from Benny's 1950 debut episode through guest spots on NBC specials in the 1970s. They last appeared together on a Johnny Carson Tonight Show in January 1974. A few months later, Blanc spoke highly of Benny on a Tom Snyder Tomorrow show special aired the night of the comedian's death.  By 1946, Blanc appeared on over 15 radio programs in supporting roles. His success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie.  Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, and as August Moon on Point Sublime. During World War II, he appeared as Private Sad Sack on various radio shows, including G.I. Journal. Blanc recorded a song titled "Big Bear Lake". CANNOTANSWER

Question: Did Mel Blanc have his own radio show?
Answer: produce and co-host his Cobweb and Nuts show with his wife Estelle,
Mel Blanc

Context: Blanc began his radio career at the age of 19 in 1927, when he made his acting debut on the KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to Los Angeles in 1932, where he met Estelle Rosenbaum (1909-2003), whom he married a year later, before returning to Portland. He moved to KEX in 1933 to produce and co-host his Cobweb and Nuts show with his wife Estelle, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.  With his wife's encouragement, Blanc returned to Los Angeles and joined Warner Bros.-owned KFWB in Hollywood in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show.  Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny's Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk, and the train announcer. The first role came from a mishap when the recording of the automobile's sounds failed to play on cue, prompting Blanc to take the microphone and improvise the sounds himself. The audience reacted so positively that Benny decided to dispense with the recording altogether and have Blanc continue in that role. One of Blanc's most memorable characters from Benny's radio (and later TV) programs was "Sy, the Little Mexican", who spoke one word at a time. The famous "Si ... Sy ... Sue ... sew" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny. Blanc continued to work with him on radio until the series ended in 1955 and followed the program into television from Benny's 1950 debut episode through guest spots on NBC specials in the 1970s. They last appeared together on a Johnny Carson Tonight Show in January 1974. A few months later, Blanc spoke highly of Benny on a Tom Snyder Tomorrow show special aired the night of the comedian's death.  By 1946, Blanc appeared on over 15 radio programs in supporting roles. His success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie.  Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, and as August Moon on Point Sublime. During World War II, he appeared as Private Sad Sack on various radio shows, including G.I. Journal. Blanc recorded a song titled "Big Bear Lake". CANNOTANSWER

Question: Was Mel Blanc's own radio show successful?
Answer: by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.
Mel Blanc

Context: Blanc began his radio career at the age of 19 in 1927, when he made his acting debut on the KGW program The Hoot Owls, where his ability to provide voices for multiple characters first attracted attention. He moved to Los Angeles in 1932, where he met Estelle Rosenbaum (1909-2003), whom he married a year later, before returning to Portland. He moved to KEX in 1933 to produce and co-host his Cobweb and Nuts show with his wife Estelle, which debuted on June 15. The program played Monday through Saturday from 11:00 pm to midnight, and by the time the show ended two years later, it appeared from 10:30 pm to 11:00 pm.  With his wife's encouragement, Blanc returned to Los Angeles and joined Warner Bros.-owned KFWB in Hollywood in 1935. He joined The Johnny Murray Show, but the following year switched to CBS Radio and The Joe Penner Show.  Blanc was a regular on the NBC Red Network show The Jack Benny Program in various roles, including voicing Benny's Maxwell automobile (in desperate need of a tune-up), violin teacher Professor LeBlanc, Polly the Parrot, Benny's pet polar bear Carmichael, the tormented department store clerk, and the train announcer. The first role came from a mishap when the recording of the automobile's sounds failed to play on cue, prompting Blanc to take the microphone and improvise the sounds himself. The audience reacted so positively that Benny decided to dispense with the recording altogether and have Blanc continue in that role. One of Blanc's most memorable characters from Benny's radio (and later TV) programs was "Sy, the Little Mexican", who spoke one word at a time. The famous "Si ... Sy ... Sue ... sew" routine was so effective that no matter how many times it was performed, the laughter was always there, thanks to the comedic timing of Blanc and Benny. Blanc continued to work with him on radio until the series ended in 1955 and followed the program into television from Benny's 1950 debut episode through guest spots on NBC specials in the 1970s. They last appeared together on a Johnny Carson Tonight Show in January 1974. A few months later, Blanc spoke highly of Benny on a Tom Snyder Tomorrow show special aired the night of the comedian's death.  By 1946, Blanc appeared on over 15 radio programs in supporting roles. His success on The Jack Benny Program led to his own radio show on the CBS Radio Network, The Mel Blanc Show, which ran from September 3, 1946, to June 24, 1947. Blanc played himself as the hapless owner of a fix-it shop, as well as his young cousin Zookie.  Blanc also appeared on such other national radio programs as The Abbott and Costello Show, the Happy Postman on Burns and Allen, and as August Moon on Point Sublime. During World War II, he appeared as Private Sad Sack on various radio shows, including G.I. Journal. Blanc recorded a song titled "Big Bear Lake". CANNOTANSWER

Question: What did Mel Blanc talk about on his radio show?
Answer: Cobweb and Nuts
George M. Cohan

Context: Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy."  Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played.  From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association.  In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There. CANNOTANSWER

Question: What did George Cohan do first?
Answer: began writing original skits
George M. Cohan

Context: Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy."  Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played.  From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association.  In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There. CANNOTANSWER

Question: How many skits did George Cohan write?
Answer: over 150 of them
George M. Cohan

Context: Cohan began writing original skits (over 150 of them) and songs for the family act in both vaudeville and minstrel shows while in his teens. Soon he was writing professionally, selling his first songs to a national publisher in 1893. In 1901 he wrote, directed and produced his first Broadway musical, The Governor's Son, for The Four Cohans. His first big Broadway hit in 1904 was the show Little Johnny Jones, which introduced his tunes "Give My Regards to Broadway" and "The Yankee Doodle Boy."  Cohan became one of the leading Tin Pan Alley songwriters, publishing upwards of 300 original songs noted for their catchy melodies and clever lyrics. His major hit songs included "You're a Grand Old Flag," "Forty-Five Minutes from Broadway," "Mary Is a Grand Old Name," "The Warmest Baby in the Bunch," "Life's a Funny Proposition After All," "I Want To Hear a Yankee Doodle Tune," "You Won't Do Any Business If You Haven't Got a Band," "The Small Town Gal," "I'm Mighty Glad I'm Living, That's All," "That Haunting Melody," "Always Leave Them Laughing When You Say Goodbye", and America's most popular World War I song "Over There", which was recorded by Enrico Caruso among others. The latter song reached such currency among troops and shipyard workers that a ship was named "Costigan" after Cohan's grandfather, Dennis Costigan. During the christening, "Over There" was played.  From 1904 to 1920, Cohan created and produced over 50 musicals, plays and revues on Broadway together with his friend Sam H. Harris, including Give My Regards to Broadway and the successful Going Up in 1917, which became a smash hit in London the following year. His shows ran simultaneously in as many as five theatres. One of Cohan's most innovative plays was a dramatization of the mystery Seven Keys to Baldpate in 1913, which baffled some audiences and critics but became a hit. Cohan further adapted it as a film in 1917, and it was adapted for film six more times, as well as for TV and radio. He dropped out of acting for some years after his 1919 dispute with Actors' Equity Association.  In 1925, he published his autobiography, Twenty Years on Broadway and the Years It Took To Get There. CANNOTANSWER

Question: who did George Cohan write over 150 skits for?
Answer: and songs for the family act in both vaudeville and minstrel shows